#I'm SO upset god

[some-pers0n]

For my non-DE fans, the Disco Elysium mobile port (featuring microtransactions!) is basically if the executive producers behind Planet Earth fired all of the writers, post-production editors, and camera crew and then started funding oil companies and poaching organizations and had David Attenborough (who've they got chained in a basement somewhere and forced to still work) voice over a McDonalds commercial for limited edition special with nuggets in the shape of critically endangered animals

[lazylittledragon]

what if i broke all the bones in your legs actually

[softestaries]

do we think matt even realised it was wilson fisk he was taking a bullet for or was he reliving the same night foggy got shot all over again, except this time daredevil got there fast enough to stop it?

he saved his arch nemesis but he couldn't save his best friend.

he got shot on the same side as foggy.

the showrunners are sick.

[anyfire]

some of u really heard taissa tell MISTY that it's shauna's fault that natalie died and instead of looking inward and wondering if maybe yr being spoonfed a theme about the role shauna takes in other characters lives instead u went EXACTLY! .... None of u are serious people

[hyacinthsdiamonds]

Fuck anyone who makes jokes about a crash that literally sent a driver to hospital.

Max's crash at Silverstone is the third most severe crash we've had in F1 in the past five years (most severe being Grosjean's in Bahrain 2020, followed by Zhou's in Silverstone 2022).

Additionally, the fact he was sent to the hospital at all is significant as Silverstone has its own medical facility on the grounds. It says everything that even as a precautionary measure, Max (+ Alex & Zhou the following year) was sent to the nearest hospital instead.

Do not for a single second take a driver walking away from a severe crash for granted. Sometimes, the miracles don't happen. Sometimes, a driver doesn't walk away unscathed. You do not want to be watching when the worst-case scenario becomes a real possibility, or worse; a reality.

If the like from Lando's dad is real... I have nothing else to say, from the bottom of my heart; FUCK YOU!

[klancer-warrior]

young broganes sketches bc I love them so intensely. you guys don't understand how much broganes means to me I love them so much I cry abt them. there's a reason the black paladins is my fave episode and I rewatch it all the time. gosh here comes the waterworks again.

[deoidesign]

I'm so mad that post was misinformation because there is actually an EXTREMELY important conversation to have about the production schedules artists are forced into. There's no need for exaggeration, the conditions are bad.

I work for webtoon. My publication schedule is weekly. While publishing I'm required 10-15 pages a week. Fully colored.

This means I'm finishing a 150 page fully colored graphic novel every 10-15 weeks.

When my comic is not updating, I am not getting paid. Any time writing, editing, or off is out of my own pocket. I don't get healthcare. They do not provide any assistants. They expect me to promote myself; they chose to deprioritize me before I even launched and gave me an end date half a year in. I never had a chance.

And this is the industry standard! Every company has artists forced into crunch hours, overtime, and burnout. Artists are literally dying early due to it. So many of my friends can't afford to go to the doctor.

It's unsustainable and untenable, and it's also the expectation our audiences have.

If we want to have this conversation, there's plenty of conversation to be had with the realities of the situation. It's bad as is.

[that-was-anticlimactic]

just saw an article criticizing the httyd books for having a ten year old protagonist... said the movies fixed it by... by making hiccup older... and then criticized the fact that toothless was small... and that the movies fixed it by making toothless bigger so hiccup could ride him... as iF THE WINDWALKER ISN'T RIGHT THERE!!! it is very well established in book one that these are hunting dragons not riding dragons. there is a DIFFERENCE. anyway the DISRESPECT saying the movies "fixed the books" shut up

[bishopsbelova]

The Rookie 7.04

[arttsuka]

I LOVE Teen Stan and Ford, it’s sad they don’t get drawn enough, so thank you so much!

Does Ford ever help Stan when he gets overstimulated? Or maybe when he has a rage response and suddenly starts crying and calls himself stupid?

Here's the other post with Ford

[laurellala-comics]

Imagine you're Phoenix Wright and you have black hair and beautiful dark eyes and you can pull off the color red so, so well, but your queer-coded rival chose the color red as his signature color years ago without checking with you first (even though he's really more of a spring and would look so much better in mauve or periwinkle, but you don't think he's ready for that conversation) so now you can't even wear the color red without accidentally symbolizing a narrative shift where you've begun to agree with his point of view (which, ew, you would never!) so you just have to grit your teeth and wear your stupid navy suit, which kind of washes you out but WHATEVER it's FINE and you're not bitter about it AT ALL!!!!

[arowithanotp]

thinking about how in God Games ares is the only god whose argument athena doesn't refute

Apollo: the sirens were trying to kill him first now they'll be cautious

Hephaestus: well the crew were a bunch of idiots

Aphrodite: a broken heart can mend

Hera: he's never cheated on his wife

meanwhile ares says odysseus is a coward who should've fought scylla head on instead of sacrificing his men. The only part of his argument athena counters is him calling telemachus pathetic and weak. All athena says in favor of odysseus is that if ares wants to see violence he should let him go. She never denies that odysseus messed up by feeding his men to scylla only implies that he learned his lesson

[meowkunas]

pairing: wriothesley x reader

summary: you really want to spend time with wriothesley right now.

word count: 1.1k+

warnings/tags: 18+, nsfw content (under the cut), umm praise from wriothesley??, kind of shy/insecure reader, fingering, fem/female bodied! reader, he calls you sweetheart and baby, i was gonna let him use his cuffs and then i forgot so he's extra gentle instead

a/n: i need him.

Every time you visit Wriothesley in his office, he knows it's because you're needy. You don't make the trip all the way there for no reason.

"I just missed you." You'll say, leaning against the table with a pout. It's the way you're avoiding eye contact with him and staring your shoes that gives you away. Not to mention the fact that you're standing right in front of his seat and forcing him to look at you instead of the paperwork he has on his desk.

He resists the urge to laugh. With a slow and precise movement, he leans forward so that he's meeting your gaze again. "Yeah? You just wanted to spend time with me?"

"Mhm." You feign innocence. Archons, you're even blushing.

"Still too nervous to use your words, huh?"

He watches as your shoulders tense. Guilt is written all over your features. He watches as you take a deep breath in to try to calm yourself, meeting his eyes with a flash of confidence this time. There's a rigidness in your form still though, and your mouth opens to say something. But he doesn't let you.

His hands clasp around your thighs, pushing them open so he can move forward on his seat to put himself between your legs. Before you can continue your sentence, he kisses you.

He knows you're about to apologise for something inane, like bothering him when he's clearly so busy, but he wants to remind you that he'll always make time for you. This isn't annoying for him. And it never will be. Besides, it's not like he can focus on anything while you're here.

It's a gentle kiss, and he lets himself part from you just a little before he's speaking again.

"Shh. I'll take care of you, okay?"

It's so quiet that you can hear how loud your breathing is. It's long, languid breaths at first, even as your heartbeat thuds quickly in your chest.

He's barely even touched you, and you still feel your breath hitch as he traces his fingers over your clothed pussy. You don't say anything, just letting his hands explore you and letting him squeeze and caress without complaint. He'll never tell you, but he likes holding you like this; likes knowing you're comfortable enough to let him just touch wherever. His hands never wander above your waist, and his motions slow as he tries to figure out what you're after today.

In exchange, you tentatively run your fingers through his hair. Once. Twice. And it takes you a couple seconds to realise that he's still just tracing his fingers over your thighs because he's waiting for you to ask for what you want. A small sound of frustration leaves your lips. This doesn't need to be this hard. But the soft intimacy of his hands touching you seems to add a knot in your throat. So you do the next best thing. You nudge his hand to where you actually want him to touch.

"There." A sigh of contentment leaves his lips. "That wasn't so hard, right?" And he still has the audacity to look up to you with a cheeky grin that sends your heart racing.

His fingers are gentle — pushing inside you and feeling, before they become searching, and all you can feel is a pleasure running up your legs and curling in your stomach. A breathy huff leaves your lips and that has him properly chuckling. You can't really help it if your hips jerk upwards to meet his touch a little better.

But he stills you easily.

He stands up, curving his arm around your waist and pulling you further to the edge of the table so you can't escape the way his fingers curve inside you.

"Wrio—" You moan against his ear, not entirely sure what you're asking for or what you're wanting, but wanting something nonetheless. He's quicker at thinking of it than your pleasured-muddled mind. His lips connect with yours again and you're barely able to kiss him back properly. It's all open mouthed, and a little sloppy. A warmth pulses through you as he traces his lips across your jaw forgivingly, down the side of your neck, nibbling lightly all the way. An uncontrolled whine from your throat has him huffing a laugh against your skin.

"Like this?" He mumbles, brushing his lips against your collarbones while his fingers push on a spot that has you moaning again.

A panic runs through your veins when you hear knocking at the door, and you put your hands on his shoulders, ready to stop him and scurry away. Except he's already murmuring out a reassurance against your neck before you can try.

"Shh, sweetheart. It would be a shame to end this now." He whispers casually. "They can wait." And really, with that purr in his voice, he could get you to do anything.

You let out a strained whine, trying to be quiet as he praises you, marking you with soft kisses across what bare skin he can get his mouth on. It's so easy for him to make you cum like this. And you do, with a sigh and with your eyes closed, as the knocking echoes through his office once more.

He's patient with you, tucking your shirt back over your shoulder where he pulled it down and you hadn't even noticed. His hand moves from your waist to your hair, tussling it. All while he's whispering sweet words to you.

"You okay? That was so good, baby. You were so good for telling me what you wanted, okay?"

You're barely listening, still trying to come down from the pleasure and trusting him to let him tidy up your frazzled form. Once he's finished, he kisses your forehead, sending a spark through your body. It's his way of giving you a small confidence booster as he leaves your side and walks around his desk and calling for whoever was knocking to come in. By then, he's already moved you to the more comfortable position of his chair.

Wriothesley greets whoever is behind the door with a twinkle in his eye, barely looking at whoever is speaking because he keeps taking glances at you. You're still perched all pretty on his chair, the perfect picture of attentiveness as though he didn't just finger you a few moments before. It's the small, impatient wriggle that you do on his chair that gets his full attention again. There's a look in your eyes and he knows he's not finished with you. Not yet.

He'll have to continue what he's started once this conversation is done. He did promise to take care of you after all.

[gingermintpepper]

Okay, let's finally talk about EPIC's Apollo

I feel very compelled to say, first of all, that I do not dislike Epic. In fact, I am very fond of Epic and have been following its production and status very eagerly! I attend all the launch streams, I watch all of Herrans' update videos; I am, at the end of the day, a fan and I want it to be known that my words are spoken out of love and passion as much as they are spoken from a place of critique.

So really, what my problem with Epic's Apollo?

In the briefest possible terms; the choice to have Apollo be defined by his musical aspect in God Games is thematically strange. And not in the 'oh well in the Odyssey, Apollo was important to Odysseus and his family so it's weird that that wasn't kept in Epic' strange, strange in the sense that Odysseus' character arc since My Goodbye has been getting more and more obviously Apollonian and so it is positively bizarre that when we get to meet Apollo, the god seems entirely disinterested in him and his affairs. So much so that he is not even defined by any station that would indicate that he has been watching over and protecting Odysseus and his family.

What do I mean by 'Odysseus has been following an Apollonian arc'? I'm so glad you asked!

Remember Them is the last song in which Odysseus explicitly uses his sword until Mutiny where he must use it to defend himself against Eurylochus' blade. He uses it to help enact the plan to conquer Polyphemus and, due to Polites dying in that battle, Polites who wished for Odysseus to put the blade down entirely and embrace a post-war life, Odysseus also retires his sword. This is an action that symbolically separates him from Athena - and the image of Odysseus as a traditional warrior set for him in Horse and Infant - as much as My Goodbye physically separates him from the goddess and her war-ways - from this point onwards, Odysseus will no longer be leaning on Athena's wisdom or methods to solve his problems. Likewise, he will no longer be able to rely on her protection.

Odysseus thusly solves most of his upcoming problems through diplomacy and avoidance. He approaches Aeolus - a strange and ambiguous god (both in gender and in motivation) and appeals to them for help. Circe too, he approaches not with wishes to conquer or for revenge, but for the safe returning of his men and an alternate way forward. In all of these scenarios, there is some Apollonian element which is subtly interweaved alongside the influence of other gods; it is with a bow and arrows that Polyphemus' sheep is slain (and thus it is this Apollonian element which is at the root of Odysseus' spat with Poseidon), it is a vision of Penelope that warns Odysseus that his men are about to open Aeolus' wind-bag, Circe's peace offering to Odysseus is to refer him to a prophet of Apollo who has since died.

In this way, Apollo is walking alongside Odysseus for all of his journey after Athena departs - even in the Underworld, he is guiding him. It is Tiresias' proclamation that is the last straw for Odysseus, it is by the power of a mouthpiece of Apollo that Odysseus decides to embrace his ruthlessness. It is with the bow and arrow that Odysseus subdues the siren who sought to trick him, likewise, Odysseus does not attempt to undermine or escape the fate of paying Scylla's passage price - he knows of the doom about to befall the six men and quite unlike the rest of the journey until this point, he does not fight against it. This all comes to a head on Thrinacia where it is a blade which sacrifices the sun god's cow and brings destruction upon the crew once more.

My point with all of this is that when I heard the teasers for God Games years ago, it made perfect sense to me that Apollo would be Round One - he is not Odysseus' adversary and has no reason to oppose Athena's wish to free him. From other teasers about what will happen in the climax of Epic, Apollo will still be walking alongside Odysseus - it is Apollo's bow that Penelope will give the suitors to string. Likewise, it is Apollo's bow that will prove Odysseus' legitimacy and identity. That bow will be the power by which Odysseus hunts his adversaries and cleans out his palace - it is Apollo who is the avatar of Odysseus' ruthlessness, not Athena.

So tell me, truly, what was the point of having Apollo raise a non-argument in God Games? Why have him appear unconcerned, aloof and slightly oblivious? Why have him appear in his capacity as the Lord of Music at all?? And if the intention was never to make Apollo an active player in Odysseus' life like he was in the Odyssey, why keep Odysseus as a primary archer?

The answer of course is that Apollo is inextricable from the fabric of the Odyssey - his influence and favour exudes from Odysseus just as much as Athena's. In Athena's ten year sulk, it would have been Apollo who kept Telemachus and Penelope safe. It would have been Apollo protecting Odysseus from Poseidon's gaze as he travelled the seas (according to the Odyssey anyway)

Forgive me for not being excited about something that I thought was being purposefully set up. I was extremely ecstatic about all of the little Apollonian details that litter the sagas because I know where this story ends up (loosely) but all God Games did was reveal that maybe those Apollonian details were not intentional at all, but merely the ghost of the Apollo who persistently haunts those he favours, even if he cannot explicitly come to their aide in an adaptation.

[ducktracy]

that news just completely tanked my mood and now i'm literally just sitting here like this forcing myself to draw funny starfish. WB give me Porky and Daffy's adoption papers WB give me custody rights WB i will pay you.

[pseudophan]

i'm generally trying to avoid talking too seriously about this video cause it's honestly just all really upsetting, but i can't shake the feeling that dan was editing the tour trailer at the hospital not just to have something to pass the time but specifically because it's this huge thing they're about to embark on that has to happen. it's planned, it's happening, there's no going back. phil can't die cause he's got too many things to do in the near future, he's fully booked, there's no time for any of that dying nonsense. i think focusing on their next big project probably helped dan stay somewhat calm cause by working on it he's assuming it's happening and if the tour is happening that means phil made it through