#I'll probably add the other set of bits to this post later too
Explore tagged Tumblr posts
Text
The dragons generally resemble normal humans, genitalia included, when in their fully "humanoid" forms. When appearing as fully human, their anatomy functions on the surface much the same. Since my dragons have a sliding scale of "more human" to "more dragon" and vice versa, their genitalia changes with their physical appearance. Were a fertile dragon to have unprotected sex in their humanoid form, any pregnancy would follow one as if the dragon were a human, featuring a nine-month pregnancy period and a live birth. The child will still be fully half or wholly dragon depending on if the other parent is a fellow dragon or not, and there would be no differences in a dragon baby born in this manner.
Of course, like the rest of their draconic features, these changes can come about unintentionally in moments of great distraction, emotions, etc. when their grip on their "humanoid" appearance slips and their true forms begin to emerge.
For dragons with a penis, the genitalia are held within a slit. A second penis will also appear and they both will grow in size larger than in their humanoid form. The second penis is fully functional and is capable of procreating in most cases.* While dragons do not have heats and mating seasons, the closest thing being during the comet, they tend to reproduce more often than not in the spring due to the warming weather's effects on their somewhat cold-blooded nature. However, since the comet lower inhibitions, it can be easy for accidents to happen and a pregnancy to occur.
When far enough along in their transformation for the second penis to emerge, at that point, the way that a pregnancy would occur would be via eggs. Each penis is capable of creating and fertilizing golf-ball-sized eggs.
Dragons without a penis also have a slit with an opening meant to receive eggs and sperm. A body is needed to host and nourish the egg while it grows, and it is while the egg is inside the second parent that it attaches and essentially "soaks up" the energy from its other parent, which is where it takes on traits from said second parent. After about three months, the egg, now the size of about a tennis ball, leaves the second parent and requires care the next three or so months before hatching.
Dragon eggs are actually rather hardy, and do not need specific temperatures or climates in order to thrive. Their shells similarly are not easy to break, which is another reason why they are considered so valuable. However, that does not mean they are wholly unbreakable, and so they still require care and attention.
A dragon can intentionally decide to try and impregnate their partner, but eggs are not in an unlimited quantity and not every egg will take. Sometimes, a pair will have to try multiple times before an egg/s becomes viable. Eggs that do not take will generally leave the recipient's body within the next few hours. Also, accidents and "slip ups" can always happen as well, not helped by the fact that the urge is harder to control when in that form. That's generally why dragons don't "whip it out" at every encounter.
*The Red Eyes' physical appearance were modeled after regular dragons, and thus their genitalia and anatomy as well. However, since they are infertile, all eggs and sperm from them are duds. Likewise, their bodies cannot host or nourish any eggs. Because of this, eggs from a Red Eye will always leave the recipient's body within a few hours of insertion.
Bit I couldn't quite find the place in the post to put
Dragon penises when in their half-and-half form also have "spikes" at the base meant to "hook" on to their partner and keep them in place to aid in reproduction. They're dull, however, and in a partner other than a dragon with kinda "incompatible" anatomy, a bit useless. I mean, aside from pleasure that is.
Dragons without penises will have shallow grooves just on the inside of their slits where said spikes are meant to fit into and "hook" onto.
#{N.s.f.w#{Dragons#{Red Eyes#I'll probably add the other set of bits to this post later too#I just wanted to get this written out (I almost said banged out) and come back and tweak it as needed#here's hoping T.umblr doesn't nuke this post#I'm sure I've forgotten something I meant to add so if you see me editing this no you didn't
6 notes
·
View notes
Text
DRDT CH2 PT2: Full Analysis
While CH2 Part 2 was releasing, I chose to make liveblog-reaction posts to the episodes to record my immediate thoughts for posterity, but that meant that actual, coherent analysis was pushed to the side in favor of me freaking out over… everything going on. But goddamn; even accounting for recency bias, this might just be my favorite trial of any DR style killing game I’ve ever seen (though admittedly I'm working with a small sample size). So I felt it merited a bit more… cohesive analysis. That’s what this post is!
WARNING: This post is around 28k words long. Do not click "read more" unless you're ready for lag, and make sure to take breaks while reading if needed.
Spoilers for DRDT CH2. CW: Murder, suicide, hanging, execution, gun violence, self-harm, blood, stabbing (fork).
(Btw you can find my immediate reactions in my post masterlist. Not linking each individually here because I hit Tumblr's 100 link limit. I know, I know)
How do I even structure this? I guess I’ll start with the actual case itself, then go character by character because WOW.
Also, I hope you forgive that I can't put images for every referenced piece of dialogue (Tumblr 30 image limit when I catch you...), so I'll save them for when they're necessary and instead add links to the referenced quote in the episode.
The Case
Although I’ve made many posts talking about this damn thing, I don’t think I’ve ever expressed just how cool the actual mystery is. The evidence is all there from the beginning bar the note and alibis, introduced in a way that doesn’t make the method obvious, but that still allowed the audience to figure out the main aspects without much issue. Everything follows logically, and while there’s a few things that ended up being less important than some expected (that glove will haunt the fandom forever I fear), everything got explained in what I consider to be a pretty satisfactory way. It wasn’t obscenely complex or crazy, but I consider the method to be just right for a chapter 2 case.
Oh and the Nico case was cool too, even if half the shit in that crime scene will haunt me forever. Why were there two weights off to the side-? not important.
If there’s one critique I can give the actual discussion of the case (and this is legitimately the only real critique I have of this entire set of episodes), I’d argue that the way the method is presented is… weird. Like, I get why, DRDT is clearly more focused on character conflict than the murder mystery aspect, but there were still a lot of moments where it felt like Teruko’s thought process wasn’t explored properly, to the point where it sometimes felt like Teruko just… magically got the answers whispered to her by the ghost of Kirigiri.
As an example, take the ball of clothes over the rafters. Ace mentions the issue of getting the rope up there, and Teruko immediately jumps to the right conclusion of the seemingly completely unrelated ball of clothes.
To illustrate why this feels weird, let me tell you what my thought process was when I came up with the theory (because again, the evidence was laid out well enough that I did manage to call this, even if I got a fair bit of other stuff wrong). Obviously it's not the only admissible thought process, but it's a good example to see how I feel the presentation of evidence should have been handled.
We know Arei was hung from high up (Veronika’s account) -> We can confirm something happened on the rafters because the lights are broken -> Brainstorming how that could have happened (screening room connection? Secret ladder?) -> Perhaps something was thrown up there with the rope attached -> Ball of clothes.
In the series, however, we get:
Arei was probably hung from high (Veronika’s account) -> Discussion continues, literally the entirety of Nico's situation gets explained -> Ace brings up the issue for the first time like three years later-> Teruko immediately points to the ball of clothes -> The lights are only mentioned after.
You get what I'm saying? The progression doesn't feel as natural, because we immediately jump to the conclusion without discussing the evidence that leads to it. This also happens with things like the pulley method, where Teruko explains everything before bringing up the tape on the spinny thing, which is the only thing implicating said spinny thing in the method. And I feel like the reason quite a few people felt there should be more to the case is because the evidence wasn't presented properly.
That said, this is an extremely minor point. Again, DRDT is more focused on character drama than murder mystery, so I don’t particularly mind if I can nitpick a few things in the writing surrounding the mystery solving.
And oh boy, was there character drama this trial! Thank the gods I’m only covering Part 2, I think I’d die if I tried to talk about the entire trial as a whole.
Character Analysis
I’ll go in order, starting with the characters I feel had the least prominence, and making my way to the ones who really stole the spotlight this part.
Mai Akasaki
No content lol. Though this is probably a good time to mention that, in this post, I'll mostly ignore theorizing related stuff and focus more on straight up character analysis, even if the two sometimes intersect. Game Theory-like speculation will mostly be saved for dedicated posts :p
Xander Matthews
He got mentioned, but he’ll come up in David’s section so. Skipping him.
Min Jeung
Well, there were a few references. Such as:


Min: I'll fix your mistake! - Teruko: But I'll fix my mistake.
Something something, David-Xander vs Teruko-Min parallels, etc. And also:
I like the visual symbolism that the images are effectively flipped (Teruko on the left-Teruko on the right and hugger on the right-hugger on the left, Teruko facing the camera-Teruko facing away), because the situations are inverted. In Min’s, the culprit hugs Teruko after she dooms them to their fate, and in Eden’s, a non-culprit hugs Teruko as she starts defending them. I did notice on first watch, but didn’t say anything because at the time it was still possible Eden was the culprit. Alas, the symbolism is consistent!
There's only one last thing to mention about Min. One tiny, itsy bitsy detail that probably has no lore relevance whatsoever.
MonoTV [2-16]: Now loading the default XF-Ture Tech personality drivers.
Min [BE1]: But one day, we were visited by the founder of that big company, XF-Ture Tech. He told my parents that he would sponsor me and pay for all of our expenses.
Oh yeah, MonoTV was created by the same company that sponsored Min as the Ultimate Student! Hey, what the fuck?
We'll get into it more later in the (I cannot believe I'm about to say this) MonoTV section (or rather the post linked to in said section), but MonoTV seems to have been created specifically for the killing game. This means there's a very real chance XF-Ture Tech is behind all this. That paints the sponsorship of Min as a strikingly shady thing (well, more than it already was), to the point there's a very real chance Min is straight up connected to the origins of the killing game, if not outright the mastermind. We'll have to see how this plays out later, since right now, we're still lacking a lot of critical context.
But hey! We might get more Min content in the future! I, for one, am very, very excited.
Charles Cuevas
Not too much character insight on this one, but he got a couple of cool moments. As always, funny, bounces well off Whit, very helpful in the trial, weirdly knowledgeable about jockeying (or maybe he just, like, thought about it, it’s not like most of what he says aren’t conclusions anyone could arrive at by simply knowing what horse racing is), and-
Charles [2-15]: I'm the only person reasonable enough to make that sort of judgement call. Everyone else who does so is being biased to the point of idiocy.
-it’s nice to see his pridefulness didn’t just go away after CH1! He’s neat :)
J Rosales/Moreno
Half of her dialogue this part is just her talking about how murder is bad. It’s fine, it’s just odd.
I guess if you want someone to point out murder’s bad, J’s one of the only real options, isn’t she? You need a confrontational character (so no Eden or Rose or Whit), who wouldn’t be a hypocrite (this eliminates Nico, Ace and Levi, arguably Hu since she defends Nico), who is mentally stable enough for their opinion to be held in high regard (this eliminates Arturo, David and Veronika, alongside half the cast), who is willing to derail the trial to talk morality (eliminating Charles and arguably Teruko), and who isn’t dead or missing (like Xander, Arei, Mai or Min).
Wait that’s the whole cast. Holy shit she actually is the only one that makes sense to be murder bashing how is this even possible.
…Regardless, you could still argue that you don’t need someone constantly pointing out murder’s bad, meaning there could very much be a deeper reason J is being so vocal about it. Apart from possibly being setup for her to be primary support moving forward, I personally think all this points to her just having a very strong set of beliefs regarding most things, which we could already kinda infer anyways.
Or maybe Mariabella killed a guy. Yeah, sure. Why not?
Veronika Grebenshchikoba
There were certainly a couple interesting Vero moments here, which is always fun. It was finally confirmed her secret was, as most theorized, the “took on your talent to distract yourself from the need to hurt yourself for fun” one. I mean, I feel like everyone called that one from the moment the curtain fell away from the screen with the motive secrets, but you get the idea.
We also learnt she had a pact with Hu regarding their secrets, which I would love to learn the details of, and definitely makes me interested in where these Recap Foils are going, as well as-
Veronika [2-13]: After all, my own so-called secret isn't even the worst thing I've done. Isn't that so utterly disappointing of this motive?
… whatever the hell that means. Why’s she gotta be so ominous? (I love this about her).
The last notable scenes to point out are all the scenes where she's... Veronika, and I wouldn't have it any other way. Her psychoanalysis of Levi will probably wait for when I talk about him, and her help during the time Teruko was figuring out the murder method is appreciated, but specifically about her:
Veronika [2-15]: Swallow your pride and say that you're too weak, too stupid, and too incompetent to perform this murder. Accept the fact that no one thinks highly of you. Or defend your dignity at the risk of admitting that you're perfectly capable of committing this murder and continue to be our number one suspect.
I just think the voice acting in this line in particular is very auditorily pleasant so I wanted to point it out :D
But Episode 15 actually has a much more insidious Vero moment, which I felt was way more noteworthy. After Ace admits to the crime, he goes on his whole speech, which includes directly calling out Veronika's words as part of the reasoning why he killed, there comes a point when Ace calls himself a "piece of shit", and no one denies it. When that happens, Veronika smiles.
Veronika: Oh my. How tragic.
She is such an awful person, just such a piece of garbage. I adore her.
Anyways, my appreciation of actually horrible women aside, we need to discuss the biggest question she leaves us. And that is "hey, why is her reaction to Ace's execution and Levi's almost death so different from her reaction to Min's death?"
Veronika [about Min, 1-12]: Min died in such a cruel manner...
Veronika [about Levi, 2-16]: If Levi dies because of this... Kehehe... I'm sure I'll miss him, but... This is quite a way to go. I can't say I wasn't entertained.
Veronika [about Ace, 2-16]: Aha... Ahaha... How incredible...
So, after considering it for a little bit, I think we're lacking a little bit too much critical information on Veronika to confidently state why the hell her reaction is so different, but I can come up with a few different possible answers. I'll list them in ascending order of likeliness in my opinion, and we'll see just how wrong I am once we get more insight on her!
+Veronika cares more about Levi than Ace, and more about Min than Levi. This is because she just said Ace's execution was "incredible," while she mentions she'll miss Levi, and obviously looks genuinely distressed over Min. I see no actual reason to believe this, though, because I... don't think Vero and Min ever even interacted beyond the trial? So unless we're pulling some very strange Veromin agenda out of nowhere (or Veronika is Mai Akasaki), this doesn't work imo.
+Veronika was acting in T1, but doesn't care by the start of T2. Possible, and it's true that Vero was more self-conscious about freaking people out in CH1, but I'm not sure if there's enough evidence to truly say she was only pretending to be distressed by Min's death.
+Veronika's reactions are based on the executions (and execution attempt) themselves, not anything else. This is consistent with her specifically reacting to the way Min died ("Min died in such a cruel manner") rather than the death itself. She specifically says she'd be entertained by Levi's death, and is clearly entertained by Ace's. So, I guess she just finds Min's execution particularly cruel/boring? Does she... have wolf related trauma? Test related trauma? I don't know, but I think this fits decently well, so.
+Veronika's slowly getting worse. A logical conclusion from the fact that she reacted one way in T1, and another literally four days later. Certainly possible given her analysis of people shattering in the killing game, so for now this is the interpretation I'm going with.
Whit Young
.... Sigh. You're not even that important to this part, how are you still gonna require so many words of analysis?
Alright, let's start with the pretty infamous scene where he talks about drop hanging. I do want to make one thing clear; just because Whit talks for a pretty long time about drop hanging, it doesn’t mean he actually says anything particularly groundbreaking. Like, everything he says is very logically sound, which means they’re conclusions anyone could have drawn.
Like me. Because even though I don’t think I wrote them down explicitly, I did more or less arrive at the same conclusions as he did, and I don’t have any experience with drop hanging. I’m clarifying this because I’m on enough lists as it is just by firefoxing shit like “can turpentine knock you out” and “how long do people pass out after being strangled” I do not need any more allegations on my person!
That said, I am also not a fictional character who exists within a story which follows narrative conventions (as far as you know, anyways). Whit is. And it’d be silly to instantly dismiss that the dev specifically chose Whit, a character who is otherwise not the most helpful in trials, to be the one to deliver this explanation, and without any interruptions no less. Even Teruko and Charles usually have one character or another finishing their explanations, like Levi when Teruko explained the slingshot or… Levi when Charles talked about jockeying. Huh, Levi kinda goated?
Thus, because the dev specifically chose Whit to give this explanation with no interruptions, we can infer that he may have a special connection to drop hanging. Given what we know, I find it likeliest that his mother committed suicide by hanging. At present, I don’t find much evidence that he would have attempted himself, though…
You know how Whit dyes his hair to look like his mom’s? And how Color Theory in LGI gives him (among other stuff) “degraded copy”, likely in reference to this? If his mother killed herself via hanging, do you think he would try to replicate that, too?
Food for thought. Again, not much reason to believe it yet.
Other than that, there are... the allegations. The part started strong with MonoTV stating it let slide a rule violation because it was funny (especially weird given what we learn in 2-16, but Whit's not the only rulebreaker in the cast so we're chilling). And then, 2-16 happened.
Whit [seven seconds before Teruko's execution, 2-16]: Charles, stop talking and cover your eyes! [...] Whit [post Levi shooting]: Ah, crap. The smell of blood is really strong. Even though I told [Charles] not to look, he still...
And, of course.
Whit: ...
Of course.
Alright, so let me start by the elephant in the room. The hand behind the back. The moment the cast learns the elevator doors won't open, we see Whit with his left hand behind his back. Many have assumed this means, understandably in my opinion, that he may be holding a remote control of some kind to close the elevator. In other words, Whit's the mastermind. But, while I consider him one of if not the best mastermind guess in the market, I don't think this is good evidence of it.
You see, there's no reason to believe such a remote would be required. By all accounts, it should be MonoTV's AI who is keeping the elevator closed with no need for outside interference, regardless of who the MM is. There is simply no reason to believe that any MM would have an "elevator manual stop" or even an universal remote (apart from J!MM for obvious reasons), because it should be MonoTV who is running this stuff.
As an aside, I will point out that, per the CH1 QnA, every character is right-handed apart from Teruko (lefty) and Arei (ambidextrous). You could use this to argue Whit shouldn't be doing anything with his left (the hand behind his back), but that's not good reasoning, as the sprite might just be drawn that way for aesthetic reasons and you're supposed to ignore handedness. Eden also used her left to rip out Xander's eye, apparently. I haven't seen anyone bring it up, but I have made this mistake before with a certain bat swinging Milgram prisoner, so I'm saying this to avoid others making the same mistake.
That clarified, however, the first point is still valid. Although I consider it perfectly possible, at present I do not believe Whit is holding anything behind his back.
Why does he pose like that, then? To answer that, perhaps it'd be better to answer what the deal with his other behavior is.
Because it's weird, right? Whit focuses on Charles even when everyone else, Charles included, are fretting over Teruko and Levi. And then, despite being able to brush off things like Levi's secret confession and Min's execution with nothing but a "that's wack," joking about rewatching said execution, etc., somehow the elevator being closed is what finally gets him to bring out the breakdown sprite?
Well, yes. And this shouldn't be all that surprising, imo. Because everything about Whit's reaction is perfectly in line with his previous behavior. Not to say it isn't weird (it is), just that it's weird in the way Whit's always been weird, and not in any new special way.
This is because every part of this reaction comes from the already established way Whit deals with tragedy; he avoids it, and moves on. You'll immediately think of Whit's mom when I say that, the way he omits her death whenever he speaks of her to the point he genuinely forgets that's a thing until a few seconds after the secret Rose received was brought into the conversation, but there's more examples that are actually closer to this situation. In particular, I want to direct your attention to the investigations in both chapters so far.
For the first trial, Whit spends literal hours hanging out with Charles while the Chemist has a breakdown, to the point he almost didn't investigate at all. This is excusable, of course; he was helping someone in need, and the culprit was thought to be obvious enough that investigation wouldn't be necessary.
The second, though, is perhaps a bit stranger. First, Whit doesn't look closely at Arei's body because he was busy comforting Eden, apparently. Alright, fine. But, hey, how did he try to comfort Eden after everyone started to filter in?
Whit [2-8]: There, there. Pat pat. Do you want to sit down somewhere else?
He immediately wants to leave the room. But, he's still trying to help Eden; maybe he's projecting? Because he'd want to leave the room if a loved one died, so he's asking Eden if she wants to do it?
Except, he does leave the room. He doesn't have any other lines in the playground past this point, and then he starts investigating with Charles, the one dude he knows won't enter the scene of the crime.
And you know when he splits off from Charles?
Whit [2-8]: If you're worried about Rose tampering with evidence, then all you need is another witness to watch over her, right? I can do that, since I'm here. I mean, unless Charles needs me for something.
My guy will genuinely do anything except investigate the playground.
And that's where the pattern starts to be noticeable. Whenever something bad happens, Whit finds any excuse he can to distance himself from the situation. And to be clear, they're usually good excuses; it makes sense for Whit to do all this in a vacuum, it's just odd that he constantly finds them. Other examples include him bringing up alibis when the note first comes up, and then, when he's pressed about it:
Whit [2-9]: Eden has [the note]. Ask her.
He doesn't even... want to have the responsibility of the note? Admittedly that could be for other reasons, but still.
With this pattern of avoidance in mind, the things he says in 2-16 are perfectly explainable. Instead of focusing on Teruko's incoming execution or Levi's injuries, he chooses to focus on Charles, because that's easier for him. He's once again finding an excuse to look away from tragedy.
By the way, I don't want to make it sound like Whit doesn't care about Charles as anything but an excuse to get out of thinking of bad stuff. It's pretty clear a big part of why Whit does the shit he does is that he genuinely cares about Charles as a friend (crush?). Whit probably does want to help Charles just for the sake of helping him, but it does come with the benefit of helping Whit avoid stuff he doesn't want to think about.
This whole avoidance thing is also why Whit is so perturbed by the elevator. When Levi gets shot, Whit probably hopes that they get to leave the trial room quickly to take care of him, at which point Whit can just avoid the situation entirely by just sticking to Charles like usual. But they can't. The elevator is shut. Not only does Whit probably realize that means they have to watch the execution, but it also means Whit is not able to get out of the room where a guy is actively dying, and sticking to Charles only lets him ignore the situation so much.
Why does he have his hand behind his back? Well, this is gonna sound like I'm on anti-Whit!MM copium (I swear I like the theory well enough), but I think he's simply balling up his fist out of stress. It's just that Whit "I don't want to talk about any problems ever and don't want anyone to ever know when I'm suffering" Young is instinctively hiding it so no one sees any sign that he might not be okay.
Does that make sense? Barely? Well, it's not like "emergency elevator shutdown button" is particularly more believable in my eyes, so that's the answer I'm going with for now.
Anyways. Jesus Christ Whit you're barely even relevant to this part how the fuck did you still force me to write so much about you.
Arturo Giles
I have less to write about Arturo than Vero and Whit because he's a bit more straightforward, but I'm still putting him here because he was more directly important this part. Speaking of, what notable things did Arturo do these episodes? Ah, right.
Arturo [2-12]: You shut your whore mouth!
"I thought you were only doing necessary imag-" This one's necessary shut
I'm using this to talk about the big speech about his talent, that he started studying plastic surgery when he was 12 and that it's impressive he's a plastic surgeon this early in his life. Props to dev for addressing this, I know some people are irked when characters are in the medical field from way too early in life without good justification like this. The fact he started so young also adds to the theory that Arturo's home life sucked, because it'd be really odd for a 12 year old to already be planning to leave otherwise.
The way the cast keeps insulting his skill, even though as he's said several times over the course of the series, the shit they expect him to do is way beyond his area of expertise, is a good way to build up to the way the cast also dismisses Ace's intelligence and skills later.
Other than that, there was one more moment when Arturo took part of the spotlight. When Levi gets shot, despite everything that happened earlier, everyone still turns to Arturo to save the Stylist. This leads to one of the most human moments Arturo's given us since 2-10:
Arturo [post Levi shooting, 2-16]: I--! I'm not that kind of surgeon! I've told you, over and over, I have no experience with saving lives! Something like this! There's no way I can do it--
Apart from the stellar voice acting that cannot be pointed out enough times, Arturo's doubt over Levi's condition is certainly a good setup for CH3, I'm really interested in how he'll handle this. Especially because...
Do you think he'd think of Felicity, looking at Levi like that? Because just like Arturo ignored Felicity's feelings (to an extent) in pursuit of his dream, he also neglected to study the more standard medical knowledge in favor of becoming a plastic surgeon faster, and now he needs that standard medical knowledge to save Levi's life. Food for thought.
Arturo is definitely an interesting character to watch out for moving forward, he's certainly in for a very curious CH3. Final note:
Arturo [to Levi, 2-13]: How could you simply *forget* that you murdered your own family member?
Get it because the death of Felicity haunts him even though he didn't kill her himself- Man I love recap foils.
MonoTV
I cannot fucking believe that this hunk of metal is getting its own section, but it is. 2-16 what an episode you are.
Thankfully, I've already expressed most of my thoughts about this damn thing in this linked post, so I'll just refer you to that one instead of writing it all again. As a summary, there's quite a few lore implications to the fact that we now have a clearly stated purpose for MonoTV, a goal for the killing game, a connection to XF-Ture Tech (because MonoTV seems to have been specifically created for the game), and I'm really wondering why the hell the default XF personality seems to care so much about Teruko and where that could lead to in the future. Also, very curious where the theme of fate will be taken with it, as well as where dev is planning to take the fact that it seems to have feelings of grief and pain and maybe even cares about Teruko??? Or has compassion in general??? What is wrong with this dog-
Rose Lacroix
Btw I greatly appreciate everyone who colors her name rainbow, I see you and you're valid for it. I need to color code my highlighting though, and if I have to do rainbow for every word I highlight I will actually die. Also I would need to put in an epilepsy warning in my posts lol
Rose got a few nice lines, but when it comes to her, there's one big moment that's really on everyone's mind.
Rose [2-14]: Has it really gotten this bad? I think my brain is falling apart. I can't even recall what day it was when that happened. Levi: You can't remember? I was under the impression that your memory was the best out of everyone here. Rose: It's true that I remember everything I see. But that means that most of my memories are meaningless junk. The kind of thing a normal person would forget without a second thought. But I can't forget. My brain won't work the way I want it to. I can't draw associations so easily. Everything reminds me of something meaningless, and I get distracted. And the worst thing is that I remember it all in perfect detail. Xander's body. Min's execution. I can't even look at Teruko without seeing blood. I know I'm supposed to remember everything. I know I'm supposed to be smart. I know I'm supposed to be helpful. Yet I'm not. I... I'm sorry for being useless. Maybe if I tried harder, if I just got over myself--
Do I... need to talk about this, beyond pointing out how good the VAing is? Everything about it is heartbreaking, but pretty straightforward. It's an extension of the conversation she and Teruko had in 2-5, where we also throw in Rose's growing self-doubt and self-blame over everything that's going on around her. It adds into the theme of this cast pushing expectations on each other (like wanting Arturo to be a better doctor or Ace being too stupid to do a murder), throws in some parallels to Teruko and Hu and Eden (the self-blame sisters!!! *fire emoji* *fire emoji* *fire emoji*) and Xander (the survivor's guilt boy!!! *fire emoji* *fire emoji* fire emoji*), foils with J (J who rejects what others like Mariabella want from her VS Rose who internalizes the expectations and accepts the whole Spurling situation), there's the "a normal person would forget" wording that kinda connects her to Nico and Levi and David (the "feeling separated from other humans' experience" siblings!!! *fire emoji* *fire emoji* *fire-), obviously memory is connected with Charles and Teruko, etc.
You see why I don't always talk about parallels? I have to bring up every single character up every time because that's the shit that happens when your writing is this *fire emoji* *fire emoji* *fire emoji*.
The other thing is Nico, but maybe it's better to keep that for their section. Overall, just a fantastic feast for enjoyers of Rose angst.
Arei Nageishi
You know this trial went crazy when Arei got a whole ass character arc during it, and she's the dead one.
For this part in particular, the big Arei moment was obviously during 2-13, when we finally got to hear the end of the conversation between her and David. I'm not transcribing it, because I'm sure we all got the gist. Arei figured out one of the main themes of the chapter, that everyone is a flawed person, and that means that no one's ever too far gone. There's always a possibility of becoming a less shitty person, and that's sweet.
But beyond Themes, learning what Arei's mindset about good and bad people was really helps to understand her actions before this point, though I do find it interesting that the whole "sorting people into good and bad" mentality she had is actually pretty similar to the way she talks about people in her FTE, which is some fun consistency!
Arei [CH1 FTE]: Yup, that's right! I organize everyone I meet into categories of how I should bully them.
... Well the context's different but you get the idea.
Arei used this principle of "sorting" people into "good" and "bad" to deny herself the possibility of getting better, because trying to change is scary. Man I wonder why that rings a bell.
Teruko [to Whit, 2-2]: But if you start talking about me and saying that I could be a good person if only I make an attempt to change, then I'm going to stop you right there. Don't say that I could be a good person, because all it'll do is make me feel bad that I'm not.
Ah right because Teruko's a well written protagonist. And actually wait, isn't there someone else?
David [2-11]: "People can always change?" What complete bullshit. No one ever changes. People who are born lazy, useless and stupid will stay that way until they die. If you were able to "improve" yourself into a better person, then it only means you were a better person to begin with.
Ah right because David is a well written character. Carry on then.
I do wonder why she waited until night three after the motive handout to talk to David about it, though, instead of doing directly after the playground breakdown. Was it, like, she didn't want to confront it directly after and only got the motivation/courage/whatever after talking to Eden? And then couldn't find David until then? It's odd, but I imagine there's no, like, big reason behind it necessarily.
Eden Tobisa
Hey Eden sorry I suspected you as the killer for a year can we still be friends? :,)
There's two big Eden moments to take into consideration, one in 2-14, one in 2-16.
Eden [2-14]: Why... No one... believes in me... Why? I'm... Arei's killer? No... No way....... Hu: Eden? Please don't cry. Eden: This whole time I've been trying to hold myself together... because Arei died...... I wanted so badly for this all to be a dream, and for Arei to be alive and by my side.... But now, you all think I killer her? Why? I cared about her! Arei is... She could have been my friend! Why would I kill her?? Levi: Eden, please calm down... Eden: Why am I being accused of murdering Arei? I wanted to help her! I just wanted to be friends with her! Why would you say that I killed her? Is it because you think I hated her? That's not true! I didn't hate her! Teruko: Eden.
I'm gonna cut it off there and resume in a bit, partly so I can organize this better and partly to make absolutely sure I don't hit the Tumblr limit on characters in a single text block (because my entire blog is evidently dedicated to testing this hellsite's limits lmao).
There's honestly a surprising amount of nuance in this small breakdown. We start with re-establishing that Eden is someone who constantly tries her hardest to remain strong in the face of adversity, holding herself together as best she can when her newest friend just died and she's more or less blaming herself for it.
Then, while I always praise the voice acting (because it deserves it), I need to bring special attention to the sheer amount of emotion in that "Why? I cared about her!" Hearing Eden genuinely frustrated at the accusations on top of her sadness is heartbreaking, and just a wonderful display of humanity from a character who is at times almost inhumanly patient. Makes me feel bad for suspecting her, and she's fictional in our world!
On top of that, "she could have been my friend" is an interesting choice of words regarding Arei. This is where having hyper-analyzed all Eden lines comes in handy lol. Because taken at face value, it means that Eden recognizes that her relationship with Arei wasn't at a stage where she could genuinely called her a friend, given that as far as we know the last conversation they had was after the Arturo thing. Nice depth!
The rest is pretty standard, though again the phenomenal VAing still makes my heart ache. Continuing:
Eden: Teruko... I didn't kill Arei..... Do you believe me?! Teruko: Listen-- Eden: *sniff* I, I didn't do it! Please.... Believe me... This whole trial has been cruel to me.... Help me, Teruko... I can't stand it... I just wanted to help Arei.... I didn't kill her... Teruko: You know I can't just take your words at face value, Eden. Eden: Please, Teruko... You're my friend, aren't you? Friends help each other... So please, help me... I promise I didn't... I didn't kill her.... I'm innocent... Please trust me..... Please.....
AAAAAAAAAAA-
Okay with that basic reaction out of the way, because evidently the reactions didn't have enough "text screaming" for me to fully get it out of my system, this is just a really heart-wrenching scene. Just the combination of VAing, music and visuals, man... ouch. It's especially tragic when taking the following line into account:
Eden [2-3]: Teruko, relationships aren't transactional. It's not that I did something good for you that you should do something good for me.
The Eden hyperfocus comes in clutch again- Is it weird that being an Eden!Culprit believer for so long is making me appreciate her character more now that she's confirmed innocent? :v
Teruko has, up to this point, never outright claimed herself to be Eden's friend, at least not as far as I can recall. Hell, her lines following Eden's plea for help seem to completely disregard the idea.
Teruko [2-14]: So for now, I'm going to assume you're innocent. Eden: W-What? Really? Thank you so much, Teruko... Teruko: Don't... get me wrong. This isn't out of kindness or pity or anything else. This is only because you helped me in the last trial. I'm repaying your favor, and nothing else. That's why I'll trust you, just this once.
How much she means that is for the Teruko section. What's important is that this means that when Eden says "you're my friend, aren't you?", she is actively going against her claim that relationships aren't transactional. She expects Teruko to consider herself Eden's friend because Eden has done a lot of stuff to try to make that friendship work.
This. Is. Wonderful. Don't you love it when characters fail to uphold their beliefs when faced with a horribly stressful situation? Well, I love suffering, so I sure do! :D
To be clear, I'm not trying to paint Eden as a hypocrite or anything. She's right in saying that relationships aren't transactional, and is justified in asking Teruko to help her because she considers Teruko her friend, even if it's a slight contradiction. After all, what are humans if not a swirling well of contradictions, desperately arranging themselves like the magnetic moments of a metal to try to make the slightest bit of sense of a reality they hopelessly seek to understand-
Ehem. The point is I like Eden a lot :D
Speaking of wonderfully human moments, time to switch to the other big Eden character moment!
Eden [2-16]: This... This all could have been prevented, couldn't it? [...] Of course I know [we can't blame ourselves for Ace's murder]. Ace planned to kill Arei, and even before that, he was planning to kill me. Rose: Then how can you forgive him? Eden: I never said I forgave him. It's just that... The Ace that I met for the first time wasn't a murderer. I... I can't forgive him. He killed Arei, after all. She was innocent, and he killed her for unfair reasons. But... Those unfair reasons were unfair to him as well.
You know, we joke about how awesome it is that the entirety of the DRDT cast is mentally unstable (because it is), but it's also cool to see the one actually more or less functional member of society in the group being the voice of reason like this. Not to spoil anything, but I find her stance regarding Ace's murder as the most reasonable stance one could have, and it's always cool to see a character who has reasonable opinions every now and then. But having such an opinion is easy when you're outside the show and the characters are all pixels on a screen; the fact that Eden can still find it in herself to be charitable towards Ace's situation while not outright forgiving him for his actions is a really powerful statement about her strength and sense of morality. Eden could not stop catching Ws this part.
Anyways, here's a few more fun Eden moments this part gave us.
Eden [2-15]: Wait, but... Is Ace even capable of doing a feat of strength like that? He's injured, after all.
I just think it's sweet Eden tries to defend Ace even when she's the other prime suspect :)
Levi [2-13]: And if tomorrow it turned out you all had passed away, I'd care as much as if we had never met. Eden: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does?
For all the Eden Ws, she had to take an Eden L. Come on, Eden, Levi doesn't need to actually care to be a good person, he just needs to do good things, you know this :(
It makes sense character-wise, though. Eden has a surprisingly strong belief system, which is heavily shaped by her emotional nature, so it makes sense that Levi's Deal of doing good things with no emotional attachment to them would throw her off.
Still cool of her to accept Levi as a good person even though she just learnt he killed four people, however. It's good characterization; despite her misunderstanding with the lack of empathy thing, she still chooses to judge Levi based on the things she's personally observed, as opposed to making assumptions over things she only has half the story for.
Man, she's just so mature and cool and awesome and not fucked up in any way! Now that the tape thing's been resolved, I can't think of a single thing that would make anyone think that she might be a little-
Ah. Right.
Well, as a first reaction, this is definitely an Eden W in the oh so prevalent... DRDT powerscaling scene? She apparently managed to slash at Xander's eye, twice, with a fork. And with her non-dominant hand no less!
So... what the hell am I even supposed to do with this? Unfortunately, we're currently missing gigantic amounts of critical information regarding this situation, meaning I can't for the life of me come to any conclusions, at least not confidently. I tried to look at the pre-prologue dialogue to see if I could find anything, but...
Ouch... I really wasn't expecting her to attack me like that. I made a massive mistake to trust them. I can't rely on anyone. All by myself... I have to end the killing game. And even if I can't do that... I have to kill Teruko Tawaki. No matter what.
Fuck am I supposed to gather from this.
Uh... someone told Xander that Eden would be down with whatever plan Xander had to end the killing game if he just showed her whatever documents we're seeing in the Bloody Hands scene??? And she got too scared and just stabbed him with a fork??? Who is the "them" who told Xander this, a group of people, or a single person and Xander's playing the pronoun game? Or was it Nico???
Nico [1-9]: Are you really using unclear pronouns for dramatic effect? That's such a cliche.
Fuck it, locking in Nico as the one who told Xander to talk to Eden, just because that's the funniest possible reason Xander could have used "they" there. I doubt it's true, but it's gonna feed my God complex if I get it right, so-
Yeah, in case it isn't obvious, I have very little idea what this scene could even be about. Very excited to see where this could go :D
Nico Hakobyan
Nico stole the show for practically half of 2-14, so it's natural we should start at the main event.
First, the soft confirmation that Nico really did attack Ace with a plan to get away with the murder and escape as the blackened, particularly framing Hu by using her wire. This... vaguely contradicts something they claimed earlier, so we gotta discuss the implications.
Veronika [to Nico, 2-9]: Is this what you were envisioning when you tried to kill Ace? That the trial would happen like this, but with Ace instead of Arei dead? Nico: I didn't... I never thought about it... I... I never should have... done that...
Were they just... lying here? Did they mean something else?
My best guess to explain this apparent contradiction is that Nico thought about the trial in a more... impersonal sense? Like, when planning to kill Ace, they figured they should try to hide that so they didn't go down with him, but sort of... ignored that winning the trial would kill everyone else? It's hard to describe, but that's what I get from that line as well as:
Nico [2-14]: I tried to kill [Ace] because I don't like [him].
When they say they "never thought about the trial," they probably mean that they never thought about the full implications of it, even though they did plan for it. They knew in some level they were supposed to hide the murder if they did it, but things like escaping the killing game and actually getting everyone else killed didn't fully register. This thought process makes sense in my mind, I hope it makes sense in yours because I don't know how to describe it any better :v
Second.
Eden [2-14]: That's- That's so cruel! Nico, why? Aren't we all friends? If something was bothering you, you could have talked it out with someone else you trusted? Nico: ... Someone I trust? What are you talking about? I don't trust anyone here.
Fantastic bit of characterization here. Nico, despite being relatively civil to anyone they're not actively planning to kill, apparently trusts no one. However, I want to explore what exactly that means. Because it's not like Nico is paranoid they're gonna get killed per say:
Hu [2-12]: Nico does have an alibi. I was having breakfast and tea with them in their room early in the morning as well. Drop it, Ace.
I can think of few better opportunities to kill someone than being alone with them, in their room, at around 7:30 AM when it's still officially nighttime. Nico, at least, trusts that Hu won't kill them, though whether that's because they're confident they could survive anything she tries or because they genuinely trust she wouldn't try at all is up in the air.
Point is, Nico is distrustful, but not as paranoid as, say, Ace. Because of that, currently, I believe Nico's claim that they don't trust anyone is an extension of things they've said before; that they prefer animals because people are unpredictable. Really, Nico's lack of trust being interpreted as "not trusting people to react to their concerns properly" is very consistent with the way they've acted in the past, particularly their reaction to getting forced into revealing their secret, so we probably shouldn't be surprised.
Nico [2-6]: I thought you would laugh at me. I was worried you would pick up rocks and start throwing them at me or pick up clumps of mud and start throwing them at me.
Next point:
Nico [2-14]: You all are right. I tried to kill Ace and pin the murder on Hu. What else should I say? Ace: W-- "What else should I say"?? You tried to murder me. You fucking tried to murder me! And after all's said and done, you can't even say something as simple as "sorry"?! Nico: ... I tried to kill you because I don't like you. Even now, there's still no use to try and pretend that I like you. If I say "sorry," you're still going to hate me.
... Yeah.
Nico [2-2]: If you're having dinner and want someone to pass the salt, you can say, "Please pass the salt," or you can say, "Give me the salt." One of those things is supposed to be more polite than the other, right? But why? They both mean the same thing. They're just slightly different mixes of words. It's like that. I don't understand why some mixes of words come off as "rude," and some don't, even if they mean the same thing.
I don't even think I need to explain this further. I think it's pretty clear why Nico wouldn't apologize to Ace. Nico's just not to into social conventions.
Except:
Veronika [2-15]: What's wrong, Ace? You seem stressed. [Your neck injuries] are only wounds. What's the issue? Could it be that almost being murdered has traumatized you a little bit~? Ace: You think?! You think that almost being killed could have maybe given me a little trauma!? Nico: ... [Whispered voice clip: "I'm sorry"]
This one's... odd. Nico doesn't say it loud enough for Ace to hear, evidently, so it's just a genuine reaction to the harm they've caused. What could have triggered this change? Uh... maybe a little extra trauma dump will help? Let's pick up after where we left off in 2-14.
Rose [continued]: D-Do you even regret what you did to [Ace]? Do you regret what you were planning to do to everyone else? Nico: O-Of course I regret doing it! I'm not Levi, of course I feel bad about something like that. I'm not heartless! Levi: Heartless? Nico: That was the worst choice I've made in my life. I wish I had never done that. But looking back, I still understand why I did. I... I just can't stand being treated like that. My teachers, my classmates, my father... I don't ever want to relive what they did to me. It's because of those kinds of people that I can't be happy with who I am. That's why I hate Ace.
Okay cut off there. First, interesting to see Nico calling Levi heartless. I've seen it brought up that it makes sense for Nico, who struggles to relate to other people on a good day, to latch onto any defense of their "normalcy" they can, including "I'm not the weirdest person here" despite how hurtful that can be to say. That's some neurodivergent on neurodivergent hostility right there! Fun to see characters being flawed in new and unique ways /gen.
Apart from that, there's some nice reveals to Nico's backstory, which are always welcome. We already knew Nico was harassed because of their identity, but now we have names (as in, identity of aggressors); teachers, classmates, and Nico's father. That obviously comes with a question; was Nico raised by a single father, or did they have other relatives who were more accepting? For now, we got no clue.
But that final line is important, because I believe it's what explains Nico's whispered apology in 2-15.
Nico [already written]: It's because of those kinds of people that I can't be happy with who I am. That's why I hate Ace.
Nico's apology comes after Ace explicitly mentions being traumatized over the murder attempt, in particular in regards to his neck wounds. This can be taken as Ace revealing he's not happy with a part of himself (scars) as a result of Nico's actions. When abstracted this way, the comparison to Nico's situation (unhappy with a part of themselves (gender identity) as a result of others' actions) is much clearer. Nico apologizes for accidentally causing Ace a comparable trauma to their own. Which... I think makes sense from their point of view? People apologize when they do something hurtful they didn't mean to; Nico meant to murder Ace, so no apology for that, but they didn't mean the trauma, so they say sorry for it. Not that Ace heard it, but you know.
... That's a weird ass thought process, but I think it makes just enough sense to explain the apology. Let's finish the 2-14 scene.
Nico [continued]: Even so... I'm not a child. I know that murder is wrong. I'm not the victim here. I know that it was dumb to resort to murder. I don't even know what I thought I would have accomplished back then. I mean, I started regretting it as soon as Eden and Teruko saw me. I don't expect you to forgive me. Very few people ever do. So I don't see the point in acting sorry. ... That's the entire truth of my murder attempt. I don't have anything else to say.
So... "I don't even know what I thought I would have accomplished back then" seems to corroborate what I said earlier about Nico not truly grasping the full implications of a trial while they planned the murder, which is nice.
Nico's attitude over this ("I'm not the victim here") is nice to see, and makes me very interested in where their arc is going to go from here. Especially since Nico maturely accepting the blame is already causing friction between them and Hu (even if Hu doesn't seem to notice), and will likely continue to do so in the future.
Hu [2-14]: You all are too cruel! None of you understand how much stress Nico was under! And yet you continue to insist on bringing this up. Can't you see that you're traumatizing them? Nico: Hu, I-- Hu: Don't worry, Nico, I'm on your side. I'll always defend you. I can be reliable for you. You trust me, right? Nico: ... I never asked you to defend me--
... We're gonna have to talk about this in the Hu section.
Finally, "I don't expect you to forgive me. Very few people ever do."
Nico, what the hell does this mean? What have you done in the past that requires so much forgiving? What in the [DR2 CH3 killer]-?
Unfortunately, this is one of those "we're missing critical information" situations when we can't even begin to speculate what, if anything, this is supposed to mean. We'll move on and patiently yet eagerly await elaboration.
There's one more big thing to bring up in respects to Nico, and that's... Rose. For who knows what reason, Nico never gives an explicit answer to whether they actually were interested in learning to paint or not.
Rose [2-14]: Did [Nico] even want to learn to paint? Or to be my friend at all? Or were they only using me as a tool for murder? Nico: ...
Regardless of what the answer is, that's kinda weird. I'm leaning "no, they didn't want to learn to paint," because it sure would be a hell of a coincidence that they just happened to gain an interest in painting just when they're planning a murder that happens to require a painting supply.
That said, Nico does still seem to somewhat care about Rose, and probably would like to be her friend. At least enough to eventually apologize to her out loud.
Rose [2-16]: [Ace]'s right. Only Nico took [the turpentine] from me, and I really doubt they gave it to Ace afterwards. Hu: You're always attacking Nico like this! Nico: It's the truth, though. And Rose is right. I kept it. I still have the turpentine in my room. I'm sorry.
And it's not like anything this chapter erased the FTE:
Nico [FTE]: I was going to thank [Rose] for hanging out with me. I really enjoyed her presence.
So, while I can't know for sure, I hope Nicorose can make a comeback, at least in time for Nico to die so dev can inflict extra psychological pain on Rose! :D
Final highlight:
Nico [to Levi, 2-13]: If you said you killed [your father] because you just didn't like him, I could understand that. But you're saying you forgot about taking a life...
Apart from Nico obviously projecting their own murder motives on other people, do we think Nico ever considered killing their own father? I doubt they actually did, else that would probably be their motive secret (provided it's not a Veronika situation where their secret isn't the worst thing they've done), but I could see them considering it given how they talked about him and Ace in the same breath, and... yeah Nico sure did want to kill Ace alright.
Hu Jing
Hu was quite fascinating this part, wasn't she? For someone that actually ended up having zero relation to the murder, she sure had a lot of important character scenes. Let's start with the confirmation of a particular theory that really helps understand her character better.
Hu [2-13]: I've been quite selfish this whole time, keeping my secret because I didn't want you all to think less of me. Most of all, I wanted to lie to myself and pretend that I had no ties to the person that I used to be. I wanted to believe that the past never happened. But that's just self-centered. I've always been a selfish person, haven't I? I should put those feelings aside and do what is right. No, I should have done this from the start. I will share my secret as long as you all promise to immediately move on. I have Veronika's secret, and she has mine.
Well that's just sad.
I don't think I particularly need to analyze this, it's all pretty explicit. Hu wants to be relied on because she feels useless if she doesn't provide guidance:
Hu [2-11]: I have to be the one to give everyone guidance. That's the only thing I can do. If no one relies on me, then I won't be useful anymore.
And if it comes out that she's attempted suicide, then in her eyes, that makes her less reliable.
(Obvious disclaimer is obvious, the character's views don't reflect my own, there's no shame in having attempted suicide or needing help to keep fighting it, etc.)
As a result, she dislikes the memory of that "hopeless child" who attempted three times, and wishes to avoid talking about it if possible. Metamorphosis (butterfly) and rebirth (water by her name being "still lake") symbolism pulling through.
Also, while there's many reasons someone could attempt suicide, that little "I've always been a selfish person, haven't I?", especially combined with other statements she's made in the past, heavily implies her attempts were a result of self-loathing :( . Thus why she so desperately seeks value in herself by helping others, which is sorta crumbling as everyone she put her faith on (David, Nico especially) starts to reveal themselves as not-that-great-people.
Hence why I'm worried we might see a fourth attempt in the killing game. Her secret quote seems to go against the idea, which combined with some of her statements in the series proper make me doubt it, but y'know... The precedent's there.
Anyways, I'm bringing this up first because, again, it helps understand her other actions this chapter.
Hu [to David, 2-12]: Unacceptable! What on earth [sic] is your problem? I have had it up to here with you! Because this killing game requires us to live, you think you should just reject that notion and kill us all? You lied to me, manipulated everyone, and tried to make us all commit mass suicide! You really are the lowest of human beings. You have no right to decide whether I, whether any of us, live or die, all because *you* feel like you have no chance! If you're so bent on dying here, then die! But don't you dare try and make everyone else die with you. If we decide to continue living, then we will. It is not and never will be your decision as to what happens with our lives. David: ... Rose: Wow. Hu can be scary. Hu: ... I'm sorry to everyone else. But I've lost my patience. I won't apologize to David.
(Obligatory props to VAing ofc)
I mean, yeah, it makes sense for someone who used to be suicidal to be mad at David's bullshit. Especially considering that, in regards to "you lied to me, manipulated everyone here," the line I mentioned before about providing guidance continues like this:
Hu [to David, continued from before, 2-11]: I have to be the one to give everyone guidance. That's the only thing I can do. If no one relies on me, then I won't be useful anymore. You knew how I felt, and yet you... You... You toyed with my heart! All that time you acted like you were encouraging us to reveal our secrets to "prevent conflict." That was all a lie!
Assuming the whole "You toyed with my heart!" thing isn't referring to a conversation we don't have information on (which, to be clear, is 100% possible), it's possible that at this point in the trial Hu felt bad for going along with David's plan, especially since she might have believed it directly led to Arei's death. I think it's worth noting that she's one of the two first person to speak after Ace confesses, and she asks if he did it because of the motive.
Ace [2-15]: I killed Arei. That's exactly right. Shit, it sounds really bad when I say it out loud. Eden: Why? Why did you kill her? Why would you do such a horrible thing? Hu: Did you kill Arei because of MonoTV's motive? Because you wanted to keep your "secret" hidden--
Which could be read as her trying to confirm whether or not going along with David's plan was a good or bad idea, maybe?
Admittedly, "going along with David's plan" in her case literally just means "she told David, Nico and Teruko that people used to call her Julia," which you could argue is too small for her to genuinely feel like she contributed, but keep in mind the "you toyed with my heart" line is directly before a line referencing the "reveal the secrets" plan. At the very least, she didn't go against it, not in a significant way anyways.
If I'm right to be reading these lines the way I'm reading them (which, again to be clear, might be wrong), then David purposefully used Hu's desire to help and be relied on to get her to agree with his plan, or at least not go against it, or at least Hu feels he did. Whether he intentionally targeted her, or if his methods to convince the others to convince the cast of revealing their secrets just happened to strike a cord (zither pun not intended) with Hu, is still unclear, but both are possible.
So she's already incredibly pissed at him for that, then he says he wants everyone dead, yeah my girl's got the right to go off.
Though, speaking of Hu blaming herself for what happened to an extent:
Hu [2-16]: Arei wasn't killed because of an accident. Bad luck or not, Ace had made up his mind to go through with this murder! So we can't possibly blame ourselves for failing to prevent something like that.
This is after Ace confirms that the motive and David's BS had nothing to do with the murder, so Hu can fully deny blame for what happened. Which is relatively fair, it's not like being mean to someone makes you guilty if they then choose to kill someone, but it's also presumably really important for her mental stability.
Did any of that make absolutely any sense? Maybe. Hopefully.
And that's just all the Hu-only stuff. Because a big part of her character this chapter was defending Nico far beyond what anyone could possibly see as reasonable. I'll bring back the example I gave before, because I think it's by far the most extreme.
Nico [2-14]: Someone I trust? What are you talking about? I don't trust anyone here. Hu: Stop! Just stop it! You all are too cruel! None of you understand how much stress Nico was under! And yet you continue to insist on bringing this up. Can't you see that you're traumatizing them? Nico: Hu, I-- Hu: Don't worry, Nico, I'm on your side. I'll always defend you. I can be reliable for you. You trust me, right? Nico: ... I never asked you to defend me--
Like, this goes beyond unreasonable. Nico literally says they don't trust anyone in the killing game, but Hu still thinks they trust her for... some reason. And even though Nico says they never asked her to defend them, Hu continues doing it past this point.
The thing is, though... why? Like, I get the basics here, it's what we talked about earlier. Hu only finds worth in herself by being reliable, and she sees Nico as someone who needs her reliability, so she tries to defend them no matter what. Hell, she even specifically says "I can be reliable for you" in the quote.
But... is there a reason she's so adamant towards them in particular? She doesn't get like this when Eden starts being accused, even though they have a good relationship with each other. Apart from reciting Rule 10 when it first comes up, once that gets thrown into question, the only thing Hu says when Levi and Arturo talk about Eden possibly being the killer is:
Hu [2-14]: Eden? Please don't cry.
She never pushes back against David's claim that he saw the corpse, even though that would practically exonerate Eden via BDA; that's Nico who does that. And Hu never claims Eden is being traumatized by being accused even though she clearly takes the accusations a lot worse than Nico was taking them in 2-14.
So, like, what the hell? Is there a deeper reason she's so defensive towards Nico and not Eden, or am I just going insane?
Well, at this point, if such a deeper reason exists, I have no clue what it could be. I could speculate about Nico reminding her of someone in the past, be it herself or someone else, or maybe Hu just sees Eden as less "in need" because she's generally more stable and happier than Nico, but really, I have no way of knowing.
The thing I can talk about in regards to the Hu-Nico thing is its parallels to Veronika-Arturo and Levi-Ace.
Veronika-Arturo is funny because, well.
Veronika [2-10]: Arturo, you're... You're so... Fascinating. You're really entertaining. So I'll take your side. I don't care about morals. I don't care about whether people get hurt or whether they die. I just need to be entertained. If you become more and more irredeemable, then I'll only love you more~ I want to hear all about those terrible things you did with no justification. Arturo: For someone who's taking my side, you sure are making me look a lot worse!
I really love how a big part of the Vero-Hu recap foil so far can be reduced to the "I can fix them" vs "I can make him worse" meme :p There are their secrets as well, but that analysis will have to wait for further elaboration on them, presumably in CH3.
Meanwhile, Levi-Ace... will have to wait for the Levi section, because this is already getting quite long for Hu, and it requires a bit more context on his character.
Miscellaneous highlights!
Hu [2-14]: Hang on! Eden isn't the killer! Don't accuse her! Charles: Not this again. You can't keep blindly defending the people you hope to be innocent if you don't have evidence, Hu.
Hu: I do have evidence! Why are you writing me off? All because I-- ... *sigh* Rule 10...
Damn she really gets defensive when you question her reliability huh?
Well, moving on. That was a pretty long section, hopefully the next one will be easier to write.
...
Oh. Oh no.
David Chiem
YOU
WHAT THE FUCK IS WRONG WITH YOU?!
Genuinely what is this motherfucker's problem? Everything he does seems to contradict something he did before, for reasons unknown. The only way I can even begin to try to analyze this son of a bitch is to go through everything he does in the series in chronological order, because trying to figure out his thought process in any other way would drive me in circles harder than anything in LGI ever did.
The first thing David truly does that informs us on his later actions is forming a genuine and positive relationship with Xander. In case the LGI MV didn't make it clear that David genuinely cared about the Rebel, we finally got near 100% confirmation of why exactly David liked him so much.
David [2-12]: You, and everyone else listening. I do so kindly request that pretty please stop talking about Xander at all if you don't know what the fuck you're talking about. It pisses me off to no end. After all, it's still unbelievable to me... ...That I'm the only person here who remembered him. Even if you all lost a year of memories for this killing game, there's no reason you shouldn't have recognized who he was.
While we unfortunately don't get much more clarification, it seems David knew what Xander did to earn the title of Ultimate Rebel, and likely admired him as a result. As per Xander's numeral I in LGI, "I have always looked up to you."
This admiration is presumably why David was so adamant in the first trial that there was no way Xander really tried to murder Teruko.
David [Debate Scrum, 1-8]: Are you saying that Xander is a killer? I find that difficult to believe.
You might argue that maybe he was just trying to throw the first trial, the same way he tried to throw the second. But that's not possible.
This is where we get to Weird Point #1. David didn't want to lose the first trial.
Nico [1-11]: Ah, right. Min was going from the laundry room to the kitchen. That path crosses the computer lab. She would have seen Teruko's body if the door was open. Min: ... Ace: And why exactly would the fucking door be open? Nico: U-Um... David: I suppose Min may have arrived near the computer lab's entrance just as Charles left. If she was curious, she would have even gone out of her way to see what was happening in there.
If David was trying to throw, he wouldn't be the first to explain how it would be possible for Min to be involved in the murder. And this is only one example, there's other lines where he specifically suspects Min. Apparently, he simply cannot handle a bad bitch winning (committing murder and trying to sacrifice 14 lives for her own benefit).
However, something in David shifts upon seeing Min's execution.
David [1-12]: I... I've seen enough. There's no point in keeping my hopes up anymore. We are all certainly going to die here.
This line is said pretty somberly.
Which is weird. Because not four days later, David will be trying to throw a class trial, which will kill everyone and him. Interesting detail about that, David doesn't seem to believe that the blackened will escape if they actually voted wrong, based on this line.
David [2-12]: 15 lives. Some of them are very dear to you. And your own life as well. Is there anything at all that could be more important to you than those 16 human lives?
Where he seems to imply a wrongful vote will cause 16 deaths.
But the thing is, it's not just the trial, is it? David also tried to instigate a murder through his "reveal all motive secrets" idea. That's what he does during the majority of CH2, starting in 2-4, just two days after Min's execution. Now, it's fully possible that at this point, he wasn't yet planning to throw the next trial, but rather, he was just doing this to hide his own secret. He certainly considers losing his "speaker persona" a genuine sacrifice, so it isn't unbelievable that he'd hope for a murder even if he was planning to win the trial if it happened.
David [2-12]: Even so... Lying about all that wasn't easy. Even I like to have good relations with others, however fake they might be. And I had to throw that all away. I know that no one will ever trust me, believe in me, or look up to me again after this. But doing "good" things requires sacrifice. Sometimes that sacrifice is being seen as "a good person." That's what I learned from Xander. Even if doing something will make you hated, if that action is for a greater good, then it's an action that you have to take.
(By the way, his views of goodness as martyrdom are quite interesting and I'm curious to see where it will go, but currently we don't have much more than this line for insight on it)
However, I don't quite think that he just wanted to keep the others' goodwill; I think he was already hoping to throw from the moment he started instigating the murder. And this is where we need to ask; what was it that made David switch up? What happened between the first trial and the second that made his goals change from surviving to... whatever he's cooking now? Because in case it wasn't clear from how I'm talking about it, I don't believe David gave the real reason for his throwing to the class. Let's look at the "confession."
David [2-12]: Ugh, fucking fine. You want an answer so badly? Any answer? ... I...
Ah... We're... in a television show, after all. That's... what MonoTV said, right? "Entertainment" is an ongoing show. If Min successfully got away with the very first murder and escaped while we all died, then isn't that way less interesting for a TV show? What's the point of roping 14 other people into one murder, only to kill them all off immediately? The killer is supposed to fail and be executed. We're all supposed to catch the killer, again and again, and participate in trial after trial. You're *supposed* to try to survive. All of you who are trying to solve these class trials to continue living on are playing straight into MonoTV's hands. [Confident] As if I'll accept that. I don't care how low I'll sink, or how despicable I'll have to become. I'll do anything to carry on Xander's ideals by ending this killing game, even if it means that I have to dirty my hands.
Although I wrote it all out, I want you to focus on the start: ".... - I... - Ah... We're... in a television show, after all." Even beyond the meta argument that it's unlikely we'd actually get the answer to why Xander wanted to win the class trial this early in the series (which is a valid argument, but I prefer to theorize without meta reasoning), that hesitation should tell you everything. The way it's written, it makes it seem like David is hesitating because he's making everything up on the spot, up to the "Ah..." potentially being the exact moment David figured out what angle he wanted to take. Given he's already admitted to both being manipulative and wanting to get everyone killed, this is the only reason I can see for why he'd hesitate to give such a relatively simple and "reasonable" (as in, it logically follows even if it's still insane) answer.
So, now we have two questions. What does he actually want to achieve by throwing, and why did he only start pursuing it after the first trial ended?
Well, let me say first that I don't think we're supposed to be able to answer these questions yet. Obviously; we're dealing with shit very closely connected to some pretty large, overarching mysteries of the series, which we probably won't get full answers for until much later than CH2. But we can try to speculate the general direction of what the answer will be. Let's look at another one of his lines to try to do just that.
David [2-13]: Achoo! Ah--Bless me! Also, excuse me! Wow, thank you for your support, everyone!
(I only included that line because it's fucking hilarious and I didn't want that to go unappreciated :p)
I have another interruption~ Hu: ... David: Teruko. Own up your [sic] goddamn secret already. You are the last person to do so. [...] Teruko: ... My family. David: ...
So, just like everyone who is somewhat deep in the DRDT theorizing community, I don't think this is true. I am pretty sure David has Teruko's secret, that secret being "How could I even select what secret to be your motive? Just about everything you've done in your life is worth killing for. The killing game is all your fault." There's many reasons beyond the weird ass David sprite pictured above, which many have already covered, but as a quick overview: the family secret ("you're constantly blaming yourself for the death of your parents and siblings. It doesn't matter that it's not your fault, just that you didn't go with them") fits Xander better (see: Bonus Episode 2, Xander's secret quote being the definition of survivor's guilt), the family secret mentions "siblings" plural when Teruko's only claimed to have one brother, we don't know what happened to Teruko's parents and brother when we know Xander's family is dead, Teruko didn't believe David when he said he got Xander's secret so she probably suspects the killing game one is hers, "this killing game is all your fault" is consistent with the second anniversary art code ("It's all your fault" in a picture which only features Teruko reaching out to presumably-Mai's hands, which disappear), etc.
So now we have four questions, because evidently I'm quite bad at this. Apart from the two mentioned before, we need to ask why David lied about the secret he received, and why he was happy when Teruko answered with the family thing.
But sometimes, one question can answer others. The reason I'm bringing this up is because I believe David's heel turn was likely motivated in some way by receiving Teruko's secret. Take a look at his immediate reaction when the secrets are first handed out.
Pretty frowny, huh? Yeah understandable given the secret he received is "hey the killing game is all the girl that Xander tried to kill's fault." Unfortunately this is the only reaction David has to any of the secrets, as the rest of his dialogue after this is just explaining J's secret. Well, and this:
Eden [2-1]: Then let's end the killing game before [the motive secret reveal]! Nico: Eh?! David: Optimistic as ever, Eden. I'll do my best.
Which is kinda funny in retrospect. Yeah, he sure did do his best to end the killing game before the secret reveals.
Tangent aside, the important thing is that David wasn't necessarily surprised by Teruko's secret, but rather, uh... Well it's hard to read him on expression alone. Frustrated, maybe? Possibly mad that Xander didn't succeed in killing her? It's also worth noting that this is shortly before Teruko goes into her whole "I don't plan on leaving" shtick, which includes the following tidbit (and yes David is in the room to hear this).
Teruko [2-1]: And I'd recommend that you drop that foolish optimism for making it out of here alive. With 100% confidence, I can say that... You will all die down here without ever seeing the outside world again. Ace: This bitch is totally out of her mind. Teruko: I'm not saying this out of ill-will. It's simply how this story works. You all have the misfortune of being "characters" in a story where I'm the "protagonist." Because of that, you're all doomed.
What's so important about this? Because I believe that, in David's mind, this proves Xander right. It proves that there is something off about Teruko, that he probably did have a good reason to attack her, that the note he received wasn't complete bullshit. If there is any single thing that would get David to follow Xander's footsteps, regardless of whether he has the full story or he's just doing what Xander was trying to do even without knowing the reasons the Rebel made the moves he made, it would be getting confirmation that the person he tried to kill specifically has something suspicious going on.
Especially because David does, in fact, seem to have a very weird fixation on Teruko.
David [2-14]: As long as there's a possibility that the evidence is false, as long as there's even the slightest reason to distrust others, then Teruko cannot trust Eden. Isn't that right, Teruko? Teruko: ... David: It's in your nature to distrust people. Everyone you know has already betrayed you. There's no one in this world who won't hurt you. Even the people you love will turn their backs on you in the end. You know that well enough, don't you? So distrust in others. Because that's the only way you know how to live. Teruko: ...
(Obligatory props to VAing ofc)
... Alright so it's five questions. Because how does he know all that?
Let me knock that one out quickly, though. Right now, I don't think this is solid enough reason to suspect that David knows more about Teruko than he's letting on. I could be wrong about that and David could just be aware of her entire backstory, but I currently don't believe that.
Instead, I think this might actually be an extension of his talent, in a way. The joke that he gave Teruko a "demotivational speech" is funny, but I also think it's actually on the right track. David knows the right things to say to someone to inspire them, to push back against their insecurities, as he did with Arei in the playground breakdown. Thus, it logically follows that if he's able to identify emotional weakness to push against it, he would also be able to exploit it.
Or, try, at least. He actually fails pretty spectacularly, since Teruko ends up trusting Eden anyways, and I don't think there were any reverse psychology 5D chess moves on David's part given his immediate reaction to Teruko's 2-14 speech to Eden.
Like, that's the face of a man who tried to be slick and failed miserably.
(And in case it isn't clear, I don't think his lie of seeing the body had anything to do with the trial, he did it just to fuck with Teruko)
In any case, what happened here is that he figured out the (relatively obvious, it doesn't take an Ultimate to see this) trust issues that plague Teruko, and is trying to make them worse in order to... uh... fill in the blank I guess. One option I've considered is that he knows something about how her luck works, that it hurts people she likes, so if she doesn't trust anyone then her luck's effects will be concentrated entirely on Teruko. However, that requires a pretty deep understanding of something he shouldn't have that much info on, so I don't find it that likely. Also I'm not 100% sure if this is how her luck actually works so there's that.
Yeah, unfortunately, at this point I struggle to see exactly what David's angle is here, which is probably intentional given, again, CH2. However, it does somewhat tie back into what we were talking about. Along with everything else I've mentioned, this fixation on Teruko's trust makes me believe that David's heel turn is at least partially motivated by receiving her secret.
And if we once again combine questions 3, 4 and 5, we can actually arrive at a new conclusion. We know David's hiding Teruko's secret, we know he's happy that she's not calling him out on it, and we know that he has a vested interest in getting her to distrust others. With all these combined, I believe that David is trying to look for a way to manipulate Teruko specifically as a backup plan if the cast managed to win the trial, which they did.
By getting her to distrust others, she'd isolate, making her an easier target for manipulation as she wouldn't have anyone to fall back on if David starts getting to her. And the secret is good blackmail, pretty straightforward why he he hasn't revealed it yet. That's also why he's happy she helped him keep it hidden; he can pull it as a card to make her seem less trustworthy and isolate her further. "She lied about her secret, she was trying to hide it." If she had been honest and said that neither the family nor the poison secret fit her and that someone lied about their secret, it would make her look comparatively better once the secret came out. In other words, it makes the blackmail even better, especially because now David knows for a fact that she wants to keep it hidden.
That brings up to question 6: why does David want to manipulate Teruko in the first place? And this is where we finally reach a dead end, because again, CH2, we're not gonna get all the answers yet. I have less than zero idea what David will try to manipulate Teruko into doing, when he will make his move, what his end goal is, or any other question you can imagine. I have my doubts that he'll succeed, obviously, but of course that depends a lot on what his final angle ends up being.
So, let's recap.
David knew of Xander before the killing game, admiring him because of his work as the Ultimate Rebel. As a result, David tried to establish a good relationship with Xander once the killing game started.
David originally rejected the idea of Xander attacking Teruko out of denial and nothing else. He had genuine faith his friend wouldn't do that. David wanted to catch the correct blackened in the first trial.
Upon receiving Teruko's secret and hearing her speech about everyone dying as a result of misfortune, David begins to believe Xander was in the right, and chooses to pursue what he thinks Xander was trying to accomplish. This includes trying to instigate a murder and admitting to killing Arei.
David lied about his motivation to throw the trial. I don't know if he's specifically trying to kill Teruko, or if he thinks everyone in the cast needs to die for some reason, or if he genuinely has no idea what Xander was trying to do and he's just following his actions blindly, or if it's something else entirely; whatever motivation he actually has, it's not what he said.
As a backup plan if the cast manages to win the trial, he hides Teruko's secret and plans to manipulate her via blackmail, for reasons yet unknown. This is why he's happy that she also keeps it hidden, and why he tries to build her distrust in others.
And that's the basics of what I believe regarding his actions... related to throwing the trial and Teruko. We still have one more David Moment TM to deal with.
David [about the Arei conversation, 2-13]: ... Nothing. Absolutely nothing. I didn't say anything to her, and she didn't have much to say to me either. Arei simply got annoyed with me and left without saying anything else. Nothing else happened between us, I promise. Eden: You promise? You absolutely promise, you didn't say anything to her? David: One hundred and one percent, I promise. Ace overheard everything, and what he told you all was the entire truth. Does that satisfy you? Eden: ... That's... a relief. That you didn't make her feel bad, I guess.
So, question 7, why does he hide the truth from Eden? I doubt he suddenly gained an interest in progressing the trial without further interruption. He's also not doing this for Eden's sake; what Eden wanted to hear was that Arei walked out of that conversation still hoping to change for the better, which she did. Hearing that Arei still wanted to "be less shitty together" even after knowing David's a manipulative asshole would have made Eden very happy.
But David doesn't want to hurt Eden, either. If he did, he'd lie and tell Eden that he said something that made Arei run out crying and having lost all hope, or something. I also can't really think of anyone else who would have much of a reaction either way, since as bad as it sounds to say it, Eden's more or less the only person who was genuinely invested in Arei's progress. Maybe "the blackened," but if David doesn't know who the blackened is, there's no way he'd know how they'd react, so it's likely not because of that.
So, if David doesn't hide the truth for the sake of the trial, and he doesn't lie because of Eden, and he doesn't lie because of anyone else, then he's lying for his own sake. I believe that David is trying to hide how much he genuinely cared about Arei, and probably doesn't trust himself to be able to tell the story without giving the game away.
And to be clear, he did genuinely care about Arei. If his immediate reaction to her death doesn't convince you, his breakdown after hearing the Arturo-Eden-Arei story should.
David [2-8]: Of course. Of course this would happen.
David [2-10]: If Eden and Arei really had that conversation, then it explains a lot. I had my doubts. A clearly suspicious note, asking her to meet alone and with no explanation as to why. During a *killing game* of all times. What kind of person would fall for such an obvious trap? You'd have to be shortsighted, naive, foolish, senseless, downright idiotic. ... Unless, of course, you were Arei. That girl wanted desperately to prove herself as a "friend" to Eden. And yet she completely lacked any experience with what "friends" were actually like. Of course it never occurred to her that handing out suspicious notes was not something that normal people did. What could she know about "friendship," after all? Someone like her, who had not once experienced kindness in her entire life up until now? Even if she had her misgivings about something so suspicious, she must have pushed it aside due to her unwavering faith in her blossoming friendship. A friendship that she didn't understand in the slightest. It's... It's so... Ahaha. It's just so foolish. For someone to take advantage of Arei like that. It's absolutely unforgivable. All she wanted was to change. What a reprehensible person this killer is. I look forward to seeing their painful execution.
(Do you think all this talk about "suspicious notes" is making him think of Xander with the suspicious note he received? Don't know, maybe :p)
Between David hiding the end of the conversation and the whole "Arei was a temporary weather spell" line, it seems he's really committing to the role of someone who doesn't care about Arei.
There are many reasons he could be doing this, but I believe he's just pulling a Teruko: Showing no vulnerability, because if he did, then maybe people would actually try to reach out to him. And then they'd get hurt like Xander and Arei; quote one of the Hamlet quotes in LGI (one of the eight lol): "I did love you once. You shouldn't have believed me." And/or David would need to confront how awful he is to try to change and better these new relationships.
Because it's a lot easier to be an irredeemable asshole who will never get better, than to confront the reality that he can, just that it's hard. Cue parallels with Arei and Teruko and Ace and you get the idea.
Final note, completely unrelated.
Whit [2-12]: Hey, hey, you could say those fish were a... red herring? David: Ugh! Goddamn it, Whit, does everything you say have to be made into some shitty dumb joke?! You're actually really fucking annoying! Shut the fuck up!!
Question 8: Why is David so pressed about Whit's jokes? At the moment, my only guess is that Whit's attitude of always remaining positive enough to crack jokes reminds David a bit too much of his "cheery" persona, which also is supposed to always remain optimistic in the face of adversity, and David either hates that because he hates himself, or because he's envious that Whit can hold that optimism without trouble (as far as David can see). I lean on it being a combination, where he does hate his "cheery" persona, but also wishes he could genuinely be like that, but it's very hard to tell atm.
Alright that took way too long. Can't wait for this all to be proven horribly wrong the next time we get any solid info on David!!!
Levi Fontana
Hey Levi sorry for calling you an accomplice for like a year are we still cool? :,D
Although Levi had a lower amount of Big Moments than David, I consider them more impactful to the chapter. And when you're talking Levi, you're talking 2-13 and 2-16. Let's start with the former.
Levi [2-13]: The secret that Arei received, "You're a murderer, and you hold no remorse...." That's my secret. [Cast reactions] If you were wondering, it's not in my legal records. The court struck it from the records. Ace: No shit! There's no way Hope's Peak would have scouted a murderer! Levi: Don't make the mistake of switching cause and effect.
Let's take our time with this one, it's a long speech. First, nice to see we called this secret, it's nice. Also, I'm not the first to point this out, but it's a neat bit of characterization for Levi to first talk about the legal side of his secret instead of anything more related to emotions; he only really cares about the effects things have in the present (that'll become explicit in a bit), so the first concern he thinks of are the legal repercussions.
Then, Hope's Peak... Hope's Peak why are you this shady. Between Rose's situation, the Ultimate Contest for Eminent Students, and now this, it's now three times they've specifically targeted people in vulnerable positions. Four if you count Teruko, but that would imply they rigged the lottery for the Lucky Student, which I would believe but we currently don't have evidence for. No wonder Xander has issues with them, they're cooking something weird.
Rose [1-4]: I'm sure Hope's Peak wants me to become some sort of appraiser or forgery detective with the skills that I have. Taking some offending youth and turning them into a productive member of society would be a pretty good look for them.
Unnamed Classmate [BE1]: Why would Hope's Peak announce [the UCES] 12 years before it would actually take place, when all the would-be contestants are just children? Min: Because they wanted the contest to hang over the heads of kids like me for 12 years, from childhood all the way into high school. They wanted to single out those who were obsessive enough to spend their entire lives preparing for this one test from childhood.
Unnamed Classmate [BE2]: If you set out to do something, then never give up on that, no matter what obstacles may stand in your way. Even if it's risky or against the rules, as long as it's for a good cause... I'll trust that you know to do the right thing. Xander: Yeah. Of course. That's why I've come to Hope's Peak, isn't it?
We currently have no clue where this is going, but I'm noting it for further reference. Let's pick off from where we left.
Charles [continued]: Care to explain yourself? Levi: At the time, I was confronted by three guys who tried to start a fight with me. I believe they were some old enemies. I killed their leader first, which may have been justifiable as self-defense, but then I tracked down his two remaining friends several days later and beat them to death. J: "Old enemies?" "Leader"?? Were you in the freakin' mafia or something? Levi: No. J: ... Levi: ... J: Are you not going to elaborate?? Levi: I don't particularly think I need to elaborate. After all, that happened in the past and has nothing to do with Arei.
One question this speech leaves us with is "why did Levi track down the other two after killing the leader?" We don't have enough info to tell for sure, but I assume it's a matter of safety? Like, Levi thought those two would try to attack him again if he left them alone, so he needed to make sure that didn't happen. I think that makes enough sense for me not to lose sleep at night over it, but of course I'm open to being wrong.
Also, this is the point where Levi's pure pragmatism becomes apparent. "It's not important right now, so why would I elaborate?" A philosophy which is born from his lack of empathy which will be discussed later. This pragmatism is probably why he's the one to argue that Eden was in an advantageous position to kill Arei; the logistics of murder come before emotional aspects in his mind, which is understandable.
Eden [continued]: Who... Who did you even kill? Levi: They were three guys... a few years older than me... Uh... I don't remember their names or who they were.
Do we think Levi knew their names at one point and forgot, or did he somehow track down two people without learning their names? I find the former more likely, just wanted to point that out.
Levi [continued]: I was a bit of a delinquent when I was younger, so they could have held a grudge against me for any reason. Maybe I smashed their windows and robbed them? Or, wait, maybe something to do with that car I blew up once? Rose: That's... kind of a lot to admit all of a sudden.
One thing I always enjoy is when the character who reacts to cut off a monologue has some kind of connection to the thing being discussed. Like, of course Rose is surprised at everything Levi is saying. She's out here being haunted by the crimes she committed, to the point where the debt she put her family in is her motive secret, and then this other guy has broken All the Laws and is just admitting it openly lol.
Levi [continued]: I've forgotten most of the details, as I haven't though much about it since I was cleared of my charges. Sorry, I can't really remember why that happened. Arturo: How could you forget something so important? You can't even be bothered to remember their names? Did you not care that you killed three people?
Speaking of matching reactions to character, Arturo "I feel unending guilt over the death of my sister who I did not even directly kill" Giles cannot conceive how someone else isn't haunted by the lives he took, more recap foiling at eleven.
Veronika [continued]: You say that your backstory and secret aren't relevant to this trial, but they are. That second part of your secret, that you "felt no remorse" for killing people... If you don't care about murder, then you'd have a much easier time killing than anyone else here. You may even be unbothered by the fact that passing the trial would mean everyone else's execution. After all, you seem completely detached while admitting not only to murdering 3 people, but to several other crimes as well. Almost as if you didn't care about any of this. At least not from a moral standpoint, that is. Levi: I won't deny it. That is indeed how I feel. Ace: You are one sick bastard. What could you possibly say in your defense.
This is the first big hint of Levi's low to non-existent empathy, but I'll wait until it's fully elaborated on to discuss it in depth. Also this hints to Ace business that will be discussed in his section. Why am I even writing here.
Levi [continued]: That incident happened when I was in my junior year of high school. My junior year was also the year that Hope's Peak scouted me as the Ultimate Personal Stylist. To my understanding, it would have reflected poorly on Hope's Peak to recruit a murderer, so they pressured the court into not pressing charges.
I do wonder now why Levi even started styling in the first place. By his own admission he's pretty new to it, though he's got at least a year or two of experience if he was scouted in junior year (I think? USA why can't you fucking number your grades like sensible people I don't know what "junior" means without firefoxing that shit). Maybe a job he picked up after disownment? Though that heavily depends on when and why he got disowned in the first place; was it because of his father's murder, the murder of the three dudes and the court case just took a while, or was it something else? Questions to mull over, but can't answer without further info.
Levi [continued]: Err... Hang on. Now that I've thought about it a little more, my motive secret may not be referring to those guys. It could also be referring to the time I murdered my father. J: Wait, you-- YOU WHAT?! Levi: It's quite difficult yo tell what these motive secrets truly mean because they're all phrased so vaguely... It's a bit of a bother. J: No, fuck that noise! Go back! The hell you mean, you fucking killed your dad? Levi: Correct. I simply forgot about it up until now. That would make four people in total that I've killed, not three, I think...? Arturo: How could you simply *forget* that you murdered your own family member? Nico: If you said you killed him because you just didn't like him, I could understand that. But you're saying you forgot about taking a life... Levi: It wasn't that important. Not even the police cared about a man like him, so nothing came out of it. I truly just forgot.
(why is everyone blue you're fucking up my color schemes-)
Back to the whole "appropriate reactors" thing, while I've already mentioned the Nico thing, I think it's cool J (the anti-murder spokesperson with a bad relationship with her mother) specifically says 'dad,' while Arturo generalizes to 'family member.' Someone's being reminded of his past~
I find this admission pretty funny for a few reasons, and very interesting for many others. Funny because my guy is complaining about the vagueness of the motives while admitting he killed his dad and not elaborating in the slightest. Interesting because... why did that happen? Levi doesn't respond to Nico's comment, so it seems like he didn't particularly dislike his father or anything? Especially in the context of the way he's talked about his family in the past.
Levi [responding to Eden, 2-1]: No, not at all. It's for the best that neither I nor my family see each other ever again. Eden: Eh? If you don't mind me asking, why? Levi: Why? My father, my mother, my brothers... We were all bad influences on each other. That's all that needs to be said.
I mean, Levi's father probably wasn't a shining beacon of hope or anything, given the police didn't even investigate his death, but like... lumping him in with the mother and the brothers, and just saying they were "bad influences" instead of, like, genuinely shitty people, it all makes it sound like there's no specific grudge against the father. Which makes sense, right? Even his father would feel like a stranger, as Levi will describe later. I really wish we get some elaboration on this, because I'm pretty curious about what kind of situation would lead Levi to this. I did try to check what's caused Levi to snap before, see if I could figure out what could have prompted it:
Ace [1-9]: What's the damn point of this whole trial if we're going to make choices based on dumb crap like that?? You useless shit-for-brains! Are you even taking any of this seriously?! Whit: Huh? Am I taking this seriously? Nah, not really. Ace: YOU--! Levi: Ace, calm down. You are not helping at all with this argument-- Ace: You shut your damn trap too, Levi!! I'm done with you trying to play the moral high ground by pretending to be some peacemaker! "Oh dear, oh my, calm down, everyone. Let's not fight, alright? Aren't I such a level-minded pacifist?" Stay the hell out of this if you know what's good for you. Levi: ... Ace: That's right. Shut your damn mouth, you coward-- Levi: Fuck. Off. Ace. How far do you want to push it? Do you think that I don't have a limit to my patience? I would gladly strangle you right here and now to shut you up if I were allowed. But if you're the coward I know you to be, then you should back up before you dig your own grave. So shut. Your mouth. Before I shut it for you.
Uh... Personal attacks against Levi? Yeah I have no idea what the hell his father could have done to prompt the murder. As usual, we're missing too much critical information to make a call on it. I'm gonna wager a guess that Levi didn't plan the murder, but rather it was an in the moment decision, but again I have no actual way to be sure.
Levi [continued]: Frankly speaking, I see no reason to remain hung up over some incident that is long past, especially as it ultimately had no impact on my life. Eden: You forgot about all of the things you did simply because you didn't face any consequences? That's incredibly selfish! Shouldn't you feel even a little bit bad? Those were human lives you took! I don't know what happened within your own family, so I can't pretend to understand why you killed. But even then, I'm sure those other people had families and friends who cried over their deaths!
Again the responders; remember how Eden feels guilty over both Min and Arei's death even though she never "faced any consequences" for them (mainly because she didn't actually do anything wrong but you get the idea)? Yeah that.
Levi [continued]: *sigh* I wonder if I should really tell you the truth, or if it's best to keep it to myself. I don't know how you all will see me after this. Teruko: You've already admitted to murdering 4 people. If you insist on not being completely honest with a secret this bad, then you're going to be the next one on the chopping block. Out with it.
Considering the stuff he says later, it's interesting to me that Levi seems to be more worried about revealing his lack of empathy than admitting to murder, especially with the knowledge that he's only doing this because he thinks being honest will make him "a good person."
However, I think it makes sense. Amongst the cast, there's already several people who either killed or tried to: Xander, Min, and Nico. But a lot of the others still speak of them in good terms; David talked about how good of a person Xander was for several minutes, Eden has made it clear she still misses Min, and Hu still defends Nico. Not to mention that Levi himself already threatened to kill Ace, and got called "a good person" by Eden just a few hours later. That means that, although admitting to murder will probably make the others more wary of him, there's precedent that Levi will still have people who stick by him after all's said and done.
Meanwhile, as far as Levi can tell, he's the only one who doesn't understand empathy in the slightest. And that means he has no way of telling how the others will feel about him if he reveals it, which is why he's more nervous about it than the murders. It plays on the themes of feeling disconnected from the rest of humanity that characters like Nico (via gender identity) and David-
Tally 5 Page: "... I wasn't capable of ever becoming human in the first place."
-have going on, which is definitely something that's cool to mull over. I hope these three get some kind of interaction about this in the future.
By the way, as always I'm just kinda guessing why Levi does the things he does and says the things he says, I could always be wrong.
Levi [continued]: It's not really that I don't care about killing people. Rather, it's more accurate to say that I don't care about people at all. No matter how much I hear about such things like empathy or compassion or love, none of those concepts resonate with me. Are those emotions really universal? The idea that people naturally "care" about others is a completely foreign concept to me. Nico: Eh? What are you saying? Levi: Judging by your reaction, I suppose that's a bad thing. But I wouldn't understand why. On the other side of this planet, there's a person who's suffering. Maybe they're even drawing their last breath. But none of you care, do you? Why would you? They're a stranger, after all. You don't know them. Their life holds no consequence for you. For me, everyone I've ever known is that distant stranger. It doesn't matter how long I've known you, how much we've done for each other, or even if you were my own father... You're still a stranger to me. And if tomorrow it turned out you all had passed away, I'd care as much as if we had never met.
So here's the big reveal, bolded text and all. Levi has extremely low empathy. I'm not gonna try to assign any specific disorder because I'd have no idea what I'd be talking about, but the empathy thing is pretty clear. I'm also no authority on whether this would be good representation for that or not, but for what it's worth, I think it's done pretty well. Levi's perspective is presented neutrally, in a way that shows his lack of empathy doesn't inherently make him a bad person, but not shying away from some of the real effects that can come from it (combined with other factors of course), such as the whole 4 murders situation.
I also like the way Levi describes it. It does a good job of getting the audience to understand his feelings, while still holding quite a bit of characterization in there. For example, the reason he gives for why the cast wouldn't care about the stranger on the other side of the world is because "their life holds no consequence to you." Even when trying to speak from the others' perspective, his understanding of why someone would care about someone else is still shaped entirely by what tangible effect that person has in the other's life, in a way sorting people by "holds consequence/holds no consequence."
Eden [continued]: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does? Levi: In all honesty... I don't personally care what happens to Ace. Whether he lives or dies is none of my concern in the end. Ace: ...?! Levi: But it is a "good" thing to make sure someone else doesn't die, even if I personally do not care about the outcome. I truly believe that. But I adhere to that principle out of duty, not sentimentality. Does that make any sense?
So I'm gonna do a funny here and skip Ace's reaction to this, because that's more for the Ace section than this one. I also already talked about Eden's reaction to this.
Instead, I'll focus on Levi, particularly the question of "does Levi actually care about Ace?" To answer that, it'll be helpful to get the full Veronika Breakdown TM.
Veronika [continued]: Hm hm... I understand now. You're quite the interesting person, Levi. From what I've seen of you so far, your personality has been awfully inconsistent. It's like you don't know how to act. Trying to act like "a good person" without any intuitive sense of what's good or bad is hard, right? For someone like you, who lacks compassion, it must be quite difficult to pretend to be nice. You're always guessing as to what a normal human would do in your situation. You're so awkward in social settings because you can't tell what other people want. You act like a big pushover because if you go the other direction and stand up for yourself, you won't know where to stop. You offer to do things for others because you've observed that "good people" help others, and you parrot noble assurances without understanding why. Such things like that. Not only are you trying to act without a script, but you don't even understand the story. And you slip up constantly. Levi: You explained it better than I could. You really have an intuitive understanding of other people, Veronika. That's a trait I envy. The way I see it, it would be beneficial if I was "a good person." Then other people would trust me and not pick fights with me anymore, and they'd do things for me because they "liked" me. If I was a good person, then I wouldn't have to live a life full of violence anymore. I did everything so that I could have a better life.
Okay hold on there's a bunch to talk about here. Let me do that before circling back to the Ace Question.
Veronika is thankfully good enough at describing the stuff she said that I don't feel the need to elaborate on that. It's basically just a perfect read of Levi's actions so far under this new frame of someone who lacks empathy yet still is a good person. His awkwardness, his outbursts towards Ace, him being sort of a pushover, everything. I also like the little comment of Levi envying Vero's understanding of people, it's neat characterization.
Aside from that, there's also cool contrast between the way Levi sees being a good person as a sort of purely pragmatic social contract (being good leads to a peaceful life and ensures others help you) and Eden, which as referenced earlier sees friendship in a purely emotional and non-transactional way. Not exactly fully comparable, but close enough, and still worth mentioning given the chapter starts with a conversation between the two of them about how they're good people. Both of these have their merit, the point is that, in the end, no matter the reason you have for doing good things, regardless if it's out of sentimentality or just duty, doing good is enough to be a good person. While still of course keeping in mind Arei's message that no one is effortlessly good 100% of the time, and simply trying to be as good as you can be and improve on your flaws is enough.
Also, "I did everything so I could have a better life," huh?
Arturo [referring to Felicity's suicide, 2-10]: How is it possibly my fault that I wanted to live my own life!?
Get paralleled, idiot >:D
Wanting better things for yourself can end up having good effects on others (Levi being good to the cast), or negative (Felicity dying), fun contrast.
But I'm beating around the bush. The question I asked earlier, does Levi actually care about Ace?
Well, there's definitely room for interpretation, but my read is... well, not in the usual way. I mean, Levi explicitly says he doesn't particularly care if Ace lives or dies, so that's kind of a giveaway that he still very much does not feel empathy towards him. To better understand Levi's perspective, it might be helpful to analyze the previously mentioned Hu-Nico and Levi-Ace parallels.
Fandom has long since grouped together Hu and Levi as the "parental figures" of the group, and while I don't particularly enjoy applying familial relations to friendships, there's some basis for the interpretation. They both (to varying effect) commonly act as peacemakers and moderators in the context of the group, but have had this position compromised by emotional outbursts (Hu's defense of Nico and Levi's threats to Ace). Hell, there's even parallels in the way people react to some of these outbursts.
Levi [after the previously linked outburst, 1-9]: I'm terribly sorry for that, everyone. Please continue discussing as you were earlier. Ace: So scary!!
Rose [reacting to Hu's "fuck David" outburst, 2-12]: Wow. Hu can be scary.
To be fair the 2-12 outburst is far more justified than a lot of Hu's others, but you get the point.
They both act this way for similar reasons; to control the cast's perception of them. Hu wishes to be seen as reliable in order to feel useful as a way to counteract her suicidal tendencies and self-loathing, while Levi wishes to be seen as a good person for the reasons he states (to live a peaceful life where others do things for him). And in order to do this, they've both chosen to focus on one person in particular to "protect" or help in some way; Nico for Hu, Ace for Levi. The reasons for this are different mind you, but the effect is similar enough.
However, while it's still unclear why exactly Hu is so adamant about Nico in particular, we kind of know why Levi is focused on Ace. Simply put, before the second trial, Ace was sort of the only person who had legitimate reasons to dislike Levi, at least in Levi's mind. Because of the death threat in trial one of course. Most people haven't really expressed an opinion on Levi either way, but they're civil and at least neutral towards him. Hell, Eden even specifically says Levi's a good person after the death threat, and since she's a pretty rational person, it follows most of the cast would see him that way as well, given how quickly they all moved on from the death threat.
Ace was the exception, however. Ace was very explicitly (and understandably) pissed at Levi for the death threat, so he stood as somewhat of a threat to Levi's goal of being seen as a "good person." Levi trying to fix things with Ace is an extension of this goal, and I don't think there's much else to it. Even to the very end, Levi's frustration at Ace doesn't come from a sense of betrayal or sadness or remorse for not being able to stop the murder, or anything like that. Levi only gets frustrated at his inability to understand Ace, which we already knew from his envy of Veronika's psychoanalysis abilities is a point of insecurity for him.
Ace [2-16]: I just needed a reason to stay mad at you, any reason at all, goddamnit! [sic] Levi: Why? Why do you have to force yourself to be angry at me? You just said you know that you're in the wrong, so why do you still do it?! I don't understand. I can't understand you, no matter how hard I try.
Levi, under this reading, still doesn't "care" that Ace is about to die, not in the way Eden felt bad about Min's death for example. He's frustrated that he's trying to be a good person towards Ace, and it isn't working for reasons he can't grasp. More on those reasons in the Ace section.
I am very curious as to how he'll react to Ace wanting to speed up his execution to try and save his life, and I predict Levi will probably try his best to honor Ace's memory and his sacrifice, but as always, out of duty and not sentimentality. Sorry Acevi fans, hope you still find a way to make it work :/
Since we're on the topic (and Ace's section is gonna be long enough as is), I'll talk about the other side of the Hu-Nico and Levi-Ace parallels, the way the "protected" act in respects to the "protectors." The main point of contrast is that, originally, Ace specifically sought out Levi for protection, while Nico never asked Hu for it.
Teruko [1-2]: Since when were you two so friendly? I distinctly recall yesterday a certain someone being terrified whenever Levi came near him. Ace: Whaaaat? Me, scared? Are you just making things up? Teruko: ... Ace: Okay, fine. Yeah, Levi's scary as hell! But I realized that MonoTV is even scarier than Levi! At least Levi is sorta safe to be around. And I like to be safe, you know?
Nico [to Hu, 2-14]: I never asked you to defend me--
Then comes the aspect of "betrayal" in both these relationships, where the roles are flipped. It's Levi who originally "betrays" Ace by threatening him, while it's Nico who "betrays" Hu by trying to frame her with the wire. However, Ace takes this betrayal much more personally than Hu, getting mad at Levi while Hu continues to defend Nico. As a result, Ace gets a bit of a victim complex, while Nico fully acknowledges blame for the murder attempt. Etc.
Okay time to continue with 2-13 because no we're not done with it.
Levi [continued]: After listening to David, I concluded that a good person would also be honest, even if the truth makes them look bad. Ace: You're taking advice from David of all people? Look at this asshole! David: Try looking in a mirror before you talk, Ace. Levi: I thought David was a prime example of a good person. Is he not? David: Wow, you really don't understand people at all, do you. Levi: I don't want to distract you all from this case any further. So, I apologize for this tangent.
Another really cool bit of characterization here. Levi struggles so much with understanding most people's sense of morality that he still thinks David "I actively tried to kill everyone here by pretending to be the blackened" Chiem is a good person. There's also the quick implication that David doesn't see himself as a good person, but I feel we're well past the point where that's news.
We also get the reason why Levi even said all this; he thinks being honest will help him be a good person, and presumably only brought it up after the whole David thing got resolved because "good person" David was (eventually) honest with both his motive secret and the reason he tried to get voted out. Or, rather, Levi thinks David was honest on the latter. Fair ig.
Levi has a few other lines in this part, but the next most striking thing to talk about is, fittingly, not a set of words, but an image.
Levi's protective streak has always been a big part of his character, and now he's literally taken a bullet (or 5) for Teruko. Just for the record, I imagine he'll survive, because there'd be no real point to most of the end of 2-16 if he didn't.
The big question around this is, naturally, why did Levi jump in? Obviously, it's not that he particularly cares if Teruko lives or dies, not from an emotional standpoint anyways. It could also just be Teruko's luck somehow manipulating him the way it seems to have influenced Min somewhat, but I can't see that as the only reason this happened. So, like most people, I believe he feels he owes Teruko.
Teruko [1-2]: No... I should be the one apologizing. It's my fault you got hurt. Levi: What do you mean? Without your warning, I could have gotten fatally injured. I should thank you that my wound is not more severe.
Teruko warning him in the prologue is the most obvious case where Teruko saved Levi, especially since it parallels this scene. Teruko saves Levi from execution, so he returns the favor. However, we also need to keep in mind that, without Teruko carrying, these people would not have made it through the trials, so Levi might feel he owes her for that too. And "good people" repay their debts, don't they?
Very interested in seeing where Levi's character goes from here!
Teruko Tawaki
You know a series is doing something right when the protag has so much shit going on in a trial where she didn't even have strong relationships with either the victim or the killer. Now, a big chunk of her screen time was devoted to crime solving, so her section might end up smaller than Levi's even though I consider her more important, but the order of this analysis is kinda all over the place anyways :v
I'll go in the order of Teruko moments as they appeared, though I'll skip the whole "fix my mistake" thing since I already mentioned it in the Min section.
David [2-12]: Xander is a good person. He's the only good person I've ever known. I swear, I'll follow in his footsteps and-- Teruko: And get everyone killed in the class trial? Xander is a good person? Are you hearing yourself right now? What virtuous reason could he possibly have for trying to kill me and everyone else here? David: I'm sure he had a good reason. I believe that he did. Xander is not the kind of person to do anything for frivolous purposes. Teruko: You *believe* that he had a good reason!? Hah! Based on what? The 3 days you spent with a fan who was too infatuated with the ideal of you to treat you like an actual human-- David: SHUT UP!
She says all this like she wasn't play-acting her Xanruko fix-it AU with cacti, like, two days ago lol.
Teruko Cactus [2-3]: That's right. Give up now, and surrender. Then I'll consider letting you live. Xander Plant: Teruko... I've changed my mind. I promise, I will turn my back on whoever made me do this and stay by your side from now on. Do you forgive me?
I don't actually have much to say about this. Teruko's complicated feelings about Xander aren't exactly news; genuinely angry at him for attempting to murder her, also genuinely upset that things didn't go better. No wonder David's uncritical view of the guy ticked her off.
2-13 had a lot of murder solving from Teruko, which is cool but not crucial for character analysis. Meanwhile, 2-14 had quite a bit more going on.
Rose [2-14]: I... I'm sorry for being useless. Maybe if I tried harder, if I just got over myself-- Teruko: Rose. Don't blame yourself anymore. You are helpful. It's because of you that I can solve this murder. Besides... I'm as much to blame as you. Maybe more, even. If only I listened to you when you said the tape was missing, then maybe I would have realized the truth of this case much earlier. Once again, I've made a stupid mistake. I simply wanted to believe that I could make it through this killing game without relying on anyone else. That I could be dismissive of everyone around me without consequences. So I refused to listen to anyone other than myself. I thought that if I did that, then I could avoid a repeat of the last trial, where I had made the mistake of trusting people too much. But now I'm making different mistakes instead. Again and again, I keep messing up this class trial with hasty assumptions and overlooked evidence. So... Rose: ... Teruko: ... Thank you, Rose.
Yuri stays winning.
Again, it's hard for me to add any commentary when Teruko's just... explaining all the themes out loud. We go back to the idea of Teruko fixing mistakes that she seems to have taken to heart from Min's CH1 breakdown (YURI STAYS WINNING), which ties into the idea of self-betterment that Arei's scene conveyed; and we basically have Teruko stating a reworded version of her secret quote, "It is an equal failing to trust everybody, and to trust no one at all." It makes me wonder how Teruko will behave moving forward. Will she trust a few select people? Will she continue to keep other's at arm's length, but being slightly more open? Well, based on what she does with Eden, it seems Teruko is willing to trust select people until the situation merits distrust, which is a pretty solid way of looking at things.
Speaking of that.
Eden [2-14]: I just wanted to help Arei... I didn't kill her... Teruko: You know I can't just take your words at face value, Eden. Eden: Please, Teruko... You're my friend, aren't you? Friends help each other... So please, help me... [...] Teruko: Eden. Eden: *sniffing* Teruko: Eden. Pick up your head. Look at me. At this point in the trial, since I've narrowed Arei's killer down to just two suspects, I'm going to pursue each suspect individually under the assumption that they're the killer. That way, I can see if any evidence matches up to them only. [...] So for now, I'm going to assume you're innocent. Eden: W-What? Really? Thank you so much, Teruko... Teruko: Don't... get me wrong. This isn't out of kindness or pity or anything else. This is only because you helped me in the last trial. I'm repaying your favor, and nothing else. That's why I'll trust you, just this once. Eden: Teruko... T... Thank you, Teruko... Teruko: ... Let go of me.
YURI STAYS WINNING!!!
That's what I was talking about. Choosing to trust Eden over Ace, but being willing to turn suspicion on the Clockmaker if Ace turns out innocent. A very reasonable approach! We love character development in this house.
That said, Teruko is still being a bit of a tsundere, with the whole "repaying a favor" thing. Levi parallels anyone? Well, not exactly, since Teruko does feel empathy towards Eden, but close enough. What's more interesting is that Teruko is using the exact transactional logic that Eden warned her against, which is intriguing setup for the future when it becomes more undeniable that Teruko is definitely not doing this just to repay a favor.
Also, the Trauma remains. Teruko telling Eden to let go fully completes the parallel to the Min scene, where she says the same thing (among others). I imagine our girl won't be too receptive of hugs for a while.
Before we get to the next big moment, real quick, we gotta fulfill our "Teruko's life is miserable" quota.
Teruko [to Ace, 2-15]: And three. You took the tape for first aid. Arturo: That's ridiculous. Who uses non-medical tape for first aid? That's sickening. Teruko: It's not that weird. I do it all the time.
Alright quota fulfilled. Let's move on. In this case, I'll skip to when Teruko gives up on the "show me your injuries Ace" line of reasoning.
Teruko [2-15]: No. It's fine. That's not a very fair line of logic, so forget it. You were almost murdered, after all. I should have understood that.
I don't know why Teruko really thought this line of logic was even worth following in the first place, but it makes sense for her character to ignore Ace's possible emotions in favor of the trial. But it's also cool to see her backing down when she realizes the harm she may be causing, especially as someone who has very notably hid how much her own murder attempt affected her, and in particular the wound that came from it.
Teruko [2-15]: The point of this trial is to determine who the killer is, not to determine every single little detail of what happened. It doesn't matter that you're not convinced. It's not going to help you, nor change your fate. No matter how you feel or what you think, nothing will change. [...] I've been fighting this entire trial to find the truth using real evidence. And when I make mistakes, I own up to them. What have you contributed? Show me some concrete proof of your innocence. Otherwise, shut up and stop wasting everyone's time. Ace: ... Teruko: Are you silent now? What happened to all those things you were shouting earlier? Don't you have anything to say for yourself? Ace: ... Teruko: Any evidence, any deductions to show that you're innocent? Come on, Ace! Don't you want to live?! Defend yourself!
So, a few things. First, regarding that second paragraph. "It's not going to change your fate"? "Nothing will change"? We'll circle back to it, but it seems Teruko is projecting how she feels about her own fate (before the Levi incident at least) on Ace. You could even say-
Literature Girl Insane: Even if we cry make noise shout go mad - this world won't change!
The foils ever.
Anyways, I assume that's why Teruko gets so worked up over Ace remaining silent. She sees a bit of her situation in trial 1 (almost murdered, suspected as the killer) in Ace, so her emotions run high with both the frustration of a long trial and the bad memories this is probably bringing up. At least, that's how I interpret it.
Also another mention of correcting mistakes, which shows up one more time before the episode ends, which I already mentioned as being tied back to Min and Arei; alongside with another "fate" drop. "Fate" is becoming the new "good person" isn't it :p
Teruko [2-15]: Confront the mistakes you've made. Then accept death. That's the fate of everyone who choose [sic] to participate in this killing game.
Also I find it endlessly funny that Teruko's reasoning for the Closing Argument being necessary reads a lot like "this is a DR trial we gotta do this, it's in the contract." Consider me amused.
But I've beaten around the fate bush enough. Let's get all of that over with in one fell swoop.
Teruko [2-16]: It's just... misfortune. That's why Ace killed. That's all.
Teruko [regarding her execution, 2-16]: What's the point [of running]? I should have known this would happen. [...] Even if I shield myself behind others, even if I search for an escape, it always comes down to this. I have to face the consequences of my actions. There's no escaping that. [...] Arturo: What are you talking about?? You're going to be killed!! Teruko: Killed? I doubt it. As if something so kind could happen to me. [...] I won't die, even if MonoTV puts a hundred bullets in my body. I'll only be badly injured. Possibly lose a body part. Maybe I'll even end up in a coma for months. [...] But I won't die. I never will. There's nothing I can do but accept my fate. It's what I deserve, after all. [...] I was perfectly willing to get shot. I thought I didn't have to care about what happened to other people, and especially not about what happened to me. I thought that if I lived alone and died alone, nothing would stain my conscience. Even if that was a selfish way to live. But even so...
Teruko [to MonoTV, 2-16]: Can you really say it's fate's fault for everything you've done, and pretend that you hold no blame in the matter? I have always said that my misfortune, my personality, the choices I make, everything was all a product of a bad luck that I can't control. That I grew up in such terrible circumstances, so I was destined to grow up to be a terrible person. That everyone else abandoned me, so it's not my fault that I'm alone. I want to say it's fate's fault, and that I had no choice in the matter. But, even so... Even so... Everyone. Xander, Min, Arei, Ace. Maybe even Levi. Is it my fault that they died? [...] MonoTV: You have to decide the answer for yourself. Teruko: Whether it was the fault of fate, or my fault... I already knew the answer. I had known what the answer was since a long, long time ago.
Alright I made myself sad, so something's been achieved, I guess. Poor Teruko :(
Just to start somewhere, we get confirmation of Teruko's suicidal tendencies in the present, which was already implied strongly enough, but now she straight up says she considers death something "kind to her." Just sad in general, but I wonder if there will be some discussions of it with the fellow suicidal characters like Hu. In fact, I wonder if that's the reason that Hu was the one to see the scar on Teruko's back during 2-2; so she'd have a vague idea of Teruko's backstory for some interaction in the future.
But the main point of these scenes is Teruko's relationship with the concept of fate. She basically goes through an entire character arc from the moment she says Ace's murder was just misfortune to right after Levi jumps in to save her. Basically, she used to blame fate (or "bad luck") for everything she did and what happened to her, thinking that just accepting this fate would allow her to live more easily. Especially noticeable because part of her "bad luck" is being betrayed, which gives way to her trust issues.
Teruko [2-2]: If I get in a car, it'll crash. If I stand in a construction site, it'll crumble to dust. If I trust others, they'll turn their back on me.
Hence her internal monologue about "living so nothing stains my conscience." If everything that happens to her is fate's fault, then she doesn't have to change, she doesn't have to confront her faults. Even when she talked about accepting the consequences for her actions, it was always in the context of accepting her fate. If she just accepts whatever consequences her actions bring, then she can excuse herself from fighting back against that, which is an easier way to live, but as she says, could be considered selfish. What's easier for Teruko is not always best for others, exemplified perfectly by Levi protecting her; Teruko chose not to fight her fate, and it got Levi hurt. Funnily enough, this somewhat parallels Hu feeling selfish for not sharing her secret, which is fun contrast. Hu is more justified in not sharing her secret, so it shows that feeling selfish for doing things that are good for you can be pretty bad. Meanwhile, Teruko shows that not taking others into account can also end up hurting people.
Of course, the whole "not fighting fate" thing also obviously parallels Mr Literature Boy Insane's feelings on the whole thing, to the point where they have practically the same character flaw. Believing themselves and others unable to change as a result of fate is the way they try living with themselves, because of the whole self-loathing thing, but that means they're resistant to changing their flaws. MonoTV says similar things, but it's a machine so it's not so much a flaw as just the nature of its character. It was a flaw Arei had, though, but she grew out of it through Character Development, similarly to the way it's implied Teruko is growing out of the "all fate's fault" mindset in the last inner monologue. You might also notice that tying fate into self-betterment allows you to draw a connection to the theme of admitting mistakes and fixing them, tying to Min who is also connected to the concept of fate through her entire backstory of being "destined" to be the Ultimate Student from the moment her family accepted XF-Ture's Tech contract, and obviously Min contrasts Xander who is all about fighting fate as the Ultimate Rebel, and that's without mentioning all the other "fate" bullshit going on and-
Yeah you get the idea. Too much peak for me to write it all out.
Very excited to see where Teruko's character goes now that she's not going to blame her bad luck for everything now. I worry she'll swing too hard the other way and end up blaming herself for things she shouldn't, but oh well, that's just more character development to be had.
That was the biggest Teruko thing, but there's still more to cover.
Teruko [to Ace, 2-16]: If you can't [attack MonoTV]... If you can't do that, then tell me, why did Arei have to die?! Ace: ... Teruko: It's because unlike Arei, *you* couldn't make amends with the people you made enemies out of. *You* were too scared to confront the people you hurt, say you're sorry, and promise to be a better person. So instead you took out your own personal problems on other people by murdering someone who had nothing to do with you! Arei died because you're a coward, Ace!
Uh... someone's projecting~
Teruko [already linked, 2-2]: But if you start talking about me and saying that I could be a good person if only I make an attempt to change, then I'm going to stop you right there. Don't say that I could be a good person, because all it'll do is make me feel bad that I'm not.
Damn it's almost like she hates herself because she already knows deep down that her mindset is flawed and so when she sees someone else behaving like she does/did she gets upset at them that's crazy :O
(I mean it's not 1:1 because Teruko never did anything as bad as Ace, but the point stands :v)
Final note, as always, voice acting was peak, just that there's too many good examples to point them all out one by one. Same with Levi btw, I think I forgot to mention it in his section.
Teruko continues to be probably my favorite protag of any DR or DR inspired story, though as always I'm working on a small sample size. Really excited to see her development in the future!
Ace Markey
Well if it isn't the man of the hour! It's only natural the blackened gets to close things out. Let's do the same thing as we did with Teruko and go by (mostly) chronological order.
That includes the quick, retrospective observation that a lot of Ace's behavior in the trial and investigation now needs to be re-analyzed with the understanding he's the blackened. It mostly just adds an extra layer to Ace's constant accusations towards Nico, though, since Ace didn't really do much most of the trial. The only other notable thing he did was revealing David's secret, and even then, nothing too big. I know it's a bit silly to go so hard on Nico when David is almost easier to frame, but this is Ace we're talking about. He's emotional and not quite the most strategic, so nothing weird there.
Although, speaking of Ace knowing about David's secret, why did he not hear the end of the Arei-David conversation? I doubt he's hiding it, because he doesn't really have a reason to, so apparently he just, like, left. I guess he just didn't care enough :p
Finally getting to PT 2 itself, we have a 2-13 speech we skipped earlier, don't we?
Levi [2-13]: I don't personally care what happens to Ace. Whether he lives or dies is none of my concern in the end. Ace: ...?! Levi: But it is a "good" thing to make sure someone else doesn't die, even if I personally do not care about the outcome. I truly believe that. But I adhere to that principle out of duty, not sentimentality. Does that make any sense? Ace: You... Hah. Hahaha. You-- You fucking piece of shit. Levi: ... Ace: I was right all along. That you felt bad for me... That you actually wanted to help me... That even if everyone here treated me like shit, there was at least one person who still cared about me... That shit's too good to be true, isn't it? Yeah, good thing I didn't fall for that in the slightest. Not one bit. I was totally right all along to burn our friendship-- No, I can't even call it "friendship." There's only one person in my whole life who I've ever been able to call my friend. That I ever thought, even for just a short time, that you and I were "friends" is an insult to his memory. I probably sound real pathetic admitting that. But I'm not nearly as pathetic as you. After all, you're a piece of trash who probably has never had a single friend in your life. Levi: ... Ace: Got nothing to say to me now? That's fine. Hey, Levi. I really hope you fucking die.
Okay there is... so much to unpack there. Let's... start by the smaller thing, which is the Taylor Riley drop in "there's only one person in my whole life who I've ever been able to call my friend." This guy's name was revealed in a now deleted CH2 PT1 QnA answer, alongside with the name of a friend of Veronika's who gave her her green triangle earring, Alyssa Belyaeva. We got main series confirmation of the name in one of the graves of Thanatophobia, alongside the names of Elliot Cuevas and Felicity Giles.
We know... zero about Taylor, apart from the fact that he was Ace's friend and is now very evidently dead. Thankfully, we get a bit more context on his death by one of Ace's comments:
Ace [2-16]: Execute me right now, you hear me, MonoTV? MonoTV: ... Ace: Because... Because Levi is gonna fucking die, and I'm going to have a third goddamn death on my hands!
Third, huh? Arei, the hypothetical Levi death, and presumably Taylor. Sure, the third could be Ace himself, but I feel the line makes a bit more sense with Taylor.
So, Ace blames himself for the death of Taylor. Given he liked the guy, probably not intentional murder, but who knows what the hell he did. At this point, we really have no way to deduce the way Taylor died or how Ace could have caused it somehow, though. Maybe we'll get some answers in the Bonus Episode? Hopefully :p
But that's the easy part. The hard part is Ace's feelings towards Levi. Immediately, we can tell the whole "I never thought you cared about me, not one bit" thing is a complete lie, not just because the line itself is extremely unconvincing, but because of something Ace says later in this episode.
Ace [to Levi, 2-13]: You piece of shit. I can't believe there used to be a time I actually liked you.
So, yeah. Similarly, based on the fact that Ace wanted MonoTV to speed up the execution to try and save Levi's life despite his fear of death, we can infer that Ace is also lying when he tells Levi "I really hope you fucking die."
No, Ace really does care about Levi. For the reason stated at... some point in this analysis; Ace feels safer around Levi. And that creates a bit of a problem for him, because if he wants to escape the killing game, he's gonna have to kill Levi to do it. It's unclear if that's the reason he originally pushed Levi away, "burning their friendship to the ground" in his words, or if he just didn't want to trust him after the death threat in trial 1. However, guilt over trying to get Levi killed is definitely part of why he says this:
Ace [2-16]: I knew... I knew that I wasn't allowed to call [Levi] a murderer. I had no right to act betrayed, because I was the one who betrayed everyone. But still, I...! Levi: Why-- Ace: But still, I--! I don't care what it was! I don't care if it made me a hypocrite! Even if I was completely in the wrong, and even if it made my life worse! I just needed a reason to stay mad at you, any reason at all, goddamnit! Levi: Why? Why do you have to force yourself to be angry at me? You just said you know that you're in the wrong, so why do you still do it?! I don't understand. I can't understand you, no matter how hard I try. Ace: Good! Stay that way! I hope you never understand me, even after I'm buried a billion miles deep in the ground and you're weeping at my grave, you piece of shit!
Ace tries very hard to find reasons to hate Levi because he's afraid of growing close to anyone in the killing game, mostly because he thinks he'll be betrayed, but by the point he starts plotting murder, also because he's trying to kill them all. Being close to them is a good way to feel more horrible about himself than he already does.
To be clear, the reason I say the first reason is more important is because I think I can more or less pinpoint the moment Ace starts thinking about murder, and by that point he's already trying to cut Levi off.
Ace [2-2]: In this killing game, everyone is out to get me. Especially people who love picking fights with me, people like you [Teruko] and Levi. I can't believe I wasted my time with all that dumb shit like arm wrestling and running around screaming at meaningless stuff. I was fucking stupid to not take this killing game seriously from the start. I'm done with being everyone's kickable scaredy cat. The only thing I should do is look out for myself and myself alone.
Well he sure did take the killing game seriously after this point now didn't he?
Obviously, this is a pretty direct parallel to the way Teruko tried pushing everyone away in this chapter, and the way David pretends not to care about Arei after the magical girl transformation. More on this whole thing in a bit.
The relationship between Levi and Ace is one of contrast. Levi, who doesn't actually care about Ace the "usual way", chooses to try to get closer to him. Meanwhile, Ace cares about Levi maybe too much, and his fear of this attachment drives him to push Levi away. The yaoi truly is doomed with this one. Moving on.
Ace [to Nico and Hu, 2-14]: You two are a real fucking joke. It would have been one thing if Nico gets away scot-free with trying to kill me, but now they apparently also have a fucking defense brigade to shield them from even having to think about the fact that they're a murderer. Who's gonna stick up for me, huh? No one. Because I have a spine and I don't need other people to lie to me constantly to keep me happy.
Ace [to Nico, 2-14]: You tried to murder me. You fucking tried to murder me! And after all's said and done, you can't even say something as simple as "sorry"?!
Ace [to Teruko, 2-15]: Were you convinced by Eden because she had a little sob story ready? Should I start crying and wailing too to change your mind? Teruko-- No, everyone here. You're always attacking me for stupid reasons. Everyone always has it out for me. That pisses me off. All of you piss me off.
Ace [2-15]: You all actually think I'm too goddamn stupid to accomplish anything? Do you really think I'm 2 seconds away from choking on my own spit and passing out?
This is where we start to see Ace's persecution complex on this part, which was already alluded to in the previously linked 2-2 Ace quote. He thinks everyone is out to get him, and to an extent, he's not horribly wrong. Very few people in the cast have favorable opinions on Ace, and he knows that if he gets revealed as a murderer, that "few people" will likely turn to "no one." I mean, not even Levi wants to defend him.
Ace [2-15]: Hah... I expected everyone else to get on my ass, but for you of all people to think I'm the murderer... What happened to ever wanting to make things up, huh? Besides, between you and me, we both know who's really a murderer.
And hell, Nico's already tried to kill him! Ace is the victim in that situation, even if he did "start it."
Which gets us to one of the most interesting moral quandaries this trial presents us with, Milgram style. Because the thing is, Ace has given the cast reasons to dislike him. Ever since the start, he's been confrontational, insulting, and just generally not the most delightful person to be around. Especially to Nico, who he specifically targeted to bully. Obviously it doesn't justify being horrible to him back, including things like Hu's slap and Levi's death threat, and especially Nico's murder attempt, but... well, if people don't feel about Ace the same way they feel about some of the calmer cast members, there's a reason for it.
How justified is the cast in the things they say about Ace? How much of it is Ace's responsibility, and how much is it the cast's? How much responsibility do they hold for creating the hostile environment that pushed Ace into murder? How does the mastermind and the killing game itself factor into this valuation? These are all interesting questions the series asks us to ponder on, and by their nature don't have any one right answer. Especially because "blame for a thing that happened" isn't a number that can be evenly divided by percentage, it's a very complicated and subjective thing. J puts it pretty well in her speech to Ace in 2-15, giving her perspective as well.
J [2-15]: Maybe I was too harsh on you. Me and everyone else here, I don't think a single one of us stopped to think where the breaking point is. ...But. Murder is unacceptable, no matter what. Your problems might be awful, and they might be the worst in the world, but they're still not so bad that killing 13 people is acceptable. You can't be forgiven as a murderer just because your life sucks.
My personal opinions on this are probably best saved for when we get the full picture in just a moment.
And speaking of the full picture, since Ace's persecution complex feeds into his fear of death, why don't we skip right into the big speech?
Ace [already linked in the Hu section, 2-15]: ...... God damn it. I'm such a piece of shit. [...] You're right. I'm screwed. There's no way I'm making it out of this trial alive. I just... wanted to stall for time. I'm scared of dying, I really am. [...] I killed Arei. That's exactly right. Shit, it sounds really bad when I say it out loud. [...] Hu: Did you kill Arei because of MonoTV's motive? Because you wanted to keep your 'secret' hidden-- Ace: Hell no! I don't give a damn about that motive, or my dumb little secret, you idiot fuckwad! Who do you think I am, you?! *sigh* That wasn't why I killed her. I was scared of dying, that's all. [...]
Quick thing, but I think it's cool that the motive really had jack shit to do with the murder. Hate to bring the guy up so much, but it helps make David's "plan" of revealing all the secrets unequivocally wrong, which I feel is important for some of the themes of the chapter. In particular, the idea that gets pushed that everyone should be allowed to reveal their secrets at their own time, aka privacy is important. Nico's public secret reveal happened before they were ready to share, and that was a bad thing, after all. And a lot of the conflict in this chapter came from MonoTV giving the motives in general.
Ace [continued]: I'm definitely going to die in this killing game if I don't escape. Everyone hates me, right? Because I'm a volatile asshole who can't help but pick fights and make people mad at me. Veronika was right. If pushed to kill, everyone would feel the least guilt if they killed me. They might even have some sort of grudge. I wouldn't be surprised. When Nico tried to kill me, that just confirmed it. There's a part of me that's a little pissed that Nico didn't succeed back then, because that would have saved me the trouble of having to go through this stupid-ass farce. Although I'd be real fuckin' pissed if they *did* successfully kill me. I'm kind of pissed at Nico for trying to kill me, either way. Nico: ...
Interesting to hear part of Ace wanted Nico to succeed. It certainly speaks to a great level of defeatism, where everything is horrible and death would be preferable, which parallels Teruko nicely. That defeatism for Ace comes partly from the persecution complex discussed earlier, and some other stuff we'll talk about in a moment.
Ace [continued]: But still! If I didn't kill someone and escape... then I was going to die. I'm fucking terrified of dying! I can't sleep at night because I keep thinking about how I'm going to die young in this goddamn killing game! I didn't want to die! I want to live. Just like everyone else. Live, and escape this killing game, and go back to my shitty life where I can't do anything on my own because I can't control myself. Back to that life where I can't do anything but a sport that I hate because I suck shit at everything else. I was forced into that fate, to kill someone because I'm scared. It was either that, or I would be killed first. There were no other options for me, because I'm a coward who can't fight my own fate. [...]
I think an underrated part of Ace's character is just how much damn symbolism is hidden in his talent.
The first connection is the more or less obvious "if I didn't kill someone, I would be killed first" mentality, where Ace literally views the killing game as a race to be the first blackened to get away with it. But that's almost an extension of the other connection.
You hear it from him here; he feels he completely lacks control of his life, that it's all decided by a fate he can't control, the same way that a jockey doesn't walk on their own, but rather is carried by a horse to their destination. And it's no wonder that this feeling of lacking control is referenced in his secret quote, "I don’t know what to do with myself anymore." After all, it's this feeling of lacking control of himself and his situation that causes him to seek control of anything he can, be it bullying Nico because he sees them as an easy target, distancing himself from others because it's easier to control his feelings that way, killing someone because it's the only way he can control his place in the killing game, or anything else I might be forgetting.
And this fear of lacking control is probably part of his fear of death, isn't it? Because no one can control what happens after death. Maybe yes, maybe not, but regardless, Ace's thanatophobia is pretty evident. I mean, it's the name of his execution, and it's a fitting one. Ultimately, Ace's fear of death is what gets him killed, both metaphorically because it's the reason he became a blackened, and literally because he dies of a fear-induced cardiac arrest. That, alongside with the incredible art and banger music, is why I consider Thanatophobia one of, if not the single best DR style execution I've ever seen. Simply peak.
Ace [continued]: Do you think I give a crap about you all? Why would that matter to me? No one gives a crap about me either! None of you even respect me enough to think I was capable of killing Arei! In fact, that made me feel way less guilty about killing-- [J makes her anti-murder speech] Ace: ... I know that [I can't be forgiven]. I'm the one who murdered Arei, so of course I know that. Arei... She was a piece of shit too. Just like me. Even if she said all that nice bullshit to Eden, there was no guarantee that she really was going to change and become a good person. Maybe if she lived, then by tomorrow she'd be right back to her annoying bitchy self. ... But at least she was trying. And I can't even change one thing about myself. Not my shitty job, not my shitty personality, nor my shitty life. I really am a piece of shit, huh?
At the end of the day, Ace is his own worst enemy. What really gets Ace killed (apart from the already mentioned fear of death) is the inability to change, to see the flaws in the way he behaves himself and try to better himself. Or, rather, he does see the flaws, he knows he's a target of the killing game because of his aggressiveness and that he drove himself into a corner out of fear, but he considers himself incapable of changing that. Changing is difficult, and Ace is scared to even try. Like he says, maybe Arei couldn't have managed it either, but she was trying. And that's what ultimately separates the two.
In case it isn't obvious, my take on who's to blame for everything that happened is pretty much squarely on Ace. Sure, there were things the others did to Ace which aren't justified, but you can't blame people for disliking someone that knows he's unlikable and cannot find it in himself to try to change that. Arei tried to change; she died a good person. Levi tried to make amends for trial 1; he's a good person too. The tragedy of the situation is that Ace himself could have been a good person too, because everyone can be, but it's a decision that must be made, as Eden put it earlier in the chapter. And it's a difficult one, too difficult for Ace.
Teruko, David, all these people... they can also be "good people," in the sense of always trying to be "less shitty together" in Arei's words. Ace is a cautionary tale of how not doing so can end up really, really badly.
Which is the setup for Teruko and David's continued foiling, isn't it? Teruko will presumably look at all of Ace's flaws (lack of trust, unwillingness to change, accepting fate without fighting it) as pitfalls to avoid, because of how similar the two of them acted in CH2. Meanwhile, David, since he heard Arei's speech and knows just how hard she tried to change, will see those same flaws as strengths. In his eyes, Arei died because she trusted the note, because she tried to change, because she tried to defy her nature. At least, that's my prediction. Where all of that will go is anyone's guess.
But, how do we know that Ace could have been a good person? How do we know that it isn't David who is right, that neither Ace nor Arei could have ever gotten better, had they simply tried? Well, simply put, because in the end, Ace does start changing. As a final, tragic note, Ace's ability to confront fate and try to correct his flaws only surfaces when it's far too late. And not only when he punches MonoTV, though that also is a good example of it, but also when he chooses to face execution quicker in an attempt to save Levi.
Ace [already linked, 2-16]: Execute me right now, you hear me, MonoTV? MonoTV: ... Ace: Because... Because Levi is gonna fucking die, and I'm going to have a third goddamn death on my hands! Arturo: E-Even then, there's no guarantee that he'll live--- Ace: Shut up! What the hell are you talking about? Aren't you a surgeon? Can't you fix him? Arturo: I--! I'm not that kind of surgeon! I've told you, over and over, I have no experience with saving lives! Something like this! There's no way I can do it-- Ah! Ace: SHUT UP! Shut up, Arturo! You *can* save his life! Shut the fuck up! Stop saying you can't do it, because you can! Don't you understand? I'm going to die right now, and you're going to live! So decide whether you want to at least *try* and put in some fucking effort for once, or keep making excuses for yourself like a sniveling coward for the rest of your life. I don't even get to make that decision anymore! Stop complaining, you whiny little shit! Grow some fucking balls and save someone's goddamn life, asshole! Because you can!
There's layers to Ace's shouting barrage at Arturo. Obviously part of it is just Ace trying to convince himself that Arturo can save Levi so he can die with a relatively clearer conscience, but there's also a sort of self-awareness of Ace's faults in the things he says. Try swapping "save Levi's life" for "be a better person," and pretend it's being said to Ace by someone else who is about to die.
You *can* [be a good person]! Shut the fuck up! Stop saying you can't do it, because you can! Don't you understand? I'm going to die right now, and you're going to live! So decide whether you want to at least *try* and put in some fucking effort for once, or keep making excuses for yourself like a sniveling coward for the rest of your life. I don't even get to make that decision anymore! Stop complaining, you whiny little shit! Grow some fucking balls and [be a better person], asshole! Because you can!
Because moments ago, it was Ace who was making excuses like a coward for why he felt he would never be a good person, and why he had no control over his shitty personality that made everyone hate him and made him a target of the killing game, etc. He never put in the effort to change because he thought it was pointless, that he was unable to, and didn't realize the falseness of that preconception until he was faced with death. Seems I was on the right track when I connected his thanatophobia to his issues with control; death robs him of the decision to try and be a good person ("I don't even get to make that decision anymore!"), which he hadn't even realized he had until that moment.
It's no wonder Ace was a popular survivor guess; he could have changed, could have been a good person. And despite the harm he's caused, the way he robbed Arei of the opportunity to do what he couldn't and attempt to change, the intention he had of killing everyone in the trial, his death remains a tragedy for the hypothetical of what could have been. Maybe if Levi had managed to properly reach him the way Eden reached Arei, this could have all been avoided. But alas, Ace didn't accept the hand strectched out to him, and now it's too late to fix things.
I said during my reactions that I felt just as emotional during Ace's execution as I did with Min's, which was certainly true and very impressive given my massive bias towards the Ultimate Student. And while I can't say that I'll miss Ace as much as I miss Min (because come on), I'll certainly hold him close to my heart for as long as I live regardless.
As a final note, holy shit the voice acting. If I pointed out every line where the acting for Ace was spectacular, I would be here all day. I doubt I need to elaborate on this; the sheer perfection of the performance should be obvious to anyone who can hear it. Godspeed Seth Raffield, you truly were incredible. Can't wait to hear what you do in the Bonus Episode, provided there is one.
---
I am free! Holy shit that took way too fucking long. I need to figure out a better way to do this shit for later chapters, because geez. You have no idea how much Tumblr's drafts lagged because of this shit, I had to write the final sections in different drafts and copy paste them over because it was unbearable. Not to mention hitting the goddamn link limit which is just clinically insane from me. Anyways, if you somehow managed to read all of that, I feel genuinely sorry for you. You know you can be a good person if you try, right? There's no need to punish yourself like this.
I'm being silly, of course. Thanks for reading, hope you enjoyed!
#drdt#danganronpa despair time#drdt spoilers#david chiem#teruko tawaki#eden tobisa#ace markey#levi fontana#min jeung#arturo giles#veronika grebenshchikova#j rosales#nico hakobyan#whit young#charles cuevas#monotv#drdt analysis#arei nageishi#rose lacroix#hu jing
203 notes
·
View notes
Text

UGH I FUCKING FINALLY FINISHED THIS
so yeah, have the divine warriors of the second war of the magi!!
more deets n closeups under the cut :3

aph!! i like to think that although the incarnations of the divine warriors r generally pretty similar, they do have some minor differences. for example, whereas the matron of the first war of the magi (irene) had one of the sets of wings on her head covering her eyes, the matron of the second war (mcd!aphmau) has both of them held back. this is bc whereas irene had lost her humanity (and therefore the ability to connect with mortals), aph hasn't - and, therefore, her eyes are open to the struggles of humanity. additionally, i took a lot of inspiration from honkai impact 3rd for these designs - in aph's case, i was inspired by elysia's herrscher of human: ego battlesuit and how it looks like a wedding dress (which a lot of folks have interpreted as an expression of her love for humanity, which is smth i want to convey w aph).

i think my favourite part of aaron's destroyer form is his seal (the thingy behind his head like a halo). i wanted to rlly play into the whole destroyer/devourer aspect of his abilities and domains, and i thought a black hole would fit perfectly! it also sort of (unintentionally) plays into how i see the dynamic between the matron and the destroyer and how they're both mirrors of each other; whereas the destroyer, well, destroys (and his black hole devours everything in sight), the matron creates and nurtures (seen in how aph's seal is almost like a white hole). i also wanted his armour to look a lot like the armour that shadow knights wear, albeit without all the spikes and spines and whatnot given that he isn't a shadow knight himself (shad's destroyer form from the first war probably looks a lot more similar to traditional shadow knight armour).

i'm lowkey suuper proud of how travis's keeper form turned out (even if i had to go back right at the end n fix it bc i forgot to add his tail 😭). i wanted this form to sort of be a mix between a high mage and a rogue: whereas the keeper embodies knowledge and magick, travis himself is a prankster who relies on cunning and trickery to gain the upper hand on his opponents. as a result, he's the only one who doesn't automatically manifest a weapon when he shifts into this form - instead, i feel like he chooses to rely more on magicks and witchcraft during combat.


katelyn's design was lowkey the hardest to pin down. originally, i wanted to go for something that was suuuper inspired by roman armour and had a copper and teal/turquoise colour scheme, but it wound up feeling too magical girl-ish and i scrapped it. i've retained the roman inspirations, but i headcanon that her flames are so hot they burn blue, so i settled on a blue-and-white colour scheme w some purple elements. i think my favourite part is her gauntlets! i feel like she uses them as an extension of herself/another pair of hands to punch with. the blue elements also lean into menphia's association with the moon - in ashes, ashes, tu'la is based on the roman empire and, as a result, is where werewolves originate from, and with werewolves having such close ties to the moon.... yeah. i'll probably do a post on tu'la later on at some point.

my blorbo
garroth's design is probably the one that's changed the least, but i'll still need to update his ref sheet anyway. i don't know if i conveyed it very well but the sort-of wing-things on his back are slabs of earth that can be shaped into a shield - originally i had him holding a shield but i wanted him to look a bit more divine warrior-ish so i retooled his design.

the boy! i was tossing up between having vylad or dante fill the role of the wanderer, but i settled on dante as i feel like vylad fits better as a sort of weird guide sort of figure within the narrative. plus, i have a real soft spot for dante and wanted him to remain in the limelight a little bit - i love his dynamic with garroth and laurance and i wanted to explore that further. i sort of wanted to play into his whole red-and-blue colour scheme that we see in canon diaries, but bc kul'zak is a nature deity (specifically of the wilderness), i wanted to incorporate some greenery into his design. i hope i've done an okay-ish job here - overall i'm pretty happy tho, but i can't promise that there won't be any tweaks in the future.

this is a redhead laurance propaganda spreading blog and i Refuse to apologise for it. i'd like to think that laurance's original colour scheme is similar to his justiciar form - lots of beautiful reds and golds and oranges to match the flames of his father's forge - but after he comes back from the nether with a Severe fear of fire he switches to the greens and browns that he's known for in canon. eventually he slowly begins to reclaim his fire and returns to the golds and oranges that he's introduced with (haha colour symbolism go brrrrrr).
but yeah. the special interest is special interesting. let me know if u have any questions!
#aphblr#aphmau#minecraft diaries#aphverse#mcd#mcd rewrite#garroth ro'meave#garroth mcd#aphmau fanart#aphmau art#laurance zvahl#laurance mcd#katelyn the fire fist#katelyn the firefist#katelyn mcd#aphmau shalashaska#aphmau mcd#aaron lycan#aaron mcd#travis valkrum#travis mcd#dante mcd#divine warriors#irene the matron#shad the destroyer#enki the keeper#menphia the fury#esmund the protector#kul'zak the wanderer#xavier the admirer
318 notes
·
View notes
Text
Stuck? Try junebugging.
I don't know who needs to hear this, but we're 5 days into nanowrimo so maybe this will be helpful.
Do you want the safety and surety of knowing what happens next in your story but can't stick to an outline? Does knowing in advance what will happen suck the joy out of discovery writing? Do you try to wing it through plots but get tangled in plot holes or have a story that runs out of steam because you can't figure out what went wrong? Are you at your most creative when you have a little bit of guidance? Do you tend to under-write? Do you get ideas in your head for random scenes and snippets that drop from the sky without context?
If any of these apply to you, junebugging a draft might be for you!
What Is Junebugging?
Since you're on Tumblr, you might already be familiar with the concept of junebugging as it relates to cleaning. If not -- I think the idea was first introduced to me by @jumpingjacktrash.
The basic idea is that you tackle cleaning by way of controlled chaos. You pick a specific area you want to focus on, like your kitchen sink, and then wander off to deal with other things as they occur to you, but always returning back to that area. You end up cleaning a little bit at a time in an order that may not make sense to an outsider but which keeps you from getting overwhelmed and discouraged.
How Does Junebugging Work in Writing?
OK, so that's great, but how does this work with writing? Well. In my case, the general idea is to jump between writing linearly, outlining, and writing out of order. It usually looks something like:
Start free-writing a scene, feeling my way through it and enjoying the discovery process.
Thinking, ok, now I have this scene, did anything need to happen to lead up to it? Do I need to go back and add some foreshadowing? Does this scene set anything up that needs to be paid off? And then jump forward/back to make those adjustments.
I'll usually have a bunch of disconnected ideas of ideas that have popped into my head, so I'll write those down in a list somewhere and then try to figure out what goes in between them and what order it goes in.
I'll write what I call "micro-scenes" which is where I'll just sketch out a few essential elements of what's going on without worrying too much about details, description, etc. -- just he did this, she said that, the setting was this, real bare-bones script. Then I can come back through and flesh out each of those microscenes into an actual scene later.
Got a story that has a complex structure? No problem. Write through each storyline one at a time and then chop them up and weave them together afterward. Write all the B plot scenes first then come back through to do A plot and C plot. Move the pieces around like legos. No one ever has to know.
This method works for me because I can't "decide" story elements in advance. I have never been able to just sit down and "figure out" what happens in a story beyond a couple steps ahead -- I have to discovery-write my way forward. But at the same time, that gets really daunting. So I zoom forward with micro-scenes, roughing out the beats in the most bare-bones way possible, then when I run out of clear vision for what happens next I backtrack, flesh out those scenes, build in connective tissue, etc. and by then I will probably find more inspiration to jump forward.
It's basically folding drafting, outlining, and revising all together into a single phase of writing, which is chaotic and goes against everything people teach you, but if it works? then it fuckin works.
Anyway, sorry for the jumbled-up post, I'm dashing this off quickly while I heat up a pizza and I'm about to dive back into my WIP -- but I hope this was a little helpful. If nothing else, take this as my blanket permission that it's 100% OK to jump around, write out of order, write messy, outline sometimes, pants sometimes, and do whatever else it takes just to get through the story. You've got this. Good luck.
#writing tips#nanowrimo#writing advice#nano 2023#writeblr#writing community#plotting vs pantsing#junebugging
988 notes
·
View notes
Text
You Give Them a Magical Companion (Team Free Will x Male Reader)
A/N: So this idea of mine originally started as just stuffed animals given to them but I wanted to give it a more 'supernatural' vibe lol. I couldn't find an exact mythology for what I wanted to do so I took a bunch of inspiration and just made my own thing. I'll probably make another post later on fleshing this idea out because why not?
What you need to know for the sake of this post is that the reader can imbue an item (Usually Jewelry) with a magical creature influenced by the wearer. Anyway with that out of the way consider this my birthday gift to you all, and enjoy!
-
DEAN
When it came to Dean you decided that a bracelet would be the best option for him. Mostly because you remember Dean complaining about rings getting scratched up when opening beers and him getting hit in the teeth by necklaces. He will forever deny fanboying over the fact that his companion turned out to be a wolf but that doesn't stop him from subtly bragging about it once in a while. Dean's companion is mostly used during hunts to help track down monsters or sometimes help in battle if Dean really needs it. When not on a hunt Dean can be found hanging out in the Batcave with the wolf sitting close by.
SAM
For Sam, you decided that his item would be a ring. You didn't want to choose anything that stood out too much and a ring seemed like the perfect subtle piece of jewelry. Sam was a little worried that the world would decide to make his animal a moose but much to his relief, it turned out to be a simple owl. The owl became a kind of study buddy for Sam as he would ask his companion to find certain books for him while he focused on other tasks. In return, Sam would give the owl scratches which it would coo at, and eventually, he even made it a small nest in his room for it to rest on whenever it wanted.
CASTIEL
Figuring out what item to give Cas was a challenge since Cas didn't seem to have a big opinion on the matter. Eventually, though you decided that he would have a necklace. When Cas accepted the gift and saw that his companion was a cat he was confused but of course accepted it. Cas didn't know what to do with his new companion but after a bit of contemplation, he decided to get all the needed items for a cat owner and set them up in his room in the bunker. Though Cas's companion didn't require any food or water to live it did eat any food and drink any water that Cas gave it. Usually, the cat can be found perched on Cas's shoulder watching the people of the bunker.
CROWLEY
Thinking about how Crowley you knew that a brooch would be a good choice for him. You thought it was the perfect fit for someone whose closet seemed completely made of suits. When Crowley laid eyes on his tiger companion he thought that it was an apt creature to be paired with. Crowley is quick to befriend the companion and learn as much as he can about it. During meetings and interrogations, Crowley will sometimes let the tiger sit close to him as a way to add a little extra intimidation factor. When not busy with something Crowley will let his companion roam around especially when Crowley's with the Winchesters just to annoy them a little bit.
#team free will x male reader#supernatural x male reader#dean winchester x male reader#dean x male reader#sam winchester x male reader#sam x male reader#castiel x male reader#crowley x male reader#spn crowley#team free will#supernatural#spn#x male reader#male reader
196 notes
·
View notes
Note
ok so i've been following gtop for a while but i'm still a bit confused about the timeline of their relationship, if it's not too much trouble could you sort of explain (briefly, of course) their relationship through the years, like at what points were they together, broken up, etc?
Thank God you said briefly, Rachel was soooo ready to start pestering me to pull up every single receipt I had and make a complete timeline (since I promised her I'd do it one day... but I also promised to watch Good Day lmfao). I made one when I just got out of hiatus, but turned reblogging off cuz I knew it wouldn't be a good one (and I was right) since I'd just come back to the fandom after a WHILE. So here's me tryna set a better timeline for you :)) I wouldn't be adding receipts since there's just soooo much, but I'll mention what I'm using as proof and/or referencing (and most of it is on my blog... tho I can't ask you to go through it since it's wayyyyyyy too messy, if you reallyyyy wanna see something I'll look through my blog/other blogs/Instagram for you, feel free to ask! :D (I'll ofc also lowkey be plagiarising my old post, it's not that bad.. but don't read it please please please please-)). I'll add asterisks around some things for more "headcanony" thoughts (but ofc they'll be based on observations).
Pre-dating history:
They met each other in 2000 and were "(hip hop) rivals" is what Jiyong apparently said during an interview (I reblogged at some point, probably multiple times (cuz I do that a lot) lulz), but I'm pretty sure they weren't enemies since Tabi later says that since they've known each other since 2000, Ji knows him very well (he said this during Come To Play in 2008). From everything I've seen, GTOP met each other in 2000, Jiyong moved away from the neighbourhood they shared (probably (I'm guessing here because of circumstances) in 2001 or 2002), after which they were reunited at most in 2005.
*Most people agree that: Jiyong either formed a crush in 2000 or 2006 (most people believe 2006) and Tabi was slow and didn't realize he was in love till 2008 (yep, he's the cliche "male lead actually loved the female lead all along" guy) and we make this assumption because of the clip where Jiyong corrects Tabi and reminds him of the fact that he had his first love in middle school. They only start dating in 2010, which is when they created GD&TOP vol.1 (which is why that album rocks; it was built upon GTOP's honeymoon phase).*
Dating history (I'm just gonna talk about their break ups):
Broke up ending 2012-beginning of 2013, but were (maybe) having issues since August 2012 (GD's instagram likes, posts, overal behaviour + Coup D'Etat album (*with at least 2 songs having a strong connection to Seunghyun; personally I think more than 2 songs were inspired by T.O.P.*). They were 100% broken up by the time his OOAK tour came around, so March 2013, that's something everyone I saw can agree upon.
Got back together in June 2013, but *most people don't think they started dating again at that point (and I agree, I can't really explain it clearly anymore tho..* I think it came down to Jiyong wearing the blue bracelets again temporarily and them still being a bit distant by the time August rolled around), but they were definitely dating again in September 2013 (When Seunghyun's KakaoTalk status was literally from what GD had been doing the past few weeks with a photo of GD as his status update + the clip that I just spoke about with anon).
Okayyy, so THEN they broke up either the night of March 26 or morning of March 27 2014 (GD's very heartbreaking Insta updates and likes, drunk tweets, leaving South Korea to be in Japan instead to get away from his break up and him crying on stage but covering it up by saying he's just very sweaty cuz it's hot + Tabi also being emotional later on during a different concert) -> May 11 2014 they most likely started talking again because GD posted "Baby Goodnight" to his Insta (or Twitter) story and started liking and posting more happy posts. After this, we're in HEAVEN. Even tho we get the Jiko bearding incident (I will never not be goddamn pissed that we'll never be able to shake that off), we get so many receipts, it's beautifullll.
Okay now we get to December 2019 - February 2020. GTOP were unstable again (and I can't bear to go through those receipts on most days, they both just looked so upset sometimes). They either broke up at some point or had a pretty horrible fight (I think it's this one). But by the time March 2020 rolled around they were both very much together again. I really don't wanna bring this up again tho cuz ugh TOT.
Then the most recent break up, that according to me toke place somewhere in the beginning of April 2023 because GD & TOP were HAPPY AND OVERJOYED AND OVER THE MOON (pun unintended) in 2022. He then inconsistently started liking GTOP content now and then, starting from about July 2023 (where he liked a clip of him scolding the other members in Japanese for taking to long to give an intro to the GD&TOP stage. Tabi's face isn't visible but Ji clearly says GD&TOP in the video). And then he also wears the bracelets at September 2023. In April 2024 he used Baby Goodnight for an Insta story. By the time 2024 rolls around and his scandal is over (thank gosh) his GTOP likes are a bit more consistent, culminating into him liking a post in December 2024 about Tabi's place in SG2 being confirmed. And then, after the Baby Goodnight Story in Paris in January 2025, (and Ji liked a reel alleging he met up with Tabi that day *I trust this like*) his GTOP likes increase exponentially. *I have (personally) pinpointed the day after the second Seoul concert as an important day because he started to like more romantic reels + his likes of the GTOP references he makes + a lot of other stuff that to ME is confirmation that they're talking to each other again, because liking past GTOP moments vs. liking posts that alleged you were referencing Choi Seunghyun during concerts is very different imho and is just ONE of the reasons I think they're speaking again (besides him using GD&TOP songs for his story, etc).*
Sighh.. I think I addressed everything? Lemme know :D
#anon#gtop#doneeeee~~#now to make one with receipts and pictures and stuff#since Rachel will never rest easy till I do that#especially cuz I've only brought up the main receipts here and not even properly oef sorrrryyy I hope this is still an answer
15 notes
·
View notes
Text
CHARACTER BLURBS FOR MY DSMP SUPERPOWER AU
As promised to @aimlovesmusic :D 💗
Requested characters were Eternal Duo(Eret and Foolish), Quackity, and Ranboo!
Eret👑
Hero!
Hero Name: Monarch
Unofficial spokesperson for the Hero HQ, bc she's beloved by the masses and can stay calm & collected in the spotlight. In other words, he's the best cannon fodder for them 'cause she's got both high popularity ranking and PR skills.
Power is physical control(? idk what to call it), anyone who sees their glowing white eyes has to move in any way she commands. For example, he could tell someone to drop the gun, and that person would have to drop it. She can't control minds though, so everyone is fully conscious during the control & he can't tell people to think a certain way. + the control stops when Eret can't see you anymore/covers their eyes, with sunglasses, etc.
Hero HQ set his image up to be some sort of lethargic royal, never moving more than they need to- but Eret can run in heels & throw things with scary precision actually. She carries knives around just in case, and later they acquire mini grenades! :D
Likes maracons(INHALES them whenever they're stressed)
Foolish🦈
Also a hero!
Tentatively labeled the Golden Shark
He can call up storms and/or rain/thunder/lightning separately- indoors or outdoors, it doesn't matter.
Also, given enough material, he can build things in seconds! He essentially draws out a blueprint in his mind and moves his hands accordingly, and the materials just assemble themselves. This is usually v exhausting though, it's total knockdown for him if the build is big enough.
Adopted by former hero Puffy(Hero Name: Captain Puffy) as a teen
Is friends with fellow hero Tina Kitten(Hero Name: Carrot Cat... Probably. I'm still working on it)! Tina's powers(basically Cat™️) overlap with other, more popular heroes though, so Foolish got way more support from the Hero System than her. Foolish feels bad about this and tries to help her get more recognition, but there really isn't much he can do.
Hero System favors popular heroes and gives them waaaaaay too many patrols, so he's always exhausted now that he's in the top 10
Meat lover
Eternal Duo👑❤️🦈
Often paired on patrols together
Dating <3
One of the most popular RPF ships on in-universe ao3
They've got a Golden Deities brand, since Foolish's hero persona is Playful but Powerful God of Storms & Eret's the Languid, Relaxed Royalty, and both their costumes have golden bits on them.
Foolish gets shanked on patrol and Eret goes INSANE with their throwing knives
Poor villain Redrum didn't know what hit him lol
After the Golden Shark is announced to be in recovery, the videos of Monarch chasing down Redrum in heels becomes a sort of internet meme
Even more so bc Eret was the only hero who ever came close to actually catching Redrum
Eret expertly wielding knives in public leads to a rebranding, since the powerful-lazy-monarch persona was more or less shattered. Foolish wholeheartedly supports & enthusiastically endorses this change👍
Quackity🎰
Mafia kingpin
Code Name: Rey Club
There's an explanation about the Las Nevadas codename system in the "Lilly's dsmp superpower au" tag. ...Somewhere. I don't have the link rn. I'll add it later😅👍
[Edit: here! Also I realized I changed some minor details since I posted that. Las Nevadas is not a family business!]
Took over LN when he was younger. Vibes are <The Court Jester> by thquib. I love that song.
Paranoid about his position as a result
SKILLED bartender
Since he hides his face as Rey Club, he secretly works in the LN casino palace's bar as Quackity the bartender. He hears a lot of gossip that way, and it's sorta relaxing too.
Sometimes he orders hits on Karens
Fave cocktail is Clover Club, but he pretends to like Casinos better when he's Rey Club
Ranboo🖤💜🤍
Triple Powered, which is super rare
All of benchtrio has 2+ powers so they all pretend to be single-powered(choosing their weaker powers to show) so that their vigilante identities stay hidden
Ranboo can teleport, compress(Silk Touch?), and BITE. They can bite through near anything. Chomp chomp
Works at the local library under Technoblade
And therefore first of the Bench Trio vigilante team to discover wildly popular vigilante duo Emerald Duo's civilian identities
Likes figs- wait why do I keep talking about favorite foods. Eh whatever. He also likes cake & other sweet baked goods.
Vigilante name is Endgame apparently. I'm ngl I completely forgot what I named them & had to check my notes OTL
(Tubbo and Ranboo's vigilante names went through a lot of changes so I lost track of them skajskdaskjdka)
Doesn't talk as Endgame bc they're afraid they'll stutter and sound awkward + doesn't trust himself to not give away his speech mannerisms. Tommy and Tubbo don't care but Ranboo is Anxious™️
This impacts Endgame's popularity as a vigilante a bit
Aaaaaand that's all four!!!! 🥳💕
It's been a hot minute since I worked on DSMP Superpower AU, so it's really nice returning to it :3 Hopefully I can work on it more after my exams😊😅
#this was fun#Lilly's dsmp superpower au#eternal duo#eternalduo#eret#foolish gamers#quackity#ranboo#Lilly writes stuff#Spotify
20 notes
·
View notes
Text
YOU, YES YOU, CAN MAKE A ZINE! Part 2

Part 1 is here: https://www.tumblr.com/getintheholezine/771675540692336640/you-yes-you-can-make-a-zine-part-1
What should my zine be about?
A fanzine is typically focused on one fandom – one show, one movie, one book, one comic series, that kind of thing. Often, zines are even more specialized, publishing works on…
A character or ship
A genre, like fluff or angst or smut
A prompt or theme
A trope or kink
Choose something you find interesting and valuable!
The term “zine” can also broadly refer to other group fan projects like calendars and card decks, because those are run very similarly to anthology-type zines.
Zines may have content restrictions based on the comfort level of the person/people running it. For example, they might specify no explicit sexual content or no violence. Please be as specific as possible when outlining your zine’s boundaries.
How big should my zine be?
Big enough to get people excited for the variety of works within, but small enough to manage the work of putting it together and distributing it. For a small, simple zine run by one person, I recommend 10-15 works, for a total of 30-40 pages.
What kinds of works should my zine contain?
Entirely up to you! Fanzines typically contain fanfiction and fanart. You could expand that to include poetry, comics, scripts, and essays of analysis/critique (“meta”).
For art, decide if you want full-color or black-and-white only (more on this later when we discuss printing). For written work, you'll want to set length guidelines. In a booklet, a 2,000-word fic will likely take up about 8 pages, so consider setting a 1,000-word, 1,500-word, or 2,000-word limit.
Digital or physical?
Unless you have access to free printing (for example, if you work in an office and your boss doesn't pay too much attention to the copier), a digital zine is the only zine you can produce completely cost-free. Distribution of a digital zine is dead easy – just post the download link! And if people want a printed copy, you can always produce a printer-friendly version of the zine, and encourage folks to DIY it at home.
Producing physical copies yourself will cost you money. It might be as little as a ream of paper, if your home printer is up to the task. It’ll cost a bit more if you need it printed and copied at a copy shop. Will you bind it yourself, which takes time, or pay extra for the copy shop to do that? If you plan to distribute it by mail, there's envelopes and postage, too, and the time involved in sending the damn things.
Should it be free?
Fandom has long been understood as a labor of love, where people produce and publish fanworks in the spirit of generosity. Add in those pesky copyright issues, and (unless the fanworks are based on something in the public domain, like Shakespeare) trying to turn a profit on fanzines is risky. Some zines do risk it, but that is beyond the scope of this guide. Fan projects like zines have often collected funds to cover their material costs and/or to donate to charity, and that's what I'll be discussing.
Here's a rundown of some options:
A zine that is digital-only and free doesn't cost you a dime, and can be distributed simply by posting a download link on social media. Easy-peasy.
A zine that is digital-only and for charity doesn't cost you a dime, but must be distributed to individuals via email after they've donated the suggested amount. They can pay you, trusting that you'll direct the money to charity; or they can donate directly to the charity and show you a screenshot as proof (my recommendation).
A zine that is physical and free will cost money to make, and unless you hand it out to people in person, will also cost money to distribute. Not to mention the time and effort of collecting addresses, addressing envelopes, getting postage, and so on. You’ll be asking people to trust you with their mailing address and probably their real name. (You should plan to delete all that after distribution is complete.)
A zine that is physical and cost-covering may require you to accept payment from people who want the zine. Not only will you be asking people to trust you with their mailing address and probably their real name, you'll be asking them to trust you with their money – that you are taking only what you need to cover costs, and not pocketing any profit for yourself. You can promise to donate any leftover money to charity, which again requires trust. On the other hand, you can avoid collecting money by using a print-on-demand service like Mixam’s PrintLink. People can pay the printer directly, and the printer will mail the zine out! Just make sure you don't mark up the zine’s price over the cost of production.
A zine that is physical and for charity will cost you money to make and distribute. As with the digital charity zine, you can avoid handling people's money by asking them to send you a screenshot of their charitable donation. The money you spend to make the zine becomes a sort of donation by proxy. Perhaps each printed zine costs you $5 to make, and you require a $10 donation to get a copy, so you spent $5 for the charity to get $10. Unless you have a sizable philanthropy budget, this approach really only works for a small-audience zine.
Note: You need to decide if the zine is digital or physical, and if it's free, cost-covering, or for charity before soliciting fanworks. Potential contributors deserve to know up front exactly what they're getting involved in. Also, if the zine is not entirely free, you need to decide what contributors will get at no cost to them. Plan to give them at least a free digital copy, if not a free physical copy, as well. Some cost-covering zines charge buyers enough to pay for the contributors’ physical copies. Which is just another example of how adding money into the mix also adds complexity!
Part 3 coming soon!
6 notes
·
View notes
Text
PARTY TIME | LUCAS x M!reader
REQUESTED BY @lovekaikim (Tumblr was being wonky and it wouldnt let me reply to the inbox, sorry about that)
You have recently debuted in SM entertainment and Lucas was pretty much hyped for your debut. So he decides to be the best bro and throw a party for you.
(Platonic relationship, general fluff/crack, mentions of alcohol, kinda OOC,) (Not proof read | 1.2k words)
AUTHORS NOTE: Yes I can indeed write for Lucas! I am still going to add more stuff that I can write of. But yes, I am fine with writing Lucas!
!! NOTE !! None of my works represent any IRL people. These works are purely meant for entertainment purpose and shouldn't be taken seriously. Do not steal any of my works and reupload them to other medias
MINORS DNI
----
Today was finally the day. You were pretty much hyped for your debut as well as those who helped your works. Everything was on schedule and ready to be released.
You're currently in your dorm room on your laptop looking at the screen so intensely, waiting till the clock strikes the next hour. You sat there ass your leg starts to bounce in anxiety, you've come all this way to finally shine and show the world what you can do.
You must've blanked out for a few minutes in your own world of thoughts, because once you've regain reality back, the MV had been posted. Of course you've filmed a reaction of the final product before hand, which that will be released in a few days. But you mainly want to see what your fan's will say about this.
You smile in excitement as you would click on the video to watch the MV, you pretty much have a big ego at the moment. Who wouldn't?
As you were watching the MV, the people who are in charge of posting things to any socials are already posting your other works to other platforms to share.
Once you've finished watching the MV again, you decided to wait a bit before reading any feedback and such from fans. You closed the laptop and decided to make your way to the balcony of your dorm…
KNOCK KNOCK KNOCK
The three knocks at the door scared the ever living shit out of you. You recognize those knocks, 'What could he possibly want?' you thought as you let out a small chuckle as you make your way to the front door of your dorm.
You then open the door to see Lucas, pretty much your best bro, both of your trained together as he was in NCT. He stood there with the biggest smile on his face, but you can tell he was out of breath, he probably ran over here.
"M/n, your music video… ITS SO GOOD!" He says as he brings you into a hug. You gotta admit, his hugs were amazing but sometimes he just hugs a bit to tight.
"You like it?" You chuckle sarcastically a you embrace the hug back.
"Yeah! It was amazing man!" You can probably tell he's already your number one fan.
You smile as you back away from his hug, "Well I am glad you like it."
"Say, do you wanna throw a party?" He suggested to you. You thought for a second, you never had any ideas of a party or anything. Lets say parties weren't a thing for you but you can at least tolerate them.
"Uhm, I guess? I wasn't planning on having a big one." You say awkwardly to him. He knows that you weren't a big fan of parties, but this is big news for you!
"It doesn't need to be a whole lot of people, It can just be me and you."
"You're not wrong." You agreed to his suggestion.
"Alright! Come to my dorm later today, we can throw a party there!"
"Sure thing." You smiled. "Well then, I best get ready to get things ready, I'll see you later bro!" He says as he gives you a head pat and runs off.
Hours passed and you were reading feedback from fans, most if not all were positive and everyone pretty much liked it. Of course there was the haters but that didn't really phase you too much, you shouldn't let a few comments let your day down.
You were sitting on your couch as you were on your laptop. Then, your phone dinged, you got a notification from Lucas. Looks like he was done with setting up for a party.
[LUCAS] [party is done dude!! come on over to my dorm!!]
You smile a bit as you closed your laptop and grabbed your necessary thing you needed. Of course you brushed your hair and all so you don't look like a producer who's been locked up in a studio for four days.
You then made your way to Lucas's dorm, it was a bit of a walk but you soon arrive, knocking on the door. You waited a few seconds for the door to open, which it was soon open by Lucas of course.
"M/n! You came!" He smiles, he then grabs your arm and drags you into his dorm. You took a moment to take in everything.
The place was decorated with your typical things you'd see at a birthday party, but this was just a debut party. But look! He also invited a few other idols over to celebrate that you also are friends with! (It can be anyone within SM!)
They greeted you and congratulated you for your debut. They were also liking the debut as well! The place was also filled with food and drinks, looks like Lucas really wants to celebrate your debut.
"You sure you're ok with us destroying the place?" You chuckled, "Yeah, Its not a big deal." He smiles. "Now, are we ready to celebrate?" He says to all of the people within the room, and everyone was ready.
As the hours passed within the party, everyone who was there had a blast. Everyone was pretty much agreed on doing different drinking games as well as eating food that was cooked by Lucas.
One of the games was a dance off and if you lose, you had to take a shot. The group danced to various songs in chaotic manners, sometimes freestyling it.
After hours of chaotic drinking games, the other idols left to head back to their dorms. Leaving just you and Lucas.
Both of you are drunk off your asses and decided to play one more game, rock paper scissors.
"You'll lose."
"Nuh uh." You say.
"Fuck do you mean 'nuh uh'?"
Both of you started to giggle, then saying rock paper scissors…
Lucas wins.
"Fuck!" You yelled, then filling up a shot glass as Lucas was laughing like a goof ball. You then take a shot, you're pretty much wasted at this point.
You both went on for a few more rounds, Lucas ended up winning. "M/nnnn~, I'm getting tireddd.." Lucas says, you can tell this man is drunk as well too.
"Sameee…" You pretty much agree to him as you collapsed on the couch, starting to feel sleepy as hell.
You started to drift asleep, but as you were you can feel Lucas putting a Pillow under your head and a blanket over you. "Goodnight M/n~…" he says as he gives you a drunk smooch on your forehead and pats you on the head.
Lucas would end up sleeping on the other couch because he was so wasted. Looks like both of you are gonna be going though the worst hangovers in the morning as well as a mess to clean up.
--- F I N ---
BONUS
Your eyes fluttered open as you were hit with the blinding lights of the sun. But before you can do anything you were hit with the most painful headache ever. You looked around and see that you were still in Lucas's dorm, having no memory of what happen last night. But you do remember a party happening.
You reached out for your phone and saw a bunch of notifications from the other idols that were there and they sent a bunch of videos and photos of the party. "bruh…"
Lets say things were wild as fuck last night.
I hope you've enjoyed my first ever fic! I am also to critique's so feel free to leave any suggestions on how I can improve!
#SAPs fanfics#kpop x male reader#kpop fanfic#x male reader#wayv#nct#wayv x male reader#nct x male reader#lucas#lucas x male reader#platonic
23 notes
·
View notes
Text
MobMina Summary + Headcanons
I decided to just post everything as-is, so these will just show some of the headcanons that I have so far. Feel free to ask any questions and I'll add them to my thread on BlueSky :)
SUMMARY
Let’s just assume that the settings are meshed together.
They didn’t meet in their childhood, or through any schools. Shigeo is from Seasoning City (let's say Saitama prefecture because that’s where the author’s home is), and Mina grew up in Chiba, moving to Musutafu (Shizuoka prefecture) for UA. No less than about two hours distance.
Shigeo, while probably admiring the idea of heroism in a fantasy sense, probably wouldn’t take it as a serious consideration. It’s a lot of work helping others with his powers, and he doesn’t want to rely solely on his powers to define himself.
I can see him going through a few different kinds of jobs until something clicked. Primarily he will want to teach, helping children how to work and healthily develop their powers.
But he still tends to get pulled into helping with spirit work (because we’re meshing these worlds remember?). He moves to a bigger city for a better position.
Mina, of course, IS a pro hero! And a pretty damn popular one. Her direction doesn’t stray from when she was in high school, and she aims to make the world a better place with kindness and confidence. She becomes the flashy hero that shined and inspires others.
The two would likely meet in the middle during their young adult years with Mina as a successful hero, and Shigeo living around the city she usually patrols. They meet by happenstance – he saves her from a fall against a villain – and she decides to treat him to lunch later.
Things don’t happen right away, and there is a lot of getting to know each other before anything serious. They’re friends for a bit before he finally makes a formal confession. Even though Mina has just the spunk to have done it herself, it meant a lot more for him to express it. Because Shigeo has a hard time doing that.
He’s mysterious to her at first and difficult to read, but he communicates effectively and was an attentive listener. He’s not an overwhelming person, but a quiet presence. A wallflower even. And Mina being herself just wanted to pull a guy like him out from the wall a bit. He’s a gentleman, not really a flirt, and pretty secure of himself. He calms her down.
Shigeo always thought to live modestly, but everything about her is vibrant. Her features, her smile, her eyes, her personality. The way she laughs, her supportive nature, and love for life. Mina is LOUD in every sense, but she invites him to her world effortlessly. He will walk the earth with her, and she will rest herself beside him. (edited)
HEADCANONS
They are obsessed with eachother, but not in a way where it’s obnoxious and all over the place. Shigeo is more reserved about it, and while he doesn’t talk about her a lot, he certainly does think about her all the time. Mina meanwhile has to catch herself from babbling about him.
Mina doesn’t do well with horror (unless it’s aliens), but Shigeo doesn’t even flinch. She finds herself clinging to him in any given spooky instance. Despite this, Mina asks him a LOT of questions about ghosts.
Mina LOVES partying of all sizes. Shigeo went to her with a club once, but knew quickly it just wasn’t for him. Too loud, too many people, and way too chaotic for his liking. Since then, he stays home when she wants to go clubbing with friends. He’ll take care of her when she comes home exhausted, and she just melts.
Her friends like him! Kirishima was excited to offer working out together at his gym sometime. Some of them were surprised at for how different he was from her.
His friends were surprised at how different she was, even skeptical of whether they would last long. Not that she wasn’t a sweet girl, but they really were two different kinds of people! But after a meal together it was easy to see his smile when she talked and easily got along with everyone. She and Tomie could talk FOREVER about aliens.
Shigeo can’t dance. The guy has NO rhythm, but by god will he get up and try when she wants to sway a bit.
Mina doesn’t have a lot of time to play videogames, but they will have dates where they’ll play games together. Minecraft, Fortnite, Mario Kart, and Smash Bros. are their top couple games, but they’ll try new trending games too.
Shigeo can’t handle spicy or slimy foods. Both of these types of foods happen to be Mina’s favorite.. They’ve worked an agreement about this.
I saw someone's headcanon once saying that Shigeo's energy spikes a little when he's flustered, causing his hair to rise like a ghibli moment, and I subscribe to that. Mina thinks it's adorable.
Due to a night terror sleepwalking incident, Shigeo has a large acid scar along his left arm. Even though he forgave her immediately, Mina cried for days.
13 notes
·
View notes
Text
Hey everyone, I hate to disappoint but I just wanted to share that there’s no way that the Halloween event can happen anymore this year.
My manager at my job initially promised me that I would be able to have a set schedule where I could have 4 days off a week so I could properly devote time to getting my writing done. Unfortunately, two people quit and my schedule for the next few weeks just came out and now I’m being forced to help cover their shifts until they hire new people (which will probably take a while since my job has a terrible reputation in town). Although I would have probably been able to find a way to make the event still happen given how excited I was about it, I’m still in the process of doing four relatively large story commissions so there’s no way that I can juggle both those and the Halloween event. Something had to give and obviously the event had to go as the commissions take priority.
To provide some context and be a bit vulnerable, things in my personal life have been a bit rough and hectic the past month or two, so I’m hoping things can eventually settle down soon enough. As previously mentioned my job is being a nuisance, but there’s other stuff going on like money issues on top of being in the process of getting a new doctor because my current one was refusing to take any of my concerns seriously. Beyond just him downplaying my anxiety and depression diagnoses when it comes to providing me effective medication, he also refused to try and help with the debilitating migraines I suffer through practically every other day.
Just to add a cherry on top of the shitty month that this has been, I just recently discovered that queuing on Tumblr has finally failed me. The story that was meant to come out this month never got posted and the concept of having to go through re-formatting everything and getting photos again was just too much of a depressing nuisance for me to deal with. Hell, I've been in such a stink recently that I didn't even do a celebration to celebrate the fact that my account had passed 4,000 followers! I guess doing it nearly three hundred followers later is a bit too late, but I suppose it's never too late to celebrate. I seriously appreciate all of the support I've received regardless of it was a like, a reblog, a follow, or a subscription to my Patreon. All of it means a lot to me... genuinely.
I suppose I just wanted to say that things feel a bit grim for me currently, but I remain hopeful that good days shall eventually come (especially since Halloween is my favorite time of year). To put a more positive spin on the increased hours at work, at least it means that I'll hopefully fix my money issues. Plus, I finally have a meeting with a new doctor this Thursday so I'm hoping I can get some results and find someone who actually cares and wants to help me.
In closing, I sincerely wanted to apologize again in case I disappointed anyone by canceling the Halloween event. Hopefully I can make it up to y’all though by releasing two stories here for October that I really enjoyed writing.
On top of that, I’m thinking I may give the concept of releasing long stories for purchase via Ko-Fi / itch.io a shot by having a trial run with a nearly 10k word Halloween-ish story involving misguided spells, twinkification, and age progression / weight gain between two best friends.
Thanks for reading, I appreciate all of your support and hopefully your understanding during this extremely trying time. 💙
#announcement#a bit of an explanation why my Tumblr has been dead for the past month or two#sincerest apologies!
52 notes
·
View notes
Text
Story of a slumber party spook (+ Baldwin somehow)
Tagging @i-cant-sing because their Time Traveler fic indirectly became part of this story and this is probably too long to simply tell in an ask or something. Buckle up for the ride, I’ll also add screenshots at the end of my friend and I joking about this event, Baldwin’s in general, or that TT fic.
Let's set the scene. It was around a month ago when I had a big sleepover with my three best friends (+ my cat) as my family was going to be gone for the weekend. We'll call my best friends Anna, Rose, and Julie (not their real names, all random names they picked).
For some much needed background, Anna and I are big Baldwin IV fans. I'm the only one who has Tumblr and uses it actively so whenever I see something on here relating to him, I'll screenshot and send it to her. However, we both really like the Time Traveler fic by the previously tagged user so whenever there's a new part, I'll message her and read it while telling her what's going on (often feels like watching drama go down while texting your friend about it).
We have an inside joke that we're actually the best of buddies with Baldwin, (as a side note, she’s the one drawn with me and him in my last post) which is why when the time for the sleepover came up, I said something like, "Imagine if we're all partying down and we hear a knock on the door but when we open it, Baldwin comes waltzing in." and just joking about him coming to our slumber party.
Hours passed and time came for everyone to come over. We hung out for a little bit until night fell and we started to get hungry. We decided to get food and bring it back to the house but Rose (the driver) also needed to get something from her grandma's on the way there. Realizing that it would be a lot of trouble to load all four of us into the car, we chose for two of us to go and bring the stuff back and the other two to stay. I had referenced earlier about going to the basement to workout and Anna asked if she could come along too, so we agreed that Anna and I would be the ones to stay behind and wait for Rose and Julie.
I asked how we would be sure to know they had arrived if we were in the basement. Considering it was night time, I didn't want them waiting out there too long and with us being down there, I wasn't sure if we'd hear their knocking. Julie said that she'd call or text when they were getting close to my house so we could be back upstairs by the time they pulled up. We all agreed to the plan and went our separate ways. Rose and Julie leave while Anna and I go to the basement.
I showed her our equipment for a little bit and Anna came up with an idea to film ourselves working out but leave a space for us to edit in Baldwin afterwards to make it look like he's getting his gains with us (this detail comes up later). After this, a few minutes pass and we stop just to stand and chit chat about random stuff when we hear, clear as day, a knocking from upstairs.
It sounded like someone had knocked on the door. We both looked at each other confused and I said, "Is that them?"
She responded with, "I guess?" I didn't wanna leave them waiting so I asked Anna to turn off the lights behind us as we're going upstairs and commented that it's weird Julie didn't text or call. I walk upstairs and notice through the dining room window that it doesn't look like Rose's car is out there. I walk to the front door and there's no one there and so, in the most calm voice I can muster, I call out to Anna that they're not there (later she told me that her heart dropped when I said that).
It should be mentioned that my house doesn't have a back door, but instead, a side door. The side door leads out to a closed off porch. While you can get to the porch from the outside through a door, I knew it was locked so no one could even get to the side door, much less be on that porch.
Anyways, we're standing together and feeling nervous. I checked my phone and noticed I didn't get a Life360 notification either. I'm trying to make sense of it all so I asked if she heard the same thing I did, knocking coming from upstairs. She said yes and confirmed that it was very clear. I remembered how earlier I had joked about Baldwin knocking on the door and so, to lighten the mood, I started being like "Man, Baldwin just wanted to join the party" and "Did he have to show up in such a foreboding way??"
A couple minutes passed as I looked through the windows to see if I could see anyone. Anna and I go to stand in front of the couch when we hear a loud thump come from the side porch. It sounded almost like someone threw their body against it, so I pushed Anna away from the door and quickly said, "I think someone's out there." and had us stand behind the couch.
Right at the moment we heard the thump though, Julie called (very poor timing really). When Anna answered, Julie only said, "Be on the lookout." before hanging up. Which, I should add, was unknowingly the worst thing to have been told at that moment. We talk about how we gotta watch out for two separate things and we stay huddled together behind the couch frantically looking out the windows for either Rose's car or some person or ghost trying to break in.
About 30 seconds passed and we saw them pull up, so I told Anna to wait inside while I go check to see if the side porch door is open and to tell Rose and Julie about what's going on. I go outside and check only to see that the door still looked closed. I give the other two a quick run down and Rose, with a determined look, hands Julie the food, straightens her back, grabs her purse with her pepper spray, and starts speeding off towards the side of the house saying she's gonna check around the place. I quickly asked, "Do you need a weapon??"
She just goes "No" before skedaddling off. Julie and I bring the food in before explaining to Anna what Rose is doing. A minute or so passed before she came back in, saying that no one was out there and wanting more details on what happened. Anna and I explain further and we agree that there probably wouldn't have been enough time for someone to just completely run away and have no one see them.
She also goes to the side porch and checks it out while confirming that it was still locked. Everything's in order.
To get rid of the tension again, I started joking with Anna that it was actually Baldwin's ghost showing up to join the party and that when we go back to watch the workout basement video we took earlier, that we might see an orb floating in Baldwin's spot. I also say that the thump outside must’ve been him falling over since we left him standing out there for too long.
The rest of the night went smoothly and we all had fun, took Julie a bit to feel at ease though (she gets scared easily :( ). Also my cat is completely okay he’s a grumpy old guy so he was chilling in my room asleep
In the end, here's the screenshots of us talking tried to put them in some sort of conversational order, can only put ten pics though. Purple is me, red is “Anna”










#best friends#baldwin iv#story#spooky story#kinda#slumber party#ghost#survivors honestly#I probably forgot something important#it doesn’t sound as scary written#but trust me it was frightening in person#friends#history#baldwin#king baldwin iv#kingdom of heaven#koh fandom
8 notes
·
View notes
Text
THE LITTLE WOLF UPDATE
It's here. The new improved chapters 1-3 have posted. Read The Big Bad Wolf's prequel from the beginning here. Chapters 4 & 5 should be posted a week from now, either on Christmas Eve or Christmas Day, depending on when I finish it.
Think of it as my little gift to you all - I hope you all have a Merry Christmas (or a Happy Hanukkah!). And for those who don't celebrate either, then Happy New Year!
If you want more details on all the changes I made to The Little Wolf, read below. It's not too spoil-ery but it's not exactly spoiler-free either, so by all means come back later to see if you found all the changes I made! Extra kudos to those who notices them all.
Over 20k+ of brand new content. This includes two new chapters (chapter 2 & 4 respectively) and around 20 or more new scenes to devour across the entirety of the fic.
Original scenes have been tweaked and expanded upon, with longer conversations or scenes between characters.
All punctuation, grammar and spelling has been proof read repeatedly. I won't say it's all perfect, because I've probably still missed bits, but its in a much better state than it was before. Dialogue grammar in particular has had a complete overhaul, which should make everything much easier to read.
Each chapter has song lyrics at the beginning, fitting the vibes or themes of the chapter. This is a part of a playlist that I will share in Running With Wolves after completing the editing to The Big Bad Wolf (which has it's own share of songs, compiled with a mix of the music I listen to while writing and music I feel embodies each chapter).
In a similar thread, new timestamps have been added whenever there is a time or location jump. Again, this is a change that will be happening to The Big Bad Wolf as well to make flashbacks clearer. Upon completion of TBBW's edit, a timeline will be added to Running With Wolves so you can see all of the events that take place in the series in chronological order.
Historical accuracy has been given a bigger focus. Obviously, there's still a need for suspension of disbelief (vikings never travelled that far south in America, horses weren't introduced to America until the 1500s etc) as I'm no history buff and I personally believe you can allow a little leeway for sake of creative freedom. However, that said, I've tried to right the most egregious wrongs by Julie Plec: the white washing of the native Americans, the almost European-Christian culture of the Mikaelsons' village (views on bastards, women like Rebekah not carrying arms and being all innocently feminine even though they were warrriors too in viking culture, lack of historical accuracy in settings/costumes/props etc) and of course, the complete lack of explanation behind how the vikings arrived in Southern America. Hopefully it should feel more alive, and I'll probably add even more in the final FINAL edit that will happen once I've finished TBBW.
The Little Wolf's main focus is Klaus' characterisation arc. However, in this rewrite, all the Mikaelson siblings get more screen time and you get their characterisation arcs in the background, as a treat.
Henrik is much more fleshed out as a character. He's mischievous and playful, a lot like Kol, with other attributes from the other siblings thrown in. He's also got more Youngest Sibling energy, just as the other siblings have Middle Child/Eldest Child energy, because in a fic about family, really that's the most important detail of them all.
I've delved deeper into Mikael and Esther's treatment of Klaus and how it wasn't much different to how they treated the other siblings after all. Don't get me wrong - in my mind Klaus was dealt the worst of Mikael's physical fury, but I don't believe 'he was singled out' is as black and white as the show would lead you to believe. That's not how abusive households work.
Talking about Klaus' characterisation, think of this fic as the death of Niklaus Mikaelson, leading to the birth of Klaus, The Original Hybrid. The Little Wolf leading the way for The Big, Bad Wolf. You'll get innocent baby boi Niklaus of course, but that same innocent kid has a feral side. When you become a vampire, it heightens who you already are and Klaus - he had that fury and violence in him all along, and it wasn't just because of the wolf.
In a lot of human-era Originals fics and the actual shows, when they're turned into vampires its all very planned out. Idk, like Esther and Mikael are evil villains twirling their moustaches? Turning their children into vampires, its all very pre-meditated, oh the horror and everything. And although there is elements of that in this rewrite (they ARE shitty, evil parents after all) I tried to do something a little original myself. In this fic, more focus is given to the family's grief and how Henrik's death becomes the shatterpoint for EVERYTHING. His death causes every bad decision made by the family from that moment on. It's less of "I planned to make my children the most powerful beings to ever walk this earth" and more of "I tried to save my children and didn't expect ANY of this so wtf do I do now, another bad decision? Yeah let's do that". You feel me? Hopefully that comes across anyways.
Okay what haven't I mentioned yet... WEREWOLF LORE. Yeah that's been expanded on and fleshed out some more. You get a glimpse into my take on how the werewolf gene is triggered, along with a coming of age ritual, general culture, outsider prejudice against werewolves etc...Klaus' views on them is much more explored, especially in relation to his heritage. Kinda playing with the idea that him being a bastard was never the problem to Mikael or Klaus - it was him being a werewolf.
Since I started re-writing this I watched way too many of Mike Flanagan's series'. So I kinda went all 'Midnight Mass' on the Mikaelson's village. Oopsies.
In a similar thread, the raven from the Fall of The House of Usher left a bigger impact on me than I like to admit. That's something so sexy about an omen of death okay leave me alone I NEED THE FORESHADOWING
There's probably more, I'm disclaiming that now, but I've forgotten. Go forth and devour my lovelies ✨
#the little wolf#the big bad wolf#tbbw#fanfiction#morningstar writes#klaroline fanfiction#klaus mikaelson#the originals#the mikaelsons#kol mikaelson#elijah mikaelson#rebekah mikaelson#finn mikaelson#esther mikaelson#my;fics#update#does anyone know why tumblr is being so god damn slow lately#took me forever to load this post#i am not amused
17 notes
·
View notes
Text
Writing Check-In
Now, with the big Broken Wings project finished, I feel like I'm somehow between things. I'm looking at several WIPs on my harddrive and I'm pondering a few bunnies that I've been carrying around with me, but so far none is really biting. Somehow I'm not quite ready to let go of Viggo and Orlando. We'll see what happens, let's not stress about it.
Active WIPs (as in: I'm actively working on those)
Muffin (working title) I'm thinking of doing the @yearoftheotpevent with a bunch of Library-AU ficlets (more on that further down). This is one of those. I like the basic idea, but I don't like my execution. So either I have a lightbulb moment how to make this fic better or it'll be moved to WIPs on hiatus. We'll see.
Walking in my Shoes (working title) Also a short ficlet for the @yearoftheotpevent that doesn't quite satisfy. I'd like to explore this angle further, but unfortunately it doesn't work in the way I tried it here. Will have to sit on this a bit more.
The Way North (working title) I worked on this a bit more in the hope of getting my LOTR mojo back.
WIPs on hiatus (as in: on the backburner, but they will most probably come back)
First Meeting (working title) This is also still on hiatus. This is actually really depressing, but I can't really write A/L when I write V/O. The tone of my Aralas stories doesn't really gel with Viggorli and it's so very jarring to switch between both.
Dol Guldur (working title) Yes, I actually managed to start a story in August to then promptly put it on hiatus. This was supposed to be a horror-adjacent story. I feel we're properly out of horror season now, so I will leave this for later.
Finished Stories (as in, will post eventually)
Broken Wings Yes, it's finally here. Broken Wings is finished as is posted on Mondays. It'll be around 100.000 words, which amazes no one more than me. There will be angst, there will be h/c, there will be smut and there will be our two boys finding their way with each other. Feel free to stop by!
The Last Resort This will be my March-entry for the @yearoftheotpevent. It's Library-AU as well, but it's set in the past. There's actually no OTP in this story, but it expands on some of Viggo's backstory. There wasn't any need to put this in the larger story, it would have taken up too much space there. But I think it works quite nicely as its own story.
Man's Best Friend Also a Library AU ficlet for @yearoftheotpevent, it will be posted in April. This is a bit of backstory that existed in my head, but that didn't fit into the multichaptered story. There was just no good place where I could add this in. But I'm happy that it's back in in a roundabout way. I just love Charlie. I want more Charlie in my life.
Costumes (working title) Another ficlet for @yearoftheotpevent, which is basically finished. It will see the light of day in October. I like that these ficlets look at little domestic moments. Between the overall angst of the main story, this is such a nice breather. I like simply showing them have fun and living their life.
The Science of Love Super-cheesy title, but it is what this story is about. So ... Also for @yearoftheotpevent, this one is for the August prompt.
24 Can you tell I've been a busy bee with those @yearoftheotpevent fics? This one will be for the November prompt (look how organised I am, I have the November prompt before I have the May prompt). This story is going to be a little more experimental again, but I really like how it turned out. I'm a bit sad that I'll have to wait so long before I can post it, because I'd like to know what you all think. Patience ...
1 note
·
View note
Text
Well, I guess it's time to address the situation... or the lack of situation lol This is gonna be long, be warned. There's a TL;RD at the end if you wanna skip the wall of text. To start, thank you to the two anons who took the time to read the comic and prod me about it and the new people who started following this tumblr in spite of the Hiatus warning. Altho this place has been collecting dust for more than a year now, I'm still around, updating my side reblogs tumblr, so it's not like I dropped from the face of the earth.
The truth is, at this moment in time, I've feel out of love with making this comic. It was always a lot of work due to me being a perfectionist. I never used any extra rendering apps, all you've seen here is raw sims images and a lot of work on Photoshop, so much so it gave me a muscle contracture on my right shoulder (because I did all my work in bed with my laptop/drawing tablet in my lap. I never said I was a smart person lol) that still flares up from time to time because I learned nothing. Then the VA fandom was already quite small by the time I started doing this in 2015 and I never really advertised this in the fandom anyway. I always got the impression most of the fandom didn't like the OG comics as it was and most of the people that followed the comic were sims 2 fans because, well, it's made with the sims and the images were pretty (forever holding in my heart the people you said this <;3) The recent "Vampire Academy" TV series (it was just in names, honestly) was the final nail in the coffin of my motivation. After information had leaked I was already disappointed in it, but after actually watching it, yeah no. Only plus to it was the surprise to see it was partially filmed in my country, in places where I have been myself. And lastly, and probably most importantly, I struggle with motivation a lot. It happens to us all, I am sure. It's no secret that I hated to panel, if I'd start all over again I'd just post the big images like many of you telling stories are doing now, it'd be less of a stress for me, but alas, I can't change formats now. And I said many times I was doing it mostly for myself, because I did love the comics based on the books, but doing it for yourself only gets you so far until you get bored. And I got bored. I'm actually surprised my hyper-focus on it lasted for as long as it did. I haven't been to Photoshop for editing - I used to make photomanipulations and other kinds of editing - for way over a year, so it's not only the comic that stopped.
I still have 7 pages to end chapter 6 in various degrees of editing, Veninorchid and Esotheria-sims have seen them, so they exist lol I will eventually finish editing them - it's mostly a Romitri flashback - and post them. But after that, I will have to decide how to proceed. Spending less time editing would help, but lowering the quality of my pages, the only thing people like about it, really doesn't sit well with me, because yeah, perfectionist.
So at the very least the remaining pages will be posted in early 2024, I might go back to it slowly, a little bit everyday so I don't burn out or put stress on my shoulder. But after that, it's up in the air. It's not like I've been staring at the walls during this time, I had other things taking my goldfish-like attention. I got interested in home bookbinding, which made me dig out old unfinished stories I once started and I've been trying to finish them and later try to bind them, because why the fuck not lol And on my reblogs tumblr I had this set of pictures about a Regency little story that people really loved and I'd like to add to it, but then again, all the editing it'd need *cries* I feel tugged in so many directions I fear I'll end up doing nothing lol
So the TL;DR is, I got bored with the comic because it was too much work and resulted in physical pain, I lacked the motivation and other things got my attention meanwhile. Chapter 6 will be be finished eventually, but after that it's up in the air. Cross my fingers that I get my mojo back while editing those pages. Still, a thank you to all of followed and are still following, sorry these were not the good news you wanted to read just because I made a post. You support up until now was what kept me going in the past, I can't thank you all enough.
17 notes
·
View notes
Text
October Check-In
September passed wayyyy too fast again, and almost all my efforts went into completing the DOL-OS remaster. And finishing strong by catching the FLU :D /s
You know the drill... long post ahead:
Recap of last month's progress
Recap of last week's stuff
Other IF stuff done or in the works
Other IF events
Plan for October
- _ -
September progress
The plan for last month was to:
continue to play and review games ✅ (just a few tho...)
finish the DOL-OS remaster ✅✅✅ just in time! also needed one more week from the planned date to finish it properly
continue a WIP or fix another semi-completed game: 😐 (see this week's progress)
add another block to the SugarCube Guide: ❌ (was planning to, but the illness)
- _ -
Last Week's progress
I pulled myself to the finish line by the hair at the end buuuut...
DOL-OS - THE REMASTERED VERSION IS NOW OUT!
It's now beautiful, bug free (i hope), with new content, and translated into English! First completed in a month, remastered almost within a month too!
If you liked it, consider leaving a little rating? or a comment?
Even if you don't care to play it, at least open the game once to check out the loading page :P
Also I have:
redone the intro post (if you could share it around, that'd be lovely)
wrote the extensive dev log
updated the Projects Status page
added the OG Comp Version of the source code on my GitHub
uploaded the OG Comp Version on the IFArchive (processing)
Unless there are raised bugs, this game is also going into the SHELF!
As mentioned in last Sunday's check in, I've gotten the new draft from MelS. It's over 20k words...
So I'm back to editing the file, going through the text and leaving comments. I was about 1/4 through before the illness arrived.
And MelS is continuing making progress on the final chapter in the meantime.
We've also been discussing the future release(s) and potential need for rewrite of the first chapters. MelS style had changed a bit, and he is worried the first chapters are too drastically different from the later ones. We might even get a few beta readers before the final release...
In my plan for September, I mentioned La Petite Mort to be probably the next remaster project I tackle on, with a potential translation release for the EctoComp.
I checked with the rules: translations are considered new works. 🥳 So we are looking at an EctoComp deadline, which is in a month.
So this week, I've gone through the code and:
mapped out the new map of the game (which will include more rooms)
listed the characters/NPC (a few new ones)
listed the different mechanics to (re-)code (esp the inventory)
listed the endings available (currently about 7, 2 are early endings)
listed the beats and actions for each room (more animal petting!)
The plan is to, in order:
Correct the current French writing
Add the new content (in French - about double what there is rn)
Re-code the game (+ accessibility settings)
Upload the French Remaster
Translate the Game into English
Add the translation inside the code
Submit to the EctoComp (depending on how long this takes, maybe I can achieve the La Petite Mort category again :P)
I'll also need to:
update the itch page of the game (right now it's too bland)
update the intro post of the game
Unsure yet:
add sound effect and background music...
Most importantly, the game is rated PG and will stay PG. It has some horror-y element, but more of the Hocus Pocus/Terry Pratchett kind than say... Saw or any Halloween slasher.
I will be taking down the itch page of the game closer to the reupload to check everything is in order.
With the IFComp starting soon, expect review over at @manonamora-if-reviews. Last year I managed about 30 before I tapped out (and I had submitted something). Let's see how I do this year!
I would like to try to knock a InkJam + Bare-Boned Jam + EctoComp (mini) entry at the end of October, since the theme of the Ink Jam is revealed at the start of the jam (23rd). One stone, two three birds and all that. And maybe revisit a short story I wrote when I was younger as a base... 🤔
- _ -
IF Events!!
October is filled with IF events, so this will be quite a list:
the voting period of the IFComp starts on October 1st until mid November. I think there are expecting over 50 games? I recommend waiting one-two days before voting, as there are often 1st day bug fixes (speaking from experience).
the Bare-Bones Jam organised by @neointeractives starts on October 1st and runs until the end of the month! It is unranked.
the EctoComp, the spooky IF ranked jam, starts on October 1st and ends on the 28th. There are two categories, and you can also submit in French or Spanish!
the InkJam is a 3-day ranked jam at the end of October, with a theme!
You'll be able to vote for the Spooktober entries in a few hours.
SeedComp! has started again, see @seedcomp-if (we've updated/cleared up some rules)
- _ -
The PLAN tm for October
Play and review more IF games: this one is kinda done before it started because of the IFComp. Also, someone submitted a few games. And there are a bunch on my To Play list both on the IFDB, itch, and the MOIKI Social Club.
finish the La Petite Mort remaster: I think I should be ok? The original LPM was done in 4h (in chunks over a week or so). I plan to essentially double the content, and fix coding issue. I don't really have to worry about the UI at all with this one.
either continue a WIP or fix another semi-completed game: that will be a check mark if MelS and I can make some good progress on the editing.
maybe try to add another block to the SugarCube Guide? I still have a list I could check down... Same with a template. It will heavily depend on the time I have.
(and maybe do an extra French entry for the EctoComp)
Taking the list of August...
To-Do not require much of new stuff:
translate Escape Goncharov! into French. ✅
fix the bugs in EDOC + overall the French version to match
fix the bugs of TRNT + find a way to add the missing pieces (mayyyybe translate into French?)
fix the formatting of DOL-OS + translate into English ✅
update LPM with the missing content + translate into English ✅ (ongoing)
The rest of the To-Do pile:
Finish The Rye in the Dark City (and maybe translate?)
Finish P-Rix - Space Trucker (and try to translate)
Finish Exquisite Cadaver (translation unlikely, current gameplay too complex to port for French)
Add a chapter to CRWL + fix/reopen the blog
Re-working TTTT to its originally planned state (lol, not likety)
Re-working SPS Iron Hammer (samesies)
Coding TTATEH (MelS dependent - shooting for end of year)
Emptying my inboxes
(I am pretty sure the focus for the rest of the year will be to finish the first list. With the addition of a few more small jam entries.)
And that about covers it!
#progress#update#checkin#dev log#dolos#ttateh#lpm#im sick as a dog#it's gotten worse#play my stuff to make me feel better?
16 notes
·
View notes