#I'm not checking

[sea-nymphs-harmiony]

"Hey, do you remember the kotlc wiki-"

[companion-showdown-dot-org]

Hello!

For the biggest gay icon suggestions:

Liv Chenka

Helen Sinclair (I'm finding it really hard to find a TARDIS wiki entry up to date enough to include the audio where she's confirmed queer -The Love Vampires- so if you're checking there to confirm sexualities you might need to go to the page on that audio)

cool, I'll add them,

[lyditist]

AM3!!!!!

[aphel1on]

i have such a love for characters who descend into madness or villainy out of deep, deep empathy. characters who fundamentally cannot cope with the cruel realities they find themselves in and blow up about it in spectacular fashion. fallen angel type characters with tears of outrage in their eyes. characters who break before they bend, and break so badly they splatter blood all over their noble ideals. every variation on it gets me so good

[to-be-a-dreamer]

So I already made a full post about the Wild Life spreadsheet but it was more of a user manual than anything and I just needed to be sure everyone gets to see just how bonkers insane this session was because I-

Insanity. Chaos. I need an entire SMP based on this premise

[madqueenalanna]

been seeing homies get deep into "the terror" and making me want to rewatch SO i spent two hours in the dead of night reading the wiki/the subreddit/other linked articles and like. one of those articles was deadass fucked up

there was a woman who spoke inuktitut who was writing a book containing a lot of inuit oral histories, and in nunavut she was able to hear passed-down recollections of when survivors from the franklin expedition were passing through

and like. i can't imagine being an inuit family/group, knowing that europeans exist but having never seen them, seeing 8-9 shambling, blue-skinned, cold-to-the-touch out-of-their-minds white men come wandering by. they invited the men inside their igloos for warmth, for food, to be hospitable. the men refused to eat, refused to speak, and when trade was offered, clutched their possessions close and refused to entertain the idea of trade. this was, offputting, to say the least. the group set them up in their own igloo, with their own fire, and left three whole seals for them to eat. and then they fled cause what the FUCK get out of there. they came back in a few days to check on the strangers. the three seals were completely untouched, while all of the men had killed and eaten each other

i mean. fuck dude. there are obviously pretty dark angles to view the franklin expedition from– honestly can't think of a good angle, it's pure colonialism and british exceptionalism– but that specific interaction, that inuit group who were living lives as normal until a dozen fucking walking dead showed up and did cannibalism. no wonder that story got passed down, i'd be shitting my pants if i saw that

[buggachat]

Part 183 of my bakery “enemies” au!

I'M BACK AND READY FOR DAILY UPLOADS!!!

First / Prev / Next / All

Kofi

[lotus-pear]

soukoku as one of my dearest renaissance paintings

[shadowtraveled]

"mithrun is the only real monsterfucker in dungeon meshi" is objectively the funniest bit you can get out of his everything, but in all seriousness i think his attraction to his love interest is deliberately overstated—and that makes sense, because romantic jealousy is a classic and digestible motive, which is explicitly what kabru was aiming for in condensing mithrun's backstory, and also because until chapter 94, mithrun wasn't willing to admit to the true nature of his desires.

but because romantic envy is both classic and digestible, it probably isn’t a unique enough or complicated enough desire to tempt a demon’s appetite. mithrun’s wish, as far as we can figure from kabru’s reduced retelling, was to have a life in which he had never become one of the canaries, and that carries like 3857 implications and desires within it. that’s delicious. his love interest acts as sort of a red herring to his motivation for making it, though. (side note: i'm saying "love interest" here because, keeping in mind that i barely speak japanese on a good day anymore, "想い人" is something i'd usually take as just kind of an old-fashioned and romantic way to refer to a lover, but in context i wonder if both the connotation of yearning and the vagueness are intentional, and i think this phrasing gets those aspects of it more effectively. anyway.)

mithrun considered his love interest to be untrustworthy. there was a minute where i thought that comment might be about a similar-looking elf (yugin, one of his squad members), but comparing the two…

the "sketchy" arrow is definitely referring to the elf we know as his love interest—the bangs go toward her right, she only has the one forehead ornament, and, most notably, her ears aren't notched.

every time she’s given a full-body depiction in his dungeon, she’s drawn as a chimera, with the body of a snake from the waist down. (side note: the “what if a dungeon has chimeras before reaching level 4?”/“then the dungeon lord is unstable” exchange just being mithrun grilling his past self alive is so funny. he’s so. but anyway) there are a couple things about this.

first, the snake part of the chimera appears to be modeled after some species of coral snake mimic

which, in the biology-for-fun manga, i… doubt is a coincidence, especially with the added context of the “untrustworthy” comment. the dungeon’s conjured illusion of mithrun’s love interest was a harmless copycat of a venomous original. for whatever reason, he felt this person was a threat and made up a "safe" version of her to be in a relationship with, and while it’s definitely possible to be attracted to or even love someone you find to be toxic and/or intimidating, when you take that into consideration alongside the configuration of her body, you get some interesting implications.

which brings us to our second point: if we assume that mithrun was not in fact fucking a snake, then sexual attraction, at least, was so far removed from his idea of a relationship with this person that he did not even bother to keep her dungeon copy human enough to maintain the illusion of the option of a sexual relationship. this is somewhat echoed in the depictions of their interactions, which also imply a frankly unexpected romantic distance. she kisses his cheek and he doesn't seem to react; she's at the edge of a narrow bed with only one set of pillows, on top of his blankets while he's underneath them.

the kiss is particularly interesting because it seems to contrast the text. kabru's narration tells us this was everything mithrun could have asked for, but mithrun is there looking unreadable to pensive, likely because this is right before the panel that makes it clear things in the dungeon are beginning to go wrong.

walking through this backwards for a minute, we have the physical barrier of his bedding and the spatial separation inherent in a bed made for one person, the emotional barrier of his mounting anxiety getting in the way of his ability to enjoy the affection he sought, and... the snake, which historically carries the connotation of temptation, yes, but also mistrust, barring physical intimacy. okay. ok. if a dungeon reflects the mentality of its lord, all of this might suggest that mithrun was not able to have any real desire for a relationship with this person. his unwillingness to be vulnerable or let another person in was insurmountable. but in that case, why was she such a focal point that she remained to the end, after his dungeon had stopped creating iterations of his friends to come and visit him? why would he get so upset over her meeting with his brother that he became lord of a dungeon about it?

well. mithrun's brother was also interested in her, probably genuinely. and mithrun had to win.

you have an older brother who your parents completely ignore, probably in part because he is chronically ill/disabled and almost definitely in part because he received a ton of recessive traits that resulted in rumors that he was an illegitimate child. you are aware, most likely because those same parents fucking told you, that you actually are an illegitimate child. but they keep you around because you had the good fortune of looking just like your mother. what can that possibly teach you but that you, like your brother, are disposable?

it's utterly unsurprising that mithrun, under these circumstances, developed a pathological need to be better than everyone around him. people don't keep you otherwise. i'd argue this is also why he says he looked down on everyone he knew while milsiril claims his dungeon reeked of feelings of inferiority—he sought out people's worst traits and prioritized them in his mind to protect his already extremely fragile sense of self-worth, and all the while he tried to be as likable and high-performing as he possibly could be. his parents disposed of him anyway, but even then he tried to keep up the performance. he was kind to everyone. he never once lost to a dungeon.

when he saw his "love interest" meeting up with his brother, what he saw was himself being replaced by a person his parents had always treated as worthless, and if that was what they thought of the child they'd kept, what value could anyone possibly see in the bastard they'd given away to die? mithrun and kabru tell the story like he wanted to win this unnamed elf's heart, but it was never about being with her. it was about cementing his worth, proving that he didn't deserve to be thrown away.

and so it's particularly cruel that his demon discarded him, too. but maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.

kui laid it out in three panels better than i could hope to.

yeah. it's love. you wanted to be loved, even when the only way you were able to understand it was through the desire to be wanted, and you wanted that so badly that the idea of being consumed felt like the promise of finally mattering to someone.

[jennosaur]

You’d have to stop the world just to stop the feeling~ CHAPPELL ROAN BABES 💋🗡️✨ - Twitter | Bsky | IG | Prints

[i--see--everything]

[sabertoothwalrus]

does anyone wanna hear my chilshi thoughts

[rubydubydoo122]

I saw someone say a while ago that Jason attacking Tim at Titans Tower was just Tim hallucinating bc he was feeling guilty about being Robin even though Jason's not dead. Which is great, amazing, I think the whole Titans Tower thing is Bonkers, but I think it would be so much funnier if Jason tried to Gaslight Tim into believing the Titans Tower incident never happened, not because he's like evil, he's just super embarassed about it. like Or Tim did actually hallucinate Jason at TT but thinks it was real, so when he tells Jason about it, Jason's so fucking confused, and Tim thinks Jason's Gaslighting him

Tim: Remember that time when you broke into Titans Tower and beat me half to death while wearing a Robin costume from party city

Jason: What? Tim, I know i'm crazy, but I'm not...Insane.

Tim, pulling down his collar: I literally have the scar to prove it

Jason: Bruce told me that was from Clayface pretending to be me, which, might I just say rude. Tim... are you ok? Did you hallucinate me attacking you? like, I know I've done that before, but...

Tim, frowning: I don't think I hallucinating. I was benched for a while after because I had to recover-

Jason: well, you were benched around the time I was dropping hints that I knew who Bruce was outside of Batman, he probably just benched you to keep you safe. You probably were working too many cases with too little sleep and your imagination started to run wild.

Tim: Are you gaslighting me?

Jason: Are you gaslighting me?

[composeregg]

edit (10/23/2024) now that the poll is over: Original version, with 10 questions, from April 2023 here

And, given that the original is from April 2023, that means I can very easily say:

No, this was not an ISAT reference!

Just because I use parentheses and 2nd person pov and love the same concepts of what a time loop can do to a person doesn't mean it's ISAT

(Yes, I like ISAT, the original poll is why I was recommended the game! But if you look at the original, you can see all the origins of the options to choose from, including what spurred me on with the moss option from the replies)

If I were going to make something for ISAT, I would never be so vague, you can simply look at my ao3 for proof of that

[mikonez]

the cold calculated demeanor of someone not to fuck with

(no text ver under the cut!)

[1ddiscourseoftheday]

Liam was a boy, and then a man, who suffered so much trauma and pain. He was bullied as a child and then lived a nightmare that I think none of us can really imagine of having that triggering experience replicated on a literally global public scale. He became a man who inflicted trauma on others. He was an addict who was unable to find a way out of that disease, and now never will, but who was open and vulnerable about his struggles. He was an incredibly talented musician and artist and an absolutely integral part of one of the most important bands of a generation; his voice and songwriting and skill in the studio shaped every aspect of what One Direction became at their best. He loved that band and being a part of that experience with his whole being and would never have stopped celebrating what they meant to us and to the world. He had problems and did bad things; that doesn't mean he was a bad person who didn't deserve to be loved and helped to heal- everyone deserves that- and the fact that that's not something that can ever happen now is devastating. I was very distressed by many of his actions; and I cared deeply about this man I didn't know and wished for better for him than this outcome.

I'm so deeply, deeply SAD tonight. I'm sad for Liam, who will never now have the chance to look back on this hard time and reflect on how far he's come, and for Liam's family, for his parents and his sisters who loved and supported him so much, and for everyone in the 1D band family and circles. And I'm sad for us. It feels like nothing will ever be quite the same, and that's hard and sad and shocking. It's a special kind of doubled grief, to mourn the loss of the person, and also of what he meant to us in this strange world of parasocial fanning, for the real him and also for the version of him that we made up and attached so much meaning to and for the escape that brought us. For him, and also for the easy uncomplicated joy of listening to those beautiful songs from happier times, which might never feel the same again. For the other boys, who we love so much and wish we could shield from suffering and loss and pain. For our fellow fans, who we also worry about the impact of this on. Everything about this is terrible, and I am sending so much love out to all of you. We are not alone, and it's okay to feel complicated emotions and it's okay to mourn and it's okay to care about how it effects you and your life, whatever you're feeling- it's okay. We are here with you. We are 1D family.