#I'm so glad people have enjoyed this story

[lurkingshan]

Hi Shan

I've been watching your commentary on Peaceful Property with regard to its mishandling of its class conflict themes and I have to admit that I'm coming to agree with you on it.

I had to basically go "Welp, I can't see how they get out of the mess they've made now - I guess I just have to give them a pass on the grounds of found family?" in order to keep enjoying the show, which did let me do that but also left a bit of an icky taste in my mouth.

So I guess I wanted to ask - do you think there's a way they could have handled the wealth disparity and classism issues more gracefully within the show's narrative? And also whether there are any QLs you would recommend that do handle the topic to your satisfaction? I could use something good to watch!

Thanks for sharing your thoughts. I feel like you always make me consider topics more deeply and reflectively, even when I don't agree with you.

Hi, thanks for dropping in! I feel you on this, and I want to be clear that my criticism of the show is not criticism of people who still like it despite these failures. If you have still been able to connect to the friendship and family themes without this getting in the way, that's great and I'm glad for you. Just because the show is doing one thing very poorly doesn't mean there's nothing of value in it.

That said, you're right, they've passed the point of no return on their missteps with the class disparity themes. Early on in the show, after several episodes in a row of ghost stories involving poor or working class folks harmed by Home's wealthy real estate developer family on top of the class disparity between Home and Peach/Pang, I said I was confident that the show had something to say about this issue. And that was true! Unfortunately, what it had to say was garbage.

To your first question, I actually think it would have been very easy for the show to handle the wealth disparity and classism issues more gracefully, and that's a big part of my frustration. They had all the ingredients--a family history of exploitation, a ghost busting team including working class folks to shed light on the family's sins, and an ignorant grandson uncovering wrongdoing case by case and learning that there was always a price for his privilege. All the show needed to do was allow Home to come to some natural realizations about his family's treatment of others, via both the ghost case work and his relationship with Peach and Pang, and then use the power and resources he has to take accountability in the form of restitution and reparations to the people and communities they harmed. My ideal story line based on what they set up in the first half of the show would have had Home setting out to right his family's wrongs and take real steps to restore the communities they harmed. Even if a full on wealth redistribution narrative was too much to hope for, at the very least Home should have been made to reckon with what his family did and set out to do better in the future, both by Peach and Pang and by his family's countless victims (including Kan).

But that's not what we got. Instead, the narrative tried to sell us on the idea that none of this is anyone's fault, and that any harm that came to people at this family's hands was the result of a "curse" or one bad apple's wrongdoing. Instead of saying anything meaningful about systemic inequality and the responsibility of the wealthy and powerful to avoid extractive and exploitative practices, they painted Home's Gramps and family corporation as benevolent, concluding that they destroyed a bunch of people's lives by accident and without intent or even knowledge. I'm sure I don't have to tell you how utterly absurd and insulting that is. On top of all that, despite Home being the one with the most power in this little friend family and making some very serious mistakes that caused harm to the others, the show consistently centered him and his feelings in all conflicts, including Peach's near death and the death of Kan's father and destruction of her community. It also ignored the very real stakes it set up for Peach and Pang's dire financial situation whenever the plot demanded. The second half of the show became all about the poor people Home and his family have harmed forgiving him without any accountability because they felt guilty he was sad, and then those same people spending their time and energy fighting to save this rich family's reputation and livelihood. That's not me offering an interpretation, that is what literally happened on our screens!

So yeah, it was bad! It was clear weeks ago that it was not going in the right direction, but I understand holding out hope that they'd pull a rabbit out of a hat or look into the camera and say sike. But that ship has sailed at this point, and Peaceful Property becomes another in a pattern of GMMTV shows that try to incorporate class disparity in their narratives and get it very very wrong.

Which brings me to your second question: are there any QLs I recommend that do this better? Yes! Here is a short list for other Thai shows that have genuinely done this better:

Moonlight Chicken: not a class disparity narrative, but the only GMMTV show to date that has depicted working class people with full dignity and empathy

Dark Blue Kiss: the only GMMTV bl to tell a romance story that involves class conflict and not completely bungle it (snaps to TayNew for having another show that did better on this)

My Ride: a slow burn romance between a doctor and a motorcycle taxi driver that gets the way their class disparity would shape their relationship right

Love Sea: this one isn't perfect (I think the working class character in the pair gets too little narrative attention relative to his rich counterpart) but it does take the class disparity seriously and ensures it informs the relationship the whole way through

Laws of Attraction: don't laugh at me, I'm serious! This show is mostly absurd but the core narrative is all about class conflict, and it informs the romance quite thoroughly, too

The Loyal Pin: including this one on the word of @twig-tea because I haven't watched yet, but I understand it's dealing with class very directly in its core relationship (with the disclaimer that it still has two episodes to go so something could go sideways)

I'd also throw in some shows that aren't really about class disparity but do include it as part of the narrative background to inform characterization and plot like I Told Sunset About You, Love By Chance, Khun Chai, and 3 Will Be Free

Outside of Thailand, South Korea is always a safe bet for strong class disparity narratives, and in QL you'll find the best examples in Hwang Da Seul's works (Where Your Eyes Linger, Blueming, To My Star 2, and currently Let Free the Curse of Taekwondo). Japan and Taiwan actually don't do much of this, because most of their shows are about middle class and working people as a rule. Miseinen, a Japanese BL that just started airing, looks to be tackling a class disparity narrative, though, and doing it well so far (not a coincidence that the source material is from Korea). And We Best Love is a classic Taiwanese BL with a significant class disparity informing the romance conflict. Blue Canvas of Youthful Days is a currently airing Chinese BL that is doing a class disparity romance and has been killing it so far.

So there is my incredibly long answer to your questions! Thank you again for sending me this kind note; I'm so appreciative that we can chat about this stuff and still maintain our love for these shows. I hope you find some things you like on the rec list, as well. :)

[firstkanaphans]

That one ask/reply shitting on THK and GMMTV in general is really.... something. 🙃 I think you and @invisiblegarters already expressed most of my thoughts on that but I just want to add that based on every Jojo interview I've ever watched (and I've watched a lot of them during Only Friends), I never once got the impression that he's being forced to worked with branded pairs and, as you pointed out, it's actually kind of insulting to suggest he's having these pairs forced onto him and has to write stories he actually doesn’t want to tell just to suit those pairs. During OF I saw a lot of talk (from the same circle of people who are now criticising THK before a single episode has even aired) about this too (about Jojo probably being forced to keep SandRay and TopMew together just because the actors are branded pairs) but everything always pointed to the opposite being true: Jojo (along with the other OF writers) wrote a script where 2 of the couples are together at the end and one is not. And he chose the actors according to that story, NOT the other way around (he chose branded pairs to play those 2 couples because he always planned on them to be together and therefore felt branded pairs would fit that kind of a story/ending).

Not to mention I thought Jojo being a simp for Khao was common knowledge, but I guess not? But yeah, uh, anyone that has ever watched any of the Soonvijarn videos knows this. It was only a matter of time before Jojo got to work with Khaotung tbh (and clearly wants to keep working him and First, given he chose to work with FK immediately after he already worked with them). Directors have faves and it's very clear Khao is one of Jojo's.

The only thing I will agree with that original post on is the fact that it'd be nice to see some of these branded pairs act in projects solo or with a different partner. However, that doesn't have to mean they should stop working with their branded pair altogether. I don't see why they couldn't do both. Though honestly, for me the main determining factor is what the actors themselves feel happiest doing. There are certain actors who definitely do not/did not enjoy being stick in a branded pair and that was visible from the moom. I'm glad for those of them who are no longer in branded pairs, since that's obviously not something they wanted. However, FK are not one of those pairs. From everything I see of them right now, they both feel happy and fulfilled working with each other. The moment they stop feeling that way, I will stop wanting to see them act in shows together as a couple. People seriously need to stop being so vehemently against branded pairs as a whole. (There's also a lot of hipocrisy going around: Branded pairs are totally fine if it means these people will get to see a pair like MaxTul play a couple in multiple series, but as soon as a GMMTV branded pair acts in several BLs together, branded pairs are suddenly bad and are holding the actors back. Double standards much?)

[This ask was sent in response to this post, but I would just skip down to @invisiblegarters addition because it's the only part worth reading]

Yeah, there’s an anti-GMMTV branded pair movement going on here on Tumblr and I don’t understand where it came from or what its purpose is considering early GMMTV pairs such as OffGun and TayNew are exempt from criticism. 

It seems to come down to just a fundamental misunderstanding of the genre. In romances, the two main characters end up together. If they do not end up together, it’s not a romance. It does not matter if the two main characters are played by a branded pair or not. This is just how romances work. 

Not to mention that these shows are conceptualized way before they are ever cast and are oftentimes based on novels, so the casting has literally no bearing on the story at all. In the case of THK specifically, Jojo has been working on that script for at least two years. FK weren’t even a branded pair back then!

To suggest that queer characters are only getting happy endings because a company is trying to sell fan meets is incredibly insulting to not only the queer creators who make these works, but also the queer viewers who want to see a happy ending for themselves on screen.

[stagefoureddiediaz]

Weird anon, here! I'm glad you're getting joy out of discussing a canonical straight man that the actor has confirmed is straight <3

Well for starters - we are talking about characters in a tv show. They are not real people, they do not exist in real life and what I and others choose to see in a character and in their arc - because we can read subtext and the clues the show is giving us is perfectly valid. Indeed the show and a character being talked about with a queer lens is a good thing on multiple levels.

Secondly - Eddie has never been confirmed as canonically straight - the show has never explicitly stated Eddies sexuality in canon - just because he has currently only dated women (as far as we know) doesn’t mean he’s straight. If they wanted to close down conversations and speculation about Eddies sexuality they have had ample opportunities to do so, but they have not for a reason - just remember Buck was in the same boat until 704 when he figured out he was Bi - ergo no longer straight.

Thirdly - the show is very good at exploring narratives around people figuring themselves out and finding themselves and their found family - later in life - Eddies journey happening now is in keeping with that narrative choice - Michael figured out he was gay in later life, Buck figured out he was bi later in life. Maddie had a second Chance with chin, Athena and Bobby found second chances later in life with each other, etc etc - it’s literally what this show does. So why should a large section of fandom exploring Eddies journey through a queer lens rile you up so very much? Why is the fact we’re are finding joy in discussing a characters sexuality annoy you so much when it’s hasn’t been confirmed in any particular direction annoy you so much - telling a story or unrepression through Eddie would be an incredibly valuable storyline - especially for a Latino man - Ryan has talked about machismo in recent interviews and wanting to break down those cultural norms and narratives through the characters he plays - so us discussing and speculating about Eddies arc being a queer one is perfectly valid. You don’t;t like it - block the tags and stop following people who do want to explore that aspect of a CHARACTER ON A TV SHOW - it really is very easy to do.

Also Ryan haas been using gender neutral pronouns when describing Eddies partners or possible future partners for a while - he has only referred to Eddie as heterosexual a couple of times - and specifically when Eddie was in a heterosexual relationship - so it is perfectly normal to use those terms. Oliver has said similar things in the past as well about Buck when Buck was dating women. So there is little to read into there - the actor is talking with the information they have at the time - but things can change - like I said - Ryan has exclusively been using gender neutral pronouns for a while (again much like Oliver started doing as well) and he has also said this in an interview;

‘I love the ambiguity of Eddie and that there’s connective tissue there - for queer people or not - to relate to and to fall in love and find themselves in who Eddie is. there is a vulnerability in Eddie, there is also a chaos in Eddie. there is so much realness in Eddie. And I love that there are so many fawns out there of all demographics that find themselves in Eddie.’

I Hope you enjoy tonight’s episode.

[writergeekrhw]

I just wanted to say thank you so much for all your work on DS9. I first encountered it as a teenager (I was home sick with migraines a lot back then and DS9 reruns were my comfort watch and kept me sane) but also Star Trek was one of the things that inspired me to become a scientist, especially all the creative worldbuilding and all the aliens. I used to have a lot of fun thinking about theoretical xenobiology, and now I do comparative metabolism/physiology/nutrition research, albeit in Earth mammals. DS9 was such a lifeline to me as a teen in other ways too - I identified with Bashir a lot growing up, especially excitement about things, and his love of science but how he wasn't the best with people per se - and he and Garak are still my favorite Trek characters.

Also I wanted to say how much I love Elementary, it is my favorite Sherlock Holmes adaptation, hands down, it has such a great emotional core to it and the humor is perfect.

Thank you for all the amazing stories and all your hard work on them, and I hope your day is going awesome!

Thank you so much for the kind words. I had migraines as a teen as well, so I know how much that can suck. I'm glad DS9 helped inspire your career path. It sounds like you're doing important work. And I'm glad you enjoyed Elementary as well!

[pushing500]

Hi there! Two days again, I binged the entirety of your Rimworld comic and finished yesterday. Now, it is bittersweet to see it all end. I love it so much with its characters, the stories; the art. All of that contributes to its amazing charm. I guess all I have to say left (besides list my favourite characters) is I hope The Animist Alliance enjoy a lovely life, wherever they deicide to live among the stars.

ฅ ̳͒•ˑ̫• ̳͒ฅ

P.S Off the top of my head, my favourite characters are Irwin, Hazrov, Fafo and Henry and favourite couple is Daz/Zonovo (they're too cute ♡(>ω< ✿) ). Also, do you plan to draw out the next colony you make? You don't have to if you don't want to do it.

Hello! This ask made my day. <3 <3 <3

I never thought of any of my work being binge-worthy, so thank you very much for telling me!! I'm so glad you enjoyed the story!

You have excellent taste in characters. Those are some of my particularly cherished colonists, too. I drew them for you!!

I hope you like them! :D

And I will absolutely be drawing more RimWorld colonies, don't worry. I've already got so many ideas for things I want to try, so I hope everybody is ready for more rambling posts and hastily scrawled doodles!

[technically-human]

Can you draw something with Doom Patrol!Edwin and Netflix!Edwin?

Maybe something about Dp!Edwin talking about his feelings for Charles with N!Edwin?

It's just something I've been thinking of, make it a little angsty?<3

Glad you asked

ko-fi

[echoes-lighthouse]

This is your sign to publish your self-insert fanfiction as a reader-insert story on AO3 because people will compliment your reader character and they will indirectly be complimenting you and you will feel very devious and flustered and also they will cheer on your relationship with the characters and it will make you feel so very loved and fulfilled (>w<)

[shalomniscient]

natlan 5.1 was batshit insane but i won't deny cookery when i see it. last 1/3 of the archon quest is just brilliantly done in my opinion, from writing to level design to soundtrack. just genuine excellence

[sketchy-tour]

Its funny that I could feel my WH hyperfixation slowly morph into just my genuine special interest. I worried at first, cause I thought my love for it had died. Because it was duller. But no no. Now it sits comfortably and idly in my mind. Unshaken. Comfortable. At home.

[pallysuune]

"‘You won’t believe how I got here,’ (Sevatar) said to Rushal.

The Raven didn’t reply. He hadn’t replied to anything since Isstvan V. It was difficult to speak without a tongue."

-Prince of Crows by Aaron Dembski-Bowden

The fact that this is how the book casually tells you why Rushal never speaks (three quarters of the way through the book, I might add), tells you a lot about the narrative style. I love it so much.

[rmorde]

Trigun Manga Reaction

Now, back to Volume 1 Chapter 9!

Insurance Ladies know they are going above and beyond what is normal here. But, they still continue as consummate professionals.

THIS IS SO ADORABLE!!! SO CUTE SO CUTE SO CUUUTEE!

I like the tiny little details that hints something about the characters too.

The most obvious things are Milly's childish expression (playful) and Vash's one leg raised on the seat position (gremlin). However, "no nonsense" Meryl's feet are placed inside the table's rings! You'd expect her to put them by the side of the table but nooooo!!! They need to be IN the ring (she's not above them all!). LMAO.

Tbh... I think the Kaite & Vash relationship feels more fleshed out here in the manga than the anime. I guess it's because of the Rem conversation. It added more weight to their interactions.

Also, they're adorable! Kaite is one sharp kid calling out Vash's bullshit. Vash, like a dog with a bone, keeps deflecting.

Oh wow. This is a huge difference from '98. Kaite was totally alone when he approached the crew.

And this is just as painful and hard to see because, you can absolutely understand the crew's reaction and feelings. What Kaite did was wrong. At the same time tho, he is just a kid who didn't know better. Taking out their grief and fury on him is not right.

Gosh... It makes me think of Little Vash and The Great Fall.

I wonder what exactly went through Vash's head here. In my perspective, Kaite is reflecting Vash unknowingly in this scene. But it's so painful because he's just a kid. He should never have been put in this position. He is too young to be on this path for atonement and redemption! It's just wrong.

Hmmm. Another big difference. Interesting. The Plant was never mentioned in '98 at all.

So, Tristamp followed this manga arc more closely. Some elements are remixed such as Wolfwood replacing Kaite, the Gung-ho Guns substituting BDN as a threat, and the race is avoiding destroying a town instead of avoiding falling off a cliff. All beats are the same tho.

HOWEVER!

I think '98 has a more logical timeline personally because they are in a hurry to stop the ship right? It's a critical moment. If you think about it, there should not have been enough time for Vash to regroup with Kaite after the duel. So, '98 having these two events happen simultaneously is actually good.

Another benefit is Kaite's offer to help feels much more genuine when he was alone and away from Vash in '98. It really sells the idea that this is entirely his own decision despite the risks of retribution.

Of course, Vash didn't influence him in the manga too but by visually having him there with Kaite, it kinda undersells it imo.

Oi. Vash. That's no way to talk about your sister!

While I do appreciate the changes on the Plant design in Tristamp, I really like the '98/Manga more. They're both excellent designs for Sci-Fi but I just really like the 90's flavor of magical Angel Power Plant... which appeases my thing for magitek.

Tristamp tho is a modern flavor of alien Faerie Power Plant - not bad but not my cup of tea. However, the glowing lines feature is wonderful! It reinforces the idea of them being power plants because they have "circuits" in the body. Restraining myself from saying Magic Circuits!

Oh... This is a really fascinating set of panels that I think both '98 and Tristamp haven't adapted well.

'98 kinda skipped this. However in Tristamp, the emphasis on Plants is very clinical. Not sure if that is the best way to describe it, but, in the plants feels so much more objectified in Tristamp. I guess the horror element about the human-plant relationship is further emphasized there.

It's contrasting the manga which seems to be more focused on the awe-inspiring side of it like in the scene above. The scientist waxes poetic and is practically making a religion out of the whole thing.

I guess, to put it simply, the manga effectively shows how humans see Plants worthy of worship. Meanwhile, Tristamp displays how humans see Plants as just a life-essential battery.

So beautiful... Oh...

What if the re-design happened because animating expressive individual feathers would be a pain for Orange staff? GASP! Is that why everyone's hair were cut short?! Because hair is tedious to animate. OMFG... IS THIS WHY MILLY WAS CUT OUT IN SEASON 1 since she really really long luscious locks?!

I kid. I kid. 🤣

Oh. That's really clever remixing by Studio Madhouse. So '98 Miss Purple Avenger Episode is like a "Prototype" of this manga arc. This is where Vash having to prevent an explosion of a Plant came from.

Okay. Another great difference... I've been saying that a lot in this chapter. Sorry.

In '98, Vash dealt with this alone and the only witness was terrified. It focused more on the mystery.

However, here in the manga, Vash is not alone. Humans must work with him to save the Plant and everyone. He can only buy time but it's up to them to stop the whole thing. It's a really nice display of Vash's hopes and beliefs regarding human-plant relations. ----> BTW, the art in this page is really pretty and interesting! (1) The almost "gradient" like transition of Vash's coat to the bulb is so creative. (2) The drawing of the Plant resembling a blooming flower: feathers as ray florets, the plant/sister as the disk floret, and the wires as receptacle/stem.

These pages are so gorgeous and the way the slowing down of the heartbeat was shown through the interspersed tiny panels is just really good.

ROFL. The human instinct of "I don't know what's going on but it's helping so I won't pry anymore and I'll just roll with it!". Love to see it!

I think this arc is so good because it justifies Vash's often criticized brand of hope - his endless patience at giving humans chances to bridge the gap between their species.

Humans can work together and save themselves with just a little push. They won't rely on exploitation forever.

People can realize when they are wrong. They can atone and redeem themselves. They do not stay cruel and ignorant forever. They are capable of change. ----> Also, this art is so perfectly adapted in '98. This page, actually, all the pages relating to this collective effort of humans to save the ships (with a bit of an assist from Vash) is so heartwarming to read. ----> Oh... Kudos again to '98 because since they relegated the 'Vash prevents a Plant explosion' to an earlier episode, the episode covering this particular plot had him out of commission. So, the stakes have become higher. Humans must set aside their differences and work together to save each other and Vash too.

And finally, humans are more than what they seem. They are complicated. What could be an enemy at first could turn out to be an ally that can save you later.

This entire conclusion to the conflict is just good and very... Vash. This is what he wants for Knives to see and understand about humans.

I think '98 really did well in adapting the essence of this arc. Tristamp is complicated because now, on hindsight as I read the manga, the episodes are basically hard-carrying and working overtime telling multiple plot lines at once!

Let's see... in Tristamp's version of this arc:

Wolfwood was working double time in the narrative as "Kaite" and one half of the "Good/Hope of Humanity". Not to mention he has his own conflict going on too.

Meryl was the second half of the "Good/Hope of Humanity" that works with Vash (Plant) in saving people.

Unfortunately, with BDN being replaced by the Gung-ho Guns, there is nothing that echoes the "Hidden Depths Enemy Turned Ally"... character...No way... OMFG! WOLFWOOD WAS SUBSTITUTING FOR THAT ROLE TOO IN THIS ARC!!! Poor Woofwoof!

Roberto is a unique addition since he is a Tristamp OG, but I think he represents well the approach taken by Orange with Trigun. He is like the "Flaws/Indifference of Humanity". He is good but experience had turned him into someone that's jaded and refuses to rock the boat (unlike Meryl). His age and 100% ordinary human status prevents him from surviving long enough to change his disposition too (unlike Wolfwood). It's pretty in line with Orange's more emphasis on the "darker" aspects of the story.

WHA-?!!!

Eh? Eh? EHHH?!!

WHY WAS THIS CHANGED IN '98?!!! THIS IS ADORABLE AND COOL!!! AHHHH!!!! NOOOO!!!!

But... then there won't be Meryl and Milly supporting injured Vash. NOOOO!!! Augh. AND THERE WON'T BE TRISTAMP VERSION OF THIS! AHHHH!!!!

Oh. So, the singing is in the manga too. That's a surprise. I thought it was a '98 original scene.

Awwww. ಥ_ಥ

[zara-renata]

i have thoughts about your most recent fic and tumblr’s comment character limit has brought me to your ask box again 🙈

omgggg it’s so good to know sylus’s POV during that wine night!! and i don’t know why and how, but sylus’s thoughts about mc here, esp how he feels about her selfless tendencies (to her detriment), makes me feel vulnerable and seen. when i read reader-insert fics, i tend to imagine a separate character for mc even though it’s technically supposed to be me in my head. perhaps the character i made up resembles me (but better lmao), but different enough that she’s like an individual on her own. but when i read this fic, it’s like sylus was talking about me, as in the real me, which made me emotional. it could be that the way mc handles herself poorly in here resonates with me due to some irl stuff, but honestly it’s primarily how good you write about a character’s emotions and thoughts. it’s like the words reached across my screen and tugged at my heart. you’re such a great writer when it comes to expressing a character’s innermost thoughts. it’s like i’ve been placed inside a character’s mind to bare witness their raw self.

again, i love how your sylus x mc dynamics, at least for this series, revolve around an mc oblivious to how much sylus cares about her. it seems she doesn’t even believe she’s deserving of such affection, nor is she fitting to be the object of such primal desires. in a way, she’s kind of self-sabotaging in the sense that she thinks she doesn’t deserve kindness, help, and affection. she’s genuinely fine with taking the brunt of the pain and suffering – and not even in the hero, martyr kind of way. it seems it’s how she’s always been, such behavioral tendencies of hers seem to be as normal as the sky is blue, which is sad and concerning because she deserves so much. i’m honestly excited to see sylus try to knock down her hardened walls and have her realize how deserving she is of so many things. i hope she realizes she can relax, rest, take it easy, and feel safe. especially with him.

i actually laughed out loud about how unhinged sylus can be about his sexual desires for her. like the man is blue-balled to heck, but he isn’t the kind to succumb to his base urges. he really respects and loves mc. i think i would even say he reveres her, given the fan theories around their past. it’s like his urges are just something that come with his intense adoration and care for mc, which is so so admirable and attractive.

maybe i’m just a tad sensitive today, but i completely zeroed in on the emotional aspects of this fic – quite a difference as to how i salivated over your previous fic in your ask box LMAO. coincidence is such a funny thing because i feel like i really needed to read this fic today. i feel much better and more ready to face the day. this has been such a good read, and i humbly offer my apologies for yapping at your ask box yet again 🧎‍♀️🫣

First off, you never have to apologize for sending me your thoughts. I'm so happy every time I receive an ask, it's always an unexpected surprise. And your asks are always really thoughtful and fun to read! I wasn't just patronizing you when I said last time that it was really fun to receive such a spicy ask about the NSFW aspects of Sylus's character and dynamic with mc in these stories. A huge part of his appeal is his physicality and how he shows his affection through actions. Hot, hot, actions.

To be honest, this message from you is really reassuring, because I've noticed that a lot of the fanfic that gets a lot of traction in (any) fandom is of the NSFW variety (which, duh, I totally understand and appreciate and consume happily), and I worry that because I'm not currently focusing purely on that aspect of Sylus that people will be less interested in reading what I'm sharing, especially the installments that are so mc POV heavy. So to hear that you also like being in this mc's head, and can relate to this mc, that how I have Sylus respond to this mc's issues and hangups and trauma brings you comfort, is amazing for me as a wannabe writer. Although I also want to give you a hug (with your consent of course) if you can really relate to this mc because no one should ever have to feel what you so accurately point out about what this mc feels: that whatever pain you're experiencing is normal, and expected, and you can hardly imagine that someone would be so dedicated to helping relieve it for and with you. Because everyone deserves to feel cherished and demand more than the bare minimum from the world and the people in their life. I'm hoping that I can keep writing this story as an exploration of Sylus teaching mc that, and that you continue to derive comfort from it. Because in the end, fanfic can serve many purposes. And just like it can be a vehicle for exploring incredibly dark and disturbing and cathartic themes using our favorite characters, I think it can also be the ultimate comfort food, and sometimes you should just be able to feel fucking good reading it. I'm so happy to hear that this part did that for you. Thank you so much for sharing your thoughts.

[doot-boi]

My christmas gift for me is on the way and in honour of that I wanted to post the part I'm most keen for

Look at 'em. The blorbos in love. This is my favourite love scene ever and I get to have it on a card for the tcg I love in a fancy printing. Thank you Justyna Dura for your marvellous rendition

[bylertruther]

some of you never grew up in a small conservative town as a (gay) nerd that was bullied, harassed, and excluded for years on end for not fitting in and for visibly and enthusiastically liking geek things—geek things that then branded you a satanist in everyone's eyes and as something Other, Lesser, and Undoubtedly Unworthy of Basic Human Decency even though you were literally just an actual child with harmless interests and not a satanist or an evil disgusting subhuman thing, and it shows.

you cannot apply modern views and beliefs to a show that is set in the eighties, especially not when it's set in conservative midwest eighties which is a whole other beast. being a socially awkward and nonconforming geek is something that people STILL get bullied for if you don't do it in a way that the majority deems "acceptable", especially if you live in a conservative, religious area.

your experiences are not universal and your inability to relate to a certain motif or story does not make it "lesser" or "bad writing."

[isfjmel-phleg]

🥽

[angorwhosebabyisthis]

do you ever just look back at something an ex said to you and regret that it did not turn into a full blown fight