#I'M SURPRISED I ACTUALLY FINISHED THIS
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poorly-drawn-mdzs · 1 year ago
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If I was in a lucid dream with a ghost, I would simply impress them with my blunt rolling skills
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thoselittleboats · 1 year ago
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BG3 text posts - Raphael (1/?)
bonus - spoiler
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sweetladymoon · 2 months ago
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If you ever scroll past a fic on ao3 that hasn't been updated in a while and think to yourself "man they've probably abandoned this", just know that the authors do constantly think about these fics and it does keep them up at night.
(In other news I've just uploaded the last chapter to a fic I haven't updated in three years ajdkjakdjak)
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fearandhatred · 8 months ago
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one day this project will be done. today is not that day but look i made them hold hands
panels 1, 2, 8, and 9 of panel 2. i think this one is panel 5. idk anymore
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stories-in-the-wind · 7 months ago
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Sharing the sketch for March
welp I didn't finish this before the end of the month but I made some good progress. I draw terraces so quickly when in the sketch stage, then I go into rendering and have to redraw the same terrace 10 times because the perspective looks wrong.
please enjoy my barely sketched in skydancer as well lol
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jumpscaregoose · 4 months ago
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strawberry shortcake
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disposal-blueeee · 5 months ago
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nny and edgar in the dance club be like
OKAY LOL this is SUPER DUMB but
it all started when @zarla-s sent this video to a gc i'm in saying " edgar goes with nny to the club to go dancing and he sees nny do this and just stands there paralyzed " " DANCE EDGAR nny shouts at him, edgar sways awkwardly back and forth " i was like haha that's so funny when i do have the time i'm gonna animate that i think guess what i did have the time . right now
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imminent-danger-came · 5 months ago
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There is a distinct difference between "something good with flaws" and "something bad that's almost good" me thinks
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daisyswift3 · 4 months ago
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Jumping in the Deep End 🐇🕳️💛
So there’s sth else I noticed related to the Gracie rabbit hole I’ve fallen down that I haven’t mentioned yet bc I feel crazy saying it but I’ve already said a lot of insane stuff lately so fuck it. But before u read this post I do recommend reading this other analysis I wrote as well as this post first bc it’ll make everything make more sense. Ok continuing….
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Not long after The Secret of Us was released on June 21, I watched this interview that was uploaded the day the album was released where Gracie texts her fans. One of the first things I noticed was how Gracie suspiciously looks straight at the camera as she makes a typo which I mentioned in the analysis I just linked, but another thing that caught my attention was that one of the fans is named Aimee (3:06 mark in the vid). I thought this was a little strange bc Aimee isn’t really the typical spelling of that name, it’s usually spelled like this instead, Amy. But even more strange was that the day after this interview was uploaded, June 22, Taylor just so happened to play thanK you aIMee as one of the surprise songs in London. What an interesting coincidence!
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June 22 was a big deal bc it was Midsummer Day which celebrates daylight. This is likely why Gracie made yellow 💛 the main color of the album and chose to release it on June 21, Midsummer Eve—bc this album is abt a coming out journey (see these posts for more on that: x, x, x, x, x, x, x). And if you look at the text “Aimee” sends, it sounds like sth an artist would ask another artist rather than a typical fan question. Aimee specifically asks abt her creative process which is a very artist thing to do. So basically all that to say I wouldn’t be surprised if Aimee was actually Taylor and this text was also an easter egg for us to find just like the intentional glitches and typos.
If this text was in fact from Taylor, I believe the purpose of it may have been to lead us down the Gracie rabbit hole where we could find endless cross references between Gracie’s music and Taylor’s music. If you watch the music videos for those 3 songs Aimee mentions and listen to the lyrics, they could easily be interpreted as being abt Taylor’s secret relationship w this korner of the internet that is almost like the Hanging Gardens of Babylon bc there’s no tangible proof it ever existed but there is a lot of folklore surrounding it and the story has been passed down and become a myth. “Wonder if you regret the secret of us.” I believe these 3 songs could be from Taylor’s perspective. And to go even further w it (fair warning, this is where we really go off the deep end), I think it’s very possible that not just these songs are abt this secret relationship, but most of Gracie’s songs bc all of them reference each other and have lyrical and visual parallels to each other much like Taylor’s songs (see this post).
Now I want to make it very clear: Gracie is her own person w her own talents outside of Taylor. I don’t want anyone to get the wrong idea or think I’m trying to undermine Gracie’s artistry or give all the credit to Taylor. And I also don’t think this secret relationship was the only inspiration for these songs since it’s very clear Gracie uses her own personal experiences and feelings, and I believe she could be writing abt more than one muse or from more than one person’s perspective in each song, similar to how in hoax Taylor sings abt 3 different relationships simultaneously. I am simply trying to point out the insane amount of parallels between Gracie and Taylor’s music that I think are too abundant to simply chalk up to coincidence. And I’m not saying that my interpretations are for sure the right ones, I could definitely be wrong. It wouldn’t be the first time. This is just a fun clown theory that I think is worth considering.
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So going back to those 3 songs in the text—Mess It Up, I know it won’t work, The Bottom—I wanted to do an analysis on them and the mvs bc I think the reason why “Aimee” might’ve been pointing us to those specific songs and mvs is bc they are an important part of this coming out story. Plus the specific symbolism and imagery used in the songs can be cross referenced w pretty much every other song in Gracie’s discography (and w many Taylor songs) making them all connected.
For instance, the main themes in Mess It Up are:
Not growing up -> minor, tehe, Wishful Thinking, Older, Better, Augusta, Alright, Difficult // Peter, The Archer, cardigan, betty, peace
Groundhog Day (This is related to the next theme) -> Under/Over, Risk mv, I Love You, I’m Sorry, us // The Prophecy
Making the same mistake over and over/Bad habits -> Long Sleeves, Rockland, The Bottom, Best, Will you cry?, Difficult, This is what the drugs are for, Fault line, Block me out, Blowing Smoke, I Love You, I’m Sorry, us, Let It Happen // Anti-Hero, coney island, Florida!!!, Fresh Out The Slammer, The Black Dog
Not being able to sleep at night -> Rockland, Hard to Sleep, Camden, Painkillers, Difficult, This is what the drugs are for, The blue, 405, Risk, Blowing Smoke, Let It Happen, Tough Love // Midnights the stories of 13 sleepless nights, hoax
The birthday cakes -> 21, Stay mv, Mean It mv, Risk mv // All Too Well short film, coney island
“Let it happen” -> The song Let It Happen on TSOU, Better
Lying -> For Real This Time, Best, Full machine, Where do we go now?, Block me out, Blowing Smoke, Let It Happen // Getaway Car, illicit affairs, the lavender haze/bearding/red herrings
Phone calls -> 21, Rockland, Full machine, I should hate you, This is what the drugs are for, The blue, Block me out, us, Let It Happen // cowboy like me, Anti-Hero mv, Fortnight mv
Going onto a porch in order to apologize to someone -> Risk mv (technically not to apologize but it’s still related to coming out and making things right) // betty, cardigan, this is me trying, long story short, Fresh Out the Slammer
The main themes in I know it won’t work are:
Closets -> Peter, seven, cowboy like me, I Know Places
Drawing the line in the sand and putting up boundaries or crossing boundaries -> Mess It Up, Long Sleeves, For Real This Time, Best, Felt Good About You, Let It Happen, Gave You I Gave You I
Cutting ties w someone -> Friend, Blowing Smoke, Free Now
Being someone’s ghost/haunting someone -> I miss you, I’m sorry, us, Block me out // Basically all of TTPD and much of folkmore and Midnights (Anti-Hero mv)
The main themes in The Bottom are:
“I told you I was down bad, you hate to see me like that” -> Down Bad
Making the same mistake over and over/Bad habits -> Long Sleeves, Rockland, The Bottom, Best, Will you cry?, Difficult, This is what the drugs are for, Fault line, Block me out, Blowing Smoke, I Love You, I’m Sorry, us, Let It Happen // Anti-Hero, coney island, Florida!!!, Fresh Out The Slammer, The Black Dog
Opening up the door and letting someone into your house, closing the door, or going into someone’s house uninvited -> Mess It Up mv, Under/Over, tehe, I should hate you, us, Let It Happen, I Love You, I’m Sorry, Gave You I Gave You I // cardigan, hoax, Anti-Hero mv
Dragging someone down/Hitting rock bottom/Coming down after a high or being high (drug metaphor; becoming more famous=“getting higher”) -> Long Sleeves, Rockland, Wishful Thinking, Painkillers, Alright, This is what the drugs are for, Fault line, Right now, Block me out, Blowing Smoke, I Knew It, I Know You, Gave You I Gave You I, Free Now // Many songs on TTPD use the drug metaphor, gold rush, long story short, Anti-Hero mv (pushed from balcony), seven, this is me trying, illicit affairs
Being the problem -> 21, minor, Rockland, Wishful Thinking, Older, Painkillers, Best, Difficult, Block me out, Unsteady, I Love You, I’m Sorry mv // Anti-Hero
Mess It Up
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So as I stated before this song is all abt making the same mistakes over and over and reliving the same day like it’s Groundhog Day. Gracie, the narrator, keeps trying to make things right and apologize to the person she’s hurt, but every time she tries she messes it up which is represented by her dropping the cake repeatedly. But finally at the end of the mv, she is able to get it right and properly apologize. She knocks on someone’s door and they open it which symbolizes this person opening their heart to Gracie and forgiving her. If you go to the 2:12 mark in the mv when the letters and numbers on the fridge fall, you’ll see that they spell out a secret message “Hi (13, 31) Peter Pan - T” (the “I” doubles as a 1, the “3” doubles as an E, and the “L” doubles as an R/r if flipped on its side). Taylor was 31 yrs old when the Mess It Up mv was released on May 6, 2021. Peter Pan is the boy who never grew up. This means that it’s likely the narrator’s inability to grow up that is causing issues in the relationship. This is why the song starts w “Opened two double doors, typical, pretty sure I could grow up.”
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“Did I fall out of like when I called you” -> Did I cross a boundary and make things worse when I called you? Boundaries are one of the main themes in I know it won’t work. I believe that Gracie and Taylor could be using “phone calls/texts/letters” as a metaphor for the anon messages and riddles we’ve received over the years. As a result of trying to solve these messages and riddles, kaylors have gotten a ton of hate and many have had to leave the fandom bc the environment is so toxic. This song could be Taylor acknowledging these issues and apologizing for how we’ve been treated.
“'Cause every time I get too close, I just go mess it up” -> It’s possible Taylor has tried many times over the years to properly apologize to us by giving us more cryptic messages containing these apologies, but the problem is that these anon messages and riddles are the main reason why we get bullied so this only makes the issue worse in the end.
“Funny that (Funny that) didn't work (Didn't work), I could be anywhere, I'm on your block” -> I believe this could be related to I Love You, I’m Sorry. “The way life goes, Joyriding down our road, Lay on the horn to prove that it haunts me, (I'm wrong again, wrong again) I love you, I'm sorry.” This song also has the lyrics “I wanna speak in code” which makes me think of the anon messages and queer flagging.
“I keep thinking, maybe if you let me back in, we can make it better, breaking every habit” -> Taylor talks abt breaking bad habits in The Black Dog which I believe represents putting an end to the bearding/lavender haze/red herrings/smokescreen/blowing smoke/not growing up.
It’s very interesting that Gracie uses a birthday cake to apologize. Birthday cakes are a common symbol that shows up in Gracie’s music. They also appear in 21, another apology song, and the Risk mv which is likely abt the mass coming out (see this post). In the All Too Well mv, Sadie’s character receives a birthday cake at the same time that Taylor sings, “But then he watched me watch the front door all night, willin' you to come, And he said, ‘It's supposed to be fun turning 21.’” In both 21 and ATW 10 min version, the older person in the relationship misses their significant other’s 21st birthday which greatly hurts them. These songs could be 2 sides of the same coin from opposite perspectives like dorothea and TTDS. With how many connections there are between Gracie and Taylor’s music, I’m inclined to believe this isn’t a coincidence.
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(From the Mean It mv. When the 21 candles are thrown in the box they almost look like a backward "t" and "s")
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“If it doesn't go away by the time I turn 30, I made a mistake and I'll tell you I'm sorry, ‘Sorry.’” The narrator is saying once she turns 30 she’ll apologize to the 21 yr old if her feelings haven’t changed by then. This is immediately followed by a “sorry” meaning the narrator has actually already turned 30 yrs old which is another indicator that Gracie is in fact speaking from someone else’s perspective bc Gracie was only 20 at the time of this song’s release in 2020. Plus just a few tracks later in the same album, the narrator says "I miss you, I'm sorry" which she said she wouldn’t say until after she turned 30. Taylor was 30 yrs old when the album minor was released in July 2020 and when 21 was released as a single on Feb 20, 2020. If this song is from Taylor’s perspective at 30 yrs old, then the significant other/ex being 21 indicates it (along w all the other cross-referenceable songs) is likely not abt a literal romantic relationship; rather, the song is an allegory or metaphor. The 21 (acoustic) mv has "I miss you" on the piano and "I'm sorry" in the notebook which indicates that 21 is directly related to I miss you, I'm sorry. The emphasis on birthdays and age in 21 fits well w the Peter Pan metaphor that shows up in many of Gracie’s songs. Even though the narrator is getting physically older, she is not getting metaphorically older. To add even more credibility to this theory, the song minor has the line “Hit me 3-1-0” which could represent both Taylor turning 31 in 2020 and a backwards 13. 13s show up several times in Gracie’s mvs and songs. The Secret of Us is a 13-track album that was released on June 21. Additionally, the first 🏴󠁧󠁢󠁥󠁮󠁧󠁿 message was sent July 21 and the second to last message, which I’m now pretty certain is abt Gracie’s album TSOU, was sent May 21 (x).
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Look at the numbers on the houses ⬇️ Going column-wise there’s 226(1), 226(3) which is a 13 and there’s also ✌️✌️ which Taylor has used a ton for TTPD (Taylor said in Nov 2021 she wanted to try to plan sth 3 yrs in advance); 2267 -> 6+7=13. Adding up 2+2+6+3 also gives u 13 while 2+2+6+1=11=K. And 6+6 from the 2261, 2263 (again going column-wise) is 12 which is 21 backwards. The 13 showing up in the Risk mv just confirms these choices in the Mess It Up mv were completely intentional.
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Gracie and Taylor performed I miss you, I’m sorry together at eras which was Taylor’s suggestion since Gracie’s set was canceled that day (x)(x). I just think it’s very interesting that Taylor wore a yellow dress when they sang this song and then a yr later she just so happened to be featured on the title track of Gracie’s very yellow album 💛 which they (allegedly) didn’t start writing until Nov 13 a few months later (x). This indicates that this performance was likely planned ahead of time and not a last minute decision like they said. I think much of the timeline we’ve been given for Gracie and Taylor’s friendship might be a red herring to prevent ppl from figuring out what these songs are really abt. Gracie and Taylor (allegedly) wrote us together on Nov 13, 2023 spontaneously; but Taylor wearing yellow during IMYIS along w the pap walk w the Cassandra handbag, almost burning down the house 🕯️🧯, and and the fact that all this happened on Nov 13, the day Karlie and Taylor met, indicates that us was actually written much earlier and that the Nov 13 story was just a red herring.
I know it won’t work
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This song is all abt boundaries. There are different types of boundaries that show up in the mv: A shoreline, a line in the sand, a fence. It’s clear the narrator doesn’t want to end this relationship and put up walls but she believes she has no other choice bc of her circumstances (not being able to grow up -> Peter, closets).
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“I left you here, Heard you keep the extra closet empty, In case this year I come back and stay throughout my twenties” -> The narrator knows there’s no guarantee she’ll actually “grow up” and come out of the closet so her ex keeps the closet empty just in case she wants to move back in and stay in the closet.
“What if I won't? How am I supposed to put that gently? And down the road you will love me until you resent me” -> Since these lines directly follow the ones I just mentioned, you might be inclined to think that “What if I won’t?” is the narrator asking “What if I won’t move back in and rekindle our relationship?” BUT I believe the wording was intentionally ambiguous bc that way it could also mean “What if I won’t grow up and leave the closet? Will you eventually come to resent me if I can’t be the hero you want?”
“But it's a lot, All the shine of half a decade fadin', The whole facade seemed to fall apart, it's complicated” -> This perfectly parallels the 11/09/2019 ♠️ message. The narrator is saying her ex is asking a lot of her by wanting her to come out and destroy the facade. I believe decade might’ve been changed to half a decade so as to not make it obvious Gracie is singing from Taylor’s perspective. The “shine” symbolizes the love and support from fans that has come w being such a famous and successful artist. That’s not an easy thing to give up.
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“Why won't you try movin' on for once? That might make it easy, I know we cut all the ties, but you're never really leavin'” -> Taylor knows that even if us kaylors walk away from her we will always eventually come back bc we can’t help but be invested and this puts a lot of pressure on Taylor that she doesn’t want.
“I'll open up, I'm thinkin' everythin' you wish I wasn't, The call was tough but you're better off, I'm bein' honest, So, won't you stop holdin' out for me when I don't want it? Just brush me off 'cause I'm your ghost right now, your house is haunted” -> This entire 3rd verse is extremely telling and fits perfectly w the 2019 failed coming out. The call to not come out was tough bc she was conflicted abt it but she thinks she ultimately made the right decision. Taylor is asking us to stop holding out for a coming out bc it’s not what she wants. Of course I don’t think this is how Taylor currently feels bc I think she’s getting ready to burn down the closet but I think this song shows how she felt at one point. I think the ghost imagery is supposed to connect this song w I miss you, I’m sorry and us as well as all the ghost imagery Taylor has used.
The Bottom
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This song is abt hitting rock bottom and being worried that you will drag the ppl you love down w you. It’s kind of a more scathing version of Anti-Hero. I think this song could be directly related to the Mess It Up mv. Someone opens up the door to let Gracie in bc she wants to apologize by giving them a cake. But the narrator warns this person that they should keep their guard up bc she will always be doomed to repeat the same mistakes and drag ppl down w her. Since this song is kind of self explanatory, I’ll instead focus on the mv.
The first thing I noticed when watching this mv is the striking similarities to the Bejeweled mv. Both seem to be inspired by Disney movies/fairytales and even the bells during the title card parts sound similar. PLUS 🎃 anon told us to watch out for things that “ring a belle” -> there are bells in both mvs and one also shows up during the burning castle scene at the end and it is literally ringing; and Bejeweled should look and sound familiar if u have watched The Bottom mv; AND Belle is a Disney princess which is another indicator that 🎃 was referring to these mvs (Taylor wears a yellow dress just like Belle at the end of Bejeweled). Gracie said that The Bottom is supposed to be a satirical mv (see description of vid) and this parallels the Bejeweled mv being satire.
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Another thing that’s interesting is that The Bottom mv is kind of the opposite of the Bejeweled mv. In The Bottom, Gracie is dragging a body down the stairs and burying it (descending) while in Bejeweled, Taylor is using an elevator to get higher and higher until she reaches the top floor (ascending). Ascending and descending are things that 🫚 emphasized in this message. Ascending and descending are also things a plane does when flying from one place to another -> “I thought the plane was going down how’d you turn it right around” and all the plane imagery lately. I think 🫚 could have been trying to get us to realize that the beginning stages of this coming out plan (the “ascent,” PR stunts w MH and 🏈, red herrings, 2023-early 2024 🛫) aren’t what we should focus on, it’s the end stages of the journey (the “descent,” cracks in the facade, getting louder w queer flagging, mid 2024-Dec 2024(?) 🛬) that are important.
Yellow shows up a few times in this mv, and I think it’s significant that the room in which the murder happens is a bright one w yellow chairs. Yellow is commonly used to symbolize happiness; Taylor and Gracie use this color in a very similar way to represent daylight/sunshine/summer/being out of the closet/not hiding your real self 💛🌼☀️🏝️ So putting these things together, this scene is symbolically similar to the yellow closet in the Lover house where Taylor has had to put away her sunshine and happiness bc she wasn’t able to come out during Lover era. What was supposed to be a joyous celebration ended w death and destruction.
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It’s also interesting that throughout the mv, Gracie is dancing and performing (showmanship/PR) while in a literal spotlight. This ties in perfectly w the very last scene where Gracie is smoking a cigarette which represents bearding/red herrings/lavender haze/smokescreen/smoke and mirrors magic/Blowing Smoke/bad habits. In The Black Dog, Taylor uses smoking as an example of a bad habit/self-destructive behavior she is trying to quit.
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Lastly, I wanted to leave you w a few things that I think are very interesting and that could tie in w this theory:
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kindahoping4forever · 1 year ago
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📸: Ryan Fleming
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lightning-jay · 3 months ago
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I love you Rayla from the hit series The Dragon Prince.......
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supes9 · 3 months ago
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"I'm gonna take that promotion, I guess."
"Well, engineers have their bad days, too..."
🚨 SUMMER OF 51’s (2024) 🚨            ⮑ Day 16:  Change Your Mind
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elderberries-and-honey · 5 months ago
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Winifred had been right to suspect that once the dog days of summer arrived, their quaint neighborhood would begin to fill out. The once peaceful, empty streets were now humming with life; as if the glittering morning dew frosting over each day had beckoned them all back home.
You could not go more than a few hours without hearing a horse’s steady gallop hauling a carriage, or sometimes, even the sound of a rare streetcar.
Lawrence was particularly pleased by this fact, anxious to get to know the families around the neighborhood, but Winifred herself was not quite as keen. She had liked the quiet of their solitude, and it felt almost like an invasion of privacy not to have it anymore.
However, much like their new seemingly sophisticated life, it was just something she would have to adjust to. These days, everything felt like something she just needed adjusting to.
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And, now that autumn was just around the corner, their lives had somehow become busier than ever before; their days spent together at the lake felt years behind them rather than only a few weeks.
In the afternoon, Beth and Winifred attended painting lessons together; a gift from Lawrence to them both. Their instructor was a soft-spoken, well traveled Frenchman, teaching impressionism and neoclassicism.
Personally, Winifred thought he was a little overqualified to be teaching a skill of his caliber to a housewife and a widow, neither of whom had much experience in the arts, but she was trying not to look a gift horse in the mouth. After all, it had been a thoughtful gesture and she wanted to appreciate it nonetheless.
Despite not having the experience though, out of the two of them, Beth was notably more skilled; their instructor often awed by her work. More than once, she could hear his tone vibrating with excitement, almost bursting at the seam as he complimented her use of different brush strokes, much to Winifred’s envy.
Her mother, Alice, was always a natural at painting; as a girl, she loved to sit at her mother's feet whenever she stepped in front of a canvas, and watch as she transformed even the most mundane of landscapes into elaborate works of art. She regularly wished she would have inherited her aptitude for it, but it appeared that she was much better with a pen than a paint brush.
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Even the little ones had busy schedules now that summer was on its deathbed. Lawrence had hired two nursery maids, one for each of the boys; it was the only service he had not taken care of before they arrived at their new home. He wanted them to be the perfect fit, and it seemed he had accomplished the seemingly impossible.
Ozzy now spent most of his days with Ms. Hamilton; a woman only a few years Winifred's senior but with the sweetness and patience of one's old Nana. Ozzy warmed up to her quicker than anyone could have expected and their daily lessons seemed to be paying off. She taught him shapes and letters (of which he was quite fond of), along with all the manners that a well-adjusted young man should know (he was not quite so fond of this), and even how to begin writing his own name.
Every so often, when Winifred went to check-in on their little classroom, she would once again be overcome by a similar feeling of envy. She didn't want her children to struggle, not at all; each time she felt it, she would call herself a silly woman for being jealous of a toddler and be on her way, scolding herself for the thoughts that echoed in her head.
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But, it was just that, well, they'd all adjusted so quickly! All of them were getting on with things just fine, while she could hardly make sense of it all!
Did no one else think this strange? Didn't they miss their chickens, or long to watch the sunset over the hillside, or even the flower paths on their way into town? And what about their friends, or their beloved shopkeepers who memorized all their names?
It was as if they'd all somehow forgotten the first place she could ever truly call home; and if she couldn't find the will to adjust, would they all wish they could simply forget her too?
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little-pup-pip · 6 months ago
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AAAAAAA GUYS WE DID IT!!! 2000!! THANK YOU ALL!!
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thedreadvampy · 1 year ago
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legitimately insane how to some people, "we should wipe out this ethnic group that we've violently constrained to a ghetto because they're just genetically more violent and dangerous" is a reasonable and justifiable statement but it's Nazi Rhetoric to say something like, "it's bad that Israeli civilians are being killed but acknowledging that as tragic includes acknowledging that the almost daily state-sanctioned murder of civilians by the Israeli government is also tragic and unacceptable"
btw guys speaking of Nazi shit - can we check in, alongside what's been done to Palestinians in the last 75 years, what's the Israeli government's take on the Azerbaijani government's newest round of ethnic cleansing of Armenians? oh are the Israeli government's actions maybe not determined by Jewish identity, but by a commitment to colonial supremacy which puts them on the same page as other violently genocidal states like Azerbaijan, the US, and the UK? god can you Even Imagine?
(framing speaking against Israeli war crimes as inherently antisemitic requires understanding the Israeli state as representing all Jewish people, when it doesn't even represent all Israelis.
framing Israeli war crimes as synonymous with Jewish identity is pretty fucked up if we're being honest. I don't think that controlling water and power and movement for a captive population and shooting children dead for throwing stones is an inherent value of Judaism, any more than I think the torture carried out at Guantanamo Bay is an inherent value of Christianity - in both cases they're atrocities carried out by a far right genocidal government using religious identity as a shield.
Calling statements like "Israel is committing genocide against the people it's displaced" inherently antisemitic is doing more to further the idea that all Jewish people are associated with Israel than saying "the Israeli government is doing war crimes," which is a statement of fact about a country that exists and does war crimes. Is criticism of Israel as a nation often used as cover for antisemitism? Absolutely. Does that mean the Israeli government isn't doing literal war crimes repeatedly, on record, while talking publicly about scrubbing an ethnic group off the map? Uhhhhhhhhhhhhhhhhh well in the last 48 hours they've definitely cut off water and power to almost 600,000 civilians and allegedly used white phosphorus against civilians so in an extremely factual and unambiguous way yeah man those are Literal War Crimes whoever does them.)
#red said#sorry man saying 'it's bad to do genocide and war crimes' doesn't actually mean 'I'm happy when Jewish people die'#it means 'there is a context to Palestinian militants attacking Israelis which involves Palestinians being killed wounded or imprisoned#very nearly every day by the Israeli state and settlers. so no you can't treat a Palestinian attack on Israel as an unprecedented tragedy#without also recognising that Israeli forces have repeatedly visited attacks of similar magnitude on Palestine which is ALSO tragic#as well as the regular state-sanctioned murder of over 200 Palestinians in the 9 months BEFORE the Palestinian attack on Saturday#It means 'Palestinian lives don't matter less than Israeli lives' not 'Israeli lives don't matter'#this week is literally the FIRST TIME SINCE RECORDS BEGAN that more Israeli lives have been lost than Palestinian#bc for every year since 2000 orders of magnitude more palestinians than Israelis have been killed in this war#you don't get to say 'it's only bad when X ethnic group is killed it's GOOD to kill Y ethnic group' then accuse OTHERS of genocide apologis#it is legitimately a tragedy for Israeli civilians to be killed and wounded en masse. the people are not the nation.#but it's not less of a tragedy for Palestinians to have been killed and wounded en masse week after week for decades.#and when peaceful protest gets you shot and bombed and acting against the military gets you shot and bombed#and just existing doing nothing at all gets you shot and bombed. living near someone accused of terrorism. looking for your fucking cat.#when you're getting shot and bombed daily whatever you do. it's not surprising that sometimes people move to violence against civilians.#because as people from Gaza have said. better to die fighting for survival than die on your knees waiting.#which like. I'm not making a moral judgement one way or the other bc i am intrinsically disgusted by mass killing. as we all should be.#and this might be the movement which liberates Palestine and it might be the excuse which allows Israel to finish Palestine#and either way hundreds of people are dead on both sides and however you slice it that's a fucking tragedy#but we cannot. treat it as if Hamas' strike began the violence. and ignore the 200+ Palestinians killed by the IDF this year beforehand#Palestinian lives matter as much as Israeli lives. 700 Israeli citizens dead is a tragedy. 600 Palestinians dead is a tragedy.#and if you lay out the numbers from this weekend alone you can pretend that Israelis are getting decimated by Palestine.#but to do that you have to ignore the facts that for every 1 Israeli killed in the past decade 3 Palestinians die.#and that Israeli deaths happen in occasional outbursts of violence while Palestinian deaths happen every week#whether or not Hamas or any other Palestinian faction initiates violence
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karmas-chameleon · 7 days ago
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A terrible evil demon and a sweet lil angel (pictured from right to left)
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