#I'm keeping these tags btw

[off-mozzarella]

A bunch of body swap AU sketches! Nothing in particular going on lol

Different styles and brushes because I very slowly worked on these in different days xD

Figured out how I wanted the lens of truth to react to them! I don't love how I represented it tho but oh well

[onedismay]

Redesigned some canon salarians! Got sick of Andromeda's one (1) head model. Have some headcanons, also:

Tann secretly misses home like crazy.

Herik loves animals and dreams of becoming a veterinarian, but his current job is too important to leave. Also he's tall.

Nels is distantly related to Raeka, hence the similar-ish tattoos. He only works behind a desk due to getting injured on duty.

I actually haven't met Raeka yet so uhhh

Del Jasin may be a technician but her true passion is BUGS and someday she's going to relocate to Havarl and keep some as pets.

Tann's aide (name?) has a badly concealed crush on the Pathfinders. All the Pathfinders.

[punksalmon]

[originalartblog]

Aya honey. Bra-chan's gonna go splat.

[mbohjeezart]

-They start a fight and leave unharmed

+ bonus little Joel

a water spirit, a ferret, and a fairy walk into a bar-

[memen18-m5r3]

hello surviving centricide fandom...I bring you some wacky food

(i'm also animating a small portion of Centricide 3.5 but since I can't tell how much more time it's gonna take I'll show you some sneak peeks! :3)

((since I'm a certified yapper, I added some additional info + translations to all the images descriptions! not sure if it qualifies as ID so feel free to add upon it if necessary))

[welcometogrouchland]

(ID in alt) I literally said I was gonna post this month's ago and then never had the wherewithal to describe it and so I didn't Lmao (said with pain). But since I'm thinking of opening my commissions I figured I should remind ppl that I. Yknow. Can draw.

Lots of Steph here (I had major art block making all of these and my brain worms for her kept me going) + some sprinkles of stephcass for Cass nation to enjoy!

[screwpinecaprice]

nasty

[hyakunana]

BREAKING NEWS: The most miserable man that ever stepped in DPG is winning and about to make everyone as miserable while looking good at it

[psychopomp-namine]

some thoughts on the photo diving ability users

this is more of a speculation post. I want to talk about the main theme of link click, revisit cheng xiaoshi's character arc as we can now compare him to other users with the photo diving ability, as well as some thoughts on the narrative roles of shao yuanyuan and lu guang. they all kinda relate to each other, so I'm putting them here in one post.

i. past or future, let it be.

others have pointed out reasons why the possibility of cheng xiaoshi also time looping would be a disappointing turn from his character arc, which I agree with. I will not go into that here. instead, I wish to revisit a theme that I really wish link click would go back to as its main motto: "past or future, let it be."

I still believe this is and has always been the core theme of the show as a whole. and it's one of the reasons I personally fell in love with S1 and even in S2. you can't change the past. and even if you could go back to the past, you're only doing so to change your future, but you can't undo what has already happened. you can't jeopardize the present. past or future, let it be.

although yingdu deals with butterfly effects instead of closed loops, I don't think it's exempt from this lesson either. the fact that lu guang is now learning to make this final timeline count and that he is, for the first time, looking towards the future and not the past (because this is the "last time") is him finally reaching the same place as cheng xiaoshi in terms of the character growth cheng xiaoshi exhibited by early season 2. they are, for the first time, running towards the same direction together. a shared future. this present future. there are no do-overs after this.

even if cheng xiaoshi ends up diving into the past and timeloops for whatever reason, I don't want it to be the solution to everything. changing the past has never been the solution in link click (yingdu arc notwithstanding). it goes against the main lesson of the show. so if he ever does that, I want it to be because he wants to stabilize the past and prevent any more changes to it.

more than two people timelooping for each other, I think there's more catharsis in two time travelers committing to make this final timeline really count. this is the last time. this is their only time. so, past or future, let it be.

and if the lyrics to songs like train trail and break are anything to go by (they literally include the phrase "past or future, let it be"), I think we'll definitely still loop back to this theme again in S3.

ii. revisiting cheng xiaoshi's character arc

on that note, I want to make a quick comparison of our photo diving ability havers, because I think lu guang and shao yuanyuan serve as a useful comparative lens for us to see cheng xiaoshi with. I did this in the tags of a previous post but I think it deserves its own post now.

cheng xiaoshi gets called immature a lot sometimes by other people, which I don't really believe to be true or an accurate description of him. and shao yuanyuan provides me with another reason that bolsters my belief in this.

the ability to change the past is a dangerous power, but it's cheng xiaoshi who learns the lesson of link click the fastest. past or future, let it be. lu guang is willing to erase the present timeline by diving into the past, and shao yuanyuan is doing... whatever it is she's doing to save cheng weimin.

in comparison, cheng xiaoshi matures relatively quickly about not abusing his powers, and he is overall more resistant to the temptation of using time travel to undo death by S2. after emma, cheng xiaoshi learns not to change a death node. not even that of his best friend's, whom he loves very dearly. this is a marked contrast not only to lu guang, but also to his mother.

it's a very underrated aspect of him because cheng xiaoshi is often described as impulsive and reckless, but he does take these lessons to heart and as long as he's given space to think things through, he comes out with rather emotionally mature decisions. I love this aspect of him sooo much. his big heart carries so much responsibility, and he takes it very seriously.

which is why I am very confident that in S3, we can trust cheng xiaoshi with the timeline. so much so that I do believe he can make things right without having to change the past drastically (but I'm very sure the show will tempt him to anyway).

if there's anyone in this show who can be trusted to take care of the timeline, it's cheng xiaoshi.

iii. shao yuanyuan and lu guang's narrative roles

on the flip side, let's talk about our other two divers. there's a really great "what if" post written by @sonchop that I've been thinking about recently that I'll touch upon later. I highly recommend reading through it.

when talking about lu guang, we have to remember what constraints the writers are writing under with regards to his character. see, lu guang is a tricky character to write under censorship rules. my personal understanding (which may run contrary to some fans', but I believe there's a lot more lu guang apologists here on tumblr lol) is that lu guang is meant to be a hypocrite willing to do morally questionable things for cheng xiaoshi. but he is also most likely slated for a happy ending. it will be difficult to make both things happen under censorship. these are the limitations the writers are working with.

for example, let's look at how lu guang was written in yingdu arc. lu guang wants to murder vein, hence why he talked about creating an "unchangeable node" -- aka, a death node. his intentions are very clear, and the show even frames this by animating him as wang qing's puppeteer and even "crushing" his hand as vein gets a heart attack. but he can't be shown directly actually murdering vein if we want to give him a happy ending later, because that's a no-no under censorship.

think of it as similar to how in S2 they had to pivot the red eyes concept because they can't let red eyes remain at large after stabbing lu guang.

so lu guang has to be written in such a way where his intent is not necessarily "morally acceptable" but his actions are in such a way that a really good lawyer can defend him in court. he didn't technically kill vein. he's not the murderer technically speaking. you can't charge him guilty just for talking to vein for 30 seconds.

the way I personally see it: lu guang is in a precarious narrative position and needs to be written delicately to “deserve” his happy ending under censorship rules.

so. circling back to the post I mentioned at the beginning of this section. my theory is that introducing shao yuanyuan as the main wildcard of the timeline changes will be what narratively "absolves" lu guang from his own timeline trampling "sins" thereby making it "acceptable" for him to get a happy ending. a sort of situation where, as the post says, what if shao yuanyuan's own timelooping caused the butterfly effect that led to lu guang timelooping. he wouldn't have needed to timeloop if they fix shao yuanyuan's timelooping. (<- speculation only)

anyway, so I think in S3 it'll be interesting to see how far they can take lu guang. but I probably won't expect him to like, actually kill people himself or whatever. the best he can do is probably something like his chessmaster style "gambling" in yingdu. which I guess works out for the liu xiao paralleling.

at the same time. for the bittersweet ending likers, there's still hope!! even if it's possible they'll give lu guang a happy ending, I think cheng xiaoshi will lose something in any ending. with the way they're setting up shao yuanyuan's role, I don't think cheng xiaoshi can have both his parents and lu guang together in his life atm. maybe they'll show us something in the future to make that possible, but for now, I don't see it. (something something, "just because you can't see hope doesn't mean it's not there)

anyway. if cheng xiaoshi is supposed to be the character — the hero — who learns to embody the lesson of link click ("past or future, let it be"), shao yuanyuan is the character who, as far as we know, refuses to. I mean, she left cheng xiaoshi in 2008. he's an adult now. she hasn't learned to let go in all these years. it'll be a wonder if we can find a way for her to let go after all this time. and lu guang so far is the character in-between the two spectrums. he could have ended up like shao yuanyuan, but the ending of yingdu makes me think he's committing to this "last" timeline. his line about looking into the future is an important moment for him.

it'll be interesting to see the three of them deal with the timelines in S3.

again this is all just thoughts and speculation. in any case, whatever happens in S3, I am very excited for what's in store for us, as I'm really liking what they're setting up with our three photo divers.

[beanghostprincess]

i'm aware that due to luffy's more cheerful personality and looks, a lot of people might find it weird to picture him in sexual situations. especially since most of us see him as aroace (as if aroace people couldn't have sex or be in love but, y'know, that's for another time) and it's completely understandable to not feel comfortable around sexual stuff if you don't like it with this specific character. however, being uncomfortable around that type of content and infantilizing luffy's character to the point that you consider it problematic or wrong to put him in romantic/sexual situations is too much and you should let people enjoy characters however the fuck they want. if you don't like something just scroll and ignore it, but don't try to make everyone follow your own moral compass and likes because we're all different and luffy is just a fictional character.

people often forget he's the captain of a pirate crew. he's mature and has critical thinking and if seeing a cheerful/cute character instantly makes you assume he deserves to be "protected" from sex/romance, you are: infantilizing his personality (that may or may not be neurodivergent coded, but that's another story), villainizing sex and romance instead of just seeing those as something you don't personally enjoy but should let other people consume, and using being aroace as a shield from the real world and a stereotype instead of actually being inclusive and truly seeing him as aroaspec. friendly reminder that aroaspec people can have sex and be in romantic relationships because it's a spectrum. that's the whole thing about it. it's understandable to not be comfortable around sexual situations with a character you don't perceive as sexually active, but that doesn't mean it's wrong to write him that way. let people do whatever they want with their idea of luffy and have fun!

[olasketches]

I find sukuna's enraged reaction to being pitied so interesting, considering that he, himself, admitted that he didn't expect that someone (or maybe just yuuji) offering him pity would anger him so much. honestly looking at all sukuna's interaction with other characters like jogo, yuuji, gojo... the contrast in how he talks about being strong and how he talks about being weak is quite striking.

despite having a huge superiority complex, he never gives any boasting comments about himself, like gojo for example. he even praises others, sorcerer and curses alike, for their strength, which again is contrary to gojo who often belittles and degrades his opponents. however, sukuna's behaviour is not actually opposite of gojo's, because while he admires others' strength, he finds being weak disgusting in itself. you see, gojo never had a problem with other people being weak because being weak is not something he could ever relate to like "yeah, those guys are weak but how is that my problem?". others being weak never really disgusted him, not like it does sukuna, but rather amused him (probably why he teased and bullied utahime and ichiji so much lol) anyway, my point is that, sukuna's attitude doesn't contrast gojo's, it mirrors it.

gojo's problem was that he was obsessed with being the strongest. he desperately wanted to live up to his title, but not because he had some deep-seated insecurity about being weak, but because that's all he's ever been. he wrapped his entire identity around it, which in result made him believe that he could only relate to people who were just as strong as him. then there is sukuna... who on the other hand... (dramatic pause)... is obsessed with being weak or rather he desperately doesn't want to be seen as someone who's weak. sukuna keeps insulting and belittling yuuji for being weak, despite yuuji CLEARLY not being weak. yuuji's own humanity and the strength he derives from it, exposes sukuna's own deep-seated weakness and dare I say... insecurity.

at the beginning of this post I said how sukuna has a big superiority complex, which now, after the recent canon events it almost borderlines with an inferiority complex. the thing is that, superiority complex and inferiority complex are kinda the same thing. they both stem from a deep-seated feeling of inadequacy, with the only difference being that someone with an inferiority complex tends to express these feelings as anxiety and submissiveness, whereas someone with a superiority complex overcompensates by acting as if they're god's gift to mankind, which is the later for both sukuna and gojo. however, unlike gojo, whose own superiority complex comes from the fact he was treated like a god by everyone in his clan since he was born, sukuna's superiority complex and its origins can still only be found in the subtext. we know that he was born an unwanted little wretch and people hated him, most likely feared him due to his own abnormal appearance and probably later his overwhelming strength. I don't want to dive too much into this since we don't actually know sukuna's backstory, we can only speculate based on what we know. however, it's his conversation with yuuji after he possessed megumi that interest me the most. he says...

Well, saying it from my perspective; why are all of you so weak. Why (are you) so obsessed over living despite being so weak

and let's not forget, sukuna is the only character who thinks yuuji is weak, which makes the rest of his speech all the more interesting, as he continues...

How can living things who keep collapsing easily say that they wish to be happy forever?

now this is funny, because several chapters later he admitted that no matter how many times he tries to break yuuji, he keeps getting back up, he's either contradicting himself again (and well.. he IS) or...

It’s better for all of you to spend your whole life crushing fitting misfortune for you

he's not only referring to yuuji here... sukuna genuinely believes that the weak should spend their whole lives chewing on their suffering, as is their natural state... but why?

after yuuji offered sukuna mercy, sukuna felt looked down upon and got down right pissed, which even shocked sukuna himself. why would that offend him? after all, he KNOWS he's strong not even gojo's taunts could get to him or yorozu trying to teach him about love, something he supposedly already knows about. why did yuuji offering him sympathy enraged him so much? shouldn't he just laugh in his face for believing he could beat him?? it seems like.. MAYBE.. in that moment, yuuji unintentionally touched on a very sore spot there, revealing sukuna's own insecurity: being seen as weak.

[kirby-the-gorb]

[rinksrats]

hockey screencap 2/???

[sainteclectic]

and btw since I'm posting a lot of wholesoul content (intended as platonic but still), i do want to make it clear: my analysis of whole as a character is purely within the narrative of the story! while i am aware that behind the metaphors is whole is cj himself, that's never what i'm writing whole as in my work. basically I'm using the internal logic of the fiction (whole as viewed by the characters in the album) rather than the reason for the fiction existing (as a fictionalized version of chonny's mental state), just like i do with all the other characters. it's important to make that distinction when you're dealing with a piece of fiction so heavily based on the creator i think. I'll never use cj as a basis for how I write whole because I find that a little off putting tbh ^^;

basically I'm playing with touys. ok? play touys with me

[lunarharp]

if i just told you i love you would this world change