#IM JUST IN DENIAL
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violinfantasy · 8 months ago
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this is how i can still get my yuma junhwan adam podium
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butchharts · 27 days ago
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this better not be what I think it is.
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trainwreckmk2 · 1 year ago
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Ah is this the 'tism that my friends keep telling me I have?
there are people who leave the house without a pair of earplugs. what insanity
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illusioncanthurtme--art · 20 days ago
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...I got fiddlestan brainworms
hehehe funny spongebob reference
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beegs-bugs · 7 months ago
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Live footage of Jon gaslighting himself into thinking he’s only jealous of Peter Lukas because Martin is such a good assistant. No other reason.
Art by my irl friend Vin Who Isn’t On Tumblr
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corkinavoid · 2 months ago
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I'm pretty sure this has been done before (and several times), but brain going brrr, so
DPxDC John Constantine's How To: Ghost Kids
Bruce doesn't even get to say anything when the door to his study opens with a slam against the wall, and before he knows it, he gets an armful of kids. As in, a bouquet of them.
"I'm so done," John Constantine breathes out, raspy and exhausted, looking like a trainwreck incarnate. Granted, the man always looked like one, but right now, the effect has been greatly worsened. The dark circles under John's eyes are, in fact, black, and it looks like he hasn't shaved in at least a week.
Bruce looks down to the small gaggle of children in his lap that he caught in his hands by sheer reflex.
All three of them look up at him with identical, sky blue eyes. They could be twins if it was not for their obviously different ages - the girl looks no older than three, while the boys are probably around five and six.
The older boy scrunches his nose. The girl pouts, but it looks directed at Constantine rather than at him.
Bruce looks back to John, a silent question in his eyes.
"They are- Well, not mine, for starters," the man begins, placing his hands on the table right over the sheets and documents, and leans on it, hanging his head down. Then, he raises one hand up and waves it in the air, "Not yours either, thank the Gods for that." He takes a deep breath.
Bruce's eyebrows raise all the way up to his hairline. The girl starts trying to wiggle out of his hands, but the middle boy holds her back, keeping her in Bruce's lap. She pouts harder.
"And you've brought them here why?" Bruce breaks the stretched out silence, gently repositioning the kids into a more comfortable hold. John raises his head up at him, and the magician's eyes look straight up pleading.
"You're the only person I know of who is, one, a parent, two, acquainted with supernatural, three, a man of great patience, and four, owes me a favor." Constantine lists off reasons that don't really make sense all together, especially regarding kids. Then he thinks for a moment and adds, "Five, owes a shitton of liquor."
"John, what-"
"Listen, I've been dealing with them for a week, I'm at my limit," Constantine interrupts him, desperate and close to whining, "I haven't slept in more than three consecutive hours for days. I don't remember the last time I ate. Or took a shower."
Yes, Bruce can see that. Or, rather, smell it. But that answers none of his questions as to who, why, and how.
"I would kill for a bath," John admits, like it's some sort of a secret. The middle boy opens his mouth, but Constantine points an accusing finger at him, "No, the puddle of melted ghost ice does not count for a bath. And don't come at me with your death puns."
The child rolls his eyes but closes his mouth back and slumps. Bruce resists the urge to pinch the bridge of his nose, but only because he is holding three kids. His hands are full, quite literally.
"John, I need you to explain," he asks, somewhere between a demand and a careful inquiry. Because, really, the man looks on the brink of losing his sanity, that much is evident. Bruce might not like the man, but he can at least partially sympathize with dealing with kids.
His bare minimum of sympathy - and isn't it a bizarre thought, emotionally sympathizing with John Constantine of all people - does not ease his growing worry and irritation. The girl starts trying to get out of his hold again.
John takes a very deep breath, holds it, and then-
"I stole them," he says, looking Bruce dead in the eye, with a sense of resigned, if a bit unhinged, determination. And, before Bruce is able to ask literally anything else, he keeps going, "Their parents are shit, a branch of government is out for their guts - as in, literal guts - there was- there is a backdoor to the afterlife in their basement, and also they are dead and because of some Realms fuckery and their spiritual granddad being a huge pain in the ass, they are all wrong ages."
Bruce blinks. Then blinks again. Processing that sentence turns out to be a lot harder than he estimated.
The oldest kid in his lap gives John a middle finger, nearly sneering. The girl starts snickering, somehow making it soundless.
"Oh, and they are under a silence charm because if I hear one more references to fucking Ghostbusters I will shoot myself," Constantine finishes matter-of-factly.
Distantly, Bruce wonders if John can make that spell into some sort of an amulet. God knows, Dick really needs one sometimes. Steph does, too. And Jason. Actually, all of them need one.
He looks over the kids again. They don't seem scared or unsettled, neither by the fact they are sitting in a lap of a stranger nor by Constantine's bullet point version of a summary to their lives. They mostly just look annoyed and grumpy, and a bit embarrassed in case of the middle boy.
Bruce sighs and decides to start somewhere.
"Do they have names?"
[part 2 ->]
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koipepo · 9 months ago
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That omake of little Kabru not being able to show off his howetown sweets because of Misril gets to me a lot so...
Here's a happier Kabru (and Lairu)
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liquidstar · 7 months ago
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ok ill say one thing rn
completely wild that ivan tells sua off for consistently sacrificing herself for mizi- saying that she's not being noble by doing this and will only become a source of trauma for her by the end (WHICH WAS TRUE BC SHE THREW THE CONTEST TO DIE IN MIZI'S PLACE)
but then the SECOND hes put into that same situation...
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HE DOES THE SAME THING!!! HE KNOWS HIS SCORE IS WELL ABOVE TILL'S SO HE KISSES HIM TO BRING HIS SCORE DOWN AND CHOKES HIM TO MAKE SURE HES THE ONE KILLED (THE SAME WAY MIZI WAS TARGETED FOR BEATING THE CRAP OUT OF LUKA). IVAN YOU PIECE OF SHIT HYPOCRITE. "SOURCE OF TRAUMA" HUH? YOURS WAS WORSE. I CANT BELIEVE YOUVE DONE THIS.
Anyway more in depth thoughts in the reblogs as I gathered myself
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huginsmemory · 2 months ago
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Ideology of Exceptionalism and Gravity Falls; meta and character analysis
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I had a whole ago read a post by @icanlife that had a quote by Alex Hirsch on Ford's greatest flaw, and wanted to explore what the flaw is, which is the ideology of exceptionalism; in the exploration, I’ll touch on what it is and how it is used in abusive relationships and cults, as well as how it drives multiple Gravity Falls characters and consequently how it impacts relationships between these characters, and how the show ultimately refutes exceptionalism.
Quick note here; I am not in any way, shape or form a psychologist nor have any formal training in psychology; this is written from my own experiences with this ideology and my own forays into psychology and trauma-informed learning. It is also written with a loose understanding that is likely not broad enough to cover all references to cults, extremist groups and abusive relationships. 
The Ideology of Exceptionalism 
First of all, we have to get through a drier bit, which is… what is the ideology of exceptionalism and how does it arise? Might be fairly obvious, but it is the belief that you are, or belong to, a group of exceptional people, thus more important and worth more than anyone else; ie, those who don't qualify as 'exceptional'. It is often a subconsciously learned ideology. Now, what qualifies one as exceptional can be extremely varied; generally it revolves around something that provides some form of privilege. Thus, it might be, as the main exceptionalist idea in Gravity Falls, 'intelligence', or power, or it can be such things as attractiveness, quantity of money one has, species, nationality, or skin colour and ancestral heritage. The ideology of exceptionalism, being by nature hierarchical, devalues, and at its worst, openly and violently dehumanizes those who do not qualify as exceptional. 
For why exceptionalism occurs is an extremely broad topic, but I've personally found that, for exceptionalism revolving around intelligence, it's a result of a poor sense of self-worth, and having one's self-worth tied to what makes one exceptional. Poor self-worth itself (again, broadly) is a result of childhood trauma from a lack of positive affirmation and unfulfillment of the emotional needs of the child. Meanwhile, self-worth becoming tied to the quality of exceptionalism generally is a result of when positive affirmation was pretty much solely provided around their 'exceptionalism', especially when provided derogatory commentary, or a blatant example of how they would be treated if they aren't 'exceptional'. As a result of the general lack of affirmation, self-worth then becomes often solely reliant on the qualities of exceptionalism, as that is the only way for the child (and later, adult) to get affirmation of their worth, as well as out of fear of being ‘not worth anything’ like the examples of ‘non-exceptional’ people they have been given. 
This is especially likely to occur when the child is a social outcast; the adoption of the hierarchical ideology of exceptionalism, and the devaluation/dehumanization of others often occurs subconsciously as an avoidance/minimization tactic from pain. This is to say, the child, and later the adult (if healthy self-worth is not established) goes 'it doesn't matter what the non-exceptional people say or if they accept me since I matter more than them because of my exceptionality'. It can even be taken further, that being shunned is part of one's exceptionalism, and becomes part of the qualifier of being exceptional. For instance, 'they just can't understand because they aren't exceptional and that's just a part of being exceptional'. This idea also neatly tailors into the part of the concept of being better then others means you are separate from others; this can be taken that someone who is special, needs to be alone to be truly special.
Obviously, exceptionalism is not a healthy coping mechanism for poor self-worth, as often such people constantly feel the need to prove and show off their exceptionalism to gain that affirmation and avoid rejection, which is stressful. As well, it often negatively impacts their relationships with other people as a result of the arrogance of believing that they are better than most others, or even deliberate sabotage due to their arrogance. This occurs as they flatten the complexity of human experience to black-and-white hierarchical categories of exceptional/not-exceptional through constant judgement of those they meet, and often refuse to engage with people who don't belong to their 'exceptionality', or even people they simply don't like, even if they technically qualify. Generally, those that they do like or have close relationships with, often due to being similar, are automatically labelled as 'exceptional'. Those judged as ‘exceptional’ also become privy to the open judgements of ‘non-exceptional’ others, out of a subconscious belief by the exceptionalist that the other believes similarly; something that may strain their relationship if the other doesn’t ascribe to exceptionalism. This all culminates in the exceptionalist being blind or even adverse to the diversity of experiences, which makes it difficult to create relationships and community outside of echo chambers of their own beliefs (if they can even find this), and subsequently, these people are often isolated and have very few to no close relationships with people. 
However, all humans require connections with other people, relationships where one can rely on others emotionally and physically if needed and feel accepted; they also require to feel like they are worth something, that their life has meaning. Lacking meaningful connections and having a crippled sense of self-worth, a deep yearning hole is left in these people. Exceptionalism, especially as it is a narrative constantly pushed by Western society as it validates hierarchies, is then employed as a (often subconscious) trauma response to assuage this yearning hole, with arrogance and denial. And depending on the circumstances, it can be a very strong and definitive trauma response for people.
This isolation and lack of self-worth is catnip to abusive relationships, including cults and extremist groups. These types of relationships often heavily rely on isolating their victims or pulling them into echo chambers of solely the abuser’s rhetoric, to redefine what is healthy through gaslighting; as the exceptionalists are already isolated, this makes them extremely susceptible. They also often provide these people affirmation, and in these cases especially about their exceptionalism, thus confirming their self-worth, their 'specialness', while also providing them the connection they have been lacking, either through the cult community or through the abuser’s own presence. These emotional needs, which haven’t been met in a long time, if ever, begin to be fulfilled; something that abusive relationships and cults hinge on, rather than any form of logic.
Ideology of Exceptionalism and Gravity Falls
The main characters within Gravity Falls which are heavily ascribed to exceptionalism would be both Ford and Bill; this characterization deeply impacts the story and their relationships with others (technically the Northwest are another case regarding wealth, but less directly impact the storyline and thus tangential; Gideon also is an example, but as a mirror of Bill). With each of these characters I’ll go into detail within their sections on the way they began to ascribe to exceptionalism, and how it plays out later in their relationships; I will first begin with Ford, then move to Bill. Then, to cap it off, I’ll go into the characterization of Stan and the way Gravity Falls refutes exceptionalism. 
Ford and Exceptionalism
Firstly, the quote from Alex Hirsch that kicked this whole baby off, as mentioned previously; 
“Ford sees Dipper as someone who’s special like himself. That’s Ford’s great flaw, his arrogance is he believes that there’s special people, and everyone else. That human attachments are actually weaknesses. And the song and dance that he’s giving Dipper right now, is the song and dance that he gave McGucket, back when they were younger… ‘You and me are different, we’re better than everyone else. We have a path that no one else can understand, and only us can do this.’ It’s a very seductive idea for Dipper… Dipper is a smart kid, but Ford’s projecting. Ford loves Dipper because he sees someone who’ll tell him ‘yes’ to everything. Who’ll never challenge him, who’ll do a really insane dangerous mission.”
Very blatantly Alex Hirsch calls Ford out on his arrogance in the belief that he is special, in his belief in the 'lone hero' complex, in his belief in exceptionalism. And really, it should be no surprise that Ford does so, considering the way he's depicted as a social outcast as a child (other than Stan), and the way his parents have been clearly shown to be not particularly emotionally supportive (“I’m not impressed”); they don't provide positive affirmation except for his intelligence (mostly due to the possibility of money making through it…), while also actively comparing him to Stan who is derogatorily ‘not-exceptional’, and ‘worth less’. This all sets Ford’s self-worth up to be fragile, and other than Stan who wholeheartedly accepts him, he is isolated and invalidated; plus, the only other validation he receives is around his intelligence. All very classically fitting the profile for exceptionalism.
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Image id: Stand and Ford when they were children, both clearly enjoying each other's company.
Ford’s belief in his exceptionalism catalyzes after the shattering of his and Stan’s relationship. Previously the twins are shown to do everything together, having a very close caring relationship; something unlikely if Ford thought he was better than Stan. Also, when Ford is talked to about his opportunities, Ford looks uncomfortable at the way they talk about Stan as inferior, compared to how he himself is being praised; but in the offer he’s simultaneously finally being validated, he’s being told he’s someone worth something, and he’s going to be someone worth something after this. And then the science fair incident occurs, and Ford loses that validation from his parents, from the judges and a future of more validation; after being promised validation and acceptance, it slips through his fingers. And in his anger of being denied that, it becomes easy to begin to slip subconsciously into the rhetoric the others have been feeding him; that he’s exceptional, that Stan isn’t, and he deserved to be recognized for his worth. So he breaks the relationship with the only person who accepted and validated him for who he is. With that loss of previous support, Ford becomes then deeply obsessed with proving his exceptionalism to the world to assuage that fragile self-worth, to become accepted, or even better, revered, confirming that he is someone of worth, someone special, like he was promised. 
Ford’s obsession also doubly functions as a way to alleviate his guilt over shattering their relationship; if he’s exceptional as he believes, then he’s within the right to respond the way he did, as he’s worth more than Stan, he's better off alone, and he has a right to be angry over being denied that validation. As well, in much the same way as it is used as a way to alleviate his guilt over the end of their relationship, it is also likely used in a way to minimize the pain of being ostracized (although not directly depicted); afterall, Ford’s keenly aware and insecure about his social ineptitude and his six fingers as things that make him different from other people, case in point with his experience visiting Lazy Susans Diner. Thus it wouldn’t be unsurprising if he uses the idea of being worth more than those who ostracize him to imply it ‘doesn’t matter’ what they think. His ostracization by nature keeps him from generally forming close relationships, with the exception of Fiddleford (who much like him, is socially outcast, and intelligent) during his university days. As a result, he's isolated and acutely lonely, having lost Stan.
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Image id: One of the missing Journal 3 pages in TBOB, detailing Ford's botched social interaction in Lazy Susans Diner. In the background is the print of his six-fingered hand.
In his obsession over being acknowledged, Ford, like many others who believe in exceptionalism, identifies strongly with the causes of his ostracization (his intelligence, his six-fingeredness) as part of, or wholly, makes him exceptional. It is obvious through his choice of study; with the grant he has been gifted, he chooses to revolve his work around the weird, the outcast, something that you see Ford gravitate towards being an outcast and deemed 'weird' himself (which in Journal 3 he openly talks about). Something that can be, much like him, framed as 'exceptional'. His work is even recorded in a journal that Ford deliberately chooses to put his six-fingered hand on the cover of. Intertwined with the way it becomes adopted into the idea of exceptionalism, is the keen loneliness from his ostracization and a deep desire to be accepted and a wish to find a community of other weird people.
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Image id: Two pages from journal 3, labelled 'Myself', in which Ford is open about being weird, and a social outcast, while also noting his ambitions and that 'Gravity Falls, [is] the place that I fit in.'
Ford and Bill
All of this culminates in Ford becoming an incredibly easy target to manipulate by Bill. He’s desperate to be acknowledged (and thus accepted) by an authority figure so that his belief in exceptionalism is justified and his self-worth confirmed. And he knows he’s intelligent, that he's exceptional because people have told him so, but he just needs to prove it with something that shakes the world. And the grant is finally his second chance after the fair, but he's stuck, and the research is going nowhere, and he's in a town where he doesn't really know anyone and he’s so terribly lonely. And sure, he clings to his exceptionalism but if he can't even prove it then is he really exceptional? Is he even worth anything like he thought he was? And what about what he's left behind, rejected, because of his exceptionalism?
And THEN he finds an incantation and he ignores the warnings because maybe, just maybe, this will be his break to get that acceptance/validation he has been chasing his whole life? 
And then it's better than that. 
A god, essentially, shows himself to him, an ultimate figure of authority. And he tells him that yes, he is special, he’s worth more than other people, and Bill’s only showing himself to Ford because he is so much more intelligent than anyone else. Ford is suddenly getting his exceptionalism confirmed by a god of ancient knowledge, an immensely intelligent interdimensional being, and he’s also showering him with affirmations, specifically affirmations around what Ford's fragile self-worth is based on. And even better, he's delighted by Ford's six-fingeredness; he's not put off at all, it even becomes his main nickname for Ford, just like it used to be for Stan all those years ago. On top of it all, Ford's own social ineptitude doesn't phase Bill, another thing Ford is self-conscious about; Bill's own social ineptitude as he's not human probably makes Ford feel comfortable, knowing that's not expected from him.
Through Bill, not only does Ford find someone who validates his self-worth through intelligence and even confirms to him that his weirdness is part and parcel of making him special, he also finds someone who he regularly (generally) is in contact with, who enjoys talking to him and even banters with him familiarly. Hell, Bill even deliberately goes out of his way (literally possessing a whole wack ton of rats, then dream karaoke) to celebrate his birthday with him; how long do you think Ford has simply skipped his birthday since he had no one to really celebrate it with? The loneliness, beneath his arrogance and belief in exceptionalism, is being fulfilled; for the first time since Ford was a teenager, he's fully accepted by someone, social awkwardness, six fingers, exceptionalism and all. 
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Image id: One of the lost pages from Journal 3 in TBOB, the 'one thing led to another' page, with Bill and Ford singing karaoke and drinking together, both clearly enjoying themselves; Bill has an arm slung around Ford's shoulders.
So it's really no surprise at all that Ford fell for this, hook line and sinker. Hell, if I was in Ford's shoes I would fall for it just as hard. And I've seen a few posts floating around talking about how Bill is bad at manipulating, and no, he's not. He was able to pinpoint exactly what Ford wanted and needed, and provided that, was charismatic enough to provide that. Again, manipulation isn't about logic. It really isn't; it's about the emotional core in people, what people lack and what you can give them to slowly reel them in to sing your dance and song. And people will ignore vast swaths of red flags when you're finally being accepted, when you're finally getting your emotional needs met at least in some way or form. It's better than not having them met at all, such as previously. So Ford worshipping Bill is really not a surprise, especially as Bill deliberately stoked it.
All of this is part of why you see Alex Hirsch call Ford's belief in his exceptionalism his greatest flaw; because it allowed him to be very easily manipulated by Bill, and by its nature kept Ford isolated from others, evident by his arrogance in assuming he knows best and refusing to see other people who aren't as 'intelligent/weird' as him as worth getting to know, listen too and even reach out to ask help from, it's him believing he has to be the lone hero as someone whose 'special'. It's something that blinds him to the danger of his work around the weirdness of gravity falls because he’s desperate to seek a place where he and his weirdness belong, and it's something that plays out in each and every relationship he has because it's something he clings to so deeply. It's what cost him his relationship with Stan, who previously accepted him completely, and, as he's disinclined to form new relationships and as Bill actively strokes his paranoia (Trust No One…), ultimately further increases the hold Bill has over him. It's only Fiddleford’s presence as he works with Ford that allows him some form of outside reference and reprieve from solely Bill’s influence, something that Bill resents deeply and is clearly jealous and angry about, even if Fiddleford is helping create the portal. And it's ultimately Fiddleford, once he was aware enough of what was happening, calls Ford out on it, seriously jeopardizing Bill's influence over Ford; but Ford is too invested in the portal, in chasing his own ambition and caught up in Bill’s manipulation to take him seriously, until the incident with the trial, and Ford beginning to hear other voices then Bill.
Ford’s Exceptionalism and Wider Relationships
Now back to how it plays out in all Ford's relationships; we've already gone over it with Bill's influence, because it made him extremely easy to manipulate, and with his disregard of Stan in favor of validation of his exceptionalism. But Ford, as pointed out by Alex Hirsch, also exerts the ideology's seductive rhetoric to both Fiddleford and Dipper (who look up to Ford) in a similar way that Bill does with him (although there is a difference of it being used intentionally and maliciously, compared to subconsciously and earnestly, even if it is problematic). Ford, with his black-and-white view of exceptionalism, sees both Fiddleford and Dipper as people who are like him; 'exceptional', and so he treats them as such, and uses this rhetoric to coerce them into helping him.
For Fiddleford, the lure is how he can change the world, how he can be finally acknowledged if he helps Ford with the portal. And it works well; he willingly chooses to leave his own work and his wife and young son, to work with Ford. Much like Ford, Fiddleford himself is also a social outcast and regularly presumed less smart than he is, and he’s got a chip on his shoulder to prove himself, to gain acknowledgement and recognition from the world at large. Although Fiddleford has a family which presumes he’s not entirely lonely like Ford is, he also clearly has deep feelings for Ford, some which are hinted to be more than just ‘friendly’ feelings; it is likely the combination of the lure of validation and spending time with Ford, a kindred spirit that accepts him and an old friend/crush, that causes him to agree (afterall, it was Ford who made Fiddleford feel accepted and choose to stay at Backupsmore). And Fiddleford’s not even considered a partner, but rather an assistant to Ford due to Ford's arrogance, and he still drops everything to go! It’s more about their relationship and connection rather than validation, but that doesn’t stop Ford from espousing exceptionalism. And this is a distinguishing difference, because although Fiddleford would like recognition, he’s not there solely because of it; he’s not a believer in exceptionalism nor arrogant about his skills, and so, unlike Ford who is blinded by his obsession, he’s much more aware of the dangers of the weirdness of Gravity Falls. Thus, he's actively calculating the risks involved, and when he realizes there could be potentially devastating consequences of the portal, he attempts to talk Ford out of it; this fails due to Ford’s own denial and obsession over the portal. In the end, it all goes terribly sideways, and Fiddleford ends up losing everything he had; his wife, his son, his friend, his memories and himself to the trauma he had experienced at the invitation of his friend with the lure of validation and company, due to the memory gun he had created himself. 
As for Dipper, much like Ford, he also has issues with self-worth (many of the episodes deal with Dipper finding self-worth; ie, the manotaur episode), has a physical oddity (his birthmark) and by far the trait he relies on most for worth is his intelligence (for example, in one episode he rubs it into Mabel's face over and over again in beating her in games). He's also extremely desperate to be recognized by authority figures as someone intelligent, case in point when he summons the dead after being made fun of by the government agents to try and show them that the information he's gathered is important after Stan dismisses his knowledge. This desperation to be seen as someone of worth from Dipper, much like Ford, extends to the need to be a hero, something he even says at the end of the zombie episode; yet, due to Mabel, unlike Ford he's not a lone hero, and Mabel also half the time acts as the hero.
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Image id: Zombies crawling out of a crack after Dipper summons them; Dipper and the two agents look on in horror.
It all culminates in Dipper hero-worshipping Ford when he returns; really, no different than Ford worshipping Bill. And Ford clearly finds it extremely flattering; Dipper's attention and amazement of him feeds his exceptionalism. Exactly how Ford responded to Bill, Dipper is willing to do anything for Ford, excited too, in an attempt to impress Ford and be validated and accepted. And for Ford, that's an extremely heady feeling, especially as someone who has been constantly alone the last 30 years, especially when he had one previously confirm his exceptionalism all those years ago and stopped, and now someone is once again affirming that idea. And Ford doesn't have to be alone again, because he's found a kindred spirit in Dipper as his assistant, someone ‘just’ like him, someone who is exceptional. Because he sees himself in Dipper, he begins to espouse exceptionalism unconsciously, by praising Dipper's own intellect and adventurous spirit, assuaging his feeling of self-worth, while also telling him he's more important or better than others because of it. 
And it's seductive to Dipper, because he wants to hear those affirmations of his self-worth, especially as he hero-worships him, but Dipper isn't sold on it, because it means leaving Mabel behind, it means believing that he's worth more than Mabel (and also, Stan, and all his friends he’s made in Gravity Falls). It's ultimately because of his relationship with Mabel that he rejects the ideology; he's not isolated the way Ford was with Bill, and he's not willing to break that relationship for that acknowledgement, because his relationships matter more to him.
Bill and Exceptionalism
Now of course, that's only on the Pines; what about Bill? 
While it's obvious that Bill uses exceptionalism as a main manipulative tactic, it's not just an ideology he sprouts emptily; it's also an ideology he believes in, just like Ford, although it's less based on intellectual exceptionalism, and more on power and 'weirdness'. 
This most distinctly can be seen in Bill's denial about what happened to his home dimension; Bill's belief in his exceptionalism occurs as a pain avoidance tactic from killing his whole dimension. Bill was clearly a social outcast within his dimension due to being able to see 3d; he's not accepted, and not trusted, to the point that there is medical intervention to make him blind. That's a deeply traumatic experience that completely erases one sense of self-worth, where one’s sanity is called into question by your parents on something that is not harmful, that's beautiful and you just want to share with them. It's a deep and clear rejection of who Bill is, and his ability. As a result, out of a desperate bid to be understood and accepted, he ends up trying to show them the stars. And it ends up killing everyone. 
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Image id: Page of TBOB, on 'The Early Years' which notes that Bill was an oddity for seeing 3d, something that was illegal to speak about. Bill frames it as something that made him 'special' and better than all the others.
Traumatized, and originally rejected by the dimension, he instead weaves an excuse of exceptionalism; that it doesn't matter what he did to them because he's exceptional and he's worth more than all of them because he can see 3d, because he's powerful, so he shouldn't/'doesn't' feel any remorse about it. With such a traumatic result of trying to be accepted by people, he rejects the idea of trying to be accepted for who he really is; instead adopting a facade of a monster that he believes he is (and eventually, becomes).
Even if he clings to the delusion of exceptionalism, and shuns attempts to find true acceptance, he still wants it; and that's where his henchmaniacs fit in, as they're all, as Bill's noted when trying desperately to get Ford to join him, weird; each has something 'wrong' with them, which is why Bill accepted them as his lackeys (although it's not like we know the context around these). It's a surface-level acceptance however, one more predicated on fear than emotional acceptance. He's taken his 'weirdness', much like many do who believe in exceptionalism,as ‘part of what makes him exceptional'.
In the same way that Ford wants to show the world that he's smart and intelligent by building the portal, Bill does so by wreaking havoc and taking over existences as a way to show the world that he's powerful, that he's someone to be reckoned with, that he's not someone to be ignored because he's someone who's worth more than others. If you can't be loved and accepted, then being hated and feared is better than being ignored; acknowledgement at least approaches acceptance, it's validation of some sort of worth. It also functions as deliberate self-sabotage of his morals, by proving that he is the monster that killed his entire dimension; if that's what he is, then that's who he's going to be, because if he wasn’t, then he has to come face to face with his remorse over what he did to his dimension and his whole house of cards around his exceptionalism and not caring collapses. So instead he keeps feeding the delusions the denial, and lies and lies and lies and keeps lying to ignore all of it, to wrap himself in this shroud of exceptionalism and brutality as a way to function. And it somewhat works, because he's mostly deluded himself about it all, even if subconsciously he knows. 
And of course, this display of Bill's exceptionalism is what brings Bill to earth, to Gravity Falls, and to manipulating humans. In meddling with earth and humanity, beyond Bill's goal of taking over earth and fleeing his own unravelling dimension, he also enjoys reaping the benefits of being worshiped by humans, who find him awe-inspiring. Their amazement of who he is, and Bill's own posturing and manipulation of people leads to Bill literally forming cults (ie ciphertology) or having apprentices that worship/find him (to varying degree) inspiring; all reinforcing his feelings of exceptionalism. 
Of course, Ford numbers among these people; he praises Bill and worships him, as he's played like a fiddle by Bill, because his self-worth and belief in exceptionalism is fucked up in a way that perfectly resonates with Bill’s. Because it's the exact same types of issues around self-worth, around being an outcast, being weird and wrong physically, and yet at the same time gifted. And Ford clearly is incredibly lonely and yearning for acceptance, but so is Bill; since the beginning he's been trying to find someone who would accept him, even if he's given up on it. And for his song and dance to entice Ford in, he pretends he's not crushed dimensions for fun, that he's not a 'monster'; a version of him he buried after he had tried to show his parents the stars, one that he occasionally resurrects and puppets around for manipulation (all lies are better when they have a grain of truth). And this version of him is worshipped, but above all is accepted, is loved by Ford. The softer parts of Bill, even if they are still weird as fuck, the parts that were never far beneath the surface for all his deluding, become loved by Ford. Much as Ford becomes hooked on Bill’s praise, Bill also becomes hooked on Ford's genuine love and care. It becomes personal, unlike any previous ‘inspirations’ and Bill over time gets to the point that he feels accepted, safe enough with Ford to share about his dimension much more close to the truth then he did with any of his henchmaniacs. He becomes vulnerable with Ford, in response to Ford’s own vulnerability with him. He’s finding acceptance for the first time in his life around the softer parts of himself, not just the feared acknowledgement that comes from his dimensions conquering; much like Ford is finally finding companionship and acceptance with Bill, not just only intellectual validation. Bill's also for once, not just self-serving; he cares, and goes out of his way to take time with Ford, even celebrating Ford's birthday (in the unique way he does things), both with the rats and the karaoke.
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Image id: One of the lost Journal 3 pages in TBOB. Ford recounts Bill talking about the destruction of his dimension, and calls himself by implication a monster.
They're both fulfilling each other's emotional needs, needs which both of them have struggled with most, if not all of their lives (although their relationship is certainly not healthy, considering it's codependent as fuck, riddled with exceptionalism and oodles of power imbalance issues). And suddenly, against Bill's plans, Ford's no longer just a disposable pawn, but someone Bill wants as part of his team, someone by his side, closer than his henchmaniacs are. He's unwittingly fallen for Ford, and so when everything goes sideways in his plan, and Ford swears it off, suddenly cutting off their relationship and that acceptance Bill had finally felt, he spirals into grief and anger from the rejection. As a result, he becomes extremely abusive to Ford in desperate attempts to continue their relationship, and ultimately he becomes obsessive over Ford joining him again as Ford continues to refuse, as evidenced by both Weirdmageddon and the Book of Bill.
Stanley Pines, and the Refuting of Exceptionalism 
Exceptionalism, being a negative driving factor behind many core character dynamics, is ultimately refuted by the show. This occurs multiple times over the show, such as with Mabel in the Pioneer Day episode, especially compared to Pacifica, but mostly through Stan's characterization. Stan is someone who has been since the beginning characterized (if lovingly so) as someone who is a failure by societal standards; he’s an older man running a run-down tacky tourist shop to swindle gullible tourists out of their money, has multiple divorces, has an ongoing feud with a literal 12 year old, clearly has had multiple mishaps with the law (some ongoing), is generally pretty self-serving and is extremely lonely and really had no close relationships until Mabel and Dipper showed up. He's not exceptional; he's not even what we would consider 'decent' enough to have a 'typical, hard working job’. In short, he’s a failure, a stark difference to the idea of 'exceptionalism' that characterizes Ford. If he's gifted in any area, it would be charisma (debatedly), not anything else.
But it's still Stan who rebuilds the portal from literally only one journal (not all three!) and gets it to work. It even seems like he only needs some codes from the other two journals when he does get them, suggesting that he was able to extrapolate from what was left and the first journal’s blueprints to fix it entirely, something that is extremely difficult and technically complicated (Ford, Bill and Fiddleford all worked on it together!). Stan's able to do it, even if it's been shown he's not 'naturally' gifted in that area. And it's something he does as a result of his deep care for Ford; because even after their fights, he cares about Ford and wants to right his wrongs, believes he should, because of his whole life of being defined as a failure and even worse than that, screwing up his ‘exceptional’ brother’s life. And he’ll do it even if that means learning how to build an interdimensional portal, even if it takes up thirty years of his life doing so, and he doesn't waver. Much of this is connected to his own complexes around being deemed a failure compared to Ford, having failed to succeed in his life, and how he feels that he needs to atone for screwing up Ford’s life, now for the second time; but beneath it all, he also cares. Much like Ford, he's extremely lonely, but he's not blinded by Ford's arrogance, and as a result he wants to make sure Ford's safe, because that's what he used to do, they’re twins, they grew up together, they once they had fully accepted and cared for each other, and dammit that still means something, and Stan hasn't found that depth of emotional connection since. So if possible, he wants to rekindle that closeness they had, but first, he needs to bring Ford back. 
And in the end, it's not Ford's own special gun he built using his intelligence that 'kills' Bill. It's Stan, someone who Ford had long ago broke it off with in search of validation of his exceptionalism, someone who both Ford and Bill labelled as 'not-exceptional', who defeats Bill. It's exceptionalism's devaluation of people who are 'not-exceptional' that causes Bill to underestimate the Pines beyond Ford, and it's only when Ford put aside his exceptionalism and his refusal to accept and trust 'non-exceptional' people, that is, trust Stan once more, that causes Bill to end up defeated by Stan.
In the end, it's not about who's 'smarter'; it's a reminder that everyone has different skills and are better at different things, but that doesn't diminish one's worth or value, and that just because someone isn't naturally 'gifted' in an area doesn't mean they can't learn or use different ways to get around obstacles. Ultimately, it comes down to that no one is worth more or less than other people; exceptionalism is a lie. It’s a lie and an excuse, and it's certainly not a healthy way to assuage one's poor self-worth. What does matter is creating positive healthy connections with other people, and caring about them. This creates a community where you can be yourself and be emotionally fulfilled through these connections; and when opposition does arise, you become able to fight it together, and fight so much stronger than if you are alone.
And by the end of the show, you see that. Ford begins to let go of the ideal of exceptionalism and its black-and-white categorization; finally recognizes his own faults around prioritizing validation of his intelligence and exceptionalism over his relationships, and finally, after all the years, chooses to create and rekindle positive relationships with people, trust people, and make amends. And in the end, he goes sailing with Stan, prioritizing their relationship, finally fulfilling their childhood promise.
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Image id: One of the pages written by Ford into TBOB. Ford refutes Bill's idea of happiness, and says he has finally found his own happiness, and it looks like the photo taped in, of Stan, Ford, Dipper, Mabel, Soos and Wendy, all smiling together.
TLDR: Exceptionalism, an ideology of categorizing people into being special and worth more vs plebian and worth less, is a trauma response and subconscious ideology that characterizes Ford and Bill’s lives, deeply impacting all their relationships as it is used to coerce people into doing what they want, makes Ford easily manipulated, and breaks relationships through their arrogance. It is ultimately denounced through the way Dipper chooses to reject Ford’s offer and his rhetoric of being exceptional, and through the way it's not Ford’s intelligence, but rather Stan, who has been labeled as 'not-exceptional' and a failure at life, that defeats Bill through trickery. It's a reminder that everyone has worth, and no one is worth more than other people, even if one may be gifted in certain areas; the ideology of exceptionalism is fragile and a lie. In the end, creating a caring, loving community around oneself is where strength truly lies, as is seen with the deep care and love the characters have for each other, and the repairing of Ford and Stans relationship.
Thanks to the lovely @eshtaresht who deigned to beta read this monster of a post for me
If you enjoyed this meta, (first of all if you read all this you're a champ!) I've also done another gf meta post! (It's shorter I swear)
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helloworldjj · 2 months ago
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fyodor is just so silly. like he’s mysteriously appearing in front of people with his little head tilt and bow and declaring things like “I shall protect you, and you alone” or “I’ve come to save you, are you alright?”
like okay i see you having fun with your little vampire knight roleplay as the world goes to hell 🙄🙄
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lomlompurim · 11 months ago
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What if instead of waking up in the mushroom body, sqq woke up in a doll.
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Something something while lbh was away in the abyss, sqq without noticing offended a misterious (demonic-succubi-esque???) cultivator with a weird thing for making dolls. She had dolls all over her secret workshop that she very kindly let him into when she heard about the famous Xiu Ya sword being in the city.
What she wanted of him? Who knows, sqq couldn't bring himself to care. She probably wanted his money or try to steal his hair, the hair of those dolls seemed very much like real hair, although he had to admit the level of details on these dolls were amazing.
(she wanted to trick him into buying one of her cursed dolls and steal his life energy little by little, but got wifebeamed by widow sqq during their conversation about how talented she was to be able to make so many dolls, and without really understanding he rejected her with little to no emotion on his face)
So she cursed him, and since sqq didn't feel anything bad at the moment he thought it just didn't work and left, not sparing the curse a single thought after their encounter.
The rest of the story goes as usual, excep that after he self detonates his soul doesn't go into the mushroom body, instead it got directly into the shape of a doll in the workshop of this woman.
His first thought is thinking someone snitched the mushroom body bc wtf wasn't he supposed to wake up under the dirt??? Why this place smells slightly familiar? Like paint and humidity and floral perfumes?? and why everything looks fucking giganourmus?!?! A teapot should NOT look that big from his position....Oh no, did the mushroom body turned out as small as a squirrel? WhAT is happening?!
And then he looks at his arms and legs, and he has joints. White paper skin with joints in his wrists, elbows, torso, waist, knees, feet. And he panics, a lot.
The woman who cursed him starts monologuing about how she trapped him now, and you are mine, I made this doll specially for you master shen, this is my revenge for your insolence to leave me yada yada- Sqq stoped listening a while ago.
Somehow he manages to escape from this woman and now he is roaming around as the size of some apples. Everything is huge. Everything is dangerous, even the grasshopers! And this body is fragile! He can't feel heat nor cold, neither hunger or other things, but he is useless with no spiritual veins inside, and if someone is not looking carefully, they might crush him. And the way back to cq is gonna be a hell of a trip! But he needs airplane to fix this. He can't stay as a doll forever! He needs a mushroom body and then fly into the sunset far from this mess! Adiós! Goodbye! So his new plan is to infiltrate into cang qiong, look for that rat and disappear. Sneaking into some disciple's pouch must be enough to break in.
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Something something it only had passed a few months since lbh stole sqq's body and everything is still very fresh. CQ mountain is a hot mess. Sqh frankly needs to lay down and take a nap. Lqg keeps figthing with Lbh practially every day and coming back beaten bloody, he has his king pestering him and a lot of paperwork to do, Lbh is a pain in the ass, Yqy is really close to snap and start a war with HHP, and he knows nothing about his bro. So yeah. Such a great time to be alive.
The mushroom bodies should had been ready, right? He must be alright...Yeah. He has enough already to keep him busy. Cucumber bro is gonna come out and stumble across at any moment. No one would bat an eye if he takes a nap, right? He deserves it. He is overworked enough for another lifetime, his head hurts, his bones hurt everywhere, a short nap should be fine...
Until he feels something small tugging his robes and a cold tiny finger poking his eyelids. But he doesn't want to. He is very comfortable on the floor of his office. Whatever bird decided to pick a fight with his face can keep trying.
"AIRPLANE, WAKE UP, YOU HACK! I NEED YOU TO FIX THIS! WHY IS A WITCH WITH ANACHRONISTIC HAUNTED DOLLS IN THIS NOVEL? THIS IS ALL YOUR FAULT!"
That voice. That fucking annoying voice was of just one person and one person only. He opened his eyes, looking for the source of the unmistakable voice of his No1 hater, but he came across with a pretty porcelain doll. With a very ugly sneer in it's face.
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"W-Wha-?...Bro-?!"
"Fucking finally! Why are you sleeping on the floor in your ofice?! I was looking around your bedroom like an idiot! Do you know how close I was to falling from your window?!"
-TBC-
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swervesbar · 2 years ago
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You could say he's B) toast
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vanilla-extracter · 6 months ago
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Jimbert mcgimbert my number one
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nyxi-pixie · 2 months ago
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okayyyy ive been meaning to talk about this moment forever because i think the way i see it differs from a lot of general fandom opinion.
for context, this is from the dhc section of the dead apple manga. skk are talking about an executive who just died and dazai makes a joke about it, prompting chuuya to deck him in the face and say nobody could believe dazais human. (believe, very importantly. not that he Isnt, just that its unbelievable).
humanity is a key theme to all of bsd, but its Very explicitly central to the skk dynamic. chuuya is an intensely human character in the way that he acts and thinks, and yet! between his ability and ofc the history in the lab, it still gets called into question.
(its pretty solid that our chuuyas the real one, but thats not the point here. sb being an exploration of what it means to be human and whether Actually Being One is all that important to what you are and do, through a Distinctly human character- Thats the point. How you are being more important than what you are.)
then we have dazai on the other hand, where what he is doesnt come into question at all. Even his ability, despite its name, isnt dehumanising to an outside eye, compared to chuuyas corruption or atsushis tiger for example that can take away from their control of themselves. its the how he is, in contrast to chuuya, that comes into question with dazai. he very consistently holds himself outside of humanity both implicitly (through self isolation - shipping container being an extreme example) and explicitly (dead apple dazai talking about humanity as an Outside Observer. he is Not including himself as one of them).
When we are encouraged to doubt his humanity, its dazai Telling us to. he deliberately poses himself as inhuman because he FEELS it. and the dhc moment to me has always felt like chuuya seeing through it and calling his bullshit. Dazais making light of a death to be a dick, to push chuuyas buttons, but also because hes got this constant need to present the worst possible version of himself.
actually if you look at the panels of him when hes talking about the guy being dead, just before he gets dramatic ridiculous exaggerated dazai about it, he doesnt seem to think of it so lightly
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(smthn smthn dazai imposter syndrome. the need to deny any of his more human qualities because he feels they dont Fit him. and the links w his questions to atsushi at the beginning and end, his bs 'do i really seem like the type of guy to do x thing'.)
chuuya says hes acting inhuman, that his humanity isnt something people will believe because of the way he ACTS. and then chuuya does an example of his own Chuuya Humanity Act, an act of service for the people he cares about in the form of going to solve the situation himself. AND. ultimately, dazai ends up planning around this later to lead chuuya straight to him so the two of them can deal with it together.
skk pretty consistently ground eo to humanity. dazai through nullification/corruption, but outside of their abilities too (its the thought of dazai - more specifically, not thinking like him - that stops chuuya from killing N in stormbringer and denying verlaines assertion that he shouldnt have been born). and on the flipside, chuuya is part of the reason dazai doesnt khs during or after fifteen. dazais protecting people thing really starts out with chuuya. and again, chuuya makes it his business to call dazai on his shit. (even right the way back in chapter 31 of the main manga, we have that interaction over Q, with dazai saying he spared them only for self serving logical reasons, and chuuya saying he doesnt buy it).
this to me has always felt like part of that. its not 'youre not human', its 'the way you act makes it unbelievable that you are'. its an invitation to prove he is by doing something Real, something worth more than sleeping there til he dies.
and dazai does.
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chessb0r3d · 11 months ago
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i cracked the code.
#believing dirk is the worst guy because its what dirk thinks of himself#ignoring daves bisexuality and think hes a gay man in denial even when he explained hes bisexual#believing john 'im not a homosexual' egbert is explicitly straight while he makes out with his mcconahey and cameron posters more#than he kissed women(literally only once)#believing that rose is an edgy psyhcotic little bitch when she was neglected. she speaks elegantly to cover that shes silly and a total ner#and how did people forget that rose also writes gay wizard fanfiction. reads Wikipedia. and her beautiful artstyle as a result of neglect#(and by neglect meaning having SO MUCH TIME to draw)#jake wasnt into dirk. he also told di that he didnt like how brobot getting touchy with him during strifes#but as part of the repression 4(prospit kids). he refused on changing the bot settings#what jane said about roxy being better when she was drunk. it was fucking sarcasm. its the least insane shit you could say to a best friend#all the kids have issues and of course people get mad over a girl being sarcastic.#when KARKAT said THE SAME THING to rose when she was drunk on the meteor nobody bats an eye#trolls are just grey humans that are bugs. he doesnt get an excuse for being an alien. humans were made from KARKATS BLOOD#jade isnt all silly girl and is so FULL OF HATE towards the trolls. she called karkat a fuckass (VERY FUNNY) to do her a favor#“jade would rather have punched karkat in the fact then had a pleasent conversation with him.”#“she viewed the trolls as rude mean and cruel. and even thought that nepeta was just making fun of her.#despite it being that nepeta just wanted to roleplay and have fun."#dred.loki#I HAVE YET TO ADD MORE. THESE ARE JUST NOTES#homestuck#chss
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demigod-of-the-agni · 1 year ago
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A thing for @breakfastatmiles' dtyis challenge on instagram :)
Been a while since I drew the world's most favourite boy (like. almost a year ago???? uh woops) I wanted to draw something for Percy's birthday but alas I had no idea what to draw :'') consider this late Percy Jackson b'day art
Variants under the cut
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