#IT'S ALL SO HORRIBLE

[cometblaster2070]

OKAY IM DEFINITELY READING TOO MUCH INTO THIS BUT HEAR ME OUT.

SO THERE’S THIS SCENE IN DRAGON GAMES WHEN APPLE’S POISONED AND IN HER COFFIN AND THEY’RE ALL SAD AND SHIT AND DARLING TALKS ABOUT HOW APPLE’S NOT GONE, SHE’S JUST WAITING FOR HER HAPPILY EVER AFTER.

OKAY SEE SO THIS IS EXACTLY THE MOMENT WHERE DARLING SAYS THAT APPLE ISN’T DEAD SHE’S WAITING; LIKE LITERALLY THE MOMENT WHERE SHE SAYS THE WORD ‘WAITING’.

AND THIS IS DARLING NOT EVEN A SECOND LATER WHILE SHE’S SAYING THE WORDS ‘HAPPILY EVER AFTER’.

I AM PROBABLY READING WAY WAY TOO MUCH INTO THIS, BUT LIKE??? DO YOU GUYS SEE IT??? LIKE THE SUBTLE EXPRESSION CHANGE???

I DON’T QUITE KNOW HOW TO EXPLAIN IT BUT WHEN YOU WATCH THE WHOLE SCENE PLAY OUT, IT’S EASIER TO SPOT.

I AM LITERALLY FROTHING AT THE MOUTH OVER LITERALLY ONE FRAME.

Because, see, in the first frame Darling’s expression is just one of concern, right, because this is obviously a very tense situation for everyone and Darling’s trying to reassure them the best she can.

BUT, Darling’s expression seems to change when she’s talking about Apple’s happily ever after, which, at this point in the story, everyone thinks will happen because of Daring.

DO YOU SEE THIS? BECAUSE MY DELUSIONAL ASS SURE DOES.

man, like, just the way darling is looking at apple in the second pic; the expression is so lost and hopeless in a way, because she thinks that even if she’ll get apple back, apple will never end up being her true love yk.

THIS SHIT IS GREAT.

[kensatou]

(✿◕‿◕) die (ꈍ ꒳ ꈍ✿)

[butchniqabi]

here's list of Palestinians who have reached out to me, please donate if you can

posted august 23rd 2024

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[phosbogey]

what a kind and reliable group

[danifart]

i am so angry

[lotus-pear]

HAPPY 117 EVERYONE ITS BUNGOVER ‼️‼️‼️‼️‼️

[chikinan]

I'm sentimental about them. & about camcorders. [twt + insta + ptrn on bio]

[johnbottoms]

i would recognize them thru post alone, by type; i would know them iconless, by the tags they write and their content. i would know them in death, at the end of the dashboard

[cryptocism]

a dænce of roëmænce

depictions of the ace experience never seem to include the nightmare-borne skeleton creature from hell so kudos to the dimension 20 team for their commitment to accurate rep

[astralpenguin]

self care is writing a fic that you’re literally the sole target audience for

[nadiajustbe]

One of my favorite parts about the writing of Howl's Moving Castle is how easy it is to write off all the things from our world at first as him just being a weird wizard™ (also thanks to bestie @jutenium for spotting this I wouldn't put it like that without you!!/pos). Sure, Sophie uses weird descriptions, but readers have every reason to believe them because of the way Howl is presented as a character. When Sophie says he wrote with a quill that doesn't need an ink, you wouldn't think it was actually a ballpoint pen, you would think Howl had just enchanted his quill so that it wouldn't need ink! When she adds that she can't make out a single word, you think he has matchingly terrible handwriting, but in fact Sophie has simply never seen a pen writing. When she sees the mysterious labels on his books, you think he's keeping a lot of obscure magical literature, but it's really just an encyclopedia and a guide like "Top 10 Rugby Tips." When Sophie notices the bottles in Howl's bathtub, you think they're some kind of magical jars where he keeps girl's hearts, but I'm almost certain that they're just 'Dove' and 'Head and Shoulders' that he's enhanced with his spells and put silly labels on. When you read Calicifer singing a song in a language Sophie doesn't understand, you think it's some kind of ancient cipher or code, but it's actually just a rugby song in Welsh that Howl sings when he's drunk. And finally, when you see the terrifying black door, which is completely shrouded in darkness, you imagine a passage to an eerie, mythical place, similar to what Miyazaki showed us - but it's just fucking Wales.

[maikhiwi00]

SENTINEL PRIME in

TRANSFORMERS ONE 2024, dir. Josh Cooley

[poorly-drawn-mdzs]

The dog days are over.

[First] Prev <–-> Next

[inkskinned]

the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.

capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.

now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.

and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.

and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.

and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".

it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"

[angry-kid-with-no-money]

"Nora doesn't know anything about the things she writes about" "aftg is terrible queer rep" "the queer characters in aftg are so problematic"

Idk guys maybe the book series abt problematic ppl set in 2006 and written in the mid 2010s shouldn't be expected to hold up against scrutiny of what we consider to be moral and correct now, in 2024

Idk tho, idk

[puppyeared]

these two are so interesting to me

characters belong to @canisalbus