okay, inspired by @dragon-spaghetti's chronic pain Husk headcanons, I present Angel with atypical migraines
Angel getting knocked off balance after a few grueling weeks at the studio (because stress makes them worse), but like with the kind of vertigo that makes you feel like you're floating and untethered, but not spinning
Husk notices when something's off because Angel will stand up from the bar and pause with a hand outstretched before he starts walking, like he needs to recalibrate real quick
he lays on top of Husk with his face in Husk's chest because it's dark and then he'll forbid Husk from moving because that makes it worse, so Husk just kinda rests a hand on his back while they cuddle
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eiffel's problem is that he sees every injustice as an interpersonal issue. he doesn't understand how his flippancy or apparent leniency towards hilbert might look to hera; in his mind, it doesn't contradict his support for her. to eiffel, it seems obvious - he is also one of hilbert's victims, hera is his friend, of course he's completely on her side - but he fails to fully grasp how the stakes are different for her.
ep 19: "you need to stop treating this like a joke, officer eiffel." / "hey, i'm the person for whom the joke tolls." / "i get you're scared he put something inside you. but i hope you haven't forgotten emergency code alpha victor. he put that in me." and ep 51: "they're just jokes! they don't really mean anything." / "see, eiffel, you get to have that. they can be 'just jokes' for you because you're... well, you. but we don't get that."
the issue in shut up and listen is eiffel's repeated, if unintentional, microaggressions, but it's also his general use of dark humor as a coping mechanism - jokes he feels justified in making because of how the subjects of those jokes have impacted him. eiffel sincerely believes in treating people equally, but his idea of 'equal treatment' can be idealistic and naive. he has an awareness of interpersonal harm, but he's lived most of his life without ever being confronted with the reality of structural harm - being pre-judged and othered and having his life devalued on the basis of outside categorization.
but the thing about that is that it has happened to him, too. eiffel is an addict, and a convict, and marked as from a lower socioeconomic class than minkowski or lovelace, and those things are the reasons goddard futuristics was able to buy him as prison labor and - without his consent - consider him expendable for medical experimentation. none of that is a coincidence, but he doesn't see the systems at work, only his own actions and regrets. which he then equivocates to the worst actions of people who don't share his sense of morality or guilt.
eiffel's ability to recognize and bring out the humanity in the people around him is one of his best qualities, but... on the basis of his identity, he's been able to live a life where he conceptualizes himself as the default person, and that's been reinforced by the pop culture he loves so much. that's a massive blind spot. he assumes everyone navigates the world in a similar way, and so, on some level, he sees everyone around him as an extension of or a reflection of himself. if evil is always personal, then it can always be reasoned with.
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things that make miravi what it is, for me: miranda wholeheartedly believes what aaravi says about being a video game protagonist and seeing the UI and everything.
listen, miranda's entire Bit is believing what people say to her and what they give to her. this is what gets her labelled as naive, yes, but also i think it can go the other way too, where she can very easily meet people where they're at and not be overly confrontational about what they care about.
and no one ever really seems to believe aaravi when she talks about being the hero? as in, this too is another part of the joke, that aaravi is part of a different genre that isn't the one she's actually inhabiting, so everything she says comes with a lot of tongue-in-cheek and no one else giving it a lot of weight or credence. her being the chosen hero has a lot more significance to aaravi herself than anyone else, and even in the moments where aaravi is focused on, its always centered around this being something important to her, sectioned off from the rest of the game and the rest of the characters by detachment.
but if you put the two of these together... miranda's a big proponent of fairytales. she knows about the prophesied hero, this is something that is important to her, that she already puts weight in. and aaravi says, yes, she is a prophesied hero, she's here to save people, she's here to do good, she's the one this story is about.
and i think miranda would sincerely believe her without any real stipulations or doubt. if anything, miranda would get excited! she'd become an enabler if anything, wanting to hear more, wanting to see more, wanting to see aaravi save the world, wanting to see her be the hero, be the thing of legends. she wants to know about aaravi's exploits! where has she been? what monsters has she defeated along the way? has she won a game of wits? has she found a legendary magical sword to help her along? miranda wants to see it all! she wants to hype up aaravi, because she loves this and she believes in aaravi too!
and i think that'd be good for aaravi! i think she could genuinely benefit from having someone wholeheartedly be in her corner, to play cheerleader for her, to not doubt her all the time or have to struggle to convince her of any part of it. in general i think aaravi deserves more support than she gets, that it would do her very good in feeling confident and assured in herself, in not having to struggle with perceived insecurity in so many things all the time. she is the hero! someone does believe her! someone does think she's helpful and good and protective! not to mention i think it'd benefit her to have someone to talk about all of this to, someone who isn't judging her and isn't a therapist, who she can feel safe and secure with in turn.
and i think it would do miranda good too, to have someone who appreciates her help and wants her help, who she can feel like she's helping and being good in doing so. miranda does have a tangible motivation in wanting to make her friends happy and be liked, and i think having someone who appreciates her efforts would also be good for her.
i think they both deserve to feel like they're being good and doing good! i think it'd be good for them to just have someone who unironically appreciates what they're doing and believes them when they say who they are!
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Fish Tank
I haven't done anything on here except textpost memes and reblogs for a while, and I was just thinking about the scene where Chat shoots Shrimp out of a cannon after hearing her Love Song, and now I have the sudden urge to write about why it's one of the best scenes in the entire season. The title is just a team name I made up for these two, those are obligatory when Chat shoots someone.
Firstly, I think this scene is the single best showcase of Chat's real intentions when shooting someone from their cannon, unless they have pre-existing beef with the person they shoot - they're trying to show their appreciation/love by team-attacking with them, and this is their only way of doing so. It might even be an attempt at a compliment, means that the person is strong enough for the collision to do enough damage to the targeted enemy! One of my favourite things about Chat as a character is how they have zero normal methods of showing their love for someone, and the methods they choose make it very easy for them to come across as forceful or annoying. This is prominent in all of their character relationships, but just before they shoot Shrimp from their cannon, Daniel Failboat establishes the lore that Chat's insane amount of eyes are a terrible combination with Bo's inability to make eye contact, and that seems like a perfect example for my point, because despite that giant setback, Bo is arguably their most positive relationship in the series. Back in the Realm of the Fey, their constant insanity (and lack of Failboat to balance it out) forced Bo to take some responsibility, even though that's the last thing she wanted to do, and that was the first step in lifting both her confidence levels, and her personal connection to the team, which are integral to her character arc. Chat's love language is as unconventional as they get, but even towards someone who is logically completely unprepared to handle them, it can actually work. They're a nonsensical being, and they have very little idea of what could actually harm someone (they are still a child, who don't really know how to use their literal artillery), but as long as their intentions shine brighter than their methods, you can see the heart behind the insane things they do.
Secondly, since I've talked for so long on how this builds Chat's character, I'll talk for even longer about how it builds on Shrimp's. Specifically, how carefully she reacts to the situation at hand, considering her newly budding friendship with Chat. She's aware that they can do this, and she's been rooming with them for a decent while, so she has a closer understanding of their personality than ever, and she's already prepared for the possibility of being shot. However, she is caught completely off-guard when they ask her to get in the cannon, though - not because she's surprised that they'd ask that, but because they preface it with declaring their love for her (Strictly platonic, obviously, as the Love Song ability suggests). Shrimp hasn't made a lot of friends in her own age range, considering the bullies she faced back in the ocean, and most of The Incident being adults, so she has to make a lot of guesswork on whether Chat's actions of friendship with her are okay or not. She's more experienced with live chats than anyone, so they really get along on a surface level, but more complicated situations like this are hardly her expertise, she literally ran away from home when confronted with one- but Chat is the furthest thing from those bullies, they fully believe in her talents, and they're actively trying to push her into the limelight! The attack actually saves someone's face, too! Shrimp is physically hurt by the proceedings, though, and everyone has made it clear to her that her pain does indeed matter. These contradictions mess with Shrimp's head, so for a brief time, she tries to ignore them. She also ignores Chat by extension, choosing to hype up Bill for the rest of the venture, and only confronts them when they get back to the Inn, during which she does the only thing she can think of - set some boundaries. Nearly impossible to do with Chat, but she can't completely rely on Bill to moderate her actual live chat, she needs to take responsibility as well, and it works! Chat's belief in her extends to her somewhat-light-hearted threats, and even though they move to Failboat's room shortly afterwards, their friendship with Shrimp has obviously benefitted from this. They even picked up some of her singing skills, and Shrimp's made her first steps in navigating a friendship with someone who isn't an authority figure for her. Chat never meant to hurt her, and since this is the first time, she doesn't hold any hard feelings towards them. That's a waste of her emotions.
Thirdly, and most obviously, the scene is fucking hilarious, and makes perfect use of Miitopia's mechanics. Daniel Failboat's own laughter is infectious, and the immediate juxtaposition of the character's attacks, only to increase their bonds in the end, is only possible through a vessel as absurd as the Miitopia video game! I can't imagine a world where anyone could sit down and intentionally write that scene, it has to happen of its own free will, and Failtopia in general makes perfect use of that idea.
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This started out as a general Isekai concept, but it would make a good wmmap AU so I'm sharing this here. I'm thinking about an AU with poc Diana who gives birth to a pair of twins but one twin resembles their mother (dark skinned, pink eyes, physically strong and athletic but mana-less) wheras the other twin takes after Claude (pale blonde, jeweled blue eyes, wizard prodigy (twin-twin transfusion syndrome: they consumed their twins mana in the womb)) and as a result the treatment of the children is starkly different. The white-passing one is almost immediately accepted by the Obelian nobility under the condition that they renounce their mother and assimilate flawlessly into the society of their colonizers while the dark skinned child is being shunned no matter how hard they try to please and has to cling onto their sibling for survival. This could later lead to a clash between the twins as one would sympathize with the nations colonized by Obelia and seek to free them while the other would be unwilling to give up the position of privilege they were born into.
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