#I'll find interesting lore reasons for it :)

[tobuo]

hey so !!!! @mstalltale your point is really interesting and got me thinking so i wanted to add it on to this post. hope you don't mind! i still don't think they're going to bring him back as was, or at least, i'll be really disappointed if they do for the reasons i touched on in my original post, and a few more here, because i think it would cheapen the sacrifice BUT this whole bit of lore is really interesting and touches on a whooooole bunch of other lore i enjoy....... so now im speculating for fun tehehe

SPOILERS FOR OCHKANATLAN, 5.3 ARCHON QUEST & MAUVIKA'S STORY QUEST + SPECULATION ABOUT CAPITANO, XBALANQUE & THE PYRO SOVEREIGN UNDER THE CUT.

FIRSTLY im not sure his lack of face reveal means much. i think it was probably hoyo wanting to let the player know just how horrifying the curse is by explaining capitano as being eroded/rotted beyond recognition... but feeling it might be too graphic to show. but i could be wrong!

as for the crucifixion nails in his symbol, for me that kind of alludes to the fact that capitano died for someone else's sins. mauvika was the one who used the ruler of death's power, she was the one who committed that "sin" and whose life should have been forfeit as a result, but capitano took her place and i guess, in turn, resurrected the lord of the night/the night kingdom that wouldn't have survived if not??? maybe?? you could also say he died for all the other souls that were with him too, to grant them peace they otherwise wouldn't have been given

that said, i definitely think it's interesting that hoyo went the route of having his body remain rather than doing what they did with signora lol. i don't think you're wrong that it's intentional and i DO have a few different thoughts on this sjkdfhsdf. the first is what i believe is most likely, but your comment got me thinking about the others just for fun lol. either way tho, i don't see capitano coming back.... but thats just me

SPECULATION #1 - NATURE OF NIGHT KINGDOM

my main theory would be because the basis of the night kingdom is as a kind of..... liminal space for souls to exist? "between body and mind, life and death" in the words of the genshin wiki, so it makes sense that capitano's death was a spiritual one rather than a physical one, especially considering his curse and that he kinda merged with the lord of the night who rules over the night kingdom. mauvika also mentions that for those afflicted with the curse of immortality that being removed from the physical plane is a kind of peace... i cant remember/find her exact words here im sorry to me that implies that he, and other khaenri'ahns, can't physically die... but that their souls... can? or at least can transcend to some other place where they might escape the curse. if we then also assume this means the khaenri'ahn curse is a physical affliction it makes sense that his body would remain since ronova "upheld" the rules and the curse. that's the whole paradox and this is partly what makes me think he isn't going to be "resurrected". the whole point is that his curse/body/life force is what's sustaining the lord of the night.... him coming back.... would undo that..... his cursed body is the thing sustaining the lord of the night, so it has to remain there. THAT SAID i am definitely interested to know how much of capitano/thrain remains, if any, since he transferred his life force to the lord of the night. she says to mauvika not to seek traces of him... but does that mean his soul is gone completely? WHO KNOWS!!! i'm also SUPER interested to know what this situation will mean if the traveller/their sibling ends the curse of immortality too

SPECULATION #2 - VESSEL FOR XBALANQUE

this is a bit more out there skdjfhsdf but...... the crucifixion nails in his symbol.... which then leads to the idea of resurrection. BUT DOES IT HAVE TO BE CAPITANO'S? there are a LOT of mentions of xbalanque, and he even "appears" in mauvika's story quest. temporarily. he himself says the body he appears in he's "only possessing [it] temporarily" and that the borrowed body is "a bit lacking when it comes to exercise, and hasn't really trained any aspect" but that he has "[his] own plans". AND WHO JUST HAPPENS TO HAVE A FREE BODY RIGHT NOW POTENTIALLY? PRIME REAL ESTATE. MY MAN IS EMPTY one of the main things we also know about xbalanque is that when he killed xiuhcoatl (the pyro sovereign), xbalanque was "revived from the flames". there's a lot of mentions throughout ochkanatlan especially about the everlasting flame of life/primal flame. when the traveller awakens to the pyro element, we even make offerings of burning flint which has a "fiery pulse" to capitano on the throne of primal fire. in ochkanatlan??? i know mauvika's story quest kind of presents it that this one day trip was xbalanque's reward for the "bet" he made with ronova and that he's not planning to return because he "gave" the rest of the "life force" ronova granted him to mauvika after their duel so its highly unlikely but......... the possibility is out there....... especially since, as you said, death isn't an absolute in natlan and the ode of resurrection does still exist in some capacity. maybe the throne of primal fire works as another kind of ode of resurrection??? i definitely think it's intentional that we offer those things to capitano's body/the throne. okay SO maybe i just want playable xbalanque because his lore is SO INTERESTING TO ME and he seems so funny but this is a fun theory all the same

SPECULATION #3 - VESSEL FOR PYRO SOVEREIGN/XIUHCOATL

even more out there...... but this speculation involves much of the same ideas as xbalanque being ressurcted using capitano. some ppl in natlan do think xiuhcoatl is still in the volcano, just in some kind of statis/hibernation or that a husk of him remains after xbalanque killed him but............. again........ if the primal flame/sacred flame/flame of everlasting life etc. has the power to resurrect....... who's to say it's not possible to reawaken the pyro sovereign this way..................... using the throne of primal fire....... ESPECIALLY SINCE THE ARCHON'S SEAT WHOSE POWER COMES FROM THE SOVEREIGNS IS THEIR "DIVINE THRONE".......... lol i don't think this one is super likely, i tend to lean more towards the idea that our little saurian companion will somehow be related to or become the vessel for the pyro sovereign (they are "the chosen of dragons" and have the "flamelord's blessing" after all) BUT we do know from neuvillette that the sovereigns can be reborn in human form............ and its just a fun theory to imagine lol

anyway if anyone has thoughts on this, i'd love to chat about it more!!!!!!

ppl complaining abt capitano ~dying~ like it isn't the most thematically appropriate end to his story. none of the actions we've ever seen from him have been for personal glory or gain. it's perfectly in keeping with who he is to sacrifice himself for a cause like this. it was his choice, on his terms, with the added poetic justice of spitting in the face of the very being who cursed him and all the other khaenri'ahns after suffering for hundreds of years.

like............. yeah it's sad that he's likely never gonna be playable, but honestly i think his storyline was so narratively satisfying and a really gorgeous, fitting end for a really interesting character

[ne0nwithazero]

Meet Button & Match

Characters in the Cable AU tend to come in pairs, duos or dichotomies, and Button and Match are no exception! :) Being the two game controllers that Kris and Asriel used to play with on their old TV, the twins have always been inseparable.

After the Divide, many darkners were left purposeless, and with their friend Tenna having gone missing, Button and Match were left out of use. Roaming the Channels and the City, causing trouble, picking play fights, and hoping to find someone who would want to play with them.

Though their idea of "playing" might be a bit too aggressive for the average darkner. Who doesn't like fighting games?

[meanbossart]

Sorry if you've gone over this before, but you've said a few times that DU Drow and Astarion both sleep. I know BG3 can be a little fast and loose with the original D&D rules to fit video game logic (some stuff I think they do better for it), and there's no wrong answer here but I was just curious. There's dialogue referring to the player sleeping no matter what race they are, so I figured maybe it was something to do with the tadpoles: Astarion lost a few vampire quirks while infected, maybe elves would lose the ability to trance/meditate and would HAVE to sleep. Or maybe they do still trance and they just say sleep because it's basically the same to non-elves. And on that note, would DU have the ability to trance at all, since he's kind of just... A bhaalspawn wearing a drow-ish skin? Again no wrong answers here cause you're the one running the show, I was just curious if there was any lore going on behind the scenes.

I could go into how most sources I found (at the time and right now) state that elves can sleep if they so wish, and honestly I can also come up with reasons why both Shadowheart and Astarion would choose to avoid reverie... But I'll be honest with you anon, I just don't find the concept very interesting!

The idea of being able to rest without ever actually letting your guard down, plus having the time required to replenish your energy being cut in half, is... Very boring to me, so I ignore it, it's as simple as that 😅 you are free to come up with your own reasons or just pretend I'm saying "meditate" instead of sleeping whenever I mention it.

Regardless of headcanon though, DU drow isn't capable of it and lacks most other perks of being a drow.

[quixoticprince]

Yayyy!! Yippee!! I finally get to make one of these!! Art without the text under the cut and some long-winded elaborations:

How long I've been playing: well, it hasn't been a straight 11 years, rather off and on - but I have drawings of these guys dating back to when I was 14, so I'll give it to me. And man I had no business reading the fanfics I was reading back then It's also crazy how this was a super influential media for me in so many ways. It's the reason I ever made a tumblr, it changed the direction of my drawings for a long while, my broken sense of humor (gmod animation memes and yt poops were the brainrot back then), tf2 Sniper changed my god damned gender (rather, it was the inspiration for me to start socially transitioning at 15). This is part of my personal lore that I tend to not admit to 😓

Your main: I've always been completely ass at the game, and I can play flexibly, but I enjoy playing Sniper, and more recently as Heavy. Whenever I'm sitting around somewhere, occasionally throwing sandwiches and attracting Medics, I feel like this:

Favorite character: When I was younger it was definitely Medic, and I think you can tell that he's still up there based on how much I've drawn him! However, since getting back into it, I've felt quite a shift in focus towards Heavy, very strongly. It's unfortunate that he's side-lined in a lot of fanwork, and I think I'm also complicit in this so far - but for me it's cuz, how tf2 works is that it's going to prioritize humor over character and consistency haha, and Medic is just so loud and insane that he's really easy to make fun stuff with. Heavy is a more serious and grounded character, not to say that he's not funny or that he doesn't have his own cartoon slapstick moments! But that aspect of him is what is really really intriguing to me. I love his quiet, stoic, and intimidating character, I like how loud and boisterous he is when filled with bloodlust in contrast! I love his bird story and him getting into wrestling as a child from Poker Night. I love his back story setting, there's so much to extrapolate from a young boy in Russia growing up during WWII, what his parents must have been through before that from the aftermaths of the revolution, all the way to his fathers execution and his imprisonment. I love his strong relationship with his family, his role as an older brother, as a protector, as a man - the way that he performs these roles - and because I personally see him as bisexual - how his orientation intersects with all that! He is incredibly fascinating to me and I wish that he was played around with more to see a lot more corners and angles of these things that I listed! There's way more that I want to say here too but this is getting very long 😅

Character I relate to: It's so interesting that a lot of the characters have very strong, tho maybe dysfunctional, families. Heavy, Demo, and Sniper in particular really speak to me in that relation. From Heavy being an eldest brother (I am also an eldest sibling) the parentification that comes with that, especially with him probably being like 10 years older than his sisters from the looks of it. Demo and Sniper both struggle living up to their parents expectations (although there's a lot of love there from everyone), being disappointments in one way or another (not gonna deep dive into that lol), and the general alienation both of them feel. From Sniper not knowing why he's not like other Australians to Demo being "a black Scottish cyclops." And well, I'm Filipino, I'm queer, and mentally ill so - there's a lot to project there!

Class you want to play as: I find Medic incredibly stressful to play as but I find the idea of battle medics incredibly funny. However I usually find myself rushing around madly trying to cater to everyone, and I'd like to just not give a shit and just start stabbing people with a saw lol

Favorite ship: "I just like the dynamic" - The dynamic:

No but fr, they're really compelling to me, I'd probably need a longer more thought out post as to what I like about them and I was already going crazy up there ^ Overall tho I like that they're practically built for each other in terms of mechanics, really plays into my desire to spiral into intense codependency haha. I also think that Medic's drive to cheat death and hide behind meat shields plays really well into Heavy's desire to be a meat shield and a protector, and how nice it is in turn, that Medic can grant this man who's been around death, starvation, and war invulnerability. (He outsmart boolet, yknow?) They're also depicted together a lot and I like how much they enjoy each others company, and bring a lot of joy to each other. It's beautiful to me :'^)

Character you like to draw: What can I say! Medic is handsome! He is very fun to draw and easy to make memes and shit posts out of!

[kikitakite]

I saw your callout in the Gale tag for that one user (no comment on them, tho ty for the callout bc i'd seen them in the notes of my fics) and was curious if you could elaborate on some of the Mystra incidents you described towards the end of the post? I'm new to the lore of the setting and find it hard to research (which makes sense given its importance to dnd), so I've heard a lot of conflicting things about Mystra's portrayal in the wider series. No pressure, obviously!

No problem! And yea, I've seen her arguing in the posts of a few people I follow or just Gale-related posts I find interesting. Usually I don't get involved in stuff like this, but I noticed a constant pattern and then all the homophobic shit so I went off a little.

Unfortunately it's hard to find exact examples of the Mystra lore because certain modules aren't very popular or even free to access, but if you're interested the best way to learn about her is by reading the Elminster novels. There's twelve total, dating all the way back to 1994, and they detail Elminster's adventures. I'll be honest though, some of them are a hard read and written through the lens of a man who's admitted very creative, but also has a lot of problematic ideas.

In the first book Elminster is a child. His entire town gets wiped out by mages, thereby making him hostile toward magic. He sneaks into Mystra's temple to deface her statue one night, but she appears before him and basically gaslights him into learning magic and becoming her rare Chosen. He becomes a wizard and cleric basically overnight, until eventually he multiclasses into pretty much every class type in DnD. As you can imagine a lot of players aren't too fond of Elminster, as he's a well known self-insert of the author and pretty annoying to run into during campaigns. None of my dungeon masters like him anyway.

He also becomes one of Mystra's most loyal followers, but she fucks with him over and over, turning him into a woman to teach him a lesson and SLEEPING with him in that form, berating him when he struggles with the torture he endures when he gets stuck in the hells, making him reproduce without his knowledge and getting jealous when he gives his partners more attention. Because she's a very jealous goddess, which I think the game vaguely touches on but not really.

I wish I had the time to flip through all the novels and give exact citations but the best I can do is suggest them, because they're so eye opening. She's considered a neutral good goddess, but neutral gods often do terrible things for the sake of their domain. I think it needs to be noted that Mystra, as with all gods in the pantheon, only cares about her portfolio. She isn't wrong for that, but it doesn't mean she's blameless when she messes with people's lives. She's done a lot of good but she's also made horrible decisions, especially where her followers are concerned.

For example, Elminster having children he doesn't know about. He has a daughter named Narnra. Her conception was... pretty fucked up. Basically a song dragon named Ammaratha Cyndusk was an occasional lover of Elminster's (he has a lot of those because of course he does) and she wanted to bear his child, but since he's a Chosen of Mystra he can control his fertility. Magic birth control, basically. He didn't want a kid so Ammaratha went behind his back to learn a counterspell that would make him fertile during sex. The man she asked refused to teach her because...duh that's messed up, but then Mystra intervened and told him to teach her the spell because she wanted Elminster's "seed to spread". Ammaratha never told him and neither did Mystra. No matter what the reasons, that was NOT consensual on Elminster's part, and it happened two more times, resulting in two more daughters with different women. If I remember correctly Elminster did eventually find out waaaaay later when they were all adults, but it never amounted to anything.

The sisters I was taking about are the Seven Sisters, Mystra's "daughters". And I put "daughters" in quotations because Mystra possessed the body of a woman named Elué and impregnated her without her consent. She slept with the woman's husband (again, while possessing her body) and made them sire seven children. This of course lead to Elué's death because the constant flow of magic in her body was too much for her to handle. Her grieving husband broke after she died and eventually left, abandoning his daughters and earning Mystra's scorn...as if he was in the wrong. The sisters were then orphaned and raised by foster families.

That said, most of the awful things anyone can say about Mystra were the doings of her previous incarnations so ultimately it doesn't apply to the Mystra of BG3. In fact, this third Mystra is supposed to be a new and improved goddess who's nicer to her followers. So her portrayal in BG3 annoyed a lot of DnD fans. I should also point out that Mystra has two types of fans: ones who will defend everything she does, even when it's fucked up beyond all comprehension, and the ones who will tell you she's a true neutral goddess capable of good and bad. I'm the latter. There are plenty examples of Mystra sticking her neck out for innocents, but there's also examples of her doing the most horrendous shit imaginable.

A lot of veteran players, at least the ones I know, are upset with the portrayal of Mystra in BG3 because her plan to end the Absolute is, quite frankly, stupid. Your party is the best chance anyone has of ending the threat, but she asks Gale to nuke himself and possibly tens of thousands, which makes no sense because she could've just sent her mages/clerics to deal with the problem. And there was no guarantee the bomb would've worked anyway. She put all the responsibility on one man and it DEFINITELY comes off as vindictive. That isn't out if character for her but she's not SUPPOSED to be that bad anymore. For a lot of DnD players it felt like she was reverting back to her old habits.

I think there's also a part in the game where you can directly ask Gale why she doesn't just blip the Absolute out of existence and he says something like, "She could but Ao won't allow it." That was also really strange for a lot of veteran players to hear because Gale drops Ao's name like it's nothing. Most people (especially if they're new to the franchise) wouldn't know this but most people in Faerûn don't know who Ao is! Because he wiped people's memories of his existence! I suppose it does make sense for Gale to know that name, since Mystra probably explained the pantheon to him, but it's VERY unlikely tav would know it. So during that conversation all I could picture was tav tilting their head like, "Huh? Who? Whaaa?"

And on top of that......Ao absolutely WOULD allow it because the Absolute effects the Weave and every other god! It had the potential to ruin the balance of the universe, which makes Ao a very angry boy. Balance is one of the ONLY things he cares about. The Dead Three were stealing souls and worshippers, which gods needs to survive, and dying gods disrupts the balance. It's a whole circle of chaos. So the only conclusion left for me to extrapolate is this: Mystra just really, really wanted Gale to kill himself to prove his devotion to her. Which...isn't great. Bad look for her.

It's kind of like how Raphael thinks the Crown of Karsus is going to help him end the Blood War and take over the hells. DnD players laughed during his epilogue because...no it won't lol. He doesn't stand a chance even with the crown. He's arrogant and he's gonna get slapped by his daddy and all the other archdevils, the same way Gale gets slapped by Mystra if he ascends. Even the Absolute ending of the game wouldn't last long because the gods would go to war with the Dead Three, wipe them out and rebuild Faerûn, which has happened many times in past DnD campaigns. Mystra alone has torn worlds apart and glued them back together. The main crisis of BG3 is saving the world you live in or everybody dies. For the gods it's just a Tuesday. I mean look at how Withers owns the Dead Three with a wave of his hand at the end of the game. Mystra COULD'VE killed the Absolute, just as she could've removed the orb from Gale's chest the moment it happened. She just didn't WANT to. She wanted him to die. She wanted him to chastise himself. She wanted him to suffer and come crawling back to her as an obedient follower. She wanted him to learn a harsh and honestly unfair lesson, which is a terrible throwback to her previous incarnations.

[ruru-me]

hiii! idk if this has been asked yet, but can i get more lore on the kids’ mothers & their relationships with the dads (strade, lawrence, rire, ren!) are the moms still alive in some cases or are they dead? i’m really interested to know! :3

Hey anon!

The answer to this may be a bit long, so I'll put it into topics and organize them from the best to the worst parental relationships :D

(also some images I found on Pinterest to illustrate cuz I find it funny)

REN

The best among them fr

Bro is living the dream with his children

Manipulative and overprotective at times but it's because he really fears that his babies will go through something like what he went through with Strade.

The mother is still alive (happily married, thank you).

She works as a programmer and ren is a relatively big streamer in the specific internet niche he works in (I leave it to your imagination what that might be)

All his children appreciate their father and love him

The cool dad all kids want to have (me too pls)

Strong emotional bond, he always knows if something is wrong with any of them

10/10

Lawrence

He's only before strade because his anxiety wouldn't let him forget to buy baby formula for violet

Honestly not the best father figure, but violet really likes their dad

Emotional dependence is the basis of it.

It's not healthy but neither of them seems to care

Violet's mother unfortunately died after an infection caused by Lawrence and his idea to remove her limbs.

Unpredictable some days, can be a caring father or an anxious mess (nothing in between)

CPA has certainly gone after violet

6/10

STRADE

More like a cool uncle who offers alcohol to minors than a father

no paternal sense, plus places no limits on the things Hertha does

Regarding their relationship, Hertha doesn't have a good impression of her father and Strade couldn't care less.

Strade shows "affection" by pampering her with everything she asks for (for him it's much more practical than being emotionally available)

One of the reasons Hertha actively tries to F strade when adult and shows no remorse about her actions

Her mother unfortunately took her own life when she was still young

She was probably the only person Hertha could empathize with and care about (genuinely)

5/10

RIRE

Self-explanatory image

The worst of them

He doesn't even think about trying to be a good father figure

Rire is the father who goes to buy cigarettes and disappears and magically appears again when you're an adult to ask you for a favor

Probably his only contribution was the names Severus and Linden

Their mother is alive and lives with them in a house (almost all Rire's proof)

The twins fear their father like the plague. They have no sentimental attachment to him and prefer to stay that way.

Not to be unfair, rire even showed up a few times to check on them (for some unknown reason) but the twins ran off as if they'd seen a monster.

Theoretically they did

-100/10

Ok that's all, hope I've answered ur question.

Feel free to send another (if u feel like)

*dies*

[queenaeducan]

In Defense of Spirits

Or, alternatively:

I. Introduction

Spirits are one of my favourite parts of the Dragon Age lore, but they didn't start that way! Initially with Origins the various demons I fought I considered little more than cannon fodder, enemies put in my way to cut down so I could move on with my mission. With the introduction of Justice in Awakening and Dragon Age II coupled with Merrill’s alternate perspective also introduced in the latter, my feelings about them started to change. Solas and Cole crack those feelings wide open come Inquisition, and when replaying the games I found myself questioning the motivations of encounters with people I once considered one-note enemies.

I wanted to compile a list of these alternate readings of the various spirits we meet throughout the series, starting first with Origins. I'll be detailing some common themes and, where it’s appropriate, to defend their actions. This list is not comprehensive as there are some encounters I don’t consider significant or interesting enough to mention, although if someone’s curious about a particular spirit I’m happy to oblige. For the purposes of clarity, if I use the word “spirit” I am still referring to all denizens of the Fade, whether they call themselves Pride or Compassion. I may use the word “demon,” as a treat.

The purpose of this retrospective is to reflect upon the motivations of the spirits we kill through the series and how I think Bioware successfully created a world where, in this instance, we were sucked into their preconceived biases regarding spirits. And hopefully to make you feel as bad as I do when I’m forced to kill spirits who probably are better people than my player characters. I am also not arguing that everything I put forth here was intended by the writers. I have the reach and flexibility to pull out threads they didn’t expect me to.

Finally, this won’t be an exhaustive examination. There are a lot of spirits and some don’t invite discussion on my part.

II. Analytical Lens

There are several recurring themes that will crop up when I’m recontextualising the motivations of the spirits throughout the series. We’ll be going over these in detail as we talk about individual spirits, but for now:

The Veil is a construct. There was initially no barrier stopping them from moving back and forth freely, and in many ways their desire to manifest physically outside the Fade is a natural inclination. The problem being that going there and back again isn’t as easy as it once was.

They don’t understand this world. Again, I think the presence of the Veil exacerbates this. Time and again we see spirits who do have enough will to manifest safely have difficulty adjusting. 

Trying to help hurts. Spirits can’t sicken with Blight or the common cold (that we know of), but intense emotions or cruel intentions can twist them from their purposes. Those who reach out in the honest urge to help may find themselves burned, sometimes through no fault of either party.

Their design encourages dehumanisation. For lack of a better word, considering this is a land of elves, dwarves, qunari, and so on. Many of the spirits we’re asked to empathise with are humanoid, with those we are at odds with being more likely to be monstrous or animal in design, making it easier to justify why we need to choose violence.

III. Dragon Age: Origins

Mouse

Mouse is among the first spirit players will meet in Dragon Age, depending on whether or not they play the Mage origin or not. Narratively he is meant to introduce the player to the role spirits often play in the lives of mages, that is to say: an evil that is not always self-evident. He tells a sympathetic lie, presents himself as someone who was once in a position like the protagonist currently is, and wants to make sure they don’t end up like him, only for it to be revealed that the entire reason he’s there is to possess them. At least, nominally that’s his role. A second pass at Mouse’s actions does raise questions as to his true intentions.

Throughout the test Mouse encourages two things within the protagonist: their self-worth and their questioning of the ritual. The former makes sense, he is ultimately revealed to be a spirit of Pride and so to stoke the protagonist’s own pride may inflate their confidence to a point where they can’t see the potential harm in dealing with him. Still, in a society where magic is feared and mages prisoners, there is something radical in encouraging that in someone. Especially when paired with remarks Mouse makes where he questions the logic of the Harrowing itself:

“It isn’t right they do this, the Templars. Not to you, me, anyone.”

This is one of the first things he says to you, and is one of the first pieces of Circle critical rhetoric in the entire series. From the perspective of the protagonist at the time, it would seem he’s referring only to apprentices, but is he? Spirits are drawn into the Harrowing as much as mages, ostensibly willingly with the promise of a body to possess, but we see in rituals such as the one that drew Wisdom into the world that the Circle isn’t above shackling spirits into doing their bidding, be it as a means of protection or garnering information. Once inside, they’re subject to the will of the apprentice, who have been taught to fear and mistrust the Fade since they were first brought to the Circle. So is Mouse expressing bitterness about the situation of the apprentices, or is he looking at the situation as being equally unfair to all involved?

Furthermore, what’s most interesting about Mouse is he never actually tries to possess you. He makes some requests, which Surana or Amell can’t agree to, but even if you avoid catching onto his game for as long as you can it never goes farther than that. He reveals himself as the final test and before the Harrowing ends he dispenses the to-be Warden a warning:

“Simple killing is a warrior’s job. The real dangers of the Fade are preconceptions, careless trust… pride. Keep your wits about you, mage. True tests never end.”

A piece of wisdom, if you will.

I don’t believe Mouse ever truly intended to possess you, although it’s impossible to tell if he truly would or not without the ability to agree to his bargain. He gives up the game too quickly, with the Warden only needing to vaguely doubt his story before he reveals it. By following the Warden through their Harrowing he helps them successfully bargain with spirits like Valor and Sloth and safely introduces the idea that not everything here is as it seems. Rather than being purely a Pride demon, I think Mouse is a spirit of Wisdom influenced by the Warden’s preconceptions towards what some might call the darker aspect of the values he represents. 

While I don’t think it’s out of the realm of possibility that Mouse was exactly what we’re led to believe, nevertheless I believe it probable that spirits aren’t always gleeful participants in the Harrowing and that the rite is damaging to them as well as the apprentice mages.

Desire

We go now to another spirit from the Circle, specifically the Desire demon we meet in the Broken Circle quest. When we come across her she’s possessed a Templar and letting him live out a fantasy of having a wife and children. When the Warden and their party come across her, she argues that she’s giving him what he wants and doesn’t see the harm in it. Upon my first playthrough I took this as a lie and killed her, although it was difficult not feeling bad, as from the perspective of the enthralled Templar he died defending his family from bandits. To him the Warden was unequivocally the bad guy, and it’s tragic thinking about what his final thoughts might have been.

As for Desire herself, I think there’s an argument to be made that she simply didn’t see a difference between her making a life for herself and the Templar all within his head and a physical, lived life. We see in Inquisition especially, where we talk to more spirits, that the nature of the physical world is as alien to them as the Fade is to mortals. Command wonders out loud why the rocks do not move at her command, and Cole asks Varric to talk to his shoelaces for him because they “don’t listen to him.” They existed in a world where will mattered more and where dreams were real, so it stands to reason that to Desire there is no discernable difference between giving him what he wants for real and dreaming it.

Interestingly, you can choose to let them both go, and we get no indication of where they go from the Circle. Leliana also approves because she thinks what counts is that he’s happy. Personally I don’t feel there’s a right option in this quest as either leaves the Templar in a tragic spot, but I do think the Desire demon’s motivations aren’t as evil or manipulative as they seemed on my first playthrough.

Lady of the Forest

The Lady is perhaps the first spirit in the series given a more complicated character than “spirit good, demon bad.” We have Valor in the mage origin, Wynne’s spirit of Faith, etc, but they aren’t given much characterisation and their benevolent nature is taken as a matter of fact. We have a biased introduction to her, we see the damage she has done to Zathrian’s clan and hear his side of the story. We go into the forest to carve the heart from her chest.

But when the time comes to actually speak with her, his bias and deception is plain. She has all the trappings of a demon: summoned at a point of great tragedy, as a tool of vengeance, enacting a literal curse upon Zathrian’s enemies. Yet now she is an advocate for non-violent solutions, only compelled to violence by desperation (she sent letters but Zathrian left her on read) or by the player’s encouragement (potentially). I do think this was an end she worked towards, and didn’t come by naturally, saying to the Warden at one point:

“Then the time has come to… set our rage aside. I apologise on Swiftrunner’s behalf. He struggles with his nature.”

While she is speaking of Swiftrunnher, given she is the curse’s origin, I think the same could be said of her nature (as it is her curse). Zathrian implies much the same, saying to her:

“Your nature compels it, as does mine.”

I think it’s very likely that had we encountered the Lady those hundred years ago when she was first made, she would have been to our eyes a demon, rather than the semi-benevolent force of nature she appears as in-game. Interestingly, her outward nature doesn’t change if she is compelled to kill the Dalish. She isn’t thrilled, but neither is her nature twisted. She’s pretty quick to move on, afterwards. Of the major spirits in DA:O, I do think she is an outlier in the series. Killing her is the bad option, especially when a mutually beneficial solution is forced upon you. She also has a stronger presence of mind than many of the other spirits, perhaps accounting to her age and the fact that she is tethered to the world through not only Zathrian but her ‘followers.’ It’s fitting that the Dalish quest is the one where a spirit is presented not only sympathetically, but (as far as I can tell) exclusively referred to as a spirit whether they are doing right or wrong.

Rage

We meet many Rage demons in Origins, and throughout the series, but the spirit I’m referring to are the ones we meet in the Alienage’s orphanage. The recent site of a massacre, the orphanage is now home to a spirit of Rage who attacks those who enter. Rage, I thought, was a curious choice, when Despair and Terror exist. Although the fact that they probably didn’t want to make a new spirit model for this one sidequest would probably explain it on a development level, but then I wondered— whose rage?

The spirits don’t seem to embody the rage of the people who massacred the orphanage, or even the rage of the victims. They tell the Warden and Ser Otto that they “do not belong here” and one is furious that the party has killed “my brood.” I think the presence of the spirits here is indicative of how helpful or benevolent spirits can be twisted by the horrors of our world, that they were drawn by the misery of what happened at the orphanage and upon witnessing it they became enraged. They are ultimately protecting nothing, just an empty building that’s probably best torn down or cleared out, or whatever the elves of Denerim’s Alienage decide they need to properly mourn. Yet as we walk through the building the screams of children still play around us, it’s still happening for its current residents.

In the final encounter of the quest, the Rage demon targets and kills Ser Otto (assuming those mabari you encounter like two minutes in don’t get him first, like they do for me every time if I’m not paying attention) first out of your entire party. It makes sense, although his motivation was pure, he is representative of the human justice that allows horrors like this, and what’s more— how many orphans were taken from the orphanage’s midst by people wearing armour just like his, never to return?

The rage demons had every right to be angry, even if their anger manifested in a harmful way. The tragedy is that, outside of Denerim’s Alienage, most people weren’t.

IV. Other

These are spirits whose roles I don’t have much to say about, for one reason or another.

Kitty. I don’t have much to say about Kitty, who as a reminder is the spirit held captive in the basement of Wilhelm, the former master of Shale. Given Kitty can agree to not possess Amalia, content simply to be free of the basement, and then doubles back on that promise once you complete the puzzle, I don’t have the highest opinion of Kitty. However, can I do want to point out that Wilhelm held Kitty captive in his basement for decades for his research. Research which, by the way, was to find ways to prevent mages from becoming possessed. A little ironic that he essentially possessed a spirit to do so. I want to point this out only because I think it highlights how spirits are casually used by people and at no point do we stop and wonder what decades of being locked up in a basement outside of their intended realm of existence might do to someone, even a metaphysical someone.

Herren. The merchant and life partner of the blacksmith Wade, who may have made your Warden some nice armour from all those endangered dragons they killed. In the Darkspawn Chronicles Herren is fought— as a desire demon. Gaider says this is not canon, but he doesn’t even go here anymore, so instead I’d like to put forth the idea that Herren is a desire demon taken physical form who lives out his existence peacefully (if somewhat grumpily) with his eccentric husband. I have no evidence of this being a fact, in fact I have the opposite of evidence, but I like my version better, so.

The Grand Oak. I think everyone with a modicum of taste likes this guy, but I do think he's an interesting lens to look at how spirits in Elvhenan might have lived. I like to think all of them had a period where they just vibed as a tree for a hundred years or so.

[elementroar]

This is the "Why ABA and Paracelsus can feel horny" lore/theory post

The main Paracelsus deepdive post is a monster that I'm building in Google docs cos Tumblr can't handle it while it's WIP. This is a separate lore/theory monster I want to get out of my system first.

Here's my theory why ABA is consistently portrayed as being horny for Paracelsus from the start.

Translated excerpt from the Night of Knives Vol.2 audio drama CD, released in 2004 (20 IRL years ago):

Her being horny wasn't so much portrayed in-game in XX/AC+R really, prolly engine/sprite limitations and all; but then STRIVE happens and we get:

It's not just her being horny, and knowing exactly how to rizz Paracelsus up, and clearly has been doing this in her pocket dimension for a while now. PARACELSUS CAN FEEL HORNY NOW TOO!

And I stg I'm not joking...I think there's a legit lore reason for this.

Cos by the end of her arcade mode's flawless ending and according to the latest interviews with Daisuke-san and the game directors, it's explained that Paracelsus' form depends on what ABA thinks of Paracelsus, as well as her general mental stability.

ABA thought Paracelsus looked like a key, and he morphed into a key as part of his nature, which naturally makes him always fit to his wielder's preferences. In my deepdive I'll explain in more detail, but in addition to that, Slayer figured out that since ABA also saw Para as her hopeful "key to the future", Para's heart also began to change to basically fit her ideal of what he is.

So if ABA finds Paracelsus sexually attractive, and has made very obvious physical advances on him for years, then it follows that if she's horny for him, she can make Paras horny for her over time too, just like how Para is getting more key-like subconsciously just by being with her all this time.

I don't think this is entirely involuntary on Paracelsus end. I believe how much he wants to react to his wielder's emotions is still in his control...unless they become truly insane like with ABA's Jealous Rage being emotionally powerful enough to override Paras' ability to maintain his key form.

Also he reverts to his 'sharp teeth' design when he gets rizzed up, so he's losing his composure again and prolly holding back most of his...response. It's actually kinda telling cos Para used to just disassociate, ignore, scold ABA when she tries to make advances on him, so him actually responding now and to this degree is...interesting. And ABA seems very aware of this.

And for the bigger question of why ABA, an artificially created human would be created with the ability to feel horny...

Ok, crack theory time, it might be linked to why she apparently can summon an actual alchemical gate just whenever she wants, and even use it as her private pad. ABA doesn't just wanna rizz Paracelsus up as a key, she wants him in a human body since the start too.

Y'all remember Ghostbusters, and what the Gatekeeper and the Keymaster have to do to open the gate...?

[thatoneastralghost]

Okay, so, I've fallen into the ISAT rabbit hole recently, (as in, I played through the whole game in less than a week and have become obsessed with like, multiple different Au's people have made sorta obsessed) and I can not get this outta my head!

I love all the different AU's that surround this game, and with all the little hints of lore that are dropped, I sorta started spiraling down my own AU rabbit hole 👀

My idea is sorta a sorta "what if" scenario on what if Siffrin never forgot their home/island/family/culture/ect.

Not as in, "the forgotten island was never forgotten" sorta way, but more like Siffrin is literally the only person who remembers anything about the forgotten island, like they were entirely unaffected by whatever caused the island to be wiped from everyone's memories, including others that are from the island.

I just find an interesting subtle horror in the fact that Siffrin would be the only one able to remember the island, recognize it from afar, understand the language both spoken and written, and other things like that.

Cause like, that was their home, and now it's just gone, and no one can remember it for some reason, and they are likely terrified that they will also forget about the island someday.

I also imagine that their "forgetfulness" in this AU is much more of a front than anything else, something they use to keep others from finding out they remember cause it probably gets awkward or it brings up bad memories and they don't want to deal with that. Although, I do imagine they would forget a lot of words, cause they don't use them a lot. Especially since their native language would still be that of the forgotten island and they would likely think in it and mumble words under their breath to try and hold onto them.

As you can probably tell, I have been putting way too much thought into this-

I do also have something of an idea for how Siffrin would end up remembering, and this is mostly based on how wishctaft seems to work similarly to a monkey's paw, but this post is getting kinda long so I'll probably go over it in a later post. (Or like- tomorrow maybe when I'm done with school, lol) hope y'all have a wonderful day or night!

[seyaryminamoto]

Azula's most overlooked characterization element

Why, hello there.

It is I.

And I'm back on my bullshit.

I didn't WANT to be. But a bunch of factors pulled me back in.

For the record: I'm not here to start any fights or light the fuse of arguments that I most likely won't have time or interest in responding to. What I AM here for... is to prove that there's something out there a bunch of people are delighted to sleep on because acknowledging it would render maaaany simplistic interpretations entirely invalid...

That group of people includes the fandom, of course. And the original show's staff. And the liveaction's staff, to a fault. Surely the TTRPG ones too. And absolutely, the comic book writers.

Hell, I'll even include MYSELF in that group, even though I'm making this post right now.

I found it really curious that I very recently saw this element mentioned in a pretty neat blog I follow, @atla-lore-archive, I absolutely advise anyone who hasn't checked out said archive to do it if you wish to understand a lot of the "extra lore" the fandom had access to, back in the old days when the turbonick ATLA site still existed and used to be the only source of deeper knowledge about the fandom besides the occasional interview that most people didn't even know where to track down.

But the funny thing is that the post I'm talking about proved that even Turbonick forgot about the people this post is about :')

And that would beeeeeeee...

*cue drumroll*

Lo and Li!

What makes Lo and Li an important subject to discuss?

Why, a lot of things. Among them, the fact that almost nobody brings them into the core focus of any analysis made about Azula's character. I've personally mentioned them once or twice I believe, mostly as negatives, there's but ONE positive aspect I've ever found of them: them being non-benders MIGHT be a reason why Azula isn't shown as being quite so obsessive with firebending supremacy as Zuko was supposed to be.

But that's very much the sole good thing I can think to say about them and it's completely subjective, as good as a headcanon, because we don't even KNOW if they influenced Azula in that sense!

Why do they seem to get overlooked quite as much? Why... let's start thinking about it, shall we?

Lo and Li are Azula's firebending teachers. As far as anyone can tell, they're also her advisors. These two people should be an essential part of Azula's life... but ironically, we seldom see them with her. Most times, Azula isn't around these two. Whenever she is? It doesn't usually look like she's having a good time.

And that's no surprise, considering her first scene with those two very much puts forward a dynamic of cold distance between Azula and her mentors: Azula is bending LIGHTNING. We have not heard of other lightningbenders until that point, and once the full show wraps up, there's only THREE (Azula, Ozai, Iroh). Out of those three? Only one is a fourteen-year-old girl. It's very easy to assume Azula's lightning is actually a skill she mastered unusually early in life, perhaps relatively recently, hence the practicing... but she's pulling it off. She's succeeding. She's doing something that genuinely catches a first-time viewer off-guard!

And Lo and Li's entire opinion of what she did is: "Almost perfect. One hair out of place."

This tells you the Fire Nation's idea of "imperfection" is... insane. Strict. Imposing. Unyielding. Unforgiving. Azula's reaction isn't to get angry at Lo and Li for saying what they did: it's to get angry at herself and try again.

But... that's not the only instance where we see Azula getting angry around Lo and Li.

The next few times Azula is around them, she doesn't seem to have much of an emotional reaction (one is when they tell her to find other allies, the other when they herald her as a great hero who returned home from Ba Sing Se). In the second of these scenes, Lo and Li are praising Azula as incredible, beautiful, all sorts of grand things...! And Azula smiles. She smiles at the crowd. She's not smiling at the old ladies who are praising her... she's mostly just happy to know her people are welcoming her as a hero indeed! Most the fandom would go "true! what an ungrateful bitch! She should've been happy that Lo and Li complimented her that way!!" Me? I wouldn't say that at all. Not just because I love Azula to pieces? But because the only information we have of Azula's dynamics with these two... doesn't seem compatible with the idea that what Lo and Li are saying here is for AZULA'S benefit.

Anyone who's had a hypocritical parent/caretaker/teacher must have endured awkward, horrible, unpleasant moments where this adult figure treats you like shit in private but in public holds you as this grand example, and a perfect child, and they never seem to stop saying they're soooo proud of you even though you NEVER felt that what they're saying is true. Maybe the first few times, you're naive enough to believe it. By the tenth time of incongruent messages? You start to realize they're talking you up as a way to make themselves look better. They're trying to show they're doing their job at raising you/training you, be it whatever it may. The praises are not FOR you... they're for a third person to hear and think "Oh, this adult's so cool, saying nice things about this kid they're responsible for! Nice!"

... You're starting to get the picture now, I'm sure.

Lo and Li reappear in the Beach. Azula is notably chill, enjoying the ride, talking casually with Ty Lee, telling Zuko to lighten up and to stop taking Ozai's choices personally, right? She seems... content. Relaxed.

Then, everything changed when Lo and Li attacked.

We don't even see why Azula is making this face at first. But she does it AT ONCE when their ship reaches the dock.

Who is there indeed...?

The stars of our post! :') if it isn't our elderly twin ladies... who brought Azula to a very disappoting beach house. And when Azula sees the house in question, she makes THIS face.

Judge however you may... even Ty Lee is weirded out by the beach house, going by that expression. Zuko and Mai aren't impressed either. But Azula? The look on her face isn't merely disappointment if you ask me... part of it looks a bit like embarrassment too? This isn't at all what she was expecting when she arrived (she has her old beach house for standards, which makes this extra underwhelming, I'm sure). She counts on Lo and Li to provide them with a place to stay, it goes implicit... and then this is what they do. It most likely isn't what she promised the other three in terms of where they'd stay, hence, I'd dare say there's a component of embarrassment here.

Shortly afterwards, we have our well known scene with Azula being utterly unconcerned with Lo and Li's apparent wisdom to the point of yawning over it. This, too, tells you she's just not interested in whatever those two have to say or bring to the table. Then, they show up again at mealtime and I think Azula just ignores them the whole scene.

After this? Lo and Li vanish until the finale. And what do they do in the finale? Why... it's the first time anyone expresses a verbal concern over Azula's wellbeing! Ah! A sign that Lo and Li have SOME affection for Azula! This time, you pesky Azula fans, you CAN'T twist this into a bad thing! For sure!

... Can't we, tho? :')

What IS Azula's reaction to: "We are concerned for your wellbeing"?

"My father asked you to come here and talk to me, didn't he‌? He thinks I can't handle the responsibility of being Fire Lord. But I will be the greatest leader in Fire Nation history."

And here, my friends, is when we have finally hit the jackpot.

Lo and Li could have been Azula's Irohs. She could've had TWO of him! Then you'd say: "hey! Ozai is such a dick he let Azula have two elderly wise ladies guiding her but only gave one old wise dude to Zuko! Rude!" and it would be further proof of Ozai's favoritism of Azula, right?

... But actually?

Lo and Li are no such thing. Lo and Li aren't moral compasses for Azula in the least. Lo and Li are not beacons of wisdom that genuinely help her sort her way through life. Worth noting: THEY COULD HAVE BEEN WRITTEN THAT WAY. They're not. They're not part of mysterious secret societies, they don't help Azula in any objective, significant, tangible way... there's very much nothing to say they EVER fulfilled the role Iroh did for Zuko. What role, then, were they fulfilling instead?

Why... I think we ought to listen to Azula, shouldn't we?

My take: Lo and Li are OZAI'S STAND-INS.

Someone's going to say "hey why would you assume that when Azula said this in the middle of a breakdown?? Surely she was just DELUSIONAL and PARANOID and ashdgkadhsgkjgh...!"

... Let me counter that one with a fun little analysis excercise:

WHY are Lo and Li Azula's firebending teachers and advisors?

The finale very directly tells us these two are not benders. We could've assumed they were! They're not: Azula's teachers are non-benders.

Has a single person out there ever asked themselves WHY this is the case?

How the hell is Azula, prodigy of the blue fire, epic lightning, cruel and powerful and precise and deadly bending... training under two elderly nonbenders?

Bringing this to a real-life example: do you remember what it was like when you were in P.E. classes and your teacher told you to spend 20 minutes jogging, and if you ever stopped you had to do 20 crunches and then get back to the jogging, and every time you stopped he'd tell you the same thing and you'd want that guy to vanish from the face of the planet? I don't know if that was only my experience, but I rather doubt it.

What did kids typically think/say when that happened?

"I wanna see that old fart doing the same shit he's making us do..."

It's a headcanon indeed to say that this is how Azula must have felt over Lo and Li, but it's VERY likely to be the case. But I'd dare say, in Azula's case, it's even worse because, to put it in another way? It's like taking programming lessons from someone who's never learned a programming language. They'll tell you you're getting things wrong without knowing how to help you get them right because they just DON'T KNOW what you're doing, and are outright INCAPABLE of what you're trying to achieve. They can't offer good guidance based on experience because they have ZERO experience on that subject! And yet they want PERFECTION from you! They expect it!

Lo and Li are these teachers for Azula. We only see them in one scene? And yet everything in the rest of the show suggests that they bring nothing important to the table for Azula, be it professionally, be it personally, be it emotionally... not in any aspect of life.

And this, if you ask me, is why the OG show barely ever brings them into scenes. Why the comics flat-out forgot they existed and even featured people like Sozin and Azulon in Azula's beach hallucinations but NOT the two ladies who looked after her and trained her. Why the live-action didn't even FEATURE them.

And us? The fandom? The fic writers?

I HAVE NO IDEA WHEN WAS THE LAST TIME I READ A FIC THAT HAD LO AND LI INVOLVED IN IT.

I'm not even saying as main characters, I don't even know if that exists, frankly: I mean as minor, or background characters. I have NOT seen those two be used in basically ANY fics I've read. I've scarcely used them in mine! In fact, I PURPOSEFULLY got rid of them early on in Gladiator because I didn't want them to sabotage and get in the way of Azula's progress as a character and I believed they'd do exactly that. They were an obstacle rather than anything useful, so I did away with them and then realized they could still occasionally serve some purpose in certain situations: I even had Azula visit them once and they were actually helpful! Fancy that! But... that's it. That's as far as I could go with them. I can't do MORE with those two because they're not characters one particularly feels compelled to work with.

And from what I've seen? That's the case for everyone.

So, I ask again:

WHY ARE THEY THERE?

WHAT IS THEIR ROLE?

WHAT IS THE POINT OF AZULA HAVING NON-BENDING TEACHERS?

Let's go further and further into logical thinking here, shall we?

Azula is a child. Fourteen years of age at the time she's introduced in the OG show.

Azula has no power over many things around her, particularly, her upbringing. That's in the hands of the adults around her. Her mother, up until she vanished, had some hand in it, then, it all falls to Ozai.

Ozai has been Azula's sole parental figure since Ursa left.

Ozai is the one who would reasonably call the shots regarding Azula's education, as all parents are wont to do... ESPECIALLY when he's a king with absolute power over his children.

... so, Lo and Li? Ozai either gave them the position as Azula's teachers personally, or someone else (Ursa) did, and Ozai either didn't WANT to remove them from the role (cue "Ozai being sentimental over Ursa" theories), or Ozai didn't give a flying fuck about who was training his daughter (cue "Ozai is an abusive dick without a heart or a brain" theories).

Anyone, of course, would likely interject here to say surely Ozai ALSO trained Azula himself because that's what he'd do with his favorite kid, right? See. I don't even disagree with that notion.

BUT IT'S A HEADCANON.

We have zero evidence that Ozai trained her! None! I totally will write that into Azula's backstory in many of my stories, but there's NOTHING in canon to suggest this actually happened and that Ozai was genuinely, actively, frequently involved in her progress as a firebender. Assuming he HAD to be is, still, a headcanon. You can't say that with any more certainty than mine when I say I believe Azula loves spicy foods. Does it seem to be something that would fit with her character? I think so! But if eventually canon goes "AZULA CAN'T STAND SPICY FOODS LOL JOKE'S ON YOU!" I... can't even say a thing about it. People's food tastes aren't reflective of their personalities. They really could do whatever they want in that respect. And that's the case for ANYTHING that isn't part of the show's storytelling or the character backgrounds or any texts we consider canon!

POINT BEING: Ozai, regardless of what you want to headcanon, had Lo and Li as Azula's teachers. HIS FAVORITE CHILD... and her only official instructors are two non-benders. Yang added Kunyo as an old instructor of Azula's when she was young, sure! But Kunyo was sooooo qualified that baby Azula was already kicking his ass. So, for that matter? He doesn't really seem to have been a cornerstone of her firebending development and the only other known teachers for Azula are Lo and Li.

For the last time: Azula's teachers are NON-BENDERS. AS CHOSEN, SANCTIONED, APPROVED AND ACCEPTED BY OZAI.

And with those two remarking on absolutely STUPID stuff like "one hair out of place"? Azula still became the incredible firebender she was.

Cue, now, the irony where Zuko was stuck in the basics 3 years after setting out of the Fire Nation... WITH IROH ACTIVELY SERVING AS HIS MENTOR.

You're not gonna tell me that Lo and Li would EVER be better instructors than Iroh, or are you? Because that makes no sense. Full-stop. Iroh is supposed to be the most profound and complete firebender thorughout the show because he's spiritually enlightened even though I admit I think that's bullshit and he doesn't just teach Zuko how to set things on fire, he actually makes him learn theory and spirituality and his teachings are more profound than just "ONE HAIR OUT OF PLACE".

So.

Banished as he is, disgraced and seen as trash by Ozai, Zuko STILL has a better teacher than Azula does.

... Is this LOGICAL? Is this NORMAL? Does this make SENSE?

If you think Ozai's favoritism of Azula takes the shape of "I'll give you every little thing you ask for, sweetheart, I love you very much, here, have ten million doll houses so you can set them on fire, and all the ponies you ask for and on your next birthday I'll buy you a baby dragon and you'll get your own region of the Fire Nation to govern and a fancy title..."?

Then Lo and Li, unfortunately, are right here to be a HUGE contradiction with your interpretation of Ozai and Azula's relationship.

Azula should have THE BEST teachers. Azula does not. Azula doesn't even LIKE them. Azula is openly shown to dislike them! To be annoyed around them, ANGRY when they're teaching her, she feels they're here to keep tabs on her for her father! In a sense, they're Ozai's SPIES on her! :')

Hence? Ozai's favoritism of Azula MIGHT not be what everyone keeps pretending it is. Maybe Ozai didn't do everything to make Azula get things EASILY... and to be fair? That's not what Zuko said anyway. People interpreted it that way... but that's not REALLY what he says:

"Everything always came easy to her. She's a firebending prodigy, and everyone adores her. My father says she was born lucky. "

Every line in this statement is absolutely questionable and all of it sounds like buuuuullshit to me. This is ZUKO'S perspective. And sorry not sorry, but it's tell-don't-show. People swear by his opinion of Azula and pretend he's absolutely objective about it. He's not.

But "Everything always came easy to her," does not mean "EVERYTHING WAS ALWAYS HANDED OVER TO HER ON A SILVER PLATTER." And yet this is what the fandom has constantly interpreted it as.

Azula might just be a prodigy. Maybe she started out ten steps ahead of her brother: this does not mean she needs no guidance, no training, no help. She's seen training herself over perfectionism in her very second scene of Book 2. And the guidance she gets in order to achieve perfection is actually, objectively, stupid.

This is what Ozai chose for her. This is an OBSTACLE for her growth, just as much as Lo and Li were obstacles for me when I was starting with Gladiator! Azula doesn't have it EASY: she just works herself so damn hard that even shit that should HINDER her does NOT do that. And even when her brother objectively has spent THREE YEARS with an advantage in the shape of being trained by one of the VERY BEST firebenders out there? Azula is still beating Zuko at it. With two non-benders as her teachers.

Where am I going with all this?

To the fact that Lo and Li are overlooked in just about every instance of the fandom.

To the fact that nobody includes them, and their influence on Azula, in their analyses of who Azula is.

I've seen a shitstorm rising over the Netflix characterization of Azula: SHE'S TOO ANGRY, they say. Non-stop. She's sooooo hysterical, all the time! She's just pissed perpetually!

Well. I haven't finished the show yet. But the scenes I've seen Azula in so far? They don't fit the fandom's view of Azula because...

... they're not taking Lo and Li into account.

As usual.

:')

Azula's reactions around Lo and Li being frustration, anger, irritation EVEN in scenes like The Beach, where Azula was FINE until she sees them? That shit is storytelling that went over sooooooo many heads, EVEN MINE! When I saw people going on about how canon Azula is... not insecure? Not angry? Has no frustrations and was only ever smirking 24/7? I... didn't feel that was right. I knew it wasn't right. And when I thought about it hard enough? I realized that one reason why this interpretation of Azula is IMMEDIATELY dismissable is because of Lo and Li: those two constantly made Azula angry. Even if that wasn't their intent, it's nonetheless the effect they'd have on her. And Azula didn't like having them around. She CLEARLY didn't appreciate them the way Zuko does Iroh, for instance! And this could be taken as a flaw on Azula's part... if we EVER saw evidence that these two ladies actually love Azula as a grandchild, or so. If we had any evidence that they actually have cared for her in ways nobody else ever did. If maybe the ones Zuko talks about, upon saying "EVERYONE LOVES AZULA" were these two! And maybe he was jealous of them! Maybe he wanted two old ladies to watch his every move and tell him his every flaw!

... Clearly I'm joking about that last thing, but anyway...

There's nothing to tell us Lo and Li were anything but Ozai's assigned watchdogs to keep control and tabs over Azula. That Azula's immediate reaction upon hearing that someone cares about her is "Oh fuck off, my dad sent you here because he doesn't trust me!" is... telling. It's not just paranoia speaking, even if it sure can be read that way! It's actually Azula's perception of those two, which is 100% supported by what we saw of the twins throughout the show, WHENEVER we did see them: their roles in Azula's life are indeed to keep tabs on her, to keep her under control, to pressure her into perfection, AS OZAI'S AGENTS! Seen this way, it MAKES SENSE for Azula to disregard their concern and immediately assume it's FAKE. She isn't even shown to doubt it, never questions that MAYBE they did care about her! She assumes they don't...

... And considering that, as far as I know, the official concept is that they BOTH LEFT when Azula banished one of them only? That they didn't contest her command, staying to look after her even if she only wanted one? I mean, clearly Azula can't tell them apart, so they could've taken turns: one watches over Azula for 12 hours and the other for the next 12 hours, I don't goddamn know! But they didn't do that. They LEFT. And if they left? It means they don't care remotely as much as they say they do. Not to the point where they'd challenge Azula's orders and help her when they KNOW she's not okay.

And all of this further supports my point.

When we see Azula in the liveaction being angry, bitter, irritable at Ozai's choices?

I see a reflection of the same dynamics that the OG too subtly weaved into Azula's relationship with Lo and Li. I see Azula reacting against Ozai's control over her because she feels it's DISTRUST. She feels it means her father STILL needs to be convinced that she's competent, powerful, ready to do his bidding. It isn't a case where Azula's irritation comes from wanting to rebel against her father... it's Azula wanting her father to UNDERSTAND that she's 100% his supporter and will put everything on the line to serve him and the Fire Nation.

And it's very damn easy to read that exact same thing into Azula's dynamics with Lo and Li as it is to see it EXPLICITLY STATED in the liveaction.

My point?

What the liveaction did is not nearly as much of a distant characterization choice as people think it is.

Ozai is Azula's Achilles' Heel. Everything she became, everything she grew up to be, was for his sake. He molded her to become those things and simply didn't give a shit about raising a daughter, he treated her as a weapon, and absolutely pitted his children against each other, just as much as OTHER adults in their lives did. But the impact of Ozai on Azula in the OG is easy to ignore. Why? Because we SELDOM see them interacting. Because we don't get that side of Azula's character fully explored. Because they didn't want to explore Ozai's character either! They were as cheap as they could be with all these aspects and so, only the people who really got into analyzing things on a deeper level would be able to say, without a doubt, that Ozai abused Azula emotionally with all the expectations and demands he put on his own child. Through the golden child-scapegoat dynamic that people have been bringing up non-stop in the past years.

So, proving herself to her father is what Azula wants to do, more than anything. Proving worthy of his favor, of his approval, is the closest thing she can get to feeling loved. Which is depressing as fuck. Azula gets zero affection: it's not even conditional affection, there's NOTHING for her besides approving words if she gets anything right. And this show's work with Azula's character? It was meant to make these things less invisible to all the fans who like to pretend none of it exists. And yes, I've seen them, crawling all over Twitter shitting themselves in fits of rage because how dare that show pretend Azula EVER had a bad time in her perfect flawless life!!

Well, the irony is that the OG gives you a smidge of evidence -- and yet that's enough -- to show that Ozai was doing very similar things to Azula in ATLA, and her reactions to it?

Huh. No smirks for Lo and Li.

No smirks for the symbols of Ozai's control over her life.

It's almost like the confidence, the smirks, the apparent ease with which she handles everything? Is a front that crumbles easily whenever it concerns the ONE PERSON with power over her life.

I don't believe, worth noting, that Azula's power comes from rage. I've seen people say that in fandom in the past and I find it a completely absurd take when Iroh himself spells out that her bending is about control, about precision, and it's Azula's FURY that makes her a sloppy mess in the finale. It's even INTENTIONAL that when she shoots lightning a second time, in her second establishing scene, THAT SAME HAIR FALLS OUT OF PLACE. She's still angry. She didn't get it "right" this time either. She's imperfect and she's trying NOT to be, but she cannot succeed. And upon bending lightning with emotions (rage/frustration)? That hair falls YET AGAIN out of place. Proof that she's not going to achieve the perfection she's being FORCED (indeed, by her father and the people who are here to represent him, Lo and Li) to strive for.

The liveaction had Ozai pushing Azula for a perfection she couldn't attain either. She's perfectly content in her cruelty at Ozai's side, right until she hears the Avatar was found and that Zuko has a shot at taking away the privileges she's been basking in so far. That she WASN'T nervous about this in canon is pretty damn obvious: OZAI SENT HER TO HUNT ZUKO DOWN FOR BEING A FAILURE. We never saw her reaction to learning that the Avatar was out and about. We have noooo idea what was canonically going on with her back then. The first time we see her besides the flashback is Azula receiving a mission that tells her she's STILL #1 and Zuko is no threat to her because Ozai thinks he's a failure. Thus? She had nothing to fear. Here? Ozai is actively using Zuko as bait to pressure Azula further. And if you're so confident in Ozai's good parenting skills as to believe he somehow WOULDN'T do that? Sounds like you don't understand the very basic and simplistic Fire Lord Ozai from ATLA, and that's not something to be proud of. So probably stop screaming your bad takes at the top of your lungs, because being incapable of understanding Ozai in canon is not a badge of pride, just saying...

FINAL POINT...

This post is not written expressly in the defense of the liveaction and its characterization of Azula. To this point, what I've seen of it doesn't feel WRONG or OFF unless you're the kind of person who thinks Azula is only capable of smirking and if she stops doing that she stops existing or something. Only people who cannot understand the depth, nuance, subtleties in Azula's story would ever be claiming that Azula's relationship with Ozai COUDLN'T be like this, or that Azula couldn't possibly be frustrated with her father or his choices when it's soooo clear what Ozai is going for, and why it's working. But in order to read Azula as a character capable of this range of emotion, frustration and ambition, all at once? You have to be able to treat this character, be it in the liveaction or the OG show, as a human being.

And that's what most the people criticizing this specific change are determined not to do. It's what makes them uncomfy. It's what rustles their jimmies.

Yes. I'm saying it in this very demeaning way because I actually find it quite ridiculous to be this insecure over the portrayal of a fictional 14yo in two TV shows. Whether the liveaction sticks the landing or fails catastrophically, I do not know... but I do know that if it's forcing a bunch of people to rethink Azula's character, and making them panic at the idea that she could EVER have human emotions, even if they're AWFUL human emotions?

Then I'm afraid you're only convincing me that, as bad as that show could ever get? It's getting SOMETHING right. I do love to see misinterpretations of Azula getting slammed in the face by the reality that all those beliefs, headcanons and takes in bad faith are actively, categorically untrue: none of which makes Azula a fundamentally good person, worth noting! But it makes it very clear that reading her as a one-dimensional basic villain, which is what the anti-Azula-redemption crowd actively does, is literally only possible if you overlook, ignore and fail to understand her character and her complexities, be it in the liveaction or in the original show.

There. I said my piece.

Another post, regarding the rest of the liveaction, is bound to come later. I'd say stay tuned but it might take me a while to write it at all. So... wait around and maybe you'll see it someday!

[themyscirah]

What runs/stories do you recommend for someone starting WW? Could you please be specific (/nicely)

Yeah ofc!

My Wonder Woman Starter Recs (specific style 😎)

First stops: for an initial introduction to Wonder Woman, I'd generally recommend going to at least one of three places first. These three are:

Wonder Woman: Historia: The Amazons by Kelly Sue DeConnick

Wonder Woman: Year One by Greg Rucka

Wonder Woman: the Hiketeia by Greg Rucka

Of these I generally recommend reading Historia first, as it's a retelling of the origin of the Amazons as a race and how Diana came to be (so it essentially starts from the beginning) and is also the most recent of the them (if that means anything). Something to note about Historia though is that it's a DC Black Label book, so it's events aren't strictly canon in the main DCU and there are some changes and new elements present. I don't think this is something that should discourage anyone from reading it though, it's the best WW origin story out there, and even in strict main canon over the years her origin is one that has had many fluctuations and small (& sometimes big) changes. WW:Historia is three prestige format (longer) issues.

You'll notice the third book there is WW: The Hiketeia. Hiketeia is a great book if you're looking for a view into Diana as a professional and experienced hero. It's a graphic novel so standalone and not too long, and has a great Diana and really interesting plot (Diana vows to protect a young woman and finds herself pressed against the wheels of Greek Tragedy). This is also the first work with Diana done by Greg Rucka, one of her most prolific and loved writers. A sampling of this work (and also Historia) I think gives a good guide to where to go next in terms of runs on her main title.

Wonder Woman: Year One is the second book on the list up there, but I'm mentioning it last here as it's a bit more complicated in terms of format. Unlike other year one books, WW: Year One is actually a series of issues on her main title, showcasing Diana's arrival to man's world in Rebirth (and also current p sure) continuity. The issue numbering for this one is strange (only the even issues 2-14 on WW (2016)) so I recommend looking for this in trade form if possible.

These 3 books I think give a taste of some of the best standalone stuff in the Wonder Woman mythos, and give the reader a good idea of where they may want to go next in terms of longer runs on the title. So I'll break that down here as a Step 2.

STEP 2: WHERE NEXT?

Here I break down some highly recommended runs based on what they have in common with the standalone books from step 1. As a rule, these runs are going to be much longer than the above and generally more connected to the wider DCU and other books. Look for the italics to see the introduction to each new work. Explanation paragraphs follow after each italic/bold rec.

Curious about Greek mythology in WW and the Amazons' origins after reading Historia? Liked the prescence of a supporting cast and Diana learning about Man's World from Year One? Willing to read a longer run? I recommend: Wonder Woman by George Pérez

George Pérez's time on Wonder Woman totally reinvented the character after Crisis on Infinite Earths, and is fundamental in establishing many core concepts of her lore. At 62 issues, 2 annuals, and a 4-issue crossover event at the end (War of the Gods), it's definitely a commitment to read, but it's the most enduring and well-loved run on Wonder Woman for a reason--it's just that damn good. Lots of focus on mythology (although with a lighter tone than Historia) alongside Diana learning her role in relation to Man's World & establishing herself as a hero and ambassador. Pérez's run also has almost-certainly the most expansive and developed supporting cast in WW comics, something that really drives the emotional core of the series, especially in later issues. Obligatory note that this series was written between 1987 and 1992 and contains some very occasional aspects that I thought were in some way dated/uncomfortable etc. while reading (details of Cheetah's origin, depiction of the Bana-Mighdall, Hercules) but despite that I still highly, highly recommend this run. The word fundamental cannot begin to describe it.

Liked the experienced Diana of the Hiketeia? Interested to see her attempt to balance the high stakes responsibilities of an ambassador and superhero? Looking for some really badass moments and fights? Haven't read enough terrible tragedy? I suggest: Wonder Woman by Greg Rucka 2003 EDITION.

Some of Diana's coolest moments of all time are collected here. Also one of her most controversial. The 1st Rucka run is very much the story for anyone who liked the Diana of the Hiketeia and the tragedy of that and Historia. 2003 Rucka Diana is a Diana tested, forced to make decisions that are anything but easy, and live with the consequences. She's extraordinarily capable, but her enemies know that and are prepared to that end. This run, along with the Pérez run, rank among my favorite Wondy comics of all time (those and Historia are my top 3). This run is such peak Diana, especially in terms of sheer badassery. Her final confrontation with Medusa is in my opinion perhaps the greatest Wonder Woman fight scene of all time. Her encounter with Athena in the second-to-last issue breaks me every time. Cannot recommend this book more.

*a note abt this run is that it is more context-dependent than the other ones listed here, as it's the run that finishes out the Wonder Woman vol. 2 book and so has some guest appearances from characters introduced in other prior runs (Artemis of Bana-Mighdall, Cassie Sandsmark, and Vanessa Kapatelis, to name a few). I read this run before knowing much (if anything) about any of them, and still enjoyed it a lot, so I wouldn't be worried about this really but just thought I'd mention it.

Rucka's 2003 run is published from Wonder Woman (1987) #195-226. You can also find it in trade and I believe(?) omnibus. Sometimes the Hiketeia is included in collections of this series, as the 03 run is thematically similar in many places, just with a much deeper look at Diana and the world & with higher stakes.

Liked the specific characters and plot threads of Wonder Woman: Year One? Want to see what happens with Diana's exile, or learn more about Barbara Ann? Want a Diana in between the extremes of young and highly experienced? Wonder Woman by Greg Rucka 2016 EDITION may be for you.

...yes I'm putting ANOTHER Rucka book on here. He writes a great Diana, what can I say. This run is the same one that Year One came out of, just the follow ups to that story and versions of the characters. I have this run listed as separate from Year One though, as there's some really big time skips since the events of that first volume. A lot of time has passed since then, and there's more history between the characters, not all of it without drama. This run continues to be weird with the numbering, as well as some artist changes, so I definitely recommend looking into reading this in trade format (physical or digital) if at all possible. My recommended reading order is WW 2016 by Rucka vol. 2 "The Lies" (Wonder Woman: Rebirth Special #1, followed by 2016 main title odd numbered issues 1-11), then Rucka 16 vol. 3 "The Truth" (odds 13-23) then Godwatch (evens 16 through 24) followed by 25? But The Truth and Godwatch combine near the end so that doesn't really work either. This run is so good but recommending it is such a pain because the numbering is so all over the place. On God I never know which order to read this in. Going to revoke my previous statement and say read it as Rebirth Special 1, then only odds 1 through 11, then from 13 through 25 normally. That may lead to some weirdness as you read because the two stories take place at different times and have different art styles, but they come together at the end pretty dramatically so I think it's less confusing to read it this way? Maybe? So strange bc this is one of the go to good starter runs and yet it's set up so unintuitively. If someone has a better way to read this then let me know and ill edit, ik this explanation is super confusing bc neither way to read it is totally ideal imo and I feel I definitely read it in a weird order.

Going to call that a good rundown of some of my greatest recommendations in terms of Wonder Woman comics. If anything wasn't fully clear here or anyone (not just anon) has questions or wants to talk abt WW comics/my choices feel free to send as many asks or dms as you want. Have a good day everybody, & as Diana says, may the glory of Gaea be with you <3

[elbiotipo]

Notes on a South Asian Tropical Cyrodiil (and more!)

So, many TES fans know that before Oblivion, Cyrodiil was supposed to be tropical. The most striking phrase to describe it, "most is endelss jungle", says it all. The quick and snarky explanation is that Todd Howard watched LOTR, was "inspired" by it, and that's why everything in Oblivion looks sort of like a Rennaisance Fair. In any case, I think it was a huge missed opportunity, especially in a world where most popular fantasy is European inspired, to have replaced what could have been very cool tropical enviroments with what is frankly a lame "Talos used his magic" lore retcon. You can read the 1st edition of the Pocket Guide to the Empire to see what we missed.

But it's not only Cyrodiil which we missed this way… Tamriel just makes more sense as a tropical continent. While the size and the exact location of the continent is discussed by nerdier nerds than me, I think it does make sense like this, and not only that, we have a very interesting world parallel to compare it to: India. From a tropical rainy south to the cold mountains of Skyrim, Tamriel is surprisingly similar to the Indian subcontinent, and many of its geographical quirks can be explained if, instead of assuming a temperate Cyrodiil, we go all out with that concept. This is going to be a long post, you have been warned.

So with that in mind, I'll try to make a not-so brief tour (with some evocative pictures along the way) of a rebuilt tropical Tamriel, following the rains of the moonson:

The position of Tamriel, in this case, would be roughly where the Indian subcontinent is located in real life, that is again, tropical, stretching the Tropic of Cancer (is there a name for the tropics of Nirn? Interesting to think about) Here, we see our numbers pan out well: Tamriel is mentioned to be between 4000 and 3000km across east to west and 2000 and 3000km south to north. VERY, VERY roughly, there is 4000km between Pakistan and Myanmar, and 3000km from Sri Lanka to the northern tip of Tibet. Plot that on a map, and you already can see some coincidences. Now, this is a rather average continent, not Pangea sized like some imagine Tamriel to be. This does help explain why, for example, the interior of Cyrodiil is rainy and good for agriculture instead of a desert. But it also means that it's very likely that Tamriel is ruled by monsoons. Monsoons are complex, but they basically form when there are plenty of warm places for water to evaporate (the South Indian ocean), and mountains that block cool winds from the opposite direction (the Himalayas). We have a very similar situation here, with a mountainous Skyrim on the north of a tropical Cyrodiil facing an equatorial southern ocean. So, what happens are monsoons, perhaps not as strong as IRL India, but carrying rains very deep into the continent. This would feed the rivers and the rich agricultural areas of Cyrodiil, and would have some other consequences.

So let's imagine our trip South to North. In the South, in Black Marsh, Blackwood and Lleyawiin, and Pellentine (southern Elsweyr) we would find, much like in the original lore, humid tropical climates, jungle, wetlands, and my favorite, mangrooves. I would expect mangrooves to stretch in this whole area, across rivers. In fact, one of the reasons why Black Marsh could be so hard to explore and control by the Empires at Cyrodiil would be the presence of thick mangrooves all over its coast. This is the region of Cyrodiil that would most resemble "endless jungle".

(Rice fields in India, what I imagine most of this Tropical Cyrodiil would look like)

However, as any lore person knows, Anequina, northern Elsweyr, is arid desert. Does this mean a contradiction? Far from it, we have a similar example in IRL India: the Deccan Plateau, which has a semi-arid to arid climate. This can be easily explained by higher elevations up to a small mountain chain separating it from Cyrodiil to the north, and the fact that little rain would reach behind this "Anequina Plateau" would make the region of Kvatch and Anvil more dry much like in canon, in this case, more scrublike. This highland desert would not be as harsh as Elsweyr is usually concieved, maybe, but its driest regions might justify places such as Dune. (On that matter, it always bothered me to read about the "cities" of southern Elsweyr and there being only two or three there. If I had to redesign it, I would move some from the north to the south).

(the Deccan Plateau in India, it gets greener or drier according to the monsoon)

Keeping on our tour of Tamriel, the Topal Bay and the very rainy Black Marsh funnels the rainy monsoon from the south towards central Cyrodiil. Here we find the endless jungle of the Nibenay Valley. But unlike the rainforests of Elsweyr and Black Marsh, these dense forests and rich river plains are mediated by the monsoon winds, with dry seasons alternating with copious rain. This has huge effects on agriculture and culture in general, as agriculture is defined by the rythms of the rain. Keeping with our South Asian theme and the 1st edition of the Guide to the Empire, Cyrodiil would have huge extensions of rice paddies, as well as terrace farming and much hardier crops in the highlands, instead of the… well, almost absent agriculture we saw in Oblivion. The food, clothing, architecture and overall culture of Cyrodiil would be very different with this. The original Pocket Guide said some of its main exports besides rice and fruit are moon sugar and silk. Moon sugar in Cyrodiil, can you believe it?

Another thing I imagine Cyrodiil would be famous for would be fish and seafood, well, river food. Rice plantations can host fishes and crustaceans to get some extra protein, and well, what about mudcrabs? Hell, as preparing muddy soil is vital for rice cultivation, no wonder mudcrabs are considered a nuisance. Imagining critters in gameplay in such an enviroment also makes my mind roam. Tigers, elephants, rhinoceros, and this is not even getting into the more mythical creatures you could find, instead of endless wolves… Rice cultivation is also more labor intensive than other crops, and it also has a deep impact on the terrain, "terraforming" so to say, huge expanses into paddies and terrace farms. This level of cultivation also requires an established infraestructure of irrigation. While this does not necessarily means a centralized goverment, as farmers can build it and maintain it by themselves, the rise of an empire, i.e., the Empire, will also increase the complexity of these systems, adding canals, dams, reservoirs and more ambitious projects, like we see in India and China. I am sure some people more knowledgeable about those cultures can comment more.

While this Cyrodiil is a tropical/subtropical region covered in "endless jungle", some parts might indeed resemble the rolling hills and grasslands you see in Oblivion. Deforesting jungle for pasture is something very common around the world (some have joked this mass deforestation was later in canon explained as a gift from Talos lol) and you can see the results, like in tropical Australia and my closer Mata Atlantica, do superficially resemble temperate pastures in say, Europe. Until you notice the palm trees, of course. But yes, I can see the Nords being a mostly herding people (more on that below) bringing their sheep and cows to the tropical lowlands and, well, deforesting to make space for them.

(ranches in Sao Paulo state, Brazil, notice the palm trees)

Imperial City just so happens to be built in an island in the middle of several river crossings, in what seems to be a swampland. The first thing that came to mind when I read that was Tenochtitlán. The districts of Imperial City would have been built over the centuries on artificial islands on a shallow lake, using plentiful mud and organic matter to make fertile chinampas. I believe this would make for a striking sight. Instead of just a city in the middle of a empty island, you would see the White-Gold tower and the rest of Imperial City rising from Lake Rumare, surrounded by rich farmland and its districts joined by walkways. (much like the old descriptions, actually, could you believe I wrote that without reading them?)

(Reconstruction of Tenochtitlán... and I just noticed, it's surrounded by (volcanic) mountains too, much like Imperial City)

Much like the Pantanal is one of the sources to the Paraguay River (which merges with the Paraná and then the Río de la Plata) IRL, here, the swamps of central Cyrodiil would be the source of the Niben. This does raise an interesting question, where is the source of the Niben? Is it Lake Rumare? No, I believe it would be several smaller rivers all the way from Bruma and even Skyrim. These small, violent mountain rivers eventually flow into the Rumare wetlands and only THEN in the placid great Niben. You DON'T want to be caught in one of the mountain valleys in rainy season. This does raise the question; won't the developments upriver, like Imperial City itself and the surrounding farmland, affect the course of the river downwards? There's plenty of water from the rain, but a more developed Cyrodiil might indeed have to grapple with this, supposing, for example, they manage to dam the river.

Looking west, we got the Colovian region, said to be composed of drier highlands and cliffs in the early Pocket Guide. Probably cut from the rain because of the Anequina Plateau, this is indeed more arid or "mediterranean", though I actually see it as more Australian. Maybe some of the drier parts near Hammerfell, resembling Argentine Cuyo and the northwest, would be a distant cry from the wetlands, having thorny dry forests and dry valleys, where yes, you could plant wine. The wetter cloud forests (much like the Yungas in South America, the place where the rain reaches last) could maybe be the home of the last pre-Imperial cultures of Cyrodiil. Fascinating places.

(Jujuy, Argentina. Just *near* are the Yungas cloud forests, where the last rains from the Atlantic meet the Andes, making for some AMAZING places)

Given that I mentioned enviroments near to/on the Andes IRL, let's talk about potatoes. Potatoes are unique crops, because they are the only ones who offer such calories and also be planted in cold enviroments like Europe. Or Skyrim. The discovery and spread of potatoes would cause demographic shifts on people living in cold areas. And they also originated in a unique enivorment IRL: the Andes, actually with possible hybridization from the Magallenic foresWHAT I MEAN, is that potatoes are very important and have been domesticated in very specific conditions. The Wroghtgarian Mountains would seem like a perfect equivalent of the Andes at the first glance, but they would be very different. The Andes, located between the Pacific Ocean and the greater Amazonian region, are very, very unique enviroments. These mountains, however, are in between inner seas. Something like the Atlas or the Alps? In any case, if there is some people who would appreciate hardy tubers that can grow in mountainous places, they are for sure the Orcs, or perhaps the Reachmen. Maybe an hybridization even between them?

This returns me back to Bruma and Skyrim. Some people (who make those excellent Oblivion mods) imagine Bruma with a Tibetan flavor. Personally, I imagine it more like Pakistan or Afghanistan, with lots of mesas and plateaus and valleys. It would look dry and rocky with some very fertile valleys by snowmelt, but it would look like a snowy wonderland on winter, indeed, Pakistan and Afghanistan are very snowy. Eventually, of course, ending up in the great barrier of the Jerall mountains and finally, Skyrim.

(the Alps? Skyrim? No, this is Kashmir on winter!)

In this scenario, Skyrim would be a quite dry place… or would it? There is no need for the Jeralls to be a straight line of peaks like the Himalayas. They could be a more "broken" series of mountains, like the southern Andes, but in any case, the rain from the south would clash into the higher mountains. Indeed, that is what actually happens in the Himalayas, the foothills of the Himalayas are some of the rainest places IN THE WORLD. These small valleys are something very unique and not very well known part of the world IRL. I can imagine the Skyrim equivalent would be as unique too, hard to navigate and live in. The forests of the Rift and Falkreath would be mazes of windy forests valleys, each with their own unique secrets under a perpetual fog and drizzle. This is a very interesting enviroment to imagine, where again, some of the older cultures of Tamriel could still live.

(forests of Bhutan, note how the humid valleys stretch into the distance before the cold Himalayas begin)

However, what does Skyrim look like once you cross the border with Ralof? I imagine some sort of more fertile Tibet, not as high as the Tibetan plateau, allowing for forest and alpine tundra. This is mostly because, while Skyrim is high up, I don't imagine as a plateau, but rather a series of broken mountains like the North American Rockies, which makes sense when you account for all the volcanic activity (there is another super-volcano down in Skyrim but nobody notices). I imagine that Skyrim would be a primarily herding pastoral land before the introduction of hardier crops such as potatoes, and even then. Nord culture would be very interesting reimagined like this; hillforts guarding herds of sheep and cows. It would also create a clash between the very, very agrarian south and the nomadic herding north, with High Rock and Hammerfell a gradient between the two.

But here we enter a problem; if we are operating on a level where Cyrodiil is roughly at the same latitude of India, wouldn't that make Skyrim too far from the poles to allow its tundra like climate, even with elevation? No doubt. Tibet is only as cold as it is because it's the roof of the world and far from any ocean. The northernmost tip Skyrim, like Tibet, would be at the latitude of Turkey, Korea or California, which can get quite cold, but not to the level of what we see on Winterhold or Dawnstar (Solitude sounds familiar, though). What's more, having an ocean up north would only moderate the temperature. Cool currents often don't bring cold per-se, just decrease rainfall. This would end with a very temperate and pleasant Skyrim instead of tundra. Which is on its own, interesting to explore.

Could Nirn be going through an ice age, like it's implied with the dissapearance of Atmora? Possibly, but it would imply revising everything I said before, as ice ages decrease rainfall and mess up with weather patterns all over the world. A colder Nirn would explain a lot, though.

I decide I will stop here, I haven't even touched Valenwood (though its subtropical forest seems rather coherent to me), High Rock (the most boring part of Tamriel IMO), Hammerfell, Summerset Islands (if you don't have tropical elves in your setting, you're a coward), or whatever the hell is going on Morrowind. But I hope you enjoyed this worldbuilding exercise and how to make sense of Tamriel's crazy geography. Next time, I'll try to play with tectonics and see if we can make it even more interesting.

If you liked what you read and would like more worldbuilding, consider tipping me on Ko-Fi and send me stuff to talk about, or just send an ask! I'm the kind of guy who reads encyclopedias and RPG manuals for fun, so I have plenty to talk about about everything from fantasy to science fiction to speculative evolution and alternate history!

[coimbrabertone]

Offtopic Offseason #2 - The Incoherent Musings of a Star Wars Fan in Big 2024.

So, being a Star Wars fan is hard.

I don't mean that for some stupid "STAR WERZ IS WOKE NOW! CHILDHOOD RUINED!" bullshit, I mean being an actual fan of Star Wars.

I want to watch Star Wars shows, I want to play Star Wars games, and I deeply disagree with the idea that Disney is making too much Star Wars stuff. No, in fact, my stance here is quite similar to my stance on superhero fatigue from the last Offtopic Offseason - and that's that people aren't sick of Star Wars, they're sick of bad Star Wars content.

Let me put it this way - the only buzz I've heard about Skeleton Crew is that they referenced something from the Holiday Special and that there's a kid from that Max Rebo species - the Ortolans, the blue elephant guys. That doesn't fill me with an urge to watch it.

Just like I haven't had the urge to finish The Bad Batch.

Just like how I haven't picked up Star Wars: Outlaws yet.

There is, however, one Star Wars project that I did engage with in 2024: the Acolyte. Yup, the show that the internet was shitting on before it even came out and the one that they managed to get cancelled despite the first season ending on a blatant cliffhanger. I want to talk about that show.

Why? Because the thing is...I don't think the show is that bad.

I certainly don't think it's any worse than Book of Boba Fett or some of the later episode of the Mandalorian.

In fact, I'd say the concept of the Acolyte is more interesting than either Mando or Boba Fett, and here's why: the idea of a woman, who had the only home she ever knew taken away from her by the Jedi, training under a Sith to get revenge is an interesting premise.

That same Sith disguising himself as her bumbling accomplice to monitor and influence her had potential as well.

The Jedi Order being this corrupt, detached organization trying to maneuver the political intrigues of Coruscant is interesting, as is the fact that the plot is ultimately set into motion by Master Sol making a series of impulsive and violent decisions - thinking they he knew better - that ended in him killing the girls' mother, Aniseya.

All of that I'm good with.

There are a few things I'm not so good with. The vergence stuff and how that relates to the twins (and them being two sides of the same person) didn't quite work with me. I also felt that some of the stuff they did with Aniseya in the final two episodes undercuts the Sol storyline, because one: she really does demonstrate she's dangerous, and two: if you're still planning on letting Osha go with them, why are you using a Dark Side ritual to turn yourself into an dark smoke monster and absorbing your other daughter while doing so?

Like if the point you're going for is that Sol broke the Jedi teachings because of his selfish attachment to Osha - later leading to Osha killing him as her fall to the Dark Side - then why are you giving him a justifiable reason for stopping Aniseya?

And I guess on some level, I question how much purpose there was to having both Osha and Mae as characters. I know this is probably approaching a sort of Ship of Theseus point where I change so much about the Acolyte that it's not the Acolyte anymore, but I feel like there was a way to tell this story with just one character rather than this split person/twin thing.

You know what, I'll commit to it - here's how I would've done the Acolyte show.

Indara, Sol, Kelnacca, and Torbin go to investigate Brendok, just like they do in the show, however, when they find the convent of Dark Side witches, they decide they need to stop them. So rather than a series of potentially sympathetic misunderstandings, it's that the Jedi saw a Dark Side threat, they got spooked, and they decided to crush it.

This is to mirror some of the other darker Jedi moments in Star Wars, such as Mace Windu saying that the "oppression of the Sith will never return" before attempting to finish off Palpatine, or the Legends lore of the Jedi bombardment of Korriban after the Great Hyperspace War, aiming to destroy it.

Neither of these things worked, sure, but it demonstrates a rare Jedi ruthlessness that could suit this story nicely.

Anyway, having lost the only family she had, Osha (who, remember, we're treating as a single person at this point) wanders the galaxy and eventually winds up at the ruined Sith Academy on Korriban - and here she finds Qimir.

Qimir plays it cool and doesn't quite reveal who he is but starts telling Osha about the Sith and feeling her out, trying to figure out if she'd make a worthy pupil or not. Qimir sends Osha through the tombs like in KOTOR or like the Sith Warrior/Inquisitor storylines in SWTOR and starts revealing more about the Sith to her as she goes on. By the end, she believes in it, is willing to become a Sith, and makes a red lightsaber.

Then Qimir sends her out to hunt down the Brendok Jedi. At this point you could probably split the show into a season one and two, where the first season, "The Acolyte" is the story of Osha being an acolyte on Korriban, and the season two would be like "The Apprentice" or something a bit less trademarked, probably, and be about Osha actually hunting down the Jedi.

And hey, maybe it's a shitty idea, but I think it would place the show better in the lore and give us an interesting perspective where we follow a Sith character who fully believes she's in the right, and because of how this version of the Brendok events played out, we can't really say she's wrong either.

Maybe all of that is a product of the kind of Star Wars fan I grew up as though. I was born in the prequel era, meaning that for me, Phantom menace, Attack of the Clones, and Revenge of the Sith were always part of Star Wars. I grew up playing KOTOR on my dad's computer and then later watching Clone Wars and then after that getting really into SWTOR for awhile in the early-to-mid 2010s.

Star Wars to me is lightsabers and deep lore and the Jedi versus the Sith.

I guess that's why Acolyte, for all its flaws and mistakes and strange writing choices, got my attention in a way that a lot of Star Wars stories haven't.

I mean, I watched Acolyte all the way through while I still haven't felt motivated enough to watch Andor - I'm sure that for a lot of nerds, that's downright sacrilege - but that's where I'm at with this franchise.

Do you have any idea how long it's gonna take for someone to be willing to make a female-led Sith show after how the Acolyte bombed? I'll be waiting decades at this rate. I'll be waiting even longer when I ask for those characters to one: be aliens because goddamn all these species in the galaxy but the only ones that ever seem to do anything are humans, and two: be lesbian because...I dunno man, representation makes me feel good.

I guess Mother Koril checks a lot of those boxes but...she's got like fifteen minutes of screentime max and then kinda turns into a cloud of smoke and we don't see her anymore. Is she dead? Is she alive? Is she some other third thing?

Nobody knows.

And we're probably never gonna know because the show's been cancelled.

Fun times.

So yeah, these are some incoherent musings from a long-suffering Star Wars fan in 2024.

Like the meme says...

Star Wars would be so good if it was good.

[fisheito]

Neuron Activation Ranking - NU:CARNAL

it's list time. . .but i need to narrow down the criteria so it actually ends up a list and not a Blob of Varying Circumstances through which No Clear Tiers can be determined.

So here's a ranking of whose intimacy rooms i unlock first, based on Horny Potential🤔

Typically, i unlock rooms based on several criteria e.g., how much i like the specific outfit, how useful the unit would be in battle, whether i have enough intimacy gifts for them.

But let's pretend that EVERYONE has a unit in my box. All the above criteria are equal. In which order do I unlock them?

1! Eiden IF WE GOT REGULAR EIDEN UNITS HE WOULD BE FIRST BUT HERE I AM , REGULARLY EIDENLESS, . OH MY GOD when that anniversary banner offered galactic mist eiden i have never thrown my gems at a banner SO FAST SELFCEST KING EIDEN I DON'T EVEN LIKE YOUR YAOI MULLET BUT I NEED THAT HOT EIDEN ON EIDEN ACTION I NEED TO SEE THE GOD OF SEX DOING WHAT HE DOES BEST

2! Yakumo Sigh.

3! Morvay he gets priority because he has almost no content AND I AM SO CURIOUS. FASTPASS FOR MORV. that face he makes in Mauve Mayhem R5 ? where he's smushed into the pillow while being railed into oblivion? yeah. i think about that a lot. i would like to see more of that. please and thank you.

4/5! Garu and Rei it's a toss-up based on my mood. garu if i want to see someone submissive, rei if i want to see eiden getting pushed around a bit. How am i supposed to resist a powerbottom strutting around in thighhigh heeled boots? i can.t. No lie tho, I often have more incentive to unlock Garu bc i want to keep up with the MULTITUDE of puppyfans surrounding me 😂

6/7! Olivine and Edmond another shared ranking based on mood. oli if i want the juicy boobs and edmond if i want the juicy thighs LOL these two have dropped slightly in priority from my earlygame because i've unlocked more content with them and thus feel the need to balance by unlocking garu+rei first AHAHAHA but. two things will always draw me in: oli's freakiness and ed's b(oot)eautyness

8! Blade With the bottoms out of the way, I'll mosey on over to BB Blade. That wonderful weirdo often has something interesting going on, and I liiiiiive for The Novelty. What will e-droid bring to show and tell today? Maid dress? Chewing? Candle Darling? Let's see!

9! Dante kinda wanna see him and eiden do their silly sex competitions. maaaybe see him get fokin pwned by eiden in the battle of experience. maaaaaaaaaybe watch him struggle to suppress his stupid embarrassing romantic side . DEEEEEFINITELY laugh at how badly he's fallen for eiden.

10! Kuya i find kuya super pretty, but i end up unlocking him more for lore reasons. i love how he spices up the character interactions with his. . kuya-ness, but i'm not keen on getting edged into oblivion and bearing his bebbehs , yaknowwhatimean.

11! Aster Aster would be around here if his future SSRs follow the flavour of his current LongAster card. i'm too busy admiring him for his Stone Top vibes to summon much horny for him 😆 but i WOULD unlock him for potential morvaster interactions and, of course, the lore.

12! Quincy somehow, he doesn't activate any horny within me. idk. every time he says something's too troublesome, i'm just agreeing with him frfr. i'd rather nod at him respectfully as we go about our separate affairs in the forest than ride him into the sunset. also i am scared of his dick.

FAC (Frequently Anticipated Comments)

You could have just said you were a dom lol Nooooo little old me? i'm sooooo tired. imagine taking control for longer than 3 minutes. too much also, you think i'd be able to dom rei?! HAH i'm getting stepped on by birdcat heels. i'm not about to fight a futile battle.

3 minutes are all you need sometimes( ͡°( ͡° ͜ʖ( ͡° ͜ʖ ͡°)ʖ ͡°) ͡°) i'm not about to speedrun someone's cummies leave me alone

What about Bottom Quincy? i'm listening...

I completely agree with your ranking and am thrilled to have found a kindred spirit. Thank you, comrade. I am glad we could somehow find each other in this infinite swirling cosmos of time and space. 🤝

[pray-montana]

as a fellow Maxime Le Mal enjoyer, i was wondering if you had any specific ideas/headcanons about him? any predictions for the film (beyond the FUN stuff some of the toys/shots from the trailers have hinted at 😉)? would love to hear your thoughts :3c

Hi! Thanks for your question. Now I finally got my thoughts together👏

Well, I'll start with the serious part:

First of all, I saw a similarity between him and me: when one is filled with self-confidence, one easily steps into the spotlight, hits one's opponent with a sharp tongue, etc.

But this behavior also has the other side of the coin, which was mentioned even by Renaud and Ferrell themselves: behind the feigned affectation and bright charisma, there is a huge lack of self-confidence. Renaud spoke about an incident that happened to Maxime in high school but did not reveal details. (I think those who have already delved into the lore of Maxime Le Mal will guess what we're talking about.) He tries in every possible way to hide his inner demons, showing this with his clothes, his self presentation, and even the fact that he hooked up with the most beautiful girl in his high school. It seems to me that, first of all, he proves to everyone and himself that he's not a loser, while all Gru does is convince the whole world of the opposite. Ferrell promises that Maxime is a very deep character, and even called him "the most despicable" in one of his recent videos, and the others agreed with him. And, I think, in the end, being extremely angry at Gru and blaming him for all the troubles will not play into his hands...

And now let's have some fun🤌

1. I think he styles his hair every day, hiding the cockroach antennae beneath his hair, and from time to time he checks with his fingers whether they've come out and pushes them back in.

2. He doesn't drive his giant ship for some stupid reason. Afraid of driving? Hypersensitivity? Being distracted by something more interesting while driving? In any case, Valentina simply rolled her eyes and took the driving into her own hands without trying to correct his behavior.

3. In the gas station scene, we see how quickly Maxime explodes if things don't go according to plan. I can imagine the apocalypse that would begin in his home if he didn’t find a sock or ran out of hairspray...🔥🔥🔥

4. His hyperfixation on the topic of cockroaches is also a reflection of his emotions and insecurities. He proves that he accepts himself and makes it his thing. My favorite quote: “Don’t kill the cringe part of yourself. Kill the part that cringes.”

5. He feels really sick from dichlorvos. No need to sprinkle it next to Maxime

6. Venus flytraps too. He'll stick his finger in there because the flower "smells too good and he had to try it"😭

7. He has beautiful, calligraphic handwriting that is impossible not to read hearing his voice. The letters he wrote in Valentine cards for VALENTINA will melt anyone because he's a master of words.

8. He is friends with insects, like Snow White with animals. Just as saccharine as she is. (If he sings a song to them, will they run around him???)

9. His pet cockroach is part of their family.

10. Most likely, he needed a cane for some time due to health reasons, but now it’s just a feature.

[ashyyslashy]

faustian bargain - marquis vincent de gramont x f! reader (john wick: chapter 4)

synopsis: To clear your debts to The High Table, you agree to a proposal by the Marquis to live with him as his partner.

warnings: language, sexual content (p in v sex, choking), semi-toxic relationship dynamics

word count: 2.8k

a/n: the john wick lore makes my head spin!

You stared into the weathered face of the man on the portrait before you, tucked away in a private corner of the Marquis' expansive gallery. The wrinkles and creases bore the weight of years of suffering, the lines of his face hard set in permanent anguish. You often imagined them as a collection of sins etched onto his aged features. Sometimes, you found yourself likening the image to a Picture of Dorian Gray. You would wonder whether the Marquis' misdeeds had marred this painting instead of his own self, leaving his striking handsomeness intact, and he’d hidden it from view.

The portrait reminded you it was too late to regret the changes that had taken place; only to find a way to cope with them. You had become used to seeking refuge in your thoughts amidst the entrapment of your existence. You would conjure whatever you liked to make this engorged mansion seem less stifling.

You had made an off-hand comment to the Marquis once, that you felt like a cat in a cage without enough room to stretch its legs.

He had chuckled, with his own catlike eyes boring into yours. "Mon amour, you are only bound by your own pride and reluctance. Laissez-vous être libre."

In seeking freedom from The Table, you traded one form of enslavement for another. For some unknown reason, the Marquis had taken an interest in you upon your first meeting. So he offered you a choice: join the fruitless battle to kill John Wick or stay with him in his home until it was all over, in some sort of twisted romantic scenario. Whether he was driven by boredom, liquor, or pure schadenfreude, you were unsure. Regardless of his motivations, you knew there was really only one correct answer if you wanted to live.

"I'll live with you," you'd told him. "But what is it you really want from me? No bullshit."

"The companionship of a beautiful woman, is all. Is that truly so wrong?"

His full lips formed into a roguish smirk.

You should have known there'd be a catch. You didn't simply live in his mansion - you were confined to it. Even with supervision, you weren't allowed to leave the property. As a result, you desired his presence in order to fill your solitude, developing a sudden and unexpected connection to the man. It was shocking how quickly your resolve to spite him faded. He became your lifeline, your connection to the outside world. And despite your best judgement, the more time he spent away, the more you yearned for him.

You hated his brand of intoxicating hedonism, the luxury items and expensive food he lavished upon you to win your favor. But you wore the designer dresses he laid out on your bed and drank the aged wine that was served at dinner.

You felt like you were betraying what you stood for through your infatuation with him. You resented yourself for growing so dependent upon him. Every touch you shared, every pent-up moment of sexuality - and there were few and far between - sent a flood of guilt rushing throughout your body. You'd wanted to escape The Table, but had only gotten yourself in deeper by fraternizing with the enemy.

The worst part of all was that he assumed a total indifference towards you. He would only provide you with the occasional caress or kiss on the cheek and any coy allusion he made to romance or sex in conversation was carefully veiled. He was forcing you to make the first move, and you wished so strongly that you could shatter his confidence by refusing to make it.

But at the same time, your resolve was wavering - every part of you was consumed by a flaming desire for him, steadfast in its absolute power.

You knew you had to do something to extinguish it.

・・・・・・・・・・・・・・・・・・・・・・・・

The clatter of silverware resounded throughout the dining room, forks scraping against fine china.

You'd been fixated on him all night. Your eyes were glued to the veins flexing in his hands as he grasped his utensils, the curve of his lips when he brought a forkful of food to his waiting mouth, the tensing of his sharp jawline as he chewed.

Every time he met your gaze, your nerves stood on end. The meal seemed to drag on, and no matter how much you ate, nothing could fill the gaping pit of anxiety in your stomach. It was just the two of you tonight, and the air felt charged with electricity.

"C'est fini," the Marquis commanded suddenly, pushing his chair back. It dragged across the polished floor with a squeal.

As you always did, you stacked the plates and carried them into the kitchen, starting to wash them until the staff refused to let you help any further. You wished they would allow you to do more- you hated not feeling of use, and you disliked others waiting upon you. Your sense of independence was unshakeable, even here.

When you left the kitchen, the Marquis had gone, likely retired to his chamber. You were counting on that. You hurriedly crossed the house, taking deep breaths for what you were preparing to do.

Standing in front of his door, you raised your right knuckle and rapped upon the wood. You heard shuffling within.

"Who is it?" he called.

"It's me," you replied sheepishly.

"D'accord. Come in."

You slowly pushed open the door and stepped into his room. His bare back was facing you, muscles rippling as he leaned over to unbutton his pants.

Your cheeks grew hot. "Um- you know, you could have told me to wait and gotten dressed first."

He turned around, stepping out of his pants and laying them next to his discarded shirt on the bed.

"I was not aware you were such a prude."

You scoffed and mumbled something under your voice about "public decency", trying to hide the anxiousness creeping into your tone. He strolled past you with an air of nonchalance, naked save for his boxers.

"So are you going to tell me why you're here?" he continued after several moments, folding his clothes with all the ease of someone who's never had to do their own laundry. He slipped a silk robe over his body before pivoting towards you, his eyes boring into yours.

You let out a breath of air. "Um... I need to ask. What's going on here? With us?"

He cocked an eyebrow. "What do you mean?"

"You know what I mean. What is it you want from this?"

He shook his head. "Déjà vu. You have already asked me this. My answer has not changed."

"Sure. My company, huh?" You replied in an insinuating tone.

"If you are implying that I expect you to do sexual favors for me, do not worry. I would have asked by now."

"What a gentleman."

"Mmm. When I say company, I mean company, chérie."

"Alright. Well..." you stepped towards him, shaking off any lingering feelings of hesitance. "I think you're a coward."

He moved closer, a dark look crossing his face. "Oh, do you?"

"Yeah. You know, I hear a lot around here. And I see how you pull the strings to ensure that everyone but you faces John Wick."

His jaw hardened. "It would be wise not to involve yourself in things that do not concern you."

"See, but you being a coward does concern me. I mean, it must be why you're just biding time until I make a move on you. Since you won't be the one to do it."

You were playing with fire, taunting him like this. You'd know him long enough to become immune to his attempts at intimidation, however.

He treaded backwards, barking out a laugh. It was strange to see him lose his perfectly-maintained composure even for a brief moment.

"You think you know everything, non?"

"I know more than you think," you countered. "You didn't deny it, after all."

"So this was the purpose of the visit? You have come to lecture me for not being man enough?"

"No. I came to ask you to be honest."

"I am not an honest man, chérie. You should know that. So what is it you want me to say?"

You were aware you were about to give away the upper hand, but fuck it.

"It'd like to know if you really do want me."

He shook his head, lips pursed together in amusement. "And did you not just boldly declare that I do?” 

"Stop toying with me."

He let out a sigh of exasperation. "I cannot understand why you ask me this. If I did not want you, why would you be here? I have given you space, and you interpret this as a sign of cowardice. I did not think boldly pursuing you would go over well. My mistake."

"That's not what I'm saying," you retorted, an indignant cry escaping your lips. "I'm alone in this house most of the time, and when you are here, you treat me as if I'm invisible. I feel like the fucking toy that the spoiled brat refuses to play with."

"You believe this is how I see you?"

"Yes, I believe it," you spat.

He laughed again, the sound not as sharp as before, humorless.

"How wrong you are."

"Then tell me your side of the story.”

He sat down on the edge of the bed, his hands resting on either side of him.

"I decided I would not send you to the front lines of this war with John Wick. I am confident I will win, bien sûr, but not without casualties. I did not want you to be one."

"Why?"

"J'sais pas. A feeling I had that I cannot explain. I just knew I wanted to give you a way out. I..." he trailed off. "I did not do it to taunt you, as you think. And I am not indifferent towards you. I thought that much was obvious."

"How wrong you are," you imitated.

"You are one to talk, chérie. You walk around as if you hate me and everything I stand for."

"I wish I did,” you replied ruefully.

His expression was unreadable. You approached him, standing over his form on the bed. Tentatively, you reached out to untie his robe, your movements slow in the case that he'd want you to stop. He stared up at you with unblinking eyes as you slid the folds of his robe to the side, revealing his bare chest. He shrugged the rest of the garment off, allowing it to fall to the floor. You slowly ran your hand across his abs down to his happy trail. 

"Do you like what you see?" he murmured, his eyes searching you for validation that you were surprised a man of his status would be asking for.

"I saw it before when you were walking around half-naked, but yes, I do."

Ignoring your sarcastic comment, as he tended to do, he gestured towards your own clothing. "Take it off."

You were too caught up in the headiness of the moment to protest that he'd phrased it as a demand. You pulled your nightgown over your head, and it joined the clothing pile on the floor.

Gazing at you intently, he placed his hands firmly on your waist and pulled you towards him. He took one of your breasts in his mouth and then the other in turn, swirling his tongue around your nipples. You dug your hands into his brunette locks as he peppered your chest with love bites, exercising his newfound lack of restraint. 

It was hypnotizing to see his guard go down, a hungry, animalistic fervor overtaking him. He was feverish with his movements as he pulled you to straddle him, his hard cock pressing against you. You tugged down his boxers and let the member spring free, admiring it for a moment before moving your hand in front of you to pump it up and down. You adopted a slow pace to offset his sudden frenzy, determined to leave him wanting more.

He slid backwards across the bed and you followed, your hands still working around his cock. He laid his head down on the pillow, looking at you lazily with hooded eyes.

"This must be how all of your fucks go, huh? You just lay down while the other person gets you off?" you teased while suspecting there was some truth to the notion.

"I'm simply fulfilling the role you've already carved out for me, non?" he retorted, reaching out his hand to smooth your hair back.

You spit on your hand and lubed up his cock, feeling the intensity of his gaze burning your face. You pressed down on his shoulders for support as you lifted yourself up into a crouching position, lining him up with your entrance. 

He sat up slightly, helping guide you onto his cock with eagerness. He sloppily buried himself inside you, and you began to create friction, bouncing up and down with your legs wrapped around him and your nails digging into his shoulders. 

You relished in the effect that your ministrations had upon him. He was a silent lover beside the occasional soft breath or inhale, but his pleasure revealed itself through his body language; his mouth gaped slightly open, eyebrows furrowed, head arched back. You couldn’t help but admire him.

The two of you moved in harmony, soaking in your collective loss of inhibitions as your pace grew faster. You’d caught yourself imagining this a few times late at night, cursing yourself as your hand crawled down to the hem of your nightgown. 

It felt so much fucking better when it was real. 

You scratched deep marks in his skin as ecstasy washed over you, climbing closer to your high, your walls clenching against his cock. Suddenly he was trying to move you off him, and the spell was broken as you looked down at him in confusion.

"Lay down on your stomach," he instructed, and again you bent to his will.

You felt his arm snake around you from behind, his hand clamping down around your neck. You went lightheaded from the sudden loss of oxygen, and a moan escaped your mouth as you felt him enter you again.

"Is this man enough for you, chérie?" he whispered, his breath hot against your ear as he rammed into you from behind.

He was pounding you mercilessly, and you knew that to tell him to stop was to reveal further weakness. You moved to brace yourself against the bed frame, but his hands were on your arms, pinning you down so you were entirely at his mercy.

"Tell me I'm a fucking coward now," he challenged.

"You're - not - a - coward," you managed to choke out, his thrusts continuing to increase in intensity, the sound of skin slapping against skin reverberating throughout the room.

He hummed his approval, before taking ahold of you and flipping you onto your back. His left hand moved to play with your clit as the other returned to your throat. Your back arched in anticipation, your body tingling from the combination of his cock thrusting into you and the movement of his fingers.

"I'm gonna cum," you cried out.

"Ouais, cum for me."

Your body trembled under the weight of your orgasm. As soon as you'd collapsed back down, he quickly pulled out of you, letting out a guttural groan as he shot his load over your tits and upper stomach.

He reached his index finger into the mess, drawing a heart in the sticky liquid and completing with an arrow through the center. The juvenile gesture caught you entirely off-guard until you looked up to see the amused, self-satisfied expression on his face. 

He pressed his finger against your lips, gently nudging for you to open it. You took his finger into your mouth, sucking it clean.

The Marquis laid down beside you, his eyes roving over your body. You surveyed his in return, unused to seeing the skin that he always had hidden under layers of a suit. You half-expected him to tell you to get out, maybe even toss you a twenty-dollar bill, but he said: "Do you want to sleep here tonight?"

It took you a moment to process the question. "Uh- yeah, I guess I will."

"Très bon. I will get you a cloth to clean up.”

He rolled off the bed. As you listened to him rifle through the cabinets, you were hit with the realization that you'd crossed a line you couldn't come back from. You'd fallen into his trap and given yourself over to him, just as he'd always suspected you would. 

He returned to your side, handing you a plush washcloth. You wiped off the evidence of your clandestine encounter, but as he turned off the lights and pulled you under the covers with him, you knew it stained you somewhere deeper. 

When you closed your eyes, all you could see was the haunting portrait. And all that lingered on your mind was a deal with the devil. The Table still had its claws in you.