#I'm in love with the worldbuilding i put into it

[allseeingportrait]

considering doing a MASSIVE lair purge in flight rising just because i'm not in love with my lore anymore

[raycatzdraws]

A Linked Universe meets The Dark Crystal AU! I don't even remember what started it at this point. I remembered that the Dark Crystal and Age of Resistance are things I like, blinked, and woke up three days later with an AU and a bunch of art.

The designs and the story are a wip and for fun so expect a lot of variation! (I have a few different beginnings, ideas for different designs, etc)! :D

In addition to #linked universe I'll be using the tags #the dark crystal lu au and #courage of the dark crystal!

[lazylittledragon]

you're not allowed to watch any more dungeon meshi until you've finished your work you're not allowed to watch any more dungeon meshi until you've finished your work you're not allowed to watch any more dungeon meshi until you've finished your work you're not allowed to watch any more dungeon meshi until you've finished your work you're not allowed to watch any more dungeon meshi until you've finished your work you're not al

[aroaessidhe]

2024 reads / storygraph

Asunder

slow-paced high fantasy

a woman who has a contract with an eldritch entity allowing her to see the dead & survives by taking various jobs

when a job searching for stranded smugglers in a cave goes wrong, she ends up with the soul of a dying stranger bound to her shadow

along with a scholar and her old childhood friend, they travel to his home country to find a way to unbind him and save them both

dark fantasy world with gods, demonic entities, arcane magic, and semi-sentient beasts used as transport

[namazunomegami]

"But I can't know God's intentions... How could it depend on my decision... Who made me a judge of who shall live and who shall not?" - Crime and Punishment

[icewindandboringhorror]

I have a big google doc thing where I keep track of media and stuff (putting everything in loosely ranked categories), which is mostly just for my own reference so I know what tv shows I've already seen before, etc. and I never really look back through it, typically just a quick "okay, watched two movie in the past 8 months, need to quickly slap them somewhere in the lists. okay. done. save document. exit". But today I was actually reading through some of the old notes and there are like... MULTIPLE places where my comment is basically "It would have been good if it were about elves" or "I wish there was a fantasy show made in this same style" or "It's well made, but I just keep thinking about how I would like it more if everyone was an elf or was in old 1700s costumes" or etc like...... lol.... Most biased media ranking system on earth blatantly made by someone with an extremely hyperspecific range of narrow interests. It'd be like if a food reviewer only had 5 foods they actually liked, so they'd just go to a pizza place and be like "eh, the pizza was okay, but I just think it would be better if it was cereal instead. :/ ...2 out of 10"

[bromcommie]

just rewatched sunshine (2007) after a good long few years and man...... one of those scifi movies that make me feel like a pressurized cooker of creeped out anxiety and existential dread while somehow simultaneously also melancholy throughout yet also make me want to rewatch them immediately after finishing. @ danny boyle & alex garland pick up the phone i just wanna talk

[not-poignant]

salut pia!

ive been wondering? how do you handle/change modes when you’re writing across AUs/fics? i mean not only the personality/attribute changes (like role reversal with ef and gwyn) but also change in…oh how do i say this..when a character is a MC in one but side/minor in another? bc they are different devices to different stories, how do you keep an overview of how much you reveal, go into so as to not side track from the main story or change the “flow”. example: whenever theres mentions of gender identity and betas somethin somethin feeling like omegas somethin somethin comes up “casually” sirens go off in my head and then i realise wait faber is NOT the MC in this story this is not about him him but its a little bit about him him. and then i feel like im standing behind a glass wall looking from Utb/Utg to Utr screaming at faber but he is a NPC here so we dont know whats going on in his head. that scene with ef and him eating carrots?…. i would give my right foot and skin tone copic markers to be a fly on the wall in fabers POV (the timelines probably wont align for it to happen but would you ever consider sth like this?? a scene overlapp across stories i mean?)

i’ve mostly read within that universe but ive also read spoils where your characters have completely different..positions? roles? weight? than in rainbow. so yeah how do you keep it all “appropriate” or “fitting” for their roles in different stories. like a puppet master

cheers xx

Hi anon,

So this is going to be not very helpful, but I don't write this stuff down for the most part.

This is the stuff I find so easy that this is why this is my job, in a way. I don't have a list of 'different Efnisiens' to keep track of, or 'different Gwyns.' They become themselves within the story. If I read a chapter of the story I get back into it (actually often I just need to listen to a song or put on the right playlist). Every version of a character is kind of there right now. I know how each would respond to something, and how those things would be the same or vary based on life experiences and the question etc.

I don't do really much at all to change modes. I just...do. There is no overview. It's all in my head. I'd say some of this goes down to how long / how many years I've spent studying character and dialogue overall. But even when I was younger I found this pretty easy, and transplanting characters into different situations to see how they'd react similarly / differently was one of my favourite kinds of exercises even when I was a teenager.

Some of it is knowing focus. Faber's side story is interesting, for those who like Faber and/or Underline the Red, hints about his gender struggles are fascinating, but they can only ever be hints, because I'm mindful that many readers aren't interested in Faber except as a minor character, and haven't read Underline the Red.

The focus is always Efnisien and Gary. Other characters can have their own lives and motivations, but it won't be more than that in the main story. Though I can go into a bit more detail because of the length of the story which is really nice for building out side characters / ensemble cast.

As to crossover perspectives, I don't know! I know we'll see some of Faber's perspective of Efnisien arriving at Hillview in Underline the Red, but obviously things impact characters differently at different times, I don't know what will be most important by the time we get to Faber's side of things. I used to write alternative perspectives as side chapters for Fae Tales though, and that could be a lot of fun.

so yeah how do you keep it all “appropriate” or “fitting” for their roles in different stories.

I saw a video by Hank Green I think once where he said the reason sportspeople are so good at their sports is in part because they're physically often the best at that sport anyway. Like, ballerinas have a certain build, swimmers have a certain build, and any training they do works to support that and make them better, but they were 'built' out for those sports in the first place. Some people have yoga bodies. I have a swimming body and swimming shoulders.

And I feel like this is true sometimes with writing. I don't try to keep it appropriate or fitting, I just know that the ensemble characters can't matter as much as the main characters in the course of the story. That's what a story is. That's what a main character and an ensemble character is. I would say years of experience has made this part of writing mostly easy and fun for me, so I don't have to think or overthink about this stuff anymore. At worst I might think 'was that too much Faber? Eh, it's helping Efnisien, it's still important to the plot and his character arc.'

I'm 'built' for writing big worlds with big ensemble casts where all the characters are important but where the focus is only on a couple of main characters per story. I'm built for character-focused stories and seem to be very built for transplanting characters I love into different worlds (and different roles) to see how that changes things. I started wanting to write these kinds of worlds and characters when I was 10 years old, and had my first sprawling ensemble fantasy series started by the age of 11. By the age of 15 I had a 3 novel fantasy trilogy built out with about 20 significant characters, and it was ridiculous and silly but that was what I wanted to write.

And I guess you could say I haven't really changed, I've just gotten better at it. I hope to keep getting better at it! The challenge now is to figure out how to break down some of these skills so I can share them with others. But...I do think there's an element of 'this is just what I love, it's a special interest, I don't know how to convey that I have 30 years of special interest in reading, writing, and studying this thing across television, manga, manhwa, fanfiction, AUs, and fictional series.' There will be teachable skills in that, but I don't know how much osmosis / absorption / and being obsessed with entangled tapestries of stories makes up what I do.

In some ways it would be 'better' if I was built for more conventional storytelling. My bank account might like that more! BUT, I'm doing okay where I'm at, because I love it, and I try to share that with other people and see if I can tell stories that resonate with them too.

(There are aspects of what I do that are very hard for me - timelines, aspects of worldbuilding, pacing in the first arc, and so on, but the actual characterisation part, and creating multiple versions of the same character is as easy as breathing. I could give you four more different versions of Faber in an hour. Maybe even twenty minutes. It's not hyperbole, it's just...how I daydream, what I think about. And it's fun!)

I'm very very very lucky that other folks are willing to read the same characters across different narratives, because it's a very strange thing to do in writing outside of fanfiction, case in point being that we almost never see any other professional authors doing it with their original works. x.x

[owlyflufff]

just watched Elemental and I am severely thinking of Bokuaka (no spoilers dw!)

Akaashi being severely stressed with this aching fear of letting people down and not living up to their expectations, he feels indecisive of the future. Constantly fiddling with his fingers and letting his doubts fester over his future occupation.

Then comes Bokuto Koutarou one encounter later and slowly but surely Bokuto guides Akaashi, clearing up all the worries in his head and lifting him up when he needs it most. There’s also so much admiration and built up love Bokuto starts to grow for Akaashi when he sees how determined he is to do good for his loved ones, wanting to ensure he’s a great son. 

The two of them bond and though Bokuto tries to make numerous advances, trying so hard to reach Akaashi. Akaashi always has him left hanging, not because he doesn’t want it. 

He does. 

He wants to be by Bokuto’s side more than anything else. He wants Bokuto more than anything else. 

But he doesn’t feel as though he deserves it.

This kindness? This love? Surely it’s something he doesn’t deserve. 

He doesn’t quite know what choice to make

And as more obstacles come there way, they’ll find each other at the center of it all, reaching out to hold the other’s hand and laughing to the steady beat of their own hearts. 

They have quite the perfect chemistry after all.

[itsthenovelteafactor]

i'm watching carnival row right now and honestly, i think it's really good but i only have a few episodes left and i know in my heart it's not going to end with polyamory even though it really should end with polyamory

[precipine]

@ensnchekov explores: ‘  if you don’t believe then there’s nothing for you to be afraid of, right?  ’

BUZZFEED UNSOLVED SENTENCE STARTERS. always accepting.

"See, you say that, but..."

Actually being here, though, is a whole other thing. Not like he was going to tell Pavel that, though. He really, really wants the other boy to think he's cool, especially because he's pretty sure Pavel is the coolest person he's ever met (coolest person under sixty, anyway). He's sweet, and smart, and actually likes hanging out with him for some reason. Even if Dipper's definition of 'hanging out' sometimes means going into some abandoned building or corner of the forest that may or may not be haunted by some unspeakable horror.

"... Either way, it is pretty creepy in here," he eventually settles on, readjusting the straps on his backpack. "So, where do you wanna go first?"

[dazais-guardian-angel]

Baizhu’s Room

(note: this was written without any leaked spoilers or lore in mind)

Genshin 3.6 finally gave us access to the back room in Bubu Pharmacy, in anticipation of Baizhu’s upcoming release and story quest. And I have to give all the praise to the designers and developers here, because this small room has some of the best environmental storytelling I’ve seen in a game in a while, with only a few simple details. Today is Baizhu’s birthday, so I wanted to talk about it a little 💚🐍🌿

Nothing in this room is neatly in its place. The chairs aren’t in position, everything on the desk is messy and strewn about, and some of the drawers are left open. There’s a pillow on the desk, as well. Baizhu is quite frail and sickly, so this all paints a picture of him constantly looking for things and working, both as a doctor and frantically on his research into immortality, without having the energy or care to keep everything neat, and probably often falling asleep at his desk out of exhaustion (hence the pillow, though admittedly it could be for Changsheng, but I kind of doubt it).

There’s medicine on the bedside tables, which is probably just as much for Baizhu as it (and all the other medicine in the room) is for his patients. The bedside chair indicates he likely sits with patients there a lot so as to be as comforting as possible, but again, it’s also likely for people like Gui and Qiqi, when Baizhu is the one in bed. The sole small washtub thing stuck in the corner behind the screen... just makes me sad. I don’t know why in particular... it just does.

All of this, combined with the lighting, and the new, unique song, creates a room that manages to feel both warm and welcoming during the day, but solemn, lonely, almost suffocating, and unbearably sad at night, completely befitting the person who practically lives here, and the two very different sides he has. I say “practically”, but we have no indication so far that Baizhu actually does live anywhere else -- with his low energy and poor health, and all those damn steps leading up to the pharmacy, I’m fully convinced now that he does live here full-time, after seeing the state of it, which is... heartbreaking. He puts on a smile for everyone around him who are relying on him to care for them (and he loves his job, he truly does!), but his tiny, cramped patient room seemingly doubles as his living space, and even though Baizhu may lie and try to hide his own suffering... this room itself does not lie, and said suffering is bleeding from every corner here. The music is elegant, gentle, comforting, and soothing, but also delicate, weak, mournful, and again unimaginably lonely...... just like Baizhu. 💔

If you haven’t been here yet in the game, I highly recommend you visit it at least once; the atmosphere is simply unmatched. I can’t wait to see what happens here in Baizhu’s story quest, and how it will wreck our hearts even more 💚💔

[aroaessidhe]

2023 reads / storygraph

The Poisons We Drink

YA urban fantasy

a girl who brews powerful potions is coerced into making potions to interfere with D.C.’s most influential politicians in an attempt to stop a dangerous Witcher Registration Act from passing, and will do anything to protect her sister after their mother is killed

bi MC, nonbinary love interest

arc from netgalley

[ehlnofay]

19 for the worldbuilding prompts + Torr?

the profound quiet of a small settlement at night

North Eastmarch is freezing cold all over, but it wears different outside the city than within.

Torr would never call Windhelm warm – not even in summer months, no matter how used to it they are – but what little heat it has it clings to with great determination. The walls huddle together, trapping the air so that it’s either still and muggy or a howling wind, like each close-knit house is breathing in tandem. The heat of the people run up and down its streets, blood through its knotted stone veins. The city is alive, an ecosystem unto itself; its snow, dark with footprints, runs sludgy down the roads; a fireplace is always burning somewhere.

Outside of the walls, surrounded by nothing but empty air and snow-laden trees, a slow-moving stream running with barely a burble – it feels dead, in contrast. Silent. Branches reach needle-sharp across the blue-black sky, the ground is gleaming white and undisturbed by anyone else’s footprints, and the nearest fire is the barely visible gleam of the Kynesgrove mining camp, up the hill and through the sporadic spindles of the trees. The breeze ghosts past Torr’s neck and whips the mud-stained snow into a flurry.

In the city, Torr’s comfortable sleeping almost anywhere – as comfortable as they ever get, anyway. Some of the buildings have great gaps under the porch where the snow can’t reach and no-one ever finds them; there’s places in the nooks of the walls, and sheds built into the side of the house that people don’t lock, and Torr knows a few people besides who don’t mind him kipping on their floor every now and again, as long as he doesn’t ask too often. The outside isn’t like that. There’s not many places to go. He’s lurking around Kynesgrove tonight – on his way back from a quick venture out to get some things done that pay better than running errands around the markets – and there aren’t many options. The inn, which he can’t afford – the mine, which would be warm but is very guarded – the miner’s encampment or someone’s house, both of which would most likely result in being chased off. Besides, there’s a performative element to meeting people, especially adults, in strange places, and Torr’s not in the mood to play to strangers. So much of his being is caught up in Windhelm’s grimy alleys, tangled in the hair and fingers of its discarded children; he doesn’t know how to be himself away from it all.

But they don’t have to, seeing as there’s the rickety old sawmill on the edge of a stream feeding into the harbour. It’s not bad, as shelter goes; no walls, so the wind rubs its fingers wraithlike down Torr’s cheeks and tangles them in his hair, but at least there’s a roof. It looks newly thatched, too, the floorboards free of rot, the water-wheel still chugging creakily along. There’s no wood to cut here, all the nearby surrounding trees too scraggy to be worth the bother. The only big ones are part of the grove up on the hill. There’s no point in keeping the mill running, but Torr is glad it is; he watches the distant firelight flickering through the scrub, and listens to the splashing of the wheel. It’s proof that people and the things they make do still exist – if not necessarily here.

It really feels dead, out in the cold, with the leafless trees and the wind that doesn’t even whisper. It always does. It’s a bit discomfiting, which is maybe why Torr doesn’t go on out-of-city endeavours as often as perhaps he could; but really, there’s not work out here enough to make it worth it. There’s always problems with bandits on the road, but Torr’s not a good enough fighter for bounty work; there’s collecting plants and things to sell Nurelion, but that’s easy enough to do on a day trip. (And, really, it’s more for Torr’s own enjoyment, besides. They never even venture far south enough to get to the sulphur pools, which is where the more interesting things grow.)

This trip, though, is an outlier. Unusually efficient. Just a quick job for Niranye, scouting a merchant’s cart on the road – almost definitely for something shady, but that’s not Torr’s business, and it was too much money too easy to turn down. And then – just earlier today, foraging out in the wilderness as best as Torr (a distinctly urban animal) knows how – they’d come across a giant’s corpse, stiff and white as the snow it lay in. Torr’s no master alchemist but they know the value of a cadaver when it comes to brewing alloys and admixtures, so they set to with their blunt-edged dagger and now they’ve got a sack full of what may as well be gold. (Long as it doesn’t start to rot before they can get Nurelion to preserve it, anyway.)

Torr’s going to be rolling in it when they get back to Windhelm. They could use that money for nearly anything – pay off a few things they borrowed, new warm things now that winter’s coming back strong, bedrolls, waterskins. Endless options – which, strangely, is more exciting than it is burdensome.

It’s all the sort of decision that would ordinarily feel life-or-death urgent but right now feels – not small. Not insignificant, not at all, but distant. A choice to be made at another time, by another person.

(Torr’s whole being belongs to Windhelm’s back streets. They’re someone else, away from it all.)

That’s the other thing about leaving the city, spending time in the discomfiting slow-paced ghost-world outside. It’s quiet. Torr sits surrounded by the wind in the trees, the lazy murmur of the stream, the creak of the water-wheel, and nothing else.

He’s been called a worrywart (mostly by Griss in a strop) but to tell the truth he doesn’t think that’s true. Torr doesn’t fuss for the sake of fussing, he just doesn’t like to leave things undone; can’t stop until he finds a solution. Out here, alone, in the empty cold, there are no solutions to find – same old problems back home, he knows, but no steps he can take at this time to right them. That’s never true while he’s in the city, so he can never stop thinking about it, every choice and action accompanied by a buzzing background chorus of everything else he really should be doing – that really should have been done by now – that should never have been left undone this long, what was he thinking? Everything is urgent when it’s doable. But here and now, there’s nothing to do.

So Torr sits hunched on the board floor of the ramshackle watermill, huddled among their heaps of bags and blankets, and thinks of nothing at all.

Not strictly true. They think of supper – haven’t eaten since an apple this morning, except for some snowberries they found around noon, and it’s been a long day. They nabbed some turnips from the garden of the Kynesgrove inn on their way to the mill. They’re fresh, if nothing else – also covered in dirt, so Torr rises reluctantly from their pile of stuff to crouch on the banks of the stream and dip the vegetables in to clean them off. It aches like hell, the frozen water turning their joints to ice – they almost drop the turnip they’re washing, so they scrub it as best they can with the frigid pad of their thumb and whip their hands out of the water soon as they’re able. They stick their fingers in their mouth to warm them back up.

Even after all that time spent warming up their hands, arraying all their belongings back around themself to conserve body heat, the turnips are still cold enough to hurt Torr’s teeth when he bites in. He eats them anyway, relishing a little in the unearthly silence and the aching of his lips and palms. They taste delicious.

With nothing else to do after, the gnawing of his stomach sated, he wraps himself in his shawl and stares up the hill at the camp’s fire until it goes out. The stars wink into brighter being. The wind whistles through the whip-thin branches of the trees. The water-wheel creaks.

Torr sleeps, but he feels like he hears it all – a silent observer, an echo, a beginning – until morning.

[dravidious]

How's the writing going? Well I've written over 2000 words and I'm questioning if I'm spelling "our" correctly, so you know

[wilbyscoot]

I love the apocalypse genre, not for the gore and stuff but for the little details and stuff, especially in games

Like you get to collect a bunch of stuff, weapons, food, scraps, first aid kits, things like that

I love looking at rundown and broken abandoned buildings, overgrown and covered in vines and moss, like it's being taken back by nature

I like the fact that there are multiple roles people can play, there's a huge list of roles you can be and each of them is important

I want to be able to write, draw, or play with these things and it's so upsetting that there aren't that many games I find that satisfy me with this

Most of them focus on the fighting, which makes sense since it's the apocalypse, you gotta kill a few things to survive, but I also want an equal focus on the other stuff, searching for food in a store that looked like it just got robbed and blown up, looking for scraps in broken vehicles, turning a building into shelter whether it's just one or few of the floors or the whole building, finding other survivors and offer them a place to stay and some equipment or get them to join your group

I want these things, I NEED these things, and it's so so disappointing that I never can find one

At the very least, I want to find people who like the same things as I do and we can do something about it. Discuss it with each other, roleplay, play games that are close enough to what we want, all that