#I'm getting carried away here

[shevr]

[mrsoharaa]

<<< men who needily一 desperately crawls up toward you on your bed. Hands prepping onto the base of your calves, gradually gliding up as they slowly make their way up closer towards you. Bright, urgent eyes never leaving yours while doing so. The sheer, pretty burning look flourishing in their polished, dilated irises. Practically anxiously begging to have more of you with just a dire, pleading gaze.

[blindmagdalena]

really obsessed with soulmate au’s recently and it got me thinking… what if john’s soulmate was part of the boys? a girl trying to kill him with an entire group of people also trying to kill him… and he’s fated to her? could picture him finding out and just putting his hands on his hips while turning his back to her and doing that click chuckle thing. just in utter disbelief but it is definitely on track for fate’s little play with him and his life lolol

Oohhh, you know, I've never played much with the soulmate au concept, but this struck me just right because I can so clearly see the slow, building meltdown that strikes him when that reveal drops.

The mirthless laugh, shaking his head, the hapless gesture to the ceiling before his hands drop. "Of course. Of course it's you. Why wouldn't it be? I mean—Christ, it makes sense, doesn't it? Every single person who was supposed to love me has-has fucked it, so why—" he keeps cutting into this escalating, unsettling laughter. There's nothing funny about it: you're sure that you're watching someone lose the last shred of their sanity in real time. "Why would my 'soulmate'-", he says, miming big, dramatic quotation marks. "-be any different?" That manic grin has shifted into tight baring of his teeth, a vicious sneer. He closes in on you, stands so near you can feel the heat of his breath when he hisses, "I should put you in the fucking dirt with the rest of them."

It should be terrifying, but it's hard to focus on anything other than the glassiness of his eyes. The sheer devastating heartbreak of it all, telegraphed clear as day in the way he carries himself. His eyes flare red, sizzling up the tears before they can fall. "And then you really will be all alone," you say. Maybe it's the hopelessness of the moment, maybe it's the shock of learning for yourself that he's supposed to be your one and only, but you feel numb. Frayed in a way you didn't know you could be. The crimson light of his eyes disappears in an instant, revealing surprise, followed by a wounded kind of look, before that familiar seething rage returns. "We'll see about that."

[reinedeslys-central]

"I think you should totally get in the back of my truck, actually," Leo says, linking pinkies with Jason. "What's the line? 'I can show you the world'?"

Jason stares down at where their fingers are curled together, peach on olive. He can't stop looking. "You don't have a truck."

Leo groans. "That was one time. I promise this one's legal. See?" He gently untangles their hands and slips behind the blue Chevy, returning with a slip of wrinkled paper that he triumphantly shoves in Jason's face.

LEO, I SWEAR TO GOD IF YOU BREAK MY CAR WHILE I'M IN IOWA I WILL HAUNT YOU TO THE END OF TIME.

Your loving cousin, Nyssa (P.S. You can take your boy for a ride. I'll allow it. There's blankets in the back (and please help yourself to the glovebox). Don't tell me.)

Jason's eyes travel down the sparkly purple pen, catching on the note at the bottom before flickering back up. There's something that aches in his chest at the words 'your boy'.

He's not sure what expression takes over his face, but Leo, for his part, sees him and immediately ducks his head down so he can read the paper too, frowning. Jason follows his eyes down to the same line as they widen and Leo turns a raging, glorious red before hastily re-crumpling the note and sticking it into one of the many pockets of his cargo pants.

He clears his throat awkwardly while inspecting the dying grass at their feet. It looks like it could be good grass if it ever rains again this month, nice and long and thick.

..Yeah, nevermind.

He takes his glasses off and cleans them in an attempt to - what, exactly? It's not like he's got the object permanence of a toddler. It's not like looking away will stop him from thinking about red-hot blushes and bouncing curls and sharp smiles and -

Leo claps once, calling Jason's attention back up to him and the pretty blush staining his freckled nose. He looks just as awkward, laughing bashfully.

"Well, that's just Nyssa. Uh, she probably wouldn't actually haunt me, she doesn't believe in ghosts - not, I mean, if you do -" his words trip over each other, diverting the original innuendo that was definitely just meant to tease Leo since Jason's never even met her, not to mention he's not his, finally ending with - "but as you can see, it's clearly perfectly legal. So."

Jason raises an eyebrow. "Somehow I doubt that." Leo groans. "Oh, come on, dude, live a little, why dontcha?" He sidles up to him again, draping a warm arm over his shoulders and drawing him over to the car doors. "I know, you know, your dad's in California, your mom's in Paris, and your sister's at a party."

Jason opens his mouth to protest again and -

"- and before you say that you have homework," Leo scoffs, "allow me to remind you that we did our homework together yesterday, and you're already done your math homework for tomorrow, because you're a nerd."

Jason closes his mouth. "It's a school night," he offers weakly.

"Yeah, and every minute you have us waste out here is another minute we're not in the car, ergo another minute we're wasting, on a school night." Leo steps around him and holds his hands out again, eventually latching on to Jason's wrists and tugging him closer so he can peer into his eyes.

Jason may or may not forget how to breathe.

"Are you tired? You don't look tired," Leo frowns. "If you really don't want to go, I won't force you, y'know."

Jason forces his lungs to expand, contract, expand, so he can blurt out, "No, I mean, you got me. I'll go."

Leo grins as bright as the setting sun and twists around, whooping. He not-so-gently pushes Jason towards the car door before jogging over to hop into the driver's seat.

It takes a while, once they're actually on the road and leaving their neighbourhoods behind, that Jason finally goes, "You know, I'm just as concerned with how legal this is as I am with the fact that you still haven't told me where we're going."

Leo glares at him through the mirror. "Hey, if I told you then it wouldn't be a surprise, now would it?"

Jason hates surprises. "For all I know, you just kidnapped me for a surprise road trip to Toronto, and I didn't even pack my toothbrush."

Laughter bubbles out of the boy sitting at the wheel, quickly escalating into a full guffaw. "You're funny," Leo gasps, wiping away tears at a red light. "How did I not notice that you're funny?"

Jason's definitely never been told that he's funny. He might joke, sure, but being 'funny' is reserved for people like Percy, people like Leo or Cecil, who carry humour on them like sugar on a pastry, baked into their laughs and sprinkled over top with how clever they are.

No matter how hard Jason's tried, he's never been very clever.

Leo's still laughing, now more of a soft giggle as he pulls into the left lane to make a turn. He tries not to let it affect him.

"You should joke more often, dude. Bet all the girls would love that."

Jason looks outside at the trees and farms they're passing. Judging by the position of the sun, they're heading pretty much due south. There's nothing down south for them to be doing, though, especially not this late at night.

Skinny dipping, maybe. He wouldn't put it past Leo to suggest something like that and actually go through with it. But dragging him along? They barely know each other. What's a couple months on all the other people he knows?

"You wanna turn the radio on?" Leo says. Jason looks over to see him watching him with an odd smile. "Shotgun's choice, right? Don't worry, I won't judge. Even though I bet you listen to those 24-hour 'nature recordings' for fun and don't know what real music sounds like."

Jason rolls his eyes and plays with the dial until the 106.1 comes on. Leo groans. "Seriously? They keep playing, like, the same six artists over and over. Sure, Top 40's fine, but show a little variety, you know?"

He shrugs. It's like Leo said - he doesn't really know radio stations. His dad - when he deigns to drive the family places - is much more of a silence-of-doom, or failing that, an ominous-car-conversations person. "You put something on, then, if you're so set on it." He replies.

The warm light from the street plays over Leo's knuckles as he switches the wheel to one hand, blindly flailing the other one towards Jason until he hits the box behind the gear shift. "Pick a CD from here, whatever's fine. Eh, maybe not the Chopin or Metallica though. Might shift the vibe a bit too much."

Obligingly, Jason tugs at the black, faux-leather box until it comes open with a muffled thunk. Inside is a stack of CDs, spanning everything from Katy Perry to Vivaldi to Iron Maiden to Monsta X.

"Your cousin's got quite the music taste," he tosses out, rifling through the stack while giving periodic glances out the window to make sure they're not, like, five seconds away from a crash or something.

If there was anything Beryl Grace taught her kids, it was how to be a responsible passenger.

Almost on autopilot, Jason digs the pink-purple Teenage Dream CD out of the pile and then has to hastily shove the polaroids that spill out from underneath it back between the surrounding paper disc-sleeves (Mamma Mia!, he sees, and ..Heng:garæ? Whatever that means). That can't be safe for the discs, especially in a moving card, but then again who is he to judge. He doesn't even own any CDs.

They've fully left the town behind now, sailing down the open road with nothing but trees, farms, and the occasional streetlight in sight. He leans over and pops the disc into the CD drive, wondering again for the hundredth time where Leo's taking him.

Leo rolls to a stop at a four-way and watches him skip over the first two songs. "Whadya choose?"

Jason smiles. "Is now a good time to tell you I was born in Pasadena?"

The open bars of 'California Gurls' start to play, and Leo's warm, penny-brown eyes widen before he laughs, bright and a touch wild, incredulous.

It's weird. It's so weird. Maybe this is what his father meant when he said not to get any weird ideas in his head so close to finally reaching the decade-long goal of an Ivy League school. Maybe this is what his mother meant when she'd chastised him, saying hormonal teenagers got more impulsive with puberty and he should take care to keep listening to his parents, lest he lose everything he's worked so hard for.

If anyone else had tried this, he thinks, he wouldn't have said yes. He would have stayed at home, studied ahead for bond enthalpy and subjunctive Spanish, made tomorrow's lunch and cleaned his room. Adhering to routine. Acting - being normal.

You have to be normal, Jason. That's how they love you.

I will not tolerate an abnormal son.

Oh, Jason, it's like you just don't understand. What will people say? About you? About our family?

Leo isn't normal. Or maybe he is. Normal doesn't exist, when he's with Leo. He likes that about him.

He takes a risk and rolls the window down halfway so he can lean his head out and watch the sky, crisp wind tousling his hair. Leo smirks at him and switches the wheel to his right hand so he can roll his window down to match.

"Ten minutes," he says. "Look alive, buddy."

"There must be something in the water", Katy Perry croons.

also from 'burning like a glowing star', this valgrace fic I'm writing.

more stuff: Writing Directory

[soaps-mohawk]

Hey! I love your story so so much and I always look forward to new chapters!

I do have a question though. Is the whole General Shepard cameras thing still is part of the story? I feel like the buildup was so good and then it just disappeared and became unimportant. Like if the guys never find out about it, it's whatever.

I dont mean this as an insult to your writing at all, but I'm just wondering if it's gonna come back at all since it's been so long since it's been thought about by the mc.

Again, I love your work

You'll have to wait and see

[imminent-danger-came]

Once & For All by The Crane Wives is such a MK vs Azure Lion song,,,,,,,,

This is a Crane Wives song I haven't heard before! (so like, a treat for me)

Dare I say I actually think this is a really good shadowpeach song from Macaque's pov

I tried it your way, you tried it mine The white flags still aren't waving, this ain't the good fight I'm putting my foot down, weak knees and all Finally standing on my own after the great fall (imp note: ICARUS PARALLELS FOR THE WIN) Once and for all Once and for all Once and for all I only fought for love at your request Didn't think you'd be the one to leave me clutching at my chest Remember, you're the one that gave up when my blood runs dry You could still carry me away but you'd leave me here to die

Especially the ending here ("Is there anything Wukong could do that would break his hold over you?"):

Once and for all, what does that mean? It's a promise I'm making that I don't actually believe Once and for all means I've tried it before So many times that I'm just fucking tired I'll never be able to close that door

[cuteniarose]

The consequences of my poor financial decisions are here!!

[formerheroeswhoquittoolate]

reread charles soule's daredevil run and I am thinking AGAIN about sam and this fucking line:

"three, mr. murdock. that's the number I came up with. I would have let three of those people die to save my eyes from muse."

and jesus christ. he's like nineteen. he's nineteen years old and he's weighing everything his mother taught him (we look out for ourselves, because who else will?) and everything daredevil taught him (don't die, don't let anyone else die, but at some point you're going to have to choose) and trying to figure out where they intersect.

and he comes up with an answer. the answer is three.

and daredevil? matt murdock? he would give up his eyes to save anyone, ever, in a heartbeat. he exists to sacrifice. he saves others by sacrificing. (it's a very audacious jesus parallel, in some ways, and some authors are more hamfisted about it than others) hell, the whole reason he's blind is because he pushed someone else out of the way of that truck.

matt gave up his eyes to save one person. sam would have let three people die to keep his.

and it's fascinating to me because these characters are basically perfect foils (oops literary analysis sidequest unlocked) like. matt is a hero because his ideals and his virtues will not let him be anything else. he's tried not being daredevil and it makes him feel guilty. he wants to help people because he feels like a piece of shit when he doesn't. but sam? sam saw the shit going on in his community and he built an invisibility suit to fight it. despite his mom trying to convince him that he didn't need to be a hero. he chose it. he chose it over her. and then he went the fuck back and chose it again. stick was like "here's a sword, guard this cave in the middle of nowhere in japan" and sam was like yeah sure. I'll vibe in the wilderness in a tent for an indeterminate amount of time.

he got his eyes back (kind of) and he's still doing this.

[trentcrimminallybeautiful]

help this post has infected my brain i can't stop thinking about some journalist ex-colleague of trent's just watching the entirety of richmond's football team + several members of the staff (including ted lasso) scoop him up and sprint across the pitch holding him aloft. this has so much comedic potential. im just picturing so many different like. tableaus. jan maas giving an absolutely stoic trent crimm a piggyback ride. exact same position but it's jamie tartt and trent crimm appears to be pointing directly ahead as tartt cackles and charges. they topple over. dani rojas has elected to carry him bridal style for some reason. sam obinsanya, who was supposed to be one of the reasonable ones, follows his example. one of the players has trent fully sitting on his shoulders somehow and somehow they don't fall. both the participating coaches (ted and beard) simply throw him over their shoulder and book it. for one of them he appears to be laughing loudly for the other his arms are crossed and he is making such a pointed expression of grumpy tolerance (like a cat who has been picked up and is resigned to it but he's not gonna like it!) that it is clearly exaggerated. trent makes exactly one (1) attempt to carry someone else (it's roy) and he actually does fairly well considering but they do end up sprawled on the grass and just. roy flat on his back staring at the sky, trent having half pushed himself up on his elbows, hair a complete mess, laughing. they're all arguing about times. there are fans sitting in on practice who can Just See All This. like. you know how there's like bullshit nothing articles about dumb shit? just. some "article" that's like "richmond appear to be doing wife-carrying races as training for some reason, and even more bafflingly, trent crimm appears to be the wife in question. anyway here's our top twenty photos of this because it is funny and weirdly wholesome." and then it's all over twitter for like three days. trent's ex-wife is texting him like "babe why are you a meme now". keeleys like "good news this is great pr! bad news [sends trent a candid shot of ted scooping him up unexpectedly and trent very obviously blushing]" and trents like "ah." some of the photos are hilariously blurred in motion. they're pretty much all smiling. forget about the realistic "but would they get criticism for not taking practice seriously" shhhh. everyone is enjoying this. it's about the wholesome nature of the whole team playing around and genuinely having fun together and also trent is too. formerly feared respected scary journalist cackling like a little kid while balanced precariously on the shoulders of a premiere league footballer. it's cute. it's also extremely funny. how did anyone find this dork scary

[aachria]

AACHRIA.

WHAT.

WDYM ACE WAS STILL KIDNAPPED AND TAKEN AND MIGHT DIE.

☹️

im in so much agony.

what the hell man ☹️

ALSO SABO (semi, he never got clarification 💀) KNOWING LUFFY AND ED ARE MARRIED LETS GOOOO 🗣️🗣️🔥🔥🔥🔥⁉️⁉️⁉️

SABO AND ED DYNAMIC IM IN LOVE.

imma be so fr i understood maybe half the plan. like i got it, i kinda know whats happening, but thats only for phase one..... phase two and three im so fucking lost they both said sm and i felt my mind explode. i forgot to read half the sentences and my mind was so blown i just decided to not go back and read them even though they will probably fix me and make me realize exactly whats going on LMAO

i once again request a 10k chapter, although still no threats bc im scared of my weird dream curse 💔 which i still have..... its better tho- its evolved into tumblr becoming a weird celestial being because when it said ur discontinuing ur fic as an ad and caused chaos people ended up worshipping tumblr to try and get you to keep writing ur fic- so no longer a nightmare just a really weird dream.... 😭

UR SO AWESOME, AND SO COOL, AND I LOVED THIS CHAPTER, I READ IT INSIDE THE MOVIE THEATER FOR THE DEADPOOL AND WOLVERINE MOVIE BC I COULDNT WAIT (10/10 movie btw) UR FIC IS AMAZING 100000/10 MAKE ME SOB NEXT CHAPTER 💞💞

Teehee. Be so honest with me did you think I would just leave that prime angst real estate unpoked?

Poor Sabo will get real answers one day. Hopefully. He was so damn much fun to write I just love him. Him and Ed are the two smartest people you know who also happen to be the most unstable and likely to cause an international incident by being a lil silly and goofy.

That plan... oh that plan. Writing that plan was fun and I got very carried away. I was terribly proud of myself for remembering half the shit in there before I had to pull up the wiki, and the Enies Lobby bit will be my smartest move until the next time I do something remotely smart.

Baby I'm going to hold your hand as I say this because I am being so for real, at this point if you are still having this dream every night you need to genuinely consider seeking professional help. That's not normal or healthy. Talk to a therapist or guidance councilor or something.

I hope to god you mean before the movie started or when it was done because if you had your phone out while that movie was playing I will be very disappointed. I wanted to go see it this week with my mom but it didn't end up happening ✊😔 I did rewatch both Top Gun movies though. Love those.

[thatonecrookedsmile]

It's been a little over a month since I read FTB and I wanted to do (and say, I think) a few things related to it. So here, take this. FTB stuff I was wanting to share.

Including some drawings/my designs for some characters (the ones above), some separate sketches, and giving some long thoughts on the book. (This post is looong so I'm going to put everything under the curtain. Enjoy!)

Starting: Rose, Evan and Archie. They are the ones that, I admit, are what I wanted to draw/design most while/after I read the book. Now, at least, if I want to make something involving one of these three one day, I have designs ready to go! Hooray! Evan is the only one of the three that I actually had to design from scratch. With Rose I had made a sketch 1 year ago conceptualizing the idea for her design, and it was only recently that I came back to this idea to finally solidify it. And I had already done Archie's design last year while I was doing my designs for the human cast of BATDR, so I was already prepared without even knowing it.

Also,Ink!Archie!! The poor guy got screwed pretty badly. First two designs in the first image are based on the events in the book. The one on the left is him seen mostly in the book (alive) and the one on the right is when he is in the Ink Realm, post-death. The design in the second image was supposed to be a stylization/variation of his Cycle design. I tried drawing him with a visible mouth/teeth similar to what I did with Sammy in a recent drawing and in some sketches that I didn't post here. I'm not sure about the beard tho. I think I exaggerated it. Next time, remember to draw less beard in this design. (And maybe, for the design that is more "close to canon", don't draw the ends of the hair and beard in the Cycle design)

Any other character in the book, either I don't have a design and I don't plan on making a design for them now, or I do but it will take a while to show them. (I promise I'll show Dot one day)

I also have some additional sketches. So if you want to take a look at that too, here it is:

Ollie Sorenson. This wasn't quite the way I had imagined him when I was reading the book but 1. the hair I tried to draw for him before didn't work out well, so I went another route and 2. Ollie isn't particularly a character in this book that I'm going to I think a lot in comparison to the others (he's still cool, tho) and I doubt I'll make another design for him, so let's go with this one. Not a bad design,so,eh.

Rose. Sketch on the left was made last year. I'm almost certain it was done after the book synopsis was revealed by Kress. The sketch on the right was made last month when I was reading the book. I took the idea from the sketch on the left and tried to solidify her design better.

Evan. Some other sketches made when I read the book. I had just completed his design and wanted to test it a little more to, you know, see if I can actually draw him. Verdict? I think I can.

And now uhhhhhh what I thought of the book! I previously considered doing a separate text post with these thoughts only but I don't do text-only posts in general and if I were to make a separate post it would take a while and it would come out more than 1 month/probably 2 months since I read the book and it would be kinda awkward. And I'm already writing this post, so why not put it all here now, right?

(Warning: My thoughts on the book ended up being MUCH LONGER THAN I EXPECTED TO WRITE. You don't need to read them if you want, they are just more additional and optional things. But if you are going to read them, be warned)

(Spoilers: I may have strayed a little off topic when I started talking about Archie. Don't mention how long his paragraph is, tho)

But yeah, Fade To Black. That was something else, I tell you (and I mean that in a positive way). Probably reading this book after all the fuss that happened about the books a while ago wasn't the best idea possible. But even with…all that in mind, I still wanted to read this for a long time, and I'm glad I went ahead with it. I had a lot of fun with the book! And thinking about it a little over a month after finishing it, I think I can say that this book is up there as, like, one of my favorites of the Bendy books that have been released to date. Before this, I would have considered DCTL my favorite of the books, so I'm somewhere between saying that both of these two are my favorite books in this series and that I like them equally, or that FTB has now become my favorite book of the series, surpassing DCTL. (Maybe I'll have a better idea of ​​this later this year when I reread these books once again)

I really liked the story told, its concept had already interested me since its synopsis was revealed last year - the setting in the 50's, the TV show, the whole 3D glasses thing - so it's no surprise that I was very interested in what this book had to tell. And since I already brought that up: I liked the new concepts it brings to the table,specifically,of course,the glasses and the TV. An idea that,I admit,at first is something I thought was a bit different (and dare i say unusual?) from what I usually see in the Bendy universe (although, it's not something so out of the ordinary from what we've seen before in the series) but I have to say that it's something that I thought was cool even so. 3D glasses that end up transporting your mind into the televised cartoons (and,by all accounts,the ink realm). The jokes I saw that Joey created virtual reality in this book weren't so far-fetched after all lol. But still, it's a concept that I admit to having been interested in, and that it might be cool to play around with in fanon stuff. I also considered this could open doors for other, more "wild" ideas to be explored in the books (as long as they still make sense for a >Bendy< book, of course). I also liked the whole segment taking place in the ink realm at the end of the book, and I hope that this can open up possibilities for future novel stories to take place there, either partially (as in this one) or in full (I accept an entire novel taking place in the cycle,ngl). The additional lore for the ink realm is a nice treat and adds more to what we have in the games. I admit that, at the same time, I feel a little thoughtful about a certain part of this additional lore that - assuming the way I understand it is right - leaves me wondering if this "extended origin" of the cycle coupled with what we already know of its lore would make sense in the games, and how these ideias would be acknowledged in future entries. But at the same time, I may be overthinking this, and the stars may still be aligned, and I've gotten the information wrong. Despite everything, I liked what was told about the ink realm in this book, I appreciate this "extended origin" at the end of the day.

I really liked the cast, both the new ones and the old faces. Rose is great, I really liked her as the protagonist. She's already one of my favorite book characters, I hope we hear from her again in the future. Also, it's good to have a protagonist in these books who survives in the end. Okay, sure, she didn't come out of it 100% unharmed, considering what the ending implies, but still. Again. It's good to have a protagonist in these books who came out of this alive at the end. Evan is also very good. Even though I want to slap him on the back of the head, I also hope to hear from him again, especially considering the way he "exited the story" (is that how you say it?). I talked about the possibility of a future novel taking place in the ink realm, I think that would give a good chance of bringing him back, now as an ink creature. I don't have much to say about Ollie, but I also thought he was cool. The scenes between him and Rose are very nice and the scenes related to the "Bendy Visions" caused by the glasses is another concept that I found very interesting (Tense moments, but cool ones nonetheless) Very happy to see Dot again. I like her character, and I always wanted to see what happened to her after the events of DCTL (TLO had already implied that she was still alive, but I wanted to know more, you know). Her participation in this book is very good, and a chapter that I have to highlight is the one where she meets Rose and they talk in the cafe. Their conversation alone is very good, but the specific part that got me was Dot talking about Buddy, what happened to her after the first book, and Buddy's family. That part was like. A slap in the heart, I'm not going to lie. This chapter made me sad, 10/10. Favorite chapter of the book.

Archie Carter was a big surprise (not really, I already knew he would be here before reading the book), and he is another of my favorite aspects of the book. It's good to see one of the characters from BATDR's human cast ending up being used more in a story. Archie in the game, like other characters we saw in the audio logs in DR, is a "One and done" situation where we only hear from him once and that's it, combined with the fact that he is ultimately just another background character who exists mostly to fill the world and give information that is not necessarily integral to the main things that occur in the game and is more to tell about different things, people and events that were also occurring inside the studio and in the outside world ( those of the lost city and Gent Workshop, essentially) pre-game events. (I really don't know how to explain this properly, but I would say that the "thing" of the information given by the new human cast (with the exception of the Archs) is the same thing as the characters who are giving such information: filling the world. I hope you get the gist of what I'm saying) And while I wouldn't say the information on these tapes is really irrelevant (in Archie's case, he provides some of the most interesting), and in my case, I don't mind the addition of the newbies, I don't blame other people for not being interested, don't get attached to or even dislike these new characters who don't do much in the grand scheme of things in DR and in comparison to the BATIM cast (or at least, the majority of the IM cast). So seeing at least 1 of these newcomers being used more deeply in a story and having their characters expanded is good! And I liked what was done with Archie here. You know the guy who worked at Gent as a test subject and who saw bad things happening at the company? Guess what! Same company screwed up his life and now he's a half-human-half-ink creature guy infected with evil ink and his current situation is not good at all! He's going through horrors unfortunately (especially in the cycle), but I really like what Adrienne did with Archie in this book. Again, he is one of the highlights of this book, and I hope that something similar ends up happening with other DR characters in future stories (manifesting the novel that uses Bill Danton and/or Grace Conway in some capacity 🙌) Plus, I also think it's cool that of all the DR characters to be used, it was the one voiced by SuperHorrorBro who ended up being chosen for this book (I like SHB, what can I say)

Joey (like in the other books) is a standout (and considering what we specifically see of him in this book, he's especially a standout here). More of Allison, even though in the end it's just a small one-scene cameo. Finally, I'm being fed the bread crumbs I craved. And I think now I have another version of Henry to talk about. My collection is growing strong, now I have 3 versions of my favorite old man! Among the new ones, and especially the secondary and tertiary ones, Papa D and Gladys are nice, even though they don't have much time in the story. Oh, and Wilson showed up too. He doesn't do much either, he's just there to be creepy. But I will acknowledge him.

I also enjoyed seeing some of the ideias showcased first in BATDR here (which makes sense, this book came out well after the game finally released). I always found it interesting to see more of Gent in the spotlight, and reading and knowing a little more about the things they were doing after JDS closed is nice. (And I think it's good to see more reaffirmation of what BATDR had already implied. That Gent also had eyes on the Ink Machine even when the studio was still open, and when the studio collapsed, they still continued the ink experiments in their own facilities. Again, this was already something that had been shown in DR, but it's good to see more reaffirmation here) The appearance of the Siverlane Express was something that I really appreciated, even if it was something very short. I ealready talk about Archie in one giant paragraph, and again, Wilson is here too.

There isn't really anything I "disliked" about this book, but at most, I only have a few nitpicks. The Ink Demon appears in the story, but compared to DCTL and TLO, I feel FTB is definitely the book where he appears the least. I mean, yeah, the story isn't about him in the end, but it's still something I managed to notice. I also feel that, in my opinion, this is the least "scary" of the 3. Not that it doesn't have "scary" elements but still, compared to moments in the other books like Buddy in the infirmary, or the TLO trio in the old factory, I don't know if this book would be the most "scary" of the trilogy. However,FTB still has several suspenseful scenes (the Bendy visions, some scenes with Ollie, Archie's pre-introduction, Wilson in the library), which I also like anyway. And I'll admit. While this idea isn't that far out there - and in the context of the story, it makes sense - I kind of raised an eyebrow a little at the whole "using your mind/imagination to get out of the ink realm" thing. It is not bad! And again, with what we saw in the book, this idea actually fits with what we had seen so far in the story. But I can't lie that when we got to this moment I was like "oh, this is something that happened, I guess", you know? But even so, I didn't dislike the idea.

(I once saw someone describe this part of the book as "they canonized no-clipping in Bendy" and you know what? I think that's funny. I think we need to start referring to this idea in the book as that instead of "using the imagination" /hj)

But even so, even with these small "nitpicks", I still had a lot of fun with this book. I really enjoyed reading it, and not only is it now one of my favorite Bendy books so far, I dare say it's one of my favorite things about the franchise in general. Like, if I had to make a top 3 of my favorite things from the Bendy series so far, I'd say it's this book and the first two mainline games. I guess this is to show how much I enjoyed the book!

And with that, my journey with the Bendy books ends. At least, with the books I managed to have access so far. I have no plans to pursue the updated version of the Employee Handbook so far, but from what I've heard and seen so far, I'm not missing anything too important. And the DCTL graphic novel….exists. It's definitely a graphic novel that exists. Dare I say that it is definitely one of the graphic novels of all time, alright. But what have I read so far? It was what I would say, a good journey. I've been interested in the Bendy books for a long time, and it's been a while since I read them, and I'm glad I did, despite recent events. Of course, they have their flaws and problems too, I have things about them that I myself identify as bumps in the road (and that applies to the novel trilogy too btw) But even with them in mind and acknowledging them, I still think that they are worth something. And I hope people still continue to recognize them and give them a chance. Even with its flaws, and with their whole canocity thing that happened a while ago, I still believe that people should check out the books eventually. Give it a chance, you know? If they did, and liked what they read, great! But if they don't like it, that's okay too! In the end, at least they, on both sides, gave it a chance. And that's what I at least want to see. I don't like the idea of ​​discarding these things and pretending they don't exist just because the devs said they aren't canon to the games (because, in my view, just because the books aren't canon doesn't make them without value or that you can't have fun with them after all)

WOW, this is getting long, I think I got carried away. I think that's all I had to say. To conclude everything, here is my list of the Bendy books that I like the most and the ones I like least:

Fade To Black (I've already talked a lot about this book)

Dreams Come To Life (hand in hand with FTB being in first place. It has its flaws, some that may have already been mentioned before, but I still found myself liking it in the end. For a first novel, it worked out fine)

Crack-Up Comics (Really liked the comics. It's good to see more things related to the cartoon characters, and I like some of the characters introduced. Pretty fun stuff)

The Lost Ones (it's not a very "Bendy" focused book compared to the others, and I don't blame those who didn't like this one because of the lack of many Bendy elements, but I confess that I still liked it as much as the other 2, and I loved the protagonists of this one. Even so, of the trilogy, it is the weakest book)

The Illusion of Living (In itself, it's an interesting read. It's really cool to see more of Joey from a deeper angle, and see more of his past. But I confess that it's not my favorite read, and I still prefer the main novels. Not bad, tho)

JDS Employee Handbook (2019) (For the first Bendy book overall, it's not bad, and I like the lore tidbits it has. But compared to the rest, it's actually the weakest)

The TL;DR is: Fade To Black is fun and my favorite, I liked its story and characters. I liked the books. Check them out if you want. If you liked them, cool. If you didn't like them, that's cool too. Read in general.

And if you've read this far: Thank you! And at the same time, I'm sorry! Have a good day/afternoon/night everyone. Peace.

[carolinanadeau]

In Praise of Sally Ann Howes

As I've made it one of the purposes of my blog to share photos and songs and general positivity about the wonderful English actress Sally Ann Howes, I thought I'd make a post to talk in much more detail about all the great things about her and why I adore her so much!

This classy English beauty possessed a highly expressive face and eyes, an astonishingly powerful soprano, a great sense of humor, and the world's most charming laugh. One thing I cannot stop saying about Sally Ann is that she did not and does not get nearly enough credit and recognition for her immense talent and prolific career, and it's precisely for that reason that I'm here to do my part in giving it to her!

This overlong rambling post is a combination of biographical information and my personal fawning over her performances... whatever I felt I most wanted to put out there in the world and what I'd like people less familiar with her to know.

Click on Keep Reading and I'll take you on a journey!

As she preferred to work on the stage and didn't really pursue a film career, the catalog of Sally Ann's work that can still be viewed today is unfortunately small - though you can find almost all of her early films on the internet if you look hard! In her early film days, mostly made before she was able to pursue her true passion of musical theatre, her extraordinary singing talents weren't utilized by the producers at all.

However, we were fortunately blessed with exactly one musical film role from her, and it's an iconic one: the aptly-named role of Truly Scrumptious in Chitty Chitty Bang Bang (1968), the golden-haired, golden-hearted candy heiress who falls in love with and eventually marries Dick van Dyke's character Caractacus Potts after joining him and his children on a madcap adventure. She's a sweet, intelligent ingenue with hidden depths and one of my favorite sorts of character arcs - the uptight, lonely woman who becomes more and more warm and open as she discovers newfound freedom and joy in life and falls in love.

There is something about Sally Ann that just glows in every scene of Chitty, and it's not only that bright blonde hair! The way she widens her eyes sometimes, the way she raises her eyebrows, her gentle and soft presence in the happiest scenes, and the particular airy lilt she has to her speaking voice are all so distinctive and appealing, and I can't take my eyes off her. And her smile! When I say she glows it's barely even a metaphor, the woman just emits light. 

(Funnily enough, I started to realize that many of the laudatory quotes I've found about her also refer to her in this way, like this quote from a 1965 TV Guide article, from playwright Sidney Kingsley: "She's luminous as an actress. I mean that literally. In Brigadoon she really lit up the stage.")

For me, I'm weak for any actress who can do the defrosted-ice-queen trope so incredibly well. Truly starts out as closed-off and prim, and nearly reverts to that state when she and Caractacus have a Big Misunderstanding near the end, but in the scenes where she's happy and carefree, the warmth just radiates off of her.

She also has the most adorable chemistry with Dick van Dyke in an annoyances-to-friends-to-lovers relationship that absolutely shaped my young brain. Whenever Sally Ann and Dick glance at each other, whether with irritation and frustration early in the film or with warmth and affection later on, their chemistry is obvious and natural, and there's so much expressed in each one of those glances. One has no difficulty believing that these characters are going to be very happily married.

(Here's a cute on-set interview where she talks about, among other things, how easily she and van Dyke clicked.)

While I acknowledge that the character of Caractacus Potts was absolutely originally planned to be an actual Englishman, Dick van Dyke played him with an American accent, and to me they will always be an adorable English-American couple. It's a whole part of the charm of this pairing to me!

Sally Ann also had a great relationship with child actors Adrian Hall and Heather Ripley who played Jeremy and Jemima Potts, and did her best to help make them more comfortable and happy during the many very long days on set. Having been a child film star herself, she knew a great deal about how difficult and alienating it could be. The genuine affection the three of them shared is obvious in their scenes together, especially in the extremely adorable "Truly Scrumptious" number, and it really makes the developing mother-child relationship between the characters so believable.

The beach scene, where so much of the relationship between Truly and Caractacus and the Potts children is developed, is incredibly cute and heartwarming, and a lot of that rides on Sally Ann's performance and how her previously prim-and-proper character shows herself to be warm and loving, once she (literally) lets her hair down. We've already seen how happy the Potts family is together; now we see how Truly fits in perfectly and makes them all even happier.

Look at her! Literally glowing!

(One thing I should mention: I think both the plot and the love story of CCBB are greatly improved if one just treats the "dream sequence" as real events, which was possibly the original intention anyway, so just note that is always the perspective I'm coming from here. It's the only way to make some things make sense and for the characters and their relationships to fully develop.)

"Lovely, Lonely Man" is Truly's big solo moment, and was probably the least comprehensible part of the movie to me as a kid (lol), but is now indisputably one of the very best parts to me as an adult. It's an exquisitely beautiful love song, especially the bridge, and I somehow love it more and more every time I rewatch it. Sally Ann's dreamy, graceful movements and the way the whole scene is shot make her look like a princess, and the slow build of the song is masterfully done. She has this distinctive crisp way of articulating her words while singing, especially the closing consonants like N and M, that I just love to listen to. The string section and the building countermelodies are so beautiful it makes me want to weep. Everyone involved in creating this scene and song deserved an award, I'm being so serious. While it's not the highest of soprano songs and doesn't fully show off Sally Ann's astonishing range, she shows an incredible amount of vocal control here through the many diminuendos and crescendos, and she's mesmerizing to watch and listen to. One of her "glowiest" scenes, for sure!

While I've seen people call this song irrelevant to the plot, I strongly disagree - the romance is part of the plot, of course, and while I didn't fully understand the meaning as a kid, this song establishes how much Truly's outlook on life and hopes for the future have already changed since meeting Caractacus, and how much happier she is with the poor Potts family than she's ever been in her life of luxury. Plus, now we know for certain that she's head over heels for Caractacus, but he doesn't know... increasing the dramatic irony of the pining and yearning to follow!

In the reprise of "Hushabye Mountain", which was sung in a much earlier scene by Dick van Dyke alone, Caractacus loses the will to continue the song because he's overwhelmed with emotion thinking of his children being held captive. Truly comes in to aid him with the final verse - another pivotal moment in the developing romance - and Sally Ann's singing here is nothing short of breathtaking.

And of course, I can't neglect to mention the "Doll on a Music Box" number, where Sally Ann, who was not a trained dancer and in fact considered herself to be "appalling" at it, performs an incredibly precise, incredibly impressive clockwork song-and-dance number while on a spinning turntable! She practiced it so well that she managed to successfully complete the shot in a single take, prompting the stage full of extras to burst into applause.

This is another important character moment for Truly, though it's disguised in a diegetic performance: though it's another thing that went over my head as a child who only got to see the movie once, the lyrics about being trapped up on a music box and longing to be freed by love pretty clearly symbolize how trapped the real Truly's high-society life makes her feel, and how she yearns to break free from class restrictions and live happily-ever-after with Caractacus, as it's only with him and his family that she really feels free.

Then there's that incredibly warm romantic look that Truly and Caractacus share at the end of the song when she silently acknowledges the love confession he's just made while singing in counterpoint with her, though they're still in a dangerous situation and can't give themselves away by appearing too human and breaking their disguises... sadly this vital moment is cut off on all the Youtube videos of the scene I can find, because none of the people who clipped it understand that that's the whole point of it all, apparently. But here's a gif!

The character of Truly doesn't exist at all in the original (quite different) book by James Bond author Ian Fleming - surprising, I know, given her name! - and, honestly, the fact that Truly and the romantic subplot of this movie exist are why it had such a strong impact on me as a child, and very much why I fell in love with it again as an adult. Even though the score is wonderful anyway and the story is charming and magical, I can confidently say that I would not have become as completely enchanted or had such a strong desire to revisit it again and again if there'd been no Truly and no love story. The fact that Sally Ann's performance makes Truly so loveable is, obviously, a pretty crucial factor there.

Sally Ann's delivery of "Well, Mr. Potts... now you'll have to marry me!" after Caractacus kisses Truly... that slide from prim mock-outrage to the playful, warm, you-can-hear-the-smile-in her-voice conclusion is flawless. Not even exaggerating when I say that this was the moment that made me into a hopeless romantic as a 9-year-old child. Sure, this wasn't the first movie I'd seen where two people fall in love and live happily ever after, but I distinctly remember that this was the first romance story that had me in a giggling, kicking-my-feet, "I ship it so hard" state of mind. And after revisiting it as an adult for the first time last year, I have confirmed that yes, child me already had great taste in fictional romances!

Oh, I could say so much about the difference in her body language between the two scenes where Caractacus carries Truly out of her car that's become stuck in a pond. The first time, Truly is affronted and extremely embarrassed by the situation, holding herself so stiffly and awkwardly to avoid an accidental embrace that she causes him to nearly lose his balance and drop her. The second time, when they're in love and they know it, she snuggles right up into his arms without hesitation and it's the cutest thing ever. Sally Ann was 5'6" but looks so tiny in that scene!

(And that kiss! Maybe I'm getting off-topic here in terms of strictly focusing on Sally Ann's contributions, because Dick van Dyke deserves tons of credit for making this kiss so good... but wow, the kiss. Several times I have called it "the Most Kiss they could have gotten away with in a children's movie." Again, giggling, kicking my feet etc.)

While Truly's costumes and hairstyling are rarely historically accurate (the film is set around 1910), the stylized nature of her fashion is iconic and memorable in itself. Sally Ann also completely pulls off playing a fresh-faced ingenue who is 12+ years younger than her actual age - and I do wonder if the aging-down of Sally Ann is at least part of the reason why Truly wears her hair loose throughout most of the movie! Either way, it works perfectly and I was shocked when I first learned how much older she was than her character. (If you watch her in The Admirable Crichton, where she is also in Edwardian costume and was closer to Truly's actual age, she really doesn't look all that much different. If anything, I think she looks even more glowingly beautiful in Chitty!)

Also, as for Truly wearing her hair down... it may just have been an intentionally anachronistic stylistic choice, but in-story, I think it actually contributes to her character by showing a willingness to flout convention and pursue whatever will make her happy instead of what's expected of her, which happens to be a key theme of her character arc.

Another thing that led me to adore Sally Ann as a person as I learned more about her over the last year: in the 1960s, she appeared as a panelist in quite a few episodes of the game show To Tell the Truth (as well as a few episodes of Password), and these can be found on Youtube. I really adore how her personality shines through - she's unfailingly bubbly, witty, self-deprecating, and a bit quirky. Just listening to her speak is a delight and she has one of the best laughs I've ever heard. Here is one of my favorite little moments that I clipped. 

By all accounts, she was a delightful person to know and work with, witty and clever, very professional, and very serious about her craft. She also always maintained a great affection for and pride in Chitty Chitty Bang Bang and her role as Truly, which is always a wonderful thing to know about an actor in a beloved role.

Another bonus: here is a super charming interview with her after a backstage disaster at What Makes Sammy Run? on Broadway.

She was also, along with Twiggy and Diahann Carroll (as Julia Baker), one of the first three celebrities to have her likeness made into a Barbie doll.

Two of her earlier films I recommend are the comedies Fools Rush In (1949) and The Admirable Crichton (1957), if you can find them (hint-hint, you can.) You may also be able to find the 1966 TV movie of her reprising her Tony-nominated role of Fiona in Brigadoon with Robert Goulet, and although I feel like the oddly close-up way the film was shot kinda does a disservice to the actors at times, it's still amazing to be able to see and hear her in a role she performed on Broadway.

Richard Rodgers once called Sally Ann "the greatest singer who ever sang on the American musical stage." Now, I don't quote this to claim this superlative as some kind of objective fact. If you know anything about me, I am very, very strongly opposed to pitting women against each other and all the Golden Age sopranos are absolute queens who deserve crowns, no matter how much mainstream success or present-day name-recognition they have/had. I just think it's phenomenal that she received such high praise from a man who worked with many of the best musical theatre singers who ever lived... and to think, many people today have never even heard her voice. Without her performance as Truly Scrumptious, it's possible almost nobody would in the future! I am so glad that Sally Ann's lasting legacy was ensured by such a beloved film role.

Sadly for us, many of the theatrical roles which she originated (and thus, for which cast albums featuring her exist) were in shows that either flopped quickly or at least did not enter the theatrical canon, so she never achieved the level of mainstream recognition she clearly deserves. But Sally Ann also played such legendary and challenging roles as Eliza Doolittle in My Fair Lady, Fiona MacLaren in Brigadoon (for which she received a Tony nomination), Maria Rainer von Trapp in The Sound of Music, Anna Leonowens in The King and I, and, much later, Desiree Armfeldt in A Little Night Music. She received great acclaim for all of these performances and, judging by what we know of her process on My Fair Lady, was excellent at making roles distinctly her own and never merely imitating another performer.

Even in her iconic original role of Truly Scrumptious, you don't get to hear the true full power of Sally Ann's extraordinary soprano. For that, I highly recommend listening to "Another Time, Another Place" from Kwamina (1961), and "Something to Live For" from What Makes Sammy Run? (1964). I'm always sad that we don't have any recordings of her in her "fiery" star turn as Eliza Doolittle in My Fair Lady, but you can at least hear her do a Cockney accent, be silly, and sing "With a Little Bit of Luck" with Bing Crosby here!

If it weren't for the enduring success of Chitty Chitty Bang Bang, few people might have even heard of Sally Ann Howes today, and that would be a terrible loss. I cannot overstate that I am so grateful that we all know who she is because she played this role and we get to see her give this radiant performance of a character that's all her own. Maybe this sounds strange, but I think the fact that this was Sally Ann's only musical film role (and the ONLY role most people will ever see her in) makes it even more precious, and makes everything she brings to the character that much more distinctive and unique and special.

Both for all of the talent and charm she brings to the role itself, and everything else that I and many other fans have been able to learn of so much of her otherwise-obscure work because of it, the world is incredibly lucky to have the lovely Sally Ann Howes immortalized as our Truly Scrumptious, and I wouldn't have it any other way 💖

[namtanlovesfilm]

around 2 or 3 times a year, I get irrationally angry about off's mistreatment as an actor, being constantly overlooked, etc. for weeks on end, until I see him be happy & celebrated enough for me to move on... I'm in one of these periods right now 🙃

[nemesis-is-my-middle-name]

having shrimp emotions abt the end of shb again

[cosmic-ships]

Jesus fuck these monsters work quick. I am now in the "I literally cannot leave the apartment or they will gather my stuff and donate it" portion of hell and I threatened to call the cops on them because I'm literally moving, I'm doing what they want. So apparently I'm not moving quick enough even though yaknow IT TAKES FUCKING TIME

[tardis--dreams]

Me panicking because i have 9 missed calls and 5 emails talking about my absence and how "a colleague could take over for me" vs. Me knowing it's really not that important no matter how pushy a client is and that on top of it I'm underpaid and have way to much overtime so i shouldn't even care