#I've lived with this issue for a decade
Explore tagged Tumblr posts
la-porte-bleue · 4 days ago
Text
Tumblr media
A more serious attempt at drawing Emmrich
71 notes · View notes
brittlebutch · 9 months ago
Text
finally found a place to read With the Light online and i'm thrilled; if you haven't read this manga i do Legitimately recommend it
#N posts stuff#like don't get it wrong it Is Not a series about being autistic it Is a series about raising an autistic kid#but also don't be put off by that because it's legitimately a series that I feel Loves autistic people with its whole being#it's kind of a teaching manga so it showcases a lot of different opinions/characters/conflicts/etc. but the Framing is very consistent#in that the manga is Extremely of the opinion that autistic people are People who deserve to be Valued and Accepted As They Are#the onus for change is never put on autistic individuals the framing is basically Universal in the 'the World needs to change#to be more accepting' -- it's a very Social Model depiction of autism that ALSO never veers too far into the#'autism isn't even Really a disability' fallacy; it's very much a 'A lot of autistic people will need constant support in a variety of ways#throughout their lives but that isn't the roadblock preventing them from having their own lives; ableism in society is the roadblock'#the first two chapters are the hardest to get through bc they take place before Sachiko has any real understanding of autism and#so she's isolated and stressed out and the ignorance makes it difficult for her to care for Hikaru properly (there's also a lot of#other characters Blaming her for what's going on which goes unchallenged at this point though that changes later); but after she#understands what autism is she's Firmly in Hikaru's corner for the rest of the series - you can skip right to ch 3 without a problem#if you're not interested in reading about that initial conflict#there's still a Lot of conflict ofc but by then the chapters have some of my favorite moments so i don't want to advocate skipping#them; like Hikaru's daycare teacher explaining how Hikaru's difficulty speaking is the same as other kids' troubles with#things like jump-roping/etc.; and then a mother who has An Issue with Hikaru's presence in her daughter's class realizing the#depth of the problematic opinion bc Her mother (who had a stroke) faces similar ableism from her peers#i'm cutting this post off b4 the tags get Too long but if you're curious but still hesitant man. send me an ask and i will Happily#write an insanely long essay about how much i love this series; i have all the books i'm not excited about the online availability#for Me i'm excited bc i've been wanting to rec this manga for like almost a full decade and i can finally give you a link instead of#saying 'well. you can find used copies sometimes' lol
10 notes · View notes
mariocki · 3 months ago
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Shadows of Fear: Did You Lock Up? (1.1, Thames, 1970)
"And they didn't make much mess?"
"No, not really. They forced that door. Smashed the cabinet, slashed a sofa. And kicked a hole in the bedroom door."
"Ah. Big mistake."
"What is?"
"Never lock inside doors. Anything you can to keep them out - but when they're in, let 'em get on with it."
"I'll remember."
#shadows of fear#single play#roger marshall#1970#classic tv#thames#kim mills#michael craig#gwen watford#ray smith#mark mcmanus#malcolm kaye#charles leno#having come to something of a premature pause in my New Scotland Yard watch (the first ep of series 3 isn't on the YT playlist I've been#using and is proving quite tricky to get ahold of) i thought I'd revisit this brief lived anthology series for the creepy season. i first#watched this about 10 years ago and my memories of it are scant to say the least‚ so it seemed like good viewing for the season#the production history of SoF is lost in the mists of time (unless someone out there wishes to enlighten me?); this first episode was shown#in June of 1970‚ but the rest didn't follow until January of the following year; probably this acted as a sort of pilot to gauge viewer#reactions to another vaguely horrorish anthology series (the previous decade had been ripe with them‚ tho we rarely see their like today)#and then there's the odd case of the final ep‚ shown almost 2 years after the series ended and running to half the length (and generally#feeling like an entirely different format) but I'll come to that when (and if) i get to the episode itself. this debut ep is... well it's#fine. i was excited to see Marshall's name in the opening credits‚ one of the most dependable of old tv writers and I'd quite forgotten he#contributed to this show. but the issue here is simply one of length. the plot is solid‚ a suitably grotty little tale of a family man's#mounting obsession with the burglars who broke into his home. it would make a good ep of Tales of Unease (shortly to begin on Thames'#sister broadcaster LWT) or a few years later as an episode of Tales of the Unexpected; both being 25 minute shows. but this clocks in at#close to 50 mins and there isn't really enough to it to sustain that longer running time‚ leaving it feeling a little stretched thin and#flimsy. a shame‚ because Craig and Watford are putting in excellent performances as the middle class couple whose reactions to the burglary#slowly shift as time passes (he goes from prosaic acceptance to fixated malice‚ she from shocked indignation to making peace with it all)#no big surprises in where the play is headed or how it plays out‚ but that's often the case with these things; it's often just as much#about the horrible foreknowledge of what must come than some shocking twist‚ and this plays it about right. it's just too long is all.
4 notes · View notes
mythicalcoolkid · 1 year ago
Text
All of the things that would be "awkward" for me to do around extended family are really not because of me or anything about the thing itself, but entirely about how my parents stopped telling anyone major information about me after like fifth grade
Like I can't bring have disability aids with me NOT because health stuff is weird but because it's much weirder that I have in fact had significant health problems since I can remember and have been disabled since, generously, 17 (more accurately 11 or 12) and my parents didn't tell anyone. I can't officially come out NOT because people would be weird about it (they would but I don't care) but because that would necessitate admitting that I've been living socially as male for going on ten years now and my parents never said anything and had me just. Pretend I wasn't. Like it's so funny now that I've had so many huge life changes that I CAN'T talk about it because the inevitable follow-up is "wait. This has been going on HOW long...?"
7 notes · View notes
why-animals-do-the-thing · 5 months ago
Text
average United States contains 1000s of pet tigers in backyards" factoid actualy [sic] just statistical error. average person has 0 tigers on property. Activist Georg, who lives the U.S. Capitol & makes up over 10,000 each day, has purposefully been spreading disinformation adn [sic] should not have been counted
I have a big mad today, folks. It's a really frustrating one, because years worth of work has been validated... but the reason for that fucking sucks.
For almost a decade, I've been trying to fact-check the claim that there "are 10,000 to 20,000 pet tigers/big cats in backyards in the United States." I talked to zoo, sanctuary, and private cat people; I looked at legislation, regulation, attack/death/escape incident rates; I read everything I could get my hands on. None of it made sense. None of it lined up. I couldn't find data supporting anything like the population of pet cats being alleged to exist. Some of you might remember the series I published on those findings from 2018 or so under the hashtag #CrouchingTigerHiddenData. I've continued to work on it in the six years since, including publishing a peer reviewed study that counted all the non-pet big cats in the US (because even though they're regulated, apparently nobody bothered to keep track of those either).
I spent years of my life obsessing over that statistic because it was being used to push for new federal legislation that, while well intentioned, contained language that would, and has, created real problems for ethical facilities that have big cats. I wrote a comprehensive - 35 page! - analysis of the issues with the then-current version of the Big Cat Public Safety Act in 2020. When the bill was first introduced to Congress in 2013, a lot of groups promoted it by fear mongering: there's so many pet tigers! they could be hidden around every corner! they could escape and attack you! they could come out of nowhere and eat your children!! Tiger King exposed the masses to the idea of "thousands of abused backyard big cats": as a result the messaging around the bill shifted to being welfare-focused, and the law passed in 2022.
The Big Cat Public Safety Act created a registry, and anyone who owned a private cat and wanted to keep it had to join. If they did, they could keep the animal until it passed, as long as they followed certain strictures (no getting more, no public contact, etc). Don’t register and get caught? Cat is seized and major punishment for you. Registering is therefore highly incentivized. That registry closed in June of 2023, and you can now get that registration data via a Freedom of Information Act request.
Guess how many pet big cats were registered in the whole country?
97.
Not tens of thousands. Not thousands. Not even triple digits. 97.
And that isn't even the right number! Ten USDA licensed facilities registered erroneously. That accounts for 55 of 97 animals. Which leaves us with 42 pet big cats, of all species, in the entire country.
Now, I know that not everyone may have registered. There's probably someone living deep in the woods somewhere with their illegal pet cougar, and there's been at least one random person in Texas arrested for trying to sell a cub since the law passed. But - and here's the big thing - even if there are ten times as many hidden cats than people who registered them - that's nowhere near ten thousand animals. Obviously, I had some questions.
Guess what? Turns out, this is because it was never real. That huge number never had data behind it, wasn't likely to be accurate, and the advocacy groups using that statistic to fearmonger and drive their agenda knew it... and didn't see a problem with that.
Allow me to introduce you to an article published last week.
This article is good. (Full disclose, I'm quoted in it). It's comprehensive and fairly written, and they did their due diligence reporting and fact-checking the piece. They talked to a lot of people on all sides of the story.
But thing that really gets me?
Multiple representatives from major advocacy organizations who worked on the Big Cat Publix Safety Act told the reporter that they knew the statistics they were quoting weren't real. And that they don't care. The end justifies the means, the good guys won over the bad guys, that's just how lobbying works after all. They're so blase about it, it makes my stomach hurt. Let me pull some excerpts from the quotes.
"Whatever the true number, nearly everyone in the debate acknowledges a disparity between the actual census and the figures cited by lawmakers. “The 20,000 number is not real,” said Bill Nimmo, founder of Tigers in America. (...) For his part, Nimmo at Tigers in America sees the exaggerated figure as part of the political process. Prior to the passage of the bill, he said, businesses that exhibited and bred big cats juiced the numbers, too. (...) “I’m not justifying the hyperbolic 20,000,” Nimmo said. “In the world of comparing hyperbole, the good guys won this one.”
"Michelle Sinnott, director and counsel for captive animal law enforcement at the PETA Foundation, emphasized that the law accomplished what it was set out to do. (...) Specific numbers are not what really matter, she said: “Whether there’s one big cat in a private home or whether there’s 10,000 big cats in a private home, the underlying problem of industry is still there.”"
I have no problem with a law ending the private ownership of big cats, and with ending cub petting practices. What I do have a problem with is that these organizations purposefully spread disinformation for years in order to push for it. By their own admission, they repeatedly and intentionally promoted false statistics within Congress. For a decade.
No wonder it never made sense. No wonder no matter where I looked, I couldn't figure out how any of these groups got those numbers, why there was never any data to back any of the claims up, why everything I learned seemed to actively contradict it. It was never real. These people decided the truth didn't matter. They knew they had no proof, couldn't verify their shocking numbers... and they decided that was fine, if it achieved the end they wanted.
So members of the public - probably like you, reading this - and legislators who care about big cats and want to see legislation exist to protect them? They got played, got fed false information through a TV show designed to tug at heartstrings, and it got a law through Congress that's causing real problems for ethical captive big cat management. The 20,000 pet cat number was too sexy - too much of a crisis - for anyone to want to look past it and check that the language of the law wouldn't mess things up up for good zoos and sanctuaries. Whoops! At least the "bad guys" lost, right? (The problems are covered somewhat in the article linked, and I'll go into more details in a future post. You can also read my analysis from 2020, linked up top.)
Now, I know. Something something something facts don't matter this much in our post-truth era, stop caring so much, that's just how politics work, etc. I’m sorry, but no. Absolutely not.
Laws that will impact the welfare of living animals must be crafted carefully, thoughtfully, and precisely in order to ensure they achieve their goals without accidental negative impacts. We have a duty of care to ensure that. And in this case, the law also impacts reservoir populations for critically endangered species! We can't get those back if we mess them up. So maybe, just maybe, if legislators hadn't been so focused on all those alleged pet cats, the bill could have been written narrowly and precisely.
But the minutiae of regulatory impacts aren't sexy, and tiger abuse and TV shows about terrible people are. We all got misled, and now we're here, and the animals in good facilities are already paying for it.
I don't have a conclusion. I'm just mad. The public deserves to know the truth about animal legislation they're voting for, and I hope we all call on our legislators in the future to be far more critical of the data they get fed.
7K notes · View notes
diedinflorida · 4 months ago
Text
i've been on t for more than half a decade and i have wide hips. testosterone did not change that and i like my hips, but when i wear clothes that aren't baggy i get stared at. i mostly pass but in public i experience a lot of the same things i did as a teenage girl, like dudes in cars slowing down to stare at my ass. the thing that changed over time was that nowadays they go by me and see my face and get angry or disgusted because oh no, that's a man, i just did something gay!!
the attention was shitty before and it's shitty now. being creeped on as a young girl fucking sucked and being creeped on as an adult man with a "feminine figure" fucking sucks. it's kind of weird to me how my experiences in the world have both dramatically changed and stayed largely the same. sometimes i feel like a perpetual teenager, because people won't stop treating me like a kid, but also a kid they can sexualize. the misogyny never went away, it just morphed into a different form because society doesn't like when girls become men.
i get stared at all the fucking time. my body is always someone elses' business. if i dare to wear clothes that don't hide my hips, the way i look becomes instantly morbidly fascinating to people. i can only imagine how it is for trans and intersex people of color, for people who are disabled, for people who have higher autistic support needs than i do, etc.. it's awful.
to my fellow t guys, transmascs, and anyone who feels it applicable, those of us who will always have wide hips or other "feminine" features that the world we live in takes issue with: i see you and your body isn't anyone's business but your own.
2K notes · View notes
mothandpidgeon · 8 months ago
Text
Unrequited (bfd! pre-outbreak!/Jackson!Joel Miller x f!reader)
Tumblr media
Moth's Masterlist // follow @mothandpidgeon-updates and turn on notifications to stay updated with my fics!
pairing: bfd! pre-outbreak!/Jackson!Joel Miller x f!reader
rating: E 18+MDNI
summary: You arrive in Jackson 22 years after the outbreak only to be reunited with your best friend’s dad, the man that stole your heart and broke it when you were fourteen– Joel Miller.
contents: best friend's dad, age gap, outbreak night (nothing that isnt in ep 1), big angst, abandonment issues, brief suicidal ideation, daddy issues, grief, Joel guilt, unprotected p in v sex, reader doesn't know where Jakarta is, reader is not described physically but Joel picks (adult) reader up, moth never uses y/n.
wc: 9k
a/n: This has been a bitch to finish but I'm quite proud of where it ended up. It's the longest os I've written which makes me nervous nobody will want to read it but I hope you do.
Thank you a million times to @ezrasbirdie for making me finish this and betaing. Also thank you @lowlights for listening to me ramble on this! Dividers by @saradika-graphics
Old man, take a look at your life. I’m a lot like you. Neil Young
You’re waiting for Sarah on the front steps when she gets home. School ended nearly two hours ago and you’ve been sitting here a ball of nerves. The whole world seems to be uneasy this afternoon. You notice sirens, a team of fighter jets scrambling above. It's like your anxiety has spilled out of your chest and it’s taken life all around you. 
You finger the corner of your notebook. On the inside are doodles— hearts and bubble letters. Juvenile daydreams put to paper. Your first name and after it his last, testing out the sound of who you would be if only you’d been born in a different decade. Mrs. Miller. 
Sarah doesn’t look very happy to see you. It’s been two weeks since you’ve talked to her and you’ve never felt more lonely. 
Her words still ring in your ears. 
“It’s like you’re in love with my dad.”
“No I'm not!” you said, your whole body tingling with the heat of embarrassment. You’d never felt so exposed in your life. 
“Sometimes I think that’s the only reason you’re even friends with me,” she said. 
You've been ruminating on that accusation ever since. You pine for Mr. Miller the way only a fourteen year old can. It’s the kind of infatuation that makes you understand how Romeo and Juliet ended in tragedy. All-consuming, unrequited, so in love it hurts.
So maybe Sarah’s right. Your heart flutters every time Mr Miller appears in the kitchen, wearing a dark t-shirt that hugs his biceps. You try not to stare at his aquiline nose when he drives you home from Sarah’s soccer games. Sleep overs at the Miller’s house mean more opportunities to be around him, learn the little details that make him him. And there were plenty of sleep overs because your parents are always so busy fighting, they never bother to keep track of you. 
But you’ve been in agony without your friend. It’s a pain sharper and more present than the yearning you’ve felt for Mr. Miller. You’ve talked to her every day since you moved to Austin in fourth grade and since this fight, there’s been an empty space in your heart. 
“Hi.” You stand up, hoisting your backpack awkwardly over your shoulder. 
“I’m supposed to go next door,” Sarah says. 
“Can I just talk to you for a minute?” you ask. 
She sighs but opens the front door with her key and lets you follow her into the living room. 
“I’m sorry,” you say before you lose your nerve. “You’re right. I like your dad.”
It’s probably the most embarrassing thing you’ve ever owned up to. You wish you could explain to her that you know how silly it is to be in love with a full grown man, your best friend’s dad. It’s not like he’ll ever see you as anything other than a kid. 
You can’t put into words how he makes you feel. It’s not just his broad shoulders or chocolate eyes, though it’s undeniable that he’s gorgeous. He asks about school and comes to see you in the musical. Joel is an adult that actually gives a crap about you. 
You want to tell Sarah that one of the reasons you love her father so much is because of her. Because he’s such a good dad, because he raised such a cool, funny, smart daughter. That Sarah makes him better. 
It’ll take years for you to find words for all of that. So you just do your best right now. 
“I can’t help it. I wish I could,” you say. 
That’s true. And not just because your crush has made you lose your only friend. It’s exhausting to feel such a powerful longing, to want something you know you’ll never have. It’s torture. 
“But you’re my best friend. And that’s not why. I promise,” you say. 
Sarah sighs heavily, her pretty hazel eyes full of remorse. 
“I’m sorry,” she says. “I shouldn’t have said that. I just get jealous sometimes.”
“I promise I won’t make you feel that way ever again. I could never like him more than you,” you tell her, sitting beside her on the couch and looking her in the eye so she knows you mean it. “He’s…old.”
You both laugh. 
“He’s so lame. This morning he said that Jakarta is in the Middle East,” she giggles. 
You don’t know where the hell Jakarta is but of course Sarah does. You throw your arms around her. You’ve missed her so damn much. The past two weeks have felt like two decades. 
“I’m sorry,” you tell her. 
“Me too.” She returns your embrace. “Do you have to go home? You can sleep over if you want. It’s my dad’s birthday but I don’t think he’s going to be home until late.”
Your heart twinges at the offer and not because it means you might see Mr. Miller at breakfast. You won’t even look at him again. Tonight is about your friend.
Tumblr media
You end up watching some corny action movies and gorging yourselves on microwave popcorn. Everything feels right again. You don’t think about Mr. Miller. In fact, you’re grateful that his double has gone over into a late night so you don’t have to be in the same room. You’ve sworn to yourself that you’ll act normal around him but you’re not sure that sheer willpower can stop you from getting butterflies when he’s right there. 
At some point, you pass out in front of the tv, happier than you’ve been in a long time. 
Sarah nudges you awake sometime after midnight, concern all over her face. 
“Was I snoring?” you ask, groggy. 
She’s looking out the window. Helicopters fly so low overhead, the whole house rattles. It’s a wonder you slept through all of this noise— the choppers are joined by the wail of a car alarm, pops like fireworks. The TV is playing a high-pitched tone and when you peer at it, you see a test pattern on the screen. 
Dread settles in the pit of your stomach. 
“Something’s going on,” Sarah says almost to herself. 
A sudden thud against the back door makes you both jump. You swear, shaken out of your sleepy haze. 
“Mercy?” Sarah asks. 
You’ve spent enough time with Sarah to become acquainted with their neighbors The Adlers and their border collie Mercy. Mr Adler used to pay you each a dollar to walk him. Mercy’s frantically pawing at the glass. 
Sarah goes to the door and steps into the yard. You follow, unsure you want to leave the familiar safety of the house but unwilling to be alone with such an eerie feeling in the air. 
“What’re you doing out here, boy?” Sarah says, crouching down to pet the whimpering animal.  
“Where’s your dad?” you ask her. 
You hope the question doesn’t make Sarah think you’ve already forgotten your promise. Everything’s just so wrong. You’d feel a lot better with an adult around. 
“Don’t think he came home yet,” she says. You can hear the concern in her voice. “Let’s take Mercy back. The Alder’s will be home.” 
Mercy puts up a fight as Sarah pulls him across the lawn. It’s late and dark save the street lamp and a few porch lights that have been left on. You shiver despite the fact that it’s a warm southern night. 
The front door to the Adler’s house stands open and inside is black. No. Bad. You want to run back to the Miller’s house and lock the door behind you but the promise of Mr. And Mrs. Adler inside keeps you moving towards the darkened entrance. Maybe Mrs. Adler will give you some cookies while you wait for Mr. Miller. 
Sarah steps in first. The dog bucks and strains against her grip on his collar. Sarah fights to keep hold of him but Mercy’s thrashing makes him hard to pin down. He pulls free from Sarah’s grasp and darts away. 
You have half a mind to do the same but Sarah keeps going forward. She’s scared, too, her breaths shallow as she tip toes down the hall.  
“Mrs. Adler?” Sarah asks, her voice barely above a whisper. 
You reach for each other without even realizing it and you enter the kitchen holding hands. 
What you see there is beyond your wildest imaginings. There’s blood, a lot of it. Sarah’s shoe slides in the stuff and you grab her before she loses her balance. The room is cast in shadows but a street light streams through the window in the side door. Its beam falls over the form of Mr. Adler, limp on the floor. His back is against the door and a gush of dark blood sparkles in the sodium vapor. 
You’ve never seen so much blood, never seen anyone injured so brutally. It looks like he’s been attacked by some wild animal. Mercy was acting strange but the dog couldn’t do that.
“Help me,” he rasps. 
He’s speaking to you. You’re actually here. This is happening and you need to do something. 
But before you can form a coherent thought, your eyes travel deeper into the kitchen. Beside the island is more blood…and more bodies. 
As if seeing Sarah’s neighbor with his neck ripped open wasn’t enough of a horror, you’re now watching Nana hunched over Mrs. Adler’s corpse, her face buried in the younger woman’s neck. The scene before you makes no sense. Most of the time the old woman is barely conscious, hasn’t left her wheelchair in years and yet she’s on all fours before you looking feral. 
Sarah squeezes your hand so tight you’re afraid your knuckles will break. 
Nana slowly raises her face to you. Her eyes are pitch black and her mouth teems with twitching tendrils. You are staring at a living, breathing monster. 
When she leaps at you, you and Sarah bolt for the door. Your heart hammers against your ribs. Sarah makes it out first and races towards the sidewalk. 
Once you’ve gotten onto the front step, you slam the storm door shut behind you to trap whatever that thing is inside. SLAM. Nana collides with the door and it rattles violently. You hold it closed with every ounce of strength in you, listening to the creature behind it scratch and wail and willing yourself not to look through the glass to see its horrible face. Terror holds your muscles taught. You’re not sure how long you can stay like this, your sneakers skidding across the ground. 
With a roar, Uncle Tommy’s truck pulls up at that very moment and Mr. Miller hops out of the passenger seat before its even come to a full stop. He’s a fearsome sight, broad and rippling with untamed energy, his muscular arms outlined by the headlights of the car. You’ve never been more grateful for his presence. 
This nightmare is almost over. Joel’s come to save you. 
“Girls get in the car!” he bellows. His voice is raw and ragged. 
Just as you’re ready to make a run for it, The door flings out towards you, and you’re thrown aside as if you weigh nothing. You hit the driveway hard, your head connecting with concrete. 
For a moment, you can’t hear anything but the gush of blood pumping in your ears. You’re dizzy. Suffocating. There’s a warm trickle at your temple. Sarah calls your name. Your vision is blurred but you can make out the ghoulish form of the creature barreling towards her. 
“What’re we doing, Joel?” you hear Tommy ask.
There’s a thud and then quiet. 
You gasp again and again but your lungs won’t fill. 
Are you dying? Help. You need help. The monster lays lifeless at Joel’s feet and you pray that he’ll scoop you up and take you away from this. Your eyes finally come into focus to see Mr. Miller comforting Sarah, holding her face in his big palms, so fixated on her that he doesn’t notice that Mr. Adler has appeared in the doorway. 
Mr. Adler is still covered in so much blood and his gait has become twitchy as if his legs are on backwards. He moves towards them and you want to call out a warning but you’re still choking for air. Luckily he hasn’t noticed you but he soon stands between you and the Millers. 
“We’ve got to move,” Tommy says. 
“Get in the car,” Mr. Miller says to Sarah, throwing a protective arm in front of her. 
“But she’s hurt!”
She steps towards you. You’d cry her name but you’ve still got the wind knocked out of you and you’re too terrified to make a noise. Mr. Adler makes an inhuman sound as he advances, a croaking, growling gurgle. 
Mr. Miller pushes Sarah towards the truck. 
“Leave her!” he barks. “Get in the car!”
You sputter and choke as you watch Sarah, Joel, and Tommy drive away. 
Tumblr media
You wait for a long time. 
As the truck pulls off of the curb, Mr. Adler is joined by his wife in the street, making chase. You’re finally able to draw breath and rouse your body off of the ground. You scramble back across the lawn to the Miller’s house and lock yourself inside. There’s enough adrenaline coursing through you that you’re able to push the sofa to barricade the front door. You draw all of the curtains and grab the biggest knife you can find in the kitchen. It’s ridiculous, something you’ve seen in scary movies, but you’re living in one right now. 
You hide yourself away. Sarah’s bedroom seems like the obvious place to do it. Familiar and safe. You curl yourself into a ball in the corner, clutching your knife and staring at the closed door with wild eyes. 
Sirens go through the night. Gunshots. At one point even the roar of a jet engine. 
For hours your body quivers as you try to make sense of what you’ve just witnessed. Flesh-eating mutants. Gore. Death. You keep waiting to wake up from a bad dream but you don’t. They left you. They abandoned you in a nightmare. 
No. That’s impossible. You can accept that a comatose elderly woman made supper out of her son in law but you refuse to believe that Joel would desert you. 
He’ll come back for you. Sarah will convince him. There’s always been room for you in their family. 
But as the sun begins to peek through the blinds and the noises outside fade away, you begin to lose hope. 
The muscles in your body go slack, exhausted from hours of uncontrollable shaking. Your instinct for survival and your need for sleep war with each other. Exhaustion is winning. 
You cautiously open the door to Sarah’s room. The house is still, more quiet than you’ve ever experienced. You creep into the room at the end of the hall. The olive green sheets on Joel’s bed are still messy from when he woke up here the day before. A normal morning. His birthday. 
You rest the knife on the night stand amongst the things he emptied from his pockets— coins, receipts, a stray nail. You slip into the bed and wrap yourself up. It smells like him— spicy deodorant and sweat, fresh cut lumber like the hardware store. The scent reminds you of all those times he was close, when your heart leapt. 
They’ll come back. Mr. Miller wouldn’t leave you. 
Tumblr media
He left you to die but you just go on living.  
It takes some time before you’re brave enough to leave the Miller’s house and see what’s left of the world. Your parents are nowhere to be found. It’s safe to assume they were infected that first night. 
You’re on your own. 
A QZ is set up outside of San Antonio. They assign you to housing for separated minors. An orphanage. You never make friends, not really. Trust is too fickle.
At night you lay in your bunk and wonder what life would be like if anybody gave a shit about you. Maybe you would have been with your parents when it all went down. You’d be a snarling monster but at least you wouldn’t be alone. 
On the worst nights, when you like yourself the least, Mr. Miller’s words echo around your skull. “Leave her.” She's not worth it. Forget her. 
You don’t imagine yourself in his arms anymore. Instead you picture him and Sarah and Uncle Tommy, all happy and safe hiding out somewhere idyllic. A sweet little cabin with a stream nearby, surrounded by peaceful woods. You’ve heard some people live like that.
Some days you wish you were with them. Others you wish they were all dead. 
When you turn 18, you age out of your living situation. It couldn’t come soon enough. Things are changing and it seems like all the kids that stay in FEDRA school are being groomed to go straight into uniform. You dodged that bullet but life’s not easy. Now you’re well and truly alone, scraping by to keep food in your mouth and a roof over your head. 
It only lasts a few years, though. By the time you’re 21, there’s an emergency evacuation. Outbreaks are happening within the walls and with so many people living on top of each other, it’s only a matter of time before shit hits the fan. They send swaths of people to Dallas but word is, there’s no room for such numbers and they consider everyone from San Antonio an infection risk. 
You’ve heard enough stories to know what that means. There won’t be a warm welcome when you reach the next QZ. So you ditch the convoy and head north. 
You bounce around for years, sometimes with others, a lot of time solo. Doing what you have to. It’s not a life, just survival. 
By the time you reach the wilds of Wyoming, you’ve had enough. You break off from the group you’re traveling with. You leave them this time, just decide to walk into the forest and let the earth swallow you up. You’re exhausted, sick of hanging on by a thread. Too much of a coward to kill yourself, you wander around waiting for the cold or your hunger or a bear to do it for you. 
They find you. Some scouts that look mean and tough take pity on you and offer you a place with them in a commune where things are half normal. 
It’s the first time being alone has worked to your advantage.  
Jackson is a strange place. It has walls like the QZ but it’s quaint. There’s laughter and evergreen wreaths, happy children that build snowmen in the center of town. Some of these kids have no idea how fucked up the world has become. All they know is this charming little haven. 
You spend the first few days in the infirmary, getting patched up, regaining your strength. You feel like an animal compared to the people in your new community. It’s hard to accept that they’re willing to help you, no strings attached. 
Eventually you’re well enough to have your own place. They set you up with a little apartment over one of the stores in town. You’re invited to take your meals in the dining hall. 
It takes you back to those first days at your new middle school after you came to Austin. Unfortunately, this time Sarah’s not there to offer you a seat at her lunch table. 
You keep to yourself, overwhelmed by all of the strange new faces. Head down, you eat your breakfast. It’s the best food you’ve had in years. As your belly fills, you start to relax and try to get used to the idea of this being home. 
Then you hear a familiar voice say your name. You wonder if you’re hallucinating when you see him standing in front of you. 
He’s gained a few decades but he looks good. His hair is nearly shoulder length and there’s a mustache on his upper lip but that’s him alright. 
“Uncle Tommy?” you manage. 
“That really you?” he asks. 
Tommy puts a gentle hand on your shoulder. His smile wrinkles the corners of his eyes. You nod and you’re smiling too.  
You expect to be upset. Tommy was there when you were abandoned after all. But you’re flooded with relief and a small flame of hope. 
“Shit. What’re the chances?” he asks, studying your face. “C’mere.”
He pulls you through the lines of tables. Your head spins with questions. How did he end up in Wyoming of all places? How long has he been here? Did you actually die out there only to be sent to this strange afterlife? 
“You remember this old son of a bitch?” Tommy asks with a chuckle when he stops at the table in a far corner. 
And suddenly you’re face to face with Mr. Miller. 
He’s old. Grey hairs run through his stubble and curl from his temple. There are deep lines in his face. He’s still good looking despite how weathered his features have become, still broad, still with that wonderful silhouette.
It’s funny. In your mind’s eye, you’ve never imagined Joel aging. He stayed the same while you grew up. 
He looks at you for a long moment and then his thick bottom lip falls agape. His eyes glitter and his dimple appears as he recognizes the woman that you’ve become. 
“Kiddo,” he whispers as he stands up. 
He pulls you into a hug and his wide palm smooths down your back. He still smells just how you remember and without warning you’re sobbing into the front of his flannel. 
You spent hours upon hours imagining what you might say if you ever saw him again. Sometimes it was a speech biting with venom, others a confession, a question. Now, though, your mind is blank, overwhelmed that fate has brought you back together. A testament to your survival. 
“It’s alright, babygirl. You’re okay,” he says into your hair. Words you needed to hear all those years ago. 
You stay like this for a long time, surrounded by him. He holds you the way you wished he had as you cried into his pillow in that empty house. Eventually you pull yourself together with a shaking breath. 
“Where’s Sarah?” you ask, casting your eyes around the crowd in the mess hall. 
There’s a girl sitting beside Joel, her curly hair pulled back into a ponytail, watching this scene unfold. Everyone else is polite enough to pretend you’re not bawling in the middle of lunch. Can’t be the first time it’s happened. 
At your question, Tommy goes stone faced. The muscle in Joel’s jaw ticks. 
You shake your head in disbelief. “Infected?” you squeak out. 
“It wasn’t like that,” Joel chokes. 
“She didn’t make it through that first night,” Tommy says. 
It’s a punch in the gut, the air’s knocked out of your chest all over again. While it had crushed you to be abandoned, part of you understood. Joel had to choose and he picked his daughter. Even if he’d been in love with you the way you used to dream about, he always would have chosen Sarah. You couldn’t hold that against him, no matter how much it hurt. There just wasn’t anyone in the world that would have saved you. 
But knowing that he failed her, that he failed you both, makes you sick. All those years of bitterness come flooding back to you and your tears turn hot and furious. 
“You let her die?” you demand. “You told her to leave me behind and you didn’t even save her?” You push Joel, your hands against the wet spots you left on his shirt. It’s ineffectual. He barely moves against your pathetic shove but his face crumples. You know he hates himself as much as you do in that moment but that’s not enough. You hit him as hard as you can and he does nothing to defend himself. 
“Hey, hey,” Tommy says, trying a hand on your shoulder. 
“You should’ve saved her,” you bark. 
Heads have turned now as Tommy holds you back. 
“I hoped you were dead every day since you left me,” you say. 
You can see on his face that Joel’s definitely wished the same thing. 
You go on berating him, your tears mixing with spit as you snarl and shout, until Tommy’s able to wrestle you out of the dining hall. 
Tumblr media
The summer comes. After a long, cold winter, everyone in Jackson welcomes the change of seasons with open arms. Everyone but Joel. 
Ellie was a salve for the deep wounds on his heart. They’ll never fully heal but at least they stopped overwhelming him for some time. Since your dramatic reunion, though, those scars have been torn open once more. Especially today. 
It’s warm and there’s barely a cloud in the sky. The July weather is mild compared to summers in Texas. Fresh air blows in through the open windows of the house, beckoning Joel outside but he has no desire to be in the sunshine. 
“You okay?” Ellie asks. 
She’s just come down the stairs. It’s early and Joel’s already at the kitchen table. Didn’t sleep much. 
He and Ellie have been together long enough that she understands the wordless shifts in his moods. They’ve gotten worse since you arrived in Jackson. He does his work and patrols, sometimes he nurses a whiskey alone at the bar. The rest of the time he keeps to himself. He’s sliding back towards the man she met back in Boston. Joel’s rebuilt the walls that surrounded him, brick by brick since that afternoon in the dining hall. 
“I was going to meet Dina at the mess. Want to come? Or I could stick around?” she offers. 
It’s going to be one of those dark days, the kind that makes him question why he’s been hanging on for so long, and Ellie knows it. She’s giving him a lifeline, offering to be with him so he doesn’t have to ask. He should accept it, but he doesn’t want to waste his energy putting on a brave face for her when he feels so broken. 
“That’s alright, Ellie. Go on,” he says. 
She doesn’t push him. She never does. She just gives a sympathetic smile before she slips out. 
Once seems gone, his heart begins to ache. 
Sometime later, there’s a knock at the door. The last person he expects to see on the porch is you. You look a little nervous, like if he’d taken longer to come to the door you might’ve bolted. 
He hasn’t spoken to you since that day that you came back into his life but the words you said play relentlessly on loop in his mind. He should have made amends by now. You were his daughter’s best friend and of all the places at the end of the world, you’ve ended up in the same town. He passes by the old pharmacy you live above just about every day, thinks about seeing if you’re in so you can have a conversation. He even knows what he’d say, but he can’t work up the courage. There aren’t any words that can make right what he did to you. 
The guilt metastasized deep in his gut. His failure compounded. 
So he doesn’t blame you for keeping your distance, avoiding him when your paths cross. He lets you be angry with him, as he deserves. 
“Want some company?” you ask. 
He recognizes the look on your face and it dawns on him that he might not be the only person struggling today. He steps aside to let you in. 
Joel sets a cup of tea down in front of you. It’s not the real thing. Dried herbs from the garden Maria keeps. You’ve taken a seat across from him at the table, glancing around the kitchen so you don’t have to look at him. 
“Surprised you remember,” he says. 
“My best friend’s birthday?”
He shrugs as he pulls up a chair across from you. “Was a long time ago.”
“I think you underestimate the power of female friendships.” 
You wear a soft smile that makes Joel’s heart ache a little harder. He takes a good look at you, seeing you up close for the first time. There are hints of the girl he knew back in Austin but she’s buried under years of hard living. 
You’re the same age Sarah would have been today. The same age he was when he lost everything. 
You sigh and scratch awkwardly at your neck. 
“Listen, I’m sorry about…all that shit I said. It’s…” you trail off and he’s sure you’re still mad at him, deep down. 
“I reckon I’m the one that owes an apology. I shouldn’t’ve left you back there. Sarah begged me not to,” he admits. “I was trying to keep her safe. But I fucked that up, too.” 
“That’s not true. I was just angry,” you tell him. 
“I was always so pissed at your parents for not caring enough about you. Turns out I was just as bad,” he says. 
He hadn’t given any thought to the choice he made all those years ago. His priority was his family and he had no room for the rest of humanity. Joel didn’t realize until he saw your face again just how selfish that had made him. The past months he’s been haunted by the thought of it, a young thing all alone in the chaos. If Sarah’s watching over him, which sometimes he hopes she is, she’d be ashamed. 
“I’ve had a lot of time to think since I got here and…I don’t blame you. I’m not your kid. It just—“ You laugh without humor. “God, it’s so stupid but I had a huge crush on you.”
Joel’s eyebrows shoot up. You fiddle with the chipped handle on your mug.
“I know. I was just a kid but I was head over heels for you,” you say.
Joel can feel himself blushing. It’s a sweet thought. He’s honored in a strange way. He remembers the gravity of Sarah’s crushes– Leonardo DiCaprio, Usher, some guy with a lip ring from one of those punk bands she listened to.
“So when you left me…I was a little heart broken.”
“Shit,” Joel says. 
“I didn’t say that to make you feel bad. I just wanted you to know why I was so hurt,” you tell him, leaning forward in your seat. “You didn’t know any of that. And it’s not fair to hang that over your head. It wasn’t your job to rescue me.”
“Course it was,” Joel responds. “You were just a kid. I let you down.”
You look at him gratefully and a tear slips down your cheek. It takes a minute for you to fully take that in and it seems like something you’ve needed to hear. 
“Joel. I forgive you,” you tell him. 
A thick knot forms in his throat. 
There’s a litany of names in his mind, so many people he’s failed. Henry and Sam. Tess. Sarah. He’s never expected to be absolved of any of his sins, he doesn't deserve to be forgiven. But those three words make him feel lighter, like he can stop beating himself up. At least for a moment. 
He tucks his chin into his chest trying to keep his own tears from spilling over. Your hand slips over his, a gentle, reassuring touch. 
The two of you stay like that for a little while, crying together, then becoming reacquainted. You talk for a long time. There’s a lot of catching up to do but the conversation keeps coming back to Sarah. It’s a gift to share memories of her, to hear stories that he’s never heard. You knew Sarah better than anyone in the world— her favorite store in the mall, what she wanted for her birthday. Her hopes, her dreams, her fears. No fourteen year old goes to her daddy with her problems. You were there for her, though. Right up until the end. 
“I, um, you should have this,” you say. “Well, it’s yours.”
You and Joel have migrated to the couch in the living room as the afternoon has crept on. You reach into your back pocket, a little reluctant, and pull something out. 
It’s a photograph, dog eared and creased from years of being carried with you. Joel recognizes the picture— you and him and Sarah, all three of you donning life jackets, smiling as you float on a calm river. He and Tommy took Sarah kayaking and she asked if you could tag along. It was a wonderful day. Blue, cloudless sky. 
The last time he saw the photo it was hanging under a magnet on the refrigerator in the kitchen. 
“How’d…”
“I stayed in your house for a while. After. Just kind of hoping you might come back. I took that when I left. And I ate all your food,” you say with a little chuckle. You wipe some snot from your nose. “I guess…well, you probably don’t have a lot of pictures of her.”
You’re right. There was an outdated school photograph in his wallet when they left that night and it had been too painful to look at for years. It still stings a little but it feels easier to share with someone, someone that knew her so well. 
“You sure?” he asks. 
You nod. “I know where to find it.”
He props the picture up on the coffee table so you can both look at it and meditate on that day when everything felt so perfect. 
“Remember we made you play “Crazy in Love” on on repeat the whole way there?” you ask. 
“I still get that goddamn song stuck in my head,” he complains. 
You laugh and rest your head on his shoulder. The familiar gesture cracks something open inside of him. He’s taken back to his favorite nights when he’d watch a movie with Sarah and she’d cuddle against him. Somehow the memory doesn’t hurt as much as he anticipates. 
You sit like that, looking at the picture, both quiet, your smiles fading as you remember what’s happened since. 
“Sometimes I think I see her,” he chokes. 
He’s never told anyone that. But it seems like you might understand, He trusts you won’t meet his admission with a pitying smile. 
“How’s she look?” you ask. 
He can’t help but chuckle. He nods. 
You don’t say anything, you just burrow your head a little deeper into him. Joel puts a gentle kiss in your hair. 
Tumblr media
You’re a fixture in the Miller house once again, part of the family. You babysit for Maria and tell her embarrassing stories about Tommy. You and Ellie tease Joel relentlessly. You sit with him in the evenings, sometimes singing along when he pulls out his guitar, other nights neither of you speak at all.
Slowly, you find yourself falling in love with him all over again. It’s not the same infatuation you harbored when you were young. You’re both different people. And you hardly knew him back then. Not really. What did a fourteen year old know about grown men?
The two of you fall into an easy rhythm. After being alone for such a long time, it’s magical to have a companion. Joel seems grateful for the company, too. He’s there whenever you turn around, like a promise. He’s not leaving you behind even if you’re just going from the stables to the library. 
Neither of you acknowledge it, this easy rapport. A light squeeze on your shoulder, holding your hand when you get misty eyed. He probably doesn’t mean anything by it but you’re pretty sure you can’t live without it. You bask in the sweetness of these exchanges, trying not to think too hard about the fact that you used to spend Saturday nights giggling on his daughter’s bedroom floor. 
He’s still Mr. Miller, after all. 
Autumn comes and you’re inseparable. You realize just how much when you convince him to attend the children’s choir performance in town. You expect him to demure. Watching kids being kids must be painful. But he’s by your side in the dining hall as the little ones sing “Clementine” and “Oh Susanna”. 
He puts his arm around your shoulder so you can lean into him. It might just be a paternal gesture, maybe you’re still a little girl in his eyes. That’s ok with you if he keeps absentmindedly massaging your upper arm. You can’t remember the last time you felt so safe, so loved. 
Afterwards, he walks you home and you’re in such a good mood, you start singing to yourself.
“Johnny Cash,” he says approvingly. 
You laugh to yourself. “You know, I started listening to him ‘cause of you. You had his CD in your truck,” you admit.  
You wanted to like all of the things Joel liked. He would think you were so interesting and grown up because you knew all the words to “Riders in the Sky.”
“Least I was a good influence,” Joel says, shaking his head, his cheeks turning pink. 
He’s so handsome when he blushes, you feel a little giddy when you come to stop in front of the old pharmacy. 
“G’night, darlin’,” he says, giving your hand one last squeeze. 
He waits. He’ll stand here and watch you get inside like he always does. He doesn’t need to— it’s not like people even lock their doors in Jackson— but he’s insisted on it so fervently that you stopped arguing. 
You shouldn’t do it. It’s so silly. But there’s a softness in his eyes and his gentle touch still tingles on your arm. His salt and pepper hair is caught in the string lights that line the empty street. You can’t help yourself.  
You kiss him, smoothing your palms up the front of his flannel until you sink your fingers into the curls at the base of his neck. The tip of his nose is cold from the chill in the evening air but his lips are warm and sweet. 
You haven’t had a whole lot of experience kissing. You’d just started doing it when the outbreak happened and things haven’t been very romantic since. This is one of the better ones. Relatively chaste but unbearably tender. Certainly better than you could have imagined all those years ago. 
It lasts longer than you expect. Joel kisses you back. He rests his hand on your waist and the way it covers so much of your back makes you swoon. Soon, though, he’s pulling away, cradling your cheek. 
“We shouldn’t do that,” he says.
“I know,” you sigh. You’re reluctant to break away, savoring the brush of his nose against yours. 
It’s all wrong but you’re not ashamed for trying it. 
“Just once. I’ve always wanted to,” you say. 
He presses his lips into your forehead. It feels bittersweet. A kiss you longed for for twenty years came and went. 
You wave to him from the door before you go in for the night. 
Tumblr media
That kiss confirms Joel’s fears.
He’s spent months convincing himself that this is completely platonic. He would never have feelings for his daughter’s best friend. Even if he always wants to be around you.   
He’s looking after you, comforting you, protecting you. He’s making up for those years that he made you suffer through. You forgave him but he’ll never stop atoning. 
And then you kissed him. 
Suddenly, he’s buried in an avalanche of thoughts he’s been disavowing. 
You’re pretty and soft. You're strong and you ease the pain of his memories. You make him feel a little less alone. 
The warmth of your lips, your body pressed to his. He was ready to lose himself in you. 
That’s when he heard it. 
It was Sarah’s voice chiding him with all the reasons why this is wrong. 
She’s been in his head, his inner critic since the day she died, pointing out every failure and weakness in him. He could picture her looking down on him with disgust. She’s the same age as your daughter. She was just a kid when you met her. She deserves better than you. 
He’s making the same mistake as before, letting his instinct get the better of him. The responsible part of him takes control. He can’t give you any more reasons to try and kiss him again. 
If Joel is good at one thing it’s denying himself. 
He backs off and you can sense it, he knows you do. Sometimes he catches you looking at him and there’s a longing in your eye. It fucking kills him but it’s just another reason why he’s no good for you. 
Despite whatever it does to you, you haven’t got anybody else in Jackson so you stick around. He can only imagine how much it hurts you. 
“Why did I go north?” you complain when Joel opens the front door. You’re holding a scarf tight around your neck, shivering against the cold. The sky is a dismal shade of gray, snowfall on the horizon. 
Joel gets you in the house with a chuckle. He starts a fire, a luxury you little apartment doesn’t afford. You shiver in front of the hearth. 
“Traded for this,” you say, pulling a thick book out of your coat and tossing it onto the coffee table. 
“Oh good. I was looking for some light reading material,” Ellie quips from her spot on the couch.  
“It’s a dictionary,” you explain, “so you’ll quit cheating at Boggle.”
“You're in trouble now,” Joel laughs. 
“I don’t cheat. I just know more words than you guys,” she says. 
“Dentment is not a word,” you reply. 
“Neither is thoard,” Joel says. 
“Sure it is. I’m about to thoard the two of you in this game,” she says.
This should be enough. A winter day by the fire. The simple joy of a board game. Laughter. This is practically a normal life. 
But each time Joel’s eyes fall on you, there’s a pang in his chest. You’re just close enough that he could reach out and touch you but he won’t. He can’t.  
When the sun sets, Ellie retreats to her room. Eventually, you fall asleep on the couch, wrapped up in a quilt as the fire dies down. You look even younger, curled up serenely. There’s no worry on your brow. Usually your face is in a perpetual frown even when you’re not in a mood.   
The snow is already knee deep with no signs of slowing. There’s no sense in sending you back out there. 
Joel scoops you up as gently as he can. He feels his age, back straining, but he doesn’t mind. He enjoys how you nestle your face into his chest as he mounts the stairs, warm and snug in his arms. A smile pulls at his lips. 
He sets you down carefully on his bed and you whimper groggily at the loss of his touch. Your eyes crack open. 
“Snowing pretty bad. Sleep here. I’ll be on the couch,” he whispers. 
“Stay,” you murmur. 
He hesitates. Carrying you to bed was already crossing a line. He’s not worried about keeping his hands to himself. He’s been able to control himself for this long. If he lays down next to you, feeling you warming his sheets, smelling the peppermint soap on your skin, he’ll be so far gone for you, there’ll be no coming back. 
But denying you this simple request feels cruel. He imagines you waking up here all alone. You’re half asleep but what if you remember asking him to remain only to be abandoned again?  
He gets into bed, still fully clothed and careful to stay on his side. His jaw is clenched so tightly his teeth hurt. You give a satisfied hum and sink back into sleep, your body melting into the mattress. 
Joel watches you for a moment, fights the urge to put a kiss on your forehead. He crosses his arms and stares at the ceiling, beginning to tangle with the web of emotions that accompany you. Once it gets too confusing, he drifts off as well. 
When you reach out for him in your sleep, he can’t deny you. Joel tries his hardest to pretend it doesn’t feel good, that this isn’t something he’s wanted to do. So he imagines the nightmares that come to you. Reminds himself that you wouldn’t have seen any of that shit if he hadn’t left you for dead. Now that you're in his arms, he’ll make sure nothing touches you ever again. The least he can do is hold you and make sure it goes no further. 
Tumblr media
You both find reasons that you should stay the night. Neither of you acknowledge it. Joel just hands you one of his t-shirts and busies himself as you slip out of your clothes and get under the covers. It’s all rather innocent, Joel does more than rub your back even though you sometimes feel his morning wood through his sweatpants. If he wants you, he doesn’t let himself have you. And he could. 
It’s fine with you if cuddling is all this is. You don’t try to do anything more than that, unwilling to upset the unspoken agreement between you. You can be satisfied with a broad, firm chest to rest your back against. Sleep is better beside him, his heart beats guiding your own. The weight of his arm draped across you makes your body feel deliciously heavy.  
After a while, though, it happens. 
Joel’s having a nightmare. His murmurs and restless movements wake you. His mouth twitches and his brow is creased. You smooth circles into his shoulder until his eyes open. Even in the darkness you can see the despair in them. 
He blinks, coming back to reality, remembering he’s not wherever his dreams took him. You brush your fingers through his hair, gazing at one another as his breaths even out. Normally, his age is obvious– the lines in his forehead, the sun spots on his cheek– yet right now he looks young. Like a boy that needs to sleep with a night light. 
You’re not sure who initiates but you find each other in the dark. At first he’s not kissing you at all, his lips are just brushing your cheek or your nose. It’s sweet and gentle. You try to hold in a moan, worried that any noise might shatter this moment. 
The kisses are timid as if you’re both waiting for someone to stop this. Joel lets out a shuddering breath against you. This is a bad idea, you’re both thinking it. After you kissed him the last time, he held you at arms length. When this blows up, you’ll lose him entirely. But you need to be closer to him. 
You open your mouth to him, tangle your legs between his. His hand slides under your shirt, roaming your bare skin. You thought that snuggling under the blanket was enough but now you realize just how hungry you’ve been to be touched. Really touched. He needs it too. Joel leans into your hand on his jaw with a whimper. 
You don’t open your eyes. You might be the one dreaming and you don’t want to wake up. 
It’s quiet, just the sound of hot breaths and desperate kisses, the swish of the sheets as you shift your hips to meet his. You keep yourself from rocking against him, try to enjoy the feeling of him without crossing yet another line, but you’re aching. His shirt has ridden up so you feel the softness of his middle, the light hairs on his chest. Your fingers intertwine with his as his mouth trails down the column of your neck and. Joel buries his face there. 
“I’m sorry,” he breathes. 
You’re not sure what he’s apologizing for. This? Then? The years in between? None of it matters because you want to live in this moment forever. 
You shush him, pull him back to your mouth. You’re ready to lose yourself, to forget, to ignore the storm of thoughts constantly plaguing your mind. This is all you want. 
You peel off your clothing, helping him slide out of his sweatpants until there’s nothing between you. Joel’s skin is warm and soft against you and you realize you’ve never been this close to another soul. 
When Joel settles over you and you feel him throbbing between his legs, you shiver with nervous anticipation. You expect him to say something, to warn you that this is a bad idea, to promise this won’t change anything. But his brown eyes look as confused with need as you feel. There’s no room for thinking or it will crush this fragile moment like glass. 
You tilt your hips to allow him in, already slick from being so close to him. 
Slowly, he enters you, kissing you all the while. He makes a choked sound, wincing as his body stills. The noise makes you clench around him. 
Together you take a moment to get your bearings and you adjust to the fullness of him. Joel’s eyes are pressed shut, his teeth digging into his bottom lip. 
Before he begins to move, his thumb finds your clit, grazing it lightly. After years of solitude and now months being just out of reach of him, the sensation makes you gasp sharply. 
You’ve had sex a handful of times. They had been more about fulfilling a self destructive urge than a desire for pleasure. It’s never been like this. 
You start to lose sense of everything but the feelings of your body. Your core tenses and your breaths go short and you start to forget that it’s Joel whose hips are stuttering into you. It’s as if this euphoria can erase some of those awful memories. 
Soon you’re shattering beneath him, a crescendo that has you tugging on his hair and gasping for air. Joel grunts into your ear. He follows after you, hissing as he pulls out of you. He pulses into his hand, his release dripping from his fist onto your sweat damp skin. Then he collapses onto you. You run your fingers through his long curls and he kisses your forehead. There might be tears in your eyes– maybe his too. It’s too dark to be sure– but when his breath evens out, it still sounds ragged against you.
Eventually he gets out of bed and leaves the room and, in that moment, you can feel everything hanging over your head again– what you’ve just done, the horrors of the world. Perhaps even more intense than before. 
But Joel returns quickly. He flicks on the light on his bed side table and cleans you with a damp rag. His touch is gentle, reverent, and his dark eyes travel over your naked skin to yours. There’s a question in them, guilt, but you have no regrets. You smooth your hand out on the sheets beside you and he lays back on his pillow. He surrounds you with his massive arms and you fall asleep grateful that you don’t feel abandoned anymore.
Tumblr media
You worry that it was just a one time thing, try to accept that it might never happen again. But the next time you share Joel’s bed, he’s pulling you into him, pressing kisses into your shoulder, nuzzling at the spot behind your ear. His hard length prods at the small of your back. 
It starts like that every time. Intimate, sensual, quiet. It’s never tearing his clothes off or pushing you up against a wall. You just stay close, breath each other in, trail fingertips across skin. Neither of you ever speak above a whisper.  
Joel barely talks at all except to ask, “That too much?” and “Feel good?” 
You live for the moments when his hand skates over your hip, his dark eyes soft. 
“Pretty,” he says almost to himself. 
He’s such a beautiful man. Your fingers trace the smooth plane of his chest, dusted lightly with hair and a few stray freckles. Age has only improved him. The greys in his stubble catch the glow from the lamp on the nightstand. You study him with the same attention to detail you used in your youth. The cleft in his bottom lip, the dimples on his lower back, the scar on his temple. You’ve memorized it all. 
Joel breaks open for you. He lets you see him vulnerable. He’ll fuck you with thrusts that shake loose deep emotions. Just as quickly, he’ll hold you together when it feels like you’re falling apart. 
You lay with him after, sticky with the shared heat of your bodies but reluctant to roll away and break the connection. 
Whatever this is, you don’t speak its name. There are too many questions and conflicts that it might not withstand. It exists only for you and him. A safe haven in the chaos, a bit of respite at the end of long years. 
In his arms, you’re not his dead daughter’s best friend. He’s not the man that left you when you needed him most. You’re just two people that need to not be alone. Each time, it’s the same. The overwhelming bliss of Joel making love to you is second only to the understanding that he’s finally come back for you. 
Thanks for reading! I'd love to hear from you. Comments and reblogs always appreciated.
1K notes · View notes
nocherryblood · 1 year ago
Text
May I add: living with chronic anything.
Sometimes people with chronic conditions do everything they can to avoid making symptoms worse, or to manage their existing pain. Creams, meds, long medical treatments, etc. Sometimes it's long and monotonous, and people are still in pain afterwards. Sometimes it's more manageable.
Sometimes, people with chronic conditions might not want to do that. Sometimes they just want to carry on as they are. Maybe it's health risks, or monetary reasons, or it's just not worth it. Sometimes people just don't want to do it, full stop.
Chronic conditions are chronic for one reason: even if they come and go in bouts, even if they're "not that bad"... they don't go away. Sometimes they remain forever, sometimes they may go away. But either way, you will have them for a significant portion of time.
Some people have cures and medicine that helps them to live as uninterrupted as possible, some don't- whether it's access to funds to get it, or because there literally just isn't something like that out there in the world, or maybe it's too risky. Sometimes you can be cured of one thing and it causes another, or it can come back, or, even if your main symptoms are gone, you may be left permanently affected by what the condition did to your body.
Some people have low pain or needs- this doesn't mean they're "overreacting" or "being too dramatic". Pain, even on a low scale, can be absolutely debilitating over a prolonged period of time. Sometimes, medical specialists can get very temperamental over this- personally, my conditions always get missed on 95% tests even if the markers to indicate I have them are there, so the specialists are very reluctant to give me help at first because they don't understand how much my pain affects my life until I prove to them that that help supports me to try to carry on as best as possible. This meme pretty much sums it up (for those who are confused, π, or, pi, is a number that never ends- the calculation for it has been going on for hundreds upon hundreds of years and we're still nowhere near the end seemingly):
Tumblr media
On the other hand, some people experience extremely high pain levels and/or are severely affected by their chronic conditions, so much so that it limits them from doing a majority, if not all, of their daily life activities. Some can manage with a carer or assistant, some cannot. That doesn't make them "useless" or "unworthy" or "lazy". They are valuable as all humans are to each other, no matter whether or not they can work "like everyone else" to fulfill that cruel, uncaring, devaluing shitshow of modern expectations of an adult or not. Human decency and care for each other shouldn't ever be associated in the slightest with output or ability.
Sometimes, people's conditions are "intrusive" and/or affect other people's lives (e.g. family becoming carers or assistants, needing more support, being unable to control impulses or body functions) and whilst, yes, sometimes they can take effort to deal with by people on the outside, the person themselves is not incontrol of their condition and complaining 24/7 about it to them will just make them feel like crap. Contrary to popular belief, many people with chronic conditions are actually extremely aware of the effect of their condition on themselves and especially others, and are constantly overcompensating for it and putting so much effort into dampening it down just to make it more "palatable" for others. You don't need to tell them what they already know- if something's really affecting you, maybe come up with a realistic way to help before you ream off about how much something they're having to deal with is annoying you.
Please, don't expect someone to move mountains if you're not going to give them the rope.
And the final point I'm going to make is... please, for the love of your own compassion, sometimes there are people who are tired of having to constantly have to avoid triggers or irritants (e.g. with skin conditions), and want to allow themselves some semblance of being able to live like fully non-chronically affected (i.e. not living with a chronic condition) people for a while.
Concern is a lovely thing to have, but sometimes, people just want to have a bit of a break, y'know? I understand if there's concern about someone continually, severely harming themselves with their actions (i.e. eating an allergen they're highly allergic to, or something that could seriously harm them long-term)- of course, speak to them or try to empathise with them and then bring up your concerns, or come up with something alternative for them.
But if it's a short-term thing? Just let me have this one thing, please- my mental health needs it too. Don't judge me for wanting to have one long night out even if I'm chronically exhausted or easily get overwhelmed. Don't judge me if I have chronic skin conditions but want to have one nice perfume or pretty bath even though I'll be barely able to tolerate clothes in the morning. Don't tell someone they're dumb because they want to take a walk even if they may not be able to keep moving for long. I, and they, can regulate ourselves- we know the risk vs. the reward and sometimes you just want to do "normal" things for once.
Just... please. We're not defined by our conditions, but it doesn't mean we're not constantly affected by them too. They're a part of us, they're not always a welcome part of us, but they're there and we have to deal with them. Just please don't forget: just because we seem happy or fine, doesn't mean we can't be in pain.
when u go to write a mentally ill person in ur story you are presented two options. the first option is to write your mental illness realistically as you actually experience it with all the ups and downs and people who are like you will resonate with it and feel seen. except every person who reads instagram infographics on mental health that uses the phrase narcicisst for anyone who does anything that crosses them and unironically call themself a dark empath will call you scary and tell you that youre demonizing mentally ill people
the second option is to lie and write inspiration porn for those people to get hard to
#stuff im nervous to write: a list.#1. autism/ocd tics. whenever it's mentioned irl ppl say “you don't have tourette's(!!)”...no i dont! I'm talking about AUTISM/OCD tics 🫠#2. “High-functioning” (for lack of better term) characters that can't/don't want to mask. irl I'm scolded for “acting more autistic”#2. and it hurts. first bc im not “acting” it's just trying to let my body carry out all the random little impulses i get and also bc “more#2. autistic“ (which isn't a great term anyway) is fucking cruel to use an insult. the people you think of as ”more autistic“ are people.#2. they gave thoughts and feeling too BC they're HUMAN. regardless of whether people know you're insulting them doesn't change what the#2. underlying message you're trying to say with that “more autistic” line.#3. autistics who react to stimuli in different ways. some ppl flap theur hands some dont. some vocalise but can control it some dont. some#3. have meltdowns and shutdowns and some dont. pls dont come to me and say “wait why couldn't [character] just say beforehand that”#3. they needed space or time out?“ is an example. it's okay to be curious- good even. but framing your questions in a way as to#3. blame someone for their actions especially when sometimes things happen sudden or without warning.#4. long-term chronic things. e.g. depression- ppl say you must wanna not be here to be depressed.#4. well no actually depression can also be when you feel empty or like everything is shallow or you can't comtrol anything.#4. wanting to hurt yourself isn't a deciding factor of depression. sometimes you just feel... tired. like a cloud over your heart. for years#4. skin issues- irl ppl acting up when i use something that i know is going to irritate my skin. not bc they care it will hurt. but bc it's#4. their moral mighty high ground. i know it's obvious to avoid irritants. but sometimes idc bc I've gone over a decade without and i would#like to indulge myself in something as simple as a bubble bath or a nice fabric for ny clothes thank you very much.#4. chronic migraines- ppl when i tell them i have a headache: “again!?!? ffs just take some meds” me- “thanks 👍🏼”#4. chronic anything tbh. sometimes when you've lived with something for long enough you want to have something nice once in a while#chronic illness#chronic pain#long post#chronic condition
56K notes · View notes
toothfund · 11 months ago
Text
Please help my best friend save their teeth!
Hello, my name is Tulip and I made this blog as a supplementary way to boost the GoFundMe campaign currently underway for my best friend Peyton's dental expenses.
Peyton has been my best friend for seven years now, and for as long we’ve known each other they’ve had to deal with a multitude of dental issues. They were recently able to visit a dentist for the first time in over a decade, and it was only after their broken tooth had gotten so bad, they were unable to eat, sleep, or do anything but try and distract themselves from the pain. We were able to get that tooth extracted, but due to the cost the remaining issues have gone untreated. If they aren’t able to get more work done soon they’ll end up needing root canals for the worst two.
Tumblr media
The priority right now are two teeth-- #19 and #29 in the diagram. Those are the pair causing the most pain and can be fixed with crowns--so long as they're treated ASAP. An appointment has been made for March 18th, with the estimated total coming out at $1,088.60 after the amount covered by insurance. This will be our short-term goal to reach.
I'm sure many of you reading this have personally experienced mouth pain, so you can imagine how hard this has been on Peyton. They've been dealing with most of these since they were still in high school. I don't want them to have to live with this burden anymore or have to give up teeth that can very much be saved! Any amount donated will put us that much closer to bringing them some relief. If you can’t donate, please consider sharing. Thank you for reading!
1K notes · View notes
thebigbiwolf · 1 year ago
Text
Spittle - Part 2/2 (Astarion/F!Reader)
Tumblr media
Summary: The chocolate seems innocent enough - if you look past the Infernal writing on the wrapper, and with so few pleasures in the wilderness, you all but jump at the chance to sneak yourself a small treat.
Unbeknownst to you, the bar is infused with succubus spittle. Just one square is rumored to contain enough potency to send a mortal into the throes of ecstasy.
This is what happens when you eat half the bar.
Fic Tags: Sex Pollen (kinda), aphrodisiacs, a bit of dom!Astarion, unprotected piv, overstimulation, he talks you through it (iykyk),
Fic Warnings: Explicit Smut (18+ MDNI), Language, No use of Y/N, magical influence
Read Part 1: Here
Read on AO3: Here
Word Count: 4k
A/N: Wow. I'll try to make this brief. First of all, I just want to say thank you all so much for your continued support. I know this took me forever to write, but I've been going through a lot of emotional turmoil with school and some health issues with my animals. Your patience means so much to me, and I can only hope this lives up to everyone's expectations! This is my first time writing smut, and ngl I feel a bit like Icarus, so let me know if y'all liked it. Last, but not least, thanks again to my bestie/beta @imaginarydromedary for holding my hand through the shame.
Astarion sits quietly beside the fire, absently picking the dirt from beneath his manicured nails. The night had unfolded like countless others before it: boring, mundane. Uneventful.
Perhaps he should retire early. The Realm According to Bumpo sits patiently atop the desk in his tent, and if he heads to bed now, he could potentially finish a chapter before his watch begins.
He stands, patting the dust off his trousers, just as Shadowheart emerges from your tent. He initially doesn’t pay her any mind - fails to notice the concern etched across her face. 
“Astarion.” 
He snaps to attention, recognizing the fear in her voice.
Astarion’s stomach sinks when their eyes meet. Shadowheart isn’t normally one to succumb to panic, but she looks as though she’s just stumbled out of a wolf’s den.
“What is it? What’s wrong?”
“I don’t know. She - I’ve never seen…” Shadowheart pauses, taking a steadying breath. “She’s feverish. She was fine only hours ago. I heard a cry from her tent and feared something was amiss. When I found her, she…” The cleric hesitates, eyes contemplative - as if weighing exactly how much she wants to reveal. 
“Out with it, damn it!”
“Is there any chance she’s been poisoned? You two stayed behind, back in the village. Did she come into contact with anything that might have pierced her skin?”
“Poisoned? No, she -” Astarion retraces the events, turning over your brief conversations in his head before landing on the only noteworthy detail he can think of.
He taps a finger on his chin, a thoughtful smile creasing his face. “Unless, of course, the Infernal chocolates didn’t agree with her.”
“I’m sorry, the what?” 
“The chocolate she found at the apothecary. I assumed she hid it away so she could enjoy her little treat, unbothered. There was Infernal text on the wrapper.”
She stares at him with wide eyes, jaw slack with disbelief. “And you didn’t think to mention this earlier?”
Astarion shrugs, unfazed.
“Where’s Wyll?”
He rolls his eyes. “How should I know? I’m not his keeper.”
“Astarion!” 
“Oh, come on. That chocolate must have been at least a decade old. Are you certain this isn’t just some sort of stomach bug?”
The cleric shoves past him, groaning in exasperation. She shoots him a glare and mutters, “I’m certain,” before jogging in the direction of Wyll’s tent. 
“Infused with succubus spittle. Just one bite will have you and that special someone rolling around for hours. Consume responsibly." 
Astarion giggles boyishly. “An aphrodisiac? How fun.”
Wyll squints as he silently reads the next bit to himself, fingers tracing the text. He turns to Shadowheart, jaw tightening, "How much of this did you say she ingested?"
"I only found half the bar."
Wyll’s expression grows more serious. "This says the recommended serving size is one square… How many squares were left?"
“Oh, gods…” she breathes, "Six."
The three exchange silent, worried glances.
“Could she die from this?” Shadowheart asks, her voice trembling with uncertainty.
Wyll’s lips press into a thin line. In truth, he doesn’t know the answer. He could ask Mizora for guidance, but the devil’s been awfully silent after his recent failures. He isn’t sure she'd be willing to answer him, let alone grant any favors. Still, it may be worth a call.
Just as Wyll’s about to suggest it, Astarion heaves a deep, dramatic sigh, throwing his hands up in defeat.
“Alright, I know what we’re all thinking. I’ll take care of this.”
The other two regard each other, thoroughly confused.
“Look," Astarion explains, I may not be well-versed in magic, or magical remedies, for that matter, but now that we know what’s causing this… I think it’s obvious what needs to be done.”
“You’re joking.” Shadowheart laughs, incredulously.  
“No,” he continues, “We can’t just sit here and hope for the best. We need to act quickly, and let's just say, this fits into my... skill set.”
“So, you’re going to, what? Have sex with her? You think she’ll be capable of saying anything but yes, given the state she’s in?”
Astarion shoots her a glare. The mere thought that he’d ever so much as suggest doing something like that - bedding you when you’re too weak to reject him - the very idea of it makes him sick. 
He isn’t that evil. 
“Watch your tongue,” he spits at her, “before I do us all the favor of removing it.”
“Hang on, you two,” Wyll interjects, “Astarion, I think you might have a point. You would know better than anyone whether she’s in a right enough state of mind to… consent to this. You’re closest to her. She trusts you.” 
He turns to Shadowheart, “It’s worth a try.”
Astarion notices two things as he pulls back the flap of your tent.
The first is that it is unseasonably warm. Scorching hot, like summer. A stark contrast from the welcoming cool of the early spring night behind him. 
And second, that the air in the tent is heavy - heady with the scent of sweat and something else he can’t quite identify. It's clouding his senses, making his head swim. The taste of it settles on his tongue, like salt on the rim of an otherwise very sweet drink.
The moonlight at his back casts a dark shadow over your sleeping form. Astarion hesitates for a moment, taking in the sight of you, vulnerable and oblivious to his presence, feeling too much like a wolf looming over a snared rabbit.
You twitch, grimacing in pain. 
He frowns. This wasn’t the way he wanted to go about seducing you. His plan was much more sophisticated: a carafe of wine, a few honeyed words leading to a night of passion, your endless thanks, all culminating in some well-earned release and his assured protection.
A mutual exchange.
But, this?
He’s roused from his thoughts by another grunt, escaping from between your clenched teeth.
Whatever you’re going through, it looks like hell.
Ugh. You know what? Fine. Maybe this isn’t the way he envisioned it, but when has life ever blessed him with a perfect scenario? He’ll offer his… services, and respect whatever answer you give him. If you refuse him now, he can always try again later. Under less perilous circumstances, provided you survive the night.
And if not, well, he's never been one to play the hero, but at least he tried. 
He steps further inside, closing the entrance behind him. The moment he seals the tent shut, there is a palpable shift. The space feels infinitely heavier, laden with unnatural energy, reminiscent of anticipation, but just slightly… off.
He breathes, trying to focus on anything but that intoxicating scent. The haze of it is maddening.
The elf sits on his knees beside you, hands resting in his lap. 
He clears his throat, hoping the sound would be enough to wake you.
There’s no response. 
He whispers your name.
Nothing.
No choice, then.
He drums a finger against your bare arm.
The cleric was right. Your skin is so hot, it borders on scalding.
Finally, you begin to stir.
-
Again. It happened again. 
As soon as you closed your eyes to rest, you saw him - That thing that wore his skin. You felt his hands and mouth as he ravaged you until you fell apart beneath him, above him, wrapped around him, like he was everywhere all at once. 
He was demanding as he took pleasure from you. Ravenous. Mocking your cries, your begging.
The hours stretched into what felt like lifetimes, and you’d nearly given up hope, resigning yourself to the idea that this was your new, endless reality. 
Until suddenly, you hear a voice that pulls you from the dark recesses of your subconscious-- the very voice being used to torture you
Your name, uttered quietly by Astarion. Just Astarion. No second, more sinister layer beneath it.
Your eyelids flutter, then widen as a chilling realization washes over you. 
He’s touching you. The pads of his fingers are both a balm and an irritant, soothing and igniting the flames licking at the corners of your mind.
“You look like you’ve seen better days.” He teases. 
You recoil from his touch, sitting upwards and crawling back away from him. 
He can’t be here. He, of all people, can’t be here.
And yet, something within you is screeching in delight.
'That’s him, isn’t it? The object of your desires? How fun!’
You swallow. Hard. 
“Astarion, I -” 
He holds up a hand, silencing you. “I’m aware.”
“Shadowheart informed us of your… predicament,” he continues, “I can’t help but feel partly responsible, seeing as I was there when you found the chocolate -”
“The chocolate? Is that - wait, what?” 
Shit. Your head is pounding. 
You press your palms against your eyes and groan. 
“I’ll spare you the details, but that chocolate was laced with succubus spittle - a highly potent aphrodisiac - and you, my dear, have consumed enough to bring an entire brothel to its knees.”
Your eyes snap open, meeting his own. There isn’t an ounce of humor in his tone. No sign of his usual mischief.
Gods, he’s being fucking serious.
“Now, as amusing as this might be if it were anyone else, I’d prefer it if our party’s leader made it out of this alive, and that leaves us with a choice."
You gaze at him silently, waiting as the candlelight paints his sharp features in warm hues of amber and honey. 
'He’s quite handsome. I see why you like him.’
“You can ride this out alone,” Astarion explains, “Shadowheart will return with her best salves and more potions for the fever. We’ll hope this passes quickly, but Wyll’s translation suggests the amount you consumed could leave you in this state for up to a week.”
Your stomach churns. You’re going to be sick.
“And the alternative?” you manage to ask.
His hand finds yours, fingers intertwining with your own. Your skin prickles at the contact.
“The alternative is that you let me help you through this. Consider it a repayment, of sorts, for gifting me your blood. I’m somewhat of an expert on… well,” he lets out a humorless laugh, “let’s just say, I’m the best chance you’ve got.”
Maybe it's the blood roaring in your ears, or maybe you’re still dreaming, but it sounds like Astarion is offering to… fuck you?
“I’m sorry, what?”
He groans, visibly frustrated. “Sex, my dear. If the magic is compelling you to have it, I think we should listen.”
‘Handsome and smart.’ 
You hiss, “Would you please shut up?”
Astarion squints. “What was that?”
“Nothing, sorry.” You clear your throat. “Listen, I - I get what you’re trying to do. I appreciate it, really, but -” 
Pain lances through your abdomen, a sharp, icy shard that interrupts your words. You clutch at your side, releasing Astarion’s hand before falling helplessly on your back, twisting in agony.
He inches closer, voice tinged with urgency. “We’re running out of time. If you want my help, it's best to ask now, because as much as I love the idea of you begging for me to bed you, I won’t be comfortable doing this unless you agree to this while you’ve still got your wits about you.” 
Tears sting the corners of your eyes, blurring your vision at the edges. He’s right. You don’t think you can endure this alone, and as much as you fucking hate to admit it, the damned succubus magic - that thing - is right.  
You do desire him. You’ve wanted him since the moment you met beside the nautiloid. Now here he is, offering to alleviate your suffering.  
There’s just one part of his offer that you can’t quite come to terms with.
“I didn’t let you drink from me because I was hoping you’d repay me.” Your voice warbles, wet and stressed, “I can’t have sex with you if it’ll just be part of some ridiculous transaction. Not with anyone, and certainly not with you.” 
His expression softens as your words sink in. It’s a confession, of sorts. The kind he’s wholly unfamiliar with. It stuns him almost to the point of speechlessness.  
“My apologies. Believe me, it was more of an excuse than anything. I didn’t mean to suggest…” He lets his words trail off, shaking his head. You two can revisit this conversation later, when time isn’t of the essence. “It doesn’t matter. I want to do this. Let me help you.” 
The sincerity in his voice sends a shiver up your spine.
It’s clear he means this.
He means every word. 
You nod. “Okay.”
Astarion clears his throat, rolling the tension off his shoulders. 
“Good. Now that we’ve got that taken care of,” he says as he throws one of his legs over your waist, straddling you, “Why don’t you lie back and let me take care of this, hm?” 
His posture is relaxed. Confident. He regards you with hooded eyes and the faintest hint of a smirk. It’s quite the sight, one you’d enjoy significantly more if your body wasn’t busy screaming for his attention. 
His deft hands make quick work of the laces of your shirt, and with every string that loosens, your composure unravels further. You squirm, unable to resist the heat that teases your skin and the growing itch beneath it. 
As if Astarion can sense your rising panic, he places a cool palm against your burning cheek, his touch both gentle and practiced as he rubs smooth circles at the dip of your temple. 
“Relax, dear,” he whispers, both a request and a command. The gentle lilt in his voice masks the underlying authority, but your body obeys all the same, tension releasing from your muscles. “I’ve got you.”
Astarion quickly rids you of the offending fabric, chest and stomach now bared to him. His eyes scan over your form with focused intensity, lips pinched between his teeth, like an artist deciding what to make of their blank canvas.
“Normally, I’d take my time with this,” he admits, “but given the circumstances…” He swiftly undoes the buttons of your trousers before yanking them off along with your smallclothes. One single, fluid motion. 
He can’t hide the mild shock that follows when he sees the state of you - dripping wet, red and pulsing with need. 
He dips the tip of his finger between your folds. It glides over velvet skin, coating the digit in warm, wet slick. A strangled, pitiful noise escapes from your throat.
For a moment, Astarion’s calculated expression falters, surprised by the rate at which your body opens itself up to him. A glint of hunger lurks beneath the surface.
“This may be easier than I thought.” He says with a smirk, more to himself than to you. 
He presses two digits in, slow and intentional. There’s no resistance; A knife through warm butter. You’re dripping down his knuckles, gripping around him like a vice. He slides all the way in until the heel of his palm meets your clit. 
“Breathe.” 
Not even realizing you’d been holding your breath, you release it with a shutter.
“Very good.” He punctuates his words with the slow drag of his fingers. Long, languid movements. He’s taking his sweet time with you, pulling scandalous little cries from your lips. It’s like he’s toying with you - seeing how long you can hold out before breaking. 
It doesn’t take much time at all.
“Astarion -”
“Yes?”
“Please.”
“Please, what? What do you need, darling?” His eyes are fixed on your own, grin tugging at the edge of his mouth. A cat playing with a cornered mouse.
“More. Anything.” 
He hums in approval, then wets the pad of his thumb on his tongue before drawing circles exactly where you need. Heat coils at the base of your spine, forming a ball of tension that threatens to snap. 
The sheer intensity of it is enough to scare you, caught between the urge to chase the sensation or flee from it. “Astarion, I -” 
He ignores your warning as if he hadn’t heard it, plunging his fingers into your heat and curling them - expertly caressing a spot that threatens to shatter you. Your hands fly out, gripping the fabric of his shirt, the sheets beneath you, anything in a desperate attempt to ground yourself.
“Go on, love. Let it out. I’ve got you.” 
Your body seizes as your orgasm tears through you, igniting every one of your oversensitive nerves. Back arching off the bedroll, several strangled sounds - almost pained - rip from your throat. The pleasure threatens to tear you apart, but the thick fog of lust occupying your mind begins to subside, offering the slightest bit of clarity as you twitch beneath him. 
Astarion grabs you by the jaw, tilting your head this way and that, admiring his handiwork. He's quite pleased with himself, with the mess he's made of you - jaw slack and brows pinched. He coaxes out the aftershocks, watching you squeeze around his fingers.
"There,” he gives you a playful pat on the cheek, "You're looking better already." 
"You're - agh - enjoying this too much."
"I never said I wasn't going to enjoy it." 
A beat of silence passes between the two of you as he allows you to catch your breath. For a moment, you think the coast is clear - that maybe, this was as far as things had to go. This was what the magic was compelling you to do, or at the very least - it was close enough. You fulfilled its wishes. Surely.
But then he pulls out of you, and the second you feel the vacuum of emptiness where his fingers once were, that voice in your head is screeching like some sort of petulant child. It pouts, waggling its non-existent finger in your direction. The demanding bitch. 
Part of you, instinctually, realizes that this is just the beginning - that you’re simply at the edge of the shore watching the tides recede while a devastating wave builds somewhere in the distance. 
“What is it? Does it still hurt?” Astarion asks, breaking the silence, and you realize that no, it doesn’t. Not like before, at least. 
You shake your head.
“Good. I’d wager that means this is working.” He smiles triumphantly, working the laces of his own clothes, and ridding himself of the final layers between you, revealing an intricate network of muscle beneath. For a man who’d supposedly been starved for the last two centuries, he certainly doesn’t look the part.
Astarion nudges your legs apart with his thigh, then settles between your knees, dragging the head of his cock between your folds. He hums in approval, admiring the sight as he coats himself in your slick. It practically drools out of you.
There’s no resistance when he dips himself into your entrance. 
His eyes scan over your face, searching for any discomfort, but all he finds is need. 
So, he presses in further. 
“Shit, you -” 
He hisses, sucking in a sharp breath as he bottoms out, then takes a moment, eyes pinched shut, collecting himself. 
He slides out, just an inch or so, before plunging back in, buried as deeply as he can reach. It’s so damn easy, the sinfully wet mess you’ve left all over his cock allowing him to glide in and out, tilting his hips with each thrust.
The stretch of him is perfect, like you were made for this - made to take him. His length rubbing and dragging against your walls acts like a balm, relaxing your body as you swallow and grip him in scorching heat. 
He grabs one of your thighs, pressing it into your chest - the new angle allowing him to sink even deeper into your core.
It isn’t long before you’re begging him for more, digging your heels into the curve of his back.
Astarion starts pounding into you - a new, brutal pace spurred on by your encouragement and the wet, filthy slap of his skin against yours. The sounds reverberate off the canvas of your tent, blending with your choked sobs. You just know your companions are going to have something to say about this in the morning, but you honestly can’t bring yourself to care. 
The only thing that matters now is the man above you - his nails digging into the flesh of your ass, whispering how good you feel. How well you’re taking him, “Like you were made for this - for me.” His grunts are like music to your ears, drowning out all other thoughts as his chest vibrates against your own.
It’s all too much. 
Your orgasm sneaks up on you before you have a chance to warn him, but he feels the way you flutter around his cock and acts on instinct - snaking his fingers between your bodies and rubbing your clit in quick circles. 
You throw your head back with a cry, shaking beneath him, and grip him like a vice as you come. The force of it slams into you, hot and devastating, tightening every muscle within its wake. You wind your limbs tightly around the hard planes of Astarion’s body as he rolls his hips into you, slow and deep. 
You can feel him twitching inside you, his rhythm suddenly stuttering with each thrust. Something tells you he’d come now, if you’d allow him.
But where?
'Where else?'
The very idea of him not spilling every drop he has inside of you disturbs you nearly to the point of panic, and with that, you finally understand what this damned succubus has been demanding of you this entire time.
“Astarion, please. I need you.” 
“Where?” he asks, voice muffled, panting hot and open-mouthed against the swell of your shoulder.
“Inside,” you beg, “Please. Please -  It’s alright.” 
He shudders, surging up into you one last time with a strangled grunt. Holding onto your hips, he pulses within you, the warmth of his release filling you to the brim, until a thick white ring of come forms at the base of his length. You can’t help but clench around him, moving to match his previous pace and trying desperately to wring as much out of him as you can, until it begins to seep out onto the sheets beneath you.
It isn’t until he stills inside of you that you release your hold on him. The two of you take a minute to collect yourselves, waiting for your heart to settle and listening to Astarion’s ragged breaths. 
He lifts his weight off of you with a grunt, settling back on his knees. 
“That was - agh,” he shivers as he pulls out of you. You don’t even want to look at the mess.
“I’m going to have to burn these sheets, aren’t I?” you ask, sitting up on your shoulders.
He throws his head back with a genuine, hearty laugh, and cards his fingers through his dampened hair. 
This is the most relaxed you think you’ve ever seen him - not a scowl line in sight. He rolls his shoulders, and sighs at the subsequent pop before turning his focus back on you.
“I’ll have you know,” Astarion muses, “I’ve done this more times than I can count— but this, my dear,” he chuckles, “This was one for the books.”
“So, was sleeping with me everything you could have possibly imagined?” It’s an obvious joke, given your tone. An offer to squash any chance of this happening again, should he wish to. An exit. 
He hums playfully. “Well, next time I think I’d prefer the subtle influence of wine over a mind-altering aphrodisiac, if it's all the same to you.”
There’s a beat of silence. 
Did he just offer to do this again? Well, not exactly, but -
“And how are you feeling?” Astarion asks. 
Better, is the honest answer. Slightly confused and deeply embarrassed, but better. 
The apologies you’ll have to make after the night’s over seem endless, both to him and to Shadowheart for all the trouble you caused. Not to mention the others, who’ve probably had the sound of your squealing burned into their memories forever. The idea of it is daunting.
“Because if you’re still reeling from any nasty, lingering effects,” he continues, “I’m sure I could be… persuaded to help again.”
Oh.
Hm.
“Well, now that you mention it…”
-
Tag List (sorry if I missed anyone! I only added you if you explicitly asked to be tagged): @daedriclys @captain039 @sushiumex @sugasweettea @marauders-moon @starlightelegy @ablxssm @the-lake-is-calling
2K notes · View notes
afreakingdork · 6 months ago
Text
Support Rise of the TMNT: Tips on Buying the TMNT 40th Anniversary Comic
As someone who has been reading comics for over a decade, i understand that the comics world can be a confusing place that isn't kind to new readers. I've seen many people confused about the new TMNT anniversary comic and as such I wanted to make a helpful little guide for those trying to get a copy.
As you may know, besides getting a new 8-page rottmnt story and those sweet future designs, picking up this comic is an actionable way to get more rise content.
Tumblr media
Now it may seem easy to pre-order this bad boy. You'll see pre-orders for the book pretty much wherever books are sold online, but these are The Deluxe Editions i.e. Hardcovers i.e. This is the comic equivalent of what is known as a Trade. Now Trades, also known as trade paperbacks, are usually collections of single comic issues that are reprinted into book form. I imagine that in this case it will be the original comic plus bonus content such as spreads of the alternate covers, but I'm getting ahead of myself.
THE PRE-ORDER IS NOT FOR THE COMIC THAT COMES OUT JULY 10, 2024.
The issue that is going to come out on July 10th is the true single issue of the comic i.e. the classic floppy comics you picture from years of olde. Now we can go back and forth on what's more important to the industry (a sale is a sale supposedly), but traditionally, a comic lives or dies by its single issue sales. Comics typically don't get trades if their single issues don't sell well. Now this is already getting a trade so we don't have to worry about that, but Ron seemed to heavily imply here that the sales that are important on this one are the single issue sales. This means:
IF YOU CAN, YOU SHOULD BUY THE JULY 10TH SINGLE ISSUE COMIC IF YOU WANT TO SUPPORT RISE.
Okay, but how do you do that? Comic book stores are intimidating and they don't exist everywhere. It goes without saying that if there's no comic shop in your area or if you are not financially able to then don't feel pressure to get this comic. However, if you can, we know for a fact it will help us get a chance at more content. With that said, here's how you do it:
New comics come out on Wednesdays (July 10th in this case)
Most comic shops have a designated area for that week's new comics
Most comic shops operate on a first-come-first-serve basis unless you have a pull list
Anniversary comics sell fast because they are special and collector's items.
Summarized: Go straight to your local comic book shop the moment they open on Wednesday if you want to secure a copy.
Something else to note: Variant covers of the comic exist. Now, the typical cover is going to be a cover by Laird and Eastman, but there are a bunch of variants as listed here. All letter variants may or may not be sold at your local comic shop. This is up to their discretion to buy. The 1:# variants are based on how many units they buy and will always be more expensive because they are even more limited in quantity.
I hope this helps! Let's support Rise of the TMNT!!
430 notes · View notes
hotvintagepoll · 9 months ago
Note
Do you have any opinions on modern (post-1970s) movies that you feel capture the essence (in a good way) of Old Movies?
No, unfortunately. That doesn't mean I don't like modern movies or that modern movies aren't good, but modern movies—and here I'm really using modern to mean post-2010, so contemporary movies—have different standards for pacing, characterization, budget, and production that make it harder (or impossible) to capture some of the magic of old movies. Even when modern movies clearly try to emulate that old-movie feeling—I'm thinking of La La Land, The Artist, The Shape of Water, In the Heights—they play the homage too broadly, or they ignore crucial components that make the original films work.
There's kind of too much to go into here without writing a full essay, but essentially, the Old Hollywood system—ugly, failed beast as she was—made some movies simply more accessible to make, due to the ongoing storage of props, sets, master craftsmen, crew, and onscreen talent that could move from one movie to the next without pause. If you needed a dancer, he was already on staff. If you needed a fancy bed, it was already in the warehouse. That kind of longterm storage is invaluable if you want to crank out movies quickly and cheaply because it saves so much time on individual negotiation and sourcing. Modern production companies have to work out individual contracts for every actor on every film; crew members have to negotiate rental contracts and source pieces from scratch; if you need someone with specialist skills, you have to contract them specially at a high rate, which a lot of small companies can't (or won't) budget to do. There's sand in the wheels where there needn't be any. It's wasteful, and costly, but that's the system modern movies are made with.
Which all means that even if the modern movie system wanted to make a classic movie musical just like the old ones, they couldn't, because the talent isn't already there—it hasn't been trained up enough, and there's not that breadth of knowledge you can only get from people who have been allowed to work in the same department in the same place for decades. Movies like La La Land fail, for me, because they present themselves as descendants of Fred Astaire or Busby Berkley movies, while missing the bit where Fred Astaire was a master of his craft. When you watch Fred Astaire dance—or Moira Shearer, or the Nicholas Brothers, or Ann Miller—you are watching a true artist at work, purposely showcased by the studios because they already have them on contract. Modern movies, on the other hand, tend to take people who already have star talent (as actors) and try to convert them into dancers/singers—or they pull dancers/singers off of Broadway, but then they don't have the star power built in. You end up with lackluster musicals where no one truly knows what they're doing, or they do but they're not built up enough by the studios to sell. And that's me discussing just on-screen talent for musicals—there is a huge loss behind the scenes, as well, for all kinds of movies, where roles that would have been filled by union crew who moved continuously from one job to the next have been swapped for freelance labor who live with immense turnover, financial insecurity, and knowledge loss. You could hand me the budget and I could try to make an old movie, but the industry itself has changed so much it's impossible to recapture that charm of steady, niche talent, the amazing possibilities of bonkers set design, and the ability to take a risk on a smaller movie because the other films being produced by the same studio can help balance the budget.
I've talked way, way too much about all of this! Sorry, I just have a lot of thoughts—and the one above is just one of them; the talent loss and storage issues are only facets of a much bigger problem that extends to how we watch movies today, how we market them, what we expect of them, and what's allowed in them. It's a crying shame because the talent is still there, but times change and so does the industry, for better or for worse. (And, just again to clarify, I don't think modern movies are bad—they're just missing a lot of the juice old movies got to play with, even if there's more talent available than ever before.)
502 notes · View notes
zorciarkrildrush · 1 year ago
Text
I think the essence of what drives me crazy about current Enlightened Online Leftist Discourse Regarding My Life Personally And Whether This Time Killing Me Is Morally Correct (as in, commentary about the latest episode in i/p violence) is this:
I want a free Palestine.
I don't personally know a lot of people that don't! They might bristle at the tagline, because it's co-opted by people who do in fact want them dead, but as soon as I lay out why it's in literally everyone's best interest, how a non-free Palestine is horrific both to the people of Israel and to the people of Palestine, how pragmatically ridiculous the occupation of the west bank and the siege upon Gaza are (and I am a very pragmatic person), they get it. And I don't mean I debate people online about it - this, too, is a ridiculous concept - I mean having, time and time again, the deradicalization conversation with my friends, and colleagues, and my family. Obviously not only now - I've always been a very principled and argumentative Jew, ever since I became an adult - and I've been alive for, I don't know, a dozen flashpoints and operations and wars at this point, and I don't stop being argumentative and loud in peacetime either, but especially now.
But that's not what "from the river to the sea" means.
When you, gentle soul from across the sea, echo this slogan, you are either:
By apathy or will, ignoring that the sentiment cheers for the mass expulsion and killing of Jews. Indeed, any non-Muslim present from the river to the sea. This doesn't even begin to cover how even Muslim arabs still will not be safe under Hamas rule - and trust me, I don't care if a Hamas apologist told you different. A victory for Hamas (And we're ignoring the fact they do not have the military capacity for it - I hope you are aware of the privilege inherent to not understanding military conflicts) means exactly that. No "rule by the people". No socialistic, Palestinian utopia to be had, which is a fantasy I'm seeing alluded to a lot recently. Just an extension of the horrific power structure in Lebanon and Syria, where Hezbollah - friends and allies to Hamas - have been playing a tango for decades of both refusing to participate in actual government and betterment of civilian lives, while still draining their resources and controlling them with no real contest. "From the river to the sea" is not a sentiment for freedom fighting - it's a sentiment for a final solution to the people living here who are either Jewish, or for some Very Strange And Weird Reason would rather not submit to Hamas rule. You know - Israeli Arabs, secular and Muslim and Christian, Druze, Circassians, Bahai, take your pick. Their suffering, and my suffering - you know, a person who made the strategic error of being born in Israel while Jewish, which is inherently problematic and not okay of me - don't matter to you. Just the fantasy of an easy, morally correct cleanse of the land.
Are well aware of all of the above! You just don't care. You either smugly chuckle that I, and anybody else who will die, deserve it - or that it's an acceptable loss for the aforementioned fantasy. "Decolonization is an inherently violent process", you'll say to me, chillingly, before implying I have a summer home in Brooklyn I can just retreat to when things get tough. Israel is basically Rhodesia, a very popular blog here mentioned flippantly, so what's the issue with all of those lily-white Jews fucking off back home before the righteous freedom fighters strike them down? Well. This might be the part I urge you to open a book, or even Wikipedia or any god damn thing that will explain to you these upsetting, dense things you clearly struggle with.
It's easy for me to discount islamophobes. Like, very easy. It's very easy for me to discount insane evangelistics who "advocate for me" simply because I'm a pawn in their religious rapture. It's easy for me to fight against Israeli and Jewish fascists - I have been long before this news item came across your feed, as did the insinuations that some civilian deaths are okay, actually.
It's easy for me for me to see promotions for donations to non-political aid in Gaza. It's easy for me to see the sentiment that hey! Palestinians deserve safe, healthy lives. That they have deserved an independent state, and were unfairly denied one, for decades. It's easy for me to see people saying "You know, the Israeli government is shit, actually, and their actions endanger and promote to the misery of innocents". Because that's right! I wouldn't be voting and protesting and donating for all of these sentiments otherwise!
It's not easy for me to see people, who I honestly held in high regard and saw having well thought out opinions on important matters, inadvertently echo the sentiment that my death is acceptable. That a terrorist organization, who rule over their own territory with fear and violence, are righteous freedom fighters, vox populi, only out to establish a free state. Like hey, their manifesto said otherwise, so it must be all there is - right? That Jews are just hysterical, they can easily live elsewhere - ever since that nasty holocaust business everything's fine abroad. Besides, it was just so long ago who even cares stop talking about it. Hamas, Hezbollah, ISIS, the Ayatollahs in Iran, the fucking Islamic Jihad - are not interested in freedom. They aren't, and echoing their slogan tells me you are either ignoring that, or support them anyway. If antisemitic rhetoric, half truths and lies by omission work on you today, they would have in any period of time. I'm sorry this makes you uncomfortable. I'm not, not really.
So finally:
Know what your fucking words mean. Have a cursory glance at the history of the MENA and why it's so fucked, one that doesn't boil down to "The Jews, with American help, rolled into where they don't belong". This isn't even a joke. I've seen this braindead, history-revising sentiment repeated so many times, both online and in actual textbooks, that I feel I'm going insane. So many well-meaning people handwringing and assuring each other that repeating genocidal slogans is fine, that calling the i/p conflict "a simple problem" (which means it has a simple solution, right? Just kill the Jews.) is a well-adjusted and intellectual take. That "only the Zionists should die! The rest will be fine :)" I dare you to say that and also give me a correct definition of what Zionism is. Why I, a Jew that advocates for Palestinian statehood and rights and safety and always have, won't also face the wall in your little fantasy.
Freedom to Palestine. Peace in the middle east, fucking yesterday.
A curse and a plague on those who don't want either of those, and just want to cheer on the death of "the other side".
A curse and a plague upon you, when you tell me, smugly, from somewhere safe and far away, "from the river to the sea".
1K notes · View notes
llamagoddessofficial · 1 year ago
Text
Can you believe I've never done Farmtale Sans before? As a certified country girl? Shocking, I know. I'll rectify this issue with my latest brainrot scenario immediately
---
“whoever this is, it better be real fuckin’ important,” the voice at the other end said, gruff and tired, heavy with a mix of annoyance and sleepiness.
Immediately, shame washed over you. The very small amount of steam you’d managed to muster up completely dissipated from your body as you imagined Sans’ disappointed and disbelieving reaction to your pathetic request.
This was a mistake.
“... H-hey. Uhm... I’m fine, I didn’t mean to call. Butt dial, hahah.” Your voice nearly cracked. “Sorry for waking you up.”
“... wait.” His voice instantly changed. “hey, don’t hang up-”
You didn’t hear the rest of what he said. You hung up, and put the phone down. Now you were right back to square one, sitting at the kitchen table in a freezing empty house at 2 in the morning. It had taken you almost half an hour to muster up the courage to call him- thirty minutes of sitting by the phone, wrapped up in your coat, shaking and holding back tears. You started plotting places you were going to sleep. Maybe if you put more wood in the kitchen stove, you could just sleep at the table until morning. 
... You inherited this place from your grandmother. It was a ‘rustic’ house that hadn’t seen human company for over a decade, in the middle of the deep countryside, cut off from almost everything. Spooky, draughty, on nights like tonight sitting in the kitchen was like sitting in a fridge. You had moved out of necessity- your landlord in the city had evicted you from your beloved apartment to jack up his prices, and you couldn’t find anywhere else to live except this middle-of-nowhere house left in your name.
You had lived in the city your whole life. You weren’t used to being in the country, not at all. The month you’d spent here had only reinforced that fact to you, over and over.
Something made a noise outside. An animal, maybe. You curled your coat tighter around you.
The only upside so far had been meeting the monsters that made up the tight-knit community you had been unceremoniously dropped into. Papyrus and Sans, especially, had been so wonderful and helpful. Sans had told you to call if you needed anything.
... Which was exactly why you didn’t have the heart to tell him why you were really calling. You didn’t want him to think any worse of you than he probably already did. A stuck-up city girl who doesn’t know what she’s doing.
You were scared.
... 
The phone rang. The sound made you jump, it felt so loud in the silence. Despite your increasing shame, and the desire to just let it ring... you picked up.
“c’mon, don’t be like that.” He sounded much softer than when he had first answered. “what’s wrong? something happen?”
“N-no.” Hearing someone else’s voice was so comforting. You felt so alone, far away from everyone. “It’s nothing.”
You obviously weren’t very convincing. “doesn’t seem like nothing. you sound terrified.”
“I’m just cold.”
“didja kill someone? do i need to come over and help hide a body?”
You couldn’t help it, that made you giggle a little.
...
It just came. You didn’t entirely know why. Probably because it was two, and you hadn’t slept since six the previous morning. Unable to help yourself, you just... burst into tears.
“hey. s’ok, you’re gonna be ok. i’m on the way.”
“N-no, no, please,” You pressed your sleeve against your eyes The shame was absolutely overwhelming. “Please don’t come,”
“too late. already outta bed, it’s serious business. you gonna tell me what’s got you all shaken up?”
You pulled your knees up to your face. Well, no hiding it now, huh? He’d heard you sobbing over the phone. Your voice crumpled under a mixture of tears, fear, immense fatigue and shame. You felt like such a baby. 
“Th-there’s a huge spider on my bed,” you finally admitted, feebly. “I-I’m... I don’t know what to do.”
“aw jeez. why didn’t you just say?”
You could suddenly barely talk through the crying. Hours of stress, all coming out in one mess. He probably thought you were pathetic.
“hey. knock knock.”
As he said that, you heard two soft knocks on your side door. You jumped up, what the hell? Was that Sans? You dropped the phone and rushed to the door to let him in, almost tripping over yourself. 
You opened the door, the air was full of the sound of wind and crickets. Sans stood in the darkness outside of the house, dressed in a thick knitted sweater, blue and white striped pyjama bottoms, big heavy boots, and a coat over the top of it all. He had the phone in one hand, and his smile widened when he saw you.
Shocked, you scrubbed at your eyes and nose again, self consciously trying to wipe off the tears and snot. He lived half an hour's drive from you. “H-how... how did you get here so fast?”
“shortcut.” He winked, those lovely emerald green eyelights glimmering in the low light. “can i come in?”
You nodded, not trusting your voice, stepping to the side. Maybe he knew roads your map apps didn't. Sans eagerly came into the light, kicking off his shoes and closing the door behind him.
“this way?” he asked. 
... You showed him to the bedroom, but cowered in the doorway. 
“I-it’s under the sheet.”
Sans didn’t even hesitate. He approached the bed and flipped back the sheet. The spider hadn’t moved since you last saw it scurry under your bedclothes, still sitting right there, with its fat hairy body and sharp legs. It was probably the biggest spider you had ever seen in your entire life. You felt a horrible chill pass over you.
“dang. he is big. look at the size of that gangly fucker.”
Having said that, Sans just... grabbed it. He picked the spider up before it could run and held it in his enclosed fist like he was scooping up a penny he had dropped on the floor. Just like that, he moved across the room and pulled back the curtain, cracked the window open, stuck his arm out, and threw the spider out into the darkness.
He closed the window again. The air felt less heavy. He even tugged the handle to make sure the window was all properly sealed up, pulling the curtains closed again.
It took him all of fifteen seconds.
“all good.” He turned to you, grinning and showing you his open palms. No spider. “successfully evicted.”
...
You started crying again. 
Sans mumbled a soft ‘aw jeez’. He didn’t hesitate to cross the room, wrapping his arms around you and pulling you into a warm hug, ignoring your babbled apologies. 
“he really spooked ya, huh?” A gentle hand smoothed over your hair. He smelled like sweet hay, hours of sunshine, and something slightly musky. “how long were you tryna drum up the courage?”
“T-two hours,” you sobbed, muffled in his sweater.
You’d expected him to laugh at you. But he didn’t. He just held you, letting you cry out all the stress that had been building up over the course of the night. You were pretty sure this was the first time you had been hugged since before you left the city.
Eventually, you calmed yourself down, reducing to just hiccups. Sans didn’t let go until you did, allowing you to pull away, but keeping a steadying hand on your arm. 
“easy, pet.” His voice was so warm and soothing. “you’re all good.”
“Fucking... I’m just such a baby.” Your sleeves were damp from all of the tear wiping you were doing. You made an unattractive sniffling sound. “You didn’t even hesitate.”
“cus i’m used to ‘em. also, i’m a skeleton, so i don’t gotta worry about being bitten. no shame in bein’ scared of the big ones.” 
Your voice was hoarse. “I’m sorry you came out all this way.”
“... did you think i’d be mad at you?” he asked, softly.
“M-mhm.”
“i really don’t mind bein’ yer bug removing hero." He patted his nonexistent bicep. "tell ya what, it makes me feel very big an’ tough.”
He had you giggling again. He always did. He seemed proud of himself- his presence was balm to your Soul right now. 
“I just... I get so scared at night.” Your cheeks were hot. “It’s so quiet, and dark. I feel like I’m the only person around for miles. I don’t know why I thought I could do this.”
"this?"
"Living out here."
“hey, i beg to differ. yer already doin’ so much better than most who move to these parts.”
You looked up at him. Why did that tiny bit of praise make your heart swell so much? You didn’t feel like you were doing ‘better’. You’d just called your nearest neighbour at 2 in the morning to come save you from a spider. “But I’m always asking for help.”
“exactly. you’re askin’. that’s the important part.” His eyelights were so warm. “that’s how we make it work, out here. we help each other.”
Goddamnit. You were gonna cry again. You just about managed to choke it down.
“... the animal noises also probably freak you out too, huh?”
“Y-yeah, hah.”
“if you don’t know what yer hearin’, it can be pretty scary.”
... You sniffled.
...
“... you’re shaking. d’ya want me to stay?”
How did he know? He always just seemed to know. You nodded, meekly. You didn’t want to be alone right now, and you knew the house would feel even colder and emptier once you’d known how it felt while you had company.
“Will Papyrus be worried?”
“he knew i was headin’ out to help ya. he’ll be fine.”
... You didn’t need to say out loud where you wanted Sans to sleep. Both of you knew.
The two of you finally took off your coats, and Sans turned off the lights. His forest-coloured eyelights were the only illumination in the room. As soon as he shuffled into bed beside you, you gratefully curled up against him, he was so calming and so warm. He reciprocated, wrapping his big arms around you, his comforting smell soothing your shot nerves. 
“... Thank you.” Your voice was almost a whisper.
“yer really warm.” he hummed. “just so you know, i’m a bit of a snorer.”
You probably should’ve been more concerned, sharing a bed in a very secluded location with a guy you barely knew. But you didn’t have the energy for it. For the first time in a long time, you were warm, didn’t feel lonely, and weren’t worried at all about bugs. 
“I don’t mind.”
... It was the best night’s sleep you’d ever had.
886 notes · View notes
psychotrenny · 10 days ago
Text
It's a consistent rule that media which conspicuously and deliberately refuses to engage with a social issue functionally supports the Status Quo. Sometimes this is an intentional strategy by someone who consciously holds this position but feels insecure with openly expressing it, but other times it's simply the natural outcome of presenting things in this way regardless of the creators intent. Like I've been reading a little about agricultural reform movements in the South Eastern USA before the US civil war, and the general refusal of the most popular agricultural journals to even mention slavery (i.e. the very bedrock of the Southern agricultural system) was clearly a way to support it without getting embroiled in the controversy around abolition that was raging among white settlers in the decades leading up to the war. This excerpt sums it up pretty well:
Considering the Southern Cultivator's resolution to "be exclusively devoted to Southern Agriculture" and its abundant references to planters and plantations, the journal remained remarkably silent about slavery in its first ten years. The editors had abundant reasons to ignore the subject. First, because agricultural journals relied on the exchange of information across multiple national and transatlantic networks, a preoccupation with slavery threatened to alienate critical partnerships. For this reason, agricultural publications both above and below the Mason-Dixon Line tempered their treatment of slavery. Like the Southern Cultivator, the Albany Cultivator, a northern journal with a large southern readership in the 1830s and 1840s, discussed plantations without often mentioning slaves. In both journals, "planters" and "plantations" served as euphemisms for slave owners and slave-labor landscapes Further, agricultural writers made a living by finding and addressing problems, and the editors of southern agricultural journals, even if so inclined, could not afford to suggest that slavery was a problem. Rather, the Southern Cultivator and similar publications mimicked mainstream agricultural philosophy by espousing the idea that the appearance and productivity of agrarian landscapes were an extension of the character and behavior of the landed proprietor. The Southern Cultivator thus bypassed questions of the utility and economy of slavery by focusing its critique on planters and their mismanagement of plantations. In 1849, in a rare direct engagement with national slavery debates, Daniel Lee declared to readers that "[t]he evils of defective system of husbandry—one that makes the soil poorer instead of richer—are mistakenly charged to the account of slave labor when they ought to be ascribed to the misdirection of such labor." The Southern Cultivator thus was a clearinghouse for the various ways planters could use agriculture, architecture, and horticulture to redirect slaves' labor into more culturally and economically productive channels. The journal was not a platform for critiquing or reforming the labor system itself
Philip Herrington (2012) Agricultural and Architectural Reform in the Antebellum South: Fruitland at Augusta, Georgia, The Journal of Southern History vol 78. No 4.
173 notes · View notes
directdogman · 18 days ago
Note
Dialtown is the most USA-core game I've ever played. It's so fucking American that it's scary, and I've lived there my entire life! Like, this feels fundamentally tied with the game's themes and narrative, that's how extreme it is. And it's not even alienating OR nationalist?? It makes such genuine commentary? And then there's so much other shit to think about too; Dialtown has a very real identity outside this that anyone could love?
One: I am VERY impressed that you have done the USA and its people this well. I am actually astounded, bewildered, and chuffed. I've never felt so seen by a video game, culturally-speaking. I didn't even know there was a culture to see.
Two: WHY did you do that. Dialtown is like USA Culture Absurdified: The Visual Novel. What drove you to make a game this rich with American culture and ideas???
Hello!
It would've been odd for an outsider (non American) who enjoys reading up on history to make my setting nationalist or alienating. America is a country with a lot of serious issues. You can't really study how America is (and has been) internally run without facing glaring and obvious systematic issues. DT's setting is one of scarcity and most of the main characters you follow in DT are kinda just scraping by without much hope for true mobility/advancement. A lot of Americans (especially younger generations) would agree this sorta encapsulates the national mood of the country right now.
Of course, the systems that run a country don't define its citizens - many of the finest people I've ever known are American and are victims of the whims of those with power, not willing participants in this system. I could be wrong, but that's why I think the setting connected with a lot of people. We all know Randys, Olivers + Karens, people who've fallen through the cracks in some way. To them, America's spirit of self-determination isn't about individual identity - it's more "you're on your own."
Why I chose to set DT in America would be a novel length answer in of itself, but it mainly came down to history + narrative opportunity. I wanted to set the game in the epicenter of where the phone-revolution came from and Crown likely couldn't have pulled his plan off anywhere else and probably not during any other time. It had to be 1960's America.
Of course, some parts of DT are sorta universal and were inspired by the the Great Recession and what followed. I remember there was an area not that far from my house that was full of green fields when I was born and when I was a kid (and when real estate boomed), stuff started being built there. Parts of it looked really nice, not quite like anything nearby. Like the future was coming. Then the economy crashed and stuff was left sitting there, half-built for like a decade. Skeletal, unfinished buildings. DT is much the same.
There's a feeling that the city could've been something better and while things could be more equal, it does feel like there are no easy solutions to fix everything - unless someone very smart and determined somehow bypassed every safeguard that was set up to halt radical change and enacted a genius plan to somehow eliminate scarcity. It happened once and might never again.
I don't think most people understand the intricacies of stuff like global commerce all that well (myself included), but when you're sitting looking at a half built neighbourhood mere hours after speaking to a friend who just kicked out of rented accommodation and doesn't have a stable family unit to fall back on, you'd have to be a real dolt not to understand that things aren't great right now. Most people are scraping by and feel if they could just get affordable housing locked down, if they had maybe one good opportunity - maybe there's hope that things could change for the better.
The end of DT isn't really utopian, things don't massively change for the better and indeed, the town has a lot of rebuilding to do. But, a collection of lonely people are now looking out for each other and through the relationships they have, now feel like they have a place in this world. That no matter how bad things really get - they aren't truly by themselves anymore. Most individuals don't have the means to significantly advance change on their own - but you can live your life, love those around you and support others and plan for when the opportunity to affect change comes about.
I guess that's what life is, in America or anywhere else. Sorry I rambled for so long. Hope this answered the question!
174 notes · View notes