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mrschwartz · 17 days ago

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Alex Turner for Rumore Magazine (September 2013)

Seventies Heads and Modern Loves or I Don't Know What I Want But I Surely Want You

by Elia Alovisi

Until he opens his mouth, Alex Turner looks like he stepped out of the Nevada desert. Leather loafers, a belt, slicked-back hair, sunglasses. But as soon as he starts talking, between “summat” instead of “something” and “me” instead of “my,” he transforms back into a boy from Sheffield who grew up on cocktails and DJ sets. The discrepancy between the way he looks and the way he speaks is strange: you would expect a cocky and arrogant rock star, but instead you have before you a relaxed and thoughtful boy who carefully measures his words, but does so with a smile and not a frown. The lyrics of AM, the fifth album of his band, mainly revolve around difficult and elusive women. There are many questions. “Do I want to know?” “Are you mine?” he says; “Why do you always call me when you’re high?” she says. There is no shortage of desires: “I want it all,” “I want to be yours.” Absent, however, are the answers. We tried to get a few out of him.

How was it to be back at Glastonbury as a headliner five years after the first time?

Fantastic. Absolutely wonderful, this time it was very natural. Everything was harder in 2007, we had done a lot less shows and had a lot less songs. Now we have learned to move better.

After the experience of Humbug, you collaborated again with Josh Homme.

Yes, Josh is on Knee Socks, towards the end of the piece. We gave him carte blanche and he decided to sing a sort of counter-melody that reminds me a lot of Bowie.

Are knee socks your favorite piece of underwear on a woman?

[Laughs] What do you think?

If she has the right legs.

Exactly, yes. The best is the garter. But then they would not be Parisian anymore, right? And then they are thicker than women's stockings. However they are not my favorite underwear, I go with the push-up.

In the lyrics of Arabella you talk a lot about the universe.

I wanted to use that linguistic palette to try to describe a woman. There are many songs that use those sorts of words… galaxy, interstellar, constellation, things like that, but usually they are used just for the sake of being used. Instead I wanted to make them an active part of a description, they are images that I find very interesting. In England, on the BBC, there is this program called Wonders of the Universe, with Professor Brian Cox. And it is one of my favorite programs [smiles, pleased].

Barbarella also pops up in the text.

Yes, although I haven't read practically any of her comics and I've only seen a small piece of the movie. I don't really like B movies. To know her, you just need to have seen a poster, that's all you need. I just used her to make a comparison with the costume she wears.

How does the suite you sing about in Fireside relate to room 505 in Favourite Worst Nightmare?

Yes, I’m talking about a suite in my heart… or in her heart? Well, in someone’s heart. Room 505, in my mind, is something very concrete. I wrote that song on a train between Philadelphia and New York, my girlfriend was in a hotel waiting for me and I just wrote about that [Turner’s voice becomes increasingly whispered as the sentence progresses]. In Fireside, however, it’s all figurative.

So how much of your real self is in your lyrics and how much is just imagination?

There's no rule, sometimes there's a lot of me in the lyrics when you least expect it. I put little secrets in them. What I try to avoid is that people who listen to one of my songs say, 'oh, he's talking about that girl'. You know when you read a novel and, somehow, in your mind you see its characters with the faces of some of your friends, or your favorite actors? That's where I want to get to with my music, I want it to be like being in front of a story, not the evidence of two people with a name and a surname who are kissing. It's up to the listener to give them both a face. When I write I pretty much always have someone or something in mind, but it doesn't really matter.

How did you come up with the idea of using John Cooper Clarke's words for I Wanna Be Yours?

We wrote most of the songs on this record on a four-track that I got for my birthday. I spent a while recording ideas on it, sometimes we'd loop a bass and drum melody for five minutes and the fact that it was on tape gave it an incredible color. Then I'd sit there with headphones and a microphone humming melodies, or making up silly lyrics to start coming up with ideas. One day, while I was jamming, the words I wanna be yours came out and I remembered that they were the title of one of his poems. I thought it would be cool to use someone else's words – and especially his, I'm a big fan of his. It's one of my favorite songs on the record, the lyrics alone make it different from anything we've done before. And then I love the juxtaposition of the slow, sexy, flirtatious music and his words.

The party you talk about in No. 1 Party Anthem seems a lot more laid back than the ones you’ve talked about in the past, like the house in This House Is A Circus.

That’s true, but the parties we go to are still pretty messy. They’re just twice as long.

Am I supposed to be imagining some sort of indie celebrity party?

Indie celebrity party? [Laughs.] No, no, no. The slow tempo of that song gives it a bit of a Los Angeles feel. It’s a city that I’m told is very similar to what we’re portraying on the new record, and I’m starting to think that might be true. Not that it sounds like the Eagles, you know.

It's like your sound is becoming more and more American.

Yeah, maybe. There's something special about that part of the world. Everything that came out of California owes something to '70s rock, the spontaneity of those rhythms also comes back in West Coast hip-hop. But then came the fucking '80s and… a lot of fucking bands that don't fit into that theory. I think there will always be something English in our sound, it's something we can never detach ourselves from.

How much does Sheffield still mean to what you do?

Well, you know… [he taps two fingers on a tattoo on the inside of his arm: the Yorkshire rose and underneath it the word “SHEFFIELD”].

There are three songs on AM whose titles are questions.

You don't notice things like that until you sit there and write the titles of the songs one after the other. I hadn't noticed until then, there are also a lot of wanna.

The protagonist of R U Mine? is wrapped up in a certain western imagery, you portray her as “a lone cowboy riding in an open space.” And in All My Own Stunts you talked about “watching cowboy movies on gloomy afternoons.”

I love the western style. The leather ties, the belts… Hey, look at this one I’m wearing! [He stands up and shows me his leather belt, turning his back: it has “TURNER” engraved on it, on either side of the horseshoes.] A friend gave it to me for my birthday, this year was really nice, between this and the four-track. I also love western movies, especially the ones about Butch Cassidy. I also love Ennio Morricone’s soundtracks, obviously.

How do you usually celebrate your birthdays?

They’re nothing too devastating. I have a birthday in early January, everyone is still recovering from Christmas and New Year’s, so the average response I get is usually “forget it.”

Why'd You Only Call Me When You're High? brings back the drunken text messages you mentioned in The View From the Afternoon.

We've all done that at least once, come on. Those lyrics might have come off the first record, but the music is fully invested in what we're doing now. I just wanted to write something simple.

While we're on the subject: when was the last time you got bounced at the entrance of a nightclub? It's not like From The Ritz To The Rubble anymore, is it?

Shit, that was like four weeks ago! [Laughs.] We were in Stockholm, we were trying to get into an area of the nightclub and there was no way we could get in.

What are those Mad Sounds you're talking about?

That song is about those moments when you put on a song and it's like it's talking about exactly how you feel. It's a song about those songs, and I hope it can become one of them. I get that feeling from some songs by Lou Reed, John Cale, or Harry Nilsson. It's like sometimes they really understand how I feel, and you're like, "What the fuck..." and you almost tell them to go fuck themselves.

The point where the song explodes is when you start singing a series of ooh-la-la-la. What is the la-la-la moment that sticks with you the most from the music you listen to?

Definitely the do-dodo-dodo-do-do-do-do from Walk on the Wild Side by Lou Reed.

By the way, who came up with the idea of calling a song The Hellcat Spangled Shalalala? What does that mean?

It came up one day when we were making up names for guitar pedals – sometimes they have crazy names. The Blond-o-Sonic Shimmer Trap would be perfect for a fuzz, for example. The Hellcat Spangled Shalalala, however, comes from a bar we hung out in a lot while we were writing the previous record. The room was full of glitter and there were a lot of weird chicks all winking, like cougars.

The lyrics to Snap Out of It revolve around hypnosis. Do you think there's any real power behind it or is it just persuasion?

I've never been hypnotised, but it all seems pretty real when you watch hypnotists on telly. There's this show in the UK where this guy, Derren Brown, gets people to do all sorts of things. Crazy stuff like, "rob someone!" Nothing I'd want to be involved with.

In I Want It All you say, “Leave me listening to the Stones 2000 light years from home.”

I’m actually a Beatles guy, no doubt. But I like them both, I saw the Stones at Glastonbury and it was great.

Don't you think it's better for a band to go at the top of their game than to keep going and going and risk having nothing left to say?

What the Stones have managed to do is really extraordinary. I mean, they're seventy years old and they're still on stage. It's very difficult to have an opinion on something like this because I don't think I've reached that level yet. I'm very excited about the new album, we've reached the point of being a good live band and, speaking as an artist, I think I've reached a certain excellence this time. I want to build on that, explore new things. We still have a lot of places to go.

I think the main difference between AM and your previous albums is the small amount of guitars.

This time we didn't want to sound like four guys playing in the same room, while that's exactly what we wanted to sound like in Suck It And See. We immersed ourselves in a more minimalist idea. The guitars are perfect, sometimes they don't even sound like guitars from the way they're played, or from the effects we put on them. They sound a bit "spacey," they would be good for the stereo of a flying saucer. Then we came out with some bass and drum parts perfect to be played at full volume through the speakers of a car. We also worked much more with the vocal lines, especially with the choirs.

There are actually a lot of songs where you put backing vocals and backing vocals, especially One For The Road.

Matt, Nick and I do them. Jamie is the only one who doesn't want to have anything to do with them. It all started with R U Mine? , the part where we all start going: [hums the backing vocals]. As soon as we tried that part we realized how good it sounded, we especially liked the fact that it was something we hadn't done before. So we just went for it.

#i've been looking for this entire interview for so long i finally found it today!!#decided to search for it in italian and translate it #i had only ever seen the question about fireside and 505 #so many good insights here #the bit about women's underwear made me blush jvnjfvnjgn #how all of his songs are about himself and the people and the things in his life #even if that isn't what he wants people to gather from them (sorry alex! lol)#how he feels about his birthday being so early in the year i've always wondered that!#how hard they were partying during this era #WHAT HELLCAT SPANGLED SHALALALA MEANS!!!!!#what a discovery i'm so pleased with myself #alex turner #arctic monkeys #am #interview

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ps-cactus · 2 months ago

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HO 🎄HO ☃️ HO 🎁 it's your Secret Santa in town🎅🤶🔔🎶 coming down your chimney with questions about your MC ⬇️⬇️⬇️

I'm so excited to learn more about Alyn! I just got started on one of your fics but I'm dying to know what the dynamics are between Alyn and Ominis?? What do they do when they spend time together? Who's the more affectionate one? Do they argue a lot? Who apologizes first? I would love to know if you don't mind sharing ❤️❤️❤️❤️❤️❤️

Hellooo! Thank you for reading 🥹💖 and for the questions, Santa! 💖✨ HERE COMES THE BIG POST! ~800 words👇🏻

To not make it extremely big I marked with * places where there are some extra headcanons behind the statement and I can elaborate additionally if needed.

Amberlyn x Ominis

⋆˚⋆⌜ Dynamics ⌟⋆˚⋆

The only one who'd understand. Recognition of each other's complexities. Mutual respect. Quiet support. Nevertheless, push and pull of varying intensity. Something from their Pinterest board:

Their bond unfolds slowly, built on trust (since Scriptorium, Alyn always sided with Ominis*) and, much later, subtle expressions of affection. They find common ground in shared struggles (family issues among them*) and the guilt and grief lingering after the events of the fifth year.

Alyn has a knack for finding the right words to soften Ominis' sharp edges and gently coax him into vulnerability. Though both are reserved in their own ways, they provide each other a sense of safety and understanding. (exceptions in Conflicts below)

Alyn is more open with affection—small, casual touches like brushing her hand against his (or her knee against his, because yes, she would; she’s, lost, traumatised and overcaffeinated teen). She completes his notes sometimes, drawing schemes from the board for him, describes things that catch her attention in and out of the class—all this happens naturally and easily.

Ominis is more reserved but deeply enjoys her presence and is grateful for her small gestures of help and appreciation. At first, he starts to subconsciously lean just a little closer than necessary during conversations. Over months time, he becomes braver about returning her gestures—a hand brushing hers deliberately, his voice softens noticeably when he speaks to her.

⋆˚⋆⌜ Time together ⌟⋆˚⋆

✨Studying: Since around the end of the fifth year, they often sit together at classes, at the library, or meet in common areas of the castle. Ominis becomes attuned to Alyn's steps, her scent, her presence. He’s startled to realise one day the sound of her voice reading aloud calms him.

✨Spells and Dueling Practice: Ominis’ magic is powerful, and his wand never misses. Alyn learns new spells quickly, and is excellent in explaining. Their training sessions are focused yet competitive and somewhat playful, filled with mutual encouragement and a bit of teasing. Alyn would brush the dust from a shattered dummy off his shoulder, and Ominis, whether he admitted it or not, would think that if the entire castle crumbled into dust around him, he wouldn’t mind—as long as it meant she’d be this close again, brushing it away with her hand.

✨Walks: Both enjoy long walks through the castle or by Black Lake. In the sixth year, they always visit Hogsmeade together. Sometimes they are just walking or sitting in silence. They don't normally talk in big emotional outbursts but instead share small, meaningful pieces of themselves over time.

⋆˚⋆⌜ Conflicts ⌟⋆˚⋆

They feel connection because they understand each other’s pain and offer emotional safety, but that very depth makes them vulnerable to fear, mistakes, and misunderstandings.

⚡️Curiosity vs protectiveness: Alyn is still new to the magical world. It makes her eager to learn everything—seemingly dangerous or not—out of wonder, fascination, and a desire to understand and catch up. Ominis, however, sees such curiosity as naivety and feels an urge to protect her, especially from anything risky. Alyn grows frustrated when she feels he’s infantilising her.

✨ Resolution: Alyn may prove her curiosity is tempered by caution, reassuring Ominis that she won’t put herself recklessly in harm’s way. Ominis, in turn, may learn to trust her judgment while remaining a protective figure she can rely on.

⚡️Miscommunication: Both Ominis and Alyn struggle with communication. Ominis often needs time alone to process his thoughts, but Alyn interprets his silence as distance or blame and tries to pull him out of it. If she doesn't succeed, she can rapidly go to 'Oh, it's now me not talking to you.'

✨ Resolution: They need to compromise—Alyn has to learns to give Ominis the time he needs, trusting that he will come back to her. Ominis, in turn, has to learn to communicate when he needs space instead of leaving her guessing.

⚡️SeBaStIaN isn’t even at school during their sixth year. But, whenever he’s brought up, Ominis subtly redirects or shuts the topic down, even though he's not as mad at him as he used to be and still considers him a friend. Among other feelings, Ominis is unsettled by the thought of Alyn reconnecting with Sebastian and leaving him behind. Again. His worry isn’t just jealousy (though it is that too). He fears Sebastian might pull her into something dark and dangerous. Again.

Ominis might: a) Withdraw—not to punish Alyn, but to protect himself emotionally. b) Overcompensate—offer her small gestures of affection, lingering touches, or closeness during homework sessions as a subconscious reassurance of their bond. c) Act stupid and say something he'll regret.

Alyn, in turn, gets irritated by his lack of trust, and such an attack on her judgment.

✨ Resolution: Alyn may reassure Ominis that she was never anything more than friends with Sebastian, and that she’s not under anyone’s influence. Ominis needs to learn to differentiate between jealousy and genuine worry and to communicate his fears in a healthier way.

⋆˚⋆⌜ Apologies ⌟⋆˚⋆

Ominis apologises after angry outbursts, guilt-ridden over losing control—something he fears makes him like his family. His apologies are slow and a bit awkward but deeply sincere. Alyn, on the other hand, apologises gently when she feels she’s misunderstood his intentions or pushed too hard.

Some of these 👆🏻bring them to this 👇🏻

⋆ Christmas 1891 ⋆

...and the aftermath. The second half of the sixth year.

Extra overcompensating for his insecurities while being not entirely sober, Ominis actually kissed Alyn. It happened after an argument following the Christmas party, but as Christmas magic would have it, that time both sides felt heard and satisfied. Eventually, they found themselves sitting together on the windowsill, sharing a quiet conversation. Aaand the first kiss happened.

Afterwards, Ominis apologised so many times they almost had another argument. Alyn reassured him that he didn’t need to apologise—that she didn’t mind them trying this new relationship. But of course, they have to make sure no one finds out.

And here the 'Shades' story begins

[ Thank you for reading all this! Now the little side note and rambling (sobbing on the floor) I don't think I actually succeeded at writing their friends to lovers trope in 'Darkness' I wasn't ever even going to post it and it shows. Well, anyway, I figured I'm rather more interested in writing adventure/action and seasoning it with romance than the other way around. That's what I'm trying to do better in 'Shades'. At the same time, now I have clearer understanding of how to deepen and write their relationship and again, it will all be covered in 'Shades' . You are very welcome to read 🤍]

#barely proofread pls if english is not englishing I'm so sorry #I literally don't have time for anything this month *screams*#should have done such post a while ago #thank you santa for questions #hear me out don't judge me by the 'darkness' story if you ever even saw it 🥲#they also kinda have a ship name #I'm just not sure if I prefer this short form or the full one so I used the full for title to be clear #another side note - mostly peaceful and calm because they were trying to survive after the last year #but now the adventures are back #MORE DRAMA #is coming #omilyn #amberlyn x ominis #hogwarts legacy mc #couple dynamics and some lore #hogwarts legacy #HL secret Santa

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