#I'm sorry to keep making posts about this

[certaimromance]

𝜗𝜚 Spooky Call.

Spencer Reid x Hotchner!reader

Summary: When your boyfriend gets a call from you, the last thing he expects to hear is that you're being held at a police station for decorating your house.

Words: 2,2k.

TW: fem!reader. mention of haley's death, jack, crime, murder, blood (fake). reader was arrested (obviously). implication that the reader is wearing jeans and shirt (not very descriptive). reader is hotch's sister. established relationship. spencer being the standard. english isn't my first language (sorry for my mistakes, be kind please).

Note: This was the last fic of my october special, but I had problems and never posted it, so I had to change the plot a bit and here it is.

♡ Enjoy! ♡

You’ve always hated asking for help. It wasn’t just a matter of pride—it was the belief that you could, and should, handle everything yourself. Life, however, had a cruel way of reminding you that it didn’t always work like that. Everyone needs help sometimes. At least, that’s what people—well-meaning friends, family, even your boyfriend—kept telling you. We live in a society; there are people who love you; they’d want to help, they’d say. Blah, blah, blah. The sentiment was kind, sure, but it never stuck with you. Not really.

Today, though, maybe you should’ve listened.

All you wanted was to throw your nephew a belated Halloween party. It wasn’t like you were planning anything crazy. Just a few decorations, some music, and a bit of creativity—how hard could it be? Nothing about it seemed complicated or dangerous, not at first. You’d seen your brother overwhelmed trying to keep things normal for Jack, and you figured this was something you could handle on your own. Something small but meaningful.

Somehow, things got out of your control, and now you were sitting in your boyfriend's car in the police station parking lot trying to organize your thoughts to explain to him how you had ended up arrested in the first place.

“This has a perfectly reasonable and not at all criminal explanation. I swear.” You began to speak as you noticed by the watch on his wrist that three minutes of complete silence had already passed.

It had only been a year since you started dating officially, and there were still some things you were afraid Spencer would see, especially the things that got you in trouble for doing stupid things. You'd liked him for a long time, even before he realized you could be more than just his friend and his boss's sister. The last thing you wanted to do was ruin everything and make him run away in terror, even though that didn't sound very much like him or his values.

“This better be a good explanation,” Reid finally said, his voice calm but tinged with confusion. He placed the car keys down in the cupholder and turned to look at you fully. “Because right now, I’m struggling to understand how decorating your house could get you arrested.”

You squirmed in your seat, the knot in your stomach twisting tighter. “It’s…complicated,” you mumbled, avoiding his eyes.

Please don't think I'm weird. Please don't think I'm weird. Please don't think I'm weird. That was the only thing that kept repeating in your mind.

“I’m sure it is,” he finally said, his tone dry but still patient, his gaze never wavering.

You exhaled sharply, dragging your hands down your face. “Okay. So, I started with simple decorations—some cobwebs, pumpkins, and all the usual stuff. But it just…it wasn’t enough. I wanted to do something big. Something really cool.”

He raised an eyebrow, silently urging you to continue.

“So, I got this idea,” you said, hesitating. You could already feel the heat rising in your face. “I took a garbage bag, stuffed it with paper to make it look like a body, and then—” You paused, your voice dropping slightly. “Then I added some fake blood. A lot of fake blood.”

His eyes widened, the corners of his mouth twitching like he was trying to hold back a laugh. “You didn’t.”

“I did,” you admitted, wincing. “But it looked amazing! For like…five minutes.” You gestured vaguely toward the dashboard, trying to find the words to defend yourself. “I might have spilled some of the fake blood on the lawn. And…it might’ve looked a little too real.”

Too real, extra real.

“A little?” Spencer asked, incredulous. “You mean realistic enough to make the neighbors call the cops?”

You winced, expecting him to think you were ridiculous—or worse, stupid. But then, to your surprise, his lips quirked into a soft laugh.

“Hey, don’t laugh at me!” You snapped, crossing your arms over your chest when you saw the faintest smirk tugging at his lips.

Yeah, maybe you didn't want him to think you were weird, but you didn't like being laughed at either.

“I’m not laughing,” he said, though the hint of amusement in his voice betrayed him.

“You are absolutely laughing,” you huffed, your pout deepening. “It’s not funny, Spencer.”

He took a deep breath, finally managing to suppress his laughter—mostly. His hand reached out to tilt your chin up gently, forcing you to meet his gaze. The warmth in his hazel eyes softened the sting of your embarrassment.

“I’m sorry,” he said sincerely, though his lips still twitched with the ghost of a smile. “I really am, angel. But you have to admit, you went a little overboard with the ‘terrifying’ concept.”

And there it was, the kind of sweetness that had made you fall for him so hard. The kind you'd expect to receive without question after spending at least half an hour locked in a filthy cell.

You sighed, the tension in your shoulders easing slightly. “Okay, maybe. But in my head, it wasn’t that bad,” you said weakly. “It just…went a little wrong.”

“A little?” he repeated, his eyebrows raising again. “You got arrested. You scared half the neighborhood into thinking they’d stumbled onto a crime scene.”

“At least it wasn’t illegal!” You shot back, crossing your arms defensively. “I didn’t actually hurt anyone. I just made a mess. With fake blood.”

Spencer’s gaze dropped to your hands, where smears of red clung stubbornly to your skin. His eyes flicked to your clothes—your jeans, your shirt, both stained with dried streaks of crimson. A slow grin spread across his face.

“It wasn’t illegal, but now you look like you walked off the set of a slasher movie,” he said, his voice filled with teasing affection. “Here—and here.” He gestured to a streak of red on your shoulder, then another on your cheek.

You were about to protest when he suddenly leaned in. His face was so close now, his breath warm against your skin. Before you could say another word, his lips brushed softly against yours—a brief, gentle kiss that caught you off guard. You froze for a moment, your heart skipping a beat. Then, as if it had all been a slow, perfect dance, you melted into him. His lips were warm and tender, the kiss slow and sweet, like a quiet promise that everything, even in the chaos of your night, was going to be okay.

When he pulled back, your breath caught, your chest fluttering in that way only he could make you feel. His grin was wide, playful, but there was something else in his eyes—a depth, a tenderness that made your heart thud. You blinked up at him, still dazed from the warmth of his kiss.

“For the record,” he murmured, his voice soft, his lips still dangerously close to yours, “I never thought you were a criminal. Just a little…overly enthusiastic.”

You couldn’t help but laugh, a genuine, warm sound bubbling out of you. “Overly enthusiastic,” you echoed, shaking your head. “That’s one way to put it.”

“And messy,” he added, his eyes twinkling as they lingered on the fake blood smeared across your face.

“Don’t push your luck, Dr. Reid,” you warned, though the smile on your face betrayed you.

Spencer chuckled softly, the sound melting into the quiet of the car. He leaned in then, his lips brushing against your forehead in a gentle, lingering kiss that felt like a promise—quiet, tender, and full of unspoken reassurance. The warmth of his touch seeped into you, and you closed your eyes for a brief moment, savoring the comfort of his presence.

As he pulled back, he studied you with that signature look—the one that always made you feel like he could see straight into your soul. His brow furrowed slightly, and you recognized that expression well: the one he wore when he was about to ask something important, when he wanted to understand you better. It was a look that never failed to make your heart flutter, even if it made you feel vulnerable.

“Okay,” he said slowly, his tone gentler now. “I get wanting to make the decorations amazing, but why was it so important? Why go all out to the point of, well…” He gestured vaguely toward you, his lips twitching again. “Fake crime scene levels of effort?”

You hesitated, his question hitting you like a wave. You knew the answer, but speaking it aloud felt heavier than you had anticipated. It was as though the words themselves had a weight you hadn’t been prepared to carry. You lowered your gaze, absently picking at the hem of your shirt as you fought to find the right words, your mind tangled in emotions that were hard to articulate.

Reid didn’t push, though. His silence was patient, waiting for you to open up at your own pace. It was one of the things you adored about him—the way he didn’t rush, didn’t demand. He just let you be, trusting you would share when you were ready.

Finally, you exhaled a shaky breath and met his eyes, the vulnerability in your voice clear as you spoke. “It’s not just about the decorations,” you admitted softly, your voice barely above a whisper. “It’s about Jack.”

His expression shifted immediately, his eyes softening with understanding but remaining focused as you continued.

“I just…” You swallowed, the lump in your throat making it hard to speak. “I want to be the perfect aunt for him, you know? Someone who makes things better, even if just for a little while. He’s been through so much—losing Hayley, seeing my brother juggle everything just to make sure Jack’s okay…” Your voice wavered, and you clenched your hands to steady yourself. “He’s only a kid. He deserves to feel happy and safe and…loved.”

Maybe that last word was too personal, and maybe your boyfriend noticed.

He reached out, his fingers brushing against yours in a silent offer of comfort. You took his hand, the warmth of his touch grounding you enough to keep going.

“I know I can’t replace his mom, and I’d never try to,” you said, your voice barely above a whisper. “But I thought maybe, just maybe, if I did this party right—if I made it something really special—it could be a distraction. Something fun. Something he could look back on and smile about instead of just…” You trailed off, biting your lip as the words lodged in your throat.

He squeezed your hand gently, his thumb brushing over your knuckles in a soothing rhythm. “Instead of just remembering what he’s lost,” he finished for you, his voice soft and understanding.

You nodded, blinking back the sting of tears. “Yeah.”

The car was quiet for a moment, the weight of your confession settling between you. Then Spencer shifted closer, his free hand reaching up to brush a stray tear from your cheek. The tenderness in his touch made your chest ache in a way that was both painful and comforting.

“You don’t have to be perfect,” he said gently, his voice steady and sure. “You’re already doing more for him than you realize. Just by being there, by loving him the way you do…that’s what matters. Not decorations or parties or anything else.”

His words hit you squarely in the heart, and you let out a shaky laugh, the tension in your chest loosening just a fraction. “I just wanted it to be perfect,” you admitted, leaning into his touch. “I didn’t want to mess it up and end up in a cell.”

Reid smiled softly, his fingers brushing lightly against your jaw as he held your gaze. “You didn’t mess it up,” he said firmly. “Okay, maybe the decorations were a little unconventional,” he added with a playful glint in his eye. “But your heart was in the right place. And Jack knows that. He loves you and thinks you’re wonderful, just like I do.”

You felt your breath catch at his words, the warmth in his eyes making your cheeks flush despite everything. “You’ve really become good at this, you know,” you said quietly, a small smile tugging at your lips. “The whole comforting and making me blushing thing.”

He let out a soft chuckle, giving your cheek a gentle tap with his thumb before pulling back slightly. “I might have read eleven books to brush up on a few things and be better,” he said, his tone light but not dismissive.

You chuckled, the sound lifting the tension that had been pulling at your chest. “Eleven books? You really went all in on this, huh?”

His arm slipped around your shoulders, drawing you closer, the steady rhythm of his heartbeat against you grounding and reassuring. “When it’s you,” he said softly, “I’d go even further than that.”

You leaned your head against his shoulder, feeling the weight of the world ease off your shoulders. A quiet thought lingered in your mind, one you hadn’t been able to put into words until now. “But…sometimes, don’t you think I’m weird?” you asked, the vulnerability creeping in despite yourself.

Please say no.

“Weird? No,” he murmured, his breath warm against your hair. “I think you’re perfect.” He paused for a moment, then added with a soft laugh, “And every day, I’m grateful you don’t think I’m weird either.”

You smiled, the knot in your chest loosening, the weight of uncertainty fading as his words settled in. “Guess we both can be a little weird then,” you said, the truth of it comforting you more than you expected.

He chuckled, the sound easy and light, as he pulled you a little closer, holding you in a way that spoke of quiet promises. “It’s perfect for me.”

[stevieschrodinger]

Eddie hasn't answered the phone in nearly two days which, post Chrissy, post Vecna, post end of the world (averted), post every thing, is a wholly unacceptable amount of time.

Steve does a round robin on the walkie; everyone suddenly realizes they haven't heard from him either. Steve volunteers to go over.

He raps on the front door of the little two bed place Wayne owns now, a little government recompense after they took the trailer away to study, or whatever. Also quite a bit of 'take the house and keep your mouth shut,' kind of thing, Steve figures.

Wayne looks tired when he opens the door, kinda droopy, which Steve knows means he's really tired. Like, holding form is becoming a smidge difficult kind of tired.

Steve slips in fast, 'sorry Wayne, Eddie's van wasn't at his place so I figured he was here,' which he must be, because Eddie's van is here, and not outside his shiny new trailer, 'he hasn't been answering the phone.'

'He's here kid but he's kind of...having a rest day?' Wayne hedges. He's bad at lying, just like Eddie, Steve knows something is up.

'Can I see him, just for a second? Just check all is good?' Wayne gets Steve's protective nature, after everything that happened, he knows Steve likes to look after his people. He also knows Steve can keep a secret, only Steve and Robin know about Eddie and Wayne's shape shifting ability - carrying Eddie out of the upside down, convinced Eddie was about to die, only to have Eddie's glittery insides do something wholly unexpected was...well, Steve knows, is the thing.

Eddie also wins at doing impressions, since he can actually turn into movie stars, and that's kind of cool. Steve always likes watching Eddie turn back into himself though, maybe because of the crush he's been nursing.

Wayne caves, and Steve knows it's bad when he finds Eddie in the bin. He's shimmery and silver, and nearly tipping out the edges. He sloshes a little when Steve walks in, 'hey man, you didn't even make it to the bath? You want me to tip you out?'

Nothing, but the overhang wave of Eddie goo turns, hanging over the far lip of the big trash can. Like Eddie just turned his back.

'Uhm. I just. I just wanted to check you were okay? You know? Everyone's kind of worried.'

Eddie ripples. Like a sigh.

Eddie sloshes out of the bucket, his form building upwards until Steve is standing in front of...Nancy? Wearing a torn Dio shirt and plaid sleep pants.

'Eddie...that's kind of weird man.'

'I know!'. He waves Nancy's arms around, ' I know okay! But I can't stop it!'

'What...you're stuck? As Nancy.'

'Kinda', Eddie hedges, his ability to lie as bad as Wayne's.

'What does that mean?'

Eddie huffs, and shifts again...into Farah Fawcett. He crosses her arms over his now ample chest.

'Eddie...what is going on?'

Eddie shifts again, the hot brunette from the horror movie they watched two weeks ago, Steve can't remember the actresses name. He remembers saying she's hot though.

'Steve just...I'm having some kind of crisis, okay. It's just a bit of a...block. Just give me a few days and I'll be right as rain.'. Heather Locklear explains.

'Eddie...come on man, there's clearly something up.'

'This is so embarrassing.'

'Just tell me, okay? It can't be anything that bad, I won't judge.'

'It can be that bad,' Michelle Pfeiffer whines from behind her hands.

'Eddie...I'm not leaving until you spill.'

'I really...like you...' which, coming from Olivia Netwon-John, probably fulfils some sort of fantasy for Steve, but he has to remind himself he's thrilled to hear it from Eddie, too. 'So now I'm stuck, trying to be someone you actually want.'

'I...oh.'

'Yeah.'

'Well, I really want Eddie. So does that fix it?'

Brooke Shields cocks her hip and rolls her eyes, 'Steve, I'm not doing this on purpose, I don't have any control right now, so I don't need an empty platitude-'

'Its not. I've had a crush on you for ages. I'm not going to kiss you when you look like someone whose not Eddie.'

Eddie slowly melts back into himself, 'you're not?' he asks weakly.

'Nope, I can now though-'

'I'm back!!!' Eddie runs his hands all over himself, disappearing into the bathroom, checking the mirror he shouts, 'it's me! I'm me again! Oh thank fuck! Do you know how stressful that was! Having big tits is hell on your back-'

Eddie rambles, and Steve waits patiently for him to remember they could be making out right now.

Your friend, a shapeshifter (a secret you've kept since childhood) hasn't answered your texts in days, so you head to their home. Upon arriving, you find that they're in the middle of an existential crisis; they can't remember how to turn back into their original, human form.

[dreamscapeee222]

(I'm new to tumblr, sorry if I'm posting in the wrong place, I hope this is ask box)

I asked you to write about the relationship between the arcane characters and the reader who is very thin due to some health problems?

(Sorry for any mistakes, English is not my native language)

A/n: Hello!! I did lots of research with your request so I hope my work satisfies what you had in mind ^^

You deal with health problems that affect your weight

Vi, Jinx, Caitlyn, Ekko, Jayce, Viktor, Mel

Masterlist

Vi

She’s not the type to pry. But she notices the little things—the way you don’t finish your meals, the way you curl up a little too tightly, like you're trying to protect yourself from the world. She never asks you about it, but she always makes sure you’ve got something to eat or drink when she knows you’re struggling.

She might drop a sandwich by your side, or hand you a water bottle without saying a word. It’s just her way of saying, “I see you,” without actually saying it.

If you ever get quiet for too long, she’ll be there, sitting next to you without forcing a conversation. It’s not about pushing you to talk—it’s just her letting you know you’re not alone, even in those silent moments.

Jinx

Jinx doesn’t always understand why you’re not at your best, but she feels it. She’s a whirlwind of chaos, always trying to keep you distracted, to keep you laughing. She doesn’t always get it right, but she’s trying, you can tell by the way she keeps pulling you into her nonsense, hoping that a little of her madness will rub off on you.

But there are times when she looks at you, and the mask slips for just a second. She sees how tired you are, how empty you seem sometimes, and in those moments, she doesn’t know how to fix it. But she doesn’t turn away. “You don’t gotta do this alone, okay?” she says, voice softer than usual. It’s a rare vulnerability, the one moment where she lets down the wall and shows you she’s scared too.

She might not know what to say or do, but she’ll always bring something to make you smile—even if it’s just a little.

Caitlyn

Caitlyn’s the quiet type, always paying attention to the little things that others might miss. She watches you—never in a way that feels overbearing, but in a way that shows she’s aware of when something’s off.

She doesn’t press you to talk, but she’ll always offer a gentle reminder that she’s there for you—whether that’s by quietly handing you a cup of tea, leaving a snack where you can easily reach it, or making sure you have time to rest.

She never pushes, but when you catch her looking at you with those soft, patient eyes, you know she’s not going anywhere. "Take it easy,” she says, as if it’s the simplest thing in the world. And for a moment, you actually believe it’s okay to slow down.

Ekko

Ekko’s the type of person who’s there without being too much. He notices when you’re pushing yourself too hard, and when he sees the signs—when you’re too quiet, when you’re too weak to do what you usually can—he’ll just quietly step in.

He won’t make a fuss, and he won’t ask you if you’re okay every five minutes. Instead, he’ll bring you a blanket when he sees you shivering, a drink when you look like you haven’t had one all day. He knows you don’t need someone to tell you what to do—you just need someone to make sure you don’t fall apart while you're doing it all.

Sometimes, he’ll sit beside you and not say a word. It’s just his presence, calm and steady, and it’s enough to make you feel like maybe everything will be okay. “You’re not alone,” he’ll say without looking at you. And it’s not just words—it’s his way of making sure you never feel like you’re fighting your battles by yourself.

Jayce

Jayce doesn’t know how to make things better when it’s you, and that frustration shows. He wants to fix things, to find the right answer, and he’s always throwing himself into research, into getting you the best treatment, the right food, whatever he thinks might help. But sometimes, it feels like he’s pushing you harder than you want, trying to make everything better without realizing that maybe what you need is just some quiet.

He doesn’t always know how to slow down, but there are times when you catch him looking at you, his expression softening when he sees the exhaustion in your eyes. “You don’t have to do this alone,” he says, and for once, it doesn’t come off as a demand. It’s a plea—something raw and real in the way he says it.

When you’re too tired to argue, he’ll just stay next to you, offering comfort in his own way. It’s not perfect, but you know he’s trying, and that’s enough for now.

Viktor

Viktor doesn’t say much, but his care shows in everything he does. When he sees you struggling, he doesn’t push you to talk about it. Instead, he quietly takes action—he makes sure your space is organized, makes sure you have what you need, even when you don’t ask for it.

You won’t hear him say, “I’m here for you,” but you’ll feel it in the way he adjusts your pillow without asking, or in the way he slides a cup of tea your way without a word. He’s not the type to crowd you, but he’s always making sure you’re okay in ways that don’t demand attention.

When you do catch him looking at you, there’s a softness in his eyes—an unspoken understanding. “You don’t have to be strong all the time,” he’ll say quietly, but it’s not just the words that matter. It’s the way he’s already got your back without needing you to ask.

Mel

Mel is the kind of person who knows how to give space without making you feel like you’re invisible. She’s quiet, observant, and when she sees that something’s not right, she’s there—but never in a way that feels like she’s pushing you.

Her care is in the little things—the cup of tea she hands you when you’re not feeling great, the soft touch of her hand on your arm as she sits beside you, giving you time to breathe. She doesn’t expect anything from you, just that you take care of yourself in your own time.

She’ll always remind you that it’s okay to slow down, to rest. “You don’t have to do it all at once,” she’ll say, and the gentleness in her voice makes it feel like everything else can wait. She’ll be there, waiting, until you’re ready to come back to the world.

Requests may be sent through the ask box. Only SFW.

[skeinvelity]

Hey guys please watch this clip created by JustALilKid taken from Davis' stream.

This community has gone so downhill one of the main, iconic and good people, Kat, is considering quiting.

All because we're greedy pieces of shits.

We gotta get our shit together friends, this is not fucking okay. Why do the VAs and ordinary people in the fandom keep having to deal with this crap?

Why can't people just keep hate to themselves?

What pleasure do they get out of saying in the public:

"Oh this is absolute garbage blah blah".

I'm sorry once again for opening my mouth, I don't know if anyone else will make a post about this. I have to thank my friend @sili-redwing for pointing this out on a group chat we have.

[garbagechocolate]

IT'S GOTTEN THIS BAD.

The VAs are PEOPLE TOO. You can have your opinions but remember that it's not "Well, it's just one hate post," because you don't know the amount of SHIT content creators go through!

If you don't like it? COPE. LAES was taking a interesting story direction, but obviously not everyone has the same opinion as you. Whatever, get in discourse with other fans but DO NOT GO AFTER THE CREATORS. They're trying to have fun, at the least, and you can LITERALLY SUCK THE JOY OUT OF THIS ALL by being a BITCH about it.

How would you fuckin feel if someone stood over your shoulder and started spouting shit about how your roleplays aren't good? God, aside from the mentioned insane amounts of hate-

THIS FANDOM IS SO. FUCKING. INTOLERANT.

Anything that doesn't fit into the category of "tragic doomed twink yaoi" is regarded as LESSER or sometimes a fucking CRIME

WHO GIVE A SHIT!!! YOU SHOULD BE THANKFUL THERE'S SOMETHING TO LOOK FORWARD TO AND TAKE IT.

They make DAILY VIDEOS. Remember when David recorded when he was SICK? These VA's are trying their best to keep up with demand, but if this hate continues then goddammit, this fandom is not WORTHY of having such involved and engaged creators.

To the amount of harassment Kat has received, I'm so sorry. It must have been difficult constantly reading criticism of characters and stories you put effort into. Your writing is not the problem, and I love and enjoy it. I'm sure Kat won't even read this reblog, but I wish best condolences. You are talented, and creative, and it's unfortunate that majority of the TSBS fandom are stuck at the maturity of a toddler.

I'm Done Writing For LAE

I've written for LAE for a while now, even when I have 3 other jobs and not a lot of time to dedicate to it. But apparently all that time and effort I put in just isn't good enough.

Every time I open Tumblr, read the YouTube comments, scroll through TikTok, and sometimes even on the TSBS fan discord, I'm welcomed by people saying how shit my writing is, how shit my characters are, or how much they dislike xyz.

This isn't me wanting sympathy, or to guilt trip you. Though I'm fully expecting people to say I am. I just want to let you know; I'm done. I'm not writing any more episodes or interacting with the community in any way. I've tried. It's clearly not good for my mental health. So I'm done.

This isn't me saying I'm done voice acting or anything, I'm still going to be Earth/Pollux/Dazzle, I just won't be writing what will be happening to them anymore.

I put my heart and soul into these characters and their stories, but apparently that's just another way to get hurt.

If you have questions about TSBS, don't send them to me. I'll only answer/interact with questions/posts about my own series/channel.

[triglycercule]

horror has KR dust can't be affected by KR unless it's by another version of himself. horror's (somehow) still a judge dust wants repentance for his wrongdoings,,,, someone must see where i'm going with this

i just wanna imagine like if dust ever feels like he's doing something wrong (like having thoughts about gaining LV again or something,,,,) he'll just ask horror to give him like. a quick little punch. hit him with a bone fragment because he needs to feel his sins crawling on his back from a true judge,,,,

and then horror's more than happy to do it 😁😁😁 he winds that shit up before he bitch slaps dust :33 oh you need to be judged DONT WORRY DUST horror is a totally impartial judge that totally won't find your situation both ridiculous and entertaining 😁😁

[chronicsyd]

I'm gonna be so serious, y'all are remembering POWDER and Ekko and not JINX and Ekko when screaming about how much you "wanted Timebomb endgame over Caitvi"

shoving JINX in a relationship with her current mental state is not a good writing choice whatsoever, because Ekko literally had to keep rewinding time because she kept trying to kill herself. If Anything, That relationship would be rushed and fanservice because they would have jumped the gun in 2 episodes vs the 2 seasons it took for Caitvi and showing their ups and downs throughout their whole relationship.

The alternate universe works because Powder doesn't become Jinx and the two don't separate, unlike this universe where the two have been at odds for 7 years and almost kill each other back in Ep 7 of S1.

"But Cait never said sorry!" she didn't really have to, because Vi never stopped being in love with the girl that she Knows Cait is at heart, the Cocktail Molotov scene in Act 2 makes that VERY apparent. Cait saying that she was waiting for Vi to recover to address Jinx is the start of it because Act 1 Cait wouldn't have even Considered doing that, because she was so gung-ho about putting a bullet into Jinx that she Demanded Vi move out of the way for her to do so. She holds herself accountable with the mistakes she's made ("We can't erase our mistakes. None of us." that wasn't just a line targeted at Jinx to prove a point, there's deeper meaning behind it), and moving the guards out of the cell proving that she trusts Vi and her judgment on Jinx is that apology, Caitlyn has always been an "acts of service" kinda person over being a "verbal" kinda person; it's all over the place in S1 but Especially here in S2. But even after she takes Vi's shirt off, you could tell by her eyes and body language that she was most likely going to stop herself again to apologize for hitting her because the wound was in the same spot she initially hit, which was part of the lead up for This wound to even happen, but Vi's the one that just pulls her back in instead.

I'm also gonna add on that Vi thinks she made the wrong choice in trusting Jinx and thinking Jinx's changed because Jinx locked her in the cell and ran away again. So why in the Hell would Vi go chasing after her Again to be met with the same result time and time again? Vi isn't responsible for Jinx's mental health and y'all saying that are just weird. And I think it's apparent that Stillwater probably wasn't even in the top 10 things in her head being with Caitlyn, she was just running wild on emotions that she hasn't allowed herself to feel like-- Ever. And even if it Was Vi probably would have said she wasn't comfortable being in a jail cell of all places.

What was I talking about? Oh right, Timebomb.

Like Yes, it's shitty that Ekko doesn't get a happy ending considering he's the most unproblematic in the entire show. But people tend to forget that at the end of the day, Arcane is a TRADGEDY. It's not She-ra, it's not The Owl House, it wasn't going to be wrapped up in a neat little bow where everyone gets to smile and walk into the sunset with their loved ones, especially considering the fact that this season's being used as build ups to other stories, it's relatively clear that this isn't the last we're going to see of a lot of these characters. When they come back into play? well... who's to say?

But also, let's address that a lot of the Caitvi hate is just straight up homophobia at this point because a lot of people can understand Mel's admission to manipulating Jayce as an apology but Cait's actions we're suddenly braindead and need shit completely spelled out. like good lord I'm so tired of this. Y'all would NEVER have survived Catradora let me tell ya...

(My next post is gonna be a long winded rant about Maddie so stay tuned for that...)

[raven-at-the-writing-desk]

I've been trying to focus on thinking about things I enjoy about the idea of the TWST anime. And regarding overblots, I think an anime version would really help illustrate (even more) how terrifying the process is. I really like how the manga shows Riddle's OB, and I love anime as a medium, so I'm pretty hyped to see how it will be conveyed in it.

I really hope they accentuate the horror of it- I'm aware that they might not go all in w the horror like I would personally like, but the thought still excites me. What kind of music will they play? Will the animation change like it does in some animes when the characters are distressed (wobbly lines, glitchy effects)...? What sort of directions will the voice actors get? I mean, they already voiced the game, but anime gives them more room to do voice stuff. I'm really hyped for this aspect tbh...

And I'm also excited for the possibility of dubs, since I'm quite a fan of the whole dubbing world. (I know some ppl have their fears about this last possibility, but in my case even if it turns out to not be so good, I think we could still have a good time w something like that. Plus I've seen some popular eng dub actors hyped about the anime and wanting to be casted for certain characters)

I also wanted to apologize for my previous ask ᕙ⁠(⁠⇀⁠‸⁠↼⁠‶⁠)⁠ᕗ I already did so in the comments, but I felt bad about doomposting on your inbox. My mind's first reaction is usually to see the negative first and become anxious, and it's something I'm working on, but it sometimes goes out of hand. But now that a bit has passed, and specially thanks to your advice, I can sit down and try to focus on the things that excite me rather than the ones that scare me. Sure, building too much expectation could backfire at the end— but as you said, we have little to no information at this point. So I think focusing on the things I'd like to see is a better usage of my time. If they turn out to disappoint me... That's something I'll worry about next year, I'll suppose. I'm still a bit anxious and scared, but there's also lots of things I'm hyped for. I'll try to take your advice and focus on those. 🫂 Sorry if my previous negativity made you uncomfortable.

[Referencing this news! Asker’s prior post here.]

I’ve seen a lot of fans speculating that the OB transformation sequences will resemble magical girl ones! While that’s a fun idea, I do feel like it makes more sense for the anime to portray OB as something scary and all-consuming, similar to how it is depicted at the end of animated dorm commercials and in the manga. For the characters experiencing them, it’s not meant to be glamorous… All that agony, the dripping ink leaking out of their orifices and dripping like blood. Overblot looks incredibly horrific, and I think that should come through in the animation—whether they change the usual style for these segments or keep it the same.

I think the anime would reuse (or maybe do remastered versions of?) the Twst soundtrack for a lot of the show. The compositions are already there, so might as well. Maybe experiencing the anime will help to make the music more memorable, since it seems the game soundtrack alone isn’t doing it for some fans.

No clue about the JP voice cast; I did see some people worrying that they could replace the game’s voice cast for the anime, but as I’ve mentioned already, that’s an unfounded claim. If the usual VAs are there, surely they won’t just reuse the already recorded lines from the game?? 😂 I’d think they’d at least have to rerecord those based on how the script and its scenes are laid out, plus additional dialogue to fill in the gaps (such as new scenes).

No confirmation of an English (or other language) dubs yet either! (Again, this is another topic related to the anime that sparks worry, but I must stress that it’s pointless to get into a tizzy about something that isn’t concrete yet.) But yes, I’ve already seen English VAs expressing interest in certain characters; Daman Mills wants to audition for Malleus, Alejandro Saab has made it known he has Twst on his radar and wants to voice Leona, etc. (The latter has done Twst dorm leader impressions for fun before; I think Mr. Saab could make for a decent Leona or even Malleus!)

Don't worry about the previous ask ^^ I think it's better that we discuss these things with one another rather than post or tweet into the void and allow those negative feelings to fester. If you want to view it in a different way, think of it like the OB boys actually getting therapy/finding someone to confide in instead of being allowed to stew in their own emotions and risking OB a second time. Sometimes all it takes is that gentle nudge or a reminder to step back and take a deep breath. When we let our emotions get the best of us, we end up thinking and acting in irrational ways, and then that can lead to people--whether yourself or others--getting hurt.

[bloggerspam]

I'm a dummy and have fucked up the reblogs.

So I'm going to fix that and delete the incorrect posts so that the chapters are all in one place in the correct order. Please bear with me and I'm sorry for any confusion....

===

Gotham is unusually sunny, which works in Steph's favor by providing ample lighting.

Steph adjusts herself, posing just a little against a streetlight behind her, tucking a strand of hair behind her ear. She smooths down her skirt, her favorite black denim pencil skirt that makes her legs look long, for the millionth time. Her oversized jean jacket and fitted purple turtleneck keep her warm as she waits impatiently beside an equally posed Jason.

He's decided to cross his arms and casually lean back against Danny's bike, wearing a tight black thermal henley that really doesn't do anything to hide his muscles. His jeans look painted on, and his leather jacket is tucked safely in her car, parked a little ways away.

They're both pretending they're not acting like peacocks.

It's mostly working.

She's entirely grateful that Sam decided to bail the two troublemakers out, rather than Jason and Steph having to beg. Sibling solidarity can go a long, long way when cute boys and girls are involved, but it's better to err on the safe side when your main antagonist is your pesky nosy cop of a brother.

…Not that Steph's a Wayne by any means, but still. It counts.

The sound of bickering, familiar voices cause their nerves of waiting to turn into the nerves of anticipation.

"Fenton I swear to Clockwork I will end you if this happens again!!" Val's smooth baritone rasp is threatening, and even though it's playful, it still brings shivers down Steph's spine.

"What makes you think it'll happen again?" Danny challenges, Jason perking up beside her like a puppy.

"Because I know you, you dolt." Val growls, both of them coming into view now, "I bet you've already got plans on a better version knocking around in that empty head of yours!"

And fuck. Val's wearing a loose yellow crop top and low rider jeans, and with the way she jostles about with Danny, Steph can see a little peak of her abs every time she reaches up. Steph licks her lips at the flash of the other woman's dark skin, wants to bite at the pouch she's got going on that Steph knows means she's packing practical muscle.

Steph really, really wants to get her mouth on that woman ASAP.

If only Val would actually use said god damn muscles and pick up on the damn hints Steph's been leaving, that would be phenomenal.

"Just because you're right doesn't mean—oh!" Danny pauses, causing Val to stutter stop with him reflexively.

"Bossman?" Val squints, before her eyes widen, "Steph? Is that…Danny's bike?"

Jason puffs up his chest, proud, looking especially pleased when Danny beams and rushes towards them to check over his baby. It puts Danny all up in Jason's business, who refuses to step away probably for that purpose. Damn him, but he's smooth.

"Did you guys bail out the bike for him?" Val asks, smile soft as she comes to stand next to Steph, "You really didn't have to, Danny's not worth all that trouble."

"Oh, it was no big." Steph shrugs, peering down at Val through her eyelashes as best she can, "Between you and met? It didn't cost a penny." She winks. "We heard from a little birdy Danny quite likes bad boys."

"Yeah?" Val smirks, and gods is it hot, "And you totally didn't go along with it to, oh, I don't know, egg him on?"

Steph giggles, giggles like a schoolgirl! Ugh. She can't with herself sometimes. "Hey, who says he didn't need my expert help? I'm a beast with a lock pick you know."

Wait. That's not a normal thing to brag about. Abort! Abort!!

"Nice. I'm no slouch either, but I can't imagine it was easy." Val chuckles, shaking her head. "Which of you managed to crack Danny's security system? Your lockpicking skills extend to hacking too?"

…Apparently, it is a normal thing to brag about. Proceed as planned!

"We had a little help." Steph smiles her most winning smile, leaning a little into Val's space. The other girl's eyes widen, licking her lips, and Steph almost says fuck it, almost leans closer, if only—

"So I was thinkin' we could watch that new horror movie playin' at the threatre," Jason's voice is low, Steph almost misses it, if Val immediately swing her head towards him, "Carnage for Christmas, y'know, 'tis the season and all…"

Pouting at her missed opportunity, she looks over herself to see what the fuss is.

Danny is smiling helplessly up at Jason, who has a hand on the bike and is leaning over him close. They look snug, Danny fiddling nervously and looking besotted whilst Jason is eyeing Danny like he wants to eat him up.

Steph refuses to get jealous. Jason's got a head start, but that doesn't mean—

"Danny hates Christmas," To her credit, Val looks like she very much does not want to interrupt whatever is going on over there, "Plus, he's scared of ghosts."

Which. What?

Jason, mirroring her confusion, sputters. "But—I thought?" Jason's eye flick back and forth between a sheepishly embarrassed Danny and a reluctantly cockblocking Val. He settles on the safest thing to say. "Isn't Amity Park 'The Most Haunted Town in America'?"

Both Amity Parkers nod with a grimace.

"Aren't your parents ghost hunters?" Steph asks, though she regrets it when both of them stare at her with hard eyes.

"We never told you my last name." Danny's voice quavers, and he backs up just a tiny bit. "…Did you look into me?" Jason's expression crumbles, just that tiny bit, reaching over only to stop and bring his hand back when Danny flinches.

You mean his bully and his stalker? Sam had said. Fuck.

Steph and Jason both try to say no, only—only they did. Thankfully, Val steps in.

"Danny, they're Waynes." Her voice is forcefully calm. "It would be weirder if they didn't look into you."

That, thank all the fucking gods, does the trick. Steph bites her lip from refuting her Wayne status, watching tensely as Danny starts to cautiously relax, no longer looking like he's ready to bolt at any minute.

"Right." Danny breathes, relaxing enough to lean back into Jason's personal bubble, "Right, of course."

Steph and Jason silently resolve to give Val an expensive gift and a raise, respectively.

"Where did you find out about his parents?" Val asks, still in that forceful calm, silently urging them to…what, give a good excuse?

"From us, guard dog. Breathe a little." Sam's voice sounds out from the police station. "Not that I blame you, but we promise Danny is safe."

It's an odd thing to say, a concerning thing. She can tell Jason's already made a mental note to figure that shit out pronto. Boy's definitely gotten attached.

"Long time no see!" Tucker grins, waving at the four of them, "Sorry we took so long, that brother of yours had a lotta questions and Sam was not having it."

"ACAB." Sam deadpans, rolling her eyes and startling laughter out of Steph and Jason.

"He's not even supposed to be here," Steph rolls his eyes, "He usually works over in Bludhaven."

"He gave us some bull about police officer exchanges," Jason adds on, "which neither of us bought."

Danny relaxes all the way now, darting up a glance as a softly smiling Jason (gag) and even daringly leaning a shoulder against him. Jason preens.

"Wait go back," Val squints suspicious eyes at Tucker, "What do you mean long time no see?"

"It was a joke," Tucker's smile goes sly, "We met yesterday, committed our first crime in Gotham together and everything."

"Even got ice cream to celebrate" Sam smirks, "Swapped stories."

Danny looks up at Jason, wide eyes sad and mouth pouty, "You committed crime and got ice cream without us?"

Steph watches as Jason try to placate Danny, who is clearly joking and not having it, and feels all kinds of jealous and happy for him.

It just reminds her that she's gotta get going, so she leans just that little bit closer to Val, who is focused on Sam.

"What kind of stories?" Val crosses her arms, which. Delicious. Steph wants to bite them. Maybe Steph has an oral fixation.

She's okay with that. Hopefully Val is too.

"Oh…you know," Tucker drawls out, taking his sweet time, "Like how Danny's parents are ghost hunters turned ecto-biologists, a little bit about the ghosts and our town heroes…"

"…maybe a little bit about the Phan Club," Sam adds, not so innocently, "And how you were obsessed with Martina William's buck teeth in Junior Year because you thought they made her so cute, like Bugs Bunny—"

That seems to be the last straw. Val lunges.

Sam and Val chase each other, another, less monkey'd version of how Danny and Val brawled together.

It gave Steph more opportunity to observe their fighting styles, do a little more guesswork on the mystery that was Amity Park.

Danny liked to throw things, reliant on his apparent strength. Not for the first time, Steph wondered if Danny was a meta, if this was further proof that maybe Danny was Phantom, the blurry, hazmatted hero of Amity Park.

Val liked to flip and trip people up, even now, she was hooking her feet and flipping over objects on the street. She's been filmed on all sorts of security cameras, but her background doesn't discount her as Red Huntress, the newer hero that seemed antagonistic towards Phantom. Steph's not sure though, there isn't a lot of overlap beyond that in their fighting styles, and maybe it's the suit but Huntress' body type looked more svelte.

Sam, apparently, liked to use the other's momentum against them, stepping out and pushing against already moving limbs to twist them all around, topsy turvy. When Val went low to sweep a foot under, Sam stepped back and kicked it, turning Val all the way around and giving Sam a wide opening to the other girl's back, easy pickings

Steph squinted. Red Huntress liked to use weapons, so it was harder to really cement a fighting style, but she's seen Huntress use that move in one of the clips Babs sent over. And Sam was a little more on the petite side...

…Was Sam Red Huntress?

"You guys really like to brawl, huh." Steph said absently, trying to see if she could make any other connections.

"Everyone in Amity Park knows at least a little somethin' about brawling." Tucker shrugs, "It'd be hard not to, Most of the older generations were really into self-protection of any kind, even before the ghosts came around."

"Mom's a 9th degree black belt and Dad does judo," Danny agrees, "Jazz, my sister, took to Krav Maga like a duck to water, but got Dad's terrible aim."

"What about you?" Jason asks, peering at Danny's arms, no doubt remembering Danny's ease in tossing Val clear across a room and probably drooling about it. "Judo?"

Danny blushed, but it was Tucker that answered. "Danny's a whiz with weapons." He grinned a sharp little grin, "And yeah, he knows a lil' somethin' about judo. He's stronger than he looks."

Danny scratched the back of his neck, bashfully, "Mom was a little disappointed about the Krav Maga, I just don't have the head for it, but she perked right up when she found out I was good at handlin' guns."

Jason's eyes flared, and he leaned in a little closer with a gleam to his eye, voice so low Steph could scoop it up from the god damn floor. "Yeah?"

Ugh. Someone gag her. This does put the Phantom thing a little on the grayer side, since the 'ghost' hero relied more on their punches.

Steph shakes her head to clear her thought, looking hopefully over at where Sam and Val were still at it. She sighed, but turned back with a smile anyway. "And Val?"

"Val's dad works in Security," Danny's ears are so very red from Jason's attentions, "She's got some history in Hapkido, or was it Taekwondo?"

"Explains all the kicks," Jason whistles, "And all of Amity Park's like that?"

"Nobody realized how weird it was to have PE just be a karate class until Sam came around." Tucker continues, gesturing to the girls, "She came to town later, but she's also kind of good at most physical things."

"She's kicked my butt too many times to count," Danny grumbles, "Aikido is tricky to handle."

"At least you can keep up." Tucker rolls his eyes. "Leave some talent for the rest of us."

"Says the resident tech genius." Danny scoffs, but wisely keeps it at that when tucker rolls his eyes. "Besides, you're passable at guns."

"Passable," Tucker mocks, "Gee thanks."

The more she hears about Danny, the more she thinks he's too good for Jason. But then again, he also seemed perfect for him, so Steph called it a wash.

"So about that movie?" Jason decided to change the subject, probably impatient to get loverboy to himself. "We could watch something else, if Christmas or scary movies aren't your thing."

"The new Venom is out," Danny perked right up, turning towards Tucker for some reason, "We've been meaning to see that, right?"

"Uh," Tucker hesitates, gaze wide and frantic as it darts between Danny and Jason, "Y-yeah, buddy but I think—"

"The Marvel movies are one of the few movie franchises we can all agree on," Danny explains, turning back to Jason and looking up brightly, "We usually wait to watch on stream or something, but…" Danny bites his lip shyly, voice quieting, "…maybe we can watch it theatre just this once?"

Jason looks like he's trying his damnedest to not look disappointed, which—Steph feels for him, really. She and Tucker share a look, trying to figure out how to delicately navigate out of this disaster.

"Actually, I was thinking of—" Steph tries, only to be interrupted by a loud boom!

All six of them stiffen, bracing themselves and looking for the source. Those stories about Amity Park being a less Gothic version of Gotham is starting to hold water.

"Hello, Gotham!" A familiar grating voice echoes, "Welcome to my funtime jamboree!"

"Which one is this guy?" Val asks, still looking for the rogue.

"It's Riddler," Steph and Jason say at the same time.

Val groans, Sam rolling her eyes as the boys for some reason cheer.

"There are several bombs hidden throughout Gotham," Riddler continues over the police speaker system, "And each of them require some…shall be say creative problem solving!"

Steph gets tugged by the arm, pulled away before can even think about a way to separate naturally and disappear with Jason.

"Val?" Next to her, Jason has being herded by Sam, as Danny and Tucker conspire together over what looks like an old, beat up PDA.

"Danny and Tucker love escape rooms," Val explains, face scrunched up cutey in distaste, "I've been dragged to too many to count—"

"Wait—Riddler is too dangerous for citizens to—" Jason starts, trying to turn around to grab Danny, but is pushed forward by a surprisingly strong Sam.

"Yes, yes," Sam rolls her eyes, "We know, civilians etcetera and all that. Don't worry."

Steph and Jason try to argue, but are summarily stuffed into Steph's car—when did Val pick pocket her keys? Why is that so hot?

Before either of them can comprehend, Steph's been buckled into the driver's seat, Jason in the passenger, with the car somehow running.

The doors slam, and when both of them look through the passenger window, Sam has Tucker and Val in a rental car with her, Danny on his ecto-bike, already driving off.

Towards the commotion.

Steph and Jason share a look.

"What the fuck just happened?" Steph asks, stupefied.

"I didn't get Danny's number." Jason answers, equally confused but still buckling up and putting in a comm, "And you didn't even get to flirt."

"Hey!" Steph defends, putting in her own comm, "I'm not the one whose date thought they were asking the whole group to the movies!"

"Just drive," Jason growls, but it's lost in the sound of Steph revving her engine and their comms bursting into life with Babs' commanding voice and Duke's cheery timbre.

Riddler first, then dates.

Hopefully.

Mechanic!Val AU, but make it gay and sapphic.

ya'll can thank the HH discord for this one. Specifically the menace known as @clockwayswrites (and @impyssadobsessions for the art that inspired the damn thing)

Dead on Main and with some future Val/Steph >)

also @belfry-ghost did a doodle for this AU and everyone should go love on his art. Val's so unf.

===

Val’s pretty sure her new boss Jay is actually a crime lord.

She’s pretty sure he’s The Crime Lord, actually. She’s like, 98% sure she works for Red Hood now, and she’s low key mad about it. She squints at the man now, with his white streak and almost imperceptible green sheen to his eyes. 

The problem is that Val did perceive it. Because she used to date a guy whose baby blue eyes changed ever so slightly in the same way. Thinking about Danny makes her even madder.

To be clear, she’s not mad about Red Hood himself. 

She’s just mad that, of all the mechanic shops in all of Crime Alley, she just had to work for her ex-boyfriend’s third place Hall Pass pick. It also makes her miss her friends way more, and Val is hardly what one would call a well-adjusted woman, so she’s mad about it.

She huffs as she lifts the hood of the second car she’s working on today. Being a mechanic wasn’t really on the docket for Val’s life goals, nor was being in Gotham, but she got a full ticket ride on Wayne Foundation scholarships, and honestly? 

Gotham is Amity Park Lite: Gargoyles and Furries Edition. 

Between a full ride to Gotham U and being stuck at Elmerton Community College? The choice was easy. 

So here she is, working for the resident Crime Lord in his civvies. 

Jay pays good, teaches her what she needs to know, and bonus: he sometimes helps with her English Literature class. He’s flexible on hours, and she’s even got rudimentary insurance. 

All in All?  It could be worse—she could still be working for Vlad, after all. 

It's the little things.

[coffee-in-rain]

i'm sorry for always yapping about Hannibal's food trauma and its prospective appearance in his and Will's post-fall relationship. but it is so intriguing to me. particularly: the usually romanticized notion of hand-feeding and the idea of Will making an off-hand joke one day.

Hand-Feeding

imagine if one of the last times Hannibal was hand fed by anyone, it had been his sister when they were trapped in a cabin in the middle of winter. Hannibal had been giving her all of his scraps because she was getting sick and needed it more and he couldn't let her go hungry. he was desperate to care for her in any way he still could. he'd gone so long without food that he'd passed out and awoke on the cold cabin floor. small pieces of bread were being stuffed into his slack mouth. one week later, his sister died. not solely because of a cold. she had fallen ill and it had been apparent she wouldn't make it through the winter.

imagine Hannibal carrying that guilt with him. wondering for the rest of his life: if she hadn't fed him those morsels of bread and subsequently fallen ill, then maybe she would've made it through the winter and they could've escaped together.

imagine the trauma of being hand-fed following Hannibal into the BSHCI: one day the orderly who detests him the most straps him down to shave his face and keeps him restrained during meal time. Hannibal doesn't receive a bite of food even though it's dangled mere inches away and it reignites the memories of being trapped in the cabin during the winter as a boy. imagine if he goes to sleep that day with an empty belly for the first time in almost four decades because the food was never close enough in distance to take a bite. imagine if he promised himself as a boy that he would never go to bed hungry as an adult and it had remained true until that night inside his cell.

imagine Will hand-feeding Hannibal post-fall when they're in recovery. Hannibal dealing with a broken wrist--making it cumbersome to feed himself depending on the meal. imagine Hannibal hesitating. unable to take the first bite. an offering of food. monumental only to Hannibal.

imagine Hannibal's jaw clenching with a notable tremor and his heart seizing the moment Will presses a piece of food against his lips, urging him to open up.

Will saying: "come on, baby, you need to eat."

you need to eat. one of the last sentences Hannibal heard his sister utter. imagine Hannibal feeling nauseous at the mere prospect of eating--of taking opportunistic nourishment away from Will (even though both their plates are full)--and then blinking back tears because he doesn't deserve this.

kindness. encouragement. the ability to sate his hunger before Will even takes a bite of his own meal.

knowing it can be taken away at a moment's notice and can be placed just out of reach like the multiple times he's experienced before. imagine Hannibal asking Will: "are you going to eat as well?" because he's scared of both feeling and appearing greedy.

imagine Will registering the turmoil stirring inside Hannibal. being patient and coaxing Hannibal to eat. whispering "it's all right" and "take your time" and then kissing Hannibal's temple in reassurance/praise as the first mouthful of food is eventually swallowed.

Will's Off-Hand Joke

imagine Will gaining a small amount of weight post-fall and he needs to size up in his usual pair of pants. Will makes an off-hand remark after dinner: "are you trying to fatten me up?"

it's meant to be teasing.

but imagine Hannibal's brain racing to the first association he has with that term: of being trapped in a cabin and having his shirt raised so his body-mass could be inspected. if he had retained a little more weight then maybe his sister wouldn't have been the one to be chosen. knowledge that haunted Hannibal for the rest of his childhood.

imagine if Hannibal becomes defensive and shell-shocked by Will's comment. believing it's truly one of the worst things he could do to Will. that he's made Will vulnerable in the same manner he had unknowingly done for his sister by keeping her as well fed as he could--and now he's been keeping Will as well fed as he could during their recovery. imagine Hannibal having a nervous breakdown because of that off-hand comment and Will spending the rest of the night piecing Hannibal back together.

[eerna]

Thank you for posting all your takes on Arcane season 2, reading them has been helping me process what a disappointing shitshow it was and not feel so alone lol. I'm popping in to your asks to vent a bit about how messed up Jinx's ending was. They really led us on all season with themes of redemption and forgiveness and healing from trauma, showing us Vi finally accepting her for who she was, and Ekko showing up for her and saving her because she's worth that. They gave her Isha to love her unconditionally (and then took her away for shock value and tragedy porn), and demonstrated that Jinx's death wish should be something the people around her fight against and work on proving to her that she actually does deserve to live and heal and be loved ......... only to end on her killing herself anyway. She makes one big grand gesture by showing up for the final fight, and then sacrifices herself for Vi. As if in the end, she did deserve to die. As if that's the only way to redeem herself. As if that's a better ending than her processing her trauma and healing, and finally allowing herself to be loved. And we were robbed of Vi and Jinx healing their relationship and finally being in each others' lives. For what, exactly??? A death scene that wasn't even sad because it was just so ridiculous and out of place? That didn't fit the narrative themes AT ALL?

I'm just heartbroken that they did our girl SO dirty. It's unforgiveable. It doesn't even matter to me whether the fan theory that she survived is true or not, because even if she's somehow alive and will show up in a future show, the writers still chose to end this show with the message that the traumatized suicidal girl who never felt like she was worth anything and made violent choices because of the system she was born into actually did deserve to kill herself at the end!!!! And that it was the right choice and led to redemption for her!!!!! Gah!!!!! (sorry for basically yelling, I'm just so sad)

Awh, I'm glad you enjoy reading them, and feel free to express your sadness~ Jinx is definitely alive, it is spelled out by the show, but you are right, it doesn't change the fact that the framing device used in the scene was saying "Vi should just let Jinx kill herself already, we have been heading this way for quite some time and she should just let it happen after all this time". But that was only there for the emotional extortion!!!! And the fact that Jinx chooses to survive and start a new life proves it. Today I was listening to the soundtrack and found out that the song that plays as Jinx' suicide montages roll actually has a final verse and chorus where the singer decides she actually wants to keep living because she is no longer alone, and asks "don't let me go". And this makes sense to me!!! I assume they wanted Jinx to be heroic and remove herself from Vi's life so Vi can live happily and she knew the only way to force her to do it is to fake her own death.. but why??? They are fine now, they are a team and she has other people who care about her as well??? What did Vi, or the others, gain from not having Jinx in their life anymore????? Idk man it is so weird

[luvinqstvrnz]

A/N: I've read a lot of other fics, but I wanted to write my own; Keep in mind this is my first time posting/writing a fic to be posted publicly (lmk if there's anything I can do to improve)

Summary:

You've been with Chris for a year or two now, but you never knew exactly what he did and how he made his money, curious you decide to follow him after he leaves your apartment...

Content warnings (MDNI): Fluff, use of pet names, use of y/n, drugs, etc.

dealer!Chris x f!Reader

You and Chris have been together for about a year and a half, he's always been so secretive about what he does when he leaves after you guys have been together for a few hours (or days), you knew he had 2 triplet brother's that he lived with and everything they did on the regular.

Chris never told anyone publicly about your relationship afraid of how the internet and how they would react, he didn't want you getting death threats or anything crazy so you both mutually decided not to be public about your relationship on the internet.

You knew about Chris's job as a YouTuber but what could he possibly be doing at 12am for hours before he talks to you again? One night you decide to follow him when he leaves your apartment, trying to be very sneaky about your every move. Eventually all of his driving around lead you to a warehouse. You knew about the warehouse him and his brother's had but this was not it. You carefully stepped out of your car making sure you didn't alert anyone in the area around you. You watched quietly as Chris walked up into the warehouse and quickly followed behind him, making sure no one saw you.

As you tip toed past the other people in the warehouse the overpowering stench of weed hit your nostrils.

“Jesus Christ...”

You say softly under your breath; You've never been around this much in your life, what in the world was this place? Suddenly you see Chris emerge from behind some door.

“What the fuck do you mean we don't have enough to fulfill this order? I specifically told you-”

You hear him raising his voice to another guy in the warehouse, you've never seen Chris yell at anyone besides his brother's. You felt a bit turned on by him, the way he put other people in there place. You've never seen this side of Chris before...

Suddenly a hand reaches from behind you and grabs your shoulder, making it so you can't move.

“Yo Chris! Who's this chick? Do you know her?”

You've never heard this voice before, you had no idea who this was. Chris immediately looks over and sees you standing there, all you can do is stare at him. You're frozen, it's like someone paused you, you had no idea what to do.

“Y/n? What the- How the fuck... How did you get here?”

Chris says to you in a calm but stern voice, nobody knew of this place but him and the people who worked for him.

“I-I.. I-”

Your words were frozen, you couldn't mutter a word.

“Let her go. I'll take it from here...”

You hear him command the man behind you and he grabs your hand and leads you out of the warehouse.

“How did you get here? Are you hurt?”

He asks you lovingly. You just shake your head, you've never seen this side of Chris. Where did all of this come from? How did he keep this a secret from everyone for so long?

“You could've gotten seriously hurt... Why the fuck did you even think to follow me?”

He sounded stern and aggravated, he still sounded caring though, it was like he was mad but relieved you were okay.

“I-.. I really just wanted to know where you keep going when we part... I didn't ever think it would be... This?!”

You tried your best to keep your composure, you didn't want Chris getting upset at you, or anyone for that matter.

“Look, I'm sorry I never told you ma... It's just no one could or can ever know about this, not even Nick or Matt know.”

He paused and looked at you, trying to find understanding in your eyes.

“I can see why you don't want anyone to know... I'm sorry...”

He looked at you softly and leaned in to kiss you. He kissed you softly and bit your lip lightly as he pulled away.

“Do you want a ride home ma?”

You thought about it for a while and finally accepted, you didn't know what would happen if you went home with him right now but you knew he wouldn't do anything you wouldn't want him to.

He drives you to your appartment and let's you out of the car. He walks you up to your door and stops you before you go inside.

“I didn't know if you'd exactly want me to come in with you but uh... If it's okay with you... I'd like to.”

Chris doesn't normally ask to stay, he usually just stays without question. This worried you a bit.

“Of course you can stay... Why wouldn't you be able to?”

A wave of relief washes over him as he steps inside right after you, he leisurely walks over to your couch and crashes down on it, causing it to bounce with him.

“I'll be over there in a second, let me change real quick my clothes reek...”

You finished changing and walked into your living room, Chris was spread out on your couch watching his phone. You walked over and sat next to him, he placed one of his arms around you and pulled you close to him.

“So...”

He said slowly, trying to start conversation, you could tell he was a bit nervous considering everything you've seen tonight.

“So?”

He looked at you, his eyebrows were a bit furrowed and his eyes were wide.

“You're not... Mad?”

You just stopped and looked at him lovingly. You pressed a soft kiss to his lips and played with his hair.

“No, Chris. I'm not mad.”

He looked at you relieved and kissed you softly. You kissed him back, you started thinking of earlier when he told off one of the other people at the warehouse and your thighs lightly squeezed together. You pressed your lips onto his more passionately and cradled his face in your left hand.

“Y/n?”

He broke the kiss and looked at you but you ignored it and kept kissing him. After a few minutes of making out with him, you guided him to your breast's, your nipples were already hard from thinking about that time in the warehouse and kissing him. You felt him squeeze your breast's and pinch your nipples from above your tank top. Eventually you get on top of him and straddle his lap, slowly rubbing yourself against his length, it didn't take long for him to get hard. You kissed him and dry humped him for a few minutes until you heard his phone ring.

“Fuck!”

He whispered, he looked at you to make sure it was okay if he answered it, you nodded, he composed himself and answered his phone.

“Yeah, I'll be back in a minute.”

He said to someone over the phone and hung up.

“I'm so sorry baby but I have to get back to the warehouse.”

“It's okay Chris, don't worry about it.”

You watched him leave, knowing it wouldn't be the end of this interaction...

[noodle-is-unstable]

We have a winner. With 69 (lol) votes, the new character is...

Kenjaku

I'll update the original post but you are all going to throw up because Higuruma was only one vote behind and took second place

Now I'll do the same thing I did with Mahito when he came about. You can shit talk, rage and riot under this post as much as you want. I get it, Kenjaku is a very polarizing character (like Mahito). However, I don't want to hear it under my content. I'll put him at the end, skip him if you want to, I won't be offended.

Today and tomorrow will be spent adding him into all my previous works. I'll be starting at the top of my master list and making my way down so feel free to keep an eye on it as I add him in

As always please give me time to work out the voice for him, it will be a little janky at first while I figure out how I want him to sound

Thank you all for participating in the voting, it was hectic but fun 💖. I'm sorry to the Yuki lovers and to anyone that voted for someone else, but the brain won

[a-substantial-trash-pile]

mouthwashing responsibility au rambles below cut 🫡

(spoiler warning for the actual game obviously)

- even though jimmy got deservedly knocked out by anya and thrown into the cryopod early on, the crash still does happen. it's a freak accident this time, like maybe a piece of space debris just happened to hurtle right into them without time to dodge. it's like the tulpar is destined to crash. but this time it's a story about a group of people finding hope and strength in each other and finding what they themselves can be capable of in a time of crisis. btw i just mean curly, anya, swansea, and daisuke. i am NOT repenting jimmy. he ain't "fixing" shit.

- i'm sorry for frying curly again even though this is supposed to be an au with a happier ending 😭 the way his loss of autonomy reflects anya's own loss of it, making him feel firsthand the suffering she went through in a way, felt too important to just remove. curly's injuries aren't as terrible as in the original timeline since swansea rescued him earlier. and by "not as terrible" i mean he only loses a leg and not all of his limbs. he will get some function in his hands eventually and anya teaches him sign language to help him communicate (she teaches the others too).

- speaking of anya, she really shows her stuff as a nurse (even in the original timeline she does, managing to keep curly alive like that). she treats curly and swansea and is much more of a pillar of strength for the crew than she herself realizes. pre-crash and post-jimmy-getting-fired, she was able to relax and open up more with everyone, building a stronger bond. when the crash happens, anya is of course terrified and hella stressed, but now she knows she has people who have her back, and it helps. she can be more confident in herself without a certain someone being there to belittle and hurt her. this time when she has to deal with something difficult, something traumatizing, she has people to support her. in this au, she is not pregnant because if she was, i don't see how keeping the baby would be a good thing for her. and i don't want her to have to deal with that situation without the proper medical supplies on top of everything else. she's been through enough.

- btw there is no shipping in this au. i personally really don't see how it could happen between anyone on the crew. if there was some sort of spark between anya and curly, it's definitely gone now and won't happen again. the most they'll be are friends (although the friendship/trust will have to be built from the ground up again after everything that's happened with jimmy). the only ship here is the tulpar.

- i know daisuke is seen as a "dumb kid" but i really don't think that's the case. we are seeing him thru jimmy's perspective mostly after all and jimmy is the definition of an unreliable narrator. i headcanon daisuke as having adhd like me who tends to lose focus on tasks easily because your brain is just going 102929 miles a minute and wandering to all sorts of places like me. he feels like someone who doesn't exactly know where they want to go in life like me. also he's definitely a hawaii kid born and raised and talks pidgin sometimes like me except i lost the pidgin :(. i'm totally not projecting my asian ass on the asian boy or anything. BUT ANYWAY i wanted to give daisuke more stuff to do and a chance to prove to himself that he can do these things, he can step up. so that's partially why i made swansea burn his hands rescuing curly. daisuke can now be filled with Determination and be swansea's hands in repairing things as he heals. it's going to be hard and it's going to be frustrating for both parties and sometimes they'll get upset at each other. but it will inevitably be a great bonding experience for the two. i cannot resist the call for more father-son moments.

- swansea my beloved. i am so sorry for burning your beautiful hands please forgive 😔🙏 i have to make my faves suffer a little. swansea's hands will heal up eventually and he'll be able to use them again, but there will be scars. i think him having to guide daisuke with doing repairs n stuff on the ship as his hands recover gives him a mission. something to distract him from completely falling into despair and alcoholism. that man is hanging on by a thread but by god he's going to help get these kids through this. they've all grown closer since jimmy was sacked and swansea feels a sort of responsibility towards protecting anya, daisuke and curly as the oldest one there. it's the dad instincts y'know? on the real hard days, sometimes swansea thinks about cracking open a bottle of mouthwash, but he holds back because he feels he needs to stay strong for the crew. however he does have to learn that he can't shoulder everything and that he can rely on others. him having no choice but to have daisuke take over his tasks is a good way for him to learn that, i think. swansea is definitely a pillar of strength in this and the rest of the crew have a lot of affection for him (and vice versa even if swansea won't admit it). can you tell i really like swansea. he is such a foil to jimmy—a guy who has fucked up a lot in his life but actually acknowledges his mistakes and is trying his hardest to be a better person. aghh swansea i love you 💛💛

- after the crash happens, the cryopod room becomes inaccessible, so nobody is able to check on the state of jimmy in there. so they don't see that the crypod he's in eventually fails from damage and he escapes. this happens a couple weeks into the crash. jimmy is still pissed about everything and still can't see how he's done anything wrong (this is because he is a delusional asshole). in fact, he feels like he's the one who's been wronged and betrayed by everyone on the crew and he wants revenge. there will be a final confrontation between jimmy and the crew. spoilers: jimmy loses. i'm just undecided on who finishes it. it would be fitting if anya shot him, but i'm not sure that's something she'd necessarily want to do. she chose to be in the medical field after all. don't get me wrong, i think she would pull the trigger if it meant protecting the others. but i'd hate to have her kill, because even if jimmy deserves it, anya is a healer and would still probably feel guilty about it. i don't want to put even more shit on her plate. so i think swansea is the one to put jimmy down in the end. with the axe of course. i think he'd feel less guilty about doing it because it's something he's wanted to do since anya first told him about jimmy. oooh what if jimmy gets his hands on the gun, but daisuke tackles him, making him drop it, and anya gets it and shoots jimmy in the shoulder or leg or something to get him off of daisuke, and then swansea comes in with the axe to finish him off. that could be fun. that way anya won't have to actually kill but she'll still get to shoot jimmy. bless.

- the crew gets rescued eventually, but it's going to be a few months because pony express is a nightmare company. i'm honestly still not sure if pony express is even the one who will rescue them or even bother to look. i'm tempted to just have another ship happen across them by some miracle and help. real tempted to make that ship The Unreliable and turn this into a Mouthwashing x The Outer Worlds crossover quite honestly since both settings share similarities (megacorporations, cryosleep, etc). but idk. it's not like i can just write a fanfic or anything since writing is harder for me and who knows how long it will be before i even draw the idea. it's just yet another self-indulgent daydream for now.

[sockatoothewafflebird]

u prolly have already but pls i want in depth yap abt caitvi in arc3 and how they heal :)

oh anon i have NOT yapped about how they heal. not in detail at least. so here we go. there's not a lot that hasn't been said about them, but i'd like to put my perspective into the ring just because. as an eldest sister and as a lesbian i can relate to vi in a lot of ways.

i think my main takeaway for caitvi in act 3 is how they're both human, in the ways they love and in the ways they fight. arcane is a show that respects its audience and trusts us to be able to read between the lines and i appreciate how you can see every little detail of the words they're not saying if you look close enough.

in The Scene especially you can see just how real theyre being... im not gonna dwell on it, but by the skin of my teeth and the bones in my knees they LOVE each other. you can see it so clearly.

caitlyn walks in on vi questioning everything she is. violet legit just let her sister slip from her fingers, again. i cannot tell you how many times i've felt guilty when my sister or brother are hurt or do something wrong, even if i had no part in it. i cannot imagine how much it would hurt to lose them and keep going only because of the possibility of finding them again, and then when i finally do find then they're ripped from my arms. and it happens more than once. i would be in the same place vi is. blaming herself for all of it. making the burden of protecting her sister all hers and no one else's. wondering whether or not she's doing the right thing at all. (cough coughh petra minecraft is that you)

as stressful as they can be sometimes they're my siblings and i'd do anytning for them. and with the kind of person vi is, for her that means punching whoever's in the way. doing whatever she can. she has a big heart and she's never lost it.

after caitlyn basically dumped her in the most entitled way possible vi had nothing left. no one to protect and nothing to fight for. so she fought just for the sake of fighting. after getting her family back and losing them again (holy ballsockets she was put through the wringer) all she had was cait even if cait hurt her. i think even if cait never did anytbing to make it up to her, she would have stayed, because vi needs an anchor.

caitlyn's hurt a lot of people directly or indirectly. she grew up priveleged and stayed that way, never truly seeing exactly how much pain people are going through until it's too late to turn back. caitlyn's arc is a very interesting one because she never says the words "i'm sorry". she never tells vi that what she did was wrong and that she wants to fix it. but she does things that prove her remorse.

caitlyn works with vi in the end of act 2. i think this is partially because she was already skeptical of ambessa from the start, and partially because she wanted to find a way to make it up to her. caitlyn doesn't fold as soon as vi calls her cupcake, that's not what the look is. The Look is her thinking, "wait, does she not hate me? why did she call me her term of endearment even after everything i've done?"

in act 3, caitlyn takes all the guards out of the prison, because she knew vi would try to rescue her sister. in the words of another post i forgot to save (deepest apologies to the op of that one), vi could have taken jinx and ran. caitlyn might have never seen her again and she let that happen anyway. and cait even went to the cell to check to see if her theory was true, and lo and behold it was. and vi failed at trying to save her sister. again.

what does caitlyn do? she tells vi that she relieved the prison of the guards because of her. all confident and sultry and commanding like she knows what she's doing.

and then when they're getting into it caitlyn frantically pulls away. she realizes that, yeah, she still needs to make things right. she tries to be honest, tell vi that she saw someone else, and vi just reassures her and keeps going. i think thisnis because 1) vi wants the cupcake, who wouldn't, and 2) she's... not exactly forgiving, that needs more work- but she's showing her appreciation for caitlyn here. caitlyn did something huge for her, she let her break a prisoner out which could have dire consequences for both of them.

i think vi just absolutely smothering cait is also a way to show that even though cait hurt her physically as well as emotionally, she's gone past that. if vi hadn't at least given some thought about cait's actions she would not let this happen, i don't think, unless she's super desperate. this proves that vi is starting to move on and cait is starting to revert back to that sputtering stuttering pinned-to-a-wall-flustered woman she was in season one- that's the woman vi fell in love with, after all... and that woman is battered and bruised and has plenty of sins to stone for. but that woman is not dead.

The Scene in the cell is both them being desperate and them showing their love for each other without words. caitlyn's hand lingers on vi's injury, maybe about to utter an apology, but vi cuts her off anyway. there's SO many little things here gaughehgjf.

and in the end of the show, when caitlyn looks into the hexgates in her family's archives, she looks because vi probably asked her to. vi wanted to be sure. she looked because she cares about vi. whether or not she'll tell vi about this is an interesting thought- i don't think she would. it would undermine jinx's sacrifice.

jinx walked away so she could move on. so piltover could move on. so zaun could move on. so vi could move on. and caitlyn telling vi that she's alive would ruin the steps they've taken towards healing.

i think vi's main problem was dedicating her life to her sister and nothing else. and caitlyn's was just her exploiting a broken system and mever recognizing her faults. vi starts to heal because now that her sister is truly gone to her, she can move away from the past and build her own future. and now that caitlyn's fully realized her mistakes she can take steps towards changing piltover for the better. GAHH i love complicated sapphics especially when there's sapphic joy after all the suffering....

this was all written in one sitting so apologies if it's messy, and i've sort of compiled some other ideas and theories i've seen in here too; but yeah, these are my thoughts on caitvi in season 2. i think they could've been fleshed out a bit more, but overall their relationship is legendary. i'll never stop loving them. caitvi supremacy people 💪

[mixupmycota]

I think also though like most things with this fucking guy it's got a flipside to it because he's never just one thing as much as he wants too be

I think he's genuinely lonely. I think, while it's still more about him than Cole, he does have genuine concern that if Cole stays in the state he is when it gets to the breaking point, he will be exploited, bound, and similarly achingly lonely - outcast to both spirit and mortal. Something something metaphor for neurodivergence in a writing team that has a lot of neurodiverse voices and in a franchise that is obsessed with masks and masking, literal and otherwise, and that keeps building in lore around the exploitation and abuse of neurodiverse populations, including and especially in institutionalized settings.

Thinking about how the original mortal Cole, in one banter, is revealed to have been made Tranquil and the hell he went through while in one such setting. I think Solas genuinely worries about that being Cole's fate! There is compassion in Solas, there is tenderness in him, but he is very selective where he allows it to show and he does like fifteen cognitive backflips to avoid extending it to himself, which further entrenches his patterns of self-isolation and reinforces that he IS alone, that he WILL die alone, that nobody can truly relate to him.

Which I think is a reason he wipes Cole's memories. Per the wiki:

"(Solas speaking through Cole) I'm sorry, Cole, but with your gift, I fear you might see the path that I must now walk in solitude forever. This fate is mine alone. Indeed, I would not wish it on an enemy, much less someone that I once cared for. Though you reach out in compassion, I must now insist that you forget. (Cole now speaks) I'm... what were we talking about? I'm ready to help people when you are."

Triggered when approaching Cole at Skyhold after the end of the game."

I think this also is not about Cole, not really, not totally. I believe he believes what he is saying here, his own justification for taking Cole's memory away. But he can't imagine another path that Cole might take. He can only operate on the assumption that Cole will follow in his footsteps.

"that i once cared for"

This guy is doing his best to sever his earthly and otherwise attachments as much as possible so he can remain in his state of cultivated solitude, which he hates, that makes him miserable, that he is TERRIFIED of because if anyone walks with him it might happen again. He might falter, and consider changing his mind. The allure of setting down the burden he has taken on, of just living as himself, is overwhelming and horrifyingly terrible to him, I think.

His gift for snatching defeat from the jaws of victory on this is truly impressive. I am shaking him back and forth while he's all limp at maximum speed, because unlike many people in Thedas, Solas has people actively reaching for him. Actively trying to help him.

He is alone because he decides to be. He decides to be because he feels like it's dangerous if he isn't. It's dangerous if he isn't, because it would mean he isn't alone. If he isn't alone, that means he can stop. If he stops, it was all for nothing.

Which, on that. God sorry for the massive off the cuff post added on here I'm very self-conscious and feel free to ignore me but.

The emotional journey Solas goes through in the like 0.5 seconds after he turns around and sees Varric there before he shuts the fuck down is really compelling to me to think about in the context of all of this, and also in the context of the mythic, cyclic narrative of his own life and trauma and atrocities that the confrontation is re-enacting.

Varric is there. Who calls him Chuckles. Varric, who no matter how Cole's quest goes ultimately, had a major impact on that spirit of Compassion, challenged Cole to consider new ways of thinking.

I think a lot at the moment about how Solas read Varric's books - seemingly repeatedly and somewhat obsessively considering he takes at least one with him in Trespasser.

Cole talks about Varric's writing gathering the attention of spirits, about it making things real. I think about Solas telling Varric that "this story does not end with my downfall."

In saying that it's like he's asserting his own reality again in the same way he seems too in the conversations in Inquisition about Cole. He shuts down the possibility of this being anything other than a confrontation, a threat, when he speaks the words "my downfall".

Referring back to another banter with Cole:

"Cole: How do you make them calm?

Varric: Who, Kid?

Cole: Everyone. You talk and the fear fades, slipping to sleep. Not always happy, but not angry.

Varric: Most people are like cats. They either puff up to look dangerous or they crouch down and hope you don't see them. You show them you're not a victim or threat, and they're in your lap and purring before you know it.

Cole: Cats swat my feet even when no one can see me.

Varric: That explains a lot."

Solas has to do this, because otherwise he knows full well that Varric could have an effect on him, because he's done it before. But he can't permit that, because of all of the above. He literally twists the narrative when he says that, and brings it into alignment with his own belief of how the world should be.

Which is making me think things about the Fade but I won't add that onto this post which is already too much as it is.

SORRY I TALKED SO MUCH I DONT EVEN KNOW IF THIS IS COHERENT but i've been turning all of this over a lot today. Solas is consistently inconsistent in a way I find extremely compelling to chew on.

Does anyone ever think how in Inquisition Solas was probably, to some extent, envious of Cole’s journey from a spirit to a person? Of how that would explain why he was holding so viciously to his approach against Varric’s?

Because Cole wants to be a person. By contrast to Solas, no one begged Cole to leave his spirit nature behind against his own wishes;

Cole didn’t kill/mutilate anyone to gain a corporeal form either. More like he took on and continued a life that had already ended.

Does anyone ever think that Solas is unable to accept that Cole can become a person because that would mean he’d also have to confront the fact that his own actions (him and ‘his people’ gaining a body at the expense of Titans) were unjustifiable anymore?

Because... there could be another way, that’s not his, and because he could be wrong. I bet that would terrify any ancient being who’s been struggling with doing the right thing for centuries.

Or who knows, maybe I’m just rambling. Something, something I think we need to talk more about the implications of Cole becoming a person and Varric’s role in it. That quest certainly lands so differently after Veilguard.