#I'll stop there!!!!!

[sainz100]

Max (and Daniel!) in a few 2018 commercials for Jumbo and Esso | x x x

[teleportzz]

"bluntly honest" autism but in the sense that i absolutely cannot refrain from complimenting strangers if i like their earrings or their shirt or i think they have a friendly-sounding laugh or i think their art is beautiful or i think the fic they wrote portrays the characters so well. "bluntly honest" doesn't have to mean "mean". i love to tell people things that are kind and also true.

[uisceb]

Okay I want to talk about this moment between Morrible and Glinda for a sec because it adds such a wonderfully sinister layer to a scene that is otherwise a triumphant defining moment for Elphaba, and it sets up the dynamics for Part 2 so perfectly.

At this point, we are in the thick of “Defying Gravity.” Everyone’s attention is on Elphaba - and rightfully so, she’s up there declaring war on the Wizard, displaying incredible feats of magic, of course everyone’s attention is on her.

…Everyone, except Morrible.

Morrible has realized that Plan A was a bust, but rather than panicking, she’s already worked over Plans B through Z in her head and has realized that Glinda, not Elphaba, is actually the key figure here. Glinda is actually the best thing that could have happened to them.

Mind you, Morrible hates Glinda. She thinks Glinda is vapid and attention-seeking and completely without talent. It would be extremely easy for her to brand Glinda as an accomplice to Elphaba, have the guards drag her off, imprison her, never have to deal with her again, nice and neat.

Instead, while everyone else is focused on Elphaba, Morrible only has eyes for Glinda. She zeroes in on her, releases her, and comforts her, because she understands what no one else understands, which is that yes, that’s great that the Wizard now has an enemy to unify his people against, but they also need a symbol of hope, something that is the exact antithesis to Elphaba, something to keep everyone at extremes. 

The Wizard himself can’t really be a symbol of hope, because the key to his success is that he remains shrouded in mystery, and yes people think he’s wonderful, but there’s a level of uncertainty and intimidation to him. He is Oz the Great and Terrible, and everyone’s preeeeeetty sure he’s a good guy, but if you have someone like Elphaba out there - who Morrible knows from experience is very smart, very articulate, and has her own sort of magnetism - there’s a potential that she could turn at least enough people against the Wizard to make things very inconvenient.

So what they need, now that they have an enemy, is to have an equally magnetic figurehead representing the Wizard who embodies all these one-dimensional ideas of goodness, someone for the public to adore and fawn over so the association between Wizard and Goodness is crystal clear.

And by bringing Glinda along, Elphaba has unknowingly served that figurehead up on a platter.

Glinda is everything Elphaba isn’t, from personality, to appearance - Morrible has already set Elphaba up by calling her green skin an “outward manifestorium of her twisted nature,” which paves the way for Glinda, who is the perfect conventional beauty, to be an “outward manifestorium” of pure goodness. 

Morrible realizes they need these two lightning rods of Absolute Evil and Absolute Good in order to manipulate people - fear alone isn’t enough; the only way to effectively radicalize the populace is to make sure there is no gray area whatsoever, no room for question: you're either good, or you’re evil. And the Wizard alone isn’t a strong enough representation of “goodness” when by virtue of existing, he has to remain in the shadows. Glinda on the other hand? With her looks and her charm and her openness and her ability to expertly win over a crowd? Perfect for the role.

Now the tricky part for Morrible is taking into consideration that Glinda and Elphaba love each other. But we also know from earlier scenes that Morrible is a master at manipulating emotions. Right from the start when Elphaba is having trouble with her magic, Morrible casually brings up the “Animals should be seen and not heard” disturbance from class, spoon-feeding her just enough to get Elphaba upset, triggering her magic, after which Morrible makes sure to give her assurance and praise to keep Elphaba optimistic about her power.

She’s also aware that Glinda does have quite a bit of influence over Elphaba, because when Elphaba flees, Morrible immediately tasks her with winning her over, rather than simply relying on the guards or even going after Elphaba herself. She knows if anyone has a chance at roping Elphaba back in, it's Glinda.

Obviously, Glinda isn’t successful in getting her back, but while this puts a dent in Morrible’s plans to get control of Elphaba, it does give her an extra weak spot to exploit in Glinda.

So now, at the height of “Defying Gravity” when Elphaba has officially taken her stand against them, Morrible sees Glinda, and Glinda is at her most vulnerable, her most emotionally fragile. Not only is she heartbroken and in shock, she’s also just witnessed in real time exactly how easy it is to turn an entire nation against someone. She’s scared, she’s powerless. She’s just lost the love of her life her only friend, she has no one to turn to - Morrible has definitely picked up on the fact that even though Glinda has countless people who fawn over her, none of them can be considered a true friend except for Elphaba, which means Glinda is completely isolated. Glinda also has a very limited understanding of the bigger picture of what the Wizard is trying to accomplish, and because she’s never been a victim of the system the way Elphaba has, she is still desperately clinging to the idea that everything will be okay as long as she plays by the rules of the people in power.

She has been perfectly primed for Morrible to begin manipulating, not through violence or intimidation, but by offering her comfort when no one else would - when not even Glinda’s only friend would - when no one else is even paying attention to Glinda, because they have the very real and present threat of Elphaba quite literally hanging over them. In this moment, Morrible chooses Glinda, which Glinda has been striving for since the beginning. Elphaba has chosen her principles, the Wizard has chosen his enemy, but Morrible has chosen Glinda, and in this moment of being so alone and so afraid and so betrayed, that makes all the difference.

We also get kind of a parallel shot too - Elphaba really sealed her fate the second her hand closed around the broom. But here, Glinda seals her fate when she gives in and reciprocates Morrible’s hold on her.

THIS is the moment that sets us up for Part 2, with Elphaba and Glinda as our lightning rods for Absolute Evil and Absolute Good, but more to the point, it makes it clear that they’ve BOTH been used, they’ve BOTH played right into these respective roles Morrible and the Wizard need in order to be successful - even if it wasn’t how Morrible originally planned for things to go.

I just love it, because “Defying Gravity” is Elphaba’s song - it’s triumphant, and it’s heartbreaking, and it’s everything a defining moment should be for a character. But by injecting this little moment between Morrible and Glinda into the scene, we also get an underlying current of dread because we know we’re about to see the consequences of Elphaba’s defiance versus Glinda’s compliance and how both serve to benefit the Wizard/Morrible’s propaganda.

TL;DR - when I said "I want to talk about this scene between Morrible and Glinda for a sec" I clearly meant "I'm gonna write a whole essay. Like a nerd."

[o3o-lapd-o3o]

*after the events of the odyssey*

*telemachus and odysseus walking down to the docks, after odysseus said he'd go sailing with his son*

(listen the man had missed 20 years of his son's life, he could ask ody to dress in drag & do the hula and odysseus would already be shouting "LUAU" in a grass skirt before tele finished his sentence)

telemachus: i'm so excite- *looks ahead*

telemachus: *stops walking* oh no *sad noises*

odysseus: *still walking* what's wrong son?

telemachus: *points to the sea beyond ithaca's shores* poseidon must be angry today, look at the storm in the distance

odysseus: *looks ahead but without worry on his face* no need to worry, we can still go sailing, follow me

telemachus: *confused but follows his dad*

*both make it to the docks*

odysseus: you get started, i've just got something to do & then i'll join you on the ship

*telemachus hops on the ship and odysseus turns to face the sea*

odysseus: *red eyes activate* i'm. going. sailing. with . my. son.

*the sea storm dissipates in record speed*

odysseus: good.

odysseus: *red eyes deactivate*

odysseus: *turns to telemachus smiling like nothing happened* shall we go then?

telemachus: *happy but very confused*

telemachus: *mumbling to himself*what just happened?

(this has now become its own little au! friends in higher places au masterlist here!)

[jojaxcola]

"no one told me back then that i was in the glory days."

[ jojamart mockumentary #14 ]

[ prev || next ]

[evgar]

decided to redraw and improve this silly thing i did two years ago

here's the two compared like damn the colors on the first what was that 😭

[telleroftime]

Imagine Sukuna letting you wash his hair. He's never allowed it before but he heard some ladies in high society talk about how their maids washed their bodies for them from time to time and as a man that likes to try everything - he summoned you to the bathing chamber just so that you could do it.

You, the head servant, had simply assumed that Sukuna intended for you to bring him something. Perhaps the oils in the water were not to his liking, or perhaps he forgot a towel. But no, he orders you to wash his hair for him.

He doesn't think he would enjoy it. He stops you a few times during it too, his hand gripping your wrist before he relents. And when you finally lather the products in his hair? He cannot stop the content rumble from leaving his throat. He relaxes against the edge of the water as his back presses more firmly against your knees that stick out over the edge. You're delicate and that surprises him. He's not used to that, even from his concubines.

You comb his hair too, rinsing it with rice water and making sure each knot is brushed out. He likes it. He will never admit that he likes it, but he does. And you know he does when he summons you once per week to do it again and again. And of course, no one else gets the privilege.

[simonbrain]

giving simon the nastiest, sloppiest blowjob because he was being a right cunt all day and he's just so gone. not a single sound parting from his lips except heavy breaths and soft groans, the sounds slightly muffled because he's still wearing his damn balaclava. he doesn't know what to do with his hands; one moment they're twitching by his sides, and the next they find purchase in your hair, not even really gripping because of how weak he is.

he wants to see you because he's missing out on his perfect girl taking him deep down her throat, but he's been reduced to nothing but a caveman. eyes rolled to the back of his head, drool soaking through his mask, not a single thought floating in his head. he looks completely blissed out—he can't even process anything except for the tight squeeze your throat provides and the wet noises and gags coming from you.

you're taking him in so well, letting him mindlessly rut his cock and not minding the way his balls hit your chin or how he's beginning to slur out incoherent things about how good you feel. he doesn't even sound like himself; his voice warbled and choked up as you work him to an orgasm.

don't expect him to be lucid after completely sucking his soul out. the most he'll do is blink slowly at you like a cat while watching you clean him up, unable to vocalise how boneless he feels or how thankful he is for you. he grunts when you ask him if he wants a shower, trying his best to lessen the burden of pulling him up to walk him over to the bathroom.

(and if he becomes coherent again while absolutely ruining you against the shower wall, praising you for taking such good care of him and for putting up with him acting like a wanker all day?

well, you're just happy he's not getting pissy over the littlest things anymore. just don't tease him too much about how he acted earlier; he'll go back to annoying the hell out of you with his attitude.)

[rubikor]

they were her people

[faust-terrorsofthenight]

Nanami - The capability of First-Grade Sorcerer

[camberdraws]

I am once again drawing the sinnoh starters

[otiksimr]

Lanturn :)

[dunno-rambles]

what if she was an ex borg drone and you dont like her but you're the best mechanical engineer on the ship and you have to work on the maintenance of the remaining - and most crucial - implants on her body and the monthly check ups are always strangely intimate-

what if

[demaparbat-hp]

She will (and he'll let her)

[zivazivc]

I feel like I have some of the most random headcanons. but I am lowkey obsessed with the fact that John Dory is so much older than Branch that he potentially could have dated their friends'/peers' parents, and/or anything else funny and possibly entertaining that the large age difference entails lmaokskssbcdsbcjdh

edit: part two

[hotcinnamonsunset]

🎣lure me in, baby!