#I'm very vaguely alive here
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batthrashed · 7 months ago
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I really need to rewatch stranger things, I miss roleplaying... (and drawing filthy shit)
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necrotic-nephilim · 3 months ago
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i personally have very complicated feelings on the Gotham Knights video game and the routes it takes with characterization. i think it has a charm to it and it goes in an interesting direction with everyone (especially within the confides of the plot of the game) but it does have certain moments that veer painfully fanon for me. (such as: the dialogue where Tim drinks too much coffee) it's an interesting story for what it is but i don't view it comics-based for characterization and therefore don't care to interact with it much for like. fanfic purposes.
that *said* though. i do have to give the game some kind of credit for giving one of the top five JayTim moments that lives rent free in my mind. every since i played the game, the cutscene lives in my mind daily. it's the specific cutscene where Jason and Tim are arguing about whether or not Jason's non-lethal bullets are too dangerous for the field, and the argument leads to TIm *standing in front of the target* Jason is shooting and telling Jason to shoot him. it lives rent free for me. i never stop thinking about this.
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the absolute certainty Tim has that he is in no danger standing in front of Jason, who has a loaded gun pointed at his face. the way Jason *hesitates* for just a moment before lowering the gun. he thinks about it for just a second. Gotham Knights JayTim seem to get along very well and can rely on each other, but Jason still clearly holds a bitterness about his death and Tim that flickers through in some lines of dialogue under the guise of jokes. especially since this game deals *heavily* with concepts of Pit Madness causing an altered state of consciousness, i think it's believable that occasionally, Jason fights the urge to fight and hurt Tim for the feeling of being replaced.
i like their tension so much in this canon. they get along but you can *tell* Tim is afraid of addressing Jason's trauma or even addressing Jason head-on, and Jason leans into spooking Tim about it. which isn't very comics feeling in their dynamic, but it is an interesting way to place their dynamic if you're playing with a more timid Tim who's newer to the role of Robin. (which he seems to be in-game) he really doesn't want to offend Jason, or worse, piss him off. but he'll still face Jason head on for things like this, while completely aware of what Jason could be capable of.
and Jason seems very protective of Tim and respecting Tim as a Robin in typical Jason fashion. if Tim pushes, Jason *will* relent. he knows this is a kid who's proved himself and should be treated with equal respect, sometimes even more than Dick and Babs do in-game.
so for all that to culminate in Tim stepping in front of Jason's loaded gun that he *knows* is on the edge of being too dangerous, just to force Jason to listen? it's the most unhinged way Tim could've gotten his point across in this scene. he was literally daring Jason to hurt him and playing with a very dangerous fire. but he did it anyway bc he believed he could make Jason heel just at the thought of hurting Tim. and he was *right*. they're gay and i'm feral ty.
#necrotic festerings#jaytim#tim drake x jason todd#gotham knights game#i hate their character designs for what it's work#BUT the size difference. jesus.#anyway i could write a gotham knights jaytim fic i think#i'm *very* unsure the ages intended for these characters#bc tim certainly seems to be intended to be a teenager#whereas jason seems in his 20s so i think it's a gap that's bigger than the comics#which also makes it fun. usually you don't get a ton of age gap with jaytim they're just under 2 yrs apart#but this tim is definitely still a teen and jason is an adult.#and seems to enjoy being a bad influence on tim in the game so#there's such good fodder for some dead dove shit#anyway the funny thing is i like this game#you don't want to know how many hours i've played it#it's just best treated as a seperate iteration of the characters than being an adaptation of anything#esp since they're *so* vague and waffly on jason's backstory#as well as not giving a ton of info on how tim became robin#you assume it's similar to comics but some details leave gaps in the timeline. so idek#probably not somehting meant to be thought about too hard.#but i'm an overthinker at heart.#my point is they're gay. this is gay. it baffles me ppl don't look at this as the gayest shit alive.#tim daring jason to shoot him is the most tim drake thing in this game#well that and tim wanting to make a talon in the belfrey.#also NO one say a word about the gif quality /lh#i had to make it MYSELF#i do everything around here to show off their gay shit#sorta tempted to just make a masterpost of “every gay ass interaction between jaytim”#bc i've seen some clips from the titans show
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rivilu · 1 day ago
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ok you know. the Ellu in dav crossover au is very fun but i am a little bit enchanted by the concept of him AND Rynn at once. Best of both worlds in a sense.
#posts that sound like noise to everyone but me fdjgfd#but like. yeah rynn gets to be the main leader and have an emotional connection to the world he's fighting for#while not keeping emotional distance from everyone around him jkgfh#but then you ALSO have Ellu there to make some of the tougher choices that Rynn doesn't fully trust himself to make / would come to regret#(cough minrathous/treviso cough)#and willing to shelter the blame of it too so the guilt doesnt eat Rynn alive#and companion wise Rynn would actually know what the fuck to say to Taash for example. whereas Ellu is. *gesturing vaguely*#not equipped to understand these conversations. guy barely has a sense of personhood if that- much less knows what gender is#i feel like it makes all the companion dynamics so much more interesting actually#balancing out Rynn's kind naivete with a more experienced but also much more unhinged perspective fjkgdf#wait did i just invent Alistair and Orion dynamic 2.0. ...you saw nothing fdjghdf#yeah nah not really Orion is VERY different but funnily enough would approve of Ellu's choices way more than Rynn's 😭rip little guy#but yeah the companion arcs..#some pushback on Bellara freeing the archive because unlike them both Ellu's not saddled with misplaced guilt about the ancient elves#some pushback on the griffons going back to the wardens because. Ellu's not biased 😭#(though i still think they have a much better infrastructure for breeding them and ensuring they survive so Rynn could win that argument)#ellu and rynn being the angel and devil on harding's shoulders during her quest fkgj (not that one option is bad but you get the joke)#ellu getting psychic damage after hearing the concept of lichdom is a good thing here etc#also what the situation would be with Solas in two Rook world. all potential options are hysterical#Do they BOTH communicate with him in the fade prison? they both hate his ass - does he get twice the amount of bullying?#Ellu by the standards of his world probably counts as a spirit with a body in dragon age- so how does this affect things?#does Solas hear 'THAT'S your god of trickery??? pathetic' from what he sees as a spirit of chaos#and does that give him a teensy existential crisis fghhdfgh#also fun because ellu's age is intentionally impossible to gauge because fey time bullshit but could very well be in the thousands#on technicality of time dilation at the very least#so placing that little idiot in this world is SO fun.. so many options..#'wah wah i'm the dread wolf I have no spine when i have to do what's right but my slaver girlfriend doesnt agree#but i will end a world inhabited by people because they're mortal now and i dont see them as people :( ' GET A GRIP GRADPA#-> said by guy who may be older than him
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the-acid-pear · 1 year ago
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I have yet to keep inspecting the sweepstakes, I need some air and food first, but I might as well share what I've been thinking about Mike today, because I heard of an interpretation saying Mike was a camera man for Spamton which ... Is very interesting. Like for me this makes me think of Mike as someone who admired Spamton, someone way smaller than him, definitely younger imo, who simply excitedly followed along with the orders given. I mean, up to a certain point. I mean this feeling is reinforced in the q&a when asked about Mike, that makes Spamton get very defensive, almost protective. In my eyes it almost creates this almost platonic familiar bond dynamic whatever. But like this is just a shot in the dark, bc what we know is, 3 lines, period. But if when chapter 3, 4 and 5 come out and Mike is there and I'm right about these things then I'm gonna feel like a god tbh.
#luly talks#not gonna put this one on main tag bc its a bit too vague and speculative and shit but im leaving rbs on in case some1 is like hm ur into#something here nemo im which case i will wag my tail and bat my eyelashes#but am i making sense anyway?#like just to make sure: my idea of mike is a camera man younger and smaller than Spamton who admired the guy#and spamton out of idk fondness bc he reminded him of his old self kinda took the guy under his wing in a way#that's why he's so protective and shit#although unrelated to this bc just. putting that there and NOT touching it but it's interesting what Spammy says right after name dropping#mike if you believe in the cameraman interpretation (which i saw in a video i then stopped watching bc i wanted to explore that shit myself)#bc he right after says to not believe anything you see on tv but this could easily imply mike did do his part but the editing team changed#shit. but its just very curious what involvement Mike could've had because. why would he be as targeted as he appears to be?#and what caused him to also abandone spamton? is mike even fucking alive? judging by Spammy's q&a dialogue you'd assume he is#but i mean that's official but not canon right so it's a bit hard to judge?#but Mike seems to be the only one he isn't really resentful towards for leaving him almost implying it wasn't Mike's choice?#i just can't wait to see more of this bc it's gonna reveal a whole side to this little puppet previously unknown#in fact i think that after breathing some air im gonna go look at the snowgrave neo fight flavor text and cry and piss and etc#I'm still not over spamton begs the audience to stop taking the furniture i can see the poor guy being evicted as he tries to plead not to#so vividly wugh. my poor little guy of questionable morals . . . 😢#also don't get me started on the commemorative ring man what on earth is going on there.........
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zehecatl · 11 months ago
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no but i'm literally just thinking SOOO much about how Vox is obviously living a hollow and unfulfilling life, and how the only thing he shows genuine interest in is power and Alastor
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even with the other Vees, he's distant and muted- he doesn't really seem to engage with them, not deeply, or particularly happily- he does care about them, i think, considering he's willing to 'let his guard down', (which is a whole 'nother post, and only vaguely something i mentioned here) but i'd wager he finds the whole thing dull
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Vox is stuck in a rut. he's bored, he straight up says fuck my life, and then follows that up with putting on a fake ass smile for the masses. up until Alastor is thrown back into the mix, Vox's whole demeanour screams fake
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and then Alastor is back and Vox is emotive. he's excited, he's interested, he's energetic. yeah, the whole thing is based on some bitter ex drama, and it's probably not, like, healthy- but he's actually consistently acting alive
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compare his whole music sequence with the way he's acting before Alastor's whole ass came back, and there is such a stark difference. he's all over the fucking place, he's borderline manic, whereas before he just- he was very obviously bored
you can even see some of this when you compare the brief glance of Vox and Val during Angel's song, and then with the episode 8 song
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i think Alastor is the only thing in Vox's life he actively cares about, at this point. it's the only thing that interests him, that captivates him, and oh boy, i cannot wait to see more of them in season 2
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kyotospartyart · 1 year ago
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Harrowhark Nonagesimus herself!!
For these portraits (I already finished Corona and Ianthe) I'm picture them at the beginning of the first book. They were meant to be the type of portraits you find in the big halls of a noble house but since that kind of thing doesn't really suit Harrow or the Ninth House at all...this one is more allegorical.
I prefer it when people come up with their own interpretation of my work but just in case some of you are curious here's what I was thinking when I painted this:
Harrow is the very young (and malnourished) heir of a dying house, hence the traditional headpiece and veil being torn apart by moths. Behind her, the withered nuns that populate Drearburh watch expectantly, putting all the weight of keeping the house alive on her. She is their miracle after all, the one who is supposed to save them.
Part of the background is covered by embalming bandages. They're just there, for now, but they're slowly covering everything up. They're running out of time.
However, the fabric of the veil she's holding vaguely resembles the shape of two wings. A small, subtle message of hope.
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twisting-roads · 2 months ago
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DEBUNKING COMMON RAIN WORLD MISINTERPRETATIONS
The target audience for this was for people who don't know too much about the game as well, so I'm going to explain things that a normal player might already know.
Rain World is known for how it simply throws you into the world with almost no tutorial, and is often praised for it.
But this lack of explanation if you do not go out of your way to find it has also lead to a lot of misinterpretations from those who did not read all the game’s available information, or misunderstood what they were being told. I used to watch some RW lore videos that would explain and summarize these things, and in the past I believed them.
I’ve since stopped doing that after having some time to actually process what I’ve been reading, and I’m here to say...
YOU ARE ALL WRONG ABOUT RAIN WORLD.
Ok, hyperbole. Not everyone believes these, and art can always be interpreted in different ways by different people, and I won’t stop you from having these beliefs. But also, there’s plenty of ingame content which completely disproves most of these unsubstantiated points from those who do not fully research the game before making videos about it.
Looking at you Tale Foundry…
The purpose of this is to pick apart some of the sadly far too common points I’ve heard many times before from Youtube videos, to Tumblr posts, to people I’ve spoken to on Discord.
Starting with my least favorite…
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“The 5 karma were seen as sinful”
Obvious westernization of a game based off fucking Buddhism aside, there’s no ingame text directly supporting this claim. There isn’t any that says otherwise, but we have good reason to believe this isn’t the case.
The 5 natural urges, as they’re sometimes called, were NATURAL. They were what bound you to the cycle. They never worsened your life or made you a terrible person should you keep following them, but an aspect of life on the same level as suffering or ecstasy.
Hey, I’ll break down the 5 karma and their meanings to show you that they're not just "sins"
I believe the natural urges have 2 different meanings: an animalistic one, and a more “human” one.
KARMA 1 This obviously represents violence, as you see one guy stabbing the other. I believe it also represents competition and intense emotions, For example: Artificer experiencing intense grief and lashing out in violence as a result. It was not the violence that started it, but her emotions. (Yes, its Downpour. But it’s a good point.)
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KARMA 2
They’re having sex. They’re fucking. They’re- ok you get it. Karma 2 represents reproduction. But, I also believe it’s desire. Joyful bodily experiences, and such. The 2 figures seen here are in a much more playful pose than if they were simply doing this only to reproduce. No, they’re having fun.
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KAMRA 3 Connection. Bonding with others. Yet also trade and personal belongings. Attachment to things that are not yourself.
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KARMA 4 It’s mentioned ingame that this represents gluttony It’s overindulgence, you know. Similarly to karma 2, it can also be searching for fulfillment. I'm not particularly good at telling what the meaning of this could be.
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KARMA 5 Self preservation. Self preservation can come in many forms, from an animal running away from a predator or somebody getting defensive after being accused of something or being threatened, this one is rather vague about its meaning.
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I do this to show that the 5 urges have very NEUTRAL meanings. It being positive or negative is entire dependant on context. They’re not sinful, get out of here with that Catholic shit!
The 5 karmas have both positive, negative, and neutral contexts which they can fit into.
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“The ancients hated being alive”
The ancients simply hated the cycle itself and its unknowable properties, as well as being much more aware of things like karma and the urges. Rather, they valued being effortless to disconnect themselves from this cycle.
“This was an eternal dilemma to them - they were burdened by great ambition, yet deeply convinced that striving in itself was an unforgivable vice. They tried very hard to be effortless.” – Bright Green Pearl (DS)
Some practices did of course include things like starving yourself, but as mentioned by Moon, these methods proved to be mostly obsolete. Void Fluid fundamentally changed their culture from what we see. Rather, we do see the ancients enjoying life and valuing it in their own way, which is INCREDIBLY important to some of the games themes, but I’ll get into that later.
"[...]'In this vessel is the living memories of Seventeen Axes, Fifteen Spoked Wheel, of the House of Braids[…] Seventeen Axes, Fifteen Spoked Wheel nobly decided to ascend in the beginning of 1514.008, after graciously donating all (ALL!) earthly possessions to the local Iterator project (Unparalleled Innocence), and left these memories to be cherished by the carnal plane.The assorted memories and qualia include:Watching dust suspended in a ray of sun (Old age). Eating a very tasty meal (Young child). Defeating an opponent in a debate contest, and being applauded by fellow team members (Late childhood/Early adulthood).’...and the list goes on. I'm sorry, little creature, I won't read all of this - the list is six hundred and twenty items long.” – Deep Magenta (SH)
There’s quite a lot to pick apart here, I had to cut down some parts short, but even the cut parts have important details. Just not important enough for me to bring up here.
The Memory Crypts we see ingame are… well where memories are kept. The qualia (personalized experiences) is stored within these mutated fleshy neural organisms referred to as “cabinet beasts”. These of course, contain the “living memories” or qualia of those who have ascended. There are people smarter than me who have already covered these ideas of course, so I won't go TOO indepth.
The ancients greatly valued titles and achievements just as us. They still lived normal lives. As well as this, they valued personal experiences and memories of the carnal realm so much they built an entire citadel to store memories.
As we can see as well, Seventeen Axes has quite a lot of enjoyable memories from throughout their life. Eating nice food and winning a debate contest and getting validation from their peers? That sounds rather… complacent with the 3rd and 4th natural urges, doesn’t it?
I do not believe this screams “I hate being alive!” as much as people have made it out to be, and is honestly ruins part of the game’s messages of compassion and personalized experiences, especially in the game’s ending where Survivor dreams of home.
“You have no name. I once had! I was embalmed, adorned, readied for the journey. So proud. There was jubilation! My name was sung, loud and clear. Did they know? That I didn't quite leave, didn't quite stay? Should I be ashamed? That I linger here, where my memories are kept? Should I be ashamed that I now envy your flesh prison?” - Four Needles under Plentiful Leaves
This is leaning into personal theory territory, but...
I personally believe that the ancients were somewhat terrified of the unpredictability of the cycle and the fact that life would always have more suffering in it.
RW’s religion is heavily based off Buddhism. This is well known of course. The Cycle is a variation of Samsara. Now, I’m not Buddhist, and I’ve tried to do my research about some of these topics. Feel free to correct me, I’m simply going off what I know. (Also I'd love to hear what you have to say regarding your thoughts on the game!)
In Buddhism, each new life you could be taken into the body of an animal, or even end up being tortured in hell for a very, very, VERY long time if you made the wrong decisions, which made escaping it as soon as you could seem like a rather reasonable thing to do.
The ancients never fully grasped the scope of the cycle, and the prospects of having your soul wake up in the body of some miserable worm with no memory of your past or any ideas of your future might’ve seemed bleak.
Suffering is inevitable. But that doesn’t mean they hated being alive, like I said before.
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“Rain World is post-apocalyptic.”
It really isn’t. There was never any apocalypse. The ancients simply left on their own accord, leaving behind their mark on the world that will slowly be buried once again in the ever so present cycle.
“The bones of forgotten civilizations, heaped like so many sticks.” - Two Sprouts, Twelve Brackets
The world is thriving, even. The purposed organisms left behind have evolved and taken over and become it’s own ecosystem.
The iterators are dying though. Dying very slowly, but soon they’ll all decay and everything will move on.
It’s all just another manifestation of the cycle.
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“The creatures in Rain World cannot die”
This is definitely something I hear from people who haven’t played much of the game and only hear about it from outside sources and watch the gameplay.
Yes, it is easy to believe this. As slugcat, when you die, you wake back up again. This is entirely a gameplay thing and not actually related to the lore. Saying this might seem like I'm avoiding the question at hand here, but the rules that apply to you do not seem to apply to other creatures.
Every creature in the game has a 4 integer ID (it can go higher, but not in a standard playthrough).
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This makes every creature you see an individual of sorts with its own randomized values or appearance.
As well as this, creatures spawn from specific marked dens. When you kill a creature that spawns from a certain den, the next cycle, that creature’s ID will never appear again. Instead, the den spawn is replaced by a creature of the same species with a different ID, or a new species entirely.
Through gameplay, you see that the respawn rules that apply to you do not apply to other creatures. I’ve heard many points about how these dead creatures are transported to another alternate universe where they are alive, but I really do not want to delve into that theory. You do that yourself.
Excuse my unprofessional language, but this is kind of stupid. Billions and billions of little timeline splits accounting for every single insect and microbe that dies seems far too complex of a solution. Occam's Razor and all that.
With this gameplay element you see, I also want to give LORE explanations as to why this is incredibly stupid.
1) If death had no impact, the 5 natural urges would not matter
If no creatures died, there would be no point in eating (karma 4), competing with other species (karma 1), or any form of self preservation (karma 5). Reproduction (karma 2) has no role and there would be absolutely no reason to do anything any longer. All natural processes would be useless.
2) Light Blue Pearl
The information received from the cycle is most likely from the Light Blue Pearl, found in Outskirts.
“[...]The repeating mantra is important because it symbolizes the cyclical nature of life and death, and the termination verse is a symbol for ascension above and beyond it. I don't know how familiar you are with the nature of life and death, but I imagine like all living creatures you have some intuitive knowledge? Then you know that death isn't the end - birth and death are connected to each other like a ring, or some say a spiral. Some say a spiral that in turn forms a ring. Some ramble in agonizing longevity. But the basis is agreed upon: like sleep like death, you wake up again - whether you want to or not. This is true for all living things, but some actually break the cycle. That doesn't apply to you or me though, you are too entangled in your animal struggles, and for me not breaking that cycle is an integral part of the design. Our mantras keep repeating.”
“Then you know that death isn't the end - birth and death are connected to each other like a ring, or some say a spiral. Some say a spiral that in turn forms a ring.“
This line is very misunderstood. Moon specifically mentions birth and death. She mentions death. She never brings up the notion that nothing truly dies either.
As well as this, Moon says that “some say”, implying that even the ancients weren’t sure what the cycle was either. This is more important to my point regarding how the unfathomable nature of the cycle was why the Ancients were so averse to it from above, though.
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“Sliver of Straw found the solution.”/"There is/isn't solution"
No she didn’t.
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Ok fine I’ll explain.
If you’ve played Rain World you know that the purpose of the iterators is to find the solution to the “Great Problem”, the problem of how to ascend ALL living creatures.
You’ll also know Sliver sent out the Triple Affirmative…
“[...]affirmative that a solution has been found, affirmative that the solution is portable, and affirmative that a technical implementation is possible and generally applicable. She's also one of few that has ever been confirmed as exhaustively incapacitated, or dead. We do not die easily.[…]” - Pale Yellow (SL)
After sending out this affirmative, the iterators became conflicted. They never could figure out if she really ascended and had found the solution, or if it was some sort of catastrophic error.
The answer to the Great Problem is clearly intended to be as obscured as possible. There cannot be an answer one way or the other. The themes of it and the endless tolling of the iterators would not be as impactful if we knew there was or wasn’t a solution.
“[...]Either way, after that these different factions developed, as well as a huge forensic effort to recreate and simulate Sliver of Straw's last moments. Some of the simulations were wrapped in a simulation wrapped in a simulation, in case something dangerous might happen. Nothing much has come from it.[…]“ - Pale Yellow (SL)
Here’s my favorite way of explaining what I mean…
Imagine Schrodinger's Cat, the famous thought experiment. There’s a 50/50 chance that when you open the box, you either find the Solution, or find out there is No Solution.
Except you cannot open the box. And the box is entirely theoretical and nobody’s seen it. It seems impossible, but maybe one day you’ll find that box. That’s what the Great Problem is.
Sliver apparently having found the solution would have completely broken everything. Five Pebbles wouldn’t have ended up hurting himself and Moon had Sliver finding the solution been known with certainty. He was taking a shot in the dark.
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“Ascension is akin to suicide.”
I strongly believe this point harms the role that ascension and the void sea play in Rain World’s narrative. Ascension is meant to be a final destination, a goal you build up to and prepare for when you’ve lived every bit of life you possible could, and can now move on.
Bringing up the Memory Crypt pearl from earlier, Seventeen Axes lived an incredibly fulfilling life from what we see, and ascended happily.
As well as this, Buddhism strongly encourages those who wish to liberate themselves to discover their own path, which is also subtly shown through the gameplay, as there are many many routes you can take to Five Pebbles, Looks To The Moon, and The Depths.
I do also think this is why Five Pebbles failed. He tried to brute force his way to ascension.
Suicide implies that ascension is only meant to be a fruitless escape and that it’s wrong to ascend. I… do not want to go into why suicide is bad. It’s a strong topic and I’m just here to talk about video games. But ascension is a neutral thing that you can choose to do or not do and to wait until you’re ready.
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Conclusion...
I really only have the time to cover these 6 misconceptions, and I believe it should be enough. There have been many others I’ve seen, such as the ancients being malicious or that there weren’t any civilizations before them, but there’s not as much to say about them, and they aren’t as common.
Rain World is a very confusing game. I’m not upset at people who think these things to be true, and I do not believe they’re stupid or don’t have any media literacy. I just wish that the people who did actually cover this game did some more looking into it, and actually discussing it with Rain World fans.
Also I should say, that during this entire discussion I have avoided talking about Downpour- RW’s DLC- as it’s more of a official fanmade project. And so much of what it says may not be entirely in line with Vanilla. Because my life isn’t easy and of course there has to be an incredibly divisive and confusing thing like this that I need to avoid bringing up so that way the conversation isn’t muddled.
Thanks if you managed to make it through all this by the way
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kaleidochimera · 7 months ago
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Tell me your opinions on the stuff. Any stuff.
Grins. Smiles, even
I'm using you as an excuse to infodump my theory about the Island because I've had no in to do that, and my theory is pure opinion. Anyways:
THE ISLAND IS STUCK IN THE FUCKING FUTURE
(SCARE CHORD)
Hi so you might ask me. What the fuck do you mean by that. Well. Let's start with what we know about the Island, the King, and Wish Craft. (long ass post under cut. sorry)
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The Island was redacted from the perception of outside world, via Wish Craft.
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Wish Craft has the power to enable Time Craft. We see this primarily through Siffrin's timeloops, but also through the King's powers.
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One of the King's powers is to show the saviors a "vision of the future."
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...And this same attack is deflected back at the King by Mirabelle in ACT 5, in which the King is able to see the Island before being frozen in time.
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...So. The King's "vision of the future." We're never told explicitly what this vision is. All we know is that it's apparently powerful enough to wipe the party in one hit, hearing it from a distance hurts your head, and that whatever Siffrin (and Loop) saw, they don't seem to actually be able to describe it. Even the King himself doesn't know what his vision entails.
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We don't know whether the party all sees the same thing when struck by the vision, and Adrienne's answer to the question about it in the Reddit AMA is. vague? It's not a "no," and the specific wording makes me think the answer might be yes. But that's me reading into it.
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Now. What do we know about the Island's redaction? The Island was affected by the wish recently, as in "like a decade ago" recently. We know that nobody in Vaugarde or the rest of the world is capable of thinking about the Island, anything closely tied to the Island's culture, or people on the Island for very long. When they do recall these things, they slip right out of reach. Particularly, the consequence for trying to think about the Island (or, more specifically, break the wish that forces the Island out of perception) is significant pain, localized in the head.
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And that said pain is enough to become lethal, if pressed hard enough.
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From here forward I'm running with the assumption that the King's "vision of the future" is not personalized to any individual, and is unchanging throughout the course of the whole story. Now. Remember the end of ACT 5, where the King gets hit with the deflected "vision of the future", and instead of dying, he recalls the Island and gets frozen in time? Very odd, yeah? Why wouldn't the King just die like everyone else does? He even does take 9999 damage when trying to say its name, like Siffrin does, and like the party does when they're hit by the attack.
Well. We know that he has a "true wish" that the ability to freeze Vaugarde in time grants. I don't think it's at all a stretch to guess that the King's "true wish" is to be able to remember the Island. My personal guess is that the King (and Siffrin) brought this "true wish" into effect via the "SAY ITS NAME" sequence- he even tries three times, a significant number in wishing.
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The King (and Siffrin's) wish breaks, because it can't be fulfilled in this moment without breaking the wish to prevent the Island from being thought about. However. Consider the conditions at the end of ACT 5- the King sees the vision of the future reflected back to him, and what he sees is the Island. He remembers the Island, fulfilling his own wish, and is frozen in time. I consider this a compromise between his wish and the one binding the Island- the King gets to remember the Island, but nobody alive is able to think about it, because he's frozen in time; it's like the Universe is correcting itself (I WILL GET BACK TO THIS). The wish of all of Vaugarde to defeat the King is fulfilled, since he is no longer a threat, and Siffrin's wish wraps itself up soon after.
MY POINT BEING. The King's attack is a vision of the future. This "future" is of the Island, in some uncorrupted state. The saviors see it when he attacks them, and he sees it when it is deflected back to him.
The logical next question is "okay, so the Island exists in the future, but how do you know time shenanigans are even related to the Island?"
Recall a very odd series of interactions throughout the game, in which you try to interact with a piece of equipment that you already own.
The game rewinds slightly, before the item disappears, as the Universe corrects itself.
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This is awfully similar to two particular events: looping back without seeing the death screen, and talking to the Daydreaming One about her sister. The latter is more interesting to me for the purposes of this theory.
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In both instances, something is misaligned within the Universe (an item existing in two places, someone remembering something they're not supposed to) and it is corrected through some sort of rewind. Also compare the dialogue above to when you try to give Mirabelle the Stylish Bow when you already own it.
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The world glitches, but Siffrin defuses the situation before the Universe has to intervene. Omitted from the screenshot is the fact that Mirabelle's portraits switch to happy from "catastrophically anxious" with no transition after Siffrin shows her where the bow is. Important to note is that when Mirabelle tries to recall receiving the bow, her head hurts, much like how trying to break the Island wish causes a headache.
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The Universe leads you away from perception, and you can only follow.
My theory that I keep circling around is that through Wish Craft, the Island has been displaced temporally. The denizens of the Island, as well as the Island itself, still exist, but they are in the future. The Island is still loaded into the world, like how equipment is before you try to interact with it, and the Island cannot leave this quantum state, because it never actually went anywhere. The magnitude of the redaction event is so severe with the Island, because it is so much larger as an entity than a sword or a bow. There are of course things I don't really have pieced together, like why somebody would wish the Island into the future, how far into the future it is, or why equipment behaves this way. But it's the only Island theory I've seen that I have some level of confidence in, so I might as well lay out my cards for it.
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matan4il · 7 months ago
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Every once in a while, the magnitude of the Hamas massacre hits me all over again.
I'm not sure most people get it even now.
In absolute numbers, it is one of the three deadliest terrorist attacks in human history (second or third worst, depends on which estimates you trust for the Camp Speicher massacre), but if we take it in relation to the size of the population in the attacked country (which we should, because terrorism by its very nation seeks to victimizes through psychological trauma the entire target population, and not just those who were physically affected during the attack), then what Hamas did IS the single deadliest terrorist attack in the entirety of human history.
But it's even more than that.
Never, in any other attack, have the terrorists taken over as much land as Hamas did on Oct 7. ENTIRE TOWNS were under complete control of the terrorists, some for SEVERAL DAYS (I specifically remember watching a report on one town, where combat with the terrorists was still taking place on Oct 11, meaning on day 5 of this terrorist invasion into Israel). ENTIRE TOWNS WERE OCCUPIED. BY TERRORISTS. There's not a single Hollywood action movie dealing with such a scenario, because NOTHING OF THIS SCALE HAS EVER HAPPENED BEFORE. Imagine waking up and hearing in real time that the northern half of the American states Washington, Idaho and Montana has been taken by terrorists, who are driving through the streets freely, as they murder, pillage, rape, torture, maim, burn and kidnap people, and almost no one's there to stop them.
And then imagine the world expecting the US government to just... let the terrorists retreat to the other side of an international border in the north, after having murdered over 40,400 American, most of which are civilians, almost 183,000 more injured, and while taking with them across the border over 8,450 American hostages, to God knows what awful fate, for how long, or if they will even ever come back alive. Entire communities and regions would be devastated, without knowing if they'd be able to rebuild. The total would be more than 230,000 Americans directly impacted (I've adapted the real numbers from Oct 7 to the size of the American population... Remember the horrendous 9/11 attack, which saw 2,977 victims killed and a few thousands more injured, and think of what would be the emotional punch of over 230,000 direct victims).
Imagine expecting the US to let that go, and allow those terrorists to continue existing and ruling the land on its northern border. Imagine expecting the US to do so while this terrorist organization openly declares that it will repeat this large scale massacre whenever possible, until the entire country is destroyed.
And please don't come at me with "Fine, Israel can react, but not like this." Unless you have the military expertise to explain exactly how Israel can protect its people from this attack ever being repeated, and to free all our hostages, without civilian casualties (despite Hamas intentionally using them as human shields, and even directly causing Gazan deaths), unless you can translate the vague "not like this" into something practical, some actual guidelines on how this urban war could have been fought differently, even though there's no historical precedent to support that this is possible, "not like this" is just wishful thinking at the expense of the safety and right to live of Israelis.
(for all of my updates and ask replies regarding Israel, click here)
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gracieheartspedro · 8 months ago
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Your Needs, My Needs
I : Strawberry Wine
a masterlist of how you can help gaza
the prelude to this series
pairing: cowboy!joel x f!reader (no outbreak)
description: joel fixes your toilet but you can't help but yearn for more time with him. so you invite him to dinner and try to win his stomach? aka love?
word count: 3.2k words
warnings: there is no smut in this part. still MINORS DNI! no use of y/n! vague talk of reader's old life before texas, no real description of the reader, reader does have anxiety/mental illness that is not fully recognized/diagnosed, mentions of eating food, reader lives alone, reader got MONEYYYY, mentions of joel's ex wife (gasp), alcohol consumption, smoking cigarettes, kissing, flirting. all the fluffy stuff <3
author's note: hey...hey.... how y'all doing?? i'm so so so sorry this has taken so long. my life has been crazy for the last like 4 months and I'm finally getting settled into my life again. I miss y'all and I miss writing, so HERE I AM! I'm hoping everyone who wanted me to tag them months ago is still cool with me tagging them 4 months later lol. okay, lemme know what you think xoxo
Joel comes and goes for days. The first day he returns, he inspects your toilet again and tells you he has the wrong tools. You discuss a game plan and by his initial projections, your toilet should be fixed the next day. But when he fails to come by in the morning, you decide to call the phone number on the post-it note he left for you the day before. 
The phone rings and you get an answering machine of a younger girl telling you to leave her and Dad a message after the beep. When the line lets out a long ding, you breathe out the random croak in your throat. 
“Uh, hey, Joel, it’s me. Just seeing if you’re stopping by today. If not, that’s fine, I’ll be home all day today and tomorrow. Okay, uh, bye.”
Hours go by and you find yourself pacing, regretting your decision to leave him a message. What if he gets it and thinks that you’re crazy? 
Ever since you had made his acquaintance, you felt completely reliant on interacting with him. It may be due to the fact that you haven’t socialized with anyone else in months. You were very good at isolating yourself, but lately, it’s been eating you alive being so alone. Now that you had this big house, the silence felt almost too quiet. Joel’s southern drawl and straightforward responses gave a bit of light back to your life. 
Around dinner time, your landline rings. You practically fall over your couch racing to pick it up, hoping it was him. 
“Howdy neighbor,” He grunts through the phone, “Sorry I didn’t come by today, hope ya didn’t miss me too much.”
You let out a dry laugh, trying not to sound too giddy about him following up with you. You were borderline pathetic. 
“No, I just wanted to make sure you were still alive,” You manage to get out, “You are still alive right?”
“Still kickin’, just busy as all get out. ‘M fixin’ to head to your place now if you’re not busy.”
You look down at your pajamas and start to nod. It’s not like he can see you through the phone, but you are reacting to his words like he’s right in front of you. 
“Sure thing, I’ll leave the door unlocked.”
-
“So… It’s really just you here? All by your lonesome?”
He’s messing with his toolbox, searching for the one tool he needs to fix the toilet. You stir your fresh brewed tea, ensuring none of the sugar clumps up at the bottom of the mug. You had offered him some, but he politely declined, telling you that he had a big dinner.
You take a sip, testing the sweetness. “Just me. How about you? Just you and your daughter, right?”
He laughs heartedly, turning towards you from where he’s squatted. You look at him with curious eyes, unsure if you asked the wrong question. He stands up, a wrench in his hand, a smile still spread across his face. 
“Her mama left town with her new boyfriend about 5 years ago. Wanted the city life, not the life I gave her. It’s been just me and her ever since.”
So he’s single. You think to yourself. 
You realize the laugh was probably because of how absurd and new it must be for someone to ask him about his life. He grew up here and you are positive everyone here already knew all about his business. You are a breath of fresh air for him. 
Before the silence becomes awkward, you speak up. “City life ain’t worth a shit.”
“Yeah, she’s different. Won’t speak ill of her ‘cause that’s my bosses’ mama. She sees her now and again. They are just very different.” 
The conversation comes easy with Joel. While the first couple of interactions you two shared were a bit strained, after days of small talk, you realize he’s the truest Southern gentleman you’ve ever interacted with. Polite with a little bite. He never speaks ill of others, except his brother. He loves to pick on Tommy. He seems like an attentive father. He loves to pick at you, always pointing out your Northern tendencies. Your horrible driving. Your accent and your speech patterns. But he’s also very complimentary. A couple of days ago, he remarked how nice your perfume was when you were standing close to him. It made your heart skip a beat. 
And on top of all of those things, he’s very easy on the eyes. 
“That’s mighty fine of you not speaking ill of your ex,” You try to drag out the silly Southern saying, which causes him to chuckle again. You smack your lips before continuing, “Wish I could do the same.”
You are not sure what he’s doing to the tank of your toilet, but you watch him strain to get a piece out of the corner with the wrench he has. He clenches his teeth, turning the piece to the left to loosen it. 
“Exes are exes for a reason,” He grunts, fiddling with some more things in the tank, “I ain’t too hung up on datin’ right now. I got my girl and my horses.”
“And now you got me, your annoying neighbor who almost crashes into your horses and asks you to fix toilets.”
He breathes out loudly, “Yeah, ‘nother pain in my ass. Just what a man needs.”
-
The toilet is fixed too quickly. You had busied yourself with other small cleaning tasks that when Joel finds you in the kitchen doing dishes, he startles you. It took him about 15 minutes to finish the job and you had thought you could at least finish up the dishes you made from dinner. 
“‘M all finished up. Gotta get back home to do some rounds at the stables,” He says as he waltzes over to your paper towel holder. He grabs a sheet and begins to wipe his damp hands, “Anythin’ else for me today?”
You turn off the running water, going down a list of fixes you could ask him to do. You decide it’s probably best to just ask him to swing by another day to help you with other things. 
“No, thank you though, Joel. I am sure I’ll be by to ask for more help,” You chuckle, shaking your hands dry, “I owe you dinner or something.”
As you say it, it feels like all the air leaves your lungs. He’s staring at you and there’s a glint in his eyes. You are not that good at reading people, mostly because you are deathly afraid of being wrong. His eyebrows raise as he leans against the counter near you. He’s so close and in your space, but you try to push the thought of him coming onto you out of your mind. 
“What’do you got on the menu tomorrow?”
His voice is kind of husky which makes your brain draw a blank. You wipe your hands on your pants before crossing the kitchen to check your fridge. You glance through your ingredients, settling for the only dinner item you can conjure up that his southern palette may like. 
“Baked chicken and vegetables?”
He nods, tossing his paper towel into the bin beside you. “Yeah, I've been needing a home-cooked meal. Think I could come over at like 5? Tomorrow?”
You recollect a time when a guy showed interest in wanting to hang out with you outside of work. It had been years and he was not nearly as attractive as the man in front of you. 
You nod slowly, trying not to look too robotic due to your nerves. “Sure thing, cowboy.”
-
You did not know what to wear. You contemplated going into town to see what the local boutiques had but you ran the risk of Joel seeing you out. You didn’t even know if this was a date. 
You settle on a sundress you have owned since high school. It’s the perfect length and while your mind goes to wanting to impress Joel, you also need to be comfortable. 
You cleaned your house, adding some new decorations to your living room walls. You even clean your sheets and make sure your bedroom is vacuumed. 
When the time comes for Joel to arrive, you pace the kitchen anticipating the doorbell. You already had all the food prepped and ready to put in the oven. The vegetables have been cut and seasoned. Everything was just the way you needed it to be. 
Joel gets there 5 after your scheduled time. When you welcome him at the door, his hair is styled and you can tell he put on his “fancy jeans”. 
What you didn’t expect was the bouquet of flowers he had in his hands. 
“Afternoon, neighbor,” He begins before extending the floral arrangement towards you, “My girl said I had to bring you something nice. Somethin’ bout being a gentleman.”
You smile widely, giving flowers all your attention. Even with the fragrant bouquet, you get a whiff of his sandalwood cologne. 
“Nice to see you cleaned up for me, cowboy. Come on in, dinner is about to get put in the oven.”
-
You catch him scanning you up and down when you place the spread of chicken and vegetables on the table. He was in the midst of talking about his daughter and her band fundraiser, but he completely halted when you took notice of his staring. 
You settle into the dining room chair across from him, waiting for him to continue, but he doesn’t. 
“She needs more sponsors?” You break the silence, wanting to move away from the sudden awkwardness. 
He swallows, reaching for the serving fork, “Oh, yeah. She needs to reach a certain goal to go on her senior band trip.”
You try to avoid his wandering gaze again, focusing on organizing your plate of vegetables. “Where are they going?”
“Disney. She ain’t never been out of Texas, so she really wants to go.”
You remember all the trips your family said they’d go on to Disney, but they never did. Your father could not stand being around his own children, let alone other people’s children. You think about how he used to complain about your constant questions, all the times he completely ignored you for your brother. You start to spiral, the anxiety creeping up in the back of your throat. You push your chair out from under the table, excusing yourself for a moment. You go to the bar you have set up in the living room and grab the only sweet wine you have. Strawberry. You grab two glasses from the top of the setup and walk back to Joel. 
“Forgot wine,” you mumble, setting a glass in front of him, “You want some?”
He is already picking at his chicken, “Yeah, I’ll take some.”
You are quiet as you uncork it expertly, pouring it into each of the glasses. Joel watches you like a hawk. You can tell he’s trying to read your expression, so you try your best to remain neutral even though your hands are shaking. 
You place the bottle in the middle of the table, making sure it’s easily reachable. 
You finally sit back down, sipping the red liquid. The strawberry flavor isn’t very strong, it’s more like a hint of the berry. You had gotten the bottle from a roadside stand in Kentucky. An older lady who must have owned a vineyard nearby was selling them for $5 each. You told yourself you would only use it for a special occasion. This event seemed fitting. 
Wine always makes you flushed, but you are always a bit flushed around Joel. Even more so when he’s watching you so intently. 
After a couple of sips, you finally rest your shoulders and begin to eat your dinner. 
“I could sponsor her,” you finally say, returning to the previous conversation. For some reason, you felt obligated. Joel quickly retaliates, shaking his head as he chewed on your roasted veggies. 
“You ain’t gotta do that, doll.” 
The nickname rings in your ears. You take another sip of wine. You can tell Joel notices your reaction because he smirks with his mouth full. 
“But I want to, Joel. I’m sure she has worked hard her high school career, she deserves to have fun.”
He hums, but still shakes his head negatively, “I can’t let you just pay for-”
“You can and you will,” You enjoy another bite, smirking at your defiance towards him. He looks perplexed. “So when is this fundraiser? Is there like a dinner or something?”
He finally caves, “This Friday at the school. It’s a dinner and auction. I guess if the kids don’t find their sponsors, some local businesses are willing to sponsor them.”
“Are you going?”
“Yeah,” He cuts up his chicken, “I guess you’re gonna come along, too, if you’re givin’ my girl all that money.”
“Does a check work?”
He sits back in his chair, already finishing off his wine, “You seriously don’t have to-”
“What are neighbors for, Joel?”
He nods, “You mean friends.”
You furrow your brows, trying to let your hazy mind find a time when you called him your friend. This was a new development.
“Friends, huh?”
He pours more in his glass, “Well, I’d like to think so.”
The wine is hitting your system and you realize your arms feel lighter. You grab the stem of your glass and tip it up to down the rest of the alcohol. Joel’s eyes are trained on you, waiting for a snarky response. 
“Do friends stare at other friends like that?” You pour more wine for yourself. You realize he’s done eating so before he can respond to your flirtation, you speak up again, “You done with that?”
He looks down at his empty plate, “Yes, ma’am.”
“Yes friends look at other friends like that, or you’re done eating.”
He grins, “‘m done eating, doll.”
-
You two find your way out to the rocking chairs. They were left there by the previous owners and you could tell they were probably as old as you. 
You had another full glass of wine, sipping it as Joel lit up a cigarette. He admitted it was only a bad habit when he was drinking, which was rare. “Sarah gets onto me when I have even one beer. So this has gotta be between us two.”
You swirl the crystal, watching him carefully take a drag of the stick. “Your secret is safe with me, cowboy.”
He giggles as he lets out a huff of smoke. “I haven’t had secrets in a long time. Guess I’m lucky it’s with the town stranger.”
The statement hits you in the very pit of your settling tummy. You furrow your eyebrows, leaning forward towards him. Your chairs are not that far away from one another, so this is probably the closest you have ever been to him except for that one moment in the kitchen. 
“Luckiest man in Texas that’s for sure,” You muster, averting your eyes. You could not stare into his beautiful brown eyes for too long. “Having the privilege of getting me out of my head. No man has done that in years.”
“What? You not good at letting loose?”
You shake your head, knowing that he did not understand what you meant. You take a moment to inhale, finally glancing up at him again. “I think I may just be cursed.”
“Now, why do you say that?”
You contemplate spilling the beans. Letting your heart fall onto your sleeve after years of shielding it from anyone who looks your way. Your lips part, but no words come out. It’s just the sounds of the cicadas. 
“As soon as something is good, it gets bad somehow. I don’t even get a moment to savor it.”
You feel the statement down to your bones. The last time you felt settled in your own life, the rug got pulled out from under you. You cannot remember a time when you truly felt present in a special moment. You always felt like you were floating outside of your body, watching things happen and never really truly feeling anything. 
You don’t expect him to lean closer to you, “Whatever happened before you got here, you ain’t gotta worry about it anymore. You obviously put distance between you and what happened for a reason. Let this little side of the world be your home now.”
You push your spiraling thoughts away, letting him be right. 
“I’m workin’ on getting settled. It’s easy when you have a handsome cowboy to help along the way.”
It comes out like word vomit. Between the wine and the nerves coursing through your entire being, you can’t help but admit your little crush on the man. You slap your free hand over your forehead, admitting defeat before he can even respond. You knew he would take the comment and run with it.
“You always flirt with your friends, sweetheart?” He was toying with you, which was a good sign. If he wasn’t interested, he wouldn’t call you such a thing. 
You smile, releasing your face from your hand. His eyes are tracing every curve of your face, a subtle pass that you did not capture quickly enough. 
“Only ones that fix my toilets.”
And then, he kisses you. It happens so quickly, that you don’t fully grasp that it’s happening until you're molding your lips into his. Once your buzzed brain picks up the fact that the man you have been crushing on is kissing you, he pulls away. Your eyes are still closed, your hands still gripping onto your wine glass. 
He huffs loudly and stands up quickly. Once you place your eyes on him, he’s pacing around the back deck stairs, not too far from where you’re sitting. You instantly bite back the urge to ask him what’s wrong, because there’s always something wrong. 
“‘M sorry, sweetheart. I should’na done that.”
He instantly regretted it. The thought made your throat tighten. He continues to walk back and forth, causing a draft. 
“It’s fine, Joel. I’m n-not mad.”
He shakes his head, halting his robot-like movements. He finally looks at your pitiful expression and lets out a long sigh. “I don’t think I’m much of a gentleman, kissing you on the first date.”
You watch as he places his hands on his hips, contemplating his whole life right before your eyes. You realize he is too traditional to see that nowadays, people are sleeping together on the first date. First base is nothing. You rest your glass on a decrepit table next to you and stand up. 
You slowly approach him, trying to catch a glance from him, but he continues to avert his eyes. You grow bold enough to tilt his chin towards you, letting your guard down for a moment. 
“You’re such a gentleman, it hurts,” you whisper, slowly letting a smirk grow across your face. The comment makes his shoulders lower, finally relaxing from such a heated moment. 
“Just don’t wanna mess this up with ya,” He murmurs, only letting you and the nearby fireflies hear you, “I enjoy spending time with you.”
You slowly lower your hand to your side, trying to act casually about the confession. But the truth is you want to run and wake up every cow and horse within a 10-mile radius with a squeal of delight. 
“I like spending time with you, too, Joel.”
He takes your hand as you say it, bringing your knuckles up to his lips. His breath is hot on the back of your hand before he says, “Well now, I quite like the sound of that."
taglist (some of y'all can't be tagged, I tried lol)
@midnightdragonzero @casssiopeia @anoverwhelmingdin @notsosecretspy @raindrcpsangel @art-estrange @misstokyo7love @lizzie-cakes @d1lf-loverrr @ashleyfilm 
@blckbrrybasket @cande-beggins @gloryekaterina @lilyevanstan1325 @frogtape @jamesdeerest @mellymbee @arrowsandanchor @polishedtaylor @harrieandharassed @ranahx @youwouldntdownloadapizza @jmillersgirl @wintersquirrel @stefanibear003 @joliettes @startsm00n @abbsfrommars @76bookworm76 @youotterbekiddingme @jodiswiftle
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appocalipse · 9 months ago
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summary: you were way too drunk last night and said some funny things...so, of course, steve had no other option but take you to his place to take care of you. :)
read part 1 here
˚ ༘✶ ⋆。˚ ⁀➷
Your head hurts.
Everything feels a little weird, in fact, but especially your head, spinning and throbbing and, when you try to pry your eyes open, the sudden harsh light streaming into the room feels like it's physically boring straight through your brain.
"Fuck," you whimper pitifully, eyes squeezing shut once more. Your ears are ringing, there's a coppery film lining the inside of your mouth and, for a terrible second, your stomach churns dangerously. "Fuck."
Someone hums somewhere near your right ear. A low, gravelly, vaguely amused sort of hum. There is absolutely nothing and no one alive on this green earth that would hum in that particular fashion except your best friend.
You peel your eyelids apart with great difficulty. When you tilt your head to the right, you see Steve sitting on the edge of the bed, gazing down at you with a soft look on his face.
Naturally, you proceed to freak the fuck out.
"Jesus Christ," you cry, scrambling backwards until you feel the back of your head slam against the headboard with a resounding thud. The dull throb in the back of your skull intensifies, and you have to fight back the urge to throw up. "Ow! Shit, I—What—what happened? Why are you in my—"
Hold on a second...this is not your room.
You cast an anxious, furtive glance around the unfamiliar setting of Steve Harrington's guest room. Panic floods your veins and has your heart hammering in your chest when you notice that you're clad in only one of his shirts and sweatpants that definitely don't belong to you.
Oh, Dear Lord.
Did something happen last night that you can't remember? Did something — oh, God, no.
Steve raises his eyebrows at you as though he can read your mind. "Relax. Nothing happened, relax, come back down," he coos gently, placing a placating hand on your arm. "And I...I didn't see anything, if that's what you're worried about. Nancy and Robin, uh...they helped you shower and get changed last night. Not me."
You cover your face with both hands, letting out a muffled groan as your memories come trickling back in. You don't remember every little detail from the previous night, but what you do remember is already more than enough to fill you with mortification and regret.
"...you said some pretty interesting things while you were drunk, though."
"Shut up," you mumble, peeking up at him through splayed fingers, "go away."
"Really, though," Steve continues, the teasing glint in his eyes a sure sign that he is very much enjoying your suffering, "who knew you found me so attractive?"
"Oh, Jesus," you mutter, groaning as you slide down to hide underneath the comforter, "where are my clothes? I want to leave now."
Steve snickers but makes no move to get up from his perch on the bed. You can hear the rustling of fabric, like he's adjusting his position as he waits for you to come out from under the blanket. "Clothes are in the wash, sorry," he says, sounding very much not sorry at all. "You, um, thought it was a good idea to lie down on the grass last night."
"Kill me now."
"Nope," he chirps, quite cheerfully so, "can't do that, because then who would watch Back to the Future with me tonight?"
You part the comforter just enough to peer up at him from beneath the thick layer of blanket.
"'Back to the Future'?" you echo, trying to ignore the fact that you feel a little lightheaded when Steve smiles down at you.
He looks nice. He always does, but even more so now for some reason — you're guessing it has something to do with the fact that you just woke up and haven't had the time to mentally prepare yourself for seeing him up close yet.
"Mmhmm. You up for it?"
"I'm pretty sure that my head is literally going to explode any time now." 
It's really not that bad anymore, but Steve doesn't need to know that, does he?
He nods seriously in agreement. "Right, because you drank way more than you should've last night. Might have mentioned something about rules and...mhmm, what was it? Oh, yes, dying if I didn't let you touch my hair…?"
"No, I didn't."
"You really did," he tells you, leaning back on the heels of his palms, "but don't worry, it was cute."
"I am very much worried," you say miserably.
Steve lets out a quiet sigh and leans forward again, hands reaching out to tug the blanket down far enough to uncover your face completely. "Come on," he says, "do you need anything? Aspirin, maybe? Food? Water?"
You consider his offer, taking the time to mull it over while you avoid his gaze. 
"Why did you bring me home with you?" you ask, curious despite yourself. "Why didn't you just take me home?"
"You, uh...really didn't want me to. Pretty much refused to let go of me all night."
"Steve."
"No, really!" he insists, holding both hands up in surrender. "It was like trying to pry a koala off a tree. You even asked—"
You let out a helpless moan of protest and turn away from him as much as you can, hiding your face in the pillow. Steve laughs, clearly delighted by the fact that he's managed to thoroughly embarrass you in less than ten minutes.
"You asked me if I—"
"I don't wanna know!"
"—would sleep in your bed with you."
"Nope," you whisper, your voice coming out a little garbled due to the way you've pressed your face into the pillows, "don't wanna hear it. Shut up, Steve, oh my God. Please."
"It was very adorable."
"I was drunk."
"Still. Cute."
You prop your head up on your elbow so that you can see him a little better, keeping the blanket held tightly around your shoulders as you do. "Sorry I called you. I don't even remember doing it, Tina just told me to and…sorry."
Steve looks down at his lap, shifting a little uncomfortably on the bed.
"I don't mind," he says, lifting his gaze up to meet yours briefly. "You said you missed me. At the party."
A dry, humorless chuckle leaves you and you cringe when the sudden motion sends a sharp pain lancing through your forehead. "Ow. Of course you would remember that," you say, cheeks heating up.
"Do you...remember everything?"
You blink, momentarily confused by the sudden change in conversation. "Everything?" you ask, more to buy yourself some time than anything else.
"You, um..." Steve trails off, clearly unsure of how to broach the topic with you, "you said I made you feel…stuff inside. That you felt stuff. Or something like that. Do you...remember saying that?"
You can practically feel all the color draining out of your face, leaving behind a blank canvas that hides none of your inner panic. 
"Uh...no, no, I don't. Do you have a...I need to, um, use your bathroom, like, right now, if you don't mind."
Steve blinks. "Oh, okay. Sure. I bought you a toothbrush earlier, by the way. It's in the medicine cabinet if...if you want."
"Yep," you say, climbing out from under the blanket with as much dignity as you can muster (which is very little), "yep, okay, thanks. I'm...gonna go do that. Now. Okay, bye."
You spend a good five minutes inside the bathroom splashing water in your face while silently wishing for death to come claim you sooner rather than later. Then, you brush your teeth with the toothbrush Steve left out for you — which is totally not cute, it's not cute, why did he do that, ugh, damn him — before venturing out into the hall.
"Steve?"
"Kitchen," he calls out from somewhere at the bottom of the stairs, "you want pancakes?"
You hesitate.
The idea of staying to have breakfast alone with Steve Harrington seems oddly intimate after last night, a dangerous prospect that will undoubtedly lead to awkward small talk and more teasing. However, he did go out of his way to buy you a toothbrush this morning...
You swallow down the nervousness you feel and pad barefoot down the staircase into the foyer, following the sounds of clinking utensils and soft humming to the kitchen.
Steve looks up from his place at the stove when you appear in the doorway.
"Hey," he greets, giving you a quick once over. "How's your head?"
"Feels like there's a little person in there hitting it repeatedly with a little hammer," you admit, grimacing a little as you come further into the room and sit down at the island. "Thanks, by the way. For helping me out last night. And today. I really am sorry for...um, you know, that."
"'That'?"
You purse your lips and Steve grins.
"Yes, that," you mutter, swiveling your seat from left to right while you watch him attempt to read a recipe on the back of a box of pancake mix. "Drunk me is like, twice as embarrassing as sober me."
"Embarrassing isn't the word I'd use."
"Please," you scoff, "I was pathetic. I could barely walk by myself."
Steve glances back at you. "I didn't think you were pathetic."
You raise an eyebrow at him skeptically.
"Okay, maybe a little pathetic," he concedes with a little snort, "but mostly just…sweet."
"Sweet?"
"Yeah, sweet. Don't know if anyone's ever told you that before."
"Sweet," you say again, the headache suddenly no more than an afterthought. "That's how you'd describe me?"
Steve, apparently having given up on making sense out of the instructions on the back of the box, turns around to lean against the counter behind him and studies you with his arms folded loosely over his chest.
"Yes," he says, tilting his head to the side a little. "Not the word you expected me to say?"
There's something about the way he's looking at you. It's warm and piercing all at once, like he can see right through you. It makes it hard for you to breathe all of a sudden, hard for you to do anything but gape at him like a goldfish that's been pulled out of water.
"Uh, I'm...confused."
"Me too," he admits with a little huff of laughter. "I was thinking about what you said."
"About your hair?"
"No, well, yeah, but—" Steve pauses, dragging a hand down his face with a weary sigh. "Look, what you said to me yesterday, about the things I make you feel, I—"
"I said I'm sorry—"
"Don't apologize," Steve interrupts, shooting you an unamused look, "I'm trying to say something here, come on, give me a sec."
"Right. Sorry. Go on."
"You're not supposed to apologize for apologizing."
"I'm s—okay, right. Mouth shut."
Steve purses his lips to stifle his amusement at your antics. You fold your arms in front of your chest and keep your gaze fixed firmly on the marble countertop as you wait for him to continue.
"I, uh," he says, pushing himself away from the counter so that he can wander over to the other side of the kitchen, where you sit, "I feel things too, you know. With you."
"Oh."
"Yeah," Steve chuckles, scrubbing a hand across the back of his neck as he stops beside you, "'Oh'. Weird, right?"
You'd like to, but can't think of anything clever to say that would serve as a suitable response. You don't think Steve's looking for one, anyway, because he reaches out to tap his fingers lightly on the back of your hand, taking a seat on the stool next to yours.
"S'weird, 'cause I don't know if you meant what you said when you were drunk, or if it was just the alcohol talking, or what."
You shake your head quickly, and then wince because of the way the headache thuds behind your right eye.
"Robin says I'm an idiot and should stop being such a chicken," he continues, with a slight roll of his eyes. "And Eddie says if I don't 'shut up and tell you how I feel soon', he'll do it for me."
You nod, smiling despite your hangover. "Eddie's, uh, got a point, no?"
"Maybe," Steve allows, rubbing absently at the side of his neck.
He lets his hands slide down to the legs of your stool, fingers curling around the metal of each side. You don't quite understand what he's doing until he gives them a light tug, jerking you closer to him without warning.
You let out a little shriek of surprise as you reach up to clutch onto the first solid thing your hands find — his forearms. 
"Ah! What—Steve!"
He's got an amused smile on his face, but his eyes are bright and nervous all at once. Steve pushes your stool even closer to him, until your knees knock against his own and he's forced to lean down to keep his eyes on you.
You hold his gaze steadily as he edges closer. "What are you doing?" you murmur, watching his eyes flit downward to track the movement of your tongue as it peeks out to wet your dry lips.
"Not sure yet," Steve hesitates when your lips are a hairsbreadth apart. He watches, half-dazed, half-entranced by the way you stare back at him, unblinking. "But I've got a theory."
"A theory?"
He lowers his head toward yours. You press your hands flat against the hard plane of his chest to steady yourself, fingers splaying over the soft material of his t-shirt as you curl them around the fabric. Steve exhales, and you can feel his breath on your skin, a soft tickle that raises the goosebumps all over your skin.
"Wanna hear it?"
You nod slowly, aware of the way his eyes darken as they trace your face. He's so close that you can make out the fine dusting of freckles and moles that litter his skin, the long fan of his lashes as they flutter to a close. If you moved even slightly, your lips would brush against his.
"What's your…your theory?" you whisper.
You can feel his heartbeat thudding in his chest as he releases his hold on your stool, lifts both hands up to cradle your face instead. He slides the tips of his fingers along the side of your neck, lets his thumb trace your jaw.
"I think," Steve says, and you can tell he's struggling to string two coherent words together when you feel his thumb quiver against your cheekbone. "I think that, uh, you're—Christ, I—"
His nose brushes against yours and you tilt your chin up instinctively, chasing the brief contact. You smirk. "Christ, you...?"
"Shut up," Steve huffs out a breathless laugh. "I'm getting to it."
"Are you?" you tease, wrapping your fingers around his wrist, your turn to pull him towards you gently.
Steve goes easily, moving his hand from your face to brace the back of your neck. "I think," he starts, eyes crinkling at the corners, "that I might be in love with you."
It's such an unforeseen, unexpected confession that your heart almost gives out in your chest. 
You gape up at him, at his crooked grin, at his rosy cheeks. "You think?"
He blinks and then squints down at you like he can't decide whether he wants to be annoyed at your antics or kiss you. You hope for the latter, but he says, "What're you, a parrot?"
Shrugging, you're unable to keep your lips from quirking into a grin of your own. "Rude."
Steve's head falls forward and he rests his forehead against yours. You can feel his pulse thundering wildly against the hand you've pressed flat against his chest, and it makes you feel a little better about your own pounding heart.
"M'sorry."
You smooth a hand over his shirt and hook a finger under the neckline. "Forgiven," you tell him.
"Good," Steve says, nudging his nose against yours playfully.
You want to say something else, maybe tease him about his hair or something equally as inconsequential, but he doesn't let you. Instead, he leans down and closes the distance between you with a slow, tentative press of his lips to yours.
Now, Steve's mouth is soft and warm, and he kisses you like he's got all the time in the world. You shiver when he drags his fingers up the back of your neck, tangling them in your hair so that he can pull you closer yet.
You only pull back when the need to breathe becomes too urgent, giggling at the little noise of protest he lets out as you do. But Steve is nothing if not persistent, and he pulls you back in almost immediately, the movement so abrupt that you nearly topple backwards off the stool.
"Steve—I..." you manage to say, between your giggles and the heated press of his lips against yours. "I still...need to breathe, mister."
He huffs out a little laugh against the side of your neck, nips at the sensitive skin in retaliation. You squeal in delight and jab him playfully in the stomach, laughing as he recoils in mock agony.
"Stop laughing," Steve complains, the warmth of his own laughter tickling the underside of your chin when he nuzzles his nose into your neck once more, "come on, you're ruining the moment."
"Wait," you breathe, right before his lips meet yours again, "so...no pancakes, then?"
He drops his forehead against your shoulder and shakes with quiet laughter."You," Steve mumbles into the side of your neck, "are something else, you know that?"
You grin. "Apparently, you like that. Love that...no?"
You can feel him smile, the stretch of his lips curving against the skin of your shoulder.
"Apparently...yeah, I do. I do."
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unclewaynemunson · 1 year ago
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@bigskyandthecoldgun made this very big-brained post about the perfect miscommunication potential of Eddie's heart monitor betraying his feelings for Steve while he's recovering. @mostrizzaward asked me to write it and how could I say no to that :D
The first time Steve sets foot in Eddie's hospital room is terrifying. Eddie is as pale as a dead man. He has dozens of wires attached to his body, that are connected to just as many machines and monitors displaying complicated graphs, all softly beeping at varying intervals. Everyone in the room talks in soft, grave voices and all the nurses and doctors have matching serious frowns on their faces.
But what seemed to be impossible happens on a dreary Wednesday afternoon in April: Eddie opens his eyes for the very first time since he passed out in Dustin's arms. Steve is at work when that happens, but rushes to the hospital as soon as he can, and suddenly Eddie's room seems a lot less terrifying than before. Because Eddie is grinning at him from his bed, even though he's still pale and weak. He's not only alive, he's awake. It's a goddamn miracle. His wide grin is familiar despite the big scar that has marred his cheek. Fuck, Steve doesn't think he'll ever be able to put into words how much he missed that smile.
Eddie rasps his name as a greeting and Steve comes closer to the bed. But then, something weird happens.
The machines around Eddie's bed are still beeping, but there's less of them now. The electronic symphony of noises has been reduced to a duet of two different beep patterns that are clearly distinguishable from each other. And one of them speeds up rapidly when Steve leans over the bed in an awkwardly angled attempt to give Eddie a hug.
“You okay?” Steve asks, worried. He wonders if he should call for a nurse.
“Yeah, man,” Eddie mumbles. His eyes flash towards the monitor in question for a second and a blush creeps over his white cheeks. He seems ill at ease; Steve can't quite put his finger on it but there's something weirdly awkward about the whole thing. He seems otherwise fine, though, so Steve decides no nurses will be necessary.
He clears his throat and takes a seat in the chair next to the bed. For a moment, he wonders why he's even here. They weren't exactly friends before all of this happened. It would be perfectly normal for Eddie not to want him around – and yet here he is, visiting him in the hospital like it's the most normal thing in the world. What is he even doing here?
But then, Eddie starts talking about how his uncle was with him when he woke up and gave him this book he's been wanting to buy for ages.
“He cried, Steve, I've never seen him cry in my life, but he was bawling, I'm not kidding!”
Despite his animated tone, Eddie's voice is still weak and his eyes keep falling shut even while he is talking. Steve knows that he shouldn't overstay his welcome and let Eddie rest, but he finds himself too captivated in how alive Eddie is, even though his whole presence – his loud voice, his broad arm gestures, his expressive face – seems a little bit toned down. So when Eddie tells him with a vague gesture to his nightstand that he tried to read his new book, but found himself too tired to focus properly, Steve finds himself proposing to read it to Eddie before he even realizes what he's doing.
And then the weird thing happens again. Eddie starts smiling at the exact same time the heart monitor accelerates.
Steve chooses to pretend like he doesn't notice. Instead, he takes the book from the nightstand and flips it open on the first page. He starts reading aloud, but he can't really keep his attention on the words that come out of his own mouth. He can't help but feel like he made a mistake. Is the heart monitor signaling to him that his presence is making Eddie uncomfortable? Shouldn't he have left Eddie alone to rest when he started getting tired? Why the hell did he ever think it'd be a good idea to read to him in the first place? He's never been a good reader, and certainly not a performer like Eddie. So he awkwardly stumbles his way through the words on the pages, in no way able to keep up with the complicated plot and no doubt failing spectacularly in the use of voices and appropriately ominous pauses and whatnot. Whenever he glances up from the pages, he finds Eddie leaning into his pillow with his eyes closed and a faint smile around his lips, only to find out he's lost track of where he was when he directs his attention back to the book in his hands.
It doesn't take long until Eddie's breathing becomes audibly deeper and evens out. Steve softly closes the book. He allows himself a few moments to do nothing but stare at Eddie's face and be grateful for the absence of a breathing tube between his lips, showing that he's only sleeping this time. Then, he gets up and tiptoes out of the room.
***
The weird thing with the heart monitor keeps happening every time Steve visits Eddie. It happens when he greets him, when he starts reading to him, and especially whenever he helps him adjust his position in the bed he's still chained to. Every time they touch, every time Steve gets close to him in any way, like clockwork. And every time, it's paired with some kind of physical reaction on Eddie's part: a blush on his cheeks, a somewhat forced chuckle, or sometimes even a badly concealed flinch, away from where Steve's hands are touching Eddie.
Steve pretends not to notice it, for Eddie's sake, but it can only happen so many times before he has to face the clear and obvious truth here: his presence is making Eddie extremely uncomfortable.
One part of it still doesn't make sense, though: Eddie actually asks him to read to him or to help him sit up or lie down again, and the next thing he knows, Eddie will suddenly be avoiding his gaze and that goddamn heart monitor will make it sound like Eddie is trying to break a sprint record instead of lounging in his bed, and he'll recoil from Steve's touch like he doesn't want his hands anywhere around him.
Steve muses over Eddie's odd behavior for days before he comes to the only logical conclusion: Eddie is actually repulsed by him and is too polite to tell him the truth. It's the only explanation that makes sense. It's just like what Steve realized so clearly that first time after Eddie woke up: they weren't friends before this, so why should they be now? Steve has no business being at his bedside all of a sudden, and Eddie doesn't have the heart to be mean to him and spell that out for him.
He can't even blame Eddie for it. For most of the time they've known each other, Steve was a major asshole, everybody knows that. Sure, they're twenty now and Steve has moved past high school stereotypes when he got close to Robin, but still... Those stereotypes made up everything about who they were, how they were perceived and who they interacted with for four whole years of their lives – six even, in Eddie's case. Eddie doesn't have any reason to want to let that go like Steve did.
He would never admit it to anyone, but the conclusion he reaches breaks Steve's heart: he should stay away from Eddie. Eddie has every right not to like having Steve around and Steve certainly doesn't want to add to his discomfort. He has been through enough, Steve wouldn't want to make this whole long and painful process of recovery even worse for Eddie by imposing his unwanted presence on him.
It doesn't matter that Steve has started to look forward to his hospital visits like they're the very best part of his week. It doesn't matter that Steve's heart starts racing for whole other reasons than Eddie's whenever they're close, whenever they're touching or whenever Eddie is smiling that beautiful smile of his. It doesn't matter that Steve wants nothing more than to keep reading to Eddie even though he still doesn't have a clue what that stupid book is about. None of it matters, because that's simply the price one has to pay for being an asshole and a bully in high school.
It doesn't matter, because there are way worse things than the guy you've developed feelings for secretly harboring a grudge against you. He still has Robin, he still has his little nerds, he even has Nancy back; as a friend, this time, which is honestly better than things ever were between them. He has the knowledge that Eddie survived and will be getting better with each passing day. Maybe he can start dating again, find a cute girl with blue eyes and blonde hair who doesn't remind him of the one person he can't be around, and it'll all be fine again. It doesn't matter.
Update: there's now a sequel post :D
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changbunnies · 2 months ago
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Moonstruck (18+)
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♡ Pairing: Changbin x Ghost Fem!Reader
♡ Genre: very loosely inspired by corpse bride, horror in a goofy + silly + fluffy sort of way, ghost / human relationship, love at first sight vibes, smut, takes place vaguely during a time where ppl still use landlines more predominantly than cellphones
♡ Word Count: 6.5k
♡ Summary: Changbin is a scaredy cat– and despite that, he likes to read to the deceased in the cemetery, likes to help the souls that may linger there feel less lonely, likes to let them know they aren’t forgotten. His poems of choice are sweet things, full of love and joy– and his utterances of true love stir you; a soul who died before knowing love, and who craves it even in death. And Changbin decides, then and there, that he wants to give you what you couldn’t have in life.
♡ Warnings: discussions about death ofc (reader is quite literally dead and a ghost lol), i thought making reader the ghost instead of bin would be a fun lil twist as that usually isn't the case in fics like these? just wanted to try somethin a lil different :')
♡ Smut Warnings: sweet + tender smut because i'm a yearner for bin first and foremost!, no intended dom/sub dynamics but i did write a lot of bin begging so :), pet names (baby, honey), exhibitionism, voyeurism, some nipple play, mutual masturbation while cuddling
♡ Notes: my kinktober opened up dark but we are returning to standard form with my precious sweet binnie!! i did originally have something dark planned for bin too but i scrapped it pretty early on cause it didn't feel right lol i couldn't do it!! also the poem binnie is reading at the beginning of the fic is "since feeling is first" by e.e. cummings!
♡ Disclaimer: please read responsibly, and remember that this work is fiction and meant strictly for imaginative fun. the idols used in fics are more accurately faceclaims and personality outlines for imaginary characters, and should not be interpreted as factual representations of existing people.
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Changbin curses the autumn sun for setting so early– why on earth is it already so dark at 6 o’clock?!
The full moon hangs over him, and gosh, he wishes he could've gotten here earlier in the day– maybe then he wouldn’t still be here, in the local cemetery at night, with nothing but his poem book in hand.
He wishes even more that he at least had a flashlight– but the batteries were drained in the one he has sitting in his car's glove box, and it's not like he can leave spares in there; that's dangerous! So all he can do now is keep turning in the moonlight, trying to get it to hit the page of his book just right so he can keep reading. 
Perhaps the reason he's here is silly, but Changbin fully believes in ghosts. Well, to be more precise, he thinks that there are many souls in the world, and that not every soul is here physically. 
Most souls, he thinks, depart for a better place when their flesh dies, but he also thinks there are many that don’t– many that stick around because there is something they still wish to do, or because they have someone they still wish to see. 
That’s what always brings him here when he can spare a moment from his busy life. Because he believes that if spirits do still linger in this world like he thinks they do, if they haven’t yet found peace and moved on, they must be lonely. 
It must be sad– to exist in the world you once knew, but be unable to interact with it the way you used to. For others to no longer be able to see you, touch you, or hear you.. He doesn’t want anyone, alive or otherwise, to feel forgotten or ignored. And if he can make a difference somehow, in whatever small and silly way it is, he’ll do it; because he’d want someone to do it for him. 
Naturally, he didn’t intend to still be here at night; he just got caught up at work, and arrived here later than he typically would. But still, he didn’t want to just turn around and go home– he promised last week that he’d come back today to read! 
And maybe ghosts, or spirits, or whatever you want to call them aren’t real; maybe he spends his time here reading to nothing and no one. But if there’s even a chance that someone can hear him, and who looks forward to the days he returns to keep them company, then he has to keep his promises. 
Still, he’d be lying if he said he isn’t more than a little freaked out right now. He’s been here during the day plenty of times, and you’d think that’d mean he wouldn’t be scared of the place at night, but oh, you’d be so sorely mistaken. 
He jumps every time the crisp, freshly fallen autumn leaves rustle from the wind, and from every shadow cast from the newly bare tree branches. He constantly glances over his shoulder, alerted from every small noise, whether it be an owl hooting or a cricket chirping.
And when a black cat appeared out of nowhere to bump against his leg, he let out the shrillest shriek before erupting into a fit of sneezes. He even jumped out of his skin from accidentally kicking a can while walking– and why is there litter in a cemetery anyways? Whoever left their trash here is so disrespectful! 
Suffice it to say, Changbin really wants to get out of here– but there’s only one more batch of graves he hasn’t read over yet, and he doesn’t want to skip them over. It wouldn’t feel fair to them, especially not if they're waiting for him– the last thing he wants to do is disappoint someone.
“H-Hi everyone! Changbinnie’s back to read again, uhm– s-sorry I came so late, I’ll still read to you like I promised! J-Just give me a sec,” he says, trying to temper the fear in his voice as he continues to adjust the position of his book in the moonlight. Finally, he finds the perfect position for the moon to make the words in his book clear, and for the shadow he himself casts to not obscure them.
He takes one more tentative glance around, takes a breath to settle his nerves before he clears his throat to start. And thankfully, the fear does naturally start to dissipate a bit as he reads– serves as a good enough distraction from his eerie surroundings. "Since feeling is first, who pays any attention to the syntax of things, will never wholly kiss you. Wholly to be a fool while–"
Changbin pauses when he hears an unfamiliar sound, goosebumps erupting all along his skin as he looks up from his book. It was a soft, light and airy sound– almost like a voice, though he’s certain it couldn’t have been; because when he looks around, he doesn't see anyone. He’s as alone as he’s been from the start; so he assumes he's just psyching himself out, mistaking the steadily blowing wind for something it isn’t. 
"Aish, it's nothing! Stop scaring yourself!" he whispers to himself before he continues to recite the words on the page. But he pauses yet again when he hears fallen leaves crinkle and a brittle tree branch snap just feet away from him. It spooks him good, it does– and he lets out an awkward laugh at himself when he realizes it was the black cat he saw earlier that made the sound; hopefully it keeps enough distance that he doesn't get the sneezes again.
Looking away from the cat that is currently working overtime to fray his nerves, he turns his attention back to his book. There's only a tiny bit of the poem left to go, and Changbin is confident he can get through it! No more being a scaredy cat over the little things, no more trembling breaths and anxious stutters– he can do this!
"The best gesture of my brain is less than your eyelids' flutter, which says we are for each other; then laugh, leaning back in my arms. For life's not a paragraph, and death, I think, is no parenthesis."
With a sigh of relief to be finished, he closes his book and prepares to bid the inhabitants of the cemetery, that may or may not actually exist, a pleasant goodbye; and a swear that he's never staying past sundown again. He’ll stay longer next time, he promises, but he has to go home before he loses his mind. 
He really hopes they do exist– he doesn't want to think he stuck around while scared out of his wits for no reason; he hopes someone heard him, and was comforted by his presence. And honestly, he thinks he deserves a pat on the back after all the trials he's gone through in the last 30 minutes!
And as he finishes tucking his poem book in his arm and looks up, he sees someone. Translucent, hazy, floating, just a few feet in front of him– he can see straight through them, can see all the dark trees and short, stone headstones that live in the ground that the figure should obscure were they physically here.
Changbin blinks, almost wanting to cartoonishly rub his eyes and slap his cheeks to make sure he's seeing properly and not losing his mind like he fears. What he does instead is shriek, positively jumps out of his skin once again as he drops his book and falls back on his behind from the fright.
He scrambles backwards, ducks behind a nearby headstone and brings a hand over his racing heart. He takes a few breaths, does his best to calm down before he slowly peeks out from behind the headstone to see if the figure is still there. 
He doesn't see anyone anymore– was he just seeing things? He has been really scared, so he doesn't think it impossible that his mind would start tricking him. But what if he really saw a ghost? The thought makes goosebumps rise on his skin again– God, he needs to go home already. 
"Hello? Can you hear me?" he hears a voice, airy and otherworldly, just behind him. His breath hitches, and hesitantly, slowly, he starts to turn toward the source of the voice. You float there, brows furrowed as you call to him, glowing ever so slightly in the palest shade of blue. 
A chill runs down his spine, and it's not just from how frightened he is– it's because cold air is quite literally radiating off of you. "Y-You– You're– You're a–" You're a ghost, he's trying to say, but the word catches in his throat. It doesn't help that his teeth are chattering now– he can even see his breath with every word he manages to choke out.
And yes, he already thought ghosts were real– the whole reason he comes here to comfort spirits is because he believes in them! But he’s never actually seen one before, nor heard their disembodied voices calling to him. And now that it’s actually happening, he doesn’t know what to do with himself. 
“You can hear me! I knew it! You can see me too, can’t you?” you exclaim joyously, clapping your hands together in utter delight. You’re less transparent than before, your form less blurry– but you don’t look solid either. If he stuck his hand out to touch you, he’s sure it’d pass right through you. 
He swallows as he watches you dart side to side in your glee, the motions so smooth it’s unnatural. You look around his age, he thinks, though it’s impossible for him to tell exactly how old you are– or rather, were. Your hair is wispy, floats around you in a way reminiscent of being underwater; your long dress does too, light and delicate in appearance. 
“I’m sorry for scaring you, Changbin,” you tell him earnestly as you float down to his eye level, “I didn’t mean to, I just got so excited you could finally hear me– I'm so happy!” 
“You��� you know my name?” Changbin questions, bewildered– honestly, he feels like he’s going to pass out. “Of course I do! You come here every week to read to me,” you reply with a giggle, as if the idea that you wouldn’t know his name is a silly one.
“O-Oh, right, yeah, of course, that makes sense,” he mutters. He’s still shocked, but he’s not as scared as before, and he manages to relax just a little. “You, uhm– you listen to me read often then..?” he follows up hesitantly; and it’s probably such a silly question, but you’ll have to forgive him because he’s never had a conversation with a ghost before. 
“Yes! I love when you come to visit and read your poems, it always makes me happy,” you tell him, adjusting your position so you’re sitting down with him– though you aren’t actually sitting on the dirt like he is, but levitating off the ground.
You introduce yourself after that, smile happily when he repeats it, because it’s been oh so long since someone said your name. “If you’re always here, why couldn’t I see you before?” Changbin can’t help but ask after, because now that the fear is dissipating he’s full of questions he wants to ask you.
“Well, the conditions have to be right! You can’t see me when it’s bright out, and you never stay 'til dark. And now I know why, scaredy cat,” you tease him, giggling when he pouts and huffs. You honestly find it endearing that someone as seemingly strong as Changbin is so easily frightened by little things.
“Hey, you’d be scared too!” he complains, though he can’t help but smile as you keep giggling at him. He never expected to befriend a ghost, but you’re obviously a kind spirit, and your delight to be talking to him is evident. And now that he’s over the shock and the fear, and really looks at you, he thinks you’re pretty too– beautiful, even. 
Is that strange? Maybe; but you are still a person at the end of the day. You float, you’re a little transparent, you glow pale blue and cold air surrounds you, but you’re still a person.
And at the same time, he can’t help but feel sad too– death comes for everyone, he knows, but it feels unfair that someone like you is already gone from this world. Someone as young, kind, and beautiful as you should’ve lived a long, full life.
“You need to have strong emotions to manifest, y’know? And the moon helps– when it's full like this, it gives me more energy than I usually have,” you continue to explain when your giggling subsides, and Changbin hums contemplatively, thinking for a moment before he responds.
“You have strong emotions then? Something that keeps you here?” It makes sense that you would– as far as he knows, strong emotions are the only things tethering spirits to the physical world; so if you’re not at rest, it has to be because there’s something within you that feels unresolved, something you needed or wanted but never obtained. 
Tentatively you nod, fiddling with your fingers and averting your gaze slightly. “I do, but.. It’s– it’s silly,” you mumble, and Changbin’s previous lighthearted, curious expression shifts, suddenly turning serious as he gazes at you with a slight frown.
“If it mattered to you– if it still matters to you, it’s not silly,” he says, and the sincerity in which he says it would make your heart race if you were still alive. If you’re being entirely honest, you’re in love with Changbin– and that’s part of the problem.
When you were alive, all you’d ever wanted was love– to meet someone that knocked you off your feet with just a glance, someone sweet, sincere, and tender. Someone that you could marry someday, maybe start a family with while living together in a quaint little idyllic house. 
But that never happened– and the sense of despair and unfulfillment you felt from having your dreams taken away from you are what kept you here. You didn’t know what to do when you realized what happened to you– spent your days wailing in frustration and sadness to the few other spirits inhabiting the cemetery with you over the unfair circumstances. 
What were you supposed to do? How were you supposed to find peace and move on? Maybe the only way would be to learn to accept it– accept that your dreams would never come true, and just let them go. You didn’t want to, but if you kept holding onto them, who knows when you’d finally move on from this world? 
And around the same time you were grappling with such thoughts and feelings is when you first saw Changbin, who came to the cemetery for no reason other than to give you and the other inhabitants some company. And he wasn’t talking only to you, but it always felt like he was– like every word that left his lips was entirely for you alone. 
“I’m here for you, you’re not alone as long as Changbin is here,” “This poem is my favorite, I hope you like it too,” “Did you have a good day today? It’s okay if you didn’t– Binnie’ll hopefully make it better!” 
That’s all it took, really– and suddenly, you weren’t bound to this world because you never knew love; you were bound to this world because you felt it too much. You love him; not just because of his sweet personality, but every little detail about him– from the swoop and curl of his hair, to his chubby cheeks, to his cute, pretty and pouty lips. 
And you long to kiss him, but Changbin is alive, and you very much aren’t anymore– and there’s no way he’ll fall in love with a ghost. Still, you believe him when he says that what binds you here isn’t silly– or that he won’t think so, at least. 
“It’s just.. Well, I can’t have what I want, I know I can’t, but I still want it anyways; like, even though I should just let it go, I can’t bring myself to. I think that’s why I’m still here,” you tell him, deciding it’s best to keep your desires down to their vaguest parts.
Changbin is sweet, and he looks at you with so much care that you’re certain he’d be understanding and sympathetic, but it’s probably for the best that you don’t pour your heart out beyond that. 
“Is there really no way for you to have what you want? If there’s anything I can do to help, you can tell me! I’d do my best,” he expresses sincerely, and though you can’t physically cry anymore, it almost makes you feel like you will. He’s just too sweet, you can’t take it.
“M-Maybe, but I wouldn’t ask for it,” you reply, and his brows furrow a little. “Why not? You don’t have to tell me if you really don’t want to, but I hope you know that I mean it when I say I'd be happy to help you," Changbin says, smile so patient, gentle and sweet that it if you were still alive, your cheeks would definitely be heating up right now. 
Should you give it a shot? What's the worst that could happen? You're already dead, so it's not like you can die from embarrassment if he shuts you down. The worst he can say is no– and that would be okay too, because maybe with his rejection you'd finally be able to let go of what keeps you here.
“You could.. kiss me?” you say after a moment of hesitation, and Changbin almost squeaks from how surprised he is, blinks at you with the cutest flustered expression you’ve ever seen.
“Th-That’s– that’s what you want?” he stutters out, and even in the low light of the moon, you can tell he’s blushing, the soft pink spreading over his cheeks and crawling up to the tips of his ears.
“It’s– it’s what I wanted when I was alive. To kiss someone I love, I mean,” you answer, and it gets Changbin’s heart racing. Not just that someone as pretty as you, ghost or not, wants to kiss him, but the implication that you love him that definitely wasn’t missed by him. 
“It was the poems, wasn’t it?” he says with a bashful little downturned smile a moment later, and you laugh, in your delightfully light and airy way as you nod. “They helped. But really, I just think you’re very cute– and very sweet.”
It’s a little strange, being complimented like this by a ghost, and learning that said ghost has very deep rooted feelings for him– but he likes it. And maybe it’s a little unorthodox, but he’d be happy to give you what you want; especially if it will help you find peace.
“I’ll kiss you,” he tells you, and it’s not because he feels obligated, or like he should– it’s because, believe it or not, he sincerely wants to. He thinks you're pretty, you're sweet and earnest, and you love him– so who cares if you're a ghost; why shouldn't he kiss you?
“A-Are you sure? You really don’t have to,” you assure him, and Changbin smiles at you as he nods, entirely certain. “I know I don’t have to. I want to kiss you.” Your spiritual heart soars and burns with joy– and slowly, timidly, you return his smile before you float your way closer to him, and reach your hand out to touch his cheek.
He doesn’t feel your touch, not really– just the cold that pours from you. Regardless, he closes his eyes for you, purses his lips and slightly tilts his head the way he would if he were kissing anyone else. And again, he doesn’t feel your lips, but the cold– that is, until the feeling suddenly starts to become fuller. 
Slowly, he can begin to feel the way your hand rests on his cheek, can feel your lips slotted against his. He can feel your other hand resting on his chest, right over his heart, can feel the weight of your body on his lap, and he shivers– not because of the cold, but because he can actually feel you now.
Instinctively, he moves his hands to try and touch you– and is pleasantly surprised to find he can. His hands don’t phase through you like he thought they would earlier– he can feel you under his fingertips, as if you’re just as corporeal as he himself is. And so he holds you close, kisses you slow and sweet, over and over until he’s out of breath. 
“You’re still here,” he can’t help but whisper when he pulls away; he half expected you to dissipate the moment you got what you wanted, though he’s not sure if that’s actually how it's supposed to work. And he’s left with a strange feeling– on one hand, he’s sad for you because he really did want to help you move on. On the other hand, he likes that you’re still here, that he can still see you and feel you. 
In reality, you feel like his kiss tethered you even more to the physical world. You’re the happiest you’ve ever been, and instead of it giving you the peace you needed to move on, it bound you here stronger. You're filled with a strong desire to remain here, to be with Changbin, and you feel that it has made you manifest more than you’d ever been able to before. 
You’ve tried many times before, but have never been able to manifest yourself this much; to the point that not only could you be seen and heard, but felt– and whether it’s because the full moon is helping, or because Changbin’s kiss gave you more energy and purpose, or a mix of both, you’re happy.
“I think I like you too much to move on.” you tell him, and he giggles as he squeezes you closer, his nose scrunching cutely whilst he hugs you. 
“I’m sorry– I feel like I shouldn’t be, but I’m happy you’re still here,” he says, and you shake your head, returning his smile as you share the sentiment. “I’m happy I’m still here too.” 
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It’s a bit strange, having a ghost for a partner. Sharing a kiss attached you to him; and no longer bound to your grave, but to Changbin himself, now you go wherever he goes. You don’t need to always be right on him, of course– but you do have to be close; and every time one of you steps too far out of that radius, you always end up snapping back to him. 
It’s a generous radius, really– you can go several miles before the invisible tether connecting you snaps you back to his side. It’s more than enough for you to exist in his house while he goes to work– and really, he’s happy to share his home with you; he’s sure it beats staying in the cemetery all day, every day. 
And even when he can’t see you, whether because the sun is too bright in the sky or because you don’t have enough energy to manifest that day, he can feel you– and you make yourself known in little ways. His house is always cold now, but it’s especially cold when you’re nearby. You flicker his lights and turn his tv screen to static to get his attention, or leave a message in the steam from his hot showers on the mirror. 
He’ll get a phantom phone call to his landline, where all that exists on the other line is static– but even if he can’t hear it, he’s sure at that moment you’re saying something sweet. And while he's mostly used to these occurrences now, he'll still jump when he hears a sudden noise before he remembers it’s you; a tapping on the wood of his bed frame, usually– 8 knocks meant to signify “I love you.”
Nights of the full moon are always when you can manifest yourself the fullest and easiest, and you both take full advantage of the time you have before you eventually start to become hazy and transparent again. Tonight is one of those nights; the moon hanging high, bright and beautiful, illuminating his dark room in the same pretty, pale blue that glows off you. 
“Baby, please–! You’re so cold, warn me first!” Changbin cries when you first touch him. He already knows you’re not going to waste any time in getting to touch him when you first manifest, but the chill that radiates off you still jolts him every time.
“You’re just so warm,” you muse happily as you snake your limbs around him, sap him for all the warmth he’s worth under his fluffy comforter, “my big teddy bear.” He huffs, but smiles as he does– he can’t actually be upset with you, after all. 
“You should let me take your warmth anyways– you were so mean, ignoring me all day,” you pout as you snuggle into him, burying your head in the warm crook of his neck.
“Hey, hey! Don’t say that, that’s not fair! You know I couldn’t see you!” he wails dramatically, and you have to make an effort not to giggle, bury your face further into him so he can’t see you smiling.
Of course, you know it’s not his fault in the slightest that he couldn’t see your or hear you earlier today, but you still like to tease him over it just a little– his reactions to it are always so cute. “So mean,” you repeat, your voice muffled by his sweater.
He knows that you’re doing it to get a rise out of him, and you know that he knows. But he likes doing this with you– it’s silly fun, and he loves the precious smile that spreads on your face when he plays along and inevitably dotes on you while begging for your forgiveness.
“Aigoo, my baby is really upset. Guess Binnie just has to make it up to you, huh?” he says, and you lift your head just enough to peek an eye at him. “Tell Changbinnie what you want, he’ll give it to you. He’s really sorry,” he entices you further, and the cute smile he was expecting and loves so much makes its full appearance.
“Want a kiss,” you say, pursing your lips at him in that cute duck shape as you wait for him to comply. He tries to coo at you, but it comes out more like a giggle before he’s lifting his head from the pillow to kiss you, tender and sweet.
“Do you forgive me now?” he asks when he pulls away, and you hum as you pretend to think about it. “Mm, I don’t know. I think I might need another one to decide.”
Changbin fully laughs then, shakes his head and mutters something about you being cute before he kisses you again. He shifts onto his side as he kisses you, making it easier for you to tangle your legs with his. He hisses when your cold toes touch the backs of warm calves, and you giggle an apology, though he knows you’re not actually sorry about it at all.
You always tell him how much you love his warmth, and how it radiates from every inch of him. And he’ll pout and shout, half-heartedly complain when you surprise him by touching him with your cold digits, simply because he knows it makes you laugh; you both know that in reality, he’s happy to be your personal heater.
He shivers when you snake your hands under his sweater; your hands aren’t as cold as they were when you first touched him anymore, but it’s still enough for goosebumps to follow the path of your fingers– or maybe he just has goosebumps because he likes you touching him.
Changbin gasps when you brush over his peaking, puffy nipples, and you take that moment to slip your tongue into this mouth. He moans when you pinch them between your fingers, tweak and twist just enough to have him squirming.
“Honey,” he breathes in a near whine when you pull away from him to kiss over his jaw, and the scar that sits on his chin, while your fingers continue to play with his body. 
“I missed you,” you speak against his skin as you press kisses along his neck, “I heard you earlier– saw you touching yourself in the shower. I wanted you so bad, but I couldn’t do anything about it.” He whimpers at that, squeezes you where his hand rests on your waist. 
Naturally, the fact that you can hear him and see him even when he can’t see or hear you always exists in the back of his mind. Every time he starts to touch himself, it’s something he considers– and he even likes it; likes knowing you’re there, watching and listening.
“I’m sorry, couldn’t help it,” he whines an apology, though he knows he doesn’t have to. You’ve both talked about it, of course– how you like watching him, and how he likes being watched in turn. There’s something naughty about it, and it always leaves him feeling extra desired and sexy when you later tell him what you saw, how much you want him because of it. 
And when he feels a sudden chill run along his body and down the length of his spine, is hit with the inexplicable sensation of being watched, he knows it’s you. It always fuels him, makes him fist his cock faster and run his mouth, hoping you like everything he’s spilling. 
Really, it’s no wonder that you always jump his bones the minute you can. Changbin thinks he’d go insane if the situation were the opposite; if he could see you touching yourself, could hear every little noise of pleasure you release, and not be able to join no matter how bad he wanted to. He’s already desperate for more intimacy with you as is– he doesn’t think he’d be able to take it. 
“Can you do it again? Touch yourself with me right here?” you ask him, and he can’t help the way his face flushes as you continue, “I want you to see me watching you this time.” You can feel the way his heart thumps in response to your request, how it picks up speed ever so slightly before he answers. “Y-Yeah, I can– I can do that for you, honey.”
You meant it when you said you like watching Changbin get off. You like watching his honeyed skin slowly take on more and more pink as he strokes his cock. You like watching his broad chest puff out, his stomach clench, his toned arms flex with every motion he makes.
You like watching the sweat build on his brow, and like to listen to his moans become more breathy and whiny as he gets closer and closer to release. And though Changbin isn’t naked now, you’ll still enjoy watching all the same; because he's beautiful, and handsome, and so utterly perfect when he's feeling good.
He reaches between your bodies, manages to get his pajama pants and underwear down just enough to release his still hardening cock from their confines. He bites his lip as he takes the short length in his hand, looks down at himself as he strokes it slowly before looking back at you.
There’s still enough lingering sensitivity from before that he squirms more than usual, but that’s not all there is to it– it's your attentive stare, the way you gaze into his eyes as he moans before you trail them away to watch him stroke himself, and back again. And you’re so close, body so tangled with his, that his fist keeps bumping into your thigh with each pump of his cock. 
Changbin keens when you kiss him, so affectionate and tender that it makes his head spin. You can feel his thighs twitch as he starts to stroke himself faster, and you pull away to watch for a few moments before you tilt your head back up to kiss him again. He's fully hard now, dripping pre-cum so steadily that the glide of his hand becomes slick and effortless.
He whimpers when you pinch his nipples again, parts his lips so you can slip your tongue back into his mouth. His breathing becomes steadily harsher and uneven, his every moan and whimper muffled by your lips against his. He brings his other hand to your ass, squeezes it as he pulls you even closer to his body, as if the fact that you're not already mere inches apart with your limbs tangled together is enough for him.
And truly, he can't get enough of having you close like this. The way you kiss him, touch him, look at him, all while he’s stroking his cock for you– it really does something to him; makes him feel so good and so desired that he swears he could cum purely from the intimacy of it alone.
“You too, please?” Changbin pleads in a breathy exhale the next time you pull back from kissing him, “Please, want to watch you too.”
“Yeah? You want to watch me?” you smile, almost giggle from the eager nod and the whiny, desperate “please, want it so bad,” he gives in response. You’re sweet to your Binnie, oblige him in an instant, and he watches with eager eyes and bated breath as you dip your hand between your bodies.
Even with your dress already hiked all the way up your thighs, you’re so closely pressed to him that he can’t get a clear sight of your pussy; but watching your hand will be enough of a view for him. He'll be able to tell what you're doing, and that's all he really needs.  
All you can reach while this close and tangled together with Changbin is your clit, and he watches you shudder at the first bit of stimulation to it from your fingers. He mimics what you’d done– alternates between watching your face and your hand, and God, every time your eyes meet again it takes his breath away. 
It’s not the same as if you had a physical body like his– your face doesn’t flush, you don't sweat from exertion, and you don’t grow breathless the way he does, but you feel the pleasure all the same. He can tell from the furrow of your brow, the tremble of your body, and the bite of your lip as you gaze at him.
And you're so pretty, face so close to his that your foreheads touch, that his every breath tickles you. "Oh my god, baby–" he whimpers when you start to moan with him, picking up the pace of your hand when he does, matching his speed.
It makes him dizzy– because when he closes his eyes, he can pretend he’s inside you; pretend that the sloppy, squelching sounds his fist creates are from your pussy instead. He can pretend that when you moan and whimper, it’s because he's stretching you out perfectly and hitting your spot just right. 
He holds your gaze when he opens his eyes again, completely stops watching the motion of your fingers between your legs so he can strictly observe you, take in your pretty face and how you look when you're feeling good with him. It’s intimate, staring at you like this; it makes him squeeze his cock tighter, the motion of his fist quickly becoming erratic as he drives himself closer to release. 
“Does it– do you feel good?” Changbin asks, because even though he knows, he still wants to hear you say it. “Do you like this? Tell me– please tell me.” 
“Feels so good, Binnie, love this, love you so much– you can’t see it, but I always touch myself with you like this, always make myself cum watching you,” you tell him, and he whimpers from your admission, high-pitched and squeaky. 
“Oh, ‘m so close– will you cum with me? Please, need you to cum with me,” Changbin whines and pleads, every inch of his body trembling as he tries to hold his orgasm back long enough to hear your answer. 
“I will, ‘m gonna cum for you, Binnie, just for you,” you promise, reaching your free hand out to cup his face, keeping your eyes locked with his as you watch each other unravel. Your paces are frantic now, bodies bucking together with every combined motion of your hands between your tangled legs. 
You lean forward to kiss him just as your high takes you, and it sends him right over the edge with you, eyes rolling back before they flutter closed. Noises of pleasure muffled by each other’s lips, his hips jolt as his cum spills over his fist, onto your thighs and the hand you have nestled between them. 
He’s sure some of it got on his comforter too, but he doesn’t care– he just keeps kissing you as he comes down from his high, because despite how breathless he is, it's all he wants to do. “I love you so much,” he tells you after another sweet kiss, and you smile at him, tell him you love him too as you wipe the sweat sticking his curly hair to his forehead away. 
You stay like that the rest of the night; tangled together, hugging each other close and kissing tenderly until Changbin’s fatigue prevents him from doing so any longer. He falls asleep like that, holding you to his body as much as he can; and even when your physical form starts to dissipate with the rising of the sun, you stay right against him.
When he wakes in the morning, he can’t see you anymore, but he knows you’re there. He tells you he loves you, and he smiles when you reply with your 8 little knocks to his bed frame. He talks to you throughout his morning, as he always does, because even if he can’t see you, he knows you’re listening. 
And when he decides to go back to the cemetery to read to the other spirits that still linger there, as he promised them he would, you go with him. He saves your grave for last, and you watch as he puts flowers on your headstone before he settles in to read to you; and even when he can’t see you because the sun is just too bright, he can feel you there, sitting next to him and listening to his poems. 
When he’s finished reading, he’ll feel a sudden touch of cold on his cheek, and he’ll know it’s from you kissing him. He’ll smile, place his hand over the spot and tell you again that he loves you. And when Changbin returns home, and the light of the moon helps you manifest again, he’ll kiss you all over and squeeze you tight, with a million promises of forever on his lips.
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marys2ndson · 5 months ago
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hunting fucking sucks: a fic rec list
I just love when their lives suck not because they’re vessels for archangels or whatever, but just because their job is the worst. thankless, dangerous, morally ambiguous, leaving them injured and dirty and bone-tired. i <3 whump
Due East by sowell (4,700 words)
Just hunts and angst and them, together. Love the characterization. 
“I think I like you injured. Less bitchy,” Dean says with a smile, and Sam blinks at him. / “What?” / “You think I haven’t noticed you sulking for two days straight?”
Hard to Come By by sevenfists (1,700 words)
Hunting, driving around, sleeping in shitty motels. Making difficult choices, dealing with hard realities. 
"You don't smoke," Sam says, and Dean says, "What's it look like I'm doing?" The cigarette tastes like ass. He smokes it anyway, tapping the ash out the open window. It's August. Sam turns up the air conditioning. Dean turns it back down.
Below Breath by kalliel (3,100 words)
Season 2, case fic. Love the complete lack of exposition. You’re just thrown into it on Dean’s terms, and everything is complicated and difficult and unknown. 
Dude, he says, and shoves you in the back with his shotgun. You resist the urge to turn around and smack him with it. Or kiss him, all teeth. See how much he’s paying attention then. 
Every Rhyme Without Reason by kalliel (44,800 words) 
Season 1, case fic, Sam POV. Fascinating and atmospheric and a tough read bc Sam’s life is very uphill at this point, but he’s so present, wrestling and grappling with it. Love him. <3
Maybe they killed that rawhead, released that reaper, slashed that bax'aan's throat. Maybe they'll kill this thing in Rime. But this is what's gonna get them: They have $127.34, four more nights, half a tank of gas, and some cold leftovers to their name. Out here, there's nowhere to go but down; and even then, they're going to have to limp.
With Gravy by kalliel (3,700 words)
Vague season 2. A hunt gone wrong. Slim chances of survival, complete darkness, pain, and heroism. 
The tunnel stretches on and on, and all Dean hears is their footsteps getting heavier, sloppier. One kid cries. The woman cries. The man's leg doesn't quite clear some jutting rocks, and he weeps.
The Real Thing by ameliacareful (14,200 words)
Jensen wakes up in a motel room in Dean’s place. So outsider POV. That thing about the third trial, about Tom and Shep… Kill me. 
“Are you doing that on purpose?” / “What?” / “Sounding like him?” / “A little. Does it work?” Jensen asked. / Sam did that funny little flicker of a smile/grimace that Jared only did as Sam. “Yeah, it does.” His gaze hardened. “Don’t do it again.” / Sam was suddenly very big. Armed. / “Gotcha,” Jensen said.
Catch Your Death by road_rhythm (22,300 words)
They work a ghost hunt while Sam’s sick. This fucks severely! All their petty fights and their biases and bickering really get the spotlight they deserve, as well as the fact that they just really love and care about each other. Feels exactly like a really good ep of s2. And takes up some of the interesting Sam issues as well.
It was this, every time. Sam lashed out and Dean came back with impenetrable patience and washcloths and medicine and touch and one day it would be his life. And there was no answering back to that.
my habit of breaking hearts as soon as i have them by acccording2thelore (6,600 words)
WARNING: major character death. 
A hunt gone wrong. Staggering grief and horror mixed with intimacy and connection. <3 
If he can just get to Garth, he can send up some of his people and help carry Sam to the base of the mountain. Dean won’t make it that far.
the blurriness of being alive by hathfrozen (3,500 words)
WARNING: major character death. 
Sam dies of an infection.
“They don’t get to grieve for him,” Dean tells Miracle when he decides he isn’t calling anybody to tell them. “They ain’t allowed. They don’t get it.” Dean’s had the worst things in the known universe leeching off of him, trying to turn him into evil, but this is the most rotten, meanest he’s ever felt. He doesn’t fucking care.
A Lifetime or Two by nigeltde (18,400 words)
They work a case with their mom; Sam gets banged up; they try something new. This fic feels so real and lived in. The familiarity between Sam and Dean, the way Sam feels left out, Sam’s quiet loneliness and enduring hope, Dean’s desperate affection. <3
Sam would say lucky it was just broken bones. Lucky nothing else cut too deep. Lucky his ear was intact. Dean gets lost, strung out, trying to calculate: if Sam had been concussed, would that still be good luck? If he’d lost the finger, should Dean be thankful? Where does it end, the tallying? Sam thrown through glass, dragged across pavement, tossed into a car, stitched up in this cramped doll’s house of a room, having to bluntly endure; this is what he’s supposed to be grateful for?
Settle Down My Shivered Bones by abitingsmile (4,800 words)
WARNING: disordered eating, food insecurity, and child neglect. 
Pre-series. John, unreliable and off hunting somewhere, and Sam and Dean, making it work with too little cash and too little food. Love this exact flavor of codependency, not sweet, but hard-earned and for survival. 
Sam still bickered with him about school and television and laundry, but not about food. Hell, he practically waited for Dean to give him permission to eat, because that way they knew there’d be enough. John or no, this was something incredibly important they could control, they could handle. John simply wasn’t in the loop anymore.
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meanbossart · 2 months ago
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re: Vellioth as the stepfather its interesting bc stepfathers n media (and irl but limiting myself to tropes here) hav the practical role and obligations we tend to ascribe to fathers ie providing money and protection and being the head of the household, but do not share a blood tie to the child in question. and it is seen as magnanimous for a man to "take on the duty" of providing ofr the children of the woman he's with, rather than duty. This shifts also means that implicitly the stepchild should be grateful for this new patriarch in their life, which is complicated because most often this stepfather occupies a place of control. In cazador's caze i feel like bc there was no father to speak of, his resentment of vellioth as The Stepfather had more to do with intruding and vying for attention from the woman they both love, rather than usurping the OG father. Come to think of it, having no experience with a father figure before vellioth probably made the shift to a patriarch that more jarring. And considering that he positions himself s the Father of his spawns, he probably modelled a lot on Vellioth (or in antithesis of).
ultimately velloith did what stepchildren often fear secretly most: intruding, appropriating, and evnetually the destruction of the family unit as it was
I might not have expressed myself super well in that reply- I was comparing Vellioth to a step father in the same way people loosely compare Cazador to a patriarch/abusive partner. I certainly didn't mean it to be literal - neither in the comic I referenced or in my personal headcanon (which are functionally identical) does Vellioth ever actually inhabit the role of a surrogate dad in Cazador's life. Rather, that is the perception that he's vaguely trying to sell to others to maintain the ruse.
I clear this up because I am (personally) not of the belief that Vellioth and Cazador ever had a relationship outside of the dynamics of master and slave, which might be a little more simple than you were hoping for, based on this ask (unless I'm misreading, in that case ignore me LOL)
But if we're speaking strictly in allegory - yes. Vellioth makes for a specially juicy satire of a step-father who intrudes, disrupts, and yet overvalues themselves for doing the least on the basis of being there by choice rather than obligation (keeping Cazador alive as a spawn when he could have just killed him off) but I don't think any part of him is doing that under the false pretense of charity - he only wants to keep Cazador around to hurt him, because that would hurt his mother.
(Something I also neglected to say is that in De Rerum Natura ((not spelled out in the comic explicitly, but stated so as a headcanon of the very smart and handsome author)) Cazador was never meant to become a vampire. That was a fate his mother very much did not want for him.)
And, perhaps, every vampire lord harbors a little self-destructive desire. If you don't invest a non-negligible amount of time and energy into making ONE particular guy super mad at you, who is ever going to finally put you out of your misery after all!
EITHER WAY this image you sent me is still very good and thank you for sending it LOL (art by @barbatusart)
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pessimisticpigeonsworld · 7 months ago
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I have mixed feelings about the decision to make Alicent and Criston romantically involved.
On one hand, I find it extremely satisfying. Alicent, who hated and berated Rhaenyra for cuckolding (with Laenor's full support) her gay husband, has been engaged in a long term affair. Like, if any more proof was needed for her insane hypocrisy, here it is. I also like that they actually followed through with young Alicent's implied attraction to Criston.
I think this also feels a bit more like book Alicent than anything else done with her character. Book Alicent was a hypocrite, she exploited her children, and attacked Rhaenyra for things that it was implied she herself did. Show Alicent trying to get Rhaenyra convicted of treason/adultery while simultaneously committing treason and adultery is the most in character decision they've made in season two.
However, I'm also just...so tired. Like, Condal hasn't been shy about making Alicent a hypocrite. He literally said he wrote her like a "woman for Trump". She's been hypocritical for almost all of season one, that's like the one consistent part of her character.
And yet, both the writers and fans continue to make excuses for Alicent. Despite the fact that Alicent was written to be hypocritical and in the wrong, she's still simultaneously made to appear right. No matter what she does: cheating on her husband, attempting to main/kill a child, attacking the heir, usurping Rhaenyra, Alicent is portrayed as a victim and therefore shouldn't be held accountable.
Basically, I know that no matter what Alicent does, no matter how shitty or hypocritical, she will still be treated as a hapless victim by the narrative and her fans. This information doesn't change the fact that HOTD still wants you to view Alicent as morally equal to Rhaenyra. They refuse to have her actually see the consequences of her actions because they themselves refuse to treat her as autonomous.
Edit:
So, I wrote this before the first episode aired, so back when Cole and Alicent's relationship were just a leak. That's why I'm kinda vague😂
So despite the fact that the two of them didn't sleep together while Viserys was alive (which I guess I am kinda glad they didn't do that), they still very much had an emotional affair. Alicent being a hypocrite still stands though, as she has now slept with a man out of wedlock, even if it wasn't adultery.
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