#I'VE WANTED SOMEONE TO MAKE THIS QUOTE WITH THEM FOR SO LONG

[eldaryasharbinger]

MCL New Gen Ep. 8 Review!

Wow (yes that's all I have to say in this section this time...)

As per usual, everything goes below the cut (I'm a little late again, so sorry, life's been busy with mental issues and work lol)

I'm just going to start right away with my thoughts

When I first started the episode, at first I thought that it wasn't THAT bad, the vibes felt like a group of friends just joking around, roasting each other etc, Roy didn't feel uncomfortable to me at the beginning, more like "haha yeah guys I get it, so funny"

With my own group of friends we have all kinds of inside jokes and we often make fun of each other for silly things

But soon after that, I started feeling EXTREMELY uncomfortable, because I'm sure that the event could've slide if the characyhas STOPPED there, instead, they all just kept on going and making really fucking weird jokes?? I'm not going to quote them, because I'd rather avoid remind others, but I'm referring specifically to one that Thomas made

Speaking of Thomas, he was the worst in this episode, making werid-ass "jokes", being the "mastermind" with all of it, treating it as a "special" and "exciting" undercover mission?? wtf is wrong with you?

Also, I get that he knows a lot, is a great hacker etc, but as someone that struggles with paranoia (I've gotten better with it compared to how I was just a few months ago) I don't like it, why is he literally spying on his co-workers? And most of all, revealing their secrets like that?

Considering that we had (VERY FEW) options to express our discontent/disagreement/uncomfortableness during the episode, the writers KNEW that what they were doing wasn't good, I swear it could've went in a different and more positive direction SO EASILY, but instead they decided to make everyone sound like a creep, and make Amanda look like a party pooper or something, just for being reasonable?

Also, honestly, if they're all such good friends then sure, as long as all of them are fine with it, they can joke about anything and it shouldn't be my business, but since they kept on going DURING WORK HOURS, It was horrible.

Well, of course... We start the episode with him being shirtless again, like others have pointed out, I wish we could've said "yes, it actually does make me uncomfortable that you're walking around the office half-naked" but noo all we could say is "I don't mind" or "I've gotten used to it" (which is true, but still that's not very professional?? I get having each our own chair, but at least the rest of us are dressed 😔)

this was one of the biggest "wtf" moment to me, like ??? are you SANE or NOT?? Bro just go back to work and let that be, why involve pretty much everyone in the office on this stupid thing? what plan??? I felt so sorry for Roy, because seriously what he does in his own privacy shouldn't be entertaining to us, we weren't supposed to know about it, but Thomas being annoying had to go and reveal everything, maybe ruining the fun for Roy too?? Like, literally zero respect for privacy

Again, if we had these lines of dialogue, the writers KNEW what they were doing. So disappointed.

Also everyone else being told this and then acting like it's not that big of a deal? I would like to see them in Roy's position. Maybe then they'd understand, since they all want to pretend that it's not that bad. Also Roy clearly asked them to stop and move on from it, but they didn't want to because it was sOoO funny :/

Like at this point I'd ALMOST hope that they all get exposed for something like Thomas exposed Roy, so that they get a taste of their own medicine, but since this isn't real life it'll most likely never happen :/

errr,, sure,,, right after they tried to get us to join them and insisting that it's going to be a fun experience, wtf?

They won't FORCE you but they'll "peer pressure" you in a way :/

Okay well this did make me laugh a little, probably the only funny thing all of them said during the ep, the rest was just icky, to say the least

They said they didn't make him neurodivergent but come on now????? Is this a coincidence after another?

Also Candy going "When will i ever get the chance?" to swim naked, you literally have a pool at home girl, what are you even talking about 😭🙏🏻

Last thing I'll add before moving on to Jason's part of the episode (I have some more to say about the situation of the episode at the end) is Brune going "what is wrong with you??" After Roy splashed us with the water gun

GIRL??? BFFR???!!! THAT'S INSANE TO YOU???? WHAT ABOUT YOUR LACK OF RESPECT FOR PRIVACY WHAT THE HELL!!!! Sorry for swearing so much this time but can you blame me?? what other kind of reaction can one have 😭😭⁉️

About Jason

Sooo this was at the beginning of the episode! I'm loving every moment and every bit of the story with Jason, I really really really hope we'll end up with a more soft storyline with him, I've already said it before but I really don't want his story to turn into something extremely sexual, where that's all there is to the relationship

I'll genuinely quit his route if that happens, because as an asexual I just can't bring myself to enjoy that kind of content (if it's about other characters then I don't mind, but since our Candy is supposed to be "us" I'd still feel uncomfortable :( I've also given Petronilla so many of my own traits that it would be kind of difficult for me to differentiate completely)

Of course, so far, it seems that he's more gentle than he appears to be, so hopefully they'll keep it that way :(

I don't mind a little spice here and there, it's fun, but as a hopeless romantic I hope it'll be a sweet story in the end,, I don't think I'll say this enough haha,,

Two things, did his tattoo leak before or you're all really good at guessing?? And now I have to go back and update my other drawings... Yeah I won't do that but i'll try to keep it in mind (I still forget 'Nilla's freckles sometimes so not sure if I'll be able lol)

"Two things" I don't remember what the second one was or if I've already wrote it, I wrote that bit when I was laying down the draft for thw review so I forgot 😭🙏🏻

NOOOO I REALLY THOUGH THIS WAS REAL!!! I'm glad it wasn't because it would've been TOO SOON, but omg I was saying "What the fuck" repeatedly 😭🙏🏻 The scene was everything, but now it got me wondering which parts of it were real, and which were in our imagination? Like, when does the real part end and rhw fantasizing start?? Because I'd like if the only thing she imagined was the kiss, since everything esle was way too cute 😭😭

I haven't edited any of the recent Illustrations but I really want to do this one!! The only thing is that Petronilla should be on a stool or something because my girl is NOT that tall lmao

He looks so good too I'm so glad 😭🙏🏻 I'm always afraid after what they did to Leiftan's illustration in ANE 🥲 Like, so few of them are good, most look fcking weird to me 😭🙏🏻

The only thing I wish they made better was the different hair colors on our candy, sometimes they look so weird and out of place with the lighting :/

They should adjust the curves and all that, if you know what I mean, because the details get lost in the transition from one color to another

-------------------------------

Now that I feel like I've said pretty much all that came to mind, I want to finish by saying how everything that went bad in this episode could've been avoided by having the "same" ending (us at the pool/spa/whatever with our LI's)

If they really wanted to, they could've kept the first part of the episode (Thomas exposing Roy's secret that he swims naked)

BEFORE you get the wrong idea, I'd make that stop right after a little bit of friendly teasing (very little) and then I'd simply make the other characters interested in the idea of swimming naked or something, like they wanted to try it out

For Devon, idk how things are at that point if you're on his route, but since he's good friends with Roy, he could've asked him to let him try it, and maybe he'd invite candy too, not sure if that'd make sense

For Thomas, since from my understanding they end up on the beach, it could've went a similar way where him and candy want to try it out but maybe they didn't think to ask Roy to go to the pool, so instead they decided to go to the only other place that came to mind?

I'm not sure how Amanda's route goes, but I think it would still be the same thing since she wasn't interested in the pool anyway, and between girls I guess being naked before each other is different/more normal? (correct me if I'm wrong, I might've been born as one but since I'm trans I've always struggled with this kind of thing, always felt uncomfortable in swimsuits etc so I had a different kind of experience 💔)

While for Roy and Jason's route, they could've started the same, actually Jason's part could've stayed the same, idk how Roy's goes but since he's the one with the pool keys it just makes sense? (Sorry if I'M not making sense or if I'm writing these in a confusing way, I'm trying to be brief but I don't know if what I'm saying is something already in the episodes or not, I play on Jason's route after all 🥲)

So basically, centering the episode instead of spying on our coworker, into making us curious about the experience and try it for ourselves

Oh well, could've been should've been it's all done now and we know we won't get a change, let's all pretend nothing happened and hope that if something similar was programmed for upcoming episodes, that they'd change it (even a little) based on the current feedback 🙏🏻

Let me know if you have different opinions because I'm interested! (as long as it's not the same thing everyone's been saying...)

(I am not proofreading all that, so I'm sorry for any mistakes I made!!)

Thank you for your patience and for reading all this!

[neverendingford]

.

[why-animals-do-the-thing]

average United States contains 1000s of pet tigers in backyards" factoid actualy [sic] just statistical error. average person has 0 tigers on property. Activist Georg, who lives the U.S. Capitol & makes up over 10,000 each day, has purposefully been spreading disinformation adn [sic] should not have been counted

I have a big mad today, folks. It's a really frustrating one, because years worth of work has been validated... but the reason for that fucking sucks.

For almost a decade, I've been trying to fact-check the claim that there "are 10,000 to 20,000 pet tigers/big cats in backyards in the United States." I talked to zoo, sanctuary, and private cat people; I looked at legislation, regulation, attack/death/escape incident rates; I read everything I could get my hands on. None of it made sense. None of it lined up. I couldn't find data supporting anything like the population of pet cats being alleged to exist. Some of you might remember the series I published on those findings from 2018 or so under the hashtag #CrouchingTigerHiddenData. I've continued to work on it in the six years since, including publishing a peer reviewed study that counted all the non-pet big cats in the US (because even though they're regulated, apparently nobody bothered to keep track of those either).

I spent years of my life obsessing over that statistic because it was being used to push for new federal legislation that, while well intentioned, contained language that would, and has, created real problems for ethical facilities that have big cats. I wrote a comprehensive - 35 page! - analysis of the issues with the then-current version of the Big Cat Public Safety Act in 2020. When the bill was first introduced to Congress in 2013, a lot of groups promoted it by fear mongering: there's so many pet tigers! they could be hidden around every corner! they could escape and attack you! they could come out of nowhere and eat your children!! Tiger King exposed the masses to the idea of "thousands of abused backyard big cats": as a result the messaging around the bill shifted to being welfare-focused, and the law passed in 2022.

The Big Cat Public Safety Act created a registry, and anyone who owned a private cat and wanted to keep it had to join. If they did, they could keep the animal until it passed, as long as they followed certain strictures (no getting more, no public contact, etc). Don’t register and get caught? Cat is seized and major punishment for you. Registering is therefore highly incentivized. That registry closed in June of 2023, and you can now get that registration data via a Freedom of Information Act request.

Guess how many pet big cats were registered in the whole country?

97.

Not tens of thousands. Not thousands. Not even triple digits. 97.

And that isn't even the right number! Ten USDA licensed facilities registered erroneously. That accounts for 55 of 97 animals. Which leaves us with 42 pet big cats, of all species, in the entire country.

Now, I know that not everyone may have registered. There's probably someone living deep in the woods somewhere with their illegal pet cougar, and there's been at least one random person in Texas arrested for trying to sell a cub since the law passed. But - and here's the big thing - even if there are ten times as many hidden cats than people who registered them - that's nowhere near ten thousand animals. Obviously, I had some questions.

Guess what? Turns out, this is because it was never real. That huge number never had data behind it, wasn't likely to be accurate, and the advocacy groups using that statistic to fearmonger and drive their agenda knew it... and didn't see a problem with that.

Allow me to introduce you to an article published last week.

This article is good. (Full disclose, I'm quoted in it). It's comprehensive and fairly written, and they did their due diligence reporting and fact-checking the piece. They talked to a lot of people on all sides of the story.

But thing that really gets me?

Multiple representatives from major advocacy organizations who worked on the Big Cat Publix Safety Act told the reporter that they knew the statistics they were quoting weren't real. And that they don't care. The end justifies the means, the good guys won over the bad guys, that's just how lobbying works after all. They're so blase about it, it makes my stomach hurt. Let me pull some excerpts from the quotes.

"Whatever the true number, nearly everyone in the debate acknowledges a disparity between the actual census and the figures cited by lawmakers. “The 20,000 number is not real,” said Bill Nimmo, founder of Tigers in America. (...) For his part, Nimmo at Tigers in America sees the exaggerated figure as part of the political process. Prior to the passage of the bill, he said, businesses that exhibited and bred big cats juiced the numbers, too. (...) “I’m not justifying the hyperbolic 20,000,” Nimmo said. “In the world of comparing hyperbole, the good guys won this one.”

"Michelle Sinnott, director and counsel for captive animal law enforcement at the PETA Foundation, emphasized that the law accomplished what it was set out to do. (...) Specific numbers are not what really matter, she said: “Whether there’s one big cat in a private home or whether there’s 10,000 big cats in a private home, the underlying problem of industry is still there.”"

I have no problem with a law ending the private ownership of big cats, and with ending cub petting practices. What I do have a problem with is that these organizations purposefully spread disinformation for years in order to push for it. By their own admission, they repeatedly and intentionally promoted false statistics within Congress. For a decade.

No wonder it never made sense. No wonder no matter where I looked, I couldn't figure out how any of these groups got those numbers, why there was never any data to back any of the claims up, why everything I learned seemed to actively contradict it. It was never real. These people decided the truth didn't matter. They knew they had no proof, couldn't verify their shocking numbers... and they decided that was fine, if it achieved the end they wanted.

So members of the public - probably like you, reading this - and legislators who care about big cats and want to see legislation exist to protect them? They got played, got fed false information through a TV show designed to tug at heartstrings, and it got a law through Congress that's causing real problems for ethical captive big cat management. The 20,000 pet cat number was too sexy - too much of a crisis - for anyone to want to look past it and check that the language of the law wouldn't mess things up up for good zoos and sanctuaries. Whoops! At least the "bad guys" lost, right? (The problems are covered somewhat in the article linked, and I'll go into more details in a future post. You can also read my analysis from 2020, linked up top.)

Now, I know. Something something something facts don't matter this much in our post-truth era, stop caring so much, that's just how politics work, etc. I’m sorry, but no. Absolutely not.

Laws that will impact the welfare of living animals must be crafted carefully, thoughtfully, and precisely in order to ensure they achieve their goals without accidental negative impacts. We have a duty of care to ensure that. And in this case, the law also impacts reservoir populations for critically endangered species! We can't get those back if we mess them up. So maybe, just maybe, if legislators hadn't been so focused on all those alleged pet cats, the bill could have been written narrowly and precisely.

But the minutiae of regulatory impacts aren't sexy, and tiger abuse and TV shows about terrible people are. We all got misled, and now we're here, and the animals in good facilities are already paying for it.

I don't have a conclusion. I'm just mad. The public deserves to know the truth about animal legislation they're voting for, and I hope we all call on our legislators in the future to be far more critical of the data they get fed.

[txrii]

But Daddy I Love Him - Tyler Owens

Pairing: Tyler Owens x fem!reader

based on the song but daddy i love him by taylor swift

word count: 2,131

warnings: mentions of storm/tornado, like one swear word, also not edited at all lol

summary: Tyler Owens has a reputation around town for being reckless. People call him wild for going into storms the way he does. They think Y/N is just as, if not crazier, for falling for someone like him. Her father is no different than them, fearing his daughter may one day be hurt or even killed by Tyler's wild excursions. That is, until he has a change of heart when he does just the opposite.

a/n: it's been such a long time since i've wrote, especially x reader. over three years! shoutout to @bright-molina for letting me spout off fic ideas until i finally decided to actually sit down and write one. also, my knowledge of tornadoes is very very slim, so i’m not sure how accurate my portrayal is. i hope you all enjoy!

The adrenaline was coursing through her veins. The chase had gone well, and Tyler and his crew had been able to pull off their latest wild stunt with ease. As Y/N looked over to the driver’s seat of the truck, Tyler still had a huge smile plastered on his face. She could tell he felt the adrenaline as well. He always did, no matter how many chases he had gone on. 

Y/N wished they could stay like this forever. But, as they turned into the downtown square of her hometown, she knew what awaited them. Eyes turned immediately to the truck as it made its way down the road. Tyler had a reputation in this town. Everyone knew what he did for a living, and they thought he was crazy for it. When they found out Y/N had fallen for him, they thought she was even crazier. 

As they pulled into the long driveway of the farmhouse Y/N called home, a man was seated in a chair on the porch reading a book. Y/N sighed as she looked down at her fingers intertwined with Tyler’s. She knew what was to come when she got out of the truck. She knew her father didn’t like Tyler, and he made sure to make it clear. When the truck reached the end of the driveway, Tyler got out and headed to the passenger door. He opened it and Y/N hopped out, fingers once again intertwined with his. She smiled as she reached up to plant a kiss on his cheek. He bent down to plant one on the top of her head, whispering, “See you later, sweetheart.” Y/N dropped Tyler’s hand as she made her way to the porch. Tyler glanced over at Y/N’s father who was still sitting on the porch, tipping his hat in his direction as he moved to get back in his truck. Y/N’s father gave no response other than pursed lips. 

Tyler pulled away as Y/N made it to the top of the steps. “Hey, daddy,” Y/N said with a smile as she faced her father. He let out a sigh, setting his book on the porch table, “When are you going to let that boy go, huh?” Y/N pursed her lips. She sat down in the empty chair next to him, feeling defeated, “I really wish you’d give him a chance, daddy. It’s been almost a year. He’s not as bad as the town makes him out to be, really. If you just got to know him -” 

She was cut off by her father’s sharp reply, “I know all I need to know about him, Y/N. Come to your senses and see what’s really going on. He’s crazy with all these stunts.” Y/N smiled slightly. Everyone said the same thing. She tried again to get through to her father, “I know he’s crazy, but he’s the one I want. I just wish you’d just have one conversation with him, then you’d see he really isn’t that bad.” Her father was not having this. He stood up angrily, “Y/N, you’re going to get hurt, or worse. One of these days you’re going to go out on one of these chases,” he emphasized “chases” with air quotes, “and you’re not going to come home. I wish you could see just how dangerous this really is.” Y/N stood up to face him once again. The adrenaline from the chase was still running hot through her veins. Tears began to form in her eyes as she yelled, “Daddy, I love him! I wish you could see that!” As the tears began to fall, she made her way into the house and to her room, putting her father’s pleas behind her.

Tyler had a reputation around the town before the two had even met. Everyone knew of the infamous “Tornado Wrangler” and the crew that followed him around. Being from an area where storms were common, they made multiple appearances in local bars and motels to celebrate chases and rest up after them. That was how the two met. Y/N bumped into him - quite literally - as she was leaving a restaurant next door to a bar he and the crew were just entering. He invited her along for a drink, and the rest was history. When someone found out they were together, the news spread around the town like wildfire. No one could believe it. Y/N Y/L/N was a quiet, introverted local girl; Tyler Owens was chaos, he was revelry. The two were polar opposites, and according to this small town, that should never work. Whenever that red, overly-modified truck rolled into town there were whispers and stares, and they were only amplified when Y/N began appearing in the passenger seat. But the whispers couldn’t be heard over the loving stares and the screeching tires of the truck.

The news of the storm scheduled to hit in a town about an hour away was plastered over every news station. They said it was supposed to be one of the biggest the town had seen in a decade. This just piqued the interest of Tyler and the crew. And, of course, Y/N wanted to tag along. She darted through the house, getting a small pack of supplies ready for the chase. It didn’t take long for her father to catch on to what she was doing. He stood in front of her in an attempt to block her from packing any more, “Y/N Y/L/N, don’t tell me you’re seriously thinking of going out there.” Y/N huffed as she slipped through an opening between the man and the wall. “Daddy, I’ll be fine. You may not realize it, but Tyler wouldn’t let anything happen to me. He wouldn’t get us into anything he knew he couldn’t get us out of.” Her father turned to face her once again, crossing his arms. “Y/N, I just want what’s best for you. I’m tired of hearing about this boy and his stunts…” The girl tuned him out as she could hear the familiar purr of the engine pulling up the drive. She grinned and hoisted the bag she was packing up onto her shoulder, headed down the stairs. Her father, of course, followed her, voice becoming more frantic. 

Y/N swung open the door, and there he was, the man she loved, standing at the bottom of the porch steps. He grinned back at her, once again tipping his hat at her father. “I’ll take good care of her, sir,” Tyler said, hoping to ease the man’s mind. It, of course, did not. He once again tried to plead with his daughter, but began directing his anger toward Tyler when he realized she still wasn’t listening. Tyler gave a subtle sigh, pursing his lips, as he extended his hand toward Y/N, who followed him to the truck. When the two were settled in, Tyler turned to Y/N, “You ready, baby?” Y/N gave a grin, “Floor it, Ty.” And then they were off.

The news channels got one thing wrong, the storm was much worse than they had expected. The crew were only a couple miles outside the town they landed in when they realized it. They turned right around, they had to make sure they got everyone they could to safety. They split up when they got back, in order to cover as much ground as possible. Tyler would not let Y/N out of his sight; he promised her father he’d keep her safe, and he knew her father would never forgive him if anything happened to her. He wouldn’t be able to forgive himself.

Tyler and Y/N had gotten everyone they could to safety, now it was time for them to get there themselves. They ran towards one of the shelters they had ushered people into. The closer they got, the more the wind picked up. Objects began to fly left and right. Tyler did everything he could to block them from Y/N, earning himself a few cuts and bruises. Finally, they made it to the shelter. Tyler helped Y/N in then climbed in himself, shutting and securing the doors behind him. Y/N was shaking as she lowered herself to the floor and took cover. Sure, she had been in storms herself, but nothing to this extent. She squeezed her eyes shut, hoping that would somehow make time go faster. Tyler, who had just taken cover next to her, reached out to try and give her some sort of comfort. He pulled her close, trying to give her more protection with his own body. They listened to the roaring sound, like a train was passing right above them. After what felt like hours, but was probably only a few minutes, the sound quieted down. It was over, they were safe. Tyler gave Y/N’s shoulder a squeeze, planting a kiss on the top of her head. “You can open your eyes now, sweetheart. It’s done, it’s gone,” he whispered in her ear. Someone had already opened the shelter and light streamed in. Only a few buildings still stood, the rest diminished to a mass of rubble. Y/N and Tyler shared a glance before finding the rest of the crew and getting to work helping however they could.

Tyler and Y/N drove home nearly in silence. Y/N was still extremely shaken up, and Tyler knew that. He would try to make conversation here and there, but he knew Y/N was probably not in the headspace to make jokes. Halfway through the drive, Y/N spoke over the soft country music playing in the truck, “What are we going to tell my dad, Ty? You heard what he was saying before we left. There’s no way I’m going to change his mind about you now.” Y/N had tried to call her dad numerous times, but was unable to pick up any service. Tyler sighed, reaching his hand out for her to grab, “I’m sure he’ll understand, sweetheart.” As Y/N laced her fingers with his, he lifted their hands up to place a kiss on the back of hers. 

Y/N’s father had never once been happy to hear the roar of the engine of that truck pulling into his driveway. But today, he knew that only meant one thing, his baby girl was okay. He burst through the door just as Tyler had made his way to the passenger door to let Y/N out. The man ran down the porch, almost stumbling and falling, and wrapped his daughter in the biggest hug he had ever given her. There were tears forming in his eyes as he exclaimed how happy he was that Y/N had come back safe. She laughed a little bit as he let go, “Hi, daddy.” Tyler was standing off to the side, wanting to give the two some space, but also preparing for what the man might say to him. He was well aware Y/N’s father did not care for him much. Tyler saw Y/N gesture his way, and her father’s eyes found him, gesturing for him to come over. Tyler approached, ready for whatever may come from the man. To his surprise, however, the man reached a hand out for him to shake. Tyler shook his hand, relieved. He’s once again caught off guard, however, as Y/N’s father wraps him in a hug almost as big as the one he gave his daughter. He kept muttering thank yous as Tyler stood there, shocked and stiff as a board. Y/N giggled at the sight. But, hey, at least her father finally properly met Tyler.

A few weeks later, after Y/N had almost shaken off everything that had happened, she took Tyler and her father out to lunch. The sun was warm and beautiful, not a storm in sight. Turns out, just as she had thought, her father loved him as soon as he got to know him. The townsfolk looked at the three sitting on the restaurant patio, dumbfounded. Y/N looked at them and giggled, adjusting the strap of her dress that had started to fall slightly, “Oh my God, they should see their faces!” Tyler and her father joined her in laughing, and Tyler reached for her hand. The two laced their fingers together. Tyler gave a glance at their audience and then back to Y/N, “Fuck ‘em. You’re my lady, and that’s all we need.” He placed another kiss onto the top of her hand. 

Y/N smiled back at him, “Me and my wild boy.”

[kasagia]

Right Hand VI

Pairing: Na-Baron Feyd-Rautha Harkonnen x fem!exBeneGesserit! reader Summary: You're tired of listening to others and of being afraid of prophecies that don't make sense and that were made up by someone else. Your present belonged only to you. And hell knows, you're going to take your future too. Warning: 18+; violence; blood; Feyd Rautha; death; smut; I was listening to 'Down Bad' by Taylor and I used quotes from a few of them; TEXT NOT CHECKED - I' barely managed to write it on time' I've just ended it and wanted to post it for you, since you are waiting for it so long; it took me ages but I hope you will like it; Feyd-Rautha Harkonnen's Masterlist ~•♤♤♤•~ Main Masterlist ~•♤♤♤•~ PART V ~•♤♤♤•~ Epilogue ~•♤♤♤•~

Feyd rarely felt pain he didn't like. The years spent on Giedi Prime—or rather, years of enduring his uncle's methods of making him a true Harkonnen, his worthy successor—made Feyd love pain. He found pleasure in it—something he had to learn if he wanted to survive.

But it didn't bring him any satisfaction or pleasure when you pierced his chest with one of his swords. He feels pure pain. Anger, betrayal, and hurt.

He hates the way he falls limply to his knees in front of you. He hates that he still looks at you like you're a saint. He hates that he hopes you'll at least look him in the eyes, as if that would bring him some kind of salvation. He hates how lost he feels now and how he's slowly losing awareness of his surroundings. He hates that even though you stabbed him, all he can do is stare at you, clinging to the sight of you more than to his life.

"This will be the beginning of a wonderful alliance, Lady Y/N."

He feels you unhook your poisoned dagger from his arm. Feyd thinks you're doing it to finish him off. Poetically kill him with the weapon he gave you. He closes his eyes and waits for the final stab or throat slit. But nothing like that happens. He doesn't have the strength to turn around and see exactly what you're doing, but your words alone are enough for him to imagine the scene that is happening behind him.

"I may not be a Harkonnen, but I've picked up a few of their habits. If you want an agreement between us, show me your hand." After your words, he can hear a hiss from Atreides when you plunge the dagger into your joined hands, piercing them both through.

Feyd would have laughed mockingly if he hadn't spent all his energy on breathing slowly. He remembered explaining to you how contracts, such as arranged marriages, were sealed on Giedi Prime. The Harkonnens shook hands and pierced them with swords, thus signing a blood pact. This also applied to marriages and other such things. Blood bound them stronger than any words or signatures on paper. He cursed himself for the fact that, seeing your scared face at his words, he withdrew from this idea and decided to make a verbal agreement between you. He should be the one to bind you with his blood, not Atreides.

The steel in his body rubs against his lower ribs, but it does not damage any major organs. He tries to keep the sword in the exact same position you stuck it in, but he feels like he's going to faint from all the pain, the blood, and the fear for you that he feels now.

You made him so weak that even after you stabbed him, all he could think about was your safety and your well-being. Every shaky breath he took, every slow beat of his heart as he fought to stay conscious—it was all for you.

He just hoped like hell that you weren't lying a few moments ago, that this would all turn out to be just one of your games, and that you would soon end Atreides' life. But it's not like that.

"Let this blood be a symbol of our union." Your sweet, dangerous whisper reaches Feyd's ears.

He's raging with powerlessness and anger. That Atreides dog didn't deserve to mix his blood with yours. Only Feyd should be able to do this. Only his black blood should merge with your crimson, staining your joined hands as you swore allegiance to each other. His heart hurts more than the wound you gave him as he imagine how you and this desert rat are now echanging each other's blood.

If he hadn't been placed in such a vulnerable state by you, he would have ripped Atreides' heart out with his bare hands for daring to mix his blood with yours. A cold shiver runs down his spine at the thought of Atreides connecting with you in yet another way. A way Feyd was robbed too many times.

He tries to get up, but he doesn't have enough strength. All he can do is place his hands on the floor, trying to take the weight off his torso. The blade scratching his flesh bothers him much less than the fact that Atreides has the nerve to touch you or that you're blatantly ignoring him while playing whatever game you're playing right now.

"Leave him to me. I want… to repay him for all these years of fulfilling his wishes." The cool, composed tone of your voice that you used many times when the two of you dealt with inconvenient prisoners did nothing to inspire his hope or quench his rage.

You really betrayed him. You, of all people. How stupid and naive he was to believe you. He should have killed you the moment his eyes met yours. You were an intruder. A spy in disguise. His bittersweet end.

The door slams shut behind Atreides. Feyd hears your footsteps, the sand from your soles falling back onto the ground—the same ground where his black, thick blood is now flowing. You walk over to him; if he could focus enough, he would see the toes of your shoes.

You kneel in front of him, gently tugging on his head, causing him to rest on your shoulder. He can smell your blood dripping from your hand. You stain his head with it. Under any other circumstances, he would have appreciated how close you were to him, but now, with the sword rubbing uncomfortably against his insides, your touch doesn't bring any comfort at all. Even your lips pressed against his forehead cannot calm the volcano of emotions boiling inside him. But he is helpless. He is unable to do anything; he is completely surrendered to your grace. It wouldn't bother him a few hours ago. Now he hated it.

"I'm sorry." You whisper, then use the voice on him to tell him to fall asleep. When he drifts off to sleep at your command, he is already planning how he will take revenge on you. And hell knows you're going to pay him for it.

"He'll be furious." One of your spies comments as she helps you carry Feyd's body out of the sietch.

Inessa was the only Harkonnen woman you could reasonably trust. She's done your dirty work many times, but... never THIS. You somewhat understood her concerns, but currently, when you both had to carry Feyd through the Fremen corridors and go unnoticed, you didn't necessarily approve of it.

"I am aware." You reply, looking around. Inessa and you somehow patched up Feyd's wound. Now you had to either drag him to the surface yourself and hope that someone would find him in the chaos of the fight or leave him with some of his soldiers.

You didn't like any of these ideas. But you had to do what you planned if you wanted to regain your freedom, even if it meant that Feyd would hate you for it for infinity.

"Fucking angry. I'm serious, Y/N." Inessa warns you again. You roll your eyes at her, for a Harkonnen she was very fearful.

You remember how her hands were shaking a few minutes ago as you both stitched up your new Baron. It was a makeshift dressing and still required treatment by a doctor, but it was enough to get Feyd to the ship and back to base. During this time, you will take care of everything here. You hope that by the time he wakes up, you will have finished what you set out to do. Otherwise, you don't see your future well.

"Just get him out of here." You grumble, turning into a side corridor, and encounter Harkonnen soldiers fighting the Fremen as they kill the last of them, their eyes shifting to the two of you. You nod at them. Without a word, they approach you and take Feyd from you. Inessa looks at you, worried.

"What if he wakes up?"

"You stuffed him with painkillers, and I ordered him to sleep. He won't get up until you're back on the ship." The woman sighs and shakes her head, looking at you intently as you speak.

"Y/N. You've had some… creatively stupid ideas, but this one is the worst of them all. He won't give up. You know it. So why are you doing this?" She asks, taking you off guard for a moment.

She was right. You could have returned to the ship with them, gone back to the safety of Giedi Prime, and let Feyd fight Paul alone. You could have let go and stopped participating in a war that wasn't yours. But at what cost? You've been obeying someone all your life. Bene Gesserit. Prophecies. Feyd. It's finally time for you to deal the cards. And you will do it. In your and Feyd's best interests. You just hoped that he could… forgive you, or see the reasoning behind your actions.

"For myself. For my freedom. For us. This is the only way to end the matter of Atreides, Fremen, and Arrakis. The only effective way."

"Don't you know it yet? You will never be free. We women will never enjoy men's freedom. There will always be someone to whom you must submit. You can't change your fate."

"Then I'd rather die trying." You say, turning on your heel. You don't look back to see her reaction to your words. You had too little time.

The burning sensation on your hand only reminded you of running out of it. The dagger that Feyd gave you must have also had an effect on Atreides. You don't know how advanced he is in Bene Gesserit teachings, so you had to hurry before he detected the poison in his body. Or, God forbid, neutralise it.

You wipe your sweating forehead with the sleeve of your hand as your body begins to fight the poison slowly accumulating in your body. The antidote rested safely in a small syringe hidden in the handle of the dagger you kept strapped to your thigh. You just had to use it when the time was right.

You hope you will get everything done before you die.

You wander through the corridors without knowing where you are. You just have a feeling in the back of your head about where you should go. Besides, the escaping Harkonnens kind of showed you the way into the sietch.

Your hands are shaking as you slowly approach the main room—the one where the Fremen usually gather for large meetings and in case of an attack. Still, you thank Feyd for forcing you to attend the Harkonenn war meetings. At least now you are more familiar with the location of the Fremen's rooms and methods.

The closer you get to the main hall, the more Fremen women push past you, and you feel a little more confident walking through the crowd with them, confident that they are leading you to your place of harm in case of an attack. Even though the Harkonnen were already retreating from the area, some of them were still fighting the Fremen, who craved the blood on their swords and didn't let them just leave. You can only imagine the Feyd's wrath that they will have to face. His men didn't come... fully armed. Apparently it was supposed to be a quick action—get in and out with you, then launch a full attack and invasion.

You know that once he wakes up and heals up a bit, he's going to paint these halls with blood before he burns them to the ground.

Entering the main room, you immediately take a seat by the wall, watching all the Fremen gathering, carefully looking for Atreides among them. He probably had to make sure they "cleared" the halls from the Harkonnens. It makes you sick to think of them bragging about this as a victory over the Harkonnens. It makes you wish you had a little bomb with you...

"Are you already hiding in the shadows?" You shiver when you hear him whisper in your ear. You haven't learned to recognise his steps yet. They were irregular, different, and hard to detect and remember—as if he were constantly moving through the sand like a feather.

"The quicker I adapt, the better, right?" You ask, raising an eyebrow at him in challenge. He shakes his head in amusement and watches the Fremen gather with you. It's strange that somehow no one has noticed him yet.

"I'm starting to understand why my cousin kept you so close to him."

"Cousin?" You ask in shock, turning your head towards him so you can look at him. This time he ignores you, not shifting his gaze from the Fremen.

"A little surprise. Maybe we all have a bit of Harkonnen in us after all?" He banters without giving you any of his attention. You snort indignantly, looking at the gathering people again.

"You look tired." You comment, wanting to tease him. You can barely keep yourself from stabbing him with your poisoned dagger a few times. But since he was talking to you so... carelessly, it meant he couldn't detect the poison. Good for you.

"I always am. I will rest when I sit peacefully on the imperial throne."

You would laugh at him if you could. He might easily sit on the emperor's throne, but he wouldn't be able to hold power over all the families for long. Certainly not if you and Feyd had anything to say about it.

Your heart clenches as you remember the moment you stabbed him. You had to. There was no other way to get rid of him long enough for you to take care of everything here. Also, he wouldn't allow you to do that if he knew what you were up to. Besides, if you didn't stab him, Atreides and he would get into a fight. Unfortunately, you weren't that confident in Feyd's abilities. He would be in a state of distraction if your well-being was at stake.

Besides, Atreides' words convinced you of this decision more than anything else.

More than one great king fell under the intrigue of a lesser man.

If there was anything you could praise about Paul Atreides, it was his cunning. And you were sure that if Atreides was somehow going to defeat Feyd, it would be through intrigue and trickery. And then you weren't ready to save your baron. So you had to use drastic measures to get him out and allow yourself to function fully. You couldn't give Atreides any leverage or advantage over you. You certainly couldn't reveal what a weakness Feyd was to you.

"Hmm… you have to survive first." You answered thoughtfully. Out of the corner of your eye, you see him turn his head to look at you. His intense, analysing gaze makes you burn as you have to endure his unwanted attention.

"With such a talented Bene Gesserit as MY right hand? I have not the slightest doubt. You proved your loyalty by killing my cousin. I have no doubt that you are capable of great things. However... this sudden change of sides is shocking, I must admit."

"Why? Because I chose something better for myself? It was the same with Feyd. I could either stay among the Bene Gesserit and hope they wouldn't send me to breed with anyone, or I could take matters into my own hands. And I don't like blindly entrusting my fate to someone else, Atreides."

"I see... you look good with independence, Harkonnen witch, but don't forget who you answer to."

"Of course, Fremen messiah." The nickname you give him makes me chuckle. He reaches up and tucks a strand of your hair behind your ear. You look carefully at his bandaged hand, which you pierced with a dagger.

You find yourself comparing his hands to Feyd's. Harkonnen's hands were hard, rough, trained from years of using all kinds of weapons. Atrdida's hands were smoother, less stained by effort. Another difference between them was that Feyd would never let anyone bandage the wound you gave him. He would rather wear them proudly until the wound heals itself. You should think it's sick, but years spent by his side have taught you… to appreciate such gestures. Maybe you really had a completely different perception of normality?

Atreides' fingers trace your jaw, caressing it gently. You look into his eyes and immediately see the familiar gleam of audacity in them. He looked at you like you were a prize—a nice thing that he managed to take from his enemy, which he can now put on his bedside table and look at to remember his victory. Under any other circumstances, you would have bitten his fingers off, but unfortunately, you had to behave. But only for a moment longer.

"What do you think you're doing?" An angry, cold female voice echoes behind you. Before you know it, you're being pushed sideways against the wall. A dagger at your throat. You act automatically. You attack a woman, disarm her, and push her against a wall. But before you can put a dagger at her throat yourself, Atreides steps between you.

"What's necessary, Chani. I would suggest you not attack my guest." The woman glares at him, and for a moment, you think she's going to attack him or spit on him. Then her anger shifts to you.

"This Harkonnen witch has killed more of our people than any of them. She should be dead, not taken in as a guest." She growls furiously, giving you a distrustful, mad look. You understand her perfectly. If you were in her place, you would do the same. Only Feyd, unlike Atreides, couldn't stop you from hurting your rival.

"It's not up to you to decide her fate."

Chani gives the two of you one last hateful glare and pushes past Atreides, moving into the crowd, away from the two of you. You look at the woman carefully, analysing her gait and posture. Similar to Atreides. So you found his teacher.

"Your…"

"Concubine." He finishes, thus answering your question. You raise an eyebrow at him in surprise.

"I see."

"Jealous?" This time, you can't help but snort in amusement, giggling at his absurd question.

"I would sonner be jealous of a sandworm than of you. What is bewteen us is just an agreement. Don't forget that, Atreides."

"That's why I like you. Give me a moment. We'll talk later. Don't go anywhere. I will find you."

He puts his hand on your shoulder. You assume he thinks it's a gesture of reassurance, but it's not for you. You anxiously wait for him to move away from you so he can speak to the crowd of Fremen.

You shiver as you briefly make eye contact with Chani, who is standing at the other end of the room. She's still seething with rage. You're not entirely sure why she's so devoted to Atreides, but after thinking about it longer, you realise what her reason is for being so protective over him. You would probably do the same things for Feyd as she did for Paul. However, you would be... more ruthless towards your rival. You wave to the woman, smirking. She looks away from you, focusing her gaze on Atreides.

You study him as well, carefully observing him as he speaks to the Fremen. He is imperious and powerful, but also arrogant and conceited. His overconfidence that he acquired among the Fremen—the belief that he was the chosen one—will lead to his death. You will lead him to death. Otherwise, no one will stand a chance against him. He had one significant thing that could ensure his victory: a huge crowd of people who blindly believed that he would bring them salvation if they obediently followed his every request.

And maybe you would feel sorry for these people and try to help them if your own freedom and future weren't on the line.

You play with the handle of your dagger. You press a small button. A small ampoule with a needle falls into your hand. You hiss, injecting the contents of the ampoule into your arm.

Atreides was right. - You think, listening carefully to the man's speech to the crowd. - More than one great king fell under the intrigue of a lesser man.

The faint hum of the ship's engine gives Feyd a clear indication of where he is. He opens his eyes and looks around the room. He's in the bedroom of one of Harkonnen's ships. He sits up, swinging his legs over the edge of the bed, and looks at his bare chest. He furrows his hairless eyebrows in surprise when he sees no wound or bandage—just a tiny, sealed scar in the area where you pierced him with the sword.

"Where are you going?" Your quiet, protesting whisper makes him freeze. After a while, he feels your warm hands on his shoulders as you pull him back into the soft sheets and into your arms. You cuddle up to him, wrapping your arms around him and burying your head in the crook of his neck. "Stay. We still have a lot of time before we land on Lankiveil, so you can spend it in bed with your wife. I doubt we'll find a moment of peace for ourselves when our little Na-Baron demands swimming lessons from you and a tour around the new planet, so use this little moment of peace."

Feyd's heart skips a beat when he feels your lips brushing on the skin of his neck and hears you calling yourself his wife. He allows himself to drown in the warmth of your body and the feeling of your gentle touch on his skin. He buries his nose in your hair, shuddering slightly as you place small kisses on his neck and lick his skin, teasing him. However, one thing was still bothering him…

"Little Na-Baron?" He asks, confused, when you lazily stroke his head with your fingers, drawing patterns on its pale skin.

"Our son. I pleased you so well last night that you forgot about our son, or are you just not awake yet, darling?" You ask him teasingly, opening your eyes to look at him for the first time.

Feyd is speechless when he sees the spark of malice in your eyes and the beautiful smile you give him. Your beauty, the calmness with which you lie curled on his chest—as if it were the most normal thing you do every day—and the strange warmth that spreads across his chest because of it make him lose his ability to speak.

You giggle, pulling him closer to you and placing a tender, gentle kiss on his lips. You moan, enjoying the feeling of his plush lips, sucking on his bottom lip as you claim him as yours. Feyd feels himself starting to harden just from the feeling of your lips on his and the teasing movements of your fingers around his nipples.

"I…" He tries to speak, but then he hears the baby's soft whimpering. He tenses up, unaccustomed to any interaction with children.

His gaze goes from the cradle placed in the corner of the room to you in pure panic, as he has no idea what to do with the crying baby. But you don't seem to care about the baby crying as much as he does. You groan in protest and pull away from him, burying your face in the pillow.

"Mhm... go to her, it's your turn." You mumble, not giving him a glance, as you hug the pillow instead of him. He starts to be a little jealous, but that feeling fades away, replaced by panic as the baby's cries intensify.

"Now you're letting me go?" He asks, hoping you'll change your mind and take care of the crying demon in the cradle yourself.

"I simply found a better use for you elsewhere." He huffs, leaning towards you and ruffling your hair. You punch him in the chest and force him out of bed. He rolls his eyes at you and turns hesitantly towards the crib.

He feels his legs shaking and his heart beating with nervousness. Feyd-Rautha Harkonnen is stressed and nervous by a crying baby in a cradle. He breathes deeply as he stands over the cradle.

His world stops when his eyes meet small irises that are a similar shade of blue to his. And his heart stops when he sees a little copy of you. Your child is undoubtedly a reflection of you. She only has his eyes, but the colour of her skin and hair, the shape of her nose, mouth, and eyes are all you. Feyd's heart pounds as he stares at the small miracle before him. Suddenly, the sounds reach him again. Panicked, he takes the baby gently, making sure not to accidentally hurt her, and in a few quick steps, he is by your side again.

"I… I think it is hungry." He says, reaching out towards you to hand the baby to you as quickly as possible.

"Feyd-Rautha Harkonnen, did you just call our daughter it?" You ask angrily, sitting on the bed and looking at him furious. You sigh at his helpless expression and take your daughter from him. "Forgive daddy, Katerina. He doesn't usually behave like this." You mumble sweetly to the baby, trying to calm her down.

Miraculously, because Feyd can't call it anything else, you manage to calm down the baby in your embrace, her little lips pursing in dissatisfaction as she waits for you to feed her. Feyd swears she makes the exact same face you do when you're impatient or angry. His heart melts even more at the image in front of him.

Feyd sits on the edge of the bed, watching in fascination as you feed your baby. This scene seems... unreal to him. He had never experienced anything like this before—the feelings of warmth, safety, and boundless love and devotion that appear in him when he looks at the two of you.

He may have had vague memories of his mother singing bedtime lullabies to him and Rabban, but... he had never felt the way he did with you and your daughter. He had never felt that disarming feeling of home that made him allow himself to become vulnerable for the first time in many years.

He uncertainly reaches towards the child and gently strokes his daughter's head. The colour of her hair is identical to yours. Feyd's lips form involuntarily in a smile when the child reaches her little hand to his fingers, tightening his fist firmly. As she gently moves his hand away from her head, she does not let her grip on his fingers loosen. She was strong for a baby. She certainly had a warrior nature inherited from both of you. Feyd couldn't wait to train her...

He found himself thinking that all he wanted was to curl up in this bed with you and hold you safely in his arms before he would be brutally torn from this beautiful dream or vision.

He sits on the bed, looking at the two of you, when suddenly the bedroom door opens. The thud of small feet on the metal floor echoes around the room, and that's all the warning Feyd gets before the little white-haired boy lunges at him.

"Dad! Dad! We'll be there soon! I can't wait. Uncle Rabban told me that there are huge oceans that can swallow our ships if we land wrong! Is it true?" Asks the child, sitting on his lap and holding him tightly.

Feyd hesitantly wraps his arms around the boy, making sure he doesn't accidentally fall from his lap to the floor. His gaze quickly shifts to you in utter confusion. Rabban as a caring, mischievous uncle? What the hell was that supposed to be?

"Your uncle has a habit of distorting some facts, Feydor. I assure you we'll be fine. And Lankiveil is wonderful, isn't it, honey?" You ask Feyd, resting Katerina on your shoulder and making sure she burps.

"Yes. It is beautiful." He says, unconsciously running a hand through his son's hair as he looks at the three of you, unable to get over the shock and awe.

"I want a hug." Your son demands. You laugh as you pull him closer to you. When you see that Feyd isn't moving to join you all, you grab his hand and gently guide him back to the soft pillows. You lie there curled up, you with Katerina on your chest, Feydor between you and him as you wrap your arms around each other.

His son mutters something to his sister, but Feyd doesn't hear him. All he can do is stare at the three of you in amazement.

"Now sleep. Both of you. I don't want to hear any grumpy complaints about not getting enough sleep, okay, my boys?"

'It only happened once." Feydor mumbles, manoeuvring your and Feyd's hands to hug him tightly. "Besides, Dad was whining worse than me."

"I have no doubt that was the case. Your dad is a terribly fussy and grumpy man." You laugh and lean in to place a quick kiss on Feyd's lips. He strokes your waist, moving closer to you and your son as baby Katerina mumbles something in a language only she knows.

Feyd can only watch tenderly as his little family falls asleep, curled up in each other's arms. And he believes that this is the best possible future that can await him. He doesn't want the throne. He doesn't want to become emperor. He just wants to be able to fall asleep and wake up with you in his arms and your children running around. It's all he dreams about.

The younger Feyd would certainly laugh at him and mock him for such a trivial goal he had set for himself, but what more could he want with the title of baron and you by his side?

He saw perfectly well how the lives of his uncle and emperor turned out and knew the tragic fate of great people in power who decided to devote their entire lives to achieving the greatest possible influence. Feyd didn't want to follow in their footsteps. He wanted you. He realised, with horror, that this was enough for him—the vision or dream he had now was his ideal future.

"I love you." He whispers to your sleeping form before the darkness overwhelms him again.

He wakes up again on the ship, in the same room, and on the same bed. The difference is that your warm body is not pressed against his, and the throbbing pain from his stomach spreads uncomfortably throughout his body.

He groans, sitting on the bed and looking around. His hairless eyebrows wrinkle when he sees one of your spies with him. He automatically grabs the hidden knife and attacks your spy before she notices that he woke up.

"My Lord Baron, I can explain…" The woman says this as he presses the blade against her chest. She stops talking when he cuts off her access to the air by tightening his grip on her neck.

"Where is my right hand?" He growls, sticking to the remains of his control when he refrains from killing her. However, he does not stop himself from making a light cut on your spy's neck. Years of experience have proved that people were more willing to talk after he took some blood from them.

"It really wasn't my idea. She decided so. She knew that you would not let her do what she was planning, so she had to somehow... get rid of you from there, my lord Baron."

"Hm... that sounds like her, but... I would like to hear more about that plan of her. Say something useful and I might even spare your life." Feyd purrs, lazily dragging the blade down her neck to her collarbone, making a small cut.

He preferred not to hurt your toy too much. He didn't know how you would react to the loss of this particular spy. She must have been someone you trusted to entrust him to her.

But that didn't mean that Feyd couldn't land his anger at you on her for leaving him behind and completely unaware of your actions.

"Long ago, the Bene Gesserit had only one reverend mother. Their order was small then, but it was developing well. A certain ritual was invented to ensure that the most powerful of them was in power. It… is about the struggle of life forces. I don't know exactly how it's done, but… lady Y/N said that they both have to die for one of them to survive. She… she knew you wouldn't let her, so she had to make you leave that rat's nest so she could get the job done." A cold shiver runs down Feyd's spine. He needs a moment to compose himself and process your spy's words before he speaks again.

"They both have to die? What do you mean?" He asks, unconsciously tightening his already painful grip on the woman. His hand, the one holding the dagger, trembles slightly as he impatiently stares at her, waiting for an answer.

"I... they have to... they... their hearts stop beating and... the one who is stronger and has more life energy takes over the other's powers and survives."

"So... she may lose and die?" Fed sees your spy swallowing heavily after hearing his question. Thanks to this, he already knows the answer to it.

Strangely, instead of the huge, red fury and bloodlust, everything he feels is fear. Since he arrived at Giedi Prime, he has never felt fear. His uncle made sure that this emotion did not prevent him from reaching the ideal that his uncle demanded from Feyd. But at this point, when the vision of your dead body appears before his eyes, Feyd feels almost paralysed by fear of your life.

"There is... a little possibilty, my lord Baron."

This information is enough for him to make a decision. He stabs your spy in the stomach and allows her to sit on a bed. He reaches the exit in a few steps and opens the door with a bang. A doctor and two soldiers are waiting in the corridor. They look at him with fear in their eyes when he comes out, covered in blood. Before they can speak and probably inform him about his state of health, Fed is already growling at them and giving orders.

"Heal her and bandage her. She was only fulfilling my fiancee's orders." Fed tells the doctor. He is pleased with the surprise he sees on your spy's face. He intends to enjoy informing everyone about his 'engagement' with you. If you could have your plans, he could have some of his too. "Tell the pilot to turn back. And call more ours. We will burn these rats' nests to the ground."

With this promise, he leaves the room, ignoring the pain in his trunk. He must have found you before Fremen left with you for another hideout. He had to be fast and precise if he wanted to have you safe by his side. Maybe he should also ask the doctor for a sedative. Just in case you were stubborn enough to fight him instead of cooperating with him.

"What do you think?" Atreides' question catches you off guard for a moment. You stop watching the Fremen as they prepare to leave the sietch and shift your gaze to Atreides, raising an eyebrow in question. "About them. About my speech there."

"Are you looking for praise?" You mock, taking a closer look at what exactly he's putting into his bundle.

"I'm looking for a second opinion. Objective. Analytical and thorough." He replies, tying the fabric as he waits for your response.

"They will do whatever you want. Isn't that enough for you?" You ask, licking your lips as you choose your words carefully. You can see beads of sweat forming on his forehead. Paul wipes them away with his hand, not yet aware of the poison that courses through his veins.

You wanted to make sure as much as you could that when the moment came to defeat him and take his life force, there would be no shadow of a doubt that you would emerge victorious from the duel between you. After he went through the Reverend Mothers ceremony, you could try to perform the old ritual of reclaiming power between you two. This hasn't been done for centuries. So you hoped that everything you remembered from the old scrolls was true and that Atreides wouldn't surprise you with anything.

Even if he was a Kwisatz Haderach, you're still going to defeat him. No one and nothing will decide your fate.

"For now, yes. But in the future, I will need their full devotion. After all, I won't be the one to rule them on Arrakis." You raise your eyebrows questioningly, curious as to what his big plan for the future might be.

"Who do you want to entrust them to?"

Silence falls between you as you both look at each other intently. You know he's judging you, wondering how much he can tell you and how much he can hide from you. And you have to be convincing enough to gain even a little bit of trust from him. You know that stabbing Feyd helped you a lot with that. No matter how much it hurt you to do it.

"To be honest, you have the best skills to serve as Governor of Arrakis. The only question is, will you be equally faithful to me?"

"Me? Why?"

"They're already afraid of you. Besides, I saw your power—you're quite a powerful Bene Gesserit. Even if you don't like being called that, you can't cheat or change your destiny, no matter what."

"But... it is not all about power and fate, though is it?" You ask, slowly approaching him. "It is... something more there. Much more than we know." You whisper, looking at him with your most captivating gaze. Feyd would have killed him and tortured you if he saw you flirting with someone else... but luckily he wasn't here. And you had to somehow lower Atreides' guard.

"Indeed." He mumbles back and takes a step towards you. His fingers gently caress your jaw, tracing it until his fingertips brush against your lips. "My mother told me legends about the birth of the most powerful of the Bene Gesserit. A woman who could bring thousands to their knees with a wave of her finger, tamed the most bloodthirsty of all beasts. Stilgar... has suspicions that you may be the mother of the one, the one to come. Of course, this conflicts with his perception of me as the chosen one."

He spoke the truth. You were the most powerful of the Bene Gesserit. But not because you were born according to their program. You simply had potential, and they had way too much time and no obstacles to train you differently. You were supposed to be their perfect pawn in their game, to provide them with the Kwisatz Haderach. And now… you will kill the one who was supposed to be him.

"Even so, you don't lose power. They still listen to you. More than anyone else." You say, shifting your gaze from his eyes to his lips. He licks them, holding your jaw tightly as he leans slightly towards you.

"I may be my father's son, but I'm not going to make the same mistakes. You know, it is much safer to be feared than loved because... love is preserved by the link of obligation which, owing to the baseness of men, is broken at every opportunity for their advantage; but fear preserves you by a dread of punishment which never fails."

"The prince Machiavelli." You say, knowing a quote from the book. You're a little surprised that he would read something like that. He also seems amazed that you know what book he took these words from.

"Indeed. Hmm... Maybe you're not that cruel and bloodthirsty Harkonnen witch people think you are. After all, you're a bit educated." Under any other circumstances, you would have kicked him in... his tender place for this. But now you have to smile sweetly, comforting yourself only with the thought that he will soon die at your hands.

"Believe me, Atreides. I am everything they talk about and more." You mumble before leaning in to connect your lips in a kiss.

Kissing him is… different from kissing Feyd. Less intense, less hot, and less passionate. With him, you don't feel that familiar thrill of excitement you feel every time Feyd literally devours you. This kiss is... too polite. There's not an ounce of desire in him, at least not on your part. You try to be persuasive, though, caressing his lips, but it's not the same plush softness of Feyd's lips. Your mind refuses to be fooled, and you realise with horror how deeply your new Baron has managed to get under your skin when you haven't been able to enjoy the kiss of any other man.

Atreides reaches for your hips, pulling you closer to him as he deepens the kiss, moaning into your mouth. At least he was the only one having fun out of the two of you. You place your hands on his shoulders, slowly pulling your hidden dagger from your sleeve as you let the man kiss you and explore your body with his hands.

You almost sigh with relief when his lips finally leave yours. He moves to kiss your neck, and you decide that this is the moment to start the ritual.

"Stay still. Don't move or speak." You use the voice on him. He stiffens in an instant, his eyes widening slightly as the steel of your poisoned blade presses against his neck. "You were right. It's better to make them afraid of you than to love you."

Out of the corner of your eye, you see him grab his hidden knife. But before he can stab you, you place your hands on his temples and recite the old formula, beginning the ritual. You feel yourself slowly starting to lose strength. You both kneel to the floor, life draining from the two of you.

It has begun. - you think as darkness takes over you.

This... is different from what you expected. Nowhere is it written what happens after the connection between the brains of the Bene Gesserit combatants is made. Or what kind of test are the two of you being put through to find out which one of you is stronger. You thought you and Atreides would stand in some imaginary arena and fight until one of you killed the other.

At least you would prefer this to the burning pain that overwhelmed you. You feel like you're immersed in pure, wild fire. All your nerves were burning. You felt your body, but at the same time, you were far from it. And all you could see and hear was blackness, screams, whispers, and songs in a language foreign to you. You feel like you've gone mad. Any pain you've felt doesn't compare to what you're going through right now.

You feel every cell in your body tear apart, and at the same time you remain in a void, unaware of anything except the feeling of pain.

But you endure it.

And suddenly, everything disappears. For a moment, you feel or hear nothing. It's just you and your consciousness as you anxiously await the turn of events.

Then various images begin to appear before your eyes—visions of the future and the past. You see every possible course of events that could occur and every single scenario that may happen. In some visions, both you and Feyd die; in others, it's just him or you; and in others, you both live to old age together. One element is constant. Only one. And you shudder every time you see the familiar figure of your future son ascending the throne as the Emperor and taking care of the entire world, restoring balance and peace.

All of Atreides' power has passed onto you. You knew everything. All possible futures. And they scared you more than you thought they would. And you feel completely different than you thought you would...

After some time and tens of thousands of visions, you return to your body. You begin to feel everything around you—the soft sheets beneath you, the softness of the pillow beneath your head, and the quiet beeping of the machines keeping you alive.

You struggle to open your eyes, hissing as the light hits your eyes. You look around, expecting to find a familiar hospital room, but instead you find yourself in Feyd's chambers. On fucking Giedi Prime.

"Welcome among the living." Feyd's hoarse voice reaches your ears. You turn your head towards him—too quickly, making you feel a little dizzy—but you open your mouth to speak anyway.

You have a terrible coughing fit, and your throat is drier than it has ever been on Arrakis. As you curl up on Feyd's bed, coughing up your lungs, you see him quickly fill a glass of water from the corner of your eye. He sits next to you, pulling you against his chest. You lean your back against him and drink the water greedily.

Feyd gently strokes your back, watching carefully as you drink the water. His gaze is watchful and attentive as he makes sure you drink the last drop from your glass.

When you finish, he takes your glass and walks over to the table to set it down. A cold shiver runs through you as you feel the absence of his presence. You remember how the last time you saw him, he was unconscious and injured. Because of you.

"I was more expecting to be chained to a wall in a prison cell. Or to have your harpies hovering over me and waiting for you to cut me up for them." You say jokingly, teasing him. But he doesn't laugh. You see him tense at your words before he slowly turns to face you.

"I had such an idea in my mind a month ago, when I found you pale as death in the arms of the equally dead Atreides. But I guess enough time has passed for me to get over it… or I just killed enough Fremen and doctors and Bene Gesserit women who couldn't bring you back to calm myself down."

"Month?" You ask, swallowing thickly as you bravely endure his stern glare.

"Mhmm… a month, two weeks and five days to be precise. This whole time, you were either losing your pulse or screaming until your throat was torn. Also, you had a fever that we barely managed to break down, and you were pronounced dead a few times, but who cares, right?" He asks casually, but you can clearly see the rage bubbling inside him despite his obvious concern for you.

"Oh… that's… a while."

"A little bit more than a while." He growls at you, playing with his dagger—the exact same one he gave you. You shudder as you see how much the blade has bent from the blood of the people you used it on.

"What about Atreides?" You ask, confused, wondering if it was really a good idea to bring this up now. Especially since he is playing with a poisoned dagger in his hands. And you used up the antidote to it (apparently) a month ago.

"I have his head. Do you want it on a silver platter, or should I just frame his tongue and hang it on the wall? Maybe right next to yours for being a liar and a traitor?" He asks furiously. But that's not what scares you the most. He's calm. Too calm and composed. And this was often how his anger manifested itself before he killed his victims.

"I... you know perfectly well that I had to do it. If I had done it differently, his... skills would have been lost. And I... now I see everything. I can prevent everything, I can make everything fine. Isn't that a big advantage for you? Have an oracle next to you?" You ask, slightly nervous about what he's going to do next.

"Depends on what this oracle wants to show me and what it doesn't want to show me. But since you know everything and the entire future, you probably know what I will do now." He says and heads towards the exit.

Your heart clenches, and you feel an inexplicable panic as you see him walk away from you. You can't stand how cold he was towards you. You have to do something. You can't just let him go.

"Feyd." You call after him and get out of bed to follow him. When you're on your legs, you lose your balance, and you would have fallen to the floor if Feyd hadn't caught you in his arms.

You dig your fingers into his shoulders, holding onto him as you breathe quickly. You look at each other for a moment, allowing yourself to immerse yourself in the closeness of the other one.

Feyd places his hand under your knees and picks you up in bridal style. He puts you on his bed again and pulls away to leave. You grab his elbow tightly and hold on, forcing him to stay by your side as you give him a desperate, pleading look for him not to leave you.

Feyd sighs, sitting next to you on the bed. He leans towards you and rests his forehead against yours. He closes his eyes, brushing his nose against yours. And you feel really calm for the first time in years.

"You have no idea... I have killed men for smaller things than that. The only reason you're still alive... is because I prefer to destroy you myself. Without the help of any sick rituals or poison. You'll be begging me to kill you, little witch. I'll make you go through the same damn pain you put me through. You'll be begging me to stop making you scream. Oh, and I'll make you scream much louder than becasue of this stupid ancient ritual."

You know he's mad at you. And he has every right to do so. But you can't take his words seriously. Not when you have irrefutable proof of the depth of his feelings for you. As he said, he killed for less. If he wanted to, he would have gotten rid of you or hurt you by now. But he didn't.

"I'll happily scream because of you, my Baron." You reply, placing your hands on his cheeks. You stroke his cheekbones with your thumbs, trying to memorise every little bit of his skin.

"I… I'm serious." He growls at you. He places his hand on your neck and squeezes it gently. You smile and press a kiss just near the corner of his mouth.

"Me too. Do it. Show me how loud you want me to scream for you." You challenge him, placing small kisses on his face.

"Y/N... I should have killed you ages ago, woman. You poisoned my mind, you stabbed me with a sword, you left me alone to deal with the mess you made, you forced me to worry about you while you slowly died in front of me day by day, and I couldn't do any-fucking-thing. So tell me, how can I get past this? Why is it that all I want to do is fuck you until I feel like you're really alive and around me?"

You bite your lip, trying not to moan at his words. You lick your lips and lean towards him, kissing him. He moans into your mouth and tries to pull away from you, but you grab his neck and pull him towards you. Your heart speeds up as your lips caress his as you give all of yourself to him in that kiss.

You gently massage his scalp and lie down on the pillows. You pull him with you as he starts to kiss you back. You moan into his mouth, wrapping your legs around his hips. He pulls away from you with a growl and presses his forehead against yours, trying to calm down for your sake. After all, you had just woken up... too bad his cock wasn't as sympathetic to you as you rubbed against him.

"I… my mother was a Harkonnen, you know? Maybe that's why I was so drawn to you. Like calls to like or something like that." You gasp, remembering the memory you saw. Feyd furrows his hairless eyebrows in surprise. A shiver runs across his skin, realising the power you've taken from Atreides.

"What else do you know?" He asks, caressing your cheek. You turn your head and press a kiss on the palm of his hand. You surprise him even more, but he's not going to protest when you show him affection. This was very rare in his life, and the fact that this small, voluntary gesture of adoration was coming from you made him even harder.

"That I don't want to lose you for some visions that may or may not happen. That you love me and that these months have been torture for you. That you hated me as much as you needed me to come back to you. That I… only want to think about us. I only care about our future, and I'm willing to watch this world burn if it means I can hold your hand until the end. with no fear that fate will make us hate each other. That I want you to be the only prophecy I care about."

"What about your escape from fate? You never wanted… to be part of this Kwisatz Haderach thing. Will you run away from me when you see that the path we are following leads inevitably to what you were so afraid of?"

His doubts are absolutely right. But that doesn't change the fact that you need him close to you right now. That you need his reassurance that everything will be fine, not his resentment. And you know it was wrong of you to demand from him things like that, but... nothing about your relationship was healthy anyway.

"Fuck it if I can't have us. Fuck it if I can't have you." You say and pull him in for another kiss. He moans in shock into your mouth but quickly responds to you with equal passion. You gasp as he grabs your waist tightly and lifts you up, making you sit on his lap.

"You said you love me." He gasps as he slowly removes your nightgown that he dressed you in himself.

"I did... I also stab you." You say as your hands reach up to start undressing him as well.

"You did. And you killed Atreides." He purrs against your jaw, placing kisses and hickeys there.

"I did." You groan, your hands shaking as you try to get rid of his clothes as quickly as possible.

"You handed me over to our people."

"I did. You are quite heavy." You giggle as he blows on your neck, tickling you, before sinking his teeth into it. You dig your fingers into his back, pulling him close to you.

"Why did you do this?" He asks, pulling away from you to look at you carefully, gauging your reaction, making sure you were always on his side, and doing everything for your mutual good. For his good.

"Because I decide about my fate. Not Bene Gesserit, not any Atreides, not you or anyone. Only me. And I want you. And love you. And need you. But only as my equal... and if you will have me."

"I won't let you go anymore." He warns, laying you down on the bed and towering over you.

"I will never want to leave." You promise, looking into his icy blue eyes and stroking the scar on his lower stomach—from the wound you gave him.

"Good."

"Good."

"Say it again."

"Good?" You ask teasingly, pressing kisses to his neck and giving him a few hickeys, marking him as yours with more than just his scars.

"No. You know what."

"I love you."

"About damn time." He growls, devouring your mouth. You moan as he bites into your lower lip. You both don't hold back anymore. Feyd marks you like a map, as if he wanted to memorise all the sensitive places that made you moan and writhe in pleasure, pressing into his muscled body.

You forget for a moment the whole world, everything you've done for him, everything you both should have discussed—all you can think about is Feyd. About wanting to be closer to him, about needing him as desperately as he needs you. So how can Feyd resist you when you're so willing to take him in? When he had dreamed of this moment for years? When can he finally satisfy his desire for your body?

He trails his kisses lower, gently taking your nipple into his mouth and cupping your other breast, massaging it. You moan, scratching his scalp, throwing your head back against the pillows, and grinding your hips against his.

You're both starting to get annoyed by the underwear that's preventing you from clinging to each other the way you want. Feyd rips your panties off of you, wasting no time in pushing his fingers into you. You whine, thrashing around on the bed, wanting more and yet too sensitive for anything else. You open your eyes and gasp at the sight of his full, erect length rubbing against your thigh. Feyd pinches your nipple, making you moan and shifting your gaze to him.

"Eyes on me, little witch."

"But... ach!" You moan as his fingers speed up inside you, tears forming in your eyes as your hips move in time with the rhythm of his fingers as you chase your orgasm.

"Listen to your Baron. Eyes on me." He pauses to slap your pussy. You moan, biting your lower lip. "And don't hold back any sounds. Or I'll punish you like I should have since you woke up."

It's very hard to keep your eyes open for him. Especially when his fingers massage your clit so perfectly and fill you up. You reach your hand to his hard cock on your thigh and rub it gently.

He growls, kissing you hard and punishingly, as you try to speed things up and make him lunge at you in a frenzy of lust, when he wants to tease your pussy and punish you accordingly first.

For a month he waited by your bedside, bravely holding you through the stages of your screams and high fevers, making sure you were alive, breathing, and your heart was beating in a rhythm he had memorized. He deserves to have some fun with you...

"Feyd... please..." Your moans, the kisses you place on his jaw, and the way your fingers caress the scar on his muscled stomach—the one you gave him yourself—make him lose his restraint, which was already frail and weak. At least that's how he explains his desire to immediately fulfill your wish.

His arms wrap around you tightly as he gently pushes into you, making sure his entire alabaster length will fit inside you. He stops, cursing in his tongue and resting his forehead against yours as he gives you a moment to adjust to his length. Finally. He finally feels you all around him. And you're tighter than he dreamed.

"Damn… you little witch…"

"I know..." You gasp, wrapping your arms around him, and kiss him hungrily, basking in the feeling of fullness as his length perfectly fills the void inside you. It's warm. It's nice to feel him so close to you. It's nice to be with him. You moan as he starts to move slowly, testing how far he can go.

Feyd growls, picking up his pace when you don't protest, his hips bucking wildly against yours, and you wrap your legs around his waist and pull him closer.

He grips one of your hips and cups your cheek with the other, making sure your eyes are focused on him. He kisses away the tears streaming down your cheek, licking them off your face. He kisses you fervently and hungrily, catching every moan and grunt you make as his hips grind against yours. A wet sound echoes through the room, occasionally interrupted by a moan from either of you as you finally come together in the most primal, animalistic way, demanding each other.

"Mine. Only mine." Feyd growls into your neck; his thrusts are faster and more precise, making you bite your lip to hold back your moans, but he doesn't let you do it for long. He wants to feel and hear all of you. He wants to revel in his victory. That's why he kisses you, biting your buttom lip to the blood. He pulls away and leans his forehead on yours as he listens to the little sounds you make as he fucks the brain out of you. "Can you feel how deep I am? How well am I filling you? You will be a beautiful Baroness. Fuck. My future wife. The mother of my children." He moans in your ear. You don't answer; you take ragged breaths, listening to the squelch of your joined bodies echoing around his chambers.

"You were meant for me. Just like I was for you. I will never let you escape again, I will never again let you out of my sight for more than a second, I will never again let you fight against the world and fate alone. We are the two sides of the same coin... WE. ARE. UNITY." He growls, making one last few hard pushes into you, making you both cum. He captures your lips in a kiss, muffling both of your screams as you fall apart around him, feeling his warm seed flood your womb.

You shake, wrapping your arms around him tightly, trusting him to hold the weight of both of you as you see nothing but white light in your orgasmic haze. You can't feel your legs, but you know you're still clenching them tightly around him. Your mind is empty; you feel amazing, electric bliss.

And for that moment you knew what cosmic love really meant. And you would fight with anyone to be able to experience it whenever you wanted.

"I love you." Feyd whispers, pressing a kiss to your temple and tightening his grip around you.

He slowly pulls out of you and collapses next to you, still holding you in the iron grip of his arms. You lazily snuggle into him and trace the scar you gave him with the fingertip of your finger. Guilt grows within you, and for a moment, you think that he purposely allowed this scar to remind you of what you did.

You decide to talk to him about everything tomorrow. It was just the two of you for now, and you were going to enjoy this as long as you could. You place your head into the crook of his neck and take his hand in yours. You tangle his other hand in your hair and snuggle into him, sighing as you feel his touch, warmth, and scent around you.

You both fall asleep cuddled together. And for a moment, you allow yourself to be in bliss of his touch and closeness, not worrying about any politics or issues that you should discuss instead of... giving in to something you have wanted for a long time.

From now on, you decide your fate.

Only you and Feyd.

That's why you make sure that your first child will be a daughter.

Taglist: (I REALLLLY hope that everyone who wanted to be here is here...😅 I;m sorry if I missed someone <3) @skymoonandstardust @prettybubblesintheair @thegabbyh @himesuedi @wo-ming-bai @beebeechaos @mamawiggers1980 @moonsoulk @avidreader73 @heartarianagran @dreamlandcreations @ancientbeing10 @lovereadingfanfic @jeansjoie @workof-a-rr-t @aixicl @ladyredstar1991 @evangelineimagine @hobobobo-fett56 @happyant3 @marsflys @aaaaaamond @kamcrazy123 @k1swass @yum-yahgurt @tyns13 @oh-you-mean-me @menari @tyns13 @vaf24 @dacreshoney @emrennoll-blog @tian-monique @slightlypossessed @celestialadrift @lauramooij05 @flaps200 @chixnugg22 @aaaaaamond @marvelfangirl04 @sw33tsnow @emeraldsgirl @imyourbubblegumpop @tempt-ress @harkonnin @k1swass @alana4610 @cloudroomblog @lotus-888 @lowlyloved @spoolsofgreenspoolsofblack @w3ird11 @kythefangirl25 @hobobobo-fett56 @nj452896 @oneandonlybbygrl @noirecatt @iloved1lfs0 @mamawiggers1980 @lololfixu @barnes70stark @obsessedvibee @aaaaaamond @workof-a-rr-t  @oneandonlybbygrl @alexa4040 @lowlyloved @toertchen @em-100 @caintheking @justarandomflowerchildofthenight @hrtifyeren

[aidaronan]

The years go by. The retail jobs that Steve thinks are temporary keep piling up, but he has no idea what else to do with his life so he just keeps on keeping on.

Until a large tree falls on the lawn of the little house he managed to buy and he gets the quote on removal and the number literally hurts his soul.

He buys a small chainsaw instead. Over the course of a few weeks, he gets most of the branches cut up. He collects some large rocks from down by the quarry and digs out a fire pit in his backyard. On his days off, his friends come over and they sit out back and have a few beers. The pile of wood dwindles. The giant trunk is another story though. His chainsaw isn't big enough for it. Burning it would take forever, and Steve's terrified he'd disappoint Smoky the Bear. He's at a loss.

Until he sees another giant trunk in someone's yard carved into a bear.

He knows what to do then. Not a bear, but something else. Through trial and error, the trunk becomes the rough shape of a woman, the remnants of the branches like a crown on her head. It's not as amazing as the bear he saw, but it's his. He finds he loves the smell of sawdust and the feeling of creating something.

Just like that, Steve realizes what he wants to do. It takes several months and a lot of yard sales, but he scrounges up the tools he needs to start woodworking. He learns to measure twice and cut once. He makes tables and chairs and carves them with art and designs that get better and better the more he learns. Shockingly, people actually buy his pieces.

Even more shocking comes the realization that he's making enough money to do it full time. He puts in his two weeks notice at Melvald's and hands in his assistant manager badge.

He's not sure he's happy, but he is content. It feels good to work hard and actually have things to show for it. It also feels good to work muscles he hasn't used since high school. He carries on for a few years like that, creating and learning and creating some more. Then Eddie Munson blows back into town. Invited back so Hawkins can have their most famous alumnus sing the national anthem at homecoming. Steve's honestly surprised he shows at all. "Can't believe you didn't tell them kiss your hairy ass," Steve says. Because of course Eddie ends up around his fire pit, sipping on Steve's cheap beer like he doesn't have three Grammy awards on his mantel. The years fall away with each drink, reminding Steve of just how much it had hurt when Eddie left. He'd wanted Eddie so bad back then, more than he'd ever wanted anyone. He can feel the echoes of that deep ache across time.

"Pfft. Don't you know all famous people wax our asses now? All the rage in LA." Eddie cuts a look at him and smirks when Steve rolls his eyes, grateful for the lighthearted moment to snap him out of his maudlin nostalgia. "Really though I thought about it, but then I thought it would be way funnier to donate a metric fuckton of money to Hawkins High with the stipulation that it go to the theater and band programs. Kind of bummed they couldn't honor my other request though."

"Which was?"

"My old Hellfire throne. I miss her, but apparently she's not around anymore. Something about water damage."

"Oh yeah. Water main busted a few years back and flooded the theater. I remember that." "Yeah. Had to settle for the promise they'd make a game lounge and stock it with all the supplies a budding young nerd needs."

"That's really nice, Eds."

Eddie shrugs. "I've been known to be nice on occasion. You'll come to homecoming, right? Moral support?"

Steve hasn't been to homecoming in years because he sees the other people who stayed in town all the time, and he has no interest in seeing the people who didn't. He can only answer the same questions so many times. Oh, I'm doing woodwork now. Yep, I still live right here. Nope, still not married, no kids.

He goes though, and he answers the uncomfortable questions. Because Eddie asked him to. Because no matter how long it's been, Steve can't deny that some part of him still...

He says goodbye after, and Eddie leaves again, and Steve tries not to think about that too much in the following days.

He's halfway into the project before he realizes what he's building. He'd seen Eddie's throne quite a few times back when. What he doesn't have memories of, he makes up. He adds his own touches too, making it a throne fit for a rock star, a nerd, a friend.

He carves ornate patterns, he creates scenes of dragons being beaten back by a man with a guitar, crowds of people that could be knights or concertgoers.

It's his favorite piece he's ever done, and his hands are shaking when he dials Eddie's number. He gets an answering machine and stumbles through a message.

"I made you something. I guess it's kind of silly, but it's here in Hawkins if you want it. Or I'm sure you can afford the shipping if you don't want to come. Just, I made you a chair. It's more of a... Well, you'll see. Unless you don't want to... It's Steve by the way." He hangs up before he can embarrass himself even more.

Eddie doesn't call him back. One day passes and then another. Steve tries not to let it get to him. He works on orders and new projects. He enjoys his little backyard oasis. He rents a few movies and thinks they're okay.

He's debarking some wood in his driveway when the rental car pulls up, Eddie stepping out in ripped jeans and an old Metallica tee. "Hi again, Stevie."

"Oh." Steve clears his throat. "The thing's in the garage. I'll..."

Eddie doesn't say anything for a long time, circling the throne, running his tattooed fingers over each little detail.

"You made this whole thing?"

"I did."

"For me?" Eddie looks at him then, one hand still touching the wood like he doesn't want to let go. Even under the harsh lights of the garage, his eyes are such a warm shade of brown that Steve forgets to breathe.

He nods. "For you."

"Why?"

There are a hundred answers Steve could give, but he spent so long not knowing who he was or who he wanted to be. Too long. "Because you'll always be the one that got away. Because some part of me will always want to make you smile no matter how long it's been."

Eddie falls into the throne like he just got the wind knocked out of him.

"You don't have to respond to that," Steve says. "You can just say thank you and take the chair."

"I can." Eddie blows out a breath. "But that would be incredibly stupid considering half my early ballads are about you."

"What?" Unfair. Steve doesn't have a chair to fall into.

"Oh sure, I changed the hes to shes for a while there because..." Eddie waves his hand. "But they're about you, Steve. God, I should've asked you out. I just thought..."

Hearing those words is a lot like seeing that carved bear all over again, something clicking into place that wasn't quite right before.

"Go out with me now then," Steve says. "Or stay in. I've got a frozen lasagna and I rented Contact."

"Steve Harrington? Asking Eddie 'the Freak' Munson on a date? Did hell freeze over?"

"Pfft." Steve takes a step closer toward what he wants most. "Hell froze over in 1986, Eddie. You were there."

Five months and a lot of long distance phone bills later, Steve opens Harrington Woodworking in Los Angeles. That same day, Eddie takes photos for Rolling Stone posing in an ornate throne in his living room. He tells the reporter exactly who made it and what he means. At concerts, he starts singing those ballads the way he always wanted to. More often than not, Steve stands in the wings singing along.

[adragonprinceswhore]

Sexting & Taking Nude Pics w/ Hockey player!Aemond

Warnings: 18+, smut, AFAB reader, naughty pictures, degradation, teasing, masturbation, edging, manhandling, orgasm denial, P in V

A/N: Sometimes ovulation wins.

Inspired by this amazing art by @novembermorgon 🩵

“Where's my reward?”

An amusement snort leaves your nose. The game only ended a few moments ago, yet he's greedily demanding that you send him what you'd promised.

“Only winners get rewarded”

“I won.”

You smile to yourself as you type, fingers quickly moving over the screen.

"We won*"

"Whatever. Send it."

"Winning by sudden death doesn't count. You should've scored before it went into overtime"

You see him typing, but knowing Aemond, the reply won't be a long one. The delayed answer is due to him not knowing what to say.

God, you love tormenting him.

In all fairness, you were just quoting what he'd told you before. Winning a match that goes into overtime means that the other team scores a point, even if they lose. "If you can't beat them in 60 minutes, you didn't win", he'd said.

"I'll do better next time. Please, send it."

Usually, it'd take more to make him beg. He must be desperate.

You're still smiling as you close your eyes momentarily, imagining him sneaking off to one of the bathrooms by the locker room, still breathing hard from the strenuous match and with sweat covering his face, droplets sliding down his neck and disappearing inside his away jersey.

If you were there, you'd help him out of the white shirt and shoulder pads, planting tender kisses to his wet neck, secretly craving the taste of his salty skin. He always smelled his best straight after a game.

Maybe you'd get a bit carried away and let your tongue glide over the smooth skin over his adam's apple, prompting him to huff in proud amusement as he teases you for being such a needy slut.

Unfortunately, he’s not playing home in Old Town tonight and you're not there to greet him as he exits the ice.

Instead, you've agreed on a different arrangement. Whenever his team wins a match, you send him a little reward.

Today, it’s a picture of your ass, clad in a black thong you know he likes. It had taken you a good 30 minutes to get the position, lightning and angle of your camera just right, and you weren't about to spoil that on someone who can't beat the Winterfell Dires before overtime.

"Only winners get rewarded. Do better."

Still smiling, you bite your lip to calm yourself.

You can picture it so clearly; Aemond frustratingly exhaling through his nose at your unwillingness to give him what he craves.

He's not much better himself. He's teased you to the brink of madness before; edged you until you couldn't think of anything but him.

You feel a dizzying yet pleasant rush of power wash over you as your screen lights up again.

"Please, baby. I need you"

Mischief makes the smile on your face grow wider.

"I don't entertain losers"

Oh he must be fuming. Running his hand over his face in annoyance, clicking his tongue, thinking of all the ways he wishes to make you submit to his will.

Surely only making his balls ache more with need.

"Please, I've thought about this all night. I'm so fucking hard."

Warmth spreads in your chest. You know he only wants you; that he's just as insatiable for you as you are for him.

Yet, opportunities to tease him like this do not come often.

"There's plenty of porn online. Enjoy!"

If you were with him right now, this is where he would've had enough. Picking you up and throwing you on the bed, climbing on top of you and caging you in. Pressing his heavy bulge against your core, lowly murmuring "If you don't shut up, I'll make you" into your ear.

But the distance between the two of you has robbed Aemond of his cockiness.

"Please."

"Show me"

Your mouth waters as you open the image he sends you. The large hand he has around his shaft holds on to it firmly, veins on the back of his hand and down his forearm popping out from the intense blood flow. The tip of his cock looks vexed; bright red and glistening with arousal. You press your thighs together, no longer able to ignore the pounding growing fiercer.

You type even faster than before.

"What are you thinking about right now?"

"You. About how badly I wish you were here. About how I'd fuck you in this filthy bathroom as the lads are getting ready outside"

Defeated by your own desires, you send him the picture of your ass before putting away your phone, closing your eyes and allowing your hand to travel down between your thighs.

You can see him clear as day. He's grabbing the side of the white sink with one hand, the other furiously stroking his length, eyes glued to the screen of his phone as it rests on the ceramic surface.

He's panting; biting his lip and huffing loudly through his nose. Sweat slides down from his forehead to his flustered cheeks, pooling above his parted lips, dripping down.

Staring at his reward, he thinks back to all the ways he's had you. In your flat, in his car, in the bathroom of that high-end restaurant.

His grip on the sink tightens, thinking about how he'd grabbed the flesh of your ass so harshly it left marks as he pounded into you, causing your unabated moans to echo through the room.

He bites his lip to stop the words from spilling;

"My little slut", "My dirty girl", "My good whore”

Mine.

Mine.

Aemond runs the soft pad of his thumb on your cheeks, collecting the tears of frustration spilling from your tired eyes.

“Poor thing can’t take a bit of teasing”

He’s tone is infuriatingly smug, tutting and interrupting you when you open your mouth to protest.

”Doesn’t feel nice, does it?”

No, it doesn’t feel nice.

Or does it?

You honestly don’t know what’s pleasurable anymore, being forced to the edge of pleasure but denied release time and time again.

Aemond’s fingers, lips, tongue and teeth had coaxed you into pleasure-drunk submission. They’d made you beg for permission to cum, cry for permission to cum, plea for permission to cum. But to no avail.

“Tell you what-”, he starts, seeing eye boring into yours with an intensity only ignited when he was feeling particularly bloodthirsty.

“-I’ll take some photos of you, to enjoy when I win next week’s away game, and then I’ll let you cum”

You’re beyond feeling embarrassed, head instantaneously moving up and down in a furiously eager sign of compliance.

Aemond’s teeth sink into his bottom lip to stop the amusement bubbling up inside of him from making itself know.

He must admit that he likes you best like this; completely at his mercy. His to do whatever he wants with.

Grabbing his phone from the nightstand next to the bed he’s got you caged within his arms in, he swipes his thumb over the screen to open the camera.

He admires you through the lens. The way the short, delicate hairs by your hairline stick to your sweaty forehead. The way your naked breasts still heave from exhaustion; skin damp and glistening. The way your agape mouth pants softly.

And then, your features change.

“Stop doing that”

“What?”

Aemond looks stern, like he’s about to lecture you, “Faking it. You’re posing”

“I’m not!”, you defend yourself with a high-pitched protest.

“You are”

Mind still fuzzy from the strenuous, extensive foreplay Aemond had insisted upon, you don’t know how to appease him.

What does he want?

Sensing your confusion, he places two large palms on each side of your waist, leans down to offer you a soft kiss, and flips you over so you’re on your stomach.

Being manhandled by Aemond while your senses have left your head and relocated to your throbbing centre feels comforting, so when he grabs your hips to pull your ass up, you mumble a muffled “thank you” into the mattress.

He always moves your body with soft yet commanding hands, making his display of dominance feel more like an act of adoration and care.

And he’s always so warm, soothing your exposed skin from the chill air of the hotel room.

“Look at me”, he commands softly, tracing his fingers from the small of your back down to the velvety skin of your buttocks.

Turning your head to the side, you meet his eye, watching as he picks up his phone once more with one hand, while the other grabs his hard length, stoking it briefly before lining it up with your dripping cunt.

As he finally enters you, after god knows how much excruciating teasing, you feel your body turn into jelly; pliable to his every whim.

Your fists grab the sheets of his bed with a cramp-like grip, your mouth falls open with a loud moan, and your back arches in pleasure.

And you hear a click.

Aemond smiles behind the camera, satisfied with getting the picture he’d wanted all along. He moves it down to inspect the way you eagerly take him in, swallowing his cock over and over like the greediest of gluttons.

Enthralled, he admires the way he goes in and out; stretching and shaping you from the inside.

He puts his phone to the side, both hands once again finding home in the dip of your waist. His eye flickers to your bliss-filled face, an amused, condescending laugh leaves his lips,

“Are you drooling?”

You don’t care about his taunting anymore; too filled with him to care about anything else. Aemond moves forward, resting his face right next to yours.

The damp skin of his cheek sticks to yours, his breath fans hot air over your face,

“You’re so pretty like this”

You wait for him to kiss your cheek and award your endurance by finally paying attention to your aching clit.

Instead, he leans back once more, and pulls out.

“Aemond!”, you cry, unable to hide the utter devastation you feel at being denied your peak yet again.

“If you want to come you’ll have to work for it”

He’s smug again, enjoying your desperation a bit too much for your liking. Irritated and impatient, you push him to lay on his back and sink down on him in a selfish attempt to chase your own pleasure.

To your surprise, he allows you to take command; placing one of his hands on your hip, thumb coming down to flick your clit. The other hand picks up his phone again.

“You’re close?”

“Y-, yes”

His thumb continues to rhythmically circle your bundle of nerves as the grip he has on you tightens. His hips roll up to meet yours each time you sink down.

You grab his bicep, anchoring yourself to him with nails that harshly dig into his flesh.

So close.

A few more rhythmic movements and you feel fierce pleasure erupt inside of you, causing your mouth to fall open again as you whine out your pleasure.

Click.

Click.

Click.

You’re still sitting on him, breathing heavily as you try to catch your breath and come back to reality after feeling the release of seven denied orgasms wash over you.

Suddenly, you’re on your back again, Aemond hovering over your panting form. Your face is flustered and your hair is even messier than it was before.

Click.

The smug smile on his face has morphed into pride, and perhaps there’s something more, something far more vulnerable than he’s ever allowed himself to show you, hiding behind his miss-matched gaze.

“Gevie”

Thank you for reading! I have an idea for an upcoming part about these two, but with loads of angst as well 🤩 lmao you know I can’t help myself! Kisses 😙

[neil-gaiman]

Hello, mr Gaiman! This is a long one, I'm sorry- I doubt you'll ever see this ask, but I decided to leave it here anyway, because something You've reblogged recently has left me with a lot of thoughts. You reblogged this post with a quote of Ursula K. Le Guin, where it was said that if someone claims to be "a camera" or "a mirror", they should not be regarded as a real artist. That the rule of "writing about things you know about" is completely irrelevant when it comes to being a writer.

I wonder, to what degree do You, an experienced writer and, I assume, artist, agree with this statement?

I'm a teenager with hopes of becoming a writer one day, and I've heard the exact words - "try to write about things you know" - so many times, until I kind of began to agree with them. It feels almost like I shouldn't make - or share - stories about things I've never experienced, like I should leave that field to others who have those experiences, because otherwise, I'd be creating something untrue. Would You say that's a bad way of thinking - as in, one that makes me less of an artist? And that I and others who share this way of thinking should stop caring about this sort of thing? Or is it right to restrain our stories this way? And, more theoretically (because despite my self-consciousness I remain a fantasy creator who would rather write stories about stuff I haven't been through, hah) - is someone who wants to write about the world around them, present it in a creative or thorough fashion, say something about it, to "be a camera" that registers important things, would that person not be considered an artist in Your eyes?

I hope you're having a nice day, again - sorry for this being such a long essay, and if you never even read it, that's absolutely fair haha

"Write what you know" is true. Nobody else knows your stories. Write them.

[maze-mind]

TMR Ivy Trio Incorrect Quotes PT. 2

[Because my addiction to junk food is unhealthy, but my addiction to TMR is so much worse.]

-------------

Newt: I left everyone instructions on what to do while I'm gone.

Thomas: Mine just says, and I quote, "Thomas, no."

Newt: I want you to apply these instructions to every *possible* situation.

----------------

Thomas: I've been in jail for so long, I've lost my mind.

Thomas: The days turn into weeks, and the weeks turn into months.

Also Thomas: How long have I been here? A year?

Minho: ...Thomas, we are playing Monopoly.

---------------

Minho: Well, if someone's not gay for their best friends, what kind of 'best friend' are they, yknow?

Newt: They'd be a straight one. Which you are not.

----------------

Thomas: I think this may be a bad idea...

Minho: Don't start finally thinking about stuff now.

----------------

Minho: I have feelings for you. :)

Thomas: Why? What's wrong? Are you okay?

----------------

Newt: Did.. you just refer to a knife as a 'people-opener'?

Minho: What? Should I not have?

-----------------

Newt: You have to apologize to them, Minho.

Minho: Fine! But I will warn you, this might make me a nice person, and that is NOT the person you fell in love with!

[calisources]

𝐅𝐎𝐑𝐁𝐈𝐃𝐃𝐄𝐍 𝐋𝐎𝐕𝐄 𝐀𝐍𝐃 𝐒𝐓𝐀𝐑𝐂𝐑𝐎𝐒𝐒𝐄𝐃 𝐐𝐔𝐎𝐓𝐄𝐒.

All sentences and quotes have been taken from different media about starcrossed lovers or forbidden love, full of angst, some bold words, some nasty ones, possessive nature and letting someone use you as a replacement. So, some toxic energy in this one. Change pronouns, locations and names as you see fit.

I love you,and I will love you until I die,and if there's a life after that,I'll love you then.

Do people always fall in love with things they can't have?

And there is a difference between having your heart break and having your soul shatter.

I'm falling in love with you.

I'm going to fuck the shit out of you. I have waited for this for such a long time. Consequences be damned.

These violent delights have violent ends.

 I’m only human. And you are …all-consuming.

Don’t go into this lightly. If you’re mine, you need to understand I will burn the fucking world to the ground for you.

I will never let you go, do you hear me? 

 will keep you safe. And I will find a way for us to be together.

If you make me cry at my own coronation ball, I’ll never forgive you.

If you were any less the man you are, I would beg you to take me with you.

If you were any less the woman you were, I would beg you to come with me.

I've known lust. This is something worse. This is a barbaric need to possess, to eliminate, to own. This is madness.

This is lust.

She’s your very own forbidden fruit.

You said you didn't want this.

We all desire what we cannot have.

Have you noticed how the boy looks at you?

Do you think I didn’t notice? The way you look at me when you think I’m not watching?

You are dangerous desire, and I am your prisoner.

We can’t do this on so many levels.

I can't even whisper her name, my heart would burst out of my chest.

But I would fight against the stars for you.

I have ruined your life.

Some lines you just don't cross. 

I want to take you under the moonlight.

Having something forbidden is exciting, don't you agree?

The closer we get—the more I let you in…the more dangerous this gets.

Don’t you get it? You’re what everyone wants! But I’m not going to let them win.

Make it so I never have to dream about this again—make it so we can have this…forever.

Desires are what can most easily ruin us, lovely.

We were doomed from the start. 

Nothing is as deadly as the love of a powerful man.

But this kiss? It's ruined me. This is the type of kiss I never knew existed. 

You sure about that, Dad? Because he's done everything to me.

Are you scared of me now?

You loved me - then what right had you to leave me?

I have not broken your heart - you have broken it; and in breaking it, you have broken mine.

One moment, you give me everything that I want, and in the next, you snatch all of that away.

It's hopeless. We can never work out.

The world didn’t want us together so I forged a new one where we would.

How could a peacock lust for a lion?

You're tattooed onto my skin, and the more I try to erase you, the deeper you sink in.

I’ve always liked you, from the first moment I saw you.

It's absurd how crazy love can make you...but even more absurd how stupid jealousy can make you.

 That you and I are meant to be together, but never meant to be.

Why does fate seem always to conspire against us? To deny us life's simple pleasures?

We'll meet after this war. I'll certainly find you wherever you'll hide. 

War makes fools of men and women wanton.

What offends you most, Father? That she's Catholic, or that she's poor?

If my father discovers you here, he'd cut off your little nuts and eat them. He can't stand you.

You tempress, I see you once and all I can think of is having you.

Feelings are forbidden, does not mean we cannot enjoy one another.

The more you deny me, the more I desire you. You are a plague in my mind.

Ever since we met, no one else can compare. 

How can I be with someone else, when I’m with them, it’s you I see.

You can have me, think of whoever you love. For tonight.

You can pretend I'm her/him. I don't care. I just want you.

[syrena-del-mar]

Navigating the Conflict in My Stand In: Surrender and Softening in Love

(Disclaimer: Ming/Joe is an incredibly toxic relationship; I fully realize and acknowledge that, but Poom makes a critical distinction in Joe's reasoning, and I think it's interesting to dissect. Also, this is fiction.)

It's been some time since I've written any meta, but I can't stop thinking about the video @poomphuripan shared of Poom making the distinction that Joe isn't giving in to Ming, but rather, his heart is melting for him.

It makes so much sense that Joe would melt at the littlest semblance of 'love.' He was so alone for so long. His parents have been dead for longer than he had them, he has no siblings, and his extended relatives don't care about him. I forget if it's mentioned in the show, but in the novel, Joe had a pretty big crush on Sol, and Sol rejected him quite brutally. Even without meaning to be, Joe is always alone at the end of the day.

Yes, Joe has friends, and yes, Joe made his own found family. But at the end of the day, Joe would return to an unlit, empty home. Everyone else would return to their wives or families, while Joe could only return to the pictures of his parents. Meanwhile, for all of Ming's bs and frightening behavior, he was the only one that made his dream come true.

For the first time, with Ming around, Joe would come home and be greeted by the warmth of another living, breathing person. Joe craved to have a human bond, and Ming was the one who was willing (albeit for his own interest) to give it to him. And he cooked for him. He took up space in his home! He remembered the very things Joe had told him he longed for. They had a lot of good times, a lot of good memories, and a pretty set routine that really integrated Ming into Joe's life. But then they fight, his blissful reality breaks, and Joe dies.

But Joe wakes up from what feels like a day's nap when, in actuality, two years have passed. And what does he find? Ming has cared for his apartment since his death and is unwilling to change anything just in case Joe returns. Ming continues to fulfill Joe's dream of returning to a warm home. So he turns on the lights, and he cooks the same dinner that they used to share for two years. And even in his rightful anger of wanting Ming to leave him alone, he's still seeing that. In the two years since his disappearance, someone still thought about him and hadn't fully grieved him. Ming's brother only confirms that.

Giving in would mean that Joe wanted to end the fight with Ming, when no feelings had changed. It'd be him emotionally surrendering himself, compromising his feelings of being just a double for Tong, and fully conceding himself when he still thought that Ming only saw him as a replacement. While Joe might have given Ming access to his body to pay his new mom's debts, he was still blocking Ming out as much as he could. But that's not why Joe forgives Ming; it's not for a superficial reason to stop the feud. There's a visible shift in how he perceives Ming, the guy who waited two years for him, who protected and filled his home with warmth, just in case he wasn't really gone. His motivation was rooted in the slivers of positive feelings he had for Ming, which allowed him to move past the anger that he held for him.

A quote that I've seen floating around the internet for years comes to mind. "And when nobody wakes you up in the morning and when nobody waits for you at night and when you do whatever you want. What do you call it? Freedom or loneliness?" Joe has had that freedom for the majority of his whole life. It's no longer freedom for him. But even his found family isn't fully aware of the loneliness that would wash over him when he would return to an empty home.

After all is said and done, he sees that only one person knows him intimately enough to understand and learn even the most mundane of his desires. Ming, even with all the toxic shit he has pulled, stood by his word of not letting Joe return to an empty home. For Joe, that was enough. It changes how he sees and understands Ming.

It's also why Sol and Joe would have never worked out.

As Poom said, ultimately, it's not that he gives in to Ming but rather he lets his heart melt when he sees exactly what Ming has done for him in his absence.

Even after everything, Joe still loves him.

[miwiheroes]

Full Airport Scene Analysis

I've seen like, a lot of people do analyses of the airport scene, but they often do it in parts when I just want to fully hone in on the whole ass scene and give it a full run-down. So, get ready for this post to be extremely long.

So, the camera pans across from Argyle and Jonathan looking super bored and tired to both Will and El, and I think this is actually very clever. Before this scene, you're not really sure who Will is in love with or who he made the painting for. The fact that the audience may remember El saying 'i think there is someone he likes' and then see how Will is holding the painting so proudly means that they subconsciously realise, oh the painting is for Mike meaning -- Will has feelings for Mike. Note how the juxtaposition between Argyle and Jonathan's demeanour and Will and El's demeanour further showcases how they feel the same way about him (supposedly).

Also this is random, but watching this scene over and over again made me realise that Will's is literally shaking so much in this scene. (WATCH HIS HAND WHEN EL IS LOOKING FOR MIKE)

Now let's talk about Mike's outfit (yes this isn't just talking about how ass it is)

So in the amazing GQ video on youtube, the costume designer talks about how Mike probably bought this outfit at the airport. He's dressing up how he thinks he should in California -- the double meaning being that he is trying to 'be more normal' as Finn Wolfhard says in another interview.

In this scene we know that Mike's trying really hard to push down his feelings about Will, he's trying to seem like he fits in, and in the GQ video, Amy Parris talks about how 'it's bright, it's not a colour Mike normally wears'. Orange and purple? Mike usually wears blue..... and yellow........... i mean what

I guess you could say that in a more surface-y way, he's trying to fit in by wearing something less edgy than he would normally wear, but if you look deeper into the colour coding of byler, he's trying to disconnect himself from Will because of him trying to deny his feelings. Will is wearing blue in this scene, but Mike's wearing orange, showing the disconnect between them in the scenes with these outfits on. I know a lot of people say he's wearing yellow, but nah, it's orange and that's actually more proof that he's trying to hide his feelings for Will.

Also this is another quote from Parris: 'he's worn teal before, so it felt like orange was the best colour that was different from his closet that felt like he was trying to make it work in california.'

And it's not like they just forgot the colour coding for byler. I mean, there's blue and yellow in this shot of Mike when we first see his outfit.

Can you spot it?

Okay moving on

In the first and last Milkvan kissing scene, it is important to note that the directors of the show are very intentional with the extras and where they move to during the scenes. During the shot of them kissing, the camera is focused on them, yes, but it is very busy. Watch the shippers try to edit this scene, the duffers really said.

Firstly, Mike is wearing a visor, he's holding a bag so he can barely hug her, he's also wearing sunglasses inside?? You can't see his facial expression, further showing this season is not in his pov. Not only that, but people are moving in front of the camera, it's very very busy. It's supposed to be a little overwhelming. I could barely take a screenshot without someone walking in front of the camera... like that is not a coincidence, they aren't filming in an actual busy airport. So so many extras walk in front of them during the whole scene, not just the kiss, but while they are speaking as well.

When El goes to hug him, as soon as she does, he makes a little noise of protest or something and is like 'careful, careful' almost like he put the flowers in front of them on purpose so there's like an excuse for them to stop hugging? They then stop hugging and he finally takes off his glasses so we can see his face.

He is wearing sunglasses only in the parts where he's being slightly intimate with his girlfriend -- eyes are windows into the soul, no? Without them being seen, you wouldn't be able to tell what he is thinking, and he needs these in these intimate moments especially, in case anyone notices something's wrong.

Okay now we go onto the flower theory thing, and there are many things to unpack here, and stuff that I personally don't believe, and some theories that I do.

What is super clear to me is that these flowers are the exact same dead flowers that El picks up at the end of season 4 to signify that her relationship with Mike is.... dead (sorry if that's kind of on the nose). However, it is also key to note that Mike says that he 'handpicked' them for her in Hawkins, which on the surface makes it seem like he made more effort, but really this actually sets up the fact that they are the same flowers that can be found on the field. If he bought them in the shop, they may not be the exact same flowers in the last scene.

So Mike says 'I know you like yellow, but now I'm realising it's too much yellow'. The writers of the show did not have to put that in, let's just think about that for a moment. What was the reason for putting this line in? And the '70-30' split line is also very very specific.

Will's colour in the byler colour coding is yellow, it has been subconsciously put into our minds ever since they started colour coding them, for example the s3 netflix icons, the shirt he wears for the majority of s4 and the lights over his head in Rink-o-mania.

Personally, I think this might be a bit of a reach, but could Mike just simply mean that he was thinking too much about Will, in his opinion? Like subconsciously he kind of added lots of yellow because he was thinking of Will when he was thinking of El.

As for the 'So I sort of did a 70-30 split thing' line, I'm not really sure what this means. It could mean that he's putting in 30% of the relationship because he also added 30% purple flowers which symbolises what he's putting into the relationship. Meanwhile, El's favourite colour of flower has a 70% weight in the bouquet, meaning she's putting more into the relationship.

It's also worthy to see that El looks at the note which has 'From, Mike' on it right as he's saying all this stuff about the yellow flowers, and the music dies down from this joyful tone to a sombre one, kind of showing how the yellow flowers are a symbol for something.

Now, before this ^^, the only problem that we think is going on in Mike and El's relationship is the fact that El's lying to him about having friends and not being bullied. But now we have a possible reason. She is insecure about their relationship and how real it is. Her face says everything, she notices it, she then tries to ignore it and tells herself everything is fine.

The audience notices this, obviously, and is like??? wait what's going on? Why does it say 'from Mike'?

They get the answer real quick.

Because right after this, is when Will bounds over.

They shot it so that he's kind of in between them, subconsciously placing a thought or idea in the audience's head about what the problem is between Mike and El, even though it's very implicit at this point. The audience should also have the slight idea in this scene that Will has feelings for Mike, and they get reminded of this fact when they see Will in the background. They're then like.... oh so that's why they having problems? Damn....

Before El even stops speaking, Mike sees Will. We can tell from the way that he literally takes his eyes off El and goes 'oh,' before doing the second 'oh!'. I bet if this was shot so you could see his face, this would be way more obvious, but they shot it so that we could see Will's initial happiness at seeing Mike instead.

Awkward bro hug... um yeah so this is one of the biggest byler proofs to me. I mean, why would you need to hug your best friend like that? When you are perfectly fine at hugging your other male friends? (He hugged Dustin in the first episode btw).

Given everything that we know so far, that Will has feelings for Mike because he made him the painting that El said is for someone he likes; that there must be problems going on in the Milkvan relationship; that Mike is hiding his face and dressing unlike normal.... yeah he's trying to repress something. He won't let himself hug his best friend. Will is acting normal, they could have made him the one not to hug Mike because he is in love with him, but they didn't.

Also, unlike the Milkvan reunion, his face and his reaction can be very easily seen here. They literally zoom in on both their reactions to seeing each other because it is more important than Mike and El's reunion. This is what the scene is about!! It's main focus is on the development of byler and the breakdown of Milkvan. There are like very little extras passing across the camera because the directors want you to focus on their reactions here and how Will and Mike are feeling.

Obviously, Will is dejected but Mike's reaction is more telling. On the right gif, he looks down. Maybe he sees Will's painting and remembers what El told him, which was that it was for someone that Will likes. In my opinion, Mike does not know that it is for him. In Finn's words: 'I don't think he knows'.

After seeing that painting, he instantly looks to other people for their reactions to the hug, maybe being like, hey guys was that normal enough? Did anyone see that? Showing how he cares about the opinions of those around him or maybe that he doesn't want to look at Will for much longer idk.

After that...

Okay so now he's ready to ask about the painting. There's a beat, then he asks 'Uh, what's that' in this kind of breathy, panicky voice. It's not a casual tone at all, it's very tense, and the audience can tell, because this makes the audience tense too. When I first watched it I was like AHHH because oh shit. He asks it like he knows something is up with it, he knows that Will made it and it's significant.

The next shot is a slide-up from the painting to Will's face. This could be in Mike's pov to show that he was looking Will up and down, and this shot is inherently kind of romantic in that way. Either that or it's simply just to focus on the painting before showing what Will's going to say so that the audience know he's talking about the painting.

You can kind of see the cogs working in Will's head in the very little time between 'um' and 'it's nothing', as he realises that he probably shouldn't show Mike the painting based on how Mike didn't hug him.

Also notice how in the gif, an extra walks by the camera as soon as Will is not entirely truthful, so why would this not be done with El and Mike's reunion scene??

Now, this further pushes the agenda that Mike didn't hug Will because of his feelings for him. The audience already knows that this painting is supposed to be a gift for someone that Will 'likes' based on El's letter to Mike at the beginning. The fact that Will no longer feels comfortable with sharing that painting means that he is more unsure of Mike's feelings now that he's seen him irl.

However, the way that Mike goes cool is supposed to be weird. It's supposed to show the audience that he's pretending. I honestly don't know whether it's bias or the directors or the writers or the actors somehow made it this way but the speed at which Mike says 'cool' kind of just implies that he was not ready for that kind of confrontation. He was not ready to confront his feelings or enter into an interaction with Will about the painting. Because it means he can't deny the fact that he's jealous of Will having a crush on some girl. So he quickly shut it down.

He doesn't want to feel the disappointment that Will just basically confirmed the painting isn't for him.

In season 3, he is very interested in knowing who Suzie is, Dustin's girlfriend, but when he knows that Will has made a painting for a girl he likes, he doesn't bother asking at all what it is or who the girl is. He doesn't want to acknowledge it.

Also, the fact he wasn't ready to feel like this and is so focused on Will is shown by how startled he is by other people breaking the moment.

Now this next part is so funny given what we have already been presented with. We already know that Mike is self-conscious about hugging his supposed best friend, and that he does not want to confront his feelings about the painting. He is trying to be someone else because he is wearing unusual clothes for him, trying to seem like a normal person in California. He didn't want to hug his best friend because he wants to seem normal. He's out of character.

"Oh no, no. It's a shitty knockoff."

Laughing my whole ass off.

This ties the whole scene together. It makes the audience go OHHH right he's just been pretending this whole time (if they have any sense). It's genius writing. Without Argyle saying this, we might never really have full confirmation on whether he is really out of character or whether this is just how he has always been. NO, he is lying to himself. He is pretending.

They did not have to make Argyle say this. Ever heard of double meanings folks?

And Mike's reaction?

This reaction has always kind of been interesting to me. How would you assume how Mike would react to someone insulting him? Usually he would scowl or look annoyed but here he doesn't, he almost looks worried. Like oh no he's just been found out lmao

After this there's an awkward moment spurred on by Argyle Mike's like 'yeah this is so awkward'.

Now, since I'm literally Mike and he is me, I know what he's doing here by saying this.

I've done it before, it's where you kind of say that it's really awkward in order to make it seem like you're not the one making it awkward, like you're blaming other people (which he always does).

But Michael, it's kind of your fault?? Like, you didn't have to do the bro tap, you also didn't have to act that way around Argyle.

BRO WE ARE HALFWAY THROUGH NOW LMAOOOO THIS IS SUCH A LONG POST

Now onto the next part, where El is talking about Rink-o-mania and she starts lying again. I have watched this scene over and over and literally Mike barely looks at her once, while he glances at Will multiple times. I feel like audience members don't catch this explicitly, but subconsciously, they can sense that there is tension between the two because of the way that Will is placed during this scene…

I counted them up in this video and Mike glances at Will..

6 Times

Just want to say before we talk about each glance, this scene is extremely telling. It tells you exactly, through subtext, what the atmosphere between Will, Mike and El is going to be like throughout the season/ the beginning of the season. It's textbook foreshadowing.

Will is standing off to the side while Mike has his arm like really tightly around El. They could have had this scene be a cute scene between Milkvan because of how close they are, but instead this scene is about Will's sadness, about how he was ignored by Mike. He's still holding the painting, so the audience are still aware of its existence and what it could imply for Mike and El's relationship.

This scene is also about El lying! Not about how 'cute' Mike and El are.

Okay so here is me talking about every single glance <3

"Wha- Really?" -- Could Mike make it clearer if he tried? I think this is the most obvious one that the audience could easily catch, if they are watching without distraction. Which is important, because it is the first one. He stutters over his words when he realises that Will is looking back at him. Sound familiar? In a much more obvious scene, he does this with the triple take in the desert... It's also kind of clear that they looked at each other because Mike and Will look down/ away straight after Mike goes 'wha-'

"Trust me" "No I trust you" -- So this one's a little more subtle and maybe to the audience it could seem like Mike's looking at El, but then the camera turns to focus directly on Will and him looking at Mike with disappointment. I don't think he's upset about Mike completely ignoring him, but he's upset about this weird little awkward dance they're doing. The reaction from Will is because of the uncertainty. The fact they focus on Will with a single shot at all instantly makes this scene about his emotions primarily. This becomes a pattern.

"Rink-o-mania..." -- This one's also super subtle. I'm not even sure why Mike looked at Will here, but it is clear that he's not looking at El, if you want to slow it down then you ig. Maybe he sensed that Will was staring at him just a few seconds prior.

"Are your friends gonna meet us there?" -- Even though he is speaking to El, he looks at Will. This kind of shows that even when he is supposedly thinking about El and what they are going to do together, subconsciously, his mind is still on Will. This can then be seen in the Rink-o-mania argument when it is revealed that he has been focusing on Will's reactions all day when the audience believes originally that he was ignoring him: "You were! You were rolling your eyes, you were moping, you were barely talking, you basically sabotaged the whole day!" Mike, Mike, Mike. Your girlfriend being bullied didn't ruin the day, Will being pissy to you did? ANYWAYS THIS ISNT ABOUT RINKOMANIA JHDGASJHDG

"Friends what friends?" -- So this fifth one is kind of ambiguous because he has his visor on, hiding his expression and where his eyes are looking. But you can see with the way his head turned, that he was looking at Will because of the way he said "Friends what friends?" This is probably just Mike being confused on what's going on, then. BUT it is another thing that makes this whole scene not about 'uwu mike and el awww' but about Will's feelings or the fact that El's lying and the unstableness of their relationship.

"Angela?" -- This one is very notable. Firstly, here is what we know: Mike knows about the fact that Will has probably done the painting for a 'girl he likes'. Mike thinks that this 'girl' isn't him because Will says 'it's nothing'. Mike maybe thinks that El's friends are also Will's friends. AND Mike does not want to ask Will about the girl he likes because he doesn't want to know about Will liking someone else/ he does not want to confront his own feelings. So, The way that Mike looks at Will with that kind of dead expression, (and he actually does a little double take) is super duper telling. You don't know what he's thinking but if you read into it, he could be thinking that Will was feeling hopeful that Angela would come and is kind of nervous for it.

Finally, El says "I want this day to be about me and you!" which is meant to be ironic. The showrunners would not have put this little line in if it wasn't supposed to be funny tbh..... like this whole scene was about how El was lying and she's suddenly saying it's just about them.

Because of what she says as well, Will rolls his eyes and crushes his painting a bit. (HEARTBREAKING)... The fact that he rolls his eyes is probably just him being annoyed about what she said, because it further makes him feel like the third wheel. The scene ends with his eye roll, emphasising how this whole scene was about how Will is feeling, not the "Main Couple Of The Show tm??" But alsoooo, he crushes the painting :(((( meaning he was also feeling heartbroken a little by the fact that they are acting very coupley and Mike doesn't seem to care about him oops, since the painting is for him.

OKAY IM DONE LMAOOOO

In conclusion, this scene is about byler in the first half, and the flaws of Milkvan and Will's feelings in the second half. This scene is meant to foreshadow the arc between Will, El and Mike which transpires in the rest of the season. The bro tap is the gayest thing I've ever seen, and did not have to be included in this scene. It could have been Will that was awkward. It shows that Mike has changed. He has changed ever since Will moved away and he had that realisation. In season 3, Mike seems confused, unaware of his feelings. But now, in this scene, in only 2 minutes, we know for sure that Mike is in denial. He knows.

Anyways

Byler Endgame.

[mcrslover]

MCR quotes for anyone who needs them:

"Kids would say they were going to kill themselves then they heard our music... it's our mission"

- Mikey Way.

...

"Reasons why mcr is good for you

juradsleigh:

Feeling like a rad vampire? Listen to bullets

Feeling angry? Listen to 3 cheers

Feeling sad? Listen to black parade

Feeling colourful and happy? Listen to danger days

Feeling like breaking up your band? Listen to death never stop you"

...

"This is for every kid out there... That dyed their hair a fucked up colour and can't get a job. They got a tattoo on their neck like Frank, and can't get a job. That does this because they fuckin' love this. This song is for every kid in the audience- even if you don't have fucked up hair or tattoos-every kid on stage, this song's about us, this song's about you, it's called The Kids From Yesterday."

- Gerard Way.

...

"Stop covering your children's eyes.

Everything is fucked up and pretending it's not won't make it any better. I'm tired of people praying for a change when it's up to them to get off their asses and make a change."

- Frank Iero.

...

"I spent most of my time in the back of the class, just drawing. My goal was to not get noticed in school, because spent so long not being noticed anyway or being treated as if I were invisible that I started to like it.

I've learned that it's actually not very lonely... It's like, you have less friends but the friends you have count more. I met a lot of people that weren't outsiders, or they were very popular, and they have a lot of friends but I don't know if they're the kinds of friends you would call up at 3 am to help you out or talk about being depressed."

- Gerard Way.

...

"Promise me, when MCR's gone, you'll do what it takes to survive. You're strong enough to do it without us."

- Gerard Way.

...

"All your quirks and all your problems, even your depressions, and your failures that's.. that's what makes you, you."

- Gerard Way.

...

"If you or someone you know is severely depressed you need to fucking talk to someone! Your mom, someone in school, I don't give a fuck! Because suicide is fucking bullshit."

- Gerard Way.

...

"Being happy doesn't mean that everything is perfect. It means that you've decided to look beyond the imperfections."

- Gerard Way.

...

"Nothing is worth hurting yourself over, nothing is worth taking your life over"

- Gerard Way.

...

"If we never play another show again, just keep yourself alive."

- Gerard Way.

...

"We're outsiders, we're the kids who didn't get dates for the prom, we're the kids who were confused, who didn't fit in with the cliques, who weren't part of the in-crowd.

Growing up can be a very frightening and confusing time, and I think people look at us and see it's okay to be different. They see that there is a way other than what they're being offered. That you can stand out, that you can be creative, that you can be yourself."

- Gerard Way.

...

"gerard-hey:

I love MCR so much it's like they have a song for every situation. Feeling sad? Listen to The Lights Behind Your Eyes. Feeling frustrated? Listen to I'm Not Okay. Feeling Energetic? Listen to Na Na Na. Feeling like you wanna kick some ass? Listen to Destroya.

Feeling rebellious? Listen to Teenagers. Feel like you wanna break up your band? Listen to Fake Your Death."

...

"The difference we want to make is, number one, to let these kids know that they're not alone, that they're actually not that messed up, and that they can do whatever they want they can express themselves in any way they want without being persecuted or called a faggot or some kind of racist thing. Really just get people to get over their stuff so they can live."

- Gerard Way.

...

"Whatever happens to you, no matter what, l'm always fucking there for you... Don't forget that. I don't give a shit if your boyfriend dumps you. If your girlfriend dumps you. If you're working a shitty job or can't get through school. If you can't get through a fucking Harry Potter book, there's nothing worth dying over. There's nothing worth taking your life over. I will always fucking be there."

- Gerard Way.

...

"If you come to an MCR show, you're probably a little fucked up, and that's okay because we're just as fucked up as you. It's us against the world. And it's great because there's thousands of us in one place."

- Gerard Way.

...

"Someone doesn't like you? Fuck it.

Having a bad day? Fuck it. Didn't get that job, or that grade, or that promotion you wanted? Fuck it. Fighting with your lover? Fuck it. Feel fat today? Fuck it. Losing control of everything and everyone? Fuck it.

What matters now won't matter soon; the truly important thing is that you are alive, and that you have the capacity to do absolutely anything with this beautiful, crazy coincidence of being on this earth. Just stick your middle fingers in the air and think, 'Damn, I have it good."

- Gerard Way.

...

"You're going to come across a lot of shitty bands, and a lot of shitty people. And if anyone of those people call your names because of what you look like, or bedause they don't accept you for who you are. I want you to look right at that mother fucker, stick up your middle finger and scream

"FUCK YOU!!"

- Gerard Way.

...

"Real revenge is making something of yourself."

- Gerard Way.

❤️🖤❤️🖤

[copperbadge]

How did you find the doctor(s) who assessed you for ADHD? Im looking into the process of getting diagnosed because (although ive suspected I might have adhd for years now) I've been struggling a lot more lately and i want to try medication to see if it helps at all. Im trying to search for psychiatrists through my health insurance portal but the the results im getting are all for child/adolescent psychiatry specialists, and I dont think that'll be much help for an adult adhd assessment? Did you have an established therapist to refer you for your assessment or were you able to find a psychiatrist independently?

I actually just kind of had to freeform it, but that does mean I have some tips to share!

I will say, I have never once used a health insurance portal to find someone to treat me for anything. Often their search engine is fucked up and the information is sometimes out of date. I almost always either ask someone who I know has had similar issues if they have a recommendation, ask my treating physician if I have one, or just google until I find someone reputable-looking; any qualified medical center or professional will list what insurance they take anyway, and you can always ask when you make the appointment.

So here's the process for how to do that!

When I was first considering it, I asked a friend who'd had an evaluation that came back not-ADHD, which I liked because it meant we knew it wasn't like, a weird Adderall pill mill or something. I really wanted to have a professional and thorough evaluation because I knew myself and knew I was capable of gaming a questionnaire. The place she had her evaluation was unfortunately having some staffing issues; part of the reason it took me so long is that I played phone tag with them for ages -- I'd call, and regardless of what time of day I called, their scheduler would be "out", so I'd leave a message and never get a call back. Ultimately I said "I really need to talk to a human, because your scheduler has not returned any of my numerous calls" and they said they could transfer me to another office outside of Chicago (in the burbs). That was not going to be accessible to me, so I told them thanks but I'll go somewhere else. Then COVID hit and I was not going to go anywhere near a medical center unless I had to for about two years.

So, when I was making my second serious run at getting evaluated, I did what might be expected of me by longtime readers of this blog: I made a spreadsheet.

I want to caveat this up top with REALLY IMPORTANT CONTEXT: I did not do all of this in a single day. The process from starting research to making an evaluation appointment took about a month, and probably would have taken longer if I wasn't getting somewhat desperate. Do not push yourself to do this as a single act. Research alone is a multi-day process; some days I looked at the open tabs and only entered one tab's worth of information. It took me quite a bit of time to write the form email I sent inquiring about an assessment. It took me time to call the clinic back when they asked me to call to book the appointment. This is a series of steps, not a single leap.

So!

I was looking for a clinic rather than an individual, in part because I'd heard a couple of horror stories about people who went to a psychiatrist and just got argued with for an hour instead of actually getting evaluated. So I googled, and here are some key terms for you, chicago adult adhd assessment. Chicago obviously for the region, but "adult adhd" (putting it in quotes will help) is the important term that will help you filter out a lot of child psych stuff. A lot of what I looked at did included family or child assessment/therapy but were clear that they also evaluated adults.

Then I went through every legit-looking search result and noted down, in my spreadsheet, the name of the clinic/company, the contact phone and email, the URL, the physical location (I needed to be able to get to it fairly easily) and whether they took my insurance. Even if they didn't take my insurance (all but one did) I still put them into the spreadsheet so that if I found them again I could check the sheet and know I didn't need to investigate further. I also tended to bump more legitimate and friendly-looking places to the top of the sheet. And if I were going to do it again I would also look for one specific thing, which is an assessment guide of some kind.

The assessment guide may be something they only give you after you speak with them, so it's not a no-go if they don't have one on their website, but it basically tells you what generally will go on during the assessment, how long it will take, and what you should bring. A full assessment like I had is estimated to take 4-6 hours and they recommended I wear layers so I wouldn't be overly cold/warm in their office, and to bring a snack. That's the kind of information you want, duration of the assessment and what they recommend for you, to ensure that you're working with people who are thorough and care about your comfort.

So, I have this spreadsheet now of places to reach out to, which I know take my insurance and do adult assessment. In the spreadsheet I also had columns for what date I contacted them and whether they'd responded. I started reaching out via email, one per day, with the form email I'd written.

The form email basically said "I'm 42 with no previous diagnosis but I have a family history of autism and dyslexia. I've been told I should get assessed for ADHD, so I'm looking for a clinic that will do the assessment and takes (my insurance). I prefer to be contacted by email but if need be, my phone number is (phone number). Please let me know if you have any open appointments and what information you will need from me to book an evaluation with you." (You can always ask for more information about the actual evaluation process once they respond.)

If I didn't get a response within 24 hours, I moved on to the next, but I only greyed out the text in that line of the spreadsheet; I didn't disqualify/remove the nonresponsive ones because again, I wanted to make sure I kept that information in case they eventually did respond. I did this with about ten clinics, because I figured I must be able to find at least one in ten who could do the eval, and I could go back and research more if necessary.

I think the third or fourth one I reached out to was the first to respond, and I ended up going with them; I had a very positive experience in the assessment itself but it was a real pain in the ass getting the documentation from them -- they took about a month to go through the evaluation data (this is not abnormal but is rather longer than usual according to my psychiatrist) and they gave me an in-person-by-zoom report once it was ready. That said, it took another four months and the threat of reporting them to the state to get them to send me the text of the eval (in part because the evaluator left the clinic unexpectedly with my formal report not yet written). But that's something that's truly impossible to know until you're working with them, and highly unusual, so don't let concerns about that deter you. If you end up in that situation come hit me up and I'll tell you how I dealt with that.

My eval recommended an executive function coach, but if I haven't been able to func it by now I never will, so I thanked them for the recommendation and went looking for a psychiatrist unaffiliated with the clinic to prescribe me meds. There, the key words you're going to be looking for are again "adult adhd" but also "adult disability" and if you want medication that's less likely to be a huge fucking hassle, "medication management". My psychiatrist and I meet every two months to reup my prescription, but he doesn't require me to take a regular drug test or meet him in person in order to get a new scrip, as some people have encountered. We meet in person once or twice a year (I can't remember, it's due to a legal requirement in Illinois) but otherwise it's over zoom.

So yeah -- it's a process, but there are ways to streamline and manage it, and a few tripwires in place to make sure you don't end up screwed by the system. Definitely feel free to ask if you have questions, either here or if you want a more indepth conversation you can email me at copperbadge@gmail.com. GOOD LUCK!

[mylonelylittlestar]

My little star

Characters: Xavier Summary: random relationship headcanons with Xavier Warnings: None A/N: I've completely fallen in love with Love and Deepspace, especially with Xavier. It's truly hopeless

the type of boyfriend to get you matching pyjamas

he gets you so many that they slowly start to replace all of your own

likes to match with you even if you don't live together, so sometimes he just texts you to ask which pyjamas you're wearing so he can change into the matching one after he showered

if you ever gift him slippers, blankets, or pillows, he will keep them forever (even if it's something goofy like those big fluffy bunny slippers)

the best person to ask for good midnight snacks. He can recommend fantastic instant noodles, chips, crackers, or other snacks that are light and won't give you stomach aches late at night or negatively impact your sleep in any other way

very interested in your skincare routine (if you have one) and will try out any mask or cream that you give him

if you come up with a routine for him (a simple one, maybe, like the basic cleanser > toner > moisturizer), he will follow it diligently, dragging himself out of bed before he sleeps every day to do it because you were the one to pick those products for him and he doesn't want to waste that

he feels like it connects you to him, even if your routine is completely different and a bit more complicated

never cries during movies, no matter how sad they might be, but he does (on very rare occasions) get a bit teary-eyed

he will hold you if you cry during a movie, and he would never even think about making fun of you for it

he does secretly think that it's cute that you get so worked up about a movie

can sleep through anything. a bomb could go off in his house and he wouldn't know that it happened until he woke up

has seen every single episode of any shitty sitcom you can think of at least three times because he occasionally watches them while he sleeps

sometimes he quotes them but because he knows each of these shows so well now he always quotes the lesser known scenes and no one gets what he's talking about

you start to understand his references after a while, so sometimes he will quote some obscure scene from a super unpopular sitcom that got cancelled after one season and you're the only one laughing

secretly sneaks to the arcade sometimes to practice the claw machine game because he wants to get you the plushies you don't have yet (and to impress you)

he ends up getting dozens of repeats of plushies that you already own. he collects in a small storage room in his apartment that used to be empty

he ends up giving them away when the collection gets out of control, donating them to a children's hospital nearby

gets all shy when you find out about it, blushing bright red like a tomato (or a wasabi octopus)

knows about every single 24 hour store in the city because of his odd sleeping habits and always knows what to do no matter what time it is

you can't sleep and want to go on a date at 3:27 am? he knows a place

if someone is mean to you he will try his hardest to deescalate the situation, but he's also fully willing to fight the person if that doesn't work

I mean have you read his Anecdotes 2? He doesn't give a fuck. He'd prefer not to fight, sure, but if it's unavoidable? What is he gonna do? Not fight and defend you? Ridiculous.

The fandom has already started turning him into this soft uwu stereotype, but the thing is that that's... just not him? He's sweet and kind, yes, but that's not all he is. He's complicated! He has layers!

if he ever falls asleep during a date he would feel awful about it for days, even if you reassure him that it's fine and that you're glad that he feels safe enough around you to fall asleep

he tries to make it up to you with a different date and he falls asleep again, which starts a vicious, endless cycle

when he finally does get over his guilt it's only because you fall asleep during a date after you had a long day at work

knows when you cheat in kitty cards, but sometimes he just lets you get away with it, especially if he knows you had a stressful day at work. He hopes that the win will cheer you up

his good night kisses are forehead kisses while his good morning kisses are on top of your head if you didn't sleep over or on the cheek if you did

[gffa]

Disney, hire me as your Attachment Advisor, I will shove so many George Lucas quotes at your producers and writers, I will shove so many context-laden clips from the movies and TCW at your creatives, I will make powerpoint essays about how it's more Buddhist-aligned, not Attachment Theory-aligned, I will cite literally every time attachment has ever been discussed by Lucas AND in the show itself and show you that it's always aligned with fear, possessive feelings, and selfishness, I will do this work for you for free, I can even literally just point you to my Jedi Citations collection, DISNEY, HIRE ME AS YOUR ATTACHMENT ADVISOR, I CAN HELP YOU.

Everything I saw in the show aligned perfectly with my view of what the Jedi mean by attachment from the movies (especially with Episode II). You fail to understand that George Lucas words outside of the movies mean shit. You cane have the largest collection of words that has come out of Lucas's ass and it still does not change the movies. Look at the poster for AOTC. A Jedi shall not know love. Obi-Wan speaks beautifully about the undercurrent of remorse he feels for not being able to have an attachment with Satine because he lives by the Jedi Code which forbids it.

You people are so delusional.

Hi! You are so right bestie it has been way too long since I've talked about my love for Mace Windu! You are so right to have brought this up and I will meet your challenge! He is the Force's strongest soldier because the absolute nonsense he has to put up with every day, as someone who deals with the rest of the Council being hilarious assholes, who deals with Kenobi and Skywalker's nonsense, who has Yoda as a friend, and yet he seems to genuinely like all of these people?? Even when they're bonkers?? My man is stronger than I could ever be.

Not to mention, he goes on a whole ass mission with Jar-Jar, has to watch him make out with his girlfriend, the queen of the planet who told falsehoods about your family, and you have nothing but patience and kind words to say about them, and you only roll your eyes a little at Jar-Jar's antics, something even Padme does and she's worked with him even longer than you have, and by the end, you're friends with him, you like him and would probably hang out with him again if the chance arose???? Mace Windu is on ANOTHER LEVEL from what I would have done in his position!

And he's a former theater nerd! "The Council's gain was the theater's loss." Jocasta Nu says about how he didn't have time for it anymore after he got so busy with the Council, like can you IMAGINE Mace Windu doing plays? I want to know sooooooo bad how Jedi plays are different from non-Force-sensitive people's plays, I want to know what kind of cool effects they create with the Force, I want to know if they use their psychic empath abilities to literally connect with their audience! I want to know DOES MACE WINDU HELP THE YOUNGLINGS STAGE CUTE LITTLE PLAYS IN THE CRECHE? BECAUSE I BET HE DOES.

Because that man is so good with kids! Remember that Star Wars Adventures comic where he was so gentle and sweet with the little Twi'lek girl? Reaching down to help her up, smiling openly at her, walking with her back to her village to make sure she was safe, talking with her to make sure she understood how important and valuable she was in the galaxy? Because I'm still not over that!

His relationship with Anakin in canon is pretty great, too, like, yeah, Anakin should take a seat and stop borderline pitching a fit about getting a rank he didn't earn, and Mace still offered to believe him, despite that Anakin had accepted Palpatine's forcing the Council to put him on it. He still trusted Anakin to help him in that fight against Palpatine! Plus, oh, man, their banter on the Endurance when they're teaching the cadets? That was such good-natured teasing, that was exactly the kind of banter Anakin would have had with Obi-Wan, and by the end of that whole fiasco (do you ever think about when Anakin was in danger and Mace yelled, "Anakin!" and desperately yanked him to safety, because he was worried about him? because I think about that a lot), Mace complimented Artoo by saying he saw what Anakin saw in him, that he was complimenting Anakin at the same time? Or pretty much EVERY interaction between Mace and Yoda is absolute hilarity, the side-eye they give each other, the teasing Yoda does when Mace is on a mission with Jar-Jar, the way Mace holds his hand out in the comics for Yoda to springboard off of into the middle of a fight? ICONIC FRIENDSHIP, I WOULD TAKE A WHOLE NOVEL ABOUT IT, DISNEY.

Or that time even AT THE END OF THE CLONE WARS, like they are just a MONTH out from Revenge of the Sith, if that, and Mace is STILL trying to get the droids to stand down, that he's destroyed thousands of them, none of them have listened, but he's still trying, offering them a better life away from the war, a purpose again, even if he knows it probably won't work, that man still believed in compassion for anyone and everyone. Like, baby Boba Fett TRIED TO KILL HIM and Mace STILL argued for leniency and rehabilitation, rather than jail, because he saw a young child who was hurting and he wanted better for him. He was direct with Boba, he didn't try to befriend him, Boba would never have accepted that, but he told him, you're going to have to get over your hatred for me, he says this for Boba's sake, not his own, because he knows what poison the desire for revenge is, look at the path it's already leading Boba down.

Or EVERYTHING WITH THE ZILLO BEAST, he tried so hard to rescue that poor creature, he fought the Senate so hard, he was so gentle with the hand he carefully pressed to its face, even when the Zillo beast was dangerous, even when it had attacked them and could so easily kill more, he wanted leniency for it, he wanted to save it because he understood where it was coming from.

Or EVERYTHING WITH PROSSET DIBS, that guy tried to murder him, was ranting about how he would dance on their graves or whatever, and Mace looks at him and says, we need to help him, it's our duty to help him find the light again. And his big punishment is literally just library duty, because when Mace can decide the outcome, that guy always goes for helping people, always goes for the option that would bring them back to the light.

Even as a young Padawan, his greatest struggle was to temper his anger, which was sparked because PEOPLE WERE BEING HURT by the false prophet on Mathas, he was angry because he saw how many people were suffering and the people in charge just let it happen, his heart hangs heavy when he witnesses people in pain, because Mace Windu deeply, deeply cares about the people in the galaxy.

He cared about civilians, he cared about clones, he cared about his fellow Jedi, he didn't have to be bouncy or super smiley to show that, either. It was in every action he took. He cared so much.

And, okay, yeah, he was COOL AS HELL AND WOULD HAVE BEATEN PALPATINE'S WRINKLED ASS IN A FAIR FIGHT.

OR THAT TIME ON RYLOTH THAT WAS LITTERALLY THE COOLEST SCENE THEY EVER ANIMATED, THE SOUND DROP? THE ABSOLUTE BANGER PHYSICAL STUNTS MACE WAS CAPABLE OF? GODDAMN HE WAS SO GOOD.

AND LEST WE FORGET--CUTEST BB YOUNGLING EVER!!!!