#I'm so glad to know that I'm not the only one who sees him as a trans guy 🥹

[v1x3n]

SNAP! ── ripped apart.

♯ PAIRINGS - john price x falsely accused reader x 141

♯ SYNOPSIS - tortured for information by your family and the person you loved, john price. you were harmed for something you hadn't even done, you were framed as the traitor and soon they would find out.

♯ TAGS - fluff, angst - panic attack, trauma, flinching.

─ previous chapter // masterlist // next chapter ─

There's a sudden knock on the door to your room, your body dry and freshly washed, the minty smell from the soap bar fills your nostrils whilst you slump on the hospital bed. Curled in a way that was uncomfortable but it wasn't hurting any wounds so that would have to do.

The knock is followed by the door opening wide, revealing a man who you recognise, a man named Logan. The cheery fellow bounces into the room, suddenly the dingy lights seem brighter. "how's my favourite girl?" the man smiles while trotting inside, then closing the door behind him. "The nurse told me t' not bother ya sooo here I am!" he announces, smirking when you peer up at him. Your permanent frown slightly moves upwards when you see the goofy yet devious grin on his face.

Without a reply he sits down on the wooden chair placed by your bed, "you're looking better! my wounds are barely healing!" you wonder what had happened to him for a moment but then you remember that one of the first times he snook into your room, he rambled on for almost an hour. Telling you that he had been shot whilst on a mission, twice in the stomach. Luckily he survived. He smiles as he stretches out his hand, groaning, "I'm glad you're okay," he says, his voice filled with emotion.

A sigh falls from his lips when you sit up, "saw some big beefy guy leave your room before," john, he's obviously talking about john. "Looked real pissed off." Logan mumbles under his breath when he looks to the side. Fucking twat, he was pissed off? He doesn't deserve to be pissed off. "Ya know him?" He looks towards you for an answer. But you two both knew you weren't going to verbally say anything. You nodded hesitantly.

"Ya friends?" the man questions, this time it wasn't so hesitant. "No." You firmly said. Logan thought this was the first time you had spoken to him, it clearly must've been a trigger or something, "he is NOT my friend." Reaffirming your statement, pure rage boils through you at even thinking about being his friend. He lost that fucking privilege. "huh."

There's a silence that lingers in the air. The wet droplets from your freshly washed hair drips down, sending shivers down through your body. "Well, at least you have people visiting. My family is too busy t' visit. Or they just divnt wanna." he mutters the last part, "id kill for anyone t' visit."

"You know you get a lot of people lining outa your door? I can barely get through mine cause these bulky men will always be there." What? You questioned internally. "Ya friends with them?" you probably knew who he was talking about, it was probably the other knobheads that harmed you. None of them had really spoken to you since you arrived, john would sit down on the chair that Logan was currently sitting on sometimes, you two wouldnt talk though. Youd rather kill yourself than utter a single word to him.

"none of them are my friends, " gruffly talking again. Your throat kinda hurt so the sounds came out raspier than you had wanted them to. "hmm! Anywho! You wanna play some cards with me? I knowww.... Snap?" Then he puts on a dumb little smile.

After rolling your eyes at him, you nod. Magically he pulls out a card deck. Placing them on the blanket covering you. Once splitting the deck into two and passes you a half. Logan puts a card down gently on the blanket, not wanting to put it down too hard and hurt you. He didn't quite know what had happened to you but by the looks of it it was bad. You had nurses in all the time, your body was wrapped in bandages and by the looks of it, you only had 8 fingers.

"6 of clubs!" he announces. You place down a random card, 4 of hearts.

After a few rounds, you had won. For him having a deck of cards and wanting to play snap, he wasn't that good at it. A small smirk rises on your face, looking down at your massive stack whilst he had no cards left. "Well, well done." He grumbles with a mocking pout.

Once nodding you give him half your cards and he whacks them across the bed. Scattering the cards around, you gasp. Laughing, he observes the stunned look on your face before you shuffle the cards and half them. Dividing them into two halves, again making sure you both have a half each.

The word snap was yelled out from Logan's lips as he finally got ahead of you and slammed his callosed hand downwards onto the 2 of diamonds. When you flinch, he felt the weight of his face drop. "fuck, I'm sorry-" the look on your face could only be described as panicked, scared and fearful.

Suddenly a loud ringing blinds your ears. Your breathing grows. You take sharp and quick breaths when he looks towards you. You don't know why you panicked so much over something so stupid but then again - you do. "oh god I'm sorry!"

Logan's heart sank as he watched you struggle to catch your breath. He quickly slid closer, his voice gentle, "Hey- fuck- it's okay. I'm right here." He hesitated, unsure whether to reach out physically, but instead whispered, "Just breathe with me, nice and slow," trying to guide you back to calmness. But unfortunately that didn't help. You flinch back once more and shuffle under the blanket. The sounds of the room grew louder, the beeping of the machines sound over Logan's - trying to be - comforting voice. Your breath caught up once more. Your breathing is loud and fast. "it's okay-"

He gets cut off when a nurse comes into the room. She quickly rushes to you and all you see is almost a blur when your eyes prick with water. Distant yelling and you see the obscured bodies rush into the room, the nurse beside you and mumbling nonsense as the blob you think is Logan leaves. 

[magicalrocketships]

pretty much every day i just think abt small!max saying "daniel, my daniel" when he sees dan. it's with me forever!! ok that's all

Okay, this awakened something in me, and I've missed Go Small! Max. Thank you, anon!

All earlier parts can be found in this masterpost and on AO3 here.

Five times Max calls Daniel ‘my Daniel’ (and one other time)

One. 

"No," Max says politely but with zero room for negotiation. "I don't want that."

That is a plate of sandwiches that look decidedly soggy, oil softened vegetables leaking out of a thickly sliced sourdough. 

Daniel looks up at the waiter. "Could you do some sliced bread and butter instead?" he asks, moving Max's plate out from in front of him. He finds room for it on the table next to him and opens up the sandwiches, starting to scrape the vegetables out onto the plate. In hindsight, it was a bad order. He'd seen the tomatoes and thought that Max might like them. 

The waiter comes back over with two slices of bread and a pat of butter; Daniel makes yet more room on the table to butter the bread and cut it into halves, then deposits it in front of Max. He goes back to scraping the mediterranean vegetables out of the sandwich, dumps the bread on his plate, then starts to pull out the tomatoes so that they're separate from the rest of the vegetables. He offers the plate to Max, who stares at it dubiously. 

"You like tomatoes," Daniel says. 

"Hmm," Max says. 

Daniel doesn't force him. He sets the plate down and shows Max his fork in case he wants to try anything, then eats his own pesto chicken on toasted sourdough. 

Max picks at his bread and butter, then after eating a piece, he uses his fork to carefully eat two little roasted tomatoes. He clearly considers this enough vitamins and nutrients for this meal, and goes back to his bread and butter. He does, however, drink his apple juice. 

"Is the bread nice?" Daniel asks. His sandwich is decidedly mediocre. 

Max considers. "Yes," he says finally. "Thank you, my Daniel."

Something inside of Daniel's chest shifts. He's changed forever. 

"Good," he says, his voice catching. "I'm glad."

&&&

Two. 

Max hasn't wet the bed in weeks. The nightlights had finally managed to turn frequent into infrequent into barely ever. 

Barely ever isn't not ever, though. Daniel's woken up by an insistent little hand on his shoulder. "My Daniel," Max says, sniffling. 

Daniel blinks away sleep. "What's up?"

"The bed's wet," Max says. 

Daniel sits up. "That's okay, Maxy-Max," he says. "That's okay. Nobody's mad."

Max sucks in a ragged, tearful breath. 

Daniel kisses Max's flushed forehead. "Let's go get you cleaned up."

Max tucks his hand into Daniel's, sleepy and tearful, and holds on. 

&&&

Three. 

"I didn't know where you were," Max says reprovingly, once he's discovered Daniel face down on the sofa, snoring into a Pokemon cushion with the TV on low, and poked him awake. "There's no breakfast bowl."

That is a reprimand. The rule is, no TV before breakfast. TV is allowed with breakfast, but the new rule came into force last week when Max refused to eat anything because he wanted to watch Detective Pikachu through to the end even though his tummy was rumbling. So: no TV before breakfast. 

Daniel didn't go to sleep until after four, though, and he's only out here in the living room because he'd finally got bored of watching the time tick by on his sunrise alarm clock and had resigned himself to pulling an all-nighter. He'd come out here to drink coffee and watch whatever he could find on TV in the middle of the night, then had promptly passed out eight minutes into an old episode of Friends. 

"You have to turn the TV off," Max repeats. 

Daniel obliges. He still feels mostly asleep. He rubs his fists into his eyes. 

"Hmm," Max says. 

"I didn't sleep very well," Daniel says. He doesn't look at his watch but Max likes to be awake pretty early. As an adult Max likes to sleep late, but kid Max doesn't feel the same way. Consequently, Daniel's life has flipped to an early bird timetable. His body hasn't quite caught up, though, and there have always been nights where he's stared at the ceiling for far too many hours. "Might have to be careful with me today, champ." He does finger guns to try and make it cool, but he's just tired. 

Max blinks at him. "Okay, my Daniel." He turns on his heel and disappears out of the living room, before coming back in clutching Pikachu. "You can hug Pikachu," he says. There's a pause. "Can we have breakfast now?"

Daniel laughs. "Sure can," he says, wrapping an arm around Pikachu's round middle. "What are we having today? Would monsieur like a fish? An omelette?" He does his silliest French accent. It's very bad. Max laughs. He always has the exact same breakfast. Max likes cereal. Cereal, and his milk in his own special jug. He won't entertain anything else. "A croissant, Max? A fried egg? Un oeuf?"

"No, no, no," Max says. "Cereal, please."

"Coming right up, monsieur," Daniel says, and as Max pads into the kitchen in his pyjamas, Daniel's heart skips a little soft beat. 

&&&

Four. 

"Daniel, my Daniel," Max calls, barely even waiting for Daniel to get out of the car. Daniel's been into the village to get fresh bread for lunch, and he's come back with wine for him and his parents, a few bits and pieces his dad had wanted for their dinner that evening, and a new bat and ball game for if Max can be tempted out of the pool for any significant period of time. 

Daniel grabs the bags. "Maxy-Max," he calls back, finishing off with his best camel impression just to make him laugh. He wanders around to the back of the house to the pool, where his mum and dad are — predictably — in the water with Max. "Mum, Dad. Everyone present and correct, I see."

"Watch me," Max tells him, clambering out of the pool and getting water everywhere. "Look what I can do now!" 

"I'm watching," Daniel says. 

He watches Max sit down on the edge of the pool with his feet in the water. He puts his hands above his head, shaped like he's going to dive, and Daniel knows what he's going to see. This is how he got taught to go into the water face first. His parents taught him and now they're teaching Max. 

Max tilts forward and forward until he's going into the water in a little seated dive. He emerges from the water, beaming, to Daniel's mum and dad clapping him, and Daniel cheering. Max swims over to the steps, and Daniel's waiting for him at the top of them. He gets a very wet and very excited hug. 

"Did you see?" Max asks. 

"I saw," Daniel says. He blinks away tears. He doesn't know why he's crying. "I saw, and you were brilliant."

"Good," Max says solidly, and follows Daniel inside, little wet footprints all the way after him. 

&&&

Five. 

Max is three. He's sleepy and full, a solid little lump in Daniel's lap. He's demanded three stories already before bed tonight, and Daniel's accommodating because in the morning this little version of Max might be gone. Daniel might get his seven year old Max back, or he might wake up to an empty bed and two missing cats, and Max having left to pick his life back up. 

Daniel kisses the top of Max's head. "This is the last story," he says, but he'll probably stretch it out until Max falls asleep right where he's sitting. There's no rush, anyway. There's nothing for either of them to do with their days. He turns the pages in their little book about kittens.

"My Daniel," Max says sleepily, a little garbled around his thumb. He sucks his thumb when he's three, and Daniel hasn't any interest in stopping him. He'll let Max have anything he finds comforting. He deserves the little kindnesses. 

"My Max," Daniel says softly. Max is falling asleep in his arms, his eyes drooping. It's time to put him to bed. "Time for sleep, my little Max. Time for bed."

Max is asleep by the time Daniel's carried him through into the bedroom. He doesn't stir as Daniel tucks him in, as he makes sure the nightlights are all turned on and that Pikachu's in easy reach. 

He stands in the doorway for a long time before he turns away. 

&&&

(And Another Time)

Daniel is so, so tired. His body feels heavy. His mum had gone with him to the doctor's yesterday, and they'd stopped at a pharmacy on the way home to pick up his new pills. She'd brought him a glass of water and a plate of crackers to have with the first dose. He'd downed them all obediently. 

They're not magic. He's not woken up this morning feeling happy again, or like his chest is more than the black, sucking hole where his heart used to be. 

He doesn't open his eyes. A tear escapes without his permission. He hates this. He hates feeling like he does right now, hates the nothingness, the weight of his body against the earth. 

"Hey, Daniel, my Daniel." It's Max, sleeping next to him for the fourth night in a row. He's big but he hasn't left. He always leaves but this time he hasn't. He's still here. He strokes Daniel's hair. "It is okay. I am here and your mum's here. We will make it all all right again. I promise, Daniel. You don't need to cry." He strokes his thumb under Daniel's eye, catching Daniel's stray tears. He wipes his thumb on the sheets then curls his hand into Daniel's. He laces their fingers together. "We've got you."

And Daniel, desperate, holds on. 

&&&

(thank you to Lin @andwegogreen for reading these as I wrote them tonight 🧡🧡🧡)

[not-a-lady-irl]

Glad you liked it

Pairing: Malleus Draconia x f!reader Summary: You were taking a cooking class with Trey to pass the time. At the end of class, you returned to your Diasomnia dorm with a beautiful strawberry pie, but you just didn't expect that the pie would spark the interest of a certain dragon. Warnings: fluff, terrible writing Author's Note: English is not my first language so I apologize for any mistakes. Words: 2.1K

You were taking a cooking class with Trey, he was teaching you how to make one of his famous strawberry pies.

It was just a normal day, after your classes ended you left the Diasomnia dorm looking for something to do and as you walked around campus you smelled the wonderful smell of Trey's pies.

And that's how you ended up in the kitchen of Heartslabyul's dorm.

— Hey Hey! Even your pie turned out better than we expected — Trey confessed, as he took your pie that had just come out of the oven and examined it.

Even you were surprised

— Wow! I still can't believe it worked.

— Your pie is excellent — Trey takes the pie out of the pan and puts it on the table — At least now I know who to call if I get a large order of pies and need help. — He jokes

A smile forms on your face when you hear the compliments

— Thanks Trey, at least now I have something to take to my friends at Diasomnia, I'm sure they'll love eating one of your pies!

— I sincerely hope so — He replies while picking up some already cut strawberries and some whipped cream that was inside a pot — Now this beautiful pie just needs a decoration!

You observe the way Trey decorates his pie, the dexterity and care he has when forming small circles of whipped cream that add a sensation of delicacy to the pie and then the chopped strawberries.

— And… that’s it! — The last strawberry is placed on top of the whipped cream. Trey picks up his pie and looks at it with some pride — It's this decoration that makes customers ask for more and more, I don't know, it seems like they simply only like it if it looks like that, it's strange, isn't it? — He comments with a laugh.

You look at his pie and think about how long Trey must have worked with sweets, especially strawberry pie, to reach this level of perfection.

You wondered if your decor would be as good as his.

— Okay! Your time! — He says, handing you your pie and the utensils for decoration — It's very easy, you'll see — An encouraging smile appears on his lips

— Don’t expect too much from me… — Your confidence exuding

Not wanting to take too long, you take the pot, the spatula and pour some Whipped Cream onto your pie. Luckily, the whipped cream circle comes out perfect.

— I did it! — A smile escapes your face — I didn't ruin the pie!

— If you keep talking like that, it might happen — Trey catches your attention and you respond by pouting — Come on, finish with the whipped cream first and then add the strawberries, which is the easiest part

Obeying his orders, you repeat the same way as before when pouring another drop of whipped cream on the pie.

However, you weren't very lucky this time.

Instead of the drop forming a beautiful, delicate circle, the whipped cream ended up escaping the spatula and a large amount of it spread across the cake, forming anything but a small circle.

— Ah… — Your voice condemning your disappointment at seeing what had happened

But all you could hear was Trey's laugh in the background

— I told you that if you kept saying those things this could happen — A laugh escapes Trey's throat

Your face becomes enraged at the mockery of the green-haired man in front of you. You decide to give up on forming small delicate circles and opt to simply spread the whipped cream all over the top of the pie, "it looks much better like that!", you think, trying to admit that your decoration had been superior to Trey's

— Okay, I'm done! Excuse me. — You respond with disdain — Without even waiting for any response from him

— Oh, that was fun, for sure — You hear him say as you walk away to your dorm

From now on you would think twice, maybe three, four or five before agreeing to do anything with this man again, especially if it was strawberry pies.

With night already taking over the entire sky with the moon and stars, while returning to Diasomnia you found yourself thinking about what the students in your dorm would think about your pie. Would they like it? You weren't so sure about the taste, but since it was Trey's recipe you assumed it wouldn't be bad!

"Well, at least it would be better than Lilia's food for sure", you thought, and a smile escaped.

But even though the opinions of other students didn't bother you much, you, after all, only cared about one person out of all of them.

Malleus.

The horned fae who exudes power and strikes fear into all who look upon him. It wasn't like your crush on him was something few people knew about. You blamed yourself for it, but sometimes you couldn't control yourself around him and your feelings were always showing. Your eyes condemning you.

When you arrived at the dormitory, you could already see the vision of some students studying, others gossiping in one of the corners of the main hall, others practicing magic on themselves or their classmates… well, it was something you were already used to seeing in your dormitory.

You didn't notice, but the still hot pie gave off its scent to everyone, attracting a lot of curious looks at you and the box you had in your hands.

— Yes, it's one of Trey's pies if that's what you're thinking — You respond, already knowing that you couldn't hide this fact for long

— Can we have a piece?? — One of the boys asked

You thought a little before answering, because you wanted Malleus to taste your pie, Lilia wouldn't be a bad idea either, you loved receiving praise from Diasomnia's vice-prefect.

Well, but the fear of the pie being terrible haunted you again. The decor was horrible, there was no denying that, but you were going to take a chance on the taste.

— Okay, you can have a piece. Just ONE ok? — You open the packaging where the pie was and face that decoration disaster again — In fact…. It was… I who… did… — You already regret it

The student who placed the order approached and looked at the pie.

— Well, it's definitely more appetizing than Lilia's food, that's for sure. — He said and took a piece of your pie.

You couldn't hold back your laughter upon hearing the comment. In fact, the vice-prefect's meals were terrible… to say the least, so of course the students would think your pie was phenomenal.

— Wow, it's incredible! — He replied — Congratulations Y/N! You are an excellent cook!

You were surprised by your colleague's comment

— Serious? Thanks! — Your face showing disruption.

Your happiness was so much that you didn't even watch a large crowd of students eating your pie either.

— Hey… wait. Leave at least a piece, please! — Your voice tried to reach the students' ears, but the effort was in vain, none of them heard you.

As you tried to fend off some of them to try and save your piece of the pie, your voice began to take on a different tone, one of fear, concern.

— Guys, please! Don't eat all the pie! — Your voice breaking and the fear of taking over — I told you to leave at least a piece!

When they finished eating, they started to walk away and only then did you get a glimpse of your pie… or at least what was left of it.

Nothing.

There wasn't a single piece left. No trace that it even existed. They left nothing for you to offer Malleus.

As you looked at the empty box in front of you, your eyes filled with tears. You had worked so hard to make that pie. You came back so thoughtful about the feeling of having Malleus experience something made by you… you liked seeing and knowing what he thought about you and the things you did.

You wanted to spend this time with him, to hear from him what he thought of your strawberry pie.

But that was all over, there was no more to give to Malleus.

Angry, you huddled in Diasomnia's kitchen cabinet and cried. You cried everything your heart asked for. All your sadness and regret poured out. You weren't exactly angry with your colleagues, you didn't blame them for not listening to you (at least not entirely), but you blamed yourself even more for not having set aside a piece for Malleus yourself.

— Whatever… — Your voice was muffled

As you gave in to your loneliness and sadness, you heard a familiar voice coming from the front door of the main hall.

— Well… do any of you know where she is? I had promised her that I would deliver a piece of my pie but… she left before I could deliver it.

Wait.

You knew that voice.

Trey??

You wipe the tears from your eyes and run towards the door, where three boys could be seen staring at the green-haired man.

As soon as he looks at you, he shows you the piece of pie that was in his hand

— Hey Y/N! You left before I could give you this. You made me promise that I would give you at least one piece of my pie to try and compare with yours, remember?

It´s truth! You had forgotten, you bothered Trey so much to give you a piece of his pie that after he made fun of your decoration you simply left and forgot about the promise.

You walk over and pick up the piece.

— Thanks Trey… but now there's no way I can compare — You say, your voice already breaking again

Trey looks at you closely and decides to ask.

— Isn't there any left for him?

You just nod your head

Trey knew why you wanted to take a whole pie back to your dorm. He knew you wanted to impress Malleus. That's why he helped you.

Before you could say anything else you both hear heavy footsteps coming from behind you.

— What's going on here? — A deep voice asks, causing chills throughout all the students.

Except for you, because you recognized that voice as well as you recognized Trey's voice.

Malleus.

—Oh? Y/N? What happened? Why are you standing here by the door? —Malleus asks you, his gaze full of curiosity.

— She would like you to try the pie she made — Trey responds in your place.

You look at him with a glare. Everyone in the dorm already knew about your love for Malleus, but Trey didn't need to make it obvious to Malleus himself either.

— Is it true Y/N? — He asks

You didn't know exactly how to feel, you weren't the one who actually made that piece. The decor was beautiful, completely different from yours. However, the recipe was the same, it was Trey's recipe, and the students who ate it said it was just as good. So there probably wasn't much of a difference.

— Only if you want… — You replied quietly, very shy.

You were someone else when Malleus was in the same room as you.

Malleus looks at the piece of strawberry pie held out to him.

— I would love to — And like that, he takes the piece from your hands and puts it in his mouth

The world stops at that moment, the pie wasn't even yours, but the fact that you said it was caused the same anxiety as if it were yours. Malleus bites a piece, chews, swallows, bites another, chews, swallows.

You swore your heart would stop there, at that moment. You even got scared when you saw Trey as worried as you were.

— It's wonderful — He smiles satisfied — I'm happy to know that you have a gift for confectionery Y/N — He praises and bites another piece

You can't even believe it. Your face turns all red. You feel warm. Your heart is pounding. It worked, you received a compliment from Malleus! You couldn't even believe it.

— Looks like someone won the night now — Trey comments with a smile and you can't even be nervous with him, he literally saved you

—Oh? I didn't know that Y/N wanted me to try her pie so much — Malleus lets out a laugh — If you want me to try something so much, next time take it directly to me and I'll tell you exactly what I think. — He smiles at you, his pointy teeth showing.

You don't remember exactly how, but you remember your eyes closing and your head hitting the floor of the Diasomnia.

[tamayula-hl]

Sorry I have skipped answering anonymous messages for a while 🫣

Thank you so much for all the wonderful sunflowers(Himawari)! 😭😭🙏✨🌻💕 (And sorry I'm always getting them and not spreading this joy to other people's inboxes 🙇‍♀️) I'll continue to have fun creating various Slytherins content 💪😌💕.

YESSSS! I want to draw more about Sakurako and I always want to draw something like an introduction sheet about the Seb x Sakurako ship, but there are so many other things I want to draw that those inevitably take a back seat 🤣. But I hope to draw Sakurako soon 💪.

Aww, that's a very great idea! I'd love to see Slytherins struggling with parenting for the first time so I'd love to draw about this one day 😭✨. I can just see Ominis looking troubled and flustered while holding the baby, and Seb at a loss after trying to look things up in a book that he doesn't understand and can't solve… 😏.

ありがとうございます！ I am very happy and honoured to receive such a compliment! I've been studying painting in my sleep lately, so it's a great relief to know that I'm growing thanks to your message!

Personally, I think that the less revealing swimming costumes of the olden days are attractive, but as an artist, it is more fun to draw sexy swimwear, so I would like to draw HL Girls like in the ending of Naruto! 🤣 I'd like to draw about them next summer 🤭

Thanks for showing me a great story! If I get a good idea to illustrate these in pictures, I'd like to draw them someday 🤭💕

I am glad to hear such compliments! Thank you! And ahh, I would very much like to see Ominis in that situation!🥹✨✨ It must be fascinating to see him realising that his partner's unusual voice and breathing is causing them to be injured, and then impatiently trying to treat it as calmly as possible..! I hope to draw this soon 😏😏😏.

In Japan, when drawing a character x OC, we sometimes use a representation without their eyes to show that the OC is a character with no particular backstory or personality (or we sometimes represent the OC as a pure white mannequin, without drawing not only the eyes but also the hair and skin colour)😌 To be honest, I've been struggling for over a year and a half now to decide whether I should or should not draw eyes on personality-less OCs 🤣🤣

Oh, I've been recommended that fiction by various people and would love to read it, but you'll have to forgive me for not having read it yet 😭😭🙏. I'm especially sorry that lately I've been concentrating on my painting studies, cutting down on sleep and food, and I haven't been able to read at all not only the works recommended to me, but even those of my friends I follow: …… I will definitely read those works when I have the mental capacity to do so! ���‍♀️

As a Japanese, I would like to draw the HL character in MahouTokoro uniform one day 🤭💪. I think it's supposed to be unclear if Mahoutokoro has dormitory groupings like Hogwarts, and from a Japanese point of view there are a lot of pretty weird things about Mahoutokoro and the Japanese wizarding world, but I enjoy fantasising about these… 😏💕

Of course! I love Japanese anime 😫😫💕. I especially love Naruto, I can't tell you how many fanart and fanfictions I've drawn over the past 20 years since I got into Naruto when I was 10 years old 🤣💕. Death Note and Crayon Shin-Chan are other Anime (Manga) that I've loved for years and years and have had a huge influence on me!

I am so glad you liked the 2024 Slytherins! I think I have discovered a new fascination for them by painting that picture! And I get dizzy just thinking about Slytherins with hair in the picture you sent me 😫🥵💕. They must definitely be cool with long hair too! Especially the long- hair Ominis, I've been wanting to draw him for a long time now🤭 I'll try to draw them with long hair one day 💪💪💪

In fact, just a year ago I drew about Seb like that, though maybe not quite the same 🤭 (https://www.tumblr.com/tamayula-hl/735330297365790720/the-boy-who-recognized-beyond-the-fourth) I like it a lot and your message makes me want to draw again about Seb and Omi who have realised the ‘truth’ 💪😏.

Raraa! The idea of collaborating Sanrio characters with HL characters was unexpected, but it would definitely be cute! ✨💕🤭 That cute but grumpy look of Badtz-Maru and Omi should be a good match… I want to doodle about them soon 🤣🤣

I'd like to draw it someday, and I'd also like to draw, for example, how Seb would look at Anne trying on a slightly sexier swimming costume… 😏😏😏

Perhaps you can find my work if you set it up as per the image below 😌

[mind-intheclouds342]

A new ladder - Reader x Curly

Previous - Part 6 - Next

"Do you like art exhibitions? It has opened one by my favorite artist."

You mentioned handing a brochure to Curly.

Curly: "Oh, I didn't know you liked art."

He unfolded the brochure to start looking at the details of the exhibition.

"What does that mean?"

Curly: "Ah- nothing, nothing... He's a very reserved artist, huh? 'The man who never shows faces, after years brings his new collection', sounds great."

"I'm surprised he brought another collection, he had been inactive for years," you smiled, "Here are some examples of old and somewhat popular works, what do you think?"

You pointed to some images in a collage that were in the brochure of previous exhibitions.

There was a mix of realism, abstract paintings, and cartoon-like styles.

Curly: "He has... many styles, it's incredible. I would love to go see his works."

"I'm glad to hear that because~ I already have two tickets for their exhibition~"

You showed him the tickets excitedly and handed him his.

In the afternoon, you headed to the exhibition and entered the building. There were many people admiring the paintings; there were all sizes and styles, even the children were entertained by the cartoon-like paintings, surely a great collection.

There was one detail that always caught everyone's attention: in his paintings, he never showed the faces of those he painted, perhaps a way to maintain their anonymity.

Faces covered with plants, with careless strokes, hats, or even covering themselves with hands, veils, or the person being turned away, among other things.

Curly stopped to look at one in particular, which he felt was too personal.

The artwork was called "A Winner Among So Many Losses."

It was a torso without a head, with a background of a starry night, as if it were submerged in space, and four bright stars formed the silhouette of its head.

X: "What happened to those people was horrible. Don't you think? I wonder if anyone understands the meaning of this painting, or if they have already forgotten that tragedy."

An elderly man in a wheelchair had stopped beside him, looking at the painting with a relaxed smile.

X: "People tend to forget events very quickly, it's good that someone frames them so they can be remembered, because that way those lost people will always be present in our minds." 

"Curly! I didn't realize you had stopped," you returned to his side and observed the man next to him.

Soon a woman came running towards you and took the man's chair, scolding him for going off on his own, to which the man just laughed and gently patted the woman's face, making her smile.

They both said goodbye to continue viewing the exhibition on their own, while you noticed how Curly remained staring at the painting in front of him.

Curly: "It's me. A faceless captain, lost, and the only one who will have the memory of his crew. The only captain who didn't sink with his ship and now bears the face of shame."

"Okay, okay, I think you're being too critical over a single painting," you patted his shoulders "Besides, their families will always remember them."

Curly: "Their families... What must they think of me?"

"They must feel pain... Resentment... They must be thinking, 'why did he come back and my daughter, or son, didn't?' Being a survivor is difficult, many will be happy for you, but others... They will only suffer because their loved one was n't the one who survived... As if you were to blame for something just because you're still alive."

You rested your cheek on his shoulder and grabbed the sleeve of his shirt, trying to draw his attention away from the painting.

Curly: "...I should... contact them"

"If that makes you feel better... I can help you."

You smiled when he slowly took his gaze away from that painting to walk by your side and continue looking at the other works in the exhibition.

Curly: "I understand why you like this artist so much... He has such detailed works and they evoke a lot of emotions in you."

"I'm glad to have someone who shares that thought! You know? I could never bring my sister here to appreciate these paintings, she always said she didn't have time... And then I stopped insisting."

Curly: "I think I remember... That she used to get angry when she saw ads about these exhibitions. She said she hated that artist because she didn't like that he didn't do faces, and it made her nervous and gave her chills."

"It's just that she is like you were, she only saw the general image, didn't go deeper, never gave it a chance. If she saw something and didn't like it, she refused to see the beauty in it..."

You stopped in front of a painting and sighed.

Although you didn't make any comment about it, you soon continued walking while Curly observed that piece called "Beautiful Smile on a Perfect Day."

It was a bride holding a man's arm, resting her head on his shoulder; the irony of that painting was that the bride wore a veil and no smile could be seen on her face.

He approached and tried to focus his gaze on the bride's face, noticing that the veil was not completely solid; if you looked closely, you could see the bride's face, with her eyes closed and a smile on her lips. 

"Curly! You're lagging behind again." 

Before he could see the woman's face in the painting better, he walked away and hurried to join you. 

That woman looked familiar to him...

[deadboydetectives-confessions]

Maybe this'll be really unpopular (guess that's what this blog is for lmao), but with all the new spoilers dropping I'm starting to get a little glad we didn't get season 2. I'm sure they'd do everything really well, and I'd love to see the gay bar episode, but bringing back Esther and the Cat King? I had such a visceral negative reaction to both those pieces of news.

To explain myself: I think there is a massive problem in series', across a lot of different types of media, of having recurring villains, people who come back just because no one can be bothered to think up a new villain, and it ruins a lot of things for me. Imo Esther was really well dealt with in season 1; considering she'd technically immortal, I think they got rid of her really neatly and in such a beautifully appropriate way. She's being punished by the goddess whose gift she used to feed hundreds of little girls to her giant snake. That's such a wonderful ending. It's fanfiction's job to bring her back over and over, just like it's fanfiction's job to put Edwin in Hell over and over; it's the show's job to come up with a new villain.

I very much don't ship Catwin - I like the Cat King as a character but I am very strongly against the ship for reasons I have given before (the Cat King's loneliness means he needs friends, not a boyfriend, and I don't think it would set a good precedent for Edwin's future relationships to sleep with the guy who tried to coerce him into sex) - so that might be colouring my thoughts against his reappearance in season 2, but I just... I think he's served his purpose with the Agency. Maybe a spin-off or something about him, Monty, and Tragic Mick making friends and dealing with the fall-out from Esther's end would work, but I don't want him becoming part of the Agency or even really interacting with them much because, to me at least, it would just feel forced.

And also, it just feels like both Esther and the Cat King are very rooted in Port Townsend. They've been there for centuries. And now that Niko has 'died' and Jenny's considering moving to London, there's no reason for the Agency to ever go back there. I know a lot of people are attached to Port Townsend as a location because that's most of what we see in the show, but I'd love to see the Agency in London, where they've been already for years. They must have quite a large network of supernatural acquaintances, if not friends, in the UK and I think it would be a shame for the show not to properly explore all the potential that has.

Overall, I don't know. I think Dead Boy Detectives is an amazing show that deserves to have loads of seasons exploring lots of different characters and locations, and the number of characters that feel like they should have been a one-off in the first season but were apparently going to come back in season 2 suggests to me that it was only going to get one or two seasons anyway.

.

[pinkcowzz]

ahhh so. warning. will be talking about arcane s2 spoilers below the cut. i have. so! many. thoughts.

i've seen a few takes that s2 felt very rushed to some people, and like. yeah? i can get that. but also. not really.

there was A Lot of ground to cover so it moved very quickly but the pacing actually made a lot of sense to me. i think that this show has never attempted to tell each characters story in the fullest. like, to me, that's what makes the world building so good. you are only witnessing part of the story. there is only so much of each character that we, the viewers are allowed to see.

yes there was a lot introduced in the final act, yes some of it made zero sense. but, to me at least, it makes it so much more realistic and immersive.

the final act is war time. shit happens fast. decisions are made and acted upon almost immediately. there isn't time to mourn and there isn't time to grieve. if you stop, you will die so you must keep marching forward.

we don't get to see what signed is up to, we don't get to understand the complexities between mel and her mother, we don't get time to break down how the arcane is changing we just have to know that something is happening and it will affect us so we must do something to react.

moving on, i really wanna talk about jayce and viktor first because. their final discussion, had me ill. i'm honestly really glad that they are never officially established in the show, because it makes their bond that much stronger to me.

the first season, we see how their studies connected them and propelled them forward. in jayces case, it pushes him into politics. in viktors, deeper into the arcane. they had to set everything else aside *cough cough their morals and personal relationships(sky & each other)* in order to achieve what they wanted to achieve.

in the second season, we see how that was their demise. for viktor, the creators did an amazing job showing us this with the scene between him and sky.

'i'll miss our talks'

'no you won't'

like holy shit? in those two lines, we see how viktor has fundamentally changed. his goals, his objectives, they got lost somewhere. in the first season, we do see how much viktor enjoys discussing his ideals and thoughts, its what drives him to go and find jayce in the first place.

and as for jayce, he's icarus. he flew too close to the sun and he, in a lot of ways, is the beginning of the end. while ekko and heimerdinger were building their way out of the alt time line, he was witnessing the destruction his invention brought about.

and don't even get me started on them calling each other their partner during their entire last talk. like wtf im ILL.

okay! onto jinx! (and isha and vi) i have. heard a lot of complaints about how one- her death was for shock value and two- that isha's death was glossed over and i whole-heartily disagree.

i think first off, jinx isn't dead. there a lot of people out there who can put the details together more precisely than i care to tbh, but my biggest reason is the airship we see at the end. these creators LOVE their foreshadowing and i mean LOVE (think viktor showing off the invention and shooting that gun to how that gun is later used). i think it's literally the first episode that powder says she wants to ride in one and ur telling me the last episode we get a shot of one flying away? yeah no. my girl is alive and breaking the cycle.

speaking of breaking the cycle, vi would never be able to move on with her life if jinx is still around. she would never be able to grow, to be willing to work on her relationship with cait, would never be able to escape the guilt, etc etc. that's like, a big point that i think a lot of people are missing.

for vi, jinx is everything. and she should be. she is the only family she has left. and had she not walked away from her, there is NO TELLING what would've happened to the two of them.

jinx's 'death' was for the both of them. they can move on now, they are free to allow the shit show that was their childhood be in the past. like hello?????? did y'all not listen to the conversation that she had with ekko in the alt time line? you need to let go of some things to be able to move onto the next and it sucks and it hurts and its shitty but the world will keep spinning.

and the only way that jinx was able to come to this conclusion is because she lost isha. had isha still been around, she would have had to stick around zaun and piltover. but also. i need y'all to realize that jinx is used to losing people, she is used to grief, it is a close friend to her.

and i think, thematically too, vi not moving to the other ledge is SO IMPORTANT. she CAN'T let vander go. that was her father, that man raised her, she couldn't let him go. are y'all connecting the dots? like! hello! do you see?

vi has never been one to let someone she loves go lightly. the entire first season she is grappling with this idea that her sister changed, that she moved on and allowed herself to let her past (kinda) go. it doesn't make sense to her. she allows caitlyn back so easily because it terrifies her to lose someone in her life.

that is who she is in her core.

and that is why jinx makes the decision for her. it's her way of saying, 'i see you, i understand you and i will make the hard call for you because i love you'

so yeah, like i said. a lot of thoughts. im so excited to see wtf is going on in noxus in the future show and am so intrigued by whatever the fuck is going on with mel.

also. maybe it's just me. but i love an open ending. i think being able to talk about the what if's and the maybe is so much fun. not everything has to be wrapped up with a bow on top. again, we, the viewers, only get a small insight into the world the characters live in. this show could go on for ages if we followed them all the way through their lives. this was never meant to be that type of show. go watch friends or smthn if you want a formulaic story that will clean every lose end up for you.

we follow these characters through a formative moment in their life, what happens next is up to them. (and psst. that's what fan fiction is for)

[clare-875]

Hey Clare😙 love your writing so much! Could I request a shanks x jealous!reader, where the reader feels as though their love for is unrequited due to shanks’ many flings (but it’s actually not)? Thank u so much, muah!❤️

Envy (Shanks x Reader)

Pairing: Shanks x Female Reader Warnings: Jealous reader, harassment, alcohol, angst/fluff A/N: I'm so glad you like my stories <3 I hope you enjoy this one! [One Piece Masterlist]

There he goes again.

You watch your Captain from where you sit in a dimly lit bar, lips pulled into a tight frown. The feeling bubbles up within you before filling you so much, you could suffocate. Jealousy. Shanks has a wide grin on his face as once again, beautiful women gravitate towards the red-haired man. Who wouldn't? Your Captain, who was so powerful and skilled he upheld the status of an emperor. Your Captain, the famous leader of the Red-Haired Pirates. Your Captain, so charismatic and charming and frustratingly attractive. You let out a deep, decrepit sigh.

Why did you have to fall for him?

He has an arm wrapped loosely around a blond-haired woman with a model-like body, cradling a drink in his other hand. Two more women sit by him and linger, fighting for his attention. You can faintly hear them laugh at something he said in the distance. Gritting your teeth, you force your gaze to the drink in your hand, swirling it periodically like it could help the turmoil you feel now. It had been the same cycle over and over the past few months, with Shanks flirting and bringing a woman to bed each night you were ashore. Then, that same woman would leave the next morning, his form nowhere to be seen.

With his flings came his distance.

He could barely meet your gaze the following day, and it had felt like there was a greater space between you since his cycle of women had started. It hurt you. Not only because the man you were in love with paid more attention to someone who wasn't yourself, but because he didn't even seem to care about the women he brought to his bed. You felt as though he cherished time with faceless women more than you. You thought the two of you had been friends, maybe even inkling to the beginnings of something more. Countless times have you stayed up late, talking about your dreams. Countless times have you drunk and danced together, laughing uncontrollably. Countless times had you bantered, and smiled and gazed at the other.

All for it to be suddenly lost. Like you hadn't meant anything to him.

This one-sided love, his carelessness. You had been holding out hope that maybe he would look to you like he used to all those months ago. But now you start to see that it is getting helpless, and you feel like you are going crazy. He had entrapped you in your feelings. You knew you had to move on - you can't bear this a second longer - you just didn't know if you could. Faint tears sting your eyes but you force them away. You can't cry for him anymore.

"Hey, you alright?"

Your eyes travel upwards are you are met with the knowing gaze of Benn Beckham. "You know he's an idiot right?" Maybe it was the way he too, was good with women and frequently brought them to bed, but he had somehow seen so clearly that Shanks's flings were getting to you. Maybe you hadn't been hiding your feelings well enough, but you could barely care anymore. "I'm fine Benn, I'm just gonna go get another drink." You smile to the best of your ability and leave him be, walking up to the bartender, hoping you could just drink your troubles away.

It is your turn to order when a man approaches you.

"Hey, I'll get that for you." The voice of a stranger reaches your ears and you look up surprised to see a man offering to pay for the drink you ordered. You weren't necessarily scarse of men approaching you, but you hadn't found the courage to pursue anything amid your feelings for Shanks. Maybe it was time to move on. Maybe it was time for a change. "Thank you." You try to push your inner turmoil aside and force your lingering gaze away from your Captain. "No problem." The man is surprisingly attractive, and a polite smile reaches the corners of your face.

His gaze holds keen interest. "You know, you caught my eye the minute you walked in." You smile at the man's sudden boldness, raising a brow as you hold your drink in one hand. "Really?" He grins wide at your amusement. "You don't happen to have a boyfriend, do you?" You feel your heart tug sharply in your chest at his words and suddenly you're fighting a frown. You spare one last glance at your Captain. He was distracted by the woman under his arm and grinning wide. Your eyes dart back to the man in front of you waiting expectantly.

"No, there's no one in my life."

Moments pass well enough, and the man who sits in front of you is nice at least. He just wasn't the man you wanted. Maybe moving on wasn't that easy. You smile and nod and listen intently, you shake your head and pitch into conversation. But soon, you fight a yawn as he speaks mainly of himself and his glory, barely showing the interest he claimed to have had in you. What's more, you realise his boldness quickly, as he closes the space between you with each minute that passes. Maybe it wasn't interest you saw earlier in his eyes, but lust. The smile you keep on your face starts to strain against your skin.

"Hey," your gaze snaps forward as you realise you have been lost in your thoughts, most likely looking into the void. The man in front of you doesn't seem to notice, however, as there is no change in his attitude. "Do you wanna get out of here?" His hand reaches out to touch your thigh, and you suddenly feel ill. You see it then so clearly, that he simply wanted you in his bed from the beginning, most likely to be discarded the morning after. What was it with men these days? You try to maintain your composure and you reach for the hand that touches your skin, removing it promptly from your thigh.

"Actually, I'm good thanks."

You go to stand, placing an empty glass on the counter. "This was nice," you say, "but I should go now." As you move, however, his hand that lingers reaches for your arm. You freeze at the contact, but he is all up in your space again, and his sudden actions take you back. "What-" But he interrupts moving closer to your face. "I don't think so, sweetheart. I like what I see. I want to see where this goes..." A frown instantly marks your face, as your blood pumps hot within you. Does he know who he's talking to? Yes, you may seem like any other woman at the bar, but you were a pirate. A pirate on an Emporer's crew. "Why, you-"

"What's going on here?"

The man freezes. There is darkness that fills the air along with the suddenly dangerous atmosphere. A figure looms behind you.

"I- I-," the man drops your arm instantly, stuttering as fear creeps up on his features. Who wouldn't in the face of an emperor? You don't turn, but you know it is Shanks who stands behind you, and his sharp eyes are trained on where the man had touched your skin. Though you do not see, Shank's face morphs into one of unusual, pure fury. It has the man in front of you basically falling to your feet. "Get out of here." Your Captain's words are spoken low and he places a hand on your shoulder, pulling you back into him.

The man all but runs from your side.

There is a tension that lingers in the aftermath, but it is broken by your movements, shrugging off Shanks's hand. There is a brief silence that follows. "I was fine." Your words are muttered softly, and there is a pain that lingers in your chest. Why did it have to be he who came? Didn't he know how painful this was for you already? Shanks watches your darkened expression carefully and lets out a deep sigh. "Look [y/n], I won't stop you from pursuing guys but at least pick better ones-" You turn as your facade cracks, bringing forth anger.

"You're the last person I need to hear that from Shanks. Why don't you go back to your little group, I'm sure they're missing you."

Shanks freezes under the weight of your glare and sharp words. He had never seen you look at him in such a way. You fight your emotions as you look at the surprise in your Captain's face, and you move. You need air, there was no oxygen in this bar and it felt like you were suffocating. "Wait, [y/n]-" But you don't stop, you were tired and hurt and envy filled your senses. Why couldn't he see how much you loved him? Why can't he see how much he hurts you?

"[y/n]!"

Finally feeling like you can breathe in the crisp evening air, Shanks has caught up to you before barely a moment passes. "[y/n], is there something wrong?" His words are what make you break completely. With alcohol still burning in your system and your raging feelings, you finally let it spill. A laugh of disbelief escapes you. "Wrong? You're really asking me if something's wrong Shanks, now?!" Shanks watches wide-eyed as you eye him with a mixture of sadness and anger.

"You've barely spoken to me, let alone looked at me these past few weeks! You have a new woman in your bed every other day! There's nothing here anymore. What happened to friendship? What happened to-" You pause, realising you've spoken too much of your mind, but Shanks's eyes only widen further in surprise. "I liked you, Shanks. I actually thought you-" A tear slips from your eye that you wipe harshly from your cheek, turning away. But Shanks reacts before you can take a single step, and a hand holds you to him before you are engulfed in his embrace.

You struggle in his arms, tears now pouring as you tell him to let you go. "I don't want your pity Shanks! Go! You have people waiting for you inside-" But Shanks doesn't budge an inch, instead all that fills him is utter regret, and shame, and pain. All this time, you liked him too? All this time he had spent trying to push his feelings aside with nameless women, only to feel deep remorse when he saw your face the next morning. All this time he had pushed away your friendship, and the inkling of something more. He had pushed you away because, for the first time, the Red-Haired Shanks were scared. Scared of losing you.

He was a coward.

"Shanks-" The red-haired Emporer can feel his heart clench against his chest at your words to leave you be, but he can't let you go. He won't let you go, he doesn't think he can bear your absence any longer. What torture had he put the both of you through, for no reason at all but his stupidity? Would you even forgive him? "[y/n]... I'm sorry." You freeze suddenly at his words, feeling your heart drop even further within you. Of course, here it comes, the rejection. But Shanks's words are beyond what you thought they would be.

"I like you too... no, I'm in love with you." You feel your breath caught in your throat as you start to shake your head against his chest, fighting to move from his arms once more. "Liar! Then what about all those women you slept with! You wouldn't even look at me-" Shanks quickly interrupts before you spill your words once more. "I thought that pushing you away would make the feeling fade. All those women, they were part of that too. But, [y/n], they're nothing compared to you. Believe me." Shanks finally releases you from his embrace and you scramble back a few steps watching his pleading expression with wide eyes.

"Forgive me."

You meet his burning red eyes with trepidation, but all you see is his sincerity, his regret. You are utterly speechless. Shanks was in love with you? Shanks returned your feelings? You move forward, anger suddenly filling you as you move closer and you swing, one punch right into his chest. Shanks doesn't move or flinch, he merely takes the brunt of your attack though it barely does anything to the emperor. "You, you're telling the truth?" Your words are spoken as though still unsure, and you let your arm fall to your side. Shanks observes your darkened expression, but his remorse does nothing to fade.

"Yes."

One step forward, followed by another, you move once more. Holding the collar of his shirt you pull him down to you with what strength you can muster, and suddenly your lips are on his. Shanks stops in surprise but is quick to pull you close to him and return your fervour. The kiss is angry and passionate and all you had dreamt it would be. Your hands move deep into his hair, and his arms wind themselves around your waist. You feel his warmth and want against you. When you part, it is only because you need a breath.

"You're stupid."

You speak low, but with the lingering joy that fills your senses. You had kissed him.

"You were jealous."

Shanks retorts, murmuring his words into your skin, but you don't miss the teasing undertone. You frown, hitting him lightly in mock irritation. "Shanks, do you really want to be-" But he quickly cuts you off with another kiss to your lips.

"I still haven't forgiven you, you know."

Shanks leans his head against yours, finally content.

"I know."

Let's just say the following weeks are spent with Shanks bending to your every will and want. It takes a while for you to get over the flings that put a gap between the two of you, but soon you forguve him. He couldn't be happier with you by his side. You were all he wanted, and all he could ever want.

[ladysomething]

Maddie, congratulations first of all!!! I'm still crying.

As a championship celebration gift, can we get little snippet?

Asking for a friend 👉🏻👈🏻

sooo happy for Max, he's had an amazing season and pushed through some really difficult races!!

I have a snippet, which I shared earlier this week in the discord - so sorry to my discord friends, ya'll already have this one.

“I didn’t know that you two were together,” Seb says finally. “That you’d worked it out. You always seemed like you hated him.” 

Well, he’s glad he didn’t blurt anything out about the auction, then. Clearly, Seb doesn’t know. 

“I did hate him,” Charles admits, because he can be honest about that, at least. “Not anymore. He—he’s been really good, Seb. Sometimes I think he’s the only one that cares about what’s happening to me. I don’t think I’d still be driving right now if it weren’t for him.” 

He realises, belatedly, that Max probably just heard every word he said. Fuck. His cheeks go warm, and he refuses to look up from the pavement. 

Maybe, if he’s lucky, Max will think he was talking about someone else. 

“Max is a good kid,” Seb says, warm and sure. “I knew you’d see it eventually.” 

Charles is surprised, a little. He’d forgotten that there were people who genuinely liked Max, as crazy as that sounds. He remembers, before all this started, that he’d always been so confused whenever anybody spoke kindly about Max: “He’s who I would go for a drink with.” “The most generous man on the grid.” “If there’s anyone I would want to sit around and laugh with, it would be Max.” 

Charles thought they were all blind and stupid. That they only all said that because they didn’t care how bigoted he was about omegas. 

Now, he sees that he was the one being too prejudiced. 

[aristaspark]

You're like, the greatest Kenlynn shipper I know. You have any idea of why do Darius love Brooklynn if they're not going to be canon? That kind of plot is very common and Kenlynn already break up. So why? I know Brooklynn didn't wanted their relationship to end, but I don't see how they will keep going... You said something like "Darius learning how to deal with rejection is a mature theme they would bring here". But Kenji learning to let go wouldn't be a mature theme too? Or Kenlynn realizing it can't work is also a mature theme...

Hello, well, first things first thanks for the compliment 😭 (?)

So to adress your point, me saying that Darius's arc being about dealing with rejection (and his guilt) makes for a compelling storyline doesn't mean that I think the same can't be said for Kenji and Brooklynn.

That's why I wasn't even mad when they introduced the storyline in season one, because it was believable that Darius could fall in love with her and it was very in character for Brooklynn to be obsessed with an investigation to the point where she neglected Kenji, it made sense and was simply very good writing. So, yeah, coming into season 2 I was sure they were going to take the "kenji/brooklynn both realize they could never work" route and shove dinostar down our throats to build them up, because looking at the story as a media with a fandom, that was what seemed more likely.

But then there was the promotional material in which Brooklynn only wrote to Kenji, which made me really doubt my conviction. And then season 2.

I think I already listed pretty much everything that suggested, at least to me, that the writers were going for Kenlynn, or AT LEAST that dinostar would remain platonic.

I wouldn't have been mad if they had made dinostar canon (still possible), it was kind of expected since they had Darius fall in love with her. But season 2 suggests it's not the direction they're heading towards (according to me at least) and honestly, I'm glad.

I'm happy because they really stepped up the writing and character conflicts since jwcc, and to me having Brooklynn reciprocate his feelings would be REALLY questionnable writing at best and straight up fanservice at worse.

In universe Brooklynn has been with Kenji for 6 years. They have being a couple for far longer than they have ever been friends. And it was Kenji who broke up. And you want me to believe she would fall for her a guy she has always seen as her best friend only a week after her break up? 😭 Mind you, a best friend she only visited because she was still obsessed with her investigation, not because she wanted to see him (proof she was like that with everyone, her relationship with Kenji wasn't the problem, it was her).

My take on Darius's arc was basically me trying to understand where they were taking his character, why they had introduced this storyline in the first place if it wasn't gonna go "anywhere" as everyone puts it.

But that's the point, we're so obsessed with shipping that we basically forget that it's not all that makes a story, and IT SHOULDN'T BE.

Darius having this arc wouldn't have been in vain even if he doesn't end up with Brooklynn. It gave him his entire arc in season 1, with him being filled with grief and guilt over her death, and it also gave him his conflict with Kenji. It made his character compelling, relatable, interesting. Like, shipping isn't all that matters, whether they end up together or not it's such a compelling story, so why would they refrain for telling it simply because of fandom culture? And to me it's just a testament of how better the writing has gotten since jwcc. The characters no longer have one dimensional relationships/conflicts with each other but have real conflicts/problematics. I'm not only speaking in terms of shipping, but also other storylines. Sammy not speaking to her family, her and yaz struggling with their long-distance relationship, Ben's paranoia, Kenji loosing two of the two most important people in his life back to back, having a death wish, Brooklynn loosing a limb, being cut from all the people she loves for months...

It's clear the writers are putting the characters in very uncomfortable situations, like, death wish and the loss of a limb, please ???

So why would Darius be any different? Why would they refrain from tackling the subject of unrequited love, of messy feelings and confusing friendship with love?

I think that what I'm trying to say is that it's a mistake to look at jwct the same as jwcc/as a kids show cattering to the fans. They're clearly not writing storylines to please the fans, but want to tackle very real subjects, and treat their characters as real people and I respect them so much for that.

I'm gonna stop here because I feel like I'm repeating myself (which I totally am, I'm sure I already wrote that in my endless ramblings). Sorry if I got carried away 😂

And (because I feel like I need to say it) I could be TOTALLY wrong. I'm only making theories on my account, I don't know sh*t except from what's in the show, so it's totally possible dinostar will end up together making me look like a clown 😂

[merp-blerp]

Gaylor/Kaylor and Oz: Parallels and Theories Vol. 2 🌼🌈❇️

CW: Spoilers for L. Frank Baum's Oz book series (books 1-15). And this post is very late-stage-Kaylor-specific, so if that's not up your alley, that's chill.

Vol. 1 Here (I recommend reading Vol. 1 before this one)

Overblown Analysis Under the Cut ↓

AH! I'm so ecstatic that I get to make another one of these so quickly! I was so proud of Vol. 1 and I'm so happy there's new material to explore! Thank you very much for the reception to Vol. 1, I'm so glad people liked it. It's cool to see other people who probably didn't even see my post seemingly make the Return To Oz connections as well. It makes me feel "smart". 😅

Part 1: The Tin Woodman ❤️🌈

Let's start out with something small and old news. A theory that's new to me is the Tin Woodman's role in gaylor theories (He's very specifically called "Tin Woodman" in the books, not Tinman, so I'll call him by his book name so as to not blur the line of exactly which version of the character I'm talking about). This collage by iateallthecat2 on Twitter (from this post) brought it to my attention:

I'm not sure if there's already some in-depth theory that goes beyond this collage out there, so I'm gonna wing it from here based on my own Oz knowledge.

In the "ME!" MV, Brendon Urie's character is a suitor that Taylor rejects. They fight when inside a house and she rejects his proposal, but when he gifts her something with no general romantic meaning, a cat, they spend the rest of the MV having a good, platonically-coded time. Brendon plays someone who wants to play the role of Taylor's partner, but they seemingly work better as buds in their rainbow haven.

I have wondered if Brendon is supposed to be playing a beard who Taylor tries to take to freedom with her in this MV, but I'm admittedly slightly apprehensive about the idea. It would be kinda cool if one or more of Tay's beards also came out with her whenever she does. This plotline seems very similar to the suspected "she ghosted but kept the castle" narrative. In both Taylor rejects a proposal, except here Taylor and her beard seem more connected. It makes me wonder, if everything had gone to plan, would the narrative in 2019 have been that presumably Joe would've proposed and Taylor would have rejected it but they would've been on friendly terms. Or maybe all of that would've happened to Karlie and Josh in a way since they were married in 2018. Or maybe it would've happened to both of them. Then they would've been able to build a narrative for Kaylor as a couple that didn't involve saying "We hid this from you for this long". But that's spitballing.

Either way, Brendon is definitely someone who helps Taylor along her "story" as he infamously put himself:

Everyone knows that the Tin Woodman helps Dorothy on her journey, but he also helps out Ozma/Tip on hers in the second book and so on.

In the first book, the Tin Woodman's backstory is that he was once a human named Nick Chopper, who was engaged to a Munchkin girl named Nimmie Amee. While Nick seems to respect and love her, he also seems to only be engaged to her because he doesn't want to be lonely after the death of his parents, at least to me. But the Wicked Witch of the East curses Nick to chop off his limbs whenever he tries to chop wood. He gets these limbs replaced with tin parts until he is fully tin. But his body no longer needed a heart and therefore he felt no romantic love for Nimmie Amee, so their relationship fizzled out.

Whether he ever romanticly loved her in the first place is debatable in my opinion. I personally don't think he did, especially since long after he's gotten the realization that he had a heart, Nick never really tries to romanticly pursue Nimmie Amee again, but he does tie loose ends with her in The Tin Woodman of Oz. However, my point is that Nick seems to only want Nimmie when he thinks she can fill a void. Once he thought he was too broken for her to fix he subconsciously realized he didn't actually love her, but interpreted it as though he just "stopped" loving her.

To put it simply, I see Nick as practically going through comphet before finding true fulfillment in the things that come after he's un-rusted. My personal interpretation of Nick is that he is a gay man, unbeknownst to him, who tries to find love in a woman, but it inevitably doesn't work. He loved Nimmie because he hoped she could fix his pain. There's no way to prove Baum meant Nick to be seen this way, but queer interpretations of Nick are common in modern Oz fan circles. Somewhat like Taylor and Brendon in "ME!", Nick and Nimmie try to play the roles of a couple, but being a couple just isn't in the cards for them, so they keep things platonic.

In comparison, Nick loves the Scarecrow for the actual companionship he gives. The Tin Woodman states that he no longer needs Nimmie's love, as he has the Scarecrow's. The Tin Woodman and the Scarecrow are pretty similar to Dorothy and Ozma in terms of being queer-coded in their relationship. They live close to one another because they're sadder apart, cordially debate philosophy, rule Winkie Country together, and are often depicted comfortably in each other's physical space, among other wholesome details.

The physical representation of the Tin Woodman's heart is made of a velvet pouch and sawdust in the books, but in the '39 film Tinman's heart is a ticking clock with daisies stringed to it. Of course, daisies have a great significance to Kaylor because of the Big Sur trip. And clocks have been having a significance in Taylor's art since "The Man" and the Karma wall.

I don't necessarily think Karlie, Taylor, or Brendon are represented through the Tin Woodman, Nimmie, and the Scarecrow in Taylor's art in a literal sense. I see it as just another queer piece of the puzzle. Brendon might not literally be the Tin Woodman in Taylor's art the same way Karlie is Dorothy, but I think he at least played him during the Lover era. Brendon/Tin Woodsman helps Taylor/Ozma through her journey to where she belongs like a queer friend helping another queer friend.

Also, I'll leave this section off on this reach cutesy note:

Part 2: Ozma and the Wizard 🌺🪄

Back in Vol. 1, I suggested a theory that if Karlie Kloss was represented as Dorothy Gale in Taylor's music, then Taylor was more subtly represented as Queen/Princess Ozma. I've been seeing another theory around about Taylor being the Wizard, aka Oscar Diggs. I also really like this theory and I think it can make sense for both theories to exist simultaneously.

The Wizard is an illusionist. In the first novel, when appearing to each of Dorothy's friends individually he appears as something different to all of them. To Dorothy, he is a giant floating head, to the scarecrow he is a fairy, to the tinwoodsman he is a beast, and to the cowardly lion he is a ball of fire. He is able to change himself into anything he pleases, but he has no real magic. In order to rule over Oz unrightfully, Oscar Diggs stole Ozma away as a baby and gave her to a witch named Mombi, who transformed Ozma into a boy named Tip, disguising Ozma from everyone and herself; in the second book, Ozma is transformed back to her true form and takes her place as ruler of Oz, eventually ruling with Dorothy by her side. To make a long story short, Ozma and Dorothy eventually forgive Oscar for his crimes.

I see Oscar/the Wizard as representing Performance Taylor, while the real Taylor is Ozma. The Wizard is from Kansas in the '39 film and performance Taylor is currently associated with the Kansas City Chiefs. Performance Taylor, just like Oscar, is able to change himself when needed and isn't the unstoppable being his citizens once believed in despite never meeting him. Just like Oscar, Performance Taylor is an illusionist who appeases the citizens with theatrics to hide the truth for the time being. Performance Taylor/Oscar hides the real Taylor/Ozma away. Real Taylor/Ozma, when seen, is forced into the shape of a boy, Tip/James, Peter, the Man, etc. But soon Ozma reclaims her land and keeps the castle Oscar took, and so might the real Taylor.

If you believe Post Malone is playing a side of Taylor in the "Fortnight" MV, Taylor seems to be depicting herself as coming together with both the public and private parts of herself. Previously in MVs for songs like "...Ready For It", Taylor was always at odds with her clone, but in "Fortnight" they team up to get out of the asylum. Ozma and Dorothy make amends with Oscar and Taylor makes amends with herself.

Part 3: The Yellow Brick Road and The Emerald City 🟨❇️

I think a lot of us know about Taylor's Instagram grid currently aligning with yellow outfits from Eras at the moment:

Typically when Taylor's Instagram grid aligns like this it means something. The most common theory as to what this might mean is that Taylor is creating a yellow brick road. Yellow is often seen as the closeting color in gaylor circles for various reasons, such as the Evermore closet in The Lover House being filled with yellow clothes. Some fun estimates I've seen are that soon the alignment will be broken by some type of photo of Taylor in a green outfit post-Eras, like maybe a green outfit from tour in her Toronto thank you post or even her birthday post. The big hope right now is that this hypothetical post in a green outfit will signify Taylor's coming out being near, having reached her destination to the Emerald City, or that this green outfit post could even be a coming out post. My Oz-ian brain loves this idea! The yellow road to being free in the green, the color right after yellow in the rainbow.

In the first Oz book, the Emerald City is a huge hoax. It's not Emerald at all, but white. In order to trick the citizens of Oz into thinking that the city is emerald, the Wizard forces everyone to wear green-lensed spectacles that lock on; they are what make the city look green, the Wizard lying that they wear them because the brightness of the city would blind them if they didn't. Dorothy is given a "green" dress when she arrives in the Emerald City, but when she leaves it reveals itself as actually being white. After the first book, the Emerald City becomes truly emerald; from what I can remember there is no exact canonical reason as to why this is, so I theorize that the citizens just made it emerald after the wizard floats away in his balloon. The Emerald City truly being white represents the fakeness within the rule of the Wizard, but by the time Oz has its rightful ruler, Ozma, the city is truly Emerald. For TTPD and most if not all of Tay's discography, the colorless world represents the abusive music industry and closeting, but color represents Taylor's freedom, reclaiming the land. Also, the fictional Emerald City was inspired by the real-life White City Amusement Park that was once in Chicago, so there's that connection to white too. Green and White together remind me of Taylor's green band jacket in the "ME!" MV and her white band jacket in the "TSMWEL" performance from Eras. Symbolism-wise, Taylor thought she was close to reaching her destination when creating Lover, but the smallest man ruined it all and the emeralds were fake. Now she's about to go down the yellow road once more to get back to her emerald kingdom.

To expand on the colors of Oz a bit more, let's look at the house from "ME!"

Here's an official Oz map in case anyone finds it helpful:

This house in "ME!" is the starting point in the MV and the first room that we see is blue. Blue is the color of Munchkin Country in the Oz books, as every Oz region has a color. Munchkin Country is the first land of Oz we ever see and the starting point of "ME!" is blue just like it.

Then Taylor walks through a hall with blue walls and blue and yellow tiles on the floor. On her first trip to the Emerald City, Dorothy exclusively walks through Munchkin Country to the Emerald City, so the tile being blue and yellow signifies that this is only the first journey to the Emerald City.

The next room is a large green one. The Emerald City, right?

But when Taylor makes it out the front door, the house is white with some purple. Not the true Emerald City. Purple is for Gillikin Country. When Ozma is kidnapped by the Wizard of Oz and given to Mombi she lives in Gillikin Country as Tip. The Emerald City is (partly) white, Taylor's in her closet yellow, Ozma/true Taylor is dressed as a guy, and Ozma/true Taylor is yet to rule.

But finally, later in the video when Brendon and Taylor are on platonic terms, they run up to a massive green building with a rainbow beaming in front of it as they wear green clothes. I think this was intended to be the true Emerald City. The pink soldiers around it even look like the poppy field. I think it's notable that in the MV Brendon and Taylor run up to the Emerald City, but we never see them enter. I take that as acknowledging that Taylor wasn't there yet. "ME!" was not a coming-out video, it was a sprint toward that goal. So she wasn't inside the Emerald City quite yet, she was on the way, ever so close. However, as stated before, the smallest man ruined things, so this was retconned through Eras. However, if Taylor got to come out during Lover this would've been the final stop.

I was thinking that it would also be crazy if instead of a photo in a green outfit, we got one in red. In relation to Oz, red is Quadling Country. In the first book, it's the last place Dorothy journeys to before making it home. It's also where she meets Glinda for the first time (Glinda is the Witch of the South in the books and a different witch is the Witch of the North). Glinda is the only one who knows the real way to get Dorothy home, her silver shoes. So red would also be an interesting choice in this scenario, but green is definitely the more culturally recognizable choice.

I want to acknowledge the "Goodbye Yellow Brick Road" connection I've seen around, even though I don't think I have much to add to it. The idea is that Elton John's song "Goodbye Yellow Brick Road" has thematic parallels to gaylor. This idea that Taylor could leave behind a toxicly ritzy world for something better. Elton is an openly gay man in Hollywood who had to deal with a lot of silly Hollywood games regarding his sexuality. The way "GBYBR" is used in his film Rocketman definitely depicts Elton deciding to fix his issues brought on by the industry's abuse. Could this be what Taylor's about to do herself in her own way? Leave behind the yellow cedar closet for a life that's true to her? Taylor wore this outfit that already had plenty of Kaylor tie-ins like the twinning Carolina Herrera fit and the panther necklace, but her shoes match the ones Elton wears in the "Goodbye Yellow Brick Road" album cover as he steps in or out of the Ozian picture.

As an extra fun tidbit, let's work some Oz history into this! It is a commonly told story that L. Frank Baum's inspiration for the yellow brick road comes from a real road in Peekskill, New York. The myth is that Baum asked for directions to the military academy and was told to "Follow the yellow brick road." Even though this exact story is likely just a myth, it's certainly not unlikely that Baum saw those yellow bricks. While Peekskill is not New York City, of course, New York City has a big significance in Taylor's music. In "WTNY" she views it as a place where anyone can be free. New York City could be its own character in her music. If New York City is freedom it could be seen as an equivalent to Ozma's Emerald City. Peekskill isn't where the city is, it holds the road to it and freedom.

Conclusion 🌼

Again, it's so cool to have more to add on to this Oz theory. I admit that it feels a bit vindicating that I made Vol. 1 and in due time we got more Oz crumbs. Wow, can't believe Taylor saw my post. In all seriousness, this has been so much fun. I know there's the possibility of yet another part to this. If you feel like I've forgotten anything, let me know! Can't wait to know what's on the horizon!

[carabas]

Sorting out Veilguard thoughts. This is very long, I had mixed feelings about Solas's endings and this is me trying to make Solas's actions and motivations make sense to me through quotes and bullet points.

Basic starting principle of the game: Solas is trapped by regret. We left him at the end of Trespasser heading out on the din'anshiral but not exactly enthusiastic about it, he's conflicted, he doesn't want to break the world again but he feels he has to, the whole plot here grows out of that. He tried to save the world and woke up finding he'd created a nightmare hell world a la the Inquisitor's trip to the terrible future version of Redcliffe, and it's his responsibility to fix that.

Specifically, the problems that make this a nightmare hell world:

The Blight's still here!! The whole point was to trap the Blight and yet it's still leaking into the world, his world-saving plan didn't even get that part right, what the fuck.

Mortality. First spirits took bodies which he had mixed feelings about to begin with, and which was the crime against the Titans which ultimately resulted in the Blight which I can't imagine improved his feelings about it - but also now they die, he is personally responsible for generations of people being permanently trapped in bodies which die, he didn't even want a body in the first place. "Your legends are half-right. We were immortal. It was not the arrival of humans that caused us to begin aging. It was me. The Veil took everything from the elves, even themselves."

A world of Tranquil. It's not just how long mortals live, it's the way they live, with no connection to the Fade outside their dreams. "You saw the remains of Vir Dirthara. The library was intrinsically tied to the Fade, and the Veil destroyed it. There were countless other marvels, all dependent on the presence of the Fade, all destroyed." Instead of those marvels, there's a fear and distrust and ignorance of all things Fade - and there are few things that frustrate Solas as much as ignorance - and that fear of the Fade naturally results in the fear of mages, the whole central plot of DA2, the struggle for mage freedom which Solas was vocal about and which was a big factor in his approval in Inquisition.

The effects on the spirits of the Fade, who Solas sees as people when most of the mortal world does not. ...You know what, I'm just going to copy-paste some longer quotes from Inquisition for this one because this is something that wasn't touched on much at all in Veilguard.

Even in Solas's very early-game conversations with the Inquisitor, he tells us exactly how he sees the effects of the Veil on spirits and how the mortal world relates to them:

Inquisitor: I'd like to know more about the Veil.

Solas: Circle mages call it a barrier between this world and the Fade. But according to my studies in ancient elven lore, that is a vast oversimplification. Without it… Imagine if spirits entered freely, if the Fade was not a place one went but a state of nature like the wind.

Inquisitor: It sounds like it would be wonderful.

Solas: And dangerous, but… yes. A world where imagination defines reality, where spirits are as common as trees or grass. Instead, spirits are strange and fearful, and the Fade is a terrifying world touched only by mages and dreamers. I am glad that I am not alone in seeing the beauty of such a world, along with the obvious peril.

And:

Inquisitor: I’d like to know more about demons.

Solas: The Chantry says that demons hate the natural world and seek to bring their chaos and destruction to the living. But such simplistic labels misconstrue their motivations and, in so doing, do all a great disservice. Spirits wish to join the living, and a demon is that wish gone wrong.

Inquisitor: Is there a way to coexist? To live with them, if not in peace, at least without such active confrontation?

Solas: Not in the world we know today. The Veil creates a barrier that makes true understanding most unlikely. But the question is a good one, and it matters that you thought to ask.

And this was the codex entry description of demonic possession in the first two games, as written by a senior enchanter from Ostwick:

Why do demons seek to possess the living? History claims they are malevolent spirits, the first children of the Maker, angry at their creator for turning from them and jealous of those creations he considered superior. They stare across the Veil at the living and do not understand what they see, yet they know they crave it. They desire life, they pull the living across the Veil when they sleep and prey on their psyche with nightmares. Whenever they can, they cross the Veil into our world to possess it outright. We know that any demon will seek to possess a mage, and upon doing so will create an abomination.

And this was Cole's reaction to discovering the history of the Veil in Trespasser:

Cole: The Veil isn’t real. It’s false, fake, fabricated to forbid. Isn’t it wonderful? It means I belong here! Helping, healing the hurt! I’m not a wrong thing, a wreck, a ruin. I’m what I should be!

...We're repeatedly told throughout the series that spirits desire to be with the living and the Veil is preventing that, for good or ill. Rook's team cares about this in terms of the threat of their world being destroyed by a sudden flood of demons, but from Solas's point of view the spirits belonged here to begin with and it's his mistake that makes coexistence impossible.

But at the same time, the first three games were set in the South - Veilguard shows us the Mourn Watch and Rivaini seers who do coexist with spirits, even with the Veil still in place. Other characters are less comfortable with this, but we're not getting anywhere near the same focus on the fear of spirits and mages here that we saw in the South. The game's just... not really interested in discussing this, we're not focusing on these ongoing effects of the Veil right now in this game about Solas trying to bring the Veil down, sure there's the occasional haunting and plenty of demons to fight but we're treating the ability to coexist with spirits as basically a solved problem in northern Thedas. And we've already put the mage rights plotline to rest in Inquisition. We're done, we're moving on, those parts of Solas's motivation are still important in that Solas's attitude toward spirits is important, but focusing on those problems is not a priority right now.

So of Solas's motivations that we saw back in Inquisition, the outlook now... the Blight's a problem, everyone's on the same page about the Blight being a problem, and in the good ending Solas winds up working on that aspect of the problem - but his other motivations, although they may still be problems, do not look as huge and pressing in Veilguard as they did in Inquisition. We've seen cultures where people and spirits coexist even with the Veil in place; mages in the north seem to be doing fine, at least as far as my Nevarran mage Rook's experience goes, and even in the south the treatment of mages is no longer what it was in the first two games; and the wonders of the Fade may be great but there are also dangers, acknowledged by Solas, and if a lot of people would rather keep the dangers out than bring the wonders or the immortality back in... who has the right to decide that for the whole world?

That's become the sticking point here. It's not really about how to solve the ongoing problems created by the Veil... it's whether they're Solas's problems to solve. And there's plenty of reason for him to answer yes to that, he created the problem to begin with and few other living people even have the knowledge that the Veil is unnatural, much less the ability to fix it - but also, let's be real, his attempts at solving problems have had some extremely fucking questionable results thus far.

And the stance this story has taken is: Solas is imprisoned by regret. Whether the Veil should come down or not, the reason Solas specifically has to walk this path is because of regret. And this story's happiest ending that takes the most effort to unlock is trying to release him from the role his regrets have imprisoned him in. (Relevant parallel: Lucanis carrying his mental prison around with him to the point that Spite can't tell they ever left.)

It's not like the whole world has taken a vote and decided that the Veil is good and immortality/wonders/coexistence with the Fade are not worth it. Obviously the player character of Veilguard is firmly in favor of guarding said Veil, but in Trespasser and the Masked Empire, Solas had agents working for him; in Tevinter Nights, Solas's monster wolf form was followed by an army of Valor and Justice spirits; in Veilguard, Solas said he had a host of spirits ready to help when the Veil fell to minimize the loss of life. For all the reasons Solas believed the Veil must come down, there's room to believe there are other characters on both sides of the Veil who also see those as problems and would presumably still be working on those problems, although that's not the focus of this game. And more people know about the origins of the Veil now, the story of the gods and Titans.

Solas tried to share the truth with the Dalish when he first woke up, but it went badly then; we know the truth now. Maybe if Solas were just a wisdom spirit he could even have been satisfied by sharing that history and having the truth be heard without taking the whole fate of the world on himself - but Solas is not just a wisdom spirit, and he has been defined by both wisdom and pride. He took on a role he never wanted because Mythal asked it of him, he so hates when spirits are twisted away from their purpose and his got complicated the moment he first took a body. Having the truth heard isn't nearly enough to fix this situation, and he needs to fix it, it is his responsibility to fix it, he is trapped by his regrets.

Talking with Rook about Elgar'nan...

Solas: Can you see how he and I might frustrate one another?

Rook: The two of you are too much alike. Both of you want to be in charge.

Solas: I have no desire to be "in charge."

Rook: No, you just want to be able to correct anyone who's not doing everything the way you'd've done it.

Solas: (Chuckles) I see you have been observing me as well during these conversations.

...Rook and their team can come up with a very wide variety of opinions on Solas, but that line did seem to amuse Solas, Rook had a point with that one. That is the place where Solas's wisdom meets pride.

Rook: All right, I can see how you and Elgar'nan would hate each other.

Solas: He has always been what I most feared becoming. Callous and uncaring, his arrogance unchecked. To have that much power and no one to remind him that he could be wrong…

Rook: Well, he had you.

Solas: (Chuckles) And I suppose I had you.

Solas was afraid of becoming like Elgar'nan, more pride than wisdom. He could see the possibility of that happening, the same way spirits become demons. And in the final scene, if he's not convinced to turn away from his path and attempts to tear down the Veil, he sounds very much like Elgar'nan. In the trickery version, Rook calls him out on this and Solas argues against it but then he comes out with these extremely Elgar'nan-like lines:

Solas: You think yourself capable of judging me? I have faced things you could not possibly comprehend! You are a mortal! A mortal! And I am a--(Rook interrupts him by shoving him toward his prison, and then Solas 'chuckles bitterly') I am a fool…

Even more so if Rook fights him instead of tricking him, with Solas declaring that compared to you mortals, he is a god - which Solas was pretty emphatic about denying before. And maybe that's what he was starting to say in the trickery version too before he was interrupted, "I am a--" and then he had a moment to realize what he was saying.

He was a spirit originally, and spirits are changeable by beliefs and expectations, and in this game the attempt to tear down the Veil very much does change him, instantly. The game treats him as a spirit who is being twisted away from his purpose by the act of tearing down the Veil. More than that, his purpose has already been twisted for a very long time, he already had regrets about this in those memories of ancient Elvhenan, talking about how at least the Disruption spirits died without being twisted from their purpose. He was wisdom before he was pride.

So if the bad endings are about Solas being twisted away from his nature by the very thing he feels he must do to save the world - the good ending is the opposite. It's about bringing him closer to the spirit he used to be, by finally putting down the thing that has been twisting him up.

In the good ending, Rook tries to talk Solas around even before Lavellan and Mythal join in - Rook doesn't want to see the world go through even more pain on top of what Elgar'nan has done, the world is broken but breaking the world again is the wrong way to make up for the damage Solas has caused, Solas has a chance right now to save the world by saving the Veil - and this argument is actually tempting to Solas! It's not enough, but he does pause, he thinks about it, he's conflicted, he's been conflicted this whole time, he was already wrestling with this back in Inquisition when he had only just woken up and had only seen a little of this new world, he has never wanted to break the world. He believed he had to.

Solas: I cannot. To stop now would dishonor those I have wronged to come this far.

Lavellan: Even if those you've wronged asked you to stop?

Solas: Vhenan…

Lavellan: You think you've gone too far to come back, but you're wrong. I am here, walking the dinan'shiral with you!

Solas: I lied. I betrayed you.

Lavellan: I forgive you! All you have to do is stop.

Solas: Ir abelas, vhenan… But I cannot.

...He actually paused way longer for Rook's argument about breaking the world than for this. He is more emotional with Lavellan, this did affect him, but that wasn't a convincing argument. I lied, I betrayed you - she tells him she's with him and he gives her a list of reasons she shouldn't be, he can't let himself respond to this right now.

Solas: Long before we met, I failed my oldest friend. She died for that failure. If I leave the Veil in place, I am destroying the world she wanted. And I will have… She will have died for nothing.

He believes the Veil is destroying the world Mythal wanted - and they were the firstborn elves, she invited him to take a body, the union of spirits and the mortal world is integral to his memory of her.

Side note here. If Bellara is in your team when you and Solas are traveling together during the endgame, you get this conversation:

Bellara: All I really want to know is why you killed Mythal.

Solas: The Evanuris killed Mythal.

Bellara: Only the first time. The second time, she was in Flemeth's body, and she didn't want you to destroy the world to avenge her… But you killed her. Was it because she was willing to stop, and you weren't?

Solas: That was not Mythal. It was merely a fragment.

Bellara: Right. That you killed.

…He didn't answer her after that. And now, here at the end of the game, "I will have.... She will have died for nothing," the fact that he killed that merely a fragment of Mythal for this is sticking in his mind, and we saw his regret about that moment plastered on the wall of the Lighthouse, and he is imprisoned by that regret - however conflicted he might feel, he was firmly committed to this path the moment he killed Mythal for a second time.

The final straw, the moment he finally gives up his plan, isn't about the fate of the world at all:

Mythal: I pulled you from the Fade you loved and sent you into war. I used your wisdom as a weapon… and it broke you.

Solas: The things that I have done…

Mythal: Are not for you alone to bear, my friend. The many wrongs we did, we did together. I release you from my service.

For this, he is hunched over and small, like she broke him all over again - maybe he had the right idea and breaking something a second time is the way to fix it in his particular case. He was a wisdom spirit before she sent him to war, before he was the Dread Wolf, before he broke the world trying to save it. He has been at war with one thing or another for a very long time.

Here Lavellan says "There is no fate but the love we share," and he doesn't argue with her this time. He can't look at her yet. He makes a fist. He puts a hand to his brow - was Mythal's vallaslin there once? Lowers his head. Looks at the tear in the Veil. Now he finally looks at Lavellan and the other people standing in front of him, not that fragment of Mythal, Mythal is gone. And then he binds himself to the Veil.

He hasn't let go of his past mistakes, that's not what's happening. He's still got regrets. He is letting go of the Dread Wolf, the role that a spirit of wisdom was twisted into.

Solas: With every breath I take, I will protect the innocent from my past failures. The Titans' dreams are mad from their imprisonment. I cannot kill the blight, but I can help to soothe its anger. I will go and seek atonement.

And then he is finally able to respond to Lavellan's love for him, to make this journey together.

[drivestraight]

have not stopped thinking about eta since it came out and i swear i’ve read it like 5 times since. the formatting is just mwah! with the way you weaved the past into the present narrative. your characterization of oscar is truly everything. “And he cares. All this time he has cared. He has cared so much but it’s gotten him nowhere, and no one can even see it. He never understood why no one else could see it.” → like this is the oscar thesis to me! i would love to hear more of your thoughts about the future of this universe you created !

FIVE TIMES 😭 thank you so much !! it always brings me so much joy to know that people like my writing, and especially the whole past/present timelines being told at the same time - i've said this before, but that was my biggest worry when posting/writing the fic, because i knew that it was kind of high risk (it might be confusing/hard to follow) but also high reward (it was the very best way to tell the story/the only way in the end), so i'm glad it all paid off :)

and yeah. oscar to me as a loverboy who cares so much and doesn't know what to do with it and will feel more than he'll ever let on. <3

re: the universe beyond this fic... lando's side of it i'm like. for some reason i like keeping it a secret even tho i'm probably never going to write it. but as for oscar and max:

nicole invites max to melbourne for the holidays after oscar wins the championship. max chooses to spend it with them mostly because he's already spent so much time with his own family this year, re: retirement, so the timing's kind of perfect. he and oscar are Boyfriends but it still kind of feels like this undefined things coming out of abu dhabi, but spending the holiday together + max getting to know oscar's family and them getting to know him really solidifies it all.

max takes another year off racing, so in 2027 he literally is just being oscar's wag. he doesn't go to every single race or even many races but every now and then he'll show up and just. Hang. he'll hang out with the piastris and eventually people online will be like... why is max so close to nicole. why is he joking around with oscar's sisters. what's happening rn. i think he'd do daytona and endurance racing in 2028, but he really is in a good place in life, seeing all his friends and family and even getting to know oscar's.

oscar's hot shit and hot property in 2027. because i'm a red bull lover, red bull are Really good in 2027. oscar and liam are work husbands and the levels of homosexuality in that team are off the charts (liam is straight). and then there's oscar's underarmor underwear campaign.

anyway oscar wins in 2027 again. it's a bit less of a fraught fight though because he wins it with a race or two to spare. it starts out as a threeway title fight between him, lando, and charles, but then he just starts to pull ahead.

[xylionet]

They can probably all see a bit of themselves in Omega, even if they don't quite understand it. She's like the version of themselves that could have been, if not for Kamino and being raised as child soldiers.

I think part of the reason Hunter focuses on Omega is that she's the one thing he can actually do something about. Can't do anything about Crosshair, can't do anything about the Empire, doesn't feel like he can do anything about Cid and is probably hoping that just following her orders will eventually yield a good result, even though it never does.

But Omega looks at him with those big brown eyes like he hung the stars and only wants stuff he can actually give. She is a source of positive feedback and affection and frankly probably the only thing keeping him sane (see S3, where he kinda went off the deep end the second she's gone).

Realistically, Hunter has always kinda had the Dad/Ori'vod/Big Bro vibes, he was just used to applying them to three chaos gremlins around his own age and with a common military background. Cut's child rearing advice was just a bit of a tweak to his existing process to be a bit more Very Smol Baby focused.

However, Cut's running away advice was much, much scarier. Basically "stop doing the only stuff you know how to do". Cut himself had Suu to support him through that transition. Hunter and the boys don't. They would if they stayed together but I also think at that point in S1 he kind of thought they'd be able to retrieve Crosshair and things might go back to "normal" relatively soon.

If you've read any stories written by kids who were raised super isolated from the outside world and how they struggled to adapt - they're like that. But I don't think they know they're like that.

They've had so many experiences, but not the ones they need now. They're in a position where they don't know they don't know and nobody is telling them. They're very smart, but they just have so little exposure to those different to themselves.

If we compare S1 Hunter to Old Hunter from the end of S3, the difference is palpable. Not just because he's older but because support was provided.

I can absolutely see Shep and Phee getting all the local parents and grandparents and aunties and uncles who can give good advice together, cracking out some BBQ and beers, and lubricating the boys until they talk about their issues. So they can finally get them some damn help.

---

Anyway, I'm really glad you enjoyed it. It feels like the most coherent thing I've managed to write in a while, and as you can see, it still gives me feels. It was kinda spawned from reading too many "why didn't Hunter try harder to rescue Crosshair?" posts.

They are so messed up is why. They're broke and homeless is why. They are this close to living in a cardboard box under a bridge and they don't even know. They can barely rescue themselves, let alone Crosshair.

Clone Force 99 was in trouble

We don’t really talk about just how bad a situation CF99 was in post-Aftermath.

So we have a group of guys who have been raised as soldiers and have functioned in a military their entire lives. They have been fed, clothed and supplied by a military their entire lives. Zero experience with anything else. And then they have to run away from everything they know with nothing but a ship, whatever is on that ship, whatever they are wearing and +1 child.

We then see that they really have no clue how to function outside the military. They have a fairly limited understanding of the value of a dollar. They do not know how to get a job, despite having valuable skills. There’s no indication they are living anywhere but on their fairly small ship.

Most importantly, they are unable to identify that they are being financially manipulated by Cid. Tech occasionally mentions that she’s unreliable and shorting them pay, but none of them seem to understand that she is systematically taking advantage of them. Cid is effectively a loan shark, intentionally locking them in with arbitrary debt and using their financial naivety to keep them working for her.

Echo is the only one to point out that they could just leave, but they don’t. Rex even comes along and offers them a way out. Hunter isn’t wrong to say they want something different, but he’s struggling to achieve that and doesn’t really know what the options are.  It kind of feels like he misses the big picture of what is being offered.

Rex is in a much better position because he is a bit more worldly but also has support from Ahsoka and other contacts outside the military. People who can help him with all of the things that CF99 is struggling with. He also has a goal and a sense of community with other clones that CF99 lacks.

It does feel like CF99 takes comfort in having a chain of command and being in a position where someone is taking care of supplying them, even though it’s actually digging them a deeper hole. It isn’t until mid-Season 2 when Phee comes along and introduces them to a community that they start learning how to cope outside of those structures.

Crosshair is kind of in the opposite situation. He’s still getting supplied by the military but he’s also getting love bombed by the fascists with his fancy new title and all the fun explosives and stuff. He thinks he’s being valued for being special, rather than being used as a convenient tool. He feels like they could just have all this great stuff too, if only they come join the Empire, when in reality he is also in a lot of danger.

It’s rather ironic that Crosshair and Hunter are both able to see each other’s situations for what they are, but not their own.

[lakemichigans]

“I forgot you do that. Whenever we get – what’s the word – close? Anywhere in the neighborhood of emotional vulnerability? You back off, or make some joke, or find any way to shut the door on me.”

FAVORITE SPN COUPLES (1/?) → Dean & Cassie

[svtskneecaps]

you know what i'll say it MIKE AND ROIER ARE THE ONLY ONES I RESPECT these fuckers will rock up and say FUCK english all my homies HATE english they are the only ones i trust and respect these fuckers are like you will hear me speak my language and you will LEARN IT OR DIE and i respect the HELL OUT OF IT dude THANK YOU FOR BEING ENGLISH HATERS brothers THANK YOU FOR NOT SPEAKING ONLY ENGLISH WHEN AMONG ANYONE NOT OF YOUR LANGUAGE GROUP!!!!!!!!