#I'm not checking

[sea-nymphs-harmiony]

"Hey, do you remember the kotlc wiki-"

[companion-showdown-dot-org]

Hello!

For the biggest gay icon suggestions:

Liv Chenka

Helen Sinclair (I'm finding it really hard to find a TARDIS wiki entry up to date enough to include the audio where she's confirmed queer -The Love Vampires- so if you're checking there to confirm sexualities you might need to go to the page on that audio)

cool, I'll add them,

[poorly-drawn-mdzs]

Penelope's final gambit, you will always be famous, no matter the subtext.

[lyditist]

AM3!!!!!

[aphel1on]

i have such a love for characters who descend into madness or villainy out of deep, deep empathy. characters who fundamentally cannot cope with the cruel realities they find themselves in and blow up about it in spectacular fashion. fallen angel type characters with tears of outrage in their eyes. characters who break before they bend, and break so badly they splatter blood all over their noble ideals. every variation on it gets me so good

[to-be-a-dreamer]

So I already made a full post about the Wild Life spreadsheet but it was more of a user manual than anything and I just needed to be sure everyone gets to see just how bonkers insane this session was because I-

Insanity. Chaos. I need an entire SMP based on this premise

[madqueenalanna]

been seeing homies get deep into "the terror" and making me want to rewatch SO i spent two hours in the dead of night reading the wiki/the subreddit/other linked articles and like. one of those articles was deadass fucked up

there was a woman who spoke inuktitut who was writing a book containing a lot of inuit oral histories, and in nunavut she was able to hear passed-down recollections of when survivors from the franklin expedition were passing through

and like. i can't imagine being an inuit family/group, knowing that europeans exist but having never seen them, seeing 8-9 shambling, blue-skinned, cold-to-the-touch out-of-their-minds white men come wandering by. they invited the men inside their igloos for warmth, for food, to be hospitable. the men refused to eat, refused to speak, and when trade was offered, clutched their possessions close and refused to entertain the idea of trade. this was, offputting, to say the least. the group set them up in their own igloo, with their own fire, and left three whole seals for them to eat. and then they fled cause what the FUCK get out of there. they came back in a few days to check on the strangers. the three seals were completely untouched, while all of the men had killed and eaten each other

i mean. fuck dude. there are obviously pretty dark angles to view the franklin expedition from– honestly can't think of a good angle, it's pure colonialism and british exceptionalism– but that specific interaction, that inuit group who were living lives as normal until a dozen fucking walking dead showed up and did cannibalism. no wonder that story got passed down, i'd be shitting my pants if i saw that

[buggachat]

Part 183 of my bakery “enemies” au!

I'M BACK AND READY FOR DAILY UPLOADS!!!

First / Prev / Next / All

Kofi

[lotus-pear]

soukoku as one of my dearest renaissance paintings

[shadowtraveled]

"mithrun is the only real monsterfucker in dungeon meshi" is objectively the funniest bit you can get out of his everything, but in all seriousness i think his attraction to his love interest is deliberately overstated—and that makes sense, because romantic jealousy is a classic and digestible motive, which is explicitly what kabru was aiming for in condensing mithrun's backstory, and also because until chapter 94, mithrun wasn't willing to admit to the true nature of his desires.

but because romantic envy is both classic and digestible, it probably isn’t a unique enough or complicated enough desire to tempt a demon’s appetite. mithrun’s wish, as far as we can figure from kabru’s reduced retelling, was to have a life in which he had never become one of the canaries, and that carries like 3857 implications and desires within it. that’s delicious. his love interest acts as sort of a red herring to his motivation for making it, though. (side note: i'm saying "love interest" here because, keeping in mind that i barely speak japanese on a good day anymore, "想い人" is something i'd usually take as just kind of an old-fashioned and romantic way to refer to a lover, but in context i wonder if both the connotation of yearning and the vagueness are intentional, and i think this phrasing gets those aspects of it more effectively. anyway.)

mithrun considered his love interest to be untrustworthy. there was a minute where i thought that comment might be about a similar-looking elf (yugin, one of his squad members), but comparing the two…

the "sketchy" arrow is definitely referring to the elf we know as his love interest—the bangs go toward her right, she only has the one forehead ornament, and, most notably, her ears aren't notched.

every time she’s given a full-body depiction in his dungeon, she’s drawn as a chimera, with the body of a snake from the waist down. (side note: the “what if a dungeon has chimeras before reaching level 4?”/“then the dungeon lord is unstable” exchange just being mithrun grilling his past self alive is so funny. he’s so. but anyway) there are a couple things about this.

first, the snake part of the chimera appears to be modeled after some species of coral snake mimic

which, in the biology-for-fun manga, i… doubt is a coincidence, especially with the added context of the “untrustworthy” comment. the dungeon’s conjured illusion of mithrun’s love interest was a harmless copycat of a venomous original. for whatever reason, he felt this person was a threat and made up a "safe" version of her to be in a relationship with, and while it’s definitely possible to be attracted to or even love someone you find to be toxic and/or intimidating, when you take that into consideration alongside the configuration of her body, you get some interesting implications.

which brings us to our second point: if we assume that mithrun was not in fact fucking a snake, then sexual attraction, at least, was so far removed from his idea of a relationship with this person that he did not even bother to keep her dungeon copy human enough to maintain the illusion of the option of a sexual relationship. this is somewhat echoed in the depictions of their interactions, which also imply a frankly unexpected romantic distance. she kisses his cheek and he doesn't seem to react; she's at the edge of a narrow bed with only one set of pillows, on top of his blankets while he's underneath them.

the kiss is particularly interesting because it seems to contrast the text. kabru's narration tells us this was everything mithrun could have asked for, but mithrun is there looking unreadable to pensive, likely because this is right before the panel that makes it clear things in the dungeon are beginning to go wrong.

walking through this backwards for a minute, we have the physical barrier of his bedding and the spatial separation inherent in a bed made for one person, the emotional barrier of his mounting anxiety getting in the way of his ability to enjoy the affection he sought, and... the snake, which historically carries the connotation of temptation, yes, but also mistrust, barring physical intimacy. okay. ok. if a dungeon reflects the mentality of its lord, all of this might suggest that mithrun was not able to have any real desire for a relationship with this person. his unwillingness to be vulnerable or let another person in was insurmountable. but in that case, why was she such a focal point that she remained to the end, after his dungeon had stopped creating iterations of his friends to come and visit him? why would he get so upset over her meeting with his brother that he became lord of a dungeon about it?

well. mithrun's brother was also interested in her, probably genuinely. and mithrun had to win.

you have an older brother who your parents completely ignore, probably in part because he is chronically ill/disabled and almost definitely in part because he received a ton of recessive traits that resulted in rumors that he was an illegitimate child. you are aware, most likely because those same parents fucking told you, that you actually are an illegitimate child. but they keep you around because you had the good fortune of looking just like your mother. what can that possibly teach you but that you, like your brother, are disposable?

it's utterly unsurprising that mithrun, under these circumstances, developed a pathological need to be better than everyone around him. people don't keep you otherwise. i'd argue this is also why he says he looked down on everyone he knew while milsiril claims his dungeon reeked of feelings of inferiority—he sought out people's worst traits and prioritized them in his mind to protect his already extremely fragile sense of self-worth, and all the while he tried to be as likable and high-performing as he possibly could be. his parents disposed of him anyway, but even then he tried to keep up the performance. he was kind to everyone. he never once lost to a dungeon.

when he saw his "love interest" meeting up with his brother, what he saw was himself being replaced by a person his parents had always treated as worthless, and if that was what they thought of the child they'd kept, what value could anyone possibly see in the bastard they'd given away to die? mithrun and kabru tell the story like he wanted to win this unnamed elf's heart, but it was never about being with her. it was about cementing his worth, proving that he didn't deserve to be thrown away.

and so it's particularly cruel that his demon discarded him, too. but maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.

kui laid it out in three panels better than i could hope to.

yeah. it's love. you wanted to be loved, even when the only way you were able to understand it was through the desire to be wanted, and you wanted that so badly that the idea of being consumed felt like the promise of finally mattering to someone.

[tape-deck]

from the bottom of my heart, if buck realized and confessed first it wouldn't matter if eddie had never considered whether he liked men, buck would be halfway through an i love you and eddie would already be mentally calculating how long it would take to cover the engagement ring sized bill that's about to hit his bank account.

[jennosaur]

You’d have to stop the world just to stop the feeling~ CHAPPELL ROAN BABES 💋🗡️✨ - Twitter | Bsky | IG | Prints

[i--see--everything]

[sabertoothwalrus]

does anyone wanna hear my chilshi thoughts

[posalis]

"You can only be jealous of someone who has something you think you ought to have yourself." Margaret Atwood, The Handmaid’s Tale

[riddlerosehearts]

"Be Our Guest" original draft storyboards vs final film (💖)

The song was originally written by Ashman and Menken to be sung by the enchanted objects to Maurice instead of Belle. However, story artist Bruce Woodside felt that the song would make more sense if it was sung to Belle, the main character, as opposed to secondary character Maurice, and directors Kirk Wise and Gary Trousdale agreed.