#I'm just glad people still like the stuff I have posted here at least

[chintadraws]

I LOVE your fashions for the Dp characters. Will u be doing Valerie next?

Thank you! I had a lot of fun coming up with the outfit ideas for each of the characters. I did have WIPS of Valerie lined up alongside Kwan and Dash, but it's been years since I've done anything about it. We'll see how things go though!

[that-was-anticlimactic]

i will never understand how or why the httyd movies did the books such an injustice.

the movies aren't even an adaptation - they stole the name of the series, the name of some of the characters and places, and the general idea that there are dragons. honestly, i would be fine with the movies and maybe even like them if they didn't capitalize off of cressida cowell's incredible books that never get any credit.

the books are an amazing story about the cycle of violence and how vengeance and revenge is dangerous. hiccup says that the past is a ghost story, one we need to learn from to better ourselves. the books are about how everyone deserves freedom, how every creature, every being on the earth deserves to be free. we see that in the slavemark, with the dragons.

and like... hiccup is so different. they did him a severe injustice. he's scrawny and intelligent and learned to talk to dragons simply by observing them! he chooses kindness first above all else; instead of yelling at toothless to train him, he is kind. and in the end, that kindness is why toothless chose to save him. bc even toothless himself says that dragons are inherently selfish creatures who care only for their survival. hiccup is brave - his beliefs differ drastically from both the vikings and the world.

hiccup is a child who chose to do the right thing even at the expense of himself. he agreed to free the slaves on nobert's ship, and in return, they gave him the slavemark which is easy to give but cannot be removed. he was like twelve. and having the slavemark means he cannot be with his tribe or his family, it means he isn't considered a human being anymore. and he keeps it a secret for awhile until it's revealed and when it is everyone turns their backs on hiccup. his family, his tribe, his mentor, people he TRUSTED. everyone except fishlegs, and, once she got over the shock, camicazi. he was thirteen. and even when he lost his memories and was really injured, he persisted. he was told to go to tomorrow and to save the dragons and he did bc in his heart he knew it was right even though he didn't know who he was or how he got there.

and fishlegs,,, oh my god FISHLEGS!!! the did him SO DIRTY!!! fishlegs is hiccup's best friend, one of the main motivators for hiccup. he steals norbert's potato for the sake of fishlegs, he gives fishlegs his dragon and goes to retrieve another, he takes the blame for fishlegs. and fishlegs does the same for him. he takes the slavemark with pride. he refuses to turn. he gives hiccup his lobster claw necklace which is his most prized possession. he is brave for hiccup, he believes hiccup is alive. he fights for hiccup harder than anyone else ever has. he does not turn. his is loyal, has allergies, has asthma, has a squint and a limp, has glasses bc he's blind without them... and he's still a hero despite being a runt, despite everyone even the adults telling him he's hopeless, telling hiccup to leave him behind.

and they cut camicazi! i'm sorry, but astr*d is nothing compared to camicazi. camicazi is a tiny, feral child who can easily best hiccup, fishlegs, and pretty much anyone in a sword fight. she can bring a grown man to tears with her rudery and smack talk. she is recklessly brave and craves adventure and follows hiccup blindly bc she trusts him that much. she isn't in love with hiccup - in fact she doesn't care about romance and love. she gives up everything to help hiccup bc she has a strong sense of justice. she is the motivator, the cheerleader, she finds a positive in everything. she never gives up. literally never gives up. and that's one of the most inspiring things about her: she always has hope.

and toothless! god!!! toothless is *thought to be* a common or garden dragon. he is horrifically tiny, he is literally toothless, and is the biggest brat in the world. he will cause problems on purpose. he has a stutter, he's the most selfless selfish dragon around. he and hiccup can talk to each other. he masks his fear with singing and being annoying. his growth is remarkable. he starts off refusing to obey hiccup, doing the opposite of what he says, making life harder for literally everyone around him, and he's still somewhat like that. but he's also braver, more caring, more willing to make sacrifices for the sake of others. he's clever, which he needs to be to make up for his size and aggression. he protects hiccup with everything he has, therefore, he protects what hiccup cares about just as hard. he was the only dragon that didn't abandon the vikings in the first book bc he cared about hiccup.

and snotlout,,, god,,, i will never forgive the movies for butchering snotlout. hiccup's cousin, the bully character, the one who is horrifically jealous that hiccup's dad was born before his. the one who desperately wants to prove himself, to be worthy, to make people proud. and you hate him, you despise him. he betrays everyone many times bc of the nothing promised to him by alvin and his mom. he loses himself, turns his back on himself, all bc he wants to prove himself. all bc he wants to be better than hiccup. and hiccup still forgives him and gives him chances, sometimes out of pity, but also bc snotlout is his cousin. he can't just turn his back on him no matter how miserable snotlout made his life. and in the end, snotlout sacrifices himself for hiccup. he gives up his life for hiccup in one last attempt to set things right. his death and the events preceding it are one of my absolute favorite moments in the book. gives me chills. makes me cry.

that's the thing with the books - they're so realistic. there is no inherently happy ending where everything works out. the first book begins with "there were dragons when i was a boy", implying that they're gone now. the books show there are consequences to our actions. they enslaved the dragons, they fought against them during the dragon rebellion all bc alvin and his mom said to, and now they're gone bc a simple apology doesn't fix hundreds of years of enslavement. and the only way for the world to move forward was for the dragons to leave and heal on their own. and now they have to learn to live without them. and yeah i've heard the third movie ends like that but. it doesn't have the build up. it doesn't have "there were dragons when i was a boy". it doesn't have eleven books of development to back it up, to make it feel meaningful.

i know that the movies are really special to a lot of people. i know that, on their own, they're genuinely good movies. i can acknowledge that the soundtrack is amazing and the animation is beautiful. i just can't see past the way they butchered the world that i love, the world that i grew up with. i can't see past the way people yelled at me for saying i liked the books better, the way that people gave me weird looks when i showed them a picture of the original toothless, when i tell them that nightfuries aren't even a type of dragon. cressida cowell created hundreds of different dragons, and the movies couldn't even pick from that. i can't forgive the way that barely anyone knows there are books bc the movie barely gives credit to them. i cannot forgive the way they capitalized off the books and then shoved them aside. i know cressida thinks they're good movies and i know a lot of httyd book fans also like them. but i just... i cannot get over how much they changed and how they missed so much and ignored the books. also they got rid of camicazi so hiccup could have a love interest and that is unforgivable to me.

if you disagree, that is a-okay. we're all entitled to our own opinions. i just ask that you, perhaps, try the books out. give them a chance. bc they're amazing works of art and also just like. don't yell at people who don't like the movies? whether it's bc they prefer the books or just aren't into that kind of movie. and just remember that dreamworks didn't come up with the story; cressida cowell did.

[xamag-draws]

BBR thoughts 2024

Since I mentioned that I finally dusted off an old project of mine and was ruminating on how I'd remake it, I thought I'd elaborate a little, now that I've solidified some concepts. For funsies

This is gonna be a bit of a long and unfocused one, but I don't share my personal thoughts here often, especially the stuff about my projects I always marinate in. And for once it's something that people have existing context for, so hey why not

So for anyone who hasn't been following me for a gajillion years, The Black Brick Road of OZ was a webcomic that I posted around 2013-2015, back when I was in highschool going on college (which is kinda crazy to think about). It was sort of a darker twist on The Wonderful Wizard of Oz, although I definitely leaned a lot more into dark humor more than anything in those first few chapters

I don't think it's available to read anywhere anymore, and I know people have been asking me about it. So here's the full proper archive of BBR, as full as it can be with deceased Flash

I totally used it as an excuse to shamelessly and self-indulgently experiment. It had interactive pages and GIFs and was wayyy too overproduced for what I could handle or what was necessary, but I did have great fun making it while it lasted

Unfortunately, that excess and the fact that I've changed too much as a person by the time I was in college is what ultimately killed it. The direction I wanted to go in was practically unrecognizable from the original idea started back in 2011, so there were many old hold-ups that I felt ruined it

At the time I kinda wished I could start/rewrite it all over, but considering that I pretty much had the entire script done at that point, it felt like a pointless sisyphean task. So I just put it on a shelf and didn't look back for about 8 years, because I didn't know what else to do

Now to be fair, the nature of my art has always been iterative and cyclical; when I feel like my creative juices have run dry I prefer to leave a project to marinate and move on to something else; cycle through other old things and bring in new skills and perspectives into the mix when I'm ready again. Not very productive, but it is what makes me happy to work on my OCs; I'm doomed to hit a wall with them eventually and I need some time to be able to find a new direction

So that said, I'm glad that BBR was left to marinate for that long. I don't think I was prepared, emotionally or intellectually, to tackle it again until now. The Wizard of Oz book (and the entire series of them, really) has always been near and dear to my heart, but there's a lot of context around it that I'm only unpacking now that I'm older

I think I always inherently feel negatively about the stuff I've made in the past, like its faults always jump out to me more than the positives, especially the more time passes. I've never liked that, and I do really appreciate the kind things people have to say about BBR to this day. The fact that it still can be recognized and remembered is very sweet

When I left it, I already found it "kinda cringe", and that feeling only deepened with years. When I took my first look back at it, asking the question "how would I rewrite it now?", at first I took a very cynical approach, as in "everything would have to be torn down"

But the more I sat on it, the more I found that I still see some merit and charm in the ideas I was putting out; I just didn't know how to execute them at the time (not to pretend that I know what I'm doing now, but I certainly know more at least). Turns out a lot of my old concepts could be changed substantially with just a few small tweaks. So I'd say that's a nicer way to think about my previous work

If you haven't seen yet, I posted a first draft of my new designs for some of the characters (the main group, the Goods and the Wickeds). Definitely subject to change, but more or less how I see them now

I'm just playing with these concepts; by no means would I attempt to remake BBR right this moment. Call it a pipe dream among my other ones. But just for fun, this is the direction I'd like to take:

Nowadays I'd probably make it a visual novel, with more emphasis on the visual part than the novel because I'm no English prose writer by any means. It'd still let me play a little with the interactivity while helping cut some corners on the drawing part (only some, I imagine I'd go hog wild anyway)

I've always intended for some events inspired by the sequel books to take place in BBR's past. Stuff like Jinjur's revolt or Ozma's rule preceeds the main events here. So I think it would be fun to follow the past of a few key characters alongside the main story. One chapter focusing on the present quest to see the Wizard, then one focusing on the past events (that are maybe reflective thematically); rinse and repeat

I'm also sticking a little closer to the original text in some regards. Not everything that I enjoy from the books would be translated here, it's still just a very loose fantasy on the material; but I'd like to be closer in spirit at least

I like mature, wise and powerful Glinda, I like kind and vulnerable Tin Man, I like the Wizard being a pathetic yet loveable liar, so I'm sprinkling in more of that for example

I'd like to keep some whimsy, but make it more grounded and a bit more serious to be coherent in tone. I think the original TWWOOZ book was a more realistic fantasy in some ways, even for the standards of the time; I like its simple but vivid tactile descriptions and details like bringing attention that Dorothy needed to eat and sleep

I find it funny that Baum specifically was averse to making his books scary or unpleasant, finding that unnecessary for telling a compelling kids story, but they still can get pretty dark and disturbing, at least for our modern sensibilities. Let's just say that I intend to use the Evoldo and Chopfyt storylines for my purposes. In that way, I feel like a "darker" Wizard of Oz retelling can still mostly be tonally in line with the original and balance it with enough heart and occasional humor

I slowly grew to appreciate the quaint old-timey quality of the original series, as well. The first book is both timeless and very much a product of the 1900s. Originally I tried to give it a little modern or at least anachronistic spin, but it was moreso because it's what I knew best, so these days I'd rather intentionally lean into the time period. Still not fully historically accurate by any means, but at least directly acknowledging the influence

The events of the story span across 40 years of these characters' lives, so I'm drawing inspiration from the entire so-called La Belle Epoque: the time period around 1880s-1920s. Basically I'm cooking, and my soup is old Victorian fashion morphing into Edwardian fashion and slowly inching towards flappers

Some new Dolly outfits

Lots of crazy things, political changes and innovations were happening at the turn of the century, which I think is noted and reflected by Baum in the books as well; the character of Tik-Tok might not blow any minds now, but he was one of the first robot characters in literature at that point; and don't even get me started on Jinjur, etc. Plenty of really interesting stuff one could lightly ponder in an Oz adaptation these days

Aesthetically, art nouveau has always been a big artistic influence for me, and it'd definitely be its time to shine here. John R. Neill's illustrations of the Oz books often keep me company as well. Nouveau architecture in particular fits that fairytale whimsy extremely well imo

I'd allow myself a little bit of art deco here and there, but ultimately its intimidating geometrical splendor is an antithetical to the flowery nature of nouveau and I associate it with a completely different era. Definitely fitting some characters like my Wicked Witch of the West, but shouldn't be overused

One of my main problems with the original BBR was that eventually I lost track of what it was even about; and the original ending felt too mean and unfulfilling to be worth it. Now I'd like to stick to the theme of home and family as my main theme, but in a different, more bittersweet way than in the book

An interesting connection I made is that a lot of my aforementioned older key characters (the Witches, Jinjur, the Nome King, etc) all came from the same reformatory as kids, that's how they know each other. In my recent research I learned that in those reformatories it was usually frowned upon to release the children back to the families, which were seen as the original corrupting influence regardless of the circumstance. The reformatory did everything in its power to cut that connection and make itself the only family those wayward kids were supposed to know and love. That's an unexpected tie into the theme of home that I'd like to explore as well

So yeah that's the current state of it. I have a bunch of outfit concepts I'm slowly cooking, although I'm now sure whether I'd post them... But I do miss these funny guys, and I'm glad some people still do as well :)

[immaturityofthomasastruc]

Miraculous Ladybug Season 5 - An Overview

Well... that certainly was... the fifth season of Miraculous Ladybug.

While I was overall mixed on Season 4 with how much it varied in quality, I think I have a more concrete opinion of Season 5.

Yeah, this season was a real pain to review, but not for the reason you'd think. Most of the episodes were either dull or average, so there wasn't a lot for me to really talk about. Of course, when things were bad, dear lord, were they bad. This analysis is somehow longer than my Season 4 one and the ranking post. Other than real life stuff getting in the way, there's a damn good reason why this took so long to finish. I basically wrote a college thesis on this season.

The Things I Liked About Season 5

Let's get all the good things about this season out of the way first.

For one thing, one of my biggest complaints about Season 4 was sort of rectified, the portrayal of Adrien. While I still have problems with him (which I'll get to in a later section), they're more about his impact on the story. As for his personality and attitude, it's a big step up. There's much less complaining, he's more active in the action, and is far more intelligent. Compared to Season 4, where Cat Noir was affected by an Akuma's powers or taken out of commission in order to raise the stakes eleven times (Lies, Mr. Pigeon 72, Mega Leech, Guiltrip, Optigami, Sentibubbler, Wishmaker, Simpleman, Ephemeral, Penalteam, Risk), here, funnily enough, it only really happened five times in Season 5 (Jubilation, Illusion, Derision, Emotion, The Final Day). It's honestly amazing. There were times where I thought he was going to be taken out or get portrayed as an idiot, but that almost never happened this season. Even some of the weaker episodes this season featured Adrien in a more active role, like “Passion”, “Reunion”, “Elation”, and “Deflagration”.

Also, as much of a problem that I have with Cat Noir trying to Cataclysm his enemies, I'm glad that the show at least tries to acknowledge this by showing his worst nightmare is a world where everyone is dead because of him. It's not handled well, and it's only done just to bench him for the finale, but I'll at least give the writers credit for putting in the effort to give him more nuance. It's a hell of a lot better than what they did with Gabriel, but I'll get to him later. By extension, his relationship with Ladybug is much more tolerable. The two work together well, talk about the conflict with Monarch more often, and for the most part, feel like actual partners. Yeah, that dynamic falls apart towards the end of the season, but again, I'll give the writers an A+ for effort.

Another thing I like is that this season tries to focus more on character pieces, with episodes focusing on characters like Nathalie (Passion), Kagami (Perfection), Luka (Migration), and Zoe (Adoration). They're not handled the best, but I'm glad the show is at least trying to give the supporting characters time in the spotlight, even though they don't have their Miraculous anymore.

Speaking of, I like the idea of the Alliance rings. It's really the only time Gabriel actually takes advantage of his status as one of the most influential people in Paris to push the use of something specifically designed to help give his Akumas more power. Given how prevelant the marketing for Alliance rings is, it's easy to see his plan working in the long term.

We also had a couple decent new Akuma designs, like Safari, Bugfighter, and... uh... Yeah, I got nothing else. This is pretty much the most praise this season is going to get from me. Sure, I'll go into some other aspects I like during later sections, but other than that, this is it. Hell, even the parts I listed earlier are only mentioned for the ideas they present, not the way they're executed.

The Final Season... Of Filler

We've finally made it to Season 5, the climax of the conflict with Monarch. This is going to be epic, with all kinds of compelling stories that can be used for episodes, leading to a final product that will go down as—my God, why is this season so boring?!

Like I said earlier, this season was a lot harder to review than Season 4 was, and this was one of the biggest reasons why. As bad as that season was, I at least had stuff to talk about. Here? Almost nothing. A good chunk of the episodes I reviewed just didn't leave an impact on me. Most of them were either forgettable, mediocre, or just okay. Some of the episodes had decent ideas and a handful of good scenes, but it wasn't really enough to reach the highs of earlier seasons, including Season 4.

It's strange, because at first, it seemed like the show was learning from its mistakes during the first three episodes of this season. “Evolution”, “Multiplication”, and “Destruction” were far from perfect, but you could at least tell the show was trying something different. There was tighter continuity, clever mind games on both sides, a rare instance of nonlinear storytelling, and major changes to the status quo. They explained why Monarch can't just beat up Ladybug and Cat Noir himself, why the Rabbit and Rooster Miraculous can't be used to end the story, and why the Alliance rings were created.

When Ladybug got the Rabbit Miraculous after failing to get the other fourteen back, you would think that this would lead to an arc where Ladybug and Cat Noir gradually reclaimed the Miraculous from Monarch until the final battle, but what did we get instead in terms of plot development?

For what was supposed to be the final season, it felt like almost nothing happened. Sure, as always, the show tried to trick us into thinking stuff was happening, but several plotlines introduced this season were either abandoned or rushed through after a few episodes. The Resistance? Only relevant for five episodes, and even then, they didn't do much (Illusion, Deflagration, Confrontation, Revolution, Representation). Trying to discover how Monarch is giving the Akumas Miraculous powers? Only relevant in a single episode (Illusion). Felix having the Peacock Miraculous and being a total wild card? Only relevant for three episodes (Emotion, Pretension, Representation). The reverse Love Square? Only relevant for four episodes before it petered out (Determination, Passion, Reunion, Elation). Lila manipulating Kagami for some reason? Only relevant for two, maybe three episodes if you count that one scene in “Emotion”, and that was dropped in favor of her learning Monarch's identity offscreen (Perfection, Protection).

You'd think for a season with stakes this high, there would be bigger stories or more character drama, but we got nothing. The only real ongoing story we got was the Love Square finally happening, and trust me, I'll get to that later. There were plenty of ideas for story arcs here, but the writers pretty much ignored all of them.

Retcons! Retcons Everywhere!

This one's shorter, because it's a problem with the show in general, and I'll go into more detail about specific examples of this later on.

Miraculous Ladybug is a show that has always struggled to be consistent with its lore, worldbuilding, characters, story, and... well, a lot of things. I've talked about how often the show retcons things in order to justify whatever story they need to tell, not just for individual episodes, but story arcs too. There were so many episodes with stories that contradicted previous events or changed the motivations of certain characters on a whim.

In case you didn't keep track, here's a little highlight reel of some of the retcons this season.

Evolution: After both him and Ladybug were able to use multiple unifications last season with no problem, Monarch can't use too many of his powers without collapsing in pain. It also goes against what was established in “Kwamibuster”, the idea of using multiple Miraculous being enough to damage your sanity, where here, Monarch's body is damaged.

Multiplication: Adrien's reason for falling for Marinette was due to all the times she helped him, when it was usually the other way around in earlier seasons.

Determination: Adrien reveals he's had feelings for Marinette since the events of “The Puppeteer 2”, even though it never influenced any of their interactions between that episode and this one. It also contrasts the previous episode, where it said that Adrien was just starting to fall for Marinette for different reasons.

Derision: Chloe's bullying of Marinette had severe psychological damage that explains why she acts the way she does around Adrien... but ignores the romantic feelings Marinette has had for Luka and Cat Noir, and didn't act the same way around them, to say nothing about how she acted around Nathaniel when he had a crush on her during “The Evillustrator ”.

Intuition: The Snake Miraculous somehow makes Gabriel's Cataclysm wound worse even though the form of time travel it uses is mental, not physical.

Protection: Gabriel and Tomoe want their children to be in a relationship, yet Adrien and Kagami kept it a secret while they were dating.

Adoration: Zoe suddenly has feelings for Marinette despite showing no signs of it beforehand.

Emotion: Felix reveals he's doing everything for Adrien's safety, even though in his previous few appearances, he's done nothing but screw his cousin over by smearing his public image.

Pretension: Felix is against using a Sentimonster to defend himself and Kagami due to not wanting to force an innocent creature to follow his orders, yet he had no problem using a Sentimonster in the very last episode and in his next appearance.

Revelation: Lila has multiple secret identities she uses while pretending to be the child of several women, which had never come up at all during the last four seasons.

Representation: Kagami apparently learned Marinette was Ladybug right before she was akumatized in “Perfection”, yet Monarch didn't learn this like he did with Luka.

Do you see the problem here? Hell, I didn't even list every single retcon, or else we'd be here all day.

I don't get how a show that wants to be serialized can keep changing details like this. It's not even a case of the show replacing its writers with new ones who don't know as much as the old ones. This is mostly the same writing team for almost four seasons at this point.

Sometimes, the show will retcon stuff in order to justify stories when it doesn't need to. Remember how at the beginning of the season, Marinette was feeling guilty about her failure at the end of Season 4, and that influences her hesitance to accept Adrien's advances? The writers sure didn't, as “Derision” exists to give Marinette a whole new reason to not be comfortable around Adrien. Why the hell would you give Marinette a perfectly valid reason to not want to pursue Adrien, only to write an episode that gives her a different reason to not want to pursue Adrien? There was literally no reason to do this, especially during the last season of your first major story arc!

This season is clearly trying to be the most serialized of the bunch, yet the writers keep changing details about the story like that one Wallace and Gromit meme.

Season 5: The Show's Greatest Hits Album

Something I've noticed about this season is just how repetitive it can be. I know that sounds weird given this is a show that literally gave us the Status Quo-Yo, but please hear me out.

So many major story arcs and focus episodes are just rehashed versions of older things in this show, and not just the reused Akumas. Not only does the first half of Season 5 restate how complicated things are for Marinette's love live and how she can't love Adrien after what she did (something she gets over rather anticlimactically once Adrien confesses). Then there are other times where even plotlines established this season will get reused, and more often than not, it's worse.

In “Perfection”, Kagami is akumatized thanks to Lila's lies, and manages to break free from Monarch's influence thanks to her friends showing that they care for her. And then four episodes later, Kagami is akumatized again thanks to Lila's lies, only this time, she isn't able to break free. What... what was the point of having that emotional scene in “Perfection” if you're just going to treat her like a run of the mill Akuma a few episodes later?

And it's not just that. Big moments that happened in earlier seasons are pretty much redone but with a few changes to make it seem like they're different. Did you like seeing Adrien give up being Cat Noir in “Kuro Neko”? Well how about seeing Adrien and Marinette give up being superheroes in “The Kwamis' Choice”? Did you like seeing Chloe break off her friendship with Adrien in “Queen Banana”? How does seeing Adrien break off his friendship with Chloe in “Derision” sound?

But the worst of this has to be in the last seven episodes of the season. So much of what is essentially the culmination of five seasons' worth of story is just recycled. Let's go over why. In “Confrontation”, Marinette (and by her, I mean Sabrina with help from Marinette) manages to outsmart Chloe and Lila and put an end to their tyranny in the classroom. What are the next two episodes about? Marinette needing to outsmart Chloe and Lila, only now, they have reign over the city. This feels like something that should have been one major story, not something split up into two two-parters. Hell, you can't even say it's original to see Chloe in control, because this is also something that was done back in Season 1's “Rogercop”, only with the titular and the police following his orders for no reason instead of Chloe and her bootleg Daleks.

But hey, if an army of robots capable of using Miraculous powers, at least we can expect something even more creative for Monarch's ultimate plan, right? Yeah, Project “Perfect Alliance” is just a combination of Chloe's murder boxes and the exact same plan in “Heroes' Day”. People are brainwashed like in “Heroes' Day” and they get Miraculous powers like the robots in “Revolution”. Seriously? Nobody took a look at this and thought “Didn't we do this already?”

What's the point of making these two different evil plans when they're essentially the same thing? Why not give Chloe's robots various weapons instead of Miraculous powers if you're going to have an army of villains who have the same Miraculous powers two episodes later? Why not make it so the Miraculized are really the robots designed to help Chloe, only here, they have the ability to turn anyone wearing an Alliance ring into one of them, sort of like the Borg from Star Trek?

It's clear that after four seasons, the writing on this show has gotten incredibly stagnant if the major plotlines are just reused from earlier seasons. At best, it comes across like blatant fanservice, and at worst, it's a symptom of the writers struggling to come up with new ideas for stories. Either way, this is one of many reasons why not a lot of people are looking forward to Season 6. How can you expect interesting stories in the future when the writers keep recycling their old ones?

Felix and the Struggle With Sentimonsters or: This Is Starting to Sound Like a Bad Comic Book Plot!

Before I get into the problems with Felix this season, consider this: With Chloe (who I'll get to later), she was an example of someone who wouldn't get a redemption arc. Felix? This is the writers intentionally trying write a redemption arc. How did that turn out?

The obvious problem with Felix is mostly due to, like a lot of things in this show, poor time management. He only had three focus episodes, and in that time, the writers needed to explain his motivations, establish him as a wild card, have him realize the error of his ways, develop his relationship with Kagami, and help out Marinette. They really wanted to do a lot with Felix, yet with how rushed his arc was, I have to wonder if there was some trouble behind the scenes that prevented him from getting more focus.

It doesn't help that what little we got was confusing as all hell. I've already gone into detail about the problems with Felix's motivations not explaining his actions, but here's a list of all the problems with Felix.

If Felix wanted to get the Peacock Miraculous from the start, why didn't he try stealing that in “Felix”?

If Felix cared about Adrien, why did he spend most of his appearances mocking him and ruining his reputation by impersonating him in “Felix”, “Gabriel Agreste”, “Risk”, “Emotion”, and “Representation”?

If Felix knew who Gabriel was, why did he come up with this elaborate plan to get the Peacock Miraculous in a trade with him instead of going to Ladybug for help in “Strikeback”?

If Felix realized Gabriel was dangerous and capable of wiping him out, why did he decide to give him fifteen Miraculous in exchange for a single Miraculous without doing anything to stop him in “Strikeback”?

If Felix could easily get rid of Gabriel with a single Sentimonster like he did in “Emotion”, why didn't he immediately do that as soon as he got the Peacock Miraculous in “Strikeback”?

If Felix wanted to stop Gabriel, why did he decide to wipe out all of humanity alongside him in “Emotion”?

If Felix cared about innocent lives, why did he decide to wipe out all of humanity without showing any remorse except for when he had to get rid of Red Moon in “Emotion”?

If Felix didn't want to create any Sentimonsters just to end their lives in “Pretention”, why did he do just that in “Representation”?

If Felix knew Marinette was Ladybug, why did he choose to tell her who Gabriel was in an unnecessarily complicated way instead of telling it straight to her face in “Representation”?

If Felix really hated his abusive father, why didn't he show any hatred for Gabriel (who gave Colt the damaged Peacock Miraculous and did nothing to stop the abuse) as well during his little play in “Representation”?

If Felix cared about stopping Gabriel, why did he only decide to go to Ladybug for help when Gabriel was getting in the way of his relationship with Kagami in “Representation”?

If Felix was willing to tell Marinette about Gabriel being Monarch in “Representation”, why didn't he do anything else to help her stop Monarch in “Comformation” and “Re-Creation”?

With how many flaws his plans have, I'm surprised Felix hasn't said anything along the lines of “My pwan is gweat!”

For someone who claims to be doing a lot of things for Adrien, Felix tends to either screw over his cousin as part of his plans or forget him entirely. I don't mean he screws over Cat Noir, as his identity is one of the few things he doesn't know, but rather, how little his plans actually benefit Adrien. Putting aside his previous appearances in Seasons 3 and 4, in the span of a single episode, Felix pretended to be his cousin and smeared his public image, used a Sentimonster to wipe out all of his friends and loved ones while needing to be told by Adrien that doing so wasn't cool, and after that, he pretty much abandoned caring about Adrien.

Yeah, starting with “Pretension”, the writers once again change gears so Felix's primary goal is to help Kagami, not Adrien. It's Kagami that really helps inspire Felix's true turn to good, it's Kagami who he chooses to visit when she and Adrien are taken to London, and it's Kagami that helps him decide to tell Marinette Monarch's identity. Even though he only has three major appearances, the writers still decided to shake up his character arc for some reason. How does a team of paid writers struggle to stay consistent with any story or character arc they've written?

The worst part is that for a redemption arc, Felix shows little to no remorse for his actions. Not once does he apologize to anyone he's personally wronged, like Adrien, Marinette, or Kagami. He doesn't see anything wrong with giving Monarch more power and depriving Ladybug of almost all of her allies, and he had to be told that wiping all of humanity from existence was a bad thing. Felix has done so many terrible things in his quest for freedom, which isn't a bad idea, as it could make for an interesting discussion about whether the ends justify the means, but the show doesn't go that route. Instead, despite doing almost nothing but making things worse for Ladybug and Cat Noir, we're supposed to see Felix as a great person who just wants to have friends. Sure, having good social skills is a big part of being able to manipulate others, but let's just ignore all the people he's tricked and assume he doesn't know how to properly socialize with someone without stalking them.

It doesn't help that of all the characters this season, Felix makes the most progress in stopping Monarch. Puting aside his little genocide attempt in “Emotion”, he actually made an attempt to take Gabriel out of the equation, and later on, passed on intel about his true identity to Marinette. Think about that for a second. Marinette, despite being a hero with the ability to deduce what to do from simple clues given to her, isn't the one to figure out Monarch's identity. Instead, she has to be told who Monarch is, and is able to beat him only because Felix told her what to do. The worst part is that Felix doesn't even take part in the final battle when he has no excuse to not get involved. Remember, he doesn't have to worry about getting snapped away by Gabriel, so even though he cares so much about Adrien and Kagami, he does nothing to save either of them from their glorified solitary confinement.

Felix isn't a character. He's a glorified plot device who only shows up to advance the story instead of letting any character make progress by themselves. While Marinette and Adrien are focusing more on their love lives this season, Felix is the one actually getting things done. Because God forbid the two characters the show is named after actually do anything to stop the villain this season, am I right?

And that's not even getting into the Sentimonster stuff. Yep, to our collective horror, not only is Felix a Sentimonster, but it's also hinted that Adrien and Kagami are Sentimonsters too. I'm not sure why the writers are so hesitant to flat out say the latter two are Sentimonsters after all the obvious hints, especially when this is a show that loves to overly explain every plot detail and character trait. I don't know. Maybe they're just hedging their bets in case things don't go over well with audiences, but I can't possibly see anything bad coming from this. After all, how can you think of any uncomfortable implications stemming from the three major victims of child abuse literally being inhuman monsters who are physically unable to resist their abusers' orders?

With the Sentimonster “reveal”, Adrien and Kagami, two characters who were previously doing their best to be independent from their parents as they could at their age, are now physically incapable of even having a single negative thought about them without being ordered around while showing no resistance. Like I've mentioned before, it's a blatant retcon because it's never explained why Gabriel and Tomoe didn't do this during Seasons 2 and 3. It also gives the writers the opportunity to remove any agency Adrien and Kagami have in the plot, even though one is one of the two main characters, and the other plays a crucial role in helping another character expose the main villain's identity.

We're supposed to see Gabriel and Tomoe as wrong for ignoring their children's protests and forcing them to do things they don't want to do, but it doesn't lead to an arc where Adrien and Kagami rebel against their parents and break free from their influences. As soon as either Gabriel and Tomoe touch their respective rings, Adrien and Kagami are completely helpless, and there's no way for them to resist because of how powerful the link with their Amoks is. There's no hint that they have the potential to break free from their Amoks' influence, and the only time we saw that happen, it was a complete accident that Felix didn't even cause (Representation). Adrien and Kagami are both reduced to damsels in distress thanks to being Sentimonsters, and even though the show is trying to say they're trapped in a terrible situation, there's never a way out.

The most Adrien and Kagami do is express frustration with their situation, but most of the progress made in escaping their bad relationships is done by their respective love interests, Marinette and Felix. Yes, support systems are important, but rather than help Adrien and Kagami earn their freedom, Marinette and Felix do pretty much all of the work to save them during the latter half of this season. Hell, they couldn't even get that completely done by the time of the finale! Gabriel dropped dead and Adrien thinks he's a hero and Kagami's still living with Tomoe, only now she has her Amok ring. We're supposed to see this as a happy ending when they're both still influenced by their abusive parents, even if they don't have any physical control over them. The whole idea behind making Adrien and Kagami Sentimonsters should have been something about them, but with Gabriel and Tomoe, the writers only see them as helpless victims who can't do anything to save themselves. Sure, both of them have fought supervillains before, but we can't have them actually showing agency, can we?

I'm going to get into other ways Adrien and Kagami's characters were butchered this season, but for now, let's get into all the uncomfortable things this plotline implies. Now before I go any further, just remember that I am far from an expert on abuse or child psychology, so please take what I say with a heavy grain of salt. If there is anyone reading this who is a victim of abuse or knows someone who was, please don't be afraid to speak your mind about my analysis or correct me if I get any details wrong.

I get that making Adrien, Kagami, and Felix Sentimonsters was probably done so it'd be a way to explain the concept of child abuse to younger audiences, specifically to show how helpless the situation can be for victims, but the problem is how the allegory is handled. It wants to show how cruel the idea of child abuse is, but it doesn't want to outright vilify abusers like Gabriel or Tomoe. They usually try to sugarcoat it by saying that the two have good reasons for doing what they do, but that's a common problem with abusers. Abusive parents almost always believe that they're doing the right thing while their children think that they're just being punished for their own good, and the season ultimately takes that stance by the end.

The show is clearly trying to use the Sentimonster concept to tell a story about abuse, but I have no idea what exactly it's trying to say about it. “Child abuse is bad”? Okay, then why aren't you going to condemn the abusive parents for being abusive parents? And no, brief mentions of abusive parents who we never actually see onscreen don't count (Derision, Pretension, Representation). “Help out abused children”? Big talk coming from the season that only has two people actually fight to help the victims of child abuse, while treating another victim of child abuse as getting her just desserts (Revolution). “Parents have good reasons to do what they do”? Yeah, that normally applies to stopping your kid from getting a tattoo, not forcing them to whatever they want against their will.

The thing about writing abuse is that you need to acknowledge just how unhealthy it is, and do whatever it takes to take them out of the toxic environment. Here, nobody ever tries to remove Adrien from the toxic environment or tell him that what his father is doing isn't right. Sure, Felix tries to take Kagami away from her abusive mother, but that was only for like an hour at most, and then he just let her go back to her mother. Adrien doesn't even get that luxury. Hell, he isn't even allowed to know just how terrible his father was because he's just a sensitive baby according to the show. Portraying abuse victims as too emotionally fragile to know the truth is a pretty bad idea because, like I mentioned before, a big problem that abuse victims go through is that they're conditioned to see their treatment as normal at best, or see it as their fault at worst.

Like so many other serious topics discussed in this show, the writers clearly want to tell a story about abuse, but they're too afraid to actually take a proper stance on it, so they kept trying to play it safe in an attempt to not get backlash from audiences. Of course, because of that, they ended up portraying victims of child abuse as soulless husks who have almost no free will of their own, while ending the season by having them still under the influence of their abusive parents, even the dead one. Real bang-up job, there, writers. It says a lot when a Spider-Man PSA from almost 35 years ago did a better job tackling child abuse than you did.

And finally, let's talk about how this season's treatment of Sentimonsters indirectly influences our perception of them across the past two seasons. Even though the Sentimonsters created have shown almost no individuality from Seasons 2 to 4, only now are we supposed to see them as sentient beings, with Felix himself even taking offense at the idea at being called a Sentimonster. Never mind the fact that Felix never actually comes up with a proper alternative, so he just comes across as whiny when we're supposed to see him as a champion of the Sentimonsters.

In regards to the narrative the show decided it now wants to tell about Sentimonsters, I have two questions.

First, why should I care about Sentimonsters if the previous two seasons have portrayed them as nothing but soulless killing machines? If you're going to write a plot twist that changes the way we see Sentimonsters, you need to explain why we were wrong to only assume they're dangerous, especially since Argos' first Sentimonster literally wiped out all of humanity. For comparison, Ultraman Z did a similar plotline by having the main character realize that several of the monsters he killed as the titular hero weren't intentionally trying to harm humanity, so it caused him to doubt himself as a hero before he vowed to start finding non-violent ways to stop monsters if he could, while viewing the act of killing monsters that couldn't be reasoned with as a necessary evil. This show has no such arc and just expects us to ignore all the damage the Sentimonsters have caused since the end of Season 2.

Second, what about the Sentimonsters whose lives have been snuffed out by Mayura, Shadowmoth, and even Ladybug? The writers want us to sympathize with Sentimonsters and believe they get a bad rap? That's fine, but even if we did, what about the ones who were already wiped out of existence? Are we just not going to talk about them? Why should we only value the lives of Felix, Adrien, and Kagami and not any of the other Sentimonsters created in previous episodes? What, because they're not main characters, their lives don't matter?

All in all, everything about the Sentimonster was either poorly thought out or too preachy to take seriously, and Felix is emblematic of those problems with how he and the Sentimonsters are written. Oh right, I forgot Felix had a sidekick too, Kimberly—I mean, Kagami.

Kagami Never Hesitates to Be a Complete Idiot

If you read my overview of Season 4, I sang high praises for how Alya was written. Season 4 managed to take a character I had previously disliked and turn her into one of my favorite characters in the show. Now, with that being said, I want you to imagine the opposite of that happening to a different character, and you have my feelings on Kagami this season.

It's weird how, after she had made it through the past three seasons with her character somewhat intact, the writers decided to give her even more prominence by involving her in two separate arcs this season... and only made her nothing more than a damsel in distress who constantly needed to be saved in both of them. I'm not saying that Kagami should be able to beat the crap out of Monarch with her bare hands, but my point is that Kagami just lost so much agency this season.

When she wasn't being manipulated by Lila (Perfection, Protection), she was playing second fiddle to Felix and acting like he didn't hand over almost every Miraculous in Ladybug's possession to Monarch (Pretension, Representation). It's really strange, considering a defining character trait of hers is her hating liars like Marinette does, since it's why she dumped Adrien, yet here, she gets tangled up in the schemes of two different liars, Lila and Felix. I can at least get Lila (as dumb as her episodes are), since she's supposed to be seen as this master manipulator, but she just brushes all of Felix's crimes aside because he “doesn't know how to express himself”. Because even though she's always been loyal to Ladybug, she has no problem working with one of the only two people to betray her trust. But she loves Felix, so that makes it all okay.

What made Alya's arc last season work was that even though she was primarily Marinette's confidant, we also got episodes showing her struggling to balance her own desires with what needed to be done for the greater good (Optigami, Sentibubbler, Hack-San, Rocketear). She had to step up and become more than just one of the many temp heroes Ladybug called on, someone trustworthy enough to temporarily use the Ladybug Miraculous. Yes, she made bad calls, but when things went south because of her bad decisions, she normally took responsibility for her actions and vowed to do better. With Kagami, we don't get any internal conflict like that at all. She just blindly goes along with whatever Lila and Felix say, and even when bad things happen as a result, she never even thinks to call out either of them other than rarely saying something along the lines of “Hey, not cool.” (Protection, Pretension).

Kagami just doesn't get to do anything on her own terms this season. Her entire arc revolves around following Lila and Felix around like a lost puppy. And just remember, we're seriously supposed to act like Kagami is trustworthy enough to see that her defending Felix from Ladybug is enough to prove that he's a good person deep down... when this same season showed her easily falling for Lila's lies and getting akumatized twice as a result. It's like believing Dr. Nick can perform a life-saving kidney transplant after seeing him botch an open-heart surgery.

Even Kagami figuring out Marinette is Ladybug, something that should be a big deal like with Alya and Luka learning last season, is something we learn through a flashback and is, you guessed it, is only relevant to one of Felix's plans. And yeah, reveal your friend's secret to someone who someone who betrayed her. What could possibly go wrong? Again, when Alya screwed up, she was at least able to admit it to Marinette's face. Kagami never tells Marinette that she knows, and never faces consequences for throwing her lot in with Felix. What's her excuse, that she has too much love in her heart for Felix?

Speaking of which, let's talk about the biggest problem I have with Kagami this season, the way her relationship with Felix is handled. Let me make one thing clear: my problem isn't with people who ship the two together. Much like with the Love Square, my problem is how the show handles this romance. The two had almost no episodes together, and from what little we saw of them interacting, Kagami didn't like him, and for obvious reasons. But then “Pretension” came. Not only did Felix develop feelings for Kagami offscreen, all it took for Kagami to fall for Felix was a single conversation where he showed basic human decency. Yeah, Marinette fell for Adrien for similar reasons, but at least she and him took a while to actually get together. These two shared a handful of conversations, and now they're just made for each other.

The problem with this is that the relationship basically reduces Kagami to Felix's girlfriend and sidekick. All of her major appearances post-“Emotion” were in relation to Felix. She only helps him because of their relationship, and their relationship was the whole reason why Kagami convinced Felix to do what he should have done from the start, tell Ladybug who Monarch was... even though Astruc said this kind of relationship was toxic when discussing Lukloe.

You see, the difference between Lukloe and Feligami is (MAKE UP EXPLANATION LATER AND DON'T ACCIDENTALLY LEAVE THIS SPOT BLANK). And that's why we shouldn't see this as blatant hypocrisy on Astruc's part.

While it's par for the course, given how almost every female character in this show is connected to a male character in some way, the way Kagami is written this season is still part of a bigger problem. Kagami is not everyone's favorite character and not one people fiercely discuss as much as Marinette, Adrien, or even Chloe, but it's still baffling that out of all the characters in this season, Kagami would arguably sustain the most damage out of the entire cast. Given that this is the same season as Nino becoming the braindead leader of the Resistance, Chloe's brief stint as a tyrannical mayor, Nathalie choosing to do nothing about Gabriel until she was about to die, the baffling reveal of who Lila supposedly is (again, more on these later), or... really, a lot of things with both Marinette and Adrien, this is actually saying a lot. If you want to look at it at a particular angle, Kagami's actually a direct victim of practically all of the biggest problems in this season and I've had to mention her a lot more in this analysis than I anticipated. Then again, I suppose that's me showing more care to Kagami as a character than the writers did.

The Story of The Resistance (In Name Only)

I've already gone on about how underdeveloped most of the temp heroes are, so you can imagine the season where they try to help Ladybug without superpowers doesn't really change my opinion of them.

Remember how in episodes like Season 1's “Antibug”, Season 2's “The Dark Owl”, and even this season's “Jubilation” made it clear that trying to be a superhero without a Miraculous or proper training was essentially suicide? You know, how it was better to leave things to the actual superheroes? Well the writers sure didn't, as now we get to see a bunch of idiots try to take on supervillains with paintball guns and whatever they can throw at them. I'm pretty sure the writers put more effort into all the codenames themed after condiments than actually coming up with creative ways to fight Akumas. Because we all know how hilarious (citation needed) the flower codename gag from “Gigantitan” was, so let's do something like that, but for multiple episodes this season.

I'm just going to be blunt here when I say the Resistance this season sucked. Putting aside the fact that the writers couldn't come up with a less generic name or a name that wasn't already taken by the Ox Miraculous' power, this subplot was just so pointless. You have a team of former heroes who want to find a way to help Ladybug and Cat Noir stop Monarch, and rather than do things like pass intel along or find ways to stop people from getting akumatized, they decide to try taking them on themselves with their most powerful weapons being paintball guns. Congratulations, you now have all the equipment you need to take on Bart Simpson in a fight. Sure, they try to pass on intel to Ladybug and Cat Noir in their first episode, “Illusion”, but Nino's plan was so stupid, they ended up helping Monarch in the long term by letting his civilian identity into their team. Oh, I'm sorry, did you forget how Gabriel and Lila were inducted into the Resistance at the end of “Illusion”? It's okay, the writers did too.

And the idea of them passing on intel could have worked, as it would give Marinette a support system to help solve problems she can't figure out on her own, following up on her character arc from Season 4 where she learns to put her trust in people, but like a lot of things this season, the writers got bored halfway through and decided to change up this plotline. Now, they're prepared to fight anyone who gets akumatized. How many Akumas did the Resistance manage to stop completely on their own? One, and it was offscreen (Deflagration).

Trying to make the Resistance seem competent and effective comes at the price of making the villains look like idiots who can't handle a few teenagers without superpowers. Monarbug, someone who managed to unify with the Ladybug Miraculous, lost it thanks to the Resistance dogpiling him. Then, later on, they managed to stop Nightormentor, an akumatized Gabriel, by just throwing stuff at him. Do you have any idea how lame this makes Monarch look? It's like that scene from Robocop 3 where that kid somehow managed to make ED-209 as loyal as a puppy in a matter of seconds. It's not cool to see it happen. It diminishes the threat the formerly menacing villain posed.

The show loves to play up the Resistance as this amazing underground organization Nino is so proud of, but it doesn't work because you can count the number of times they've actually helped out on one hand, and even then, that's being that word Chloe doesn't know the meaning of (Deflagration, Revolution, Representation). Even then, they still fall for Lila's lies which, like Kagami, doesn't help establish any of them as trustworthy. The whole Resistance subplot is basically an excuse to make it seem like the former temp heroes aren't just sitting around, which again, isn't a bad idea, but nothing comes of it. We don't get to see any of them worry that they can't do anything without their Miraculous, we don't see where or when Nino got the idea to form the Resistance, and we don't even get any scenes where the worry about the captured Kwamis. The show just has them all operate under the same goal and makes it seem like they're making a difference when they barely do anything. None of them really feel like characters, and it shows this season.

Nino, despite labeling himself as the brave leader of the Resistance, is anything but. He constantly brags about how effective he is, but not only does he let anyone into his top secret organization without even thinking if they can really be trusted, all of his genius plans amount to, you guessed it, throwing stuff at the brainwashed people with superpowers. He's also so confident that he was awesome as Carapace when all he did was occasionally help Ladybug out with his Shelter, and then whines about not being chosen by Tikki and Plagg when Scarabella and Kitty Noire temporarily take over (Illusion, Deflagration). He's also so poor at gathering intel that not only did he fall for Gabriel's ruse and act like he figured out how the Akumas have Miraculous powers, he didn't even know his best friend was going to London until he got on the plane (Representation). I wasn't kidding when I said Nino was such a terrible leader, he makes Zapp Brannigan look competent by comparison.

And remember when Alya was a major character? Neither does the show! Out of the entire season, she was really only relevant to the plot when she became Scarabella for a few days, and even then, she didn't think that maybe she should take off the Alliance ring that monitors her every move if she's going to be a full-time hero again (Transmission, Deflagration). There is absolutely no follow-up to anything that happened to her in Season 4. She doesn't regret blowing her cover, she doesn't worry over not being able to help Ladybug as Rena Rouge, she doesn't worry about the safety of Trixx, she doesn't even consider the fact that she's not used to going back to full-time hero work after half a season of being undercover as Rena Furtive. At best, the whole thing with Alya exposing her cover to Nino last season gets played off for the sake of a cheap joke (Illusion).

Then there's Zoe. Like Season 4, I can definitely say that out of all the supporting characters, she was certainly one of them. They clearly try to give her these big moments in an attempt to endear her to the audience, like her brief stint as Kitty Noire or her coming out to Marinette, but because of how nonexistent her character development has been, these don't feel earned. I can't buy her friendship with Marinette or anyone else because of how little she appears. Hell, she was specifically introduced to act as a good counterpart to Chloe, and she did nothing to really contribute to her ultimate downfall other than sharing a single conversation during “Revolution”. That's how little the writers care about her, they don't even have her interact with the character she was designed to replace. I take back what I said about her being a Mary Sue way back in my “Sole Crusher” review, because at least those types of characters get plenty of focus in the narrative. All I can really say about Zoe after two seasons is that at least she's more interesting than Socqueline, a character so boring, this is the only time I'm going to mention her in this entire analysis.

And that's it for the Resistance. Only three side characters are actually worth talking about this season. That is how pointless of a group they are.

Chloe’s Arc That, in Case You Forgot, Was Totally Planned From the Start

I really don't know what else to say here. Remember, this entire blog was started because of how upset I was by Astruc's response to criticism of the Season 3 finale, specifically how Chloe's “damnation arc” was claimed to have planned out from the start.

For the sake of argument, let's go over this arc and just what happened with this character over the past eight years. In Season 1, Chloe started out as a standard high school mean girl who used her father's influence to get whatever she wanted, but wasn't that much of a threat compared to Hawkmoth and the Akumas. In Season 2, we got to see a different side to her that started a character arc, showing she was capable of changing and becoming a hero in her own right. In Season 3, while it seemed like Chloe was changing for the better, the finale had her betray Ladybug and go back to being the same mean girl she was before. In Season 4, we were introduced to Chloe's never before seen half-sister, Zoe, who only existed to replace Chloe as the user of the Bee Miraculous, and even though the very same episode where Zoe first got the Bee Miraculous hinted that there was still a chance of Chloe changing, the rest of the season acts like she's always been a menace to society with no redeeming qualities. In Season 5, Chloe was portrayed as a heartless monster who is worse than the main villain of the entire show, is simultaneously smart and cunning enough to bully Marinette in a way that would leave lasting mental scars for a year and also too incompetent to take seriously, and even though the season has made a big deal about how terrible child abuse is, her being sent off to live with her verbally abusive mother is seen as a perfectly suitable punishment for her.

I don't know what's worse, the fact that none of the writers had second thoughts about this character's “arc”, or the fact that Astruc probably thinks he made an antagonist as complex as Lady Macbeth. I also love how, despite all this supposed planning, not once do we get any explanation as to just why Chloe hates Marinette so much other than the fact that one's a rich person and the other is the main character in a cartoon.

Chloe's character was already going in a downward spiral in Season 4, but with Season 5, it feels like the writers just abandoned all attempts to be subtle and were determined to stop people from liking her. Like, it's amazing just how much time was spent hammering the point home. She got more focus as a villain than Lila and even Gabriel. We had about eight episodes this season that featured her in a major antagonistic role: “Determination”, “Deflagration”, “Derision”, “Adoration”, “Revelation”, “Confrontation”, “Collusion”, and “Revolution”. Almost a third of this season is dedicated to showing how evil Chloe is, as if she's somehow worse than people like Gabriel or Tomoe. And that's not even counting episodes where she got a line or two to remind the audience of how bad she is, like “Multiplication”, “Passion”, and “Reunion”.

The weird thing is that even though this was supposed to be the season where Chloe was at her worst, it still seemed like the writers couldn't make up their minds on what they wanted to do with her. For example, let's take a look at her relationship with Monarch. In “Multiplication”, she believed that Ladybug and Cat Noir should just give Monarch what he wants, implying she's still on his side. Then, in “Determination”, she blamed not having the Bee Miraculous on why Monarch was able to win, implying she wants to stop Monarch. And then in “Deflagration”, it's hinted that she once again willingly accepted an Akuma out of a desire to get revenge, implying that she's still on good terms with Monarch. Finally, in “Revolution”, she initially wanted to arrest Monarch when he arrived in her office, and had to be convinced to work with him again. Seriously, this is almost two seasons after she started working with Monarch in the first place. How the hell are the writers not sure if she's working with the villain or not?!

Of course, that's the least of my problems with Chloe this season. One such problem that it seems like the writers specifically went out of their way to ruin the few positive relationships Chloe had just so her fans would have less ground to stand on. Her friendship with Adrien? He finally decided to write her off as irredeemable just as he learned just how miserable she made Marinette (and only Marinette) at the end of “Derision”. Her friendship with Sabrina, as one-sided as it is? She doesn't even see Sabrina as a friend anymore, specifically referring to her as an underling starting with “Adoration”, and then Sabrina turns against her after she finds one specific scheme to be going too far. The sympathy Ms. Bustier had for Chloe, even though it wasn't relevant to her character after “Zombizou”? Chloe basically ignores any attempt made to reach out to her, and we're supposed to act like her wanting to help Chloe get a decent education because it's her job as a teacher is the stupidest idea in the world. Chloe's relationship with her own father? This season decided to make Andre out to be a man mentally broken by the bad treatment he gets from his daughter and totally not a corrupt politician, and outright disowns her in favor of adopting someone who isn't even his biological daughter.

It already felt like Season 4 exaggerated Chloe's negative traits, but now, the show doesn't want anyone to like her in-universe, as if showing basic human decency to her in the first place was off the table. Remember, in “Revelation”, Marinette's speech to Adrien was basically copied and pasted from one of Astruc's tweets, as if this was meant to address anyone who still liked the idea of Chloe changing for the better.

And trust me, I'll get to the characters who actually got redeemed later.

For now, let's talk about the main issue I have with her portrayal: The writers want her to be seen as a threat... but they don't want her to actually be a threat. Almost all of Chloe's appearances this season had her acting as a pawn to either Gabriel or Lila. This season also started to use dumb blonde jokes in order to show how incompetent she is, like having her struggle to understand the concept of the word “generous”, making her out as an idiot. The whole point of the “irredeemable villain” archetype is that the character is usually so big of a threat, there is absolutely no way of talking them down, so they need to be stopped through the use of force. Chloe is far from a threat, which is why all this talk about her being a monster falls flat.

At the end of the day, Chloe is easily at the bottom of the hierarchy of the villains on this show. She has no Miraculous like Gabriel, she has no advanced technology like Tomoe, and she's nowhere near as cunning as Lila is. The problem is that the show wants the audience to see Chloe as if she's the worst of them all. Fine, she may have the most obnoxious personality and least amount of redeeming qualities by the writers' standards, but this is a superhero show. You don't just rank villains on how mean they are, but also by how much of a threat they are to the hero. The moments where we're supposed to take Chloe seriously, the show keeps reminding us that she's only getting as far as she has because she's being used by other villains. It makes the moments where the heroes triumph over her ring hollow.

I'm not even joking here when I say that out of the show's entire rogues' gallery, Chloe is literally the only one who actually gets punished. Sabrina was able to wash their hands of her association with the bully, Andre was more than happy to give up his position as mayor and kidnap Zoe, Tomoe was never even exposed, Lila only faced a minor setback when she was exposed, Nathalie was healed by the wish, and even though he died, Gabriel died a martyr who never actually answered to any of his crimes. But Chloe? As fucked up as it was, she was the only one who received some form of punishment for everything she did. Congratulations, Ladybug and Cat Noir! After five seasons, you finally managed to defeat the Ringo Starr of your rogue's gallery, and all it took was unlocking the full power of your Miraculous.

I was initially angry at the show for just throwing away a character arc and mocking anyone who was interested in it, but now, I'm angry at the show for a different reason. Even if we were to assume that everything about Chloe was planned from the start, that she was supposed to be a fallen hero turned enemy, the show did nothing with it. If you're going to make Chloe a full-blown villain, then go nuts with the idea! Have her dedicate her life to beating Ladybug out of hatred, maybe even through a suit of armor like Princess Morbucks. Instead, this is the writing equivalent of intentionally setting your house on fire, but deciding you don't need the insurance money.

I'm actually going to say something that might sound blasphemous, especially coming from someone who has spent a lot of time talking about Chloe's character assassination, but I'm just going to admit it: I think Chloe should have been the next Hawkmoth, not Lila.

Yes, that's probably what you're thinking, but I'm serious. Think about it. Between her and Lila, who has the closer connection to Marinette as an enemy? Who has a more fleshed out reason to hate Marinette? Who got more focus as a villain this season? Who has more resources at her disposal? Essentially, the show put so much effort into making Chloe out to be Marinette's most personal enemy, that it makes no sense for them to not just go all the way and make her the next big bad. The writers already go on and on about how irredeemable she is, so why not make her an actual threat for a change?

But no. Instead, let's just keep her as comic relief who somehow gets more screentime than almost every other villain this season. That's a good way to tell our story, right?

Now You See That Evil Will Always Triumph Because Good Is Dumb... And So Is Evil, Apparently

This section should be relatively easy for me to get through, since not much has really changed with the villains since Season 4. They're all still idiots even though the show wants us to see them as a threat to the equally idiotic heroes.

Let's start with our only newcomer to the show's rogues' gallery, and definitely the weakest, Tomoe. I'll give the show a lot of credit with the foreshadowing for Tomoe here. Unlike other plotlines where the show bashes you over the head with obvious hints like with the Sentimonster stuff, the hints leading to the reveal of Tomoe being in leagues with Gabriel are far more subtle. They spend a lot of time in Seasons 3 and 4 discussing things offscreen (probably about some version of the Alliance rings), and both of Tomoe's akumatizations happen offscreen as well (since their conversation would give away their alliance). It's handled pretty well... which is more than I can say for Tomoe as a villain.

Tomoe is just such a confusing character, both conceptually and the way she was used this season. She's meant to be Gabriel's new confidant after Nathalie decided to stop being a villain while still mooching off him, but she pretty much does the same things Nathalie does, including the constant nagging about how inefficient he is. She even serves the same role Nathalie served in earlier episodes as Gabriel's technical advisor. Tomoe is basically a second Nathalie, with the only differences being that she's blind and that she wants Kagami to be with Adrien. Of course, this makes no sense because, like I mentioned in the retcon section, Adrien and Kagami tried to keep their relationship secret before their breakup. How could Tomoe not notice this? What is she, blind—oh right...

There's also the issue I have with the way Tomoe's nationality and disability is portrayed here, and how it really highlights how terrible this show is with representation (not to be confused with the episode of the same name). Like with my Sentimonster section, if there's anyone reading this who is disabled or a person of color, and you'd like to say anything about this part or how this show's representation is handled, feel free to voice your opinion or correct me if I get anything wrong.

With Tomoe, it feels like the writers slapped on every Japanese stereotype you could think of and called it a day, because we've seen all of these before. She's dressed in very traditional Japanese attire, is named after a famous Japanese warrior, uses a kendo shinai as a cane instead of a walking stick, is a strict parent to her child who expects the best from her, makes references to Japanese culture like samurai (Pretension) and taiko drums (Protection), is a technological genius, forces her child into an arranged marriage, and uses Japanese honorifics while talking with Gabriel even when they're not speaking Japanese. I'm not saying Japanese people can't talk about their culture at all, but when you're writing a character who happens to be a person of color, you need to do more than make references to their heritage.

With Tomoe, almost everything she says is referencing her heritage, which makes it come across like the writers cared more about her being Japanese than anything else. Because somehow, the writers were worried kids wouldn't pick up on the fact that she's Japanese... when she's wearing something that makes her look like she just stepped off the set of an Akira Kurosawa movie.

But hey, at least they say Tomoe is Japanese. I don't think there's a single indication that she's blind. At most, they give her the stereotypical superpower every blind person in superhero media seems to have, enhanced hearing. Of course, while characters like Daredevil and Toph Beifong have in-universe explanations for how they're able to “see” without their eyes (Daredevil's enhanced senses came from the same chemicals that blinded him in the first place, while Toph learned an advanced Earthbending technique that gave her the ability to sense others through vibrations in the earth), Tomoe just has them because the writers thought it would be cool. I know it might seem strange to say this after I talked about how too much focus was given to Tomoe's Japanese heritage, but you'd think more would be done with her being blind, and how it would factor into her motivation to create a better world through technology or her ideology about self-discipline. Instead, she acts like every other character on this show, to the point where all three times she was akumatized, she got her sight back.

The main problem with Tomoe is how other than her heritage and disability, she has almost no personality other than being a strict mother to Kagami (something that is also a negative Asian stereotype) and her vague ideology about suppressing her emotions. She's basically a female Gabriel, and because she's a woman in this show, lacks any depth or redeeming qualities. There just wasn't enough time to really develop Tomoe as a character in the same season she was revealed to be a villain. Sure, they try to hint at her having history with Gabriel, but that never goes anywhere, and we never even learn just why she's working with him in the first place other than some vague desire to make the world more technologically advanced in spite of also being a traditionalist who loves honoring old beliefs. Just remember, Chloe got eight focus episodes as a villain this season, yet Tomoe only got one.

Now for Lila, the most competent of the villains... by comparison. The show clearly wants her to be seen as a master manipulator in the same vein as David Xanatos from Gargoyles, but how they show it is just poorly executed. Sure, sometimes she would get ahead in clever ways during episodes like “Illusion” and “Revelation”, but other than that, a good chunk of her plans rely on contrivances that we're supposed to see as part of her plan when she would have no idea if it would actually happen or not. In fact, let's go over all the things Lila did during her last five episodes of the season and see how her master plan played out.

Step 1: Revelation – Convince Ms. Bustier to hold another election for class representative, lie your ass off to get the position while making it seem like you rejected an Akuma, and win the election.

Step 2: Confrontation – Tamper with confidential school documents while hoping your enemy doesn't plan anything to stop you, and if your plan falls through, abandon your identity entirely and hope nobody ever tries to look for you.

Step 3: Collusion – Convince your pawn to record a conversation between the mayor and the man you somehow know is Monarch and then after the conversation leads to an Akuma forcing him out of office, tell your pawn to accept an offer from Monarch's civilian identity that you somehow knew he'd make, leading to your pawn becoming the new mayor by force who everyone is too stupid to even think of opposing.

Step 4: Revolution – Tell your pawn to take an offer from the same supervillain she's willingly worked with before, watch her go mad with power and assume that Ladybug and Cat Noir will defeat her, and then in the chaos from her defeat, assume that one of Monarch's associates will randomly leave her computer behind for you to use.

Step 5: Re-Creation – Develop an immunity to magical nightmare dust, hack into the heavily-guarded mansion you know where Monarch lives while the city is being swarmed with supersoldiers, hope you don't run into Monarch or any heroes trying to stop him on the way there, take the hole created by a Cataclysm you know would be there, assume that Monarch will lose, and seize his Miraculous from the ruins of his lair that you somehow know how to navigate after surviving all of reality being rebooted.

General Patton, eat your heart out. I think we all know who the real tactical genius is here.

Seriously, how the hell did she even know half of the stuff involving Gabriel and Tomoe would happen? Yeah, she had Tomoe's laptop after the events of “Revolution”, but she didn't see how their final fight would play out. You could also argue that we technically never saw her go into Monarch's lair during the final battle (all we got was a shot of her looking down into the hole Bug Noire created with her Cataclysm), but why didn't she go down if she disguised herself to infiltrate Monarch's lair? Was she just scoping out the area? Was her entire plan just to steal Monarch's Miraculous? There were so many ways this could have blown up in her face, so let's go over all of them, shall we?

What if Ms. Bustier didn't agree to hold a reelection for class representative?

What if Marinette won the reelection anyway?

What if Lila wasn't able to escape during the chaos caused by Monarch's Megakuma targeting Mr. Damocles?

What if the school managed to contact one of Lila's moms and tell her about what her “daughter” did?

What if Chloe wasn't able to record the full conversation between Gabriel and Andre?

What if Andre agreed to use the police robots without any manipulation?

What if Miss Sans-Culotte wasn't able to get Andre to resign?

What if Andre did resign, but managed to appoint a interim mayor until the next election?

What if Chloe didn't accept Gabriel's offer?

What if Chloe didn't accept Monarch's offer?

What if Chloe managed to arrest Monarch with her robots and got all of the Miraculous herself?

What if the French military was sent to stop Chloe's abuse of power?

What if Ladybug and Cat Noir weren't able to stop Chloe and lost their Miraculous to Monarch?

What if Chloe double-crossed both Lila and Monarch and managed to get Ladybug and Cat Noir's Miraculous herself?

What if Tomoe didn't carelessly leave her laptop behind during the final battle with Chloe and her robots?

What if Tomoe realized she lost her laptop and sent someone to track it down?

What if Tomoe installed a kill switch on her laptop to make sure nobody would be able to do anything with it in the event it got stolen

What if Ladybug didn't learn Monarch's identity?

What if Lila fell victim to Nightormentor's nightmare dust?

What if Lila was attacked by some of the Miraculized before she could make it to the Agreste Mansion?

What if Gabriel caught Lila while she was attempting to sneak in?

What if Ladybug caught Lila while she was attempting to sneak in?

What if Nathalie caught Lila while she was attempting to sneak in?

What if the Gorilla caught Lila while she was attempting to sneak in?

What if some of the Miraculized caught Lila while she was attempting to sneak in?

What if Lila got caught in the crossfire during the final battle between Bug Noire and Monarch?

What if Bug Noire didn't Cataclysm the floor and beat Monarch at the entrance of the mansion?

What if Bug Noire wasn't able to defeat Monarch?

What if Ladybug managed to find the Butterfly Miraculous before she did?

What if Ladybug caught her while she was trying to find the Butterfly Miraculous?

Do you see why I only think Lila is the most competent villain by comparison? A good chunk of Lila's “plan” amounted to her waltzing over and reaping the benefits from every coincidence she's around to see. And she's supposed to be this criminal mastermind who thought this all out from the beginning?

Lila's planning makes about as much sense as her motivation. Why does she hate Marinette and Ladybug? They both called her out on her lies back in Season 1 and 3 respectively (Volpina, Chameleon). That's it. This is enough for Lila to want to become a supervillain and terrorize Paris. I get that the idea is to contrast with the more noble goal Gabriel had as a supervillain, but you need to give more of an explanation if you want the audience to care about Lila becoming the next Hawkmoth.

At the very least, if the writers wanted to build intrigue about Lila, have this be the season where she first appears. Build her up as this mysterious new girl who wins over Gabriel's trust, only she has an agenda of her own. By having most of her appearances be this season, it's more obvious that she has a bigger role to play, and would eventually become the next Hawkmoth. Instead, it seems like the writers put a bunch of names on a dartboard, Lila's name was the closest to the first dart they threw, and that's how they decided who Ladybug's next arch-enemy would be. And once again, Lila hasn't even touched a Miraculous in five seasons, yet we're supposed to believe that with the help of that vague glowing light she saw as soon as the first put on the Butterfly Miraculous, she'll be able to take on eighteen superheroes who have plenty of experience fighting Akumas?

Speaking of, let's get into the final main villain, Gabriel. Compared to the others, he had a pretty decent start. He felt a lot smarter than he usually did, like how he used his influence to market the Alliance rings in order to boost his Akumas' powers, or once again trick Ladybug and Cat Noir into thinking he isn't Monarch. He even managed to outsmart Scarabella and Kitty Noire by using the Alliance rings to learn their identities, and almost got their Miraculous as a result. For the most part, Gabriel was a pretty clever villain who capitalized on every screwup the heroes made, and actually came across as a threat... that is, until “Protection”.

Starting with “Protection”, Gabriel decided that even though he has only a few weeks to live at best, he needs to focus more on meddling in his son's love life instead of getting Ladybug and Cat Noir's Miraculous in order to save his wife. It comes across like he cares more about stopping Marinette than he does stopping Ladybug in the latter half of the season. Hell, Gabriel doesn't even set up any plans for what would happen to Adrien if he died despite once again claiming to be doing everything for his family. Also, for some reason, he really wants Adrien and Kagami to stay together and become a couple for reasons that I can only assume is because of some kind of social commentary on the rich. Is Gabriel trying to start a eugenics program? Is this how Khan was born?

The abrupt detour Gabriel's motivations take is connected to one of the bigger problems with this season: How Gabriel's Cataclysm wound is handled. We're supposed to sympathize with Gabriel and how his days are numbered thanks to what happened, all while he's desperate to achieve his goal... when not only did Gabriel Cataclysm himself at the beginning of the season, he almost never brings up his wound until the writers want to add unnecessary drama to the story. At most, he'll either flinch in pain a little because of the wound (Elation, Perfection, Intuition, Protection, Emotion, Confrontation), or show his purple hand to show how serious it's gotten while saying he doesn't have much time left (Passion, Pretension, Revelation, Collusion, Conformation). At least, we're supposed to see it as serious, as the injury never really gets in the way of his plans.

Rather than a painful injury that's slowly killing him, the show treats Gabriel's injury with the seriousness of a sprained ankle. Yeah, it's painful, but nothing serious. Aside from one episode (Intuition), we don't see Gabriel struggle that much with his deteriorating health or how it gets in the way of his plans. Compare this to how Nathalie's condition has been portrayed. As Season 3 progressed, Nathalie got weaker to the point of forcing Gabriel to abort his second outing as Scarletmoth (Ladybug), she became so sick, she had to be benched as Mayura by the end of Season 3, and needed cybernetic crutches just to help her walk during Seasons 4 and 5. While I criticized her sudden wrinkled appearance by the events of “Representation”, the show still made it clear that Nathalie was struggling to go about her everyday life over the course of the last three seasons. As for Gabriel, whose condition is supposedly more serious to the point where not even the Ladybug Miraculous can heal it? At most, it's less something influencing his belief that he has nothing left to lose, and more a mild injury at best.

Another problem I have with Gabriel is the same one I have with Tomoe and Lila: The lack of a proper backstory. Yes, we know the basics of it (his wife is comatose and/or dead, so he became a supervillain to get Ladybug and Cat Noir's Miraculous and save her), but we know nothing about his life before that. Thanks to “Revelation”, the most we get is that before he became a fashion designer who took an interest in discovering the Miraculous, he used to work in fast food like Skeet from Jimmy Neutron. Hell, the two even have similar haircuts.

Whether Gabriel knows the difference between salt and sodium chloride is still up for debate.

The show wants to say that Gabriel used to be different, but we don't get to see that side to him. If you want to say Gabriel used to be nicer, then give us a flashback to show how much Emilie's death affected him. That way, it would also give the scene in the finale where he breaks down have more weight to it, as it would show him letting down his emotional defenses.

Also, why was Gabriel so interested in the Miraculous in the first place if he found the Butterfly and Peacock Miraculous before Emilie got sick? The show establishes that Gabriel went exploring with Emilie and Nathalie, but why? What were they looking for? How did this lead to them getting into fashion? How did Gabriel and Emilie get so rich if Amelie inherited the Graham de Vanily fortune? This was the season that was supposed to wrap up the storyline regarding the Agreste family drama, yet we still know so little about them or how Gabriel and Emilie even met.

Finally, let's get to the Akumas. The season makes a huge deal about how dangerous Gabriel is now that he has almost every other Miraculous at his disposal, how hard the battle against him will become. How do the Akumas reflect that idea? Very poorly. Twelve of the season's Akumas were reused models (Ikari Gozen in “Multiplication”, Darker Owl in “Jubilation”, the Collector in “Illusion”, Glaciator in “Elation”, Sole Destroyer in “Deflagration”, Dark Humor in “Derision”, Riposte Prime in “Protection”, Vanisher in “Adoration”, Matagi Gozen in “Pretension”, Hoaxer in “Revelation”, Reflekta in “Confrontation”, and Nightormentor in “Representation”), and only ten of them were original (Manipula in “Determination”, Safari in Passion, Kikou in “Transmission”, Ryukomori in “Perfection”, Gold Record in “Migration”, Bugfighter in “Intuition”, Miss Sans-Culotte in “Collusion”, Queen Mayor in “Revolution”, King of Plastic in “Action”, and the Miraculized in “The Final Day”). I've also gone over this several times, but despite the main gimmick being that the Akumas have Miraculous powers now, the show never really explains why Monarch can't just give them those kind of powers himself, especially when he could easily recreate Miraculous powers as far back as Season 1 (Copycat, Antibug, Volpina).

Most of the Miraculous powers didn't actually feel like upgrades and just excuses to recycle Akumas on the basis of acting like they have new powers when it's almost always just giving them the same old powers. Either that, or with the new Akumas, they'll just make it so their only powers are related to their Miraculous powers, like Safari getting all of her gear thanks to the Goat Miraculous' Genesis, Kikou and Ryukomori's only abilities being related to their respective Miraculous powers, or Queen Mayor getting the power to control robots with multiple Miraculous powers. There were exceptions like Manipula getting the Ox Miraculous' Resistance as an added precaution, or Vanisher mixing her stealth with the Dog Miraculous' Fetch, but they were few and far between.

Overall, almost every villain this season was just so underwhelming. While the Akumas were once again mostly reused character models, we learned almost nothing about the villains other than the fact that they're idiots. Oh, I'm sorry. I forgot the fact that by the show's logic, almost all of the villains aren't really villains. Let's talk about how the show handles redemption arcs now.

The Redemption Misconception or: The Power of Love Always So Strong?

While younger readers might not understand this, there was once a time on the internet where one of the most debated shows was Steven Universe, and mainly for one reason: How it handled the topic of redemption. Pretty much every major antagonist had changed their ways by the end of the show, including Lapis Lazuli, Peridot, the Cluster, Bismuth, Spinel, Jasper, and even the Diamonds. While the quality of each of these redemption arcs varies from character to character, as is the moral status of each character, there's one thing I can say about how the show got the moral about redemption across: It was consistent. Aside from one or two characters like Eyeball or Aquamarine (who were more ignorant than anything else), there was never a case about someone being physically incapable of changing their ways, which tied into the overall theme of how important compassion is. With the way Miraculous Ladybug handles its redemption arcs, I unfortunately can't say it does it the same way Steven Universe does.

Pretty much every major villain, antagonist, or associate in the show gets a redemption of some kind. This includes Nathalie, Felix, Sabrina, Andre, and even Gabriel, while Chloe, Lila, and Tomoe are all viewed as beyond saving. The problem is rather than actually acknowledge the things any of them did as wrong before they start to change their ways, pretty much every “redemption” in this show amounts to downplaying their crimes. If the writers don't retcon the story so characters like Nathalie, Sabrina, and Andre were forced to help a greater threat instead of being willing accomplices, they'll retcon the story so characters like Felix and Gabriel were perfectly justified in their actions due to having a tragic backstory. Yes, while the point of a redemption arc is to have a former antagonist realize the error of their ways and turn a new leaf, it doesn't mean that the character who goes through this arc was never bad in the first place.

Like a lot of problems with this show, this is obviously contradicted by the way it handles Chloe. Any argument made on why every villain who was redeemed this season was stated to not apply to Chloe for some reason.

“Felix is a victim of child abuse and has a lot of emotional baggage!” Funny, because I remember in “Derision”, Mylene made a point about Chloe having a deadbeat parent not being enough to justify her actions, so by that logic, Felix shouldn't be getting away with anything.

“Sabrina and Andre were being forced to go along with Chloe's evil plans, so it's not their fault!” Chloe was also a pawn in Gabriel and Lila's schemes, yet we're still supposed to see her as evil. “But she still went along with Lila's plan!” By that logic, so did Sabrina and Andre, since they still listened to Chloe for a while instead of distancing themselves from her far earlier than they did.

“Gabriel and Nathalie are doing everything they can to help Adrien while they're both in poor health! Chloe didn't actually care about Adrien!” Sure, it's clear that (according to the retcons in Season 4), Chloe only cared about Adrien as a meal ticket, you can't say Gabriel and Nathalie care about Adrien either, since one is an abusive parent and the other did nothing to actually stop the abuse. Also, why should I feel bad for either of them when they routinely endanger lives and are only on death's door because of their own terrible choices?

I'm not saying that the show doesn't make decent points about why Chloe can't be redeemed. The issue is that these rules are never applied to anyone else who does get redeemed. The show tries to use characters like Chloe and Lila as a cautionary tale about how easy it is for your kindness to be taken advantage of, yet we never get any examples of compassion being a key factor in any major redemption this season.

Pretty much every villain who changes their ways only does so out of self-interest. Nathalie was fed up with Gabriel's constant failures and her own declining health, Felix only cared about doing things that would benefit himself like hooking up with Kagami, Andre was more than happy to resign even though he was forced to do so by an Akuma, Sabrina chose to stop helping Chloe after one particular plan goes too far (without actually apologizing for all the times she still went along with Chloe's schemes, no less), and Gabriel only stopped trying to hurt people once he got exactly what he wanted and died a martyr.

For a show with the lyrics “The power of love always so strong!”, why do we never actually see the power of love in action? And it's not just them. Whenever a character shows some form of compassion for an enemy, it's usually met with a dismissive attitude or fails miserably, and if it's not that, it's all lie to trick someone else.

In “Illusion”, Gabriel's plan to throw off suspicion that he's Monarch involves pretending to let Ladybug and Cat Noir get through to him.

In “Derision”, Rose pointed out Chloe's relationship with her mother as an excuse for why she's so mean, only for Mylene to argue against that despite being in a different boat than Chloe is.

In “Revelation”, Lila kept lying about having a caring attitude and believing that anyone can change, which was obviously meant to mock anyone who had that kind of viewpoint.

In “Collusion”, Ms. Bustier tries to reach out to Chloe after everything she's done, only to lose her job as a result.

In “Re-Creation”, the whole reason Bug Noire manages to beat Monarch was by putting him in a situation that would take advantage of his compassion for his wife, and later on, Gabriel manages to get the upper hand by taking advantage of Marinette's own compassion for him.

For a magical girl show, these writers are really terrible at teaching the lesson about showing kindness to your enemies, because more often than not, it's just violence that solves everything. Just ask the citizens of Paris in “Revolution”.

It doesn't help that the morality in this show isn't a complicated spectrum that weighs every action a character does and allows for other stances besides good or evil. Instead, it's like a light switch with two settings: “So good, you volunteer at the local children's hospital” and “So bad, you voluntarily send children to the hospital”. Characters in this show are either good or bad, and there's no room for in-between. Even when characters supposedly do change their ways, the show goes out of its way to claim that this is what they've always been like, which completely undermines the idea of what a redemption arc sets out to accomplish.

The thing is that I've actually seen examples of “Character X was only doing bad things as part of their plan!” and “Character X was only forced to do bad things for the villain!” done with one character, and it was a very recent example too. In the recently concluded Ohsama Sentai King-Ohger, one of the major villains was a tyrant named Racules, who took advantage of several monster attacks to secure more power for his kingdom, but later on, it's revealed he had a reason to do so. Long story short, Racules was the latest in a long line of rulers who was essentially blackmailed into carrying out a war by an immortal being from space named Dagded. However, Racules had a plan to secretly find a way to kill Dadged, and it involved playing along by pretending to be a heartless tyrant. By playing up his persona of a villain, not only did Racules drive his brother Gira (who was revealed to be an immortal creation of Dadged) to gain the weapons necessary to fight Dadged, Dagded trusted Racules so much, he decided to give him the power to kill an immortal. Guess who Racules chooses to kill as soon as he gets that ability.

While the reveal that Racules was good all along happened very late into the series, it worked far better than any redemption in this entire show for one reason: Racules isn't let off the hook for what he did. Everyone, Racules included, acknowledges that he did terrible things for years, and as soon as the situation is resolved, Racules is imprisoned for his crimes. Racules even admits to going mad with power at one point before he focused on his goal again, and he doesn't complain while he's in prison.

We never get any moments like this with the other redeemed characters. Nobody ever acknowledges that they went too far. They do one or two good things, and therefore, they're perfectly okay in Marinette's eyes.

Like a lot of topics it covers, this show wants to have its cake and eat it too when it comes to redemption. It wants to show characters changing their ways, but it doesn't want to actually hold those characters accountable for their actions. It wants to explain that not everyone can be redeemed, but it doesn't want to explain what causes people to want to redeem themselves. It wants to have an idealistic view of solving problems with compassion, yet it goes out of its way to mock those with that same ideology while claiming that violence is the only answer.

Maybe if Astruc spent less time arguing with people on Twitter over the concept of redemption, he and his team could have put more effort into fleshing out the all of the half-baked redemption arcs this season.

Adrienette Is Finally Canon! The Love Square? What’s That?

Well, it finally happened. After seven years, five months, fourteen days, 115 episodes and three specials since the show originally premiered in France on October 19th, 2015, Marinette and Adrien have finally gotten together for real. No cop-outs, no reset button, no misunderstandings, this is real. Credit where credit is due, the writers could have easily kept stalling and wait until the very end of the season for Marinette and Adrien to get together and called it a day, but they gave us over half a season of them in an actual relationship. Unfortunately, this also meant the writers had to rush the development of the relationship in order for Adrienette to become official in the first place.

Like a lot of stuff in the first half of this season, the writers pretty much speedran through the plotlines building up to Marinette and Adrien getting together. During the course of a mere eight episodes, we got a plotline about Marinette feeling guilty for letting her feelings for Adrien make her screw up, a plotline where Adrien realizes he has feelings for Marinette, a plotline where Marinette falls in love with Cat Noir, a plotline where Adrien stops having feelings for Ladybug, and finally, a plotline where Marinette stops having feelings for Cat Noir. These are all plotlines that we should have gotten over the course of the past four seasons, but instead, the writers are just cramming them all into less than a dozen episodes.

Considering how this was meant to be the final season originally, you can tell the writers realized they actually had to actually resolve the “Will they or won't they?” plotline instead of just padding things out like they normally do. But that's the problem. This was something fans, shippers, and general audiences were told to look forward to for years. Keep in mind, one of the biggest arguments you could make for just why the writers waited until Season 5 for Marinette and Adrien to officially get together was because they had something HUGE planned. This is a big deal for the show, something you can't take too lightly. If Astruc and the other writers were so intent on hyping up Adrienette for over four seasons to the point of showing two alternate timelines where they get together to tide viewers over, they needed to make sure they had a payoff so incredible, so satisfying, that their audiences would see it as more than worth the wait.

Just how was the big moment where Marinette and Adrien officially got together this season after so many years of buildup?

To be perfectly honest with you, I had absolutely no goddamn idea that the end of “Transmission” was meant to signify them finally starting a relationship. It just felt like the writers were doing the same thing about them being friends with a hint of something more on the horizon, but then the opening of “Deflagration” made it clear that here was major progress made in their relationship, though Marinette denied it due to her own anxiety, and by “Perfection”, it's confirmed that the two are dating. I just... really? This is how the two finally get together? It just... happens? No big dramatic confession? No romantic first date building up to this? Not even a kiss? The two talk for a few minutes, watch an Akuma fight, and now they're an item. Are you kidding me? Sure, most of the big moments in their relationship are saved for after they get together, but there's the problem: the writers half-ass the moment where Marinette and Adrien get together! It's more or less an afterthought in a two-parter involving a battle with Monarch where nothing was really accomplished.

You'd think for all the uncertainty Marinette felt over her feelings for Adrien this season, them getting together would be seen as a big moment, but it just doesn't for some reason. While you could argue it's a lesson in your fear of confessing being harder than the act itself, not much attention is given to Marinette growing closer with Adrien, because, for some reason, the writers decided to hold off the love confession and the first kiss for far later in the season (Pretension, Revolution). That's right, even after Marinette and Adrien finally get together, the show still needs to find a way to draw out the development of Adrienette.

I don't get it. Why couldn't the confession and kiss be what cements Adrienette, so more focus could be given to other plots? You can't say the “Will they or won't they?” stuff is the only draw to Adrienette, because there are plenty of plots you could write now that Marinette and Adrien are together. You could have an episode where Marinette invites Adrien over to breakfast with her parents in a follow-up to “Weredad”. You could have an episode where Marinette and Adrien try to go out on a perfect first date, only to struggle to balance their superhero lives getting in the way. You could have an episode where both Marinette and Adrien worry they're not good enough for each other, only for them to realize they love each other for who they really are. You could have an episode where Marinette and Adrien finally get closure on their former relationships with Luka and Kagami respectively. There were plenty of options for stories here, yet rather than do literally anything like that, not only did the writers drag out Marinette and Adrien's first kiss, they had the main villain take a break from trying to get the Miraculous to focus on breaking up the two.

As I mentioned earlier, we get a new arc all about Gabriel trying to break up Marinette and Adrien so Adrien can start dating Kagami again. Now I know what you're probably thinking: “IOTA, wasn't it implied that while Adrien and Kagami were dating, they were keeping their relationship a secret from their parents? Why are their parents suddenly obsessed with them getting together?” Well, you see, the answer to that is... that I have no answer because this makes no sense and is yet another excuse for a story arc that is somehow relevant to the overall plot. It's because of Gabriel's irrational hatred of Adrienette that Adrien is sent to London, and as a result, is absent from the final battle.

The sad thing is that I honestly thought Marinette and Adrien had some cute moments as a couple this season and had some believable chemistry. It's nothing groundbreaking, and there are plenty of flaws that I'll get to later, but for all intents and purposes, they still made a decent couple. It's just too bad that everyone else won't shut up about how amazing they are together. When their friends aren't trying to set up these cinematic scenarios for Marinette and Adrien that keep failing (Perfection, Protection,), they're gushing over how amazing of a couple the two are (Transmission, Deflagration, Revelation). At best, it comes across as the writers saying “How do you do, fellow shippers?”, and at worst, it comes across as the writers taking a victory lap while treating Adrienette as the greatest thing since sliced bread.

Adrienette just dominated the latter half of this season, and it really got in the way of the overall story regarding the conflict with Monarch. What's that? You're saying I forgot something, like the other three sides of the Love Square. Ah, good eye, my friend.

SO DID THE FUCKING SHOW.

For the thing that got a lot of people interested in the show in the first place, the rest of the Love Square is criminally underutilized this season. Marinette randomly develops feelings for Cat Noir for a handful of episodes, Cat Noir randomly moves on from Ladybug, and I don't think we even got a single Ladrien scene this season. It really felt like the writers realized this was meant to be the last season, so not only did they have to get Marinette and Adrien together as quickly as they could, they also had to acknowledge the other sides of the Love Square. Of course, they did that without actually doing an identity reveal.

There are theories that the reveal was going to happen this season with how much Marinette and Adrien only talked about each other and not their superhero partners (implying they both knew who the other was), but the writers changed it at the last minute because they got renewed for more seasons. I suppose it makes in a meta sense, but what about the in-universe explanation? What's stopping Ladybug and Cat Noir from learning each other's identities when literally every other hero in Paris can get their Miraculous back, even the ones who had their identities discovered? Were the writers so uncertain if people would still watch the show if there wasn't any mystery in Marinette and Adrien's relationship? What exactly is there left to explore with the Love Square when Adrienette is canon, while Ladynoir, Marichat, and Ladrien are all dead in the water?

Like a lot of things this season, the handling of the Love Square started off strong and gradually petered out to the point where I just don't care anymore. I started this season assuming the reveal would actually happen, but of course, the writers just won't let this subplot die already.

Adrien Who?

While I don't really have a lot of bad things to say about Adrien compared to last season, this is unfortunately part of the bigger problem with how he was handled this season.

Like I said earlier, it seemed like the writers actually learned from their mistakes last seasons with how Adrien was written during the earlier episodes last season. He stopped whining about how he was totally important and started pulling his weight in battle. He was very active in fighting Akumas and actually felt like an equal to Ladybug. Yeah, Ladybug still called the shots, but the two stopped bickering over stupid things and had more conversations about other things. It didn't matter if they were more casual chats about their lives (Perfection) or discussions on the enemy's plans (Intuition, Revolution).

The problem, like a lot of things this season now that I think about it, comes in the second half. Remember how last season made a big deal about how wrong it was to leave Adrien out of the loop with so many secrets? Once again, the writers seemed to have forgotten this major story arc that they wrote themselves. Now, not only does Gabriel crack down on his horrific treatment of Adrien through his ring, not only does Adrien's character regress to being nothing more than Marinette's trophy boyfriend, by the end of the season, Adrien is literally reduced to a damsel in distress who needs to be saved, instead of, you know, A SUPERHERO. And remember, the writers were very proud of how this was planned for almost a decade, all because they got to supposedly subvert fairy tale tropes.

I feel like this whole “Save Adrien” plotline could have worked if Adrien wasn't already a superhero, and was just a civilian Marinette knew. Yeah, it would still be using an overdone trope, but at least if that happened, Adrien would have an excuse to not be able to fight back as opposed to the several he made during the finale. Instead, for the majority of the season's second half, Adrien takes a backseat to a major story arc revolving around his family and isn't even given proper closure by the end.

“But IOTA!” You might say. “The show's called Miraculous Ladybug, not Miraculous Cat Noir! Of course Ladybug has to save the day! She's the main character!” That may be true, voice in my head, but here's the thing: If Adrien wasn't going to be part of the final battle, why wasn't this about Marinette's family? Why not make Monarch Tom or Sabine trying to bring back their spouse? Marinette is the main character, yes, but so much of the backstory in this show is connected to Adrien's family. The show tries to connect Marinette to this through her relationship with Adrien, but with how often she and Gabriel fight over what's best for him, Adrien kind of just sits around, not protesting against his father in the slightest. I'm not saying Adrien should be the main character. I'm saying that Marinette should be tied more into the story if you were going to base a lot of the drama on her perspective during the final battle. It's almost like making it so Adrien physically can't rebel against his father was a stupid way to keep him out of the conflict.

Why the hell couldn't we have gotten a scene where Adrien's connection to Gabriel was broken? There were plenty of options the writers could have used. You could have had Nathalie steal the other ring back from Gabriel to give to Adrien, have Argos use the Peacock Miraculous' powers to override Gabriel's commands, or have Adrien unlock a new form of Cataclysm that severs the bond with his Amok. And that's not even getting into the excuses the show made for why he can't get involved, because God forbid one of the two main characters in the show's title get to take part in the final battle.

In fact, I'm pretty sure this is why Felix was introduced, to do the things Adrien should be doing. Felix is the one who has a vendetta against Gabriel, a deeper connection with Kagami, knowledge that he's a Sentimonster, and an overall influence in the plot. The writers are so obsessed with coddling Adrien that they created an entirely different character to fill in a role for him, and Felix wasn't even in the final battle. And just remember, Adrien was originally created to replace Felix in the story, so Felix taking over Adrien's role as the character who helps advance the plot makes even less sense.

Even if the final battle is meant to be over Adrien, it comes across less like Marinette and Gabriel are fighting over his freedom and more who gets to control him. Gabriel doesn't use his wish to free Adrien from the shackles of the rings. He just gives Marinette the rings and hopes she won't do the same kind of things he did with the rings. Nothing changed over Adrien's treatment except who gets the keys.

It'd be one thing if Adrien at least chose Marinette over his father, but Adrien isn't even allowed to know the full story on anything, not even the Sentimonster stuff. Okay, putting aside the fact that Adrien has lots of friends and family to help him cope with this, maybe I can buy not telling him about Gabriel. Not telling him he's a Sentimonster is something I can't excuse. This is like not wanting to tell someone they have diabetes and hoping they know how to use their own insulin while they're downing Pepsi after Pepsi. It's not just a matter of hurting Adrien's feelings. His fucking life depends on those rings. He should obviously know to keep them safe and not trade them for magic beans or something stupid like that.

But the biggest problem with Adrien this season is how it goes against everything the show has said about him and his relationship with Marinette/Ladybug the last four seasons, and especially Season 4.

For the past four seasons, the show has loved to say that no matter what happens, Ladybug and Cat Noir will always be here for the other, even against the world. Put aside how unlikable Adrien was last season, that was the ultimate lesson, about the two reaffirming their bond. And yet, here we are in the Season 5 finale, when literally the entire world is against Ladybug and Cat Noir, and Cat Noir is nowhere to be seen.

One of the main reasons why Adrien jumped at the chance to be a superhero was the freedom it gave him from his restrictive lifestyle, and how it led to him making more friends at school. And that very same story ends with Adrien admitting it's a good thing for him to stay inside and never acknowledge the fact that his father was kind of a dick. Remember, this was planned in advance for YEARS, and absolutely nobody thought it contradicted one of the most important aspects of Adrien's character: his desire for freedom. Now the same person who would demand to not be kept in the dark about so many things (Lady Wifi, Syren, Lies, Sentibubbler, Rocketear, Risk) is now sitting around like a coward while everyone else saves the world instead.

I still think Adrien was at his worst in Season 4, with how much of an whiny and insufferable idiot he could be, but Adrien in Season 5 is a close second. Yes, I wanted him to stop acting out and demanding that the world cater to his every whim, but I also wanted him to prove he was as valuable as he says. The first half of this season seemed to understand this kind of criticism and reminded the audience that Cat Noir was still useful, but when the actual story kicked in, the writers were so determined to keep the secret identity bullshit going, Adrien somehow got less focus as a hero than the Resistance, a group of temp heroes who actually lost their Miraculous. And consider the fact that this season wrapped up the drama with the Agreste family, so for all we know, Adrien will get even less screentime next season.

If Adrien is supposed to be an invaluable ally to Ladybug, then why doesn't the writing accurately reflect it?

The Problem With the Biggest Idiot of Season 5: Moronette, “Of Course I Know What I’m Doing!” Royal-Pain, AKA, Ladydumb

You know, it's funny. I kept defending Marinette when the writing kept making her out to be a terrible hero last season while Adrien got by without a single criticism, to the point where I considered Adrien to be the worst part of the entire season. Oh, how the tables have turned with dear old Marinette, as the season that chose not to criticize every single action she took is when she's arguably at her worst.

You have to wonder if the writers finally realized how much crap they put Marinette through over the last few seasons by having her always forcing her to learn some contrived lesson and were like, “Oh yeah, she's supposed to be someone the audience is supposed to root for.” Unfortunately, they went way too far in the other direction with how they handled Marinette.

The way Marinette was written this season felt eerily similar to what happened with Adrien last season. Suddenly, her personal drama is of the utmost importance (Determination, Passion, Reunion, Elation, The Kwamis' Choice, Perfection, Migration, Derision, Adoration, Pretension, Representation), she's making incredibly stupid decisions in battle (Evolution, Destruction, Determination, Pretension), she becomes the moral compass of the show who lectures others on what to do (Revelation, Confrontation, Collusion, Revolution), and she's never really called out for her actions by the other characters despite how often she makes things worse.

So much of the first half of this season is the exact same crap over and over again. Marinette complains about how hard things are for her and her conflicting feelings for Adrien. I wouldn't really mind something like this if it wasn't for two things.

First, there's no real arc involved with this. Marinette keeps complaining about her love life, and she never really learns anything from it. She doesn't even get to confess to Adrien and show her growing as a character. Adrien confesses to her, and bam, the two are a couple now. Glad to see all the discussions about Marinette's anxiety was completely pointless since she doesn't get to be the one to really confront her inner demons. Well, there was one time in “Derision”, and we all know how well that turned out, right?

Second, more often than not, it seems like Marinette is prioritizing her personal life over the situation with Monarch. You know, the guy who has access to fourteen different Miraculous? After you only managed to get one back? I'd understand if we got this kind of arc in the earlier seasons, but by doing this, you're undermining the current threat Monarch poses. She's even willing to give up being a superhero if it means being with Adrien. That is how important her love life is to her. She's willing to let Tikki force the responsibility onto someone else if it means she can be happy. Of course, this isn't too surprising, as Astruc once said that the show is supposed to focus primarily on romance, not superhero action.

THIS IS WHAT THOMAS ASTRUC ACTUALLY BELIEVES.

Just like with Adrien last season, the show seems to care more about Marinette's personal issues at the expense of other characters. Do you want to know how many episodes this season focused on Marinette's love life in some way? EIGHTEEN (Multiplication, Jubilation, Determination, Passion, Reunion, Elation, Transmission, Deflagration, Perfection, Derision, Protection, Adoration, Emotion, Pretension, Revolution, Representation, Conformation, Re-Creation). Literally two-thirds of the season includes Love Square drama. Even if you want to be generous and count both two-parters as single episodes, that's still more than half the season. This is yet another problem with waiting until what was originally supposed to be the last season to resolve your plot. You need to force all of this development through almost every episode until people get tired of it.

Because of this, Marinette basically took over the narrative of Season 5. Almost every major conflict revolved around her, even the stuff with Adrien. Rather than make a story about Marinette and Adrien working together to break free from Gabriel's influence, Marinette is the one who has to do the heavy lifting and save Adrien herself. I've already talked about this with Adrien, but it bears repeating, as this is same issue I had with Season 4. Just like how Adrien got more focus during a story arc that should have been about Marinette last season, Marinette is now getting more focus during a story arc that should have been about Adrien, to the point where Marinette gets to use Adrien's Miraculous during the final battle with Monarch.

I'd at least be somewhat forgiving towards the shift in focus if Marinette actually got to do anything to advance the plot herself. Because of how often the show focuses on Marinette's love life, very little time is dedicated to showing Ladybug making an effort to actually stop Monarch. The closest we got was in “Illusion”, and that was a plan spearheaded by Nino. Like I said earlier, Felix does more to advance the plot out of any character, even Marinette, THE ONE THE SHOW IS NAMED AFTER!

We have three separate episodes where Ladybug has Monarch at her mercy, but she decides to talk about how she's totally won and that Monarch can't get away at all, and then Monarch gets away in a matter of seconds. I just... this is “SHOOT THEM WITH THE DEHYDRATION GUN!” levels of stupid here! The only reason Monarch gets as far as he does is because Ladybug can't just grab any the Miraculous he has all over his body.

We're seriously supposed to see Marinette as an amazing hero when she keeps screwing up every opportunity she gets to stop Monarch. In the span of one season, Marinette went along with being forced to retire because she got a chance to date Adrien (The Kwamis' Choice), chose not to form a temporary alliance with an Akuma even if it meant possibly getting the Peacock Miraculous back and stopping a potential threat (Pretension), had absolutely no plan to stop Lila until someone else came forward with information on what she was doing (Confrontation), decided to let another Akuma force the mayor out of office (Collusion), and failed to stop Gabriel because she got tricked again and was completely helpless as the entire universe was recreated before she took credit for defeating Monarch afterwards in the new reality and then decided to honor the insane supervillain's wishes and keep her boyfriend completely in the dark about the truth even though she learned not to keep secrets from others (The Final Day) and MY GOD, I HATE THIS SEASON SO MUCH.

When Marinette isn't making terrible decisions, she's lecturing others on how to act around their enemies, and when I say “how to act”, I mean “refuse to give them even the slightest bit of respect after doing the bare minimum to help them try and change”. Marinette really lets her own personal biases toward Chloe and Lila get to her this season with how the latter half of the season had her tell others not to even consider trusting them because of how easy it is for them to take advantage of kindness. You know, something you'd hear someone like Superman or Spider-Man teach kids about.

In fact, here's a little game any aspiring writer can play when writing superhero characters: If you can't imagine someone as noble as Superman saying something like this...

Marinette: But sometimes, the good we think we see in some people is just a reflection of our own, and we end up being fooled by our own kindness.

Unless your intent is for them to be flawed or in the wrong instead of a complete paragon of virtue, you need to go through your drafts.

And just like Adrien, even though Marinette keeps screwing up, she's never held accountable for her actions. She's never allowed to be wrong, and is almost always the one who gets to lecture people, mainly towards the end of the season. A good example of how poorly written Marinette is this season is when she whines about Ms Bustier not punishing Chloe enough when not only does she fail to understand that Chloe is still being punished, but she did absolutely nothing to bring Chloe's cheating to her teacher's attention when as class representative, it's her job. I don't care how stupid that idea sounds, that's what the show goes with, and it makes Marinette's inaction come across as very irresponsible.

But then again, neglecting her duties at school is nothing compared to acting like Marinette didn't fail to save all of reality while not showing the least bit of remorse for it. I'm just saying, when even Ben 10: Omniverse of all shows does this kind of story better, you know you've screwed up. Again, we're supposed to see it like Marinette won because the universe is in one piece, when, once again, SHE FAILED! Like I said, she failed at pretty much everything she set out to do this season and didn't stop Monarch outside of warding off his Akumas. This is seriously how the show was supposed to end, with Marinette failing to save the universe and the audience just needing to accept it. Well, in case it wasn't obvious on my front, I don't. Hell, forget Ben 10: Omniverse. Even Star vs. the Forces of Evil had the main character save the day, even if it meant potentially screwing over countless lives by destroying all magic in the world. Marinette? “Well, everyone I know and love is technically dead and the madman I spent five seasons trying to stop gets to die a martyr, but everything looks like I saved the day, so that technically means I didsave the day! Man, I'm a great hero. Good thing the other characters basically exist to remind the audience of how amazing I am.”

If there's one thing to take away from everything that's happened, it's that this was the season where Marinette has arguably become one of the biggest examples of a show failing to make the audience like their main character. There was much time dedicated to rationalizing and trying to justify the worst possible decisions she could've made and acting like she's still an amazing hero. Stuff like this only serves to further validate the criticisms people have had for her as a character ever since Season 5. And remember, this is coming from someone who went out of their way to defend Marinette last season. In an attempt to show her at her most heroic and virtuous, Season 5 pretty much cemented Marinette as a terrible main character, a terrible superhero, and a terrible role model for children.

Eight Years for This?

I'm going to be perfectly honest with you guys. This season just broke me, and there was a good reason why this analysis took so long to write.

While there were a number of outside factors that made it hard for me to get the time to write (work, the holidays, family gatherings, etc), there were still times where I either didn't have a lot of material to work with, or I just couldn't find the motivation to work on the reviews. I guess throughout all these years, I figured that after all this buildup between the Love Square and Adrien's relationship with his father, there would at least be something I could find this season that would allow me to say this was worth the wait. Unfortunately, it was just disappointment after disappointment this season, with a universally hated finale to boot.

To me, this was the season that burned away the remaining goodwill I had for the show, because there's just no salvaging it at this point. The writers pretty much butchered every single character in some way, excused the main villain's actions for a sorry excuse for a heroic sacrifice, and literally reset the universe so all of the characters we've come to know for almost a decade technically don't exist anymore. Even the cliffhanger for Season 6 really excites me, because why should I care about a character we still know nothing about becoming the main villain? Why should I care at all when the writers have made it clear they don't care either? They don't care about writing character development, they don't care about writing consistent lore for their world, they don't care about approaching serious subjects with the delicacy they deserve and they certainly don't care about telling a consistent story.

Season 5 of Miraculous Ladybug was a failure in every conceivable definition of the word. It failed to deliver a satisfying conclusion to any of the stories that had been set up for years, and if this was how the main story ended, I don't really have a lot to look forward to when Season 6 premieres.

[mydarlingem]

ever since we met

guys we are SO BACK i bring gifts <3 didnt realize how much i would miss writing on here. currently working on rewriting old work and new stuff so i can get back to posting on a weekly basis. hope you have been well and enjoy!!

cw. sakusa kiyoomi eats pussy, what more could you need

wc. 1800

you met sakusa kiyoomi two years ago when he took over his father’s business. every monday and saturday at 4 pm, he knocked on the back door of your flower shop. big boxes filled with one the best flowers for you. it was also two years ago when you first opened the door for him that you realized you loved him. he was so sweet and kind, always taking time to ask about you and following up on events in your life. you figured he did this with everyone on his route. little did you know that your sweet kiyoomi did not ask questions about any of his other deliveries.

he was determined to get to know you, however long it took him. he knew the movies you saw, the terrible dates you went on, your favorite flowers and your least favorite customers. no detail was too small for him, because he did care about it all. he liked your passion for your work and your love for the people around you. ever since he knocked on that door monday at 4 pm two years ago he has loved you. he knows it crazy, and he can't rationalize it for the life of him but he knows it's the truth. he knows you probably don't reciprocate but god he can't help it.

“hey kiyoomi what did you bring for me today?” you say with a smiled as you prop open the door for him. the way you say his name makes him weak in the knees, he loves how comfortable you are around him. “besides my beautiful face, everything you had on your list and an extra case of snapdragons because i know you always run out by thursday.” he smiles at you and sets down the boxes. “you really are the best thank you” you say as you walk back over to the counter to continue cleaning roses. “how are you today my favorite florist?” he asks as he sets down the last three boxes in their designated spot. “busy and understaffed” you sigh. “glad to know things always stay the same around here” he smiles and hands you a clipboard for a signature.

he likes the way you sign your name, he can't explain it but it suits you. “you know you are the last delivery of the day, so is there anything i can do to help out?” he takes the clipboard back from you as you hold back from speaking for a moment. “i have so much to do are you sure?” you ask hoping it's not just pity. “i'm here for whatever you need” he says as he takes his hoodie off and sets his things down. you never realized how many tattoos he has, or how big his biceps were. maybe him staying was good for morale. “would mind cleaning some mums for me?” he nods and steps to the counter to start.

its quiet for a little, the silence isn't awkward though. you look over at him, he's so efficient. his hands are so perfect, how is he so perfect? his voice snaps you out of your trance. “how was that date you had last week?” he asks, not looking up from the flowers in his hands. “lets just say i won’t be seeing him again” you exhale softly, mentally pleading that the very attractive man across from you will not ask you to embarrass yourself further. kiyoomi laughs softly before speaking again, “i can't believe we have never hung out outside of work” he says as he continues to clean flowers. his heart was racing at this point, you made him so nervous he was hoping you couldn’t tell.

“i know it's so crazy! we have to do something soon” you say with a smile. “well what are you doing this weekend? there’s a new bar i want to check out and i’d love to take you.” “if i didn't know any better i would think you were asking me out on a date kiyoomi” you smile before looking up at him and making eye contact with him. “and what if i am?” he says still smiling, your cheeks were so hot, was he messing with you? “well i'd think you were joking” you say trying to control the tone of your voice. he sets his flowers down as he makes his way to the other side of the table where you stand with shaky hands.

“oh im dead serious pretty girl” he runs his hand along your jaw tilting your chin towards his face. he's smiling at you like you hung and the moon and stars just for him. hes so close all you can smell is his cologne, god did he always smell this good? you aren’t sure who leans in first but your lips touch and suddenly everything feels so right. hes holding your face in his hand but slowly becoming so desperate as he kisses you. the cold metal of his lip piercings feels so good against your lips. you can't seem to get enough of him and you wrap your arms around his neck. he taps your thighs as you wrap your legs around him, he gently sets you on the counter. he breaks away from the kiss breathless and rests his head against your shoulder “you're so perfect” he all but whimpers against the skin of your neck.

“i've wanted to kiss you for so long” you say as he kisses your neck, and you run your hands through his soft hair. he moans softly at the contact and lifts his head up to kiss you again. standing in between your thighs he wraps his hands around your waist, smiling into the kiss. he can't believe this moment is real, he can't believe he finally worked up the courage to to act on his feelings. the all too familiar jingle of the front door opening snaps the both of you out of your bliss. “fuck” you say as you hop off the counter, “hi ill be right there." you look back to kiyoomi “will you please stay i promise i'll be so quick”. he smiles “dont worry im not going anywhere sweetheart.” you smile and kiss him on the cheek before running off to the front.

this might be the happiest he’s ever been. you’re so soft and sweet and oh my god he loves how gentle you are with him. he loves the effect he has on you, in fact he may just never move from this spot in the hope that you kiss him like that again. “thank you have a great day” you chirp as your voice breaks him out of his trance. you appear into the doorway to the back of the door with a smile. “hi” you say as you make your way back over to him, “hi sweet girl” he wraps his arms around you again. “i close in about 30 minutes, will you come home with me?” you ask shocked by your own boldness. the way you are looking at him he thinks he might die. “god i'll be wherever you want me.” the effect you had on him was unreal. “let me drop off my truck and i'll be back in fifteen”, “be quick” you say as you twirl his hair with your fingers. have you always been this hot?

kiyoomi was convinced was losing his mind. he has never moved faster in his life. he doesn't even remember driving his motorcycle back to your shop. all he knew is that he was walking back into your shop with more determination than he's ever felt before. “hi handsome” you say as he drapes his body against yours. “almost done?” he asks as he kisses your cheek. “i have about fifteen minutes before i can go but i'm all done.” you turn to kiss him as he plays with the waistband of your jeans. the kiss is messy and hot, he felt weak in the knees. “i can think of a few things to pass the time” he says as he breaks away from the kiss.

you smile looking up at him, his face was flushed and you could help but be proud of the effect you had on him. “please let me eat you out” your jaw drops at his words. “here?” you ask and he grins “here” he says as he drops to his knees in front of you. you could finish from just looking at this beautiful large man on his knees in front of you. “god please” he's quick to unzip your pants and slide them down your legs. he places small kisses along your thighs as he moves to put your legs on his shoulders. he kisses you through your underwear and you whimper softly. sliding your underwear to the side he starts softly using his tongue, and puts a finger inside you as he continues.

you grip his hair and squeeze your thighs against his head as he quickened his pace. “harder” he whimpers into you and you squeeze harder. god his tongue piercing is incredible. you are getting close to finishing, and he can tell. he moans into you like this is pleasuring him just as much as it is you. “more kiyo” you moan out. he moves faster as he inserts another finger. the nickname could have made him cum in his pants. you are quickly approaching your high as you stutter out an “im close” he's moving faster than before, focused on you and only you. he's eating you out like a man starved, the cold metal of his piercing mixed with the warmth of his fingers had you seeing stars.

you moan his name as you finish and he cleans you up with his tongue. your legs were shaking as he stands up and licks the rest of you off of his slender fingers. “you're so incredible” you say as you wrap your arms around him and kiss him, the taste of you still on his tongue. “i've been dying to do that for two years” he says as he pulls away from you. “i love you kiyoomi” you say looking him in the eyes, "i've been dying to tell you that for two years" mustering the courage to confess everything to him. “god i love you” he says cupping your face in his hands as he kisses you again. “i love you i love you i love you” he says softly in between kisses. "ill spend forever making you feel it."

[bloggingboutburgers]

I think everyone will benefit from properly tagging posts. xreader fics abd ship fics ONLY include the relevent _x_ tags but none of the character's name on its own, allowing all the usual fanart, theories and such to stay on the main name tag and not be crowded out by horny fanfiction (I say this as someone who very much enjoys very horny, very smutty xreader fanfictions. I want to be able to search the fics I want directly without having to trawl through headcanon posts, fanart, unrelated ship posts, etc.).

No one really has a tailored experience on the internet (I'm glad tumblr is at least a little more user dictated than advertiser algorithm based), but I do get the frustration and discomfort that comes from the abundant hornyposting feeling inescapable.

It's tempting to take offence to persistent cries against xreader stuff. I like special POV episodes of shows for the same reason I like xreader fics. My favourite characters WERE the company I kept, my only real form of companionship (albeit simulated) for many many years. Not because I am allo, basically. I sought something to meet my social needs growing up where I was unable to find community or companionship in real life.

Unfortunately, because they are usually sexual in nature I just came to associate a need for human connection with sex (so am I allo or just conditioned to blend sexual, platonic and romantic feelings and actions together?). I was just happy to feel like I had someone to hang out with. I knew they weren't real and that I needed to find real people to connect with (not for lack of trying, kids are just cruel. Finally made friends as an adult, yay).

Didn't intend for any of that to be so sad or pathetic, but hopefully it gives context for the prevalence of xreader fics. Alongside the varied reasons people write / read them (no just blind allo horniness), especially in light of the widespread loneliness epidemic over the past decade.

It's still more than ok to not want anything to do with them either (be it due to being aroace or not - I know plenty of allos who find xreader fics cringe).

Something I need to clarify here – we get it. Well, we don't fundamentally get it, but trust me, we've been told time and time again why people would write/draw/be into xreader content (it's all part of the package of "aroaces MUST put themselves in allo people's shoes at all times"), and we know they're perfectly legitimate reasons, and we don't find it sad or pathetic, or cringe. At the very least I don't at all. That's not what it's about. It's not something as surface-level at that.

The thing is... The same kind of understanding effort is VERY rarely put forward in return for us. And the fact that we're perceived as naysayers is symptomatic of this. We're not crying against xreader content. People are free to do whatever they want. We just want it to be tagged to keep ourselves safe, and so we can appreciate some variety and find fandom content we can properly connect with with the identity we have.

The issue isn't that there is xreader content, or heck, that there's lots of it. It's that, as @kaoruko-han put it, "everyone is assumed to be into this", and that you can't express something as simple as "I'd rather read something else" without being finger-pointed as a villain.

Yeah, no one has a tailored experience online, but there's still a very clear lack of balance on what is acceptable to tailor to or not (and for us, that includes tumblr). And trying to find fan-content while being sex-repulsed? Bruh, you'd better pray on your lucky stars and be ready to trudge through an ocean of stuff that's loaded with the very thing that makes you scared, uncomfortable or downright triggers a feeling of sickness in you, because a lot of it ain't tagged. An alarming amount of people don't bother, because why would people like you exist, right? There's only ever them, and puritan bigots. It's that black and white in a lot of people's heads.

Here's the difference though: we, too, want people to be able to vibe to whatever fan content they want. We just wish "people" included us properly in this case. As it stands now, trying to find fan content that won't give you an uncomfortable feeling as a sex-repulsed person feels kinda like this (I'll try to illustrate that to the best of my ability as a vague comparison, please no one take that as a clear parallel, I'm literally just trying to explain how it feels in a way people who have no idea how it feels might understand): you're not into gore at all, you don't wanna look at it, but your streaming platform keeps recommending you those series that are loaded with gore. You try to filter it out, but no matter where you go, you keep being recommended those series. And no one ever gets your discomfort and you're being branded as nothing but a wet blanket for not wanting to see gore. It's kinda like that.

At this point I admire sex-repulsed or romance-repulsed people who still TRY to find anything at all in fandom spaces. I've stopped reading fanfic altogether and I've largely stopped engaging with the large majority of fandom spaces for those reasons. And that wasn't an easy choice, or one that I find fun because it feels incredibly lonely, but it's the result of years of exhaustion and strain on my mental health trying to navigate something that's so hostile to me at its core, even if it's unintentional.

So... Yeah. We know the reasons, just like the content itself, they're kinda impossible to ignore. But we are largely being ignored in this, and it's not just something at an "ick" or "picky" level ; for a sex-repulsed person, being spammed with sex entails much more than that. It's not even frustration anymore at this point, it's downright despair a lot of the time. So... Yeah, like you said, everyone would benefit from stuff being more properly tagged. For us it'd be so huge to know our safety is taken into account – that we're taken into account at all. Thing is, we're not, and we're so invisible in this and most other things that at this point, I don't have much hope. Sex-related controversies allo people can understand would sooner create a change than anything done for our sake.

[rikiluvly]

MIDDLE OF NOWHERE

🥀*ੈ✩‧₊˚ 𝔬𝔲𝔯 𝔡𝔦𝔣𝔣𝔢𝔯𝔢𝔫𝔠𝔢𝔰 𝔴𝔦𝔩𝔩 𝔫𝔬𝔱 𝔭𝔲𝔩𝔩 𝔲𝔰 𝔞𝔭𝔞𝔯𝔱

tysm to the anon that requested this! <3

part 1 | part 2 | part 3 | more to come...

PAIRINGS: vampire!riki x human!reader

SYNOPSIS: you and your mom move into an old mansion after some struggles. but what happens when the mansion is actually occupied by 7 vampires and the youngest just can’t seem to keep his eyes off you.

GENRE: vampire au, fluff, a tiny bit of angst.

WARNINGS: mention of food, slight swearing, and Ni-ki is kinda rude.

WORD COUNT: 1,4k

you didn’t want to move houses. you thought your apartment was cute and cozy, but according to your mom, it was cramped and suffocating. so what she did was buy an old crappy mansion out in the middle of nowhere.

you and your mom were in the car driving on a gravel path surrounded by tall pine trees. turning a corner you could see the place you were moving into. it sure was beautiful at least, with vines covering the outside and a great big gate giving an eery welcoming vibe. to some people, they’d think it was haunted, but you don’t believe in that stuff.

our car pulled up and you stepped outside. you took some time to admire the place. you knew there had to be something wrong with it because the price you bought it for was weirdly cheap. your mum got the key out and unlocked the door.

once you walked in you were overwhelmed. jesus this place was ginormous. the ceiling had amazing carvings and the walls had beautiful paintings. you walked up the long stairway to the second floor. the stairway was magnificent curling around up to the next floor.

“y/n your room is the third door to the right!” your mum called out to you from downstairs.

“ok thanks mum!” you saw the door and opened it. wow. your room was the biggest bedroom you have ever stepped foot in. You took your time to explore the painted walls and ceiling. the ceiling was painted with clouds and the walls were a beautiful baby blue color. a four-posted bed was leaned against the back wall with navy curtains that could wrap around it. two windows were displayed on either side of the bed with bright red curtains. maybe some changes could be made.

"who are you?" a sudden echo of a voice was projected through your new bedroom.

"what?"

"I said, who. are. you?" the deep voice came again. was this house seriously haunted? you thought to yourself.

"that's an insult," came the mysterious voice.

"what?"

"Is that the only word in your vocabulary or something?" the person that occupied the voice was still nowhere to be seen.

"calling this place haunted can be an insult to us. we don't haunt we just... occupy it," you couldn't lie, the voice was beautiful and you knew the face behind it would be as well. but you can't seem to help to grow a dislike for whoever it was.

"I'm confused, me and my mom thought no one lived here?"

"no one does live here. well, not any humans anyway" all kinds of thoughts started running through your head. is this thing some kind of ghost?

"I would prefer it if you wouldn't call me a 'thing' beautiful,' oh you really dislike the voice now.

you started eyeing around your room looking for the voice. the voice that wouldn't show its face. you took a look under your bed, disappointed to find nothing but an old stuffed teddy bear that the past owners must have left. you reached to pick it up and examined the toy. looks like it has been well-loved. you thought.

you stood up only to be met with an unfamiliar face.

"glad you like my bear," the surprise caused you to jump slightly. you had noticed fangs had appeared on either side of his mouth as he talked. vampire? no. no way.

"ah, you're a lot smarter than I thought," the tall figure looked down at you as you couldn't dare to look into his eyes.

"who are you?" you asked looking back at the stuffed bear in your hands.

"seems like you stole my question there... y/n," he knows my name? you couldn't bare stay with this 'thing' any longer. so you sprinted around the tall physique and tried to get to the door. only for him to spawn in front of you and block the exit.

"how do you know my name?" you asked, scared for an answer.

"I'm a vampire... I can read minds," answering like it was the most obvious thing in the world.

"you didn't answer my first question, who are you?" you asked hoping for an actual answer this time.

"Riki, Riki Nishimura," the vampire said showing off his sharp set of teeth. as threatening as they are, no teeth could scare you. just the thought of being punctured in the neck by Riki did.

"so, are you the only vampire that lives here, or are there more?" you asked hoping for an answer that confirms he is the only one.

"there are six more of us,' SIX?! you suddenly thought of your mom. what if she had come across one? you had to get out of the bedroom.

"I- I have to leave! my mom, she could have come across one and-" you stuttered hoping Riki would move aside.

"no need to worry about that, they won't be interested in your mum," his answer made you stop your plan to escape.

"why?"

"we prefer them young and fresh," he said taking steps towards you.

"what.." you said in a whisper.

"...nah I'm just joking. they are all out doing who knows what," you felt a weight lift off your chest. so they aren't blood-sucking creatures?

"oh, we still drink blood don't get that wrong but only on very... very rare occasions," you stood there waiting for him to say he was joking again. until he didn’t.

“so, y/n I better let you get to your unpacking, ya’ need any help.. I won’t be here,” he vanished.

you took some time to adjust to what had happened. you and your mom had just moved into a house filled with vampires. even someone like you who doesn’t believe in stuff like this knows that this was very much real, and very much happening.

you can’t tell your mom. you just can’t. life has just been so difficult lately and you know she needs this fresh new start, in a fresh ‘new’ home.

you opened the door to leave your room and sprinted back down the stairs

"mom!" you called out but didn't get a reply. what if Riki had gotten to your mom. a thought u would dare to think of again. you ran around the first floor realizing how many rooms there actually were. too many.

"mom-"

"oh hey honey I didn't hear you. everything going well in your new room?" she asked standing up from behind the kitchen counter.

no, I met a vampire named Riki who lives here with his six other friends.

"yeah, my room is really nice," you wish you could tell her the truth but the truth could destroy her. she seems so happy.

"well that's great, I just got dinner ready how bout you eat?" you lost your appetite a while ago but you still couldn't resist your mom's cooking, so you both walked into the dining room. In the middle sat an extremely long dining table with exactly seven chairs.

seven chairs. seven vampires.

you took a seat in the one furthest down the table, as your mom sat in the one opposite. she laid out a plate of pasta in front of you along with a glass of water.

"thanks, mom," you said politely as you started eating. your mom didn't sit down instead she started to walk away.

"where are you going?" you asked intensively.

"oh I already ate, you spent quite a lot of time in that new room of yours so I'm going to go wash up," she then left leaving you in the ominous, scary dining room.

"your in my seat," the vampire you had met earlier was again before you sat in the opposite chair.

"you seriously can't leave me alone can you?" you asked looking up as you took a bite from your pasta. his mouth turned into a slight smirk showing his sharp canines.

"no one has come here for the past seven years, what do you expect?" the same obvious tone that he had displayed before had come back.

"yeah, well I didn't know that," you said quietly looking down at your food, as he wouldn't take his eyes off you.

"look, don't expect the others to go as easy on you as I did alright?" easy? he scared the living hell out of you two times now.

"when are they coming back?" you wanted to know so you could be prepared. but they could also easily pop up in front of you at any time.

"right about...now," you felt a gush of wind come from behind you, blowing your hair up.

there stood six tall, handsome vampires holding cups of red liquid. which could only be one thing.

blood.

A/N: I accidentally deleted a 3k word fic and it's completely gone naur. oh well, I hoped you enjoyed this! 2nd part will be out soon.

[captainsophiestark]

Oldies And Goodies

Bucky Barnes x Reader

Masterlist - Join My Taglist!

Written for my personal fic writing challenge for 2024, Sophie's Year of Fic! Featuring a new fic being posted every Friday, all year long :)

Fandom: Marvel

Summary: Bucky's not a fan of modern dating conventions, until Sam sets him up on a date with a good friend who shows him the potential of the modern world.

Word Count: 1,543

Category: Fluff

A/N: To the anon who sent me an idea outline for this, I hope you like it! It got merged with another idea I had, but hopefully, it's still pretty close to what you had in mind :) Thanks for continuing to read stuff for Grant Ward and enabling me to keep writing him- he's my fave, so I'm glad I have at least a few people to share the love with!

Putting work into an AI program without permission is illegal. You do not have my permission. Do not do it.

My eyes scanned the restaurant, trying to make out Bucky through the dim lighting. After a moment, I caught sight of him at a table by the window. I smiled and started heading his way. As soon as he noticed me, he shared my smile and stood to greet me. Always the perfect gentleman. My heart skipped a beat, and I made a mental note to make Sam some cookies or something as a thank you.

Sam Wilson, a good friend of mine even before he'd taken up the superhero mantle, had recently introduced me to the second supersoldier out of time that he'd befriended. Bucky Barnes, the reformed Winter Soldier, was a little different than the Man With A Plan Steve Rogers, but he'd been different in a way that I liked. We'd hit it off pretty well, and with a some meddling from Sam, we'd set up a date within a few weeks of first meeting each other.

I'd spent an hour and a half making sure my outfit looked just right and trying to convince my nerves to calm the hell down. It was just a first date, with someone I was already friendly with. And I knew Sam wouldn't steer me wrong. Tonight was going to be fun.

Once I got close enough to the table, Bucky pulled a small bouquet of roses out from behind his back, holding them out to me with a lopsided smile. I gasped, taking them from him with a slightly disbelieving look.

"I've been told the flowers are a little old fashioned, but... it seemed like the right way to go," he said. I gave a little laugh, taking a moment to smell the roses (literally) before beaming back at Bucky.

"I love them," I said. His shoulders seemed to relax a little, the smile spreading to cover the rest of his face as he took a few steps closer to me.

"I'm glad. Here, let me get your chair."

He pulled my chair back from the table, gesturing for me to sit down. I nodded my thanks, trying to ignore the butterflies exploding in my chest as he scooted the chair back in for me like it was nothing. I gently laid the roses down on the table as he took his seat across from me again.

"Thanks for finding this place," I said, scanning the restaurant to take in the ambiance this time, instead of just searching for Bucky. "It's... really nice."

"Yeah, no kidding," he said, huffing a small laugh. "Honestly, I'm... a little out of my depth here. A lot's changed since the last time I asked somebody on a date."

"Well, for what it's worth, you've been doing pretty damn well so far."

We shared a smile, but then a silence settled over us that wasn't entirely comfortable. As much as this night seemed perfect, I couldn't help agreeing with Bucky. This place wasn't totally my scene, and I was starting to feel a little out of my depth, too.

"So..." I said, taking a deep breath and meeting Bucky's eyes again. "What exactly did dates look like back in the 1940s? One of the handful of times I talked to Steve, he said you set up a pretty cool double date to... some kind of expo?"

Bucky's eyes fell to the table even as his mouth pulled up in a smile. He nodded, talking as much to himself as to me.

"Yeah. Despite how it ended, I was always pretty proud of the Stark Expo one. We got to see a car fly long before any of that should've been possible. Walking around, looking at all the exhibits and experiments... honestly, it was incredible." He looked back up at me, the soft smile still in place. "Unfortunately, there weren't a lot of major, groundbreaking expos happening tonight for us to swing by."

"Damn. That would've been fun," I said, gently reaching across the table to take Bucky's hand in my own. I bit my lip, then looked up at him with a smile. "You know, Steve also said you're kind of a nerd."

Bucky snorted. Clearly, that's not what he'd been expecting me to say. He shook his head, but when he looked back at me, he had a smile on his face.

"Steve's got quite a few stories of his own that he should keep in mind when he says things like that."

"Well..." I took a deep breath, hardening my own resolve. Bucky and I were friends, and for whatever reason, this restaurant didn't feel right for either of us. I needed to trust him and our relationship so far, rather than pretending for norms or anybody else's approval. "Look, I don't know about you, but... this restaurant is lovely, but not exactly my usual vibe."

Bucky sighed, shaking his head and pulling his hand out of mine.

"I know, it's not really mine either. I just-"

"Hold on. I have an idea for a solution that might suit us both. And I think it'll be super fun."

Bucky stared at me for a few moments appraisingly, the faintest ghost of a smile appearing on his face.

"You know, I'm not used to letting the other person plan the date. But I guess I can make an exception."

I grinned. "Good. Because I have an idea that didn't exist in the 40s, but is the kind of modern thing I think you'll be able to get behind. You trust me?"

"...Yeah, I do."

"Good." I took Bucky's hand, grabbed my roses, then stood from the table. "Then follow me."

****************

"...and in the original, Gollum volunteered the ring as a prize for Bilbo winning the riddle contest!"

I beamed at my date as he raised out of his chair, the few beers we'd had and his passion for Tolkien pushing him to make his point loudly after being called on for the bonus question of this round of trivia. The host grinned, ringing a bell and pointing at Bucky.

"Aaaaand that's correct! Mark that down as three points for Oldies and Goodies! Hang tight everybody while we update the scoring, and we'll be back with our final round in ten minutes."

With that, the bar dissolved into chatter again as everyone went their separate ways for the break in trivia. Bucky settled back down into his seat with a sigh, then carefully cut his eyes towards me.

"So... was that a dealbreaker for you?"

I laughed. "Are you kidding? You got us three points, all while schooling the rest of the bar on some nerdy shit! It was hot."

Bucky laughed at that, shaking his head even as a smile stayed in place on his face.

"Alright, I've done a lot of complaining to Sam about how much dating's changed since I last did it, but I'll admit... I like this."

I grinned. "I'm glad. And for the record, I like it too. As far as I'm concerned, being able to have fun and kick ass at bar trivia with someone is one of the best green flags there is."

"Well, good. Because that table over there is right behind us in the points, and after they shouted out the worst string of horseshit about the Hobit I've ever heard with complete confidence, there's no way I'm letting us lose to them."

"Hell yeah! I'll go grab us another round, and then we'll make them wish they'd never come to this trivia night."

I jumped down from my seat and started heading past Bucky to the bar, but he caught my arm before I could get very far, his expression more serious than I'd seen it all night.

"Hey. Thanks. For getting a round of beer, for agreeing to come out with me tonight, for bringing us here... it's the best time I've had in a while, and you've been pretty much the entire reason for that. So thank you."

I smiled, my heart speeding up in my chest as I took a half-step closer to Bucky and softly kissed him on the cheek before leaning back.

"You're welcome. Thanks for being willing to try out something as new and chaotic as bar trivia. Maybe we could even make it a weekly thing?"

Bucky beamed back at me. "Sweetheart, I would love that."

"Okay, good. Then start getting ready for the next round, because if we're coming back here next week, I want it to be in defense of our title. This is the beginning of the trivia power couple Oldies and Goodies."

"I like the sound of that," Bucky said, his voice dropping an octave as he leaned into me a little. I smiled, and he pulled me into his side, squeezing me tight before letting me go so I could get us both another round.

My dopey smile stayed on my face even as I got to the bar. I'd always had butterflies in my chest when I was around Bucky, but now, it was more than that. Being around him made me happy. I felt comfortable, and I didn't want the night to end. And luckily for me, he apparently felt the same way.

Destroying our enemies at trivia was just the beginning for us. And with no ending in sight, I truly couldn't wait to see what came next.

****************

Everything Taglist: @rosecentury @kmc1989 @space-helen

Marvel Taglist: @valkyriepirate @infinetlyforgotten @sagesmelts @gaychaosgremlin

[ronkeyroo]

A positive Update

Friends, kind folk - Hello Again 🤍

Ever since my last update post, I've been thinking about it , a lot ;; I knew I needed time to cook and reflect, and im so glad I gave myself that...

2024 started rough for me; I fell severely ill again - I was too busy cursing my life and dwelling over how betrayed I felt by things still not getting better despite my efforts that I didn't realize I was walking into a self fulfilling prophecy. Its true that the struggles I'm going through are yet to be solved, that its gotten so much to the point giving up seemed easier, and that a couple individuals haven't been making it easier on me either; I swayed and i rattled and I steered within feelings ranging from confusion to anger to dismay and all of this back and forth did nothing but remind me of yet another self-destructive loop I just don't want to allow in my life anymore. Its exactly the kinda stuff that made me ill to begin with, and I've been so lost dealing with everything in between that i forgot to tend to the actual core centering all of this...

It grew unbearable how much emotional and physical turmoil I was pushing myself into, and knowing how intertwined these two elements have been; I had to draw a line before i majorly screwed myself over, gathering any bit of inner will to discipline myself back into some sort of clarity, enough to at least look through a lens OUTSIDE my pain for once, towards the kind of life I want to lead, and the kind of life I don't; and I came to an understanding.

From my physical state to my mental, to the people and memories I've experienced, both the good and the bad - I want to prioritize the good.

Not in a shitty ass, toxic optimism kinda way but in a "I want to prioritize knowing and living the possibility that even when it hurts, even when i want to be gone, even when life doesn't align - There's still every good reason in the world to keep moving forward, to face things from a perspective of growth & compassion, and to grow to love the promise of a better tomorrow even when today was unbearable." To know that I don't end or begin in my suffering, that the infinite potential I speak so fondly of applies to me, as well...

I want to be able to wield and create and share that goodness, too, Especially when it is already in decline...And for all gods sake, to internalize that all of this STILL exists and STILL matters even when it doesn't work the first couple or dozens of times.

As for my place here in Tumblr...I know the sentiment might feel silly to some but the experiences, memories, and connections I've made here have truly been such a significant force in my life, and i don't want to give up on that ;; Not because of my own insecurities, or an inner state of hopelessness, and especially not over a bunch of emotionally immature Anons that dont know how to handle themselves; I want to forgive all of that.

I'm stubborn, and there's an unyielding force within me that no matter how many times it is struck down, it proved itself ridiculously resilient. I'm perking up with with a fiery confidence realizing just how many times it rose back up, enough to realize it is an unchangeable part of me ;_; I shouldn't underestimate that force, and I want to keep living by its side. Whatever positive change I can sprinkle onto my life and the lives of those I care for, I will! And the reason why this space in particular is so important to me, is because so much of that already exists here, alongside you folks;

THAT'S the kind of energy i want to nourish and walk into the new year with! I want to continue growing as a person, challenging my inner turmoils, undoing the self punishing dogmas that still haunt me, stop flexing my teeth over things that don't deserve my time and god DAMN, just - indulge in the stuff that makes me happy, even when I'm going through unhappy times.

So yeah...I guess that means, I'm back & I'm staying ;_;)🧡

I know i may seem like a broken record when it comes to expressing gratitude but - Thank you, thank you thank you everyone who have reached out for me, who so fondly kept me in their thoughts and kept encouraging me whenever i was hurting, both then and now...You folks mean more than whatever ailment or struggle I can go through, and while I'm unsure of how the future will look like as I'm still going through various challenges- I couldn't have asked for a cooler, sweeter audience to have by my side whenever Its time to take a rest or hype over our sexy delicious blorbos!

Speaking of which....................I have been cooking quite a lot of things in the time i was away 👀✨ I most definitely intend to serve them, eheheh

[dduane]

Ok so

1. I’ve only ever read one book you wrote (So You Want To Be a Wizard) but it was very good and I love it. Big fan.

2. Both out of curiosity and on behalf of my sister, as a writer of Barbie Fairytopia, did you invent Bibble. Because my sister has Bibble as her Home Screen and my whole family had a conversation about Bibble yesterday.

Thank you. Ur books are cool.

Thank you! Glad you liked SYW... . 😊

Now, about Bibble (and a nod here to @the-best-of-the-geeks, who also inquired about this):

The answer is... maybe. At this end of time, it's hard to tell.

I took a few moments off from today's* graphic arts work to go digging in my archived project files. What I can see from a quick glance at them is that Bibble (or the character who'd eventually be Bibble: there were a lot of name changes throughout the writing process) doesn't appear in any of the drafts of the worldbuilding bible I wrote, or in other associated background material. If it had, that would've been—not absolute, but at least fairly strong circumstantial evidence—that I was the character's creator.

The problem is that when you're working on a big-IP project like this, there are so many people involved in the creative process that it can become really difficult to accurately trace any one character's or story element's "lineage". It's possible Bibble originated in a note to me from one of the creative team, which would have been one of hundreds of archived emails. Or it might have been something suggested to me in a phone conversation... of which there were many. Without sifting through all those emails (and please forgive me, that's not something I've got time for at the moment) it's tough to say.

What I am sure of is that Bibble definitely turned up on my watch. I have a premise file dated 30 December 2003 which does not contain the character, and then a second-draft premise dated 10 January 2004... in which, with a slightly different name, Bibble first appears. Bibble (as Bobble) is also in my first draft screenplay, which was turned in in early February 2004.

So that much, at least, we can be sure of. Bibble's personality and speech style is clearly spelled out in the script (as is the suggestion that Bibble be voiced by Frank Welker. It's a shame that didn't happen: I'm a huge fan of his).

But this still doesn't constitute proof that I invented the character. Bibble could very well have been suggested to me by someone else—and suggestions and notes are so free-flowing in a project like this that it's possible we'll just never know. (sigh) Such is life.

What I do want to emphasize here was how extremely pleasant this whole project was, from beginning to end. There are screenwriting projects that will make you shudder decades after the fact just on hearing their name. But there are others that unfailingly make you smile when someone mentions them... and this, for me, was one of those.

The giveaway of how much fun I was having lies in some stuff that happens in the script and would, to those unfamiliar with tropes in animation writing, look like nothing in particular. But a recurring joke among animation writers back then (and maybe still) was designating a character's speech as a walla. In this case, it means not just a description of some kind of crowd noise—the usual definition—but of that particular character making speechlike noises. It's the kind of thing you don't bother doing if you're not feeling playful. (Or at least I don't.)

...Anyway: hope this has helped, at least a little. :)

*This post was written at the very beginning of May 2023, around the time the WGA strike was starting. During the strike period I haven’t been comfortable with doing long posts about my screen work… but the strike’s over now. 😄 Thanks to @violet-yimlat and @the-best-of-the-geeks for being so patient.

[sh4wty18]

heyyyyy i was wondering if you could make a johnnie angst fic where he forgets your bday🫶🏼

you forgot my birthday.

pairing: johnnie guilbert x reader

summary: same as request with some bestie!jake moments

cw: angst, hurt no comfort, language

word count: 1.2k + edited

---

12:00 am. A text from Jake immediately lights up your screen:

jakey: HAPPY BIRTHDAY Y/N!!!! i hope you have the best day ever! im so glad ur dating my bsf so WE could become bsfs!! ilysm go slay queen 💅

You smile and type out a response:

y/n: THANK U SO MUCH JAKE I <3 U!!!!! 

You put your phone on do not disturb for the night and roll over in bed, Johnnie hadn’t texted you for your birthday yet, but that was to be expected. He was a slow texter as it is, but he was usually busy streaming or playing music at this time anyway. There was still plenty of time for him to reach out.

10:36 am. You wake up and immediately check your texts. You’d received birthday messages from Carrington, Tara, your friends from home, been tagged in hundreds of posts on tiktok and instagram, even Matt texted you (and you’d only met him once!). But nothing from Johnnie. That’s okay. He was probably still asleep. Nothing to be worried about. 

1:48 pm. Nothing. What the fuck? All you wanted for your birthday was to spend a quiet day with your boyfriend. Unlike the other friends you’d made since moving to LA, you were less likely to choose partying over spending quality time with your loved ones. Not that there was anything wrong with partying, you just happened to be more reserved. Johnnie was more quiet and anxious as well, it was something that drew you to him in the first place. You always had someone to ditch social events with. You’d figured by this point he would have texted or called and wished you a happy birthday, then you’d hang out, watch a couple movies, order food in, birthday sex– the whole nine. But no. He'd said not a single word. You tried not to bring up your birthday often in the weeks leading up to it, so as to not annoy anyone, but you know for sure you’d mentioned your birth date at least twice since you’d been dating. He had zero excuse not to know. All the other important people in your life seemed to remember, so where was he?

5:24 pm. Nothing. 

7:58 pm. Nothing. You decide to call Jake and see if he has any insight into the situation. He picks up on the second ring.

“What’s up, birthday girl?” He asks sweetly. 

“Johnnie still hasn’t told me happy birthday. I think he forgot,” you say. Speaking the words out loud suddenly makes the situation feel way more real, and you feel a familiar lump forming in your throat.

“There’s no way. He couldn’t have. He’s been out all day, I haven’t really seen him. I think he’s doing a shoot for his next music video or something. So maybe he’ll text you when he’s done? I’m sorry, y/n, I wish I could help. If you need to be with someone, you know I’m always here.”

“Thanks, Jake, you’re a great friend. Love you.”

“Love you too, I’ll text you when he gets back.”

“Thanks. And Jake… don’t remind him when he gets back. It won’t be real unless he does it himself.” 

10:15 pm. Nothing. 

12:00 am. You type out a text to Johnnie:

y/n: you forgot my birthday

johnnie <3: It’s literally next month isn’t it?

johnnie <3: Y/n…plz tell me its next month 

y/n: i think i know my own birthday

johnnie <3: No no no no no

johnnie <3: Y/n im so sorry

johnnie <3: I know how u wanted to spend all day together on your birthday. I'm such an idiot. I promise it was an honest mistake. I really thought it was next month.

You don’t answer. At 12:43 am, you hear a knock at your door. He was the last person you wanted to see right now, but you knew he wouldn’t leave until you answered, so you reluctantly opened the door.

“Johnnie, I don’t want to see you–”

“Y/n, please. Please listen to me. I’m so so so sorry. I was busy with music video stuff and I spaced. I wasn’t on my phone all day so I swear, I didn’t see anyone’s birthday posts or anything until after you texted. You can ask Jake and Carrington, they were texting me all day and I never answered.”

“I believe you, Johnnie. And I get being busy, but… it’s just like… how do you forget your own girlfriend’s birthday? Do you know how embarrassing it is? To have all my friends, fans, and even acquaintances wish me a happy birthday, but the one person I really want to hear from doesn’t? It sucks. I felt like shit all day.” 

“I know. And being busy isn’t an excuse. There isn’t an excuse. I don’t know what else to say other than I’m so fucking sorry. If I could take it all back I would. I love you so much, y/n. I- I’m so fucking sorry,” Johnnie pleads, and his eyes start to well. 

You start to tear up as well, but you don’t want him to see you cry, don’t want to make him feel worse. You’re not angry with him, and you obviously still love him, you’re just sad. You can tell he means what he’s saying, it was definitely an honest mistake, but that doesn’t change the fact that you’re hurt, and embarrassed, and had the worst birthday ever. 

“I know you are. And I love you, too. I just… I think I need some space for tonight. I’m sorry, Johnnie,” you say.

“Don’t apologize, baby. I’ll call you in the morning. I love you.” He gives you a quick kiss on the cheek and turns to leave. 

You close the door behind him and sink to the floor. You pull your knees to your chest and bury your face in them, finally letting out your soft sobs after holding back tears all day. You pull your phone out of your back pocket and tap the call button under Jake’s name. 

“What’s wrong?” He asks immediately, knowing you’d never call this late unless there was an emergency.

“I need you,” you say, choking on your words between tears. 

“I’m coming over.” He hangs up.

—

Fifteen minutes later, he’s at your apartment. You’re sitting on the couch together, with you leaning your head against his shoulder and crying softly as he rubs your back.

“I saw Johnnie on my way out… he didn’t look so hot. I’m assuming this is about him?”

You sniffle, “He forgot. I can’t believe he really forgot. Sorry I'm crying, this is so stupid, I’m just… really fucking sad about it. I know he didn’t mean to, and he’s super sorry and stuff but–”

“Y/n, you don’t have to explain yourself to me. Your emotions are completely valid. He’s your boyfriend, of course you’re gonna be upset that he forgot your birthday! It doesn’t mean he’s a bad person, we still love Johnnie! But… he made a mistake and unfortunately it made you sad.” 

“I knew you’d understand,” you give him a weak smile, and he wraps his arm around your waist and pulls you into a tight side hug, resting his head on top of yours. 

“Of course. I’m here for you, y/n. Always.”

---

first hurt/no comfort fic in the books! (i'm sad)

[blumineck]

yayyyy im glad youre posting your tiktoks here, tiktok is the harbinger of THE BEAST

No worries, I'm glad you're enjoying them! Personally as a creator I think all the platforms have their good points and their issues!

TikTok gets a bad rep (partly for real reasons and because it's a thing that younger people like, and that always seems to rub everyone else the wrong way) but ime it's much better than, for example, instagram. And I have a lot of love for tiktok as a site that actually showed my videos to strangers while I still had no idea what I was doing. Like, you wouldn't see this stuff if that site didn't exist, because I'd still be filming half-hearted pole tricks with bad camera angles that nobody watches.

Youtube apparently pays better if you can make it work for you (I can't), but it feels more toxic and industrial, like you have to play the game a lot more to get any traction.

And this place has some of the most supportive communities I've found anywhere, but huge swathes of it are highly inaccessible if you weren't There(tm). Plus, its relative isolation from other sites is a bit of a drawback in an industry that thrives on connections. If I hadn't been on here since 2009 or whatever, I probably wouldn't be here now.

Like, I'm glad that I'm here, because I love this community! I'm just saying don't knock Tiktok too hard. Because for all its problems, it genuinely IS letting some people live their dreams (or at least something that looks similar if you squint).

[bookishdaze]

Kingdom of the Planet of the Apes Review. More like Rambling and Word Vomiting.

I saw it last night. Finally. After so long!

I personally thought it was good, and a solid addition to the POTA franchise. I don't think it's better than Dawn or War, but I'm willing to bet that by the time the full trilogy is out, Kingdom is gonna be looked back upon as a good beginning to Noa and Mae's story, the same way Rise, despite being most people's least favorite of the Caesar trilogy, is still an amazing intro to Caesar's story.

Some nitpicks. Despite the movie being 2.5 hours long, I felt like the final act came too fast? Like, I understand what people meant with the pacing issue. Suddenly we were in the 3rd act and I was like "Wait, we're here? It's done?"

Now, onto the characters! Let the fangirling commence!

Noa

I loved seeing how his journey and character started and where he ends by the end of the movie.

Him going from "That is the law" to "That is the law. But the law is wrong" was so satisfying.

And him being able to call the eagles to him by the end was great to see. By the way, THE SINGING SCENE WITH THE EAGLES???? LIKE???? It could've been so corny but I LOVED IT???

I'm so glad this movie answered the question of whether apes can sing. Yeah, I know they are only humming, but I'LL TAKE IT. APES CAN SING. YESSSS!

He was just a really nice character to follow. I can't wait to see how he'll be like in the next movie after the events of this one transformed him.

I also think he is the kind of protagonist we need after Caesar. I love Caesar, but Noa is....hmm, I guess you could say softer? More naive? I'm sure he'll get tougher as the movies progress like Caesar did, but I like this change.

Mae

I am a Mae defender. Yes, she did betray Noa in the end. I expected her to tbh. And I understand why she did it. She was right in that Proximus getting his hands on those weapons would've been disastrous.

She has probably been taught all her life nothing but bad things about the apes. She was not going to switch sides just because she met Noa. We still got two whole movies after this. She probably won't have her "redemption" until the 3rd movie. I can honestly go on rambling about her, but I'd rather save that for another separate post.

Raka

I really like him. He's great and funny. I love seeing how he talks about humans and his hopes for humans and apes.

Right before he dies, he reminds Noa "Together, strong." His final words and his necklace as a gift to Noa serve as a reminder. A reminder of a hopeful future where apes and humans can coexist. (And then Noa passing along that same necklace to Mae? Bringing a reminder of that hope for peace into her world? Ugh. So good.)

Also, "He was my village." LIKE. DID HE LOSE HIS PARTNER? MY HEART.

Proximus

I thought he was cool. He gave my mother and I a jump scare at the dinner scene where he slams his fist. Also, the way he was just in awe of the gun after Lightning dies. He has his priorities.

Soona and Anaya

Those two were so cute, and I loved their friendship with Noa.

Anaya broke my heart. In the beginning at the tunnel scene, he's all like "Anaya is not scared." But at Proximus's kingdom, he looks terrified at the dinner scene, and before he goes on the mission to climb the wall, he goes "Anaya is scared" and didn't want to go. Poor guy. He pulled through in the end though.

Although *puts on tinfoil hat* this makes me wonder if this foreshadows how his fear will lead him to make a big mistake in the future movies. Similar to what happened with Winter.

Soona was so sweet. Although I'm disappointed we didn't get more of her with Noa. I saw an interview where Soona's actress described a moment where after they are reunited, they kind of make known their feelings for each other or something like that. But...it didn't happen?

Mae and Noa

Alrighty, I'm gonna briefly put on my shipping goggles on, bear with me, because one has to be a teensy bit delusional for this type of stuff, BUT....

I sensed a....vibe? Not a romantic vibe. They are nowhere close to that yet. But I felt like there were tropes and scenes between them that simply imply a romantic path is a possible direction for their relationship. I will make a separate post about them. I wanna wrap this up, lol.

The ending

I liked the ending. It has me so excited for the future of this trilogy. Now that the humans are able to communicate with others, what will this mean? How will Mae be torn between her people and the apes? Same with Noa? I need to know naooooo

8.5/10 stars (I ain't done rambling about this movie yet. But it's my birthday, and I gotta go out and have some dinner, hehe).

[shoyudon]

BEFORE YOU FOLLOW !

i am a pro palestine blog, if you are a pro-isr@eli or support isr@el in any kind of form and way. please go ahead, exit my blog, and block me. there is no space in here for you :)

this is a sfw blog for jujutsu kaisen, most i'd do is a little suggestiveness !

i mostly write female readers !

i have no update schedule, i am a college student with an actual life going on — please, do not rush me to update or to do your asks.

english is not my first language, i apologize for any grammar mistakes or typos.

i reblog other writer's fics and post things which are definitely not fics here, so feel free to block certain tags. thank you!

DO NOT INTERACT !

basic dni criteria.

zionists, pro-isr@eli, do not interact with me or my posts.

porn link posters (i don't mind smut— but literal porn links are different, you can't tell me otherwise.)

PLAGIARISM. and if you justify it, honestly, what's wrong with you?

interact with me if you are 15+ please, do not message me if you are under the age of 15- or 25+ — feel free to interact with my posts but refrain from interacting with me, thank you. my posts are fit for 14+ for pure fluff. but slight suggestiveness will be fit for 16+

hi, if you think you fit any of the criteria above, feel free to block me. don't bother coming into my ask to bash me about what i can or can't do in MY own blog.

OHO, GET BLOCKED !

i'm setting my boundaries here in my blog, if you get blocked, that's your part to find out WHY. because, i don't block people for no reason.

you reblog + post porn links. honestly, that's just weird, idek why they're a thing (no offense). i don't care if you're a mutual, i will HARD BLOCK you. i don't mind if you reblog + post nsfw content as long as it doesn't consist shit like stepcest / incest / r@pe / sexual-assault / aging up a canon minor character to write smut about them / etc.

you justify and do plagiarism. it's pretty self-explanatory, right?

you write + reblog stuff like incest, step-cest, r@pe, sexual assault, intense age gap (pedophilia), etc. romanticizing these stuff doesn't make you look cool, it's weird and disgusting. seek help :)

the anon feature is not a place for you to be a coward and start hating, the least you could do is turn the feature off and start hating!

blank + ageless blogs. i know this is an sfw blog, but still, convince me you're not a bot; don't come at me for blocking your account by justifying that "you're just a reader". thanks!

SPAM LIKING 5+ POSTS. reblogs are very much appreciated, it means a lot to us. tumblr will think i am a bot and will throw me into the shadow realm, that's not a great experience!

hating on my works. let's keep the blog peaceful!

tag abusers. i don't want to see smut on the fluff tag, or an "about me" post on the tag meant for fluff or angst, get blocked.

straight up problematic. honestly, if you instigate drama or if you troll for no reason for the sake of gaining attention — that's just really not cool. i've had my share of experiences having a mutual "faking" their deaths for attention and then getting caught on different platforms, it's just embarrassing.

telling me to help you + support you in a drama you made. no. just no. i don't like drama and i'm not going to help you or support you in a situation that you created on your own, you're on your own (unless you didn't and you have solid proof).

PRIVATE MESSAGES !

feel free to message me as long as you're respectful about the approach, i'll be glad to reply to you :)

DO NOT message me just to ask me to support you because you're in a drama, or if you need support to do any other problematic things. or to ask me to go report someone else because you're losing the fight you made.

DO NOT message me to ask me or force me to be mutuals with you, i follow who i want.

DO NOT message me to ask if me you can translate my works in other platforms, i used to allow that thinking there was no harm. boy, oh boy was i wrong. i do not allow translations or reposts on other platforms.

i don't want to be related in dramas or discourses, so let's make this blog a peaceful and anti-drama one!

MUTUALS !

like i said, i follow who i want to. so please don't force me to be your mutual.

if you have a problem with me, talk to me. don't go all pissy and talk shit about me in your blog when you have the option to directly talk to me regarding it.

if you WANT to break the mutual line, HARD BLOCK me. this is like unfollowing me from ig without removing me as your follower. don't soft block me so i do not refollow you or interact with your posts by accident.

if i cut the mutual line, i will HARD BLOCK you. i don't block people without a reason, so if i did break the mutual line — it must have been something you have posted, said, or done. DO NOT try to reach out to me from another account because i will block that account as well. if i did block you, i do not want anything else to do or to be associated to you.

please remind me if a mutual of mine is someone problematic or have posted, said, or reblog any that fits in here so i could be aware immediately. thank you :)

keep in mind to NEVER associate me with the people i used to follow / supported before or were mutuals before. i only associate myself with the people i follow NOW. thank you :)

𝜗𝜚 . back to navi ⋆ masterlist !

[joanvisitsrome]

stars between us ch.2 : h.c

Hey you guys!! here's chapter two! I'll do everything I can to have chapter three tomorrow. I'm looking to have 8-9 chapters total of this series. COMMENT on this post if you'd like to be added to this taglist.

Summary: You and Hazel spend the first night of the camping trip together

Contains: fluff, hand-holding, one-bed trope, teasing friends, slight angst, hazel talking about the pep rally, hazel talking abt toxic friends, awkward!hazel, nerd!reader

“So, that leaves you and Hazel,” Isabel had pointed out. 

You and Hazel look at each other and smile. Of course you two were fine with sharing a bed. You two got along well anyway. The two of you leave your things on the bed and then go outside to a nearby picnic table. It wasn’t too late in the day, as there was still light outside. The sky was only now just getting darker. The two of you begin to continue your conversation from the bus, picking up exactly where you left off.

“Okay,” you say, “enough about me. Where in the actual universe are you getting bombs?”

“Where else? You really think I’m going to like some deep, dark alleyway to find supplies? I usually just go to Home Depot and grab my supplies.”

“Really?” you ask surprisedly, raising an eyebrow.

“I’m not joking. I’ll take you one day if you’d like.”

“Wow Hazel, stringing your new friend into your bomb-making endeavors.” To this comment, Hazel giggles and plays with the rings on her fingers. She looked absolutely adorable doing this.

“I’d never let you get in trouble for it though,” Hazel adds quickly, “I don’t like throwing people under the bus.”

“Sure you don’t,” you quip teasingly, “If you don’t, then what was that with PJ during the last pep rally?”

“Now that’s a different story. PJ, umm, made me feel, unloved? The fight club has been a safe space for me during my mom’s midlife crisis. I guess when PJ kind of summed up for me that I had no friends, and, um, had a skank as a mom, I wanted to defend myself. Also, they said I was fighting PJ.”

“Well, you have me, so you have friends. And uh, I don’t know about the mom stuff, but she definitely didn’t raise a skank, so that must say something.” Hazel smiles, glad that you at least understood her. She holds your hands, which had been resting on the table.

“I’m really glad we’ve started getting to know each other. It’s nice to talk with someone who’s like me in some ways.”

“Yeah. Even though I’m friends with like Isabel and Brittany and those people, I feel like they don’t understand. Like half of those people don’t even read. Like, the school took away the books and they just don’t care.” Hazel looks at you as you continue rambling, a concentrated, attentive look in her eyes. She seems dazed almost.

“Hazel?”

“Yeah?” she says, shaking out of her daze.

“You good? It seemed like you phased out for a moment.”

“No, I’m just tired. I didn’t sleep well yesterday.” You look up at the sky, which has gone basically dark. 

“Should we go sleep?”

“Oh, we don’t have to. We can keep talking if you want.”

“No no, I’m tired too. Plus, we have a long day tomorrow doing the trash and stuff.”

“Okay! As long as you’re okay with it. I don’t want to force you to do something just because I am.”

“You’re not. Don’t worry about it, Haze.” You hold out your arm, and she links it in yours. The two of you laugh and talk your whole way back to the cabin. She sees PJ and Josie looking at her with teasing looks, lips puckered up. She quickly turns her head away to see you curled up on the corner of the bed, book in hand. It’s an astronomy book about constellations and the stories behind them.

Hazel looks at you as she climbs into bed.

“Whatcha reading?”

“Oh, just a book about the stories between different constellations.”

“OH! We didn’t get to look at the stars like we said.”

“Whatever. We’re both tired, and I’m sure we’ll have even more fun tomorrow doing so. I bet since we’ll spend the whole day together, we’re going to have a great time.”

“Don’t let me forget tomorrow. I’ll feel horrible if you don’t get to look at the stars at least once before the trip is over.”

“Don’t worry Haze, I won’t.” Hazel’s cheeks turn pink at the nickname, but she brushes it off and lies down. PJ and Josie ask everyone if it’s okay to turn off the lights, making you close your book and lie down as well. You assume that Brittany and Isabel are off with the other cheerleaders and that they’ll come back soon. You feel Hazel shudder when the lights turn off in the cabin.

“Hey, Haze, what’s wrong?” you whisper, turning to her under the covers.

“Nothing. Um, it’s just that I, um, kind of, always use a night light? I don’t like the pitch black.”

“Is there anything I can do to help?”

“I don’t know.” Hazel turns around to face you. Just then, your hands bump under the covers. You don’t know what overcomes you, but you decide to hold Hazel’s hand.

“Is that okay?” you ask. You hear Hazel’s breathing slow down to its relaxed pace.

“Yeah. Much better. Are YOU okay with that though?” she asks, concerned that maybe you would feel weird holding her hand.

“No, of course not. I want you to sleep well.” You two are facing each other in the bed, only barely able to see the traces of each other’s face.

“As long as you’re okay with it, I am too.”

“Goodnight Haze.” The two of you fall asleep facing each other, and holding hands, and wake up like that the next morning.

taglist: @at1nyzen

[sharp-rosee]

Hey funny story: I haven't been around Tumblr at all for months, but today someone told me menalez had deactivated or something so I came on here and looked it up. First result was a post by you, i checked out your blog and wouldn't you know it your most recent post had you defending me post mortem lmfao. I sent an anon to the other woman too but it seems she won't post it so to clarify to you: when I supposedly said "studies showing violence suffered by bisexuals are cringe and useless" what I remember thinking about that is that those studies that I've seen are never used to try to understand why bisexuals suffer such insane rates of violence (more than homosexuals) and trying to stop it. I've only seen them be used as battering rams in discourse when homosexuals criticize bisexuals. Which is crazy for such a serious issue and totally trivializes it lol. Also that my explanation for it was that such studies show that many abused people incorrectly id as bi for a time. You can disagree or wtv just those were my points, she made it sound like I'm cheering on women beating if they're bi or something. Also your defense of me (thanks queen lol) is accurate if you were wondering. I used to be sorta pro strict separatism but I outgrew the anger/ denial phase of "most women will partner with men" and reached acceptance. Most people are built for romantic partnership, that's just human nature, I can't be hating het women just because their lot in life in that means they're more likely to be abused. Just because I'm not drawn to men, or even much to romance, doesn't mean I should act like that's everyone else too and judge them on that standard, I accept reality and want women to be safe within that rather than pointlessly hate on them and get all worked up because some women have boyfriends..

Well I'm also a mean asshole, I'm sure you noticed, and I definitely would give the bi girlies on radblr a hard time here at the time lol. I don't have the "one side" sort of takes on this divide on radblr. It was funny but I can't feel the energy to that anymore since leaving tumblr, way too few bis or gays irl to care about that stuff. But at the end of the day these are my actual takes on all that disk horse. Funny to see it immediately on such a causal stroll around here lol

-sleep3r4gent

QUEEN I used to follow you ♡ at least when I was crypto a few years back I did.

Also, I'm glad you clarified because the way some women on here seem to hallucinate things they read almost makes me feel insane as well. Like you sending an ask saying you never thought of a certain perspective is not indicative of you agreeing and obviously one can change their opinions over time.

I really have no opinion either way tbh, I myself am straight and in a relationship, and have had others on my last blog send some anons calling me a "dick worshipper" and other misogynistic BS, but they stopped once I didn't let it bother me much. It's so obviously a group of trolls that it's embarrassing that they still believe it enough to keep bringing back the same users, some like you who aren't even misogynistic, to further their persecution complex.

It even is more annoying because these are the women who made Mena/Moideater leave, the above drama is a big reason why. The way radblr will still reblog posts from very racist blogs and not bat an eye but then freak out over a clique of women who aren't even radfems really does show what demographic makes up this site.

I know it gets exhausting to be involved in arguments, but it's nice to know you're still somewhat around. I hope you, Mena and Moid come back someday. If not I understand. But I'll never forget any of them and I haven't forgotten you 😭😭😭