#I've been writing this instead of being on tumblr recently

[becausegoodheroesdeservekidneys]

The thing with the Mari Lwyd, though, is that it's being... I don't know, 'appropriated' is the wrong word, but certainly turned into something it isn't.

Thing is, this is a folk tradition in the Welsh language, and that's the most important aspect of it. I feel partly responsible for this, because I accidentally became a bit of an expert on the topic of the Mari Lwyd in a post that escaped Tumblr containment, and I clearly didn't stress it strongly enough there (in my defence, I wrote that post for ten likes and some attention); but this is a Welsh language tradition, conducted in Welsh, using Welsh language poetic forms that are older than the entire English language, and also a very specific sung melody (with a very specific first verse; that's Cân y Fari). It is not actually a 'rap battle'. It's not a recited poem. It is not any old rhyme scheme however you want.

It is not in English.

Given the extensive and frankly ongoing attempts by England to wipe out Welsh, and its attendant cultural traditions, the Mari is being revived across Wales as an act of linguistic-cultural defiance. She's a symbol of Welsh language culture, specifically; an icon to remind that we are a distinct people, with our own culture and traditions, and in spite of everyone and everything, we're still here. Separating her from that by removing the Welsh is, to put it mildly, wildly disrespectful.

...but it IS what I'm increasingly seeing, both online and in real world Mari Lwyd festivals. She's gained enormous pop-culture popularity in recent years, which is fantastic; but she's also been reduced from the tradition to just an aesthetic now.

So many people are talking/drawing about her as though she's a cryptid or a mythological figure, rather than the folk practice of shoving a skull on a stick and pretending to be a naughty horse for cheese and drunken larks. And I get it! It's an intriguing visual! Some of the artwork is great! But this is not what she is. She's not a Krampus equivalent for your Dark Christmas aesthetic.

I see people writing their own version of the pwnco (though never called the pwnco; almost always called some variant on 'Mari Lwyd rap battle'), and as fun as these are, they are never even written in the meter and poetic rules of Cân y Fari, much less in Welsh, and they never conclude with the promise to behave before letting the Mari into the house. The pwnco is the central part to the tradition; this is the Welsh language part, the bit that's important and matters.

Mari Lwyd festivals are increasingly just English wassail festivals with a Mari or two present. The Swansea one last weekend didn't even include a Mari trying to break into a building (insert Shrek meme); there was no pwnco at all. Even in the Chepstow ones, they didn't do actual Cân y Fari; just a couple of recited verses. Instead, the Maris are just an aesthetic, a way to make it look a bit more Welsh, without having to commit to the unfashionable inconvenience of actually including Welsh.

And I don't really know what the answers are to these. I can tell you what I'd like - I'd like art to include the Welsh somewhere, maybe incorporating the first line of Cân y Fari like this one did, to keep it connected to the actual Welsh tradition (or other Welsh, if other phrases are preferred). I'd like people who want to write their version of the pwnco to respect the actual tradition of it by using Cân y Fari's meter and rhyme scheme, finishing with the promise to behave, and actually calling it the pwnco rather than a rap battle (and preferably in Welsh, though I do understand that's not always possible lol). I'd like to see the festivals actually observe the tradition, and include a link on the booking website to an audio clip of Cân y Fari and the words to the first verse, so attendees who want to can learn it ahead of time. I don't know how feasible any of that is, of course! But that's what I'd like to see.

I don't know. This is rambly. But it's something I've been thinking about - and increasingly nettled by - for a while. There's was something so affirming and wonderful at first about seeing the Mari's climb into international recognition, but it's very much turned to dismay by now, because she's important to my endangered culture and yet that's the part that everyone apparently wants to drop for being too awkward and ruining the aesthetic. It's very frustrating.

[jog-hog]

Siblings and secrets don't mix

Dipper x Pacifica

W/C: 1k+

Summary: Mabel's trying to figure out who Dipper is texting so much and finds out it's a certain popular princess of Gravity Falls.

Note: This fic is pure fluff absolutely tooth rotting also I've never posted a fic on Tumblr before I'm mainly an AO3 user so sorry for any formatting issues!

︶⊹︶︶୨୧︶︶⊹︶︶⊹︶︶୨୧︶︶⊹︶︶⊹︶︶୨୧︶︶

Back in Gravity Falls

After the events of their first stay in Gravity Falls the twins are not only well known,semi-well-liked they have friends. Friends that come and meet them at the bus as they pull up, friends that sneak out the house to hang out with them and recently friends that text them A LOT when they're not in Gravity Falls.

Dipper had never been big on the whole phone thing instead enjoying nature whenever possible and appreciating literature and writing but recently Mabel's noticed theres been a significant rise in notifications and a very big increase in him checking them (and him showering has gone up marginally). Mabel knew what this meant.

All signs pointed to pine tree having...a girlfriend ?! Of course Mabel has been in her fair share of relationships so it's not really a shocker but Dipper? She didn't even know someone could like Dipper back!

However whenever she'd try to introduce the topic to their conversations he'd shut it down quickly... suspiciously quickly.

Heres what she knew: they texted ALL THE TIME which means they're probably not in our school since she's also caught him sneaking peaks at his phone in school, they care about Dipper showering and that's about it...he really is a stubborn one isn't he? So obviously she had to concoct a plan, dare she say a plot to look onto Dippers phone and answer the very important question: WHO ARE THEY??

As Mabel sat awake in bed trying to figure out who it was she went down her mental list of potential suitors. She knew they weren't that far, Mabel probably knows them too...

Then a lightbulb moment occured

"GRAVITY FALLS!"

She though to herself jumping up in bed, it had to be. Theres only one person, one possible person: Pacifica Northwest! Mabel couldn't believe it, she always got a vibe from the two but couldn't sell herself on it due to Candy's crush but given she's over it and that the two are texting non stop it just HAD to be Pacifica!

In the morning Mabel awoke to the sound of tapping on a phone, Dipper was awake before her which was abnormal and even stranger he was on his phone! Mabel looked at him and smirked

"Who're you texting lil bro?"

"No one!" Dipper exclaimed going red and hiding his phone away from his twin.

"Aw come on Dip we're twins we need to tell eachother everything!"

Dipper sighs going red, Mabel looks at him intently waiting for him to confirm her suspicions.

"..Well" he starts quietly "come closer I'm embarrassed" he says hiding his face in his hands. Mabel simply walks forward

"Whisper I promise I won't tell mom and dad come on!!" She begged

"I've been messaging Pacifica and..." He begins and stops just as quickly getting visibly embarrassed

"AND?" Mabel continues. "AND I think we're dating" he blurts out quickly like he's ripping a band aid off.

There's a silence until Mabel breaks it

"OH. MY. GOD" she begins rambling a mile a minute about how cute they are, begging to see the messages just to know SOMETHING, her little twin was in a relationship!

Dipper sits there laughing grabbing her after a few minutes of this intense rambling

"You can't tell anyone okay? If we tell mom and dad they won't let us go to Gravity Falls it's only a few weeks away now"

Mabel promises her silence and they go about their lives (with much more drama than once before).

On the bus ride to Gravity Falls Mabel notices some persistent texting occurring right next to her, she desperately wanted to know what they were talking about but Dipper would hide away every time she got close enough to read it. Dipper was being far too secretive about this relationship for Mabel's liking and as siblings she had to be annoying at least once on the bus ride over, at this…this was her calling.

Abruptly she snatches the phone out of Dippers hands and shoots herself to the other side of the backseats on the bus, he immediately yells at her to give it back and chases after her as she kicks him off, she begins reading and exclaims

“‘I MISS YOU SO MUCH??’ OMG ‘I LOVE YOU TOO’” she giggles looking at how adorable their conversation is as Dipper yells at her to stop, she continues anyways (as any good sibling would) until he finally manages to crawl over and grab his phone back. Mabel continues laughing as Dipper pouts.

“You need to stop doing things like that” Dipper says moping and shooting his sister a look.

“You need to stop hiding things from me nerd” Mabel says back, shooting him the same look but with a smug grin on her face.

Dipper still looked a bit upset, she realised she probably went a bit too far by reading it out, her smug smile dropped as she looked down at the ground and played with her sweater.

As the awkward silence grows Mabel pierces it again.

“Awkward sibling hug?” She proposes looking at him with a sympathetic ‘this is for real’ look on her face stretching her arms out toward him.

Dippers face breaks it's serious expression and a small smile creeps onto his face, exhaling and turning to face his sister.

“Awkward sibling hug” he says while quietly chuckling and messing with her hair after the semi-robotic “Pat Pat”.

Mabel laughs realizing they're near their real home Gravity Falls and naturally she takes her opportunity:

“We're close to getting off and seeing your new GIRLFRIE-” she says the last bit loudly even though there is no one on the bus at this point except for the poor bus driver who's had to witness all this. Dipper quickly puts his hand over her mouth and pulls away before she licks his palm (again). As they pull up Mabel notices how Dipper immediately scans the crowd for Pacifica as they make eye contact.

“They really like each other don't they ?” Mabel thinks to herself as she smiles and grabs her bags.

The two can't wait for another beautiful and terrifyingly strange summer in Gravity Falls.

[miraculouslbcnreactions]

This thoughts still cooking, so it might not make sense, but I think Thomas (Tomas?) Astruc is a very good case study on how being too attached to your own ideas can hinder your story telling.

I don't mean this in a "Thomas's original idea for the series was bad", but rather that he seems so attached to this concept that he can't stand other people having a differing view from him.

Chloe's the titular example here. Some people thought she deserved a redemption arc, and instead of just saying "nah, I don't think so" and continuing to write her the same way he had been, he had to prove them wrong, prove that his idea was the only correct one, and so turned her into the spawn of Satan and let her rule over Paris for some reason.

Instead of making Marinette less stalker-y, he wrote an entire episode poorly justifying it. And, imao, somewhat diminishing what PTSD actually is and does to people.

I'm not saying he has to make any change (though I think making Marinette less stalker-y would be a good change), but instead of 1.) sticking to his resolve or 2.) taking the criticism, he clung dearly onto this perception of his characters and his writing suffered because of how much he had to twist things to "prove" that his original assertions were right. And also that everyone who disagreed with him was wrong and didn't understand

idk if that makes sense, but the concepts been lingering in my head recently

It makes perfect sense! I've had similar thoughts. It's hard to say for sure, but Miraculous may be a case study in "kill your darlings". I'm not deep into the behind-the-scenes lore and I was not here in the early fandom, but I do know that, at some point, a much darker version of the show was pitched. That's why these exist (image source):

[Image description: two sketches styled like comic book covers. Both have the title "The Mini Menace Ladybug". The left cover shows Marinette's silhouette in a doorway. The door's glass and the glass of a nearby window are broken. In the foreground lies a hand holding a ladybug charm. The hand is limp and surrounded by blood, implying that someone is injured or dead. The right cover is Ladybug doing a spinning kick while looking angry.]

We also have this evidence of the darker original concept:

Jeremy Zag then proposed another project... which he was unable to sell to broadcasters... the project was called "Ladybug". No one was interested, as the project was aimed more at an adult audience... Sébastien had to make sure that the project could be broadcast on Disney and TF1.... Thomas wanted to make a series for adults, but at the time, it was very complicated to make a cartoon for adults. What's more, they didn't have enough money to take on such a project. Sébastien finally agreed, but there were some changes to be made, which Thomas accepted... In the end, Thomas Astruc's entire project was discarded, leaving only the love story between the two heroes and the city of Paris, where the story was to take place.

I've been aware of this darker origin story for a while due to Tumblr and, because of this knowledge, I have often had the thought, "are the writers trying to sneak elements from this darker version into canon?" Because that's the most likely explanation for what's going on here.

If I'm right, then I think that was a terrible move on their parts. They needed to let go of the story that they couldn't sell and embrace the story that they're being allowed to tell. It's why "kill you darlings" is such good advice. Many good stories have been ruined by writers clinging to an idea that ultimately doesn't work for some reason.

It's why the sitcom How I Met Your Mother has such a universally hated ending. The show was originally supposed to go for two seasons and so they wrote an ending that would fit the second season. The show ended up running for nine seasons and, by then, the ending didn't fit, but the writers kept it and left everyone with a bad taste in their mouths, which is not what any writer wants. That's why you have to do what's best for the story even if it means abandoning something that you really love.

This early version of canon may also be why the writers are so obsessed with Marinette. My understanding is that this concept had her mainly acting as a solo hero and, oh look! What is one of canon's biggest problems? Marinette being treated like a solo hero even though she has a partner and, later on, a team!

Not saying that this theory has to be true, just saying that it would explain some things. And if they're poisoning canon by trying to include elements from their darker original? Then it makes sense to assume that they're also doing it for smaller stuff. Like I'm pretty sure I've read that the head writer wanted Chat Blanc to be a lot darker originally, but no one would green light it, so we got an incredibly lackluster episode that spat in the face of the genres Miraculous' is trying to be part of while also falling to have the sort of impact we'd expect from an episode like that. It's a good example of a darling that really should have been killed. It just doesn't fit.

(Totally unrelated sidenote, but is your blog name from Tangled? Because that's what I immediately thought of and it made me smile!)

[s1m0nth3swag]

Hello, Simon! I enjoyed reading some of your recent works for Francis Mosses 🥺 is it okay to request for period comfort? keep it SFW please! I'm just in a emotional rollercoaster right now because of it and I don't see much sfw works of Francis here on Tumblr. Thank you so much in advance! 🤎

Tysm for the ask anon, so sorry it took this long!

I've been working on some personal projects recently and have had less time to write (especially since I now have to actually take care of some of my grades because some aren't looking too good.... whatever, though I'm balling through, it'll be fine)

Also, I'm so so sorry this is short because, uhm, how do I write about period comfort when all I usually do is ball through and act like the tough man I totally am (not)

WARNINGS/ CONTENT INFO; GN!Reader but mentioned to be afab due to having Periods, established relationship but not having been together for that long, Francis is a little silly and unsure at first because that man wouldn't know what to do and I stand by that statement.

When you had woken up this morning, you had immediately known. Just that feeling of being uncomfortable, as if your body needed to make extra sure to signal you that you weren't pregnant. You groaned in annoyance, wanting to sleep for a little longer, but if you did that, you'd probably end up having to change your bedsheets, and that's the last thing you wanted to do right now. So, instead, you trotted to the bathroom.

Meanwhile, your boyfriend Francis was absolutely confused. You weren't the type to get up early, especially not when he was staying over. Usually, you'd snuggle up to him, wrap your arms around his waist to keep him in bed with you. He figured you maybe just needed to go to the toilet, though something seemed a little off. He didn't pay it much mind, though, simply drifting off into a state of being half asleep again. At least until you practically fell into bed, making the mattress creak. "Francis." You grumbled, moving to press your face against his neck like you'd always do when he stayed over and was still with you in the morning. "Mm?" He hummed, his hand coming up to carefully run through your hair. "Got my period." You huff, your face scrunching in annoyance. Francis is caught off guard for a moment. "At least you aren't pregnant?" He mutters, trying to lighten your mood, though that only results in having you hit his chest softly. He really doesn't know what to do. He never had to deal with this before. "What usually.. I don't know.. helps? Makes it better?" He asks. Francis has heard of buying chocolate or making a hot water bottle, though he really wants to make sure not to just assume what might be good for you. "Just stay for now, okay?" You ask, snuggling further against him.

The two of you stay cuddled up in bed for a while, with you getting into some, for Francis, very weird positions just to relieve some of the pain. He starts massaging your lower belly at some point, which makes you comfortably rest against him so he can keep going. He figures that this helped your cramps, though you aren't really a big talker right now. He's just glad you aren't getting sappy on him or worse. Francis reminds himself to stop thinking in stereotypes. You fall asleep at some point, and he has half a mind to get a blanket over the two of you while he tries not to fall asleep as well - he feels like he should be awake once you wake up. He wouldn't want to have you have to do something alone when he could be helping you.

The next few hours are mostly you being asleep and Francis drifting off just to jolt awake again. Once you wake up, Francis gets you water and, because you now specifically asked for it, made you a hot water bottle to help the cramps. You put on a movie while he was gone, some romantic one that he knew you had watched at least twice before already. Not like he minded, though. Wasn't his place to judge. He settled beside you again, making sure to carefully place the bottle on you, letting you adjust it yourself. "You alright?" He hums, resting his head against yours. "Obviously not. I'm actively bleeding, Francis." You huff, rolling your eyes playfully as you shift closer to him. "Honestly, though, as good as I could be right now." You then answer, sighing as you close your eyes to bask in your boyfriends presence.

You stay cuddled up like that, watching the movie together. Francis gets up at some point to make both of you a tea, making sure yours is a Green tea after searching for what tea helps with cramps. He's generally just very mindful of you, even offering to run to the store to get you anything you want - which in all honesty almost makes you tear up because he's just too sweet - but you just want him with you, and that's all that counts.

[primofate]

About boycotting Genshin Impact: Natlan skin colour issue and McDonalds.

(Read if you care about these issues and care about what I'm doing.)

If you are only here for a TLDR and want to know if I'm still writing Genshin fanfiction here's the short story: (I appreciate all the encouraging messages and all the love, but I may need to find another platform if things aren't working out here. If that day comes I will surely post over here and let you know where I've gone, but for now, though it is quite unpleasant, I do like and am used to the tumblr format. )

Long post starts here:

Decided to finally say something about this, because I feel like I've read up adequately about things.

First off, to the anon who claimed that I didn't care (who revealed their real identity in my inbox and apologized) I appreciate your bravery and also appreciate the apology. But I'm not going to lie to you, I don't really care for your presence around here, specially after what happened.

About the Natlan issue and the lack of tan/brown/dark skinned colour characters,

I understand why people are upset. I had a conversation with someone about this on tumblr, on how me, myself, I get upset when there is a lack of FEMALE main characters in games (I am mostly talking about the Persona Franchise, the main characters are always MALE, time and time again I always wait for a FEMALE MC, but am always disappointed that it hasn't happened EXCEPT of course, for P3 Portable and P2EP. Finally you had the option to play as Female, but that was it. I mean, it's 2024. WHY is there a lack of FEMALE MC in Persona? Anyhow, that is a different topic altogether.) so I can see how it could be disappointing for POC to see less or even NO characters that are POC.

That part, I totally understand.

All of your actions, boycotting, not rolling, not playing the game, being free to play, I UNDERSTAND all of that.

Now, recently there has been a big issue with Genshin Impact collaborating with McDonalds, because the chain supports Israel (but McDonalds is a franchise... and different owners have different ways of using their ownership of the chain/profit they make off it, so idk how that equals to all McDonalds support Israel. Educate me on this if I'm wrong.) People are saying that they are uninstalling the game because of it.

Again, I UNDERSTAND why you would do that.

I think what I need to address is what I am going to do.

And I'm not gunna lie to you, I don't think I'm going to stop playing the game (and I don't spend much money in game in the first place).

Does it mean that I support the bad situations they've put themselves in or the bad choices they've made? No, but of course there will be people who will say I play the game = I support their thoughts. Can it not just be simply I play the game = I enjoy the game/story?

I am being transparent and I think that's better than some of the people online who keep saying they won't play anymore but you KNOW some of them still do. Like, come on. Don't lie.

If that makes me a bad person according to you judgers out there, then so be it. Who really are you to claim I'm a bad person just because I play a game? Do you know what kinds of things I do in real life? What groups I help out and what organizations I donate to? What really do you know about what I do in real life? Maybe think about that before pointing your finger at someone online, and maybe think about what YOU are doing in real life too, instead of just being keyboard fighters, have you done anything to enhance the lives of other people?

Am I still going to write Genshin fanfiction?

Honestly if I stop doing it, it's because the interaction here on tumblr has been so toxic. LESS people commenting and interacting, I don't really mind much because I enjoy writing in general, I don't do it for you, I do it for me.

I am STILL writing, but at a slower pace because of my real life plus everything that's surrounding the game and the toxicity at the moment. I am even considering not posting on tumblr and just releasing stories like Ruthless Prince, stories that would be available through physical copy or ebooks that you have to pay for (that way I don't get nasty interactions and messages and those who really want to read my stuff can just pay and enjoy it) but as you all know, I'm not money hungry, I still post a lot of free stuff over here, but again, I'm not going to lie, there isn't much reason for me to post on tumblr anymore, specially with all the controversies and attacking going on.

I appreciate all the encouraging messages and all the love, but I may need to find another platform if things aren't working out here. If that day comes I will surely post over here and let you know where I've gone, but for now, though it is quite unpleasant, I do like and am used to the tumblr format.

The End.

[redbatchedcumbermayned]

It all started under a duvet held up by an oar

Not so long ago I emailed Chris Tester, the voice of Heinrix van Calox in Owlcat’s recently released CRPG Rogue Trader, and asked if he would like to sit for an interview with me. Having some experience in interviewing people I like, most famously Oscar winner and all-around sweetheart Eddie Redmayne, this was not a completely nerve-wracking endeavour. And within a day of sending my email, Chris said yes. And what a pleasure it was interviewing him: Chris was so generous with his time, that the agreed upon 30 minutes turned into 50 minutes as we brushed upon many topics from his start as a theatre actor to his first voice-over role in a video game to his recently discovered hobby of playing D&D. Of course, we also spoke about all things Warhammer 40k, his new found fame brought on by voicing Heinrix and the insights he could share about the character.

I will publish this interview in three parts over the next week in text form and with the accompanying audio file (the audio quality is not spectacular but tumblr limits uploads to 10MB). If you quote or reshare, please quote me as the original source.

Part 2 of the interview

Part 3 of the interview

Fran: Thank you very much for taking your time.

Chris Tester: That's no problem. No problem at all.

F: So then let's start. You graduated in 2008.

CT: I did. Yes.

F: You started out as a stage actor. Did you always want to become a stage actor or an actor in general? Tell us a bit about your career.

CT: I always wanted to be a stage actor. Yes, as soon as I knew that I wanted to be an actor, which probably wasn't until I was a teenager. But yeah, my first passion was always the stage, and that was kind of borne out in my career. I would have been open to TV and film of course, if it had come along, I'm a huge fan of TV and film as well, but I never got an audition for any TV or film work.

I think I literally did about three short films in my 10, 12 years of actually professionally acting, and it is one of those industries where the more you do of one thing, the more you seem to find yourself doing the same thing to a degree. So yes, watching Shakespeare from an early age was one of my first passions.

And that was what first planted the seed of wanting to do it myself. The whole aspect of live performance is still something that I'm very passionate about. Up until 2020, when the world changed, I was trying to do two or three theatre shows a year, but since 2020, I haven't been near a stage and I doubt right now, especially with the way that the UK theatre scene is going, that I'm going to be back on stage anytime soon. I am resigned to that, but at some point in my career, I know I will be on stage again, because I can't live without it, but only for the right thing, both financially, but more importantly, creatively.

F: Your production company is currently on hiatus?

CT: I was the producer of a theatre company, which was run and was the baby of the director of the company, a guy called Ross Armstrong, who's one of the most talented writers and directors that I've ever worked with. I was helping out with a lot of the administration stuff so that he could still put me in plays. Instead of creating my own work because I'm not a very good writer or the best writer in the world, I support those people who will write me good parts. So yes, it is currently on hiatus, but never say never, we would always be looking to get back. It's difficult right now. It's difficult for all of us, because arts council subsidy, that way of being able to fund stuff, is drying up. We were doing a national tour of the UK when we were doing that [with the support of a subsidy]. There's even less money, there's even more people. I won't bore you with anything more than that, but it's kind of tough. We'd like to come back, but in the right way, and that's tricky to negotiate.

F: It's always hard as a stage actor to earn a living.

CT: Well, I've been spoiled by voice-over as well, and whereas when I was in my 20s and 30s then you're all about your art. And of course, I'm still all about my art, but I'm also about my wife and my cat and the mortgage and the bills and wanting to have nicer things to a degree as well. I've come to terms with that and voice-over does facilitate that as well as it opens you up to different roles and working with different people. So, I can't complain.

F: It's quite similar with making a living as a writer, because with a steady income you get used to a certain standard of living and once you have obligations and bills to pay, I think the stress on your mental health being creative and having all the stresses of regular life thrust upon you brings with it a challenge.

CT: It's a cliche we can very easily fall into: if I'm suffering, then it means I'm an artist. And that's not necessarily very true. It very often means that the art that we create only reflects one aspect of our lives, and it's usually a very tortured one. I am also about having wider experiences and broadening myself out. Whereas I think when I was in my twenties, I was thinking a bit more like: Oh, I'll experience the world and life through my art and just purely through my art. Whereas now necessarily I need to have a life outside of it as well, and then I can justify like I have the life so that I can feed my art or not, whatever. You know, I'll be a better artist by having a bit of a life outside of it. Maybe.

F: But that's what your twenties are for.

CT: Yeah, indeed.

F: Doing the crazy stuff, doing the band stuff 

CT: Yeah, yeah, exactly. So, there was certainly an aspect of that in my twenties.

F: So, what brought you to voice acting or voice-over work initially?

CT: Money. Video game stuff is kind of sexy and cool, and I'm a gamer, so that's important. Before I was a video gamer, I was a board gamer and off the back of that, I was a voracious video gamer, partly because I wasn't very good at team sports at school. I was always the person who was picked last in the football team. So that becomes part of your identity for better or worse. But video games, I was pretty good at, not amazing, but I was pretty good at, and I enjoyed it. And it gave me a different form of escapism as well, and off the back of that I always had an interest in them. 

So, the very first voiceover job was a video game: Dark Souls, which is quite a big franchise. At that time, I was your very typically jobbing actor. My acting agent came in and said: I got something for you. And so, I went in with that. But it was only in 2016, 2017 that I realised it was something that you could actually do yourself. People had recording studios at home and they were contacting people directly, not just going through agents. Because I'd basically written to the same 20 voice agents in the UK, mainly in London for like eight years in a row and not received anything. So, you keep knocking on those doors hoping. 

Before I'd even graduated from drama school, I'd burnt a CD and made these cases with my headshot on it and sent them all off at what at the time felt like great personal expense and didn't get anything for eight years in a row.  So, I was a bit like, I'm obviously doing something wrong, but I don't really know what, because I'm doing these workshops and getting good feedback. Then I found out through a couple of online courses, that there were ways and means of doing it myself, and that was a bit of a game changer for me, and within six months of having started, I was earning more through voice work than the bar job and the box office job that I was doing combined. Within six months, I was kind of like: “I gotta quit because I'm actually holding myself back from things.” So that was quite a big shift.

F: Somewhere you said, you started out under a duvet and with an oar.

CT: Yeah. On my website, I do have an image of it. [Dear reader, I could not locate this elusive photo] I literally had to take the duvet off my bed and put it into the living room, which was the quietest space in my then shared flat. I also had to wait until after one flat mate had watched TV and another one had used the table that had their washing on it. One of my flat mates had stolen an oar from some night out and that was perfect in order to be able to erect it over my head and the duvet as a frame. 

I did probably the first four or five months of voice recording like that. Probably about 10, 15 voiceover jobs that I actually got paid for, I was using that because it worked well enough. Since then, I've gone through various different iterations of a setup in the bedroom, to a setup in the hallway, to my current setup. In 2020 we moved to our first house, and this is the spare bedroom which I've had converted into a studio, which means my cat can be here asleep on me or near me getting fur everywhere, but it's fine. I can thrash around and I've got natural light to work in at the same time, which I find quite important. [Pictured below Chris' current setup.]

F: Very pretty. That's good. Guide us through a typical day of yours, if you like.

CT: Oh, sure. I mean, there is no typical day. And yet, and yet, and yet. A typical day for me is, because I am spending the vast majority of the day sitting in this room or somewhere close to this room, because I may need to record at short notice, because the vast majority of jobs are quite short notice. My priority is exercise for mental health more than anything. I've got some weights at the bottom of the garden, and I will get up first thing, and I will go there and I will do that after breakfast. And that's my minimal routine of physical activity done. 

And then I'll come back, and this is so rock and roll. Now what I do is, I spend like an hour on LinkedIn. And that's what you dreamed of as a creative person. Isn't it as an actor? I spend time on LinkedIn regularly every day, because it's a really good networking place for a lot of my types of work, and first thing in the morning, I'm a bit mentally sharper. So that's when I come up with a quick post that may be inspired by a bit of content that I've made elsewhere. That probably takes about 20 minutes and then I spend another 45 minutes to an hour engaging with people and saying hi and introducing myself and asking questions, whether that's with video producers or game developers or documentary makers or pretty much anything and everything. There are a lot of people who are active at that time. And so I do it.

And then after that, if I already have some recording lined up, then I'll prioritise mid-morning, because I've warmed up physically a bit more then, and I'm focused. So, you're going through the scripts, annotating the scripts, recording the scripts, editing the scripts. But then there could be live sessions at any time within that as well. I try to keep hours from nine till six. But occasionally, like with Rogue Trader, that was recorded at various different times of the day because we had people in New York, we had people in mainland Europe, and we had people in the UK. So all different time zones, so that can happen at any time. 

And then I try to do other kinds of bits and pieces of marketing whenever I've got free time to. I do use really exciting productivity hacks, like time blocking. Again, not something that as a creative individual, I was like: Oh God, this gets me so excited, because it doesn't, but it works. It's finding a system that works for you, but still has a certain kind of flexibility and fluidity. I'm trying to make sure that I get outside of the house, and that kind of stuff. 

Recently, over the last year, I’ve started doing audiobooks as well. That long form type of thing is quite nice to be able to dip into because sometimes you don't record for two, three days. You don't get the work. Nothing’s coming in. So, you’re marketing, but it kind of connects you back to the performance side of things to go: I can do a few chapters and you know, that kind of thing. So that's probably it. I try to formalise it, but you know, every voice actor’s day is radically different. There are people, some of the biggest names, going into different studios every week or every day. I very rarely, despite being based in London, I very rarely go into external studios. Like I would say 99 percent of the work I just do from home.

F: So how do you find the right voice for the specific type of voiceover work you do, maybe start with how did you find Heinrix's voice?

CT: Thankfully, Owlcat sent through quite a detailed casting breakdown. So, you get a picture, and that's pretty crucial, as well as a short bio, in terms of the background of the character, but not too much, because you have to sign an NDA, a non-disclosure agreement. But even if you do sign an NDA, I think developers are always slightly hesitant of giving you too much info about the game because things could still be changed. But I think I did get a picture of Heinrix, if not in the first audition, then certainly on the second one. From that you immediately think about the physicality and what might affect the voice, and there was also some direction in terms of what they were looking for. Anybody who has heard the character and me, they do not sound radically dissimilar. There's not a transformative process that I needed to go through, other than his sense of authority and the space that he takes up and the sureness that he has in that he has a kind of divine right from the emperor, so that level of confidence being brought through.

The other part of the audition was about the void ship [the Black Ship] that he'd been raised in and the horrors that he'd seen. And you as the actor have to do the detective work to go like this is showing another side, the more vulnerable side, the side that underpins all of his life choices up to this point. It's essentially playing the opposite to a degree. So it was kind of knowing when to let those elements bleed through a little bit. I think I had probably about a page worth of scripts, quite a lot of script actually to audition with. 

But I don't like to listen back to it a lot, because I think you get into your head. My biggest thing is stage work where it's ephemeral. You say it once and it could be different the next night. The whole point is that there's no one definitive way of doing things. Not quite the same with voice acting, where it's being recorded and you've got to get used to hearing it back. But I try not to overthink it. Just like record it two or three times with different impulses and then review and go like, those two seem pretty contrasting. I'll send those along and hope and then never hear anything back unless I do.

[olderthannetfic]

I always see people who have never been antis, talking about/questioning how some antis even ARE antis when you look at their taste in media - ie the ever famous joke of "Hannigram is #problematique" "but it's a show where he eats people" or whatever.

I thought I'd weigh in as someone who could, hypothetically, be called an ex-anti (which, thankfully, nothing ever really came out of it - it was just very 2014 keyboardwarrior-esque behavior of me being a chronically online young adult who would share posts in a group chat making fun of certain shippers, or reblog posts about how 50shades is The Most Problematic Media Ever to exist -- basically I was an anti with anti-lines of thoughts, but i never, like, a ran a Shipping Discourse Blog or whatever)

For me, personally, it was a few different things. I can now see how it's incredibly hypocritical that teenaged me shipped Light/L, while still thinking that Dramione was Bad And Abusive. It ultimately boiled down to a) being pretentious, and b) just not understanding media or what proshippers REALLY believed, with a side of c) not realizing that nuance exists. like i was pretty late to join tumblr, I think I immigrated here during PEAK "yourfaveisproblematic" era which definitely did have an impact on my opinions and my tastes.

to elaborate, a.) being pretentious. i mean this one just kinda goes without saying. "I engage in media in a way more intellectual way than you do, don't you know that? You're a filthy and disgusting person who writes Snape/Hermione because you're an actually disgusting pedophile IRL who would probably date your own student that you're abusing if you could. Meanwhile, I'm a very smart, good, and pure person. When I read Uncle Vernon/Harry, I'm doing it in a G-d honoring whump way that clearly condemns abuse, incest, and rape. Unlike YOU who only writes harmful stuff as a way to get people off :/"

(as an aside, i think this line of thinking will ALWAYS be present in fandom and popculture in some way, sadly. ie the recent trend of people hating on booktok bc the books are 'trashy' and how these porn addicts should read real classic literature instead.)

as for b.), not understanding media - i cannot emphasize enough that i was GENUINELY stupid and disconnected enough to think that proshippers REALLY WERE pro-All Of The Degenerate Dead Doves That They Wrote.

why did i feel this way? why did i understand that Lolita clearly isnt pro-pedophilia, but for some reason i thought that someone shipping weecest was? well, first of all, i think that fanfiction is (generally) seen as Less Serious than classic literature, and fandom is a fun place, so i guess i somehow thought that every fanfic/fanartist who wrote Problematic Things, especially Problematic Things that they portrayed as Sexy, really DID enjoy the thought of that Actually Happening To Real People.

and i think THIS is the bulk of why antis ARE antis. i'm not calling them all stupid - i do think BEING an anti is stupid, but at the same time, there are people who are truly smart and good-intended people who just have some really off color opinions about, like, homestuck ships or whatever. Lawlight is okay because notebooks that kill people don't exist so it's IMPOSSIBLE for the Harmful Aspects of Light/L to be romanticized! but schoolyard prejudiced bullies DO exist and are a REAL problem so Drarry is BAD (*truly completely unaware of the fact that there's 'realistic' aspects of the Light/L dynamic and 'unrealistic' aspects of Drarry - such as, for example, Hogwarts arguably being even MORE of a fantasy setting than DN is.*) I know that media literacy is the hot buzzword of the year to throw around in 2024, but, like, i really did not have media literacy.

as for c.), not realizing nuance exists - ok "nuance" might not be the best word here, but i dont know how else to describe it. like, each time ive typed the word "problematic" out in this ask, i've done so in a very tongue in cheek/ironic/retroactive way, but, like, those posts about how Everything Is Problematic, Including Your Fave ARE true. and i didn't like the fact that my favorite media or favorite person might've Made A Mistake! i need to Talk About Its Issues Because I'm So Betrayed That My Dear Sweet Comfort Media Would Do This To Me. I Need To Prove I Clearly Condemn It.

like, i legit morally could not justify reblogging a twilight post without adding in the tags '#this is my guilty pleasure it sucks that the books were so racist though' or whatever. Most people were lucky enough to avoid that line of thinking, but there was an actual group of people who felt a genuine need to virtue signal all the time, partly bc, hey, they WERE passionate about talking abt #issues in media, but also bc of a subconscious fear of If You Reblog A Singular Piece Of Hetalia Fanart, You're Literally A Nazi And Will Get A Callout Post Written About You.

and during all of this i was at the tail end of my high school experience (yes i know im younger than most of your audience, ha). i was going through A Lot emotionally, going through a lot of life changes, and lived in a very . . . interesting household/place where i couldn't do ACTUAL good in the world that i was passionate about. so to make up for the fact that i was genuinely in no place to do legit activism, clearly i had to save the gay community by arguing about johnlock queerbaiting or whatever.

^ and honestly i do think that is the position of most antis. theyre isolated and cant seem to do Enough in the Real Scary World so they have to resort to talking about how bad of a person someone is for "shipping abuse", bc theyre not in a situation where they could, for example, ACTUALLY fight the good fight to end abuse or raise awareness for it.

There was way more to it and way more that I could say, if I wanted to, but this post is long enough as it is and probably doesn't make much sense.

I feel bad for antis, honestly, or at least the ones who are antis in the way I used to be.

--

Oh yes, passionate young fools who think they can at least fix the internet if not their lives make up most of the cannon fodder. Some of the ringleaders are just mini dictators and wannabe cult leaders, but most anti-leaning types are just traumatized or clueless, even a lot of the ones who do serious damage and don't just mock shit in private with their friends.

[communistkenobi]

I think a large problem with how we got to this stage of "man is gender neutral" discourse is that a lot of queer people refuse to engage with feminism. I've been seeing it brought up a lot recently, but it's true. Someone who doesn't see a problem with referring to a trans woman as "dude" probably also doesn't believe in patriarchy to begin with. We need to start doing feminism 101 on tumblr again.

I think this is true and I also think this issue extends to the fact that white liberal queerness is the societally accepted conception of lgbtq issues broadly - the fact that pride flags litter the windowsills of small businesses and banks, that lgbtq merchandise is its own market, that western conceptions of gayness and especially transness are the internationally imposed norm (eg, we are pathological exceptions to cishetero society and should be accepted on the grounds that we are scientifically proven to be legitimate by medical and psychiatric institutions, presented with an awkward flair of “okay so we’re not saying being transgender is a mental illness, but it is caused by a mental illness” + framing of gay people as “they’re just like straight people! they can get married and have children just like you!”). Many many queer people of colour have pointed out how much this predominate western framing of lgbtq identity as a “white person thing” (partially because white queer people are just as racist as non-queer white people, also because of aforementioned western imperialism) puts them at odds with their own communities, giving people in those communities a “rational” reason to oppose lgbtq rights on the grounds of resisting western imperialism. Israel’s pinkwashing is a particularly instructive and stark example of this, positioning lgbtq freedom as being contingent on genociding and destroying Palestine - this doesn’t mean it’s okay to be homophobic obviously, but this sort of imperial imposition of queerness as part of the package of western domination creates the conditions for “rationally opposing” lgbtq rights and equality within colonized communities and ultimately causes intersecting levels of harm for lgbtq people in those communities. You can read decolonizing trans/gender 101 by b binaohan if you want more on the subject, I’ve only read the intro so far but it was very instructive (thank you @/molsno for spreading this link around! - she also has a post with a bunch of transfeminist writings if you want more of that). There's also this video by FD Signifier about Dave Chappelle's transphobia that talks about anti-Blackness in white trans/queer spaces and the intense homophobia and transphobia Black lgbtq people face as a result of this that I found insightful if you want to listen to something instead

ANYWAY, all to say - I think the larger problem is that queerness in western contexts (which tumblr is firmly situated in) is overwhelmingly white and liberal, which means that even if these spaces were to incorporate feminist frameworks in their analysis of oppression, they would be incorporated as liberal feminist frameworks, which are fundamentally transmisogynistic and racist, and fundamentally attached to the imperial project of the west (I recently read this article called Beyond the Coloniality of Gender by Alex Adamson discussing some of the problems with western feminism. they demonstrate this through a case study on western feminist objections to genital cutting in certain African countries + analysis of decolonial trans and intersex feminisms more broadly - if you click "show document" in the upper right hand corner of the page I linked it allows you to access the full article).

I’ve always struggled to articulate the exact issue we're discussing, because at a certain point a lack of knowledge is not to be blamed -the larger issue at hand is that the western political + economic apparatus has incorporated queer assimilation into its project. This does not mean that queer people in the west are safe from homophobia or transphobia (see: current transphobic hysteria across North America and UK in particular), but it does mean that white western queer people have incredible political and rhetorical leverage to dominate these conversations using white liberal analytical frameworks, which can only lead to transmisogynist and white supremacist conclusions about the nature of oppression. I think the only way out of these path-dependent "everyone is oppressed by patriarchy" conversations is a larger decolonial political and social project - part of which necessarily incorporates feminist analysis, but feminist analyses that are decolonial, marxist, and transfeminist in nature, and the only way these frameworks can be comprehensively adopted is through a larger decolonial turn

[gracefulserpent1207]

I feel like people are forgetting that the SAG AFTRA strikes were not JUST about getting better pay for actors and writers. Another very big benefit of the strikes, that is more overlooked than people care to admit, is protection against AI.

The reason why people overlook the damage that AI does to actors (including voice actors) and writers (as well as many others) is because people just aren't educated enough on it and this is because it is being advertised to be this amazing, technological advancement that will save the economy when it's actually the complete opposite. AI is damaging the economy because it is putting so many people out of jobs. Not to mention the fact that strikes are usually concentrated around getting better pay for people, so when uneducated people hear about the SAG AFTRA strikes, they tend to assume that it's because the actors/writers that are striking are just asking for more money (which they ARE doing and which they have the right to do because the pay they get stinks) and so avoid the other, equally important factors.

There are so many cases where I've seen AI being advertised/used in a "positive" way recently. This included a boy from my college mentioning how he couldn't be bothered to do the homework that had been set, so he just used AI to write his homework for him. Are we really seriously going to allow this to happen? Are we seriously going to allow young people to neglect their education and use AI to fake work for them, getting them target/expected grades that are much higher than what they're actually going to get, giving them false hope?

Another example from what I've seen includes an ad on TV for a new phone that used AI with the camera, and boy did this ad piss me off. Part of the ad sees a group of teens taking a picture, in which they are all frowning, with this phone. They then use the AI included with the camera to edit the picture so that they are all smiling. Why? Was it not easy enough to ACTUALLY smile? If not, was it because they genuinely aren't happy? And if that's the case, should we really be sending a message to TEENAGERS to just hide the fact that they aren't happy and fake a smile instead? Use AI to cover up the fact that you're struggling? No. No we should not.

I know a lot of people reading this probably think I'm reaching or overreacting, but AI does genuinely have a long term effect in these cases.

But I think the most common, most damaging example of people using AI that I've seen is from social media, specifically TikTok but other platforms as well. And this is the use of AI voice filters.

The SAG AFTRA strikes have worked hard to benift actors of all kinds, including voice actors, and the reason I'm drawing so much attention to this fact is because people just aren't getting it into their heads how DAMAGING AI voice filters are for voice actors. Several voice actors have already lost their jobs from being replaced by AI that can replicate THEIR voices, the voices that form part (the most important part) of their identity. Not to mention how damaging it can be for voice actors' dignity to hear their own voice coming from something else, especially considering how this "something else" can replicate within MINUTES what they had to perfect for YEARS. Voice actors put so much effort into getting their voices to be perfect for the role that they're playing, yet AI undermines that effort by imitating those "perfect voices" within minutes. Voice actors actually care about their roles/characters and the fans that love these characters. AI does not. All it does is copy. Yet companies would rather have heartless machines working for them than real life people who actually care about bringing characters to life for fans.

And you wanna know what the worst part is?

Apparently, those "fans" would rather hear AI voicing their favourite characters too.

Because it is YOU (the fans) who create, use and/or like AI voice filters on TikTok/Twitter/Tumblr. It is YOU who cannot accept the fact that your favourite character's VA didn't say the crappy line you came up with at 2am that you commented to them on Twitter, so instead used AI to make the character say it yourself because OBVIOUSLY you're gonna drop dead if you DON'T hear them say that line. Obviously, you can't go on with your life without causing a completely innocent and good person to lose their job AND their dignity for your own entertainment.

Another VERY big issue with AI voice filters is that the majority of voice actors whose voices I have heard being used with AI have specifically said that they do NOT support AI and do NOT wish for people to use AI to replicate their voice. Obviously, some people may not know this, but others do and they choose to ignore it. This does not just go for the people who create the filters. It goes for the people who use and/or show support for it too (such as liking videos that use a filter, etc. ) because you are spreading the use of AI and making companies more aware of it and how easy it is to use, and are therefore causing actors to be replaced. How would you feel if you heard your own voice being used by strangers without your consent for their own entertainment?

So for that reason, I am going to say what most people are just too scared to say:

Fans are just as responsible for the SAG AFTRA strikes for using AI as the companies that have been treating actors/writers like shit for years.

If you have EVER created/used/liked/reblogged/reposted/shared/etc. a video that uses an AI voice filter, please please please PLEASE go back and delete/unlike the video, and NEVER do it again. Do NOT interact with videos using AI voice filters AT ALL. If you get a video on your TikTok fyp, it's not that hard to just scroll past and ignore. If you're still not sure what kind of videos I'm referring to, a good example of a popular AI voice filter that I've seen recently that people need to STOP using is a filter of Luz Noceda (voiced by Sarah-Nicole Robles, who has specifically NOT given consent for AI replications of her voice to be used) and Hunter Whittebane (voiced by Zeno Robinson, who has also specifically NOT given consent for AI replications of his voice to be used) from The Owl House singing She Wolf by Shakira. If you have EVER interacted with this filter, please go back and undo however you interacted with it and spread this message to others.

I'd like to end this "rant post" by saying that I am NOT in anyway an actor/voice actor, but I am an aspiring writer. I remember one day earlier this year seeing something on the news about how companies were considering replacing human writers with AI and how in a certain amount of years, human writers may not even be needed anymore, and this scared the shit out of me because writing has ALWAYS been my dream and I thought my future was over before it had even began.

So in conclusion, PLEASE spread awareness of how damaging AI can be (for actors, voice actors, writers, etc.) and PLEASE make sure to NOT interact with it when you see it being used, unless you are asking another person to stop creating/using/interacting with it. And if you see a VA asking for people to NOT use AI to replicate their voice, just do the bare fucking minimum and respect their wishes. Your life isn't over just because you didn't get to hear Luz and Hunter singing She Wolf. Put the livelivoods of other people before your own entertainment. Thank you.

P.s. I'm gonna tag this post with fandoms that I've seen use AI for replicating voices (to spread awareness), especially if a VA from that fandom has specifically asked for it not to be used. Feel free to reblog and add tags of your own for any fandoms that you think I've missed.

[sebastianstanisahotmf]

Too many missions

Bucky Barnes x Fem!reader

A/N Firstly, this fic idea is from a request from @nicoline1998enilocin to reverse the roles of my fic office sex e.g. reader visits Bucky at work. Secondly, comments, likes and reblogs are greatly appreciated and all mistakes are my own so feel free to comment below if you notice any. Also, this fic is gonna have a second part which is just aftercare.

18+ MINORS DNI, FUCK OFF YOU'RE NOT OLD ENOUGH (I WARNED YOU)

Summary Bucky is supposed to be doing his mission reports but ends up doing you instead (lmao that's so fucking cheesy)

DO NOT REPOST ON ANY OTHER APPS/SITES. THE ONLY PLACE THIS FIC IS ON IS TUMBLR.

Warnings Fluff , blowjob, unprotected sex (use protection you are not fictional)

Bucky was missing you to say the least. He had been jumping from mission to mission for the past month and hadn’t been able to properly spend time with you. However, he only had to wait one more hour and then he could give you all the attention you could ever need. 

He was filling in the last of the paperwork regarding his latest mission when he heard a knock on his office door. 

“Come in,” he shouted, not lifting his head and continuing to write more notes on the paper. Bucky still hadn’t grasped typing on a computer and still preferred to hand-write things.

You opened the door and slid in trying not to distract Bucky while he was working.

“Hey baby, I just wanted to ask you if you’re ok.” you sat down on the couch that Bucky had in his office.

Bucky turned his head quickly as soon as he heard your voice. His scowl turned into a smile at the sight of you. 

“Hey doll, I missed you.” he said while finishing a sentence before turning on his chair to face you.

You lifted the bag that was in your hand, “I brought some food for you since you’ve been working really hard lately.”

“You’re amazing, doll,” he said, taking the bag out of your hand. “I’m sorry for not being home much S.H.I.E.L.D really needed me recently.” He added with a sad look on his face. 

“It's ok baby, I know it’s not your fault. Anyways you tell me not to worry when the same thing happens to me so you shouldn’t be worrying either.” 

“I know doll, but I just feel bad for neglecting you for so long and I've missed you so much lately.” He took out the food you made him and dug in like a man starved. 

“It’s ok baby. Really. I know that you’re not intentionally going on missions. Also, I kindly spoke to Fury and he said he’s willing to give us both the next 2 months off.” 

“You know doll, I think you’re the only person I know that can intimidate THE Nick fury.” Bucky says smiling.

Bucky finished his food and you took the rubbish off him and threw it in the bin for him. Then, you got up from your seat and walked over to Bucky who was grinning like an idiot. 

“Come here doll, I need to hug you,” he said while holding his arms out to you.

You sat on his lap, facing him. Bucky wrapped one arm around your waist and placed the other at the back of your head, pressing you further into the crook of his neck. You took a deep breath and could smell the familiar scent of Bucky’s cologne. You wrapped your arms tightly around his waist and he hummed in content. 

After a few minutes, you started to get restless. You were getting aroused from being so close to Bucky especially since you hadn’t had sex with him in what felt like years. And masterbating wasn’t an option since Bucky’s skills had made you unable to cum unless it was him. 

You squirmed around a bit before stopping when you felt Bucky’s hardness beneath you. You looked up to see Bucky’s eyes almost black with lust. He let out a loud groan when you made eye contact with him.

“Doll, I-I-I need to finish the mission report and t-then we can do anything you want.”

“But daddy. I want you nowww,” you whined. 

“Stop whining like a whore,” Bucky said “I’ll fuck you after I finish the mission reports.” He pushed you off his lap and started to unbuckle his belt and open his jeans. “While i'm doing that, you can put that dirty fuckin’ mouth to use.” he pulled his cock out and started to lazily rub it up and down.

You dropped to your knees and crawled under the desk. Bucky rolled his chair under the desk, right in front of you. 

“All right doll, you know what to do.”

You shuffled closer and replaced Bucky’s hand with yours. You leaned closer and licked a stripe up the underside of his dick, repeating the action again before taking the rounded head into your mouth. This made Bucky let out a loud moan which made you suck harder. Then, you took his member deeper into your mouth until it hit the back of your throat which made you gag. 

“That’s it baby. Such a good girl,” Bucky groaned, stroking your head softly. 

Then, you hear a knock at the door. Bucky looks down at you with a grin on his face and then tells whoever it is to come in. He allows you to take one last deep breath before pushing you down.

 

Steve walked into the room and was oblivious to you with a mouthful of his best friend's cock. 

“Hey Buck, how much longer are you going to be because you need to hand in your mission reports today and it's already 10pm.” 

“I’ve got a f-few more notes to add and then I’m done, punk.” Bucky replied, clenching his fist. 

“Jerk,” Steve responded, as he exited the room. 

Bucky let out a groan as you took him all the way down now that you didn’t have an audience. 

“Doll, I need to be inside you right now,” Bucky said.

He grabbed your hair and pulled you off him before moving back on his chair so that he could pick you up. You wrapped your legs around his waist. He placed you on his desk and started to take his clothes off as you did the same.

 

When you were both naked, Bucky leaned forward to meet your lips in a kiss. It was all teeth and tongue since you haven't been able to be intimate with each other for way too long. You brought a hand up to Bucky’s face and cupped his cheek, a strangely sweet gesture for such a filthy kiss. 

“Daddy, please. I need you inside me. Please,” you begged.

“One second doll,”

Bucky grabbed your hips and pulled you to the edge of the desk. He grabbed his cock and rubbed it up and down your folds. 

“Please daddy! Fuck me!” you whined. 

Bucky just smirked before leaning forwards and pushing his dick inside you with one smooth thrust. He didn’t give you a chance to adjust before violently thrusting into you. All sense of self control had instantly dissipated the second he entered you. 

“Doll, you feel so good. So fuckin’ good” Bucky groaned. 

He put both your legs on his shoulders and leaned forwards. From this position he could reach the deepest parts of you. He reached his hand down and started to rub your swollen clit. 

“Gonna cum, m’ gonna cum,” you shouted, your legs starting to shake. 

“Cum for me doll, come on. Show daddy how good his fat cock is making you feel.” Bucky said.

Your legs had started to shake and Bucky’s thrusts were starting to become sloppy. Your vision had started to blur and you could feel your orgasm crash into you. You let out a pornographic moan and was trying to writhe away from Bucky’s hand which continued to rub your clit and extend your high. 

“Gonna cum in you baby, gonna pump you full of my cum,” Bucky let out a loud moan before stilling and filling you with his seed. 

Bucky leaned back to let your legs fall from his shoulders. He leaned forwards and rested his forehead against your breasts as you ran your fingers through his hair. A few minutes passed and then Bucky pulled away. You whined at the loss of contact. Bucky grabbed the hoodie he was wearing and helped you put it on…..

Taglist: @buckys-wintersoldier @nicoline1998enilocin

Also if you want to see posts I reblog just follow @sebastianstanisahotmf-reblogs

[nadvs]

Hiii love, how are you?? I usually don't send asks to writers on Tumblr, so you're the first writer I'm sending to, yayyy 🤗 I loved loved loved the ending of the Watch and Learn, I loved the entire series. Rafe's growth throughout this series was amazing, you write him so well. Because of all your series, I continue to be a Rafe girly, I thought Cam Girl was your best series but Watch and Learn took the cake and I can't wait for you to finish Both Sinners 😊

You really are an incredible writer and I'm so happy I found your blog, you're always on my most recent blogs bc I check your page sm 😅 I really almost cried when reading the last chapter because I thought back to how Rafe and reader were in the beginning and how they are now in the end 😪 They're literally couple goals, I'm obsessed. Oh gosh, I've already made this so long but while I was reading the last chapter, I couldn't help but think back to the girl Rafe hooked up with and how he had the audacity to msg reader after. If it's not an issue, can you feed my fantasies and write a small blurb on reader getting revenge on Rafe and making him sooo jealous for doing that, I'm petty like that🤣 If you can't, it's no worries but thank you for continuing to be an incredible writer and such a sweetheart and for reading the excessively long msg 🥲 Much love hun🩷 Byeee👋

HI HONEY i’m good tysm, how are you!! you are so so so sweet 😭 i feel honored to be the first writer you’re sending an ask to 🥹 thank you for reading my work and sending such a kind message!! hehe my fav part of writing the last chapter of watch and learn was def sprinkling references to all the things they’ve been through since they met and the memories they made 🤭 i am so glad that you loved it 💘

i LOVE this prompt and absolutely can feed into the pettiness hehe 😌

ˏˋ°•*⁀➷

It was bad enough hearing Rafe make a girl moan through your shared wall. It was ten times worse when Rafe texted you “his bad” for the noise.

Followed by an lol. What a douche.

If he’s trying to make you jealous, two can play at that game.

You go to an on-campus bar with friends the following Friday night when you bump into a guy you recognize from one of your lectures. Once you realize he’s hitting on you, his eyes trailing down your cleavage, you feel the exciting twist of arousal deep in your stomach.

You invite him to your dorm. He seems shocked you’re giving him a chance. It makes him even cuter.

Rafe just got home from a night at the frat house when he hears you laughing in the hallway. He figures you’re with a friend or on the phone. Until he hears a male voice under your giggles.

He hears the door shut. Then music. Then… damn it. You’re moaning.

He’d be turned on by the sounds you’re making if it wasn’t for the fact that another man was coaxing them out of you.

You’re on the other side of the wall, body buzzing while he uses his mouth on you. He needs some coaching, but he’s definitely skilled.

You’re exaggerating your moans a little bit, unsure if Rafe can hear. When you hear thudding on the wall, you know he can.

Rafe’s fist is burning as he knocks on the wall, trying to get you to quiet down. He wants to say he’s just annoyed that you’re being loud this late at night, especially after you’re so self-righteous about quiet hours, but he knows jealousy when he feels it.

And this is jealousy.

When you get on top, your moans aren’t as exaggerated anymore. You feel genuine bliss as you ride him, controlling the pace, feeling his hands on your hips.

He’s not a talker at all, so you can’t help but think of the things Rafe says during sex.

Suddenly, the knocking is on your door instead of your wall. You meet your classmate’s eyes and laugh with him, taking a pillow and covering your body with it as you answer the door.

Rafe is standing in the hallway, jaw tight.

“Check your phone,” he says. “I’ve been texting you.”

“I’m… kinda busy,” you laugh.

“Yeah, I can hear,” Rafe mutters. “I think everyone on our floor can.”

“Don’t be jealous,” you tease, hoping he gives it away that he is. When he looks away with a scowl, you’re pretty sure he is.

Rafe can’t take it anymore. He tilts his chin forward, straightening up as much as he can.

“She moans louder when she’s with me!” he half-shouts into your room.

“Rafe,” you scold, nudging his arm. He smirks at you and you shut the door, shaking your head.

After your classmate leaves, you check your phone to see the texts Rafe was talking about.

Rafe: happy for u that ur getting some but chill

Rafe: he cant be THAT good

Rafe: you know i can fuck you better

Rafe: CHILL ur so loud

You laugh at the texts. He definitely can fuck you better. But he doesn’t need to know that.

[tallulah477]

Below the cut contains my thoughts and feelings about certain issues that I've seen recently that I feel like need to be addressed including hate/bullying, the new Neteyam & Lo'ak rp blogs, and the general fandom as a whole.

CW:// Mentions of pedophilia, predators, racism, and homophobia

Over the past several months, and especially over these past several days, it's come to my attention that we as a fandom need to make some things abundantly clear.

I was a silent reader for a long time. I love Avatar and this fandom with my entire heart and I wanted nothing more than to be an active part of it and member of the community, but the thing that stopped me for a long time was seeing how hateful people can be and I wasn't sure if I could handle it. Obviously, I decided that my happiness and sharing my love for Avatar and the characters with other people who love it as much as I do is more important than any nasty messages I might get and I couldn't be happier with my decision. I think I can safely say that most of us here in the fandom can say the same (although I'm sure the feeling of happiness comes with endless ebbs and flows for all of us).

That being said, the amount of sheer bullshit that I've been seeing on here is ridiculous.

The amount of hate messages that I've had to witness my mutuals receive is unacceptable. The amount of hounding as to why someone unfollowed this person, why aren't they interacting with this person anymore, why would someone write something like this, why won't you write this, is crazy to see. I've seen racist comments, I've seen homophobic comments, and I've seen people being called a pedophile wayyyy to often now.

This is Tumblr. We are responsible for our own media consumption. We cultivate our own media experience.

That means authors write what they enjoy regardless of content as long as they are responsible and tag the work correctly. You as the reader are responsible for heeding those warnings.

This means that if two people who used to interact or follow each other all of a sudden don't or someone gets blocked, it is no one's business as to why it happened. They don't owe you an explanation and there's no need to publicize drama. Do not go into their inboxes asking for details because all that does is feed the flames.

This is supposed to be people's happy place. Our safe space. And instead it seems like there's something new happening every single day.

At this point, we've all seen the rp blogs that have popped up. I'm not generally someone who enjoys rp so I didn't interact, but I saw a ton of my mutuals and others having a great time with them. Despite me not liking rp, it was exciting to see at first. A live persona of one of my most beloved characters interacting with fics that I love? Yes, it's definitely exciting to see!

But then it got not so exciting to see. The responses seemed solely sexual and out of character for Neteyam, a lot of them were really dark and borderline violent. I like dark fics, and I love dark Neteyam. But there are warnings to every dark fic and you go into them knowing what to expect. For a blog that's rp-ing a character that's not canonically like that, it was concerning to see.

We've had issues in this fandom in the past with predators. And despite us all being adults here (at least we should all be), you can never be too careful when it comes to the internet. I am NOT saying that the people running these blogs are predators, but certain things I've seen have raised some flags to me. Rp can be really dangerous when people don't know who's behind the character, especially if things are sexual. Since then, both blogs have created 'About Me' sections which I think is good. So that's something I appreciate.

However, we've also had the opposite problem in which minors interact with us and our content. It's a huge problem that we are constantly trying to battle because while seeing/reading sexual content can be harmful for those who are underage, it's can also get us into a lot of trouble for interacting with minors even if we don't know they're underage. When the accusation that the rp accounts were minors came out, they were sent asks to confirm. One responded respectfully and one, in my opinion, responded not so respectfully. If you are ever asked if you are a minor, don't get pissed about it. It's an important question and you should understand and respect its importance. Just clarify.

I'm saying all this not because I don't think people should interact with these blogs if you want to. It's 100% up to you and I know a lot of people were having fun with it. You're all adults, do what you think is best. And I do think it would be really nice to have more guys in the community, whether they rp or not. My issue with them is more about safety than anything else.

Now back to the hate comments. For any issues I might have had with the Neteyam blog (again, no hate, just my own thoughts), I only ever saw the Lo'ak blog being respectful. Yet, I still saw someone on their actual blog, not under anon, telling him "can't you just leave?". Under no circumstances is it okay to say this to another person. Any one who is an active member of this community who posts fics or the like KNOWS what its like to receive hateful comments like this and you think its okay to say something like this to someone else? No way. I'm sure you know what it feels like to get comments like that and you decided to be nasty to another person anyway. You should know better. Anyone who can say something mean to or about another person should be ashamed of themselves.

For as much as I love this fandom, this is insane that I actually have to say this.

Be kind. Be respectful.

And if you can't?

It's called the block button, people. Use it.

[wylanslcve]

So if you've been following me on Instagram you would have seen me say recently that I've decided to take a step back from posting/sharing/creating Grishaverse content due to what Leigh Bardugo said (or rather what she didn't say) about the situation in Palestine. For context, during the press tour for The Familiar, an audience member asked Leigh about the justification for non-BIPOC authors profiting off BIPOC stories yet not advocating for real-life BIPOC people (since Leigh has been silent on Palestine since October, despite having expressed solidarity with Palestine in the past).

The video (which you can watch here) has been circulating the internet for a while, and I've already spoken about this on Instagram. I just forgot I had Tumblr for a second there, hence why I'm only addressing this now despite having already spoken about this. However, as someone who has an entire online presence dedicated to Leigh's work, it would be wrong and rather hypocritical of me to not address this.

Disclaimer: This is not a conversation about whether or not white/white-passing authors should be allowed to write BIPOC stories, as many people both in the comments of the original video and online generally have taken it. The issue isn't that Leigh is writing BIPOC stories - it's that she's writing them and choosing not to advocate for real BIPOC people.

The audience member asked a confronting but necessary question, and isn't harassing Leigh as many people online have interpreted it. Holding your favourite people accountable isn't "harassment", especially when that person is a successful author profiting off stories that reflect issues in the real world. Art is inherently political whether or not you want to acknowledge it. This also isn't about specifically asking Leigh this question because she's Jewish - it's because she profits off these stories and yet when these exact same issues are prevalent in the real world, suddenly they're "too political" for her to speak up about despite having expressed solidarity in the past. It has nothing to do with her being Jewish.

However, what's going on in Palestine isn't a political issue. It's basic human rights. It's about humanity, and acting as if posting about this issue is "performative" is ridiculous. I don't know what she's doing behind the scenes, so I'm not going to act as if she isn't doing anything outside of social media because I simply don't know, but when you have an online presence as big as Leigh's you should be using that platform to raise awareness and express solidarity. I understand that it's very easy to come across as "performing activism", especially on social media, but Palestinians have asked us time and time again to use our platforms to help raise awareness and amplify their voices. When you're someone like Leigh who profits off stories of the trials and tribulations of BIPOC people, the very least you can do is talk about the atrocities being committed against BIPOC people in real life.

No one is expecting you to be an expert on what's going on. If you've previously posted misinformation, why not learn from it and actually educate yourself and do better? You're literally an author who profits off stories of colonialism, oppression, dissemination, apartheid, segregation and genocide and suddenly that happening in real life is "too political"? And the amount of privilege you have to not want to get involved in talking about a real-life genocide because you "stopped being political on Instagram" is laughable. Just feeling sad about it isn't going to do anything. It doesn't erase the fact that an entire people are being ethnically cleansed in a genocide you refuse to talk about.

The Grishaverse means so much to me, it's gotten me through some extremely tough periods of my life, but I cannot in good conscience continue to support an author who chooses silence over her own humanity. All she had to say in response to that question was "free Palestine", but she instead said something akin to "I know about what's going on and I know silence and feeling sad about it probably isn't enough, but I'm just not going to do anything about it". Again, I know she's advocated for Palestine in the past, but why not continue doing so? No one is stopping her - she's actively chosen to stop.

As for my accounts? I'm still deciding what to do with them. I won't be deleting them, I'm not going anywhere, but I won't be posting edits or sharing analyses or general posts about the Grishaverse until Leigh decides to do better. This blog will probably turn into a multifandom blog, but who knows at this point. All I know is that I won't be promoting Leigh's work.

[goodbyeapathy8]

Leaving Kindergarten Mafia

There have already been a few posts floating around about the Discord server implosion of Kindergarten Mafia. They do a great job of outlining the events that happened, with documentation, directly from the folks who were harmed by the server owner (Hann) and mods that helped enable their racism. (Snake and Mouse, Jinx1, Jinx2, mousydentist, Faye, among others.) So I'm not going to do that.

These are my own thoughts on the specific racism and tenets of white supremacy that I observed in the server as well as a general commentary on joining fandom spaces.

Rarely do I emphasize my age but it's relevant so here we are : I am 35 years old this year and Kindergarten Mafia was part of my first baby steps into any fandom. Ironically, my hesitation to join fandom ended up being proven because I had heard, for a very long time, that fandom spaces were dominated by racism and a failure to acknowledge POC fans. For a long time, I was complacent and felt "safe" in that server of 300+ folks.

Until one Native member spoke up about the usage of "spirit animal" as appropriative and the cracks in the foundations began to show themselves to everyone and not just the people with marginalized identities.

I had already started to feel uncomfortable in how the server dealt with ableism. There was also a member who I've previously called out on Tumblr, for usage of the m*dget slur in their story, and who became extremely vocal recently. (Spoiler alert - they wrote an entire essay excusing their usage of it, multiple times in the fic, because they couldn't be creative or bothered enough to come up with an alternative for a "short person".)

Without further ado, let's get into it. These are all from the link above, "tenets of white supremacy in organizations" (and yes, a Discord server of 300+ people absolutely DOES count as an organization).

1. Sense of Urgency, such as prioritizing quick or highly visible results that can exclude potential allies. -> In the server, both server owner and problematic mods continued to emphasize that their "missteps" (i.e. racism) was due to needing to seek a solution ASAP for the good of the server.

2. Worshipping the Written Word, such as valuing strong documentation and writing skills. -> Rebuttals to POC/marginalized folks were constantly full of dictionary definitions, copied over.

3. Believing in Only One Right Way, such as concluding something is wrong with people who refuse to adapt or change. -> POC members and allies were banned when anger was expressed because OUR anger suddenly made it an "unsafe" space for the server owner and problematic mods.

4. Paternalism, such as decision-making processes that are only understood by those with power and unclear to those without it.  -> Despite multiple server users disagreeing with the server owner's tactics (including the co-owner, who stepped down), Hann continued to defend + make decisions.

5. Defensiveness, such as spending energy trying to protect power or defend against charges of racism. -> There's too many examples to cite here. But in the end, it was claimed that the initial problem was solved. And then the problem mod was invited back. With additional defense of why.

6. Power Hoarding, such as feeling threatened when anyone suggests organizational changes. -> Instead of wanting to listen to marginalized identities, the server was threatened with a shut-down. Multiple people stepped up to take over as server owner. But power hoarding was more important so not only was the server shut down... it was resurrected from the dead to include their favorite (white) people. This leads us to...

7. Believing I’m the Only One, such as thinking that if something is going to get done right, then ‘I’ have to do it.

8. Fear of Open Conflict, such as equating the raising of difficult issues with being rude or impolite. -> The initial issue around the problematic phrase was ridiculously hush hush. POC members were banned for their (rightfully so) angry remarks.

9. Believing in Objectivity, such as considering emotions to be irrational and destructive to decision-making.  -> Not just the server owner but the people who rushed to defend them and the problematic mods, claimed to be impartial and objective, based on their queer identities or other things. As humans, none of us can actually be objective and all of us are a little racist because racism is a systemic problem that we were raised under.

10. Claiming a Right to Comfort, such as scapegoating those who cause emotional or psychological discomfort. -> In the end, it was clear that only whiteness was valued when POC folks + allies were banned or made to feel uncomfortable enough to leave (such as myself).

I know I've only posted my thoughts/feelings vs documentation (which, you shouldn't always demand because see above for "worshipping the written word") but if this screenshot of the new rules for the new server doesn't convince you that something (racism/cult-ism) is wrong with these folks... I don't know what will.

TL;DR - Ownership and modding of a large Discord server doesn't make you a god. You are, unfortunately, still a puny mortal with the biases that come along with being as such. I'm sure it was a fun power trip for those involved but I am happy to expose the rotting underbelly in a way that I see fit.

In conclusion, I leave you with further reading that will help decolonize your mindset and has done a much better job at showing that the problems with the Kindergarten Mafia are not unique (as they claimed). It is one that those of us with marginalized identities face constantly and we are fucking tired of running into this and being treated in a way that emphasizes the problem with our existence in real life. Intersectionality and decolonization is what will actually liberate us, and without both, online spaces are simply the same reflections of real life.

At the very least, I hope it gives some of you food for thought.

(I will also post my Scathing Letter™ that was my last message in the server as a separate post because I am wordy AF and this is already too long.) [1/26/2024 update] Now with part 2 because apparently I had more things to say.

[theink-stainedfolk]

Writer Questionnaire Tag

Thank you @drchenquill @the-golden-comet and @paeliae-occasionally for the tag

how long have you had your writing tumblr/writeblr? a fast and loose estimate is fine!

It's been at least 6 months or more I believe.

what led you to create it?

I actually had it from before but i never really posted anything. The thought that there might be people willing to read my works more than my own family and friends led me to create it. I was done shying away.

what's your favourite thing about the writeblr community?

I absolutely adore the supportive and inclusive nature of the writeblr community! It's a space where writers from diverse backgrounds and genres come together to share their passion for storytelling. I love how everyone encourages and uplifts each other, offering constructive feedback and celebrating each other's successes. The community's enthusiasm is infectious, and it motivates me to keep writing and improving my craft. I also appreciate the wealth of resources and knowledge shared within the community, from writing tips and prompts to editing advice and publishing insights. It's amazing to see how writers willingly share their expertise and experiences to help others grow. Most of all, I cherish the sense of belonging and connection that comes with being part of this community. Writeblr feels like a virtual writing group, where we can discuss our projects, share our struggles, and rejoice in our triumphs together

what's one thing you'd like your mutuals to know about you?

That i really love talking about my WIPs and OCs aand everything related to my story. I feel happy, seen and appreciated. If you like anything i woorte, please don't hesitate to ask or just tell me how you feel.

is there anything you'd like to see more of on your dash?

Uh..memes? More aisan drama related things? More HSR stuff everything about my interests etc.

which wips or writing projects are you noodling about, lately?

Very wrong question lol. I've been going back and forth between my WIPs. But the most recent one I've done, or am thinking about is The Masque of Murder .

how long have you been working on them?

Hahaha.... Since months, years and i still haven't even written a chapter for some of them. I hate myself for that. But since The Masque of Murder is recent, it's been a week or so.

do you remember what inspired them/ what got you started?

Yeah i remember reading a manhwa which had this crazy but mad genius doctor as a minor villan. It got me thinking that it was a waste of his abilities and damn good looks and he would have been surely protected by the plot armour had he been the main character instead. This forced me into making it lol.

how much time, in your best estimation, do you spend thinking about them?

🎵Every hour, every minute, every second. And night after night, I'll thinking 'bout you right, 7 days a week.🎶

name any characters you created. side characters, protagonists, antagonists, characters who've never been written, the first original abomination you ever pulled from your ass; whomever you'd like!

Uh... every single one of them? I created everyone, if that's what you're asking haha.. I'm not sure if i understand it correctly but i created everyone on my own. I'll mention the one that comes to my mind first then.

Side character- Emrys from In The Silence, Strength

Protagonist- Dr. Phineas Abel Thorncroft from The Masque Of Murder

Antagonist- Dante from Beyond The Pages (but he is also the protagonist)

And i can't really remember the last two.

when someone asks the dreaded, "what do you write about," question, what do you usually say?

Yknow, fantasy stuff with magic and murder mystery with actual murder and blood and stuff and all that hahah none of the stuffs that you like or understand or are interested in right? Hahah it totally doesn't have queer peoples. Just fictional stuff you don't wanna know hahaha.

Deadass.

who's the most unhinged?

Dr. Phineas Abel Thorncroft (from The Masque Of Murder), Acheron (from Legacy of Creation), Dante (from Beyond The Pages) and Eitenne Lumiere( from Wicked Games, Wicked Fates) from what i remember .

who comes the most naturally for you to write?

Vesperine, Cleo, Pareen

do you ever cringe at them?

Hahaha... sometimes..

how much control do you feel you have over your characters? do they ever "write themselves," refuse to cooperate, or do things you didn't expect? to what degree? are some less cooperative than others?

I feel like i have 70% control and 30% is something they do it themselves because i give them the freedom to do so. Because that is the story of my character and not of me, even if I am the one who wrote it. Sometimes the decision i make for them is not what they'd do.

do you enjoy people asking questions about your characters? and do you have a preferred means of receiving said questions? for example, as asks, as replies, as reblogs, as tag notes, as comments on ao3, etc.

Yes i absolutely love it please ask. Doesn't matter how just ask♡♡♡

what makes you want to follow another writeblr account? do you follow 'em as you see 'em, or take time scoping out the blog to make sure you align with its content? do you follow based on wips, or vibes?

I take time scoping out the blog to make sure i align with it's content. And i follow based on both, wips and vibes but mostly vibes.

what makes you decide against following?

If i don't align with the content or i don't fond the story interesting, i don't follow.

do you interact with non-mutual often?

Not often but i do.

do your mutuals' characters occupy space in your noodle?

There are so so many characters of my mutuals that i love love loveee but my memory rn isn't functioning at its best so i will just write whom i can remember rn.

The Madness, the lady and that guy from Foliè written by @drchenquill, my friend. Whose writing always leaves me with surprises and cliffhangers. She supports me so much i almost feel guilty 💕💕💕💕 i love you so much💖💖💖

@paeliae-occasionally Xanren, Marsh and Paeliae. I love their stories it captivated me. I hope you can tag me on their journey 👍, @cssnder, my first mutual whom i talked with so much courage that i almost didn't open tumblr the next day due to embarrassment and nervousness. Her works are like renaissance paintings, truly mesmerizing and beautiful. Thus Saith The Lord is truly a work of art and i hope i get to read it soon.😭 And also, @roarintheheavens , my new friend, I'm so happy. Vron Carson, he is very interesting and i can't wait to know more about him. And of course, @the-golden-comet, I'd very much like to read more about peter hart.

Just because i didn't mention everyone doesn't mean i don't appreciate your works, it's just that i haven't read them yet. I hope you all can send it to me. I'll definitely read it.

I'll tag @finickyfelix @willtheweaver @ascotwriting @agirlandherquill @leahnardo-da-veggie @illarian-rambling @winglesswriter @graveyardshift111

[iamamythologicalcreature]

Six Sentence Sunday/Creative Proof of Life

Thanks for the tags, @alexalexinii, @shrekgogurt, and @that-disabled-princess!

This WIP post is basically a proof of life statement. I can't believe it's been over a month since I posted Chapter 1 of the Haunting of Simon Snow. I'm so overdue for chapter 2, BUT... instead I finished writing the rough draft. I've been attempting to outline, because when I rough a draft, I really rough it up. Ahem.

So I have been working on it, even if there is zero evidence on AO3 as of yet.

How about some sentences? I haven't sliced up chapters yet, so not sure if this is from chapter two or three, but here's a snippet of Simon on the phone with Penny expressing some smooshy sentiments:

I curl up on the couch a bit more, maneuvering myself so my wings aren’t crushed. “I went flying last night,” I confess then, in quiet tones. Like someone might hear me. “You�� Oh, but… You can’t! What if someone sees you?” I can actually hear her biting her lip. She wants to spell my problems away, and she can’t. “But I can,” I say, smiling a bit more. “There’s no one around for acres. No one will even willingly drive here on account of the house being haunted. It’s empty. And I’m flying at night.” I say flying in the present tense and realize I fully intend to fly again tonight.

Penny huffs. Her specialty. “I don’t like it.” “I do,” I say easily, warming up to explaining, hoping she’ll understand. “It’s so freeing, Pen. Like the weight of the world can’t hold me down, anymore. I feel… It’s like… It’s like I’m closer to the stars. Like I’m close to stirring up the milky way.” I let out a sigh, my eyes closing as I drop my head back, indulging in that recent memory. “I don’t hate it as much, when I’m up there. You know?” There’s a few seconds of silence, and I open my eyes again. “Pen?” “Hate what?” she asks quietly.

(just in case you were worried I wouldn't be including angst...)

Bit more info on my progress (maybe some whinging) and tags and hellos below the cut!

Fun facts about my ineffecient writing process:

I spent more than one or two hours clearing asterisks from my rough draft this morning. (Because discord has trained me to do *this* when I write instead of this.) Because I'm trying to listen to my draft via screen readers, but it keeps sounding like "asterisk-impossible-star-fuck me" (that's my favorite one honestly, it's supposed to read "Impossible. Fuck me.") which is really annoying (more often than amusing). ANYWAY… what this has revealed to me is that I use "Fuck" a lot, as well as "So good." Ahem. Take from that what you will.

BTW, I'm sure there's an easier way to do that than manually. Please don't tell me for at least a few days, or I might lose it. I am but a mortal being, with a tattered heart and patience worn thin. (Or something.)

OKAY. It's been awhile since I did one of these posts. Time really flies. Gonna give this list my best shot, but as always, open to any who want to participate! (Also adding some new names in for the new year so this is sort of my "Gee I hope this is cool with you" super long tag list. If you'd rather not be tagged, just drop me a missive to that effect!)

@leithillustration @prettygoododds @rimeswithpurple @artsyunderstudy @blackberrysummerblog @hushed-chorus @nightimedreamersworld @best--dress @whatevertheweather @ileadacharmedlife @scribble-tier @imagineacoolusername @brilla-brilla-estrellita @alleycat0306 @angelsfalling16 @fatalfangirl @erzbethluna @tender-ministrations @anxious-m3ss @ebbpettier @bubble-gumhead @facewithoutheart @bazzybelle @theimpossibledemon @aristocratic-otter @mooncello @cutestkilla @annabellelux @ic3-que3n @j-nipper-95 @letraspal @messofthejess @onepintobean @palimpsessed @raenestee @supercutedinosaurs @theearlgreymage @thewholelemon @wellbelesbian @you-remind-me-of-the-babe @youarenevertooold @bookish-bogwitch @martsonmars @orange-peony @mostlymaudlin @stardustasincocaine @confused-bi-queer

Lastly, quick note/question. Tumblr seems to be remiss in informing me when I've been tagged in other posts. Is this a common issue?