#IS CINEMATOGRAPHYING

[mumblesplash]

comics as an art form make me insane. they’re so difficult to do well. there’s so many different ways to make sequential art work and most of them are deeply unintuitive. onomatopoeia that feels completely ridiculous to put down often reads seamlessly. panels on a page become a fractally nested image composition challenge that’s only possible to lose because if you do a good job no one will notice. you have to direct the readers’ eyes on a specific path across the page but also account for the fact that they won’t follow it. comic time isn’t linear. if the order of events isn’t crystal clear the story becomes incomprehensible. sometimes you need to do this on purpose. all this for a medium almost universally considered less effective than animation and less respectable than plain text. even its own name doesn’t take it seriously

[passedaway44]

[filmreveries]

Saltburn (2023) dir. Emerald Fennell

[paigegonerogue]

I love how TLOU HBO uses colors…

Before Sarah dies the colors are a lot warmer, a lot “kinder”, almost

But when she dies, and it transitions to present day, the colors get colder. More stark.

But Ellie’s colors are warm

And you see that contrast…

…then you see their color schemes come together

[reuels]

Poor Things (2023) dir. Yorgos Lanthimos

[serendipity-in-love]

Eternal Sunshine of the Spotless Mind (2004)

[filmaticbby]

Eyes Wide Shut (1999) dir. Stanley Kubrick

[filmswithoutfaces]

The Substance 2024 | Coralie Fargeat

[wroniec]

Galadriel

[girls-cry]

BUT I'M A CHEERLEADER (1999) dir. Jamie Babbit

[cinematicmasterpiece]

blood tea and red string (2006)

[vampirecorleone]

"Can't rain all the time..." Cinematography Appreciation - The Crow (1994) dir. Alex Proyas

[swan2swan]

Okay, also, the cinematography of that last episode of The Rings of Power....did this, apparently?

Sure, you go ahead and have the whole set dim to transition. This would be easy enough to do digitally, but, sure, you can use The Volume and a practical set to just...turn off the lights in a day-to-night shift. Have extras start running around in a panic. Make the camera crew walk around with him. Account for the firelight. Sure. Fine. Yeah. Totally. A movement I could conceive of in cinema. Why not?

[silkenrat]

Jennifer’s Body (2009) Dir. Karyn Kusama

Helter Skelter (2012) Dir. Mika Ninagawa

I, Tonya (2017) Dir. Craig Gillespie

The Substance (2024) Dir. Coralie Fargeat

[y0urfavoritevirgo]

i shot a music video.

[escapismthroughfilm]

⋆˚｡⋆ ⋆˚｡⋆⋆˚｡⋆ ⋆Carrie (1976) dir. Brian De Palma⋆˚｡⋆ ⋆˚｡⋆⋆˚｡⋆