#I’m still in shock. not of izuocha being canon but of just. the way it went about making it as. fuck. Himiko and Katsuki get behind me

[dekusleftsock]

Izuku you evil motherfucker WHAT DO YOU MEAN YOU DONT WANNA JOIN KATSUKI’S HERO AGENCY??? WHAT? IN WHAT WORLD AM I LIVING IN BC THIS IS BEYOND OOC

Fucking. INSANE.

[daetaechanster]

Deku, Bakugo and Kirishima

Okay I wanna preface this post by saying first, this isn’t a post about Bakudeku (you’re itching to call me out, I feel it, but don’t do it) and while I will be mentioning the Kiribaku ship, it will be me mostly mentioning the FANS of this ship and the ideals around that ship. If this doesn’t apply to you, please gloss over it. This post was caused by once again, seeing SOME Kiribaku’s speak absolute garbage all over Tiktok. Wrong garbage mind you. Now let me start..

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When was it, that fans suddenly decided that for Kiribaku to be a ship, that suddenly people had to downplay Deku’s importance in Bakugo’s life. Yes, Bakugo use to bully Deku and he was wrong for it, he was a little fucking shithead for it. But that was in chapter one of the manga and season 1 episode 1 of the show. Where are we now? About to hit chapter 305 (leaks today whoo) and we’re about hit season 5. Things of changed, Bakugo has changed, and if you can pick up what Horikoshi is putting down, then you KNOW things have changed in their relationship.

Now what these Tiktoker Kiribaku’s like to claim is that Bakugo doesn’t care about Deku, doesn’t even LIKE Deku. That the only person Bakugo cares about is Kirishima... you can headcanon all you like that Kirishima is Bakugo’s most important person. You can 100% believe that and use it for your fanon content. But that is all it is, headcanon and fanon, because it isn’t true. And BECAUSE it isn’t true and is fanon, Do not come at people who believe CANON FACT and tell them they’re wrong and your headcanon is right.

Why does Bakugo’s relationship with Deku have to be diminished for Kiribaku’s ship to flourish? Why? When did that become a thing? because a LOT of people spread around this garbage like it’s fact.

Now i’m going to get into the major point these Tiktoker Kiribaku’s made, and what I think is the worst take i’ve ever heard. Ahem.

‘Kirishima cared about Bakugo the most which is why he went to Kamino to save him, and Bakugo cared about Kirishima the most which is why he took his hand’

I’m going to get into how WRONG this statement is. 

The person who found out that Bakugo was going to be kidnapped was Deku. Deku found out during his fight with Muscular and after the fight was over, his first thought was to get Kota to safety so he could save Kacchan. He told the pussycat lady to alert everyone to Kacchan’s possible kidnapping, which is where Kirishima heard about it.

As you’d expect, Kirishima got upset and instantly wanted to go out and help protect Bakugo. Why? because he is his FRIEND. Canonly they’re not together so we are going forward with their platonic relationship, which is canon. He wanted to save his friends, as did others in the group, but he wanted to save him most. But he couldn’t. (Something we later learned was a trigger for Kirishima in season 4)

Because Deku was out on the field, he was able to go and try to save Bakugo. That boy ran around, in absolute pain to the point that some of the class commented on the fact he should be unconcious right now. But that didn’t matter because he wanted to save Bakugo. And he tried his hardest, despite being in pain and his arms not working, Bakugo gets taken, telling Deku ‘Not to come’. I like to believe he said that because Deku was injured and WOULD be killed following him, because Bakugo knows Deku would follow him into fire. Like Deku knows Bakugo best, Bakugo also knows Deku best (minus the whole looking down on him stuff, wtf Bakugo.) But because that was never established, we’ll leave that up to interpretation.

Something these Tiktokers used in their arguement was that Kirishima was the one who decided to save Bakugo, nobody else. Which.. just isn’t true at all. Another thing they said was DEKU DIDN’T PLAN TO SAVE HIM. Again, not true.

Lets go back to before Deku was in hospital and Bakugo was kidnapped. When Bakugo was gone, Deku SCREAMED in absolute DISPAIR (these tiktokers also commented that Deku hates Bakugo and all I can do is LOL, won’t even entertain that.) Deku was in such ABSOLUTE DISPAIR that he instantly went into shock. Shock, that he said, lasted for the 2 whole days in hospital, he couldn’t remember a thing. The only moment he remembers WHY he was in shock, was when the whole class were there and Todoroki told him about it.

Also at this point, while Deku is in shock, Kirishima and Todoroki had 2 whole days with a clear head to decide they were going to save Bakugo, consequences be damned.

What happened after remembering Kacchan was taken? Deku came out of his shock and burst into tears. He failed to save Kacchan and it HURT him. And then Kirishima mentions the rescue.. the rescue that he AND TODOROKI PLANNED. Do people not remember that while Kirishima had decided he was going to save Bakugo, that Todoroki ALSO had the same plan?? That if Kirishima hadn’t intended to save him, Todoroki would have mentioned the plan to Deku himself???

I 100% believe, as should ANYONE who knows Deku as a character and as someone who’s always cared about Bakugo despite him being an asshat, would have also come up with a plan to save Bakugo if he hadn’t been in hospital with damaged arms and in complete shock and disassociation.

I now want to point out a panel that people seem to forget:

For people to believe Deku doesn’t care as much as Kirishima does about Bakugo, how is it your boy is saying the complete OPPOSITE statement???

Now skip forward to finding Bakugo and AFO. While Kirishima (and Todoroki) had decided they were going to rescue Bakugo, it was Deku who came up with the plan to get Bakugo out of there. Deku planned the best possible way to get Bakugo out of there and not damage his pride in the meantime. Deku could have been selfish and have reached out for Bakugo, because we all know Deku wanted to have been the one to reach out his hand. But he didn’t because Deku knows Bakugo best and didn’t want to possibly upset him.

Bakugo, who feels incredibly insecure when it comes to Deku, how do you think he’d have reacted if Deku saved him A SECOND TIME? First the sludge villian and now Kamino? I’d wager that Deku would expect any chance of reconsilliation between himself and Bakugo to have died that moment if he’d reached out to save him.

Lets be honest, Bakugo would have taken ANYONES hand to get out of there and i’ll explain why that is true in a moment.

Another thing people seem to forget is that Bakugo didn’t tell Kirishima he was the one who should hold his hand out. Bakugo didn’t tell Kirishima that he would only take his hand. No, DEKU said this. Deku who knows Bakugo better than ANYONE. He knew, because currently his and Bakugo’s relationship was rocky, that he couldn’t risk Bakugo’s pride getting in the way of the rescue. So DEKU chose Kirishima to reach out his hand, because Kirishima isn’t someone Bakugo feels threatened by. Deku is Bakugo’s biggest insecurity, him reaching out was a risk Deku wasn’t going to place over saving Bakugo. 

Again, Bakugo didn’t mention ANY of this, he didn’t even know. So how anyone came to the conclusion that canonly, this meant that Bakugo believed Kirishima to be more important than anyone else I will never know.

And when they did save him, Horikoshi put in a VERY BIG CLUE that a lot of people gloss over.

That teeth grit there was put INTENTIONALLY to show that even with Kirishima’s hand out.. he still didn’t want to take it, he didn’t want to have been saved. This is why I believe that he would have taken ANYONE’S hand. For anime fans, this teeth grit was cut out to instead focus on how close Shigaraki got to grabbing Bakugo. 

Bakugo isn’t stupid, he knew he couldn’t stay. For one, he already mentioned that he was in All Mights way by being there. So he HAD NO CHOICE but to take Kirishima’s hand. And when he was saved, he addressed EVERYONE for saving him, not just Kirishima.

Now, for non manga readers, you will have to wait until season 5 to see Bakugo and Deku’s relationship flourish and I don’t want to spoil you. I’m so excited for people to see what their relationship is going to turn into and why it’s one of the most popular canon relationships in the show (and how it’s grown to be one of the biggest ships)

I will give you this though, to indicate just how much Deku means to Bakugo now without spoiling it for anyone. Anyone whos read the manga should know how Bakugo feels about Deku.

For anyone who feels that Bakugo taking Kirishima’s hand indicated how important they were to each other, i’d like to hope you have the same energy for that cover for Vol.29 of the manga drawn by Horikoshi himself. If Bakugo went back, he would have taken Deku’s hand all along. At the river, in Kamino, during the fight. Bakugo wants to hold Deku’s hand now, he wants Deku’s friendship, he wants Deku, and that is platonically canon.

The last thing I want to say is that Kiribaku as a ship can still exist without ignoring how much Bakugo and Deku mean to each other. Kirishima and Bakugo are friends, maybe even best friends canonly (though honestly i’d argue that Kaminari is closer to Bakugo but that’s my personal opinion.)

Deku’s best friends are Iida and Uraraka, but Bakugo is still the person he loves and cares about the most.

Bakugo’s best friends are Kirishima and Kaminari, but Deku is still the person he loves and cares about the most.

Do you see people push Bakugo down to make IzuOcha work? no.

Wanna headcanon that Kirishima is Bakugo’s most important person? Go right ahead. But don’t push it on others as fact when it’s not.

If you have to come to other peoples spaces and force your headcanon on them and disminish the utterly beautiful relationship thats blossoming between Bakugo and Deku, then maybe you shouldn’t be in the fandom. Horikoshi wants you to know how important these boys are to each other and if you can’t see that, don’t comment publically because you sound dumb.

Ship Kiribaku, but do not attack others for things that you have WRONG.

Tldr; Stop erasing Bakugo and Deku’s canon relationship to big up your Kiribaku ship and don’t force that on other people.

[echodrops]

Why You Should Be Shipping Shigaraki/Ochako

No, no, hang on a second--I see that side-eye you are throwing hard enough to ruin your peripheral vision. I feel the shade you’re casting like a thundercloud rolling in. But you didn’t read wrong. I meant what I said.

I’ve never made a secret of my love for rare pairs, but for once in my damn lonely shipper’s hellscape of a life I would love it if my favorite crack ship in a fandom had more than two fics (I’m NOT JOKING) to its name.

What can I do to correct this egregious oversight before the entire summer passes with nary a whisper of the most romantic ship since Juliet wherefore art thou’d Romeo?

Well, what else? I was forged in the fires of early 2000s’ fandom, and I know that desperate times call for desperate measures meticulously researched and extremely rose-tinted

Shipping Manifestos.

Fam, I am about to blow your minds, align your chakras, open your third eyes--because Shigaraki and Ochako is the most slept on ship in the entire BNHA fandom, and if you give me ten minutes like an hour (holy shit, this is long), I can prove it.

Disclaimer: @mistystarshine is the enabler who convinced me to write this but we were both enabled by @ohmytheon’s Reconfigure (on AO3) so you know who’s really responsible.

Spoilers to Chapter 231, watch out.

First off, I know what you’re thinking. Maybe you’re still reading from pure shock. Maybe you’re doubt-reading to get your daily fix of internet skepticism. Maybe you’re waiting for me to say these two characters are meant to be because she wears pink and his hair is blue. Maybe you’re already freaking out about age gaps but like that is what future fics and AUs are actually for!!!

I’m not telling you to give up your IzuOcha or Kacchako. I’m not gonna pry ShigaDabi out of your eager little villain stan hands. But if you’ve never considered multi-shipping, now is the time my friends, because I’m totally serious heartfelt here! I’ve got VALID reasons for shipping Shigako--ten of them, in fact:

1) Midoriya is taken for granted as Uraraka’s love interest--but Shigaraki is incredibly similar to him.

There are reams of meta on the parallels between Midoriya and Shigaraki, with plenty people noting how Horikoshi specifically set the two up as foils to examine similar character development despite their drastically different circumstances. Yet for all the meta pointing out that Shigaraki and Midoriya are basically the same character through a mirror darkly, I’ve never seen anyone bear that thought out to its logical conclusion: there are traits Uraraka admires in Midoriya that are extremely apparent in Shigaraki too.

Multiple times in the manga, Uraraka expresses admiration for Deku’s resolve and refusal to give up. His determination in the face of impossible odds and his sense of dedication to his cause are powerful motivating factors in Ochako’s storyline, and Deku’s behavior--his willingness to charge straight into danger and his unflinching pursuit of his goal to be #1--have basically become the standard to which Uraraka holds herself.

Her crush is literally founded on an appreciation for Midoriya’s drive, earnestness, and constant growth as a person.

But these are all traits that Shigaraki also explicitly possesses. Shigaraki’s unwavering resolve is so strong that even though everyone around him says dream is unattainable... they follow him anyway.

Ujiko flat out tells Shigaraki he’s chasing a pipe dream, but he’s willing to come along for the ride strictly because of how committed Shigaraki is to making that dream a reality. The strength of Tomura’s conviction alone persuaded a collection of the most volatile and difficult personalities in the manga to band together and become found family the most well-known anti-establishment organization in all of Japan.

Shigaraki never, even in the face of overwhelming threat, backs down from a challenge, and he approaches each impossible task with absolutely as much effort, ferocity, and refusal to quit as Deku. He is just as dedicated, just as much of a shounen protagonist main character, and just as willing to push himself above and beyond as Deku.

The traits that motivated Uraraka to become the character she is today, many of the exact same traits that formed her crush on Midoriya, are all there in Shigaraki. In another world, the person who inspired Uraraka to go “Plus Ultra” could be Tomura himself, and if 1) no sense of self-preservation, 2) ZERO CHILL, and 3) dogged obsession are what Uraraka finds attractive, Shigaraki clearly has 'em covered. Oh no, he’s meeting all my standards.

2) Being serious though, Ochako’s role in the plot would be vastly improved by more meaningful interactions with the antagonists, even if just in battle.

I’ve written before about how badly the writing of BNHA treats Ochako, and why her constantly being out-of-focus is a hallmark of the genre’s crippling inability to handle dynamic female characters, but it bears repeating: in her current position in the story, Uraraka’s character has minimal agency. She exists to fill the role of Deku’s love interest (at worst) and an emotional crutch (at best). Again, absolutely no hate on the IzuOcha ship--it’s clearly canon endgame and “wholesome” I guess is what they’re calling it nowadays. But the way IzuOcha’s being written in canon is actually the worst possible thing that could happen to Uraraka’s individual character, because Ochako’s crush on Deku has been given virtually no bearing on the story’s main plot and allows Horikoshi to consistently reduce Uraraka’s personal accomplishments to “inspirations from Deku” (in order to, likely, fulfill young male readers’ fantasy of having a girl fixated on them).

Is Uraraka about to do something cool in the manga? Wait for her comment about being motivated by Deku.

Does Uraraka actually get to see some action and get involved in a fight? Wait for someone to bring up her feelings for Deku.

Is Deku about to have a dramatic clash with the story’s villains to advance the main plotline? Wait for Ochako to entirely vanish (at worst) or get sidelined into a three panel clip where she’ll use the same martial art move she’s been using since like chapter 10 (at best).

If I have to read “Gunhead Martial Arts” one more fucking time... Give Ochako her OWN supermoves goddammit!!

The story of the comic itself continually pushes Ochako out of any position of relevance. She’s not one of UA’s strongest fighters (despite having a quirk that, if applied like ANY of the male characters, has incredible potential), she’s not given half the emotional depth or attention even side characters like Kirishima get, and her backstory lacks the development many of the male characters’ get (I’m looking at you, Todoroki).

As a “good girl,” she isn’t allowed to get her hands dirty like Toga, she isn’t allowed to get as bloodied or ugly as any of the boys, and she can never be allowed to surpass the main male characters in coolness or plot relevance because girls can be “heroes” but they can’t be The Hero™. (I’m literally gagging, guys.)

Which is EXACTLY why a plot involving Shigaraki and Ochako--in ANY capacity, even just a flat out fight against each other!--would actually be a fan-fucking-tastic addition to BNHA.

Skip the token Toga vs. Ochako chick fight where they squabble over who loves Izuku more. Let Toga talk to Izuku as herself for once. Let Uraraka throw down with the League’s leader. At least once, Horikoshi? Just once?

Literally any form of plot that puts Shigaraki and Ochako into contact would mean moving Uraraka into a more central position within the manga’s plot, would boost her screen-time, increase the likelihood of her contributing to the story’s primary conflict, and would give her more to do and emotionally engage with than just repeating the same lines about Deku being amazing on an endless loop. There is untapped character development potential in spades here if Uraraka was given chance to genuinely interact with the other half of the story’s cast!

Give👏 Uraraka👏 something👏 meaningful👏 to do!👏

Putting the story’s foremost female character on out there on the frontlines with the manga’s actual main character antagonist would finally break her out of the mold she’s been forced into by genre stereotypes and set her on an even playing field with the male heroes at last.

A meaningful encounter with Shigaraki could be Ochako’s ticket to being treated respectfully by the story itself (and hell if giving underappreciated characters a real place in the world isn’t Tomura’s freakin’ calling card already).

3) Okay, I know the words “subverting expectations” leave a bad taste in everyone’s mouth nowadays, but there is a huge difference between “throwing inexplicable plot twists at the audience just for shock factor” and “averting stale cliches in an emotionally rewarding manner.” Sure, cliches do exist for a reason, but there are still many instances where actively avoiding a cliche plotline is a great choice. A shounen manga’s token love interest ending up with someone other than the hero--namely with a (reformed) villain--would be an interesting flip on the trite “hero gets the girl” script.

Look, we all know how it goes: Hero clashes with Bad Guy. They duke it out all over Kingdom Come. RIP like fifty square city blocks. The Hero wins, heads home triumphant, sweeps his Princess off her feet, and sails off into the hero rankings sunset. End of the same story we’ve seen a million times. Sometimes it’s done well and the audience is left satisfied. Other times, the heroine involved is reduced to the hero’s reward, less person than wish fulfillment. In either case, tying up a romantic subplot with a hero is the go-to way of resolving female characters’ storylines and, at this point, pretty much a given in manga, even when the romantic subplot is never given the development it deserves, leaving audiences bewildered at how and why the hook-up actually happened.

I’m not saying every comic should “subvert expectations” and cancel its romantic subplot between the hero and heroine, of course not. But I am saying that it would be pretty refreshing to see something else for once.

By virtue of their role, villains don’t usually “get the girl.” Even redeemed villains rarely end up in happy, healthy, well-written relationships. It’s not impossible but it is unlikely that a series’ designated female lead ever wavers in her attentions from the main hero to a new romantic target.

So it would be pretty cool if one did, if the moral of the story’s romantic subplot wasn’t just "token love interest completes painfully shoehorned romantic gestures.” A good romance with a redeemed ex-villain instead of a hero would take a lot more explanation. It would demand, by its very nature, more work on the author’s part to suspend disbelief. The characters would have to develop an entirely different rapport from the normal interactions between designated love interests, and, to a certain extent, strong character growth would be required in order for such a romance to even get started. There’s more moral complexity and conflict to a subplot like this, and a greater sensation of choice--if the heroine doesn’t have to end with the hero by the end of the story, well hey... That means she could end up with just about anyone. Whoa.

Even more so, in the specific case of Shigaraki, who has lived a life of misery and manipulation, the idea that he could come out on the other side, grow as a person, redeem himself, and eventually enter a healthy relationship with someone who isn’t going to hurt him is an idea I find deeply appealing. I think there are a lot of villain stans, myself included, who see parts of themselves in Shigaraki. If a character who has been so severely impacted by abuse can still heal and ultimately end up happy, to me, that’s a far more hopeful and heart-warming conclusion than the alternatives. I did warn you this manifesto would be rose-tinted, didn’t I?

I want storylines that prove that none of us are beyond saving. That people who make bad choices can still change. That romance isn’t a reward for playing the “right” role. That heroines have options. That there are still pleasant surprises to be found in romance plots.

4) But why Shigaraki and Ochako, in particular? It’s not like they have any remotely shared life experiences--

Oops. Friendly reminder: Ochako is the only major character in the manga besides the villains who is overtly described as, I quote, “poorer than poor.” Todoroki, Yaomomo, and Iida can all make it rain; Kaminari, Mina, and Jirou can afford stylish clothes; Kirishima can drop a stupid amount on night vision googles... Even Midoriya, whose father “works overseas,“ can afford plenty of All Might merchandise. One of the popular fandom theories for a while was that Ochako could be U.A.’s traitor specifically because of her desire to help her parents financially, and I think that most readers at this point can discern a clear divide in BNHA’s society: heroes are the “haves” and villains are the “have nots.” To be a hero in this story is to attend a prestigious school, have access to expensive support items, gear, insurance, fame and glory, etc.

Meanwhile, with the exception of All For One, to be a villain in BNHA’s story is to be marginalized, live in unfit conditions, lack access to basic safety and nutritional resources, and struggle to make ends meet. When ability to thrive in a hero-centric society is synonymous with being a good and worthwhile person, anyone who doesn’t just naturally excel in the hero-driven economy is treated as flawed at best and suspect at worst. Poor characters in the story are ignored, and, as demonstrated with people like Twice, left essentially to fend for themselves.

Uraraka’s status as lower income is mostly played for laughs. She’s still a privileged character in that she can attend U.A., receive hero items for free, has a safe place to live, etc. But it is important that the story acknowledges her family’s situation, because her financial status does set her apart from her classmates.

She is less privileged than the others. Being “the poor character” situates Uraraka in the interesting divide between those who couldn’t cope and chose to rebel against hero society instead, versus those who conformed to the hero system in an attempt to improve their situations. In different circumstances, if Uraraka’s family was just even the tiniest bit worse off, we might be seeing a very different character here, one who had to make some much harder choices to keep her family afloat.

Having been in the position of "going without,” Uraraka also has a unique understanding of the “real world” that many of her heroics classmates might lack. She understands what it is like to go hungry, to not be able to afford to keep up with the newest trends, to be constantly anxious about the future--to feel unsuccessful, overlooked, and under constant pressure to perform. As someone who wasn’t raised in the lap of luxury or even really a middle-class home, Uraraka has more insight into--and would likely have more empathy for--the plight of the downtrodden daily criminals of the BNHA world. Just based on her own life experiences, Ochako is more likely than her classmates to recognize how harsh reality can be, and understand the temptations that lead people to make terrible decisions.

This makes Ochako an especially interesting character in terms of her pro hero future. Would she be able to sympathize and reach out to struggling "villains” more effectively than others from her class, who lack her humble background? Would she be able to better see the big picture of BNHA’s society, and the way it actively creates villains from its marginalized populations? Would she be able to look at the League not just as criminals, but also as people who never stood a chance within the confines of a rigged social structure?

Uraraka’s background shifts her closer to the story’s villains than many of the other hero characters, and puts her in a unique place to both empathize and become motivated to change the flawed system that produced people like Shigaraki and the League in the first place.

5) Likewise, Uraraka’s background actually makes her more palatable to Shigaraki than other heroes. At least at the beginning of the comic, Uraraka isn’t shy about admitting that one of her reasons for becoming a hero is to help her parents financially. Ochako’s original motivation for heroism isn’t portrayed as nobly as others’ like Deku--Deku has no ulterior motives for being a hero; he just wants to save people and wouldn’t care about personally benefiting.

Instead, Ochako is presented as someone who (initially) sees heroism as a means to an end. It’s not that she doesn’t want to save people, but that she’s not doing so only for the intrinsic worth... the hefty paycheck that comes from heroism is a big draw.

Over time the manga has shown her shifting away from this (which actually makes her character less unique, unfortunately), but I’m sure it’s still a thought for her, and she’s definitely going to send paychecks to her parents in the future. At the end of the day, heroism is still going to be Uraraka’s ticket to a better lifestyle, even if she’s committed herself to it honestly by the time she leaves U.A.

But it’s this exact form of personal motivation that Shigaraki is much more likely to understand than the “goody-two-shoes” motivations of people like Deku. Multiple times in the comic Shigaraki has expressed confusion with society’s habit of clinging mindlessly to symbols, of their blind faith in the virtues of heroism, and their ability to simply overlook suffering because “surely a hero will do something about it.” Stain’s ideals about “true heroes” go straight past Shigaraki, who seems to hate heroes who are earnest (All Might, I’m talking about All Might) far more than those who are simply faking their way through for fame. 

Shigaraki understands humans who are driven by personal gain. He respects the individual desires of people he cares about. Someone in the hero industry explicitly seeking tangible benefits would likely, to Shigaraki at least, come across as more genuine than someone who claims they have no ulterior motives, and a person who is blunt about their needs and grounded in the reality of BNHA’s world would likely be much more acceptable to Tomura than someone who spews trite lines about peace and justice.

Shigaraki’s feelings for heroes have been irreparably damaged by his conditioning from All For One, but there are certainly some heroes that he would find less loathsome than others. He will probably never understand Deku’s selflessness. All Might’s saccharine symbolism actively infuriates him. But a person who became a hero to put food on the table? To provide for her parents (maybe especially because it is her parents she’s trying to provide for)? That’s at least understandable. If the manga’s future does see Shigaraki redeemed, my thought is that the only type of heroes we’ll ever see him willingly interact with would still be heroes just like Ochako, with more “down to earth” personal motivations. Uraraka, your codename is “If I had to date a hero”...

6) While we’re talking about shared life experiences, there’s another very obvious similarity between Shigaraki and Ochako: neither one of them can touch things with all five fingers.

Cute/fridge horror observation: Shigaraki is even daintier about touching things than Uraraka is; Uraraka usually lifts just her pinkies, but Shigaraki frequently uses as few fingers as possible.

Yeah, yeah, they both have to be dainty and careful with everything they hold. It’d be cute to watch them eat together. They could mutually gripe about the annoyance of video game consoles not designed for four-finger use. More than that though, neither one of them can touch other human beings without the risk of causing death.

Uraraka, as a hero, has the more privileged quirk design (she can turn her quirk off, while Shigaraki can’t) and until recently, the comic was always very careful to portray Uraraka’s quirk in a way that no one was endangered by it. But dropping Zero Gravity into the hands of a villain for a single chapter reveals the truth: Uraraka’s quirk has just as much lethal potential as Shigaraki’s.

Like Shigaraki, Uraraka has to face the reality that her touch alone could jeopardize the safety of anyone she comes into contact with, in her daily life and in her hero work. Drop some debris without looking twice? Just crushed a civilian. Release your quirk without thinking? Now the villain you floated is paste on the sidewalk. Thought that it was safe to float away the building? Oops, you crushed someone still trapped inside. Yikes. In a one-on-one battle, Uraraka is actually at a disadvantage not because her quirk is weak, but the dead opposite--in an outdoor fight, she would have to actively work not to accidentally send people off into outer space.

Having an auto-activate touch quirk means that both Shigaraki and Ochako have to be conscious of every single thing they touch all the time. Both of their quirks require constant bodily awareness, and both come with the lurking knowledge that “My touch causes problems.” Even for Ochako, who would merely be a nuisance if she accidentally floated objects indoors, it’s easy to internalize frustration and negative associations with one’s own body. Every day, Ochako has to be careful with herself in a way that few of her peers do, another factor that sets her apart.

One of the story’s overarching themes is the idea of “self-acceptance” and what it even means to “accept yourself” in a world where (almost) every human being possesses a distinguishing feature, often built into their bodies at the expense of standard human functioning. For people with limited control over their quirks, who can’t choose when the effect activates, a quirk is a constant burden and facet of their identity that entirely re-shapes how they interact with the world. Both Shigaraki and Uraraka face the practicality of having burdensome, even lethal, auto-activate quirks that require constant self-awareness. This is a similarity that, of the major characters, only Shigaraki and Ochako possess so far. (Even other major characters with touch-based quirks like Overhaul appear to be able to choose when to activate their quirks).

The “funny” way Shigaraki and Ochako hold things seems like just a small similarity until you remember the amount of practice and frustration it must have taken to internalize a four-fingered touch. Until you remember that this similarity marks them both as very careful and self-conscious characters. Until you remember that Shigaraki’s got a one-touch instakill... but so does Uraraka Ochako.

7) Okay, similarities are cool and all, but you know what they say: opposites attract. And if we’re talking character motivation, there are no cleaner opposites in the entire series. Shigaraki and Ochako are actually even better emotional foils than Shigaraki and Deku, because Ochako’s central motivation is “Make as many people smile as possible” and Shigaraki’s is, literally, “Make it so no one can ever smile again.”

I know I ragged on it earlier, but now I’m going to use it to my full advantage: as the story evolved and characters grew, Ochako’s “true” motivation to become a hero revealed itself: she feels a deep, intrinsic happiness when witnessing the happiness of others. Her desire as a hero is to spread relief, the sense of security that allows people to go about their days smiling. She literally feels happiest when everyone around her is happy.

Even more so than Deku, this casts Uraraka as Shigaraki’s diametric opposite in the story, because Shigaraki’s entire pipe dream goal also hinges on the smiles of others--and how absolutely much he hates them. Shigaraki’s goal is total world destruction because he just resents the happiness of others that fucking much.

On the surface alone it’s more fascinating than the story will probably ever live up to: Ochako, the heroine who wants to spread smiles; Shigaraki, the villain who wants to destroy them. Even if we’re just talking canon, zero romance involved, that would still be an interesting conflict to explore. The story could cover a lot of deeper ground by drawing the comparison between these two characters more directly. It would definitely validate Uraraka being involved in more major plot events, at the very least.

BUT this was supposed to be about shipping, so of course I can’t leave it there, and leaving it there would only be half the story anyway, because nobody is born hating smiles. Everything we’ve seen of Shigaraki’s past so far indicates that he was a kid with a cute dog, a warm relationship with his sister, and an interest in heroes--i.e., a decent life that probably included his own fair share of smiles. Shigaraki’s hatred and resentment are direct products of the traumatic manipulation he suffered at AFO’s hands. He despises the idea that people around him can smile and act upbeat, even when they objectively know villains are lurking all around them. He is actually sick to his stomach at the idea of people blindly putting their faith in heroes, knowing what he does: that heroes often fail, that there are many people who desperately need to be rescued and are instead overlooked. The world failed Shimura Tenko and then had the nerve to keep on smiling without him.

Other people’s smiles represent nothing but the joy, security, love, and peace that Shigaraki Tomura hasn’t experienced since the day his quirk manifested. The sight of any living thing fills Shigaraki with rage because everything bright and beautiful, everything good and calm and kind and soft and warm, is everything that Shigaraki has lost and believes he will never, ever get to experience again.

Shigaraki doesn’t really hate the pure happy smiles of others; he hates the fact that the world has taken away every single thing he ever had to smile about.

It is my belief that Horikoshi is hinting at a redemption arc for Shigaraki, especially as we see the League become closer allies. But Shigaraki can’t be completely redeemed, can’t be persuaded to give up his world-destruction plan, until he can look at the smiles of others without scorn. Until the bright, upbeat attitudes of heroes other people no longer feel like a personal attack. Until he’s happy enough that the happiness of others no longer hurts. Until the weight is lifted.

And I can’t think of any character more obviously suited to helping lift an immense weight than Uraraka, the zero gravity hero who wants nothing more than to spread smiles.

8) Speaking of lifting weights... Kacchako is a popular ship stemming in large part from Bakugou’s refusal to treat Uraraka with kid gloves. He faces her head-on as a real opponent and views her like any other hero hopeful.

As I’ve said before, this is pretty much the most respectfully the series itself has ever treated Uraraka Ochako, and it caught a lot of attention because it was one of the rare occasions that a female pro hero-in-training was really treated as an equal to the male characters. Kacchako shippers had something awesome to work with.

But... You know who else treats women as equals? (Hell, you know who treats literally everyone as equals, from those with mutant quirks to trans people to those with severe mental health issues?) You can say what you want about Shigaraki’s habit of, you know, mass murder, but in terms of viewing others equally and respecting (okay, let’s be real, it’s probably closer to just ignoring) differences, Tomura is about as open-minded as BNHA characters come. The League is an equal opportunity employer.

Unlike actual hero characters, Shigaraki has never once suggested that Toga is incapable of keeping up with any of the male members of the League, and in fact has entrusted her with many of the League’s most dangerous and crucial missions. He explicitly has faith in her ability and skill.

Toga’s right there in the fight against Gigantomachia and the QLA, as much an equal member of the League as anyone else. In terms of gender equality, the villains seem to be light-years ahead of their hero counterparts, and Shigaraki in particular doesn’t discriminate, among his allies or his opponents either. He’s not a “spare the women and children” kind of guy; every hero and villain challenger is treated with equal violence (and equal snark), whether they’re male, female, a long-time pro or a student in training.

In whatever context--canon opponent, AU ally, or a future romantic interest--Shigaraki would take Ochako just as seriously as Bakugou did. If you like Kacchako because Bakugou doesn’t dismiss Uraraka, that same dynamic would be present in Shigako too.

9) And on the topic of Shigaraki and women... It doesn’t feel accidental that every single female character who ever had love for Shigaraki has been taken away from him. A distinct part of Shigaraki’s storyline is that all positive female role models have been systematically removed from his life. He lost his grandmother, a hero he could have looked up to; he lost his mother, who he now has no memory of; he lost the older sister he clearly held dear... All For One’s control over Tomura has always been total, but this particular detail feels especially insidious: was All For One’s spite for Nana so strong that he delighted in deliberately destroying every single relationship Tenko had with women connected to Nana’s legacy? (Or is AFO perhaps just a raging misogynist? Every single one of his known associates is male and he seemed to despise and mock Nana particularly hard...)

In any case, the point I’m trying to make here is that, even ruling love interests out, Shigaraki’s storyline would be enriched by forging a meaningful connection with a female character like Ochako. Acceptance--maybe even some grudging admiration--for a female hero? A fantastic opportunity to show just how different the “villains” are from the discriminatory society that produced them. Supporting friendship while he’s on the road to recovery? A+ way to diversify interactions between the male and female cast. Send a tough girl to Tartarus to question his motives? Nice chance for tense dialogue and some good old noire-esque foe yay. Hostage situation that takes a turn for the surprisingly cordial? Fun way to explore different dynamics and humanize the villains because hey, they treated the “damsel” to dinner shortbread cookies. My god, Shigaraki could even develop some positive sense of rivalry with a woman, for example! The possibilities are endless if you’re actually willing to give female characters a shot!

Being more serious, Tomura’s life has been dramatically marked by the loss of his female family members, and--at least from what we know so far--his entire youth was spent without the presence of reliable friendships, let alone any form of “love” that wasn’t disturbingly fake. Beyond his fragmented memories, he has no models for healthy relationships, romantic or otherwise.

Letting Shigaraki develop to the point that he could form a mutually positive relationship with a female hero character would be extremely cathartic for me as a reader. I don’t mean “rewarding redemption with a last-minute happy ending romance”--I mean actually getting the opportunity to watch Tomura rediscover what it means to be genuinely loved and realize he has the capacity to give love and be happy in return...

Reaching that level of mutual support and closeness--especially with a female pro hero--would be the biggest “FUCK YOU” that Shigaraki could give to All For One, short of, you know, actually killing him.

Shigaraki Tomura has a critical (and deliberate) lack of healthy connections to women. BNHA, coincidentally, has a criminally under-utilized female lead just twiddling her thumbs over here, waiting for a meaningful plotline to be thrown her way.

Sure, putting AFO in prison is cool and all, but have you considered... crushing his pride and legacy of evil by helping the boy he tortured for years learn to love again? I’m just sayin’!

Uraraka Ochako, snatching Shigaraki right the fuck out of AFO’s hands:

10) Basically what the whole thing boils down to is this: Shigaraki Tomura needs a hero.

Don’t mistake my meaning. A lot of “girl meets bad boy” plots end up amounting to “girl becomes emotionally responsible for fixing bad boy’s issues,” and that’s not what I’m gunning for--Shigaraki has to redeem himself because redemption is only meaningful when it stems from the character’s own inner desire to change; I’m not quite rose-tinted enough to buy into the Love Redeems trope myself. I’m definitely not advocating anyone dump Shigaraki Tomura as he is now into Uraraka Ochako’s lap and expect her to turn him from a beast to a beauty. It’s not an unrelated woman’s responsibility to fix a broken man.

But! From a reader’s perspective, I think we can agree: Shigaraki’s redemption cannot be complete until he learns to believe in real heroes. He doesn’t have to like them. He doesn’t have to support hero society. But he has to be able to look at real heroes like Izuku and Ochako and admit that they are doing what’s right--that society is a better place because they are here. Shigaraki’s path to recovery can’t even begin until he’s capable of at least acknowledging that the world has things worth saving in it.

If Horikoshi moves forward with a redemption arc for Shigaraki, it will probably be Deku who Detroit Smashes the message of truly noble heroes into Shigaraki’s head. That’s his job as the resident Warrior Therapist, I suppose. But you know... to me, it might be even more meaningful if Shigaraki’s hero--if the hand that reaches out to rescue him--isn’t The Hero’s™ but just a hero’s. We all know Deku is selfless and good to the core. As All Might’s perfect successor, he really has nothing to prove. It’s everyone else who is in question. It’s the whole rest of hero society that owes Shigaraki Tomura an explanation for the suffering of people like the League’s members. It’s everyone else who needs to prove they can do better--that in the future, there will be no bloody children left abandoned in back alleyways.

Uraraka Ochako’s conviction is to save people. As a female hero who hasn’t lived a privileged life, she’s uniquely situated to think about those who are most often overlooked. In a world where violence begets violence, where only those with strength and flash excel, what a powerful message it would send for the terrifying antagonist to effectively be rescued by someone the story itself has called “a frail girl.” At the end of the day, heroics isn’t supposed to be about mountain-destroying explosions and mach punches--heroics is supposed to be about heart, about reaching out a gentle helping hand, about spreading smiles to those who need them most.

Tomura’s faith in heroes has been brutally stripped from him, and every part of his conflict is tied up intimately with his misdirected hatred: it wasn’t actually heroes who isolated and hurt him--it was villains. In order to move forward, he will have to come to that horrible realization, deal with that means for himself and his place in the world, and recognize the truth: there are goodness and good people in the world. Selfless heroes, those who wouldn’t turn their backs on a crying child, do exist. There are people, even now, who would extend a kind hand to Shigaraki Tomura and do their best to bring a real smile to his face. Because that’s what’s really going on, after all.

Shimura Tenko is still waiting to be saved.

And I know just the person to do it.

[singingcookie]

HELLO YES CAN WE TALK ABOUT THAT ADORABLE CARRY AND HOW THEY DIDNT REALIZE HE WAS STILL HOLDING HER AT FIRST PLS AND THANMK

Ah yes. So like, fun fact: this chapter also turned out really different from its outline. Well. Everything but the last scene turned out really different. But I have fun stuff about that and pretty much everything else so...another outline comparison?

Obviously spoilers for chapter 21 of DoJ under the cut

Back to Ochako’s pov

This should start up incredibly chaotic. The sound of screams, being bumped into from people scurrying either to or from the where the flames are congregated. Ochako’s nose is burning from the smoke, and she has to cough to even take a deeper breath in.

Details are hard lol! I tried writing down notable sensory details to get me going but it still took ages to write the first page or so. Finding ways to word the images in my head and have them come across so hectic was really hard for me 😩

There’s a question of what they should do when Deku’s phone rings. It’s Todoroki. Ochako stands close to Deku’s side to try and listen but she can barely make anything out with all the commotion going on. She almost contemplates asking for speaker but, all things considered, that obviously wouldn’t fare any better. Deku mostly just seems to be agreeing and listening until he finally says that they’ll do their best and hangs up. Todoroki said that Iida had called Aizawa immediately. They were closer to the havoc and they’re helping lead the effort to get civilians to safety and any possible need for triage. Luckily a decent number of the class was already nearby so some are fending them off and other are helping with the effort to grab civilians.

So as you can see here things............deviated. A lot. I had a really hard time actually planning out how this chapter was gonna go and I pretty much wrote up this part of the outline going “okay this is probably gonna change but these are the basics. The basics I have to get across.

So as you can see, originally I thought of having izuocha like....idk too far away? Too in shock? To jump to action. Which was, honestly, very dumb on past me’s part but they were quick to say “fuck you we’re helping” like of course.

They wanted to rush over to deal with the trees and help but I was standing there like these guys are so far away how tf is this gonna work. And that’s when it was like “omg, bridal carry.”

I think I had to break from writing after deciding that though. And I was telling my little sister about it while we were in the car. And we kind of mutually came up with the scene. We played around with the scenario a little bit, and it was originally a jokey thing. But after we talked about it, and she agreed (as a Tododeku shipper) that she thought it flowed well and made sense, I decided to include it. It was so vivid though we could both imagine as a scene in the manga so a day or two later I decided I had to commission it.

I’ll be forever grateful that @jellojolteon was up for the task and did it so so wonderfully. 💖💖💖

We also were joking around about the Momo thing and after telling @savetheirhearts-midoriya about it but saying I thought it was too goofy to include, she told me I had to include it. And who was I to refuse? Lmao

Looking back on this though idk how I thought that that it was gonna be chaos but still chill enough to be able to have a phone call smh. Luckily I’m not super strict on my outline being the end all be all lmao

I definitely like the way it turned out a lot better though. Did a good job with showing the class’s self reliance. Especially considering they’re in third year now. It shows off that they have this kind of thing down pat now. Kinda like how the Big Three came off in canon.

They decide they should try to tell other civilians where to go (maybe check how long the street usually is in Kanagawa for the festival) in the midst of that, they see Toogata and Amajiki with Eri. They explain they were with Aizawa but he felt it might be best if they go to safety with the others. They didn’t want to leave Toogata and Eri alone but Amajiki will go back into the fray once he’s guaranteed they’ve made it safely. They explain where to find Aizawa and they take off.

Maybe include a conversation with Ochako saying that, all things considered, at least this attack is happening where a handful of pros and a majority of the 3rd year hero course were out tonight. Deku wonders if that’s really much of a relief. “Was it just a coincidence or…?”

Ochako blinks in surprise, about to stew on that thought a little more when there’s a scream just up ahead. A little further ahead, there’s two girls, twins from the look of it. One is on the ground, unconscious and disheveled as well as a bloodied arm.

ooooooh right, again, more differences here. I never altered the fact that I changed the setting in my outline LOL. Mostly because I knew and it seemed pointless to change something so small when I already know lol. I wanted to include Eri a little here but when I thought about it it just felt like it would slow down the pace of the scene. And it just felt too....pushy? Idk something about it just felt off. So I decided to cut it. I also changed where Aizawa came into play but I’ll get to that in a few lol.

Second and third paragraphs though are the same. I knew I wanted to highlight the fact that is was very likely targeted.

Aizawa arrives right as they do and they ask what happened. The sister explains that they were wandering around the festival looking for her boyfriend who was further down. She started to go off ahead, but some crazy girl popped out of the alley and attacked her sister. She ran off before the twin could come back over. She tried to stem the bleeding but--

Ochako says they’ll take it from here as she goes to join the girl on the side with the bleeding arm. She says that she feels bad doing this since Inko worked so hard but she tears off some of the bottom of her yukata, to wrap the wound.

Alright so, I changed where Aizawa came in mostly because I felt like, upon, writing it, he would be coming from further into the festival than they were. And they’re up toward to front, so it only made sense to have him show up late....not to mention that he might notice that the girl (Toga) was acting a little off. So I had to limit his exposure LOL

The story was pretty much the same and, real talk, I wanted an excuse to free up Ochako’s movement since a yukata is a little limiting. But I definitely wanted to feel the ache that came with messing up something that we spent so much time waiting for. I went ahead and added some details about Toga looking a little too long before this next part just to drive home that something really doesn’t feel right about this girl...

The twin watches her, seemingly entranced, an unblinking expression on her face. “You really know what you’re doing, don’t you?”

“Oh well, I’m a hero in training!” Ochako’s a little embarrassed. “It’s all in the job.”

“We should get both of you over to triage,” Deku notes, looking toward Aizawa. This seems to snatch the other girl’s attention from Ochako’s deftly moving hands. “They can help check on her properly there.” The sister suddenly jumps to her feet, suddenly remembering her boyfriend’s further ahead and alone. She has to go find him and takes off

“Ah wait!! Eraserhead, Uraraka-san, I’ll go make sure she’ll make it okay, be right back!” He takes off too.

Pretty much the same, as far as what’s conveyed, I think. Especially highlighting that something’s wrong with this twin and that Ochako’s uncomfortable. Though, here I didn’t spell out the latter as clearly as I felt it during outlining.

Main difference is who’s saying what and--again, tbh I like how the final result came out better. Toga pretty much dips as soon as Aizawa shows up. Because 1) Aizawa’s caught her in the act before (during Overhaul arc with Rock Lock) and 2) his quirk immediately takes off hers. So she knew she had to get out ASAP once she saw who it was. I also changed Deku’s “be right back” because what the point of coming back if they’re taking the passed out one to where triage is? Dumb lol

Ochako wonders if she should maybe use her Quirk on the woman to help make it quicker for them to transport her. Aizawa says he’s not sure that’s necessary. He doesn’t want to send her or Midoriya off alone because it sounds like a lot more of the League than what they’ve actually seen. And...yeah, it’s awfully weird that they haven’t really seen a lot of them. Did they really concentrate their attack closer to the entrance? But then there’s the person who attacked this woman--

Her thought is cut off when Aizawa continues, “And if I go to take her, you won’t know when to release your Quirk. It’s probably better not to”

The first part of this is confusing--likely because originally I planned on Deku coming back but once I realized that was a little futile I had to rephrase how this was worded lol. But no matter what I didn’t want anyone to think too hard about who was doing the attacking yet (I figured people would get it by then but I still wanted to keep it low profile).

The girl between them suddenly wakes up, startled, and they assure her that they’re heroes on the scene. “It seems you were attacked and passed out from the fall or possibly received a blow to the head.”

“And you guys got rid of her?”

“No, the villain seemed to take off when your sister came over to help.”

“What? But--”

“Oh, don’t worry, she’s okay! She went to go find her boyfriend but she and our friend’ll be--”

“No, that’s.” She looks between them seemingly more dazed and confused. “I don’t have a sister.”

Aizawa says that she received a blow to the head. It’s possible that she has a concussion and she’s a little confused. “No, I’m telling you I don’t have a sister!”

“I’m an only child, and I came here alone!”

This whole exchange was more or less the same. To be honest, most of this last scene is lmao. This scene (unlike the rest of the chapter outline) was super vivid when I planned it out and whenever scenes are vivid, they almost always play out exactly the same as my outline lol

That said, chapter 22 is incredibly vivid so. Prepare yourself 👀👀👀👀👀

“But she looked just like you…” Twins. A crazy girl. She happened to be unconscious and...had a blood wound. Just like her.

She pales. No way. She doesn’t want to believe it. Not even a little. But her body moves before she can think, taking off with no heed to Aizawa calling after her.

Deku-kun!!

This was, again, near exactly the same because it was such a vivid image in the planning stage that it carried over well into actual writing. For a little bit I debated whether I should actually name drop Toga but ultimately I was like “the readers are smart, I don’t have to hold their hand about it!” So I trusted yall to put two and two together lol

But yeah, that about sums it up!! The notorious scene actually only happened because of Izuocha wanting to help and me and my Tododeku shipper sister sitting in the car in the BK drive thru if I’m not mistaken lmfao