#I'm a man and you deny it!

[armandposting]

this is the axe scene btw. unfortunately immediately followed by the most upsetting abuse scene in the book to me but still #goodforhim

bonus:

[demigod-of-the-agni]

The pishacha are manifestations of evil itself, locked within a cursed amulet. The wearer of the amulet is at the mercy of the demon, known for possessing humans and feeding off their host's chakra energy. However, if symbiosis is achieved, the pishacha can grant its host a myriad of powerful abilities.

I just needed to draw something cool okay. I needed to draw some cool goop and some cool looks okay. okay. if I didn't post this I would have exploded okay

[shiveringsoldier]

Lawrence of Arabia (1962) dir. David Lean

[yayll]

~ a little something about you and Dazai trying to love each other a little bit less ~

It's Sakura season, and it's not being shared with someone you love. That's fine, you think to yourself as you sit on the bench, the sunset overlooks the port and you have the park to yourself. The fragile petals fall all around you, covering you in flakes of pink, like snow that won't melt. Though they will shrivel up, you think that might be worse than the instant loss of a melting snowflake. The thing about snowflakes is they melt upon warm contact but these petals won't melt at the touch of cold nor warmth, they'll lie there until their beauty fades along with what's left of their fleeting life. You stare at one in particular as it lands into your coffee cup, floating at the top instead of sinking.

That's what it was like to be in love with Osamu Dazai, and what it was like to sense his dreadful presence approaching you like the wind billows on a starless night. You ignore him, staring down at your coffee cup like it's going to save you, knowing it won't. In your peripheral vision, he looks spectral, and you catch a wave trying to get you to look up along with a familiar voice that reeks of faux friendliness.

"Are you always this avoidant when people try to greet you?"

You bite the soft flesh inside of your cheek, gripping your coffee just a bit tighter, unresponsive.

He continues, hands tucked into his coat and a smirk on his face.

"The blooms are nice today, eh? At their peak. Thought I'd stop by to enjoy them but it seems someone's already taken my favorite bench. At my favorite spot. What a shame."

After another long pause, his voice loses the playful edge and he says your name in a firm tone. This causes you to finally snap to attention, eyes wide and as fragile as those petals that shower you both. He smiles once more, but it's uglier this time, mocking. You mirror him by calling out to him right back, a hint of bitterness in your voice.

"Dazai."

He steps closer, towering over you. He always thought you looked best when you were looking up at him. It would almost sting that you're using his last name if it weren't for the fact that it sounded so good coming out of your mouth. He leans down to you just a tad bit.

"Sooo flustered..."

"I'm not flustered."

It's a joy to know he can still make you feel something, you were always wearing your heart on your sleeve, and your emotions on your precious little face. He sighs dramatically, waving his arms around.

"Mhm, sure you're not. You're lying... And it's honestly boring me to death! And I love death!"

You look away towards the port and roll your eyes, a quiet scoff escaping you along with it.

"Oh, so we're doing this."

It's almost like they're flirting, he thinks. Just like old times, maybe. It sends a thrill down his spine.

"Yes. We are."

You smile faintly, but it disappears just as fast as it materialized.

"I'll head out now and leave you to your favorite bench at your favorite spot, then."

He doesn't even allow you the chance to stand up before he shifts to stand fully in your way, imposing himself with an unreadable expression on his face that's hiding his real thoughts.

"Stay here a minute, I'd like to ask you a tiny little thing."

You tilt your head, the way you used to every time he perplexed you with some nonsense he'd spew out either to toy with you or when he'd say those three poisonous words you could never handle hearing from him.

"Dazai, I don't know if that's wise..."

He knew what you meant by that, because if you stayed like all the other times, you'd never leave. He sees the effect he has on you and he uses that to his advantage. His voice softens, something you aren't used to anymore.

"... But will you do it anyway? Stay here?"

You bite the corner of your lip and sigh... Of course you do.

"I guess... I will."

His eyes narrow and he fights back a smile at the thought of being able to stump you like this.

He's not sure where he's going with this but he's sure he'll think of something to say, he just wants to keep talking to you a little longer. He invades your personal space, and almost reaches out to place a hand on your face but decides not to, opting to keep the unbalanced dynamic going. You breathe out, unable to handle the silence, your cheeks already turning pink.

"Seems to me like you're stalling."

He observes you knowing how desperate you are to hear what he has to say, enjoying the moment of simply holding your gaze when he really should think of what the hell to ask you. He becomes dangerously close, his voice taking on a velvety approach with that lazy smile you love so much.

"Me? I'm doing nothing of the sort."

You look down at your shoes shamefully, something that would have made you so giddy to hear before now just feels like a slap to the face. Your eyes flicker to the way his hands now rest at his sides and it makes you wish they were wrapped around your neck instead. It all causes you to mumble without thinking.

"You always want to stop me from something... You keep me frozen in time."

He tilts his head, finally reaching out to take your hand but when you don't meet him halfway he settles for hooking his pinky around yours instead. He won't move it until you do first.

"Is that so bad? To be frozen by me?"

You're losing this battle, you know that because you can feel your heartbeat in your pinky when he tightens it just a little but it's enough to feel him invade you even further. He feels it too.

"I wish I thought it were..." You say, lamely.

"Why don't you, then?"

He asks quickly, amused. He squeezes your pinky harder and it's starting to cut your circulation off. You look back up with that ridiculously innocent face that always made him want to jump into the river, you didn't even know how precious you looked that way.

"You know why, Osamu."

Oh it's like a shot to the heart when you switch to his first name. How dare you. He wishes you'd say it under different circumstances because he doesn't like this one. That, plus the urge to mock you for your emotions always being so damn sincere causes his gaze to shift. It's less playful now as he stares into your eyes, his voice going low.

"... I don't think I do."

You bite the inside of your cheek again and taste blood from how hard you're holding back the urge to just. Go. But you can't and you won't. It's the same doomed story over and over again.

You murmur with pathetic longing.

"No, you never seem to."

He's figured out his question, and he figures why he's holding your pinky like he's a tourniquet and you're bleeding out, but he doesn't intend on saving you, he's not that kind of guy.

It's dark now, and the Sakura petals are slowing down their fall to death, almost afraid to interrupt the tension going on here. He nods towards you, amused.

"Please, enlighten me."

You look away, a sad smile on your face.

"I don't know if I'm strong enough for that tonight."

He knows that, and you're stupid if you don't think he knows every single little thing about you. This is all just a review. This is all just his way of making sure you haven't moved on this time for sure.

"Aww, look at you, unable to resist me.~"

He mocks you, yet moves his over hand to the small of your back to really make sure you stay here with him. You instantly regret letting your heart speak for you when you said you'd stay earlier. You frown, eyes glistening as the moon makes its presence known. The moon doesn't care to interrupt you two, but somehow it feels like it's on Dazai's side more than anything.

You shake your head, sighing.

"You're being mean. You should be home tonight and so should I."

He keeps staring into you, thinking how beautiful you look when you become so vulnerable around him. He finally releases your pinky, unable to take it anymore, and cups the side of your face instead while the other one still stays on your back. He shrugs and sighs as well, though it sounds more like an imitation of one.

"Perhaps I should be home. But I don't feel like it. Neither do I feel like letting you scurry away."

This causes you to purse your lips and knit your brows together, your patience running out from his games. He should have taken you out back and put you out of your misery ages ago, it's not too late, you think.

"Then what do you propose we do?"

"Hmm... Will you let me kiss you?" He asks as if this were the first time he's ever done it. As if he were concluding a successful first date. Your lip quivers, and he can feel you tremble.

"Why?"

"Why not?"

When you don't reply, he moves his face until his cheek is against yours and whispers into your ear.

"Are you going to say anything, silly? Or can I take this as a yes?"

You finally breathe out, the shock somewhat subsiding. You don't think twice, you're just as pathetic as you've always been. But so is he for asking.

"Kiss me."

You said yes. He gets what he wants from you, thank god. He won't tell you that just this morning he had a dream, or rather a revelation of you letting him kiss you. That he blew off his duties at the agency and visited every single place you used to frequent together until he found you here to make the prophecy come true. That this is a selfish attempt at getting not just that kiss, but your entire being. Your noses touch, and he whispers once more.

"Are you sure about that? You don't sound so sure, little thing."

You swallow hard, and your voice comes out meek and soft.

"I always am."

"Even now?"

He doesn't even wait for your reply before he's closing the distance between you, locking your lips together and sealing you against him, as if worried after all this time you'd still try to move away and leave. The kiss lasts longer than it was intended to, but eventually Dazai removes himself from you, he couldn't bear it if you did so first. You never would, you think to yourself. His gaze is genuinely soft now, his cruelty melting away like a snowflake, but you're dying in his arms like the petal.

"You've always known I'm yours, right? And you're mine?"

You want to cry when he says that, if only it truly was that mutual.

"I want it to be that way, but it seems you only kiss me when no one's around."

The empty outdoor space that envelops them, along with the waves rhythmically crashing against the port punctuates the silence that follows after. Dazai breaks the pause, something about what you just said bothering him deeply.

"If I kissed you when everyone was around, wouldn't they start to look?"

He knows that's terrible thing to say to you, but doesn't want to admit that the thought of others seeing him happy makes him feel like it's an omen, that the second he openly recognizes he's yours you won't stay his for very long. That it will all be a dream from another world. You scoff as you look away, your eyes stinging.

"Mmm... You're funny."

"I'm serious, me being in a relationship? Imagine that. I think the whole agency would be at a standstill. How scandalous."

He doesn't mean that, but he doesn't know why he can't stop pretending he doesn't have feelings and just speak the truth. Surprisingly, you crack a small smile at that, trying to find humor in the fact that you'll never figure him out.

"They'd all think you're looney, which you are."

"That's an understatement! They'd think I'm deranged for letting such a cute person take me away from my very important duties.~"

He plays along with your sarcasm, what matters is you're cooperating.

"They'd all say I'm too good for you, anyway. Especially Kunikida." You really make sure that one hurts, but all he shows is a sly grin.

"It's just better if people don't know we're together, right?"

You look away, the moon's fully illuminating you both.

"It's better not to be together at all, Osamu."

Your words actually hurt like a knife to the chest, and once he goes there, he can't stop it. You weren't supposed to make such a permanent statement. He narrows his eyes, but his voice remains soft, desperate even.

"And what's that supposed to mean?"

"You know what I mean, I'm not some secret you keep."

He somehow recovers and replies as smug as possible.

"I like you that way. Frozen in time, remember? The prettiest ice sculpture for me to adore for all eternity.... What else do you want me to say?"

You wince at that.

"Just say anything. Can you say it? Can you at least tell me you loved me at one point in time?"

That does it for him. You look so sad, you look so pliable and it's so attractive, but he's not looking to exploit that anymore tonight. It brings out something else. Something he can't take back.

"You do know I don't ever want anyone else, right? It was real to me then, and it's real to me now. Don't be dense."

He didn't notice the tears in your eyes before, the way they glisten thanks to the moon who's always on his side. He's stern when he speaks to you, his eyes locked on yours to make sure you get it through you stubborn little skull how devoted he has always been and always will be, even if he doesn't show it in the way you want him to.

You're irritated and enamored as you sniffle.

"And what am I supposed to do with that information, huh?"

He speaks above a whisper, you barely hear it yourself; It might as well be an auditory hallucination. His face is solemn, matching yours for once. He's not hiding anything right now.

"Keep it close to your heart and be mine..."

He clears his throat, and moves his other hand from your back to the other side of your face, fully holding you, making sure you have no escape.

"... I'm all yours, so be all mine. Okay?"

"We really are the same kind of stupid, Osamu... Now what?"

You say with a scoff that turns into a small laugh, your voice remaining bittersweet even in between sniffles.

"Now?" His voice trails off, humming as he pretends to think. There was never another outcome to this story, he was never going to say anything different. It's just the way he prophesied it. The way it's meant to be.

"Now you're going to take me home. We're going to get back to your place, and you'll reintroduce me to your very cold and lonely bed I've missed so much as I hold you forever and ever. You'll have no choice but to fall madly in love with me again, as I am with you. Done."

He drops your face and takes your hand properly now, hoping to lead you away into the night. He knows he doesn't deserve this, so he has to make it count.

He's hoping you won't find him crass and reject his request, he doesn't mean to be so blunt. He's just a desperate idiot who refuses to see another season change without you.

When Dazai says he misses intimacy with you, it's because he does. It's because he wants to tell you that this is the last time the cycle repeats itself, this is how he ends it but he needs you to want it too. You stare at him in disbelief at first, your hollow breathing now becoming shaky with each inhale. You choose to believe him, something in his face tells you he's being real for once. Besides, you already have nothing, so you can't lose anything.

"... Then lie in it again. Convince me."

You tuck a strand of his messy bangs that frame his face behind his ear, and you realize how pretty he looks this way. You never noticed he could be even more devastating than usual. You hope he'll keep letting you push it back like this.

He smiles, his voice dropping to a pleading tone at your reverent touch. At your mercy.

"Oh, I plan on it. We've made it this far. Even if it wasn't mutual anymore, it doesn't make it any less true... at least not for me. And just so you know, I did love you at one point in time, and I love you now, you fool."

You look down once again at the fallen petals at your feet already turning brown, and you realize this won't be you tonight, or ever again. You realize there is meaning in all of this and you won't be the snowflake nor the petal, you're going to be Dazai's. You squeeze his hand back, the corner of your lip curling up as you both walk away under the moonlight.

[mitskiluvr]

watched the persona 5 proof of justice ova from years ago and was getting acid reflux with how queer everything was... what do you mean its just 20 minutes of joker mourning his boyfriend. that's the entire ova.

[chaosordoffl]

Crazy how Targ/Valyrian names can sound feminine or masculine because of their association with a character

[yandere-yearnings]

i vaguely recall getting an ask once that went smth along the lines of 'dar you can't tell me sun WASN'T a little angel as a teen' and i think it was in response to the backstory spoilers?? ik i was gonna respond by saying he definitely didn't look like he could hurt a fly but i never actually did😭 i found this and i think it was meant to go along w/ the reply

i don't actually remember doing this tho?? i was probably high bc i even forgot his beauty marks, but i'd probably forget them even if i wasnt tbh🤡 anyway, teen sun for you guys, pls imagine the moles and fix the way off proportions in your heads bc i'm too lazy to try and edit anything🤧💔

[mercysong-tardis]

"Might I have this dance, Master Jetii?"

"As you wish, Cyar'ika."

OR AN AU WHERE THEY CALL EACH OTHER MANDALORIAN NICKNAMES AND THE SKYWALKER FAM ISN'T AT ALL SURPRISED

[saraminia]

I just feel that we as a fandom moved on too fast from these pictures...

[ave-immaculata]

fellas we're once again wrestling with imperfect vs. perfect contrition and why imperfect contrition with a firm resolution to not sin again and promptly receive the Sacrament of Reconciliation doesn't save

[hephaestuscrew]

The role of Pryce and Carter's Deep Space Survival Procedure Protocol Manual in the characterisation, symbolism, and themes of Wolf 359

TL;DR: The DSSPPM is used as a tool to help establish and develop Minkowski and Eiffel as characters: Minkowski as a strict Commander who clings to the certainty provided by a rigid source of authority like the DSSPPM, and Eiffel as the anti-authority slacker who strongly objects to the idea that he ought to read the manual. The way their contrasting attitudes towards the DSSPPM manifest through the show reflect their character development and changing dynamic. The DSSPPM can be directly used against the protagonists by those with power over them, and the reveal of its authorship gives a particularly sinister edge to its regular presence in the show. But it can be also be repurposed and seen through an individual interpersonal lens.

Note: There’s plenty that you could say about the DSSPPM through the lens of what it says about Goddard Futuristics as an organisation, or about Pryce and Cutter as people. Or you could talk about Lambert quoting the DSSPPM an absurd number of times in Change of Mind, and Lovelace’s reactions to this. But in this essay, I’ll be analysing on mentions of the DSSPPM with a focus on Minkowski, Eiffel, and their dynamic.

“One of those mandatory mission training things”: the DSSPPM as a tool to establish characterisation

The first mention of Pryce and Carter's Deep Space Survival Procedure Protocol Manual (the DSSPPM) in Wolf 359 is also the very first interaction we hear Eiffel and Minkowski have. In fact, the first time we hear Minkowski's voice at all is her telling Eiffel off for not having read the manual:

[Ep1 Succulent Rat-Killing Tar] MINKOWSKI Eiffel, did you read your copy of Pryce and Carter?  EIFFEL My copy of what?  MINKOWSKI Pryce and Carter's Deep Space Survival Procedure Protocol Manual.  EIFFEL Was that one of those mandatory mission training things?  MINKOWSKI Yes.  EIFFEL In that case, yes, I definitely did.  MINKOWSKI Did you now? Because I happened to find your copy of the D.S.S.P.P.M. floating in the observation deck.  EIFFEL Oh?  MINKOWSKI Still in its plastic wrapping.

This is an effective way to establish their conflicting personalities right out of the gate. Minkowski's determination to "do things by the book - this book in fact" contrasts clearly with Eiffel's professed ignorance about and clear disregard for "this... Jimmy Carter thing”. Purely through their attitudes to this one book, they slot easily into clear archetypes which inevitably clash. Everything about Eiffel in that opening episode sets him up as a slacker who doesn't care about authority, but the image of his mandatory mission training manual floating in the observation deck "still in its plastic wrapping" provides a particularly striking illustration.

By contrast, we immediately encounter Minkowski as a strict leader who cares deeply about making sure everything is done according to protocol; the intense importance she places on the DSSPPM is one of the very first things we know about her. Her insistence on the importance of the survival manual might seem somewhat understandable at first, if perhaps unhelpfully aggressive, but it starts to feel less sensible as soon as we start to hear some of the tips from this manual:

Deep Space Survival Tip Number Five: Remain positive at all times. Maintain a cheerful attitude even in the face of adversity. Remember: when you are smiling the whole world smiles with you, but when you're crying you're in violation of fleet-wide morale codes and should report to your superior officer for disciplinary action.

The strange, controlling, vaguely sinister tone of some of the tips we hear in the first episode is largely played for laughs, emphasised by the exaggeratedly upbeat manner in which Hera reads them. But even these first few tips give us some initial suggestions that the powers behind this mission might not care all that much about the wellbeing of their crew members.

It says something about Minkowski that she places such faith and importance in a book which says things like "Failing to remain calm, could result in your grisly, gruesome death" and "when you're crying you're in violation of fleet-wide morale codes and should report to your superior officer for disciplinary action." (Foreshadowing the Hephaestus Station as the home of immense emotional repression and compartmentalising...) Having those kind of pressures and demands placed on her (and those around her) by people above her in the military hierarchy doesn’t unsettle Minkowski.

Eiffel groans and sighs as he listens to the tips, but Minkowski seems to see this manual as an essential source of wisdom. The main role the manual plays in this episode is to establish Minkowski and Eiffel as contrasting characters with very different approaches to authority and therefore a potential to clash.

When Minkowski demands that Eiffel reads the DSSPPM, he decides to get Hera to read it to him, asking her to keep this as “a 'just the two of us, totally secret, never tell Commander Minkowski' thing”. Eiffel seems convinced that Minkowski won't be happy with him listening to Hera read the DSSPPM rather than reading it himself. This suggests that (at least in Eiffel's interpretation) Minkowski’s orders are not just about her wanting him to know the contents of the manual, since this could theoretically be accomplished just as well by him listening to it. But she wants him to do things in what she’s deemed to be the correct way, to put in the right amount of effort, and not to take what she might see as a shortcut. It’s not just about the contents of the manual; it’s about the commitment to protocol that reading it represents.

“When in doubt: whip it out”: Hilbert’s use of the DSSPPM

In Season 1, the DSSPPM isn't purely associated with Minkowski. Hilbert actually quotes it more than she does in the first few episodes. In Ep2 Little Revolución, Hilbert's response to Eiffel's toothpaste protest is inspired by "Pryce and Carter six fourteen: “When in doubt, whip it out - ‘it’ being hydrochloric acid.”" This tip is absurd in a more direct obvious way than those we heard in Ep1. While this absurdity is partly for humour, it also casts further doubt on the usefulness of this supposedly authoritative survival manual, and therefore on the wisdom of trusting Command.

In Ep4 Cataracts and Hurricanoes, Hilbert starts to quote Tip #4 at Eiffel, who protests "I'm not gonna have one of the last things I hear be some crap from the survival manual". These moments again place Eiffel in clear opposition to the DSSPPM, but also suggest that Hilbert's attitude towards the DSSPPM - and therefore towards Command - is closer to Minkowski's than to Eiffel's.

When Hilbert turns on the Hephaestus crew in his Christmas mutiny, his allegiance to Command is revealed as dangerous. And here the DSSPPM comes up again. As Minkowski dissolves the door between her and Hilbert, she triumphantly echoes his own words back to him: "Pryce and Carter six fourteen: “When in doubt, whip it out - ‘it’ being hydrochloric acid.” Never. Fails." This provides a callback to a previous, more comedic conflict on the Hephaestus, and reminds the listener of a time when Minkowski and Hilbert were working together against Eiffel, in contrast to the current situation of Minkowski and Eiffel versus Hilbert. But it also shows that Minkowski, like Hilbert, is capable of using some of the more absurd DSSPPM tips to defeat an adversary. And it shows Minkowski leaning on those tips in a real moment of crisis.

Once Hilbert has betrayed the crew in order to follow orders from Command, we might look back on his quoting of the DSSPPM as casting the manual in a more sinister light, and again calling into question the wisdom of Minkowski placing such trust in it.

“It's not that I don't believe it, I'm just disgusted by it”: the DSSPPM as an indicator of a changing dynamic

The next mention of the DSSPPM is in Ep17 Bach to the Future:

MINKOWSKI Eiffel's been spot-testing me, Hera. He doesn't believe that I've memorized all of the survival tips in Pryce and Carter. EIFFEL It's not that I don't believe it, I'm just disgusted by it. I keep hoping to discover it's not true. MINKOWSKI Well, believe as little as you want, doesn't change the fact that I do know them. And so should you!

I think this provides an interesting illustration of the way in which Minkowski and Eiffel’s dynamic has developed since Ep1. They still have deeply contrasting attitudes to the DSSPPM, but this contrast is now a source of entertainment between them, rather than merely of conflict.

Given that Hera wasn’t aware of Eiffel testing Minkowski on the tips, we can guess that it’s a game they came up with while Hera was offline. In the midst of all the exhaustion and uncertainty and fear they were dealing with after Hilbert’s mutiny, this was a way they found to pass the time. It must have been Eiffel who suggested it; Minkowski cites his disbelief as the reason for the spot-testing. And yet she plays along, responding each time, even though this activity has no real productive value.

Minkowski is keen to demonstrate that she does know the tips and she emphasises that Eiffel ought to know them too, but their interactions about the DSSPPM in this episode have none of the genuine irritation and frustration that they displayed in Ep1. It feels almost playful and teasing. Eiffel still thinks Minkowski is "completely insane" for learning all the tips and is "disgusted" by her commitment to memorising them, but these comments feel much closer to joking about a friend's weird traits than to insulting a hated coworker's personality. It feels like something has shifted since Eiffel responded to Minkowski’s passion for the DSSPPM by saying “I'm so glad that your shrivelled husk of a dictator's heart is as warm as a decompression chamber”.

Another thing to note here is that Minkowski's respect for the DSSPPM has clearly survived Hilbert's Christmas mutiny and Minkowski's resulting distrust of Command. From Hilbert's behaviour at Christmas, it's clear that the crew's survival is not at the top of Command's priority list. But Minkowski still trusts the book that Command told her to read. She still thinks Eiffel should read it too. The main figures of authority above her are dangerous and untrustworthy, but she still clings to the source of guidance they provided her with.

It's also worth noting that Minkowski has not just learnt the advice in each of the 1001 tips, but she has memorised (nearly) all of them by number. If it was just about the information that the manual provides to inform responses to potentially life-or-death situations, then knowing the numbers wouldn't be necessary. Nor would it be particularly useful to know them all exactly word-for-word. Minkowski's reliance on the DSSPPM is again suggested to be about more than the potential practical use of its content. It's about showing that she is committed and disciplined and up to the task of leading. She does have some awareness of the strangeness of many of the tips, but this doesn't diminish the value of her adherence to the manual for her:

EIFFEL You're insane.  MINKOWSKI I'm disciplined. Although I will admit they do get more... esoteric as you go higher up the list.

There's only one tip Minkowski doesn't seem to remember, and that's revealing too:

EIFFEL 555? Minkowski DRAWS BREATH - and STOPS SHORT. [...] MINKOWSKI Hold on a second, I know this. (beat) Dammit. EIFFEL Hey, look at that! Looks like there may be hope for you yet. MINKOWSKI Quiet, Eiffel. Hera, what's D.S.S.P.P.M. 555? HERA "Good communication habits are key to continued subsistence. Be in touch with other crew members about shipboard activities. Interfacing about possible problems or dangers is the best way to anticipate and prevent them." This hangs in the air for a second. Then – EIFFEL So you forget the one tip in the entire manual that's actually helpful? MINKOWSKI Shut up.

Communication is a key theme of this show, so it’s interesting that this is the one tip Minkowski can’t remember, perhaps indicating an aspect of leadership and teamwork that she doesn’t always prioritise or find easy.

Eiffel saying “Looks like there may be hope for you yet” seems like just a throwaway teasing line, but it’s got a profound edge to it. A lot of Minkowski’s arc is about learning how to provide her own direction and support her crew outside of the systems of authority and hierarchy that she’s grown so attached to. So perhaps Eiffel is right to see a kind of hope in her failure to remember every single DSSPPM tip – she has the potential to break free of her reliance on external authority.

“Which one was 897, what was the exact phrasing of that Deep Space Survival Tip?”: the DSSPPM in interactions with Cutter

The Wolf 359 liveshow, Deep Space Survival Procedure and Protocol, is literally named after the manual. This suggests, before we’ve even heard/watched the episode, that the DSSPPM will be a key symbol here. Which is interesting because I'd say the liveshow has two main plot points: (a) Eiffel's failure to read the DSSPPM or follow orders in general, the resulting disruption to the mission, and his crewmates' frustration with this; and (b) the looming threat of Cutter, the necessity of keeping information from Command, and the risk of fatal mission termination.

Even without the knowledge that Cutter is one of the co-authors of the DSSPPM (which neither the Hephaestus crew nor a first-time listener knows at this point), there's a kind of irony in the contrast between these two plotlines. On the one hand, Minkowski repeatedly berates Eiffel for not having read Pryce and Carter's Deep Space Survival Procedure and Protocol Manual, which was made mandatory by Command. On the other hand, she is aware that Command in general - and Cutter specifically - represents the biggest threat to the safety and survival of her crew.

Cutter uses the DSSPPM against each of the Hephaestus crew in their one-on-one conversations with him. For Minkowski, he uses it as a way of emphasising the expectations and responsibility placed on her:

MINKOWSKI There are always gaps between expectation and reality, but-- CUTTER But it's our job as leaders to close that gap, isn't it? Pryce and Carter...? MINKOWSKI 414, yes. Yes, sir, I know.

Cutter knows that Minkowski will know those tips and he knows abiding by them is important to her. She's quick to demonstrate her knowledge of the DSSPPM and agree with the tip. There's something deeply sinister to me about Cutter's use of the word 'our' here. His phrasing includes them both as leaders who should be ensuring that things are exactly as expected. It’s almost a kind of flattery at her authority, but it comes with impossibly high expectations. This way of emphasising the importance and responsibilities of her role as Commander is a targeted strategy by Cutter at manipulating Minkowski, designed to appeal to her values.

In Hera's one-on-one, Cutter uses a DSSPPM tip to interpret her behaviour and claim that he can read her motives:

CUTTER This thing you're doing. Asking questions while you get your bearings. HERA Sir, I'm just curious about-- CUTTER Pryce and Carter 588: Shows of courtesy and polite queries are an efficient way to gain time necessary to strategize.

Unlike with Minkowski (or Eiffel), Cutter doesn't prompt Hera to demonstrate her knowledge of the manual. That wouldn't work as a power play against Hera, who would be able to recall the manual (or, rather, retrieve the file, however that distinction works within her memory) but who doesn't care about the DSSPPM like Minkowski does. Instead, Cutter implies that Hera’s behaviour can be predicted - or at the very least seen through - by the DSSPPM, which seems like a cruel attempt by Cutter at belittling her.

For Eiffel, Cutter uses the manual as a weapon in a different way again. He asks Eiffel, "which one was 897, what was the exact phrasing of that Deep Space Survival Tip?", something which Eiffel clearly doesn't know, but Cutter of course does. This puts Eiffel on the back foot, trying to defend and justify himself, allowing Cutter to emphasise his position of power yet again.

The DSSPPM plays a double role in the liveshow. On the one hand, as Minkowski reminds Eiffel, proper knowledge of the manual "would've saved [the crew] from these problems with the nav computer" – some of the tips can potentially save the crew a great deal of hassle, stress, and risk. On the other hand, the same manual is used by Cutter to manipulate, unsettle, and intimidate the crew. There are these two sides to the information given to the crew by Command - two sides to the manual which Minkowski still values.

In another duality for the DSSPM, the manual is sometimes used as a symbol of the relationship between the crew members and Command, and sometimes used to indicate the dynamics between the individual crew members, usually Minkowski and Eiffel. Before Cutter’s appearance in the liveshow, Minkowski and Eiffel’s discussions of the DSSPPM reflect interpersonal disagreements between two people with fundamentally different attitudes:

MINKOWSKI Oh come on, why do you think I keep trying to get you to go over these things? Do you think I enjoy going through them? EIFFEL Yes. MINKOWSKI Well, alright, I do. But this knowledge could save your life.

Minkowski enjoys rules, regulations, and certainty, for their own sake as much as for any practical usefulness. Eiffel very much does not. This is a simple clash of individuals, in which the link between the DSSPPM and Command is implicit. Minkowski doesn't seem to question the idea that the information in the DSSPPM is potentially life-saving, even though she knows Command don't care about their lives. But Cutter’s repeated references to the DSSPPM remind us who made that book a mandatory part of mission training – it certainly wasn’t Minkowski, even if she’s often the one attempting to enforce this rule.

At the end of the liveshow, in a desperate attempt to prevent mission termination, Eiffel promises Cutter that he will read the DSSPPM (the liveshow transcript notes that him saying this is "like pulling teeth"), an instance of the manual being used in negotiations between the Hephaestus crew and Command. All Minkowski’s orders weren’t enough to get Eiffel to read that book, but a genuine life-or-death threat might just about be enough. Perhaps it's ironic that Eiffel reads the survival manual out of a desire for survival, not because he thinks the contents of the book will help him survive, but because he’s grasping anything he can offer to buy the crew’s survival from those who created that same book.

In the final scene of the liveshow, Minkowski catches Eiffel reading the DSSPPM, and he fumbles to hide that he's been reading it, a humorous reversal of all the times that he's lied to her that he has read it. Perhaps admitting that he's reading it would be like letting Minkowski win. Minkowski seems to find both surprise and amusement in seeing Eiffel finally reading the manual, but she doesn't push him to admit it. There's some slightly smug but still friendly teasing in the way Minkowski says "were you now?" when Eiffel says that he was just reading something useful. In that final scene, the manual is viewed again through the lens of Minkowski and Eiffel’s dynamic – Command’s relation to the DSSPPM becomes secondary.

“The first thing I'd make damn sure was hard wired into anything that might end up in a situation like this one”: the DSSPPM as a tool of survival

In Ep30 Mayday, when Eiffel is stranded alone on Lovelace’s shuttle, he hallucinates Minkowski to bring him out of his helpless panic and force him into action. And this hallucination also brings with it one of Minkowski’s interests:

MINKOWSKI Eiffel... I worked on this shuttle. Reprogramming that console. EIFFEL So? How does that help – MINKOWSKI Think about it. BEAT. And then he gets it. EIFFEL Oh goddammit. MINKOWSKI What's the first thing that I would do when programming a flight computer? The first thing I'd make damn sure was hard wired into anything that might end up in a situation like this one? EIFFEL Pyrce and Carter's Deep Space Survival Procedure and Protocol Manual.

Again, a conversation about the DSSPPM gives us an indication of the development of Minkowski and Eiffel’s relationship. Not only does Eiffel imagine Minkowski as a figure of (fairly aggressive) support when he’s stranded and alone, he thinks about what advice she’d give him and he follows it. Rather than dismissing the manual entirely, he looks for tips that are relevant to his situation. He’s not pleased about his hallucinated-Minkowski trying to get him to read the DSSPPM, but that was what his mind gave him in an almost hopeless situation. Some part of him now empathises with Minkowski’s priorities in a way that he definitely wasn’t doing in Ep1. He thinks that the DSSPPM might be on the shuttle because he knows the manual is important to Minkowski. It’s by imagining Minkowski that he gets himself to read the manual in order to see if it can help him survive – he certainly doesn’t think about what Cutter or anyone else from Command would tell him to do.

In the end, the tips Eiffel picks out aren’t all that helpful or informative: “Confront reality head-on”; “In an emergency, take stock of the tools at your disposal. Then take stock again. Restock. Repurpose. Reuse. Recycle."; and “"In times of trouble, an idle mind is your worst enemy”. But Eiffel does use these tips to structure his initial thinking about how to survive on Lovelace’s shuttle. In an almost entirely hopeless situation, Eiffel finds some value in the DSSPPM. But since the tips he picks out are mostly platitudes, the actual wisdom that allows him to survive all comes from his own mind; the tips, like his hallucinations, are just a tool he uses to externalise his process of figuring out what to do.

“Wasn't there something about this in the survival manual?”: Minkowski potentially moving away from the DSSPPM

Given the significance of the DSSPPM in Season 1 and 2 to Minkowski in particular, it feels notable when the manual isn’t referenced. Unless I've missed something (and please let me know if I have), Minkowski – the real one, not Eiffel’s hallucination - doesn't bring up the manual of her own accord at all in Seasons 3 or 4. This might make us wonder if she’s moved away from her trust in and reliance on that book provided by Command.

Perhaps the arrival of the SI-5, which highlights to Minkowski that the chain of command is not a good indicator of trustworthy authority, was the final straw. Or perhaps the apparent loss of Eiffel - and any subsequent questioning of her leadership approach, or realisations about the valuable perspective Eiffel provided - were what finally broke down her faith in that book.

Alternatively, perhaps Minkowski still trusts the DSSPPM as much as ever, but trying to get Eiffel or any of the other crew members to listen to it is a losing battle that she no longer sees as a priority. Either way, Minkowski’s apparent reluctance to bring up the DSSPPM feels like a shift in her approach. 

The associations between Minkowski and the DSSPPM are still there in Season 3, but they are raised by other characters, not by Minkowski herself. The manual is used to emphasise Eiffel’s difficulties when he’s put in charge of trying to get Maxwell and Hera to fill out a survey in Ep32 Controlled Demolition. Trying to force other people to be productive pushes Eiffel into some very uncharacteristic behaviour:

EIFFEL Jesus Christ, what is wrong with you? It's like you've never even read Pryce and Carter! Tip #490 very clearly states that – He trails off. After a BEAT – HERA Officer Eiffel? MAXWELL You, uh, all right there? EIFFEL (the horror) What have I become? [...] Eiffel, now wrapped up in a blanket, is next to Lovelace. He is still very clearly shaken. EIFFEL ... and... it was like an episode of the Twilight Zone. I was slowly transforming into Commander Minkowski. [...] It was a nightmare! A terrifying, bureaucratic nightmare!

This is a funny role reversal, but it shows us the strength of Eiffel’s association between Minkowski and the DSSPPM, as well his extreme aversion to finding himself in a strict bureaucratic leadership position. It also suggests that becoming extremely frustrated when trying to get other people to do what you want might make anyone resort to relying on an external source of authority, such as the manual. I don’t know whether this experience helps Eiffel empathise with Minkowski, but perhaps it might give us some insight into how her need for authority and control in the leadership role she occupied might have reinforced her deference to the DSSPPM.

In Ep34, we get a suggestion of another character having a strong association between the DSSPPM and Minkowski. After the discovery of Funzo, Hera asks Minkowski what the manual says about it:

HERA Umm... I don't know if this is a good idea. Lieutenant, wasn't there something about this in the survival manual? MINKOWSKI Pryce and Carter 792: Of all the dangers that you will face in the void of space, nothing compares to the existential terror that is Funzo.

It’s interesting to me that Hera asks Minkowski here. We know from Ep1 that “Pryce and Carter's Deep Space Survival Procedure Protocol Manual is among the files [Hera has] access to”. Two possible reasons occur to me for why Hera might ask Minkowski about the DSSPPM tip here. One possibility is that Hera thinks that retrieving the manual from her databanks and finding the correct tip would take her more time than it would take for Minkowski to just remember the tip. Which suggests interesting things about the nature of Hera’s memory, but also implies that - at least in Hera's view -Minkowski’s knowledge of the DSSPPM is more reliable than that of a supercomputer.

The other possibility is that Hera could have recalled the relevant DSSPPM tip incredibly quickly but she doesn’t want to, maybe because she resents having that manual in her head in the first place, or maybe because she wants to show respect for Minkowski’s knowledge as a Commander. Either way, we can see that Hera – like Eiffel – strongly associates Minkowski with the DSSPPM.

And Minkowski, even if she wasn’t the one to bring up the manual here, recalls the relevant tip immediately. Perhaps she is moving away from her trust in that manual, but everything that she learned as part of her old deference to the authority of Command is still there in her head. She might want to forget it by the end of the mission, but that’s not easily achieved. The way Minkowski’s friends/crewmates associate the manual with her emphasises the difficulty she’ll face if she tries to move away from it.

“One thousand and one pains in my ass”: The authorship of the DSSPPM

In Ep55 A Place for Everything, Eiffel effectively expresses his long-held dislike of the DSSPPM when he comes face-to-face with both of its authors:

EIFFEL What? What the hell are - wait a minute - Pryce? As in one thousand and one pains in my ass, Pryce? (sudden realization) Which... makes you...? MR. CUTTER (holding out his hand) W.S. Carter, pleased to meet you. 

It’s significant that the two ‘big bads’ of the whole series are the authors of the manual which Minkowski and Eiffel were bickering about all the way back in Ep1. It’s not the only way in which the message of this show positions itself firmly against just accepting externally imposed authority and hierarchy without question or evidence, but it does reinforce this ethos.

By being the authors of the manual, Cutter and Pryce have had a sinister hidden presence throughout the show. Long before we know who Pryce is and even before we hear Cutter’s name, their manual is there, occupying a prominent place in Minkowski’s motivations and priorities, and in her arguments with Eiffel. It’s not at all comparable to what Pryce put in Hera’s mind, but it is another way in which these antagonists have wormed their way into the heads of our protagonists.

Minkowski will have to come to terms with the fact that the 1001 tips she spent hours memorising and reciting were written by two people who would have killed her, her crew, and even the whole human race without hesitation if it served their purposes. We never get to hear Minkowski’s reaction to learning the identities of Pryce and Carter, but I think processing the role of their manual in her life will be a long and difficult road that’ll tie into a lot of other emotional processing she needs to do. Her assertion to Cutter that, without him, she is “Renée Minkowski... and that is more than enough to kick your ass!” feels like part of that journey. She doesn’t mention the DSSPPM at all in Season 4. She’s growing beyond it.

"Doug Eiffel's Deep Space Survival Guide": The DSSPPM as a weapon against those who wrote it

Last but not least, I couldn’t write about Eiffel and the DSSPPM without mentioning this scene from  Ep58 Quiet, Please:

EIFFEL As someone once told me: "Pryce and Carter 754: In an emergency, take stock of the tools at your disposal, then take stock again. Repurpose, reuse, recycle." And right now? You know what I got? I got this lighter from when Cutter was using me as his personal cabana boy. [...] and I've got myself this big, fat copy of the Deep Space Survival Manual, and you know what I'm gonna do with it? [...] Eiffel STRIKES THE LIGHTER. And LIGHTS THE BOOK ON FIRE, revealing Pryce just a few feet away from him! EIFFEL I am going to repurpose it... and reuse it... and recycle it into a GIANT FIREBALL OF DEATH! And he swings the flaming book forward, HITTING PRYCE ON THE SIDE OF THE HEAD. [...] EIFFEL That's right! Doug Eiffel's Deep Space Survival Guide, B-

No one other than Doug Eiffel could pull off the chaotic energy of this moment. It doesn’t get much more anti-authority than lighting the mandatory mission manual on fire and using it as a weapon against one of its malevolent authors. It might not be the wisest move safety-wise, and it certainly doesn’t improve the situation when the node gets jettisoned into space. But there is still a powerful symbolism in taking a symbol of the hierarchical forces that have tried to constrain you for years and setting it alight to fight back against those forces. Eiffel takes his own approach to survival and puts his own name into the title, an assertion of his agency and rejection of Command's authority.

The DSSPPM tip that he uses here is one of those he considers when stranded on Lovelace’s shuttle. It’s understandable that after that experience it might have stuck in his memory.

I can’t help feeling that the line “as someone once told me” has a double meaning here. The immediate implication is to interpret “someone” as being Pryce and Cutter – it’s their manual after all – which makes this line a fairly effective ‘fuck you’ gesture, emphasising how Eiffel is using Pryce’s manual against her in both an abstract and a physical sense.

But I think “someone” could also mean Minkowski. Eiffel uses a singular rather than plural term, there’s already an association established between Minkowski and the DSSPPM, and, in Mayday, it’s his hallucination of Minkowski that gets him to read this tip. She's probably also recited this tip to him at other points as well. Under this interpretation, this line is as much a gesture of solidarity with Minkowski as it is a taunt to Pryce. I like the idea that these two interpretations can run alongside each other, reflecting the duality of the use of the DSSPPM that I talked about in relation to the liveshow.

Conclusion

The DSSPPM is a symbol of external rules imposed on people by those with power over them. These rules can be strange, arbitrary, and even sinister, but for those with a desire for certainty and control, like Minkowski, they can be tempting. And they can have their uses, as well as the potential to be repurposed. Attitudes towards these rules provide an effective shorthand as part of Minkowski and Eiffel’s characterisation. And the clash between these attitudes, and how that clash manifests, can tell us something about how the dynamic between those characters develops and changes.

[agentwaffle]

I'm gonna say it im sorry but "crime man" is just crazier and gayer Carmen sandiego

[medinaquirin]

The utter blind hypocrisy of people criticizing Dems for trying to court too far Right while gleefully upholding the Right's obsession with moral purity and making the "right" people suffer.

[rin-solo]

Hello and welcome to some silly Vengeance Saga doodles including my contribution to the elite "Poseidon and Athena share a hospital room" concept :3

Ft. Traumatized to Unhinged Odysseus and Vlogger Hermes

[grinchwrapsupreme]

i think i need to go outside more because this is actually getting to me

[radioactive-cloud]

i'm having so many feeling rn

source: x