#I'm s much older

[coolcoolcoolbutwtf]

AO3 is down for maintenance:( I've known about it for awhile but stilllll !) Oh and I'm about to be a big sibling. Mom's going to the hospital right now 👍 •ᴗ•

And I just found out that one of my all time favorite FICS updated and I can't even read it for almost 5 hours \(TOT)/ the pain!

The fic withdrawals are so painful! Let me read so I can forget about the possibility of my mom dying ╰(ɵ̥̥ ˑ̫ ɵ̥̥ ╰)

[ryuki-draws]

Slowly becoming yourself again

[angelsdean]

I need people to understand how S&P (standards and practices) works in television and how much influence they have over what gets to stay IN an episode of a show and how the big time network execs are the ones holding the purse strings and making final decisions on a show's content, not the writers / showrunners / creatives involved.

So many creators have shared S&P notes over the years of the wild and nonsensical things networks wanted them to omit / change / forbid. Most famously on tumblr, I've seen it so many times, is the notes from Gravity Falls. But here's a post compiling a bunch of particularly bad ones from various networks too. Do you see the things they're asking to be changed / cut ?

Now imagine, anything you want to get into your show and actually air has to get through S&P and the network execs. A lot of creators have had to resort to underhanded methods. A lot of creators have had to relegate things to subtext and innuendo and scenes that are "open to interpretation" instead of explicit in meaning. Things have had to be coded and symbolized. And they're relying on their audience to be good readers, good at media literacy, to notice and get it. This stuff isn't the ramblings of conspiracy theorists, it's the true practices creatives have had to use to be able to tell diverse stories for ages. The Hays Code is pretty well known, it exists because of censorship. It was a way to symbolize certain things and get past censors.

Queercoding, in particular, has been used for ages in both visual media and literature do signal to queer audiences that yes, this character is one of us, but no, we can't be explicit about it because TPTB won't allow it. It's a wink-wink, nudge-nudge to those in the know. It's the deliberate use of certain queer imagery / clothing / mannerisms / phrases / references to other queer media / subtle glances and lingering touches. Things that offer plausible deniability and can be explained away or go unnoticed by straight audiences to get past those network censors. But that queer viewers WILL (hopefully) pick up on.

Because, unfortunately, still to this day, a lot of antiquated network execs don't think queer narratives are profitable. They don't think they'll appeal to general audiences, because that's what matters, whatever appeals to most of the audience demographic so they can keep watching and keep making the network more money. The networks don't care about telling good stories! Most of them are old white cishet business men, not creatives. They don't care about character arcs and what will make fans happy. They don't care about storytelling. What they care about is profit and they're basing their ideas of what's profitable on what they believe is the predominate target demographic, usually white cis heterosexual audiences.

So, imagine a show that started airing in the early 2000s. Imagine a show where the two main characters are based on two characters from a famous Beat Generation novel, where one of the characters is queer! based on a real like bisexual man! The creator is aware of this, most definitely. And sure, it's 2005, there's no way they were thinking of making that explicit about Dean in the text because it just wouldn't fly back then to have a main character be queer. But! it's made subtext. And there are nods to that queerness placed in the text. Things that are open to interpretation. Things that are drenched in metaphor (looking at you 1x06 Skin "I know I'm a freak" "maybe this thing was born human but was different...hated. Until he learned to become someone else.") Things that are blink-and-you-miss-it and left to plausible deniability (things like seemingly spending an hour in the men's bathroom, or always reacting a little vulnerable and awkward when you're clocked instead of laughing it off and making a homophobic joke abt it)

And then, years later there's a ship! It's popular and at first the writers aren't really seriously thinking about it but they'll throw the fans a bone here and there. Then, some writers do get on the destiel train and start actively writing scenes for them that are suggestive. And only a fraction of what they write actually makes it into the text. So many lines left on the cutting room floor: i love past you. i forgive you i love you. i lost cas and it damn near broke me. spread cas's ashes alone. of course i wanted you to stay. if cas were here. -- etc. Everything cut was not cut by the writers! Why would a writer write something to then sabotage their own story and cut it? No, these are things that didn't make it past the network. Somewhere a note was made maybe "too gay" or "don't feed the shippers" or simply "no destiel."

So, "no destiel." That's pretty clearly the message we got from the CW for years. "No destiel. Destiel will alienate our general audience. Two of our main characters being queer? And in a relationship? No way." So what can the pro-destiel creatives involved do, if the network is saying no? What can the writers do if most of their explicit destiel (or queer dean) lines / moments are getting cut? Relegate things to subtext. Make jokes that straight people can wave off but queer people can read into. Make costuming and set design choices that the hardcore fans who are already looking will notice while the general audience and the out-of-touch network execs won't blink and eye at (I'm looking at you Jerry and your lamps and disappearing second nightstands and your gay flamingo bar!)

And then, when the audience asks, "is destiel real? is this proof of destiel?" what can the creatives do but deny? Yes, it hurts, to be told "No no I don't know what you're talking about. There's no destiel in supernatural" a la "there is no war in Ba Sing Se" but! if the network said "no destiel!" and you and your creative team have been working to keep putting destiel in the subtext of the narrative in a way that will get past censors, you can't just go "Yes, actually, all that subtext and symbolism you're picking up, yea it's because destiel is actually in the narrative."

But, there's a BIG difference between actively putting queer themes and subtext into the narrative and then saying it's not there (but it is! and the audience sees it!) versus NOT putting any queer content into the text but SAYING it is there to entice queer fans to continue watching. The latter, is textbook queerbaiting. The former? Is not. The former is the tactics so many creatives have had to use for years, decades, centuries, to get past censorship and signal to those in the know that yea, characters like you are here, they exist in this story.

Were the spn writers perfect? No, absolutely not. And I don't think every instance of queer content was a secret signal. Some stuff, depending on the writer, might've been a period-typical gay joke. These writers are flawed. But it's no secret that there were pro-destiel writers in the writing room throughout the years, and that efforts were made to make it explicitly canon (the market research!)

So no, the writers weren't ever perfect or a homogeneous entity. But they definitely were fighting an uphill battle constantly for 15 yrs against S&P and network execs with antiquated ideas of what's profitable / appealing.

Spn even called out the networks before, on the show, using a silly example of complaints abt the lighting of the show and how dark the early seasons were. Brightening the later seasons wasn't a creative choice, but a network choice. And if the networks can complain abt and change something as trivial as the lighting of a show, they definitely are having a hand in influencing the content of the show, especially queer content.

Even in s15, (seasons fifteen!!!) Misha has said he worried Castiel's confession would not air. In 2020!!! And Jensen recorded that scene on his personal phone! Why? Sure, for the memories. But also, I do not doubt for a second that part of it was for insurance, should the scene mysteriously disappear completely. We've seen the finale script. We've seen the omitted omitted omitted scenes. We all saw how they hacked the confession scene to bits. The weird cuts and close-ups. That's not the writers doing. That's likely not even the editors (willingly). That's orders from on high. All of the fuckery we saw in s15 reeks of network interference. Writers are not trying to sabotage their own stories, believe me.

Anyways, TLDR: Networks have a lot more power than many think and they get final say in what makes it to air. And for years creative teams have had to find ways to get past network censorship if they want "banned" or "unapproved" "unprofitable" "unwanted" content to make it into the show. That means relying on techniques like symbolism, subtext, and queercoding, and then shutting up about it. Denying its there, saying it's all "open to interpretation" all while they continue to put that open to interpretation content into the show. And that's not queerbaiting, as frustrating as it might be for queer audiences to be told that what they're seeing isn't there, it's still not queerbaiting. Queerbaiting is a marketing technique to draw in queer fans by baiting them with the promise of queer content and then having no queer content in said media. But if you are picking up on queer themes / subtext / symbolism / coding that is in front of your face IN the text, that's not queerbaiting. It's there, covertly, for you, because someone higher up didn't want it to be there explicitly or at all.

[sealrock]

imagine: deadbeat older sibling percy.

[pastelaspirations]

I’ll never forget you babes 😭💔😔🥺

I finally come back to tumblr and t h i s is what I see. That's it, I'm done, I'm uninstalling tumblr. Bye everyone, it's Honey's fault-

[teatitty]

Was showing some TW3 Lambert scenes to Rae tonight and it's soooo cute that he's such an emotional drunk. Depending on dialogue choices, you can have a scene play out where Geralt's like "you know you're like a little brother to me right?" And Lambert goes "[voice cracking] Why would you say that to me? I'm gonna cry. Come here" and as he moves in for a hug he knocks the empty wine bottle to the floor and just shatters it everywhere ruining the moment asfrtdfgt they're all such a fucking mess

[bitternace]

if youre still taking the top 100 song rqs - how about 34 and something kairi related? ❤️ (dont worry about it if you're already swamped with rqs!)

but i regret just one thing: i never got to change your mind

[ID: a digital drawing of kairi from kingdom hearts. the background is a sketchy rendition of the tunnel in Traverse Town's secret waterway. the shadows are a little chunky, and the circular waterway frames her from the shoulder up.

she is in her kingdom hearts outfit, shown from the thigh up. with her back to the audience, kairi holds her right arm behind her back, shoulders tense. her right hand is curled into a fist. /End ID.]

[noirrelite]

The many ways I've drawn Sierra's eyes since Feb 2022, in rough chronological order (oldest to newest)

[aq2003]

omfg . radio play version of much ado with david as benedick from 2001

[someobscurereference]

Insane over the awakening trio again. We fought a war together, saved each other multiple times, and I know for a fact I can trust you with my life. We have never learned to socialize normally so we can't interact in a normal environment for five seconds without dunking on each other. I would follow you through time and space and abandon everything with you. You are the living reminder of every awful thing that have ever happened to me. Our traumas make us hurt each other at every turn. We're the only ones who know what lead to each other becoming Like That. Our jobs are barely in the same area and we don't even hang out that much outside of necessities. You are all I have left. I cannot fucking understand you. I am the only one in this entire world who has the ability to even try to.

x

[waffulaa]

.

[say-hi-intrepid-heroes]

small mental health win (parent finally understands that i can be triggered by things and feels pity)

[heartbeetz]

Curious cause I don't think I've seen you explain this before; what made you want to have Jazz be older than Anton ? I don't think I've ever seen anyone else have their s/i be the older one in the relationship if they didn't have to xP no hate at all either lol I love it ! I think it's super unique and it's part of what draws me to Jazzton

HONESTLY it is a mix between him starting out as a pᎥzza tower s/i who I shipped with PeppᎥno (who I also picture being around 50) and me wanting to have a s/i who's a middle aged man (personal transition goals ♡♡♡). Anton being notably younger than him is just kind of the way things worked out.

Plus, given the way the antօn.blαst team used to pretty loudly endorse shipping him with PeppᎥno (which is what kickstarted jazzton to begin with, before it stopped really being a polyship thing), I think it's very fun and reasonable to go "yeah Anton 100% just has a thing for older men". Good for him 👍👍👍👍

[silverselfshippingchaos]

I get it was an important moment but... he's so cute when he's asleep!

[apricote]

chilling at the beach with nathan.

[xcziel]

feeling nostalgic and watching utube reactors discover classic songs and then feeling both old and incredulous