#I'M ALL ABOUT PEOPLE HEALING

[backpackingspace]

My actual favorite part of wisdom saga is telemachus trying to lean against Athena (he thought about that for .03 seconds and then was like nah !!! :D she's my friend not the goddess of war!!! Good to see that the audacity is running strong in odysseus's family) and then just passed threw her and fell on the floor. And then Athena did not move at all!!! And just stood there looking at him.

[kamaluhkhan]

anti-curse

pairing: percy jackson x daughter of apollo!reader

summary: whether he knew it or not, percy jackson made the world a better, brighter place — and you intend to protect him, no matter what path the fates leads you down. fuck prophetic dreams. the future wasn't written in stone.

warnings/disclaimers: mentions of typical demigod things (battles, weapons, etc.); this is set during the heroes of olympus series so roughly follows that plot + features the seven demigods; mainly inspired by book!percy (dark hair, sea green eyes) bc that's the one i fell in love w growing up; characters are aged up from the book (reader + percy are meant to be 21-22 y/o) bc i imagine there was more time between prophecies/series....anyways, please enjoy <3

when you first met percy jackson, he almost shot you through the chest with an arrow.

given that apollo is your godly parent, you often found yourself at the archery field, which happened to be one of the first stops on percy’s tour of camp half-blood. after that first mishap, your other half-siblings were, understandably, too scared to let percy try again — frankly chiron seemed a bit hesitant as well — and you could sense that percy felt disheartened. so, you flashed the boy a reassuring smile before giving him a few pointers and a second chance. when he smiled back at you, you felt a fluttering in your stomach that told you percy jackson would be more than a little important in your life.

archery still wasn't percy's strong suit, but your gut feeling turned out to be true. you and percy had dealt with a lot since then — a handful of quests, several prophecies, more than a few near-death experiences, a titan war, and, maybe worst of all, high school. you couldn't imagine getting through any of it without him by your side, and you knew the feeling was mutual.

so, you were entirely anticipating that percy would be hurt by your announcement during dinner. 

“no way that’s happening.” percy laughs, as if he can’t believe you’d suggest something as ridiculous as not having him accompany you on your quest. he remains unfazed, takes a sip of his electric blue coke before gesturing to the empty seat next to him. “come on, sunshine. have something to eat.”

the nickname sends your heart into a frenzy as you sit next to him. you and percy had never been anything other than friends, but sometimes....sometimes you look at his dangerous ocean eyes and wind-swept dark hair and it makes you blush. sometimes you consider the way his laughter fills you with warmth and his smile holds a thousand memories, the way he teases and winks at you and you decide that he makes your world so much brighter. sometimes you remember how sarcastic and thoughtful and loyal and reckless he is, his heart of gold and unpredictability of the sea. and you start to think that maybe possibly you'd fallen in love with your best friend.

that was not the issue at hand, though. you summon your favourite food and drink, but don't particularly feel like having either. percy returns to his conversation with hazel about how the two of you would drive up to montauk after you finally got your license, any time either of you needed to escape your reality, even just for a night. you'd sit on the beach, stargazing and roasting stale marshmallows and wishing to stay there forever. hazel seems to think that sounds like a nice escape, and percy promises that once the eight of you fulfill this prophecy, you'll all go to the beach house together, which makes hazel break out into a grin.

you can't help but smile at percy who loves his friends, who has loved you for so long. that feeling is quickly replaced by a pang in your chest that reminds you what's at stake. from the corner of your eye, you notice annabeth across from you, who looks at you like you’re a puzzle she can’t quite solve. you're trying to hide it, but if anyone can read you better than percy, it's annabeth. she knows something is weighing on your mind. you briefly lock eyes with jason, who you had gone to earlier for help, from the other side of the room, where he sits between piper and frank. 

if you weren’t so distracted, you would have been able to enjoy dinner. the eight of you — all demigods of the current great prophecy — hadn’t been all together in a while, and it was nice to share a meal aboard the argo ii despite the reality of why you’d all been traveling together. leo had equipped the ship with magic plates and cups, and with the lively jokes and stories filling the air, you could almost imagine it was an ordinary summer evening at camp. you could almost forget that tomorrow, you had to go on a quest to rescue apollo and artemis from python, a monster so powerful your father barely defeated him thousands of years ago. you could almost ignore the impending war with gaea and the giants, and the doomed fate of the world if you were to fail. the one thing you could no longer ignore, however, is the gut feeling you have about the fate of the boy sitting next to you if your quest is to unfold the way you had first planned it. 

you clear your throat, an attempt to interrupt the group's conversations. 

“i was serious earlier,” you declare. “you’re not coming with me, percy. jason is.”

the smile percy had on his face fades. his eyes are filled with concern and disbelief, as he glances at you. “i – i don’t understand.”

"percy,” jason jumps in carefully, aware that he’s treading through dangerous waters like you had warned him. “y/n and i were strategizing earlier and it seems to make the most sense, given our powers combined." 

percy shakes his head. “but — but you can’t just make last minute changes. we’ve already got everything set. right, valdez?”

leo shrugs, swallowing a mouthful of chicken before responding. “i don’t know, man. i’m no expert in quests, but it seems like i’m not the one who should be deciding this.” leo looks at you, and you nod gratefully.

you've been on edge since last night, and to calm your nerves you fiddle with the gold chain around your neck. it was a gift from your father: a necklace with a music note charm that can transform into an electric guitar or a bow and quiver. thankfully, you hadn't had to need both at the same time.

“it's up to me. and i want leo and jason to come with me.”

“then i’ll come too,” percy's voice remains calm, but insistant.

“isn’t there that thing about quests usually being done in threes?”

“that is true, piper,” percy agrees. he tilts his head towards you, like he's calling on you to remember. "exceptions have been made, though. like that one time with zoe." that had been years ago, when demigods from camp half-blood and hunters of artemis joined forces. five had been sent out on a quest, but only three came back. you shiver at the thought.

"or my quest through the labyrinth," annabeth recalls.

"but won't that also change our other plans, though?" hazel asks.

"not necessarily," you pipe in, your voice more assertive. "if jason and percy just switch. no harm done."

"we're not interchangeable," percy grumbles.

"hera sure seemed to think so!" leo searches the room for positive responses to his joke, but the most he gets is a half-hearted laugh from frank. "too soon?"

you take a deep breath. "it's not a big deal, really."

"it kind of is," percy counters. "you've never gone on a quest without me."

"you've gone on quests without me," you point out.

"that's...that's different."

"why? because i'm so weak that i need the son of the sea god to protect me at all times?"

you're giving percy the coldest stare you ever have. he hesitates to hold your gaze.

"you know that's not what i meant," he sighs.

"then what did you mean?"

percy looks at you, his eyes and tone softer. “look, sunshine, let's just stick with the plan, alright? we can just —”

“gods, you never listen, do you?" you finally snap. "you're not coming! i don’t want you there, percy!”

percy stares at you, stunned. you look around the table, and everyone looks back at you, wide-eyed. they weren’t used to this side of you, your sudden outburst not fitting in with your usually sunny disposition. 

“well, someone woke up on the wrong side of the bed,” leo jokes in an attempt to lighten the mood, with less than ideal results.

“you saw something in your dreams, didn’t you?” annabeth realizes. 

her conclusion makes you freeze.

demigod dreams are always significant, carrying vivid images of monsters, messages from friends or enemies. some children of apollo like you had visions of the future — pseudo prophecies that are supposedly set to unfold given the path you’re on. technically, you weren’t supposed to share your visions, something about messing with fate or destiny, but that didn’t mean you had to accept the way things were. 

what you saw in your dreams last night, what might happen to percy, made your blood run cold.

you would defy all the laws of the universe and divine rules if it meant you could protect him. so fuck the path the fates are attempting to lead you down, and fuck prophetic dreams. you refuse to let percy die. no matter how frustrated you’re acting towards him in this moment, you know he would still do the same for you.

you figure that the future isn't written in stone, right?

either way, you're willing to challenge destiny for percy jackson.

without answering annabeth, you get up from the table and take a deep breath, carefully avoiding percy’s gaze. 

“i go with leo and jason, or i go alone.” your voice is steady, fighting the heavy beating of your heart and tears caught in your throat. “either way, i leave in the morning.” you exit the mess hall before anyone — before percy — can protest.

[anglerflsh]

solution for intrusive thoughts

[uncanny-tranny]

So much love and recognition to the people who don't know how they feel about recovering. To the people whose scars are fading away, and there's a sinking feeling, despite knowing that it's a good thing. To the people who miss when they were "worse," when they felt "broken." To the people who mourn losing their coping mechanisms, even the ones that were destructive, scary, or unpleasant. To those who feel guilty they're healing because their past self wasn't ready.

Whatever it is, there is nothing wrong with any of those feelings. It's a natural reaction, something you don't have ultimate control over. There is nothing shameful about yourself, and I admire the strength it takes to recognize how you feel, even the parts that do feel like the "wrong" reaction to a Good Thing.

[hellogoodbyeitsme]

[Damian in the Minecraft server excitedly showing Jon his extensive (and ethical) farms that he made while Jon was banned from Minecraft to focus on studying for tests at school]

Jon: ... yeah, you're so shit at Minecraft. Looks nice though!

Damian: ?! what do you mean? I worked hard on these????

Jon: *sigh* I'll show you what a real Minecraft farm looks like!

[Jon brings him to his "farm" and proudly shows off the fact you cannot tell the pixels apart as there are so many animals in one spot]

Damian: I....... have no words for this. Our friendship is about to end over this. Think of their feelings.

Jon: but this is how you play Minecraft 😭😭 next you're going to tell me you don't even eat the animals at your farm and they're just decorative 😭

Damian: I'M A VEGETARIAN. 😡😡😡😡 I MAKE BREAD. 😡😡😡😡😡😡 LOG BACK OUT. 😡😡😡😡😡😡😡😡😡😡

[hauntingofhouses]

yeah taimizu IS toxic and off putting actually ‼️‼️🗣️🗣️🗣️

EDIT: TO BE CLEAR THIS IS A POST IN FAVOUR OF TAIMIZU!!! I AM A DIRTY TAIMIZU SHIPPER!!!!!

[reddpenn]

What makes a rock a rock and not a crystal?

Ok SO

A mineral is a naturally occurring non-organic solid with a defined chemical composition and an orderly molecular structure. This means the molecules throughout the entire structure will be exactly the same, and be arranged in a symmetrical, geometric, repeating pattern called a crystal lattice.

Quartz is a mineral. Its chemical formula is silicon dioxide, and its crystal lattice forms a repeating tetrahedron.

Ice is also a mineral. Its chemical formula is dihydrogen monoxide, and its crystal lattice forms a repeating hexagon.

Obsidian is not a mineral. It is a mineraloid, a mineral-like substance. Its chemical composition can vary wildly, and instead of a crystal lattice, its molecules are jumbled up in an amorphous solid, meaning there’s no nice repeating pattern to them.

A crystal is any solid material with a crystal lattice.

All minerals, by definition, have a crystal lattice. So all minerals are crystals! Some things that are NOT minerals are also crystals!

Sugar is a crystal. It has a crystal lattice made from molecules of sucrose. But it is not a mineral because it is organic.

Often, these repeating geometric patterns in the crystal lattice cause the substance to naturally form big geometric structures with distinct faces - such as the points formed by quartz. These larger structures are colloquially also called crystals, and their shape (called a crystal habit) is determined by the shape of the crystal lattice. The same crystal lattice can produce multiple different crystal habits, and it’s all very cool and complicated but I won’t go off on a tangent about it right now.

A substance does not have to form big structures like this to be scientifically considered a crystal. It just needs a crystal lattice!

A rock is a naturally occurring solid aggregate of minerals and/or mineraloids. It can be made of a single mineral, or a bunch of different minerals. But when made from a single mineral, it will not be one solid block of that mineral with an unbroken crystal lattice. Because it is an aggregate, it will be a bunch of micro- to macroscopic grains of that mineral all compacted together, each with their own individual crystal lattices.

Granite is a rock. It is made of grains of minerals such as quartz and feldspar.

Limestone is a rock. It is mostly made of grains of calcite.

So rocks can be made of crystals, but rocks are not crystals - in the same way that a house can be made of bricks, but a house is not a brick!

And this is just a very quick overview of these terms, because the scientific definitions can get increasingly pedantic and there are tons of weird exceptions! It is all very fascinating.

But of course, the word rock also has a colloquial definition, which is just… a chunk of that hard stuff the planet is made of! A mineral, a crystal, a fossil or a bio-organic solid… whatever! This is a rock collection and these are my rocks!

[beneathsilverstars]

In Stars And Time Classpects

Siffrin - Thief of Time Mirabelle - Page of Space Isabeau - Heir of Blood Odile - Seer of Heart Bonnie - Sylph of Hope

Explanations under the cut!

Siffrin - Thief of Time Of course Siffrin literally manipulates time, but Time as an aspect is also associated with death, destruction, and inevitability, which are huge themes in their story. Nothing says "time player" more than marching onwards through a thousand deaths, fighting against a fate that seems impossible to avert. And as a Thief, Siffrin specifically steals time from others in order to have more for himself. Whoops! Time players are relentless, and thieves are active, self-centered. They won't sit still and accept the inevitable; they'll struggle towards their goal at any cost. It's incredibly fitting for a Thief of Time to hold their objective so tightly that the reason they wanted it disintegrates in their grasp, lost to entropy.

Mirabelle - Page of Space As the chosen one spearheading the mission to collect the orbs and save the country, she seems like the obvious choice for the other essential aspect and its quest, collecting frogs and ensuring the continuation of life. Luckily, the metaphorical side fits perfectly as well: Space is about creation, just like the Change religion! But as a Page, Mirabelle doesn't use her aspect herself; instead, she leads using it, and leads others to use it. She inspires others to change, learn, and improve. Pages reach their potential slowly – they may struggle for a while with feelings of inadequacy and stagnation. After a long hard journey with lots of reflection and personal growth, though, they can end up the strongest of all! And for Mirabelle, as a Page of Space, that means learning to let go of the urge to force personal change, inspiring external change on a greater scale instead.

Isabeau - Heir of Blood Blood means relationships, trust, and obligation. Heirs embody their aspect, and perhaps attract it, receive it, are controlled by it; the perfect class for someone who specifically crafted himself into the kind of person others would reach out to. Heir is one of the most active of all the passive classes, but it's still passive – Isabeau makes space for bonds, commits to bonds, but doesn't take the first step to create the bonds himself. His choice to follow Mirabelle was a natural continuation of his obligations as defender. He couldn't bring himself to confess to Siffrin, but that passive crush was a powerful narrative force. Isabeau didn't assemble the team, but he reinforces the bonds that allow it to function!

Odile - Seer of Heart Heart is the aspect of self and identity, which is the heart (heh) of Odile's quest. She wants to learn about herself, and her chosen method is learning about other people. Seers seek a comprehensive knowledge of their aspect and then use it to coordinate and advise others; Odile analyzing enemies and deciding team tactics is a perfect example of this! The Seer prevents their party from making mistakes related to their aspect, so a successful Seer of Heart would understand each teammate's personality well enough to guide them through their character arcs and prevent self-destructive behavior. Odile noticed Siffrin's increasingly out-of-character behavior, and had the ability to figure out why they had changed... except he kept thwarting her efforts by stealing her time. But in the end she managed to thwart them instead, forcing them to stay put and go through their character development already!

Bonnie - Sylph of Hope Hope is one of the most literal aspects; Hope players raise morale, stick to their convictions, and believe that a better world is possible. The Sylph of Hope would be someone who uses Hope to heal other people, or fixes and maintains Hope itself. Obviously, Bonnie literally brings hope and healing by passing out the potions, but they're also the snack leader! Nothing boosts morale like a nice meal. Hope is also the antithesis to Rage, which represents possibilities being cut off. Bonnie reacts poorly to situations that invoke the Rage aspect, like the adults discussing death (the ultimate end of possibilities), and Siffrin getting injured in their defense (which no amount of belief can heal); in fact, they react with anger and an urge to tear down any positive that's left! Since Hope is associated with black and white thinking, it's not surprising that when Bonnie loses hope, they lose it, leaning into their aspect's opposite. But that's not where they stay – when they protect Siffrin in their friendquest, they're able to not just heal their own hope, but give hope to Siffrin as well. Bonnie believes that they and their friends can all protect each other, and in the end, they do!

[intramoon]

Nes + Erin: partners in crime & platonic soulmates & always dressed coded (+ Erin all grown-up. ;-;)

[pikahlua]

So many plotpoints I just don't understand in this arc. Why have bkg die? Why have him fight afo? Why have izuku lose his arms? What purpose has any of it served???? At all???????

Todorki and ochakos fights were handled so well and streamlined and benefited their characters and arcs but bkgs and dekus have been a mess all bcus hori is a coward who won't just let them fight together bcus ig save to win and win to save meant nothing at all

Why have bkg die?

I think it's pretty clear from the way that whole thing was framed that the purpose of Katsuki dying was symbolic. This is a staple of Japanese drama running all the way back to kabuki. It is a trope for a main character to die to shed their mortal incarnation and come back to life as their deified form. Katsuki's death runs perfectly parallel to Tomura's from the PLW arc right down to the part where they are both responsible for their own resurrections. It's probably one of the best cases I can think of where a character's death actually did further that same character's arc without fridging them for the sake of someone else.

Why have [Katsuki] fight AFO?

Because AFO was set up as a "what if" scenario or cautionary tale for Katsuki, the other side to his "villains and heroes are two sides of the same coin" storyline. AFO in his physical form has a different character arc and story utility from AFO the quirk vestige. He provided a lot of backstory that allows us to infer the subtlety of how Katsuki is likely some sort of reincarnation of Kudou, the mechanics of which we will never need to revisit because they're unimportant. It was about karma and personal growth. It was about showcasing how Katsuki is an heir to many legacies, All Might's included.

Why have Izuku lose his arms?

Again, it's symbolic. It's been foreshadowed pretty heavily that Izuku would risk losing his arms in reaching out to save someone. This was a demonstration of his willingness to take on that risk. It also provides a moment for Eri to get in on the "everyone contributes a little bit to the fight" action all the other characters have been allowed to have. We don't even know yet what state Izuku will actually be in when this is all over, so it'd be premature to jump to any major conclusions about all of this. The story may still have a lot to say about this.

What purpose has any of it served???? At all???????

To entertain me specifically.

Todorki and ochakos fights were handled so well and streamlined and benefited their characters and arcs but bkgs and dekus have been a mess all bcus hori is a coward who won't just let them fight together bcus ig save to win and win to save meant nothing at all

Bold of you to assume you've read the final chapter in the story yet.

[triglycercule]

i need the murder time trio to drink eachother's blood after causing an injury. that's so romantic in both my eyes and theirs. i need them to bite eachother and claw at eachother and injure eachother and hurt. and then when they try to patch eachother up make the injury hurt more before finally wrapping it up with a bandaid and a kiss or a lingering glance or DARE I SAY a hug (because imo a hug is much more vulnerable than a kiss). peak of romantism i dare say

i need them to use violence against eachother as a way to keep them grounded or to just let out anger towards eachother i need dust to gouge out horror's eye and then give horror his own to replace it. i need horror to squeeze killer's soul until he can feel the pain but in exchange killer gets to use a knife inside his head i want killer and dust to fight everyday and soon their bones will be littered with scars of the other's attacks I NEED THEM TO HURT EACHOTHER!!!!!!

they share pain and release anger and frustration and all that stuff onto eachother but dw dw this is how they love. but they do genuinely dislike eachother (because no matter how much they love one another they STILL can never manage to get over their differences and that's what makes them PEAK) but they also care for the other two and in their fucked up minds this is a good relationship. not because its not toxic because it definitely fucking is but because everyone is satisfied

i love murder time trio poly

[shorlinesorrows]

qpr jean and neil. that's all i'm gonna say.

do you see my vision?

[wildwolf-fandoms]

In HTF fandom, you can know who to trust and not trust just by listening/reading what they think of some of the characters

"I love Fliqpy and Flippy but the raccoon who implied to be poor and is mentally ill is the spawn of evil for stealing, killing his brother, and `making illogical choices`. Aka when he is being a piece of shit Kleptomanic like the show intended"

"Don't get me wrong I love Handy but I don't understand why he is complaining when Russell has it worse."

"I don't understand why Petunia is always overreacting. Can't she just calm down for once?"

"I don't get why these characters trust Mole/Lumpy/Flippy/Lammy when they are DANGEROUS and SHOULD BE LOCKED UP."

Thanks for proving that disabled people can't trust you 👍

[thebirdandhersong]

in my you're on your own kid era again (I never left)

[recitedemise]

𝗠𝗮𝗻𝘆 𝗼𝗳 𝗚𝗮𝗹𝗲'𝘀 𝘃𝘂𝗹𝗻𝗲𝗿𝗮𝗯𝗶𝗹𝗶𝘁𝗲𝘀 𝘄𝗲𝗿𝗲 𝗮𝗴𝗴𝗿𝗮𝘃𝗮𝘁𝗲𝗱 𝘁𝗼 𝗱𝗲𝘃𝗲𝗹𝗼𝗽 𝗶𝗻𝘁𝗼 𝘁𝗿𝗮𝘂𝗺𝗮 𝗿𝗲𝘀𝗽𝗼𝗻𝘀𝗲𝘀, 𝗿𝗲𝘀𝗽𝗼𝗻𝘀𝗲𝘀 𝘁𝗵𝗮𝘁 𝗠𝘆𝘀𝘁𝗿𝗮 𝗮𝗰𝗰𝗲𝗽𝘁𝘀 𝗹𝗶𝘁𝘁𝗹𝗲 𝗰𝘂𝗹𝗽𝗮𝗯𝗶𝗹𝗶𝘁𝘆 𝗳𝗼𝗿. This lengthy headcanon will refer to canon dialogue from mostly Gale, sometimes others. Reader's discretion is advised. There will be in depth explorations into grooming, emotional abuse, heavy manipulation, and suicide.

First, let it be said that Gale, a mortal man, will always be the powerless one in his dynamic with Mystra. Of course, nearing forty years of age, he remains entirely responsible for his own actions, his own blunders and every hurt he'll cause, but it's important to remember who formed much of who he is: his goddess, his deity, and egregiously, his lover.

Mystra is power. Mystra is possibility. She knows what sway she holds over her Ioyal, vulnerable, and entirely mortal followers. In all ways that matter, they are but lambs she can steer and herd as she sees fit. She knows they can't deny her and knows they'll never want to. Gale's sheer servitude and complete devotion. Mystra, knowing that, used him to filth.

Gale: I was just... practising an incantation. Player Character: No, there's more to it than that. I know devotion when I see it. Gale: What can I say? She's—she's Mystra. I can't describe it, the need I sometimes feel to see her - to draw the filaments of fantasy into existence... Mystra is all magic. And as far as I'm concerned, she is all creation. Player Character: I didn't realize the depth of your devotion. Gale: Magic is... my life. I've been touched with the Weave for as long as I can remember. There's nothing like it.

Gale, orb in his chest, doomed to be eaten by the very thing he loves the most, still speaks so reverently of the goddess, of his lover that has left him to die. He conjures images of her memory—and she is all the while forgetting about his.

Minsc: Gale reminds me of vremyonni of my homeland. The man-mages of Rasheman. While the girl-folk go on to rule as wychlaran, Weave-touched boys were hidden away. Trained to work their craft in silence and secrecy. It is an old custom, not well-observed. In truth, I thought it born of caution after some catastrophe of wizardly men-folk of old. Now, I wonder if it was not done to hide them from Mystra, and the snares she sets for young and prideful boys, hm?

Tales of Mystra's treachery spreads far, leaving those familiar waters surrounding Gale's tower in Waterdeep. They whisper her name, afraid to utter it one time too many, suspecting, perhaps, that she'll show in their mirror like some Faerûnian Bloody Mary.

Talent rouses Mystra. She can see who uses the gift of the Weave and feel them, sampling whatever delight sings their veins as they pull from her domain. Not unlike a spider, she'll follows every tremor that strikes her as just a sliver more profound; and Gale, a prodigy, plucked the Weave's web to so garner her focus. And like some black widow scurrying, she surged down that ripple to prey on a boy. There, Gale, so impressionable, was just a mite older than twelve whole summers. He sat so stunned, beholding Mystra as she lured him into the cradle of her Astral domain. Bathed in her magic, pleasantly coddled within that glittering cosmos, Gale felt blessed in a way he'll struggle always to recount, no word, no language, fit to describe it. He felt chosen. He felt seen. And potently, to a child, he felt loved. Now, imagine a child experiencing something like that. Imagine what they'd think, how brilliant they must be when stood beside the rest. She told him he was gifted, made his heart swell not unlike a child's appetite for praise. She knew what she was doing by offering these morsels, by preying on a child's most delicate mind, and Gale, child prodigy, was already so awash in the idea that his value was in magic. Unfortunately, Gale, susceptible, had no way of squirming out of his goddess' grasp.

Reality: She's laid down the seeds to creep into his heart. When he's just old enough—seventeen's sufficient, she thinks—she stakes her claim and makes him hers.

Gale: My virtuosic talent once caught the eye of the goddess of magic herself, Mystra, who named me her chosen and her lover.

Gale is stunned when she takes him to bed the first time. (Is this really happening?) Mystra claims his mouth in a kiss, taking everything she knows he offers so willingly. Mystra, of course, is not so stunned.

Dream Visitor: An elder brain... one of the cruelest and most powerful creatures in existence, enslaved by mere mortals. Gale, tasked with Mystra's missive to sacrifice himself: This is it... I must do as Mystra commands.

Gale has worryingly low self-esteem beyond his magic. As already explored, his entire worth as a man hinged on and was built entirely off his talent as a wizard. He fought tooth and nail for any crumb of affection Mystra would offer his way, something she only gave him at all seeing his gift as a child. He wants her forgiveness. He desires it genuinely. He believes so firmly that he has wronged his goddess, buying into the idea that sacrificing himself will right his wrong. She holds such dominion over him, making him reduce his confidence in himself into a mere, trifling pittance; after all, she wasn't just his lover, but the patron deity he prays to. And regardless, Gale is a people pleaser, his initial acceptance of her missive coming as no surprise.

After all, Gale, at times, goes to incredible lengths to appease his audience. This habit, compulsion, impulse, whatever you want to call it, is a quality that was relentlessly exacerbated in his relationship with his immortal paramour. He wanted to content her, felt all he did was never enough, for as a matter of principle, he was oceans, leagues, and entire galaxies beneath her. Gale figures: well, how can a short-lived dalliance satisfy a god? He had to make her happy. Indeed, he'd done everything she'd ask. He'd bedded her how she liked, kissed her how she wanted, and of course, even said those words she'd said tasted best. She was his lover, a lover that never tended to his own needs and pleasures, and he fooled himself into thinking that's enough. He won't bend backwards for everyone, mind you, but if you're of the ones he would, he would stop at nothing to make you happy. After all, people pleasing is a way to keep oneself safe, a trauma response to sidestep discomfort, and though it achieves only a direly tentative peace, when that is all you've been fed, you will pursue it.

Gale did not want to lose Mystra; he couldn't bare the sting of it. And so, when Elminster visited him, Mystra's call for his death offered oh so callously, Gale, heartbroken, felt that part of him kick up. He couldn't endure the guilt, was so hungry for a chance to let his weighty heart breathe, even if it meant dying in the process.

At least this way, he'll finally do something right. At least this way, Mystra will forgive him, and all his friends will survive.

Gale: After I was afflicted with my condition, I locked myself in my tower for an entire year. I was inconsolable, wallowing in my self-inflicted tragedy. I'd given up on myself.

As a byproduct of people pleasing, Gale, too, is all too quick to accept all guilt. He self-deprecates, gaslights himself to a venomous degree, and twists his reality in so cruel a way as to make him the villain Mystra'd led him to believe. He self-flagellates himself, the first one in the world who will throw Gale of Waterdeep a mental punishment. Mystra's a goddess, after all, seen as utterly faultless, and twined so tightly with a being so mighty in esteem, Gale slipped into the role of the guilty often. When tied with anyone with grandeur like this, so immeasurable in their own self worth, it's important to keep in mind this: you are nothing but a prop in which to fulfill their ego. Gale was not Mystra's, not by a long shot. Rather, Gale was a tool, simply her mortal extension.

And he took every blow meant for her... a common and terrible habit for many people in imbalanced, ego-fueled relationships.

Gale's life beyond her wasn't something that interested her. She took most of Gale's devotion, manipulated his life to be her sole mantle of attention, for Mystra is not a goddess that shares very happily.

Indeed, long before his self-imposed isolation, this jealous deity did well at keeping him isolated.

Player Character: Picture kissing him. With tenderness. Then, with passion. Gale: I... I didn't think— Narrator: You perceive quick-fire embarrassment, trepidation, and finally... elation.

And so, cheated out of love, so reduced in his value as a man and lover both, suffice to say, Gale's slow to believe he can ever be loved. That's what happens when you're with someone so cold, consistent only in their infinite lack of respect. Gale looks at fondness, and he feels—confounded, to be sure. He thinks, is this truly mine to have? He doesn't know what to do, is nearly forty in game, and despite having lived decades devoted to one relationship, he feels, at the same time, entirely out of depth. To be frank, he greets it with embarrassment, like he's been caught red handed with something not his at all. He's like a child caught rummaging with his hand in a cookie jar, all this isn't mine to enjoy, not mine to indulge in, but he thinks, startled, but god, do I want. He wars with disbelief, uncertainty, and need, and in so many ways feeling utterly starved, with just a glimmer of affection, he falls fast into love.

Scenario: (And if properly romanced, it changes his world.)

Gale: In her (Mystra's) likeness, I used to read a thousand stories. She was beauty, wisdom, elegance, power... she contained universes. But now... it is hard to see any redeeming qualities in a lover who condemned you to death. I'd much rather gaze into your eyes than hers. Yours are capable of tenderness and feeling... No god could ever compare.

He says it with sincerity. There is such wonder, such love, and such awe in his eyes. He makes the act of kissing him feel like you've just reached into the trenches to but pluck him soundly from his ruin and despair. You think, Gale Dekarios, how unloved have you been all this time?

Gale: To know you love me for the man I am, and not the magic I command… none have loved me so purely before.

The answer is: entirely.

For so long, Gale thought love was simply being chosen. He knew nothing of being favored for the quality of his character, to be cherished and accepted even in those ways he fumbles and lacks. Again, his needs were seldom met, often treated with utter indifference by Mystra herself, and to meet someone so eager to treasure him, dote on him in a way his heart, his body is somberly new to, raptures his spirit and captures his soul. He's seen for who he is. He's... loved, desired for his silly quips, his easy smiles, and his growing affections. He bares himself to them, and in turn, they cradle his heart like something entirely precious. Gale thinks this has to be dream. He says, at times, you are more than I deserve.

Scenario: (But sometimes, he hopes too strongly and loves too greatly. As it always does, then, like he's once more wanted too much, he watches something beautiful slip right through his fingers. Of course, Gale Dekarios. Of course it does.)

Player Character: I didn't know you felt so strongly, Gale. Gale: Perhaps I should have done more. Been more charming, more flattering, harder to reach... but I was only myself, and sometimes that isn't enough.

They don't love him anymore. It breaks his heart. He hurts so much, so profoundly and deeply, and he doesn't realize that he breaks their heart in turn.

Unable to ever voice his feelings with Mystra in any way that amounted to much, Gale's a tendency to wallow, expressions coming off as potentially 'guilt-tripping' and even, on occasion, passive aggressive. Firstly: Gale NEVER means to manipulate emotions, and he's no intention of twisting anyone's arm, either. Fact is, Gale, never taken seriously when he'd bared his vulnerabilities to the Mother of the Weave, can end up saying just a little too much. He feels very deeply, and for most his life, seldom had an outlet for these weeping sentiments. He sometimes lets slip raw words and oftentimes heart-wrenching expressions; all the same, it's not so pitiful as to shepherd an outcome, but rather, is a gesture taken by a man so desperate to be heard. It may feel like scheming, but the truth is far, far greyer: feeling as though he's no right to share the depth of his heart, Gale simply lets it geyser out in a way he can't cork up. In ways he doesn't realize, he's adapted to this ache, passively reacting so his feelings can at least be seen and recognized—no matter how pitifully unwhole. With someone who values so little his thoughts... well, when he slips into these moods, one can hardly feign shock.

Situation: (And if no one shows him trust and tenderness, any true care in his character or worth, Gale gets swallowed up by how wronged he was.

He thinks: Let me be a god. Let no one hurt like me anymore.)

Gale: They only want us to serve them, pray to them...and ultimately, to die for them. But what if we didn't need them? What if we wielded their power instead and helped ourselves in all the ways they refuse to? I could make that happen.

Gale is not above anger, and as stated, he is not above pettiness; however, more than that, he is not above righting himself whatever wound he was struck. Gale, if not offered much by ways of affection, understanding, is made to believe that one idea that's lived growing in his mind: Gale Dekarios is far from sufficient; he has to be more. He has to be better. Gale, in such an unkind ending for himself, sips too desperately—and perhaps greedily, too, but desperately serves as a far better word—at that idea that he needs power. And so, wresting the Crown of Karsus for himself, he spites Mystra in his own way, becoming a god he feels is leagues better than she will ever be. Damn her thoroughly. Damn her ego, her power, and her endless indifference. He will serve the people, protect them, and in ways Mystra never could, better the world.

Situation: But as a god, he loses all sense of his kindness. Humanity. All who loved him leave him, and even Tara spurns the image he's become. With power, he's gained the respect he thought he always wanted... but in turn, he lost in even greater measure all the love he's known.

Endnote: But healing, knowing to forgive himself and knowing he's deserving of care simply for being Gale Dekarios will remain, always, the best path for him.

[zerodaryls]

it's so funny (read: sad) that if bigoted fuckheads didn't insist i was a woman simply by virtue of my body at birth, i'd probably be chill with she/her pronouns in addition to he/they. if my mom didn't insist i was her daughter, i'd probably let her call me that, and we could still have a relationship.

i'm nonbinary and 'gendered' words are hypothetically meaningless, but because there are so many people who are more interested in telling me who i am rather than lovingly and curiously letting me express my own sense of self, those words carry trauma.

there's no reason a nonbinary person like myself can't be a son and a child and a daughter. there's no reason a nonbinary person like me can't go by he, they, and she.

'she' is not a slur. 'daughter' is not derogatory. 'beautiful' 'pretty' 'gorgeous' 'feminine' are not insults.

to the contrary, they're parts of language that express certain facets of a multi-faceted human existence, like mine.

and i have this sad, mournful feeling that if it weren't for unloving, condescending people, i'd probably be down to be called any of those things alongside my usual masculine/neutral terminology.

but i'd rather die than let anyone tell me what i have to be called.