#I’ve read some fantastic ya ones! but the adult books…they all feel very similar to each other

[displayheartcode]

I think I’ve come to the conclusion that adult romantansy isn’t for me

[bettsfic]

Hi betts! I hope you’re doing alright and that your semester is wrapping up smoothly. I have a question about genre, I guess? I’ll preface this with the fact that I am not a writer or lit person, but just an enthusiastic reader. But as I’ve been on Tumblr and TikTok (in this case BookTok), I’ve noticed that it’s a lot of the same kinds of books that people get obsessed over. Largely, SFF written by women and often in “new adult.” I’m thinking of V. E. Schwab, Leigh Bardugo, etc. I’ve read a number of these books and enjoyed some of them quite a lot, but they’ve never captivated me the way they do some. That’s fine, people have different tastes. But after being served yet another TikTok about this same category of book, I kinda realized that for some reason they just don’t feel that adult to me. Which is weird because they typically deal with very adult themes. Some are super sexual or violent and the like, but the way they’re written doesn’t feel mature to me. Even The Poppy Wars, which is very adult, falls into this category for me (I did enjoy this one, though). I’ve tried to interrogate this for bias, especially since I know a lot of people like them because they are written by women, (mostly) feature more diversity, and have large female audiences. But then I think about which books did feel adult, but fall in similar genres: N. K. Jesimin and Ursula Le Guin come to mind (even her youth fiction feels more adult to me). So I guess I’m curious what you feel makes a writing style more mature versus simply the content? Why is it that SFF, while often depicting adult events, doesn’t come across as mature? I guess my frustration is that it’s one of my favorite genres, but the recommendations I’m getting across many folks just...isn’t the SFF I want. How does one distinguish between these? Idk if I’ve expressed this well and I definitely am not trying to judge people. I’m just looking for a certain atmosphere in my reading that I find rarely.

i’m so excited i have an answer to this. so first i want to say, i experience this also and it’s why i struggle to get through a lot of books. it’s why i love the secret history but couldn’t get twenty pages into if we were villains, even though everyone told me they had a lot in common. even if the description of a book is compelling and the story is very much to my taste, and even if the writing is totally competent, i’ve found that sometimes there’s just something lacking that makes me set a book down and never pick it back up. 

i was thrilled to find there’s term for this: the implied author.

the implied author was coined by wayne c. booth in his book the rhetoric of fiction which, while dense, is a really fantastic read (if you’ve been keeping up with my newsletter you know how feral i am for this book). as a blanket definition, the implied author is the space that exists between the narrator and the writer. when you read something, you can’t make any factual conclusions about the writer (the author is dead and all that), but the narration often tips you off to the idea that the consciousness behind the writing is wiser and knows more than the narrator. 

that’s a very condensed version of booth’s definition, which takes up like 40 pages. here forward are some conclusions i’ve drawn based on it. 

when the space between the narrator and implied author is narrow, some of us as readers tend to get bored pretty quickly. it’s what you’re referring to as maturity. however, when that space is wide, when it’s clear that the implied author is much, much bigger than the narration, that’s when i’m willing to sink my teeth into something. the wider that distance, the more i’m happy to ignore things like syntactical clumsiness or poor grammar. i would follow a good implied author into hell. 

for example, i could write a story from the point of view of a violent abuser. if you were to read it, you wouldn’t be able to say for certain that i, the writer, was not a violent abuser also. but you would be able to tell via the implied author whether or not there is an awareness of the abuse, whether it’s being written with intentionality. not morality, mind you, but artistic purpose. 

the implied author has an idiosyncratic relationship to the reader. sometimes depending on the complexity of the work and the critical reading skills of the reader, the presence of the implied author can be invisible. this is the catalyst, imo, to a significant amount of the present morality discourse. many (if not all) purity officers and antis don’t have the reading skills to be able to see the implied author, or that the moral trespasses that occur in fiction are written intentionally and for a purpose. they believe that anything depicted in fiction is advocating for or promoting that which it’s depicting. 

lolita is kind of the ultimate classic example of the inability of some readers to see the implied author. nabokov even has a fictional preface from the pov of a scholar doing research, flat-out telling us that humbert is a bad guy and Do Not Trust Him. and yet, lolita has been misinterpreted and vilified for decades now.

in that same vein, the implied author is the reason that some stories put a bad taste in our mouths. it’s how we reach the conclusion that a story is racist or sexist or homophobic outside the literal depictions of racism, sexism, and homophobia. how can you witness racism taking place in a story and know that it’s speaking to the experience of racism and not advocating for racism? that’s the presence of the implied author. sometimes, though, you can’t tell. sometimes a writer tries to speak to the experience of something and fails at making clear their own awareness. or sometimes, they’re just not aware at all. 

in fanfiction, the implied author takes place, in part, in the tags. i remember stumbling upon a fic written by a purity officer which depicted an extremely unhealthy, non-negotiated power dynamic. and none of it was tagged. i had no evidence the author was aware that they were even writing something “problematic.” obviously i support their right to depict whatever kind of relationship they want for whatever reason they want, but i did find it a bit off-putting, that this person who was a known harasser in fandom had no seeming understanding that they were writing the very kind of fic they were rallying against.

but, you know, my hands aren’t clean either. until the MFA, i was a very poor reader. for example, in 2010 i read the hunger games for the first time. in 2020 i re-read the series on my kindle, where all my annotations from 2010 had been saved, and so i got to see all my glaring misinterpretations of the text. every time katniss has to get dolled up in the capitol and made beautiful, i left a note like “ugh,” because i thought all depictions of performative femininity were Bad. even though thg is a YA book and i was an honors student in college, i was still unable to see that katniss’s beautifying was commentary on consumerism. i was oblivious to collins’ implied author, the presence in the book that is shaking you by the shoulders and going, THIS IS WHAT’S WRONG WITH SOCIETY. 

but sometimes, like in your case, the opposite situation occurs: you the reader are wider than the implied author, and so some books have little to offer you in terms of depth or insight into the human experience. i don’t mean that to sound pretentious or anything; what i mean is, we all read at different skill levels and for different reasons, and we all get different things out of the stories we read. we’re all at different places in our reading lives, and we all have room to grow.

i hope i explained this clearly enough! hopefully one day i’ll be able to write a formal essay on this, because booth wrote about it in the 60s and a lot has happened in fiction since then. 

[questwithambition]

Book recs?

So this took a while to get to because I have A LOT of books to recommend (see other recommendations here and here) - but I'll go over them and split this up by genres beneath the cut:

Fantasy

My favourite genre! Really got into this last year so have many to recommend, trying to show a few different styles here:

Warbreaker, Brandon Sanderson

This is a great entry to fantasy genre imo: it’s a stand-alone and relatively short (for the genre), it has a fantastic magic system (based on breaths, used to see colour and sound, and animate objects), and characters that have a fantastic arc (we follow two very different sisters who love each other very much, and they have wonderful wonderful character arcs with growth and fallings and all that).

The Mask of Mirrors, M.A. Carrick

A delightful combination of a Venetian inspired setting, lots of political and morally grey characters, and a couple of styles of magic. I’m currently reading the second one and I am always so excited to turn the page. I’m also constantly in two mind about some of the characters because they all contain multitudes. It’s great. (If you enjoyed Six of Crows this is a books I’d recommend - similar vibes but written for an older audience)

The Jasmine Throne, Tasha Suri

A different setting to your more traditional fantasy, based off of India, with a whole load of queer characters thrown in to make it better. A more nuanced magic system, and a plot with many many threads, which all grow to become a book that I read in one or two sittings. The second instalment is one of my most awaited books of this year.

The Priory of the Orange Tree, Samatha Shannon

Because what good is a fantasy recommendation list without a book with dragons? Another book with fantastic world-building, where you get to visit many places and learn about different cultures and customs, where a few threads and characters combine to create a wonderful plot, and some wonderful LGBTQ+ representation in there. And dragons. (It took my. While to get into this one - I was in a bit of a reading slump - but please do continue with it, it’s amazing).

Assassin’s Apprentice, Robin Hobb

Do you like having far too many emotions about characters? Do you like getting all the feels? Do you like hurt/comfort? Then do I have a book for you. A classic in the fantasy genre, but for a reason: it explores characters in such depth and such a way that I’ve rarely read about before. I personally tend more towards books that have a nice combination of plot and character development, and also slightly less “characters are having a hard time” books, but I am so glad I was encouraged to pick this (and the sequels up). They just get you.

(Also shoutout to Mistborn and Stormlight Archive, both by Brandon Sanderson, for being my current favourites. I routinely think about these - I went in with high expectations and they blew them away)

YA

A lot of adults tend to critique this genre and to that I say stop being stuck up pricks. Of course it may not appeal to you as much, you’re not the target audience. That doesn’t mean other people of all ages can enjoy it. So with that said:

Six of Crows, Leigh Bardugo

A popular one around here, but it was my favourite book for many years (before I hopped onto the fantasy wagon). I have reread it recently and it holds up well too! A combination of heist action, characters being badass in many ways (through magic, knives or just smart), some great characters and character arcs, and a plot that had me unable to put the book down for a while. Also a delightful selection of morally grey characters to choose from.

The Throne of Glass series, Sarah J Mass

Look, I was prejudiced against this before I picked it up, I’m not one for romance, even less YA romance. But turns out (and this becomes especially true past the first couple of books) that this series is a lot more fantasy related than anything else. Yes, these books are easy to read but ngl I did get hit with the emotions multiple times, especially as characters deal with trauma (and *it takes them more than a chapter to get over it*), deal with different kinds of adversity and learn how to be better people. Also love the appreciation for the arts this story shows.

Percy Jackson / Heroes of Olympus / Trials of Apollo series, Rick Riordan

Yes I know this is more middle grade than YA but I think they absolutely deserve a mention, I’ve been making my way though them again and it’s such a delight. Sometimes you just need to read some good Rick Riordan content and maybe you’ll feel better.

Other Fiction

A lot of these tread the line between multiple genres so they’re just going here

Piranesi, Susanna Clarke

Some would say this is fantasy, to which I would reply the fantastical element isn’t the point of the book? This one stays with you for a while afterwards, as you tilt your head a bit reading it, falling a bit in love with the main character as you wrap your head around the setting. Very short (just about 150 pages ish?), very enthralling, very likely to make you miss your tube stop.

She who became the Sun, Shelley Parker-Chan

Lies somewhere in the historical fantasy realm, but what makes this story is the characters and their journeys. The main character makes you feel all sort of conflicting things, you feel many high and lows, and you get to discover this harsh world where you’re not quite sure what will happen next. I’m rubbish at summaries, but please do look this ones up - set in the 1300s in China, with some enthralling LGBTQ+ characters.

Ella Minnow Pea, Mark Dunn

I didn’t know how to summarise this so taking from StoryGraph: “Nevin Nollop left the islanders of Nollop with the treasured legacy of his pangram the quick brown fox jumps over the lazy dog. But as the letters begin to crumble on the monumental inscription, the island's council forbids the use of the lost letters and silence threatens Ella and her family.” Another one sitting read, that has you hanging onto every word (and letter!), with such an original idea that is beautifully executed. Another great one to pick up if you’re in a reading slump.

The Night Circus / The Starless Sea, Erin Morgenstern

Both of these are excellent, and very similar in certain ways: a focus on the atmosphere of the book, with characters discovering more and more of a fantastical world, but with human emotions. I don’t know how to summarise it, but in both cases I wanted to stumble into the different worlds. These aren’t for everyone, but I would recommend trying them because the writing is outstanding, as you follow the thread leading you through this magical world.

Non-fiction

The Anthropocene Reviewed, John Green

So this man can use words in a way that just hits. Reviewing aspects of the Anthropocene, the geological era that we are in now, where humans have the power ti affect the whole Earth, combined with memoirs and thoughts; he manages to put words to some of my feelings. I’m planning a reread of this book very soon.

(If you’re not sure, I recommend listening to the podcast or this video, the essay about Auld Lang Syne. I love it so very much)

A Life on Our Planet, David Attenborough

Or how to feel both despair and hope at the same time, and realise that despair is easy and the way out, whereas hope is work, but it is what we need, for our sake and the futures sake. A book read in one sitting, about the state of our planet, some memoirs of the author, but also about hope for the future and how to cope. Want to put this in everyone’s hands.

Mythos, Stephen Fry

I’ve mentioned this book many times because it (and the sequels) are great. They’re my go to if I’m in a bit of a reading slump: a retelling of the Greek myths, lanced with humour and some of the author’s thoughts, making you feel as if you’re sitting around a campfire listening to a bard share a tale. They’re a delight to read.

Happy reading and thanks for the ask - I love talking about books!

[trashmancer]

Again, been reading a lot recently, and here's some recent reads and my thoughts. (All very spoiler-free)

Johannes Cabal: The Necromancer by Jonathan L. Howard

I'd heard about this series for a while, but had always kept putting off reading it, and finally I was in the mood for some comedic (yet dark) shenanigans--and a villain protagonist as charming as Johannes Cabal really hit me just right. I really enjoyed the first of this series and the introduction to this 1920's-ish universe similar-yet-different to our own that Howard's created. His writing is crisp and clever--and Johannes is a villain protagonist worth cheering for. He's duplicitous, arrogant, and cold, yet sharp-witted and competent enough to be engaging, and even though he's amoral (driven predominately with an "ends do justify the means" mentality) there are glimmers of a conscious buried in there.

The basic gist of the first book is that Johannes Cabal is a necromancer dead-set (ba-dum-sh) on thwarting the biggest plague affecting mankind: Death. As such, he's willing to go to extreme lengths to hone and perfect his necromantic abilities. In the pursuit of this knowledge, Cabal sold his soul to Satan, but he comes to realize he actually needs his soul for his necromancy to work more properly (apparently without a soul it gets very unpredictable). In order to win his soul back, he strikes a wager with Satan: he will accumulate 100 souls for Satan in return for his own. Satan, ever the fair player (not), gifts Cabal with an infernal carnival to help Cabal reach his goal within the year. Shenanigans ensue.

While I read some books in-between this one and the next in the series, I'll write about the other here--

Johannes Cabal: The Detective by Jonathan L. Howard

So clearly I enjoyed the first installment enough to keep going, and I am glad, because I enjoyed the second one even more than the first. It feels like Howard got more comfortable with the characters and world than before, and in this one he expands his universe with some made-up countries that are similar-to-yet-different than countries on our Earth. In this one, Cabal does less fantastic tricks, as he dons the role of investigator (there's been a murder--on an airship!), but the plot was very fun. I will say this is one of the first books in a long while to genuinely make my world-weary ass laugh out loud in public. Howard truly does know how to turn a phrase and comes off with some great witticisms.

Guns of the Dawn by Adrian Tchaikovsky

Tchaikovsky has been on my radar for a while because I have had Children of Time on my reading list for what feels like an age (and I still haven't gotten around to reading it, but I will soon). To prime myself, I looked up other works by Tchaikovsky. This was around the time I was look for good "stand-alone" Adult Fantasy novels as well, so the two linked up and I had this on my TBR for a while and got around to finally cracking it open.

I really loved this book. If I could describe it in any way, it would be sort of like Pride & Prejudice if Elizabeth Bennet got drafted into a war. Seriously. That's how it reads--and Tchaikovsky made the allusions to Austen's work very clear. The setting is very English-inspired, and the time period mimics Napoleonic times. Definitely the first "Flintlock Fantasy" I've had the pleasure of reading.

The themes of the book are about the caustic nature of nationalism, the blurring of truth during war, and what is true patriotism in the face of falsehood and horror. Definitely my kind of questions--and I love watching characters thrown into completely unfamiliar environments. A genteel woman (Emily Marshwic) being tossed headfirst into grisly, mosquito-infested swamps armed with a musket? It's a fascinating journey she undergoes.

Plus the novel featured a romantic subplot that hits my enemies-to-lovers buttons hard. (It's not at all like one of those tired YA enemies-to-lovers stories, but something more grown-up and messy, which I approve of, because I love drama.) But this is more of a personal note. It's definitely not going to be for everyone.

Retribution Falls (Tales of the Ketty Jay #1) by Chris Wooding

After Johannes Cabal, I got into the mood for some steampunk, and I hadn't actually read much in the way of steampunk, so I looked up some recs and the Tales of the Ketty Jay series seemed to appear on a lot of lists for this kinda thing. The basic gist of this one is... imagine steampunk Firefly. That kinda gives you the whole vibe and feel. It's about a crew of disparate and colorful characters all running from something who meet on the ship the Ketty Jay and have to learn to work together to survive.

Overall, it was a fast-paced read (I read this 400 page sucker in a single day--while doing other stuff) and Wooding knows how to write action and interesting character interactions. The world had some glimmers of brilliance (the wizard analogs in their world--daemonist--were the most intriguing part), but otherwise it was very typical steampunk. I had no real quibbles with any of that (aside from the fact some of it read as very cliche and Wooding's inspirations seemed a little obvious--Fullmetal Alchemist and Firefly being the two big ones that kept hammering me over the head), but my main complaint was with the writing and treatment of female characters. First, there is only one main female character in the Ketty Jay's crew--Jez. I had no real issues with Jez's character or writing (in fact she's refreshing in some ways), but she's completely isolated from any other female characters (and is also the only crew member who isn't really allowed to be a complete screw up--she's somewhat sanitized, which, I guess the heroic women characters aren't allowed to be fuck ups like the men?). Second, the other predominate female characters, of whom there are only three, are mute/dehumanized (Bess), characterized as stupid and unhinged (Amalicia), and have rape-as-a-backstory-written-TERRIBLY (Trinica). All that said, as much as it was cringe, this was written in 2009, and I am sure Wooding has had some growth as a writer since then.

I liked this one enough to decide to check out the next in the series (even knowing the writing for the female characters leaves much to be desired).

Black Sun by Rebecca Roanhorse

A Fantasy taking place in an Americas-inspired world? Absolutely refreshing (and more please). The main gist of this one is that a cult sets out to resurrect a dead god (seriously that's the main plot crux) while political machinations are going on in the central city of this country where the resurrection is going to take place. As the novel progresses, it's like a countdown clock to game time. There's four POV characters we follow: Xiala (a Teek sea captain who is kind of an outcast from her native people and has a love for beautiful people), Serapio (the man who has been groomed since birth to be the vessel for the resurrected god, part of this process has included blinding him), Naranpa (the Sun Priest of the capital city who is trying to garner back control the priesthood has lost), and Okoa (who really doesn't even appear until way later into the book; he's been separated from his family to train to be a warrior). For the most part, I was primarily engaged (re: 90% engaged) with Xiala and Serapio's story. They were the most interesting characters, and the journey of them on the sea trying to get to the city before the ceremony was exciting and emotional. The political dealings in Naranpa's segments kind of bogged down the action--and I didn't feel anything for that. Overall though, definitely a thrilling read with a beautifully constructed world. If I had one big criticism, it's that it ended incredibly abruptly without any resolution. I knew going in this was a part of a greater whole, but I still felt the ends could've been knotted a little tighter. I'm left dangling! But I'll be sure to pick up the next one (if anything just to find out what happens to Xiala and Serapio).

Vicious by V.E. Schwab

As an unapologetic villainfucker, I had to read this one, right? It's about not just one, but two villains! How could I lose? And they're in an intense rivalry? Revenge? Betrayal? Superpowers? Gah! Be still my heart!

I'll say I enjoyed this book (fun characters, solid writing), but I didn't love it as much as I thought I would (I wish I could love yooouuuu!). Definitely worth a recommendation to anyone who loves villains and fast-paced narratives, but... there were a few things that tarnished what could've been sparkling. The biggest for me was the jumping around in the first half. For a length of time, the novel leaps between three different points of time, sometimes 2-3 pages at a time, and it was jarring (not confusing, mind you, but it was a jolt each time). I get it was done to create an air of mystique and intrigue, but it felt like I was getting dragged around by the ear. Along with this, the plot just seemed... very convenient? As various moments kept happening, it all felt too tidy and paint-by-numbers. The characters were certainly messy and fun (and I love messy and fun), but the action itself seemed to glide on well-oiled rails with no hiccups. This did lead to the magnetic pacing of the book (which I also read in a day), but it didn't do the drama any favors. Never once did it feel like the characters were caught with their pants down--and I think that's part of the point, but it kind of dampened the tension.

I liked it enough I am definitely going to check out the sequel Vengeful though. If anything I am reading for Sydney, Mitch, and Victor. I gotta know what happens to them!

--

Right now I am reading some fluffy fluff to cleanse my palette because I've been reading so much moodiness. I'm mid-way through the light and breezy Half a Soul by Olivia Atwater (and it's super cute so far) and then I am finally going to crack open Andy Weir's The Martian (because I have put off reading it for far too long).

[jawnkeets]

happy easter! how do i make the jump between young adult books and classic ones? i’ve read a few classic books (mainly for school) but i tend to read ya fiction. however i really want to study english at oxford and ik that i’m going to need to widen what i read. so do you have any tips on starting to read classics or can you recommend some classic books that are good/interesting? i really want to read more classic books AND enjoy them! thank you

hi! i’m so so sorry about taking so long to reply. in truth i didn’t know how to answer this at first! partly because i was trying to work out how i did it, and partly because if i made an advice post on this i didn’t want to snobbily imply that the time comes when we should all be moving on from YA lit, because i know it’s really important to a lot of people that follow me, and i don’t at all want to prescribe what people should read at all. but disclaimers aside, it’s a really good question.

1. i suppose i’d say that whilst it is a new start in some ways, in others it really can just be a further expansion and continuance of your interests! when i read young adult i loved spooky stuff, so the first thing i sought out was classic lit along those lines, particularly gothic and/ or late victorian literature. that way i didn’t have to force myself to be interested; i was already interested in the subject matter and then only had to gradually adjust to the language and pacing. then i found that the more i read, the more my tastes gradually changed and organically developed (e.g. ‘i really liked these particular philosophical questions/ moral issues raised by frankenstein as much as the spooky stuff i originally picked it up for, i think i’ll read some more romantic literature dealing with similar concerns'), and the more classic lit i read willingly and enjoyed genuinely. if you send a list of young adult genres etc u like i can do my best to recommend some classic lit for you to start with!

2. romanticiseeee itttt – watch dead poets society, share pretty pictures on tumblr, etc. you can give this up later (or not! up to u), but this has given so many people a sense of how exciting history, literature, philosophy, etc are. as i’ve said in my faq, don’t do this at the expense of actual learning, but rather use it to kindle a sense of excitement, like it’s something really important and life-changing (which it is!!). look at art, read the wikipedia pages of philosophers, get acquainted with greek myth, do it all (it doesn’t have to be in a systematic way, just follow what catches your eye and the links will form naturally)! i think schools get it wrong in separating subjects so firmly from one another – you’re delving into the past, into ways of feeling and thinking that in many ways are SO different to what we think now (though in some ways comfortingly similar). be open not just to enjoying this as a hobby, but to entering it. i felt pretentious at first and that i was faking it, but it really is a case of faking it til you make it (and passion is never fake, anyway). there’s no ‘one way’ to read classic lit – i often thought i was missing something and was going to get ‘caught out’ as a phoney, but as long as you keep challenging yourself and throwing yourself into it the ideas and opinions you develop will be absolutely good enough, and you really will get out what you put in!

3. i was really fortunate to have a fantastic literature teacher who set up a weekly poetry club for a year or so; he picked poems that were ‘classic’ but very simple to understand. it was a wonderful way into classic lit as not just a stuffy thing to be adjusted to and slogged through to acquire a vague sense of achievement (why i didn’t read much of it before), but as vivid and alive – some of the poems had me reeling and i’d leave the classroom feeling things i’d never felt before and didn’t know how to name. ‘stopping by woods on a snowy evening’ and ‘the road not taken’ by robert frost were two i vividly remember, ‘high windows’ by philip larkin another, and also coleridge’s ‘rhyme of the ancient mariner’. read them aloud if you can! i’ve put together a poetry list, too, if you liked these (they’re all on there!) – skip the ones that don’t immediately speak to you, but hopefully a few will.

4. i was nervous about reading classic lit for ages, and was really put off properly starting, because when i read classic lit i sometimes just didn’t understand it. the actual words and the way sentences were constructed often baffled me, i had to go to the dictionary a gazillion times, i used sparknotes for every single scene in a shakespeare play. this is all fine, and don’t let anybody tell you otherwise! rome wasn’t built in a day, and things only get easier. you’ll look back and be surprised how quickly you improve, even in a short space of time.

5. but i also felt there was something i just wasn’t getting not just in terms of literal understanding but because a lot of classic lit (like the poetry of keats, or hamlet, or the great gatsby, which i did for school and was my sort of ‘gateway novel’) was so beautiful and mysterious but conceptually so far beyond me or different to how i thought and functioned, or even if i sort of grasped it i didn’t have a clue what to say about it. rainer maria rilke’s letters to a young poet fixed that for me – it’s a beautiful piece of writing and seemed to answer so perfectly my mix of confusion and mute awe when reading classic lit:

I want to beg you, as much as I can, dear sir, to be patient toward all that is unsolved in your heart and to try to love the questions themselves like locked rooms and like books that are written in a very foreign tongue. Do not now seek the answers, which cannot be given you because you would not be able to live them. And the point is, to live everything. Live the questions now. Perhaps you will then gradually, without noticing it, live along some distant day into the answer.

i hope this helps 💕 an exciting road ahead!!

[bemused-writer]

I miss Vnc so much that I re read previous chapter a lot because I miss ma boys noe and Roland 😭😭. I hope they resume soon.

Oh, I totally feel this pain. XD I miss them, too! And the suffering is real...

I’ve been thinking I might reread the whole series as well, partially because we’re in quarantine and I have time, but partially so I can make sure I’ve picked up on as many tiny details as possible. I still want to write my Roland comparison and I am still haunted by numerous unfinished fanfic, so... Rereading never hurt. 8D

But, uh, if anyone wants my personal suggestions for stuff they can check out while they wait for more VNC (Yes, I absolutely am trying to get more people invested in my personal obsessions) here are a few!

Manga

1. Witch Hat Atelier by Kamome Shirahama- If you like magic, witches, worldbuilding, and a plot that gets more complex over time, you will like this. A current obsession.

2. The Girl from the Other Side by Nagabe - Has a dreamy (or nightmarish?) quality. Uses simple language that ends up more powerful because of it. Haunting and elegant.

3. A Bride’s Story by Kaoru Mori- Incredibly detailed art and incredibly well researched, this one is awesome. It really speaks to the kid in me that loved the Little House books, but this is told in a more complex, adult manner and also takes place across the Silk Road.

4. The Poe Clan by Moto Hagio - It’s a classic for a reason! I just started reading this and I’m already hooked. If you need a vampire fix and a story that spans the years, this is a good one.

Graphic Novels

1. Loki: Agent of Asgard by Al Ewing and Jason Aaron - Actually deals with the idea of what a trickster god is, what stories are, and has a fantastic friendship.

2. Bird Boy by Anne Szabla - I believe you can also find this as an online Web comic. Beautiful art and vibes similar to ATLA.

3. Cucumber Quest by Gigi D.G. - This one is just a lot of fun. Lots of great humor and tropes turned on their head.

4. The Electric State by Simon Stålenhag- Kind of a cross between a graphic novel and a book. Deals with a woman trying to restore her robot brother in a ruined world.

Books

1. Uprooted and Spinning Silver - These are both standalone books, but they’re both by Naomi Novik and have a similar vibe. They both deal with magic, folklore, and they go in directions you might not expect. Highly recommend.

2. Brandon Sanderson - No, not a book, but an author who writes so many good books you may as well read all of them. 8D However, if you want something shorter, I would recommend starting with either Legion or Skyward. The former is a novella and the latter is a YA series. Both are sci-fi, both are awesome. If you want something longer, I would recommend Mistborn and The Stormlight Archive, which are so ridiculously good I can’t even begin.

3. Radiance by Catherynne M. Valente - If you want a book that feels like a silent film and has purposefully old-school sci-fi settings that also feels a little unreal, this is an excellent pick.

4. The Murderbot Diaries by Martha Wells - If you want some sci-fi novellas that feel like really good movies with witty dialogue and a sympathetic robot protagonist, this is your series.

Television

1. What We Do In the Shadows - Superb comedy and it features vampires. I just love this series.

2. Dirk Gently’s Holistic Detective Agency - The first season is so good that I have watched it numerous times, sometimes in a row. Everything you expect will be turned on its head.

3. Good Omens - Decent chance you’ve already watched or read this, but if you hadn’t, it’s very timely and is just a feel-good show despite the forces of Heaven and Hell trying to destroy the planet.

4. Over the Garden Wall - Has a delightfully surreal vibe set in an autumn wood where two boys try to figure out how to get home. Witty and thought provoking.

Video Games

1. Finding Teddy 2 AKA Chronicles of Teddy by Storybird - Super cute, great puzzles, and an excellent metroidvania. Way too much fun.

2. Anything by Frictional Games (Penumbra, Amnesia: The Dark Descent, SOMA). You will feel existential for days and be glad for it.

3. Anything by Wadjet Eye Games (Blackwell series, Technobabylon, Unavowed, etc.). They make fantastic point-and-click adventures with excellent plots and characters. Rosa is extremely relatable.

4. INSIDE by Playdead - A short game featuring a boy trying to escape unknown assailants trying to bring him back to a lab. Haunting, disturbing, and the story is told without a word of dialogue. Love this one.

Anyway, I could go on, but I’ll leave it there for now. 8D If anyone wants more suggestions, I’m happy to give them though. You can find all this stuff online, through streaming services, etc., but if all else fails your library probably has OverDrive and/or Hoopla where you can ask them to get said goods if they don’t have it already (except for the video games, but that’s a given).

I’m definitely looking forward to VNC’s return, but we can get through this! ^^

[threewaysdivided]

Yo hey!!! I just read through your YJ:DW series and I absolutely love it??? So much??? You write absolutely marvelously and have such a wonderful devotion to characterization and everything feels very Real and Natural. Your pacing is most excellent, you really know when things need to be lingered on and when they don’t need much more than a passing mention. And g o d I absolutely adore how you characterize so many characters, but particularly Danny. Like, he’s still the same Danny from the-(1/?)

show, but he’s changed in very particular ways that really match with what he’s been through. He’s very cautious and nervous and frightened after everything that’s happened, afraid to trust, to let people know too much. And that makes sense with everything he’s been through! He’s been on the run for so long, settling in one place definitely chafes at him. More than he feels it should, but it does. And like! He’s so wary and on edge with meeting the Team and the League members. I am def- (2/?)

-initely looking forward to seeing even more of their interactions. And like!!! The team’s reactions!!! Are so well thought out and just fantastic. Like, how Robin is aiming for a mix of normalcy and just a touch of protectiveness. And M’gann is curious and welcoming and doing her best to be Team Mom without being overwhelming. And how Wally is so intensely disbelieving and flippant QND almost abrasive to Phantom. I really wonder how he’s going to change in his approach to Phantom,- (3/?)

-like if he’ll dig his feet in even further to the point of rejecting reality in an attempt to maintain the reality in his own mind, or if he actually will start considering the science behind ghosts possible. I’m so excited to see how that develops. Also, aside, can I just say I loved getting Black Canary’s perspective on things with the last chapter? It revealed a lot more of Danny’s proper abilities and strengths than ya’d necessarily be able to piece together with a younger perspective-(4/?)

-and it just really helps develop the dynamics of everything even more. I’m wondering if you’re going to end up giving Danny enhanced strength or not, and if so to what degree, as an aside, explaining a bit more why he might be pulling his punches. I also wonder if he has any hesitation with fighting living folks who aren’t actively trying to hurt him, seeing as he mostly has experience fighting Ghosts and Hunters. Also also, I’m just so excited to see them all go on a mission!!! (5 or 6/?)

-Aaaah I could keep gushing for a Good While but I’m forgetting how many asks I’ve sent and I don’t want to bother you toooo much, so Imma just finish with you write beautifully and I’m So EXCITED to see where you go with things and like aaaaaaaaah, ya kno!!! (6 or 7/ 6 or 7)

Okay, first things first, you are absolutely not bothering me.  You found a piece of free content that I put up and - with no obligation or expectation -  sent me six messages detailing how much you liked it, and that’s Delightful.  It made my morning.  ‘Bothering’ is more than welcome on this blog.  Encouraged, even!

We’ve got a lot to cover so let’s get to it:

Danny’s Characterisation

Danny’s character has been a bit of a challenge to balance at times but I’m pretty pleased with how he’s shaping up.  There was this trend I noticed back when I started where - even in fics I really like - people had a frustrating tendency to swing him too much in one or the other direction; either turning him into a confident wise-cracking hyper-powerful hyper-skilled Troubled Badass™ who everyone respected even if he was humble about it, or into a Sad™ Broken™ Tormented™ cinnamon roll who just wanted love and who trusted and is trusted by every hero with minimal persuasion, when really he’s somewhere in the middle.

He’s a hero, yes, but he’s also a teenager.  He’s experienced and competent, but it’s in the self-taught way that leaves him with rough edges, blindspots and a lack of technical skill.  He can be a good, confident leader when the situation calls for it but he’s also someone who reads as fairly socially introverted and canonically has personal self-confidence issues, anxious and depressive traits and really wants to be accepted by his peers.  He’s friendly and funny and likeable but lacks social experience in a casual setting and can struggle with expressing his feelings, knowing the right thing to say/ do and being open with people.  He’s not just one or the other.  He’s both.

I also really wanted to explore the Death and Secrets plot points with more emotional detail.  It felt like a lot of the time in stories where he lost his family, Danny would either stall out in a tormented Grief State right until a Power of Love/ Friendship-prompted revival toward the final act, or he’d be sad for 5-10 short chapters then bounce back to his old self and go off with his New Family like it ain’t no thing.  With Deathly Weapons I want the characters to have to grow and come together naturally; to earn their healing and show why/how they’d come to like and trust each other, or decide that the other person is worth making the investment.

The Team

It’s kind of funny in hindsight but the Team’s development was a oddly late addition to the planning.  Which was fine for Arc I - being very Danny-centric - but then, as I was brainstorming Arc II it kind of hit me that if I was going to call this fic Young Justice: Deathly Weapons I should really try to showcase what I liked so much about the series.  And then I realised how much Danny’s experiences (canonical and DW-verse) and Team Phantom paralleled different members of the S1 cast, and how much character exploration potential there was to be had.  Arc II is basically just 8 teens looking at each other and going “We’re not so different you and I” in various settings for 20+ chapters.

There’s this nice quote from Stieg Larsson that I think sums up how I see both Danny and the different members of the Team fitting together: 

“I’m not going to compete with you. I’m better than you are at what I do. And you’re better than I am at what you do.”

All of them have at least one thing they’re good at, and at least a few weaknesses that other members can cover.  Their skills are complementary, their personalities and experiences are complimentary and none of them feel redundant in being there.  And with the extra challenges a DW-verse AU opens up, it creates a space where Phantom can slot in without having to displace an existing well-established member.

It also makes revolving perspective a lot of fun as I can tag in whoever’s mindset and perspective best fits the tone and information that needs to be delivered, rather than risking any one character losing their characterisation to their role as de facto narrator.

Despite how he’s acting right now, Wally is actually one of my favourites.  Needless to say there’s a lot more going on with our resident speedster than simple garden-variety ecto/paranorma-phobia, but that’ll be explored more in the chapters Flashpoints, Combustion and Equilibrium.

Training and Powers

Bruce and Dinah both make fun writes because they’re adults with more maturity and experience, which makes them great sources of diegetic exposition and perception that the main Team wouldn’t carry as well.

I’ve gotten a few questions about Danny’s powers in that chapter and how close they play to canon, so I should probably clear that up.  First thing is that DP’s canon is very wibbly wobbly about Danny’s power set (Is it super-strength letting him lift that or is he touch-transferring flight to make it weigh less?  Are those ectoblasts actually fire or was that just an animation flourish?  Can he teleport or is he just really fast and invisible? Does him lifting a rake that one time mean he has telekinesis or was it just a quick sight-gag?) so I’ve had to make some calls with grouping and sometimes dropping or altering edge-case powers to create a system that makes sense.  The other thing is that Chapter 17 is Danny explaining the things he consciously uses on the job and exploring how they compare to similar DC powers, rather than detailing out every single aspect that makes him different from regular humans.  (Kind of like how you wouldn’t bring up your own lung capacity, 20/20 distance vision or excellent patellar reflex unless someone drew your attention to it).  The chapter mostly serves to do some character set-up for later and drop some needed exposition so that Danny won’t have to be breaking the flow of future missions to explain very basic facts about his abilities the first time he uses them.

As for pulling his punches, some of it is certainly to do with him being uneasy about fighting breakable living beings when he’s used to ridiculously tough Ghost Beasts, and some of it was specifically due to who he was paired against.  But again, that’s something we’ll explore in future chapters.

Pacing and Writing

At this point I can only put this down to lots of planning, drafting and taking inspiration from the styles and structures of some very, very good published authors.  Quite a few chapters started out as simple exposition dumps or time skips before I realised that they’d have more value expanded out into full entries of their own.  (My drafting process = step 1: write too briefly, step 2: balloon to massively bogged down self-indulgent explorations, step 3: reign it in to something readable).

Books I definitely took stylistic influence from:

1. Steig Larsson’s, Swedish crime-mystery series The Millenium Trilogy.  Lisbeth is one of my character references for writing both Batman and Robin.(NOTE:  Hard MA+ rating, cw for explicit discussions and depictions of misogyny, homophobia, violence, gendered violence, sexual assault, stalking, drug use and Nazis.  Good books but Discretion Advised.)

2. Markus Zusak’s The Book Thief.General influence/ reference for prose and imagery, especially for the tone of Roads to Safe Places (ch.15).(Beautifully written story about humanity, but set in WWII-era Germany so be advised that Nazism, Nazis, War and Death feature heavily.)

3. Patrick Rothfuss’ The Kingkiller ChroniclesGeneral influence/reference for style and prose, YJ:DW Ch. 15′s title is a deliberate call out to the same title in Chapter 18 of KKC Book 1.(Fantasy books with some fantasy violence and a little bit of sex but nothing especially shocking.)

I’m just so excited to see them all go on a mission!!!

Me too!  Quick question though:

Just one?  Or are all of these okay? 😏

Now that I think about it there’s a weird dearth of story missions outside of the one needed for set-up in most YJxDP stories.  Not sure why.  Anyway, Deathly Weapons is a beast, we’re going to do at least 10.  I gotchu fam.

Aaand I think that’s everything.  Thanks for dropping in, feel free to stop by anytime.  Hope to see you around! ❤

[wellesleyunderground]

Wellesley Writes It: Interview with Patrice Caldwell ’15, Founder of People of Color in Publishing

Patrice Caldwell ’15 is the founder & fundraising chair of People of Color in Publishing – a grassroots organization dedicated to supporting, empowering, and uplifting racially and ethnically marginalized members of the book publishing industry. Born and raised in Texas, Patrice was a children’s book editor before shifting to be a literary agent at Howard Morhaim Literary Agency.

In 2018, she was named a Publishers Weekly Star Watch honoree and featured on The Writer’s Digest podcast and Bustle’s inaugural “Lit List” as one of ten women changing the book world.

Her anthology, A Phoenix First Must Burn – 16 stories of Black girl magic, resistance, and hope – is out March 10, 2020 from Viking Books for Young Readers/Penguin Teen in the US/Canada and Hot Key Books in the UK! Visit Patrice online at patricecaldwell.com, Twitter @whimsicallyours, and Instagram @whimsicalaquarian.

Wellesley Underground’s Wellesley Writes it Series Editor, E.B. Bartels ’10, had the chance to converse with Patrice via email about publishing, reading, and writing. E.B. is grateful to Patrice for willing to be part of the Wellesley Writes It series, even with everything else she has going on!

EB: When did you first become interested in going into writing and publishing? Did something at Wellesley spark that interest?

PC: For as long as I can remember, I’ve loved writing. It’s how I best express myself. That love pretty naturally grew into creating stories. I’ve always had a very vivid imagination. I’ve also always been pretty aware that publishers exist. I remember at a young age noticing the logos on the spines of books (notating the imprint/publisher), so by the time I was a teen I could recall which publishers published my favorite books (served me very well in interviews, haha) and was curious about that process. But I was a theater kid, intensely, that’s what I thought I would do, but then I decided to go to Wellesley and majored in political science (especially theory—I took ever class Professor Grattan, she’s brilliant) but then dabbled in a bunch of other subjects, including English. I think English courses definitely strengthened my critical thinking, but I absolutely do not think you have to be an English or creative writing major in order to work in publishing or be a writer. My theater background is just as helpful as is my political theory one. (I have friends who are best-selling authors who did MFA programs and others who never went to college.)

Wellesley was my safe space. I came back to myself while at Wellesley. I wrote three (unpublished) manuscripts during my time there, starting the summer after my first year, and I held publishing and writing related internships. I also took a fantastic children’s literature course taught by Susan Meyer (who’s a children’s author herself!) that changed my world. I highly recommend it. We studied children’s literature, got to talk to an author and a literary agent, and we wrote our own stories. I later did a creative writing independent study with her, and I truly thank Professor Meyer for expanding my interest in writing and publishing.

EB: How did People in Color Publishing come about? What goals do you have for the organization? What would you like people to know about it?

PC: I founded People of Color in Publishing in August 2016 to allow people of color clearer access into the book publishing industry, better support networks, and professional development opportunities. It really is about sending the elevator back down for others after climbing (& maybe even assembling) the stairs.

We’re currently working towards nonprofit status. You can learn more about us and our initiatives at https://www.pocinpublishing.com/ and sign up for our newsletter, which is incredibly well done. As you’ll see when you visit the site, the organization really is a team effort. I don’t and couldn’t do this alone; I’ve had an amazing team with me from day one. We each play to our strengths and work really well together. (The org is very active on Instagram and Twitter, too!)

EB: I am really excited about your collection A Phoenix First Must Burn, coming out from Penguin Random House on March 10, 2020. What inspired you to put together that anthology? What was challenging about the process of compiling the anthology, and what was rewarding about it?

PC: Thank you; I’m so excited for it as well. I talk about this more in the book’s introduction, but I was inspired by my eternal love for Octavia Butler—the title even comes from a passage in Parable of the Talents—as well as similar adult market anthologies like Sheree R. Thomas’s Dark Matter, and wondering what one for teens would look like. The answer is power and imagination like I’ve never before seen, in the form of a kick-ass, #BlackGirlMagic anthology that’s hella queer—I love it and wouldn’t have it any other way.

Before I became a literary agent, I was a children’s book editor. The editing of these stories was the easy part. It was super fun. The hard part was wrangling of everyone, haha. Thankfully they were amazing to work with and I wasn’t doing it alone—my then editor Kendra Levin also has a fantastic editorial eye.

As for what was rewarding, my younger self needed this. Like I said, it’s Black and queer. Since Toni Morrison passed, a day hasn’t gone by in which I’ve thought, about how she wrote for Black people, especially Black women, unapologetically. I feel that deeply. I got to work with some of my favorite writers writing today. How often does someone get to say that, you know. And, I grew a lot as a writer. I never thought I could write a short story, but I did. We’ve been getting some really great early reviews (like this beautifully-written starred review from Kirkus, OMG!) But going back to how my younger self needed this, the most rewarding thing has been the people who’ve reached out how excited they are to read it and how much they’ve been craving a book like this. It’s a dream come true. A dream I strategized to reach, worked my butt off on, and so yeah, I’m over the moon.

EB: You're also the author of a YA fantasy book (publication date TBD) in addition to the anthology. How is the experience of writing a fantasy novel different and/or similar to compiling an anthology? What advice would you give to someone writing their own book (of any genre)?

PC: It’s such a different experience in that writing this novel is all me, especially because it hasn’t sold yet (I’m finishing revising it now). My agents are amazing, with an excellent editorial skills, and so they’re certainly there to help and advise me should I need them—and then I have author friends I can ask for advice too—but ultimately if I don’t write this book, it doesn’t get written. There’s no one else to nudge.

The similarities, however, between novels and short stories are that ultimately, I’m the same writer, I’m the same person. For instance, I love experimenting with structure. My story for A Phoenix First Must Burnbegins in the present, goes back in time, and ends again at the present. The story I just wrote, for Dahlia Adler’s Shakespeare-inspired anthology, is epistolary—told partially in journal entries, and my third short story (for an unannounced thing) takes place partially on the set of a scripted reality TV show, so there’s definitely going to be script excerpts throughout. My novel is similar in that it’s told through three women, but two of them are narrated in first present tense (like, I am) whereas one is in third past (she was). And then every few chapters I have an excerpt of something from this fantasy world’s archives—oral myths passed down about various gods, peace treaties made over the years, accounts from the war that just ended, etc. It’s been a huge challenge and lot of fun.

I didn’t have the skills to pull this book off when I started writing it, which is something I think a lot of writers deal with at some point. Therefore, I had two options: put the book down and write something more manageable or take the time it took to write this. Neither option is better than the other—the best option is what’s right for you, and I didn’t have anything more manageable that I was as passionate about, so I had to write through it. When you’ve tried everything you can possibly try (including breaks, they’re important!) to unstick your story, you have to write through it. You have to deal with the voices (including sometimes your own) saying you can’t, and the only way to truly deal with those voices is to show up to the paper, the screen, whatever it is, and write. In writing and believing in my own work before anyone else has, I’ve found my confidence. Confidence in your own writing is key because only you can write the book you want to write <3.

EB: What are you currently reading?

PC: Realm of Ash by Tasha Suri. I just loved herdebut novel, Empire of Sand, and I’m so pumped to be diving into this one. Badass women, incredibly rich worldbuilding, and very cool magic as well as a lot about access to forgotten history and assimilation into other cultures.

My Dark Vanessa by Kate Elizabeth Russell. It is getting fantastic early reviews and was pitched as a 21stcentury Lolita (by one of my agents who sold it actually) and given all the #MeToo conversations, it has ended up being super timely. I hated Lolita (could not finish), and I love this book. Oh, and Stephen King loved it, which for me is an auto-buy. It’s out March 10, 2020.

The Midnight Lie by Marie Rutkoski. You definitely don’t have to love someone’s books to be friends with them, but in this case, Marie is a friend whose work I’m obsessed with. It’s set in the same world as another one of her series—one of my favorite series that’s like game theory in a fantasy world and begins with The Winner’s Curse. Marie is brilliant, this book is brilliant, and it’s also very queer. It’s out March 3, 2020.

Spinning Silver by Naomi Novik. This book has been getting the best of reviews and praise, so it’s been at the top of my to-reads list for a while, but I started reading it because a friend mentioned that it has multiple POVs all in first person (which is very unusual), and like I said, I love playing around with stuff like that. This is book is a masterpiece.

As you can tell, I love reading books. I also love book hopping, so I’m always reading a bunch at once. I’m on a bit of a fantasy streak right now. But from October to December 2019 I read like a romance novel a week (sometimes three a week, haha) and revisited my favorite urban fantasy series, so if you’re into those check out Chloe Neill’s Chicagoland Vampires + Heirs of Chicagoland series, Tessa Dare’s Girl Meets Duke series and of course our very own Jasmine Guillory, my favorite of hers thus far is The Wedding Party). After I’m done with my revisions, I wanna take a writing break and sink into Emily Wilson’s translation of The Odyssey and Dan Jones’s The Wars of the Roses: The Fall of the Plantagenets and the Rise of the Tudors.

EB: What future projects/goals do you have for yourself and your career?

PC: I spent most of Wellesley working towards two goals: being published and working in publishing. In doing so, I accomplished a lot in a very short time, and I totally wrecked my mental health—it took most of 2019 to rebuild that. I’m trying to live more in the present and enjoy that. Career wise, I’m just gonna trust that I’m already doing the work I need to do and that I have the support systems I need to help me keep doing that. And for a personal goal, I have been wanting to spend more time in Paris—I went back for the first time in ten years for all of February 2019, and just loved it. My whole soul felt at home, so I’d like to take some French lessons to fill in the gaps (I took French from middle school through sophomore year at Wellesley and achieved proficiency, but I want to become fluent). And then I want to visit more for longer and see where that takes me.

EB: I so admire your freelance hustle, and as someone attempting it myself, too, I know that sometimes it feels like you have to work 24/7 to make it possible. How do you set boundaries for yourself and your work? How do you take care of yourself?

PC: So, I’m a literary agent and a writer, which means my entire income comes from commission I make from the writer client projects I work on and sell as an agent and advance payments (and hopefully royalties down the line) as a writer. That said, I didn’t become a literary agent until June 2019, and didn’t get the first payment from a client book I sold until November, so most my income is still coming from writing (for reference, I received my first advance check in fall of 2018).

As of now, balancing the two isn’t that hard for me. But you have to understand that I was first an editor and a writer, so I had to do most of the deadlines for A Phoenix First Must Burn while also going into an office 5 days a week, from 10-7/8pm. Now, I manage my own schedule.

My main “freelance life” struggle was that I was diagnosed with ADHD this year. When I left my full-time, salaried job, at the end of 2018, I didn’t realize just how helpful that structure had been. To me, that structure was only ever a limitation. I felt like it was ridiculous with all of this technology that we all had to be in NYC, I felt like editors needed to be more proactive, I preferred to travel to book festivals and teach at workshops and meet writers where they are, etc. etc. But then, without that structure, everything fell apart. Suddenly, tasks that used to take me five minutes could actually take me five hours because I only had myself to answer to. I would hyper-focus on everything but what I needed to be doing. It was a really hard time for me because I had all of these things I wanted to do now that I finally had more time to do them, but ADHD had other plans—I constantly felt like I wasn’t achieving what I knew I could because I had done it before.

I had to learn to forgive myself. This is how my brain works, and there are a lot of strengths to it (like if I remove distractions like the internet, I can hyper-focus for hours, I’m a fantastic problem solver, and I thrive in chaos—all things that help me excel at my work). Learning to forgive yourself for not accomplishing all the things, whether you have a mental illness or not, is really important.

You also have to be hyper-aware of your strengths and weaknesses. What are things you know you’re just not good at? Can you pay someone else to do it? Is there an app you can download that can make that task easier? I delegate and outsource every detail-level thing that I can because I’m horrible at details and I’ve finally accepted that that’s okay. One person cannot do everything forever; it’s not sustainable.

And then you also have to say no. If you can afford to say no to something that doesn’t really interest you / have a high payoff, do so. That is how you set boundaries. My health has become so much better ever since I started saying no to more things. Why? It gives me time to do other things, those things I’ve been saying forever I’m going to make more time for (like French lessons and reading books for fun). Now, my evenings and weekends are for non-work things. I love my jobs they’re still jobs.

Trust that you’re on the right path. Trust that you have the support systems you need and if you aren’t or don’t, dream and strategize towards those.

Ultimately, I am the happiest I’ve ever been and that’s because I finally stopped focusing my whole life around my jobs, stopped caring what people who aren’t paying my bills think, and started living my actual life.

EB: What else would you like our readers to know about you and/or your work?

PC: I have a website, Twitter, Instagram, and a newsletter. If you enjoyed this interview, definitely sign up for my newsletter (& check out past issues) as I always give creative life pep talks, share recipes and what books and tv shows I’m loving. I think of my newsletter as a longer form version of my Twitter. My website is a pretty standard website—you can find out more about my own books, my clients, events I’m attending, etc. there. And my Instagram is slightly more personal, with pretty pictures of my face and my book haha, and I share daily/weekly updates about my writing there via IG stories.

And, of course, buy my book: https://patricecaldwell.com/a-phoenix-first-must-burn

Thank you so much for having me and for reading. Happy New Year!

[monkey-network]

Good Stuff’s Best of 2018

WARNING: I just want to say cheers to you for making it through another year. I send you best wishes for next year to be fruitful. Thank you, take care out there, and enjoy.

Dedicated to Stan Lee, Stefán Karl and Stephen Hillenburg, the number ones of children entertainment

Bow Whacka Wow, playas and players. 2018 gave us quite a lot to consume while society continues to fumble like a Tumblr update. While hopefully the chaos has died down for the final weeks of the year, I’m counting down the best cartoons/animations I’ve seen and loved this year in no particular order. Only two rules, no sneak previews of future projects (sorry 101 Dalmatian Street and MP100) and no potential entries from last year’s list (sorry True). With that said, roll it....

10. UNIKITTY!

I love the Lego Movie. I’ll potentially like the sequel. I like Unikitty. She got a show, and it was a great show to start off the year. Upbeat, colorful, off the walls sometimes, perfectly capturing the spirit of the eponymous character. I’m glad the other characters are just as enjoyable, I never get tired of the theme song, every episode had me smilin’ one way or another, it’s just a quality bottle of positivity juice. Don’t know how else to explain it, Unikitty, the show and character, just makes and continues to make me smile.

9. POP TEA-- SIKE!

This anime ain’t nothing but unfunny randomness and skits with a forgetful arc in the first and final episode. I don’t get it, never gonna get it, so I don’t want to get it! MORE LIKE POOP TEAM EPIC, ‘nuff said. Which is why the actual number nine is....

9. BOB EPIC TEAM

Honestly, there is something endearing about the way Bob Epic Team presents itself. The simplicity and variety of its animation is remarkably good and makes it feel timeless sometimes. The comedy works in a way that gives you a clear grasp on the two characters while letting them do whatever they want. The surrealism of this is fun to think about, showcasing a hedonistic philosophy that rivals that of Epicurus. The duo’s chemistry is what especially got me, as they felt like the best of friends, potentially love birds *wink wink*. This anime was just creative in every sense of the word and, like Unikitty, it was a great anime to start of the year.

8. CRAIG OF THE CREEK

The ska is RAH. I honestly find this to be the loose spiritual successor to Hey Arnold and Recess. Like the playground, the creek is a well fleshed out setting with the many characters that hang there, from the TAZ trio to the loving witches of the creek. Though I will say the best episodes are when we get insight on the main three’s personal lives with their families and when the characters themselves go through a personal trial to understand themselves a little better. The shows thrives in the theme that the creek is a place where you can enjoy getting your hands dirty and work towards something you want, even if it doesn’t add to any concrete long term benefit beyond learning a thing or two about yourself and others. And I say for somebody that relates to Craig as a character, that’s a welcoming thought that the show has yet to perish. And the ska is a welcome choice of music, IMO.

7. THE EPIC TALES OF CAPTAIN UNDERPANTS

It’s funny in how a little over a year of getting a movie, Captain Underpants gets an animated series with not only original stories in lieu of just animating the already printed stories, but puts it all in a format similar to reading a book with a sardonic narrator and separating the plot of the episode into chapters with subtitle cards; one of the first I’ve seen do this. But really, a “Captain Underpants cartoon” is something I can’t say would turn out bad, and I’m right as this is a show that revels in what made CU great in the first place. George, Harold, Melvin, and Mr. Krupp/Captain Underpants are all great characters with the additional supporting cast providing welcome life to the world. Every Incredible Violence Chapter is brilliant in their own right, and while I wasn’t a fan of the ending they had for the season, it’s great that almost every episode is self-contained, boosting its replay value. Honestly, any compliment I have for this was already said in my review of this and the movie, so I’ll just say this too was faithful to its source material and benefited heavily for it.

6. GARY AND HIS DEMONS

Rick and Morty done better. BOOM, send tweet! It is safe to say that this was quite the sleeper hit and I can’t help but say it’s lowkey one of the best adult cartoons this year next to Ballmastrz and Final Space. And while I certainly appreciate the other two *hint hint* this one got a step above on the grounds that it works as a comedy and a solemn tale of a chosen hero that stumbles through years in the office life. It’s improv humor feels natural and it can be as melancholic as Bojack Horseman without making it all too deep like so; has a great balance of both. Main man Gary, unlike Rick for the most part, is a guy that’s both reasonably reprehensible yet pretty relatable. Not to mention, while it was bittersweet, it had a very satisfying finale to where I feel like this was a complete series all together. With a rough art style that compliments it’s tone, this was a series that surprised me in its sharp quality.

5. APPLE & ONION

I’ll admit. Initially wasn’t a fan of it as it felt like a knock-off to Regular Show (may it rest). Just had a duo of bros living together, doing mundane labor while coming up with impromptu tunes along the way. Then again, I was gladly proven wrong because the charm of it generally being a simple show, even with every person being food, somehow more regular than Regular Show. Every song they make is upbeat and catchy, all of the characters are endearing, and with only 10 episodes, each one was well paced and had quality writing to the point where I teared up a couple times. It stinks that this and Summer Camp Island have generally been receiving the shaft this year after their premieres, but I'm just glad that they haven’t been truly forgotten by CN and are getting more episodes next year. Plus, I love food and this show is about food. Debate over.

4. LEGEND OF THE THREE CABALLEROS

I was familiar yet never saw The Three Caballeros, ironic since Donald is one of my favorite Disney characters. But then, out of the blue, I found this and I was stunned, amazed, confused, nonetheless invested. It has a bumpy start, but it’s a joyous adventure from that start to end. The look of it is something I’ve rarely seen in animation since... freakin’ Wakfu. I love Xandra and I was glad to see her be an active player on the team. The villains are such a hammy delight. And Jose and Panchito were very lively and entertaining foils to Donald’s cynic nature while all three work as well together like the 3 stooges. Donald himself gets a great arc of his own throughout the season. And the theme, HO MY GOD I LOVE THIS THEME! It’s a damn shame Disney hasn’t released this already (since it’s all online already) because this series is much better than it has any right to be.

3. GOLDEN WIND/VENTO AUREO

I say, the beauty of Jojo’s Bizarre Adventure is that regardless of what part you start from, you’re enthralled into its world and ya feel compelled to dig into it more. Parts 3 was what got me into Jojo, like most I bet, but it was part 5 that got me “Oh yeah, this series [just] works on more than level”. The characters are what keep me hooked, regardless of Crunchyroll refusing to give their stands proper English names [Zipper Man, CR?], Fighting Gold and Freak ‘n You will never get old, and David Productions putting great effort into the small details and giving life and style to the original manga. I’ll just say, as one who’s read and loved the manga, this anime has not ceased to keep me impressed and guessing for more.

2. INTO THE SPIDER-VERSE

Funking superb, you afro having web-slinger. I hate to say it, but 2018 didn’t have the most impressive line-up of western animated features. Most were average, entertaining sure, but nothing felt like 110% was given. Until Spidah-Man came on the scene and I was like “WIG...

The only major problem I have with this film, besides a bit of slow pacing, is more of a missed opportunity where the stakes of getting the Spidermen back to their dimensions before dying felt like an afterthought. Then again, that’s ALL I have for problems. It looks fantastic. The action is smooth, coherent, and satisfying to see. The tiny details and comic book aesthetic of it was a blessed touch. I loved almost every character here. Nick Cage and John Mulaney. The fact that it has so much yet was able to juggle it all blew my mind. Even the post credits scene made this such a love letter to the wall-crawler. This film was refreshing to say the least and the central theme behind the idea of Spider-Man made this as great of a superhero movie as Infinity War and Lego Batman. Just saying, this better make its budget back and THEN SOME. It deserves it.

1. HILDA

Netflix, we’re not on good terms mind you, but ya done did it again. This is honestly one of the few shows that I genuinely took my time with as opposed to binging it, because binge watching is a devil in itself. Like the Spider-verse movie, it got the style of its source material down to cozy colored T with its autumn color palette and etched lining in the characters. Like the Captain Underpants series, while having a grounded arc of Hilda journeying through the city life and her colliding wildlife, each episode can be generally be enjoyed on their own. Like Gary and His Demons, it felt like a complete season and the fact it’s getting a season two made things all the better. But above all, it was a generally peaceful yet captivating fantasy cartoon to watch with incredible animation, an endearing main character, amazing looking folk creatures of all sizes and powers, and a cuddly deerfox for a pet. I say this is to the fall what Harvey Beaks was to the spring, and if I can compare a show to Harvey Beaks you know you’ve achieved greatness. Like True and the Rainbow Kingdom, gives you a moment of honest bliss and happiness that can influence your outlook on looking forward to better things because like Hilda herself, you push forward and have some fun exploring.

Just saying, I cannot stress this enough this is NOT my number one favorite show of the year, hell of all time. THAT goes to....

1. 👏TEEN 👏TITANS 👏GO, BABEEEEEEY!!

ONCE AGAIN, Teen Titans GO reigns supre-- Huh, what’s that? Oh my god, you’re serious?! The Number One is

TOTAL DRAMARAMA OUT OF NOWHERE! IT IS NOW CARTOON NETWORK’S ‘NEW FAVORITE SHOW’.

THE STREAK *DING DING DING* IS OVER

[thebookbandwagon]

Favourite Books I Read in 2019

My blog’s still a mess so there are still loads of books I haven’t yet reviewed on here and a lot of my posts this year were for books I read before this year so if you’re wondering why some books I’ve given glowing reviews to aren’t on this list, that’s probably why. Here's my list and summary of my favourites out of all the books I read for the first time in 2019, in no particular order:

A Natural History of Dragons by Marie Brennan – I pitch this series as what Fantastic Beasts and Where to Find Them should've been. It's the 1st in an adult fantasy series about a woman who's a naturalist living in a world that's similar to Victorian England, only there are dragons. And she makes it her job to study them. Each book covers a different adventure she goes on to study dragons, sometimes in the mountains, in rainforests, at sea... I've only read the first two in this series so far but I'm eager for more

Lessons From a Dead Girl by Jo Knowles – contemporary hard-hitting young adult book about a girl and her childhood best friend. The main character experienced child on child sexual abuse and it's only as she gets older that she begins to realise how much it's affected her and she starts putting together some things about her friend she couldn't put together as a child. It discusses very difficult topics (definitely worth checking content warnings for) in an accessible way with the main characters feeling very realistic and incredibly flawed

How Not to Be a Boy by Robert Webb – autobiography of a British comedian/actor that's a combination of his life story plus his thoughts on toxic masculinity and how both men and women can benefit from feminism. Also talks about grief, abuse, unhealthy coping mechanisms, his bisexuality, and how much of a dick he used to be. Very funny, witty, insightful, nuanced, and, at times, sad (overall more uplifting than sad though). Highly highly recommend the audiobook – it's the author reading it and his voice is absolutely fantastic. Really glad I gave this one a shot on a random whim

Nevermoor: The Trials of Morrigan Crow by Jessica Townsend – 1st in a middle-grade fantasy series that's also widely enjoyed by adults. It's about a girl who discovers a magical world and has to compete in various trials to be accepted into an elite society. Very fun and imaginative and whimsical but probably suffers from the inevitable comparisons to Harry Potter (though saying that, it is the series that comes the closest to the magical feeling of the early HP books)

Down Among the Sticks and Stones by Seanan McGuire – Book #2 in the Wayward Children series about the twins Jack and Jill who go through a door and find themselves in a fantasy land that's like a cross between the world of Frankenstein and Dracula. Love the complicated sibling dynamics in this one and the darkness of the world they're in. It kind of reads like a dark fairy tale with their relationship at the heart of it and feels like a bridge between YA and adult fiction

Captive Prince trilogy by C. S. Pacat – Slow burn adult political fantasy M/M enemies to friends to lovers about two princes. Perfect for fanfiction readers. One of the princes was betrayed and was given to the other for use as a pleasure slave. Laurent isn't interested in using Damon like that but that doesn't mean he doesn't treat him terribly to start with (and not without good reason). Very fun and fast-paced with fantastic characters, but it’s definitely worth checking the content warnings for the 1st book especially

Nevernight by Jay Kristoff – Adult fantasy series about a girl who's sworn vengeance on those that wronged her family and joins an elite assassin training school. Lots of violence, action, complicated relationships, and edgy magic. Also a talking shadow cat companion. Overall pretty dark but there are bits of humour throughout. The writing style is highly stylised which can put some people off. This has one hell of a climax

[ch21con]

2019 Blog Tour: Interview with Julia Byers and ON THE COME UP Giveaway!

Hello, readers! Today we’re participating in the Ch1Con & Ch21Con 2019 Blog Tour, an annual tour in preparation for this year’s conferences, which brings original content from the Chapter One Events team to a number of fantastic, writing-related blogs. This is the 2019 blog tour’s FIRST STOP! Yay!

And: along with it comes a GIVEAWAY for a signed copy of ON THE COME UP by Angie Thomas! In order to qualify, you must:

tweet about the giveaway

follow one of our Twitter accounts (@Ch1Con or @Ch21Con on Twitter)

register for the conference

love Angie Thomas (which every human should anyway)

(Rafflecopter link for this giveaway here)

That is all pretty thrilling, but you know what else is thrilling? A nonprofit conference both for and by young writers, with lots of online events! If you are or know a writer between the ages of 11 and 29 who’s in need of a strong community, well, you’ve come to the right place.

What’s Chapter One Events, you ask?

Chapter One Events is a nonprofit organization that brings writing information and publishing opportunities to young writers—culminating in the annual Chapter One Young Writers Conference (Ch1Con, ages 11-20) and the brand new Chapter Twenty-One Conference (Ch21Con, ages 21-29). The Chapter One Events team is composed of a mix of middle school, high school, college, and twenty-something writers, who work together to create a unique, inclusive experience for young attendees.

The two conferences bring tweens, teens, and young adults together to hear from accomplished authors their own age, participate in professional workshops, and celebrate the influence young writers have on the world. With an atmosphere that combines the professional aspects of writing conferences with the awesomeness of hanging out with fellow young book nerds, Ch1Con and Ch21Con are truly can’t-miss events!

OK, so what is this post about?

To be clear, this post is NOT an advertisement, promoted post, etc. We (the Chapter One Events team) are just way too excited about this conference, and really want the right audience to know about it! That’s what the blog tour is all about: getting the info out so that young writers in need of community can find us.

This year we’re opening up the Ch21Con Tumblr to start off our 2019 blog tour, to let you know all about this year’s conference. (Don’t worry, if you fear you can’t make it, you totally can keep up with us through online events and live-streams!)

We’ve got an interview from the FOUNDER of Chapter One Events, Julia Byers, below. Even if you’ve never heard of us before, I would recommend reading through her interview! She’s got tons of awesome thoughts on the world of being a young writer.

(She’s also being interviewed by Ariel Kalati, a member of the Ch21Con team, who is a large fan of Panera Bread and complaining.)

READ MORE:

1. Can you tell us a brief history of how the conference came to be?

So, our original conference, the Chapter One Young Writers Conference, for younger writers ages 11-20, came about thanks to two things. First, there were these old writing forums for teens called Write It. A group of us on there had become close friends over the years but, being the internet (and us being minors), had never had a chance to actually meet one another. So, we lay the scene with that. Then, when I was sixteen, I began attending big writer's conferences in NYC--and I was pretty intimidated by the scale of the events and the fact that I was one of very few non-adults attending them, and also was frustrated because all of the advice shared didn't quite apply to me (because the speakers were talking about fitting in writing around taking your kid to theatre rehearsal, not, well, being the kid going to theatre rehearsal). So somehow, between these two things, I got it into my head that WE, the teens of Write It, should put on our own writer's conference--something small and fun and tailored explicitly to teenagers. And so, Ch1Con was born. As for our second conference, the Chapter Twenty-One Conference, for writers ages 21-29: fast forward to 2016, and I was graduating from college and moving to NYC to work in publishing, and I wasn't quite the awkward teen writer I used to be. (No, now I was an awkward *twenty-something* writer.) A number of our volunteers and attendees were also aging out of the target age group for Ch1Con. We all really loved the conference, though, and none of us wanted to give it up. So, we thought, "Why not make a similar conference, just targeting slightly older writers? And hey, while we're at it, we're all of age and full of existential dread now, so why not add alcohol?" And so the Chapter Twenty-One Conference was born as well. We officially launched Ch21Con in 2018 and I'm SO excited to see where both conferences go in the future! 2. What are some difficulties that face the average twentysomething writer, and how does Ch21Con help with these?

I think one of the biggest issues my twenty-something writer friends and I face is finding the time and energy to write. It's so easy to get over-scheduled, between work and/or school, chores, working out, cooking, errands, attempting to maintain some semblance of a social life--basically, it turns out life is very good at getting in the way. So, Ch21Con works to help carve out a space in everyone's busy schedules throughout the year, by hosting monthly online events such as Twitter chats on various writing-related topics and virtual write-ins where we all discuss our current projects and motivate one another to get in some words. Basically, we strive to give writers the opportunity to carve out the space in their lives they need in order to tell their stories. 3. What are you most excited about for this year's conference?

Ahhhhh this is such a hard one! I'm excited for everything??! That said, probably what I'm most excited about is hearing debut author Joan He speak. I've been lucky enough to know Joan for years now, and I've had her name tucked away to lead a workshop at the conferences pretty much since the beginning, just waiting for her to get a book published. Joan is such a talented, smart, hardworking young writer, it's going to be truly special to finally hear her speak at the conferences. (And I recently found out that we'll be the first conferences she'll be leading workshops at, which is super cool in itself!) 4. Tell us about your favorite book or publishing-related memories from the past year.

Oof another hard one. My day job is in the industry, most of my friends work in the industry, and I run Chapter One Events and write in my free time--so basically my entire life is favorite book or publishing-related memories. But hmmm. You know, a really, REALLY cool moment was, actually, walking into my hometown Barnes & Noble in Michigan a couple weeks back and seeing so many friends' books on the shelves. Being so immersed in publishing, it's easy to forget that the books we work on are the Real Published Books that go out in the world. But seeing them in my childhood bookstore so far away from NYC--the place where I met my first authors and dragged my parents every chance I got growing up--was surreal. It reminded me of the reality of what we're all doing, that we're MAKING BOOKS, like BOOKS BOOKS, that ACTUAL PEOPLE READ, and I full-on broke down crying in the middle of the YA section. Like a lunatic. 5. Accessibility is necessary in the publishing community. What are different ways that Chapter One Events makes our content accessible?

Our goal always as an organization has been to make information about the writing and publishing processes more accessible to the young people coming up in the industry, whether they're already aiming for publication or only just starting to figure out how to write their first novel. One way we do this, obviously, is through the conferences. We keep the price as low as possible (subsidizing the events as much as we can out of our own pockets) in order to make it as affordable as we can for young writers. We want them to be able to come meet the authors and publishing professionals who are speaking, build a network with their fellow up-and-coming young writers, and learn about craft. Along this same vein, we keep the conferences small and casual, with equal focuses on learning and fun, because we know how anxiety-inducing big professional events can be and we want this to be a safe space for those just starting out. Additionally, we put on free online events throughout the year, such as the aforementioned monthly Twitter chats and virtual write-ins, as well as events such as our annual Yule Ball, which is a live-streamed panel of young authors talking all things writing and publishing. (We like to think of it as a mini, free, online writer's conference.) We're also constantly working to come up with new ways to share information with the young writers of the world, such as the autumn mentorship program we've put on in the past. 6. Finally: if you had to describe the conference using only Panera Bread-related metaphors, how would you do it?

You know, you'd think I'd be prepared for this one after so many years of answering Panera-related questions for this org, yet this is STILL SOMEHOW THROWING ME (much like that time Panera added Parmesan crisps to their Caesar salad and I was like, "Whaaat?")

But okay. I've got this, I've got this. Ch1Con and Ch21Con are all the comfort food items on the Panera menu: the mac and cheese, the tomato soup, the toasted bagels smothered in melty honey walnut cream cheese. Even if it's your first time eating one of these items, they taste like coming home, much in the same way attending the conferences feels like coming home. (It's been a wonder to me over the years to hear new attendees say again and again that attending our conferences feels like finally finding the community with whom they belong.)

That said, the conferences are also kind of like all the "healthier" items on the Panera menu, the salads and smoothies, in that they seem like the "healthy" choice (networking! career development!), but they also taste really good at the same time (new friendships! meeting authors! free books! pizza!). Finally, Ch1Con and Ch21Con are also like Panera's excellent, super salty kettle chips, because we too are a salty bunch when it comes to discussing favorite book characters and least favorite series endings. (I'm looking at you, Ariel, haha.)

If that made you thrilled to go to this year’s conference, yay! (If not, that’s fine. We’re a nonprofit organization and we’re just happy to reach out to young writers at all! But also, please consider coming.)

Here’s all the info you’ll need about the 2019 conference:

This year, Ch1Con (ages 11-20) is bigger and brighter than ever, with more opportunities, cooler giveaways, and a new roundup of fantastic speakers headlining the conference. And the inaugural Ch21Con (ages 21-29) will feature the same speakers and opportunities—just tailored to a slightly older audience. Both conferences will take place Saturday, June 29th at the Hilton Garden Inn – Chicago O’Hare in Des Plaines, IL (a suburb of Chicago). Registration is currently open on the conferences’ respective websites for $99.99. (This price includes a complimentary pizza party lunch during the conferences, with alternate options available for those with dietary restrictions.)

The speaker lineup features Joan He (author of Descendant of the Crane – Albert Whitman & Co.), Riley Redgate (author of several books, including Final Draft – Abrams/Amulet), and more! Between the awesome presentations and workshops, attendees will have the chance to participate in literary trivia games and giveaways, with prizes including professional critiques, signed books, and advance readers copies (ARCs). There will also be an author panel open to any and all questions at the end of the conferences, followed by a book signing by participating speakers.

During downtime, all participants are free to explore Chicago, relax at the beautiful hotel (where a discounted block of rooms is available for attendees), and network with one another, establishing the sort of vital connections that can jumpstart careers and create lifelong friendships.

The conference weekend will kick off with parties on Friday evening. For the Ch1Con crowd, this will be a gathering in the hotel lobby, where lemonade and assorted snacks will be provided. For the Ch21Con crowd, the Friday night party will be an informal cocktail hour hosted at the hotel bar, the Garden Grille & Bar.

More information on transportation and lodging can be found on the Ch1Con and Ch21Con websites. Early bird registration is currently available here for Ch1Con (ages 11-20) and here for Ch21Con (ages 21-29). Those under 18 need a parent or guardian’s consent in order to register.

So, if you’re a young writer and you’re interested in these conferences, register ASAP! With a growing number of tweens, teens, and young adults discovering the magic of Chapter One Events, seats are sure to sell out fast. The last day to register before the higher late rate registration price begins is June 14th. For more information and to join the Ch1Con and Ch21Con communities online, check out the following links:

Chapter One Young Writers Conference (Ages 11-20)

Website: Chapter One Young Writers Conference

Twitter: @Ch1Con

Tumblr: Ch1Con

Instagram: @Ch1Con

YouTube: Chapter One Conference

Facebook: Chapter One Conference

 Chapter Twenty-One Conference (Ages 21-29)

Website: Chapter Twenty-One Conference

Twitter: @Ch21Con

Tumblr: Ch21Con

Instagram: @Ch21Con

Facebook: Chapter 21 Conference

And, of course, you can follow the rest of the Ch1Con & Ch21Con 2019 Blog Tour at: www.chapteroneconference.org or www.chapter21conference.org.

[bookblogbake]

The annual end-of-the-year survey is hosted by Jamie at The Perpetual Page-Turner. I’m so glad she puts the work into making this every year because it’s always a highlight to look back over my reading and blogging for the past year!

**2018 READING STATS**

Number Of Books You Read: 94 Number of Re-Reads: One. Wow. I thought it was more than that, but apparently not. My one re-read was THE GENTLEMAN’S GUIDE TO VICE AND VIRTUE, which I re-read twice. Genre You Read The Most From: YA contemporary. That wouldn’t be surprising normally, but especially considering I judged round 1 of the YA Fiction category this year for Cybils.

1. Best Book You Read In 2018?

Overall favorite 2018 release: Girl Made of Stars by Ashley Herring Blake

Best middle grade: Ivy Aberdeen’s Letter to the World by Ashley Herring Blake (. . . sensing a pattern here?)

Best adult fiction: The Seven Husbands of Evelyn Hugo

Best Comic/Graphic Novel: Check Please! Book 1: Hockey

Best Middle Grade

Best adult fiction

Best 2018 Book Overall

2. Book You Were Excited About & Thought You Were Going To Love More But Didn’t?

Allegedly by Tiffany Jackson. To be fair, this came out in 2017, and I read Jackson’s 2018 release, Monday’s Not Coming, first. Allegedly was a let down though because I loved Monday’s Not Coming so much, and Allegedly didn’t quite stack up for me.

3. Most surprising (in a good way or bad way) book you read?

Darius the Great is Not Okay by Adib Khorram. Based on the summary, it didn’t look like my typical kind of book, but I thought it was beautifully written and I loved it. A rare five star read for me.

4. Book You “Pushed” The Most People To Read (And They Did)?

Sadie by Courtney Summers. I tend to push Courtney Summers books anyway but Sadie seems to be an easy sell (and for good reason–it’s FANTASTIC).

5. Best series you started in 2018? Best Sequel of 2018? Best Series Ender of 2018?

Best series started-Check Please!

Best sequel/companion – Beneath the Sugar Sky by Seanan McGuire

Best series ender– The Way I Finally Won by Kimberly Brubaker Bradley

6. Favorite new author you discovered in 2018?

Well, considering she wrote my overall favorite book AND my favorite middle grade of the year, it’s safe to say that’s Ashley Herring Blake.

7. Best book from a genre you don’t typically read/was out of your comfort zone?

Blood Water Paint by Joy McCullough. I don’t typically like novels in verse, but this was FANTASTIC and fierce and moving and emotional and ugh, I loved it.

8. Most action-packed/thrilling/unputdownable book of the year?

I stayed up waaaaay into the night to finish Monday’s Not Coming.

9. Book You Read In 2018 That You Would Be MOST Likely To Re-Read Next Year?

Well I always like to start a new year by re-reading my favorite book of the previous year (that’s why The Gentleman’s Guide to Vice and Virtue was my one re-read of the year), so clearly that would be made Girl Made of Stars. But just so I don’t answer this book for every single question, I’ll also mention I’m very likely to re-read The Seven Husbands of Evelyn Hugo.

10. Favorite cover of a book you read in 2018?

I’m sure some people would find this one off-putting because of the bright yellow, but I love the cover of Pulp by Robin Talley and how vintage it looks!

11. Most memorable character of 2018?

I have to go with Sadie from well, Sadie. I just found her fascinating.

12. Most beautifully written book read in 2018?

Oh man, this one is hard. I think I have to go with Darius the Great is Not Okay by Adib Khorram.

13. Most Thought-Provoking/ Life-Changing Book of 2018?

Ghost Boys by Jewel Parker Rhodes

14. Book you can’t believe you waited UNTIL 2018 to finally read?

The Paying Guests by Sarah Waters. I only read one Sarah Waters book this year, but more will definitely come in 2019 because this book was excellent.

15. Favorite Passage/Quote From A Book You Read In 2018?

Even girls made of stars are captives, bound at the wrists and traded like property. Even girls made of stars aren’t asked, aren’t believed, aren’t considered worth the effort unless they can offer something in return. Even girls made of stars buy into those lies sometimes.

Yes, it’s from Girl Made of Stars by Ashley Herring Blake, aka the book that has been my response to at least 50% of these questions.

16.Shortest & Longest Book You Read In 2018?

longest– Green River, Running Red by Ann Rule

shortest- The Tea Dragon Society by Katie O’Neill

17. Book That Shocked You The Most

I think it’d have to be I Stop Somewhere by TE Carter (a completely underrated book, by the way)

18. OTP OF THE YEAR (you will go down with this ship!)

(OTP = one true pairing if you aren’t familiar)

Jack/Bitty from Check Please!

And then, not quite OTP status but romantic relationships I rooted for in books this year: Alice/Takumi from Let’s Talk About Love and and Steffi/Rhys from A Quiet Kind of Thunder.

19. Favorite Non-Romantic Relationship Of The Year

I really loved the relationship between Clara and her dad in The Way You Make Me Feel by Maurene Goo.

20. Favorite Book You Read in 2018 From An Author You’ve Read Previously

I have a couple: Beneath the Sugar Sky by Seanan McGuire, Ghost Boys by Jewel Parker Rhodes, The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid, and Leah on the Offbeat by Becky Albertalli.

Best adult fiction

21. Best Book You Read In 2018 That You Read Based SOLELY On A Recommendation From Somebody Else/Peer Pressure/Bookstagram, Etc.:

Well, I would have never read it for it not been for Cybils judging, so I’m going with Darius the Great is Not Okay by Adib Khorram.

22. Newest fictional crush from a book you read in 2018?

Don’t have any! Maybe if I had read more adult romance. . .

23. Best 2018 debut you read?

I’m going with Blood Water Paint by Joy McCullough for this, but just know Darius the Great Is Not Okay by Adib Khorram was a very close second.

24. Best Worldbuilding/Most Vivid Setting You Read This Year?

I’m going to say the old-school Hollywood glam setting in The Seven Husbands of Evelyn Hugo was very vivid.

25. Book That Put A Smile On Your Face/Was The Most FUN To Read?

So for me I think graphic novels really took the cake here this year. Yes, Check Please! which I’ve mentioned several times, but also The Tea Dragon’s Society by Katie O’Neill and Moonstruck volume 1 by Grace Ellis.

26. Book That Made You Cry Or Nearly Cry in 2018?

I have two, both of which have featured heavily on this survey so far, not surprisingly! Those are Girl Made of Stars by Ashley Herring Blake and Darius the Great is Not Okay by Adib Khorram.

27. Hidden Gem Of The Year?

Okay, since I don’t want to say Girl Made of Stars yet again, I’ll have to go with. . . Ivy Aberdeen’s Letter to the World. Yes, by the same author as Girl Made of Stars. I had favorites this year, y’all.

28. Book That Crushed Your Soul?

Darius the Great is Not Okay by Adib Khorram. I know, I know, it appears once again!

29. Most Unique Book You Read In 2018?

All of This is True by Lygia Day Penaflor. I did not necessarily enjoy it, but I can say it was very unique.

30. Book That Made You The Most Mad (doesn’t necessarily mean you didn’t like it)?

Okay, so first I was going to say The Perfect Sister by Jessica Knoll, which I did NOT enjoy one bit, but then I thought about it, and. . . The Universe is Expanding and So Am I by Carolyn Mackler. I’m particularly mad about that one because parts of the books are good, but I find the entire premise flaw and really upsetting. Also, it deals with a sister coming to terms with the fact that her brother committed a rape, and it’s hard when my favorite book of the year had a similar premise and dealt with it SO MUCH BETTER.

1. New favorite book blog/Bookstagram/Youtube channel you discovered in 2018?

I’m ashamed to say that going back over my subscriptions, none of them were new this year.

2. Favorite post you wrote in 2018?

I mostly wrote reviews (and I really want to get back into doing discussions and other features!), but I’m really proud of my review for Blood Water Paint.

3. Favorite bookish related photo you took in 2018:?

Again, something else I didn’t do very much of this year!

4. Best bookish event that you participated in (author signings, festivals, virtual events, etc.)?

I didn’t really get to participate in any bookish events this year, but hopefully 2019 will change that!

5. Best moment of bookish/blogging life in 2018?

I have to say being a round 1 Cybils judge! It was a lot of work and reading, but it was such a worthwhile endeavor.

6. Most challenging thing about blogging or your reading life this year?

Just finding time! I haven’t been nearly as active as I wanted because I graduated grad school, which I THOUGHT would give me more time, but then I moved from one end of Texas to another, started a new job, got settled in, etc. It’s just been a LOT.

7. Most Popular Post This Year On Your Blog (whether it be by comments or views)?

Well, my most popular post was from a few years ago: What do Do with Books You Don’t Want Anymore. My most popular post actually written this year was my review of Girl Made of Stars, which is not surprising since I’ve basically been yelling about this book for months.

8. Post You Wished Got A Little More Love?

I posted one Saturday morning cup post this year, and I definitely wish that one had got more loved.

9. Best bookish discover (book related sites, book stores, etc.)?

Hmm, well, I got to visit The Strand in New York City for the first time so that was definitely a fun bookish discovery/adventure!

10. Did you complete any reading challenges or goals that you had set for yourself at the beginning of this year?

I didn’t really set any challenges or goals, and I’m glad because this year was busy enough without those!

1. One Book You Didn’t Get To In 2018 But Will Be Your Number 1 Priority in 2019?

The Book of Essie by Meghan MacLean Weir. Not because I’m super excited about it (I mean, I want to read it, but it’s not a book I was anticipating), but because it’s due back to the library in eight days.

2. Book You Are Most Anticipating For 2019 (non-debut)?

Well, considering two of her books were two of my favorites this year, I’m gonna have to say The Mighty Heart of Sunny St James by Ashley Herring Blake.

3. 2019 Debut You Are Most Anticipating?

I have two: I Wish You All the Best by Mason Deaver and These Witches Don’t Burn by Isabel Sterling.

4. Series Ending/A Sequel You Are Most Anticipating in 2019?

In A Wayward Dream by Seanan McGuire. I’ve loved every installment in the Wayward Children series, so I expect this to be no different (and perhaps one of my goals this year will to be re-read the series).

5. One Thing You Hope To Accomplish Or Do In Your Reading/Blogging Life In 2019?

Blog more! I’ve missed it.

6. A 2019 Release You’ve Already Read & Recommend To Everyone (if applicable):

I’ve only read an ARC of one 2019 release, but I do recommend it! I read We Set the Dark on Fire by Tehlor Kay Mejia and was enthralled.

2018 End of the Year Survey! The annual end-of-the-year survey is hosted by Jamie at The Perpetual Page-Turner. I'm so glad she puts the work into making this every year because it's always a highlight to look back over my reading and blogging for the past year!

[kbrown78]

Monthly Wrap Up: September

Looking back, September wasn't a great month. Granted I did read 9 books and 3 of those books were over 500 pages, but most of these books I didn't enjoy. There were a couple highlights and two of the books that I did read were non fiction, both I thought were fairly good. I will also say real quick that I tried to start the last book in the Gemma Doyle trilogy, but I gave up on it because it was the exact same story I had to endure in the second book and I wasn't going to deal with 800 pages of that.

The Defiant Heir by Melisa Caruso: This is the second book in the Swords an Fire trilogy, and I thought it was even better than the first, and I gave the first one 5 stars. First it does build off of what was established in the previous book, with the worlds and the characters. The main conflict is Amalia trying to prevent an internal war while also trying to solve what happened to the missing Falcons. This series is exactly what I want to read, with an amazing intellectual character who knows how to use her smarts to achieve her goals and is someone who tries to do right thing. The relationships are all astounding, female friendships in particular, and I like that Amalia's mother is an active presence who cares about her daughter but lets her do her own thing. The romance is great too, despite the fact that there is a love triangle. The villain is despicably evil, but he's not mustache twirling and while he did have a sad past, that fact isn't even remotely treated as an excuse for his horrible actions. The plot keeps me invested and keeps adding new twists that add to the story. The world is fantastic, with each location feeling well developed and distinct from each other. Seriously the only complaint I have about this series is that it isn't longer. The Defiant Heir received 5 out 5 stars.

Bitterblue by Kristen Cashore: This book was such a disappointment. When I first read the Graceling trilogy, I hated the other two books, and I think that clouded my judgement and made me rate Bitterblue much higher. I do ultimately think Bitterblue is the best book in the series, but after rereading it I realize that it's not nearly as good as I originally thought it was. It's going to be hard to do this review without giving away spoilers, but I'll try. A brief synopsis is that Queen Bitterblue is working to help her kingdom recover and there are those that are trying to stop her. So Bitterblue makes an effort to be a good ruler and do the right thing in difficult situations. She's also book smart, which I usually like that type of character, but she did some really stupid things and was also quite bratty at times. There are two potential love interests, and I didn't really like either of them. One was just brooding, which I never like in a love interest, the other one was a bit boring. The weakest aspect of this book is definitely the plot. There's a sub plot about rebellion in the other kingdoms, but it was pretty irrelevant to the overall plot, and I just wasn't interested in any of the characters involved. This is the part where it's impossible to talk about the book with out spoilers, but I will say this. The struggle's that the kingdom is facing were well written and did a good job of exploring various themes of ruling and recovery. However, the big plot twist at the end that helps resolve their issues is so unrealistic that it causes the entire story to just collapse. The best aspects of this book were some of the themes explored and the art work because there are some beautiful interior designs. I would still say this book is the best out of the three, but looking back it isn't nearly as good as I remember it (although I do in part blame the reading slump I was in after finishing Defiant Heir, but only partly). Bitterblue received 2 out 5 stars and was my pick for the PopSugar promt “book with your favorite color in the title”.

Red Sister by Mark Lawrence: I went into this book with high expectations, and while it did live up to a few, it also disappointed me. The basic summary is this girl gets taken in by a convent of assassin nuns, where she spends her years training. Sounds like a pretty cool synopsis, but every time I hope a book is going to be similar to Harry Potter, with the schooling, it never lives up to that expectation. First I liked the protagonist, Nona. It was nice to have a female character who was a badass fighter, but she wasn't cold. She cares deeply about her friends and friendship and protecting those she cares about are important to her. That's not a type of character I see often. With that established, I do think some of the friendships were well done, like Hessa's, Arabella's and Clera's, because of how much they differ but at the same time feeling like it wasn't forced. Some of the nuns were interesting, but they didn't quite feel fully fleshed out, and one nun I hated because of how mean she was and I'm sick of seeing that kind of adult in fiction. The world building was so weird, and I honestly didn't like it because it felt very underdeveloped and made little sense. The story is Nona's story, but there times when I felt like it didn't focus on her and those were usually my least favorite parts because I was just invested in Nona, not in anything that was happening in the outside world or with any other character. Because of that there were some parts I honestly just skimmed through. I mentioned the Harry Potter thing, and what I meant by that is Nona has classes that she needs to take, and while they are mentioned, I didn't get much of sense of her learning. It was more like she suddenly had these skills, which I blame on both the lack of detail on what she did learn, and the poor pacing of this story, with those parts just being rushed through at a rate I couldn't even discern. So while I liked parts of the story, I definitely didn't love it was much as I thought I would and I'm not sure if I'm going to continue with rest of the series. Red Sister received 3 out 5 stars from me.  

The Silk Roads: A New  History of World by Peter Frankopan: I was originally going to be reading this book over the entire year, but I decided to just finish it up as some as possible. I didn't tag this book and I won't be doing a full review of it because it is historical nonfiction. Now the premise of the book intrigued me, exploring world history through the Silk Road, and I also though the cover was pretty. The first half of the book really intrigued because I like learning about ancient history, and it was very detailed and I was fascinated by what I was learning. My impression, however, had been that this book would primarily focus on ancient times, but this was not the case. I could have done with history that was all pre-1700s, but the last third of the book focused on history from the 1800s to modern times, and while I tried to pay attention because there was a lot that was relevant to today's world, I just couldn't focus as much as I had in the previous sections. That's not to say it wasn't as well written or well researched as the previous parts, I just wasn't interested anymore. So this book received 3.5 out 5 stars,  but that's only because it's a case of “it's not you, it's me,” and I would highly recommend this book to anyone that loves history.  

You Are A Badass by Jen Sincero: This was the other nonfiction I read this month, and this was just a real quick self help book. I do think overall it did a good job at identifying ways to improve but I do admit I started skimming through the extra text just to get to the bullet points. So helpful but maybe not presented in the most efficient way. You Are A Badass received 3 out 5 stars.

The Library at Mount Char by Scott Hawkins: Oh man, I was looking forward to this book, but it epicly failed. I read a sample of it and was really intrigued. It felt very mysterious, I didn't know exactly what was going on and I got the distinct impression that these characters weren't entirely human. Then I read the rest of the book and I didn't connect with any of the characters, I found the writing style to be increasing irritating, the story made no sense to me because I didn't understand what was happening and I didn't understand the sense of urgency, and I got increasingly sexist vibes from the story. All I can make sense of is that “Father” was gone missing from the Library and there's a lot of death and resurrection. I can't do a full review of this story because I DNFed it 50% through, I just couldn't take it anymore. I initially chose this one as my pick for the PopSugar promt “book set in a library”  and needless to say this book received 1 out 5 stars because I couldn't even force myself to finish it.  

Circle of Magic: Sandry's Book by Tamora Pierce: I hoped that I would enjoy this one. I've been looking forward to reading it for awhile. But lately I've really been struggling with YA, and even for a YA book I found this one to be bad. First, there's no plot. Literaly two major events happen in the book and that's it everything else was filler. What I remember of almost all my favorite reads as a child (with the exception being East) is that they got into the action and the plot fast, so I can definitely say that even as child I wouldn't have liked this book. I thought all the characters were pretty flat. I wasn't expecting to get everyone's perspective, I thought there would just be Sandry's perspective, since the book is literally called “Sandy's Book,” and I don't think adding in the extra perspectives helped the story in any way. I also got the impression that the children were acting overly immature but also the audience was expected to be immature. There was one scene where three of the character don't know what the word “kid” means, and it really irritated me. I won't be doing a full review for this one too, because I did tag it, but I didn't take any notes because of how overly simple this story was. I have the next 3 books and maybe they'll get better, but I'm in no rush. Sandry's Book received 1.5 out 5 stars.  

The Star Touched Queen by Roshani Chokshi: So I mentioned in the previous entry that I have been struggling with YA, particularly YA fantasy. This book, thank goodness, is a very pleasant exception to that. I really liked reading this book the first time through, and second read through, while there were a few things I disliked, I actually enjoyed the story even more. It's always pitched as Hades/ Persphone with Indian folklore, and both parts are so well done. I loved the romance, I loved the story, I loved the characters (most of them). The writing style is gorgeous, it's so flowery and atmospheric. I could see the vivid colors, I could taste the jewel fruit. I love Chokshi's books, and I cannot wait to get to her short stories that are set in the same world. Star Touched Queen received 5 out 5 stars.  

Sabriel by Garth Nix: And so we return to the YA slump. I shouldn't be too hard on this book though. There were some very interesting aspects of it, and the first half of the book was good. Sabriel was competent character who was trained to deal with death, and Mogget was this eerie figure that I kind of liked but was also kid of afraid of. I loved the focus on death, and how death is it's own world. The magic system was really cool to, with different marks and the bells. I thought the pacing of the first half was decent too, fast but not rushed. Things took a turn, however, when the love interest was introduced. It was so obvious this guy was the love interest, and the relationship felt so forced and there was insta-love, which I hate. After Touchstone was introduced, the pacing was so much more rushed, there was a lot of telling instead of showing, and there was also quite a bit Deus Ex Machina. Things really fell apart in the second half, and it turns out this was because the first book was going to be treated more as a prequel instead of a first book. Sabriel received 3 out 5 stars.

[chloeintheoffice-blog]

Books I’ve Read So Far In 2018 (Volume II)

Well I've read a couple more books since I last updated you guys so thought I'd get sharing them on here.

9. Countless by Karen Gregory

I actually really enjoyed this book. I didn't think it was a literary masterpiece, but I enjoyed my time learning the story of Hedda, a pregnant anorexia-suffering teenager. I can't comment myself on the quality of the representation of anorexia in this book, but what I do know about it was reflected well. Hedda must make the biggest choice she ever has; does she keep the baby, or keep the anorexia? On top of this she then has to decide, if she has the baby, is she keeping it, or putting it up for adoption? Although this story didn't move me to the extent I imagined it would, I found this an emotional and at the same time enjoyable read - would recommend.  

10.  Dorothy Must Die by Danielle Paige

I had mixed feelings about this book. It is based on The Wizard of Oz, concerning another 'Dorothy' arriving from Kansas in the land of Oz. Since the original story has left off, Dorothy has returned to Oz, and become and evil and power-hungry ruler. It's the first book that I have read as an e-book, so was taking this into account as I was reviewing it. I was very interested in the storyline, and I felt like a re-telling of the Wizard of Oz was a very interesting place to go. But, it didn't do everything for me I wanted it to. I went into this book not knowing that it was part of a series, so I assumed that the drama of the book would come to a solution by the end. When this was not the case, I was disappointed with the time I had committed to it. Never the less, it was an enjoyable storyline and I think that carrying on with the series would be a good move if I enjoyed the story as a whole a little bit more.

11. The Unbecoming of Mara Dyer by Michelle Hodkin

I really enjoyed this book. The story follows Mara, whose friends died in a tragic accident. She moves to a new school, in a new town, to try and move on with the situation. She struggles to leave it behind because she can't remember what happened to her friends, and why they were even at the site of the accident on that night. Alongside all of her confusion, and stresses of starting a new school, somewhat paranormal things start happening to her that she can't understand or control. This is the first paranormal romance I have read of the year so far, and I really enjoyed it. The romance wasn't too heavy and definitely not forced. I have read similar stories with the truth of an accident being uncovered so really liked how this story was close to those, but had added supernatural elements. It's part of a series, which I have not delved into yet, though I am keen to do so. Would definitely recommend to a YA reader who needs a new type of supernatural. 

12. It Only Happens in the Movies by Holly Bourne

Upon starting this book, I didn't realise that it was the same author as my number 3 read of the year (see first book update), who I did not enjoy. This book was very similar. I enjoyed the storyline, though hated the additional elements of 'feminism' thrown in. The story follows Audrey, who is so over romance after the divorce of her mum and dad and the break-up with her first boyfriend. Then she meets Harry at her new job at the cinema, who is deeply into making his own films. She is asked to take the starring role, and Audrey can't help but fall for Harry. I enjoyed this part of the book, with the soppy to-good-to-be-true romance, but I got a little bit fed up with the underlying messages Holly Bourne was trying to push. Audrey stars as a zombie in Harry's film, but she just HAS to make this a feminist zombie, which I really didn't agree with. All in all, I LOVED the cover of the book, but hated the underlying messages. I'd recommend it to a 10-12 year old girl who wants a romance, but doesn't pick up on some of the authors opinions. 

13. The Distance Between Us by Kasie West

I stupidly enjoyed this book. It was a YA romance, that was definitely to-good-to-be-true, that you expect from the beginning, but love anyway. Caymen lives above the doll-store her mother owns; they are struggling with money and can't afford to pay the bills. The story line is sort of predictable, but I feel like that didn't matter at all to me. The fact I thought I knew what would happen next made me want to keep reading so I could find out, and I was like that every chapter. It was a very easy read; I read it in 2 days on my phone. It was perfect for a really stressed out couple of days revising, so the nice, easy, happy romance worked out well for me. I really would have liked this story to go further though. I wanted it to go further, to see what would happen between the two characters in the future. I think either the book could've been longer, or there should have been a sequel. I have so many questions about what happens next! I would definitely recommend it as a summer romance read.

14. Trouble by Non Pratt

I am very torn about this book. It follows Hannah, a teenager in high school without the best reputation with the boys, and Aaron, the history teachers son who is new to the school. Hannah finds herself pregnant and the talk of the school is the identity of the father. I thought this book had so much potential, and that there were many wasted opportunities with the storyline. When I was about halfway through the book, I wrote down my guess to the father's identity. It was scandalous,but it would've worked, and I think it would have made the perfect story. But, I was wrong. I obviously won't say who the father is, but I really thought my guess would have made more logical sense. Although saying that, I did really enjoy the book - enough to finish it in two days! I found the writing style easy to follow. Usually I don't like dual perspectives but because there would be no more than 1-2 pages, and sometimes only 1-2 sentences in someones perspective, I actually found this very interesting to read. So on the whole, I enjoyed it and would recommend it to others, but I have some thoughts that would've made it even better!!

15. More Than This by Patrick Ness

"A boy drowns, desperate and alone in his final moments. He dies. Then he wakes, naked and bruised and thirsty, but alive. How can this be? And what is this strange deserted place?". I've had to just copy that from the blurb of the book because the storyline is impossible to describe. It's one of those books that you just HAVE to read, otherwise it will literally make no sense if someone tries to explain it. This is a difficult review for me. I struggled to get into the book, but when I went away for a couple of days and only had this to read, I found myself reading 100+ pages a day. The storyline was good because the reader's understanding of the world develops slowly throughout, and each small chapter leaves you desperate to read the next one. But, I was not happy with the ending. I don't believe there is a sequel to this book (correct me if I'm wrong) but I think I need one to close the story for me. I don't like how it's been left, and all in all that ruined the whole experience for me. I'd recommend this book but I think a couple of changes could be made to make it an absolute fantastic read.

16. The Roanoke Girls by Amy Engel

And finally, The Roanoke Girls. This book was actually recommended to me, as a 'dark' adult fiction. It was definitely dark, that's for sure. But saying that, it wasn't shocking. "Everyone wants to be a Roanoke girl. But you won't when you know the truth." Those two lines really drew me into this story; I needed to know why I didn't want to be a part of their family. I didn't enjoy the writing style of this book all to much, because it switched between the present, the past of the main character and also of every other character in the book. I felt it hard to keep up with at times, but managed to pull all of the chapters together as an enjoyable read. I did guess the 'big secret' in the first few chapters of the book, but there were also tidbits along the way that really did throw me off course. I would recommend this book, but not to those of a sensitive nature. It's not for the light-hearted.  

General Reading Update:

I am still about half way through Harry Potter and the Order of the Phoenix, which I have been since April - I really don't have the motivation to sit and finish this!

I said in April that I was thinking about picking up Carve the Mark, which I did, but I DNF'd it very shortly after starting. It wasn't for me, which is a shame because I really love the Divergent series.

I am around 100 pages or so into Heartless by Marissa Meyer which is the story of the Queen of Hearts from Alice in Wonderland before she was the Queen. It's actually quite interesting but I'm struggling to get through at any sort of speed.

I am also listening to Salt to the Sea by Ruta Sepetys on audio book. I have never listened to an audio book before so I'm generally excited to see how it goes. I'm not very far in but I'm picking it up whenever it's quiet in the office and I can sit and have it playing in the background. I don't know how much I'm soaking in but I like the comforting feeling of a book being read while you go about your day.

I think the next book for me is Clean by Juno Dawson. I got this out of my local library and am excited to start it as soon as I finish Heartless. 

If you've stuck with me for this long thank you very much! If you want to see what books I finish, when I finish them, here's my goodreads link: https://www.goodreads.com/user/show/14068917-chloeTTFN 

[carriagelamp]

This was a month of some amazing reads for me. Seriously, there’s a solid four novels all competing for my favourite book of the month, and many other fun reads besides. Depending what you like I would highly recommend most of these.

Another Kind of Cowboy

This was a really fun, queer YA novel. It’s about two very different teenagers: meticulous, anxious Alex from a dysfunctional family whose entire life revolves around riding... even if it's only the more "manly" Western-style riding his father approves of; and rich, naïve, self-centred Cleo who never cared much about riding but who has been shipped off to a equestrian boarding school in an attempt by her absentee parents to get her back on the straight and narrow. These two meet when Cleo, after she embarrasses herself at a show, is sent to new trainers — the same trainers who take on Alex when he decides to secretly stop riding Western and start learning English-style dressage instead.

The Barren Grounds

If you liked The Lion, The Witch, and the Wardrobe but want something less white, Christian, and monarchy-centred then this is the book for you, it very much felt like an Indigenous Narnia story. Morgan and Eli are two Indigenous children who were forced away from their communities and into the foster care system. Morgan, who has been in it most of her life, feel disconnected and angry at everyone and everything, but finds herself obliged to care about her new foster brother who is in his first foster home and still shaken by the loss of his family. While the two are trying to connect, they are shocked to discover a way into a icy, snow-covered land populated with animals that walk and talk like humans… and which are slowly dying out because of the endless winter they’ve been cursed with.

Because of Winn-Dixie

This is a children’s classic that I have just never gotten around to reading before. I finally picked it up and read it in a single day. It was really cute! The story of how a stray dog, Winn-Dixie, gets people to look past their differences and prejudices, and brings a community together. Very warm and fuzzy.

Hex Wives

A graphic novel I’d seen mentioned in queer circles before and finally got around to reading. I had mixed feelings about it… the story itself was pretty neat, and the art was decent (better than the front cover suggests), but there’s that edgy american-style comic vibes to it that I’m a little tired of. Still, a worthwhile read if you want something that mixes bubbly hollow suburbia horror with witchcraft and brutal scheming.

It’s about a coven of witches who are constant reborn and eventually regain their memories and powers from their past lives. Fearing their power, they are hunted across time by men who would have them destroyed. Realizing that there’s no way to permanently eliminate them as long as they’re reborn after death, the men concoct a new plan to limit their power… to find them before they remember their past lives and shackle them into the life of a suburban housewife.

Marsupilami: Quilzemhoal

...Disappointing. I’ve always had a soft spot for Marsupilami and I finally read the first book a few months back. It was pretty fun and cute, but definitely a little racist. But it was old and I decided to pick up one of the newer books in the series to see if the creators improved on that front. It wouldn't be the first graphic novel series where the authors grow and adapt their work to fit more modern views. Well, somehow got more racist. I couldn’t actually finish this one. So yeah, I guess this is not a series I’ll be continuing, no matter what nostalgia I still have for it.

MASH

The novel that inspired TV series M*A*S*H! I’ll be honest, I didn’t really expect to like this given that I’d mostly heard that it was nowhere near as good as the show, but it was genuinely hilarious. Different for sure, but really enjoyable if you like a very dry sort of humour.

This novel is about three doctors — Hawkeye Pierce, Trapper John Mcintyre, and Duke Forrester — who have been drafted into the Korean War assigned to the 4077th Mobile Army Surgical Hospital, a MASH unit near the front. To quote the foreword “A few flipped their lids, but most of them just raised hell, in a variety of ways and degrees”. The novel is essentially a collection of vignettes about the pranks, gags, and schemes Hawkeye, Trapper, Duke and the rest of the 4077 get up to while trying to stay sane amid blood, death, and horror.

The One and Only Bob

A very cute read. It wasn’t as good as the first book (The One and Only Ivan) but given that Ivan was an absolute masterpiece I guess that would be asking a bit much. The One and Only Bob is still a really fun, heartfelt novel, this time focusing in on Ivan’s canine best friend, Bob, who kept him company while he was living in his small enclosure at the mall. Bob is still best friends with Ivan even now that Ivan is living happily in a zoo with other gorillas, but now Bob is also learning to love and trust humans again after his traumatic childhood, and trying to figure out what it actually means to be a dog.

The Strange Case of Doctor Jekyll and Mr Hyde

Another classic I had just never read, so I listened to this one on audiobook. I won’t describe the story because I think just about everyone knows the basic premise. It was fine! Not as boring as Frankenstein, not as interesting as Dracula. Definitely not scary, but it posed mildly interesting questions about human nature, and the language was smooth and pleasant to hear read aloud. I don’t regret reading it, but I also wouldn't recommend people go out racing for it either.

Shaun the Sheep: Blast to the Past

I shamelessly adore these Tales From Mossy Bottom Farm chapter books. They adapt Shaun the Sheep so well. Characterization is good, the art is charming, and the stories are all funny and quirky. It’s like candy reading. In this one, Shaun and the Flock accidentally invent a time machine rather than a go kart and find themselves back in the past, trying to help the much younger and less experienced Farmer manage the farm to keep it from failing and altering the future as they know it.

Snotgirl v3

If you haven’t read this graphic novel series but like having your brain broken, then you absolutely should try it. It’s by Bryan Lee O’Malley, creator of Scott Pilgrim, and it tackles similar themes as his others works: coming-of-age but rather than a child or teenaged coming-of-age story, O’Malley writes about young adults in the twenties and early thirties needing to figure out how to get a hold of their chaotic, dysfunctional lives while dealing with outlandish problems.

Snotgirl is about Lottie, a fashion blogger/influencer who comes to realize that while her online presence is polished her real life is a mess, and that her cynicism and pretension has left her with shallow relationships. And that it’s her responsibility to fix it. The strange and beautiful Caroline and her mysterious brothers don’t make things easier, since accidents and murders seem to follow her… but without anyone actually seeming to die. Lottie needs to navigate her friends, her ex’s, her own self-image, and a strange surrealism that surrounds her newest friend and romantic interest

...And honestly shit only keeps getting weirder. I really thought it’d give me some answers in book three, but nope. So for genuine fucking weirdness and fantastic character development, give this a try.

The Time Travelling Caveman

Another anthology of short stories written for children that Terry Pratchett wrote during his writing career. They’re all weird and quirky, but I wouldn’t call them best examples of his work — probably unsurprising since they’re mostly from pretty early in his career. Still, I think I enjoyed other anthology collections of his over this one. Kinda mediocre for Pratchett.

Wishtree

An absolutely beautiful story, unsurprising since it’s from Applegate, but this one was really stunning even by her standards. This story is told from the POV of Red, an old oak tree who has been living in this neighbourhood and watching it grow for a very long time, providing homes for the local animals, shade for the residence, and playing the important role of neighbourhood “wish tree”. Optimistic and friendly, Red has seen exactly how wonderful people can be… but is about to see how bad they can be as well. When a new immigrant family moves into the neighbourhood not everyone is welcoming, and Red gets stuck in the middle of it.

[99percentprocrastination]

books read this week - 7/8/17

Last Night in Montreal by Emily St. John Mandel Winter by Marissa Meyer Fire by Kristin Cashore

My thoughts (including mild spoilers) below the cut ⤵️

Last Night in Montreal

This book is unlike anything I’ve read before. I picked it up because I read Station Eleven by the same author and loved it, so I wanted to check it out. And while they are two vastly different books, they are remarkably similar in many ways. Both are told in a disjointed, unchronological style that somehow feels utterly unique and completely controlled. Every thread fits together so perfectly, and each new revelation makes you reevaluate everything you’ve learned before.

I think Emily St. John Mandel is a wonderful storyteller and she can express big ideas amazingly well in subtle, thought-provoking ways. Where she falls short, I’ve found, is in her characters. Last Night in Montreal is centered around Lilia, who at first seemed a little “mysterious pixie dream girl”-esque. (Is that a thing? I’m making it a thing.) Of course, the first part of the book was mainly told from the POV of her boyfriend, which is exactly what he thought of her. But it didn’t exactly make her likable. None of the characters were particularly likable, and while I think that was kind of part of the point, it didn’t really endear me to any of them. I wasn’t even really rooting for Eli and Lilia to get what they wanted. But again, the characters were not the selling point of this novel.

Mandel’s language is stunning and breathtaking in ways that I don’t even know how to describe. Her descriptions of people and ordinary things were so vibrant. I loved the idea of untranslatable concepts and language differences, which fit so perfectly with the themes of the novel. It was one of those books where you had to set it down every now and then and stare at the ceiling, groaning, “This is so gooooood.” The whole thing had a floaty, dreamlike feeling; I read the book in two days and when I set it down I felt like I was waking up from a very strange and surreal dream. (I mean, even more so than I usually do when I finish a book.)

This was a fairly slow paced book, mostly because it kept skipping back and forth in time. Not a lot happened in the course of its 200-something pages, but it definitely leaves an impression on you. The ending shook me up. It’s not a particularly optimistic book about the nature of humanity, but it doesn’t leave you feeling hopeless or drifting. Not particularly memorable characters, but definitely memorable story and ideas.

Winter

And with this book, I finished The Lunar Chronicles! I wanted so, so much to love this series. And I did like it, truly. It was entertaining. Heck, I read the last 400 pages of this book in one night, which I wouldn’t have done if I didn’t like it. But I just didn’t love it.

The things I did love were these:

Oh man, I always love a good old heist story, and that comprised most of this book. Characters working together even after every single one of their plans goes wrong, continually regrouping and coming up with new plans to keep going forward. YES!

Cinder. Is. The. Best. DEFINITELY my favorite of the main characters. One of my favorite moments in the whole book was when she went through a traumatic experience that almost killed her and she passes out and when she wakes up her friends tell her that she’s under a lot of stress and she’s like “stress?? What weak shit is this???” I love her.

I also love Kai so much. And Iko. And Winter! At first I wasn’t sure what to make of her, but I came to love her. She’s so endearing and adorable and brave. I just wanted everything to be okay for her.

The ending was extremely satisfying. It may have had something to do with the fact that it was 2 in the morning when I finished it, but I was tearing up a little when everything just came together and the world was finally right. It felt good.

The things that I didn’t like so much:

Most of the romantic relationships in the book (and throughout the series). I continued to not care very much about Scarlet and Wolf. I thought for most of the book that Wolf was going to die at some point, and honestly I think it would have been more interesting if he had. The happy endings for everyone felt almost…too neat? I know; I’m awful that I wanted a sadder ending. What can I say? The most interesting thing about Scarlet was her friendship with Winter, and it could have been so cool to see her turning to this friendship if Wolf died and she felt like she had nothing else.

Also, most of the relationships felt almost too similar and trite. “I like him but does he like me back? Does he like someone else? We can’t talk about this though because we’re bad at communicating and in the middle of a war!” I wish there had been a little more variation between the relationships in some way.

These are very nitpicky things, of course. I truly enjoyed the book and the series, but I didn’t love it like I hoped I would. Ah, well.

Fire

This was a reread because I’m revisiting some of my old favorite books this summer. And oh boy. I read this book sometime in high school, and now that I’m a little older I feel like I can appreciate it so much more. This is a damn good book. Do you ever read a book and think, “Wow, I really wish I had written this”? Yeah.

I spent an inordinate amount of time going through negative goodreads reviews for this book and seething quietly because they completely didn’t understand this book. A lot of them were complaining about how much “adult” content/themes there is. Which, yeah, I can understand. It’s pretty adult for a YA novel. Lots of people having affairs and illegitimate children; the main character was essentially in a friends-with-benefits relationship. But the point wasn’t to condone these behaviors. It wasn’t even to condemn them. It was to show that people are messy, people make mistakes, but people can ultimately be forgiven. Some characters that we’re supposed to dislike do these things, as do characters that we love. It showed these behaviors honestly; how they could hurt people as well as lead to beautiful things like children that we love. And for heaven’s sake, the mentions of Fire’s period were not unnecessary, because women have periods and it was important for this character in this world!

Anyways. I’ll get off my soapbox now.

Honestly, I just adore fantasy stories that are ultimately about people. Even though this took place in a fantastical world with magical creatures, and even though our MC was only half human, the whole thing is essentially about love. At least, that’s what I took away from the whole thing. All of these characters were flawed and often made bad choices, but they still learned to love each other and forgive each other. The way the relationships developed was so beautiful. I honest to God had butterflies in my stomach during some of Fire and Brigan’s later scenes.

Fire was such an easy character to love. At first, she seems like the perfect recipe for a Mary Sue: the most beautiful woman in the land who everyone can’t help but love, who is a master musician and can control people with her mind. But she’s incredibly multi-faceted and complex and you can’t help but root for her desperate desires for people to not hate her for who she is. And just because she doubts herself and sometimes makes the wrong decisions doesn’t make her weak! *glares at goodreads reviewers*

Also, I’m so glad that Archer was used to subvert the usual YA trope of the possessive, jealous boyfriend. At first, that’s what he is (sort of), but Fire doesn’t allow any of this behavior and ultimately breaks off their relationship because of the way he acts. Instead, Fire ends up with Brigan, who is basically the exact opposite of those harmful tropes. Archer and Fire’s relationship was complex and messy, but it was made clear from the beginning that the way he treated her was not okay.

Although this book was a little slow paced at times, and I don’t love it as much as I love Graceling (which owns my heart and soul), it’s still an incredible novel about love and war and the terrible mistakes people can make. I can’t wait to reread Bitterblue!