#I'm going to make so much fanart to make myself feel better

[transbeamrooikat]

I have. genuinely never hated a book to movie adaption as much as I hate the movie version of the hunger games

[frostbite-the-bat]

i hgoupe I'm The roller guy to yall

[occudo]

An incomplete list of TMA fics I adore

-beacuse of this ask

(If you liked the fics I previously recommended/made fanart for, I think you'll gonna like these as well, but you know, read the tags, know what you are going into)

Yesterday is Here by CirrusGrey @cirrus-grey

Time Travel Fix-it! Slow burn! So good! So much sass from future!Jon- I doubt I have to introduce anyone this amazing author, but if you somehow missed them till now, this is your time! I highly recommend all of their other fics as well, for example one of a more recent one, The Stranger I Know Best is also a lovely read.

enthralling by Prim_the_Amazing @primtheamazing

Vampire!Martin!! I have no words of how much I love this concept, this story, everything about this. I think I'm going to repeat myself through this list, but I also recommend everything else they've written!

to fill... my heart with music? by godshaper @godshaper so their Martin and Jon design are different from mine, also they made a way better art for this- but still, I wanted to include this really good fic in this list.

Do It All Anew by inkfingers_mcgee or @crit20art

You know the feeling when you read a book that makes you cry, and after that you recommend it to your friend? Well- there is no reason I mentioned this, I'm just so normal about this fic. Or any other fic from inkfingers_mcgee... like Strange Manner of what I made another fanart way back. Also, check out their art!

Anyway, here is Aamal- she is not going to cause emotional damage.

And they were sidekicks (oh my god, they were sidekicks) by arthureameslove @arthureameslove

A lighthearted series where Jon and Martin are sidekicks of supervillains- it's just a really fun fic, also recommend everyting from this author - I previously draw fanart here for an other fic of theirs Like a Lighthouse, Call Me Home

neither sad, nor sick, nor merry, nor well by saintbleeding @saintbleeding

To quote the aurthour: "Post-divorce Jon and Martin in a wedding-based romcom" It's such a comfort read, also has a Tim/Sasha wedding, and lots of cameos! I realised most of these authors I made fanarts for before- like this one for some kind of miraculous bind, this one is oneshot and a bit more serious in tone.

Give Me the Words by rakel @rakel-on-ao3

"Jon and Martin try to make the most of a bad situation in the Scottish Highlands. The situation is worse than they realised." You know that one post about wanting to write PWP, but it keeps turning into character study? Well, this one comes to my mind each time I see that.

i wanna find a home (i wanna share it with you) by heartshapedguy @transgenderboobs

So what would have happened if instead of the cot (tm), Jon offered Martin his own flat to stay? There is no way it's going to change their relationship, right? Such a good read, if you want some fluff, I highly recommend it!

Lucky Stars by magnetarmadda @magnetarmadda

Martin has a lovely family (except his mother) but still, he needs a fake boyfriend, and Jon comes to the rescue. It's one of the first fics I remember reading after I finished the series. It is such a comfort read of mine~

(+enjoy a rare tall Jon from me)

There are so many more fics that also deserve the spotlight, these are just the ones I read multiple times and/or didn't made fanarts for before. If you find something here you like, give them some love! Kudos and comments! They deserve it. (Also, just an extra disclamier some of these are PWP or rated T- just mind the tags)

I tried to link and tag everything, I hope it works.

[ohnoitstbskyen]

PINNED POST, FAQ, INFORMATION

Hi, I'm TBSkyen. I make videos on YouTube sometimes. This is my main tumblr blog, the "brand" blog as it were, where I maintain my Social Media Presence™ on this site.

I use the ironic ™ to signal my personal discomfort with the work of being a minor media personality even while I still do that work and make a living off it.

I have a sideblog called @tbposting, mostly for shitposts and reblogs, and in my opinion I have pretty darn good taste in reblogs, so you can follow that if you want. It's also where I'll do random personal posting, microblogging, etc.

This main blog is primarily for 1) answering asks, and 2) posting my Original Content™, usually my main channel videos, as well as the occasional longer essay or critique. Sometimes I'll reblog an interesting or useful thing, or boost a friend's work, but I try to keep the spam to a minimum.

---

About Me

I am a thirtysomething content creator whose primary expertise is character design.

I have a bachelor's degree in English, never finished my master's, did most of a bachelor's degree in history, and that's it. These are my academic qualifications, no more and no less.

My professional experience is primarily being a freelancer and self-employed creator. I spent the better part of a decade working as a commission artist, running webcomics, drawing fanart, and the occasional animation work and not safe for work commissions, and I have at this point a decade of experience and self-study in the subjects I cover. I have also done online community management for, god help me, almost twenty years, so that's a part of my skillset I'll never escape.

I do not have any particular professional creative industry experience, although given what I hear from my professional friends, sometimes that seems like a blessing.

Please maintain a critical distance when engaging with my work. I am a critic. My work is very rarely meant to be taken as authoritative or didactic, and when it is, I will make it clear in my writing. Just because I speak with confidence doesn't mean I am trying to assert objective truth.

---

TAGS (to follow, or filter)

#tbanswers is the tag for every single ask I answer on this blog

#tb reblog is the tag for reblogs

#tb essay is for the occasional longer essay or critical writing

#tbvideos is for my videos and Content™

#tb recommends is for the occasional recommendation of a video essay or other creator

Yes, I know the spaces are inconsistent. It's not on purpose, I just typed them in haphazardly when I started using them and it's stuck.

---

FAQ (before you ask)

Q: Will you ever do a video about ____ ? A: The answer to this question is almost universally "maybe someday, if I have time, and if I feel I have anything worthwhile to say." And the more realistic answer is "no, because I already have far too much on my plate and I have burned myself out too many times." In general, please don't ask me this question, I will most likely not answer it because I have given the same answer a thousand times, but I still feel guilty about not answering them.

Q: Will you continue your series of videos about ____ ? A: Yes! I will continue the let's plays I started, I will finish the Boss Designs series, I will do another What's the Deal With, I will do more shorts about the subjects I've got going on. The main obstacle is, again, my tendency to overload myself.

Q: Do you have a PO box? Can I send you something? A: Not yet, but I'm looking into it. It may be a while before I get it set up.

Q: Do you have merchandise? A: A little bit, yes, at tbskyen.redbubble.com.

Q: What's your opinion on [game/movie/comic/book/etc]? A: I struggle to answer very open, broad questions like this. Most things I have opinions about, I have multiple opinions, and different ones depending on the perspective and specific element in question. I'm much more likely to answer specific, bounded questions.

Q: Can I send you fanart? A: PLEASE. Askbox, tag me on bluesky, send it to my email! I love seeing every piece of it!

Q: Why do you never appear on camera? A: A forest witch cursed me to look not quite but ALMOST like Paul Giamatti in all photos and videos ever taken of me, and his laywers sent me a cease-and-desist.

Q: Are you gay/straight/bi/other? A: The decision I've made for myself, at least for this period of my life, is that privacy is precious, and once given up can never be reclaimed on the internet. I am open about being aromantic (not asexual), because it's a sometimes invisible and underdiscussed identity, and I know it would have helped me a lot to see someone speak about it when I was younger.

The rest of it is for me to know, and for you to speculate about, although preferably somewhere I can't see it. I accept that this is a part of being a Personality, but it still feels weird, y'know?

Q: Is it weird if I find your voice kinda hot? A: I've put a lot of work into developing this voice and making it nice to listen to, so that's not weird at all and I find it quite complimentary, thank you.

I generally don't mind people doing flirty/thirsty posting about or at me, just so long as we all understand that 1) you should never give a stranger like me information which could be used to harm you. Nicer-seeming YouTubers than me have turned out to be monsters.

And 2) it will never go beyond playful online flirtiness. I like to fluster my live chat, I'll flirt back in an ask or a post maybe, but I am not flirting with you, or inviting any kind of closer intimacy with you, the person I responded to.

Think of me like a comedian doing crowd-work at a show - you can chat to me in the bar after the show, but when I asked you what you do for work I wasn't looking for a personal connection, I was doing my work as an entertainer. Please no sending me nudes, or propositions, or confession letters in my email inbox. We are strangers, and I am always performing a persona in public.

[kozachenko]

Here's a digital sketch dump of some pose/anatomy practices and some 2hu doodles, I think from now on if I don't have any big final piece to post, I'll just post sketches I liked that I did digitally (might also reblog some drawings of mine that I want more people to see, maybe idk).

Artist's Notes:

Ok so after the recent Hifuu fanart I did, I've been hoping to experiment more with how I draw faces, how I render, as well as how I stylize things. In some of the earlier sketches I did, I had an idea for a pose that I wanted to try drawing, so I took a ref pic of myself doing said pose (the leaning one btw) and then did a sketch over top of it just to get an idea for the shapes, negative space, and silhouette. After that, I wanted to do some simpler breakdowns of the shapes so I can get better at simplifying the body (these ended up being the bottom right sketches in the post). I also did some experimenting with how to push certain parts of said sketches to create a different body type (via liquify and then a more refined version based on that sketch), as well as figuring out what makes a pose feel natural and not stiff. This was also a bit of a foreshortening practice just so I can get more confident with it, and I ended up using the arms from the liquified version for the coloured Zanmu sketch I did since I liked them so much (dw I'll get to that).

The next thing I wanted to try and draw was Hisami, mainly because.... I am very bad at drawing her in my style. Last time I drew her I made her look really creepy and spindly, and it is my headcanon now that she can switch between a more human, and more creepy look whenever she wants. I'm liking where the face is going a lot, might have to refine a few things about it in the future, but it's cute (I also made the blush purple which I think is what I'm gonna do with her face from now on). I also like how her hair in the sketch turned out a lot, but the outfit..... not as much... Ever since I started changing my style to something less cartoony, I've had a hard time drawing her outfit in my style. Especially the flower veil thing she has on, which, I did try to find a way to draw, but I ended up deleting that sketch because I didn't like it. I'm also not a fan of using the colour purple, like, pure purple, magentas are fine, indigos are fine, but not strict purple. I also have a hard time with drawing all the little pattern details on her dress. I also need to find a way to draw the flower veil in a way that looks good because everytime I try it ends up just looking off (very similar to whenever I try to draw Zanmu's blue spears). I think the only solution to this problem is to do what I normally do and make my own version of the outfit, but with adjustments to suit my style while still trying to keep core elements from the original design intact (like I do with Zanmu and Keiki, and yes I am going to get to that Zanmu drawing just gimme a minute).

Ok next up is Keiki, my favourite Touhou character who I haven't drawn since the beginning of the year. Since my style has changed a lot, I wanted to just do a face sketch of her to get a hang of drawing her again, and I..... really really like how it turned out! When I drew her eyes, I realized that a good way of keeping faces too same facey can be via varying the sizes of their pupils, so that's an idea I'm gonna keep in mind from now on. I had a lot of fun with her hair, I initially was gonna do it like how it is in the official art, but I ended up not liking it, so now I'm gonna draw Keiki with wavy heir like this because it's fun and it looks nice. I also included my base sketch for Keiki's face since I was initially struggling with drawing her bandanna, and in the coloured sketch I added some more detail into her hair.

Now to finally talk about the sketches for Zanmu. Good lord was I having a tough time with her face. I also did this sketch before I figured out how I wanted to draw hair, so that's why the rendering on her hair is different (I did this soon after the Hisami sketch actually). Since I changed my art style a lot, I had to find a way to translate her face from my more cartoony style to my more detailed style, so while the face shape, nose shape and mouth was fine, I was really struggling with the eyes. I did get somewhere eventually though, and I am super happy with how it turned out. I wanted to lean more towards the androgynous side of the gender presentation spectrum, mainly because I think that makes sense for her character. Also made sure to include the silver hairs and some wrinkles just to bring some signs of her aging into her face because those are just staple features of how I draw Zanmu at this point lol. You will also notice that I gave her some scars on the right side of her face, and that's because I am a Zanmu-with-scars truther, I fucking love it whenever I see someone give Zanmu visible scars like that it just adds so much omg (I also tried to put a wolf bite mark on her arm in the full body drawing but idk if it reads well). While you can argue that her not having scars sells the idea of her being this "powerful, untouchable mastermind who is impossible to defeat," I'd say that instead of those scars representing times she got injured, they represent everyone who has failed to defeat her.

As I was drawing Zanmu's face, I referenced my sketch of to help with contrasting their features since I made Keiki's face more traditionally feminine. I also didn't mention this in my commentary on Keiki's face because I wanted to save it for here, but giving Zanmu scars also plays into the fact that she used to be human, wheras Keiki doesn't have any scars because she's a god who doesn't follow the rules of normal human biology. Plus I'm thinking about the two of them interacting again (return of Zan/Keik??? (I'm a multishipper btw) maybe???) so drawing their faces together will definitely help me in the future if I wanna draw them together (again, maybe as a ship? I've kinda been ironing out the kinks in their potential interactions (romantic and non-romantic) for a while now so idk maybe expect that in the future lol).

And now for the full body drawing, when I was doing the face sketch I did this little snippet of an outfit, had a vision, and the made it into a reality. I'll admit, part of me was worried that it would end up looking too much like Yuugi's outfits in the spinoffs and mangas, but I feel like I made enough changes to differentiate them. I tried to keep a few of the major details in Zanmu's design (i.e. the red tassles and yellow lining on her shirt) while putting a new spin on it. I also dialed up the scars to 11 since without them the whole thing kinda looked incomplete. Also, while I could say that the leaves on her kimono are "a nod to the fact that technically she should be a tengu because back then people belived that corrupt monks would turn into tengu but no Zanmu is an oni and they're maple leaves because...tengu...ahahahaha" what really ended up happening was that I looked up clothing patterns from Sengoku era Japan, liked the leaves the most because the red picked up on the red from the rest of her design and just ran with it. I also always had the idea to put Zanmu in men's clothing from Sengoku era Japan and while the accurate thing to do would be to put her in a Buddhist's clothes from that era.... from a character standpoint, I don't think Zanmu is pious enough to strictly wear the proper monk uniform, and also since she's basically the king of Hell, she would probably dress herself like royalty from that era. TBH, I probably could've been a bit more historically accurate, but again, this was mainly for conceptual purposes because I had a vision and I needed to see it through.

If I were to draw her in this sort of outfit again, I should probably try and use more references, although now that I look at it, if she were to wear it properly this would maybe, probably look a bit closer to a Kyūtai sugata (a very huge stretch, but it just kinda reminds me of that) just without the layers under and over the main piece of clothing (In the website that I searched up to try and compare the outfit in my sketch to, they name the outfit pieces but don't label them on the image, so I don't know 100% what everything is called) so I will definitely have to use that style of clothing as a reference going forward.

Also, I was kind of inspired by the ToTK design for Ganondorf since I have finished the game a while ago and I absolutely love what they did with his design (it's just so fucking cool omg) and I thought that sort of look would look good on Zanmu, so yeah got some inspo from that.

And those were all the notes for each of the sketches, I'm motivated to draw rn but kinda art blocked, so doing these little coloured sketches helps a lot.

[unofficial-underfell]

Hey guys, I've been thinking about making this post for a long time and I think its finally time I do so. After realizing that some of my last work was done over a year ago, I don't think I can really ignore it anymore. While I haven't quite thrown in the towel on this quite yet, it's pretty evident to me and I'm sure to everyone who still follows this blog that my fervor for the project has drastically decreased. And has been kind of dead for a while. The comic has not been a priority to me, or posting online much at all actually. I did some soul searching and found that I'd started relying on outside approval for my art instead of doing art for the sake of wanting to tell a story and express myself throughout my work. I have limited energy and depression and sometimes it feels like i get such little progress done even though it takes all of my energy. While I'm trying to go to the gym more and build better habits my energy levels and mood still have a lot to be desired, and I'd rather use the limited energy I have to work on something I'm more passionate about.

I've been trying to grow my skills and absorb more stories and I've moved around a lot and started to listen to what I really felt, and I found that a lot of the art I want to focus on deals with heavier and more mature topics. I do love this story, and all of the characters and I feel like I could make a really clever subversion of what is expected from an Underfell comic. But I feel like in these uncertain times with the world and with all of the stuff going on right now, I'd like to use my energy to work on stories that hit closer to the things that I feel are important. So that's why I've not been posting much.

I'm working on a book, and I've actually got quite a lot of progress done on it, but because of all the horror stories online about people stealing author's original works, I'm kind of holding off on publishing any chapters before I can copyright the first draft of the novel. So my online activity will still be pretty scarce for a bit, though I'll still post occasionally on my @cosmicpixel01 account. I'll try better to not be so radio silent though lol. Even if that means I'll post something boring about my dog or books I'm reading just so everyone knows I'm still alive.

I don't want to call it quits on the story. But I also feel like you guys have been kept waiting to see what happens for a really long time, and that makes me feel so guilty. I will try to finish up the pages I have in the works, and I'm probably going to switch to a different format that is some drawings, some writing to finish the story. I'm sorry that I wasn't able to finish it the way I intended for you guys, even with all of the support and kind words and even the fanart that I've kept in a folder on my desktop. I am letting a lot of you down, but I feel like the radio silence is probably more irresponsible than just going out and saying something. And I'm sorry I've kept you all waiting for a not-so-happy update on the blog.

I hope that some of you will continue to follow me for some of my other exploits and see whatever other things I have going on, but I understand that you all followed me for Undertale so I don't want you to feel any sort of guilt if you decide not to. I'm just happy you all supported me for so long.

I'll try to work on this blog again soon, and if anyone has any questions, my asks are open, though I'll probably keep the asks private. Until then I hope everyone stays safe out there. And from the bottom of my heart, thank you.

-Avery

[ruija]

Well I really love your art, may I ask how do u color? I struggle with coloring turtles and I wasn't to know how do u do that?

Hi anon! That's a very broad question, so you've given me a great excuse to ramble anything I want about my coloring, eehehehee~! This will be in two parts and I'll start with talking about my simpler coloring style.

As in, when I color characters on a white background, with a limited or light palette.

The driving force behind this style is me being lazy. My time, energy, and attention span are pretty limited, so if I want to finish anything, I gotta do it fast. And with fanart, I'm usually just doing it for fun and relaxation, so there's no need to push myself to polish it too much.

Despite that, I rarely post just black and white sketches or line arts. I always try to add at least a little bit of toning or shading, because that makes the image easier to read. The characters and their shapes pop out and catch the eye of the viewer better.

However, in this particular example, just the couple toning colors don't quite do the job. The way Don and Leo are entangled makes the center area of this illustration very busy and hard to read.

As a comparison; this pic has only one tone + mask colors, and it works. This is because all the characters are standing separately and their poses are very stationary and simple.

So for the Don + Leo pic, adding some shadows helps in bringing out shapes and depths. Also in general, if you don't feel like drawing BGs, it's good to at least add a shadow below the characters. It grounds them and makes them feel like they exist within a space.

Sometimes if the posing looks too complex and busy, it might just be best to color in the characters fully.

However, even if I do full flat colors, I tend to use a lighter palette. Putting characters in their neutral/default color on a white BG can look a bit jarring as if they're floating in a void. It feels less immersive and like the picture is unfinished.

Using lighter colors makes the image more cohesive, and fits the characters into the white environment a bit more naturally.

If I'm too lazy to draw a BG, I prefer using stylized and limited colors. It feels deliberate and that the whiteness is just part of the palette, whereas the character-accurate colors on white don't match as well, even if they're more pastel.

That being said, there's nothing wrong with just slapping the flat-colored characters on a white background. As you know, I do it too. I'm just exposing my 'fancy coloring style' for what it is; me being lazy, hah!

Limited and monochromatic palettes are a nice shortcut even when you do actual backgrounds. It's faster and you don't have to worry about clashing colors. And you can still convey atmosphere and mood.

Also, on the topic of conserving your time and efforts; I think it's very common among younger/less experienced artists to think that the amount of time you spend on your art piece = how good and well received that piece will be.

Which has some merit to it of course, but it can lead to putting too much effort into areas where it's not necessary. E.g. filling the piece with tons of details and clutter that don't serve an actual purpose, but rather make the image hard to read. Or doing really complicated shading for a meme/comic, where simplicity would deliver the joke better.

So whenever I'm drawing something I intend to publish, whether it's a quick doodle or a more polished piece, I try to follow these two principles: Make it easily readable and do the bare minimum that needs to be done to convey what I want to convey.

Putting time into practice is important, but if you draw for work, it's also crucial that you know how to prioritize and use your time efficiently!

Anyway, thanks for reading! In the next part I'll go into how I do my fully colored pieces, so stay tuned for that!

[yamujiburo]

✨YAMUJIBURO F.A.Q.✨

Should've made this a while ago! I'm starting to get a lot of the same questions in my inbox nowadays tho and I feel bad for clogging up y'all's timelines with the same questions haha

GENERAL QUESTIONS

Who are you?

I'm Kiana, I'm a queer, Japanese Jamaican woman, and a Director/Storyboard artist at Disney Television Animation.

What are your pronouns

I usually go by she/her but I don't really mind any pronouns~

Where did you go to school?

California College of the Arts (but I dropped out when I was hired at Disney)

How did you get hired at Disney?

My bosses found me on twitter through my Team Rocket fanart. They liked my drawing style and asked if I wanted to take a storyboard test. I did, I passed, I got interviewed and moved to LA two weeks later to start storyboarding.

Is this a repost blog??

No, you might know be better as @kianamaiart. This is just my Pokémon sideblog where I post exclusively (for the most part) Team Rocket and Pokémon art.

What does your username mean?

It's a combination of the main 4 Team Rocket members' Japanese names: Yamato (cassidy), Musashi (jessie), Kojiro (james), Kosaburo (butch)

What program and brush do you use to draw?

Default brush in Storyboard pro

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GENERAL POKEMON QUESTIONS

Who's your favorite Pokémon?

What are your favorite ships?

Any ship with Jessie. Yamushipping, Rocketshipping and Hanamusashipping are my top three!

Who do you ship Ash with?

I was a big Pokéshipper when I was younger but nowadays don't really feel strongly about any of the ships involving the kid characters. I'm also in the "Ash is aroace" camp.

Do you have any trans headcanons?

You can find em here along with other headcanons! It should be noted that I don't usually marry myself to one hc (unless it's for a specific AU I'm trying to build out) and love seeing various interpretations of a character! Trans woman Jessie, Trans woman James, Trans man James, Genderfluid Jessie, give em to me!

Do you play the games?

I've played all the mainline Pokémon games and very much enjoy them! But I am much more invested in the anime and the characters in the anime.

**************************************

HANAMUSA AU QUESTIONS

Where can I read all the comics in order?

Here! I update anytime I make a new comic and list them in chronological order (since I just draw comics at random points in the timeline as they interest me). This post also already answers some of the frequently asked questions about this AU like: How did Jessie and Delia meet? What are James and Meowth up to? How old are Jessie and Delia? etc.

What does "Hanamusa" mean?

Hanamusa is a combination of Delia and Jessie's Japanese names, Hanako and Musashi respectively.

When does this AU take place?

It takes place sometime after the Mezase Pokémon Master/To Be a Pokémon Master series. So all the events that happened in the series, unless retconned within the series, happened. Ash is 10 at the start of the comics.

What's the status between Jessie, James, Meowth and Giovanni/Team Rocket?

Not great terms since they were fired, but also not the worst terms. Giovanni just let the three of them go without any further issues. I will say that I've always loved the theory that Giovanni keeps Jessie specifically around because of her parentage and he as a soft spot for her that he keeps a secret. I feel like Matori was the one that got the three of them fired and Giovanni wasn't able to make an excuse for them this time (without showing nepotism/special treatment) so he was forced to let them go.

If you headcanon Delia as a lesbian, how did Ash come to be?

Delia was young when she had Ash and I hc that she just didn’t really explore her sexuality much! I myself didn’t realized I liked women until I was 18 and didn’t know I liked ONLY women until like 2 years ago. She got married, had a baby and realized after her husband left that she liked women (trans people exist obviously but I’m also interpreting Ash’s father as a cis man).

Who do you think Ash’s dad is?

I don’t know and I don’t really care to explore it. I’m going off of the novel interpretation that he’s just a deadbeat that left to be a trainer, failed and never came back because of the shame. He’s not important.

Isn’t Giovanni Ash’s dad?

That’s a common misconception that people remember wrong from the Pokémon Live show. Delia mentions she dated Giovanni but then left him and his gang after meeting Ash’s father. I also don’t consider the live show canon personally! I follow The Birth of Mewtwo timeline where Madame Boss founded Team Rocket.

Do you think Delia and Giovanni dated at least?

Nah, I think he’s too old for her? I always got the vibe from The Birth of Mewtwo that he was quite a bit older than Jessie and it’d be sus if he was dating Delia when she was married to, and had a child with her husband at 18/19. He’s a bad guy but not a BAD guy.

You mentioned you still ship Jessie and James. Why not make a Jessie, James, Delia polycule?

I have a few reasons I’ve mentioned before! 1. I’m in super deep with this AU already and I feel it’d be very confusing for casual viewers of my stuff if James was added into the relationship haha. 2. I’ve drawn Jessie and James together since 2011 and took this AU as an opportunity to try my hand at writing them as queer, platonic besties bc I love that interpretation of them a lot as well. 3. I’m not poly myself and the way I write this ship is largely based off of my experiences with my girlfriend. I just know I’d favor the Jessie/Delia of it all which isn’t fair and not a good interpretation of a poly relationship. All that said, I DO super enjoy seeing peoples’ poly headcanons and art!

Who does James end up with in this AU?

No one. He's aroace and is happy to be single

Do Jessie and James have all their Pokémon in this AU

I think they have all the Pokémon that they did by the end of Mezase Pokémon Master (all their Pokémon that were left at HQ). Most of their released Pokémon have stayed released and the Alola Pokémon are still in Alola. I bring back Arbok and Weezing post-Jessie and Delia getting married. I may bring back Chimecho, Growlie and Cacnea if I think of an idea I like!

What are Meowth and James up to in this AU?

Hop back to the top of this post under the "Where to Start" section. All your questions will be answered.

Does Ash travel with anyone at this point of his life?

I don't have anyone in particular in mind! I could see him making new friends (Nemona???) or traveling with different combinations of old friends. Like him, Misty and Goh, him, Dawn and Cilan, him, Serena and Lillie etc.

Will Delia ever get over her phobia of snake Pokémon

Not fully! I think overcoming fears is fine and good but I think real PHOBIAS are much harder to get past and I don't want to cheapen it. She slowly gets used to Jessie's Seviper specifically and gets to the point where she can pet it comfortably with Jessie in the room. But otherwise, still scared and would need that same amount of time per Pokémon

Is Jessie gaining weight or is it just me?

Not just you! Jessie puts on a bit of relationship weight overtime as you'll see in the later comics in the timeline. Jessie grew in poverty, never knowing when her next meal would be and that continued into her life as a Team Rocket member. Once she was able to settle down (with a woman who runs her own restaurant no less) she's able to live a healthier lifestyle with regular meals and puts on some weight because of that.

Does Jessie ever feel self conscious about gaining weight?

Nope! She feels happier and healthier and hotter. She's also unreasonably excited to clear out her old clothes and get a new wardrobe.

Would Jessie and Delia ever have kids together or adopt?

Nah, Ash is enough for them! I have come up with hypothetical kids for them but they're not canon to this AU. Just a fun little thing for me.

Will you ever put this on webtoon?

Nah. People mostly ask me this because they want to read everything in the order of the timeline but to my knowledge, you can’t reorder chapters or installments which would defeat the purpose. I also don’t think nintendo fan stuff would fly there. Also, also it’s just extra work and another place to upload and I want to keep this all fun for myself~

[yuseirra]

Ch 160 ..let me jot down my stream of consciousness about what I feel, my reading comprehension skills can't be that bad, it'd help if I can sit down and think through a little more.

+ Okay, I'm complete! I understand things much better now!! Upon close examination, This chapter doesn't change anything so dramatically.

IT STILL DOES NOT ANSWER JUST WHAT THE DAD'S MOTIVES ARE, but... the conclusion I have after having reread it thoroughly??

It's that my interpretation of him as a mild guy still stands—it enhances it, even. He's still really kind, which is a pretty surprising conclusion compared to what I felt about it at first glance.

He's.. really kind and considerate. I'm serious. wow.

well, analysis/interpretation below!

I was spoiled about chapter way back sometime last Friday, right? and it was pretty accurate in sense, with it being just some bunch of sentences and that one really creepy panel.. it does help to see the actual art and the expressions that are associated with the dialogues.

Now that I sit down a bit, there are two different interpretations of the same story: Kamiki's testimonies on what's happened (I believe these are all truths. They perfectly match up with how I've interpreted his character all along.) and Aqua's takes on them.

I'm not reading things off the english version btw, so the dialogues may differ.

According to what Kamiki says,

-he considered Ryosuke and Nino as good people and as friends. But they approached him because they were obsessed with Ai, so he didn't know about their true colors.

-so he was able to talk about his breakup with her and talked about whether if he should visit her having children at the hospital where Gorou was. They went and killed Gorou, but Kamiki had no idea about that.

-on the day Ai died, he was still unsure about meeting her because he lacked the courage to see her face (god he's timid) so he asked Ryosuke to give her his bouquet on his behalf

I KEPT SAYING THIS GUY NEVER HAS IT IN HIM TO "SCARE AI!!!!!!!!!" HE LIED IN 154 OUT OF GUILT BECAUSE HE THOUGHT AI AND AQUA WANTED REVENGE ON HIM!!! SEE!!! I'VE BEEN!!! RIGHT!!!! I'VE BEEN!!!!!!!!!!

This was already in the leaks last Fri, I basically felt the same way about these back then

and I got every part of these right except for the part that Kamiki befriended them. I just couldn't picture the people who killed Ai or would actively go hunt their daughter down being his friend..

but seeing how.. much he seems to trust people, he used to be that way as a child, it actually all ties so nicely together.

I predicted that it was Nino and Ryosuke who went to the hospital and killed Gorou.

I predicted that Kamiki just wanted to send the bouquet to congratulate Ai but he couldn't go because he was nervous/sad from the phone call. I said that ever since I started drawing hikaai fanarts, you would have seen me going on and on about that, I drew them with this as the base!!!! The guy Ai chose wouldn't do such a thing as trying to get back at her!!! See??

I couldn't be more right!!! I am a prophet!! I should trust myself!!!! why am I so unsure of myself, really. I really, really did get everything right.

These must be all true. He's not lying about any of this. I've been analyzing this guy very very thoroughly so I know what I'm talking about.

I guess what's confused me was the latter bits, since Fri and even after I see the full images.

Kamiki smiles and says he never wanted to hurt anyone<this is really how I view him as well, this guy can't hurt people out of his own will...

However, Aqua dismisses Kamiki's statements as lies on the spot, and accuses him of having been unable to protect his own daughter. That he's been intentionally manipulated people to get what he wants. That would involve him causing people to kill each other without dirtying his hands.

Upon hearing Aqua stating "You wanted to kill your own daughter", Kamiki makes this really eerie smile (I kind of wish this is redrawn hshsh.. it looks like he's a demon spawn from hell, but this could REALLY be him being distressed yet AGAIN. this guy SMILES when he's that way. That's his coping mechanism. It's kind of hard to stare at that expression but that smile certainly ISN'T a happy one like the one we saw in 159. This is a really confusing habit he has. People are going to take him the wrong way but; sadly, it's become a habit of his...)

The scenes then shifts to visions of him manipulating nino and Ryosuke into doing what they've done with a smile. If this is really what's happened, then he IS someone pretty evil-

but now that I read it over I think that's just based on Aqua's interpretations about the guy.

Is what's being portrayed in those pages ACTUALLY how he is? Just yesterday, I theorized that Kamiki loves his children and has been doing whatever he's been doing for his children. I did have my reasons for making that claim.

We still don't know what his motives are!! Aqua doesn't state anything about why Kamiki would do such a thing if he's done so. Does he know anything about this??? Just what reason would make it.. enough to have someone kill the love of their life and their very daughter? What good would it do for Kamiki? For one thing, does he have ANY good reason to kill Ai at all? For having felt betrayed?? Then why wait out that long????? Killing their daughter? After having her live for, how long now? how old are they now? 15?? 16? Why now? Why would he??

The important thing would be just WHY he'd be doing all those things if he's really been so, so WHAT IS IT AQUA?? WHAT??

Forgot to mention this but in the beginning of the chapter, we have kamiki saying, Hm, but what did I do? Did I "stab someone?" did I "push someone off a cliff?" I never "did" "anything".

Then we have Nino going "Kamiki-san didn't do anything. He just talked about Ai. He talked about her so we(her and Ryosuke) wouldn't forget about her. That was enough to make us break."

OH come on. COME ON. HUH. I feel like he's never told them anything bad about Ai, he probably let out how much he loved and misses her, because he thought they were her fan and coworkers as a fellow member, I bet he was happy to befriend people who knew about Ai because they share a common interest together. With it being his favorite person in the world even while he was dumped.

What a stupid reason, Nino. You brought everything upon yourself. I can see that now.

I do think.. kamiki has some sort of power that causes people to grow insane or act out, that could have had some influence on ryosuke and nino in a way...

but again, why would he try to kill his lover and his daughter even if he can use it with his own accord??? Even if he's using those powers now?? Would he use it to do those respective things?

Even if he has those, that shouldn't be all there is to it. According to Kamiki, they were already obsessed with Ai when they approached him and YEAH! Makes sense?? They came to him first, probably already aware that he was Ai's lover?? He isn't responsible for them hoarding those kinds of feelings!!

Coming to think of it, I find it really strange that he still hung with nino being the complete wreck she is. Oh wait, I guess he still could. Ryosuke killed Ai and Nino doesn't seem to have played a part with that. Nino was there with Ryosuke when Gorou died but she's not the one who's pushed him off a cliff. Ryosuke's the really...horrible one. He had a pretty gf like nino JUST WHY. Then again, nino was obsessed w Ai too so they were a match. I guess Kamiki hanged with Nino thinking she's just another victim who wants Ai back or whatever. He still hangs with her when she says that are super creepy like she can't forgive Ruby if she surpasses Ai though.. Perhaps he's really bad at letting people go.. OH, YEAH. He was always pretty attached to people as a child. Okay, I got that part cleared up on my own. Stream of consciousness is like this. It can happen.

Continuing on!! Aqua says Kamiki is a "despicable, selfish liar, worse than a murderer". Even Kamiki can't smile hearing that. If he ISN'T one, then that'd hurt.

Well, he responds again, saying:

"Ah, yes. You're the same way as I am. You share those same eyes I have. The type of eyes that grant the power to persuade others into believing you. The eyes that grant you charisma, befitting that of a star." Then we see a panel with Ai, "The eyes of liars, that fool, and make others submit to you"

he must be thinking of what Ai's told him when she talked to him about having the same eyes. (CH 140)

"You've been inciting people just like I have, right? Just how many people did you fool to fulfill your goal?"

"It must have felt good to use your talents to impact the lives of others, right?"

I'm not sure if this is a taunt/mockery or just him stating the facts as a liar/a black star user himself.

If he's thinking about Ai... then it can be the latter. She approached him saying "they are the same". He could be thinking about that.

Actually, he's strangely calm. His emotions are a bit hard to read on this one, I'd say it actually feels collected compared to what he's heard.

This could actually be sympathy or empathy...

I didn't take it that way when I first encountered it, so I felt.. Kamiki could be lashing out a bit but no. That doesn't seem to be it.

Hey, he really never gets angry. He actually looks a bit sad depending on how you look at it, I think he may be feeling a sense of guilt in that particular panel where he says "Just how many people did you fool to fulfill your goal?", the one where he glances down,

just like how he talked to Aqua in 152, "It's a lie, isn't it? it's because they're important that you keep your distance from them. why would you go that far to bottle yourself up?"

This guy understands his son really well. In fact, I think he may be trying to say, "we're the same=I understand the way you are, we're on the same track" the way Ai's done for him. That's what was his salvation.

Aqua does not take this well.

He says yeah, we're both terrible beings, but Ruby is "different".

Oh, and the rest.. what's stood out to me is the panel where Aqua goes,

"sending love to the one who desires for love" as he describes what Ruby is doing. Kamiki shows up in that panel.. This is what Ai wanted to do for him.

and there's a panel that comes up that shows Ai with the twins that follows right after saying:

"it's the eyes of the one who desires to love someone"

This is really sad. I think that page actually indicates Ai desired to love him while he desired to be loved from Ai. That happened both ways. It was a nice page.

Yeah, and Aqua points his knife to his dad like a toy gun saying

"You must disappear right here and now, for Ruby's sake."

I don't think Aqua's actually up to stabbing him, actually? If he's pointing the knife at him like that, I think it's more like he's warning him to stay out of their way forever, scram, or just go die off on his own.

Both of his eyes are white, he's not going to kill him with his own hands, rather, he's going to make him go away.

So I don't think next chapter would start on a fierce note? Kamiki does not seem like a guy that gets agitated so easily. He STILL never once got angry in this chapter as well. He's still pretty sweet to his son. I'm not being biased on this, the way he talks has always been really soft. If this were to be an anime, you'd hear how he'd talk and see whether if he has thorns in them but I don't think it's that way at least, I think he's trying to be understanding??

This guy is soft. He will not put up a fight. I don't know, he may jump off that bridge and try to die maybe. If that's what his son wants? Move out of the way? He doesn't seem.. angry about it all. He's not even protesting.

In the end, the only thing that got proven in this chapter was that Kamiki DID NOT DO ANYTHING IN A PHYSICAL SENSE, AND HE DIDN'T TRY TO SCARE AI.

the fact about him manipulating people and lying to get his way, I think there's low chance of it being applied for Ruby and Ai's case.

I think he really didn't have a clue Nino would attack Ruby? If he's considered her as a friend?

what are the basis of Aqua picturing him that way? He must really hate his dad. There is no way he could have seen such things happen. Unless Tsukuyomi told him about it?? there is no proof that it's what's actually been taken place. Kamiki could have incited people, or influenced others, yeah, but I don't think he did anything to Ai or his daughter. Again, I think he loves his family. Why wouldn't he??

Until things get cleared up more, I???? I ACTUALLY?? think Kamiki's taking it in a really calm manner despite all the things he's being accused of??

This is very long, but that is all for now!!

Oh, this was worth revisiting and analyzing. There's a lot more I see when I scrutinize it like this!!

[major-wren]

I love the "ARK siblings" concept and I love cute lighthearted fanart of them being siblings but I feel like a lot of people forget that they literally canonically share a soul and that her death is, in my opinion, I think supposed to represent a part of one's self dying and that they're supposed to be, symbolically, a lot more than siblings.

I always saw Shadow's story as a symbolic way to express the way your inner child and innocence is sacrificed in order to survive complex childhood trauma. Maria's color scheme and the way she's written is, I think, clear to all of us how she's meant to represent innocence and youth. I mean, she doesn't really function very well as a stand-alone character or realistic depiction of a child, shes always been more of an.. idea.

I'm not sure if it was purposeful, but the moon's "Maria" are craters that formed from the moon repeatedly taking the hits of asteroids at it's points of gravity. These points of gravity attract asteroids and draws then away from the Earth. The craters are mostly on the side of the moon we see, so the dark side of the moon, or "shadowed" side is better protected because of that. I feel like this is an extension of Shadow and Maria's symbolism. She took the bullet for him, protecting him, the same way Maria takes the comets, and the same way your brain will sacrifice your inner child (or freeze/rush your mental development) in order to survive intense childhood abuse. I know it all sounds extreme lmao but at the end of the day characters and storytelling are used to explore and express hard emotions and I don't think this randomly tragic character sprung out of nowhere for the Sonic games, which, before that point, always had very lighthearted positive characters (except for the echidna extinction in the game right before Shadow's). Having a character that was easy to approach, yet could represent scarier concepts as a child-friendly stand-in, felt like a very important tool to me growing up. I just hope that that writing can be appreciated in his character, with an understanding of how messy production can be and how a character can get pulled between many different people and ideas. I do think this symbolism was intentional to some degree, especially when it gets to the blatant soul-sharing and how characters insist that Shadow can't be a weapon because Maria's soul (his inner child and true morals despite the damage done to him) makes him "good hearted."

There's other things that uphold this symbolism of Maria dying as representing his inner child being killed, like the rushed/suspended mental development in the face of trauma being illustrated by the fact that Shadow was forced into a dormant cyro slumber right after Maria's death, symbolizing the way he had to basically skip childhood or hit pause on development until he could escape the people controlling him. Much like how victims will have to pause everything and go on autopilot with only a goal of survival until they can escape their situation; only after they feel safe can they begin growing as a person and find their identity. In the Japanese language, there are different types of pronouns people can refer to themselves with instead of just "I" or "myself." In the Japanese dub of SA2, Shadow's creator said in an interview that he had been very insistent on Shadow using the pronouns reserved for young boys, despite Shadow's menacing villain role in the game, because he felt it was important to show Shadow's purity and his lack of experience in life so far. That "live and learn" theme.

And then in his self titled game, Shadow is searching for a way to reconnect with his past and to find the truth about this Maria person he keeps seeing in flashbacks, but in the end he throws away her picture and accepts himself as he is now, forever changed and stained by his past, but more than just a product of his situation. He is "all of him," including the negative impact he never asked for, and including the parts of himself he lost, but also the parts of himself he chose to become. Your environment and childhood shapes you even if you didn't want it to, but that doesnt mean you cant have control in your identity and recover your inherent nature once you've escaped the negative influence (nature vs nurture theme). He will never be the person he used to be, or could have been, (represented by Maria as a pure and untouched youth), but he still has a say in what that grows into.

I just feel like a lot of Shadow's identity issues and inner conflict stem from this whole soul sharing situation with Maria and that his character ends up inevitably being misunderstood if you water them down to just siblings. Especially considering that it was never answered if Shadow actually even ever met Maria or if they're just memories planted by Gerald or caused by the shared soul. In Sonic Battle, it's also said in Gerald's diary that not only do Maria and Shadow share identical souls, but that Gerald literally modeled Shadow after Maria out of his love for her. I'm not sure to what degree or in what ways, but Shadow is supposed to share purposeful similarities with Maria, likely through the content of her character and her morals. That's what makes them so much deeper than just psuedo siblings, he's not only made for her, but designed after her too. It can't really be compared to, for example, Sonic and Tails.

I also think its what makes Shadow's character so substantial and meaningful. His self titled game's entire theme was purity, morals, what is good and bad. This question of purity and morality spreads into his appearances in other stories too- This question that, if you were badly hurt in your youth and shaped by evil- does that leave you impure? Stained? Destined to continue that cycle of harm and cruelty? I think these insecurities feel very real and relatable, and that it's even more realistic that despite these insecurities, that hurt and damage is actually what fuels him to protect others. Just as he said in Sonic Battle, "There's no need to repeat past tragedies! Nobody else ever needs to go through the things that I have!"

Statistically (despite media portrayal) abuse victims RARELY become abusers, because they understand the pain on a deeper level and can't bring themselves to force someone else into experiencing that same pain, knowing the permanent damage it causes. However, childhood abuse leaves people socially stunted and conditioned to harshness, which causes them to accidentally hurt others without meaning to. Or they end up hurting people out of desperation if they feel endangered (like Shadow's "means to an end" approach where he'll prioritize violence if it means reducing the end-impact). Also, they are more susceptible to being abused again after escaping the first abuser, because they are so susceptible to manipulation- Just like how whenever Shadow does switch sides, its usually because someone manipulated him into it or literally brainwashed him. I think Shadow conveys all of this so well, and that Maria's true role is an integral part of it all that can't be ignored or misunderstood, or else Shadow ends up reading as unnecessarily violent or overly obsessed with her when you interpret her as just a sister-figure that he knew for... who knows how few years.

I think this symbolism runs deep with his writing. Just like Maria's meant to be that inherent purity and inner child, I think the black arms DNA is that stain that abuse or trauma can leave on you, that causes you to act out or feel like you're always holding back and trying to keep control over some darker part of yourself that was left behind in the damage done. Especially since they literally have a mind link with Shadow. In the Sonic Universe comic, they succeed in brainwashing Shadow and turn him against his friends. These mind-links, soul-sharing, and brain-washing from both Gerald and the black arms... To disregard the fact that he's deeply connected to these people on a metaphysical, identity altering level is to water down his character and leave it feeling as though his motives are too weak to justify his harsh actions. I've seen people poke fun at his amnesia or insecurity in his identity, as though his confusion isn't justified, and I think it's because people don't realize he has these... literal fragments of other people inside of him, that that's pretty much what he's made of, kind of franken-steined together between a little girl's hopes and morals, an alien race's hivemind greed, a weapon-hungry government and a revenge maddened scientist's painful grief, and even the chaos emeralds which we all know are spiritually whacky and potentially connected to another alien race's memories and energies (the ancients from sonic frontiers). With all of that going on, plus some amnesia mixed in and his memories having been altered by Gerald- I mean.. you'd be searching for the "truth" of your identity too, who you really are. And of course, prone to frustration and aggression, or even a "wish-washy inconsistency." I think there's always a constant tug of war inside of him and that his whole development was a game of tug of war between Gerald, G.U.N and the black arms too. "Am I a cure, am I a death-bringer, am I earth's protector, am I it's destroyer," etc etc

Idk I just think a lot of problems people have with Shadow's writing stems from not realizing how deep things go and what they symbolize. Not to say that something like his boom characterization is of good quality or anything, but I think it's unfair to call him inconsistent when a confusion in his own identity and purpose/goals is kind of the point. And I think people not realizing Maria's deeper, physiological connection to him and influence might be part of the problem.

[pathos-logical]

How to Keep Doing Descriptions (from someone who does a fuckton)

Plain text: How to Keep Doing Descriptions (from someone who does a fuckton)

This is a list aimed mostly at helping people who already write IDs; for guides at learning how to do them yourself, check my accessibility and image description tags! I write this with close to two years of experience with IDs and chronic pain :)

Get used to writing some IDs by using both your phone and your computer, if you can! I find it easier to type long-form on my laptop, so I set up videos and long comics on my phone, which I then prop up against my laptop screen so I can easily reference the post without constantly scrolling or turning my head

I will never stop plugging onlineocr.net. I use it to ID everything from six-word tags to screenshots of long posts to even comic dialogue! On that last note, convertcase.net can convert text between all-caps, lowercase, sentence case, and title case, which is super helpful

Limit the number of drafts/posts-to-be-described you save. No, seriously. I never go above 10 undescribed drafts on any of my four blogs. It doesn’t have to be that low, but this has done wonders (italics: wonders) for my productivity and willingness to write IDs. If I ever get above that limit, even if it’s two or three more, I immediately either describe the lowest-effort post or purge some, and if I can't do that then I stop saving things to drafts no matter what. No exceptions! Sticking to this will make your life so much easier and less stressful

My pinned post has a link to a community doc of meme description templates!

Ask! For! Help! Please welcome to the stage the People’s Accessibility Server! It’s full of lovely people and organized into channels where you can request/volunteer descriptions and ask/answer questions

I make great use of voice-to-text and glide typing on my phone to save my hands some effort!

Something is always better than nothing!!! A short two-sentence or one-sentence ID is better than no ID at all. Take it easy :)

If you feel guilty about being unable to reblog amazing but undescribed art, try getting into the habit of replying to OP’s post to let them know you liked it! This makes me feel less pressured to ID absolutely everything I see

This is a sillier one, but I tag posts I describe as "described" and "described by me." When saving to drafts, I never preemptively tag with "described by me," since for some reason that always makes me feel extra pressure and extra stress. Consider doing something similar for yourself if that applies!

I frequently find myself looking at pieces of art which feel like they need to be considered for a bit before I can write an ID for them, and those usually get thrown into drafts, where the dread for writing a comprehensive ID just builds. Don’t do that! Instead, try just staying in the reblog field for a bit and focus on the most relevant aspects of the piece. Marinate on them for a little; don’t rush, but don’t spend more than a handful of seconds either. I find after that the art becomes way easier to describe than it initially seemed!

On that note, look for shortcuts that make IDs less taxing for you to do! For example, I only ever describe clothes in art if they're relevant to the piece; not doing that every time saves a lot of time and energy for me personally

Building off of that, consider excusing yourself from a particular kind of ID if you want to. Give yourself a free pass for 4chan posts, or fanart by an artist who does really good but really complex comics, whatever. Let it be someone else's responsibility and feel twice as proud about the work that you can now allot more energy to!

As always, make an effort to find and follow fellow describers! It’s always encouraging to get described posts on your dash, and I find that sometimes I'm happier to ID an undescribed post when the person who put it on my dash is a friend who tagged it with "no ID"

TL;DR: To make ID-writing less stressful and more low-effort, use different devices and software like onlineocr.net and voice-to-text, limit the amount of work you expect yourself to do, and reach out to artists and other describers!

[olderthannetfic]

I hate to revive DNI discourse when it just ended on this blog but I often don’t think it’s as deep as people make it out to be and there’s a lot of, for lack of a better word, ~valid~ reasons someone may have a DNI. Like there’s absolutely contexts of “Kink Blogs DNI” disclaimers having an anti, swerf, etc undertone but sometimes I get it — for example I follow a couple of disability activists who post A LOT about incontinence, needing a caregiver, ETC who have stuff like “ABDL/DDLG/Devotee Blogs DNI.” Oftentimes that is not an indicator on their moral stance of those kinks, but rather them just being like “hey this is an activism-based journal where I post about incredibly personal things in regards to my own life, and while anyone has the right to read or reblog from me, if you’re clearly getting off to my medical needs or even if I get the vague impression you are, you WILL be blocked.”

Obviously that is an incredibly extreme and personal example, but I don’t think having a DNI boundary in your bio is ALWAYS a morality/discourse stance. On a much lighter note, I’m pretty active on Kpop Twitter, and there’s a lot of “RPF DNI” accounts there, and I think that’s more of a “I just want to post about my favorite band without shippers quote retweeting/replying to make it about their ship, and if you do so, I’ll block you. They’ve made public statements against these ships or about their real relationships and I am uncomfortable with people trying to dispute that.”

Oh yes there’s absolutely antis who hate RPF communities and all they stand for. But there’s also people who just straight up don’t want that on their account.

And like. As someone casually involved with RPF (i gossip about potential relationships with close friends and will reblog joke posts about it and will read it, but I’m not a writer for it and I’m definitely not someone who actually tries to speculate just how heavy the “fiction” part of an RPF ship might be), whether or not I choose to follow a person with such DNI depends on context. I keep my RPF ships/opinions off my main account, and even if I DO see a post that I would otherwise interpret as possibly shippy, I just won’t bring it up on said person’s posts, you know?

Damn this made me remember I have a DNI myself on one my accounts, 🤣 I have a minors DNI on one of my sideblogs. But I know I can’t prevent minors from seeing my posts or lying about their age or reblogging to a private sideblog or doing anything else that would go unnoticed. But once I do notice you interacting, if you’re clearly underage I’ll block you, just cuz I don’t feel comfortable with minors following my smutty fanart account even if I know minors look at smutty fanart, as someone who did look at smutty fanart as a minor. . .🎶Maybe I’m the problem it’s me. 🎶

--

No.

It's a stupid phrasing and no amount of validity in the criteria will make it less stupid.

No one here thinks they're always deep and meaningful. What we all say every time this comes up is that it's bad to conflate "I will block you if..." and "It is your job to research my boundaries ahead of time".

I'm not interested in people crying about how they like using an inaccurate term and everyone is supposed to understand what they mean. In practice, many people do mean that it's other people's job to enforce their boundaries for them. Validating this garbage terminology just encourages them.

It's a stupid, shitty term and we should move away from it.

[bookshelfdreams]

Hey I like a lot of the takes you have regarding the pirate show so I wanted to ask for your opinion on smth that's been bothering me for a while:

I have a deep seated dislike for Hamilton. Twinkifying the fucking founding fathers, romanticizing slave abusers and overall villainizing the wrong people while others (Hamilton at the front naturally) gets sung at. Speaking of singing - I really hate it. Shipping (i want to repeat) the founding fathers, the blatant white washing bla bla bla. Anyway those are all known problems and better people have said it smarter before and that isn't really my point

It's the fact that a friend of mine recently brought up that Ofmd pretty much is the same and I shouldn't scream so loud in my glass house. Inaccurate historically speaking, the blatant ignoring of the slave owning that the real Stede and Edward did and so on and so forth. Minus the singing perhaps if we ignore Frenchies and Izzys

So. Does it make me a hypocrite to like ofmd so much but despise the mere mention of Hamilton? It's a thing I'm really stressed about lately and that kind of ruined my joy about finally getting season 2. I would love to hear your opinion. or that of your followers for that matter.

Thank you 😊

oh thank YOU because I do feel that this is an interesting thing to examine and we do not talk about it enough.

I have never seen Hamilton, or listened to the songs (except some snippets). I have never been involved in the fandom. I really, really can't speak to what the musical itself did wrong and right. But I will say this: There was a reason it got as popular and received the critical acclaim that it did. I can't speak to how it addresses the systemic injustice baked into the USA from the very beginning, and I do have a suspicion that it glosses over a lot of uncomfortable truths. But I also feel it is important that we divorce the source material from the fandom it spawns because ultimately, Miranda isn't responsible for Hatsune Miku Binder Jefferson, or the whole hivliving debacle.

Just as David Jenkins isn't responsible for the handwaving of slavery in fanworks, or the great Izzy Hands Debate, or whitewashing in fanart, or shitty, racist headcanons of the characters of colour, or whatever deranged scandal is yet to come to light. This is true for all fandoms; criticizing fandom dynamics is a very different conversation from criticizing the canon.

Let's focus on the canon here, though, because defending the fandom is pointless, and not something I want to do. Curate your experience.

The first thing to say is: If you like ofmd but don't like Hamilton, that's not hypocritical at all, that's first and foremost a matter of taste. Things are good when we like them and bad when we don't. We don't have to find objective reasons for it.

If the fact that the historical Stede Bonnet was a slaveowner, and the historical Blackbeard also participated in the slave trade, are dealbreakers for someone, that's valid. People have every right to be uncomfortable with that. The conversation could end at this point, if we want it to (I don't because I love to hear myself talk).

If we look at the historical figures a little closer the first stark difference is the cultural context in which they exist. The founding fathers seem to be extremely mythologized in the american consciousness but also, are understood to be real historical people. The founding myth is fundamental to the way in which the USA perceives itself (that is, as a beacon of freedom and democracy), and it's pretty hard to reconcile that with the bloodshed and human misery it was founded on. It's uncomfortable; and it's not just an American problem. Every western nation/former colonial power has quite literal corpses in their closets they'd rather not talk about (just so you don't think I'm getting on a high horse about the famed Erinnerungskultur here; go ask a german person about Lothar von Trotha and what he did to the Nama and Herero to receive a blank stare). The difference is, that the founding fathers are too prominent and too important to just not talk about, so instead, they are sanitized to a degree that can be straight up historical revisionism.

That's not Miranda's fault. Nor is it the fault of any one particular piece of historical fiction, biography, documentary, or what have you. But it is the context in which Hamilton exists and, from what I understand, a culture to which it contributes. Especially since it's based on a biography of the real Alexander Hamilton, and (again, to my understanding) claims to tell a more or less accurate story.

Pirates, on the other hand, are perceived completely differently. They are mythologized, but not for ideological reasons, not as state-building propaganda. Pirates are more like folk heroes; cultural icons (near) completely divorced from whatever historical figure once lived. They are "real" in the sense that they are based on real people, but engaging with them, from the start, has a layer of removal from reality that engaging with figures like the founding fathers hasn't. Blackbeard is from a saga. George Washington is from history.

ofmd, specifically, makes clear at every turn that what we are told is a fictional story that has very little to do with any real events. It's openly anachronistic, it has absurd internal logic. Life-threatening injuries are walked off. There's actual magic. Dinghies are treated like spawn points in a video game. Everything, from the costumes to the vernacular to the story beats, tells the audience that none of this is real.

You wouldn't accuse, idk, A Knight's Tale, or Mel Brooks's Men In Tights of whitewashing history. I feel like ofmd plays in a similar league; it's a comedy very vaguely based on history, and it makes sure the audience knows we are not about to be told anything true. If you watch ofmd, you know this isn't about the real, historical Stede Bonnet or Edward Teach.

So. Let's examine the actual story, yes? The story that is told here is anticolonialist, antiracist, and challenges oppressive power structures as much as is possible for a production like this. It addresses these things and condemns them, both explicitly and in its underlying message. (I'm not gonna explain all of this, enough ink has been spilled about it by people smarter than me)

I do not know what Hamilton is about at its core. I know Our Flag Means Death is about authenticity in the face of the whole world telling you there's something wrong with you. It's about resisting dehumanization and reclaiming your personhood. It's about love, in a radical, system-destroying way, about breaking the cycle of abuse, about healing, and finding joy.

Yes, the real historical figures it's based on were all horrible people. Again, if that's a dealbreaker, that's fine. I'm not trying to convince anyone who is deeply uncomfortable with that fact; it's perfectly understandable.

However, for me, personally, the story as a whole is so far removed from reality, and so firm in its message, that I feel this is forgivable.

(Oh, and a lat aside, I also feel like likening ofmd to Hamilton seldom seems to come from a place of genuine criticism. Often it seems to be more along the lines of "Hamilton is cringe, and if I say ofmd=Hamilton ppl will be too embarrassed to defend it" which yk. feels kinda disingenuous to me.)

[bloggingboutburgers]

Something that really ought to be said more... it's ok not to understand. To never understand even. (In the case of the reblog, understanding sex / peoples' fixation on both it and romance, but it can apply to anything.)

People can give all myriad of reasons they do or like something, but that doesn't have to change your mind about how you personally engage with it.

I think the only case where understanding matters is insofar having a greater understanding helps limit how much people hate something out of ignorance, but that isn't foolproof (people can understand and still double down, which I've seen happen a lot towards every hated group under the sun).

Aspec or not, your cultural upbringing and how you physically perceive intimacy of all kinds is going to affect both if you enjoy it and how you understand it.

For many, sex and romance isn't an important goal but a thing that just happens. The uniquity of it with "life" is worth questioning, especially in cases where people feel pressured to perform and participate in sex and romance. But for many it isn't something they plan for at all. They may include it in fanfiction or fanart (and yeah it absolutely is prevalent in that space the same way edgy ms paint furry art was prevalent in the early 2010s) but that inclusion is not a message to onlookers that they must themselves aspire to a relationship like the one depicted.

Thank you so much for this, it feels sincerely validating and... Yeah, like you said, it ought to be said more.

I gotta admit it's hard sometimes not to want to understand, when (as an aro/ace person, that is) you're pretty much incentivized to do so at every turn. Even if you're lucky enough to not have been treated as a prudish freak for expressing you're aro or ace, and finger-pointed with a "You should try to understand people's point of view better" (sic: very few people try to do the same for you)... Society is portrayed as just working that way, putting romance and sex as #1 priority is portrayed as "the normal thing to do", and in my own experience and a fair amount of aros and aces around me, it seems, it's not just "included" in fanfiction or fanart, it's... Aggressively prevalent. Like, 95% to be generous, possibly more. And it's not just fanwork either. Fiction and art in general are loaded with it. So... Yeah, it's kinda hard sometimes NOT to take all of this as a message that this is what we should aspire to and the way we are isn't valid.

But then even if you're lucky enough, like I am, to FEEL valid despite all that, it's still... Lonely. I wanna understand because some days, a lot of days, it seems it's the only thing people actually connect over, and even if I'll never feel the appeal, I wanna understand the logic behind it, at least that much, so I'm not made to feel like such an alien for wanting to focus on other things. I wanna know the reasons.

Another more personal thing is that when I was growing up as an aro-ace, before I figured myself out, I thought everyone else was blowing things out of proportion to an abnormal degree without realizing I was the "abnormal" one, and that lead me to see breakups with a very "well, duh, that's what people do, they break up" outlook and not understanding the devastation behind it. I've gotten better at it, but there's still a lot I just find myself smiling and nodding to without really getting it, and that hurt too, to a degree. I feel cold to my friends and to other people.

I know I shouldn't, because I am who I am and I don't love them any less or am any more unfeeling than them, and I know I guess I shouldn't feel too guilty for not understanding allo people because allo people in general, exceptions aside, will make little to no effort to understand me back, but... Yeah, it's hard not to, a lot of the time. So being told it's OK is definitely valuable and a relief, even if it won't make that feeling go away in me, it's still a relief. Thank you.

[roseofhybrids]

i put a microphone near your face

how are you feeling after that md stuff huh

Well, the fact that it'll be the end of the series makes it a bit bittersweet, but it had to end at some point. If the story can be told in 8 episodes then so be it. 8 is a lot more than what I had a little over a year ago when I first decided to watch it

I've been invested in quite a few projects that I've never seen get a conclusion to (mostly webcomics, so so many unfinished webcomics). Which is probably where I got the patience to wait as long as I do for these sorts of things. It's easy to wait a few months for an episode to air after waiting multiple years for things that never came to be

Having an ending is much better than the limbo of always being stuck somewhere in the middle, just being left to wonder forever what was meant to happen. So I'm overjoyed that we'll get to see this story get a proper ending

But it is still bittersweet. The show will end, and for a lot of people that means the fandom ending too. I don't believe that's the case, no matter how old something is or how long it's been over for, I see no reason to stop getting as invested as one does with a brand-new piece of media. But still, not everyone can stick around forever. So I'm preparing myself for people to move on. It's sad, but as inevitable as the show itself ending. No matter how long-lasting a fandom, members will move on to other things eventually. Personally, I don't see myself stopping the fan art any time soon. I've never had a reaction to a show like this before. I've gotten really invested in things the same way before, but all those instances it eventually died down after a few weeks and I could stop binge-watching/reading the thing over and over and just be normal about it.

Murder Drones on the other hand. It's been well over a year at this point. I managed to pull my shit together after two weeks like I usually do, but a fraction of the intensity lingered. Now I'm here, with 109 post tagged "murder drones fanart" and 623 just tagged "murder drones" according to the Tumblr archive

I still get giddy rewatching the episodes, still have a long ever-growing list of drawing ideas, still think about the little robots on a daily basis. So yeah, I think I might just be stuck like this the same way I'm stuck forever liking animals, ghosts, and roller coasters. Eventually I'll have to get back to drawing my own characters and one day make my own comics and such. But as things stand, I can see myself still drawing MD art for years. One can only hope I can balance the two out

So yeah, how I'm feeling, Excitement for another episode and finally seeing how this all ends. Dread for the inevitable change, not looking forward to that part, (the joys of living with an anxiety disorder am I right fellas? c'est la vie, c'est la mort) and just a touch of nausea, because this is a lot of excitement after just waking up

so anyhow, gunna go watch the trailer on repeat a couple times and then see if I can't calm myself down a bit afterward

[anouchard]

hello,

how do you visualise Gwen? As ironic as it is, I am god awful at visualizing characters. I usually go based off of ‘vibe’, and pieces of character designs I enjoyed, so hearing any of your opinions on how they may look (if you have any) would be interesting.

on an unrelated note, do you draw parallels to yourself and Gwen at all? How do you feel reading scripts? Do you view it as yourself doing these actions as Gwen? Just curious.

one final question, do you like cats or dogs more (if other please specify.), what is your favorite breed/color/etc of said animal?

thank you, have a nice day.

To answer both part one and part two, I suppose:

I've never really envisioned Gwen as an entity (not a hint) outside of myself, which is lovely really (and quite rare, I think). It definitely helps when it comes to embodying her in recording sessions, as I don't have to reach for her in the same way as I've had to with other characters I've played. She was a character that I felt I instantly knew the essence of the moment I auditioned, even if I didn't know the details (and even if some of the details have ended up making her very different from myself).

Don't get me wrong, I still used to annotate scripts half to death and ask poor Alex half a dozen questions per session, but I've found I don't need to do that as much any more as I've got to know her better.

So I guess, like Jonny, I just see her as me, but that's only because I happen to be the one playing her! One of the most joyful things about working on an audio-only project is seeing the huge variety of creative interpretations of your character, and I can guarantee that if you've ever posted fanart of Gwen, there's a good 95% chance I've seen it (and been very, very impressed).

As for part three ... I'm just an animal person. I love 'em all. I saw a photo of a polar bear having a nap today and very nearly cried.

Thanks, you too!