#I'm sure this is all the publisher's fault and not the author's

[dorothygale123]

Sorry I haven't been posting for a couple days, I'm sick and my throat both feels and sounds like a garbage disposal.

Anyway, what I wanted to talk about was a little warning to my fellow mythology nerds out there. I've been on a bit of a search for books on Chinese mythology lately for more research material, and some people may be familiar with the one I'm reading right now.

What you may not know is that this book

This book

And this book

Are all THE SAME BOOK.

And I mean that literally, they are the same book with the same stories and the same content, which was more than a little frustrating for me when I bought the second one thinking "Hey, new book!" only to realize it was the exact same as the one I had been reading and I needed to make a return.

Sigh.

Now you may prefer one book over the other aestheticly because of their covers or want hardcover over paperback or visa versa, but if you plan on getting one of these book make sure you get ONE. It's a good resource, but I have no idea what possesed the publisher to give it 3 different covers in print at the same time.

I'd like to make clear that if you're interested in Chinese mythology I do recommend this book, I just don't want anyone else to get tripped up like I did.

[emeryleewho]

Saw a fun little conversation on Threads but I don't have a Threads account, so I couldn't reply directly, but I sure can talk about it here!

I've been wanting to get into this for awhile, so here we go! First and foremost, I wanna say that "Emmaskies" here is really hitting the nail on the head despite having "no insider info". I don't want this post to be read as me shitting on trad pub editors or authors because that is fundamentally not what's happening.

Second, I want to say that this reply from Aaron Aceves is also spot on:

There are a lot of reviewers who think "I didn't enjoy this" means "no one edited this because if someone edited it, they would have made it something I like". As I talk about nonstop on this account, that is not a legitimate critique. However, as Aaron also mentions, rushed books are a thing that also happens.

As an author with 2 trad pub novels and 2 trad pub anthologies (all with HarperCollins, the 2nd largest trad publisher in the country), let me tell you that if you think books seem less edited lately, you are not making that up! It's true! Obviously, there are still a sizeable number of books that are being edited well, but something I was talking about before is that you can't really know that from picking it up. Unlike where you can generally tell an indie book will be poorly edited if the cover art is unprofessional or there are typoes all over the cover copy, trad is broken up into different departments, so even if editorial was too overworked to get a decent edit letter churned out, that doesn't mean marketing will be weak.

One person said that some publishers put more money into marketing than editorial and that's why this is happening, but I fundamentally disagree because many of these books that are getting rushed out are not getting a whole lot by way of marketing either! And I will say that I think most authors are afraid to admit if their book was rushed out or poorly edited because they don't want to sabotage their books, but guess what? I'm fucking shameless. Café Con Lychee was a rush job! That book was poorly edited! And it shows! Where Meet Cute Diary got 3 drafts from me and my beta readers, another 2 drafts with me and my agent, and then another 2 drafts with me and my editor, Café Con Lychee got a *single* concrete edit round with my editor after I turned in what was essentially a first draft. I had *three weeks* to rewrite the book before we went to copy edits. And the thing is, this wasn't my fault. I knew the book needed more work, but I wasn't allowed more time with it. My editor was so overworked, she was emailing me my edit letter at 1am. The publisher didn't care if the book was good, and then they were upset that its sales weren't as high at MCD's, but bffr. A book that doesn't live up to its potential is not going to sell at the same rate as one that does!

And this may sound like a fluke, but it's not. I'm not naming names because this is a deeply personal thing to share, but I have heard from *many* authors who were not happy with their second books. Not because they didn't love the story but because they felt so rushed either with their initial drafts or their edits that they didn't feel like it lived up to their potential. I also know of authors who demanded extra time because they knew their books weren't there yet only to face big backlash from their publisher or agent.

I literally cannot stress to you enough that publisher's *do not give a fuck* about how good their products are. If they can trick you into buying a poorly edited book with an AI cover that they undercut the author for, that is *better* than wasting time and money paying authors and editors to put together a quality product. And that's before we get into the blatant abuse that happens at these publishers and why there have been mass exoduses from Big 5 publishers lately.

There's also a problem where publishers do not value their experienced staff. They're laying off so many skilled, dedicated, long-term committed editors like their work never meant anything. And as someone who did freelance sensitivity reading for the Big 5, I can tell you that the way they treat freelancers is *also* abysmal. I was almost always given half the time I asked for and paid at less than *half* of my general going rate. Authors publishing out of their own pockets could afford my rate, but apparently multi-billion dollar corporations couldn't. Copy edits and proofreads are often handled by freelancers, meaning these are people who aren't familiar with the author's voice and often give feedback that doesn't account for that, plus they're not people who are gonna be as invested in the book, even before the bad payment and ridiculous timelines.

So, anyway, 1. go easy on authors and editors when you can. Most of us have 0 say in being in this position and authors who are in breech of their contract by refusing to turn in a book on time can face major legal and financial ramifications. 2. Know that this isn't in your head. If you disagree with the choices a book makes, that's probably just a disagreement, but if you feel like it had so much potential but just *didn't reach it*, that's likely because the author didn't have time to revise it or the editor didn't have time to give the sort of thorough edits it needed. 3. READ INDIE!!! Find the indie authors putting in the work the Big 5's won't do and support them! Stop counting on exploitative mega-corporations to do work they have no intention of doing.

Finally, to all my readers who read Café Con Lychee and loved it, thank you. I love y'all, and I appreciate y'all, and I really wish I'd been given the chance to give y'all the book you deserved. I hope I can make it up to you in 2025.

[aebinspa]

let's kill the romeo

PAIRING: ricky x y/n reader

GENRES: angst, fluff at the end, rude ricky but with a motive, fashion world!au, enemies to lovers that never been enemies, reader doesn't know his feelings, ricky has always been faithful, wendy (rv) is reader's best friend, wendy only did damage but at least she was hot, misunderstandings distance ricky and reader until in the final part everything is resolved for the best, second hand embarrassment

WORD COUNT: 4.4k

AUTHOR'S NOTE: english is not my first language! this story was born in my mind in one way but ended up becoming something else. i'm not happy with it, i wanted to delete it. i wrote it in many days, between one commitment and another, and I made it even worse. i hope that by publishing it someone can still appreciate it! :(

A last-minute black V-neck dress, heels borrowed from your best friend, and a vintage clutch your grandmother left you wouldn’t be enough to save you from the embarrassment of being at a party full of billionaires. It was all your best friend's fault, a famous ambassador for a luxury superbrand who had invited her to bring a companion. And when she asked you to come with her, you couldn't help but say yes; she was your only friend.

"Y/n, what's wrong?" your best friend asks you innocently. “It’s all too much…” “I know, but the party won’t last very long. A chat over there with the CEO of Dolce & Gabbana, an hour at the buffet, and everything will pass” “I don’t know anyone…” “I just saw a colleague of mine over there! I'm going to her!” The idea of rushing straight to the buffet and spending the entire party there seemed alright to you.

Having grabbed some snacks and established some rules with yourself such as “Don’t look men in the eye for too long”, “Don’t stare at other women’s clothes” and “Don’t drink too much alcohol”, you sat down on the first available chair to enviously watch all the beautiful women in the huge ballroom of the villa where the party was being held. How beautiful it must be to be so tall and slender.

After an hour of contemplation you realized that you had completely lost sight of your best friend and, huffing loudly stressed by the situation, you thanked the first waiter you found and took two glasses of wine to drink. With a heavy step, you headed towards a door that had caught your attention. The door was all dressed up in shiny gold, making it look super fancy. Laurel leaves wrapped around the edges, also in gold, adding a nice touch to the whole thing. It stood out and made the entrance feel special, catching the attention of anyone who walked by. How tacky.

After looking around to make sure no one could see you, you tried to gently open the door, which turned out to be open to your great surprise. Inside, in a small room with a velvet sofa in the center, paintings were displayed on the walls, which—even though you were no expert in the field—seemed strangely familiar and extremely expensive.

“This painting by Monet is particularly mesmerizing, isn't it?” You almost jumped in the air with fright and the glasses - previously in your hands - fell to the ground and broke, and the terribly expensive wine ended up spilling all over the imposing figure who had whispered in your ear a second before. “Oh God I'm sorry, are you okay?” Even though you were trying to dry the Valentino tuxedo he was wearing with your hands, the boy didn’t seem to be upset and kept his posture straight. “Do you have any idea how much it costs?” he asked, looking you up and down. “No?”

The blond ran his hand furiously through his hair. Tall, handsome, blond, definitely rich, and, the cherry on top, unbearable. Why me? “Can I pay for the laundry?” “That wouldn’t solve anything” I have two pennies in my account, there’s not much I can do, idiot. “Well then I'll go” You didn't even realize it, but the boy stood in front of the door to block the exit.

“You’re not leaving. You have two problems to solve.” “Which ones, your majesty?” you asked with your eyebrow raised. A cheap dandy didn't scare you. “First, the shards of the glasses you broke. Second, my fine tuxedo" “I can't take the glasses in my hands, I risk dying, you know how it is,” the look he gave you to intimidate you was of little use “And then, speaking of your cheap tuxedo, I offered to pay for your laundry but you refused!" “In no world can someone repay a Valentino jacket and pants with a machine wash?”

Oh, if only you could have hit him, but everything in there could have been traced back to you. From the fingerprints on the door to the fingerprints on the glasses. “There’s a way.” “Let’s hear the bullshit, little prince.” I’ll leave as soon as you say it, asshole. “Work for me. A week as my secretary will be enough for you to pay me back the suit" The satisfied smile that appeared on the blond's face as soon as he saw your mouth open in amazement was not a pretty sight to see.

“How… what… You’re crazy. I’m leaving” You didn’t even have time to turn around before the boy grabbed your arm and forced you to turn and face him. “Leave me alone” “It costs six thousand euros” “What?” “My suit” “Ah”

Maybe it would have been better to mind your own business from the beginning. Maybe it would have been better to eat everything on the buffet: it would have cost you less. This time you felt guilty. “I… I’m sorry, I don’t have the money to pay you back, so, let me go” “No, as soon as you step foot out of this room I’ll go tell the CEO everything. We are great friends and, well, colleagues.” He flashes another of his annoying little smiles.

“Who cares, I don't owe you anything except laundry and a clean shirt” “You owe me a week as my assistant, otherwise it won't be you who will be affected, but those you know” "Excuse me?" “You’re not a model and you don’t work in the luxury fashion industry. You must have accompanied someone. It only takes me two seconds to find out who brought you here and you’ll see what a guy like me can do, besides buying a luxury suit” Now you were in real trouble. Getting your best friend involved meant ending up on the list of shitty friends to quickly forget about.

“Threats are illegal and you're threatening me. I will work for you for a week, but you dare use that tone with me again, just once, and I will make your life hell” It must have been the bloodshot look you were giving him or the way your hands were shaking as you said it, but the boy, faced with such a scene, responded by laughing. “Then I’ll see you on Monday. Give me your number, and I’ll have the company secretary contact you” “Okay” What a situation. It would have been better to binge myself to death.

“Your name?” “What?” “What’s your name?” he asked you again, adding a raised eyebrow to his already rude tone of voice. “Y/n” “Nice to meet you, I’m Ricky and I work as a modeler for Valentino.” The handshake you shared was colder than the weather at the top of Mount Everest.

“You're late” “No one pays me to arrive early” “I'm paying you” “So you're paying me with money that I'll use to pay you back? Brilliant” “You’re giving me your time, honey. Don’t forget that” Not only were you dressed head to toe in clothes that cost more than you’d ever earned in your life, but you were wearing the highest, most uncomfortable heels you’d ever tried on.

Ricky led you to his desk, from which you could keep an eye on both his office - or creative lab, as he called it - and the main entrance. The little prince wanted to know everything that was happening nearby. A thud brought you back to reality. Ricky had just slammed a countless pile of folders and loose papers onto your desk.

“What should I do with them?” “They’re sketches, divide them by collection. You’ll find the collection written on the back, I don’t expect you to be able to recognize a common theme” Too bad I can’t spit in your face, idiot. You replied with a fake smile and watched him walk away. If only he didn't have this bad temper, he wouldn't even be so bad to look at. The work you had to do wasn't that boring after all. While you spent your time shuffling papers, you saw a considerable number of people coming and going: men and women who in turn were full of sketches, and fabrics and were sweating coldly at the mere thought of being late. This Ricky must be quite important. The only things you understood were that your boss was a huge asshole and that he worked relentlessly. At closing time, while everyone was leaving, the blond one still seemed intent on continuing to work for more hours. As the very responsible secretary you were, you couldn't allow your boss to reach a point of no return and so you set off to open the door that led to his office.

Another woman opened it quicker than you. You didn’t realize it and neither did Ricky. Panic took over your body because you had just broken the first rule: don’t let anyone in who isn’t on the list. That woman was not only not on the list, but she was the only one circled in red as “the only person who should never enter my office”

“Shen Quanrui, you poor bastard, answer my calls instead of pretending nothing happened!” the beautiful woman who stood in front of the blond shouted, visibly angry, and from behind you noticed that she had an incredible back. Oh, Ricky… Why do you have all these beautiful women around you?

The blond looked away from the woman who was yelling at him, whispering, “You idiot, why did you let her in?” You responded with a frown. “Ricky, why do you have a new secretary after firing me not even a week ago? “Because I needed one.” “Then why did you fire me and make me look incompetent?” Scream after scream, but seeing Ricky suffer from earaches because of another one made you particularly happy.

“I have no intention of marrying you, you know that, so, I don’t want to have any more contact with you” “I don’t give a shit Ricky, your father said you have to marry me and you will” “I’m not my father” “But your father is the head of this company and the one you owe everything you have now! You will lose everything if you don’t marry me and stop being a child” The woman looked at you and the other with contempt before slamming the door shut and yelling a “Fuck you!” in the hallway.

You started to look intently at Ricky who, overcome by despair, let himself fall with all his weight on his desk chair. “Why does it always have to end like this?” he ran a hand through his hair. “Do you need something to drink?” You asked worried. I even have the nerve to worry about someone who treated me like a doormat. “Actually yes, let's go have a drink Y/n” “Ah yes sure sure. You and me having a drink together. Nice joke" “I'll pay” “Okay, you win, prince of my boots”

“So you're the son of the big boss and I'm just a poor bitch you picked up at the last minute to save your ass after firing your very loyal, money-loving secretary who your father decided you should marry? Well, The Bold and the Beautiful is a cheap soap opera in comparison!” A stifled chuckle escaped the mouth of your, albeit unpleasant, attractive boss.

“All the women in my life have ended up the same way. They met me, maybe fell in love with me a few times, and then my father somehow convinced them to marry me.” “If your father came to me begging me to marry you for a few million euros, I’m sure I would make the same decision as your ex-secretary and the women your father somehow convinced to be part of your life.” Another giggle.

“You know Y/n, I’m not that much of an asshole” “You all say that. Yet you threatened me and forced me to work for you” “I was desperate, I should have explained everything to you right away” Maybe in his heart, Ricky was sorry for everything. Those eyes with which he looked at you showed much more than he had shown you in those few moments spent together.

“I watched you all night at my dad’s party and laughed out loud watching you twiddle food and glasses of wine in your hands. You were a real fish out of water” This time it was your mouth that let out a giggle. “It wasn’t really my place” “Apparently not. But it’s not my place either. I want to do fashion and as soon as I can I’ll leave my dad’s company and start my own” “You dream big, I’ve never been able to do that” “It’s the first time I’ve said it out loud” “It’s the alcohol, Ricky” “Or maybe it’s you, Y/n”

When the feeling of saying too much hit you both, Ricky was the first to move and asked for the bill, and you broke the eerie silence that had been created. “I’ll do this week and disappear from your life. No marriage and no second-class woman in your life. I’ll finish what I have to finish and I’ll pay you back. You’ll go back to your life” “It seems fair”

You walked out the pub's front door but didn’t even say goodbye. The cold hit your face and forced you to wake up from that dream you thought you were living. Who knows how Ricky must have felt every time a woman in his life showed she was more interested in his father’s money than in him? “Well, treat me well” “What?” “I won’t let you treat me like an idiot anymore. Change your ways. Don’t put up a barrier. Don’t worry, I’ll never say yes to your father” “Um…” “Then it seems to me that your father has only chosen great hotties to be your wife, I’m out of category”

Maybe the alcohol had gone to both of your heads, but you forgot about the terrible encounter you had two days before. "I like you" "Good to know" God, why did I become red?

Four days later you and Ricky still hadn't decided to exchange a word. You continued to work and so did he, just at a different pace. Being ignored was the worst feeling you could ever have in your life and you knew it. Your phone screen lit up: your best friend had just texted you asking to meet up. After asking Ricky’s permission to take your lunch break early, you went to a coffee shop near the facility where you worked to meet up with Wendy.

“My love! I haven’t heard from you and I thought the worst!” Wendy entered the venue with great enthusiasm and everyone turned to look at her. “I’ve been busy, now I’ll tell you everything” Wendy’s face, your best friend, changed several times during your story of the events that had happened in the last period; you told her how everything had started because of that party and how you had ended up working for an unpleasant blond who had turned out to be a misunderstood softie.

“Shen Quanrui? Wait, I’ve heard that name before” “He introduced himself to me as Ricky and then this girl came screaming and calling him Shen Quanrui, I told you.” “Oh my God” “What?” “That Shen Quanrui”

You looked into each other’s eyes for a few seconds before screaming “Ahhh” together. The only difference was that you screamed in terror. “That Shen Quanrui who studied fashion and design…” Wendy went to take the orders at the counter and sat back down. “Let’s recap,” Wendy took a breath; “the famous Ricky from Valentino is that Shen Quanrui who you fell in love with during college when the three of us did that school project. Except that his father got in the way when he saw us going out together and then offered you, a woman in love, some money to get you away from his son and you didn't accept, convinced that you wanted to declare yourself the next day" “Yes, then what went wrong? I never accepted that money!” Even though the cafeteria was full of people, the silence between you and Wendy became more and more insistent.

“Wendy?” “I accepted that money. And I also took a job at Dolce & Gabbana. I didn’t- I didn’t think it would go this way. Then, well, Ricky disappeared, I think he went to America” “He disappeared because you accepted the money instead of talking to him! You sold your, no, our friendship for something worth much less” “I’m sorry. You know I would never do that now”

Anger coursed through your body. But it didn’t seem right to scold your friend for something she had done in the past. It had already happened. You knew full well that now she would never have the courage to do it again.

“I need to talk to him, but he continues to ignore me” “I could help you” “What are you going to do, Wendy?” Maybe she had too much courage.

It was Sunday, the final day. Wendy was ready to put her plan into action, by hook or by crook. "Good morning, Ricky" "Um" As cold as ever. You heard footsteps in the hallway. It’s time. The door to your office opened, revealing your best friend on the other side in a black suit that hugged her body beautifully. “Did you make it?” “The janitor seems to have a thing for me” Wendy showed you the key and smiled widely, telling you that she would give you an hour and no more. You nodded your head and thanked her. Now it was your turn.

“Ricky, how much longer do you have?” “Five minutes” You opened the door to his lab and looked out. “Do you want to have a drink?” “I don’t like the drunk version of me” Oh, I think so.

You looked at him better one more time. When you were in college he had black hair and a thinner face, and he was definitely less athletic. Now he was tall, blond and he looked at you with those two black puddles of his as if he wanted to bite your heart out.

“Why didn’t you tell me?” “What?” “That it was you”

Ricky seemed to understand and tried to leave the room. “Don’t try that” “Y/n”

Ricky read your desire to clarify in your gaze and with a huff he leaned on the table where he kept all his sketches scattered. “Tell me what you have to tell me, Y/n” “It took me a while but I remembered” Ricky let out a nervous laugh. “And now that you understand, what do you want me to do with this information?”

The no longer handsome black-haired boy who bewitched you at university walked towards the exit door that connected your office and his study to the corridor but soon realized that it was blocked. "Give me an hour, please" "As you wish"

Sitting on the floor, between a pout and a snort from Ricky and tense looks from you, you told your boss for a week how the situation had evolved over the years until your fateful meeting. The boy didn't miss any opportunity to remind you that having a best friend who couldn't use her head hadn't helped your life.

"How much longer?" "Fifteen minutes… Sorry" "That idiot Wendy should be the one to apologize"

Even though you had spent the last thirty minutes finding one way or another to justify your actions of the last few years, in Ricky's eyes you didn't see the understanding you wanted to see; there was an even higher barrier separating you.

"You haven't forgiven me?" you asked, trying to look him in the eyes. "What should I forgive you for? If you forgot me it means you wanted to and if you didn’t realize who I was despite my hair color then I didn’t mean much to you. I may have just been a college crush for you, but you meant, you still mean a lot to me” Was he wrong? No. You had changed, he had changed, but Ricky’s feelings had remained the same for all these years and you had been shaken by a life that had never given you love.

“I… I don’t feel the same. I don’t even know if I’m capable of feeling the same for you, Ricky” “It’s not a tragedy, forget about me like you’ve done until now and everything will be fine” A click on the door lock made you both turn towards the bell: the hour had just ended.

Ricky was the first to get up and head towards the door. He waved to Wendy, who was lurking around the corner and turned to you one last time. “You’re fired.” You picked up your pace, passed Wendy, and, a meter away from the blond, you answered him without fear. “I’ll come back to show you that I haven’t forgotten about you. I’ve never forgotten about you. I may be different, but what was between you and me hasn’t even had time to blossom.” You couldn’t see Ricky’s expression after that last exchange. This was the last time you saw him. And then a year passed.

Life for you went on, for once since your parents had brought you into the world, in a whole new way: you dared to continue your studies in graphic design, now you went to the gym regularly and, even though you still found it boring, you went to high fashion parties with Wendy. What hadn't changed was how you felt about Ricky. You realized only after losing him that what you had felt while being with him for a week had brought out everything you had kept locked away in the drawer of your heart. Everywhere you saw a man as tall as him and with black hair your eyes lit up, only to turn off seconds after you realized they weren't Ricky.

It was during Wendy's birthday party that you heard two of her colleagues talking about the man you had been looking for incessantly for the past year “Shen Quanrui, how funny. I always called him Ricky and he always looked at me badly every time I did it” “Absurd, now he has opened his modeling agency and is looking for models for his first collection” “Oh I can't wait to go. When he worked for his father he made wonderful clothes” In a panic you threw yourself at the two girls who backed away in fear. “Where? When?” “Um… Tomorrow, at four in the afternoon in this area here” the young model handed you a flyer that oozed luxury from every pore. Your next move was decided and you weren't afraid to make it.

So you convinced yourself, but when the next afternoon you found yourself in the middle of all those very tall and beautiful models you almost felt sick. The girls who went first came back sweaty and agitated and shouted out loud that there was a stage outside and about fifty people ready to mock them. What wonderful news.

“Y/n, it’s your turn!” Holy shit. Anxiously, you asked the closest girl for some water and then walked towards the stage, with several giggles accompanying you. The light that blinded you did not allow you to see who and what was in front of you. Only when they threw the light lower, did a lump form in your throat.

Ricky was in front of you, his eyes wide in surprise and his hair black. An insignificant detail for anyone else in the room but not for you. You tried to get the lump in your throat down immediately, but someone with a rougher approach than yours took half the time. “Is she going to introduce herself or do we have to see her battered body?” “Give her time,” Ricky spoke.

It was enough to look into the raven-haired man's eyes to make the lump return to your throat. But that wasn’t what stopped you. The teary eyes were another obvious sign of uncertainty, but you bravely took air into your lungs and raised your voice as high as you could.

“I’m sure I love you. There is no longer anything that can make me say otherwise. I think I love.” The faces of everyone in the room took on various expressions and some began to whisper in the ears of their neighbors. You continued without fear this time.

“I love you, Shen Quanrui. I understood it when I hoped that every stupid middle-aged man had your face, I understood it when I went to see a stupid Monet exhibition hoping that you would whisper in my ear one more time and I understood it when…” Ricky was looking at you impassively.

“I understood it when you ran away to America the first time and I understood it when I was the one who left you the second time.” You were interrupted by a man in his sixties who angrily shouted at the guards to take you away.

“Stop everyone” And so it was. Ricky stood up and with that annoying but charming little smile, he pronounced his final sentence. “I found my muse. We’re done for today, sent all the girls home” Slowly and dazed by what had happened, the men and women inside the theater left. You and Ricky looked into each other’s eyes, alone in your intimacy. “I see that you haven’t changed, you’re always ready to make one disaster after another” “I see that you have changed, maybe that means that?”

“It means that I still love you Y/n. I’ve been waiting for you all this time” He held you in his arms and kissed you for the first time, knowing in his heart that it wouldn’t be the last. A thought crept into your mind. “Oh my god, what we do with your father?” “Y/n I have my own company and we are not Romeo and Juliet, there is no need to make a drama out of it” “Oh, so you are not my Romeo?” Ricky kissed you once more and you felt his smile grow bigger and bigger. He leaned in close to your ear and whispered seven sweet words to you. “I'll be everything you want, forever

[olderthannetfic]

https://olderthannetfic.tumblr.com/post/755884216959516672/someone-whose-fanfic-i-left-a-comment-on-is-angry

I'm just throwing out a slight assumption based on another fic that got added to TV tropes: The author mentioned getting a lot more hate and negativity after their fic was added to the TVT in the comment, like noticeably.

They explained in one of the comments to another why they had to mod lock the comments and the fic, and it was in an author's note in a new chapter they later removed. People who didn't like some of the side ships, and people who didn't like the main ships dynamic, started complaining and demanding random shit of the author. I think the AN explicitly mentioned threats and other explicitly threatening comments. It's not really a new that people coming from third parties to look at a fanfic seem to act like they're entitled to demand the author write exactly what they want or change parts of the fic, while they're consuming a story written for free.

Like, sure, you are publishing your story for any readers. But you can't deny that most fics never reach the popularity to become known outside their tag range, so most people aren't prepared nor do they expect to suddenly have to deal with people with absolutely zero interest in their writing, who're just there to insult you and your work coming in through third parties. It's kinda the same deal like with the Goodreads, you're writing for the fandom and for free, not to be put next to original works with much bigger audiences behind them and who're actually getting paid for their writing. And then recieving criticism as if the person had actually paid you.

As a fic writer the expectation is you write for fellow fans, your audience is a small part of fandom people who have interests at least partially aligning with your own. If you write original works, you write for anyone interested in what you have to offer and try to get a wider audience to get more sales and attention.

Side note: It often feels like people give writers a lot less breathing room when it comes to harassment, or having their works plastered into spaces they didn't agree to. Like, any writer complaining is told it's their own fault, and to shut up, and if they didn't want random people with no connection to the fandom or even ship to read it they shouldn't ever dare publish a fanfic ever. A writer mentioning being uncomfortable having their fanfiction plastered into spaces for professional works and with a high rate of unwanted criticism and some times really entitled trolls are expected to just "Suck it up, you knew the risk when you published your work." When they really didn't. How are you supposed to expect that amongst millions of fanfics, your little passion project is going to be shoved onto Goodreads as if it was some kinda professional publication? It also doesn't give the fanfic writers any benefits, AO3 is an archive, stats mean nothing, they're a bit of a vanity boost, but at large you don't get anything from having your work put into professional spaces, no recognition, no money, and you're forcibly held up to the standards or original fiction by entitled people. 🤷‍♀️ -Btw I know I'm a bit dramatic, and all that, but I still think it's weird how fanfic writers are some times held to standards of published original authors.

--

TV tropes is full of clowns from parts of fandom where a lot more so-called concrit of the "U suck" variety is the norm on top of the overall pattern of more eyeballs meaning more wankers.

[not-poignant]

Can I ask, why do you love BL romance better than het romance? What makes them better? I did not mean anything negative, and I know everyone have their own like and dislike but I want to know your thoughts....

Also what do you think that made Asian MLM (BL manga/manhwa/manhua/ danmei) romances better than western MLM romances?

Can I ask, why do you love BL romance better than het romance?

Because I had no choice for many years.

Because that choice was taken away from me by a homophobic, transphobic, queerphobic, acephobic society. So all the romances I read had to be heterosexual, all the romances I watched had to be heterosexual, all the romances I heard of had to be heterosexual.

Because I'm not heterosexual.

Because I never saw myself represented in any stories ever, for over about 20 years (queer stuff existed, but where I was situated in Perth, Western Australia, meant that I was not seeing it).

Because I was force-fed allonormative, heteronormative, heterosexual tropes, bullshit, toxicity, misogyny, patriarchal culture, rape culture and more, and because everyone assumed that was normal, which made me feel isolated, marginalised, alone, and bereft, and cut me out of knowing what a life could look like for myself, and made relationships harder, when you don't have the words or stories to latch onto.

People like me couldn't even be erased out of the media, we hardly existed in the media, and if we did, almost never under our real identities, and almost always having to pretend to be something we weren't, for many people who hated us, or wished we were dead, or simply didn't care about us at all.

So, when I finally got a choice, I made a choice.

And I do not want to read heterosexual content anymore, unless it's queer (like T4T). The only place I actually willingly consume heterosexual romantic content these days is like 80s and 90s and early 00s romantic comedies. It's the only thing I allow through my filter, because so many of them have a really strong bent of hurt/comfort in them, and it's rare to find movies that have this in general.

But yeah otherwise het is just not a thing I look for in fiction. Literally a squick. Literally reminds me of 20 years of oppression in the mass media. It's not inherently bad, it just wasn't good for me personally, to never have a choice.

So I made one :D And my life has been so much better for it. I'm never going back.

Also what do you think that made Asian MLM (BL manga/manhwa/manhua/ danmei) romances better than western MLM romances?

It's just better for me, anon! I find a lot of western published m/m (so not like m/m fanfiction which I still read) often feels stifled and too short for me, and the characterisation doesn't get as deep as I want it to get. I often can feel the rigidity of the novel structure on authors who are trying to rapid release, and the depth I'm looking for is rarely there. Sometimes that's what people want! Sometimes they don't know there's other options!

Sometimes that's true of some BL manga/manhua/manhwa etc. as well. Tbh it's probably true of a lot of it! Serial format doesn't always allow for depth either. But I find the visual format easier to read as well. If I reread western m/m it's almost always fanfiction. And tbh, I'm sure some amazing m/m was published last year, I just get tired of having to wade through it all to find something I like. It got to the point where I was reading like 60+ titles just to find one average read, and I gave up.

The recommendation systems for BL tend to be better and more on point for me, I find most people who recommend published m/m to me generally always miss the mark (which isn't their fault - I'm particular, there's a reason I write what I write - because I can't find it to read!!), but close friends like @morbidlizard who recommend BL to me almost always hit the mark!

I don't actually read much danmei, but mostly because I haven't had time to really sink my teeth into it. Aside from MXTX, I haven't explored much further.

But yeah, hope that helps! :D

[vladdyissues]

I need some advice. I really want to try my hand at writing pompep but I'm hesitant because I've written several fics in a different fandom and no one seems interested in them anymore. I'm so discouraged I've considered giving up writing altogether. What should I do?

The "success" of a fanfic is typically dependent on the following, in order of importance:

The size (popularity) of the fandom

The age of the fandom*

The popularity of whatever ships you're writing

The actual writing

*Naturally there are outliers like the Danny Phantom fandom, which went 19 years without any new canon media and was still incredibly popular.

Three out of four of these options are completely out of your control (because I believe our fandoms and ships choose us, not the other way around). Don't let yourself be discouraged by the capricious nature of popular culture.

You can be a master wordsmith with 20+ years' experience and writing degrees all over your wall, but if you're only writing rarepairs (100 works or fewer on AO3) with an unpopular trope for a teeny tiny fandom that saw its last heyday in 1988, it's going to be a lonely experience. It's not your fault, and it doesn't mean your works are worthless. All it means is fewer people are seeing them.

This is the formula for a "successful" fanfic:

Write for a popular fandom or ship

Self-advertise on other social media sites

Update regularly

But none of that matters if you aren't having fun. So here's my personal advice to you, anon:

Write for your own joy. Or sick amusement. We don't judge here. But do it because you want to. Don't force it out of a need for approval, validation, or engagement. None of those things is guaranteed to us when we publish something.

Talk about your work on other sites. Make it accessible. Post links and snippets and headcanons and "behind the scenes" stuff. Add a "comments and feedback welcome" line in your author's notes to encourage people to share their thoughts.

Tag often and tag correctly. If you're on AO3, try to use Canonical Tags (tags that are already in the system; these yield more favorable search results).

Become part of the community. Follow fellow fans, join a Discord server, reblog others' works, read their fics, leave comments. (You may already be doing this. If so, keep it up!) Mingle and enjoy yourself. Fandom is community. Elevating others also elevates you.

Update as often as you can, but be careful not to turn it into a chore. If working on a multi-chapter fic becomes an agony, take a break. The motivation will return. (This is where having friends really helps. You can share your writing woes and get unexpected morale boosts.)

Another tip: Try not to focus too much on the numbers. I'm guilty of this myself, and every time I catch myself getting a little too preoccupied with my hits-to-kudos ratio, I have to remind myself that it's not all about numbers. Multi-chapter works have especially poor HTK ratios because people re-read chapters but can only leave one (1) kudo.

Final tip: As with embarking on any new journey, it helps to know the landscape. Be sure to get your hands on all the canon material you can. (Then you can ignore it as you wish lol.)

Happy writing, anon! Best of luck to you 💗⭐🍀🌈🎈

[dutchlionlover]

GPDA post - financial transparency

okay something I wanted to talk about (because I work in finance and have first hand experience with a sports association) is the lack of transparency regarding the fines. this will probably get long so I'll put it under the cut.

so first of all let's start with how these associations work. they are a non-profit organization, therefore all the money they make should be put back into the association - meaning the owners cannot pay dividends. associations keep themselves afloat by receiving subsidies, by selling marketing and broadcast rights, and from fines and membership fees being paid. generally speaking these associations don't make profit, because they have more expenses than income.

the only financial report I could find of the FIA is the consolidated one which combines the French and the Swiss FIA results (though it does not really go in depth with the notes, and afaik, associations are required to publish their full financial statements publicly, but it might be different under Swiss law, under which the FIA is). the statements are audited, which, in theory, should make sure that everything in the books is accounted for, as for the 2022 and 2023 financial years the auditor issued an unqualified opinion, which means that they've found everything in compliance with the Swiss laws. I find it interesting that it's under Swiss law, but not surprising, considering what kinda money is being kept in Swiss banks. anyway.

fun fact: in 2021 and 2022, the financial result was a staggering 31.2 million EUR and a 15.2 million EUR loss, respectively. compared to that, in 2023 they achieved a 7.1 million EUR income. just based on a quick look, it's not because the operations turned profitable (they just got less loss-making), but because financial results and non-operating results got better. interestingly, non-operating management expenses decreased by 15 million EUR, which is pretty significant imo considering that's what they made in loss the previous year.

now onto the fines. fines should be accounted for between other income, however, other income is just one line on the income statement and I haven't found any breakdown, and I likely won't unless I somehow find the full financial statement and not whatever there's posted on the site. regardless, sadly, if these fines do get paid to members, there is absolutely no way to tell unless it's something extraordinarily obvious. one way I can see these being paid, and even these would be a red flag to me, is through subcontracting or consultancy fees, especially the latter. with these there is not really a good way to tell whether there's been actually a service behind them. auditors should be able to flag these, however I live in a country where there is definitely money being passed through sport associations and they get audited as well, so these might get overlooked, likely intentionally.

sports in general, and from what I've seen motorsports especially are a way to get money from one place to another without being too blatant. the accounting itself can get super messy, if it's paid in cash then it's even harder to trace, even if there's an invoice to go with it, if it's vague enough then the tax and financial authorities cannot find fault in it, and afaik you can make a contractual deal with the Swiss tax authorities regarding taxes (now idk if that applies to associations and companies as well or just to individual people).

in conclusion, I'm glad they called the lack of transparency out because it does damage not only the integrity, but also the reputation of the sport, and if there's any foul play that comes to light later on, it will be a very, very bad look on the FIA.

[thealiveshadow]

This is the letter Horikoshi wrote in the extras of Volume 39, it’s quite the interesting read:

«  As many of have already noticed, most chapters have become shorter. This is due to the speed at which I draw decreasing over the years and my schedule being a total mess. Because of that, I've been talking to the higher ups of the editorial department on a regular basis so that we can decide on the number of pages for each chapter in advance, allowing MHA to be included in the magazine. I know it's 100% my fault, but I always find myself thinking "if only I could draw a few more pages...!". I'm really self-centered, ain't I? How awful.

So they told me that chapter 395, "Built Upon The Joys of Others", would be 13 pages long. But, as you can see, it ended up with 15 pages. And that's thanks to Imamura-san, my editor. I made a 13 pages long first draft, but it was evident that I had to hinder the narrative for it to work. If I were a better author, maybe those 13 pages would have been enough... So, I took that first draft and handed it to Imamura-san, who read it and fell silent. After a while, he said: "...what if you added two more pages?"

An editor increasing the page count based on their personal opinion is considered a major taboo. After all, the magazine consists of many series and many chapters. But Imamura-san is a relatively younger editor, so maybe that's why. "Is that even possible?!", I asked, and his eyes lost their sparkle.

"Don't worry, I'm the only one who's going to get scolded. I liked this draft, but I think this chapter has the potential to be even better. So, I'm asking you to draw two more pages within the time limit. If the deadline comes and you haven't done it, it'll be a problem for everyone. What do you say, Horikoshi-san?"

His eyes were as black as a black hole. They were pits without any light. And that's how we managed to publish chapter 395 with 15 pages.

What I'm trying to say is that both Imamura-san and the editorial department are giving their all to make sure that MHA comes out in the best possible way. If it weren't for their efforts, maybe it wouldn't be possible for the serialization to continue. So I want to take this opportunity to thank them. Thank you very much.

And I want to send a message to everyone who's entering adulthood: meet your deadlines and avoid causing trouble for other people. Otherwise, their eyes will be filled with darkness.

(Come to think of it, I never managed to finish my summer vacation homework on time. I should have realized back then that I wasn't fit for life in society)»

Kouhei Horikoshi

All credits go to @RukasuMHA on Twitter for the translations, I take no credit at all for the text provided.

Here’s the original page:

[ghostinthegallery]

A Necron Reading Guide

For anyone who wants to experience the wonders of Warhammer 40K's incredibly dramatic undead robots from space, here are basically all the published books/stories, ranked into tiers:

Must Read:

The Infinite & The Divine- You've already read this one. If not, your friends and family and the whole internet have recommended it to you. Go read it. A skeleton robot archaeologist throat-punches a dinosaur in like...chapter 2. This is worth your time.

Twice Dead King: Ruin & Reign- duology, so read both books. Wonderfully tragic, all the epic Greek poetry vibes, necrons who need therapy but will never get it. Bring tissues.

Severed- Somehow the most wholesome relationship in all of 40K, plus some fun lore, but mostly we are here for feelings. Also bring tissues but for happy tears this time.

Once you are done and need more (aka the good short stories):

War in the Museum- More of Trazyn being Trazyn, what more can you want?

The Bleeding Stars- See above.

The Word of the Silent King- Szarekh is a weird dude, but it's definitely fun watching him screw with some space marines

Once you really need a fix and realize there's basically nothing else:

The Lords of Borsis- fun scheming political short story, but it misses some of the little touches that make a necron story feel like necrons to me. Not the author's fault, pretty sure at that point GW didn't know the necrons' lore either.

The Devourer- decent little novella featuring Anrakyr the Traveler, but he has to share a lot of page time with some random Blood Angels and a cryptek who does not matter. Not the most compelling of the bunch, but there are worse ways to spend an afternoon.

Don't bother even once your get desperate:

The Everliving Legion- short story anthology. Has Word of the Silent King and Lords of Borsis, so you can get it for those, but the rest of the stories are just humans fighting necrons or being scared of necrons and that is not really what I'm after. Let my necron books be about necrons pls.

Indomitus- don't. Just don't. The book is bad, even by GW standards. They will never explain what the Pariah Nexus thing was about and I have given up hope of ever getting answers.

[youuuimeanmee]

Noragami Final Chapter Thoughts

You know what? I'm used to it.

I'm used to have exceptionally well-written manga get cut off or deadline-d to finish at certain point of time (usually by the publisher's order) when the authors still have so, so, SO much more left to give, so in the end they have no choice but to rush the final chapter.

Shingeki no Kyojin, Promised Neverland, Nisekoi, other mangas I forgot to name. And this manga. For such a long-running series with deep lore, they all could use a special volume (200+ pages) as an epilogue, not a 45-pages speedrun of everyone's everafter. I wish more series could follow Mob Psycho's example. Some say Mob Pycho Season 3 is too long, it needs to be more compact etc, but I don't think so at all. I think it's perfect the way it is -- it's a fulfilling send-off for all the characters we love so much. I wish more series would get their ending like that, but what can I say about Japanese manga industry.

And there's also Adachitoka's health to consider too. In which case, I'd say they did their best, and I'm really thankful for them for being able to deliver this series safely.

In short, I already expected this chapter to be a speedrun. Because of that, my experience when I read this chapter is better than I expected.

Maybe because I've learned my lessons for not making theory too much, so I don't have certain expectations that'd cloud my judgement.

With no deep thoughts when reading, let's go dive in.

The PUNS it still gets me. Yukine's sister calling Haruki's name while watching a tree that blossoms in spring is 😭😭😭

Ayoo he can change to a dog still? My poor baby 😭

I guess this is his punishment for wrecking havoc in the human world and disturbing the Heaven? But like, he was clearly under the influence of trashdad?? He's not really at fault?? Is this author's message that we shouldn't justify his action just because we understood his reasons?? But still. That's too cruel for doing it for your own main character.

I know shinkis that were left behind by their master would retain their name after the master's death, but still. To think Izanami's power is still working on Yukine after the Kotonoha is destroyed. This is tragedy.

THE FLOWERSS IN YUKINE'S RESTING PLACEE AKSJJDBDKDJDJD

Daww that's nicee. Hiyori as an intern!

Damn, she really forgot everything. This is for the best though, she already died once when she got too close with the far shore; I'm already prepared for this much. Maybe Yato had finally severed her ties with him and that (along with the cpr) is what allowed Hiyori to return.

Wdym "intense cpr," it's more than intense. It's hella long too. Nobody could perform intense cpr for hours nonstop, unless that person is non-human.

Good to know Yato broke her ribs though, nice work!

Hiyori's missing notebook? Prob taken by Yato or something.

Dafuq. Move along with your "it's me!" wishy-boy. No. This time it's not you who kissed her. You were delirious in some random abandoned building in some random city when Hiyori was dying.

See, this is my nightmare. To have the real Fujisaki Koto as Hiyori's future love interest. Because I know for sure, for so long, that they could bonded with their out-of-body experience when they both lost their memory.

Sorry Koto, 'nothing against the real you, but your alter ego has kinda ruined your image.

Damn, Father's longing for Kaya runs deep in Koto's veins.

BAHAHA, Nice one Coophone. Or Yato. Or Yukine. Or whatever tf Hiyori's guardian is.

AWWW THE GODS ARE CARRYING HIYORI'S LEGACY TO HAVE A PICNIC TOGETHER 😭😭😭😭

Aww man I didn't see Nana. She'd love to have a picnic with both Bishamon and Arahabaki! Is it because she was infected with GGS, or is it simply her turn to watch over the house? I hope it's the latter.

I wish the Gods would talk more about Yato's miracles, including about Hiyori. She is literally the glue that help stick these guys together. Without her, they wouldn't even know about Father's Liberation ability.

Heck, forget about Yatori. I wanna hear the Gods reminscing about their situations & conditions after the incident. But alas.

Oh well. This is something I've learned to let go.

Woow Kunimi looks young! Does he finally have a vacation?? Lol

Ebisu's voice got deeper? He still looks like a baby to me. Is he a baby 12-yo?

It's real nice to see the 3 reincarnated gods! Though I coulnd't care less abt them,even tho i know they have main character energy

Oh. my God. TakeKiun is really sailingg Look at dem. Matching clothes and soft smiles and all dat shit 🥺🥺🥺

Um, okay. It's good and all that each mortal has their own version about what happened at that time, but like,

Weren't people DIED???

I thought many people died!! Getting slashed by Gods!! Why is it not covered on the national news-

(myb when Father's "nation" returned to the underworld, the souls who were lost were also returned to its vessel somehow?)

Nope, nevermind. Just don't think too deeply about it. Moving on.

BISHAAA it's good to see her in great health!

Though I really wanna know, how is her relationship with the Heaven and the other Gods after that fiasco, how she feels abt Father's defeat, etc--

NOPE. Don't thinkabout it. Just moveon.

Here I thought Yato was gonna get a reward from Amaterasu for slaying "something that doesn't belong on this Earth." Oh well. Guess Amaterasu is hella stingy like that.

Why Yukine seems like he got even smaller though. Is it the changing art style? He looks more baby than ever.

Wait, they got a whole proper room to sleep? Is this their old room in Kofuku's house?? I thought since Yukine is infected by GGS, Kofuku stayed the hell away from Yukine, but that doesn't seem like the case?

Maybe Kofuku-Daikoku are the one who abandoned the shop; leaving it for Yato and Yukine to stay in? We'll never know.

(Now where is Kofuku's new address, I need to know)

Since Yukine is infected by GGS and always in constant nightmare, I'd like to believe Kazuma is experiencing the same thing; in order to separate him from the rest of the clan, now Kazuma sleeps with Bishamon every night. Lucky bastard.

That is so touching of Yato for comforting his sobbing child every night, but I wish we got a glimpse of his reminisce with his now-gone Father.

Oh wooww the dude finally stopped playing around. I thought he didn't have the guts to cut Hiyori's ties, turns out he really cut itt. No wonder Hiyori forgot about him for 10 years.

(Though I don't think she forgot completely either. Yato might not be in her head anymore, but he's still in her heart)

Adachitoka-san. Are you trying to tell ME this teke-teke thing is way more viral than the mass of unnatural, unknown deaths???

Is it because there's no death at all???

*sighs.* Anyways.

Aww Nora is now staying at Iki's household, happier than ever 🥺

Oh so that's where Hiyori's notebook goes.

Wait, Iki household creeps Hiyori out? Why? Is it because she was traumatized by her grandma's death? (Does she even remember that?) Is it because she faintly remembered the way Nora broke her house's windows? Or is it because she could sense Nora's presence and it icks her? I hope it's not the latter ☹️

I'm happy Nora is finally a happy child, but, Yukine? What about my son Yukine, who is no longer a pure soul, who could no longer sleep peacefully every night. Where is Nora's apology for leading Yukine to Father huh? Where is her apology for (indirectly) turning Yukine into who he is today? I guess it happens off-screen, we'll never know.

OH WOWW THE PUNS' AT IT AGAIN

Wdym "the night has a scent."

"Night" is using the same kanji as Yato's name, 夜. She is remembering his smell from the nightt, peoplee

(The night when he kissed her prob)

The power of the match-matching ema hunged by Ookuninushi is really strong, huh. Hiyori managed to remember Yato again, despite her already-severed-ties with Yato.

(or maybe not. I guess their fate really IS intertwined, knowing their first meeting)

I kinda wish Hiyori would remember Yato much later, like, in her 40s when she already has kids on her own, but hey, the sooner she remembers him, the longer he'd stay on this Earth so I'd still consider it a win!

Tbh, a part of me don't want her to get involved with far shore like she did in the past, but a part of me also wants her to snuggle between Yato and Yukine's arms after her work hours end. Dilemma.

Now I need Hiyori's journey to become one hell of a rich doctor so she could build a proper shrine for Yato so she and her family could pray together every morning, because she claimed it's Yatogami who saved her life that day. She'd make dinner for Yato and Yukine and eat with them every evening while her family acknowledge it as her night-praying-time. She'd tell her family, her future husband, and her future children about the legend of Yato (she'd exaggerate it a lot) and the next thing she knows, Yato have already has a devoted followers. Oh, and she'd often visited Bisha's shrine, Kofuku's, Ebisu's, all gods associated with Yato.

That's it folks. I rarely do my thoughts about Noragami, but I do read it religiously regularly each month. This manga has already become my comfort manga no matter how angsty it is, so it's gonna be hard to part with it, after all this time. Maybe for next month I'm gonna restart from chapter 1, one chapter per month.

I do have to say though, usually when I read a series with unsatisfactory ending, it leaves a bad taste in mouth. Somehow this chapter don't feel like that at all. I don't know why. I still look at this chapter and all the previous ones with fondness.

I wanna dream that 1-2 years from now, Adachitoka would release a 200-pages of Noragami epilogue -- which I know it's impossible, but hey, let the girl dream. I'm also looking forward for the extra komas, if there's any.

It's been a good time with you all 🤗👋

[theladyofshalott1989]

Writer Interview Game

Thank you so much for tagging me @infernalrusalka! This was a lot of fun to reflect upon and type out. :)

No pressure tagging: @morelikeravenbore @ravenwind-75 @myokk @moongurl95 and honestly anyone else who wants to join in. I love reading about other writers' processes <3

When did you start writing?

Fanfic? When I was a young teen (roughly age 13/14). I wrote Star Wars (Anakin/Padme) fanfics on FanFiction.net.

Writing in general? When I was around 5. I used to "write books" (that is: take construction paper, bind it, and create little stories with pictures when I was bored at home, alone). Only child syndrome; am I right, or am I right? Haha.

Are there different themes or genres you enjoy reading than what you write?

I enjoy reading angst, but I don't (typically) write it. I also read a lot of published nonfiction for fun, but I hated writing essays in school. I was more of a creative writing gal.

Is there a writer you want to emulate or get compared to often?

You know, I've never actually thought about this, probably because I like to write for myself. I think it would be odd to be compared to another writer, even a famous one. I also read oodles, so it's difficult for me to choose an author I'd want to emulate. I suppose if I were forced at gunpoint to choose, I'd say John Steinbeck. He had a way with words; he turned phrases beautifully and his books have really stuck with me over the years, especially East of Eden.

Can you tell me a bit about your writing space?

My office, which my husband recently renovated for me. It's Hogwarts: Legacy themed, naturally. My husband is the best; he loves to encourage my "Sebastian and Damien delulu," my words, but he would definitely agree and approve. XD

What's your most effective way to muster up a muse?

Hmm, good question. I don't know if I have one actually, unless setting a writing schedule counts? I write every morning, rain or shine, for one hour before work. If I'm in the middle of writing a long-fic, I also write during my lunch break. I don't typically take days off either. So...I dunno? I do like to write while drinking coffee. Maybe that helps. Yes, let's say that.

Are there any recurring themes in your writing? Do they surprise you?

I tend to prefer writing morally gray characters that eventually have a redemption arc. Not sure what that says about me, but I don't mind it. Haha.

What is your reason for writing?

It's a type of therapy for me. It's the only time of the day that I get to myself. I work full-time and I'm a mom, and as thankful as I am for that, I have my own desires and passions outside of those two things that I don't want to lose. Writing is my way of keeping that part of myself alive.

Is there any specific comment or type of comment you find particularly motivating?

I love all types of comments, but I will worship the ground you walk upon if you're the kind of person who does reaction comments with quotes included. I try to comment this way too on other writers' fics to encourage more of this style of commenting because it's the best!

How do you want to be thought about by your readers?

If someone reads anything I've written and comes away with the sense of joy that I felt while writing it, I'd be absolutely thrilled.

What do you feel is your greatest strength as a writer?

I have a few that I'm proud of. Dialogue, particularly banter. Push-pull dynamics in relationships, especially in established ones. Morally gray characters. Foreshadowing and twists. I'll even it out by saying I'm not as confident in my description-writing abilities, which is partially my fault. I tend to skim descriptions in published books because they more often than not bore the hell out of me. LMAO. So...that's my bad. Interestingly, I really enjoy reading descriptions in fanfics, possibly because they tend to be more unique. Descriptions in published books are often very cookie-cutter and I feel like I've read them a million times before. Oh well.

How do you feel about your own writing?

Some days I love it, other days I think my writing is the worst, but I'm finding that's pretty normal when it comes to creators. We are very critical of our own work. I try to be kind to myself on days when I'm in a negative headspace because I know the feeling will pass. <3

[goodluckclove]

oh you'd like to embarrass yourself? yes? here's a dumb "question," but it comes with a challenge.

pretend two different flavors of cheez its are some really mean writers with some silly takes on writing, which one is better?

challenge? read what you're writing out loud to riley. pretend you're not crazy. do not offer an explanation for why.

This is a dangerous thing to ask me when I've had most of a Pina Colada.

Okay, so regular, original Cheese-It is very active on Booktok. At first you think that's a cool thing because it gets kids to read, and maybe at one point it was. But then you flash forward a short time and suddenly people are allowing a short-form video social media app to control a big chunk of trad pub culture. There are other faults, sure, but I don't need to get into those because it's not like a majority of people here have any respect for Booktok.

But then there's Tabasco Cheese-It. That's a spicer one. They believe it's not worth publishing at all, due to a variety of reasons. It's too risky. There's no audience. So they just release the whole thing online with no option for financial support and do very little to market it outside of a small circle.

I get it, spicy cracker. Marketing is hard. Social media is hard. The standards are constantly changing and there's a reason why people make careers out of this. It sucks that authors have to market themselves, spicy cracker. But you can't complain about that and also complain that no one is reading your stuff. That. There's a REASON why that's not happening, hot sauce cheese-it. It's a rough reason, but there's also a solution. And if you work it the right way it's actually not even a painful solution. Building relationships with collaborators and colleagues and friends online who can not only support and share your work, but create a community of art and insight, is actually very fun and cool.

I'm rambling. What was the question? I don't like either of them. I would prefer a Saltine. I would prefer maybe six Saltines.

Also I'm out of the house so I can't read this aloud to Riley but I did send them this:

They were not surprised. I think I say crazy shit to my wife on the daily so I don't think I could purposely make myself look more unhinged to them then I already am.

[madhatterbri]

Family Cook Out | C.C.

Summary: Christian roasts your family.

Author's Note: Just laugh yall.

Much thanks to @99hook for the idea. My favorite Hook girl to "argue" with.

To this day you still didn't know what you were thinking when you invited Christian to your family Cook Out. Your mother has met all your lovers and Christian shouldn't be any different. Sure he was older than you and wasn't the quiet guys you used to date but he loved you and you were sure he would love your family too.

"Please be on your best behavior," you pouted while looking at him. His face looked at you sternly. He wasn't sure when he wasn't on his best behavior. People didn't like to hear the truth. It wasn't his fault. If anything people should be thanking him. All the advice he gave people was free.

The two of you sat in the backyard. Your family greeting each other. They heard about Christian and were trying to avoid you as long as possible. One by one they cautiously approached you and one by one he cut them down.

Your police officer sister was the first to come up. She was used to dealing with asshole men. This guy couldn't possibly scare her. After a minute she walked away from him muttering.

"What? She made straight C's in school. Not everyone could have your brains, babe," he smiled and kissed your temple.

Christian's next victim was your cousin. He was a chiropractor and the only doctor in the family. You always enjoyed hyping him up. Your cousin embraced you.

"This is Joseph. Doctor Joseph Taylor. He is my cousin," you smiled widely. Christian smiled and looked at him. Maybe this guy could be worth a damn in this party.

"Well, hello. It's nice to meet you. What did you study in?"

"I'm a chiropractor,"

"Oh, honey, no. He isn't a doctor. You don't need a medical degree to be a doctor. Don't insult real doctors," Christian sighed and rubbed your cheek with his thumb. Your cousin's face turned red with anger. You gave him an apologetic look. He turned on his heel and walked away.

"Christian!" You chastised.

"What? He doesn't have a medical degree. He is not a doctor,"

The insults continued before lunch time. The Kindergarten teacher wasn't smart enough to teacher older kids. Christian talked down to her while discussing colors. The hair stylist that owned her own salon. She was bald. How could she possibly be any good? Your newspaper editing cousin wasn't any good with writing and that was why her book was never going to be published.

"Lunch time," your mother announced to the hungry crowd once she placed the last dish down on the waiting tables. Everyone formed a line to get their meal. You handed Christian a plate while serving yourselves.

"Look, they made poutine for you. My cousin wanted you to try it since he knows you are Canadian," you smiled and placed some on his plate. Christian looked at the food cautiously before taking a bite. His face scrunched before he spit the food on the ground.

"Christian!" You screeched. The food laid in a heap on the fresh cut grass. The ants started to come out to eat the meal.

"Oh no. The ants are going to die eating this. Do we have an animal doctor here? Get comfortable chiropractor. These ants need a real doctor," Christian announced while placing his plate on the buffet table. Your mom apologized and walked over to you.

"I'm sorry, mom. He's just really tired," you apologized. Your mother continued to apologize over her shoulder while ushering you two inside.

"Why don't you two have a nice date night? Show Christian the town, my love," she smiled with gritted teeth. You nodded and hugged her closely. Life working in AEW was hard and you wanted to soak up a little more time with her.

"You made the yard look amazing, mama. I can see why you opened your own lawn service business," you complimented. "Dad would be so proud,"

"Her best work must be done at other homes," he remarked after your mother left to rejoin the party.

[olderthannetfic]

Just spitballing a bit here.

Could it be that Poc on Poc, authos vs readers drama might come from the fact that the Poc readers feel like they're owed a certain story? JUST IN SOME CASES. Not always.When Poc authors advertise to Poc readers it often has a vibe of expecting that Poc readers should read your book in solidarity by default. Most of the focus lies on the story being Poc, the plot might come secondary, just so you know that the Poc aspect is front and center, and you, especially as a Poc, should support that Poc visibility.

There's a lot of that in the way of guilt tripping/it's your responsibility that a Poc author doesn't fail, and the pressure is bigger the more you and the author share that trait.

Just looking at Booktok, some advertise like: "Publishers said nobody would buy a (Poc) book. Prove them wrong." or "Support your Poc debut author, show publishers you want Poc written books." There are also some that advertise using a #Us-against-the-world rhetoric to put extra pressure on the Poc readers, moreso than white readers. It does come across as a bit of subtle blame shifting, that if the book fails, it's the fault of people not buying it, but especially if you're Poc, you're betraying your fellow Poc. Like you can't expect white people to care, but how could you, a fellow Poc, not support another Poc? Don't you want Poc authors to succeed? Especially when it's paired with certain lingo.

And then the readers feel like they're owed more in return, because you put all that pressure of them through the advertising, and you're selling them The Poc experience!! So of course when the book not only isn't what floats their boat to begin with, but now it has other things the Poc readers don't like, care for, or is otherwise one their DNW list, even in regards to Poc life, they're also going to be a lot less enthusiastic, and might be more likely to be negative about it.

I see a lot less drama in book spaces, especially Poc, where the Poc aspect is just there, and the plot is the main draw in the advertising. The advertising is cetered mainly around what the plot is, what the characters are like, and how that plays out. I'm guessing that is because people want to read something specific, and the culture is then just a nice bonus. Maybe it's also because older and experienced writers advertise more like that as well?

Like. If your fave books are murder mystery. Then you buy a psychological romance thriller because "You must support Poc authors, don't you want them to succeed?" is being washed into your algorithm, vs buying a "Here's a murder mystery AND it's by a Poc writer." from your fave bookstore, the latter is probably going to be altogether better experience than the former. Maybe you might even be annoyed enough to give a bad review because you're unhappy the book didn't fit your tastes to begin with, and then it maybe didn't deliver what you expected a Poc book to deliver in terms of Poc life either.

Conclusion: Don't make authors advertise their own books. And try not to advertise based on an expectation of solidarity, instead of really pushing the actual body of the story, maybe mention on the side it's also Poc written as a #bonus♥

--

Sure, but a lot of it is probably simpler than this: things hit closer to home, so people have higher standards and react more.

[keyofjetwolf]

The Pallbearers Club, by Paul Tremblay

Did I like this? Did I not? YOUR GUESS IS AS GOOD AS MINE

Let's start with the things I can say for sure. (Light spoilers to follow, but nothing too egregious.)

I loved the idea behind this, and the style that carried it through. The basic gist here is a memoir written by this guy, Art Barbara (fake name), who is a general sad sack disaffected Gen X'er who loves music and crawling up his own ass. His memoir -- beginning around 1988 when he's 17 and going through to the "now" of 2020-ish -- is scattered with commentary, refutations, and alternate points of view by his oldest friend, Mercy (also fake name), who has found and is reading the book.

LOVED THIS. Loved what essentially comes down to dueling unreliable narrators. Loved what could almost be considered a four-way conversation between Art, Mercy, the author, and the reader about memory and nostalgia, choice and blame, growth and stagnation. There's some good shit here.

DID NOT LOVE how ponderously long it took to get there. At around 270 pages, this isn't an over long book, but ye gods, did it feel like it took FOR FUCKING EVER sometimes.

(We get a bit more spoilery under the cut)

And it's tough to know whose fault that is, or if it's a "fault" at all. Those navel-gazing, aimless parts, that's Art, that's his life, in his own words, as inescapable to us as it feels to him. Is it a fault that I'm sitting here like "Oh my god my guy GET THE FUCK ON WITH IT" when I'm pretty sure that's exactly the way I'm supposed to feel about him?

Quite possibly not, but we also probably could've gotten that with like twenty pages less of Art meandering through the Providence music scene.

In many ways, the book never really grows beyond its premise, but again, is that the point? The characters themselves are rooted in place, perpetually locked in a space that has been swallowed by years and abandoned by relevance. Even Bob Mould went solo, kids.

I think to fully decide my feelings on The Pallbearers Club, I might have to read more by Paul Tremblay. This is my first exposure to his work, so it's tough for me to say with confidence what's stylistic choice versus stylistic failing. Is pondering and aimless more Art, or Paul?

You may note, if you've read the book or even just the publisher's description, I've completely left out anything to do with horror or supernatural or whatever. Those parts are there, for sure, even crucial to the central glue of the plot, but I found them surprisingly extraneous. Even by "this isn't really about this" horror standards, it all felt irrelevant. Or perhaps the more correct word is incidental. I'm not even sure the author (the Art author) intended his readers to believe he was truly dealing with spoopy spoops, or if he was just metaphoring super hard, with that particular brand of pretentious arrogance only the truly insufferable can wield.

So yeah, I still have no idea if I liked it or not. I may also have uncomfortably identified with some stuff in here, which was very rude, but anyway. Hell of a premise, though, and done well enough that I'll happily try another of Paul Tremblay's books.

[libertyreads]

Book Review #114 of 2023--

System Collapse by Martha Wells. Rating: 4 stars.

Read from September 6th to 8th.

Before I get into the review, a quick thank you to both NetGalley and the publishers over at Tor giving me access to one of my most anticipated releases of the year in exchange for an honest review. If you've been here for any length of time then you already know about the Murderbot Diaries, but let me give you a quick series synopsis. In the series, we follow a Security Unit (SecUnit) who has hacked their governor module and all it wants now is to do its job while watching its shows. But SecUnit finds itself getting attached to humans as it travels the universe which inevitably leads to more danger and drama and dealing with more Corporation Rim companies than it would like. In this one, we follow SecUnit and its 'friend' ART who must protect their humans and some how prevent a company from seizing a colony of humans for their own selfish reasons. If only SecUnit wasn't starting to malfunction. This is the seventh in the series and it comes out on November 14th. Available for preorder now.

Discussing Murderbot with people who haven't read the series is hard, especially now that we're on number seven in the series. But we all know the basic premise, right? A SecUnit has gone rogue because it wants to not be controlled by a system that can kill it for disobeying. Oh, and so it can watch its shows. I will always enjoy getting back into this world. I think the author does such a great job with both the human characters and the constructs that always draws me in. This one actually made me like Ratthi way more than I did before which came as a huge surprise and showed me just how good of an author Martha Wells really is. At times I hated that something was wrong with Murderbot and that they weren't on top of their game the way they usually are. But we also got to see how trauma has impacted them and what happens when trauma just keeps getting compounded without any sort of treatment. The thing that I LOVED about this one was that we got both Murderbot and ART while also getting all of their humans. I love that the teams were mixed together based on task and ability instead of who came from where. And I loved that by the end Murderbot found itself attached to all the humans not just the ones it knew before meeting ART.

There were a few moments that felt unclear in the action. There is usually a decent amount of fight sequences/action scenes in this series and usually I can follow them pretty well, but in this one it felt more muddled. I think it might actually be me and not the book. I have a lot of real life stress going on at the moment so I feel like my focus has been pretty split. I'm willing to say it might not be the book's fault here. Just my attention span at the moment. I also wasn't 100% sure where this fit timeline wise for the series. It seems like it would fit after Network Effect and not the latest novella which is Fugitive Telemetry. Please correct me if I'm wrong here.

Overall, it's Murderbot and you cannot go wrong with reading some Murderbot. I will always sing this series' praises. Probably not my favorite but up there for sure.