#I'm literally about to cry over here

[sunsetandthemoon]

OUR SKYY 2 x BAD BUDDY TRAILER

[that-was-anticlimactic]

you know what sucks? when something evokes such intense emotions in like... a good way but you genuinely just cannot explain it and it's not like a normal reaction and like you wanna talk about it with someone who also gets that same amount of emotional over it but no one else does bc it's not an inherently emotional thing?

[cranberrymoons]

.

[moe-broey]

Realization.

[talkorsomething]

I have Got to get more transgender

[bloopf1sh]

haha. hahaahahaha. i want to cry.

[wuxian-vs-wangji]

Yeah... I remember seeing the architectural design majors at my uni having this breakdown each semester...

[fakevariety]

i don't know what i'm feeling, everything feels like too much.

[zivaninja]

Blue Bloods finale things/spoilers under the cut that I wanted to yell about:

• Jamko parents!!! Parents!! Oh how far they've come 😭

• I'm going to miss Eddie Janko so damn much, that's my girl.

•Jack and Erin getting married!! They finally got their happy ending. And the looks on their faces at dinner as they decided to keep it to themselves was just so 💜😭

• Danny's face when Henry tells him to find his person to come home to. He already knows.

• Danny Reagan! Asking Maria Baez! On a date! And her saying yes! He doesn't need to go look for his person because she's right there besides him. And the look on her face when she agreed!!

[urlredacted]

kinda really upset i was too broke to get access to Workin Boys by the time i found out about it and now i just never get to see it?

[thismission]

major ofmd s2 spoilers but it’s kind of beautiful in a way to see the youngins call That character dying a “typical” bury your gays trope, in a show that is specifically about queer love filled with queer characters who have happy endings, where both casual and passionate gay affection is shown again and again, and always portrayed as something beautiful and tender and good to be embraced

[ilovecoffeeandchemistry]

ooooh i woke up in a bad mood and it's so hard not to be a bitch about it

[phantastragoria]

do you have a favourite portrayal of a character in the gotg game!! who is it and why <3

Oh I think they're all great honestly!!! Part of why I love the game so much is that genuinely, the whole team + supporting characters are written with such obvious love of the source material and equal attention between them all. When I see comments of people saying who their favorite character was from the game and the answer always being different from each person I'm like!! That's how it SHOULD be!!! They're the Guardians of the Galaxy (plural) the focus shouldn't all fall on a singular character like most other GotG media usually ends up as 😭

The two (sorry I can't pick just one) whom I think benefit the most from the game though are Drax and Gamora because they're almost always sidelined both in-and-out of universe by most of the various writers (especially as of late) and in turn the viewers/readers. I've been told plenty of times that they're the most boring members of the "main" team, BUT IT DOESN'T HAVE TO BE THAT WAY! The amount of love the game versions get (by the few who've played it at least) proves that 🥺

I've never really liked 616 Drax shifting to being a complete clown during the 90s and such (and even less so when the MCU followed along 💀) So I appreciate the game taking a bit of his seriousness from the DnA run and just making him struggle with nuance and context clues in a less exaggerated way (autistic Drax I still believe in u) and I feel the focus put on him and how losing his original family + the aftermath deeply affected him hits pretty hard here because it's treated very seriously and shown in depth, especially with how his family (wife) gets actual focus. I cannot tell you anything about Yvette in comparison to Hovat, who actually seemed to have had a personality lol (AND she was on their village's council like omg imagine having more to you than just being The Housewife) Though I will say I flip and flop on my thoughts about Heather being disconnected from Drax's life in this universe... The TLDR is that I think his arc here specifically works stronger when he has to come to terms with losing his entire family and accepting the life he currently has with the Guardians. BUT!!! I very much appreciate that Heather is still confirmed to exist within this universe, even if that means her dad issues would have to be dealt with in a different context if we ever get to see her.

Also? Shoutout to the writers actually bringing up the intense paranoia that always kneecapped 616 Drax but having that be a turning point in his backstory here, with that conversation he has with Peter where he talks about how he was becoming so paranoid of everyone being a chitauri/Thanos conspirator to the point of literally turning into an obsessed maniac like Thanos, and realizing that he desperately needed to turn his life around, it's so ough.

Out of the already many great conversations throughout the game, I think the ones with him are the most poignant. My favorite scene in the whole game is Drax and Pete's little moment on Knowhere... makes me go wahhh

(l also love that out of everyone on the team, it's his headspace that we quite literally get to go into. You KNOW that if this was any other media it'd be going into Rocket or Groot's head and likely treated as a joke.)

And oh my god, Gamora...

I find it so extremely refreshing that her role in the plot doesn't revolve purely around the men in her life, and instead, it's nearly exclusively her connection with other women. Or in the most direct obstacle she has to deal with, being how she starts projecting to the millionth degree on Nikki's situation for reminding her of what happened to her and Nebula. I find that infinitely more fascinating as a reading of her character rather than just dating drama or her arc getting completely overtaken by a man's instead.

And especially in her friendship with Mantis, who, despite having all these futures she's constantly seeing and having to navigate, still makes time to do her best to help her 🥺 From saving her life and being the one who put her on the path to healing on Lamentis, to getting her to join the Guardians and still checking in on her when she's able 😭 Friendship between women can be so powerful... u love to see it (🏳️‍🌈)

I also find it nice that there's this emphasis on her recovering mentally, and the comparison between Thanos essentially teaching her to just Deal with the shit in her life through very simplistic meditation versus the priests of Pama actually teaching her something to help soothe the mind :^( and that she still has moments of relapsing essentially. I find that to be a realistic take on recovery because that's just part of the journey since healing is not linear... and I think it's very sweet that she finds comfort in collecting something ---girly--- like dolls. Love to see a person reclaim a part of their childhood that they weren't allowed to experience. And how she's allowed to make BAD JOKES?? Imagine a woman being written to have multiple dimensions, crazy and absolutely unthinkable, I know.

There's this extremely specific theme in relation to Gamora across media that's been rattling around in my brain since first playing the game. When near the end during the revisit to Knowhere, she's about to completely lose it when Peter tries talking -for- her on what she's so upset about before immediately shooting him down, and she explains what happened between her and Nebula and she starts crying. It really struck me right then that she's never given a moment to cry elsewhere (or in the 616's case, the quite literal inability to.) aside from her shedding a Single Manly Tear (Original Sin) or a single moment out of legit fear (MCU 💀) because she's a hashtag Strong Independant Woman who can't be vulnerable etc etc. But for her to cry in front of the people she's come to care about, It gives her a moment of true vulnerability that I don't think she's allowed ever in most other media.

That and all of the above hits hard and is what makes me genuinely believe that the writers cared about her in the narrative and tried to do right by her when every other bit of media really hasn't nor cared to the majority of the time since the 90s :'^/ Brings a tear to my eye that she's allowed to just... exist in the narrative on her own merits and not on what she can provide to someone else's story.

[brown-little-robin]

he's crying and they put the triumph theme over it. that's it. I'm done. I'm going to bed.

[moe-broey]

Can somebody hold my hand and tell me without explicit spoilers just how much Gustav I have to endure. Like. I know Alfonse has some voice lines about it, and talks about him a bit during his 40 convo. I haven't even touched Forging Bonds yet. It's so dark in here.

[malachitezmeyka]

No wait I'm actually not done talking about how The Dawns Here Are Quiet (1972) fucking broke me and I need to rant about it a bit more

Just.. the concept in general? One senior sergeant and 5 young girls barely out of school, the oldest of them only 20, having to hold off 16 German paratroopers? Knowing how low the odds of success are and yet understanding that they have to do it anyway? Being overcome with fear and hopelessness but keeping at it because you have a duty to your homeland? How fucking terrifying that would be?

And then, the girls dying off one by one. Liza, sent to warn the rest of the troop of the germans, dying in a swamp as she wasn't careful in where she was stepping, all because she was rushing to get there as fast as possible to hopefully save the lives of the other girls. But her death being in vain, because Sonya was stabbed and Galya was shot before her demise was even discovered. Only two girls and Vaskov the sergeant left, not even having the chance to mourn the fallen because the germans are still there. The sergeant ordering the girls to retreat because he wants at least them to survive. Them disobeying, remaining in those woods until the end. Some of the germans were dead too, but at what cost?

The absolute fucking tragedy of what happens next, Rita being wounded by grenade shrapnel causing Zhenya to go off with nothing but a rifle, singing at the top of her lungs as she runs through the woods to get the germans to follow her away from her friend. But of course she could never survive doing that for long and is killed. Vaskov finding her and telling Rita, who understands that with the rest dead and her wounded only Vaskov can face the Germans but he refuses to leave her, so she asks him to look after her little boy and kills herself

Vaskov burying the girls and finding the germans, shooting some, screaming at the remaining that they were facing only five young girls and still weren't able to pass by them, and now he will kill all of them himself and that he doesn't care if he will be judged for it because he will avenge the girls he was supposed to protect

The epilogue, thirty years after the war ended, showing Vaskov and Rita's son, who he adopted just as asked, placing a memorial plaque in those same mountainous woods of Karelia and being discovered by a group of campers the same age as those girls were, all their joy and laughter immediately fading as they stand in respect and mourning too for the girls they weren't even alive at the same time with but who were part of the reason they can now spend their youth camping and having fun instead of fighting on the front lines

And that's only the plot, if I started talking about the symbolism and cinematography too I would be here typing all day. But I will mention the genius decision to make the entire movie in black and white except for the 'modern day' scenes of the campers and Vaskov hallucinating the girls after their deaths as he mourns, as he threatens the germans, and as Rita's son places the memorial. Genius, I tell you

Just... The Dawns Here Are Quiet (1972). That's it that's the post.