#I'm gonna be reblogging this a few times over the next 24 hours
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I have been going through my Beamafilm favourites (ℹ️ free with a library card btw!!) after finishing His Girl Friday (1940) & I can't decide which film to watch next... They're mainly classics I never got around to seeing & modern cult films. Open to persuasion + hearing out any gushing arguments in the tags/replies!
Info on what some of these films are below the cut if u wish to have it. Only some. I have no idea what the rest are about, they just look cool lol
Faust is greyscale (obviously) & has a rlly cool make-up effect where they change coloured lighting on his face to bring out different layers of make-up to make him look like he's rapidly aging. SO COOL I love innovative film techniques from the early days of cinema. Plus I love Goethe's quote "if I love you, what business is it of yours?" I wanna see them both in context
Pygmalion: the film My Fair Lady was based on. Hopefully with a better ending!!
Les Enfants du Paradis: has been called the best French film ever made & the French Gone with the Wind. I'm curious. It's about a courtesan & the 4 men who vie for her affections
Le Cercle Rouge: French detective thriller (film noir possibly?)
Crash: eroticising car accidents... can't say I'm not curious lmaooo
Pan's Labyrinth: everyone & their mother has seen this film. Del Toro never misses, I'm sure I'll like it, but he's also graphic w abuse & violence & I'm scawed .-. (< will get over it)
Another Round: Mads Mikkelsen tries to stay drunk for as long as possible. I think. Idk if he's in character or it's just a doco of him
The rest are just horror/sci-fi classics AFAIK! 🌚
#films#poll#I'm gonna be reblogging this a few times over the next 24 hours#I wanna hear yr opinions!*!*! <3
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A LOOK AT STYLE'S JOURNEY | Ep 12
(Overview | Ep1+2 | Ep3 | Ep4 | Ep5 | Ep6 | Ep7 | Ep8 | Ep9 | Ep10 | Ep11)
Oof, so this took me forever to write. A week and a half. But now it's finally here, the final post of this meta series. And yes, I did hit 20k words by the finale, oops. The analysis part alone is at 20.1k words. In total, this meta series is at 150k words. When I wrote that very first post about episodes 1+2 in on single sitting, pulling an all-nighter to both write, gif, and publish it I never expected it to turn into this huge project that has become. Don't ask how much sleep I was getting while I was writing these metas. And don't ask how my studies have been going since early December (I was gonna write two exams a week from me publishing this but I haven't done any studying so far whatsoever rip). Totally worth it, though. Anyway, I don't wanna keep you on your toes any longer, so have fun <3
By the way, I apologize in advance, but the section cover pics had to go for this one. Instead I bring you.... more gifs! Yay!
Acknowledgments: To everyone who regularly liked and/or reblogged and/or commented... THANK YOU 😘 Your encouragement really kept me going over these past few weeks, even when my brain was feeling really exhausted from thinking so long and so hard about this series and especially this character. I had a blast going on this journey and I'm glad I got to share it with you. Thank you for coming on this journey with me. I love you.
Pronoun situation: As usual, just assume Fadel and Style use the rude pronouns guu/mueng with each other unless I specify otherwise. And I WILL be specifying otherwise this time hehe.
To recap: Last episode Style got to spend a lovely 24 hours of saying goodbye to Fadel before the one thing that Style has been dreading the most (safe for Fadel's death, probably) happened: Fadel got arrested. And there's nothing Style could do about it but watch. And now he has to live with the fact that his boyfriend will be in prison for the next five long years.
No. 1: Visitors
Kant and Style go visit their boys in prison together and it seems to be their first visit in general, considering how both couples are catching up. We don't know how long it's been since they last saw each other, but I assume it must have been more than just a couple of days, since we later learn that the burger restaurant has already been sold.
Either way, Style is now sitting in front of Fadel, asking him how prison is. Fadel says it's not that bad and Style checks in once more to make sure Fadel is really fine: "Really? You sure you're not saying that just to make me happy? I've seen some interviews, and the people who have been here said it was awful."
After all, Style knows Fadel and he knows Fadel is prone to pretending that everything is fine when really, it isn't. Style even called Fadel out on it in episode 7: "Just admit when it hurts. You don't have to be tough all the time." Back then Style also told Fadel: "I'm worried about you, you know? I was afraid something would happen to you.*"
*กลัวมึงเป็นไรไปอ่ะ [gluua - mueng - bpen rai - bpai - àh] afraid - you - have a problem - [particle] Official subs: I thought you were a goner.
Now, about half a series later Fadel is finally very well aware of just how much Style worries about his well-being and, with a laugh, reassures him once more that prison really isn't that bad. Style lets it go and tells Fadel: "I really miss you, though." And let me just share what I learned when I asked my Thai friend about the phrase ก็...อยู่ดี [gôh ... yùu dii], because I wasn't entirely sure what it meant: according to my friend it means "still" (German speakers: he translated it as "immer noch"), so the line goes more like:
But I still miss you. แต่กูก็คิดถึงมึงอยู่ดีนะ [dtàe - guu - gôh - kít-tĕung - mueng - yùu dii - ná] but - I - miss - you - still - [na]
They've been separated for a while now, but Style still misses Fadel. Style hasn't stopped missing Fadel. Fadel acknowledges that and tells him "When you do, just come visit." And for those curious about the literal wording (it doesn't really change anything, but I know you guys love this <3):
If you miss me, then come visit me like this. ถ้ามึงคิดถึงกูอ่ะ ก็มาหากูแบบนี้นะ [tâa - mueng - kít-tĕung - guu - àh • gôh - maa hăa - guu - bàep níi - ná] if - you - miss - me - [particle] • then - come visit - me - like this - [particle]
Style doesn't say anything. He just smiles at Fadel fondly and in love. Fadel didn't preemptively break up with him last episode and even though there is a barrier between them, Style can still go see Fadel and Fadel also wants Style to come see him. It's not ideal, but things could have been much worse, so Style is happy and also makes the best out of the situation. Just like he always does.
Fadel then asks about the garage and it's the first time we learn that Style's dad is starting to retire and that Style is starting to be busy. This will come up later in the episode again, but for now everyone is still happy. Then Fadel asks about his burger restaurant and both we, the audience, and Fadel learn that it's been sold. Fadel then says he'll find a way to buy it back once he's out of prison and once again we're handed information that will be relevant later in the episode.
Style being Style immediately announces that he'll be helping Fadel find a new place, if he can't get back the old one. And now it's Fadel's turn to smile at Style fondly and in love. Style then asks if Fadel wants anything special. But Fadel doesn't need anything. "Just seeing your face will last me a whole month." And again, the literal wording doesn't really change anything here, but if you're curious, this is what he's saying:
Just you visiting me like this makes me happy for a month. แค่มึงมาหากูแบบเนี่ย กูก็อิ่มใจเป็นเดือนละ [kâe - mueng - maa hăa - guu - bàep nîia • guu - gôh - ìm-jai - bpen deuuan - lá] just - you - come visit - me - like this • I - [sentence link] - happy, pleased - for a month - [particle]
Fadel uses the word อิ่มใจ [ìm-jai] here (which I translated as "happy") and that's funny to me personally, because this word already came up when I was discussing a different sentence from episode 11 with my Thai friend. You know when Fadel and Style are in the kitchen in episode 11 and Fadel talks about how he wants to do what he loves with the person he loves? And then he says "It makes me happy". The word that was translated as "happy" in Thai is อิ่ม [ìm], which actually translates to "full". And I had my friend watch the scene and asked "What does he mean 'full', what does that mean in this context??" and my friend explained that in this context it means "happy" and mentioned the word อิ่มใจ [ìm-jai], which he also explained to mean "happy". The literal translation, though, is actually "full heart" (as in the heart is full → you're happy). And then this exact word that I learned comes up in episode 12, I love it. So yeah, Fadel is basically telling Style that he doesn't need anything, because Style visiting him in prison is enough to make is heart full/fill up his heart for a month. And from the way Fadel raises his eyebrows and smiles cheekily when he says the อิ่มใจ [ìm-jai] part, I assume it's just as cheesy in Thai as it is in English, especially judging by Style's reaction afterwards.
Style is amused, impressed, as well as touched by Fadel's cheesiness and asks: "What did they feed you in there? How come you're this sweet?*"
*ทำไมถึงหวานขนาดเนี้ย [tam-mai tĕung - wăan - kà-nàat níia] how come, why - sweet - to this extent Official subs: You're way too sweet.
If you read last episode's meta you might remember how I went over the development to from โหด [hòht] (= harsh, aggressive, brutal) to หวาน [wăan] (= sweet) and I just love how this time around, the word โหด [hòht] doesn't even get mentioned anymore. They went from Style using only the word โหด [hòht] in episode 4 ("No matter how harsh you are, I'm still hooked on you." / Official subs: "It doesn't matter how scary you are, I'm still hooked."), to them making comments about and discussing Fadel being both harsh (โหด [hòht]) and sweet (หวาน [wăan]) in episodes 7, 9, and 11, and now in the finale Style only uses the word หวาน [wăan] (= sweet). It's the polar opposite of episode 4. I love it.
(By the way, I'm not gonna copy and paste all the direct quotes again, so if you wanna look at the lines and the development of "harsh vs sweet" in detail, please refer to section 7 of my ep11 meta.)
Style continues to say "If you say such sweet things, it'll only make me want to hold you and kiss you even more, you know?" and I'm just gonna share the literal wording again:
The sweeter like this you are ยิ่งมึงหวานแบบเนี่ย [yîng - mueng - wăan - bàep nîia] the more - you - sweet - like this the more I really want to embrace you and (sniff) kiss you on the cheek, you know that? กูยิ่งอยากกอดอยากหอมมึงมากเลยรู้ป่ะ [guu - yîng - yàak - gòht - yàak - hŏhm - mueng - mâak loiie - rúu - bpà] I - the more - want - hug, embrace - want - (sniff) kiss - you - very much - know - ?
In the official subtitles Style says just "kiss you", but the word he uses here in Thai is หอม [hŏhm] which, from what I've picked up so far, usually refers specifically to a kiss on the cheek, especially those sniff-kisses. And that's what prompts Fadel to turn his head and offer his cheek to Style — because Style specifically asked to kiss Fadel's cheek.
Also, something about the way Style says this and the way he emphasizes and drags out the word หอม [hŏhm] kind of really reminds me of the way he emphasized and dragged out the word หวาน [wăan] (= sweet) when he shouted "My meat is sweet, I tell you!" in episode 3, and watching these two lines back-to-back actually shows the development so beautifully:
In episode 3, Style is so very loud and he doesn't mean what he is saying at all, he isn't taking his words seriously whatsoever. His words are a performance and the world (or rather the market, in this case) is his audience. In episode 11, his words are still a performance, but now it's a private show for Fadel and Fadel alone. Fadel is the sole member of his audience and what Style is saying isn't meant for anyone else but Fadel. Style is serious about it now and he really means it. By the episode 12, Style is still loud in his personality, but compared to episode 3 his demeanor is so much calmer and he is also much more grounded.
The difference is also in Fadel's reaction: in episode 3 when Style isn't taking what he's saying and doing seriously whatsoever, Fadel doesn't have time for him. He rolls his eyes and just leaves him standing there. In episode 12, when Style means every single thing he says and does, Fadel actually leans closer and then presents his cheek to Style, going along with Style's antics instead of blocking or ditching him. Style blows a cheek at Fadel and we leave them as they continue to make heart-eyes at each other.
No. 2: This Is Torture
Style puts on his cheerful face when he's in front of Fadel, and while I don't think any of the above was a mask, because I think he is definitely genuinely happy to talk to Fadel, there is still some frustration that Style only lets out as soon as he's away from Fadel, similar to how he didn't fully cry until Fadel was completely gone at the end of last episode. "Kant, I can't do this," Style complains and let me just share the real vibe of his sentence:
Ai'Kant, I can't fucking do this anymore. ไอ้กานต์ กูแม่งไม่ไหวแล้วว่ะ [âi Kant • guu - mâeng - mâi - wăi - láew - wâ] Ai'Kant • I - [rude interjection] - not - able to, can - anymore - [rude particle]
I usually don't bother to point out sanitized subtitles, but here I thought it was appropriate, because first of all, Style using curse words and rude language really underlines just how frustrated he really is about this from his first line of the scene on and second of all, to me with the cursing it comes across as even more dramatic and I mean, the drama is what we've all come to love about Style, isn't it? Kant agrees and once again Style is much more dramatic in the original wording than he is in the official translation:
What's torturous is going in and being able to chat only for a few minutes. ที่มันทรมานอ่ะ คือเข้าไปคุยได้ไม่กี่นาทีไง [tîi - man - tor-rá-maan - àh • keu - kâo bpai - kui - dâai - mâi gìi -naa-tii - ngai] that - it - torture, be tortured - [particle] • is - enter, get in - talk, chat - be able to, can - not many - minute(s) - [particle] Official subs: The worst part is only getting a few minutes to talk to him.
Yeah. Style explicitly calls it torture that he can only see Fadel's face but can't touch him. He continues with the drama:
We're close, but so damn far away. ใกล้แต่ไกลฉิบหายเลยมึง [glâi - dtàe - glai - chìp-hăai - loiie - mueng] close - but - far - [impolite intensifier] - [particle for emphasis] - you Official subs: We’re so close but it feels so far.
Style is frustrated, almost downright angry even. Kant agrees again and when Style then asks "Is there no way we could hold them in our arms again?" There's a hint of desperation and impatience now mixed in with the frustration. Kant informs Style that there's a special visiting day, but it's only once a year. And here we have the biggest clue as to just how unhappy Style really is with the situation. Style, who usually stays optimistic and tries to find the bright side in things, is very dissatisfied about those news. Even positive Style can't see how the special visiting day is a good thing. Because once a year just really isn't enough, no matter how he looks at it. Kant throws him a glance. Style is sitting in the passenger's seat, head downcast, looking very dispirited and crestfallen.
Kant thinks some thoughts for a moment. Then he announces "I think I have an idea that will give us more than just a hug." Style lifts his head again. He's listening.
No. 3: Prison Break
For Kant's idea to work they need Captain Christ's help and they go meet him in a parking lot. They let Captain Christ know they wanna get into jail to see their boyfriends and Captain Christ actually asks the reasonable question of "Can't you just visit them?" No. They cannot. Because looking at them through a barrier is simply just not enough. Style starts listing all the things he wants to do to Fadel and he's clearly thought about this a lot. He gets lost in his own world a little the longer he goes on, clearly seeing everything he's describing in front of his mental eye, clearly seeing Fadel himself in front of his mental eye. And in a parallel to both episode 4 and episode 11, Style trails off at the end, leaving it up to the audience to imagine just what exact kind of things Style wants to do to/with Fadel (fanfiction, anyone?). Style pulls himself out of his fantasy and back into the real world, sighing and shaking his head in a way that reads to me like frustration about the fact that he can't be doing all of that. Kind of like Come on, man, get it together... The circumstances won't let you have your fantasies anyway. When the shot changes to Captain Christ, we can see that Style is even looking towards the ground. We can't see his face, but just from his dissatisfied expression just now we could interpret his hanging head as disappointment or sadness or both about not being able to do all the things he just talked about.
Captain Christ says that Style is crazy in love and from the way that Captain raises his eyebrows and the way the corners of his mouth twitch into a bit of a smirk when he's done speaking has me think Captain Christ was saying it to tease Style, but I think the teasing passes right by Style, because he makes a skeptical face, kind of like a bit of an annoyed and maybe slightly defensive What?? or maybe even a bit of an And what's wrong with that?
Captain Christ discards his cigarette and starts asking questions about just how exactly Kant and Style plan to get into prison, pointing out that he had just helped Kant wipe his slate clean. Kant explains that they aren't planning on getting themselves arrested and asks if Captain Christ knows anyone inside. Captain Christ says he does, then asks: "Don't tell me you want me to help you reenact Prison Break?"
Special shout-out to Style's reaction, because it's definitely in my top 5 moments of the episode, if not my absolute favorite highlight of the episode:
His face makes me laugh and giggle so much, it just really cracks me up. It's like he's thinking to himself Oh I sure wouldn't mind a little prison break... or maybe even Oh this is totally not the exact thing I've been fantasizing about. Let's be real, this would be Style's ideal scenario. But unlucky for Style, that's not the plan that Kant has had in mind.
No. 4: Vocational Training
Kant's idea was to go do some kind of volunteer work (or something along those lines) at the prison. Style, of course, teaches fixing cars, and it's interesting that Fadel actually shows up for that, because without knowing Style was gonna be the one teaching, Fadel could have easily chosen a different activity instead, since we never actually saw him be interested in fixing cars. Maybe Fadel heard about it and it made him think of Style and decided to go check it out in honor of him or to feel closer to him. Either way, Fadel actually shows up to Style's class and from the way Style's jaw drops a little bit I wonder, if this comes as a surprise to Style, since it's not like Style specifically told Fadel he was gonna come in.
Pronoun change! You might have noticed yourself, but the very first thing Style says to Fadel is khun. Style is pretending not to know Fadel. Style continues to speak using no pronouns at all and when Fadel answers, he goes along with Style's pronoun change, using phom to refer to himself. The two of them continue to use the polite phom/khun for the rest of this specific conversation.
Fadel says he doesn't know anything about fixing cars and Style replies it's fine, because Fadel can learn about it. Then he says "If you want to, that is." The expression that Style uses here in Thai is มีใจ [mii jai] which is made up of มี [mii] = "to have" and ใจ [jai] = "heart, mind", so literally it translates to "have (a/the) heart". My friend explained that in this context this phrase means "to have the intention to do something". The funny thing is, though, that I asked my friend about this specific phrase a couple of episodes ago, because Style actually uses it when they're standing by the broken down car in episode 8 when he teases Fadel "Either a hitman like you still have his humanity, or you’re in love with me." In other words, the phrase มีใจ [mii jai] can also mean "to be in love" and now I'm wondering if this specific word choice with this double meaning was very intentional for this episode 12 scene. Especially because Fadel then huffs and smiles a little.
Style walks up to Fadel and tells him "I'll show you every nook and cranny of a car. You'll definitely find some use for what you learn from me. But if you still can't fix cars after that, I'll fix them for you," still using polite pronouns and particles to address Fadel, and somehow this whole thing just really reminds me of their little roleplay at the garage back in episode 5. The way Fadel's eyebrows shoot up and he huffs in amusement really raises the question if Fadel is wondering what kind of payment Style will take for fixing Fadel's car. At the same time, Style offering to fix Fadel's car also works as a callback to the circumstances in which they first met: Style has fixed Fadel's car once before, maybe even twice, if we assume that Style fixed the jeep again between episode 8 and episode 9 when it broke down.
No. 5: A Man Has Wants, A Man Has Needs
At the end of class, Fadel is working on the car and Style uses the chance with everyone else distracted for a little private chat with Fadel. And now that they don't have an audience listening in and appearances to keep up, they're both back to the rude pronouns guu/mueng. Fadel likely sort of already expected that Style would find a way to get to him, because he says he had thought Style would do something illegal to get inside the prison and I think the majority of the fandom thought similarly. I personally realized Kant and Style would be working in prison when I went to rewatch the episode promo like two or so days before the episode and realized that the blue clothes that Fadel was wearing in the shots where Style kissed him on the cheek and threw him against the wall looked like the prison uniform while Style was in normal clothes. At first I thought the shot of the cheek kiss by the car was when Fadel was out of prison again and that it was set in Style's garage, but once it hit me that they were clearly fixing a car while Fadel was in a prison uniform while Style wasn't, that's when I realized that Style was likely there as a volunteer worker (or something along those lines) rather than a prisoner. Unfortunately, I was too busy trying to get my ep11 meta done, so I didn't make a post about my discovery which means I don't have receipts and this brag is completely worthless. Ah, well. At least my ep11 meta is done.
Style says "This is way better" and steps closer to Fadel, reaching out his arm right into Fadel's personal space, seeking proximity before he even says it out loud or touches Fadel at all. Fadel responds to it by immediately moving his own arm closer to Style's hand and while I know that Joong most likely did this as part of their "choreography" so that Dunk would have an easier time grabbing his arm for when Style talks about touching Fadel, the thing is if we're looking at it from the character's perspective, well, Joong might have known Dunk was gonna grab his arm, but Fadel didn't know Style was gonna grab him and so I love this small interaction anyway. Style reaches into Fadel's personal space with his hand and Fadel immediately moves his own hand closer to Style.
And it's only then that Style says: "I get to be close to you and to touch you just like I wanted to." Then Style sneaks a kiss on Fadel's cheek, just like he said he wanted to do in his first scene of the episode. Fadel gets as stressed about it just like I did when I watched the episode for the first time. I mean come on, Style, there are still people around!! I swear to god, the amount of times I've had to remind myself during the prison part that this was a romcom and that this was the final episode of the show and that nothing too bad was gonna happen now...
Fadel scolds Style, but Style doesn't care. He points out: "Why would I come here if I don't get to do anything with you at all?" The whole point of finding a way to get inside the prison was to be able to touch Fadel, to kiss him, to hold him, just like Style was so very desperately wishing he could do in the very beginning of the episode. And he's not gonna pass up that chance, especially when it's been a while since he actually got to feel Fadel's skin.
Fadel sees the guard walk around and tells Style "I can't help you." Then Fadel continues to be grumpy, scolding Style "You said you'd be patient, and you're already losing it?" Style is so used to Fadel's grumpy personality by now that he isn't fazed in the slightest. He comments it with a very quick huff to the side, then goes "A guy has wants and needs, you know?" He smiles a little when the words are out of his mouth and observes Fadel's reaction, eyes fixed on him attentively. Fadel lifts his head, looking a little done, but ends up breaking anyway after staring at Style for a moment. Fadel laughs and turns his head away to hide it, then looks at Style one more time, before directing his attention back to the car. Style watches him with a fond smile and affectionately shakes his head as if to say That's so you of you to first be grumpy, only to fall for my charm in the end anyway, you silly goose. As if I don't know you by now, my love.
After that, Style goes back into teacher mode in order to officially end the class. And I just love how the wide-shot reveals that now both Style and Fadel have their hands in each other's personal space close to the other person's body, their arms criss-crossed. And I also love how Style leans right into Fadel, touching him more when he goes to address the whole class.
Good job at pretending not to know each other, boys. Really. Very inconspicuous.
Fadel does move away from Style a little a moment later while Style continues his "see you next week" speech. But we can still see just how much Style missed touching Fadel, because he seeks out proximity again by tapping Fadel, casually touching him again immediately after he is done ending the class.
Then his eyes also find Fadel's face again, who looks at him very amused. And now that class is over, Style can finally do what he's really here for.
No. 6: Loyal to You
When we cut back to them, they've found a hidden corner and Style is shoving Fadel against a wall, kissing him with great urgency. Once they break apart, Style tells Fadel "I've been dying to do that since the moment I saw you", smiling a very satisfied smile. Fun fact, this time around Style is actually less dramatic in the original wording:
I've been wanting to do this since I saw your face. กูอยากทำแบบนี้ตั้งแต่เห็นหน้ามึงอ่ะ [guu - yàak - tam - bàep níi - dtâng-dtàe - hĕn - nâa mueng - àh] I - want - do - like this - since - see - your face - [particle]
Fadel laughs and says "You're crazy", to which Style replies "Love will make people do crazy things" and let me just share the original wording for a second:
Love makes us do something crazy like this. ความรักอ่ะ ทำให้คนเราทำอะไรบ้าๆ แบบนี้แหละ [kwaam rák - àh • tam hâi - kon rao - tam - à-rai - bâa bâa - bàep níi - làe] love - [particle] • make that, cause - people, we - do - something - crazy - like this - [particle] Official subs: Love will make people do crazy things.
The reason why I'm sharing this isn't, because the translation is inaccurate in any way, but rather because this line reminded me of another line Style says in episode 7 and I just want to point out the similarity in the original wording that isn't as clean in the official translation:
Love makes us do something stupid. ความรักมันทำให้คนเราทำอะไรโง่ๆนะ [kwaam rák - man - tam hâi - kon rao - tam - à-rai - ngôh ngôh - ná] love - it - make that, cause - people, we - do - something - stupid - [particle] Official subs: Love sure makes you do something stupid.
It greatly amuses me that Style went from "Love makes us do stupid things" to "Love makes us do crazy things". Style, lover of love, willing to do stupid and crazy things for the sake of love. He is stupid and crazy enough to even find a way to get into prison for the sole purpose of making out with his boyfriend, because who can wait five whole years, amirite? Style immediately proves his point by continuing to kiss Fadel. But Fadel doesn't let Style kiss him for long, because he has something to say: "Save your sweet words." Funfact, he uses the word นำเน่า [nam nâo] here, which my friend explained to mean "soapy" (as in soap opera like). I think Fadel just called Style "dramatic" without actually calling him dramatic, and I think that might also be the reason why Style steps back with a sigh, looking kind of disappointed and annoyed, before answering Fadel's question of "How did you get in here?"
We know being called dramatic has been a touchy subject for Style before and so has been being pushed away. I think Style had a moment of Does he really not appreciate that I'm here now? Does he not appreciate my efforts? But Style doesn't comment on it, doesn't start an argument, and instead answers Fadel's question. He explains that he'll be teaching at prison every week now thanks to Kant's connections and then says:
I'll get to come and see you every week. จะได้มาเจอมึงทุกอาทิตย์เลย [jà - dâai - maa - jer - mueng - túk - ah-tít - loiie] will - get to - come - see, meet - you - every - week - [particle] Official subs: So I'll see you every week.
Although when Style says this, it's not as joyful as you might expect. There is determination in Style's voice, because he is determined to do this, but there is also a bit of a challenging edge to it and I think it comes from his sudden worry that Fadel might not want him here after all. It's a challenge in the sense of Well, are you happy about me being here once a week from now on or not? He keeps his eyes fixed on Fadel and when Fadel then huffs and smiles almost in disbelief, the look on Style's face softens a little bit before he leans in to kiss Fadel again.
But once more, Fadel isn't letting Style kiss him for long, before he speaks again: "You know… You don��t have to do this." Style goes still as he waits for Fadel to elaborate. And Fadel does:
It's fine if you visit me once a month or once every three months. มาหากูเดือนละครั้งหรือสามเดือนครั้งก็ได้ [maa hăa - guu - deuuan lá kráng - rĕu - săam deuuan kráng - gôh dâai] (come) visit - me - once a month - or - once every three months - it's fine Official subs: I don't mind seeing you once a month or once every three months.
Ah. There it is. Fadel is pushing him away again. Or so Style thinks. Of course Fadel is saying this to be considerate of Style's time and schedule (after all, Style did tell him that things at the garage were getting busy), not wanting Style to get tired and exhausted in the process, but what Style hears is I don't want to see you that often. And now Style is seriously done.
He steps back, tilting his face in a Really, now?? way, presses his lips together unhappily, then raises his eyebrows and firmly tells Fadel: "I did everything I could to be with you, you know?" Style's next question is another challenge to Fadel:
Are you not moved? ไม่ซึ้งบ้างหรอ [mâi - séung - bâang - rŏr] not - touched, moved - any - ? Official subs: You don’t appreciate that?
Fadel breathes out loudly and tilts his head like Oh, come on, it's not like that. But Style is really annoyed now and continues to say: "Or did you already find someone here? I'd expect it of a popular guy like you." You heard him use the anglicism "hot" here, right? Because the second sentence goes more like:
You're hot anyway. ฮอตอยู่แล้วนี่มึงอ่ะ [hot - yùu - láew - nîi - mueng - àh] hot - be - already - [interjection] - you - [particle]
A little extra info from my Thai friend: according to him in Thai this word doesn't necessarily refer to someone's appearance and to physical attraction, but rather it is used to express someone has a quality or skill that is desirable.
Now I think Style actually being jealous for real can be a valid interpretation of him asking Fadel if he found someone new in prison, but to be honest, personally I don't really think so, or rather I think real jealousy is the case only on a surface level. Because Style knows Fadel, Style knows that Fadel doesn't easily open up to others. Style knows first hand how much work, effort, and persistence it takes to get to Fadel's heart. Style also knows Fadel would absolutely kill him if Style ever cheated on him and so I don't think Style would expect Fadel to be a hypocrite and go cheat on Style just like that himself. So I don't think Style actually expects Fadel to have found himself a new boyfriend in prison for real. No, in my opinion this is about something else deep down. I think Style is actually hurt that Fadel is (seemingly) pushing him away again, the way Fadel has done before so often. And Style has felt hurt from that before, and he's argued with Fadel about that before (most recently last episode during their last supper, and in episode 10 the scene where Style demands to help with the mission as well as the scene where Fadel cries in Style's lap). And I think playing it over apparent jealousy is Style's way of letting Fadel know that he's sulking about this, without starting a full-blown argument. Because at this point Fadel should know better than to keep pushing Style away, especially when Style is putting in so much effort in their relationship again. And part of me also wonders if Style was trying to avoid being called "dramatic" again (remember: touchy subject) if he had outright complained about being pushed away, while jealousy could maybe be taken as a "more valid" or more expected or acceptable reason to be mad.
Style starts to walk off, upset, because fine, if Fadel doesn't want him here then he'll leave him alone. But Fadel catches his arm. Style is sulking and it's Fadel's job now to make up with him. And Fadel does: "No matter where I am, you're the only one for me." Fadel holds him back, pulls him back in, doesn't simply just let Style go. And then promises his loyalty to Style. Something that Style has promised to Fadel many, many times. Fadel's efforts to get Style to stay placate Style again. This is all Style wants: for Fadel to show that he, too, wishes for Style to be in his life and be willing to work for it, the same way Style constantly shows he wishes for Fadel to be and actively works on Fadel being by his side. Style's face softens again, he smiles a little and lets Fadel kiss him.
They go back to making out against the wall. Well. That is, until the prison guard walks in on them. They quickly jump apart and Style rambles some orders about cleaning up, before walking off. And I love that Style can't help but touch Fadel one last time, before he leaves. He really has gone too long without touching Fadel and has to make up for it now.
Language fun fact: Technically, a pronoun switch from guu/mueng to phom/khun isn't actually happening here, because Style actually uses no pronouns at all when he talks to Fadel in front of the guard! Fadel does drop one polite "krub", but that's about it. There are no pronouns this time, but I think it's safe to assume they would have switched to phom/khun again in front of the guard, if the conversation had gone on.
Side Quest: Year 2 or Literal Horny Jail
Alright, sooo, there isn't that much interesting happening in year 2, or rather not interesting enough that I really wanna get into detail and turn this into its own section, but of course I couldn't leave it entirely unaddressed. So a side quest, it is. The brothers' second year in prison turns out to be a happy one, with both couples really obsessed with each other as if they'd only just started dating, sneaking kisses and make-out sessions whenever they can. Somehow, they're never found out. Everyone is happy and pleased, and this is especially significant for Fadel and Style. They're happy and in love and still very much into each other. We don't actually get any scenes of Fadel and Style together during year 3, but I think it's safe to assume that things are going this well throughout the third year, too. Well, until things aren't. Until suddenly we get dropped down to the ground from the high that we had just been taken up to.
No. 7: Busy Bee
Year 4 comes around and with that all the happiness gets thrown right out the window. Because Style, without a warning, suddenly doesn't show up to class one day and instead waits for Fadel in the visiting room. When Fadel walks in, Style addresses him happily, but his happiness is not as bright as we know it can be, it's a bit subdued. Style asks why Fadel took so long and I think it explains why Style doesn't sound as cheerful as usual: I think while Style was waiting, for a moment he got really worried that Fadel wouldn't come to see him.
By the way, yes, Style did phrase it as a question in the original wording:
Why were you so slow? ทำไมช้าจังเลย [tam-mai - cháa - jang loiie] why - slow, late - so much, very much Official subs: Took you forever.
Fadel explains he went to the garage first, but Style wasn't there. Style apologizes for it, then explains he's been very busy. Style had already mentioned at the beginning of the episode that he was busier compared to before, and now he's even more busy than that. So busy that he might not be able to come in and teach as often anymore. He tells Fadel just that and looks at him with sad, apologetic puppy eyes.

Fadel asks why that is and when Style answers, he puts on a very enthusiastic voice in an attempt to make the situation sound as positive as possible. Style explains that he's in charge of the garage now that his dad is retired and updates Fadel on how he's thinking of expanding the business and how he has a lot of projects going on that allowed him to meet more people in the industry. Style's little mechanic world is getting bigger for him, isn't that exciting? Style just wants to share the joy of his good news with Fadel.

Fadel nods a bit unenthusiastically and says "That's good. It's alright. I understand" and I think Style can tell that in reality Fadel is upset just as much as the audience can, even if it might not immediately seem like he can tell:
Style continues to smile, but it's like he's putting down the enthusiasm that he's just put on, and he looks at Fadel. Style is always looking at Fadel. And Style has become an expert at reading Fadel. There is no way Fadel's disappointment passed right by Style, even if his expression stays positive and affectionate and full of love. Style doesn't say anything and I think he's actually waiting to see if Fadel will fall back into his old patterns and usual downward spirals again. And I think Style keeps his expression joyful and warm in order to give Fadel as little reason to think that Style doesn't care about him anymore. But the trauma sits deep within Fadel, leading him to say: "You don't have to come here to teach, you know?"
This is the exact reaction that Style was expecting of Fadel and we can tell, because Style is immediately ready to calm Fadel's anxiety without missing a beat: "Don't worry. I'll make time for it." It's really not that big of a deal. And in case it is a big deal, Style has already thought of a solution, a compromise: "But if I can't, I'll just come visit you instead." Because let's be real, Style would miss Fadel just as much and wouldn't want to miss out on seeing Fadel's face. "Is that okay?" he asks. Do we have a deal? Fadel stares at Style for a second, then nods awkwardly, but looks very unconvinced and doesn't say anything. Style raises his eyebrows a little, then leans back, keeping his eyes fixed on Fadel.
As I said above, I think Style could already tell Fadel was upset a few lines earlier, but I think this is the moment where he realizes that Fadel is more upset than Style had initially thought and that Fadel isn't gonna be easy to cheer up about this. It really does seem to be a big deal to Fadel. So much so, that Style now chooses to address it after all: "What's wrong? Are you mad at me?" And I adore how Style continues to interact with Fadel in such a loving, kind way and continues to smile at him warmly.

Style isn't attacking Fadel when he asks Fadel if he's mad, instead he's reaching out to him kindly and in a way that makes it very clear that Style is asking out of concern for Fadel's well-being and not because he's trying to start an argument. In fact, Style is very much trying to not start an argument right now. Fadel says he isn't mad at Style. "I understand you have to live your life. I'm in here so there's nothing I can do but wait." And that's when Style's smile finally falls completely.
I think part of him is concerned for Fadel and his mental state, and part of him is also worried where this might be going. I think the underlying question here is Are you... about to preemptively push me away again because you're falling into a downward spiral again?
Fadel continues. "Style, I think..." Style's face is very serious now as he listens to Fadel to find out where this is headed. Fadel says "Our timing just wasn't right at all" or word for word:
We met at the wrong place at the wrong time. เราเจอกันผิดที่ผิดเวลาไปหน่อยว่ะ [rao - jer gan - pìt - tîi - pìt - weh-lah - bpai nòi - wâ] we - meet each other - wrong - place - wrong - time - too little - [particle]
Style is quiet for a moment and I think now there is also a hint of fear added to the seriousness in his expression as well as confusion.
I think Style does very much understand that Fadel really is in the process of pushing him away again, but I think he's confused about what exactly Fadel means by "wrong place, wrong time". Style needs to know what exactly Fadel is getting at in order to properly fight against Fadel's downward spiral and so he asks. Fadel explains and Style listens intently. "I think you should focus on your future." Style is wasting many hours just to come to see Fadel at the prison since it's so far away. Style doesn't earn any money working at the prison. Style is better off getting paid fixing some expensive cars. "You shouldn't waste your time on me." Fadel is once again simply just presuming Style's perspective on things without actually asking Style about it. But at least Style now has a lead, something specific he can counter. And Style does, and just like before he talks to Fadel in a very kind, warm way: "It's not a waste of time. You're my boyfriend. I will always make time for you. Work is important, but you're also important to me." Style is also back to a warm, happy face now, the seriousness from a moment ago hidden completely.

He then also speaks a little reminder to Fadel that Fadel's behavior right now isn't entirely fair to Style either: "Before you went to jail, you told me to focus on my own life. Now that I'm doing exactly that, you are sulking?" And again, this isn't supposed to be an attack. When Style says this, he is more serious than he was mere seconds before, but Style's voice is still rather soft, and while his words come with a certain urgency, there are no sharp edges to his tone. Style stays patient with Fadel, clearly trying to talk this issue out without getting into a full-blown argument.
By the way, the word that Style uses here that was translated as "sulk" is งอน [ngon]. Avid watchers of Thai dramas might have come across this word before (especially those who also follow actors outside their series). The dictionary thai2english translates it as "sulk" and "pout", and I knew it meant something like this, but I still went ahead and asked my Thai friend about it, in case he had something interesting to say about it. And he did, and I'd just like to share it here, because I think some of you will love to read about it, too. According to my friend งอน [ngon] is when you are "upset and disappointed, because the other person should know better, but it's not significant enough to be properly angry". My friend also said that it's a whole thing: for example when you are งอน [ngon] you can't actually admit to it, and it's the other person's job to come to you and make up with you (this step is called ง้อ [ngóh]).
So Style asks if Fadel is งอน [ngon] (and I hit pause after Style's sentence to have my friend explain this word, before continuing the scene) and Fadel says that no, he is not งอน [ngon] (after which my friend exclaimed: "See!! Exactly!! He's denying it!! Like I said!!"), then tells Style "Just do what you want. Don't take me into account." Fadel gets up to walk away and Style calls out for him to wait. But Fadel is done with the conversation. "I have work in the kitchen. Don’t want these prisoners to starve." With these words, Fadel leaves Style sitting there, alone, looking unhappy.
No. 8: Be Patient, My Son
Next, we find ourselves in Style's garage and we are shown that Style is indeed working hard, earning money. Even his dad comments on it: "You always only fixed a few cars a month. What's going on?" Style's dad then asks if Style is in need of money and Style says he just wants to save it. And that's when we, the audience, slowly start to realize that Style is likely trying to buy back the restaurant. But Style's dad doesn't know this, so he starts asking whether Style is intending to buy a new car, and when Style says no, he's not, his dad makes a guess for a "love nest" (เรือนหอ [reuuan hŏh]). I didn't ask my friend about the term เรือนหอ [reuuan hŏh], but according to thai2english and sanook.com it refers to a home for newlyweds which, uh, is quite different from "a place (such as an apartment) used for amorous and often illicit rendezvous", which Merriam-Webster defines love nest as. Style's dad asks if Style is getting married, and that's the fifth reference to a FadelStyle marriage. Here's a recap, in case you forgot:
Ep6: "wear make-up with me" vs. "will you marry me" (explanation here)
Ep7: proposal prank
Ep8: Fadel and Style taking part in an actual wedding
Ep11: Style's dad outright telling Fadel and Style to get married
Ep.12: Style's dad asking his son about marriage again
I can't believe this show did not end with them actually getting married, or at the very least engaged. It's gotta be my biggest beef with the show, not gonna lie.
Anyway, so Style informs his dad that he is not, in fact, getting married and goes on to tease his dad, asking if his dad doesn't like seeing his son working hard. The comment makes his dad laugh, although he's already got another question on his mind: "Where's Fadel been, though?" I do think it's kinda funny how this question comes up only after more than three years. Did Style's dad really never wonder about it? Or has Style always casually mentioned Fadel over the years and his dad just assumed that Fadel only happened to come over when Style's dad happened not to be there for it? Why did it take more than three years for this question to come up?
Either way, Style quickly comes up with the excuse that Fadel is in culinary school abroad. And from the way Style says it, it seems like Style is making up this excuse on the spot, which again has me wonder... what exactly has Style been telling his dad the past 3+ years?
Style says that Fadel will be back, which is the truth this time, and Style's dad is happy to hear that, because he's actually rooting for Fadel. We love to hear it. Then Style's dad tells him "You need a lot of trust when it comes to long distance relationships. Be patient, son" and I'm so glad we got this very scene, following the last one. I think this is something Style kinda needed to hear at this point. Because Fadel had just walked out on him, clearly upset, and now Style's relationship is in trouble. And I adore that Style gets told some comforting words, even if his dad actually has no idea what's really going on. "You need trust," his dad tells him, "be patient." And Style thinks about it.
These words hit Style, they mean something to Style. He goes very quiet while his dad continues talking. "You'll be back together soon." Style's dad puts a comforting hand on Style's shoulder and Style's reaction is one I find very difficult to describe and put into words (see gif below). It's like, on the one hand his own optimistic and hopeful nature agrees with his dad, but at the same time he also doesn't quite believe his dad, as if he's thinking Well, whether we'll be back together or not depends entirely on how stubborn Fadel is and if he stops being mad at me. I think part of Style lowkey fears that Fadel might not be willing to make up with him again. Style looks at his dad who then gives him an encouraging nod and Style returns a small smile and a little nod himself.
Style's dad walks away and Style's smile slowly falls as he gets lost in thought and looks down at the money in his hands.
Style is most definitely thinking about the state of his relationship with Fadel and his dad's encouraging words right now. And we, the audience, are now all going Oh, he is SO buying back the restaurant for Fadel!! Honestly, it's my own personal headcanon that Style started working out a plan to buy it the moment he got back from that very first visit where Fadel was like "I'm gonna buy back the restaurant."
No. 9: Making Up
We don't know how long it's been since Fadel and Style talked last, but I assume it's been a while, since last time we checked Style said he might not be able to come as often and now we learn from Bison that Style is at the prison twice a week these days. Personally I assume it's been at least a month if not more. I feel like 3 weeks should be a long enough time for "twice a week" to have become an established pattern that Bison can point out, plus at least one or the other week for Style to work on his projects before that. There's also the chance that it's been even longer than that. Either way, it's been quite a while for sure. After all this time, Fadel is still งอน [ngon] at Style and as my friend explained to me, it's Style's responsibility to make up with him. And so Style does. Surely also boosted by his dad's encouraging words, Style takes the first step towards Fadel by having Bison deliver a small origami bouquet. We know for a fact that Style was not the one who made the bouquet, because Bison does explicitly say the bouquet came "from someone who takes origami training" and I don't think it was a lie, because I think Style would most certainly have bragged about his origami skills if he'd made it himself. However, I do think the little Heart Burger flag is something that Style did make himself. And it's the first hint of confirmation that we get that Style is indeed trying to buy back the restaurant. Fadel doesn't make the connection, though. The little gift still touches him enough to finally seek out Style again instead of actively avoiding him.
Style is wiping the board when Fadel finds him. We don't know if Style is about to start a class and is wiping the board in preparation so that he would have space to write on once the prisoners come in or if he just ended a class and now he's doing some clean-up for next time. My personal headcanon is that we're seeing Style after class actually. It's been established that the prisoners help putting stuff back once class is over and with the way Style is completely by himself when the scene starts it's my headcanon that Style is being slow and hanging back on purpose, because he is desperately hoping Fadel would come to see him, even if Style isn't really expecting it. And the reason why I believe Style thinks Fadel won't show up despite the gift is because Style isn't cheerful the way he usually is when he's purposefully staying optimistic (like he was for example when he's talking to Kant about the cat in front of the abandoned diner in episode 6, or in episode 7 when there is clearly something off about the assassin brothers and Kant points it out and Style insists that Kant is overthinking it or in episode 9 when he makes wishes for his dead body and so on). No, Style looks very serious when the camera first cuts to his face.
He does smile a little once it's fully sunk in that Fadel is really here, standing in front of him, and only then does he put on a bit of a cheerful, teasing voice when he tells Fadel: "Thought you'd never see me again." Didn't I say Style was a little afraid that Fadel might not be willing to make up again? Fadel bluntly asks what Style is here for and Style drops the positive voice. Instead, now his voice sounds more concerned and regretful when he asks "What are you mad (งอน [ngon]) at me about?" As per the etiquette that my friend explained, Fadel immediately denies that he's mad (งอน [ngon]). But then he finally does tell Style what the problem is: "I told you I don't like expectations because I don't want to be disappointed." (Btw, Fadel did indeed say this pretty much word for word when he was crying on those steps in episode 10.) Style then says "But I didn't do anything to disappoint you."
I actually had a question about this line to my friend as well: for the English translation the sentence was phrased in past tense and to me that sounds like Style is talking about something specific maybe back around that time when he failed to show up to teach, an incident clearly set in the past. The thing is, though, that Thai doesn't actually have verb tenses. There are words you can add to a sentence that will clarify whether a statement is about the past or the future, but the verb itself doesn't change and sometimes things can get a little muddy. This is one such case. And I was confused, because especially in retrospective where we know Style is actually in the middle of trying to get back the restaurant (he also states later in the scene that he is in the middle of doing something that he isn't sure is gonna work yet, meaning the restaurant has not yet been acquired at this point) I thought Style's statement could maybe also be taken as What I'm doing and working on right now isn't something that is wronging you. Since Style trying to buy back the restaurant is an on-going project that is happening off-screen at the very same time, it's not a one time thing that happened back when Fadel first got mad at Style. No, it's still happening at this very moment. I discussed this with my friend who thought about it for a moment and then decided that the present perfect tense would probably be the best solution here, since it implies that it's about something that started in the past and is still on-going (or still has an effect) in the present.
So Fadel says he doesn't want to be disappointed and Style tells him "But I haven't done anything to disappoint you." Because what Style has been doing will be the opposite of a disappointment for Fadel. If it works out, that is. Because if it doesn't, if Style fails then it will be a huge disappointment to Fadel. And so Style doesn't want to tell Fadel about it just yet, precisely because he knows Fadel doesn't like disappointments. But Fadel is missing all that context, and so to him the situation reads very differently. And he's hurt. And now he finally opens up to Style about it: "Coming to see me regularly, getting me used to seeing you, making me miss you, and suddenly disappearing… How do you think that made me feel?" Style doesn't reply, he just keeps looking at Fadel with a serious face.
I think he feels bad that Fadel feels like this, but I think he truly doesn't dare to reveal what he's doing. Style knows just how important the burger restaurant was/is for Fadel and how much he loved the place and I think Style assumes it will be an even bigger disappointment and blow to Fadel if Style outright tells him and then fails to deliver. And it's a disappointment that Style really doesn't want to see, because I think it would crush Style himself. I think Style would actually beat himself up about that. And so he keeps his plans to himself, because he's afraid of failure. This specific failure is one he really can't afford. Style stays silent and doesn't answer Fadel's question. Fadel continues to rage: "If you can't do it, don't promise me anything. Do you know how easy it is to overthink when I'm here?" Style still isn't saying anything. Fadel is done. "If you have something important to do, just focus on it. I don't want to slow you down."
Fadel turns to walk off angrily. Style moves at the speed of lightning to hold Fadel back. Fadel finally talked to him and Style is not gonna let him go that easily. They still have something to clear up. Fadel stops and turns back to look at Style again. Before Style even says anything, he pulls away his vest to reveal the heart burger pin that Fadel gave to him. The pin that is very important to Fadel, the pin Fadel is very protective of. In a way, the pin is Fadel's heart which he gave to Style only last episode. And it's right there. Fadel's heart. On Style's heart. In Style's heart. "You're the most important thing to me," is the first thing out of Style's mouth. Style is extremely serious right now. All of Style's decisions, all of Style's actions revolve around Fadel. And he really doesn't want to lose him. And even if he's afraid of failure and disappointing Fadel if he can't pull through with his plan, losing Fadel is worse, and so Style finally opens up at least a little bit: "I'm doing something for both of our futures." Again, Style is extremely serious. He isn't hiding behind a positive attitude, his words aren't performative in the slightest. This is extremely serious and extremely important. I think Fadel does believe him, but wants to confirm that it's true and also doesn't want to be kept in the dark. "What are you doing?" he asks, then throws Style a challenge, almost an attack: "Can you tell me?" You know your behavior is hurting me, will you keep it up for the sake of whatever it is you're apparently doing?
At this point everyone in the audience is screaming HE'S BUYING BACK THE RESTAURANT FOR YOU, YOU DIMWIT!!!!! at Fadel. But Fadel still isn't making the connection, despite the hint with the Heart Burger flag and the Heart Burger pin and Style dropping he's working on their shared future. Can you tell me? But Style can't. He doesn't quite dare. "Can you wait a little longer? I want to be certain about it first. I want to make sure I really can do it." This is a plea. Style is pleading with Fadel. I told you as much as I could and I really am trying my best. For us. Will you please give me the benefit of the doubt and be considerate of my feelings in this situation, too? As I said, I think Fadel did believe Style earlier already, but I think now Fadel really understands that what Style is doing is very important to Style, but that it comes with certain insecurities that Style isn't ready to open up about. Style never pressured Fadel to open up about anything he wasn't ready to open up about and Fadel isn't about to pressure Style either. Style is loud and clear on the fact that he has Fadel in mind and that Fadel is important to him. Fadel doesn't immediately answer and instead contemplates on the situation and Style's plea while Style keeps his eyes fixed on him. Fadel's reaction, Fadel's response really matters to Style right now. Their relationship depends on it. And then Fadel finally yields. Because Style and their relationship is just as important to Fadel. Even if the situation isn't ideal. "You really love surprising me, don’t you?" Fadel finally says. And let me just share the original wording, even if it doesn't make much of a difference:
You always like to surprise me. มึงนี่ชอบเซอร์ไพรส์กูตลอดเลยนะ [mueng - nîi - chôp - sêr-prai - guu - dtà-lòt - loiie - ná] you - [interjection] - like - surprise - me - always - [particle] - [particle]
(Alt. translation: You're always surprising me.)
I like that in Thai Fadel says Style always surprises him, because to me it highlights how for the past 12 episodes we really have watched Style surprise Fadel all the time. Over and over again. In many different ways. God, I love them, I love their story so much. Anyway. Back to the scene. Fadel says this and Style understands that Fadel is no longer outright pushing him away or blocking him anymore. Style replies:
Then come learn how to fix cars with me again. งั้นมาเรียนซ่อมรถกับกูใหม่นะ [ngán - maa - riian - sôm - rót - gàp - guu - mài - ná] then - come - learn - fix, repair - car(s) - with - me - again - [na] Official subs: Come back to class.
The phrasing of the official subs sounded a bit too much like a direct order in their written form, especially without the context of Style's friendly tone, which is why I wanted to share a softer phrasing for the purpose of this meta. Because Style's words aren't an order. They're an invitation. If you've forgiven me, come see me again regularly. They're a peace offering. Fadel stays grumpy and grumbles: "I've been taking the course for years, and I still don't know how to fix anything." It's a stab at Style, but not an aggressive one. And it doesn't have anything to do with their original conflict. Fadel is leaving that conflict behind. Fadel has forgiven Style, even if he doesn't outright say it. Style finally laughs (or rather snorts) for the first time this entire scene and for a moment it looks like he's about to cry from relief that Fadel is no longer angry and that their relationship is saved:
Fadel continues with his grumbly teasing: "All you do is yap." The relationship really is back on. Style teases Fadel right back: "But that's exactly what you love about me, isn't it?" This isn't just Style going along with Fadel's teasing, it's also Style telling Fadel No matter how grumpy you pretend you are, no matter how much you were ignoring me, I know you never stopped loving me, I know you still love me now.
And finally, Fadel breaks. He laughs for a moment. Because he can't deny Style's call-out. Both, that he still loves Style and that he likes that Style is a chatty cat. Fadel pulls up the Heart Burger flag from the origami bouquet. Style laughs in surprise. Why? I don't know. You decide. Maybe he thought Fadel had stomped on it in dramatic anger. Or maybe he's thinking Oh wow, did the bouquet and the flag actually work? Is that what finally made him come see me again? Fadel is still holding up the flag and says that it's cute. And again you can really see the relief in Style's eyes, alongside his joy that things are looking better now with Fadel.
Style asks Fadel to clean the board and Fadel grumbles about it, but does it anyway. Because when does Fadel not give in to Style.
No. 10: Show, Don't Tell
We reach year 5 and finally the brothers are released. We check in with our foursome on the day the brothers get to go home. Bison walks through the door first, runs up to Kant and hugs him. In the meantime, Style is sat on the hood of the car. Fadel doesn't immediately walk up to him, but instead stops behind/next to Kant and Bison who discuss just how much they missed each other. Style doesn't pass up the opportunity to tease Fadel (and I think Style, too, wants a proper greeting, thank you very much):
Hey. This couple said they missed each other. เฮ้ย คู่นี้เขาบอกคิดถึงกันด้วยนะ [hóiie • kûu níi - kăo - bòhk - kít-tĕung - gan - dûuay - ná] hey • this couple - tell - miss - each other - too - [particle] Official subs: Hear that? He said he missed him and all that. So how about you, did you miss me? แล้วมึงอ่ะ คิดถึงกูป่ะ [láew - mueng - àh • kít-tĕung - guu - bpà] and - you - [particle] • miss - me - ? Official subs: Did you miss me at all?
(Sharing this mostly because I feel like it and I know a lot of you love the language bits, not because the literal wording makes any difference in this case lol)
Fadel announces "I'm not saying it", but the reality of the matter is that Style's wish is Fadel's command. And so Fadel walks up to Style and plants a kiss on his lips. "I'm showing it."
But before they break apart, Style pats Fadel like easy tiger, we have company. I do think this is about Kant and Bison's live slug reaction and not because Style doesn't want to be kissing Fadel right now. I think Style is trying to be considerate of the other two. After the kiss, Style gets up, hugs Fadel and over his shoulder nods at Kant and Bison and boastfully points at Fadel like Did you guys see that?? That's my man!! It's the exact same energy as he had at the end of episode 9 when he was raising his eyebrows at Kant and Bison in the boat. It's the You guys don't have a Fadew like me energy. (I'm out of images for this post, but here's a parallel gifset.) I love just how proud Style always is of Fadel, and how happily he'll show him off.
While Fadel and Style are busy hugging, Kant and Bison discuss where they should go to now. Style jumps in to ask "Hey, can you guys drop me off near my place first?" and Fadel gets confused: "What do you mean, 'your place'? The garage?" Fadel's confusion might be a little weird, because why exactly would Fadel be so confused about "my place"? That seems pretty self-explanatory in English, no? Well, let me explain. Because there's something really interesting going on here in Thai...
Now, I didn't go back and rewatch the entire show to check (if I did, it would be March until I finally drop this meta lol), but as far as I remember they usually refer to Style's place as "the garage", or อู่ [ùu] in Thai. But here for this line, when Style say "my place", he does not use the word อู่ [ùu] (= garage). Instead, he asks to be dropped off at his ร้าน [ráan]. Now what does that mean? This word means "store" or "shop" and like in English it can be paired with other words to specify just what kind of shop it is, for example:
ร้านหนังสือ [ráan năng-sĕu]: ráan (store) + năng-sĕu (book) = book store
ร้านดอกไม้ [ráan dòhk mái]: ráan (store) + dòhk mái (flower) = flower shop
You may have noticed that I said Style says just ร้าน [ráan], without specifying what kind of shop it is. Because just like in English, you can drop the specification and refer to it as just "the shop" (or ร้าน [ráan] in this case).
Now here comes the interesting bit: this word is also used when referring to food related places such as...
restaurant = ร้านอาหาร [ráan aa-hăan] -> ráan (shop) + aa-hăan (food)
coffee shop = ร้านกาแฟ [ráan gaa-fae] -> ráan (shop) + gaa-fae (coffee)
Or, you know, it's also in... ร้านเบอร์เกอร์ [ráan ber-gêr]. Now, เบอร์เกอร์ is "burger", but written in Thai letters. I don't have to tell you what ráan burger translates to, do I?
Oh, and at his point I should probably also mention that while the characters usually refer to Style's place as อู่ [ùu] (garage), when they talk about Fadel's place (the diner) they usually call it ร้าน [ráan] (shop, restaurant).
So yeah. The moment Style dropped that he wanted to be taken to his ร้าน [ráan] instead of his อู่ [ùu] (= garage) was the moment I started screaming, because that's when I knew for sure Style had bought back the restaurant and more importantly, that he had succeeded in doing so (yes, I did scream as if I didn't already know they were gonna be back at the restaurant through the clips shown in the MVs and from pics the boys posted during the shoot where they posed in front of the burger shop sign and their clothes matched the ones from the clips lol).
As I already mentioned, Style refers to it as just ร้าน [ráan] without specifying what kind of ร้าน [ráan] it is and it's vague enough that Fadel doesn't catch on the surprise, but it's just weird enough for Fadel to get confused: "What do you mean, 'ร้าน [ráan]'? The garage (อู่ [ùu])?" Yeah, Fadel's confusion here is about Style's unexpected word choice, because usually Style doesn't refer to his garage as ร้าน [ráan] (= shop, store). This is how they used to refer to the diner before Fadel had to go to prison. Style tells him he'll know soon and urges him to get into the car. They all do and Kant drives off.
No. 11: Surprise Surprise
The surprise works. Fadel didn't see it coming. "You said it was sold to someone." Style nods, making a m-hm sound, an adoring smile on his face that just oozes love and care. I really wish I could add a gif or a screenshot of his face, but unfortunately there's an image limit. I mean, you've seen the episode. You know how head over heels in love Style looks throughout this entire scene.
Style explains he bought it back for Fadel who then says Style didn't have to do that. Style says "I worked my ass off to buy this place back for you." I'm not entirely happy with the phrasing in the official subs, because to me there is also a negative connotation hidden in the phrase "work one's ass off", in the sense of "I worked my ass off for [xyz] and you don't appreciate it". But that might just be my ESL brain, maybe the media I've consumed mostly used this phrase in a more negative context and now my brain associates it with that.
In Thai Style uses the expression ตั้งใจทำงาน [dtâng jai tam ngaan] which does translate to "to work hard", but this expression contains the word ตั้งใจ [dtâng jai] which means "to intend to" or "to mean". I think it highlights with how much intention Style did this for Fadel. Style really meant to do this, like he's meant a lot of other things he's said or done over the last few episodes.
And Style putting in so much work also really shows how much he's grown. Because in the first half of the show I kept wondering why he had so much time to run after Fadel. We were told Style works as a mechanic, but we rarely saw him do any actual work. Instead, Style was able to follow Fadel's routine at the market or at the sports field or was even able to randomly help Fadel work at the restaurant without any scheduling problems and I kept thinking... what about his job at the garage? Is he never working? How does he have so much time to bother Fadel? And earlier in episode 12 Style's dad actually confirms just that: "You always only fixed a few cars a month." So Style, indeed, had the time to keep bugging Fadel. And back then it seemed like he didn't really have anything to do, didn't really have a goal or any direction in life. But then Kant sets Style on Fadel. And suddenly Style has a mission. And then Style falls in love. And now he suddenly has goals to work towards. We saw it last episode already, when Style suddenly started to make plans (first, his elaborate plan on getting Fadel and Bison on the run and second, during his last supper with Fadel when Style suggests making a plan for their life and their relationship while Fadel was imprisoned), and now it's not just that Style has started planning, but he makes plans with a very specific goal in mind and puts all his efforts in to reach this goal. He's no longer running around doing whatever. Style has really matured in this regard, Fadel's influence has changed him and has made him grow.
When Style says how determined he was to work hard to earn money to buy back the restaurant, his voice is somehow both soft and firm at the same time. His voice is so soft and filled with so much love, but there is some urgency to it, because Style needs Fadel to know this and he needs Fadel to know that he wanted to do this for him. Style knows he didn't have to, but Style wanted to. And it's important to him that Fadel really understands this. Because over the years Fadel has so often blocked or disregarded or struggled to accept all the nice things that Style has done for him. And Style doesn't want his act of love to be devalued again, especially not when he has spent so much time, effort, and energy on it purely out of love. A love that is worth it.
It's finally hitting Fadel what Style was so busy with when Fadel was sulking at him. Style confirms with another "mh". God, Style's heart eyes are really off the charts in this scene. "I wasn't sure I could do it so I didn't tell you," Style explains. And then he tells Fadel how he managed to keep up the energy in order to succeed despite his uncertainty: "But the image of you being back in this restaurant gave me this great strength to fix at least a hundred cars." Style smiles a bright, adoring smile. He's so in love. Fadel takes Styles hand and thanks him: "Thank you for doing this for me and for waiting for me." When Style responds, he actually phrases his sentence in a less direct and more general way in Thai than he does in the official subs:
Well, when you love someone, you gotta be able to wait. ก็คนมันรักอ่ะก็ต้องรอได้ดิ [gôh - kon - man - rák - àh - gôh - dtông - raw - dâai - dì] well - person, people - they, he, she, it - love - [particle] - [sentence link] - have to - wait - be able to - [particle] Official subs: Well, I love you. Of course I can wait.
This is an interesting difference between the Thai wording and the English subs, because once Fadel and Style start dating, Style actually rarely ever outright says the words "I love you" (and neither does Fadel, by the way). The only time Style properly says it is when Fadel has him at gun point in episode 7:
But now that I know the real you, I love you for real, Fadel. แต่พอกูรู้ตัวจริงของมึงแล้วอ่ะ กูรักมึงจริงๆนะฟาเดล [dtàe - poh - guu - rúu - dtuua jing kŏng meung - láew - àh • guu - rák - mueng - jing jing - ná - Fadel] but - when - I - know - real you - already - [particle] • I - love - you - really, for real - [na] - Fadel Official subs: Now that I know you, I really love you, Fadel.
And then arguably he says it again in episode 10 when he comforts Fadel on the stairs, although it's up to debate if that really counts as a direct "I love you":
But that I'm still staying / But that I still stayed แต่ที่กูยังอยู่ [dtàe - tîi - guu - yang - yùu] but - that - I - still - stay Official subs: But I stay with you is because I love that you're you / is because I love you for being you เพราะกูรักที่เป็นมึง [próh - guu - rák - tîi - bpen - mueng] because - I - love - that - be - you Official subs: because I love who you are.
Any other time Style talks about "love", he never addresses Fadel directly but phrases it in a more general way, using the word คน [kon] which means "person" or "people" instead of a pronoun. Style does this in episode 10 just a little while after the above line:
The more I know how much you care about me, ยิ่งกูรู้ว่ามึงแค่ร์กูขนาดเนี่ย [yîng - guu - rúu - wâa - mueng - kâe - guu - kà-nàat nîia] the more - I - know - that - you - care (about) - me - like this, this much Official subs: Knowing how much you care about me the more I know that I don't love the wrong person. มันยิ่งทำให้รู้นะว่ากูอ่ะ รักคนไม่ผิด [man - yîng - tam hâi - rúu - ná - wâa - guu - àh • rák - kon - mâi - pìt] it - the more - make that, cause - know - [particle] - that - I - [particle] • love - person - not - wrong Official subs: makes me certain that I didn't choose the wrong man.
And he also does it in episode 9 when Fadel opens up about his ex for the first time on the island:
A person who risks their own life for someone they don't even know. คนที่เอาชีวิตตัวเองไปเสี่ยงเพื่อคนที่ไม่รู้จักด้วยซ้ำ [kon - tîi - ao - chee-wít dtuua eng - bpai - sìiang - pêuua - kon - tîi - mâi - rúu-jàk - dûuay sám] person - that - take - one's own life - go - risk - for - person - that - not - know - even Official subs: You risked your life for a total stranger. I love the right person. กูรักถูกคนแล้วละ [guu - rák - tùuk - kon - láew - lá] I - love - right - person - already - [particle] Official subs: I know I'm in love with the right man.
And Style does it again now in episode 12, standing in front of the restaurant with Fadel. And let me just repeat the line with an even more literal translation this time (this sentence really doesn't work well in a literal translation in English, especially because English also comes with plural forms rip):
Well, people who love, they gotta be able to wait. / Well, a person who loves, has to be able to wait. ก็คนมันรักอ่ะก็ต้องรอได้ดิ [gôh - kon - man - rák - àh - gôh - dtông - raw - dâai - dì] well - person, people - they, he, she, it - love - [particle] - [sentence link] - have to - wait - be able to - [particle] Official subs: Well, I love you. Of course I can wait.
This time Style actually switches it around, because previously คน [kon] implicitly referred to Fadel, while this time คน [kon] actually refers to Style himself. And for some reason the official translator went for a direct "I love you" when Style neither says "I", nor says "you". In the entire series, Fadel and Style rarely say the words "I love you" word for word to each other. It's very clear that they do love each other, but they never outright say it. Instead they say things like "I'm worried about you" or "So what if we're old? I'll still wanna be with you" or "I don't feel so sad anymore. I'm happier." And they don't really need to tell each other I love you anyway, because their actions speak for themselves. It's like Fadel said the moment he got out of prison: "I'm not saying it. I'm showing it." And yes, this line was about missing Style, but really, this sentiment also goes for their love, for both Fadel as well as Style. So Style doesn't directly say he loves Fadel, instead Style just implies it and it's only in the next line where he doesn't mention the word "love" that he directly addresses Fadel:
Whether it's 5 years, 10 years, 20 years, I can always wait for you. จะ 5 ปี 10 ปี 20 ปี รอมึงได้เสมอแหละ [jà - hâa - bpii - sìp - bpii - yîi-sìp - bpii - raw - mueng - dâai - sà-mĕr -làe] will - 5 - years - 10 - years - 20 - years - wait (for) - you - be able to - always - [particle] Official subs: Whether it’s five, ten, or twenty years, I'll wait for you.
And this is the point where I get jumpscared by Dunk's voice suddenly blasting through my speakers. I wish the editors had made the music just a little more quiet. It gets me every single time, because every single time I watch this scene I get so immersed that I completely forget about the jumpscare. Fadel and Style lovingly stare at each other while I scramble to save the health of my eardrums. Then Fadel says he'll work hard to pay Style back, but Style doesn't want that. Technically Style is the current owner, and if Fadel were to pay him back then it would be like Fadel was buying the restaurant from Style. But that's not how Style wants to see it. Because this isn't Style's restaurant that Fadel has to buy from him. No, it's their restaurant. It's already their restaurant. Because obviously if Style owns it, then Fadel owns it, too. It's both a gift to Fadel and something that Style bought for them to share. Because "I'm here to support you in all your dreams." Because no one means well for Fadel more than Style does.
Fadel says "I sure am a lucky guy. I've been doing bad things my entire life, but I have the best boyfriend in the world." Style throws his head to the side, smiling, half in an Oh, you sweet-talker way and half in a No need to mention it, kinda way. Then he says "It's all thanks to Kant for daring me to take you out." And this is actually a reference to the title. The Thai name of the series goes:
He hired me to flirt with a hitman เขาจ้างให้ผมจีบนักฆ่า [kăo - jâang - hâi - pŏm - jìip - nák-kâa] he - hire - that - I - hit on, flirt, woo - assassin
And this is what Style says:
[...] for hiring me flirt with you. [...] ที่จ้างกูมาจีบมึง [tîi - jâang - guu - maa - jìip - mueng] that - hire - I - come - hit on, flirt, woo - you
Style laughs and Fadel smiles, too, and then Style pulls the Heart Burger pin out of his pocket. Without a word, he carefully pins it onto Fadel's shirt while Fadel makes heart-eyes at him. It's a parallel to Fadel putting the pin on Style last episode. The ring pin exchange is complete. Style says "From now on, everything is yours." They're all but married. Style still has his hand on Fadel's chest by the pin. Fadel goes to grab it. They smile at each other. Then they turn and together they enter the restaurant, their restaurant, their shared future, hand in hand.
No. 12: Dinner With Mom
At night, when Fadel and Style are done at the ร้าน [ráan] (restaurant) they do go to Style's อู่ [ùu] (garage). And I love how Style immediately calls out that Fadel is here. Style is so excited to tell his dad the joyful news. But but before he has the chance to share his good news, he gets surprised with bad news instead. A dinner invitation.
Our foursome once again gets together to fight evil. And of course, the evil dinner invitation calls for an urgent outfit change for all four of them. They're greeted by two men holding out guns, and Style is a bit startled for a moment, but otherwise keeps calm. The men demand Fadel's and Bison's guns and the brothers hand them over. The men then walk into the dining room and the the four of them look at each other before following the men inside where Lilly is waiting for them together with Babe and Style's dad tied up on their chairs. Kant and Style immediately call out to their loved ones. In general, I just love how worried about his dad Style is throughout the entire scene and how he keeps checking and communicating with him. I actually made a whole separate post about this with lots of gifs where I really go into detail about it, because the relationship between Style and his dad really needs to be appreciated in all its glory in gifs and tumblr simply just has an image limit of 30 gifs per (desktop) post. I can't afford to spend like 20 of them on Style and his dad alone. It was already tricky enough to limit everything I wanted to showcase for this episode to only 30 images in the first place. Anyway. Back to the scene.
Once again Style finds himself in danger, and once again he mainly stays out of the conflict between the brothers and their mother. We also aren't shown Style's face that much, so we can only make guesses as to how he feels listening to Lilly monologuing on and on and Bison raging at her. Style probably feels worried, especially for his dad. We know this, because in the beginning of the scene, before everyone sat down at the table, Style was very fixated on his dad and you could tell that he wanted nothing more than to run over to him and check if his dad was unharmed. When everyone is sitting at the table, sometimes the camera cuts into a wideshot and while we only see the back of Style's head, we can tell that he's looking at Lilly, so I assume he's paying close attention to her words and actions.
At some point, Kant chimes in: "It was me who exposed you. I masterminded the whole thing. If you want to kill someone, kill me. Just let my brother go." Style immediately jumps on board: "Kant was right. Let my Dad go. He doesn't know anything. I don't care what you do to me." We already learned in episode 9 that Style is very much willing to give his own life for the people he loves and so it doesn't come as a surprise at all that he's willing to offer himself up for his dad. However, in comparison to episode 9 there now is a hint of uncertainty to Style's voice, because he really doesn't know Lilly and so he can't predict her actions and reactions unlike he could with Fadel in episode 9. Lilly laughs a mocking laugh while Style and his dad exchange glances. And I love that they exchange glances here, because, to quote from my other post:
i love that style is communicating with his dad again at this very point, because style offering himself up will also affect his dad. his dad might be physically fine if style trades his dad for himself, but emotionally the dad will be ruined if lilly takes his son's life, especially when he's already had to deal with the loss of his wife years ago. style being willing to sacrifice himself isn't nothing, in fact, it's a very big deal and so the two of them communicate about it
Lilly continues to monologue and announces she has some poisonous drinks prepared for the occasion. Style turns to his dad and says "Dad. I'm sorry." His dad had absolutely nothing to do with this, his dad is totally innocent and Style hates that his dad was pulled into this and that his dad's life is now in danger.
We then don't see any shot of Style at all while Fadel and Bison plead with their mother and offer to continue working for her. We don't get to see Style immediate reaction to Lilly's announcement that she'll let her sons and their boyfriends go if her sons give their brother-in-law and their father-in-law the poisoned drink. There is a long pause and it's only right before Lilly asks "Can you do that?" that the camera goes back to Style and we see there is shock and concern. Shit's getting real.
Fadel and Bison say yes, they can. Style is most definitely very worried right now, but to be honest, I don't feel like he's all that terrified, I think that's more of a secondary feeling. He watches closely as Fadel lifts the glass towards his dad lips, and Style is clearly anxious and agitated and maybe a little afraid, but he doesn't say a single word to stop Fadel and I think deep down he does trust Fadel not to kill his dad, trusts Fadel to find a way out with dad unscathed. After all they've been through, I think Style trusts Fadel not to cause him such great pain. Although I do think Style is ready to swap the glass out of Fadel's hand at any given moment. But Fadel pulls through. From one moment to the next Fadel throws the wine into his mother's minion's face, attacks him, and Bison follows his lead. Style and Kant jump up to free their family.
Fadel and Bison kill the henchmen without remorse and end up with Lilly at gunpoint. Kant calls out for Bison not to kill her and Style offers to call the cops. Now that the immediate danger is over, we get to see a little bit of that Style again who tries to mediate and solve conflicts with as few people coming to harm as possible. But Fadel orders him not to get the police involved, so Style drops his phone, still concerned and not entirely happy, but without further protest. Style, Kant, and their family watch the brothers poison Lilly without interrupting them.
And I kinda love we do get to see Style witness Fadel actually murdering someone, because in my ep5 meta I wrote this:
"I promise that no matter who you are, I'll still like you." And there it is. Style's decision. [...] Fadel doesn't believe [Style's] promise, though. "Words are cheap. I'll do that when you're ready. You can judge, then." Again, I think Fadel has a point. [...] Because yes, Style may say he'll like Fadel no matter his occupation, but Style still hasn't seen the killer in action. Fadel's words mean Decide whether you still like me or not only when you find out my real occupation before you promise anything as much as they mean Decide whether you still like me or not once you've actually seen me murder someone in front of you before you promise anything. Style has already made a decision about the former, but he is yet to make a decision about the latter.
And so I love that Style is now able to make the choice of loving Fadel having seen Fadel truly at his worst, having seen him murder someone in cold blood.
I know for this meta I focus purely on character analysis, and I don't really criticize (whether it's acting performances or script writing or directing or whatnot), but I do wish the series would have spent a little more time on this, on Style seeing Fadel kill. Because Style is clearly affected by what he is witnessing.
Something truly horrible is happening right in front of his eyes. And it's a shame that Style finally seeing the killer in action gets kind of just glossed over in the very next moment when "I'm a killer, I'm a bad person, you should be wary of me" "I love you anyway" has been such a big theme for these two. It's kinda weird that we go from Style looking this horrified to Style being happy and content in bed, as if nothing had happened. That kill doesn't even get mentioned again. I feel like you could jump from the scene in front of the diner straight to Fadel and Style in bed and not notice that any major traumatizing event has occurred in between. Ah well. Let's move on.
No. 13: 100%
We come back to Fadel and Style sitting in Style's bed at night. Fadel is wondering if he should change the restaurant's name and Style thinks it's fine as it is. But Fadel says he wants Style to be a part of it, too, so Style suggests "Just add an S and a heart" and I'm just thinking... So, Heart Burgers? Or Hearts Burger, since he talks about an additional heart? Or maybe the S in an entirely different position? Whatever name Style is thinking of, according to him with an added S and another heart it'll be a better version than Fadel's version, because:
Because you have another heart right here. เพราะมีหัวใจอีกดวงเพิ่มขึ้นมาอยู่ตรงนี้ไง [próh - mii - hŭua-jai - ìik - duuang - pêrm kêun - maa - yùu - dtrong níi - ngai] because - have - heart - another - [classifier] - increased - come - be - here - [particle] Official subs: With another heart, that is.
Fadel likes Style's idea. And before I move on, I just want to go into more depth about this little sequence for a moment: after Fadel explains that he's thinking of changing the name because he wants Style to be part of it, too, Style looks like he thinks about something for a moment before he says "I don't think it needs much change." Of course, in this moment he is thinking about what exactly could be changed if Fadel really does want to change something, but the thing is, Style already likes the restaurant the way it is. He doesn't necessarily need the restaurant to change if Fadel is changing it just because he thinks Style would want him to change it. It really reminds me of episode 6 and the theme of "Be who you want to be, not who someone else wants you to be". If the restaurant represents Fadel's life, Style already likes Fadel the way he is. But if Fadel does want to change, there is something important to do: he needs to add a S(tyle) to his life. And another heart (Style's heart). With that, it will make a much better version of Fadel's life than it was before. And Fadel actually agrees.
I can't help but think back to the last time they were in Style's bed at night, all the way back in episode 5. Back then, Fadel really struggled with sharing his life with Style and letting him come close. Now Fadel actively wants Style to be part of his life. Now that he's done being a hitman, the restaurant can finally be Fadel's life, but it's not his restaurant alone, it's theirs. Getting to be part of Fadel's life is something Style has desired for a long time now and has even fought and argued with Fadel over on multiple occasions, and now Style is finally granted his wish. Fadel is finally letting Style in. When Fadel agrees that a better version would be one with an added S(tyle), Style looks at Fadel for a moment and thinks about something again.
Style knows Fadel loves him. And that actually reminds him... Style turns to grab something off the shelf next to him and proudly presents it to Fadel. The key to Kant's car. It's finally Style's. And I know from a story crafting perspective it makes sense for Style to receive the car only at the very end, but it's still really funny to me that Style was given the car only now, when Fadel has without a doubt been head over heels in love with Style for the past five years already. Because Fadel was without a doubt already head over heels in love with Style before he went to prison. But however long it took, what really matters is that Style did get the car, because a deal is a deal. And Style did indeed succeed. "If I could make you fall crazy in love with me, I'd get his car." When Style says that, his voice is full of affection and there's also a bit of teasing. I know you're head over heels in love with me. But Fadel tells Style to give the key back to Kant:
Because I don't love you that much. เพราะกูไม่ได้รักมึงขนาดนั้น [próh - guu - mâi dâai - rák - mueng - kà-nàat nán] because - I - not - love - you - to that extent Official subs: I’m not in love with you like that.
Style wordlessly stares at Fadel for a second while he's processing those words, blinks, then lowers his head. Really now?
Fadel looks at him, a grin most definitely hidden in his eyes, then huffs and pointedly ignores Style. It's a challenge. Style puts down the car key. Challenge accepted. Because Style is not one to back down from a challenge. This personality trait has stayed consistent until the end of the series. Style turns to loom over Fadel. "Are you sure that you're not head over heels in love with me?" Because Style knows with unwavering certainty that Fadel is. He just needs Fadel to admit to it. I've already talked about how Fadel and Style hardly say "I love you" to each other. Style, the person who loves so fiercely and so passionately and so loudly, already rarely says it himself and Fadel says it even less. In fact, ever since they've started dating the only other time Fadel has said he loves Style since that one time Fadel directly said it the night he found out about the betrayal in episode 6 was in the kitchen in episode 11 when he said he wants to "do what I love with who I love" and even then he actually doesn't literally say the words I love you, but rather just implies it. If anything, Fadel likes to claim he isn't actually in love with Style. And so I think Style wants to hear Fadel say differently out loud for once, even if Fadel's actions speak louder than his words anyway.
But Fadel continues to ignore him. I think Fadel is waiting to see what Style will do in order to draw the words out of Fadel's mouth that Style so desperately wants to hear. It's like he's testing Style's persistence. Style kisses Fadel's cheeks and asks "How much do you love me?" But Fadel isn't giving in to Style that easily and that quickly. "Only 30%." He knows Style is chasing those 100%. Style ups the ante and kisses Fadel's neck. This is a game now. "How much do you love me?" Fadel says "60% now" and looks up at Style, waiting to see what Style's next move is going to be. This time, Style goes for the mouth, goes for a full make-out session even. Then Style asks again: "How much do you love me?" He grins at Fadel expectantly and he's definitely also a little bit satisfied and proud. Fadel doesn't reply immediately, just puts his hand on Style's face and looks at him for a moment. And then Fadel finally gives in and says "100%".
Again, this meta isn't supposed to be a review or a criticism piece on the story, but I do think it's a bit of a shame that the conversations about percentages wasn't about trust. Because I feel like the main question with them over the series wasn't really Does Fadel love Style? but rather Does Fadel trust Style? And trust was also the big theme of episode 5, the episode that Fadel and Style's game in episode 12 is a callback to: "A guy like me doesn't go trusting someone 100%." And a little later in episode 5, when they're in Style's bed, Style more or less opens the conversation with "Sometimes you make me feel so scared, and sometimes you make me feel so safe," which again is about trust, not love. This theme continues also in episode 8, when Fadel handcuffs Style to the bed, because "I don't trust you", not because he doesn't love Style. Episode 8 is all about Style trying to gain Fadel's trust again, not his love: "What do I have to do for you to trust me?" The episode 12 dialogue does work in a way, because Fadel did say he didn't love Style or didn't like him all that much multiple times over the course of the series, and he even makes a comment like that in this very scene that we're currently discussing. But the thing is, Style never actually believes Fadel whenever Fadel claims he doesn't love Style (that much) and Style even calls him out on his "I don't love you" claim in episode 8: "You might be good at cooking and shooting, but you're not very good at lying at all." Style never doubted that Fadel loved him, but trust has been a very big issue. In fact, trust also played a role only this very episode when Fadel was sulking at Style when Style couldn't come in to teach in prison. Because in episode 10 Fadel had told Style "I don't want to have any expectations just to be disappointed" and Fadel had trusted Style not to disappoint him, except then Style seemingly does disappoint him and that hurts Fadel ("I told you I don't like expectations because I don't want to be disappointed." [...] "Coming to see me regularly, getting me used to seeing you, making me miss you, and suddenly disappearing… How do you think that made me feel?"). It makes Fadel feel like he can't trust Style, not that he can't love Style. And the question in that scene is whether Fadel can trust Style to really be working on something for their future that Style can't share yet, it's not whether Style loves him. So yeah. I feel like the dialogue about the percentages would have been a much cleaner parallel/callback if it had been about Fadel trusting Style, not about Fadel loving Style. Because we all, including Style, know that Fadel has always loved Style. He just didn't always trust him. But now he does. 100%. Style once decided "One day, I'll be your 100%" and now he is. They celebrate that by making out some more.
When they part again, Style tells Fadel "You know what? Having you is worth more than winning that car" and I'm filled with satisfaction upon hearing that, because I said more or less exactly the same thing three episodes ago in my ep9 meta:
[I]t's actually kinda funny, because Style agreed to make Fadel his boyfriend, but it's been how many episodes since they've started dating?? And we have yet to see Style with said car. [...] [A]s of episode 6 it was Kant who was still in possession of the car, despite Style and Fadel being head over heels in love by that point [...]. Style may have gone into it for the car, but he never actually took the car and by now the car is long forgotten. I didn't go and check, but as far as I remember Style hasn't even brought the car up to Kant ever since that scene in episode 4 where he initially came to claim it. At this point, Style would much rather have Fadel than the car anyway.
(Bolded for emphasis)
Now please forgive me if I skip the rest of the love scene, but I do want to get this post done before the end of the month, if possible. I think the main take-away is that now they both very much want each other and are very much into it, with nothing holding either one of them back.
No. 14: Driving Into the Sunset
Of course their last scene would be of them driving into the (metaphorical) sunset together in Kant's car that Style has finally won. Fadel and Style check in with Kant and Bison in Iceland. After the call, Fadel asks if Style would also like to go on a trip. Obviously Style wants to. "I usually travel with my Dad. Never done it with my boyfriend before," Style says, at which point, upon me showing my language buddy and Thai language consultant this scene, he goes "...the kidnapping, though?" and I break into laughter, because my friend is right. Yeah, Style, what do you mean you've never gone on a trip with your boyfriend? *gestures at episodes 8 and 9* Right, wots all this then?
I mean, technically you could argue that during that time Fadel wasn't actually Style's boyfriend, but let's be real, Style never got that memo. Or rather he went I recognize that the Council has made a decision. But given that it's a stupid-ass decision, I've elected to ignore it.
Anyway, whether it'll be their first trip, their second trip, or their hundredth trip, I don't think Style will ever say no to traveling with Fadel. Fadel suggests planning a trip later and then, at the mention of Style's dad, asks how Style's dad is taking the news of Fadel being an ex-assassin and ex-prisoner. I do think Style's dad is genuinely chill with it, but once again I wish the series would have dwelled just a little bit more on the aftermath of the Lilly incident and on how it affected everyone involved. Because it was quite a traumatic and brutal incident, and it's a bit jarring how everyone is all sunshine and rainbows from one second to the next. But for the sake of this meta and the next line, I'll just assume that everyone, including Style's dad, worked through it all off-screen. Style says that his dad is totally okay with it, because "He said I need someone with a past like yours to tie me down." The Thai wording is slightly different, actually:
My dad said someone like me needs to meet someone with a history like yours. พ่อกูอ่ะ บอกว่าคนอย่างกูต้องเจอคนมีประวัติแบบมึง [pôh guu - àh • bòhk - wâa - kon - yàang - guu - dtông - jer - kon - mii - bprà-wàt - bàep - meung] my dad - [particle] • say - that - person - like - me - have to, need to - meet - person - have - history - like - you
I like that in the original phrasing it doesn't state the "to tie me down" part. The Thai line leaves it up to the viewer's interpretation as to why exactly Style would need someone with a past like Fadel's. Personally, I took it in a "Style needs someone fucked up enough to be able to stand and handle and appreciate all of Style's unhingedness". And I don't necessarily think that Fadel would actively try to tie Style down, since Style's shameless loudness and Style's ability to unabashedly be himself and say things without a filter is exactly what Fadel loves him for. I think Fadel tying Style down ("taming" him *wink wink*) happens more as a byproduct of both of them influencing each other and changing into better versions of themselves when they're together.
The words of Style's dad make Fadel laugh. Then he says: "You know, I still remember what I promised your dad before I went to jail." Style looks over to him and asks "What did you promise?" Style smiles and I see both joy as well as curiosity on his face.
I think Style knows exactly what promise Fadel is referring to, but he's dying to hear the words out loud out from Fadel's mouth. His expression is also very expectant, almost challenging when he's done speaking. The little head tilt afterwards is almost like he's saying Pray do tell. Fadel replies: "I told him I'd go talk to him after five years." As I said, I think Style knew what the promise was, but I think actually hearing Fadel say it still gives him a thrill and causes butterflies in his tummy. He looks over to Fadel in pure delight.
And I love, love, LOVE that Fadel was the one to bring it up first. Because at some point after episode 8, when there were so many references to a FadelStyle marriage and I seriously started thinking about the possibility of a canon FadelStyle wedding or at least a wedding proposal (lmao joke's on me rip), I was contemplating about who of the two would propose first and who I'd prefer to do so. And I thought Style proposing would fit with his personality, especially since he himself said "I could spring a ring on you one day and just ask you to marry me." It seemed fit that the series would end with Style doing exactly just that. But then I contemplated some more and thought, actually, I would love it if Fadel was the one to propose. Because in the series it's always Style who is chasing Fadel, it's always Style proving over and over again that he really wants Fadel in his life while Fadel spends the majority of the series pushing Style away (and Fadel does it again even in the finale when he's mad at Style during year 4!). And I thought that it would probably mean the world to Style if Fadel proposed. Because it would showcase that Fadel wants Style in his life just as much as Style wants Fadel in his life. It would show Style that the feeling is mutual, that Fadel wants it for himself, too. That a marriage isn't something Fadel agreed to just because Style asked for it or talked him into it or anything like that. Fadel proposing would show Style that Fadel is choosing Style out of his own free will the way Style has been choosing Fadel over and over again. I'm once again reminded of @braceletofteeth's tags on this post:
#Style wants Fadel to claim him as his so bad it makes him look stupid #just like he takes pride in choosing his own man #he would be proud to be chosen as Fadel's man #delighted‚ if Fadel let others (and Style) know he's the one who earned the space reserved for his special someone #in his heavily secured heart #if he was so special to Fadel that he wouldn't want him to be taken away #or to share him with anyone else
Fadel asking for Style's hand in marriage, Fadel marrying Style would be Fadel claiming Style, it would be Fadel making an announcement to the world that Style is his and his alone. It would be Fadel choosing Style and Style would even have a ring to prove it. To prove that he is Fadel's. To prove that Fadel is his. I just thought Fadel being the one to propose would mean the world to Style. And judging by the joy in Style's face in the above gif, it absolutely does mean the world to him. That Fadel is the one to bring up the prospect of marriage.
Style asks if Fadel is serious and Fadel says yes, he is, but that he wants to have the chat only once the restaurant is up and running again (at least that's how I interpreted this statement). Style says "No need to hurry." He most definitely wants to marry Fadel one day, but I think he's got a point with this. After all, it's only now that they can finally start dating "properly", can finally experience the couple life with both of them out of prison, all cards out in the open, both parties trusting and loving each other mutually, and most importantly, without fearing for their lives. "No need to push yourself. After everything that we've been through, still staying together is already beyond anything we expected." Their relationship really is chill the way it is, there is no need to rush anything. They can get married when they both feel the time is right for it. I think that's what Style is getting at here. Fadel agrees. Then he says "I thought I'd die alone." Style knows that well. They discussed this last episode by the gravestone. And back then, Style had already announced that he wouldn't let Fadel get lonely in death. Now he says: "We'll die one day, but we'll die together of old age." They're gonna have that old man yaoi future together.
Fadel laughs, claims Style is cheesy, but still plants a big kiss on Style's lips. Uhhhh, Fadel, so what about the lecture you gave Style about safe driving the first time you guys met? All of that goes right out of the window as Style and Fadel continue to plant kisses on each other. How's that for character growth?
And off they drive into the night. Style's got both the car of his dreams as well as the man of his dreams. What more could Style want?
(Overview | Ep1+2 | Ep3 | Ep4 | Ep5 | Ep6 | Ep7 | Ep8 | Ep9 | Ep10 | Ep11)
#the heart killers#thk#stylefadel#fadelstyle#thk meta#thkmetamine#thk ep12#adrm#SORRY THIS TOOK ME FOREVER TO UPLOAD#ALSO SORRY I KNOW I SAID I WANTED TO UPLOAD IT YESTERDAY#but then yesterday my mom came up to me suggesting we eat out#bc she had to go to the nearby town where my other thai friend lives who barely speaks german or english#and my mom suggested we go eat at her restaurant and so that's what we did#and so instead of finishing my meta i went and got a lot of thai speaking practice dgdkjjkfd#also!! we (including my friend) were chatting with some other customer at some point and i mentioned i watched thai series#in in that conversation my friend suddenly went#''oh yeah i never actually heard you talk about any thai stars that you're into‚ what actors do you like?''#and i panicked and then said joong archen and my friend was like ''ohhh joong!!''#turned out that she knew (of?) joong and that the cook at the restaurant had also watched the heart killers lmaoooo we love#(he's is also a sweetheart btw) (the cook i mean) (except i struggle to understand him bc the way he talks confuses me dfjkkjdfs)
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Bad Moon Rising
Paring(s): Dean Winchester x F!Reader
Summary: The world's ending, and Dean has something to confess.
Square(s) Filled: free space for @anyfandomangstbingo
Tags: 16+, kinda fluffy, kinda angsty
Word Count: 492
A/N: I'm (semi) back! I had a baby, so writing has been on the backburner, but this was my first time dipping my toes in the water since I gave birth and I'm hoping it's the first step in getting over this postpartum writer's block. This was written for @deanwanddamons' rock flash fic challenge! The song I got was Bad Moon Rising by Creedence Clearwater Revival, and whatever this is was born. GIF is mine. Enjoy!
You can also read me on Ao3!
DEAN WINCHESTER MASTERLIST | SUPERNATURAL MASTERLIST | MAIN MASTERLIST
It’s been an hour, maybe two, since they accepted their fate. They don’t know exactly when the world is ending, but Cas thinks it’ll be within the next few hours or so.
Y/N needs to find Dean. Not because she thinks he’s found a way out of this mess — there is no way out — but because she loves him, and whether he knows that or not, she wants to spend her last moments on Earth next to him. She finds him right where she knew he’d be — sitting in Baby, in the bunker’s garage.
She walks over and opens the door, sliding into the passenger’s seat without saying a word. Dean’s staring out the windshield, his knuckles white from his grip on the steering wheel. He doesn’t move to look at her. He doesn’t say a word.
“Dean,” she whispers, placing her hand on his shoulder.
He lets out a long, shaky breath. “We can’t fix it this time.”
“‘fraid not,” she replies with a soft chuckle. Not because it’s funny, but because if she doesn’t laugh, she’ll cry.
“God dammit!” he shouts, hitting the center of the steering wheel, causing Baby to honk.
Y/N flinches, but keeps her hand on his shoulder.
Dean sighs and lets his head fall back, resting on the top of the seat as he fixes his eyes on the car’s ceiling.
“I thought we had more time,” he says, barely audible.
“Yeah, we all did,” she replies with a sad smile.
“No, I mean — I thought we had more time.”
She furrows her eyebrows. “What are you talking about?”
“Us, Y/N. This isn’t how I thought we were gonna go. I thought —”
He stops himself, but she so desperately needs to hear the rest.
“You thought what, Dean?”
He takes a deep breath. Fuck it. The world is ending, right?
“I thought I’d at least get to kiss you before I died. Tell you I’ve been in love with you for the past four years. Settle down one day. White picket fence. Maybe a dog. Get out of this life, start our own.”
He turns his head slightly, his green eyes searching her face for a reaction.
She’s stunned into silence, but then the silence turns to soft laughter, and she’s shaking her head in disbelief while she thinks about what to say.
She settles on, “I can’t believe you waited until the end of the world to tell me you’re in love with me.”
He shrugs and huffs a quiet laugh. “You know I don’t like talking about my feelings.”
She chuckles. “You’re better at it than me, ‘cause I was gonna take my feelings to the grave.”
There’s silence as he processes her reply. His eyes fill with hope as he realizes what she’s saying. “Wait. So you…?”
“Since I’ve known you, you idiot.”
He smiles like the world isn’t ending in a few hours. She kisses him like it is.
TAGLIST(S)
If you signed up for my taglist but don’t see your name below, it’s because Tumblr won’t let me tag you!
FOREVERS: @writercole // @makeadealwithdean // @slamminmine // @impala1967dwinchester // @wayward-dreamer // @stiles-stilinski-24-dylan // @deandreamernp // @kitkatd7 // @thewritersaddictions // @foxyjwls007 // @kyjey // @pizzagirlxoxo // @boeshaneboy // @babypink224221 // @stoneyggirl2 // @440mxs-wife // @sexyvixen7 // @samsgirl93 // @alwayssnivellus // @simpfoegeorge // @ajordan2020
SUPERNATURAL: @deans-baby-momma // @cookiechipdough // @roonyxx // @jassackles // @roseblue373 // @redbarn1995 // @spn-fanfic-reblog-writes
DEAN WINCHESTER: @perpetualabsurdity // @lyarr24 // @siospins2 // @solarrexplosion // @rach5ive // @akshi8278 // @pink-sparkly-witch // @emoryhemsworth // @whore4romance // @themerc-with-a-mouth // @maggiegirl17 // @raajali3 // @adamgetawaydriver // @harleycao
You can join my taglist(s) here!
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Where we go from here...
It took me awhile last evening to get my mind in the right place to do the baking I had to do. I thought I would put on some music on my little radio station to kick my head into work mode. Tried some Glenn Gould playing Bach (always a go-to for morning coffee music), and it didn't hit right.
So I dialed up the huge mix I have titled "1969-72" and almost immediately started the long road back to feeling like myself. After about a half-hour, I was in the groove. Listened to the mix far into the night, after I'd finished working.
I managed to keep my focus and got the cookies all baked, and kiddo's mom happily packed them up and just left for her party, and I'm over here for the next couple of nights, sadly for my back. Two nights of "No Mattress For Old Men" and I'll need a week to recover, but hey...
Wanna thank all y'all for your comments and messages when I posted that I was prolly just gonna go black. Y'all loved me back off the ledge. Posted in a moment of true despair...something I haven't felt in awhile. I am hurting for all of us...and all of you. I have never in my long life been scared for the nation until now. Or at least that's what I thought. This feeling of complete despair, the emotional pain of millions of people, the hopelessness, the fear for the future...after I sat with it awhile I realized yes, that I have felt this same combination of toxic shit before.
In the 65 years I've been on this stinkin' rock, I've been through a number of particularly devastating previous elections, most notably the two Bush2(Dumbya) regimes. I remember the night of the 2004 election...Americans were posting tearful photos taken by their webcams, with them holding up signs saying "We're sorry."
I saw first-hand all the fights for rights that we have gained from the early '60s onward. To find ourselves set back to square one, 50-60 years later, when we had finally gained some footing toward fairness, is cruel. And cruelty is what they will wield as their main weapons in the coming days, as we suddenly find ourselves in the same predicament as 1963-65 when a virginal Joan Baez and little Bobby Dylan changed protest music forever.
So yes, I have felt this same way, and no, the nation didn't die or descend into complete chaos. Our lives went on, essentially as they had, with a growing pile of "things we can't do anymore" heaped atop via the collective wounding of 9/11.
This is another collective wounding--an intentional collective wounding. The next few months are going to be chaotic, they will try to push through their agenda as quickly as possible come january.
I may not post much overtly political stuff from this point on, but if I do it will be refocused on positive news. I don't know for certain how long that might last, but I can't take a 24/7 barrage of bad news and outrage bait. I'm probably gonna unfollow a few blogs, but don't think it's personal...it is Mental/Emotional Health Care.
And yes, I've been in the trenches with y'all a long time...we are all Family at this point...Brothers and Sisters in arms. I'm not leaving, but my presence/role will be different, out of the renewed sense of self-preservation this has thrust me into.
I woke up disoriented, but quickly remembered I'd gotten what I needed to get done done, and had a slow re-entry, sipping my coffee for a couple hours. I kept remembering how well the music had helped me last night, and then the beginnings of what this might turn into began to coalesce. Concepts of a plan. lulz.
As the day went on, I've been on a roller-coaster, emotionally, with seemingly hopeful leads on a roommate not materializing, on top of my craigslist ad for a roomie getting flagged and deleted. Pretty goddamn hopeless as far as this situation is going.
Looked at the huge box of cookies I'd managed to bake last night and it hit me. I've been reblogging the "Gooood Morning, TUMBLR!" graphics every morning up until the election. The image of Robin Williams being in character calling up the role of the military DJ.
Back when I did my cafe in the mountains of NM, a friend lent me a book called "Radio Venceramos", about South American rebels who had a radio transmitter and clamped the leads to the barbed-wire fences to broadcast their signal/programming to their fellow rebels.
Still not sure how the format will work out, but I've decided: my new role is going to primarily be the voice of inspiration over the air-waves to my fellow rebels. Not sure if it will be a second blog or if it will be a continuation of PTSD, but with no further ado, I will become the Voice of my fellow rebels with:
I may make a second blog out of it, but until then I guess I'll make it a series of posts. Tumblr will let you blog up to ten videos/post, and that may be how I start things out. Consider them like stacks of 45s and LP tracks from my paul-shaffer-brain...meant to help keep spirits up and keep the focus.
Made a couple of graphics, will probably try others in the course of it.
So the message today was "You did what you had to do. Heal up for what's ahead."
I will probably start this new focus in the morning...I'm still chewin'.
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as someone who wasn't around in 2014....can you tell me what it was like? (stucky) can you give me a taste of the gardens of babylon etc
what was it like...this is such a fun question i want you to know i gave serious thought to my answer and also discussed it at length with my 2014 friend last night and i know already it's gonna be so long. sorry that i answered your ask at fuck o clock in the morning i am scheduling it to go up later and also at the time you sent the ask in to make sure you see it
ok so like. i mean, you're on the fandom website, right, so i assume youve been in fandoms. idk if youve ever been in a really, REALLY big fandom, at the same time that said fandom was also producing content (even if the source material was not). think d*stiel post nov 5, or undert*le circa late 2015/early 2016, or z*lda after totk came out, or h*rry p*tter as the seventh book was being released. (i'm censoring to avoid a false positive of anybody's blacklist except in the case of the last one, which i am censoring out of <3 disrespect.) like there's something REALLY luxurious about being in ANY large and active fandom and it's mostly the power of crowdsourcing. st*r tr*k 2009's tarsus iv headcanons. the storm trooper lore re: the f*rce awakens before the second two movies came out. everyone just kind of agreeing that dean w*nchester was a teenage hooker. you know?
like, that's "just fanon," sure, but part of the beauty of it is that no one person makes up fanon, we all gather in the biggest writing group in the world and collectively go insane and bat ideas back and forth. there are a hundred THOUSAND fics about bucky barnes on ao3 and that's just the people who were writing, not even counting artists and gifmakers and meta-writers and people who just reblog stuff. i can't possibly begin to put an accurate number to how many people are in any given fandom at any given time, but imagine (on the low end, i'm sure) there are THOUSANDS, perhaps tens of thousands, of people going nuts about stevebucky at all times. tens of THOUSANDS people doing "yes and" with each other on the internet 24 hours a day seven days a week. it's just like being in any fandom, you log on to your dash and see what the mewchies posted while you were gone, but in a fandom so huge and so active you were getting bombarded with idea after idea after idea every single second, so if you don't like one you're spoiled for choice in what you engage with next. it didn't even matter that cap3 was two years away or that it sucked when it finally got here because we collectively wrote cap3 a million times over. like, genuinely, it was a mass creative exercise. it's the biggest writing group in the world. for better or worse, we were shaping our own version of that universe, without any input from or regard to the people who actually created the characters and movie, in a way that compelled most strongly to our own tastes and demographic.
what made this particular movie/fandom special though was a few things. firstly i still genuinely believe it was ahead of its time...marvel shit pre disney was allowed to be political in ways it is ABSOLUTELY not now. like, cap2 could say "the government is secretly full of nazis and they all need to burn" in 2014 two years before the 2016 election and 7 years before jan 6. like you just couldn't say that now. "war bad" is an oldie but goodie, but "our entire government is corrupt and needs to be torn into flaming pieces and cast into the potomac" is um. pretty radical. so is, by the way, "men as victims" and "men having emotions" etcetc. like, not in fandom, fandom all but invented that shit, but as far as dumb superhero movies go. i can't tell you the number of metas i read AND WROTE discussing steve rogers and masculinity and how all that was portrayed, intentionally or not, in that fucking film. i had entire separate universes built up in my head for steve who was born a cis girl and steve who decided later in life that "nonbinary" or "trans woman" was a better fit and then steve who was born as a cis boy and remained a man his whole life but felt weird and different ways about being queer which clashed with the weird and different ways BARNES felt about being queer. i'm not saying the film (or the fandom! good lord) was perfect, it was a product of its time, but it was also WAY ahead of its time too. it was weird to expect the next film to come out and actually, like, be good. it wasnt, but we fully believed it would be and that wasn't delusional behavior because the last one had been. i would never have that kind of faith in a marvel project now because they've been bought by disney.
oh yeah and that's the other thing too like. speaking of queer people. gay marriage wasn't legal in the US on a federal level until 2015, and you couldn't just flip on your TV and see them whenever you wanted. ten years doesn't seem like that long ago in the grand scheme of things but like, we lived on glee and cw/mtv queerbait (disclaimer that i personally only participated in cw queerbait) and that was it. we had crumbs. and like when people write gay characters theyre Just Gay, but if you decide to be crazy stupid in a slash fandom you can decide these layered characters are gay and that's even better rep than um whatever was going on in other pieces of media. these guys are both so lonely and out of step with time and lack other people with "shared life experiences" (girl what the hell was that) and their connection w each other keeps them afloat in a world that doesn't want them so like of COURSE it seems like it's supposed to be romantic. and like, i could and did make myself and my tumblr buds crrrazy (and got made crazy by them) thinking about:
how steve's size when small and again when big interacted w his gender identity and his sexuality and how that sexuality manifested. barnes's identity As A Man hinging on his ability to go to war for his country bc Thats What Men Did but now he's no longer fit because theres worms in his brain. loss of bodily autonomy which usually happens to women and natasha being later in that journey than steve and bucky are and so close to being at peace with it but not there yet. stigmatization of seeking treatment for mental health issues lessened by the presence of sam who could have been a Macho Tough Guy but actually gives off strong Talk About Our Feelings And Be Soft vibes. don't even get me started on the relationship (predatory) between steve and rumlow and how it parallels the one between barnes and pierce (and if any of you motherfuckers BREATHE a word of that h*dra tr*sh p*rty shit in my direction i will END you) and the stigma that comes from being preyed on when vulnerable As Men. steve's depression and ptsd and him getting triggered by, yes, the fucking ALS ice bucket challenge. the collective belief that he was conscious when he was frozen even though nobody said that so that he and barnes could have that in common too. the headcanon about barnes having roma heritage - shoutout to not easily conquered my beloved, and the 14k smut coda i wrote for it✌ speaking of smut, i would be remiss also not to mention there was a STRONG element of collective lust involved. i'm immune to 99% of it bc im ace but the winter soldier was uh. VERY graceful. you know? i didn't write 14k of porn because i was uncompelled. we were on one. we went fucking crazy. fandom in general but especially big fandoms have a kind of nonstop endless well of creative energy born from obsession that is the absolute envy of people like my mortal enemy grrm. we NEVER quit.
also, HISTORY (and other vaguely educational subjects). we were all so desperate to know how steve and bucky would have lived in the years we couldn't see them it sparked a sitewide interest in 1940s american history. there was a thing about bananas tasting different now because of a plague. m&ms being invented as wartime candy. stuff about how shoebox apartments looked and how rations worked. 1940s recipes and radio shows. the 1940s queer movement and how it interacted with ballroom dancing and private drag get-togethers. how amputations work and how prosthetic limbs work in real life so we could extrapolate it to fantasy. how to hand-draw that fucking arm in photoshop. why soldiers are trained to say their serial numbers when captured. what ww2 was like. what dog tags are for. what did they get in the ration packs. what brand of cigarettes did they smoke. what brand (and i am being so serious, i STILL own a tube) of LIPSTICK did peggy carter use. caloric intake of someone with a 4x speed metabolism and how much famine peanut butter he'd need to eat daily to keep from starving to death. oppression of irish immigrants and their children/grandchildren back in the 1940s. the difference between conservatives and fascists, back when there was a difference. what activities generally took place on these mysterious but ever-present new york city docks. just exactly HOW many terrible movies and tv shows has sebastian stan been in ranked by his resemblance to james buchanan barnes in each one. (i personally went through his entire imdb list at the time and then made a venn diagram.) electroswing! teachers and professors would have killed for their classes to have the kind of enthusiasm a bunch of mentally ill teenagers and 20-somethings on tunglr dot edu were showing about this one very specific set of subjects. this film also sparked my love of fight scenes. if you've read this fic or this fic and liked the Big Fight Scenes in them, you can thank cap2 for leading me down that path.
and then yes there was also discourse. my personal most hated thing was the above mentioned h*dra tr*sh p*rty (DO NOT GOOGLE THAT, i will just tell you it's nazi rape porn🤢 and i hope everyone involved is having a bad day today) and also the fact that SOME FUCKING PEOPLE can't understand "don't be shitheads about a fanfic where the author can see you doing it." but then ofc people were also sexist about nat and racist about sam and minimalizing those guys (and every other character besides tony really but sometimes him too) for the two white male leads was a whole thing. and on the funnier side of things you had (justifiably, i suppose) bitter st*ny fans who HATED what those two got in avengers and got real mad when stucky started outpacing them on ao3. and people complaining about the characters being too uwu soft. and then other people arguing whether or not barnes counted as disabled when he was missing a Whole arm. and THEN discourse about was it ethical to remove the arm and build him a new one ESPECIALLY without his consent (if people don't know they're being ableist in their fanfics hypothetically is it still ok to kill them with hammers?) and why was tony doing it if that guy killed his parents and is it ok that we keep making tony not that mad about his dead parents is it not enough that barnes stole his limelight as the guy who gets shipped with steve but what if all three of them fucked but can you really fuck the guy who offed your folks but ACTUALLY isn't it cringe to like tony anyway since RDJ and gwenyth paltrow are bad people and who says chris evans are sebastian stan are such good people etcetcetc. and let us not even get started on the plausibility of the avengers tower fanon after age of ultron came out and it turns out nobody became friends and they all still hated and mistrusted each other. and whether or not the avengers could be considered found family if the other characters were constantly getting shafted into being barnes's little support animals. and then ofc every once in awhile one of the actors of people involved creatively would say something ranging from mildly controversial to absolutely horrible on the internet and we'd all fight about THAT for awhile like a dog with a bone. i mean. typical infighting of any fandom tbh.
but i was very happy. it was all the most enormous thought experiment and creative endeavor (and semi-educational adventure??) that we all participated in daily for like two-ish years without stopping ever. i loved doing it. AND, when you click with a piece of media like that, you also click with other people who clicked with that same piece of media, so in addition to the sheer level of dopamine going into my brain at all times i also formed decade-long friendships that will certainly last the entirety of my lifetime, and when we're in our 90s in nursing homes i will be able to say, "we are friends because i wrote 14k of smut for your fanfic" or "we are friends because i couldn't get enough of your gifsets" or whatever because you know, we quite literally went to stucky together.
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Taken
When TK is taken hostage on a call, Carlos and Owen do everything they can to get him back safe.
Huge thanks to my good friend @a1kitkat for encouraging me to write this. And correcting my many mistakes. Any remaining mistakes are my own. This is my first fic ever. Likes and reblogs are much appreciated.
Marjan looked up from her book; TK had been on his phone since their shift started.
“How’s it going with Carlos?” Marjan eventually asked. And TK smiled innocently.
“It’s great. He’s great.”
“Are you blushing?” Marjan gently teased and TK laughed, his eyes alight with happiness. “I’m happy that you’re happy, TK. You deserve it.”
He smiled, still blushing but before he could say another word, the alarm began to sound, signaling an incoming call.
They immediately sprung into action, heading to the truck with the rest of the team. Owen grabbed the radio for an update, reports weren't clear but he told the team to be prepared for anything though it was suspected a person was in distress on a balcony.
"Possible jumper?" Marjan asked.
"Not sure, we'll find out when we get there," Owen replied. "Police are enroute too."
TK tried to mask his smile, knowing the officer being dispatched could potentially be Carlos. He loved catching glimpses of him while on duty.
When they arrived, they saw a man lying down on a balcony.
“He’s not moving. Judd, get on the ladder and bring him down. TK, Mateo, Paul set up an airbag just in case. Marjan, be ready to assess him for injuries.” Owen told his team.
as Judd was on the ladder going up to the victim, he radioed Owen “I see someone on the ground on the other side, I think he fell from the balcony.”
“Yeah, Copy that. I’ll send TK and Marjan to check it out.” Owen told Judd.
Carlos pulled up just as TK and Marjan left to check on their second victim. Carlos came up to Owen and Owen filled him in on the situation.
TK and Marjan found the second victim behind some trees. Marjan immediately checked for a pulse, she looked up at TK and shook her head. On his belt, they saw a badge. The victim was a cop. She reached her radio “Captain, He’s dead.”
“Ok, Don't move his body. Just get back here and help set up the airbag.” Owen responded. TK and Marjan rushed back to the team.
Judd reached the balcony and started towards the unconscious victim but as he reached to check his pulse, was surprised when he began to move. His priority now being to reassure him, keep him calm, make sure he was alright. "Are you ok, sir? Are you hurt?
"No. I'm fine." The man looked down right away, he saw two firefighters around the dead cop's body. And a cop car was already there.
"All right, then just take my hand and come on the ladder." The man took a look at Judd, and then at the airbag on the ground, and jumped.
On the ground, everyone was surprised when they saw the victim had jumped on the airbag instead of coming down on the ladder with Judd's help. TK went to help the man but he pulled a gun and pointed it at TK.
“Don’t move.” He said. He turned TK around and put his left arm around TK’s neck, his gun on TK’s head. Carlos immediately pulled his gun and pointed it at the man holding TK hostage.
“If anyone moves, I will kill him.”
“Drop your gun and release your hostage.” Carlos yelled.
“That’s not gonna happen.” The man said while taking a look around to see how he could get out of there. He was at least six inches taller than TK and kept TK up with his arm around his neck which made TK stand up on his toes.
“You don't wanna do this.” Owen said.
“Don’t be stupid. You can’t get out of this. Let him go.” Carlos yelled again.
“Put your gun on the ground. Or I will kill him right now.”
Carlos looked at Owen’s pleading eyes and then back at TK, and afraid the man might hurt his boyfriend, he put his gun on the ground.
"Ok, I'm putting my gun on the ground."
"Now Kick it away."
Carlos did as he was told and kicked the gun away.
The man pulled TK towards the truck and pushed him inside, TK sat in the driver’s seat. “Drive.” He said pointing the gun at his head.
“I don’t have a license to drive the truck.”
He put the gun on TK’s temple and said “Drive right now.”
TK started driving.
Carlos ran to his squad car and just as he was about to start the car, Owen sat in the passenger’s seat. “Let’s go.” Owen said. Carlos knew there was no way he could get Owen to stay out of this so he started the car and they started following the truck. Carlos radioed for back up.
In the fire truck, TK was nervous. He kept thinking about when he got shot. He didn't want to go through that again. He tried to focus on his breathing and staying calm. The gunman looked in the side mirror at all the cars following them, then looked at TK and said “If the police catch up to us, I’m killing you first. Drive faster. And turn on the siren.”
Behind them, Carlos and Owen were trying to figure out what to do. Owen picked up his radio “TK? TK come in.”
The gunman looked over at TK. “Are you TK?”
TK nodded his head. “Yeah.”
“Who is he?”
“He’s my Captain.”
The gunman picked up the radio. “What do you want with him, Captain?”
“Listen, man. You’ve got a truck and you managed to escape. Now just let my man go. Ok?”
“We’re driving really fast. If I let him go now, he’ll break his arms and legs.”
Carlos looked angry. His nostrils were flaring. Memories of last time TK was hurt immediately filled his mind. Owen was agitated but tried to remain in control of his feelings. It was the only way he could get his son back.
At this point, there were a dozen police cars chasing the truck. And a news helicopter was in the air.
At the 9-1-1 call center, Grace watched the chase on TV. She could see that was the truck from 126 but she didn't know exactly what was going on. Right then, she got a call from Judd. "Oh, baby. Are you ok?"
"I'm fine, baby. Don't worry about me."
"What is happening? Why are all these police cars chasing your truck?"
"It's TK. He's in danger."
On TV, she could see that the truck was stopping. "Judd, they're pulling over."
The gunman pulled TK out of the truck and into a restaurant. Once inside, he fired two shots in the air. "Everyone get on the ground." He looked at TK "Barricade that door" Then he turned around and ordered one of the waiters to help him. The restaurant wasn't packed but besides the staff, there were some customers in there. He ordered them all to get on the ground and he got TK to collect their phones.
Outside, the police surrounded the place and started evacuating the nearby buildings. Carlos called for a hostage negotiator and a SWAT team.
The hostage negotiator showed up in a few minutes. "Talk to me. What do we have?"
"One gunman. He killed a cop at his apartment. Unknown number of hostages inside. One of them is a firefighter." Carlos told him.
The negotiator called the restaurant.
The gunman was keeping an eye on the hostages and trying to come up with a plan when the phone rang. “Finally.” He picked up the phone after letting it ring for a few seconds.
"Hello. This is Seargent Parker, Austin PD. Who is this?"
“Listen to me very carefully. I want a dark SUV and I want you to get out of my way so I can leave. If you don’t give me what I want, I’m gonna start killing hostages. And I’ll start with the firefighter.”
“First I need to know the hostages are ok.”
“They are all ok. Just get me a car.”
“I need to talk to my boss. Give me an hour.”
“You have thirty minutes.”
After the gunman hung up, TK tried to talk to him. “Maybe you should just surrender. I don’t think you can get out of this.”
The gunman walked towards TK, grabbed him, forced him up and pushed him against the wall. “I killed a cop. There's only one way out of this for me. You better pray they do as I asked. If they don’t, I’m killing you first.” He hit TK over the head with his gun. His head started bleeding and he fell on the ground.
The gunman started pacing the room and peeking through the window to get a view of the outside. TK felt his eyes getting heavy, and try as he might, he couldn't stay awake any longer.
TK woke up with the sound of a gunshot. He looked around and saw the gunman was on the floor. A sniper must have taken him out. He could barely keep his eyes open. In a second, there were cops coming in the place from everywhere and Carlos was by his side, holding TK’s face in his hands, "What happened to your head?" TK was in shock and he was tired. He couldn't answer him. He couldn't say anything. He finally gave in and fell asleep. Carlos hugged TK close to him and called for a medic.
The medics helped TK out and took him to an ambulance. Owen showed up and held his son's hand firmly. "How is he?"
"He has a head wound. We're taking him to the hospital." One of the medics replied.
Next time TK opened his eyes, he was at the hospital, and Carlos was by his side. "Carlos." He tried to sit up but he felt dizzy and had to lie back down. Carlos stood up and helped TK settle back in. "Don't move, babe. The doctors patched up your head and did some tests. You're gonna be ok. They want to keep you for 24 hours to make sure you don't have a concussion. Owen's here, too. He's talking to the doctor."
Right then, Owen walked back in to see TK awake "Son, You need to stop scaring us like this."
TK laughed "No promises."
When the doctors discharged him, Carlos and Owen drove him home.
That night, as TK got ready for bed, he walked into his bedroom, and saw that Carlos was in his bed and under the covers. "I asked Owen to spend the night." Carlos explained. TK smiled and curled up next to him.
As they laid in bed, and Carlos held TK in his arms, TK fell asleep feeling safe.
#911 lone star#911 lone star fic#lone star season 2#lone star#911 ls#tk strand#carlos reyes#owen strand#tarlos#tarlos fanfiction#tarlos fanfic#tarlos fic#my fanfiction
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Stiches- Peter Parker
Author: nerdymoose
Pairing: Peter x Avenger!Reader
Summary: Peter comes back from a mission, that the reader didn't go on, extremely injured. To the point where the reader almost loses him...
A/n: My requests are always open, ask me to write something! Reblogs and feedback are always welcome. Please don't steal my work! Enjoy! ❤❤
Warnings: ANGST!!
===========================
Y/n has been waiting a whole week, she was in the compound by herself, everyone had protested on the Avenger going because she was still healing from the last mission. But that also meant she went a week without Peter, her boyfriend.
So when Tony had called her yesterday saying that they would be back today she was excited.
"Tony and the others are back, Y/n." F.R.I.D.A.Y. spoke through the intercome in her room.
She smiled, that means Peter was back. She jumped off of her bed and ran to the common room.
Before she even could walk through the door she heard shouting, but it sounded panicked.
"Oh no." She mumbled, she knew nothing good could come out of hearing Tony's panicked yells. "Hey guys, wha-"
"Keep her out of here!" Tony interrupts, ordering Sam and Bucky to pull her out of the room.
As they advanced towards her, getting ready to grab her, they grabbed at air. "What the fuck happened?!" They heard behind them realizing that she teleported.
"Oh my god! Peter!" She crouched next to the couch holding Peter's face. It being bruised, with dried on his forehead and lips.
She checked his pulses, very slowly his heart was beating. She felt the familiar sting of tears behind her eyes, starting to pool at the bottom of them. She pressed the spider in the middle of his suit, seeing it loosen it's hold on his body, she did her best pulling it down, only to reveal more cuts and bruises.
"Grab my first aid kit." She ordered no one in particular. She saw his chest rise and fall, realizing he was taking quick, but shallow breaths. "It's going to be okay, Peter, I'm gonna take care of you." She whispered as she was given her first aid kit.
She did her best stiching each cut one by one, despite her shaking hands and tearful eyes. She knew Peter needed her, whether he said it himself or not, so she was going to be there for him, no matter what.
The extreme bleeding had stopped, the bruises were healing, which made her let out a sigh of relief.
But what was worrying her was that he still hadn't woken up.
It's been three hours.
She sat there holding his hand, waiting. Waiting for him to open his eyes or squeeze her hand back. Any indication that he was going to be okay. Nothing.
The tears still remain to stream down her face. "Come on, Peter, wake up."
"Please~" Her reassuring whispers turned into pleading whimpers.
For the first time in her life she didn't know what to do. She didn't know how to help, she had done everything she could.
She let out a shaky breath, getting up from her spot next to the couch. The feeling of pin and needles wash over her legs, due to her sitting on them for so long. She stumbled her way to the kitchen, knowing that's where everyone else was.
The room went silent at her presence, everyone's gaze falling on her. "Cap can you help me take Peter into his room?" Her voice sounding broken, something so unusual to the rest of them, since they were used to her more sassy and bubly personality. It broke their hearts seeing her like this.
Steve nodded, "of course, Y/n." He walked with her back to the common room.
Steve gently carried Peter, while she took everything else. Steve put him down on Peter's bed, watching as Y/n set a glass of water on his bedside table. "He's going to be okay. He's strong."
She nodded, a small, sad smile appeared on her face. "Thanks, Cap." He gave her a reassuring hug before leaving the room.
Time had went by and he still wasn't awake. Tony had said just give him time, that he needs to heal. Everyone else say things similar.
She hasn't moved, still beside him holding his hand, waiting. Her tears had run dry, her anxiety through the roof, her eyelids were getting heavier by the minute. The control to stay awake was slipping through her finger tips.
She laid her head on the bed, her arm as a pillow. Her thumb rubbing back and forth on his knuckles, her eyes slipping closed.
But they didn't stay closed for long, she felt a slight squeeze of her hand. She didn't know if it was real or just a figment of her imagination, but she had to find out.
"Peter?" She stood up, leaning over him. She felt another squeeze. Even if he was hurt she couldn't help but smile at the sign that he regained consciousness. "Please, baby. Wake up."
He groaned, every bone and muscle sore. His eyes slowly opening, Y/n fully stood up, moving the light away from him to not strain his eyes but enough to still see in the room.
"Y/n?" His voice raspy from lack of use. Instead of answering him, she helped him sit up and handed him the glass of water.
"Here, drink up. You lost a lot of blood." She felt the tears threaten to escape, but she held them, not wanting to show her vulnerability at the moment.
He hummed, gulping down the entire glass of water. He set the glass down, "how long was out for?"
"Eight hours." She answered blantly. "You scared the hell out of me." She looked down.
"I'm so sorry baby. I didn't know how bad it was, otherwise I- I would have told Karen to inform you. I thought I was going to be able to heal fast enough. B- but then I just blacked out, I guess." As he was talking he didn't notice that she was sliding closer, until she was straddling him, holding him close aware of his injuries.
"I thought I was going to lose you." She let out a shaky breath as she cried, her head buried in his neck.
"No no no, baby, never. You're never going to lose me okay. You're stuck with me, okay?" He held her tightly, crying at the sight of her.
She nodded, not moving to let go of him. "Baby?" He asked once she calmed down.
"Hm" She moved to look at him.
"Can- can I go take a shower?" He looked at her as she scanned his features just like she did every time she looked at him.
"No. You're not leaving my side for the next 24 hours." She pouted and cuddled back into him.
He chuckled, "what if we take a shower together?"
"I can't argue with that." She moved to get off of him but he held her waist.
"I love you." He whispered, she smiled, only hearing those words come from him a few times, usually before a mission. Never in a state like this, where they're at peace and nothing is trying to kill them.
She leaned in and kissed him, not caring about how dry or chapped his lips were, she loved them. She loved him. The kiss was filled with nothing but passion and pure love, it was slow and sweet, a kiss that if it lasted forever she wouldn't mind.
"I love you too."
#spiderman imagine#spiderman#tom holland smut#tom holland#peter parker imagine#peter parker smut#peter parker#spiderman smut#tom holland imagine#marvel#tom holland x reader#peter parker x reader#spiderman x reader
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I posted 29 times in 2021
22 posts created (76%)
7 posts reblogged (24%)
For every post I created, I reblogged 0.3 posts.
I added 42 tags in 2021
#harry styles - 11 posts
#one direction - 6 posts
#hslot - 4 posts
#oneshot - 4 posts
#love on tour - 4 posts
#niall horan - 3 posts
#zayn malik - 3 posts
#hazza - 3 posts
#instagram - 2 posts
#louis tomlinson - 2 posts
Longest Tag: 29 characters
#my 2021 tumblr year in review
My Top Posts in 2021
#5
Claustrophobia || N.H.
As someone with worldwide fame like Niall, coping with Claustrophobia is hard. Especially when you get mobbed.
The first time you noticed his claustrophobia was during one of your dates. You had decided to go to a carnival. Everything was going smoothly until the peak hour. You knew it would be bad if you were caught in the crowd just not how bad. In the first few seconds Niall gripped your hand and held you close to him. Slowly his hands started sweating and you could hear him hyperventilate.
"Niall, are you okay?" You asked him giving his hand a light squeeze.
"(Y/N)-" He tried to continue but he was breathing way too heavily to speak properly. You navigated through the crowd dragging him along with you. Finally when you got out, you grabbed a bottle, opened it and handed it over to Niall. You led him to a chair and let him sit down. You didn't speak letting him collect himself. You both sat in silence for about 10 minutes before he finally said something.
"(Y/N)? I should've told you earlier. I'm claustrophobic. Before you start fussing, I'm okay now." You kinda saw it coming. Niall always got a little paranoid in plane rides but you didn't say anything. You didn't want to make him uncomfortable.
"You should have," You agreed, " but I'm glad you told me. Next time no secrets, okay?" The boy agreed and smiled at you. "Can I hug you?" You asked, to which he opened his arms wide gesturing for you to hug him.
He took a deep breath and muttered an "I love you" in your ear.
"Love you too, Niall."
God knows how for how long you hugged each other for. The only thing that you did know was that you two felt safe in the other's arms.
1 notes • Posted 2021-12-06 12:05:12 GMT
#4
17th November 2021
3 notes • Posted 2021-12-09 02:39:28 GMT
#3
Apparently, Harry does have a puckered lips picture
3 notes • Posted 2021-12-13 10:27:59 GMT
#2
Fake date || Percy Jackson
Percy and (Y/N) are high school mortals
Percy's POV
"So you're gonna ask me out on a fake date, just so that all your fangirls leave you alone? It'll never work! They know we're BEST FRIENDS!" (Y/N) screamed, flailing her arms dramatically.
"I know, but pleeeaaasseeeee. It's worth a try!" I argued back.
"Fine" (Y/N) grumbled.
"So meet you at school tomorrow."
"Goodbye" (Y/N) sighed dramatically. Jeez someone should create a crown for Miss. Drama Queen...
She looks so hot.
Yup folks, even if I've asked her out on a fake date, I have fallen for my best friend.
-----Next day just after school----
I and (Y/N) locked eyes and headed towards my "secret" admirers.
We started our act "(Y/N), I've been meaning to tell you this for quite some time...I like you...like really REALLY like you...so will you go out with me?" I asked with a faint blush on my face.
"Yes..." (Y/N) had a tinge of red on her cheeks too. Did she like me? Nah...she probably has good acting skills...
"Meet you tonight at 7, Imma pick you up...and wear something nice," I said getting out of school boundaries with (Y/N). The fangirls seemed to hear every word we said.
"Oh, so my usual clothes don't fit your description of nice?" She joked.
"(Y/N)! You know what I mean, just wear casual stuff" I grumbled as I lightly smacked her arm. She suppressed a giggle. Even her suppressed giggle was so cute!!
----Time skip to 5 o'clock----
(Y/N)'s POV
"Oh, my gods! Oh, my gods! Oh, my gods! Oh, my gods! OH MY G-"
"(Y/N), calm down!", Annabeth, one of my BFFs, was seriously annoyed.
"But Annie..."
"Don't call me that"
"Fine...BUT PERCY ASKED ME ON A DATE!!!" I paused for a moment after looking at her expression, "I mean, I know it's a fake date, but gotta make it count, eh?"
"C'mere", she opened her arms wide, signaling for a hug. Was it that obvious I was disappointed? I hugged her. "Let's get you ready"
The door burst open and I let go of Annabeth. "Piper?", Another one of my BFFs (I know, I have a lot!)
"Yup! I Heard Percy finally asked you a date!!!" Piper burst my eardrums.
"But it's not a real date! He doesn't love me like that!" I argued.
Piper's POV
I and Annabeth shared a knowing glance. She gave (Y/N) an apologetic smile.
See the full post
9 notes • Posted 2021-12-08 13:08:31 GMT
#1

HSLOT 3rd October 2021
31 notes • Posted 2021-12-08 07:02:57 GMT
Get your Tumblr 2021 Year in Review →
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I posted 80 times in 2021
11 posts created (14%)
69 posts reblogged (86%)
For every post I created, I reblogged 6.3 posts.
I added 78 tags in 2021
#other tag - 39 posts
#my tag - 12 posts
#animal tag - 6 posts
#life advice tag - 5 posts
#writing prompt tag - 4 posts
#pretty art tag - 3 posts
#nature - 3 posts
#my post - 2 posts
#art advice tag - 2 posts
#music - 2 posts
Longest Tag: 86 characters
#normally i have a difficult time reading these types of posts of positivity and wonder
My Top Posts in 2021
#5
plants should evolve to grow bones
4 notes • Posted 2021-09-14 02:24:51 GMT
#4
i’ve always wanted to be a cat in my next life. it’s simpler times to be a cat. i like the idea of sleeping all day and having food for me to eat whenever i want to eat and being able to just really do whatever i want with no consequence
but i never considered,,, what if i was a cat in my previous life
a cat who looked at all these humans and thought “i want to do what they do” and decided to become a human in my next life
4 notes • Posted 2021-03-25 08:02:07 GMT
#3
I'm late by a few hours but my night isn't over so
just gonna say. super awkward when you've been asleep all week aside from the one day where tumblr tells me I should go to sleep. oops.
4 notes • Posted 2021-03-20 11:04:49 GMT
#2
There was a benefit to being the costume designer for my high school’s production of a modern day Romeo and Juliet while also playing Benvolio. That benefit being, I was absolutely allowed to give my character a baseball cap that had a little rainbow on the top. My director may not have known, but I was absolutely playing a not-so-straight Benvolio.
5 notes • Posted 2021-06-09 21:59:51 GMT
#1
I know it's improbable
but I would love it if the orange side was literally just an orange
all these conscious people in thomas's head and also an orange
it's beautiful
36 notes • Posted 2021-11-16 07:29:43 GMT
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