#I'll never get over some of these scenes being matching scenes

[goldentigerfestival]

So. I love this. The way Yuri snickers at Flynn showing his real self. The way he, without hesitation, says "yeah" to the idea that he would die in Flynn's place.

But the most important part of this entire thing, which was changed in the dub, is how Yuri specifically jokes that Flynn is trying to abandon him, and Flynn returns and tells Don he had no intention of abandoning Yuri.

Yuri does not hear this. Flynn knows that. But Flynn uses the exact same term Yuri used earlier, as if it's his answer to Yuri and saying no, I would never abandon you.

For reference:

Personally I just... love the weight of it. How Flynn will say something about Yuri that Yuri won't hear, but he still speaks it out into existence because it's how he really feels.

Just because Yuri won't hear it doesn't mean he won't say it, and in a way that's even more powerful. He's not looking for the credit of saying it. He's not looking to be recognized for saying it. He's not only expressing how he feels about Yuri somewhere that Yuri himself will hear him.

They're just his real, honest feelings, and he'll admit them even if Yuri's not within earshot.

[daechwitatamic]

cherrybomb || csc

(banner by @sailorrhansol)

cherrybomb seungcheol x afab reader || angst smut fluff || exes2lovers, pacific rim universe NSFW - minors DNI

Summary: Piloting a jaeger requires a rare ability called drifting - a neural connection with your co-pilot. You and Seungcheol are masters of the drift... until you have something in your head that you don't want him to see.

wc: 19.5k

warnings: language, heavy angst with happy ending, fight scenes, fight scenes written by an author with zero fighting or martial arts knowledge lmfao thus they are vague as possible, feelings heavy plot light and smut light, kissing and pretty generic (and brief) p in v smut

Author's note: thank you for @sailorrhansol for 1) accidentally sparking this idea, 2) agreeing to collab with me, 3) reading this along the way and hyping me up, and 4) beta-ing my mistakes, a million smooches for you ily

This fic takes place in the Pacific Rim universe but I honestly don't think you need to know the lore, everything you need to know should be explained. If you think something is unclear without prior pacific rim knowledge, shoot me a message privately and I'll make some edits and credit you for the insight!

Also in this universe: storm breaker by @/sailorhansol

Teaser:

“Marshall, with all due respect, I don’t know why you’re calling me,” you admit. “You were there. You saw what happened. Seungcheol and I can’t drift anymore.”

“You couldn’t then,” he points out. “That was three years ago. Things that were once too painful to carry into the drift… they’ve had time to mellow.”

He’s wrong, and you want to tell him so. Nothing has mellowed. You love Seungcheol just as much today as you did then.

“Have you talked to him about this?” You’re afraid of the answer. 

The Marshall’s voice hardens, and you can just picture his eyes narrowing. “Mr. Choi will follow orders,” he says evenly, “and so will you. Asking is really just a courtesy.”

“You can’t order us into being able to drift again,” you snap, pulse suddenly pounding in your arms, your hands, your face, your chest. 

“No,” the Marshall says, and any previous friendliness is gone from his voice now, “but I can - and will - order you to try.”

Playlist: you're the smoke in my gun, blowin' like cherry bombs...

The first time you ever saw Choi Seungcheol, he was flipping a man four years his senior over his shoulder and slamming him into the ground. Satisfied, he staggered backwards, chest heaving from exertion, eyes narrowed in preparation for the next move.

That’s what Seungcheol did - he leveled whatever was in front of him, and he started watching for what was coming next before the body could even hit the ground.

That’s what made him a great jaeger pilot. Not the brute strength - strong men are dime a dozen, always have been - but the watching.

You’d marked him as your first choice.

You were both nineteen. You’d grown up in the Shatterdome, the only child to a couple who piloted a neon green jaeger named Charron’s Revenge. You knew everything about how jaegers and their teams worked by the time you were nine. You started training to fight years before that. There was never a question that you would follow in your parents’ giant, mechanical footsteps one day. You just needed the right partner.

You needed Seungcheol.

The jaeger program didn’t turn away recruits - everyone could do something - but there was an organized process to match up compatible pilots. Applying recruits would fight before an audience of previously-accepted but currently-unmatched potential pilots. The pilots would rank the fighters, choosing their top five based on perceived potential for compatibility.

Then, the roles would switch. The applicants became the audience. The audience became the show.

When it was your turn to fight, you silently pleaded with the universe that Seungcheol would mark you high as well. This was the only guarantee that you’d get a chance to spar with him, to test it out before the Marshall, who would make the final call.

Let him see, you begged. Let him see how perfectly we’d work together.

And, by some miracle, he did. In fact, he rated you first, as well.

Your sparring match went exactly how you expected - he barreled at you, and you dodged every move. He could easily take you out with a single blow, but he couldn’t get his hands on you, not when you used his own inertia against him at every turn. What you didn’t expect was your own inability to land a shot. For the whole fight, you were unable to move out of the defensive - keeping out of his reach took all of your effort.

It was a draw - the first sign of strong compatibility.

You didn’t talk after the match - your father whisked you away to recover before your second-rated match, and you didn’t see Seungcheol for the rest of the day.

The second-rated match was a dud. But you already knew, even then, that it didn’t matter.

You’d met your co-pilot. You’d found your partner.

—

He found you in the mess hall that night, dropping into an empty spot on the other side of the table, his tray in his hands. His black hair was loose and wavy, and his right arm sported a sizeable bruise that he definitely didn’t get from you.

“I know who you are,” he said by way of greeting. You raised a brow at him, waiting. “Your parents piloted Charron’s Revenge.”

You narrowed your eyes at him. “That better not be why you picked me.”

He gave his head an annoyed little flick. “Of course not. I picked you because you’re fluid - and I’m not.”

Appeased, you felt your hackles settle back down. “That’s true,” you allowed. “You’re not fluid. But you’re purposeful, and-”

You were interrupted when Yoon Jeonghan dropped into the seat to your left, chuckling under his breath as he fixed his long, dark hair into a spiky ponytail at the back of his head.

“Cherry, did you hear?” he asked you, ignoring the new-comer. “The crew for Fatal Rapids got called back in for misconduct.”

“Choi Seungcheol, Yoon Jeonghan,” you said, introducing the two young men. “Hannie does more than gossip, I promise. He’s one of the pilots for Devil’s Advocates. Their drop stats are insane.”

“In practice only,” Jeonghan demurred. “For now.”

“Cherry?” Seungcheol parroted, raising a dark brow. “That’s not what I wrote on my paper earlier.”

“Just a nickname,” you explained. When you were very small, you’d struggled with the name of your parents’ jaeger, calling it Cherry’s Revenge instead of Charron’s, and the crew - who doted on you like their own - started the habit of calling you Cherry. Somehow, it had spread, and stuck. “Only my parents use my real name. But you can call me whatever you’re comfortable with.”

“No,” he said, frowning as if deeply considering his options. “I like it.”

You folded your arms on the table, leaning in to peer at Seungcheol. “So, what’s your story? You’ve heard of me. I haven’t heard of you.”

He shrugged, glanced around, then decided he could talk freely. There’s something about being in a room that’s positively teeming with people and conversation - it gives you privacy without feeling too intimate. You’re not alone.

“Not much of a story, not like you,” he admitted. “I grew up thinking I’d take over my dad’s business. We lost my dad… then, we lost the business. I have no marketable skillset, and university was out of the question. But…” He trailed off, then met your gaze firmly. Something in his look demanded you forgo any pity or sympathy, demanded you take him seriously. “I’m strong. So I came here. I came to fight.”

You sidestepped the bruises he’d bared. “Not like me,” you repeated with a bit of a scoff. “I hate to disappoint you, but my parents are the pilots - the story is theirs. I don’t have one, not yet.”

Something playful glinted in his eyes, the first true sign of personality you’d seen. “So all the rumors about the Princess of the Shatterdome aren’t true?”

Your jaw dropped. You’d heard the nickname before - it was never meant nicely. You tried to ignore it as best you could - people could think what they wanted. When you had a crew, when you had a jaeger, you’d be able to prove them wrong. “What rumors?”

“You’re spoiled,” Jeonghan supplied, having decided he was part of the conversation after all. “Entitled.”

You spluttered as Jeonghan stood, giving you a cheerful pat on the shoulder. “And bitchy! That’s just what I’ve heard. Of course I know better. Anyway, I’ve got to go. Love ya!”

You stared incredulously after him as he disappeared, your face burning with embarrassment and your heart hammering with adrenaline. Fight, your systems told you.

If only you could.

Seungcheol bit back a smile, reaching out to pat your arm placatingly.

“I don’t…” you started to say, but your voice caught in your throat. You cleared it, tried again. “I don’t think I really deserve all that.”

He nodded, lips pushed into a semblance of a thoughtful pout. “What I’d heard,” he said calmly, “is that you’re a hell of a fighter, scary smart, and that you take no shit. Unless it’s from your friends, apparently.”

This made a bitter little laugh bubble from you. You still simmered with humiliation, feared that maybe he’d decide he didn’t want to co-pilot with you after all.

“I think it’s up to you which story gets told,” he said finally.

“Yeah,” you said, nodding. “That’s what I always said. So… let’s get started.”

—

You and Seungcheol lucked out - the team that had been recalled for misconduct were terminated from their posts in the weeks following the sparring trials, and their jaeger Fatal Rapids had been disassembled, the parts up for grabs.

You and Seungcheol repurposed Rapids’s main frame, your crew working to individualize the bot to your needs as best they could. You splurged on quad-processors for her legs to allow your jaeger to keep up with how you move - quick and lithe. Seungcheol lobbied for (and won) some extra power in the top half, and you compromised and chose a mix of red and blue sections for her paintjob.

Duellona Fury, you named her. Duellona for you, the destroyer. Fury for Seungcheol, because that was where his fight came from.

You got to know Seungcheol’s fury very well. Especially when you started trying to drift.

None of it happened fast - not the building of your machine, nor your neural handshake. In fact, you didn’t pilot Duellona Fury together for a whole calendar year.

You started with physical compatibility - you sparred almost all day, every day. You fought - with each other and against each other - until all you could do was lay on the ground and pant, blinking to make the ceiling stay in focus.

Seungcheol may not have grown up training in the Shatterdome the way you did, but he kept up without complaint. You learned his way - force and strength - and he learned the way you favored - to weave and dodge.

The fighting was the easy part.

You had never drifted with someone you had true drift compatibility with. Seungcheol had never drifted at all. The Marshall wouldn’t even consider hooking the two of you up to the machine until you went through the proper training.

On the day you and Seungcheol were officially declared as co-pilots-in-training, you both stood below the half-built shell of your towering jaeger, sparks flying and drills screaming as the crew worked on her.

Your Marshall looked seriously at his new team-in-training. “Starting tomorrow, you’ll meditate together. Talk to each other. Get deep about it. If you’ve talked about it out here-” he swept an arm across the deck, “-it won’t take hold so strongly in there.” He’d jabbed a finger in the upward direction of Duellona Fury.

Seungcheol didn’t look at you, nor the Marshall. Instead, he kept his eyes on Duellona's unfinished frame, stories above you. “Yes, Sir,” he said steadily.

Your parents weren’t technically retired yet, the year you and Seungcheol started training together. Charron’s Revenge still sat in the well below the Shatterdome. They still lived on the base, still took part in daily training. They hadn’t been called into a fight in years, though; the assignments went to the younger crews.

You took dinner in their quarters instead of the mess hall, that night.

“Congratulations,” your father said warmly from across the table. “You worked hard to get here.”

“Thank you,” you said, feeling shy beneath the praise. “I hope the drift will work for me and Choi Seungcheol.”

“What do you think of him?” your mother had asked, her sharp eyes honing in on you, watching your reactions.

“I think he’s a great fighter,” you said. “The rest… I guess I’ll have to learn.”

“Do you trust him? Can you trust him out there, when the sea and the wind are trying to knock you down, and hell itself rises up from the depths?”

You swallowed. She’s right for her intensity - they will be putting their daughter’s life in her co-pilot’s hands, every time there’s a fight. You knew firsthand how terrifying it was to stand in the tech bay and wait, not knowing if your loved ones will make it back.

You thought about how you and Seungcheol fight together in the sparring rooms. You thought about how you weaved and your opponent followed your movement, only to be knocked sideways. You thought of how Seungcheol followed your motion backwards, ducked in tandem with you to avoid a hit, and how you followed his momentum forward and up to attack. Your bodies followed each other like they were magnetized. And Seungcheol was always watching for the next hit.

“Yes,” you said, so quietly that you cleared your throat and said it again. “Yes, I trust him.”

“Then we wish you luck,” your father said, and raised his glass. “To Duellona Fury.”

“To Duellona Fury,” you echoed.

On your way out of the quarters, later, you slowed as you passed the wall where they hung their accolades and awards, the newspaper clippings, photos, and medals. Before your eyes they aged - the photographs changing through the years, no longer showing a bright, fiery couple, instead displaying proof of passing time: a baby bump, then a toddler, then a child beaming alongside them as if she’d done what they had done; greying hairs, softening bodies, deepening of wrinkles. Then the pictures stopped.

You never asked them if they missed it.

—

You and Seungcheol started meditating together the next morning; it seemed logical to begin at the easiest step. In an empty sparring room, you sat facing each other, knees touching.

“Have you done this before?” you asked, as you both settled in, shifting weight and adjusting ankles.

“Not with someone else,” he admitted, lips protruding in a bit of a pout. “Only alone.”

You nodded. You’d grown up learning all of this - the right way to fight as a team member, how to be in tune for a neural connection. It led to you teaching Seungcheol often - yet when you fought together, any leadership fell away.

“Normally,” you explained, “you focus on your breath, keeping your mind clear. But for our practice, you want to focus on our breath. We breathe together. And when your mind wanders, your awareness should be coming to peace with my presence there. Like, making a path for the neural connection - for later. So there’s no resistance.”

“Have you done this before?” Seungcheol asked.

You wobbled your head around - not yes, but not no. “I’ve practiced it - I’ve done the meditation with partners. But I’ve never moved forward to an actual drift with anyone.”

This seemed to appease him, and he settled his weight backwards, letting his hands rest near his knees.

You let your eyes float closed and inhaled, listening and feeling for Seungcheol’s inhale to end, letting your breath out when he did. It took no time to match your breaths, to let your mind go blissfully quiet. You focused on feeling open, readable - any thought that floated through your mind, you pretended he could hear, too. You tried to feel and release any defensiveness, any urge to close off.

When the timer went off, it surprised you. You opened your eyes, and the feeling that struck you was this -

It was surprising to see Seungcheol before you. It hadn’t felt like he was beside you. It had felt like he was you.

You meditated, you fought, and finally, you talked.

Laying on the sparring room floor, your head somewhere near Seungcheol’s shins, he asked you, “Where do you wish you were right now? If you weren’t here.”

You laughed at yourself before answering, knowing how silly you would sound. “In a tree.”

A disbelieving smile played on his lips, almost as if he wasn’t sure you weren’t making fun of him somehow. “A tree?”

“No, really,” you insisted, still smiling a little. “There’s not a lot of nature here, in case you didn’t notice. I grew up in the Dome - never got to leave, much.”

Seungcheol didn’t respond to this, just nodded like he understood, his small smile going a bit tight around the edges.

You frowned, reading him exactly. “You think I’m sheltered,” you observed. It wasn’t a question. He couldn’t say no.

He looked at you, then. “You were sheltered,” he said, voice low. “But when I say it, I don’t mean naive. I just think… there’s a lot of world out there. A lot of things to see. You won’t see any of it if you spend your entire life under the Dome.”

You nod, accepting this. “I won’t see any of it if it gets destroyed, either. There’s a lot of world out there - that we’re trying to keep safe.”

Seungcheol watched you intently for a moment, lips downturned and gaze heavy. Then, he asked, “Have you ever seen a kaiju? I mean - in person?”

“Sort of,” you mumbled.

He’d rolled from his back to his front, closer to you, putting you shoulder to shoulder. “Kind of seems like a yes-or-no question.”

Your lips twisted. “Then, no. But I’ve stood in the bay and listened to Mission Control talk my mom and dad through a fight dozens of times, watched Charron’s Revenge on the screens and prayed I wouldn’t see her get sawed in half.”

You stopped, trailed a finger through the thin layer of dirt on the floor. “I know it’s not the same as looking one in the face myself,” you whispered. “But the fear… shouldn’t that fear count, shouldn’t it feel the same?”

Seungcheol swallowed, trailed his own finger through the dirt until his fingertip just barely touched yours. It felt like energy sizzled in the centimeter between your pointer and his.

“When Menaceclaw attacked,” he said, “he missed my home by one block. We watched him go by from the sidewalk. I wasn’t even as tall as his foot. But even with him towering over the buildings, taking them down without even trying, I don’t think what I felt was afraid. I think I just felt resigned. Like I knew, at seven, that even though we survived this one… nothing was going to be… the same, or okay. I don’t know.”

“You knew what you lost,” you said quietly. “Part of you did.”

He looked up at you, nudged his finger into yours. “You never knew anything different. It wasn’t a loss. The fear was just always part of the deal.”

You rolled sideways, laying your head on your bicep for a pillow, regarding the dark-eyed, dark-haired young man across from you. His face scrunched in a laugh, brows furrowing and lips pouting.

“What?” he asked through the quiet laugh. “Why are you looking at me?”

“What else?” you mused. “What else am I going to find when we go tiptoeing through your memories?”

He smiled faintly and then mirrored you, laying his head on his arm, his eyes swimming as he thought.

“A lot of my family, probably,” he said. “A lot of fighting. Menaceclaw. Probably some very mid sex.”

You laughed without meaning to. “My condolences?”

He grinned at you, pleased. “Eh, what can you do? I try to treat everything like a learning experience.”

You laughed again, and his smile grew, gums showing. “What about you?” he asked off-handedly.

“Mid sex?” you asked, eyebrows raising. “I hate to inform you, Choi Seungcheol, but I don’t do anything mid.”

“No,” he protested, laughing, reaching out to gently shake your shoulder. “I meant - what will we see when it’s your turn?”

“The Dome,” you said, half-joking - but it was true. “Training. My parents. Their fights, their accomplishments.”

And, as a true drift partner should, he understood what you weren’t saying.

“We’ll have our turn,” he promised, pushing himself to sit up, then stand, reaching down to help you up. “We’re gonna be fucking unstoppable. Let’s go again.”

Fire sparking behind your ribs, you nodded seriously, then reached up to take his hand.

��

Weeks of sparring melded into months of meditation and talking. The next phase of training co-pilots was learning to drift in one of the simulators - but not in a jaeger. Not yet.

You and Seungcheol finished training in one of the sparring rooms shortly before dinner would be served in the mess hall.

“Meet you there?” you asked, still half-breathless, your body starting to ache as the adrenaline from a fight melted away.

“Sure,” he agreed, and you disappeared into the changing rooms, scrubbing the sweat and dirt away as quickly as you could. You changed into something clean and made your way to the mess hall.

You scanned for familiar faces, frowning when your normal table seemed to be occupied by a team of new recruits that you didn’t know.

Seungcheol appeared at your elbow, frowning dramatically. “Our table,” he whined.

“There’s Chan and Wylie,” you said, nodding to another corner where your friends sat practically on top of each other. Chan and Wylie had never understood personal space, not when it came to one another. They barely noticed when you and Seungcheol plopped onto the benches next to them, but Seungkwan did.

“You’re bleeding, Cherry,” he said, before inhaling an entire mouthful of rice.

You started to scan your arms - you didn’t feel pain anywhere - but Seungcheol found it first, gingerly swiping his thumb along your cheekbone.

“Sorry, Cherry,” he murmured. “I should’ve pulled that punch.”

“No you shouldn’t have,” you grumbled, swatting at his hand and wiping roughly at the spot, your hand coming away with a small smear of red - nothing to be alarmed about. It would stop on its own. “You pull shots in practice, you’ll hesitate in the field.”

“She’s right,” Chan said from his physical tangle with Wylie. “What you practice will show up in your muscle memory. You’ve got to mean it, every time.”

Wylie reached across his arms and took a bite from his plate, then asked, “Did you guys see the new jaeger?”

“I did,” Seungkwan said eagerly. “Chaser Supernova, or something like that? She’s smaller, but she’s supposed to be fast.”

“Is that her team at our normal table?” you asked dryly, shooting the rookies a dark look over your shoulder. Seungcheol jostled you playfully, sending you a smile that brought you back.

The bench dipped to your left, and you turned to see Soonyoung - one of Seungkwan’s two co-pilots - settle in.

“Talking about Supernova?” he asked, hands busy opening his drink. “They seem okay - they’re a trio, like us.”

“Where is Seokmin?” Seungkwan asked, scanning the room. “I haven’t seen him in like two hours.”

“Talking to Jihoon, I think,” Soonyoung answered absently, focused on his meal. “He lost another co-pilot today.”

“Not again,” you and Seungcheol both blurted, matching levels of exasperation.

“That was freaky,” Wylie said, just as Chan told you, “You two are acting like us, now.”

“We do not need another Chan-and-Wylie,” Seungkwan said seriously, shaking his head.

Seungcheol sent you a sideways, sheepish grin.

“We won’t be,” he promised the group, but his eyes were still on you.

—

The simulators were built to be exact replicas of the conn-pod, so that trainees could get used to the feeling of being strapped in, of moving with the gear. But the real purpose was to practice the neural handshake without risking damage - to the jaeger, to the tech bay, to each other.

“Don’t be nervous,” you told Seungcheol as the tech team worked around you both like a choreographed dance.

“I’m never nervous,” he said, suddenly cocky.

If you could reach his hand from where you were strapped in, you would have. If you understood anything about Seungcheol - if any part of him mirrored you - it was the way he showcased bravado, the way he used it as his most-familiar mask.

“It’s only practice,” you reminded him. “And it’s only me.”

He licked his lips quickly, eyes darting to the side and then back to you. Then, he gave you a small nod.

“Normally,” your chief tech - a beautiful woman with jet-black hair named Nainsi - told you, “right now, you would be ready for the drop. In the simulator, we skip that step because we aren’t dropping onto a jaeger. Instead, we’ll engage the pilot to pilot connection protocol sequence.”

You and Seungcheol nod in tandem.

“You’re all good?” Nainsi checks. “Then I’m going back into the tech bay - you’ll hear me through the intercom.”

Alone in the simulator, you met Seungcheol’s gaze and couldn’t help the excited grin that spread across your face. Finally, finally you were here. Once you could do this successfully, the next step was to fight in your own jaeger - to drop into Duellona Fury and walk into the sea.

He didn’t return your smile, instead giving you a tight nod, expression serious.

Over the intercom, you said clearly, “Ready and aligned.”

Nainsi answered, “Prepare for neural handshake.”

You took a deep breath and steeled yourself as the artificial voice of the simulator’s tech system spoke around you, 3… 2… 1… neural handshake initiating…

At first, you thought something went wrong. Everything went red behind your eyelids, and you blinked, instinctively trying to clear it away.

The red faded, and you found yourself in Seungcheol’s childhood home. You didn’t know how you knew that - you just knew. It was as familiar to you, inside the drift, as your own. You knew that to your left was a small kitchen with two broken floor tiles; you knew - without having ever seen it - that to your right was a narrow hallway that led to a bathroom and two small bedrooms.

Two small boys played on the carpet; rather, the smaller one played with some toy cars while the other watched the television with rapture. Behind them, at the kitchen table, a woman typed busily on an outdated laptop, bags heavy under her eyes.

Somewhere around you, a voice floated by, telling you, neural handshake strong and holding.

You could see Seungcheol in your periphery - the adult Seungcheol, the Seungcheol of now - as he looked at his mother, his brother, himself.

“It’s not real,” you reminded him gently. “It’s just a memory.”

“I know,” he said back, voice hushed, as if he might scare them away. “It’s just… good to see them.”

The house evaporated as gently as morning dew under a mid-morning sun; you stood in a schoolyard. Seungcheol, the small one, had a bloody lip and a mean swing.

You felt a rush of affection for him - him, the child, face contorting with misplaced anger, using strength as a bandage. You wanted to stand in front of him, between him and the anger, him and the other kids, and let him take a breath. You wanted to tell him to step with his punch to get more power. You wanted to put a hand on his shoulder and tell him, you’re going to be fine.

And he knew all of it, because he was in your mind.

Seungcheol - your Seungcheol - walked away from the swarm of children egging on the fight and opened a door. You followed.

Inside was not the school, but a hospital room. Your body jolted forward, distracting and alarming. You heard, faintly, a series of beeps, that robotic voice needling in your ears, saying, calibration failure… recalibrating in 3… 2… 1…

“It’s only a memory,” you said again, but the warning beeps were coming stronger, louder, more clearly. The hospital room looked opaque, and Seungcheol walked backwards towards you, away from it, herding you both out of the room. The room - a bed, a pulled curtain, a lot of white - flickered, like a glitch, and then vanished, leaving you standing in the simulator.

Neural handshake disengaged…

“Seungcheol!” you yelled, pulling your helmet off and wheeling on him as best you could with most of your body still strapped in. “What the hell was that? You pushed me out!”

He was breathing hard, eyes a little wild. “Not that,” he said, a little ragged. “I’ll let you in but - not that.”

“You don’t get to choose!” you snapped. Part of you knew this was just growing pains, he’d never drifted before, he was learning. But the rest of you smarted and stung - both from his rejection and from your failure to train, to succeed, to check off this final step before you could get inside your jaeger. “It’s kind of an all-or-nothing thing!”

He let out a billow of air, reaching a hand up to rub at his face. “Sorry. I’ll… let’s try again.”

You didn’t answer, fuming silently instead.

“I’m sorry, Cherry,” he said. “The stuff with my dad…”

“You can’t cherry-pick what we see and what we don’t,” you fired back. His eyes shot to yours and his mouth quirked and you read the joke all over his face. “Don’t you laugh, Seungcheol, it’s not funny!”

But you were laughing through the scolding.

“Stop,” you whined.

Your anger defused, he looked at you again, taking a bracing breath. “It’s not about you,” he tried to explain. “I’m not keeping you out. I’m keeping me out.”

“Don’t chase the rabbit,” you told him, shaking your head. “See what it wants you to see and move on. Find the next door. If you stand there and let your hurt - or your, I don’t know… grief - rise up… that’s when we’re going to have trouble.”

“Find the next door,” he repeated, eyes on the floor. “Got it.”

“You can’t push it away,” you reminded him, “but you don’t have to stay in it, either.”

He nodded, eyes already lighting up, ready to go again.

The second time, you saw him steel himself before opening that same door, watching carefully as he shuffled inside, only looking sideways at the hospital room that materialized around you.

“Seungcheol.”

He turned to look at you, wide-eyed, but you hadn’t called him. The voice, weak and hoarse, had come from the other side of the fluttering curtain.

The glitching started almost immediately - the image around you flickering like a bad wall projection. Something rocked beneath your feet, an earthquake only inside your minds.

You opened your mouth, started to tell him, you don’t have to stay, to remind him that he could move forward. Instead, you heard yourself say, “I’m here.”

The tremors under your feet quivered to a stop. You watched with trepidation and Seungcheol closed his eyes and took a deep breath, releasing it slowly. Then, he held his hand out, waiting.

You slipped your hand into his, and then he turned and continued walking, ignoring his father’s memory calling out to him. The flickering stopped, the picture you were part of brightening again as you found the next door, stepped through, left his pain behind.

—

It got easier quickly. Seungcheol’s ability to press on, to maintain focus, strengthened.

The strolls through your mind went easier - you’d had years to practice maintaining focus, waiting until after to let the emotions hit you.

Seungcheol learned to be ready for you, after. He’d sit with you, silent, and breathe in tandem as you worked to let go, to release the images of Charron’s Revenge on the tech bay screen, the sounds of your parents’ frantic communication as they fought together, the fear crawling its way up your legs every time until someone in the bay said, “Charron’s Revenge, cleared to return.” The loneliness of being the only kid in the Dome, having no outlet except fighting. Everything that threatened your mind while you piloted, everything that you had to save for later - save for him.

You were both freshly turned twenty when you got green-lit to drive.

“Seungcheol!” you called across the mess hall, practically racing to your table. He turned, eyebrows raised, as you crossed the large room.

“We’re approved to drop!” you told him excitedly. It churned in you - finally, finally you could fight, you could prove what you could do, you could help. “We’re on the drop schedule for tomorrow!”

His grin was unfettered, unfiltered, just for you. He reached up a fist and you bumped it enthusiastically. You were too excited to eat, too excited to sleep. You tossed and turned, imagining experiencing a drop for the first time, imagining striding through the mighty sea like it was nothing, imagining staring down hell itself and bringing it to its knees.

You were still awake when you heard the alarms down the hall. Yours didn’t go off, because you weren’t on duty, weren’t approved to fight.

Down the hall, there was a flurry of commotion - shouting, rushing, people pushing past you as they pulled on boots and jackets.

“Cat-3 in the west bay,” someone shouted.

“Deploying Devil’s Advocate!”

You reached the tech bay, trying to stay out of the way but not unseen. When the Marshall strode by, you stepped sideways.

“Let us drop,” you said quickly, knowing time was precious. “It’ll be like practice. We can be back-up. We’ll hang back.”

“Absolutely not,” the Marshall said, already moving to work past you. “You’re not approved yet. We don’t need a liability right now.”

“We’re scheduled for tomorrow!” you protested, and then you felt a hand on your shoulder.

“We’ll get our turn,” Seungcheol told you quietly. Of course he’d come out, of course he found you.

You deflated. “It could have been us. We are hours from approval.”

He gave your shoulder a tiny shake. “We’ll get our turn,” he repeated. “Don’t make trouble.”

You glowered, but you knew he was right. “Fine,” you grumbled as Joshua and Jeonghan slinked past you in matching jackets and matching shit-eating grins. You stayed out of the way as they prepared to drop.

You stayed through the fight, listened to the control room buzz and chatter, until you heard, “Devil’s Advocate, cleared to return.”

Only then did you try to go back to sleep. Seungcheol gave your shoulder one more squeeze.

“Tomorrow,” he promised.

“Tomorrow,” you repeated.

—

Some people feel God at church. The history of tradition and the sanctity of ritual speak to them, help them feel part of something, help them feel that unnameable swell of something spiritual.

Some people feel God in nature. The patterns of the universe, the way math exists without human touch, the harmonies and patterns that seem too intricate for coincidence help them believe in a planner’s touch. The beauty of the outdoors allows them to wonder, to feel like they belong as a piece of this clockwork.

But you - you felt God when you stood before your jaeger, marveling at the power, the beauty, how it feels like yours, how it feels like Seungcheol before you’re even inside it. Duellona Fury promises you power, promises you purpose.

That hand was on your shoulder again, and it slid down to the center of your back before removing itself.

Beside you, Seungcheol stared up at your glorious machine.

“She looks sick,” he said, the grin taking over his face.

“I can’t wait to fuck shit up,” you murmured, your reverent tone at odds with the flippancy of your words.

“Ready?” the Marshall asked you, coming up to your left. “We’ll get you calibrated and dropped, and then you’ll do a lap of the bay. We’re sending out Pretty Savage just in case you run into trouble.”

The defensiveness rose in you quick, like a snakebite.

“We don’t need a babysitter,” Seungcheol said, voice hard. You reached for his hand and gave it a squeeze - a reminder to watch it, just as his hand on your shoulder frequently did for you.

“It’s just safety protocol.” The Marshall was unphased by the outburst. “Have fun, you two. Enjoy your first joy-ride.”

You screamed when you dropped, the exhilaration rushing out of you as Duellona Fury fell story after story before slowing and attaching to your jaeger’s mainframe.

Goosebumps raised along your arms when the Shatterdome’s sea-doors slid open, shudders traveling your body as you and Seungcheol stepped together, Duellona Fury stepping with you, her gigantic, metal form following every movement.

For the first time in your whole, careful life, you felt powerful. Your jaeger cut through the ocean waves like they were nothing, making an easy perimeter of the bay. In your head, you could somehow both hear and feel Seungcheol’s delight, his low-simmering desire to fight, to do something a perfect mirror of your own.

“How is it?” Soonyoung’s voice crackled in your ears, reminding you that Pretty Savage wasn’t far behind you.

“Incredible,” Seungcheol answered him, at the same time that you said, “It’s everything.”

It didn’t matter that you came from a family of pilots. It didn’t matter that you were raised in the Dome, training since you were young. None of that mattered. You were born for this - born to fight for your planet, born for Duellona Fury, born for Choi Seungcheol.

—

The west bay became Duellona’s playground; you and Seungcheol were often assigned to patrol there.

It was only a few months in that you faced a kaiju for the first time.

“Come in, Duellona Fury,” Nainsi’s voice came through. “We have a reading just a few miles north of you. Cat-2. Approaching at -”

Duellona Fury was turning due north before the command was even given.

“Are you ready for this?” you shouted to Seungcheol as Duellona slid through the water, the adrenaline singing in your system already.

“You know I am,” he answered, something hard in it, and the thrill in your stomach sparked.

When the sea split in half, the kaiju rising from the depths with an unearthly roar, you sank into a defensive stance, feeling Seungcheol move beside you, doing the same.

“Let’s fucking go,” Seungcheol said darkly, and launched forward, your arms rearing back for momentum before the first swing. The punch landed solidly, your whole body shaking once as the kaiju faltered backwards a few steps.

It opened its mouth and you glimpsed three rows of teeth bigger than a cow before it was lunging at you; Duellona Fury lurched. You tried to duck sideways as Seungcheol tried to move towards your opponent.

The moment of indecision cost you - the kaiju got its teeth on Duellona’s shoulder, knocking you back several steps. Beside you, Seungcheol roared as sparks flew near the bite.

“Are we breached?” you yelled, trying to steady your balance again.

“Not yet!” he yelled back, and you swung again, a hit landing hard enough to knock the kaiju loose, spitting it back into the sea.

You tried to move into a defensive crouch again; again, the jaeger faltered.

“Cherry!” Seungcheol yelled, desperation laced in his voice. “Cherry, don’t fight me!”

“Move with me!” you answered, and he did, miraculously, Duellona dodging left before an incoming attack.

Don’t fight me.

You rocked forward with Seungcheol as soon as you were clear of the kaiju’s trajectory, just as you’d done in practice thousands of times. Back in sync, Duellona Fury landed a kick to the kaiju’s middle that sent it stumbling.

“We’ve got him,” you said, feeling a win.

“Don’t get ahead of yourself,” Seungcheol warned you. No sooner were the words out of his mouth than the kaiju exploded from the dark ocean, limbs flailing as it flew towards you.

Duellona’s arms came up and locked it in battle, the impact shaking you so hard that your teeth chattered against each other. You groaned with exertion as you tried to match its strength.

“I don’t think we can hold it,” you managed through grit teeth.

“We’ve got this,” your partner promised, and with a mighty shove, you managed to flip the beast over your shoulder and beneath the waves.

“Drop the bombs and head for the east side,” you said quickly, already moving. Duellona Fury followed your command, turning and starting an easy run through the bay’s churning waters, away from where the kaiju was struggling to its feet, furious and vengeful. As she ran, she dropped three small explosives, about sixty feet apart. The explosives slipped into the ocean depths.

“Ready?” Seungcheol asked, a little breathless. “Are we far enough away?”

“Light him up,” you replied. Seungcheol reached up and tapped the button; somewhere behind you, the ocean exploded.

—

“How’s your shoulder?” you asked, later, in the med bay.

“Not that bad,” Seungcheol said, but you could see the blood-stains on the bandaging.

“It won’t happen again,” you promised. “I think I just… practiced alone for so long. I forgot to listen. I’m sorry.”

Seungcheol shook his hand, eyes finding yours. “There’s nothing to forgive, Cherry. Forget about it.” Then, he brightened. “You know what I want to do?”

“What?” you asked, not entirely past feeling guilty.

His smile was devilish. “I want to go celebrate our first fucking kill.”

– 

You marked the passing of two years in statistics.

Three hundred and forty-six explosives detonated.

Two hundred and eighty-three drops. Two hundred and eight-three kills. 

Seventy-two mainframe repairs.

Twenty-eight achievement awards.

Nine television interviews.

Six upgrades.

One ill-informed “vacation” during which you both itched with anxiety, spending the whole time messaging your friends back in the Shatterdome desperately, praying you wouldn’t miss a fight in which you were needed.

Seven hundred and thirty days of living in and around Seungcheol’s mind and heart. But that stat should’ve gone first.

It was a good high. Your team had a good run.

It wasn’t a kaiju that reduced it to ash, not an attack that took your team out of the rotation of main fighters and sent your jaeger to gather rust and dust below the Dome. It was your own stupid heart.

There were a lot of moments that could have been it. Each time you walked into a fight knowing the danger, each time he ended up in the med bay reeking of antibacterial ointment and resentment. Each time you slid into your place beside him - space he saved only for you. Each time his voice bidding you goodnight from the bottom bunk was the last thing you heard at the end of the day. Any of these moments might have been the one to make you stop, gasp, suddenly slammed with understanding. That you loved him, that he was everything you couldn’t bear to be without, that he was part of you. But they weren’t.

There was no moment of realization at all.

Instead, it slowly seeped into your consciousness, as gently and naturally as morning dew collecting on pre-dawn petals. The knowledge clung to you, as impossible to ignore as damp feet after running barefoot through the yard just after sunrise.

If you knew something, that meant your co-pilot would know it, too.

Unless you tucked it away, pushed it down deep and cast his attention elsewhere, a mental sleight-of-hand. Look here instead. 

You were twenty-three, on a routine patrol, when Mission Control radioed Duellona that there was a reading in the bay.

“Looks like it’s only a Cat-1,” Mission Control told you.

“On it,” you told them, feeling your body already mirroring Seungcheol’s as Duellona picked up her pace, striding through the waves. 

You glanced sideways at him, and immediately wished you hadn’t. He was already zoned in, eyes focused and jaw sharp as he concentrated. 

He caught your gaze for only a second. “Focus, Cherry,” he cautioned. “Don’t get cocky.”

“I would never,” you retorted, and he laughed. You were both cocky; you both knew it.

For a second, things felt better. 

The fight was almost easy, when the ocean seemed to split in two and the waves fell away like wrapping paper to reveal the kaiju you’d been sent for. 

You swung and ducked, dropping explosives strategically, Seungcheol moving in unison with you. There was something graceful about it - something beautiful in the sync, something holy in the way your muscles mimicked each other’s. 

This is what happens when sunlight hits morning dew: it warms, lifts, makes the air humid and sticky until it burns away. 

It rose up in you, your love for him, infusing the air around you, infusing the neural handshake that he was deeply imbedded in.

No. 

You panicked, tried to do several things at once - tried to shove the feeling down, tried to think of something else, tried to push Seungcheol’s consciousness out of yours.

Duellona Fury lurched around you, shuddering. 

“Cherry!” Seungcheol screamed to your left, and then the kaiju hit, its full weight slamming into Duellona’s mainframe.

You both staggered, trying to right yourselves, as the machines around you blinked and beeped and rebooted. 

Seungcheol grunted under the neural weight of driving alone as you gasped and closed your eyes, trying desperately to fix it. Around you, you heard the floating words - recalibrating.

“Recalibrate faster!” you shouted, glancing sideways to see your co-pilot struggling to hold the monster in place, his face contorting with effort, arms straining against the machinery. He bared his gritted teeth, exhaling in a hiss between them. 

You gave yourself a shake, bouncing on the balls of your feet, desperate for the connection to take again so you could pick up your half, take the literal weight from him. As soon as you felt the neural handshake, you gave a mighty shove and Duellona flipped the monster backwards, the ocean receding and then coming back to slam her shins, swallowing the monster whole.

You both sank into a defensive stance, ready for the beast to rise again.

“What was that?” Seungcheol demanded, later, as he sat in the med bay, waiting for his nosebleed to stop. The nosebleed you’d caused by letting him carry a neural load meant for two.

“I don’t know,” you lied, still panicked and desperate. 

“Bullshit,” Seungcheol countered, eyes narrowed. He reached up and pulled the cotton away from his face, examining it. “I’m fine now,” he announced, and tossed the wad into a nearby trash bin, standing.

You fought the urge to cower, knowing he’d never let it go if you did. You followed him silently out of the med bay and back towards your dormitories. Halfway there, he slowed, then stopped.

Then, more calmly this time, he asked, “What happened, Cherry? You pushed me out.”

There was a slight pout to it, a sliver of hurt, and it sliced through you like something tangible, like you were actually wounded from it, like it might actually bleed.

“I don’t know,” you repeated. Guilt poked at you until you relented, gave him something that was at least partly true.  “I got scared.” 

“That can’t happen, and you know it,” he said seriously, his large frame casting a long shadow to your left as he leaned into your space. “You can’t keep secrets - that’s piloting 101. We’ve got to handle it. You know what’s at stake here.”

You did; you did, and that was entirely the problem. It wasn’t just feelings, it wasn’t just your relationship with Seungcheol at stake. It was your relationship with your co-pilot - your ability to fight was at stake, your ability to keep others safe. Your legacy.

Your parents’ wall of pictures flashed in your mind.

“I’m going to my mom and dad’s for a while,” you said quietly. 

He nodded, let you run away - trusted you to come back to him when you were ready, trusted you to let him in.

You weren’t sure if he was right or wrong, as you walked away and left him behind.

You didn’t go to your parents’, though. Instead, you went to the tech bay and sat, watching Duellona undergo simple repairs from her fight. You stayed there, the metal cold beneath your thighs, watching the tech team buff over a scratch on your jaeger’s torso, until someone dropped into the spot next to you, bumping their shoulder roughly into yours.

“Where’s Seungcheol?” Wylie, who co-piloted Fury Striker with Chan, was your closest friend in the Dome besides Seungcheol. 

“He’s pissed at me,” you answered, looking sideways, because the question had really meant, why isn’t Seungcheol with you? 

You weren’t sure she’d understand what you were going through - she and Chan had been obsessed with each other since they were kids. Neither of them had ever had to fear that their love for each other would mess anything up. It had been part of their deal from the start.

“What’d you do?” Wylie demanded, turning her full, unfettered attention on you. You wanted to shrink from the intensity of it - but that was always how Wylie worked: full wattage, all the time.

“Almost got us killed by a fucking Cat-1 tonight,” you muttered, angry at yourself, angry at your heart.

Wylie smacked your arm hard enough to send you sideways. “Cherry!” she scolded. 

“There was something I didn’t want him to see.” You said it in your head first, weighed the words, then forced them through your teeth. You hoped she’d just know what it was, hoped you wouldn’t have to force those words past muscle and bone, too.

Wylie’s face dropped into irritation. “Cherry,” she repeated, disappointment dripping from the two syllables.

You looked up at Duellona Fury again. 

“You can’t do that,” she told you, giving your ankle a little kick for emphasis. “You know you can’t do that.”

You can’t love him? Or, you can’t keep secrets from him?

You didn’t ask. You didn’t want to know the answer.

Seungcheol was waiting up for you when you finally returned to the dorm. You opened the door to find the first room - an entryway and kitchen, both - dimly lit. Beyond it, in the small sitting space, Seungcheol sat facing the door, his chin in his hand.

You knew the look on his face. You knew it so well that you almost ran from it, almost turned right around and went back out to the hallway.

Brows slightly furrowed, mouth a straight line, jaw tight. Eyes focused, locked in. It was the face he made in training before he bodied someone. It was the face he made in the field before an offensive strike. It meant he had his sights on a target, a problem, and he was about to throw everything he had at it.

And right now, you were the problem.

“Hey?” you tried meekly.

He nodded. Licked his lips. Stood. 

He’s pissed at me, you’d told Wylie. The energy radiating from your co-pilot was much more complex than that, the air around you palpably tense and teetering.

“How was it at your parents’?” he asked, voice low. 

You took one tentative step closer. “I didn’t go,” you admitted. One lie between you was already more than you wanted. “I watched them patch up Duellona instead. Talked to Wylie a little.”

He nodded, eyes still on you. Nervousness coursed through you, but it would be a lie - another one - to say it wasn’t laced with a little excitement. He was stunning, always, but like this - it almost took your breath away.

If he was in your mind right now, there’d be no question. He’d know all of it. The attraction, the desire, the fear, the affection, the love, the need. All of it. 

His eyes caught on a bruise peeking out from the short sleeve of your top. “You should’ve had them look at that,” he said, reaching out like he wanted to run his fingers over the dark splotch, but he was just too far away, fingertips closing around the air just an inch or two away. 

You shook your head. “You needed attention first. You carried the neural load alone.” Because of me.

“Only for a minute.”

“A minute too long. I’m… I’m sorry. I didn’t mean to.”

It hung between you. You don’t know if you’d inched forward or he had, or both, but you were close enough to touch now when you hadn’t been just seconds ago.

He lifted his eyes, his gaze locking on yours. In the dim room, his eyes shone black. “You pushed me out.”

It was an accusation, but it was also a question.

“I’m sorry,” you repeated, barely able to say it, your voice coming out in a hoarse whisper. “Seungcheol, I was scared.”

Maybe he was in your head. Maybe he did know all of it.

“Don’t be,” he told you. “Don’t be scared.”

His arms were around you though you didn’t see him move. It wasn’t the first time you’d let him embrace you - after a fight, in relief, or in victorious delight, or sometimes just in sleepy affection at the end of a long day. It was far from the first time that you’d found comfort in the space between his arms, strong and capable around your frame, your forehead pressed against his sternum as his heart beat directly into your bones. 

But it was the first time that his fingers, confident and sure, tipped under your chin, guiding you to look up at him, guiding your mouth to meet his.

You don’t know if you melted or exploded - it was somehow both at once. You gripped his back, feeling the muscles move beneath his t-shirt, relaxing into his hold and focusing on the feel of his full lips firm and hungry against your own. This was everything - everything you’d wanted, everything you were afraid of, everything you needed, everything that could rip your life apart.

You didn’t mean to whine, but it slipped up your throat and into the gasped space between your lips and his as you tried to pull in a desperate breath. He responded with a grunt, walking you backwards until the edge of the kitchen counter jutted into your lower back. His hands traveled, up to the back of your neck, back down to the slight curve of your waist, around to the back of your ass. He tugged your hips against his roughly, and you let your head fall back, panting, head spinning.

“Cherry,” he breathed against the newly bared stretch of your neck, his lips close enough to drag against your skin as he spoke.

Your hands found the back of his neck, gave the slightest tug upwards, and he followed, bringing his mouth back to yours. His tongue pressed yours briefly, your moan muffled entirely by his mouth as you tried to press him closer, closer, as if you wanted your rib-cages to meld, to slip together like fitting puzzle pieces. 

His hand slipped lower from your ass and wrapped around your thighs, taking only a second to lift you onto the counter behind you. You wrapped yourself around him immediately, pulling him into the space between your legs, arms around his neck, pulling him in, wanting to feel every bit of him against you. 

His hands found the hem of your shirt and lifted; you raised your arms in compliance and felt the cotton slip over your head and your hands.

“Yours,” you murmured, but he had already reached back between his shoulder blades, his own top joining yours on the floor.

Your hands found him on their own, sliding over his skin, fingers dipping between muscles, thumbs sweeping over shadows.

You kissed until you turned liquid, molten, your fingers wrapped in his hair. His fingers mapped every inch of your skin, as if his job was to report back on every previously unknown dip, every rough circle, every beauty mark or blemish. His fingers traced them all, his hands passing over you reverently.

The brush of his bare chest against your own was torturous; delicious until you were full, until you couldn’t take it anymore, until the electric-sharp thrill became uncomfortable. You tilted backwards, creating more space between your torsos but pushing your hips firmly into his.

You both groaned at the contact. You could feel the heat and weight of him now, and everything instinctual within you urged you to shift further, to bring that heat and heaviness closer to the part of you that ached for it. 

He pressed his hips into you without reservation, your core clenching in response to the movement and the friction. 

Then he leaned back, his hands gripping the edge of the counter, his arms bracketing you on either side, his chest heaving as he struggled to control his breathing. He drank you in, his eyes as molten as you felt. You leaned back on your elbows and met his gaze.

The moment expanded; nothing existed but his eyes and the pant of his breath and the way he smelled like he’d just finished a fight and the way he felt between your thighs, unmovable and steady.

Neither of you was connected to jaeger machinery, but you may as well have been, because you knew without a shadow of a doubt that your minds were connected, the drift be damned. Your eyes locked, you knew he felt everything you felt - the gravity of what you were doing, the love that drove you, the fire coursing through you. If there was going to be hesitation or questioning, this was the moment, this was the pause. But you were one, your minds were one, and there was none of that. 

His unvoiced question definitively answered by the certainty that flowed between you, Seungcheol moved to lift you again, taking you easily from the countertop into the dark of the room you share, settling you on your back on his bottom bunk.

Above you, mostly shadowed, was your other half, the only person who knew and understood every cobwebbed corner of your consciousness, the only person who had walked through your mind and found himself mirrored in every way that mattered. He was beautiful in the fractured light, his expression serious and gaze intense. 

You reached up to slide your thumb along his jaw and his eyes fluttered closed, his breath leaving him as in relief, as if you’d made some kind of admission. 

Making love to Seungcheol felt like drifting. His eyes on you as his fingers pulled you apart felt the same as the careful way he’d watch you when your memories got emotional, like he was watching for any sign that you weren’t okay, that you needed more or less or him. 

The way his breath and shoulders shuddered when he pressed into you for the first time felt the same as when he faltered in face of his father’s memory; both times, his fingers laced through yours and held tight until you could both breathe again.

He felt how you’d always known he would. Perfect - a perfect fit for you, a physical compatibility you had never tested but had always trusted would be there. He took you apart without even trying, and all you could do was hold onto him, feel all of him, feel all of it, and try to remember to breathe.

You didn’t speak as you moved together in the dark; the only sounds in the tight room were muted gasps, tiny moans muffled against necks, skin on skin, the obscene squelching sounds that accompanied each snap of his hips. You didn’t say the words that your lips tried to form - it’s so much, go slow for a little, Seungcheol, I love you, more - please, don’t stop. Maybe he heard them. Maybe this was a different way to drift, one that didn’t need wires.

You did your best to hold his gaze, losing sight of him only when you strained up to kiss him, when you nuzzled your face into the warmth between his neck and shoulder and gasped against a wave of sensation, when you couldn’t help but close them as they rolled back, your toes curling. 

He pressed his forehead to yours when he finished, your name slipping out of him, as if it had been literally squeezed from his lungs. “Cherry… Cherry…”

You lay together in silence for a long time, feeling your hearts slow, your skin cool. Your thumb traced his jaw again and again, slow, worshipful. “Cheol,” you whispered. My Cheol. My everything. You didn’t say the rest as you lay together in the quiet, in the dark, your heartbeats competing. 

You didn’t know that you’d drifted together for the last time. You didn’t know that your ability to neural connect could be broken.

–

The wind whips around you, stinging your face. You barely flinch. When you’d first relocated here, three years ago, the cold had made you literally cry during your first month. Just from having to walk from the door of the dormitory across the yard to the mess hall dorm, the intensity of it had sent you spiraling into misery - damning the circumstances that had sent you here, away from everyone and everything you knew and loved, to a place where the air hurt. 

You were sure it would hurt, this intensely, forever.

But time eased the sting, and despite your doubts you did adjust. Now the early morning wind feels bracing and refreshing rather than painful. You’ve adjusted to a lot of things since relocating to a small training center in Alakanuk, Alaska: the climate, the food, the no-frills campus you lived and worked on. Being away from your parents, from Wylie and Chan and Seungkwan and Jeonghan and all the other pilots you were friends with at the Shatterdome.

Being away from Seungcheol. Being partnerless, a half instead of a whole. 

Being unable to pilot, unable to fight. 

Being brokenhearted.

Just like the cold, the pain of your losses was the same - the sting of heartbreak and loneliness and homesickness faded to something ignorable, something you could keep tucked tight in the back of your mind. 

You can hear the noise from inside the mess hall before you even cross the courtyard. There are short of fifty girls ranging from ages seven to eighteen being housed here, but from the noise you’d swear it was at least a hundred. 

The buildings are single-storied, painted with a heavily-chipping grey-blue that sometimes seems to belong to the mist you often get rolling in from the ocean. When you’d first come, you’d legitimately thought they were painted that way as camouflage, meant to blend in with the sea. The other trainers had a good laugh about that. 

As you cross the courtyard between the trainers’ dorms and the mess hall, you breathe deeply, eyes on the birds alight above you. After a lifetime in the Shatterdome, you don’t take for granted the fresh air you’re afforded as you pass between buildings, outside, the sky open and changing above. You don’t take for granted the rhythm of the ocean, the cries of the gulls, nor the distant treeline.

It was Seungcheol who had noted that you were sheltered, having never lived outside of the Dome. 

It was Seungcheol you could blame - at least halfway - for your relocation here, where there wasn’t a jaeger or even a city for hundreds of miles. 

When you pull open the flimsy door to the mess hall, the noise triples. Several of the girls call out to greet you, and you give them a quick wave as you head to the table where the staff eats.

“You’re later than normal,” one of the other instructors notes as you reach for a piece of bread.

You shrug lightly, unbothered. “Still have plenty of time before the first class. What day is today, Thursday? I’ve got the little ones first, right?”

The all-girls training center is meant to teach fighting and the groundworks for drifting, but no jaegers are housed here, no teams launch into the icy bay. The girls here will grow up to pilot - if they get selected, if they get paired with a partner. 

You’re mostly here to teach them to fight, the way you trained in the Dome, but you do plenty more. Help brush hair in the mornings, console tearful faces, teach games and sports, mediate arguments. You also got sucked into running one literacy class a week, though you still haven’t figured out how that happened. 

It would be a lie to say this wasn’t fulfilling, that you didn’t love the girls you cared for, that you weren’t happy here with the ocean and birds and trees and laughter. In many ways, the seclusion of this training center is exactly what you needed to get back on your feet, to find strength in yourself, to heal with distance and time.

But, god, what you would give for a real fight. What you would give to feel both loved and threatened by Wylie, to rib at the guys, to hug your mom. What you would give to hear Seungcheol’s teasing pout, to catch his gaze across the span of your jaeger and know what his body and yours will do, to feel his fingers just barely graze your back when he knows you need to be reminded to focus.

The final time you’d tried, the neural connection never took. It was like trying to connect with a stranger. It had simply been still, a thing that was never alive.

“Don’t do this,” Seungcheol had begged, and that had been the nail in the coffin.

Don’t do this, he’d said. It had landed like blame. Like everything was your fault, and only yours. Like you had broken the connection on purpose, were keeping him out, barricading your mind from his when you desperately wanted everything to go right back to normal.

After that failure, you didn’t tell him you were asking to be reassigned. You didn’t want to give him the chance to say don’t do this a second time.

You’ve just ended a class, the girls starting to filter out through the training room’s side door towards the mess hall for lunch, when the center’s Administrator calls your name from the door.

“There’s a call for you on my line. I have them holding.”

A call? 

Adrenaline races through you; it has to be an emergency. Your parents and friends can reach you on your own device, which is tucked into your back pocket. To call the mainline here at the center means this is a base-to-base call, not a personal one.

You’ve only been in this office a handful of times in your few years here, and you shuffle awkwardly around the desk and pick up the receiver that sits abandoned on the chipped, wooden desktop. 

You greet the person on the line with your real name. 

“Cherry?”

Your Marshall - your old Marshall, from the Dome - sounds unsure if he has the right person on the line. No one has called you Cherry in three years. Even your parents have used your given name the few times they’ve said it on your weekly calls home.

“It’s me,” you affirm. “Is everything okay? My parents?”

“I didn’t mean to scare you,” he says, and you heave a relieved breath. “Everyone is fine. This is official business. I want to call you in.”

You shake your head, frowning, well aware that he can’t see your reaction. Your body has said no, but you force yourself to ask, “Me? Why?”

“We’re down a few teams,” the Marshall says. “And -”

“You’ve got more recruits than places to put them,” you counter before he can finish. “Call one of the new teams up. Call three new teams up. You don’t need me.”

“We do - we need teams with experience, teams that are ready. Not rookies bumbling around looking for mistakes. We need precision. We need Duellona Fury.”

Your Marshall lays out the situation: the teams that are out, the problems they’re having at the breach - less time between attacks, more monsters at once. You’ve seen this before, you all have, and there’s protocol in place - protocol that starts with all hands on deck. 

You shake your head again. From the door, the Administrator of the center watches you seriously, like she knows you’re being taken away. 

“Marshall, with all due respect, I don’t know why you’re calling me,” you admit. “What can I give you? I can’t pilot Duellona.”

Not anymore. 

The Marshall sighs, like he knew this argument was coming and didn’t have a good response. 

“I think you can,” he says finally. “I’m not saying it will be easy, and I’m not saying it will happen quickly or without effort. But I think you can.”

“No,” you say, the first time you’ve voiced it. “You were there. You saw what happened. We can’t drift anymore.”

“You couldn’t then,” he points out. “That was three years ago. You’ve both had a lot of time to…. You’ve both had a lot of time since then. Things that were once too painful to carry into the drift… they’ve had time to mellow.”

This blow knocks you into silence. You sink your teeth into your bottom lip, eyes steadfastly on the warped wood of the desk, fingers toying absently with the Administrator’s pen. 

He’s wrong, and you want to tell him so. Nothing had mellowed. You love Seungcheol just as much today as you did three years ago. The splitting ache in your chest that you’ve felt every day since you became aware of loving him has only worked its way deeper with time. 

And Seungcheol’s anger? The anger and betrayal he’d leveled at you, when he was sure you were keeping him out of your head on purpose? You couldn’t speak for him, but if you had to guess, there weren’t enough years in a human life to let that hurt mellow into something safe enough to drift with.

“Have you talked to him about this?” You’re afraid of the answer. 

The Marshall hesitates. “Not yet.”

“You might want to do that first,” you point out. “Before flying me back only to have him refuse.” 

The Marshall’s voice hardens, and you can just picture his eyes narrowing. “Mr. Choi will follow orders,” he says evenly, “and so will you. Asking is really just a courtesy.”

“You can’t order us into being able to drift again,” you snap, pulse suddenly pounding in your arms, your hands, your face, your chest. 

“No,” the Marshall says, and any previous friendliness is gone from his voice now, “but I can - and will - order you to try.”

The girls cry when you tell them you’re leaving, and it makes you want to cry, too. You hold it together as you give them hugs, hold it together as you pack your single bag of belongings. You hold it together in the passenger seat of the center’s only beat-up van, waving out the back window as the training center fades away.

It’s standing on the deck of the ferry, the coast receding and the sea wind clawing at your face, that you let it go. You bury your face behind your hands and feel it release behind your ribs. You cry for all of it - for leaving the girls behind, for leaving a place that had sheltered you like a sanctuary. For the time you’d lost at the Dome, for the fights you’d sat out, for the years with your parents and friends that had slipped away like sand between your fingers. For your fear that Seungcheol will turn you away, just as hurt and angry as he was one thousand and ninety-five days ago. 

You’d been so determined to keep him from walking through the depths of your love for him, in the drift. You were so scared it would be too much, too intense, too much emotion for the drift. You’d been scared it would be too much for him - that the weight of it would inherently ask for more than he could give you in return. You’d been scared it would ruin your partnership, your compatibility, your capability to co-pilot.

But that had happened anyway. You almost have to laugh. 

As furiously as your tears begin, they peter out quickly. You take a few deep gulps of salty air, use the backs of your hands to wipe at your cheeks and beneath your nose. As you calm down, you keep your eyes on the horizon, your hands tight on the ship’s railing, and you let your mind wander back to Seungcheol. Here, thousands of miles away, you let yourself think back to those last weeks before you left the Shatterdome. You let yourself wonder, for the first time, what exactly caused everything to crumble.

You’d been so afraid to let Seungcheol into your head once the loving him had taken over. Why had it scared you so badly? As you keep your eyes on the grey of the horizon, you puzzle it out in your mind.

Had it been the uncertainty? That had certainly played a part. Did Seungcheol love you, back then? If he didn’t, everything between you could have changed - your friendship, your partnership, your ability to drift. It hadn’t seemed worth the risk to lose it all - his presence in your life, your ability to fight together. 

But maybe he had. If he did love you, back then… that would have changed things, too. What if starting something romantic affected your drift? There were too many maybes, too many variables. It had seemed safe to push it all down, to try and keep him away from it. To try and keep things the same.

Of course, you’d lost it all anyway.

Even if he did love you three years ago, you think as the sea air whips around you, did he love you the way you loved him? What if it had been too much - the way you could breathe once he was with you, the way you kept each other in check - what if he had loved you, but not that much?

Had it been a mistake to keep him out? Maybe. But it could have been just as catastrophic to let him in. There was no way to know, now.

You turn away from the ship’s railing, away from the horizon and the sea, away from your mistakes. There’s no use looking back like this. You can’t change it. You aren’t even sure you can fix it.

You were hoping to sleep on the plane, but you’re woefully awake well after take-off. Determined not to keep ruminating on what had happened before you left, instead you wonder what awaits you now.

The most-likely scenario, you think, professional and polite - but cold. Like you, he takes duty and responsibility seriously. The airplane bumps, a pocket of air jostling the small craft, and your hands find the armrests and cling tight until it stops.

The best case scenario, of course, would be that enough time has passed that Seungcheol’s hurt has faded. Maybe, you think, maybe he’s moved on from harboring that anger. Maybe he’ll greet you warmly, maybe you’ll pick up right where you left off.

This hope, this day-dream, aches, so much that you blink it away and turn to watch the clouds through the window, a desperate distraction. You crave Seungcheol - you crave feeling safe with his arms around you, you crave the elation you’d feel when he entered the room you were in, you crave the peace that comes with two minds engaged in neural handshake - the peace of someone’s mind interlaced with your own, understanding you, operating with you, picking up half of your mental lift.

You crave his giggle when you say something stupid in the dark of the dorm before bed, his pout when he feels like he isn’t getting enough attention, you crave his voice echoing in your head long after he’s gone asleep because you heard him talk to you all day long. 

You crave his lips on yours, his teeth on your neck, his hands on your body, even if you only had it once. You’ve craved it ever since.

You crave closing your eyes and pressing your forehead to his sternum, feeling safe and quiet and like you belong. You miss the sanctuary of that space, chest to chest with him, something sacred in the way it exists only for you.

You know you can’t have it - any of it. The daydream isn’t real. Your curse will be to crave it forever, alone.

When you arrive at the Shatterdome, it’s your parents who greet you just inside. For a moment, you’re happy to be back, overcome with emotion as you hug them tight. They’ve aged in these three years. You’ve missed them awfully. You only tell them the latter. 

They walk with you to the Marshall’s office, where you’re meant to report upon arrival. 

You hesitate, covering the moment by tugging your duffle’s strap higher on your shoulder. Your mother reads you anyway, reaching out and giving your shoulder a squeeze. 

“It will be okay,” she whispers. 

Your father catches on. “You’ve faced down worse,” he reasons. 

You disagree. There’s no monster in the sea bigger than your love for Seungcheol, no wounding possible that could hurt more than losing him has. But you appreciate the sentiment, so you give them each a grateful nod, tell them you’ll visit after dinner, and turn to knock on the door.

“Come in,” the Marshall’s voice carries through the door, and you turn the knob and step inside. 

All you see is Seungcheol; the Marshall, the office furniture, the flickering screens on the walls all snap into nonexistence in the presence of your former lover. He’s the only thing in the room that comes into focus. Everything else is just fuzzy noise.

His face wavers for a moment when your eyes meet his, the muscles rippling as he fights to get them under control. 

You don’t know what reaction he’s fighting. You don’t know if he’s feeling happiness or hatred. You don’t know if he’s fighting a smile or a scowl.

You give him a quick bow in greeting, and he returns it. His face is stone, now, his mouth tight and eyes flat. 

He turns to face the Marshall, to receive orders, so you do the same.

“I trust your travel went well?” the Marshall begins.

You nod, not trusting yourself to speak. Even the single syllable of yes will come out of your mouth like gravel and dirt and sand, getting everywhere, leaving a trail.

“Your orders,” he says then, a bit of a sigh on his tone - as if he knows the uphill battle this will be, “are to reconnect as best you can. You’ll follow your old schedule. You’ll spar, you’ll meditate, and you’ll talk. After some time, we’ll try the drift again, see if the connection has recovered any.”

Seungcheol’s voice startles you when he speaks. “How long do you imagine it will be before we try?” he asks, just cold enough to have a sliver of sarcasm in it. 

The Marshall’s eyes narrow, just slightly, as if he’d caught it. “That’s entirely up to you two,” he says evenly. “When you were young and hungry to fight, you trained yourselves into exhaustion. You spent every waking second trying to cultivate the bond that would carry you into your jaeger. With the same intention and drive, I imagine you could be piloting Duellona within the week.”

You fight to keep your chin up, your eyes on the Marshall, instead of ducking your head and watching the floor. The Marshall lifts his arm and glances at his watch. 

“Your allotted time in Sparring Room 7 begins on the hour,” he says. This is his way of dismissing you.

In the hallway, you pause. “I’m just going to drop my bag in the dorm,” you say quietly, not looking at Seungcheol. 

He gives a tight nod. “Fine,” he says, and turns to go the other way, towards the sparring and training rooms. Clearly he intends to meet you there. You heave a deep breath, and turn back towards the wing with the dorms.

Stepping into the dorm you used to share with Seungcheol hits you harder than you thought it would. You’re not sure what you expected - to feel like coming home, maybe, or perhaps to be slapped with the memories of you and Seungcheol together, dancing around each other as you hurried to get dressed for a drop, lazing around in the sitting area after a full day of training. And, of course, the single night you’d spent together.

Neither thing happens. You aren’t overcome by a feeling of nostalgia and love, nor are you inundated by memories of what you’ve lost. Instead, the room feels exactly as it is: empty and still.

Your footsteps’ echoes taunt you as you walk through the kitchen, the sitting area, and into the bedroom. It’s pristine to the point of detriment; it feels like no one lives there. You set your bag on the floor near the foot of the bed - you can unpack later, after training - and turn to go.

Strangely, it’s stepping into the training room that slams you with memory and nostalgia. The wood cool beneath your feet, the vague smell of sweat and citrus-y cleaner, the sounds of punches landing and grunts of effort from the training rooms on either side - they all cocoon you in history, making goosebumps rise on your arms as the emotions surround you.

It makes sense, you think, as Seungcheol glances over his shoulder at the sound of your arrival. He doesn’t speak to you, just swaggers to the center of the room and takes a stance you recognize from Form One. Your body leads you opposite him, muscle memory guiding you into the first form you ever learned with him. It makes sense that this would be what felt like home - your minds going empty together, your bodies following the steps in unison. The sparring forms are the closest you can get to drifting without an actual neural connection.

Well, that and sleeping together, but you don’t see that on your agenda.

You stare at him across the invisible circle between you and try to read him. His face is cold and empty, but that already tells you so much about what he’s feeling. Seungcheol was never cold with you. When you fought together he slipped into that mode you loved so much - ready to level anything, chin lifted, eyes narrowed, confident and so very strong. But it was when you were together outside the fights that you had loved him best - often pouting, lips protruding, voice lifting into a whine. And the best of all - that smile, dimples creating shadows that beg for your thumb to press them, eyes squeezing shut with happiness or laughter.

Something must show on your face, because you watch the muscles in Seungcheol’s upper body untense, as if he’d been ready to fight and recognized that you weren’t.

“I’m good,” you mutter quickly, before he can ask. It feels better to lie to him before he actually asks you, like that’s somehow less dishonest. “Let’s go.”

Form One is basic - no hits, no fancy moves. At the training center, you’d teach it to the littlest ones until they had it memorized. It was really about control and communication - precision and alignment with your partner. You had to breathe together as your feet traced opposite circles across the knots in the wooden floor. You had to rise and bend in unison. It was about watching and listening.

You and Seungcheol could - literally, you’d tried more than once - do it blindfolded in perfect step with one another. Before. You don’t know if you still can. But, now, unblindfolded, it’s too easy.

You move through forms one through six without incident - both of you flowing as easily as water.

Form Seven is the first form that incorporates actual hits and blocks. You’ll have to touch for the first time, even if it’s forearm to forearm or ankle to shoulder. You move right as he moves left, crouch and circle as his right foot flies over your head, stand and punch where you know his open hand will be waiting to stop you.

It is, and you press your fist against it for just a second before spinning away to continue the form. You ache, even as your body continues following the steps, to have him entirely again - to meet his eyes and smile the way you both used to, because you were pleased with what your bodies could do. Because you had each other, completely.

After the tenth form, you bow, turn, and walk out of the ring. You drink some water, your back to him. Years ago you’d have used this break to chat, but you don’t know what to say to him. You’re scared that he’ll shut down anything you say, whether you choose small talk or go straight for the heart of the problem, and you honestly don’t think you can shoulder his rejection right now. So you stay quiet.

After a few short minutes of rest, you return to the center of the room. This is when you’ll spar for real.

You and Seungcheol had done this for years before things went wrong. You’d long ago adjusted to how hard you should hit, how to dodge his moves, how to make this a dance as much as a fight. Now, you feel like it’s your first time again.

Seungcheol attacks as you’d expect - all offensive, pushy, succeeding in herding you backwards even as you dodge each blow. You know his goal is to flip you, and normally you can avoid that by forcing him to go on the defensive as he avoids your own hits. Simply dodging won’t be enough - eventually he’ll cage you in unless you distract him.

You throw yourself into a summersault and manage to get behind him - an opportune moment to strike. You shift your weight to follow the blow as you twist your hips to send a kick towards his unprotected head. He turns just too late - the blow will land.

You can’t do it. You freeze, your core working to keep you upright as you fight your own momentum, halting the kick inches from his temple.

You know immediately that pulling the hit was a mistake. His eyes narrow, and he sweeps his foot at the ankle you’re balancing on. You crash to the ground, heaving a breath and taking quick inventory.

You aren’t hurt. Not this time.

“Get up, Cherry,” he says darkly, moving back to the center to start again. “And don’t do that shit again.”

He comes at you full force in the next match, too. You dodge and weave, but you don’t try to strike. You know he knows it; this isn’t how it used to work. You can almost feel him get angrier as you fight, but you can’t make yourself hit back. You want him to knock you down, you deserve to take some shots.

You take two blows to the back and one to a shoulder; you fall back unsteadily but manage to find your footing and roll away from his next kick.

The match continues - you taking a handful of blows, though none with the force to level you, and Seungcheol with his lip curled in fury.

“If you’re not going to fight, then leave,” he spits.

“Would if I could,” you retort without thinking. You mean that you don’t want to be here like this - not talking, cold, at odds. But you know it reads as not wanting to be here at all.

It seems like everything you say and do only hurts him more.

“I didn’t mean -” you start, and Seungcheol takes your arms and flips you over his shoulders.

“Don’t waste my fucking time,” he says, brushing his hands together and stepping back to give you room to pick yourself up.

“Don’t curse at me,” you answer, pushing yourself to your hands and knees, pausing to catch your breath before rising fully again.

He shakes his head, rolls his eyes a little.

You hate this side of him.

You know you deserve it. For pushing him out. For leaving him here. For loving him, messing everything up, when he never asked for that.

“Seungcheol,” you say, but he ignores you, pacing a few steps and then turning to face you, lowering himself into a defensive stance, ready to spar again.

“Cheol,” you try again. “Listen to me.”

“Marshall scheduled us time to talk later,” he says flatly. “Right now we’re scheduled to fight. So fight me, Cherry. Let’s go.”

The rest of the hour continues the same. By the time it’s over, Seungcheol storms out without speaking to you, furious over every single pulled punch.

You don’t know what to do to make it all better.

You shower quickly, dressing in dry linens, and then re-emerge for the hours you’re scheduled to meditate together. You hope that maybe this will help the situation - maybe not talking will be good for you, give you a chance to feel your connection without the chance to fuck it up with words.

You’re wrong; trying to meditate together is just as desperately fruitless as sparring had been.

You can’t focus at all - can’t shift your attention to your breath, to your body, to the earth beneath you, to the energy of your partner.

Your partner is the distraction, though he sits perfectly still, eyes closed. He might as well be yelling. His shoulders are tight, his jaw still clenched. Anger radiates off him so strongly that it makes your stomach hurt, makes you want to cower from it. You can’t stop watching him, hoping you’ll see him relax, hoping you’ll see the moment that he lets go.

He doesn’t.

“Your eyes are supposed to be closed,” he murmurs, and you feel your face heat, embarrassed that he knew you were watching him.

“I can’t,” you admit. Maybe, you think, you should just be brutally honest, starting now. It’s not like you could make this worse. “I can’t stop noticing how angry -”

“Then stop pissing me off,” he snaps, eyes opening. “Just a suggestion.”

“Don’t talk to me like that!” you cry, and push yourself to stand. You’re not sure why - maybe just to pace. “You never used to talk to me like this. Who are you?”

He looks at the floor, the first sign of guilt you’ve seen since you came home.

“Fine,” he finally bites back, and you know it’s as close to sorry as you’ll get. “I’ll reign it in. Sit back down.”

You shift your weight, arms crossed defensively across your chest, and close your eyes, deciding.

“Sit down, Cherry,” he repeats, and it’s gentler now. That’s what makes you cave, and you settle back across from him.

He’s less tense this time, so you eventually manage to close your eyes and count your breaths. But you’re still feeling for him, reaching for him in your mind, and coming up with nothing between you fingers. Touching him is as possible as touching the fog that used to blanket the training center, thick enough to blind you but impossible to grasp.

The pain feels like a cramp, except it’s behind your ribs instead of in your muscles. The pain grips and tightens, takes over. You want him, you want to be his again, you want to be inside these walls - where you used to fit comfortably. The fact that you’re out here, without him, aches so badly it makes you nauseated.

You want to beg him - let me in again, let me back in, let me be close to you again.

It won’t do any good, and you know it.

He was yours - you had him, you knew him, you could reach out to him and he’d pick you up. You’d taken it for granted, and you’d run away from it. You’d chosen to let it go, and now all you get is this: Seungcheol, cold and closed. Seungcheol, hating you for everything that happened.

—

Dinner is just as bad.

You go to the mess hall eager to see Wylie and Jeonghan and Seungkwan and all the other friends you haven’t seen in years. Wylie screeches like a banshee when she spots you, crossing the mess hall in a blur and hugging you so tightly that you both stagger, off balance, until Seungkwan joins the hug and rights you again.

“I missed you both so much,” you whisper, the only vulnerability anyone’s going to get out of you today.

“Then don’t leave again!” Wylie snaps, but you know the admonishment is full of love.

“I can’t promise,” you admit. Honestly, you’ve already made up your mind - you want to go back to Alaska. You’re not wanted here, not by the person who matters. What good are you, taking up a bed, if you can’t drift?

You’ve already given up hope that he’ll come around.

Seated at the table, you listen while your friends fill you in on what you’ve missed in three years - the fights in the bay, the new teams of pilots, the illnesses and injuries. You almost don’t notice Seungcheol silently takes a seat on Jeonghan’s other side, but something in you prickles, like you’ve sensed him.

The tension around the table heightens; the conversation goes a little stilted. When it’s apparent that he’s going to ignore you two seats down from him, Wylie slaps her hand flat on the tabletop.

“Come on, Seungcheol,” she scolds, and you’re sure no one wonders what she means.

His face goes dark so quickly it’s alarming. “Don’t,” he tells her darkly, one finger coming up to point at her in warning.

Her own eyes narrow and dart to her fork. Beside her, Chan’s eyes pingpong between them. He’s probably wondering if he should hold her back or join her.

“It’s fine,” you mutter, grabbing your tray and making to rise. “I’ll go.”

“Cherry, no,” Wylie protests, and then turns a glower onto your ex-co-pilot as if to say see what you did?

“It’s fine,” you repeat, standing. “I told my mom and dad I’d come by.”

You slink out before anyone else can argue.

You can’t even be mad at him - you did this by pushing him away. You hammered every last nail in the coffin by requesting to transfer. You pushed him out and you left him behind and now you have to face the reality that you can’t have him anymore. He isn’t yours, not anymore.

When you return to your dorm, he’s already in bed, the lights out. He’s facing the wall so you can only see his back, can only see the angry, tight shoulder poking out the top of the sheets. It tells you everything you need to know.

You don’t try to talk to him. You just go to bed.

—

You spend four days identically - fighting while sparring, not meditating, and avoiding Seungcheol’s ice-out. On the fifth day, your Marshall loses patience and changes your schedule. Your entire day is blocked to working on Duellona’s mainframe - buffing, repainting, greasing, and anything else you’re able to handle on your own.

“Since you can’t do anything else useful,” he adds, and you avoid Seungcheol’s eyes, ashamed.

Standing under Duellona’s unlit frame fills you with guilt. It feels like you’re letting her down, disappointing her by letting her rust here, failing your half of the bargain. You run your hands gently over the metal, finding the rough spots that need attention. Somewhere to your left, you can hear the telltale sounds of Seungcheol tightening bolts.

You work in silence for hours.

Eventually, you crack. You’re not sure if it’s the monotony of the task, the tension woven into the silence between you too, or being so close to your jaeger but unable to fight in it - maybe a combination. Something pushes at you from the inside, like a balloon trying to inflate under your skin and running out of room.

You flop backwards on the metal walkway, the grooves digging into your back. “What are we doing?” you ask, and you hear the tool Seungcheol had been using cling loudly as he sets it down.

“Following orders?” he says, stepping around Duellona’s side to look at you. “Fixing up the jaeger?”

“Fixing up the jaeger we don’t get to pilot?” you ask, sitting back up to look at him better.

“Is that what you’re here for?” he asks, the sudden ferocity of it surprising you. “To fight? Is that why you came back?”

You reach up to the walkway’s railing and pull yourself up. You feel yourself frowning at his question, at the heat behind it. 

“I’m back because the Marshall gave me an order,” you say slowly. 

“And that’s it?” he demands. 

You stare at him. You feel sure there’s more to the question, more that he’s asking. You feel sure, after knowing Choi Seungcheol down to the last molecule, that he’s really asking, you didn’t come back for me?

And it confuses you. You try to think about your split from his perspective: you’d shut him out, then slept with him, and then vanished. You’d made a lot of assumptions about his anger since then. You assumed he was angry at you for pushing him out of your head. You assumed he was angry at you for sleeping with him and then leaving. You assumed he was angry with you for ruining your drift, for ripping him away from the ability to fight. You assumed he was angry because he never knew why - never knew what it was that you were so desperate to hide, never knew why sleeping together had made things so much worse that the neural connection had fizzled into nothing altogether.

Is there more to it, his anger?

Should you call him on it, should you ask?

You take too long deciding. Seungcheol scoffs, like he’s disgusted with you. “I should have known,” he says coldly. “Princess of the Shatterdome, I should have known you only cared about piloting - about your legacy.”

This is something you’ve never said to him - that your desire to shine as brightly as your parents has weighed on you. This is something he’d pulled from the drift, something he only knew from tiptoeing around your mind before a fight. 

“That isn’t fair,” you say, your voice hard. “Is there another reason I should have come back? I’d love to hear it.”

He hears the challenge as it is - you didn’t ask me to come back, the Marshall did. You let me go.

He has nothing to say for himself, just stares back at you, eyes narrowed in anger, chest moving too quickly as he battles with his temper.

“Exactly,” you say curtly. The victory stings. It doesn’t feel like a win at all. “The bottom line is I’m here now, and we can pilot again if we can get our shit together.”

He shakes his head. “You left,” he says finally. “That’s the bottom line. You decided you were out, you decided you didn’t want me in your head, and then you left.”

He watches you, waits for you to say something. When you don’t, he lets out a derisive little laugh. “We’re both wasting our time here. The drift won’t work. We aren’t going to fix it.”

For the first time, fear slices through you like steel. “You can’t know that,” you say. You hear the fear in the way your voice comes out low and rounded, barely sounding like you at all.

“I can,” he retorts. “You know how I know? Because I don’t want to. You wanted me out of your head so badly? You got it. Can’t turn back now.”

He heads for the ladder, swings around and finds the third rung down with ease.

“So that’s it?” you ask his retreating form. Your heart is hammering and you’re starting to get tunnel vision. 

The only answer he gives you are his feet hitting each new rung with a clunk and a vibration that rattles up your legs.

—

You go to the training rooms alone and run through the forms just to do something; your mind turns the problem over and over as your body goes through the motions. After, you take a longer shower than normal, letting the water run hotter than you normally would.

After, you go to the Marshall’s office, determined. Or maybe resigned.

When he opens the door, he already looks irritated, like he knew exactly who would be on the other side.

“Requesting an audience,” you say flatly, fighting the instinct to cross your arms defensively.

He glances at his watch. “Five minutes.”

You step inside but leave the door open.

“I’m requesting transfer back to Alakanuk,” you tell him as evenly as you can manage. You’re sure he’s not surprised. “Seungcheol has made it very clear that we won’t be fighting together again. If that’s the case, then I can’t do anything useful here. But in Alakanuk I can.”

You pause, looking to see if you can read anything on the Marshall’s face - any hint that he’s considering what you’re saying, or that it’s a lost cause. He gives you nothing.

“Please,” you say. “Those girls need me. If I can’t help here, I can help them.”

The Marshall tilts his head just slightly. “Surely anyone can teach little girls the forms.”

You shake your head. “It’s more than that, and you know it. It’s not about the forms. I love those girls. I came back here to follow orders, and I tried. But if it isn’t going to happen… Please, don’t make me waste time here if I can be with them instead.”

The silence when you stop speaking seems to last for hours. Your heart pounds, and you work on keeping your breathing even. If he tells you no, you might just lose it, just give up entirely.

Finally, he takes a breath and seems to consider you. “If,” he says, and your eyes widen with hope, “your co-pilot agrees, then I will reassign you back to Alaska. But only if he will agree.”

“No problem,” you say quickly. Seungcheol was the one who said it was over. He should have no problem letting you leave.

When you step out of the Marshall’s office, Seungcheol steps out of the shadows. You should be surprised to see him, but in the Shatterdome it feels right that he just is wherever you are. That’s always how it was, before.

You look at him disdainfully. “I assume you heard that conversation?”

He nods, once.

“So?” you ask. “Will you tell him you approve, so I can go?”

For the first time since you returned, Seungcheol smiles, tight and sarcastic.

“No,” he says easily, like it’s kind of funny.

Fury erupts inside you; you can’t even pinpoint where in your body it stems from. “Why?” you demand. “Because you feel like I took something from you, so you want to take something from me?”

He doesn’t respond to this. You know you’re right. You know him. You know his mind.

“I hate to fuck up your narrative,” you spit at him, “but I’ve lost out here just as much as you have. You’re not the only one who lost the ability to fight. You’re not the only one who lost their partner.”

You wish you could tell him the rest - you’re not the one who spent three years with a broken heart on top of it. He had lost you as a partner and a friend - you had lost him in the same ways, and you’d had to harbor your broken heart.

He shakes his head. “Poor baby,” he bites sarcastically, and then takes off down the hallway, into the dark.

—

You stop sleeping at the dorm. Sometimes you sleep at your parents’, sometimes on Wylie and Chan’s tiny couch, sometimes in bed with Seungkwan, who kicks at you and whines that you take up too much space. Sometimes you sleep inside Duellona Fury, sitting up, your back against her metal frame.

The Marshall seems to have taken some pity on you. He schedules your mornings training the Dome’s recruits, and lets Seungcheol get back to what he was doing in your absence - which seems to be on track to move up in rank, to maybe become a Marshall himself, someday. It isn’t quite the same as being back with your girls, but training recruits feels at least somewhat fulfilling. And it keeps you and Seungcheol busy - separately - until afternoon.

Then, he schedules you to spar.

In your first week, you’d been unwilling to hit Seungcheol. You’d been feeling guilty for hurting him, sad for your time apart, hopeful that if you were soft to him, then he’d be soft back to you.

Now, you’re fucking furious.

For the first time, when the match begins, you hit him first. He’s surprised for only a second, eyebrows shooting up as he stumbles for balance, and then you watch something delighted and devilish fall over his face. Like he knows exactly what dance this is, and he’s been learning the steps in secret.

The match is brutal, reminiscent of your very first one, when you were both nineteen. You throw hit after hit his way; he blocks or dodges all of them. But he can’t get a hit on you either - you’re too quick, spurred on by fury. You’ve been angry in a fight before. But you’ve never been angry at him.

You spin and throw up a kick, expecting his forearm to rise and block it. Instead, you knock him in the jaw.

He grunts, hand flying up to cover his mouth, and you drop your stance with a gasp.

“Shit!” you cry, hurrying closer. “I’m so sorry! Are you bleeding? Let me look.”

“‘M fine,” he mutters thickly from behind his hand, but you ignore him. For a second, things are how they used to be between you. He lets you peel his hand away, lets you gingerly turn his head this way and that, even opens up so you can check his teeth.

“You’re gonna have a fat lip,” you tell him regretfully. “But nothing’s bleeding. Teeth look okay. Anything loose in there?”

He pokes around his teeth with his pinky. “Nope.”

You take a step back, cowed. “I’m really sorry.”

He laughs a little, wryly. “I bet you feel better, though.”

You bite back a smile. “Actually…” you say, and he laughs again. You both do.

Somehow, this seems to be the thing that cracks the anger you’ve both been encased in, unable to move forward or backward. You feel melted, and you wonder if he feels freer now, too.

“I didn’t mean to hurt you,” you say. You mean the kick, but the words land heavy.

He avoids your gaze. “I need some water,” he says, turning and heading to the side of the room.

You do the same, sitting heavily on the bench where your water waits for you.

“Hey,” he says, and you look over, brows raised in anticipation. “Tell me about Alaska.”

You can’t help but smile.

“It’s so beautiful,” you tell him. “God, Cheol, the ocean there. And the birds, and the snow…”

He’s watching you, listening, but while he listens he stands and heads to the center of the ring, settling into a starting form. With a small smile, you follow, standing opposite him. He starts an easy match that’s mostly just following the eighth form. It includes some hits and blocks, but you both do them gently, easily, circling each other slowly.

“So you liked it?” he asks. You can hear how hard he’s working to make it sound casual.

“It was so beautiful,” you admit before ducking below a kick. “But it was also… really hard.”

“What was the best part?” he asks.

You smile, block a hit. He almost gets his hands on you for a flip, but you dodge around behind him. He turns to follow you. “Weirdly, it was taking care of them outside of class. We - the instructors - we kind of their moms, away from home, you know? I’m the one who knew Yejin won’t sleep unless someone sits by her bed for a while. I’m the one that knew that Farrah and Salome only argue because they’re competitive. I’m the one that knew that Maria and Anjali don’t know their times-tables, that Ximena can’t brush her own hair, or that Iseul is allergic to fish. I loved them. I loved knowing them.”

He looks at you for a long time. “Maybe you should go back,” he says finally.

It feels like a trap. 

You look at the floor, at the wall, then finally back at him. “If you’ll do this for real,” you say carefully, “then I’d rather be here. If we’re actually trying, then I don’t want to go.”

He’s quiet for a long time. Finally, he swallows hard, not looking at you.

“What was the worst part?”

There’s only one answer.

“Missing you,” you say. “Losing you.”

He manages to get both of your arms and hauls you over his shoulders. You land on your back so hard that the air is knocked out of your lungs and your eyes close protectively. For a second, you lay there panting, waiting for the pain in your back to settle down, waiting for the stars behind your eyelids to calm.

When you open them again, the ceiling coming into focus above you, the room is empty.

–

You have a hunch on where you can find him, and you head to the jaeger bay. Sure enough, he’s sitting below Duellona, knees to his chest, staring up at her.

You sit next to him and he doesn’t get up and leave, which you take as a good sign.

“I can’t do this if you’re not all in,” he tells you without looking at you. “You walked away from me once. I can’t let you back in my head if there’s any possibility you’ll walk away again. If you’re with me, I need you to be with me.”

Something prickles in the back of your head. You feel like you’re starting to realize something - the seed of an understanding is pushing delicately through the dirt, but hasn’t yet spread out its leaves under the warmth of the sun yet.

Something about his hurt. Something about why.

“I think we should try to drift,” you tell him.

This seems to startle him - he forgets to be cold, turns to look at you, eyebrows raised in surprise.

“I can tell you how much I missed you,” you reason, “and tell you about how I spent every minute just… steeped in regret. Or we can walk through it - you can see for yourself.”

You know what you’re risking. If he gets into your head now, he’ll see it all - he’ll know everything, he’ll be able to feel for himself the depth of your loss, the height of your love. 

But what’s the harm, now? You can’t lose him twice. Maybe it’ll be enough for him to realize you hadn’t left him because you didn’t care about him. Maybe it’ll be enough for his forgiveness. 

Maybe then, he’ll tell the Marshall to let you go back to Alakanuk. 

It’s Seungkwan you bother, since he’d been in mission control before finding his team of co-pilots. The sideways look he gives you as he walks to your conn pod is withering, but you know better than to take it personally.

You buzz with nerves. The last time you’d tried this, the neural handshake hadn’t even connected. There had just been nothing.

The second you hear neural handshake initiating, you almost sob with relief. You can’t even pay attention to the memories - Seungcheol’s memories - floating around you; you want to collapse, to press your palms to the ground and thank the universe for letting you back in.

His first memories are a breeze - the ones you’ve jogged through together hundreds of times: his first home, his school, his father’s hospital room, the Dome. Then you slow your pace, because this is new.

You’re facing the landing dock on the Shatterdome’s roof. Seungcheol stands with his back to you, watching through the glass walls as a helicopter waits, the pilot talking into his headset.

You watch yourself walk towards the chopper’s open door. You watch yourself leave, remember how hard it was to not look back.

You hadn’t known that Seungcheol had been there, that he had seen you go.

The pain that accompanies the memory hits you like you’re drowning, like it’s too deep and you can’t feel the bottom, and you feel the machinery falter around you.

“Hey,” you say quietly. “I’m with you.”

He nods, still doesn’t look at you. But the beeping stops, the connection holding. 

There’s knowledge in this memory, knowledge in this pain. Seungcheol’s thoughts in this moment read in your head as clearly as if he said them aloud - I did this. I pushed her too far; I made her run.

You can’t stay here, can’t let him wallow in the memory of pain. You had to move forward - that’s how the drift works. Reluctantly you step towards the door, glancing over your shoulder to see if he’s following. 

He is. His jaw is tight and fists are clenched, but he is.

When the next memory - not in order of chronology, clearly - appears before you, you want to vanish into the floor. You’re watching yourselves in Seungcheol’s bed. Thankfully, you’re sleeping - this was after. But in the memory, Seungcheol is awake, laying on his side, his eyes drinking in your sleeping form.

The emotions and the knowledge come with it in an instant. The tenderness and the love he felt in that moment surround you now in the memory, unignorable, impossible to mistake. 

He had loved you. He had known you loved him, and he was showing you how he felt. The understanding slams you so hard that you think you stop breathing.

“Seungcheol,” you whisper. Around you, the scene begins to flicker, the connection starting to react to the oversaturation of emotion.

“We can talk about it after,” he says, voice hard. “Don’t stay in it. Find the next door.”

Your eyes find the door, but you feel frozen. You want the connection to drop, you want to unlock yourself from the stupid drive-suit and throw yourself into his arms, you want to apologize for leaving him thinking he’d pushed you away, thinking that he scared you into running.

“Cherry,” he warns. “The drift can’t -”

You know. 

And you owe him your side of the story.

You take a steeling breath and head for the door. You don’t take his hand. You don’t know if you deserve to, if he’d want you to.

When you step through the doors, you’re confused - you’re still in your dorm. Your bodies are both in the bed.

Now, though, Seungcheol sleeps, and you - the memory of you - sits on the edge of the bed, your head in your hands. 

You feel the emotion the memory holds, which means Seungcheol does, too.

Fear. It’s still fear - fear that he’ll know, fear that what you just did together will make it worse, make it harder to hide. 

Beside you, Seungcheol’s eyes go wide. 

“We have to move on,” you tell him. He looks at you, then back at the memory. 

“You -?” he starts to ask.

“After,” you tell him firmly. “We’ll talk after.”

You open the door, and you’re suddenly outside, surrounded by white.

Alaska.

The emotion knocks you over with the fury of an ocean wave - even though you know you’re not supposed to let it. This was how you had felt every day that you were gone, and it screams at you now, determined to be heart, determined to be felt. The loneliness, the regret, the despair and heartbreak all rise up in you, overtaking you, as snow falls gently and silently around you.

And the love. That never went away. That never mellowed, as the Marshall had put it.

If he didn’t know before, he has to know now. There’s no way he couldn’t.

Seungcheol squeezes your hand, and you almost jump. You look down at your linked fingers in shock, then up at him, eyes wide.

“We should go back and talk about this,” he tells you, but his grip on you is firm, assuring.

“Okay. It’s this way,” you tell him, trying to breathe, and you lead him by the hand through the snow. The fog strengthens as you walk, until you can’t see anything but grey, can’t see anything but Seungcheol’s hand in yours.

You continue on. You know where to go. When you step through, the fog vanishes as if it was never there, nothing gradual about it. With the fog gone, you can see clearly where you are - inside Duellona Fury’s conn-pod.

As you begin to work on the straps, you call through the intercom, “Kwan? We… need some privacy. We’ve got to talk - alone.”

His voice crackles back at you. “Yes, I’m leaving, I’m already gone. If you hear popcorn crunching, no you don’t.”

Seungcheol gives you a flat look. “Let’s go home and talk,” he suggests.

Home.

You are so afraid and so hopeful. You don’t know how to juggle both.

Back in your small living space, you sit like you’re meditating.

“Let’s figure this out,” he says. “No lies.”

“No lies,” you agree. Your knees touch, and you reach to take his hands. He lets you, giving your fingers a squeeze.

“You knew,” you say first, bordering on accusation. “I was trying so hard to hide how I felt about you… but you knew.”

He nods, his eyes on you. “And you,” he says slowly, “didn’t… know? That I knew?”

You shake your head, confirming. “I didn’t know. I thought I hid it.”

He smiles at you, a little placating. “Not as well as you would have liked.”

“And you…” You chicken out, swallow, force yourself to be brave. “You… loved me, too?”

He nods. “I did.” 

The air leaves your lungs so forcefully that you bend over, pressing your forehead to the tops of your hands. He pulls his hands from yours and you feel his touch, firm and reassuring, cupping your shoulders and rubbing his thumbs along them.

“We felt the same,” you echo into your shins. “You loved me.”

“Cherry,” he says above you, his voice like a plea. “I don’t understand why - when we… when I… I felt like once I forced you to look at it, it was too much. You ran.”

You sit with this for a minute, stunned and processing. His hands are back in yours, which you take as a good sign. 

“You thought… wait. You thought, after that night, that I knew how you felt, too?”

He nods. “I thought you knew,” he says, confusion still present in his tone. “I thought we both knew. I thought if it was out in the open, the glitch in the drift would be fixed.”

You wipe at your face, trying to breathe. “And instead,” you realize, “we couldn’t even connect, because I was still trying to hide it from you, and then you were hurt. I thought it was broken. I thought we really broke it forever.”

He looks at you in wonder. “That’s why you left,” he breathes, and you know he’s understanding this for the first time. “You thought we made the problem worse.”

It’s your turn to nod. “After we…I mean, I knew if I couldn’t hide it from you before that night, there was no chance I’d be able to hide it after. I kept you out in the first place because I… was afraid. I was afraid for you to see how much I loved you. It seemed… hopeless to keep trying.”

The words lay bloody between you, but his grip on your hands is strong, and you take another breath.

You push on, adding, “I was afraid it would be too much. I was afraid everything would change.”

Which it did, you think. He nods, like he hears this, like he agrees.

He releases you and leans back, blowing out a loud breath. “We’re so fucking stupid,” he says, and you splutter out a laugh.

“We really are.”

“I can’t believe we lost three years over that,” he says.

“I can’t believe you thought it was your fault that I left.”

“I can’t believe you left in the first place.”

This makes you smile, guilty. “That’s fair.”

You push yourself to stand; Seungcheol mirrors you, as if you’re already in the neural handshake, bodies working in tandem. 

“Cherry,” he says quietly, stepping closer. “It could never be too much. I love you. I’m crazy about you. I’m only me when I’m with you.”

You remember him, the night you’d slept together, telling you, don’t be afraid. He’d told you, after all, and you’d missed it entirely.

You close the distance between your bodies and kiss him hard. His arms circle your waist immediately, like they were waiting for you. He kisses you back hungrily. His mouth meets yours eagerly, his tongue stroking yours confidently before he shifts his attention to your jaw, your neck, then your mouth again. His hands don’t wander this time - instead he holds you so firmly it almost hurts, like he won’t let you move an inch, won’t let you out of his grasp ever again.

You cradle his face between your hands, let your teeth gently scrape along his bottom lip. “Cheol,” you whisper, then kiss him again. “You’re everything.” It’s what you should have said aloud the night you’d slept with him.

When the kiss breaks, he presses his lips to the top of your head and holds them there, melting around you a little. You give his middle a squeeze, revel in his heartbeat surrounding you like music.

“I’m sorry,” he whispers. “I’m sorry I didn’t just say it.”

“Me too,” you tell him, holding him just a little tighter. “I should never have tried to hide it from you in the first place.”

He kisses your temple, and you hold each other, silently, each grappling with the time you’d wasted apart. 

You’re interrupted by a knock. You break apart, puzzled. You’re even more puzzled to see your Marshall at the door, and Seungkwan literally bouncing on the balls of his feet in excitement.

“I’ve heard your drift is working again,” the Marshall says dryly. 

You look over your shoulder at Seungcheol, grinning. “Seems like it.”

“There’s a Cat-1 reading in the bay. I was about to alarm for Pretty Savage to drop, but Savage’s team insisted I give you the opportunity first. They can follow as backup. How do you feel?”

Seungcheol is at your side. He looks at you, his face open and raw. “Well?” he asks you. “Are you in, or are you out?”

“I’m in,” you tell him seriously. “I’m with you.”

You thrum with excitement as a tech team helps strap you into the drive-suits, and you can’t help but shoot Seungcheol a wild grin, your happiness alive and unbounded. 

You tell mission control - Nainsi, probably, just like the old days - “Ready and aligned.”

Mission Control - definitely Nainsi - responds, “Prepare for neural handshake.”

The artificial voice bounces around you - 3… 2… 1… neural handshake initiating…

Around you, the machines flicker busily. Neural handshake strong and holding. Now calibrating…

You’re crying, but you ignore it. You beam through tears, looking sideways at your co-pilot. His eyes dance as he smiles back at you. You want to unstrap yourself to the drivesuit and go kiss his dimples, the dimples you hadn’t seen in years. You resist the urge.

“Ready to drop?”  He looks sideways at you, sly. 

You scoff at him, your own grin cocky and sure, like you’re twenty again, like nothing had ever been broken between you. “Been ready. Let’s light ‘em up.”

– end

thank you so much for reading!!!!

stay tuned for more fics in this universe! Wylie and Chan will get their own fic written by @sailorrhansol, as will Woozi! I'm also planning a Vernon x Reader in this universe, too! Should be a fun time!!

[inktopuck]

juno | quinn hughes social media au (pt.9)

pt. 8

yournamehughes

Liked by elblue06, trevorzegras and others

yournamehughes happy birthday, you stunner. thank you for making me the happiest woman in the world and for being the best father to our children 🩵

trevorzegras i'll never forget you made me give him my mustard costume instead of matching with me!

yournamehughes well baby he was my bf by then, right

trevorzegras omg Y/N bros before hoes ALWAYS

l_hughes06 you didn't have to post the first one bro.

yournamehughes it's so cute!! he's taking a nap!

l_hughes06 don't try to gaslight me i know what you were doing before

bradytkachuk happy birthday qball!!! tea party at yours when?

_quinnhughes from all the pictures you could've chosen you went with me dancing on the table?

yournamehughes yes, coyote ugly queen

captainhughes childREN?????? plural???????

_quinnhughes

Liked by l_hughes06, jackhughes and others

_quinnhughes another great one! so thankful!

jackhughes pack it up with the pda quinn please some of us are single

colecaufield you guys went to the pumpkin patch without me. i see how it is i take back my happy birthday wish.

_quinnhughes you're literally 3k miles away

colecaufield YEAH BUT WE PLAY YOU NEXT WEEK WOULD IT HAVE KILLED YOU QUINTIN

_quinnhughes yes. get your own kid.

colecaufield WELL IT'S NOT LIKE I HAVEN'T TRIED

yournamehughes we need to know less about each other's lives

l_hughes06 you're cool sometimes. mostly not. but sometimes.

yournamehughes

Liked by _quinnhughes, elblue06 and others

yournamehughes oops we did it again

_quinnhughes ✌🏻❤️

elblue06 this is the best news ever! Jack and Luke you're falling behind!

trevorzegras quintin you dooooog

colecaufield omg quinn get off her

l_hughes06 another kid who will look up to me... we love to see it

jackhughes you're not winning this one over

l_hughes06 we'll see

jackhughes so if you really like the new kid can i get belly?

_quinnhughes no

bradytkachuk i say keep 'em coming!

elblue06 I said the same thing!

bboeser oh yeah! another hughes for the nhl

yournamehughes or pwhl!

bboeser of course!

eliaspettersson yessss time to bet on the gender again! last time i won some big bucks! thanks belly!

l_hughes06

Liked by yournamehughes, _quinnhughes and others

l_hughes06 first pic with the new baby

jackhughes you just HAD to didn't you

l_hughes06 yeah :)

lukeypookie what even is luke's feed

colecaufield Y/N get ready..... i'll be fist bumping that baby soon

_quinnhughes please don't punch my wife's stomach

curtislazar95 rusty you're always at the scene of the crime

dylanduke25 it wouldn't surprise me if luke walked around waiting for y/n to give birth so he could be the first one to hold the baby and not jack

yournamehughes what about the baby's father

dylanduke25 pushed aside immediately

pt. 10

[inkskinned]

i keep thinking about hobbies and how i often spill over myself to pick up new ones. i have adhd, i end up trying something for like a month and then just getting far enough in it that i move on, satisfied.

and that should be fine; but it's never fine.

i am a pretty decent artist; but i can't just make art for my dnd campaign, i should be selling dnd maps and character designs and scene setting pieces. i can't just make my friends matching earrings, i need to get an etsy and ship them internationally and take bulk orders. i make pretty good props and decorations and use them to throw my friends parties - but i should be running a party planning business and start taking paying clients and networking and putting my skills to actual use.

for some reason, i never figured out the specifics of pottery. it was a fun class and i enjoyed myself - and still, i'm embarrassed, years later, that i put in all that useless effort. everything i make has to be stunning. stellar. i should have applied myself more. maybe i'm too lazy. maybe i'm broken and selfish and needy. actually creative people would have kept going; they would be bettering themselves at every possible opportunity.

we find ourselves in this trap, even accidentally: we need to commodify our time, because it is a commodity. if we spend our efforts and our time not earning, isn't that the same thing as burning free money? and god forbid you ever take up a hobby that ends up being more expensive than you thought. you sit in your car and you look at the receipt and in your head you hear a conversation that isn't even happening - your mom or your friend or your partner all saying oh great. not this shit again. it's always something with you, and it never actually means anything.

i have realized this horrible thing, recently - i'll get excited to start a project, pick up a new hobby. and then i just... stop myself. i start thinking about the amount of time it will take, and how it'll look in my monthly budget. what if i can't even produce a good enough final product. sure, it's exciting to think about how i could make my friend her own custom dice. but i'm just polluting the earth if i don't get it right. better not bother. better not try.

restless, i get caught in the negative space. the feeling that oh god, i want to create. and that horrible sense - yeah, but i don't have the time to just put to waste.

[yeostars]

When ATEEZ members get jealous as ur bfs, reaction post !

Hongjoong:

• tbh, he gets jealous quite often, even at the smallest stuff but most of the time he manages to conceal it well.

• He's immediately besides you and whoever that guy is that you're enjoying talking to so much, my man would literally burn holes with his eyes whenever he's jealous. seriously, he gives such an intense stare to the person he perceives as a threat, although he trusts you a lot, he tends to get a little too protective of you...... cuz he loves you so much, ofcourse. He clings his arm with yours, sending a signal that you're ready to go.

•"Who even was that?" He asks, annoyance oozing in this voice as you turn back to him. Or "I didn't know you were that close...." would be his classic statement whenever a guy he doesn't know seems to get a little too close to you.

Seonghwa:

• Seonghwa tends to get a lot more clingy than usual whenever he's jealous. Not just clingy, but he'll purposely call you as "honey" "sweetheart" "babe" repeatedly in front of whoever made him jealous and protective of you in the first place.

• Something like "babe, we're getting late, let's go." he says, while entering the scene, emphasizing on the word babe a lil too much.

• As he says this, he'll eye up the guy in front of you up and down, almost in a judging manner, and effortlessly snakes an arm around your shoulder, bringing you closer to him, as if sending him a signal that you're his and his only. After you're done conversing with that guy, he'll literally jump on you, asking "what did he say to you?" demanding all details of your convo with him.

Yunho

• Another one who gets jealous more often than he wants to. If y'all remember, yunho himself admitted once that he "gets jealous too much/often" soo it's safe to say that he would be quite possessive of his s/o.

• When he notices that you're taking too much time conversing with whoever is your "new company", he crosses his arms, sighing as he watches you both, and matches towards your direction with a blank expression and sour smile (which looks kinda scary tbh)

• And then, voilà, you're getting dragged impossibly closer to him by the waist. His arm slides under your waist sideways, his grip firm and tight and that has goosebumps forming all over your skin. He doesn't even make eye contact with the guy in front of you, practically avoids him and once you're both alone, he says "do you talk to him often?" sensing that you do and he hates even the thought of you being close to him.

Yeosang

• Yeosang isn't really the jealous type. That's just how he is, and even if the slightest pang of jealousy hits him he conceals it so well that you've never seen his possessive side before.

• One day, you literally asked him out of the blue "you've never gotten jealous before, seeing me with some other guy, have you?" and yeosang laughs, literally LAUGHS because that was so random. but you sounded serious so he had to stop laughing and give you a reply. "what, you want me to get jealous? possessive? wouldn't that be annoying though?" he replied, staring at you. "why would it be? it shows how much you want me. i would actually love it if you act a bit possessive of me sometimes." you say, pouting, and yeosang just kisses your cheek, saying "alright, I'll try."

• And when the day comes when you ACTUALLY witness him being jealous for once, you're satisfied with his reaction. Yeosang noticed that you were gone away for quite a long time and went looking for you, only to find you talking to a guy he didn't know and you seeming to enjoy talking with him. Interwining his fingers with yours in a heartbeat, he asks "Hope I'm not interrupting? Y/n, love, let's go now, it's getting late." And when you're both alone, you pull his cheeks playfully, praising him and begging him to act more jealous like this cuz that's HOT of him (did I lie)

San

• He's literally both cute and scary when he actually gets jealous. He tries his best to not get jealous of the smallest stuff but sometimes he cannot hide his jealousy.

• He's the type to become restless when you aren't around. Literally staring at you both while sending death glares to the guy in front of you, his feet tapping impossibly faster on the floor.

• When he decides that it's his last straw when he notices the guy trying to get closer to you, he's there besides you in no time, smiling sweetly at you, not even acknowledging that guy. Placing a soft, quick kiss on your cheek, he brings your hand to his, suggesting you to check out those other food stalls with him.

Mingi

• He's DRAMATIC when he's jealous. When the princess itself gets jealous? It's over for you. You have to give him hundred times more kisses, cuddle him the entire night and hold his hand till eternity, all until he feels better ;D

• He'll barge in when you and the unknown guy are having a convo, introducing himself as your boyfriend. He'll literally tug on your arm sleeves, a small cute pout forming on his face and he stays like that until you exchange your goodbyes with that guy, finally alone with him.

• Rarely, he gives you silent treatment when he gets jealous. And you're always able to tell that he's jealous from the way he gets too quite rather than being talkative as usual. He denies it when you ask him about it, but immediately dissolves into a fit of giggles and a precious smile when you kiss him firmly on the lips and murmur I love you all over again. Really, that's all it takes for mingi to feel assured and happy.

Wooyoung

• 100 % scary when he's jealous. A little dramatic, might I add. He gets jealous quite often and doesn't shy away from showing that he's possessive of you.

• His last straw would be when you're flashing your incredible eye smile to that guy in front of you while talking to him, a smile that's reserved for wooyoung only. He appears being you in no time, back hugging you and wraps his arms around your waist tightly, placing his chin on your shoulder, sending death glares to the guy in front of you, not letting go of you unless that guy finally decides to leave.

• "What was so funny that you were laughing at literally every word he said?" Wooyoung asked, bitterly, lowering his eyes. "Don't worry, babe, he wasn't as funny as you. No one makes me laugh like you do, that was just a....fake laugh." You assured him, pulling his cheek playfully. He shrugs if off and makes sure to cling to you like a koala the entire day.

Jongho

• Something tells me that jongho hates admitting that he's feeling jealous. He does get jealous sometimes but it's mostly when something he senses someone else getting physically closer to you. He usually doesn't have a problem when you're just having a conversation with someone.

• So, when someone does try to get physically closer to you, he's there besides you immediately, snaking an arm around your shoulder. otherwise, he doesn't approach the person you're talking to since he doesn't want to come off as clingy to you.

• "I don't get a good vibe from him. He was trying to get close to you all the time." He admits, not out of jealousy, rather protectiveness. "If he was, i wouldn't let him. Don't worry babe, he was just an acquaintance." You assure him, kissing him lightly on the lips, causing jongho's cheeks to heat up as he hums, satisfied.

[calqlate]

THE LOVE & DEEPSPACE MLS AND THEIR KDRAMA ML COUNTERPARTS

INCLUDES: rafayel + sylus + xavier + zayne

WARNING(S): might be ooc bc i don't really keep up with the lore so there might be some inconsistencies (oops) (pls be gentle) (it's 10pm here and my brain is running on adrenaline) + contains some canon lore drops ig

MASTERLIST

NOTE(S): i will never stop inserting my fandoms into kdramas bc i love seeing worlds collide. anw pls partake in this brainrot with me 🤩

— RAFAYEL

ryu sunjae from lovely runner - they are both absolute losers for their respective lovers. i can picture rafayel in that one scene where sunjae was blowing kisses towards sol's house. no matter how hard his beloved tries to cut him out from their life to save him, he will always find his way back into their life.

jeong guwon from my demon - similar to sunjae, guwon is also another loser for his wife. (tbh i can imagine rafayel as a down bad simp for his lover; cue thomas sighing and shaking his head.) i can picture rafayel in the scene whereby guwon and dohee were doing that tango while fighting off their enemies too?!?!

lee yeon from tale of the nine-tailed - continuing the loser boy train, we have yeon as the final dude to add in this group. (specifically yeon from s2, bc the way he wanted to go back to his timeline so badly to see jiah matches rafayel's "the only person i'll ever love is my lover" energy.) their backstories also match in the sense that yeon never stopped searching for jiah and rafayel never stopped waiting for his bride.

— SYLUS

myulmang from doom at your service - not me choosing myulmang bc they both made contracts to their beloveds [clown emoji]. but nonetheless they're similar in the sense that they won't think twice about eliminating someone who hurts their lover.

shin wooyeo from my roommate is a gumiho - again, another contract situation. wooyeo is a "classier" version of sylus imo, and one who uses less pet names. if sylus were the ml in this kdrama, he would defo keep an even more watchful eye on his beloved so that she doesn't go about losing his fox bead. (aur naur iw to write a gumiho au for sylus now...)

lee youngjoon from what's wrong with secretary kim? - similar to youngjoon, sylus will never let his lover leave. they want to leave his mansion? he will try 101 (legal) ways to make them stay. they will find snacks they like in their room more often. they will find new (and expensive) clothes in their wardrobe. heck, even an all-expenses-paid vacation! he wants to keep them close to him; he's afraid of them upping him to leave.

— XAVIER

goo yeonjun from a time called you - like yeonjun, xavier has literally went back in time to save his beloved. he wants to see then safe and sound, and as long as they're happy, he's happy. as long as they're alive and breathing, he's fine with not being by their side. just watching them live their life is enough for him.

haru from extraordinary you - totally not projecting my all-time fav kdrama on him (or am i?) but xavier and haru have similar mannerisms and personality traits. yk how in the first few episodes danoh was dragging haru around and this guy just remained silent and followed along until one day he just started speaking? yeah that's the same with this guy. the person he likes could yap all day and he would willingly sit and listen.

moon seoha from see you in my 19th life - similar to seoha, xavier loves once in his life and he will only ever love his little star. he would never get over their death and if he's the one responsible for their death, he would be all the more upset with himself. he would throw himself into work all day and refuse to love again, thinking he shouldn't be able to fall in love ever again since he took his beloved's one chance of staying alive and happy away.

— ZAYNE

moon suho from black knight - they're both so overprotective of the one they love. the way suho essentially told sharon that haera is the only woman he would ever love is something i can picture zayne doing. if someone is out there trying to harm his beloved, you'd best believe zayne would do his best to prevent that from happening, even if it means giving up his own life.

lee suhyeok from bora! deborah - when zayne loves, he loves hard. like suhyeok, he's clumsy at expressing his affections, choosing to keep everything to himself and wait until he's 100% certain it's the right time to say whatever he wants to say. and sometimes, that can lead to disastrous endings (see also: suhyeok getting dumped on the same day he went to buy an engagement ring for his girlfriend). both men are careful to a fault, all the more so with their beloved because they're scared of losing someone precious to them again.

yoo jihyuk from marry my husband - zayne, like jihyuk, would willingly stand aside and watch the one he loves fall in love with someone else. he would be supportive and wouldn't try to fight for their affection. his motto is "if they're happy, i'm happy" and he can live being an unmarried old man as long as he sees them happy.

© CALQLATE. all rights reserved. please do not copy, modify, repost, or translate my works on any platform.

[humdrummoloch]

Here's an exercise to apply to your story: pick any scene and build up its stakes.

Most scenes should have at least a tiny bit of tension. Not every scene has to drip with artificial melodrama, but if the audience doesn't see a good reason to care about what's happening, they probably won't.

Using this 3-part exercise I just made up, just with a few quick bullet lists, you can dissect that scene's stakes and make them mean something.

PART 1: THE TELLING

Take a moment to focus on the stakes in your scene. What's the worst that could happen? List them.

Here's the rule: if a stake is obvious, don't count it.

Wrong: "If he kills me, I die."

Wrong: "If the villain fails to get the artefact, he fails."

Wrong: "If I lose this match, I lose."

Sure, yeah. But what ELSE?

Correct: "If I die, there'll be no one to protect my family."

Correct: "If I don't get this magical artefact before the hero stops me, my plans to take over the world will be sabotaged."

Correct: "If I lose this match, I'll never make it to the championships and show the world what I can do."

The stronger these stakes are, the better (within reason). "So-and-so might die" isn't a compelling (as it could be) narrative stake even in stories where people do die.

Even in low-stakes stories, the characters care about those low stakes. If it's important to them that they impress that client or get that job, tell us WHY they care. Is it their lifelong dream, or the promise they made to their dying mother, or the job that'll take them away from a horrible living situation? Will failure embarrass them in front of their crush?

PART 2: THE SHOWING

Now you know what could go bad, let the audience feel it. Just take things that matter and tweak them so that they're tangible.

"If I don't join the fight, my friend might die!" -> Show us an enemy raising a sword about to strike their friend down if the character doesn't rush in to save them NOW.

"If I drop out, I'll be a bad daughter!" -> Show us her parents bragging about their kid's academic performance and telling her they're happy they have a good kid with a bright future instead of some "no-good delinquent."

"If I don't pay by next week the bank's gonna take our house!" -> Show us the character begging for just a few more days, show their reaction to overhearing someone talking about buying the house from the bank to bulldoze the property. Show what the house means to them and how they made it their home.

PART 3: THE HAPPENING

Remember, a bullet seems a whole lot deadlier when it doesn't literally miss every time. But it would be strange if every scifi involved the whole planet blowing up, right? Or if the main characters all died? So, you have to show us you're not kidding by employing a secret third thing. Here's the trick to this: divide up the stakes into pieces and make one of the pieces happen.

If the protag's team is in actual danger, just one of them can die. Maybe even someone "essential" -- the climax will be boosted from the team overcoming this setback, the story becoming more clutch and unpredictable to the audience.

A marriage on the rocks? Show that their previously happy kid is suddenly hiding things from them and failing in school.

The city in danger? Show us buildings being knocked over.

Hell, the protag themselves in danger? They've got a leg they might not be using.

If a stake can't be split down like this, it might be better to have the bulldozers show up at the house during the climax. Maybe even let the house fall.

After this exercise, your scene should now feel a whole lot more weighty, whether it's a job application or a final battle to the death. Again, not every scene needs tension and it can go too far and become silly, but I hope this exercise helps you the way it helps me.

[amymbona]

I love you so much. Seriously, you are so precious.

Can we address the fact that art can be so mean? Like, that sauna scene is so extra and wild. The meanest boy ever with literally no reason.  So I was thinking about a reader, being actually a good girl, kind and shy and nice and pretty and everybody just loves her and art is going bananas over it because he can't stand her, and he's so mean and manipulative and kinda crazy kinda want her to "show her true colors 'cause he's not buying the good girl act" kinda wants her to be his, but after he MAKES HER his. Molding that pretty thing to behave how he wants.  sorry if you can't match my freak it's fine it's cool I won't cry :( 

User I love you so so so much *kisses your forehead* 🫶🫶🫶🫶🫶 I'll definitely match your 𝔣𝔯𝔢𝔞𝔨. That's what I'm here for! Perhaps I could make this a little series. 🤭🤭

ˏˋ°•*⁀➷

Art is so crazy for you. He adores the thin ribbons at the end of the braids you usually wear, tied into two neat bows. He has the collection of your plaid miniskirts etched into his mind, knowing exactly what kind of low cut tops you combine with them. Sometimes, you're dressed in so little clothing - one of your short skirts and a stupidly thin blouse that shows more than it hided - that he questions whether you're still comfortable, and considers offering you a hoodie of his.

You're a kind soul too, not hesitating to lend people your pens if their runs out of ink and stops writing, generously offering whatever the person next to you might need. Somehow, you seem to carry whatever could be missing. You're so soft spoken, encouraging people and comforting them if their exam doesn't go well, always laying your palm on a person's shoulder to rub it and bring them a sense of comfort. And people adore you for that, their faces shine when they spot you in the corridor and you smile at them. You are the Stanford's sweetheart.

And sometimes, Art can't help himself but stare at you in the class, chewing onto the end of his pen, wondering whether that smile is permanently etched onto your face. Because even now, when you're simply sitting and listening to the lecture, there is such an aura of grace and easiness glowing around you, as if you were made to convince the whole class that they have nothing to worry about and everything is going to be okay. You're simply too soft for your age, in his eyes, too benign for the people you hang out with a too gracious in general. All, as if you were hoping to get something in return, even though you never ask for it.

Art is tempted to find a crack in your shell, to discover who you really are, because he's definitely not buying the good girl act. So he gets to work. Being Art Donaldson, he approaches the whole situation cautiously, surprising himself with his own patience. However, he's aware that if he really wants to get as close to you as possible, it's gonna take some time. Even despite your friendliness, you surely can't be naive enough to let him in with a simple smile.

He is a mastermind, of sorts, accidentally forgetting his pens or erasers and asking to borrow one from you. You respond with a usual smile and a soft "Of course," and let your fingers graze his palm when you hand him one. He's so tempted to keep it by the end of the lecture, as if to keep a part of you with himself. But he can't do that yet.

Slowly, Art figures out most of your schedule, showing up in the cafeteria or the campus' park where you might currently be. Some hi's and hello's are exchanged between the two of you, accompanied by a cute smile on your face. The more you smile at Art, actually, the more he is tempted to wipe that expression off of your face. He wants to see you cry, to see you scream and whine and beg and yell, to finally see the walls you've built up around yourself fall and uncover your true self.

Soon, without actually planning it, Art becomes obsessed with you. But not with the gentleness or your actions, nor the generosity of your innocent soul. Definitely not with your kind smile and big eyes. On the contrary, he wants to see them fill with tears, he wants them to be red and glossy while they look at him. He wants you to either encourage him to keep hurting you or beg him to stop, squirm and whine and protest, that you can't take all the pain he's about to give you. As long as you are below him, helpless and vulnerable, he will be content with his doings.

[accirax]

Danganronpa: Despair Time Chapter 2 Episode 14 Dissection

I can't think of how to introduce this dissection other than just saying "god damn??". This chapter-- especially its second part-- has been a wild ride, and one that it appears we're nearing the end of. However, we still have one important question left to answer, which I'm sure I'll talk about here. So, let's chat.

SPOILERS for Danganronpa: Despair Time Chapter 2 Episode 14.

Also, I will be discussing Ace and Eden as equally likely blackened candidates in this post. If it will upset you to hear about the prospects of either or both of them being the killer, you might want to sit this one out.

Given what happens later in the episode, it's very interesting that the episode began with (more or less) Ace "admitting" that he has no idea how the murder mechanism worked. A truthful method of disqualification, or a masterful play by Ace to ask Teruko to ask him about the murder method only to pretend that he has no idea what it was? Time will have to tell on that one, because I honestly have no leads.

Similarly, is this Eden being genuinely shaken up and not remembering what transpired in the Gym, or trying to play the helpless innocent card to get out of having to help Teruko explain the murder method that she stole? Spoilers for my thoughts later in this dissection, I guess: they're so evenly matched that it's crazy.

I've always thought that Hu is the prettiest DRDT character, and this episode did nothing but prove me right. Hot damn, ma'am.

The insistence that this questioning is "traumatizing [Nico]" makes me think that Hu could be projecting her own experiences on to them. Perhaps she was once an innocent in a situation for which she kept taking the blame? That would be interesting as another connection between Hu and Nico, of both of them having taken the blame for someone else's follies.

This was a hilarious comeback; never change, Ace. Or, maybe you do need to change slightly, to become a less cowardly and impulsive person. Or maybe I should at least be rooting for you to have the chance to change in the sense that you live long enough to have that work out for you.

Yet another instance of J being the one to say that murder is bad. I wonder if this has to do with her character/backstory in some particular way (although given what we know about her past I have no idea what that would be), or if DRDTdev just needed a judgmental and confrontational person who would snap back at anyone to take over these kinds of lines.

(That's not me dunking on J's character btw she's valid for this)

This was a really clever way for Charles to phrase this to make Hu listen and settle down. I appreciate the out-of-the-box yet logical thinking. (Also I missed hearing Charles' voice :,D)

Woah, I was not expecting to get a Closing Argument comic for the Gym murder, but I am obviously delighted that we have one! Also, OH MY GOD, THE CEILING GRATE. How did none of us even think to consider that as part of the murder mechanism?

However, there are still some aspects of the state of the Gym that haven't yet been accounted for with this version of the murder timeline. I don't really think it's anything that would stop Nico from being Ace's would-be killer at this point, but I'll list them out here in case they are or in case they turn out to be relevant to Arei's murder. I'll also be trying to debunk them, though.

Moved Benches: Some of the benches near the pullup bar were knocked over. These probably fell either in some sort of struggle while knocking out Ace, or when Ace's body fell from the fan.

Moved Weight Rack: The weight rack was moved closer to the bench press and flipped on its back. I guess this really was also knocked over in the same fashion, no matter how unrealistically difficult it should have been to move due to its weight? Or it really was "workout preferences"???

Nico's Missing Cowl: When Teruko and Eden found Nico at the scene of the crime, they weren't wearing their typical dark cape thing. I have no clue why. You could say that Nico was trying to look less instantly recognizable, but it's not as if anyone (other than maybe Teruko) who saw a dark-haired 5'5" individual in a blue shirt instead of a gray cowl would think it was anyone other than Nico. There's also ye olde theory that they might have used it to soak up blood somewhere, but 1) Ace seems to have lost less blood than it may have seemed, and 2) the cowl was still not seen anywhere in the crime scene. I think I remember speculating that after Nico hypothetically used it to soak up blood (or, on second thought, maybe used it to gag Ace with the turpentine), they then stuck it in the fridge to hide it for the time being, at which point MonoTV discarded it and Nico got a new cape from their room. Maybe if it was used to apply the turpentine, Nico also could've put it away to prevent themselves from being affected by the fumes? I guess that's what I'm going with.

Lack of Tape on Pullup Bar: So, this one is obviously relevant to the murder already because Rose not being able to do a pullup is part of what tips off Teruko to the fact that something is off with the tape. However, I have no idea why the tape actually got removed from the bar. I still maintain that I don't think anyone could have stolen the tape off of that bar and repurposed it elsewhere-- most online sources seem to agree that kinesiology tape isn't reusable, and the fact that it was already wrapped around the bar in such a tight spiral would make it difficult to conform to any new specific shapes. My best guess is that Nico might have tried to use the bar instead of the light grate at first, determined that the tape was preventing the wire from sliding properly, and then removed the tape before determining the bar still didn't work. Or, Nico could have tried using the bar before settling on the broom, and thinking that it wouldn't work with tape on it... for some reason? Kinda scratching my head here.

I wonder how long ago it was. It's been four days since the Chapter 2 motive was revealed, although Ace was attacked only two days after the motive. Furthermore, Ace had started bullying Nico to some level already by the end of Chapter 1. I'm sure that Nico must have known what their secret was and probably didn't want it to be shared. My guess would be that they probably started cooking on murder pretty shortly after the new motive was released. That would also work with Charles-via-Whit letting everyone know what the custom weapons were in the first Class Trial.

This was the perfect response for Nico's character. They don't understand why an untruthful "sorry" would actually serve as a courtesy for most people, so they try to say what they feel and get ostracized for it.

Gotta say though, Ace, that was a pretty aggressive reaction from someone who said he "didn't need other people to tell him lies just to keep him happy" ;) (/j)

Damn, way to throw Levi under the bus. I can see why, for someone like Nico, they would want to assert themselves as not the most abnormal person here, though. I just want them to be neurodivergent buddies :(

If that's the case, then I'd have to imagine that we won't be seeing Nico as a killer again down the line. However, they could also just mean "getting caught"/"going in without a solid gameplan," so it's still possible we will. There's also the possibility of them doing something more like a sacrifice kill, although it would take a lot of character work to make something like that feel within Nico's nature.

Sorry to keep screenshotting every little thing Nico says but they keep saying really interesting things. The fact that Nico specifically mentions their father as opposed to "parents" or "family" makes me think that we'll hear more about their father specifically sometime in the future. Or, who knows, maybe their other parent left or died.

Nico: I don't expect you to forgive me. Very few people ever do. So I don't see the point in acting sorry.

This was very interesting as an addendum to the above screenshot. What exactly did Nico "ask for" forgiveness for in the past? Was it just more social blunders, as they described in ch2-e2, or did they get into more trouble closer to this level than we realized? It could also be an indication that Nico has spent time with people who believe that being nonbinary is a crime that Nico needs to feel sorry for. Fascinating stuff, indeed.

Points for Ace being the killer. We know that he went into this trial looking to suspect Nico ("[...] I'm pretty sure I know who the murderer is. It's not David, it's Nico"), so if Ace is the killer, it would make sense if he'd want to make the crime scene resemble Nico's to make his bait more credible.

Hey, it's the aforementioned T A P E T I M E, motherfuckers :D (still /j) Personally, it's quite gratifying to hear that it wasn't just a visual malfunction or a minor detail blown way out of proportion.

You're, uh... getting to this point much faster than I expected, queen. I don't think she's now going to go down the exact same distrustful rabbit hole that she was in before, but there's definitely still potential for her hopes to be crushed by the end of this chapter. Or, maybe she will accept some people as genuine friends, and instead in the future have to confront how she feels when she loses a genuine friend, or not blaming herself for the effects of her luck, or something along those lines. I like that Teruko isn't a static edgy protagonist, though. Like, don't get me wrong, I've always known and appreciated that she has depth, but it's refreshing that she isn't someone who's so stubborn about her own way of thinking that she refuses to admit when she's in the wrong. Teruko really wants friends, guys.

TERUROSE REAL??????

(Also Rose's speech was excellent as well I just didn't have anything in particular to say about it other than "wow" at the moment)

Yahoo, lockdown logic strikes again! Also, a quick

Is Teruko Correct In This Assumption?

Personally, I fully think yes, only Ace or Eden could be the culprit at this point. MonoTV confirmed that it tried to restore the Gym to the best of its ability but couldn't return the tape, which means both that there was no tape in the Gym to be taken and that there was never any spare tape in the Storage Room that MonoTV could have used to replace the roll. I guess you could say that there was an extra roll of tape in the Storage Room that someone else took before the murder took place, but that level of coincidence seems implausible at this point in the Trial.

No, for anyone other than Eden or Ace to have acquired the tape, they must have either stolen it from one of those two or asked for it from one of those two. Asking them seems very unlikely-- for starters, if it was Ace who took the tape, I don't think he'd be giving free hand-outs to anyone. And, if Eden isn't the killer herself, that means all of her fright regarding stumbling upon Ace's body was genuine. I don't think she's naive enough to then hand over what was used in Ace's murder to anyone asking... or at least not without bringing it up now. Beyond that, anyone who would ask either of them for the tape would have to know that the tape was used in the murder attempt, knowledge of which was very limited. This episode went to lengths to establish that Nico was the sole culprit behind the attack on Ace, and while it's still possible it could all be an elaborate lie, the explanation Nico gave felt very in character and important for their characterization moving forwards. So, while Nico would obviously know it was used, if Nico asked either of them for the tape, surely neither Eden nor Ace would trust them. Otherwise, I think Rose is the only one who could have found out it was gone, but even so, given that neither Eden nor Ace have tried to argue that Rose asked them for the tape, I don't think that happened.

You could also say the same of neither Eden nor Ace claiming to have had the tape stolen from them-- but I could see either of them feeling like claiming to have taken the tape at all right now would be a death sentence, so I understand why they wouldn't say it. Still, I don't know if the narrative is there to support the tape having been stolen from them. On the day after the Gym murder (Day 7), Eden isn't seen in the daily life at all. If someone stole the tape from Eden on that day, I would think that DRDTdev would at least want to show us who Eden was spending time with on that day (given that he put in the effort to make the tape sprite disappear from the Gym at the time it did), so that we would have any idea who might have done so. Ace is seen once in the Day 7 daily life, arguing with Hu, Nico, Levi, Veronika, and Arei. However, having just been attacked, I imagine he'd be hyper-aware of anyone getting close to him, and therefore would be more likely to notice if someone was rifling around in his pockets (if he has pockets?).

Really, I think the only possible candidates for who could have stolen tape from Ace or Eden would be Levi (mostly just for Ace) and Arei (from either of them). Levi might have had an opportunity to take the tape from Ace on the night he was attacked, the night of Day 6. Eden said last episode that Levi "kept trying to help him" after Ace was attacked, which could imply that Levi was the one to put bandages around Ace's neck. Furthermore, he does have a criminal past, which could make him better at stealing. Similarly, Arei is confirmed to be a good pickpocket, stealing Min's pen without Min noticing at all. I think she's the only one with the proper buildup to have taken the tape from Ace at that breakfast, and would be the most likely to have spent time with Eden when Eden was off-screen. (Although, it would have to have been before lunch, because Eden says the last time she saw Arei was at lunch.)

However, I don't think many people think that Levi is the killer anymore, and if Arei stole the tape from Eden or Ace only for the killer to then steal the tape from Arei, I would start to wonder why DRDTdev even made the tape such a scarce resource in the first place. Remember that, if the killer was purposefully trying to recreate Nico's idea, they likely knew in advance that they would need the tape to pull off their plan. It was used in enough places that seizing the opportunity to take it off of Arei seems unlikely, as it was too fundamental to the plan's inception. Besides, for the killer to replicate Nico's plan in the first place, the killer likely needs to be Nico, Eden, Ace, or Teruko, who are the ones who could have most easily taken the tape on their own.

I've already seen people accuse this Trial of being bloated, and while I strongly disagree (I only think cases are bloated when they're stalling for time and have nothing of interest to discuss, and we've still had PLENTY of interesting stuff to discuss), if we spent a whole 'nother who-knows-how-many episodes reversing all of the progress we just made to say that either Nico wasn't actually the one to kill Ace or that someone who didn't see the crime scene killed Arei, that bloating problem would only seem worse to those people.

I understand if you don't want to believe that Eden or Ace has to be the culprit for whatever reasons-- whether that be that they're your favorites and you don't want them to die or you really like your theory and don't want it to be false-- but I really think that this episode cemented that either Ace or Eden will be voted for as the blackened for all of the reasons above. Therefore, I shall be proceeding accordingly.

She was WILD for this. Hilarious line of reasoning.

What's Up With the Body Discovery Announcement?

The "reveal" of this line of logic was no surprise to me. As someone who's believed that Eden is the culprit for quite a long time, we've had to figure out ways to get around this thing before, and besides perhaps "not witnessing the murder," someone else seeing the body before the BDA rang is the most obvious way to cheese it.

However, in order for this to be a thing, we have to ask ourselves-- who would have actually seen the body first?

David claims to, but he has an alibi starting at 7:30 AM with Veronika and J. Both because Arei theoretically wasn't dead before then and because we've been operating off of the assumption that a meal takes about 30 minutes to eat, I don't think any of the three of them could have stumbled across Arei in the morning. Nico and Hu both have an alibi, which I'm going to consider solid enough to remove them from possibility-- one of them spotting the body would be helpful to make Eden the killer, and I think the only people who believe that Hu and Nico are lying only believe so under the condition that one of them is the killer. Whit is out, because him seeing the body beforehand doesn't actually accomplish anything, and so is Charles, because we can assume that, if he saw the body, he would be out of commission. I'm also going to strike Rose from seeing the body before breakfast, both because she's very likely to have been asleep and because if she had already seen Arei's body in the Playground, she probably wouldn't have refused to draw a diagram. That would leave only Ace, Levi, and Arturo as non-blackeneds who could have helped facilitate culprit!Eden from not being caught by the BDA.

However, we also have to consider that "before 8 AM" isn't the only time someone could have stumbled across Arei's body. They also could have seen it before Teruko, Eden, and Whit did while everyone was looking for Arei. So, what do we know about what happened during the search for Arei? Not much. Hu says that they should split up, while J says she's going to check Arei's room. Teruko says that most people are probably searching the first floor, an assumption that's supported by Teruko, Eden, and Whit not seeing anyone else while they check the second floor. You might think that would eliminate the possibility of anyone else seeing Arei's body during the search, but Teruko did say most people, not all. There's also what MonoTV said when Teruko and Veronika were investigating the Gym.

MonoTV: It's too high! If you stood in the movie screening room on floor one and started punching through the walls, you'd fall into the playground.

This not-yet-addressed piece of evidence got me thinking about the possibility of someone seeing Arei's body from above, standing in the Motive Screening Room. It still probably couldn't be Teruko, Whit, Charles, Rose, or J, but anyone else would theoretically be back on the table if that were the case. That being said, I can't find any visual differences in how the Motive Screening Room looks between the beginning of Chapter 2, when the search for Arei begins, and when Teruko goes to check the motive secrets (other than a curtain being added over the screen in the third case). So, unless there was already a heretofore unmentioned hole to peek through in the room, I wouldn't count on that being the case. The connection between the Motive Screening Room and the Playground will probably just be relevant to a different chapter.

Therefore, that leaves us once again with Ace, Levi, and Arturo. The main problem with believing that any of them could have seen the body beforehand is why they wouldn't have brought that up at this point in the Trial. Here are my best guesses as to why:

Ace: I have genuinely no clue why Ace wouldn't have brought up that he saw the body in the morning (assuming that he actually did) to defend himself at this point. It's not like it would make anyone more suspicious of you.

Levi: Levi does seem to be a bit dense regarding what is and isn't helpful behavior in a Trial, so the most likely possibility to me is that he just didn't realize that confirming he saw her was helpful. Like, "oh, I didn't realize that me confirming that I saw Arei would help us pin down Eden as the killer. I was just trying to figure out how David and I both saw Arei's body this morning and I didn't see him." "Wh-- David was obviously lying!" "He was?" "I already told you he was lying before..." "Levi... we talked about this..." Bonus points for it not being out of character for Levi to be unfazed by seeing a body, though.

Arturo: In Arturo's case, I think it would have to be that he'd still be worried about people seeing him as suspicious for saying he found Arei's body in the case of accusing Eden specifically. They already have a past history of conflict, and I could see someone brashly accusing Arturo of throwing Eden under the bus just to get revenge on her for the secret thing (even if I don't think he would actually do that). He also made an enemy out of Arei, so I don't think he would be particularly fazed by seeing her corpse either-- similarities to Felicity's cause of death notwithstanding. However, I also find it likely that he trailed after J in going to check Arei's room.

So, what's our conclusion here? Does this mean that Eden is basically fully cleared by triggering the BDA? I wouldn't count her out just yet, but the evidence isn't looking great for her. It's quite possible David only brought up this argument to A) hold out suspension of disbelief that it's not just Ace for a little while longer, B) drop this logic as foreshadowing for a future killer's plan, C) characterize the kind of logic he uses in a Class Trial, or D) bring up this argument in canon so that the people who theorized that the BDA might not clear Eden or Whit wouldn't be like, "wait, but what about...?" However, it's also possible that one of the possibilities I listed above, something I might have missed, or the "see no evil" idea (as FF put it) could keep Eden in contention. That dynamism is part of what makes Ace and Eden feel so evenly matched.

See, this is what I assumed David was getting at after Nico reminded me of his early-morning alibi. But then he just kept talking...

I'm not going to delve into what David was thinking here too much, because I already have an anonymous ask about what I think David's rationale was that this will almost certainly come up in. However, as a short version, I imagine that David is trying to get everyone angry at each other in the hopes that it'll incite another murder that he can get the class to fail? Or to cause enough discord in the group that they just fail this one. That would be why he also rags on Rose for not remembering the tape, and insults Arturo's sister-- he wants no one to trust anyone so that the murder-solving process will be as un-streamlined as possible.

The fact that he targets Teruko so specifically is probably because he (accurately) assesses her as the only real threat there. Charles and Rose can help, sure, but their mental struggles make them easy enough to eliminate if you play your cards right. Teruko's main flaw is her lack of trust, so if David wants to weaken her, it makes sense to go right for that jugular. Furthermore, by stating his plans so plainly and publicly, it might incite other people to fight back against him and say that Teruko should trust them. However, that kind of olive branch might make Teruko even less inclined to get close to them, if what Teruko said to Eden at the end of ch2-e03 can tell us anything. Didn't stop Eden from trying at the end of this last episode, though!

After taking some more time to think about what David was up to this chapter, I might change my mind on those being his goals. But, this post does serve as my initial thoughts of sorts, and that's what I initially think about this scene.

I wholeheartedly agree.

Does Ace Have Nothing To Do With Arei?

What Ace has to say is more or less true-- barring the breakfast in which Arei didn't talk at all (AKA, no conversation), Ace has literally never been in a small group event with Arei. However, although they didn't talk to each other, Ace did overhear the conversation between David and Arei, which does give him a connection to Arei. Quite relevantly, Arei did say this to David during their conversation:

Arei: You said that sharing our secrets would help fight against the motive. But when I think about it, not a single good thing has come out of that. Eden was stupidly naive, as usual, and tried to talk to Arturo, so now I have to protect her.

From this, Ace could probably surmise that Eden had Arturo's secret, she talked to him about it, and that Arei stepped in to save her from Arturo. He was one of the few people who could have known that Eden and Arei grew closer before the murder occurred: another connection Ace had to information about Arei.

However, before you use that evidence to call Ace the killer, let me remind you that he still doesn't have enough information to write the note from just eavesdropping on this conversation alone. As I outlined in this theory (same as the one I just linked above), whoever wrote the note had to specifically know that Arturo's secret was about his sister, which Arei doesn't divulge (quite possibly because she didn't even know) to David. Therefore, although Arei mentioning Arturo and Eden in this conversation is interesting, it doesn't actually make Ace any more likely to be the killer, because he still would have needed to find some way to spy on Eden's secret and/or Arturo and Eden's conversation to write that note. (Unless mentioning the sister specifically was an oversight plot hole, but I never want to use that as my reasoning.)

So, do I get what Arturo is getting at? Yeah, Ace and Arei were never particularly involved, and Eden clearly has a greater connection to the victim. However, there is more to the Ace/Arei bond than it might first appear, and it's possible that could come up in the Trial moving forward.

This distinction-- between "Arei was my friend" and "Arei could have been my friend"-- could be very telling down the line. Eden pauses mid-tear-filled rant to distinguish that Arei is not her friend, not because she's dead, but because they hadn't reached that point yet. Arei is not Eden's friend in death. What can that possibly mean other than that Eden killed Arei?

... BUT THEN HOW THE FUCK CAN EDEN GO AND SAY ALL OF THIS, BE THE KILLER, AND THEREFORE PROVE DAVID RIGHT???

AND THE "BECAUSE THAT'S WHAT FRIENDS DO" REFERENCE??? AT THIS HOUR????? I DON'T EVEN KNOW IF THAT MAKES HER SEEM MORE OR LESS SUSPICIOUS!!!!

OUGH AND THE MIN PARALLELS TOOOOOOO

MIN WAS TERUKO'S FRIEND BUT ALSO A KILLER. DOES THAT MEAN EDEN IS GOING TO BREAK THE CYCLE OR DOES IT MEAN THAT WE'RE STUCK IN A DOOMED STORY IN WHICH TERUKO IS THE PROTAGONIST? IT COULD GO EITHER WAY!!!

Jumping back in time for just a moment...

A Piece of Evidence That Lines Up to Them Only

I thought about making this its own separate post, but decided not to. If you guys want me to make this part it's own separate post so it's easier to find/comment on directly, let me know, and I'll set that up.

But before you can make your decision, I suppose I have to explain what I aim to do here. Basically, Teruko has told us that she's still torn between Eden and Ace (mood), and that, while she'll start off attacking Ace, she's looking for any pieces of evidence that could prove that only one of them could have committed the crime. Problem is, we have no indication of what that specific piece of evidence could be, and, trust me, it could be a lot of them. Thus, what I'm going to do in this "mini" theory is list out every piece of evidence that I can think of, and say whether it points to Eden being the culprit, Ace being the culprit, or it can't point to either of them. Perhaps once we're done, you'll see why I'm so conflicted on which of them it would be.

I'm going to tier these pieces of evidence in terms of least likely to be the missing piece to most likely to be the missing piece, starting with all of the aforementioned unexplained gym evidence. The knocked over benches and weight rack were not part of the replicated crime scene, and I have no idea how Ace or Eden would have wound up with any version of Nico's cowl. The missing tape on the pull-up bar has the greatest likelihood to be relevant, but as we're already suspecting both of them for having the tape, I don't think it'd be a decision maker. Any of those pieces of evidence would be likely to come up in proving that Nico wasn't the one behind Ace's murder, but this theory is operating under the assumption that Nico is the one who tried to kill Ace, and either Ace or Eden killed Arei. If you want the answers for your own theory, do your own homework. (/lh)

Ace or Eden will get a point for any evidence that I think would better be used to accuse them as being the culprit. Therefore, winning points is actually a bad thing if you want to be innocent. For convenience of "scoring," Eden will be purple because of her shirt and Ace will be pink because of his "maroon" hair... and because I needed red and orange for the likelihood ranking.

UNLIKELY FINAL PIECES OF EVIDENCE

Arei's Body Swinging: This evidence has already been used to establish that Arei was killed in the morning, not at night. Either Ace or Eden could have killed Arei at 7:30 AM, so point to neither of them.

Ace Trying to Assign Himself to Guard Duty: This one is obviously a point for Ace if it were the final piece, but it's such a minor happenstance that I doubt Teruko would think to bring it up as the main thing against him. Like, she could bring it up in general, but I don't think it'd be her crowning jewel. Still, it's a piece of evidence we haven't discussed yet, so credit where credit is due.

Arei's Bound Wrists: Bound by the grippy tape that either of them could have stolen. Point to no one.

Broken Playground Lights: The lights in the Playground are broken, likely from the mechanism being hung up through the ceiling rafters. You could argue that this is a point for Ace's strength, but I don't think throwing a ball that high requires so much strength that Eden couldn't do it, especially if you might be able to use the see-saw to launch it somehow. Point to no one.

Dried Up Puddles: This has nothing to do with either of them. Point to no one.

Carousel Wrapped in Tape: Again, either could have had the tape, so point to no one.

Two Pieces of Rope: Either of them could have taken the rope from Storage and cut it; point to no one.

Food/Utensils/Napkins in Trash: Probably David's dinner. Possibly evidence of Eden and Arei having breakfast together, but that's a stretch. Point to no one.

Cups/Tissues/Palette in Trash: Rose says these were hers. Point to no one.

Incense in Trash: I know thebadjoe had (has?) theories about this being used to conceal the scent of Arei's body being hidden in the Relaxation Room a day earlier than anyone thought, but I find that to be too much of a stretch to accost Eden for it here. I think it's just filler. Point to no one.

Grippy Tape in Trash: I should just stop writing out tape evidence. Point to no one.

Broken Jugs: The killer used jugs of water to make Arei heavier, which broke when she fell. They probably had the fish water in them, but we're not talking about the fish themselves at the moment. I'll say point for Ace because the jugs are probably from the Gym, and we've seen Ace in the Gym far more times than we've seen Eden.

Needle and Black Thread: This evidence... might have to do with the ball of clothes, which we'll get to later. However, if this is relevant to the murder, it's probably from the Dress-Up Room, in which we've seen Eden but never Ace. Point to Eden.

Construction of the Note: After a bit of internal debate, I'm going to call this a point for no one. Why? Well, it's because Eden would have reason to help construct the note whether she was the killer or not. If she is the killer, she might have wanted to guide the discussion that followed its reconstruction, to urge to Rose and Whit that she's innocent and that someone must have framed her. It would also give her reason to come into the Trial already having a handwriting sample on her. However, if Eden is innocent, she also easily could have just wanted to help out. Most importantly, Eden already brought up the note being constructed in her initial defense, so I doubt Teruko would reuse it as the nail in someone's coffin.

Splashing Arei With Water: Either of them could have thought of this and accomplished this. Point to no one.

SOMEWHAT LIKELY FINAL PIECES OF EVIDENCE

Body Discovery Announcement: While this may very well play an important part in solving the case, I don't think it'll be the final smash, so to speak. That's mostly because we already talked about it a lot in determining whether Eden could have done it. In the end, I think we'll either have to come up with a way to justify Eden having cheated the BDA-- by Levi or Arturo having seen it or via see no evil-- or we'll accuse Ace without the BDA being a problem. I guess I have to call this a point for Eden because if the BDA were to be the damning evidence, I think it'd have to be for her. However, in my heart, this is totally evidence supporting Ace being the killer.

Arei's Broken Neck: I'm using this as a stand-in for the strength of the killer, in the sense of lifting Arei up and being able to stop the carousel. This is a point for Ace, because he's a professional athlete and Eden is generally the weakest person in the cast.

Scratches on the Ground: This evidence certainly seems to indicate that there was a struggle at the Playground, but is there anything more to it than that? I'm more willing to believe that Ace could have beaten Arei in a fight, but does that point to Eden because there would've been more of a struggle, or Ace because Eden wouldn't have wanted to fight Arei at all? Ace also normally wears heels (while Eden and Arei don't), which is what Hu cites will naturally scratch up the floor. This evidence is vague enough that I don't think it'll be used to point to either of them, but if it did, I think it's more likely to be Ace.

Ball of Starched Clothes: For starters, I'll share (I think it's) thebadjoe's theory that the ball was adhered together using starch from the Relaxation Room that's sprayed on the plants at night, because I saw some people questioning how the clothes could have been stuck together. Anyways, the ball of clothes itself is definitely a point for Eden, because we saw her in the Dress-Up Room specifically looking for Teruko's clothes. Although, Ace certainly saw Teruko and Hu's new fits, so he could have figured it out for himself.

Actual Acquisition of the Tape: I don't think this will be used as the final piece just because I feel like the narrative is pointing towards the damning evidence relating to Arei's actual murder as opposed to Nico's. However, it's relevant to discuss, so I'll list it here. Although Teruko says that Ace and Eden had equal odds at the tape, on the surface, it really makes much more sense if Eden was the one to take it. Star explained it well here, but I'll add my own recap: in the moments when the tape must have been taken, in between when Nico leaves and when MonoTV kicks everyone out, Ace is recovering from unconsciousness, covered in blood, full of rage, and has all eyes on him. Meanwhile, Eden is scared, sure, but she had a clear moment to actually examine the scene of the crime and is also knocked to the ground-- potentially right next to the tape-- with all her wits about her. While it's not impossible to believe that Ace sleight-of-handed the tape, Eden had a much clearer path to taking it. Point to Eden.

MOST LIKELY FINAL PIECES OF EVIDENCE

Arei's Missing Glove: To my memory, Arei's glove hasn't been brought up in the Trial at all, which is definitely strange, because it must be missing for a reason. If DRDTdev is crafting so much detail into the BDA that the swinging of the body is plot-relevant, there's no way he would have just missed giving Arei her glove. The question is, what was this used for? Those who are familiar with my theories should know that I've never been a fan of dress-up theories, so I'm going to discount that possibility. The thing I thought was the most likely was that the killer donned the glove so that their hands wouldn't get super scratched up from grabbing the grippy tape-d carousel bars, before gleamingtempest reminded everyone that both Eden and Ace already wear gloves. Still, looking at them, Eden's gloves are probably made of something more like cotton while Ace's gloves likely have some sort of tougher grip on the inside. So, Eden would probably be more likely to need something else to protect her hands. Also, given that both of Arei's wrists have marks on them, the glove was likely taken off before her wrists were tied. I can't figure out why Ace would have taken off Arei's glove before restraining her or how he would have gotten Arei to take it off otherwise, while for Eden, at least, I can imagine her asking Arei to take off her glove. Therefore, I'm going to call this one a point for Eden, while also throwing out that it might just be missing if Arei didn't bother putting on her glove for the early morning meetup.

Fish on the Playground: You've heard it from me before, Eden has an alibi through the entire time the fish could have been taken. With seemingly no accomplices (other than possibly Arei) in sight, I don't know how Eden would have gotten her hands on those fish. Meanwhile, Ace had a great opportunity. Point for Ace.

Pieced-Together Note: This evidence is very confusing, because I don't see how/why either of them would have implemented it. For Ace, I wrote that entire theory (I'm not going to link it a third time) about how, based on the information in the note and the layout of the first floor, it really seemed like eavesdropping was impossible, and the person who wrote the note had to be Arturo or Eden. Then there's what thefandomenchantress pointed out about Ace's pedantry making it seem like he wouldn't misspell "responsible" in the note, and that he just doesn't give me the vibes of someone who writes in cursive. By all accounts, it really seems like Ace can't have written that note. But then again, why would Eden have written that note? Okay, bad phrasing; she wrote it to get Arei to come to the Playground. But still, why would she sign it? Or if she were to sign it, to make sure that Arei knew it was her, why include so much detail about what Arturo's secret was? More importantly, why wouldn't Eden have just stuffed the ripped up note into her belt, or her pockets, or her room if it would serve to incriminate her? Put it wherever she put that glove! Hell, why not eat the note, if it's a life or death situation? There's the "reverse psychology" argument, but similar to what Teruko said this episode, it would have been much simpler for Eden to have pretended that Arei came to the Playground for some other reason without the killer planting some sort of note meant to frame her. And it's not like I think Eden is really the type to misspell "responsible" either. So, I'm kind of at a loss. It's such a major piece of evidence that I feel it has to come into play again somehow, but I'm not sure how. I think I'm going to call this one a point for Ace because at the very least I understand why he would want to leave this evidence here, even if I don't know how he created it. For Eden, I don't get why she'd leave it lying around, even if in pieces. You can call it revenge for Eden getting the point on the BDA, if you wish.

So, what are the results? If you add up all the points together, you wind up with 6 points for Ace and 6 points for Eden. Funny. If you tier the points, however, with 1 point for unlikely pieces, 2 points for somewhat likely pieces, and 3 points for the most likely pieces, you get 12 points for Ace and 10 points for Eden. Of course, that's using my tierlist of which pieces of evidence are most likely and on top of that, assigning the BDA and the Note the way that they are (if you flip them it's 11-11), but still. If you're invested in my findings, these are the results.

Needless to say, I hope you can understand why I'm having such a hard time determining which one of them will turn out to be the killer. Although, I must add...

If we're suspecting Ace first before we've done our Debate Scrum, that's not a good look for Eden never being suspected again in this Trial.

Concluding Thoughts

What? A conclusion? I've never done one of these on a dissection before?!!

Yeah, well, this time, I have stuff to say that I couldn't really correlate to one image in particular! And also I ran out of images, so this is what you get!!!

I spent that whole "A Piece of Evidence" section talking about the physical evidence that could support Ace or Eden being Arei's killer, but in it, I really didn't get to talk about the narrative implications of either of them being the killer at all. I know that Narrative Defenses are typically Venus' thing, but I have my thoughts on this, too. Namely, that both of them are riddled with narrative problems for being the killer at this point.

(Note: I don't mean "problems" in the sense that DRDTdev has written anything poorly. What I mean is, my own perception of how the characters are conveyed has me currently raising red flags about how either of their stories will pan out as a killer or how the rest of the story will pan out without them. At the time the answer comes, I have full faith that I'll be satisfied with the results.)

Let's start by looking at Eden, the spotlight character of the end of this episode. After that whole heartfelt speech with the CGs and the tears and the brilliant voice acting and the everything, how could Eden possibly be the killer?! I'm the one who was trying to defend the possibility of her still being the culprit after her little rant last week, and while I could probably do that again with this speech, it just felt so... I dunno, sincere. You can really feel Teruko's reluctance to put her faith in Eden, but her choice to do it anyways. Teruko already showed signs of growth this episode by admitting that she can't always solve mysteries by herself, so could that be a sign that she might come around on the group faster than we initially anticipated? If Eden was the killer, it would crush Teruko so hard. Is there any recovering from that? Can we really prove David right?

On the other hand, Ace is, quite possibly, one of the most intertwined members of the cast. He's probably Levi and Nico's #1 correspondent, and he's up there for Hu as well-- assuming they both survive the chapter, I'm sure their animosity towards each other will only grow in Chapter 3. With Ace just having given up on Levi, having just been the target of Nico's battery and Hu's verbal lashes, can the story really work without him in it at this point? Eden hardly has connections with anyone other than Teruko-- Hu's probably next, but Eden probably ranks, like, fourth on her list after Nico, Ace, and David-- which should make her more expendable. Is it really Ace's time already?

However, despite my complaints, I also think that both of them could be really good options as the killer here-- the two options I prefer over anybody else.

Eden is the character who's most connected with Arei. She plays into the chapter themes of being a good person beautifully. She's a good person, a tragic figure, that killed not because she wanted anybody dead, but presumably because she had something back at home that she had to get back to at all costs. Killing her off would break Teruko-- would break everyone. With the reveal of everyone's secrets, next chapter is going to be a living hell, so why not make that hell worse by removing the biggest conflict de-escalator here? It would force other people to step up to bat. It would give everyone a chance to change, what Eden wanted for Arei most of all. Eden's development isn't an arc, per say, but a fall-- a reminder that even the "most good" people can do the unspeakable.

Meanwhile, Ace has perhaps the most obvious reason to kill someone: he literally almost fucking died himself. Ace's execution would be a reminder of the physical reality of the killing game. That actions have consequences. Even if the guy who started all those fights is dead and gone, you can still feel his presence lingering in the arguments between the others. The guy you underestimated most of all-- not for being kind, but for being dumb-- can send you into a multi-hour spiral in which you accuse even the sweetest of participants. Ace's development isn't an arc, per say, but a fall-- a reminder that reveling in your own distrust and anger might lead you to do the unspeakable.

For someone who's spent so long believing that Eden is the culprit of the chapter, it's really amazing how down-to-the-wire DRDTdev has made the end of the case, where either option feels so believable that it's like you can picture the rope in their hands. Whether my theories, old or new, were right or wrong, I am highly looking forward to watching next week's episode and discussing it with you all. See you on Friday-- just try not to freak out too much before then, alright? (/aff)

[houseofripley]

HII

Could you write a rhea x fem!reader where they are at a scare house with a bunch of friends and reader is a big scaredy-cat and clings onto rhea the whole time and all of them end up in a maze but rhea and reader get lost and separated from the group and reader is terrified so rhea tried to cheer her up with some make-out time and hugging and reassurance(maybe some smut there or when they get back home🤷‍♀️)

Scared?

Rhea Ripley x Fem!Reader

WARNINGS: SMUT 18+, Publix Sex, Cunnilingus, Vaginal Fingering, Mommy Kink

WORD COUNT: 1,613

A/N: I AM ALIVE SORRY FOR DISAPPEARING!!!! im on spring back so hopefully i'll actually have some freetime now

“No wait, I don’t think I can do it,” you jittered, your anxieties shaking through your body as you stood next in line to enter a dingy barn that was quite literally in the middle of nowhere.

After weeks of begging your partner Rhea to be the hugh hefner to your playboy bunny she agreed under one condition; that you’d go to the scare attraction she had been talking about non-stop. At first you were ready to scrap your matching costume idea altogether but after some reassurance from Rhea that your friends would be there you reluctantly agreed. 

“You are not backing out on us now!” Your friends started throwing playful teases at you.

“Don’t be a wimp, it won’t even be that bad,” 

Rhea wrapped her arm around your waist as she added to the taunts, “My little scaredy-cat,”

“I am not a scaredy-cat! I just don’t like having clowns chase me with machetes,” you attempted to defend yourself.

“That’s totally something a scaredy-cat would say,”

The attendant at the entrance signaled for your group to enter the building. You let a few of your friends enter before hesitantly entering, making sure you were in the middle of the group. Stepping inside a thick layer of faux fog clouded your vision while strobe lights beamed through the hazed air. “I wanna go home,” you raised your voice so your group could hear you over the loud ambiance and scream of others further down the path. 

You braced your hands in front of you in self-defense as you made your way through a flashing corridor. Rounding the corner you were immediately jumpscared by a bloodied woman hopping through a curtain, making you back up into Rhea as you let out a scream. 

Rhea let out a laugh as one of her hands took grip of your waist, giving the skin a light squeeze. “I got you,” Rhea chuckled as she spoke just loud enough for you to hear her. 

Your group of friends continued through the scenes of the attraction with plenty of jumpscares and many more screams before eventually being chased out of the building into the second half of the attraction, a haunted corn maze. 

You hesitantly followed your bunch of friends on the paths, your hand clinging to Rhea’s. It wasn’t long until your crowd was deep into the maze. By the time your eyes had hardly adjusted to the darkness you were soon caught off guard by a group of actors emerging from the corn stalks, causing you to dart further into the field.

“Oh my god I can’t see anything,” you yelled, too focused on running away from the bloodied men, you and Rhea wound up split from your group getting lost along the trail.

-

It had been fifteen minutes since the two of you last saw your friends and ten minutes since a scare actor popped up, your nerves were growing by the second knowing it was only a matter of time before another actor would find you. The grip you had on Rhea’s hand had to have been cutting off her circulation at that point. 

“Look at me, pretty girl,” Rhea spoke, her tone of voice was soft, “you’ll always be safe with me, you know that I’d never let anyone touch you,” she assured. You couldn’t help but look up at her with a soft smile, her reassurance sending ease to your foggy mind.

Rhea’s arms wrapped around you, pulling you into a hug before she dropped her lips against yours. You melted into her embrace as you squeezed your hands around her stiffened biceps. 

“As much as I’d love to kiss you forever, I’d love to get out of this damn maze as soon as possible,” you giggled, pulling back from her lips after a moment before continuing your way through the trails.

-

“We’re never making it out of here alive,” you pouted, throwing your head back realizing you were caught in yet another dead end. You were caught off guard by the feeling of a set of hands grabbing you from behind and pulling you back against their body, causing a shriek to leave your mouth..

“You’re so sexy when you’re scared, all tensed up,” Rhea quietly chuckled into your ear. “plus that little outfit making you all vulnerable isn’t helping your case,” she added, her teeth nipping at your earlobe while her arms pulling your back further against her chest.

“Not funny Rhe’,” you whined. Although your body relaxed knowing you were in the safety of Rhea’s arms, your heartbeat was still stuck in your throat, the thrill of Rhea’s sudden instigating had already begun forming a puddle in between your legs.

Rhea let out a breathy chuckle as she placed a kiss below your ear, “did you really think I’d be able to control myself when you look like that?” she murmured, her hands trailed to the bust of your strapless bodysuit.

“Mm- no but I assumed you’d have enough self control to wait till we got home,” your giggle soon turned into a quiet gasp as Rhea quickly flipped the bust of your outfit down, revealing your chest to the brisk air. Her hands glided to cup your breasts as her lips connected to the crook of your neck. Her fingers took hold of your nipple, rolling the flesh between her digits causing a hitched curse to leave your mouth. 

Rhea soon guided your body face hers, a satisfied smirk painted across her lips as she bent down and took your nipple into her mouth. Her knee found itself separating your legs causing a whimper to escape your mouth as her knee pushed up against your needy heat.

“Rhe’, we might get caught,” you whispered, your hands reaching to grab Rhea’s face, a grin creeping onto her lips as you pulled her face up to yours.

“Oh baby,” Rhea murmured, trailing her hand down the length of your bodysuit, “that’s the fun part,” she added before quickly yanking the fabric covering your core to the side. You sucked in a harsh breath, a shiver running through your body as the bitter autumn air hit your slicked heat.

“No panties? Naughty girl,” Rhea clicked her tongue as her finger slipped across your wetness, gathering your juices on her finger, “look at you, all soaked for Mami,” she hummed before taking her finger into her mouth, sucking your juices from her skin.

Rhea brought herself to her knees before you, her cobalt eyes twinkling in the moonlight as they trailed up your body, silently asking for permission. Although a quickie in a corn maze was definitely not in your Halloween plans, Rhea's mouth was nearly always impossible to resist. Once you nodded your head in approval she began peppering soft kisses to your inner thighs, leaving you whining at the sensation of her warm lips against your chilled flesh.

“Such a brave girl for me,” Rhea quietly praised, tossing one of your legs onto her shoulder, “I think you deserve a treat,” locking eyes with you she flattened her tongue against your cunt. She licked a wide stripe up your wetness, humming at the taste of your arousal. Your hand found itself tangled in her hair, pulling at the jet-black strands as her pierced tongue began rounding your clit. 

You chewed at the insides of your cheeks, hoping to stifle your whines when Rhea’s tongue sank into your heat. Quiet hums of approval escaped from Rhea as her tongue prodded with your entrance, her nose pressed against your clit. 

Rhea’s mouth returned to lapping circles around your bundle of nerves while her pointer finger snuck into your hole. Your abdomen tensed in reaction to her finger rhythmically pumping into your tightness. Faint whines echoed from the back of your throat as Rhea’s tongue worked alongside her finger that toyed with your aching core.

It wasn’t long until a second finger dipped inside of you, resulting in a whined “Fuck,” to escape your throat. Rhea’s tongue stayed focused on tracing shapes over your clit, her eyes still gazing up at you, clearly enjoying the sight of you losing control over her touch.

The adrenaline of knowing there was a possibility of someone rounding the corner and catching the two of you only fueled Rhea’s gestures. Your eyelids squeezed shut at the sensation of her fastened pace, 

“Mami,” you threw your free hand over your mouth in an attempt to muffle your moans, “oh- fuck Mami,” you whimpered, bucking your hips against Rhea’s face, your climax rapidly approaching.

The curling of Rhea’s digits as they pumped into you initiated your orgasm. Muffled moans left your mouth as your climax washed over you, releasing all the tension that sat inside your stomach onto Rhea’s fingers. 

Rhea assisted you in riding out your peak before retracing her fingers from your insides. She brought herself back to her feet, licking her fingers clean, the remnants of your slick coating her chin. “Better than any Halloween candy I’ve had,” she praised under her breath.

“How sweet, but please get me out of here,” you giggled out of breath, playfully rolling your eyes as you adjusted your costume.

You hopped onto Rhea’s back after gladly accepting a piggyback ride from her. Rhea successfully guided the both of you through the rest of the maze, thankfully making it out with minimal scares.

“Jesus, what took you guys so long?” a friend questioned as Rhea carried you to your group of friends who were sat at a bench waiting for the pair of you to show up.

“It's a maze! We got lost!” you threw your hands up in self defense.

[user2772636]

Douzième Fille

12th Girl

××《☆》××

××《☆》××

Some chances are taken too late. You only realise what you've lost when you're starting to lose them. Goodbyes are hard, especially when you've just started.

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Joseph Descamps x Reader

Warnings: ANGST ANGST ANGST, turn back now I'm warning you, goodbyes, intimate scenes, MAJOR heartbreak, swearing

References to Call Me By Your Name

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Chapter eight: Joseph, Joseph, Joseph

===

It was hot that morning. I woke up in a layer of sweat, windows exuding heat, hair clinging on my neck, my blanket on the hardwood floor.

George sits on the window frame, taking the heat opposite of how I was.

I get up, groaning with a slight headache. I place my feet on the floor, keeping my eyes closed for the time being, trying to relax and gain back my senses.

There'd been a feeling in me this whole time, but as I woke up, it felt so much more evident. A clench in my chest.

I don't know where it came from or when it started, but I felt it there. It never really took my attention. Maybe it was from whatever position I was in. Or if I hadn't eaten or drank enough.

Summer is just around the corner, but I don't want it to start. It was always something I looked forward to.

Dipping into cold waters under the heat of the afternoon sun, eating fruits with their juices spilling over countertops and silverware. Tanning, sunburns, dry mouths from salt water. Then winter comes and you wait for summer again.

It's probably because I'm expecting something I know won't be there. But what is it? I have a summer job now, and I'm headed to Paris. What else could I possibly want?

I know exactly what. It's not that I'm afraid of it. It's because I can't change it. And it hurts.

Summer is when I'm supposed to be happy. He's ruined all of that now. I've got to get a grip, too. He won't care, so I shouldn't. But I care. I care a lot.

This isn't something I should think about. I'll forget him as soon as I get to Paris. I'll forget anything that's happened between us, even if nothing really did. I'll forget, and I'll forever have that feeling that I felt now. That something's there, and I'm not giving it attention.

Because deep down, I know what it is. And, it hurts.

××《☆》××

The walk to school was short-lived and ordinary. Nothing special happened. It was just brighter; which didn't really match my mood.

I was also a bit late. Most of the students were already heading in, and the bell rang as soon as I stepped through the gate.

I make my way up the staircase, keeping my head downcast and not paying anyone any mind.

All throught class it wasn't special. We did assignments, lectures, and all common school things. But the sound of pages being flipped, ink on paper, pattering of floorboards, it comforted me. I knew those sounds would stay with me throughout my life. People don't.

When class was dismissed, I took my time. I might not see this school again. I might move back to Paris. I might not see Michèle or Simone as much. And I won't, more so refuse to see Joseph ever.

It was afternoon now, so everything's brighter than this morning. And everything's hotter, too. I shade my face with my hands, squinting to see Callum's well-known car on the side of the road.

He's outside leaning on the door, smoking. I'm guessing his third cigarette today. He still has his wide smile on, and I wonder if his cheeks ever hurt.

"Good afternoon, pretty girl." He says as he patches his cigarette out. "How are you?"

"Hot." I shrug, going around the car with Callum as he opens the passenger door for me. I get inside, him as well after doing another roundabout the car.

"Well, love how you state what I already know." I think about that sentence for a while, sensing it was off. I realise what he meant, and I smack his arm.

"Oh, what now? Let me be funny!" I roll my eyes as he starts the car, a faint smile on my face. One thing I know for sure is that Callum is one of the people who would stay with me throughout my life. He was the reason I'm going back to Paris, the reason I have somewhat of a career. And I'm glad I met him, even with the circumstances of difficult feelings.

Whilst I talked about my day to him, I had realised nothing special happened because I didn't interact with Joseph. The day felt gloomy. It felt so underwhelming, so boring, because he wasn't involved.

"And it's so weird because we hadn't talked since that dinner." I tell Callum, who's been listening to me this whole time. We decided to go to a lake to cool off. It was a bit well known, but not too crowded since the school season isn’t off yet.

I made a quick pick up in my house, including a goodbye to George.

Going back, Callum nods. His hand flexes on the steering wheel.

"So, let me round this up. Joseph's mother invited you to dinner, then teased both you and him, then when he walks you out to their place, some girl-"

"The girl from the alley."

"The girl from the alley pops up from nowhere, fully dressed up."

"Exactly."

"But, why?"

"What do you mean why?"

"I mean, sure, I've never met her, but who could compete against you?"

"Okay, Callum, whatever-"

"No, I mean, how stupid can Joseph be to pick anyone but you?" This makes my breath catch on my throat.

"Don't call him stupid, Callum. He's fucking brilliant."

He quiets down, smile fading just a bit from my serious tone.

"Sorry." I had apologised.

"No need. It's fine. I just... you know what I meant."

"Yeah, I knew what you meant. Just... instict, you know?"

"I get that. You're in love, so you're defensive." He shrugs and starts to smile again. He's holding in a laugh.

"Shut up." I glare.

"Not gonna happen." I don't want it to happen.

××《☆》××

The next morning was the same. It was hot, I took a longer shower, got dressed, said goodbye to George, and headed to school.

This time, I met with Simone. I ask her about Michèle, getting worried that she hasn't come to school for two days straight. Before she could respond, she stopped in her tracks, seeing Jean Pierre across the hall.

"I- I'm sorry, Y/N, but I really need to talk to Jean Pierre. Stay here, please?" She scrunches up her face in guilt, but I simply shrug it off, knowing that if she wants to talk to someone, I shouldn't stop her. Especially if that someone is her boyfriend. Or whatever he is.

They go ahead to talk, me staying at the same place she left me, keeping a close eye on them. I lean against the wall, the hallway now a lot more quiet than when the bell rang a few minutes ago.

Their conversation lasted for only a bit because I saw Jean Pierre walking away. I head to Simone's side.

"So, what did you talk about?" She's still, and there's no emotion on her face. I worry.

"He just broke up with me." Oh. I pull her into a side hug, not knowing whether she was devastated with the news or if she was okay with it. She looked like both but neither at the same time.

I nod towards the stairwell, deciding for the both of us we should head to the courtyard to have our break. Or the bathroom for a quick cry.

We pass by a group of boys, and one of them keeps his eyes on me. Then, when I turned to glance at who it was, I realised it was just an eye.

In that moment, everything in me faded away. All the hate towards him, all the sadness, all the misunderstanding. I just wanted to talk to him again. For one last time. So I did.

"Joseph," I stop in my tracks. I tell Simone to keep going, that I'm fine left alone. She nods in acknowledgement and walks down the staircase.

I turn around to meet his stare. My breath catches in my throat, not having this kind of interaction in a while.

I walk towards him, a bit slow. "Can I talk to you?" I pause. "Alone?"

His friends tease him and push him around lightly, but his eyes are still as well as his whole body. I fear his heart might be, too.

He simply nods and silently eyes his friends to go. We're left alone near the window and take a seat in the space.

"You must be wondering why I'm talking to you again so suddenly." He stays quiet, looking down.

"Joseph..." I scoot closer. I bring both my hands up to his cheeks, only hovering above them.

He stays silent. I bring my hands back until he leans forward and into them, gently grabbing my wrists and holding them still. I feel the air come out of his nose as he exhales, body slumping down.

"I'm sorry. For everything. Ignoring you was one of the most stupid things I've done. Being angry was second." I tilt my head to see if he's opened his eye, but he keeps them closed. His thumb rubs one of my wrists.

"You should be with anyone you want to be with. It shouldn't matter to me. But, it did." He lifts his head, peering an eye. His mouth opens, then closes again. I keep going.

"I missed you. I've been missing you. I miss all the times we weren't mad at each other." I caress his cheeks, and he leans into my touch.

"I was never mad at you." Joseph says, but I shake my head.

"You were. And that's fine. It's okay to be mad at me. I get it." He furrows his brows at me.

"Don't say that. I was never mad at you. I've never been mad at you."

"But what about all those times you shouted at me? Those times in the streets?" He sighs deeply, not as relaxed as before.

"I was mad at myself, but I was letting it out on you. And I'm sorry about that. But trust me, I could never be mad at you."

We just stare at each other after. The silence fills the air, and it's the first time it was like this in a while. I had to tell him.

"I'm leaving." I feel his breath stop, and it's so nauseating.

"What?" He mumbles out.

"I'm leaving." I repeat.

"For the summer?" He squints, the gears turning in his head. I wish it was only for the summer.

"No," I look down. "For good."

He pulls away from my hands, sitting straight again.

"No..." He shakes his head. "Don't lie to me."

"I would never." I look him dead in the eye, not wanting him to think that I would ever do.

"Exactly. I know you'd never. So why are you lying to me now? This is some joke, right? Like a cliffhanger for next year. Right?" I simply stare at him.

"Y/N, please tell me you're lying. I'll let it slide. Tell me you're lying." He begs, grabbing a hold of my dropped hands.

I don't move. I don't look at him. I don't say anything. That was enough of an answer.

"No..." He whispers. He does it all over again as he gets up and paces. He rubs at his eye, and I get up and say "Stop."

He stills. I see the tear stains reflect off his cheeks from the sunlight outside coming in. His head is down as it was before. I sigh deeply, placing my hands on his shoulders.

"Come here." I pull him in, and he immediately engulfs me in an embrace. He sobs desperately, and I try my hardest not to join him.

A series of "please don't go"s spill out of his quivering mouth, and my brain goes numb. He's shaking. His heart is pounding. His mind's all over the place.

I hush him, rubbing his back like I do with a baby, whispering nothings into his ear. When he stops, his body is still slumped down to hold mine.

"We wasted so many days. Why didn't you tell me sooner?" He asks once we're sat back down the window.

"I tried. I promise. We were still mad." He laughs, and it's been such a long time that my brain got nostalgia.

"Fuck. I'm gonna miss you all over again." He bites his lip as he looks down, fiddling with the inseam of his pants. I purse my lips together.

"We'll keep in touch." He shakes his head.

"You'd be everywhere."

"I'll call your home phone."

"I'm not gonna be home in the summer."

"I'll call wherever you are."

"Thank god you thought of something for that because I was ready to start sobbing again." He laughs again, and the suns back in his eyes. Like it left and came back.

I grab a hold of his hands, stopping him from fidgeting. I make him look back up at me.

"I promise I'll phone you every day. I'll send you letters, postcards, and pictures. I'll even send you some magazines I'm in." I shrug, and he smiles.

"I don't think you have to do that last one. I'm keeping my eye on every magazine booth here on out." We chuckle together. We stay quiet again, then Joseph tucks my hair behind my ear.

"You're beautiful, Y/N Pardine. You'll do great out there. I'm only a phone call or a pen away." I flush at his bluntness and smile sweetly. He does, too.

××《☆》××

The party happened. We spent almost the whole time together. We had even danced.

An American song called "At Last" plays in the background as Joseph holds me, dancing slowly.

His hands cup my waist, my arms wrapped around his neck, his forehead against mine. I play with the ends of his hair as he caresses my body.

We laugh, we drink, we talk, and we glance. We do what we missed. We held each other. We absorbed one another.

There was a time in that party that happened between Simone and Jean Pierre. Thank god he finally said something of the truth, because that breakup was a straight lie.

Anyways, the night ended, but nothing happened. I don't know what I was expecting, but there was a feeling something special could've happened to me. Like a string tugging on my insides.

Something to do with pretty pink lips.

××《☆》××

The next morning, I woke up with his arms around me.

He smelt of fading whiskey, cigarette smoke, and expensive cologne. Just as he always did.

His eye patch was off, his hair a mess, and his jacket's on the floor. His shirt is wrinkled, he's breathing evenly as one does in their sleep, and there's a small snore coming from him. It's adorable.

When I get up, or at least try to, his grip on me tightens. Not in a way that hurts, but it's strong enough for me to come collapsing on his chest. He's warm again.

"Five more minutes." He groans, and I sigh deeply. Five more minutes will be alright.

Ten minutes pass, and only then do we get up. I hand him a towel and some clothes, my father's again, then one of my own, then usher him to the bathroom. I fix our bed, pick his jacket up off the floor, and fold it neatly.

Once I hear the shower turn off and the door creak, I try my best not to turn and just... stare. It's creepy, I know. But, who could blame me? I mean, I was leaving for good.

Right. Leaving for good.

I feel his arms wrap around my waist, his head tucking into my neck, his nose poking at some sensitive spots. I squeal silently, and he chuckles to himself, the vibration of his chest spreading around my back.

"Want some breakfast?" He whispers. George lies by the windowsill, watching the both of us in embrace. His tail moves around, eyes blinking slowly. He's glowing from the sunlight hitting him.

"If you don't mind. Please, and thank you." I turn my head a bit towards him. He nods, pressing a kiss to my hair. I smile to myself whilst I check things off my list last minute.

He's done with breakfast by the time I finish my quick shower. I'm fully dressed now. The only things missing are my coat and my suitcases.

Joseph sits across from me. We were in this position before.

"So, how's Callum? Still a prick?" He says as he stabs on some of the eggs he made. I finish my bite before answering.

"Callum's doing fine. I don't know why you've always been so off about him. He's a good guy." I shrug, tilting my head for an answer. "What's got you like that?"

He sighs, dropping his utensils gently on the table top. I place a hand over his, and he turns it to hold mine.

"Felt like he stole you from me." He mumbles, but it was clear enough for me to hear.

I purse my lips at this remark. "No one's gonna keep me away from you. Except that girl that actually did." I laugh as Joseph groans.

"I already told you, I didn't even know her." From this, I kept going.

"Well, then why did you basically call me a slut?" I raise my eyebrows in amusement, as to show that I moved on from it. Still, I was curious.

He pauses. For a long time. I begin to worry, thinking he actually meant it. I try to pull my hand away, but his grip turns firm.

"No." Joseph whispers out of desperation. He's taking deep breaths. I can tell he's overthinking. But I need to know the truth.

"You've got to tell me, Joseph. Otherwise, we'll shrug each other off again. Do you want that?" I push on him. He needs to tell me. I need to know.

"No. I don't want that. Just..." He closes his eyes, readying himself.

"The boys wanted to talk to you. I couldn't let them. I knew how they meant. And I'll just put it simply that they meant badly. So I had to tell them things about you that weren't true so they could get pushed away from the idea of you." He cups my cheeks from across the table. I lean into his touch.

"I don't want anyone to take advantage of you. Thank whatever god is up there that I found out because if I hadn't..." He breathes in deeply, caressing my face with his thumb. "I don't even want to think about that. Okay?"

I nod. I get up from my seat to give him a hug. He remains seated, his face pressed up on my stomach. I rub his back and comb fingers through his hair.

He stands up slowly, hands still attached to my hips. They roam up to my wait as he hovers over me, and I feel my breath hitch in my throat. He's so close. His nose just bumps into mine. He's looking down at me. At my eyes. At my lips. His breath is haggard.

"Callum's probably waiting." I whisper, my breath fanning over both our lips. Our lips only an inch away from eachother.

"Let him wait." His voice is low. He's starting to make my knees buckle.

A loud crash is heard throughout the flat. I yelp away from him. Now we're feet away from each other, cheeks flushed and hair tousled. As if we did something. And we didn't even.

George meows on the kitchen counter, staring at us innocently with the keys now on the floor. I sigh deeply, walking towards him and picking him up.

"Oh, I hope you don't mind, but," I hand George to Joseph. "My baby's yours."

His eye widens in surprise, then he switches his gaze from me to the cat, then back to me, then back to the cat.

"I can't..." I shake my head, smiling.

"He's yours, Joseph. That's final. He already loves you more than me. It's alright. Plus everytime you see him, you think of me."

He flushes, demeanour relaxing. "I already think of you too much."

It's my turn to flush now. But I respond. "Good."

××《☆》××

We arrive at the train station. I bid a thank you and goodbye to Joseph's mother, hugging her for a short while. Joseph carries all my belongings.

I spot Callum at a bench.

"Callum, you remember Joseph." I nod to Joseph. He drops my things next to Callum's.

"Of course I do. The infamous lover boy. It was nice meeting you, man." Callum shakes Joseph's hand. Joseph purses his lips tightly, gripping on Callum's hand.

"I'm still not sure about you... but she trusts you, so I should, too." Callum nods firmly. They let go of their handshake.

"Well, I better get our things in. Say your final goodbyes." He moves to go in the train. Me and Joseph are alone again.

"Got your pretty things intact?" Joseph teases, and I simply laugh.

"Yes, I do." I look up at him. He moves closer, hands on his hips.

"One day, I'll hear those words again." There's a feeling in me. Like dejavu, but a feeling from the future. I couldn't explain it, but what he said made sense. Like I knew, I would say those words again, too.

We stand in silence. I walked closer, embracing him for one last time. He leans down, his hands tight around me, his head over mine. I feel a lump in my throat.

We held each other for one last time. We smelt each other for one last time. We absorbed each other one last time.

I try to pull away, but he pulls me back in. The lump grows bigger.

When we finally pull away, my eyes start to sting. I palm my throat, trying to push that growing lump down. His hands are on my shoulders. He lets go.

"Goodbye, Y/N Pardine." He mutters, his voice breaking.

"Goodbye, Joseph Descamps." I mock him with a smile on my face.

I turn around and walk on the train. Joseph follows me, guiding me up the steps. His hand holds onto mine. I hang on the pole.

The train blares its horns, and it starts to move very slowly. The tears escape my eyes. He wipes it away.

"Y/N," he says. "I love you."

I sob. I laugh. It's a bit ugly.

"I love you, too. So much."

He stands on his toes and kisses me. His pretty pink lips are finally on mine. I grip the trains pole harder.

The trains blares again, and my kisses become more desperate. The train moves faster and faster, and Joseph starts to run. His lips start parting from mine, tears dropping even more.

"Come back to me, Y/N!" He shouts. He's still running. He's laughing now. And he's crying. He's beautiful. He gets farther, farther, and farther.

Then he's gone.

××《☆》××

End- Chapter eight: Joseph, Joseph, Joseph

Next- Chapter nine: ______

××《☆》××

I'm actually crying omfg. This hits so diff w the song in the background. Its short but omfg the angst. Help me. Hahhahahahaha.

[soundlesswind]

Mononoke: Karakasa Review

Mononoke - Phantom in the Rain

Now that it's officially out globally, I can finally offer some thoughts and reflections on the long-awaited continuation of the cult-beloved Ayakashi/Mononoke series. My main tagline for this review can be summarized thusly:

I liked it...but it could have been better.

(~ not spoiler free, read at your own discretion ~)

Karakasa: Visually, it's a bang---structurally, it's a bomb. That about sums up how I feel about the movie overall. It's vibrant, beautiful, and full of intricate patterning and details, and is in a way: both a step up and a step down from the original.

...But what do I mean by that really? Well, I think we need to first highlight what makes Karakasa and Mononoke rather different.

Ayakashi/Mononoke has a much slower pacing, with slightly more muted, and washed-aesthetic tone despite its colourful designs. It shifts from being more colourful or more sombre depending on the type of scene it wants to depict. But even at its most saturated, it never gets quite as vibrant in contrast compared to Karakasa. ...However, you could say that may be in part due to the sheer difference in animation techniques developed over the course of nearly a decade between the two (2006/2007 vs 2024).

That isn't to say Karakasa doesn't have moments of dark imagery, but that even at its darkest, it remains distinctly vibrant and high-in-contrast. You could argue for it as a conscientious choice...but personally, at its root: Mononoke is a horror-ghost story; and the gritter, muddled palettes rather add to that charm.

(2007 Mononoke - Noppera-bou, and Nue)

(2024 Karakasa)

To match its mood, Mononoke also has a much slower cadence and story tempo, despite any singular arc being overall shorter than Karakasa. That cadence adds to another difference: which is spookiness. I find Mononoke to be far spookier and more effortlessly imposing than Karakasa. There's a bit of tension and suspense in the way it's presented: both visually and vocally* (a point I'll bring up later). Mononoke is sometimes boldly laid out in seemingly disjointed flashes, but still somehow ends up cohesive and immersive with its themes and motifs; feeding you just enough information to wet your appetite as to where and just how far it wants to take you. And this is of course, done in parts over the span of 2-3 episodes.

Karakasa on the other hand, has a pacing that feels like a marathon. It seems almost lightning fast, despite the first half of the movie being entirely sociopolitical intrigue without much in the way of anything overtly youkai-esque. In fact, our Medicine Seller doesn't even step foot into the Ooku (women's court) until around 40 minutes in...which is nearly half the movie! ...But naturally, since it's a movie, it will be movie-formatted. Everything is going to run as if it were one singular episode long. --- Still, what does that mean for the pacing?

If you don't know what "tea house tales" "is.....it's basically a format of short stories told over several sessions. It's one of the ways people in the historic East used to tell stories. They'd gather around somewhere, drink tea, eat snacks and share a bit of light entertainment. In the same way the episodic nature of Mononoke is somewhat reminiscent of that. Each part feeds you a bit of information, a bit of mystery, a bit of suspense, and a bit of action. It keeps you sufficiently entertained one way or another without stringing you on far too long before any sort of climactic reveal. In this way, Mononoke feels more balanced and evened out than Karakasa. But even the format aside, I found Karakasa a lot less clear and concise with what it's trying to portray. There were parts of the movie I had to re-watch a few times or sit down and think about afterwards just to fully understand what I think it was alluding to, which wasn't an issue with Mononoke whatsoever. The plot, both visually and thematically was always clear as day for the original series, where as Karakasa sort of muddles on and off between mystery and court drama over the course of an hour and a half.

Personally...I think one of the detriments to Karakasa is the sheer size of its cast. There were simply way too many characters (27+), and some of them even have overlapping roles. There were also quite a few without clear rhyme or reason. For example, we get introduced to Tenshi, Mizoragi and the moon twins, and an assortment of other characters who don't really have much of a presence in the movie (other than to to be positional seat warmers) and are shown for a collective total of a few minutes. Karakasa IS a trilogy however, so it's possible that their roles may be elaborated in future movies, but in regards to the current film, they feel like a distraction. I guess they're going grand and all out, but the benefits of a smaller cast is that you get more intimate with each character and their already very limited screentime. It just wasn't possible for me to feel any intimacy or investment into the large cast of Karakasa---Asa and Kame included.

Comparatively; I always felt truly, fully immersed in all the story arcs of the original Ayakashi/Mononoke. I cared about the characters, or was so invested in their sorrowful tale. But I didn't particularly feel that way about Karakasa because whatever message it was trying to convey kind of got lost in-between all the court drama...which, I'm not sure some viewers may even understand or empathize with unless they already have some knowledge of what women in the imperial harem go through or how it functions. (Speaking of which, Asa practically speed ran the exposition towards the end regarding Kitagawa and her own motives.) Just to name a few: there's the rank struggles of Asa and Kame versus the leaders of the Ooku; the political positions of Fuki, Botan and the other consorts, the political household ties of Saburomaru, the grip of Mizoragi's strange cult, and the (lack of) political power that Tenshi (the emperor) holds versus the Shogunate in the Capital (---I'm not entirely sure what timeline we're in right now, but the fact that there IS a Shogunate implies a lot.)

...Anyway, you can see why there are too many distractions in this movie for me to fully feel immersed in whatever it's trying to tell. It's supposed to be a movie of women's suffering (under the weight of men and the social sphere I suppose), but most of the time it felt more like I was just simply suffering watching women cat fight each other until they quickly got picked off by the Karakasa mononoke.

Speaking of the titular "Karakasa", though... it certainly was an interesting choice of youkai. I wonder if it was because traditionally, karakasa aren't violent youkai, they're merely scary tricksters; and it wasn't as if Kitagawa was really out for revenge (though she did pick off a few people).....actually, now that I've written it out that way, Kitagawa's motives are a little unclear. Or maybe it didn't matter anymore as karakasa grew to the point it became uncontrollable. Either way, I think if they had refocused the movie on Kitagawa and actually visually show the parallels between her, her "friend" and Asa/Kame...instead of giving us a verbal speedrun exposition dump towards the end...I might have felt a little more sympathy (...or just simply anything worth feeling towards the story). But alas.

It certainly didn't help that I was a little unsatisfied with some of the voice cast. For the most part, I was okay with the side cast (particularly the males, since the females hardly had lines); but felt it was a waste that Tsuda Kenjiro (Mizoragi) also hardly had any lines (...though I have a feeling he'll play a bigger role in the next movie). He was actually even one of my 3 ideal choices for Kusuriuri's recast (next to Ishida Akira and Toriumi Kousuke). I've said it before and I'll say it again, I love Kamiya Hiroshi, he is one of my favourites...but I think his role as Kusuriuri was a bit lackluster since his vocal range is medium-high and therefore does not go deep or husky enough to carry the same spook factor that Sakurai Takahiro's voice has. Karakasa also lacks the unique staccato often used in the original Mononoke which gave it an overall interesting sound and pace. I loved the odd vocal nuances and pauses in the previous work and was very sad that it's more or less nonexistent in Karakasa.

My second complaint would be with Asa and Kame's cast, which I felt might've benefited more from actresses with more interesting inflections. Kurosawa Tomoyo is an okay actress. She gets the job done but generally does better on long-running series since she takes a long time to fully have a grip on her role. Honestly, she was on auto-pilot and was quite boring throughout Karakasa. Aoi Yuuki on the other hand has a lot of vocal range, but generally suffers from inconsistency and just sounding like nails on a chalkboard. (I won't even mince it; my housemate walked in on me watching Karakasa on the telly and literally flinched at her voice because it severely hurt her eardrums---my condolences).

Generally speaking, I do prefer older seiyuus, they just have qualities I enjoy more, but I do also think the movie would've benefitted more from either a liveaction casting or a Showa casting. Most of the characters (in both Mononoke and Karakasa) kind of...oddly use modern speech instead of feudal Japanese (minus Utayama), and given that the Ooku IS a court drama, doesn't use court language or any regional dialects whatsoever (granted I'm not even sure if this is Kyoto, Edo, or wherever). Awashima and Mugitani do use formal language, but only Utayama uses slightly older diction. With the exception of a few notable names, most of the cast for Karakasa are from a generation of newer/younger voice actors, whereas Mononoke consists of an older one. You probably won't care unless you're a seiyuu buff, but there is actually a clear vocal distinction between those of different acting generations. For example: Sakurai, Kamiya, Ishida, Tsuda, Ogata, Hayashibara, etc...all have particular qualities to their voice that give it a layer of interest (ie. whispiness, huskiness, nasalness, etc). I don't know if it's caused by the difference in learned language or some other factor, but newer generations of voice actors tend to have more clear-toned voices with more modern inflections. Kurosawa and Aoi both have notably modern inflections when they act. You could say it's a battle of old versus new if we're going by story theme...but in which case, the rest of the cast could've been of an older generation to portray that. (But well, I'm glad they chose an older actress for Utayama, at least). The few exceptions to this are a small handful of modern actresses that are so astoundingly skilled they break that barrier. I kind of wished they had casted Hanazawa for Kame instead but she's already Kitagawa...but in which case, toss Sawashiro Miyuki in that role, I think she would've been a bit spookier. Hanazawa as Kame might've made her more endearing to me, but maybe they were going for the double-double: irritable voice and character combo, since Kame wasn't particularly written to be likeable. --- Kame does somewhat feel like a second generation Kayo (MAO), but I think MAO was still more serviceable to my ears. Anyway. I don't think I should hold up this review post any longer with my derailed rant on voice acting. It is what it is, and at the very least: we found out some lore bombshell that there are possibly at most 64 medicine sellers, and that Sakurai (Ri) Kusuriuri and Kamiya (Kon) Kusuriuri are different characters altogether (---a lot of fans rejoiced about that), making the possibility of two or more existing at one time. Wouldn't that be exciting to see?

Moving on to the music. In contrast to the trailers, the soundtrack in the movie sometimes feel like background white noise. It almost seems like a trend with newer anime, but nowadays, I hardly hear the tracks compared to older shows. Well, in Karakasa in particular, the movie is moving at such a jilted pace: most of the sounds you will hear is either dialogue or the occasional clinks and clangs. They don't really blast OSTs like they used to (...unlike Hollywood movies where I hear too much BGM). --- But following the odd quirks of Ayakashi: some of the vocal themes for Karakasa still are that weird mash of modern and traditional sounds with the occasional rapping. Particularly during the fight scene, there were some hardcore bass rap on cue. I'm not sure if I like or dislike it, but it is different. My favourite track is the Okami-esque flute theme used during the Birth Celebration Ceremony towards the end. But whether it's Mononoke or Karakasa, what stands out in both is not the score, but the sound effects which have always been the distinctive noise of the series.

The teased title for the next installment is "Ashes of Rage". I wonder what that could mean? We're left on a bunch of cliffhangers, such as why did Kusuriuri smile while looking at the clouds, what's the deal with the seal in the well, and what was Mizoragi doing in the cellar pouring water over what looked like an enclosed basin? Moreover, why on earth did they lore drop so much on the background of the medicine sellers...not in the movie but during the side interviews! The fact that they have a home base, or that the Shingi (alters) are different people... So do you mean to tell me, I still can dream of an Ishida Akira Kusuriuri!? There are at most 8 trigram Taima swords, and 2 of which are Sakurai and Kamiya's. Does that mean there's still room for another 6 Kusuriuris? That's so fruity!

If you made it this far, thank you for reading. I also I hope you watched the movie before perusing this given that it's so spoiler heavy. While it does seem like I had a lot of complaints, make no mistake: the movie was gorgeous. It was made with painstaking visual efforts and intricate architecture. Every stroke and splash is a work of art, making it one of the most visually interesting movie in a long time.

While it doesn't replace the old Mononoke in my heart, the Karakasa trilogy is a nice addition; something different and its own thing. A lot more action and a lot more abstract if you dig that sort of presentation.

Given that the trilogy isn't over, I have no doubt the rest of it will continue on with Kamiya's (Kon) Kusuriuri...but I do hope the series continues to keep receiving love so I can eventually have a whole Sentai Kamen rider group of Kusuriuris.

Until next time...~!

[acatwithstockings]

Could you please, please tell me everything about the 1990's Good Omens (very bad) Movie script? you mentioned not being able to taIk about it because no one is interested (which I very much relate to, but in just basically anything Good Omens related) I was not there for when it was leaked, so I'd really like to know like... all of it (I promise I am so interested, and also very very obsessed with Good Omens. I'll absolutely be your captive audience.)

the only things I think I know are that Crowley's mean and has a nightclub, and Aziraphale has a museum(??). and it's in America??

You don't know how happy it just makes me to ramble on about that one. Could write a whole essay tbh (I try my best not to bc my spelling is atrocious pff ).

Only snagged it myself after a whole year of searching when it got put up on Dropbox for a few hours. Got taken down quickly again. Idk if it was bc of a copyright claim or if the owner took it down themselves bc it isn't supposed to be spread around due to said issues and they (not quite so cleverly) posted the Link on a post that would make it especially easy for the copyright holder to find it. At any rate, I Got really lucky in that regard. The copyright issues around this thing are fascinating in general and could make for a great study in regards to the flaws of that system.

As for the script contents... Well it's something.

Yes Crowley is mean, it would be wrong however to reduce that version of him to that. (I will try and point out why later). Yes he owns a nightclub, the aptly named hellfire on a hill (? Idk enough about british topography to know if that's a hint towards a real part of town or just bc the visual of it is cool ) in London. So It does not play in America and Aziraphale is working at the British museum. Canon explanation why they try everything and anything to not give back the artefacts they stole, I suppose. (That was a joke. In the script itself it isn't even as much as mentioned that our favorite angel has any interest in collecting anything, missed opportunity if you ask me)

In general the whole thing plays out extremely differently from the story we all love. And sadly lacks the Prattchian humor... For obvious reasons. It does have it's moments tho not many but they are there. ( "Crowley un-snakes" will never not be funny)

What follows is a lengthy summary which will have a bit of analysis and personal interpretation mixed into it . Bc who needs good struktur if you can do stream of consciousness? Am I right?

We begin with the protagonist Crowley in company of Aziraphale, who in this version sadly takes a bit of a backseat, playing checkers in Aziraphale's study. In this version they are color coded: with pure white clothing and hair and pure black clothing and hair. Crowley remarks that 'everything is going too well'. To which Aziraphale points out, that complaining seems to be a favorite past time of the demon. in this version he has a knack for putting down/dismissing Crowley on basis of being a demon (" Oh, isn't that just like a demon? Six-thousand years and all you do is complain") and it's part of his ark , kinda. Cohesion and following things through isn't exactly a strong suit here.

It looks like Aziraphale is about to win, however Crowley uses the cliché 'Lock over there' trick to cheat. In the following dialogue we learn that they have been playing one checkers match a week for the past six thousand years. So basically it's presumed they played their first match in Eden before checkers was even invented. (Then again the stage direction describes a painting depicting Crowley as green snake wearing sunglasses in Eden, so they just have been trend setters from the start) . They then set a date for their next match, Crowley makes his distaste for earth known, they meet Aziraphale's assistant Polly, who is very unimpressed by Crowley and then he is off not without causing some mischief with a stolen wallet.

Aziraphale gets a little scene where he is appraising a painting for its authenticity. He gets called 'bramy as a box of fruit bats' and tells the ones that brought the painting that if it were real, he'd know bc he would have seen the master paint it. The interesting thing here is that this scene essentially is there to show us, that despite not acknowledging Crowley's cheating or directly calling out the forgery and its purpose (to gain money), even calling it pretty, he knows what's going on he simply chooses to play/be aloof .

Next we get introduced to the nightclub. Nothing much happens here at first except that we get introduced to the Barstaff. Or well at least Tina (my love) the barman. As it seems Crowley is managing a successful business and outside of a little rant, calling people sheep and wanting bigger cocktail umbrellas, he genuinely seems to be competent in his leadership and friendly to his staff. Even knowing them by name .

Other notable staff members are Warren, I think he has one line and is the handyman/security of the nightclub and Marjorie who gets a few more lines and is part of the waitstaff. Who by the way are put in full body imp costumes bc of course the nightclub is themed after hell.

Crowley then contacts hell, where he ultimately gets told that Satan himself has a special task for him. And we get the first clue that Crowley, who so far has given us very cool very early 90's style Anti"hero' is scared shitless. Not just that, hell thinks he is a bit of a loser, not being impressed by his mission reports and all that.

We then get to the good old Hyde Park scene with a nearly drowned drake safed by Aziraphale's intervention and everything. What is interesting here however is, that Crowley is a full blown nihilist and Aziraphale just very over enthusiastically positive. Aziraphale saying a woman is doing something good by giving her ice cream to a child while Crowley points out that the ice had first been dropped to the ground and been liked by a dog. (Script!Aziraphale as much as I love you but I am with script! Crowley on this one). Aziraphale points out that that hardly matters because the child is happy and that makes it a good deed. Crowley snarkily retorts that happiness is a stupid metric for good things and says he likes one thing about humans : that they are reliable in doing the selfish bad thing.

Aziraphale then tries to get Crowley to reveal why things are going to well. Crowley points out that they are enemies and he shouldn't give out that information despite the arrangement (sadly we don't get more information about that but I would love to know how it looked in that universe) and only is convinced by Aziraphale being hurt about it and giving him sad puppy eyes. Crowley then invites Aziraphale over to his nightclub after hours to talk about what head office actually wants from him.

We then jump to the nightclub again. Crowley is surprisingly decent towards people, Tina is managing the club and all seems rather nice. Madam Tracy is making an entrance. In this version she is an slowly aging out of it IT-girl. It's implied that she had a multitude of affairs and that she has now been payed off big time. (I enjoy Madam Tracy in this version a LOT). She never seems to be quite there but still owns any situation.

Her and Crowley have a little conversation that gets broken up when he decides to deal with a Troublemaker at the bar instead of letting Warren take care of it. (Side note that part of the script gave me the HC that script! Crowley is very short, definitely shorter than script!Aziraphale don't ask me why) . He is having a full blown Anime protagonist moment, including using the bribe the trouble maker gives him to give to the Waitress the Troublemaker had harassed in a very cool™ manner and stopping a punch with one hand. Just believe me it's very anime. But again Crowley seems to be actual decent boss, believe it or not.

He then gets a Call in the bathroom . Satan talking to him through the mirror without prior notice. He orders Crowley to get to a graveyard within 30 minutes. Crowley is keeping it together but he is panicking. He is having a short conversation with Tracy again in which he stays relatively friendly surprisingly enough.

Fun fact this whole film would have had "Every day' as musical theme. Bc from this moment the song gets mentioned continuously.

After speeding and vandalizing a cop car out of desperation since he is late and they determined to stop him, we get to meet satan. In this version he is a cold calculating (but very cool) business man . Crowley, in German we'd say 'legt sich erstmal ordentlich auf's maul' (meaning he trips and falls on the ground). He is groveling before him, bootlicking and trying to appease his Master (for real tho if that movie would have been made there would have been Satan/Crowley shippers bc that shit is some fuel for a toxic ship). At any rate Crowley is making a bit of a fool of himself and Satan is enjoying the Powertrip. In the end he gives Crowley the antichrist with the task to raise the baby or else suffer worse than anyone else in hell. However if he succeedes he is getting to leave the planet (again he supposedly doesn't even like earth in this version)

Anathema is introduced. She is just a little occult girl that felt the antichrist coming to earth. No mentioning of prophecies or anything. Our beloved Agnes does not exist in this universe. Just a little girl with green eyes and a sense for the occult.

Now with a baby he is supposed to take care of, Crowley makes his way back to the nightclub. There he hides the newborn from his employees and gets pulled away to discuss something by Tina. Since he is hiding the baby he puts the newborn down, right into Madam Tracy's money bag. And well, while he is off talking with Tina , Madam Tracy is taking her bag without noticing the child and off she goes. Leaving Crowley with the problem of a lost antichrist and for some reason a slowmo shot of him trying to catch up with a taxi.

He starts drinking. He knows he is done for so what's the point. (The first bottle he grabs is Aardvark Snapps idk why I finde that interesting) . At this point he has accepted that he will end up for an eternity being punished. Hours later Aziraphale makes an appearance and is a little bit judgemental about Crowley being drunk. (Side note: an other hc of mine is that script!Aziraphale is straight edge bc of that scene). Crowley tries to have him join him drinking but fails. And then just tries a to have a little heart to heart. ("I am doomed, Aziraphale") Only getting a little speech about being a demon and therefore inherently being doomed ('duhhh!') back.

Crowley eventually just confides in Aziraphale how much he has fucked up having a bit of a monologue about it. Eventually Aziraphale offers to help find the boy, but only if he is allowed to influence him. To which Crowley reluctantly agrees, because it would mean that he still fails his task of raising a boy that Satan could be proud of. But Aziraphale is a little bit manipulative (also Crowley is still drunk while Aziraphale is sober) so they shake on it. Anyway this exchange is one of my favorites in the script .

We finally jump eleven years into the future and get to meet Adam.

He has been adopted by Madam Tracy. And is now running a bed and breakfast in the quaint little town of Tadfield. Instead of an army base this Tadfield has direct access to the sea. Including it's very own pier. Anyhow I said Adam is running the b&b that's because Madam Tracy is a neglectful parent and as much as I enjoy her script version, she is not doing great here. Adam is running errands, making breakfast for his mom and generally keeping things together. His whole introduction is him being a little adult .

He finally gets some child time and we meet 'the Them' except they are not 'the Them'. Brian, Pepper and Wensleydale are a friend group and they try to talk to Adam because Pepper wants to be friends with him ( I think the intention was to make Pepper and Adam as THING but idk) . But Adam wants nothing to do with them and instead just wants his peace and quite. So he gets insulted for not having a father and sulks off.

Anathema has also arrived at the scene. And has a culture shock bc of the lackluster infrastructure out here. She arrives in Tadfield with some difficulties and now has to somehow find a place to stay. And while the town seemed overrun with places renting out rooms it also has a case of outdated world views and nobody is willing to take Anathema in for some reason or the other. She eventually gets pointed into the direction of Madam Tracy. Where she is informed that she can have a room . And Madam Tracy casually dunks on Picasso which I can support.

Anathema then repeatedly runs into Adam and tries to strike up a conversation but he just doesn't want to and runs off. As both of them eventually go home at the end of the day he accuses her of following him, since they both are taking the same path. As he gets told that Anathema also lives at the same address as him now he gets angry and stroms to Madam Tracy, disrupting a seance to scold her for taking on a lodger without his approval. He is angry that Madam Tracy is so reckless taking in people without proper background check.

Following that, Adam interviews Anathema. And they bond .

At night Adam sneaks off to the pier and we learn that he has build a model of Tadfield in an abandoned arcade.

He and Anathema bond a bit more over breakfast. (And honestly I like that version of them more relationship wise. As much as I love Prattchet, he did have a particular style of writing children that also came through in Gomens . It lends itself great to hypotheticals and punchlines, not so much for interpersonal relationships)

Back to Crowley and Aziraphale. Last time Crowley had been hopeful and appreciative of the angel. Well now he is running out of time and he is getting grumpy and down in the dumps and ready to give up. While Aziraphale is still unrelentingly optimistic. Poly makes an other entrance, Crowley puzzles together an ancient Etruscan pott. All riveting stuff.

Shadwell, or what's left of his character makes a short appearance as 'MAD OLD MAN' shouting and standing on a soap box as set dressing for Crowley to buy a newspaper and... Pay for it . (Honestly I would have not expected HIM to pay for anything)

He gets zapped into hell without notice.

(Side note Miss Ashtoreth is mentioned as secretary of Satan himself.)

Satan wants to check up on his son's progress. Crowley is shitting himself and lies, reassuring Satan that the boy is properly evil and all that . Of course Satan wants to see the boy real soon and tells Crowley to tell the boy that he is ready for when the boy wants to see him. And after taking a look at Adam by rearranging the universe itself to show a likeness in the stars (hell is a very surreal space with an office above the pit and direct view of all of the universe) Crowley gets zapped back to earth. (Also Satan calls Crowley 'Crawler' which is the script version of Crowley's name change, probably)

Crowley Is now properly stressed out.

On the other end of London (probably) Aziraphale's Crowley senses tingle and he just starts running (presumably) towards Crowley. This never gets brought up or explained. And is so bizarre I couldn't skip it.

Back in Tadfield Adam and Pepper get a bit of a bonding moment. Talking about action figures, Pepper giving Adam a lecture about not being sexist , getting fish and chips. The topic of Adams lack of a father gets brought up again and he lies. Telling Pepper he had met his father before and his father is some sort of international business man, that meets with presidents and is very busy. Eventually Pepper asks about Anathema and tries to convince Adam to take her (pepper) to the movies.

Back in London one Angel apparently unable to use public transport arrives at the nightclub. We can assume that he had been running the whole way. He gets pointed towards Crowley by multiple staff members, 'Every day' gets another cameo and he accidentally stumbles into the dressing room for the waiting staff, which is very embarrassing for him but not for the women.

When he reaches Crowley's office, the demon doesn't want to talk. He is panicking and packing to go on the run for the rest of eternity. (Which for him just means a suitcase full of sunglasses) . What follows is the infamous dialogue script!Crowley get his reputation from. (I might make myself very unpopular here but I think that reputation is not quite deserved. Yes he is an asshole but also the harsher exchanges only play out when he is stressed/panicked and usually if he goes too far he will try and paddel back. Still worst of the Crowleys without a doubt just not quite as bad as people like to paint him. Also script!Aziraphale isn't half as naive and helpless as people like to paint him either and in this house we let him have his agency! But also more on that later)

The exchange switches tone once Aziraphale lets his unbreakable optimism fallter and gets sad. To which Crowley immediately reacts bc trying to reassure him that they are in fact friends and that he shouldn't be sorry. Pointing out that he (Crowley) now knows what the boy looks like to counteract Aziraphale's pessimistic statement that they could never have found the boy bc they didn't even know what he looks like. They agree to hit one more town in their search for the boy.

In Tadfield Anathema finally gets to talk about her quest to find the SOMETHING with Madam Tracy. And have her witness a fight between Brian and Adam about Adam's father. (Srly Adam gets constantly bullied bc of that.) Anathema steps between the two to protect Adam. They make a deal to tell each other's secrets. First we get Anathema showing Adam stuff about the antichrist and the weapon she plans on killing him with.

Then we get an intermission with Crowley and Aziraphale discussing how they should choose which town to go to. They decide with a dart throw.

Back with Adam and Anathema. Adam shows Anathema his model of Tadfield. To the question what he plans on doing once that model is done, he tells her, he is going to build the rest of the world and rule over it. He also voices his desire to go somewhere else so he is no longer stuck in Tadfield.

Aziraphale and Crowley arrive in Tadfield during a Thunderstorm and face the same problem as Anathema. No one wants to rent them a room in town. And while with Anathema the whole thing was rooted in sexism, disdain for outsiders (aka read as Americans) and misunderstandings about her occupation, for those two it's the obligatory 'People think they are a gay couple' thing but with a giant side of Homophobia.

Crowley want to give up, Aziraphale want to go on and eventually they end up at Madam Tracy's.

Madam Tracy mistakes them for the gas person, Crowley wants separate rooms, Aziraphale a shared one,(we never get to know which they now took bc the script has both, scenes with a shared room and with a separate rooms. It could also be that Crowley simply stays longer than Aziraphale and therefore the shared room becomes his single room. At any rate it is never specified. And to be honest there are multiple parts of the script where the author very obviously had given up on it , soooo) Crowley praises Aziraphale's skill as homemaker, Madam Tracy tells them, they have to wait for Adam. Adam comes home Crowley recognizes the boy.

Crowley and Aziraphale take a stroll on the beach and come to the agreement that each should spend a day with the boy, despite Crowley trying to avoid having Aziraphale influence the kid. They also witness how Brian's father is getting things set up and ready to tear down the pier.

In the evening they play an other game of checkers. Adam witnessing first hand Crowley's cheating as he gets the both of them to have dinner with the whole house.

At the dinner table they convince Madame Tracey to let them take Adam to London for a day. Adam being obviously overjoyed about the whole thing.

Anathema sees Aziraphale's and Crowley's true nature for a sec. And I am sorry if this part comes across as rather dry, it's also rather dry in the script.

Adam gets taken to London. First Aziraphale get to show him the museum and talk about human creations . (Side note , when I first got my hands on the script I thought I was missing a page bc the dialogue has a really awkward jump in this scene but no ... It's supposed to be like that and either it was the author giving up or it was supposed to be a kid thing. Jumping from one topic to the next with not much logic. We will never know)

Adam then confronts Aziraphale about Crowley's cheating. And here comes the part why I will never see script!Aziraphale as truly naive or helpless. Aziraphale admits to Adam that he had always known Crowley cheated, he just thought it virtuous to not point it out. Bc he played fair and in his mind that was enough to stand above the other and win in a sense and just let him do the cheating. Adam points out how it's stupid, and that was that. Aziraphale is stunned and does what most people with too much money and no idea how to handle kids do, exactly drag him somewhere, where he can buy shit.

Next up is Crowley. First he drags Adam to Soho. Not Good Omens there might be a cozy bookshop somewhere Soho but well 90s it's a bit of a cess pool Soho. With hookers and homeless teenage girls ( and for all those people that take Crowley being displeased with Adam for giving the girl some change as point to call him fundamentally mean/bad... I implore you learn what character motivations are. He has been tasked with raising an evil child, has promised an evil child, obviously he is displeased when that child is doing something selfless. And he wouldn't do something selfless in the presence of said child either bc again he is supposed to influence him towards evil) Crowley then gets him a milkshake and takes him to his club where they have the mirror conversation to Aziraphale's. Ending with Adam pointing out that it is pretty boring to always win for the wins sake by the means of cheating.

On the way back they have a short (also very old couple and married) conversation about their respective experiences with the boy. Accidentally letting it slip that they know who Adam's father is, believing the boy to be asleep. He is not.

That night Anathema finally succeeds in her endeavor of finding the antichrist. Her crystal ball revealing to her that it is indeed Adam. She is so shocked by that, that she lets the ball fall but luckily for her Aziraphale does his thing and it lands safely without breaking. (That another quirk of the script apparently Anathema and Aziraphale were supposed to be something and what ever that is, it's even weirder than Adam and Pepper)

Madam Tracy also finally recognized Crowley from THAT night and they have a honest heart to heart. Or whatever you call it when the otherwise always woozy character suddenly seem lucid and aware of what will happen.

That night Adam goes to Anathema for emotional support bc of the father thing. Anathema however is in the middle of a crisis bc she now knows what Adam is and had tried to get herself ready to murder him but struggles with herself to do it. Eventually Adam notices the knife behind her back and with the first flair of his antichrist powers forces her to show it to him before storming off hurt.

Being emotionally distraught he runs to his hideout on the pier and calls out to his feather. First nothing happens but then after Adam went off the pier and back again it is completely transformed into a bright happy carnival. His Father has arrived. Satan immediately takes Adam under his wings . He even dresses him up as a mini self.

The next morning the whole town of Tadfield is one giant carnival. There is a parade with elephants. And the people from around town are all mindlessly attending the celebration.

Crowley has a short meeting with Satan (on an elephant can't stress that enough) and gets told that he is supposed to come to Satan to talk about his promotion to alpha centauri. AND

( Don't ask me why I find this too funny to not share, my humor is very broken )

The town is being further transformed and more people are made mindless puppets. But now Crowley is happy to have gotten away with his stunt. He is roleplaying flirting with someone in a mirror. (Also in the script notes it literally says James Bond for acting directions for Crowley, and that's such a dorky idea I love the theory of it ... Bit of a waste in this tho).

Aziraphale tries to change his mind but Crowley shuts him down by pointing out that he was the one saying happiness alone is making things a good deed so it shouldn't matter if people have to be made into mindless puppets first. They are happy after all.

Meanwhile Adam is torturing Brian by throwing tomatoes hat him and having the rest of the town join in with the fun. He just wants his father to be proud of him (nawww ) (that naw was sarcastic). In the crowd Anathema is fighting to regain control over herself.

Aziraphale still tries to convince Crowley. Tugging at his heart strings but even the tried and true "I thought we are friends" won't work this time. Crowley wants to seize his opportunity, he wants out and up.

While those two are arguing, Anathema struggles. All she wants it the knife but she is exhausted.

Crowley is looking for a starting point for his launch towards alpha centauri. He is climbing onto a church tower. Behind him Aziraphale still hasn't given up. Despite not liking heights (!? Wasn't mentioned before will not be mentioned again but apparently script!Aziraphale has a fear of heights). He finally gets an idea and challenges Crowley to one last match.

Crowley for once doesn't cheat and it looks like he is about to win but then Aziraphale DOES cheat, desperate to keep Crowley on earth and have him fight at his side. And Crowley just shrugs and accepts. His next line after acknowledging the win already calls Satan his ex-boss and if that is not a very impressive 180° turn then I don't know what is. (Just a throw back to character motivation, we could speculate it's because most of what Crowley has said were lies and half truths and deep down he actually likes earth and bla or he just remembered how much he would miss his nightclub BUT I as number one script!Crowley (not really) defender say ... It's just unfinished/bad writing and there simply wasn't enough time or inspiration or whatever to finish his character ark)

Anathema manages to give both of them the knife. Crowley is so idiotic and tries to grab it but it burns him . I mean, duhh! Anathema literally tells them that this knife can hurt the antichrist why should it be harmless for a way lesser demon? So Aziraphale takes the knife.

After calling Crowley his best friend, Crowley himself calling himself stupid, Aziraphale, presumably (presumably is important here) with the knife, goes off to confront Adam. He tried to talk Adam out of it. Trying to point out that no good father leaves his kid alone for eleven years and if this is really what Adam wants. As he points out that Madam Tracy despite all her flaws still love Adam he gets discorporated, by Adam. But bc this is a Movie script and we don't have much time left he just stays in his true angel form (which is very much just white robes , wings and halo ) right where he is, further trying to talk Adam out of it .

(here is an other line in my mounting pile of evidence that script! Aziraphale is neither naive nor helpless and simply chooses to carry himself that way bc he thinks it's virtuous. He literally acknowledges that people can do bad things. Something he would not do at any point before that in the script. I rest my case )

While Aziraphale is trying to make Adam think about things, Crowley is off confronting Satan, presumably without the knife.

Satan acknowledges that Crowley had lied to him but is still in such a good mood that he still wants to give out the promotion. Even throws in the titel of fiend extraordinar. For a moment it seems like Crowley considers but ultimately he tells Satan that he wants to quit. Satan is not happy about that and after Crowley also pulls out a pink rubber glove and the knife (yhea Crowley had the knife all along , take that continuity or rather scree logic, like not showing how they get a rubber glove is fine, what ever but having the last scene with the knife be the one where it's shown that he can't touch it and Aziraphale had to carry it would have made it feel a bit too deus ex machina.) Satan forces him into half snake form and summens hands that try and drag him back to hell.

Thanks to his already established Crowley senses (probably ) Aziraphale suddenly shows up and charges at Satan. Who in turn is like 'An angel, really? You betrayed me,..' and then roasts Aziraphale to a crisp before destroying the knife .

Adam confronted with a robotic acting madam Tracy, listening to his every command, starts to reflect on his actions. Getting called in by his father to greed the four horsepersons he notices Aziraphale and Crowley.

Adam now faced with all the destruction says: no, I am not doing it. Stan tries to threaten him into obeying but he gets the good old 'You not my dad'. For being a deadbeat for 11 years. Adam then heals Aziraphale and frees Crowley. Now flanked by the two Adam banishes the horseman.

Satan demanding obedience once more, gets reminded by Crowley that he himself once rebelled. And after laughing about that revelation he tells Adam that it was interesting meeting him but as it seemed he wasn't cut out to be a dad. To Crowley he says that he is now banned from hell and to Aziraphale that he should tell his boss, that at least his son (the antichrist) had more guts than his(Jesus and yes the script sadly uses he/him for God).

After Satan vanishes they have to escape a collapsing pier. Noticing too late that Madam Tracy is also still there. Adam ends up releasing her from her trance by calling her mom and telling her that he loves her. Aziraphale ends up saving both of them, flying them to safety on the beach.

At the beach they also meet Anathema, who promises not to kill him, and Pepper . They watch as the pier explodes and burns to the ground. Anathema also has uncomfortable eye contact with Aziraphale while he ripples back into human form . (Don't ask me why it feels uncomfortable, Anathema is described as looking tens while he still full angel and softening once he is human again, so idk)

Apropos Anathema and Aziraphale. The next Morning, he comes to say goodbye and ends up offering a job bc (I forgot to mention it when it happened) Polly, his assistant had a promotion. So he is in search for a new assistant. She end up kissing him on the cheek and calling him angel but in a way where it's ambiguous if she now knows that he is one or if she just thinks he is a good person and something always makes her forget what he really is. At any rate Aziraphale says he had never gotten a kiss on the cheek in six thousand years and knowing a bit about history and cultural practices I am inclined to calling him a liar. But then again this is fiction .... So sure ... Cheek kiss virgin this one.

While that is happening Madam Tracy is asking Crowley if she can keep the boy now . And Crowley reassures her, that after this, no one is going to come for him. He even offers to throw a birthday party for her at his club, all she should do is to just to look after the boy. It's actually a very sweet exchange.

Outside Brian and Adam have a little exchange, Brain trying once more to get to Adam with the father thing. But Adam has no daddy issues anymore. Instead he asks Pepper out to the movies and Brian just tags along without being asked. Where is Wensleydale you asking ? Take your best guess, he was mentioned once said one thing and then fell off the earth. He probably exploded with the pier and nobody even remembers.

With the kids now finally as a group we have the last shot of Aziraphale and Crowley. They are walking along the street , Crowley one stolen apple in hand . Having their talk about good and evil. Accusing each other of being a little bit of a good person (press x to boubt) and just enough of a bastard (oh absolutely). How they both knew the other was cheating all along. And maybe alpha centauri isn't such a good idea after all. You can't even get booze there. The last thing that is said is Aziraphale telling Crowley to 'not start THAT again', after being offered the apple.

I lied one more screenshot bc Every ...it had been for told by the cursed script for ages now. (I am pretty sure it had been in the talks to put go to Every day' even before the script was ordered so that is just a joke)

At any rate I do have to go to work in ....eh three hours ... So I will leave it at the summary for now. I am dyslexic and English mu second language so I am very sorry for all the mistakes I probably made . If someone reblogs this before I get the chance to correct them, let it be said that at least nobody can claim this is ai pfff.

Also not I said the name of the author the two times I mentioned him simply bc I don't feel like acknowledging the name of the person. I got into Gomens bc of Sir Terry and I stay here for him. This little obsession with the shit script happened by pure chance and purely against my will pfff

[sealofarchives]

Could you create a headcanon for ‘Rise of the Teenage Mutant Ninja Turtles’ about what kind of fathers Leo, Raph, Donnie, and Mikey would be? I find this idea fun. :3

Headcanon: Rise!Turtles being dads and sweetest husband to the reader (Separate) (Requested prompt)

A/N: I'm still uncomfortable with the idea of aging up the guys towards "mature content."

However, this idea was really cute. It only made sense for this prompt where the guys are aged up with some reference to their bad end!future selves. I went with around early 30's when the turtle of your choice and the reader are in a committed relationship and currently raising a kid at the moment.

So please have common sense and think before typing some snarky response with 'oh aged up content is bad lol' (Because I will put those ideas on the 'do not write list' if people get too weird about it...)

Raph

You know how he has the habit of that one baby voice with Mayhem. (and a bit of the hey buddy tone towards Mikey or Donnie)

- His kid is never gonna escape from it. (even by the time the kid is a grown up)

He definitely panicked for a bit when his kid (during the energetic toddler phase) enjoyed climbing over a big guy like him.

- So he had to ask Donnie to make a battle shell specifically as a soft cushion. So the spiky shell doesn't accidentally scratch the kid.

Part of him is worried anytime he has to scold his kid. And only when you're around is when he feels okay to do so.

- He definitely does the "Did you ask (Y/N) if you could have another cookie?" sort of question. (Sometimes willing to go along with what his kid wants or following (Y/N) if he got caught spoiling the kid)

You're getting at least one peck on the cheek by the end of the day.

- Or earlier in the day if he accidentally woke you up.

Compared to his younger self who slightly whined about chores, he grew to enjoy it when both of you worked on it together.

- Laundry being one example where you're usually folding clothing fresh from the dryer. And he stacks a pile back into the clean basket/hamper.

His eyesight in the right eye has gotten a bit worse. (not as bad as his bad end counterpart where he needs an eyepatch) But, you often act as his extra set of eyes and call out to any surprise attacks.

- Which earned the title of you two with a tag team couple and he still blushes thinking about it.

Leo

Every few hours before a night patrol, he always checks in to see what his kid is up to and often gives a hug before leaving.

Often gives bedtime stories through retellings of Lou Jitsu's movies or Jupiter Jim's comics.

- Even acting out of some of the scenes before a yawn decides its time to sleep.

Gave one of his spare bandana scarves to his kid.

- Had the biggest grin on his face when the kid realized "Oh hey! We're matching!!!"

Almost similar to the night patrol part, but if you can't make it because of work or some other boring life detour.

- Its a portal away for a light hang out sesh. For both of you to take a breather away from the grown up life.

Late night conversations are just a regular thing between the two of you.

- Especially when he couldn't sleep. By the time he almost dozes off to sleep in your arms, he still playfully teases you that your voice is soothing to him.

When light conversations about the bad end future was brought up during a casual match of video games, he was never used to the idea that he had a prosthetic arm.

- You instantly hugged his right arm, jokingly reassuring him.

"As long as you can crack a joke in the most serious moment. I'll still know that its you Leo."

"Even in a timeline where, me and the guys were raised by Draxum?"

You gave the red slider turtle a 'really?' pout before he hugged you into his lap.

"Nah I'm just kidding, but for real though. Draxum's former henchmen are still goofballs that know their way around the city. I'm pretty sure that Leo could get a couple of one liners and maybe from you as well."

Donnie

Almost went into a frenzy trying to child-proof the lair. (Especially the month before the kid's arrival changed the atmosphere) But eventually settled down.

- Realizing it would have stressed his kid out by any sudden new changes (and a bit of his family and your help explaining the reasoning as well)

Leo's showboating energy transferred to him but, in a way that, the softshell turtle is very grateful. That he has you as a spouse and both of you raising a kid along side his sentient inventions. And will try to bring it up in any conversation.

- The whole wallet photo gag of him showing family pictures. You love this silly turtle but, usually lightly pinch his face if its the wrong time for that.

He lights up whenever his kid goes to him for any sort of question.

- He slightly restrains himself to avoid going overboard with the answer. But, his kid is smart enough to know that and sometimes tells you that he's not being himself again.

Cannot force himself to sleep unless you're beside him. (or if you have to drag him to bed yourself)

- The few times where he woke up while you were still sleeping. He always gives you a light hug and a kiss on the forehead before getting out of bed.

He subtly took interest in one of your hobbies. (Either an ongoing or a new one) Just so he can step away from a tedious project that was going nowhere and not bother you with the boring details about it.

- Sometimes mentioning a fun fact to impress you.

You gave into his idea of letting your kid have a similar weapon like Casey Jr's.

- Only when they reached their 13th birthday and learning the basics of: constructing it and fixing parts along side their dad. How to use it defensively, offensively, and etc.

Mikey

Considering how his future self had some hair on his head, he kept it long so he can do a few matching embarrassing baby photos to his kid.

- Like giving the kid a tiny ponytail and etc. He definitely cried a bit while having his signature grin when the kid pulled too hard on his hair, laughing at one of his jokes. And you had to step in to help him.

He knows how to work around some of his kid's picky eating habits. Usually making sure his kid is having fun or decorating the plate in an artistic manner.

- However, there are times when the kid can hide the veggie or fruit out of plain sight. Or his kid asks his uncles for help when Mikey's focused on some other thing.

Absolutely does that peek-a-boo trick with hiding his face or whole body into his shell.

- He was nervous at first, if the trick might have scared his kid but, no the kid was giggling. Curiously crawling towards him in awe of it.

Will sometimes make meals ahead of time. (often being, if you returned from work, too exhausted to greet him)

- Either leaving a note on a plastic container in the fridge of: [(Y/N)'s breakfast: DO NOT EAT unless you want an surprise session with Dr Delicate Touch </3] (this also applies to lunch as well)

On very rare occasions, he will temporary wear a cloaking brooch. If you're at an area isn't very friendly towards mutants and/or yokai.

- The one time that happened, is when you forgot to bring your lunch at a job that barely lasted a week. (Stuff that was out of your control but, he was relieved that you got out of that place before your coworkers decided to physically fight back at the manager)

Spends at least one day in the week with you to do some light meditative exercises.

- On the really bad days, he doesn't mind letting you hold his hand as a stress ball or just have a quiet moment to relax while his brothers babysit your kid.

[lucifer-is-a-bag-of-dicks]

fic idea I'll never write because it has too many fight scenes and I'm bad at those soooooo

quirkless Izuku Midoriya in the support class, approaching every hero student before the sports festival, offering his skills as a quirk analyst to help them prepare, starting everyone off with a free sample of advice to entice them into the deal

with a caveat

he is going to be fighting in the sports festival too, so if they agree to let him coach them, they will be giving him a leg up on them as he will know all their strengths and weaknesses, but coaching them in private means that none of the other students will be aware of their new moves

his talent as an analyst and strategist are already well known at the school, to the point that teachers sometimes even consult him, and he takes tea with Nedzu twice a week, he's scary smart

but he's quirkless,

the hero students think giving him an advantage is just going to even the playing field right? it's only fair to give him a fighting chance, some students agree just for that reason alone, he's so passionate, it would be such a shame to see him crash and burn right at the start

they mean well, they truly do

there are only two and half hero students who don't take him up on his offer

one being Bakugo, because Midoriya knew better than to even bother offering, partly due to his pride and ego, partly because Midoriya was already extremely familiar with Bakugo's quirk, but also because Bakugo knows damn well it's a fool's deal and he's already told off everyone in his class for being dumb enough to accept it

one being Monoma, who took one look at the situation at hand and laughed in Midoriya's face, surprisingly this wasn't due to any amount of pride, quite the opposite, Monoma did not underestimate him for being quirkless, as someone who had to spend half his time fighting quirkless himself he was well aware that Midoriya was just as much a threat as everyone else and Monoma would treat him as such

the half being Todoroki, who in the process of taking Midoriya's advice on how to exert more fine control over his ice, and then realising he's doing the same for almost every other student in his class, realised exactly how much of a threat this quirkless boy actually imposed, and then realised that if he wanted to have any chance of taking him unawares he might be forced to use his fire, as it's the only part of his quirk Midoriya had absolutely zero knowledge of, in fact it was one of the few quirks left in the whole hero course that Midoriya had no knowledge of

at the sports festival Midoriya shows up carrying several cases of support gear, he's been cleared by the teachers to be allowed one support item in each match on the condition that it was made by a support student in his yeargroup and that he was at least somewhat involved in its design and creation (powerloader was in charge of observing this process to ensure he met the guidelines and grew a few new grey hairs because of course their most terrifying analyst teamed up with his most terrifying engineer)

Midoriya chooses not to use any of his support gear in the team challenges, he wants to show that he belongs here on his own merits, to prove that he can make it using nothing but his own hard work and ingenuity

it's the one on one fights he utilises his support gear

Midoriya calculated which students were most likely to make it into the 1v1 rounds and prepared a customised support item to fight each of them, taking full advantage of every weakness he'd unearthed during his coaching sessions

he doesn't use any gear in his fight with Shinsou however, he wasn't from the hero course so Midoriya didn't offer to train him (Shinsou had as much to prove as Midoriya did and he had no intentions of getting in the way of that, and Shinsou would have turned him down regardless) but he had a vague enough idea of what his quirk was so their fight would essentially be nothing more than a quirkless brawl

it's a close call but where Shinsou's attention was split between fighting and trying to get a reaction from his shit talking, Midoriya was focused 100% on nothing but the fight, despite it being easy low hanging fruit Shinsou never uses Midoriya's quirklessness to bait him into responding, not wanting to stoop that low

his fight with Todoroki is intense, but with heat based support gear he's able to get through Todoroki's defences

Midoriya didn't get the Todoroki Family Traumadump in this universe so instead of a 'your quirk not his' speech we get a 'don't hold back on me they will jump at any opportunity to blame my success on someone else because I'm quirkless, I want everyone to know I won because I worked the hardest for it' speech

Todoroki ends up backed into a corner and forced to use his fire, unfortunately for him Midoriya was not only prepared to go up against his fire, he also built an entire strategy around Todoroki's poor control over it, it's close but in the end he's able to manoeuvre Todoroki out of bounds by using the fire to obscure the boundary line, and he wins the fight

Midoriya ends up facing Bakugo in the final round, to start with Bakugo is absolutely fuming at the fact that Midoriya made it this far, he is even extra pissed off when Midoriya states the only support gear he'll be using in this fight is leg gear to help him manoeuvre around, not even using an offensive weapon

Midoriya uses every little piece of knowledge he has on Bakugo to predict his movements and attacks, but Bakugo had been training privately specifically to avoid Midoriya seeing his progress (as much as he shit talked Midoriya for being quirkless he knew damn well that he was a genuine threat, even if he wouldn't admit it), but Bakugo had never seen Midoriya fight before today, with no edge over him strategically other than what he had learned from watching the previous fights, which helped little due to Midoriya's fighting style shifting with each opponent

it's a brutal, long drawn out battle, but Midoriya's close familiarity with Bakugo's quirk gives him an advantage Bakugo just can't catch up with, Midoriya mostly uses Bakugo's own quirk against him, eventually baiting him into pulling off a bigger than necessary blast with enough kickback to throw him in the air and then takes advantage of the uncontrolled momentum to throw him out of bounds, taking a risk and falling close to losing his own footing on the boundary line in the process

Midoriya wins the sports festival by a hair, securing a future seat into the hero course

Bakugo is actually really humbled by the experience, he has to go through a whole process of rebooting his brain to figure out how to feel about the whole thing, he wants to be pissed off but Midoriya had fought him with every ounce of strength and tenacity he had, it was more of a challenge than any of his own classmates had given him, he'd done everything in his power to beat this kid down their whole lives and instead Midoriya had taken that and turned it into fuel to prove him and everyone else wrong

Bakugo stops calling him Deku after that, saying the name just doesn't suit him anymore, Midoriya says that it never suited him, but it's nice that Bakugo is finally catching on

when Midoriya is eventually moved into the class, a couple of the students are a little pissed about the underhanded way he went about the whole thing, feeling as though he had kinda misled them and taken advantage of them trying to be nice to him by giving him an extra edge in the competition

Midoriya points out that he had been very transparent from the start, and that if they had taken him seriously and respected him as an opponent then they never would have taken his deal in the first place, he wasn't taking advantage of their kindness, he was taking advantage of their quirk bias

Aizawa backs Midoriya up by stating that Midoriya had actually cleared this strategy with the teachers to ensure it wasn't breaking any rules, and he was exceptionally disappointed that a majority of his class had fallen for the bait, and that they should take this as a lesson in not underestimating their opponents regardless of their quirks

Midoriya and Bakugo end up working together for more cohesively and make a terrifying duo, eventually even going with matching themed hero names Arsenall and Dynamight (lifting DIRECTLY from this tiktok because it's absolutely fucking genius, except in this universe the name is in reference to the vast variety of support gear he uses rather than the multiple quirks he has)

anyway I made this whole thing as a side effect of an idea where canon Midoriya gets hit by a quirk that pulls alternate timeline versions of himself into his world and Arsenall was one of them, there was also a guerilla journalist/vigilante Midoriya called Rabbit who I might also make a post of because I actually had the outline of an entire fic about him mentally noted down at one point so he is way more fleshed out

the other two versions didn't have super fleshed out stories but mostly because one was just quirkless Midoriya if he joined the support class but didn't enter the sports festival, and the other was villain Midoriya who is already basically an existing fanon character so I didn't feel the need to flesh him out so much

[aquagirl1978]

Can i request Ellis Twilight with the prompt butterfly?

Thank you for the request

ellis twilight x reader | prompt: butterfly | word count: 750 | tags: mentions of blood and violence; a bit angsty

It was a perfect evening. The sky above was a painted canvas, shades of pale pink and muted purples blending together, highlighted by the last golden rays of the sun, as day shifted into night; an early autumn breeze kissed the air, a much needed reprieve from hot summer months. 

Except it wasn’t. There was nothing perfect about it.

You were walking hand in hand with Ellis, and the streets were quiet. Too quiet. Instead of providing a sense of calm one doesn’t get while living at Crown castle, the quiet was the perfect breeding ground for intrusive thoughts to invade your head. 

“Are you okay?” Ellis asked, his soft voice pulling you from your melancholy. Finching, you slowed your steps and tilted your face towards his. Ellis continued to speak, his voice still soft in the still air. “You haven’t been yourself since we left…”

His voice trailed off, allowing you to fill in the blanks in your head – the docks. 

“How can anyone…” You paused, then forced yourself to continue, the scene at the docks – and the smell of blood – still fresh in your head. “... be okay after witnessing that?”

The scene was grisly, more grisly than any scene you had ever witnessed before. The mission was supposed to be simple – well, simple was a relative word when compared to other Crown missions. Go in, scare some goons, get the information, and get out. With Jude taking charge and Ellis acting as his assistant, it should have been simple. 

You smelt the salty sea air before you saw the water, the waves crashing loudly against the restraining walls signaling that you were close. Jude was a few steps ahead, ready to warn you of any trouble ahead.

“What in blazes…. What’re ya doin’ here?”

Ellis stopped and bowed his head. “Ah, Jude, not again. Whatever happened to being quiet?” Ellis muttered to himself. He caught your gaze and tilted his head towards Jude’s voice. “Let’s go. Hopefully, I don’t have to save his ass again.”

“Lemme guess, Victor got all the information he needed and yer skippin’ straight to the execution.”

A light, melodic laugh filled the air. “That’s right.” 

You glanced over at Ellis. “William’s here?”

Ellis sighed. “I’m so sorry.” 

You didn’t have a chance to wonder why Ellis was apologizing; instead, you were distracted by a butterfly that slowly glided across your path, its large orange wings still easy to spot in the waning daylight. 

It must still be looking for a place to rest for the evening, you thought to yourself. There was a twinge in your heart as you watched the butterfly flapping its bright wings, fluttering in the sky. 

Knowing what would most likely happen, a part of you hoped it would find a more peaceful place than here at the dockyards.

“Let’s go,” Ellis whispered, tugging on your arm.

And like that, the butterfly was gone, off to find a place to sleep for the night. 

“Take this knife and slit your throat.”

Ellis pulled you into an embrace, his long arms wrapping around your waist, and placed a gentle kiss upon the crown of your head. “If I knew it was gonna happen like that, I would have never brought you tonight.”

Closing your eyes, you saw William’s face. His smile, despite having just murdered those men. The drops of blood splattered on his cheek. Blood that matched his eyes. Blood that wasn’t his.

“This is my life,” Ellis continued. “This is the darkness I live with every day. It’s a part of me. And sometimes I forget you’re not used to that part of my life.”

Nuzzling your face against his chest, the scent of freshly washed linen comforted you.

Ellis tilted your face with his thumb so that you were looking up at him. “Why don’t we get you a hand pie. I think the stand is still open.”

“It's going to take more than a hand pie to make me feel better,” you said with a small smile.

“I'll do anything to make you happy.”

That’s right, Ellis absolutely would. Taking his hand, you walked off together towards the stand. Ellis wouldn't be able to erase the events of tonight, but he was able to soothe you and make things easier. 

Not long ago, you felt like the butterfly, lost while searching for your place to rest. Glancing over to Ellis, his profile handsome against the darkening skies, you knew you finally found your place. 

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