#I'm almost done!!!

[andoqin]

Chang Feng Du

I’ve been catching up, because I am a moron and thought it had already finished airing, but it’s 40 eps and finishes today, so i’m not done yet.... but hopefully will be soon.

Anyway something I’m noticing with this drama (and maybe it’s the writer? I liked LBFAD but never was as deeply into it as others) is that while my heartstrings are getting tugged when they need to be - the defense of Wangdu was great, them wanting to go out in almost a blaze of glory and truly becoming a couple, the court fight, imprisonment and Yuru’s fake out death, or rather the reaction to it was very well done and impeccably acted and most recently (and heartbreaking for me) the Old Man Breakup :( that was crushing - something is missing to tie it all together.

For example with Yuru’s death, although the grief of the characters hit me, since 1) it was so obvious she wasn’t dead and  2) the writing made some weird choices (why was she in ~hiding for 3 years, how is her being like the most high profile businesswoman in any way protecting her and Jiusi? I didn’t really buy that), that impact was lessened considerably. Sidenote, Jiusi’s dead eyes when he gets told to dam the Yellow River was very well acted and I wish the drama/writing had allowed for more of Jiusi’s dark side to come out. He’s a deeply vindictive man when it comes down to it and the fact that he just kinda grumbles on the inside against the emperor but does.. nothing??? else? is a bit weird. It is Yuru who tells him when he is about to embark down the wrong path and he is able to reflect (but not regret) and change course, that’s what makes their relationship so good for me. 

It feels to me like the drama took the pacing issues in the novel (and esp in the latter half they are pronounced) and elevated them, the drama starts like it has 50-60 episodes to tell its story but at around ep 20 it realises oh no i gotta get to the back half of the plot and gotta get the Big Stuff in but the connecting tissue is paper thin sometimes. I as a reader know why Uncle Mickey is working with Luo Zisheng and probably the drama will explain it too in the last 4 eps but so far it just felt so weird and out of left field and then it barely has any time to be explored before the magic 3 years are over and suddenly LZS has to leave the capital. 

I really do like the beginning of the show and it had some great great visuals but in hindsight i wish the pacing had been a lot tighter.

[shay-creates]

Finally finished recovering all 400+ frames and managed to shave those frames down to 263 unique frames (with some that will be reused because I am too tired and lazy to redraw repeated frames/movements). Tomorrow, I start redrawing the frames, coloring the little guy, and adding/animating the backgrounds! Then!!! I should be finished by the due date of Monday!! Wooo!!!

[dykephan]

[barghest-land]

3 days in the arctic. not much time to draw, but a lot to see 🌠 kola peninsula, august '24

[lazylittledragon]

dadkarios doods sponsored by my stress migraine

[heuffopla]

Might color these later who knows! :]

[dilfslayer1080p]

benrey should look like this more

[hoosbandewan]

The Three Steps of Being a Cocky Little Menace, by Ewan Mitchell: 1. Talk shit 2. Get hit 3. Smile about it

[artsarasp]

Do you ever think about the fact that in canon PIDW Mu Qingfang was the only peak lord to survive? Mu Qingfang being too powerless to do anything important but being too useful to die sure is something-

[Congratulations on completing your first mission -Mu Qingfang-!]

[Masterpost]

[emthimofnight]

Doodled a scene from a fic I'm currently writing from my Fankid AU :)

Edit: Here's the fic!

[drawing-in-teyvat]

Kinich Vision Story - part 1

Characters in Natlan are so casual when it comes to death. Kinich mentioned almost in passing that he died during the war, but this series of events was TRAUMATIC.

[deadliestpieceontheboard]

"She was a child. She was my baby sister, and I should have protected her, but I— I was just a child, too."

[notherpuppet]

I just want you to know you are my fave Hazbin artist. All you're pictures are so beautiful. You are also utterly hilarious. I was wondering if there was something in particular you like to draw vs something you try to avoid? (For me personally, feet are my enemy but i love drawing eyes)

AHHH omg thank you for such a kind, beautiful message <3

i love to draw hands! (I KNOW, I USED TO HATE DRAWING THEM TOO, THEY'RE CHALLENGING!!!!) But hands are so expressive and they speak so much, so I often will draw the face and hands first. It's really fun to consider the expression that hands play a part in. The placement of hands is also something I really have fun with.

I find drawing most anatomy really challenging 😂 I just need to study more but I spend so much time just treating the body as "the thing that connects the face to the hands" LOL

[die-auster]

Some "if Yue is alive and went travelling with the Gaang" designs

With a ton of text about cultural inspiration.

The main book 2 look

I wanted to show cultural differences between the tribes, so Yue's look is sort of Mongolian. There were Mongolian-styled hats in the Northern tribe, and Yue's dress under the coat looked like a Mongolian deel (thanks @atlaculture for all these posts about clothes and everything else!), so it's not much against the canon information.

So she's wearing a deel again with a second layer - there are chinese actors on photos as far as I know; I hope it's okay. One-shoulder silhouette refers to later Aang's clothes because Yue is still kind of a spiritual person (she wasn't a fighter, so I want her to have some other useful talent – not a bender or healer like Katara or a non-bender warrior like Suki). Violet, pink and white were originally her colors, no changes here. Three blue characters would be too much for a group of five, and total white is not practical at all. I like to think that violet color shows high rank in the Avatar universe; in the original series it was only worn by princess Yue, Kanna, the chief Hakoda's mother, and by king Bumi.

Yue's boots here are mongolian gutals/gutuls (the collage is already big, but I used them again for one of Book 3-looks).

Her hair become simpler – just two braids and a hairpiece, to match her previous decorated hairdo. I guess if she's travelling with the Gaang she's not that much of a Moon Spirit anymore (maybe she returned the part of the moon spirit that saved her and was healed other way?), so I decided to forego the moon-referring part. Also it will be easier to do by herself since she has no servants now... The headdress I took from modern Mongolian dancers; the front part is crescent-moon-shaped.

The Ba Sing Se dress

I fell in love with this Ao Dai dress, it's simple, long and elegant. But... it's mostly Vietnamese… and I'm afraid that it's modern and not historically accurate. Also it does not really go together with other Ba Sing Se dresses :( because I did not want to just copy-paste some background look. But there is at least one dress with a tail, thigh high slits and a standing collar on the dress underneath, so... I guess my choice is not that bad? The tail makes her look more royal. The fan is the same which Toph and Katara had. For the palette I chose Yue's white color with EK greens and warm yellow/ochre to match Katara and Toph. The hairdo is copied from the series; I chose one with the tassel on the right, to refer the NWT/Korean accessories.

The Fire Nation disguise

A confession – I don't like FN clothes. I wasn't sure if I would be able to do it properly, so I almost copied that attire (left one) – asymmetry, as a Thai touch, which again matches Aang's Invasion Buddhist-like clothes. The palette keeps Yue's signature white, with some pink of a warmer shade, as they wear it in the Fire Nation. And the "royal" long skirt, 'cause she's still not a fighter. The look is simplified so I could not keep zigzag ornament on her longyi skirt, therefore I moved it onto the top part.

I used Thai dancers jewelry and... flip flops? idk how they are called in Southeast Asia (don't like Sokka and Katara's FN shoes at all, why the design is so complicated?).

For covering her hair I used a turban, inspired by Myanmar turbans; a white one, so if some hair will show, it won't be too noticeable. Also Yue could still be easily recognised on screen/page by her white head. The long end of the fabric on her right resembles burmese hairstyle silhouette.

The Invasion-and-till-finale look

For her dress I used a deel (again); the sleeveless jacket is an hommage to her original design and has some Korean vibes, like Toph's Ba Sing Se dress (at least I hope so). Katara and Sokka's season 1 looks have Korean influence, so I guess it's okay. Gutals are from her Book 2 main look. I have a soft spot for them.

My favorite thing is her hair :)))) It's a mix of Inuit/Mongolian braids and a hairpiece, also from the Book 2 look. This time there will be more braids. Two on the front – I wanted to keep them from her original hairdo, but now they are braided together (I saw this on the Alaskan Inuit/Eskimo women photos). On the back there are five, inspired by a Mongolian hairdo for young unmarried girls, who wore multiple braids. I decided to make five, because Alaskian Inuit language uses this amount for counting and with two front braids it'll make seven, which is a lucky Mongolian number. And in theory a limited number should be easier to animate.

The post-canon noble look

After the final battle I thought Yue will come back to Agna Qel'a and become a more active political figure. I chose a white kuspuk (blue color is still for Katara and Sokka), showing that she is ready to lead her tribe after this journey, not the passive perfect princess she was before. "She is associated in canon with the masculine yang of the yin and yang and the moon which, in most Inuit and Eskimo cultures, is considered masculine as well. While white kuspuks are associated with men and specifically family patriarchs, a feminine kuspuk in white makes plenty of sense for Yue's character" – @mostly-mundane-atla helped me a lot with the cultural meaning of the clothes (I am so grateful!). Also it's an hommage to her total-white Moon Spirit look. And I changed her hair again to Greenland updo with two tied braids on the front – more complicated than the simple braids she wore during the journey. It looks formal.

NWT is less Inuit-inspired and has a strong Mongolian touch (to make them look more "modern"? dunno) but I guess the formal wear for the spiritual princess could refer to older traditions. Which should be the same with SWT, 'cause SWT was originally a part of NWT – or so I heard. For example, Kuruk, the NWT Avatar who lived about 400 years ago, has nothing Mongolian in his look.

All the looks are simplified to match the style of the original cartoon. I know there should be more details and embroidery, but my goal here was to draw something (at least theoretically) applicable for animation. And no Hahn's betrothal necklace of course.

Also I want to mention here other great Yue designs, since they are the inspiration behind the overall idea of the post – the moon looks and "Yue joins the Gaang" outfits by amazingly talented @chiptrillino.

P.S.: an important note

This is my first attempt ever to design outfits that could fit the world of A:tLA. I am not Asian or ingenious, not an expert in their cultures or costume history at all, not a professional character designer. I am just a fan who tried to create designs with respect to real cultures and people. Nothing here was supposed to be offensive in any way. If something still is – please inform me so I could fix it as soon as possible.

I hope, as a fan, I have the right to draw fanarts looking for an inspiration in the cultures that inspired the original cartoon.

If you see mistakes in my post, be it in drawings or a text, also feel free to tell me. I will deeply appreciate it.

[hajihiko]

Nice night 🌘

[screamingaboutaceattorney]

happy holidays ace attorney fandom, most predictable bitches on earth, i love you all <3