#I'm gonna redraw so much it doesn't even matter

[vynnyal]

Actually you know what, I'm gonna post this. Check it out, I'm fiddling with this PMV. Spoils the whole game ofc. And the name of the song is pure imagination by Fiona Apple!

Also I'm apparently a big fan of drawing moon laying down 😂 total count including scrapped drawings is 5 (technically 6)

[genericpuff]

From the standpoint of someone who doesn't even like LO that much. Reading through this gave me a strange sense of discomfort? I think. Something about the combination of the essays, and the digs at the author in a lot of posts, and making a community based on it, and the ranting. It made it feel a lot more group ragging on something than normal fandom re-writes. I can't help but want to say something on the subject (0/3)

Gonna respond to all your asks together if that's okay, from what I can glean there's a word limit on mobile (?) so it makes it very interesting to see who's able to put all their thoughts into one big ask vs. who has to cut them up into parts 😆

So I can understand that discomfort, it's actually one that I also initially felt towards the community when I discovered it. Though even more so because when I found out about antiLO being a thing, I was still a MASSIVE fan of LO and my thought was "wow, these people are losers" LOL but then a lot of what they were saying resonated with me more as I realized the story was going nowhere (it was around the trial arc when Eris was revealed to be the 'reason' for Persephone's wrath).

All that said, I don't think I was wrong to feel off back then even though I don't feel that way now. We have our own takes and ways of approaching certain subjects, and how we feel is how we feel.

I will say that I can't, in any way, take credit for 'creating' the community. AntiLO pre-existed me by years and I was simply welcomed in as my opinions of the comic changed. I was a lot more involved in UnpopularLoreOlympus when it was born around the S2 finale of the comic. So... don't give me any sort of credit in 'owning' this community or anything of that sort, I came in during a period when criticism of the comic was becoming more common practice. I'm just also someone who's very verbose and loud in their opinions which appeals to a lot of people in this community, so I get why people might see me as some kind of "pillar" within it or like I'm the loudest person in the room, but I promise you that doesn't mean I have any sort of ownership over this part of the fandom or that I feel my opinions carry any more weight than the people around me. It's just a community, after all, not a religion.

It's true that saying I'm not making money off Rekindled doesn't mean I'm not benefiting off it in other ways. But the 'benefits' are still kinda... nothing? in the grand scheme of things? like okay great I have loads of people reading my stuff every update but like, this is still just Tumblr lmao none of this is real and as soon as Rekindled is over, I might be lucky to bring some of the readers over into my next project, but I doubt whatever I do next will get as popular as Rekindled was. All the "benefits" I get are virtually the same as what people writing fanfiction get on AO3 get or what people doing redraw videos on Youtube get. It's fake Internet points for making fan creations.

And that's okay, because that's sorta just the nature of fandom in general, throughout any niche community. People will be naturally drawn to what's familiar and what I do here appeals to the people who are familiar with LO and the criticisms of it, often people who agree with those criticisms. The Zelda community has LinkedUniverse, Pokemon has Hanamusa, Attack on Titan has communities that are dedicated to loving the anime, hating the anime, and even dunking on people who don't 'get' the anime, Undertale has every single crazy rewrite and rewrites-of-rewrites that have been spawned from its fanbase. Did you know there's an entire community of people who discuss and argue over fire alarms? I didn't, but when I found out about it, it was after listening to a video on Youtube discussing all the interconnected drama of the fire alarm community. Like that's wild and seems so stupid and pointless... but it matters to the people who are in it, and my opinion of how they operate isn't going to change how it makes them feel to be a part of that space. That's kinda just human nature, we create our own little microcosms of things to bond over so for people within those microcosms, any amount of disagreement or discomfort will feel massive in proportion.

I guess the point of what I'm trying to say is that a lot of this stuff feels crazy loud but it's really only that loud because it's occupying a single room.

The reality is that Rekindled is still a very niche project dedicated to a niche webtoon that's a part of a niche medium. As loud as it is within here, it's still only because it's such a closed community. Anyone outside of the Webtoons community has zero clue what it is. The 'attention' that I'm getting is still from other niche people who occupy a very specific interest.

And that's not even exclusive to Rekindled, despite Webtoons attempts to sell LO as a 'worldwide phenomenon', a lot of people don't know it exists and couldn't care less. Does that mean my rantings about the comic and its creator matter any less to me or the people who are interested in them? Not really. Is it all pointless? Maybe, but not everything really needs to have some bigger point. We're all kinda just here spending time talking about something we both love and can't stand. What I say about LO and do with Rekindled is undoubtedly inconsequential and pointless to people who aren't in the room. That's fine. That's why I keep it all in my own house. There are definitely people who talk about it outside of the home but that's far from what I can control.

That said, I think LO also does fall into a very unique category where it's very easy to do rewrites and redraws of it simply because it, in and of itself, is a rewrite. Rekindled is far from being the first "fix it" fic, not only of LO but also of any piece of media in general, it's not really a new phenomenon (but again, when it's loud, it can be easy to go "well clearly YOU had to influence this"). People are drawn to retelling LO or 'fixing' it because LO is based on Greek myth. If it weren't for that, no, I don't think people would be as interested in doing so. It's because we literally have a solid foundation of reference material - the myths and original poems - that we can go "hey, why did LO do this? it should have / could have been xyz". You can't really do that as much with a purely original work besides wish fulfillment of "what if xyz happened" because whatever an original piece of work winds up being is clearly what it was meant to be. We have nothing to compare it against.

But with LO, we know what it could have been because we know what it was trying to be since day 1 - a retelling of the Abduction of Persephone. That's not to say we always knew exactly what Rachel was planning on doing with it, but it's not hard to be disappointed when we see certain mythical stories being established in LO - such as the tale of Eros and Psyche, the Titanomachy, etc. - only to see them get dropped or completely mishandled.

On the one hand I could use HADES and Stray Gods as examples of popular media that don't get 'rewritten' the same way LO does because while they have their own unique interpretations of the myths they're based on, they still feel like properly thought out stories that appreciate the source material. LO, by comparison, feels like it's written by someone who hates Greek myth.

But on the other hand, those rewrites may absolutely exist and I'm just not aware of them because I don't occupy those rooms! The world is only as big as we perceive it to be.

That said, it's always sort of ironic to me when people say Rekindled is "riding off the coattails of LO" because while I can understand their sentiment - because obviously it's a direct re-creation of LO - that opinion seems to operating from the assumption that LO was ever not riding off Greek myth's coattails to begin with.

And no, I don't think my criticizing of LO on an LO-focused blog should in any way be conflated with "media isn't allowed to be bad". I've said this before and I'll say it again, I'm into loads of bad media. I'm also fully capable of enjoying a piece of media but also shit-talking it without actually feeling any sort of vitriol towards it. House M.D. is one of my favorite TV shows but goddamn some of the plots are just so dramatic and out-of-this-world that you can't help but laugh at them (and that's why we have spaces like /r/okaybuddyvicodin LOL). One of my favorite games growing up was Starfox Adventures because I had never played the original Starfox games but I had played loads of Zelda and Adventures was basically Zelda but with Starfox, and I know there are plenty of people who will go "but puff, that game is ass!" and I know! But I love it regardless.

With LO, it's not a matter of "bad media shouldn't exist!" it's a matter of observing what makes it so bad and why that's had a negative impact on both the audience it attracts (primarily teenagers and children) as well as the culture it's taking its ideas from. If LO was just some "so bad its good" webtoon that was easy to enjoy but also poke fun at, I would have zero issue. It's the fact that it's blatantly problematic in its writing and intentions but still hailed as the #1 webtoon on the platform (webtoons in and of themselves being a medium that I've lived in for over a decade so it's virtually impossible to get away from whatever is influencing the culture as a whole) while winning all these accolades for being "brilliantly written" and its creator is given a voice over Greek culture when she herself is not Greek or even well-read on Greek culture in any capacity - that's the issue and why I've spent so much time talking about LO. And if it wasn't me, it would be anyone else, because the problem has been around for ages and people have been trying to get the word out about it for years.

I don't necessarily think every 'fix it fic' is built equally. I think it's a case by case thing. A lot of people are deadass just doing it for fun and to be a part of a community, and I think that's wonderful. There are also people who try to do this but ultimately disrespect whatever the creator was going for by somehow implying that their own original ideas were inferior just by existing, or using their fix-it fics as a way to deliberately harass the original creators (ex. whatever the fuck 'art lore' is on TikTok, based on what I've seen it seems purely made for bullying budding artists and talking shit which is... gross af, but I don't think it's anywhere near the same as readers of LO calling out its highly successful award-winning creator for having zero clue what she's doing with her comic lmao). I don't think a blanket statement of "fix it fics are bad" accomplishes anything because it depends on a variety of factors like the person's intentions and what they're trying to accomplish. Many fanfictions in general could be called 'fix it fics' even if the creator 100% loved the source material with zero issue - because they're still saying "what if xyz happened instead"?

Me, personally? I'm someone who loves Greek myth and who used to adore LO. I was very discouraged and upset when I saw it turned into what it became, and I wanted to try my own hand at creating something new out of the rubble that could give me closure. It's what I choose to do with my time and other people seem to enjoy it as well. I'm sure there's loads to criticize and speculate on regarding my 'intentions' in creating it, but at the end of the day I'm sorta just doing what I want to do with my time because I have a lot of thoughts and ideas I need to get out of my head and many of them are thoughts and ideas that other people like reading about.

If you feel uncomfortable by the amount I talk about it here and the way I talk about it, that's fine. Those are your feelings. There are loads of other antiLO-themed blogs to read that might not give you that same vibe. Even I have certain icks towards certain opinions within the antiLO community, I've seen some people be genuinely shitty and I'm sure that's ironic to hear considering you're describing your own discomfort towards my stuff, but we all have different tolerances towards different things at the end of the day.

I do my part to keep things in my own house of a neighborhood that's really small in the grand scheme of things. It just feels like a big neighborhood if you don't travel. There will inevitably come a day where I'll pack my boxes and move elsewhere, talk about new things and write essays about other topics. That's obviously not today but I definitely don't want this to just be like, my entire identity or the rest of my life LOL it's just something I've chosen to spend my free time doing and I'm content with that. Maybe a year from now I'll feel differently, who knows? At the very least I'm hoping to one day finish Rekindled because no, I don't want this to actually be my identity for the rest of my life, change is a good thing LOL but what that change will bring is, for now, a mystery. Here's hoping wherever I end up at least brings its own uniquely good times like I've had here :' )

Sorry, that was a very long response with a lot of sorta aimless muddling over the topic at hand, but thank you for the opportunity to discuss it regardless ! because I do think it's important to find that 'grounding point' when it comes to stuff like this. because as much as I get riled up over LO, yeah, at the end of the day, it's just a dumb webtoon and I don't wanna go soiling myself over it LOL but I'm also just like... running a Tumblr blog with my personal thoughts and ideas, no more or no less. Even the "attention" I get is still only 200-400 notes per new episode of Rekindled, which pales in comparison to any real metrics of "success" imo LMAO again, it just feels loud because this is a niche community made up of a lot of the same names and faces; step outside of it and no one gives a shit LOL

[pjberribear]

Hello fellow folks! I don't know when there will be an actual new update for the "It Takes Two" AU I've made.

Yeah sure, there was that 3D model I made but that wasn't even an official thing. So, sense I've been kind of slow with updates, I'll tell you all some of the lore with the storyline. I'm still writing the story, some things might change later on.

I bet some of you guys were wondering why is Julie "Rose" in the AU. Of course, Julie haves a strong bond with both of them and It make sense why she's trying to help them love each other once again. Also, I seen some fans make little comics about how Eddie and Frank liked each other in the first place, Julie was the one who got them together in some cases. I wanted to add that into the story, that's why she's sad about them divorcing. Now that they are ending their relationship, Julie feels helpless by the fact that she didn't try to prevent this from happening. Plus, Julie feels like she was the cause of it. When Frank and Eddie argue, sometimes she over hears them and it sounds like they are indeed "blaming her." Julie wanted to run away and go back to her childhood home, she tried to leave cause the neighborhood brought back so many memories of her and them. Guilt ate her up inside so she left Frank and Eddie behind, hoping that they can solve it by themselves since she wasn't much of a help at all.

That's why I wanted to go with the "Alternate Ending" route, to show how Julie actually feels deep down inside. To show Frank and Eddie's hatred for each other, by making their anger into something that symbolizes an existing thing other than it just being an emotion.

Here's some reference images to go off of for my description I gave to you.

The creator that is made out of both of their anger.

(I'm gonna redraw it soon.)

The whole level that surrounds Julies feelings and point of view.

Song lyrics I thought matched her situation.

I been having a bit of trouble with the ending for the story. I still want to do the "Alternate Ending" but then again, I want to do the original ending because it's too sweet to give it up. I'll just have to see about that. I was thinking about cutting out the original ending because some of the story elements doesn't really fit "Welcome Home" in general, I'm still sticking to the logic of "Welcome Home" while sticking with the story for "It Takes Two." The whole level with May finding back her passion with singing didn't quite work with Frank as a character. Sure he does sing, but I don't think it can be a passion of his. He also sings with the others too, so there's nothing really unique with that ability cause everyone does that in the neighborhood. I know that Julie, Frank and Eddie does gardening and that's something that is common in the area. But I think it can be their own thing that makes a difference for the rest of the cast, since they love doing it and they seem to be the only ones who does it.

Here's a video that covers the other ending for the storyline, if you're interested!

This is where these images came from.

Anyways, this is a lot of typing so I'm done for now. Let me know your thoughts and opinions for the lore and story. There's much to cover for changes. I'll update this now and again, so if you want to ask a question for the storyline then my ask box is all open! I never get anything in there so it's open no matter what. If you want to know more about the other AU (DDLC) then you ask about that too.

I hope you have a great day! <3

[hermitcatlongposts]

Sprite Animations

Hello! I'm here to talk about my sprite animations in my upcoming touhou-clone game.

This was even more overwhelming than portrait artworks. Because to animate is to draw even more when just drawing once overwhelms me. But here I am at the end of it.

Let's start from the easiest to hardest.

Bellhead Monk was a smooth sailing because since long ago I always knew that all I needed was to just extend his arms and reverse. His main theme of attack is about expansion and shrinkage.

Here's all 3 frames. I love how I briskly redrew the gray fur piece to deform instead of going the lazy route and just move only the arms and call it a day. I'm always afraid of sounding like a self-lusting narcissist, but it is very unexpected; the way even the smallest things I do as an artist make me feel proud of myself. Maybe I shouldn't be concerned about projecting the perfect humble gentleman image. Maybe creating art to make yourself happy is the point of life. Sorry, I got sidetracked.

Next one is Buckethead Knight. He's harder but only because I shot myself in the foot by drawing the first frame without coming up with the animation idea. If I did know motion he would perform, I would've put the sword and the shield on a separate layer from the rest so I wouldn't have to awkwardly erase and redraw things.

oh now that I look at it straight like this, it looks like a death animation, doesn't it. Well, he will anyways, tough luck.

I cannot remember the reason why I put these two in one gif. They're not duo boss. For Flaskhead Alchemist and Lamphead Scientist I felt curious about utilizing particle effects and keep the actual animation frames as simple as I can because I'm suffering from skill issues.

But even with that being said, this one's a bit of a step up because it's one more frame than previous two character.

The spinning staff is separate sprite because it still spins on while the body animation stops at the last frame.

Now, I could try the similar thing as Buckethead Knight and make a slashing (more like just swinging around) animation with only his one arm moving. But the time inevitably comes where I have to cut the "lazy and smart, haha" bullshit off. He moves all parts of his body so it's time to draw every frames from scratch. Ok, forget my big talk. I was joking. I'm still a piece of garbage. Due to the absolute requirement of outline thickness consistency, all these sprites are first drawn in 512x512 pixel canvas and then shrunk down to 128px inside the game engine for pixel per unit to camera size technical yada yada. But his long sword, or rather a bamboo stick couldn't fit inside the 512px canvas. What I should've done is to simply resize the canvas to 1024px and draw in the sword. But I was stupid and drew the sword in separate file and now it's kinda awkward relationship which slightly stops me from uploading his full resolution frames. But it doesn't really matter, you're only gonna see a very small 128px version in the game anyways. So here's a bunch of screenshots of the frames seen from the engine:

And 3 frames of physics:

Tho I didn't have the hutzpa to do it on the lower part.

But can I gush a bit about the base frame. My expectations are constantly at absolute lowest and I always get happy when it actually turns out great. (subjective) I really hope it stays this way forever. God I hope it won't be the case in the future where after I practice art seriously it gets reversed and I always have too high expectations and live in a constant state of disappointment and hatred.

Thank you so much for bearing with me while I take on this overwhelming challenge. I'll go now and do less overwhelming but even more bulky task to the finish line. Until then, cheers!

[berrymoos]

📺 ▬ a picture, a stuffie, and maybe a paci

❛ pairing — big sib!will & regressor!jonathan; mention of eddie at the end ❜

❛ summary — will is feeling kinda bummed. jonny doesn't like that. ❜

❛ disclosure/s — 573 words of very mild hurt/comfort ,, like it's so mild <3 also proofread twice by me so if there's any spelling / grammer mistakes im gonna cry /j

❛ a/n —I'M STILL WORKING ON THE EDDIE BLURB I POSTED LIKE A WEEK AGO I SWEAR, i just had an idea & acted accordingly. based off the post abt small jonathan trying to cheer will up when hes upset <3 ❜

Will stares dejectedly at the drawing laying in front of him on his desk, one hand supporting his cheek while the other traces his eraser along lines that curved too weirdly and redrawing them half-heartedly. Erase. Redraw. Erase, redraw. Erase and redraw and erase and redraw and erase erase redraw redraw. Over, over, over again — and yet nothing looks right. Why does nothing look right? Does he need less lines? More color, maybe? Another piece of paper to start the fifth drawing of the evening that he may or may not end up getting rid of anyway?

"Wuh-wuh?" Jonathan mumbles.

Will turns his head away from his failing attempts at artwork to his brother, sitting on the floor just beside his chair. He shows a completed coloring page of a character of his — this go-round, it's Will the Wise casting a spell upon a dragon — with a sheepish yet proud smile peeking behind his orange pacifier.

"That looks great, Jonny." Will tries a smile, but it doesn't feel right. He turns back to his own drawing. Should his arm be above his head instead of in front of him...?

A soft whine meets his ears, and an ashamed feeling settles in.

"It really does look good, buddy, I promise." He knows he's doing a trashy job at babysitting, but his inconsistent lines and clashing colors disheartens him a lot more than usual. Usually, he'd make something work, but today ... today, it seems like nothing is, no matter what he tries. I'm just a mess.

The bottom of his shirt moves with a tug as Jonny whines louder — it's not very loud, but it still drags Will out of his head again. The drawing is set into his lap.

"Oh! Is this for me?"

Jonny nods. " 'ubba take!"

A genuine smile spreads across Will's face as he takes the drawing and hugs it to his chest. "Thank you, bub!"

The little guy beams, and as he crawls away, Will takes a moment to admire his gift. The clashing of purple and blue for the blast of magic ejecting out of the wand clash wonderfully, and the orange-red mixture for the fire spewing out of the dragon's mouth gives it such a realistic look. Oh, and the dragon itself! Another, lighter shade of purple for the scales paired with a cream underbelly...

Will glances at his paper, then back at Jonny's.

Could I make this a continuation of his?

He looks harder at his own, no hint of disdain but a spark of lost creativity. Maybe I can...

Tug tug.

Will turns to his little brother again. One hand holds up a small stuffed duck, and the other offers a pacifier. Another smile starts to rise, until he notices the pacifier in question is orange. The orange one that had been in his mouth is wet.

"Oh..." Will mumbles, willingly grabbing Ducky. "Is the ... paci for me, too?"

Behind his own new blue pacifier, Jonny grins, and Will can't say no to that. Oh, I hope that's water...

"Okay ... thank you." Reluctantly, Will pops the paci in his mouth, only to spit it out into his palm not even a second later, expression wrinkled. The wetness is not, in fact, water. "Jonny, you didn't wash this?"

While his little brother's tiny giggle makes it hard for him to stay grossed out, it also makes how much time he's been spending with Eddie very apparent.

[blueeco-aurath]

Az's Sonic Self-Insert AU Introduction | Part 1

So in-line with making an MHA masterpost to explain those massive AUs that I've had for a while, I'm making one for my Sonic AU too. Which will be even more complicated because I've had Eternal for over 10 years and have been working with this particular version for about 7.

So without further ado, I shall put it all under the cut! This one's gonna be a LOT longer, because I have way more art on-hand than I did for MHA. Over 10 years worth of it, actually.

Alright, so I lied. This AU doesn't actually start with Eternal, technically. It starts with my very first Sonicsona from over 10 years ago, Violet.

Yes, this design was an eyesore, but bare with me. She was my original Sonicsona whom I kinda made by mistake, but damn did she open the doors. I used her for a long time, before scrapping her for reasons unknown, and making Eternal.

I later decided to bring her back as just an OC, and she's become a central part to the AU.

^ This is her current design, give or take some clothes.

-----

Now, onto Eternal. He's one of those inserts I've had long enough that he was originally a girl for many years. However, even when referring to these old designs, we're gonna use he/him for my comfort.

Eternal's original design was. An eyesore to say the least. Blue fur, blue eyes, blue clothes... I did not know color theory and I didn't know any color other than BLUE. Ignore the purple character on the left, that was an "anti" form for this Eternal who legit never got used outside of this picture.

Now lucky y'all I actually don't have much more art of this version from back in the day (That's all packed away in a cringe archive), but I do have a few more recent redraws of the design. Because sometimes I get nostalgic for where Eternal started.

After this, it becomes complicated. I cycled designs for Eternal a lot. I could never get him feeling quite right. For a long time I've sought this balance between feeling like he looks like me, whilst also having an appropriately fun Sonic style design, and also feeling like he represents what I want to be; A me who isn't afraid. Also he was shipped with Sonic.

I also just like a shitton of different aesthetics and couldn't PICK ONE. So E went through a Lot of designs. Therefore bare with me and my potentially terrible memory.

I think this is one of the oldest that I still have. There were some others between this and the blue hedgehog one, but do they matter? Not really. This one is where the Eternal we know now really began. This design is in-line with Nyx's original design (My Sly Cooper insert. Well, the first one). Putting this somewhere around 2015.

Then it transitioned into this hedgehog design. I just really love the aesthetic of the hedgehog designs, okay? Lol. And as you can probably notice, I started shipping him with Shadow. This was legit a complete accident, but Shadow has somehow claimed the top spot as my most important F/O to date. Many have come close and perhaps share his tier, but he's still got a very unique spot all his own. This was in 2016, and this is where I designated Eternal to have psychokinesis. Call me unoriginal but it's literally one of my favorite powers ever.

And then I guess I got annoyed with him being entirely dark brown, and did this design. Still actually love the hair on this one.

And then I wanted to be more "original" and not have a hedgehog design, so I tried echidna. It didn't last long because I like my fursonas having ears, I learned. Also yes, he had a hammer weapon that was inspired by Skyrim. It did not fit the Sonic aesthetic. This design and it's outfits actually set up A LOT of Eternal's aesthetic now, though.

I then did this hedgecat design. Which then transitioned back into just being a cat. I did kinda stick with for a little while at that point, at the least. Also props to me in the first pic for actually drawing him holding my phone lol

And then this design came to be. In terms of physical features, this is the design that built a lot of Eternal now. He was a fox/lynx hybrid at this point. And the colors went back to matching Nyx. I used this design quite a lot, and I think this is the design he had when I started cracking down with actually writing the fic.

And then I made him orange. Because I can. And because I got bored with brown. The one issue I had with this design was properly drawing where his orange head ended and his brown/other color hair began. Could never quite get that right.

And then it turned into this design. Which has also become like a cornerstone of E's current design. This was the design in play when I came out and Eternal officially became a he.

And this was the first drawing of him afterwards. I joked to my best friend that I always had trouble drawing boobs and chest fluff, and always thought that one of them needed to go. Turns out it was the chesticles!

And then I got bored with brown again. I missed taking advantage of how colorful Sonic characters are allowed to be. I missed expressing myself via an unusually colored animal. I missed having fun with my designs.

So, to ring in the new year of 2021 (Sort of), I started redesigning him again. The first design made specifically to be a guy.

A lot of fiddling happened. A boy do I mean A Lot. I fussed over colors a ridiculous amount. Because E is ridiculously important to me, and I needed him to feel just right. In the end...

This is where he stands now. I'm in love with this design more than I have ever loved any of his designs before. This is The One and I'm so ridiculously happy with it.

However... There's more to it, because Eternal actually has two versions. Pre-06 retcon, and Post-06 retcon. I just refer to it as Pre- and Post-retcon/reboot. And in Pre-reboot I gave him a slightly different design. I want to represent my transition through him, because his old designs kind of are a timeline of Me.

So I've let pre-retcon E have a design more similar to older ones while still adding new elements to make it still feel like Eternal as he is now.

I'm still ironing out those design details though, and I have reached the 30 image post limit, so this will be part 1 of this masterpost. Part 2 will get into the actual story and whatnot.

If you've somehow read this entire autobiography about my Sonicsonas, I applaud you immensely.