#I’m guilty of that tho (due to many factors)
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frosty-tian · 3 months ago
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Boulgram thoughts on Boulder being shrunk down and kissing is cool but also just realized that Graham can cup Boulder’s face/helm with one hand and it must’ve been an odd feeling because he’s so used to Boulder cupping his head/face but Boulder be so happy they could do this now and leans into his hand and enjoying the fact he can feel Graham’s warmth so much more (instead of only small spots) and gently holding onto his cupping hand with his shrunk down digits but very gently because he’s so used to being careful/treating everything around him as mega delicate/still fear he might break something but he’s just so happy in the moment, and and and-
(Oh my Lord the pre-sleep brain worms.)
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raeloganthesonic06fangirl · 5 years ago
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No I mean when you plead guilty to a crime all you have to do is appear before a judge and say so. You don't even have to go through a trial. - Pixel Anon
Naw, from what I'm reading on about, the trial definitely still happens, it's just that the remaining time is used to determine the what the time served will be, or at least has the defendant presented as either taking full responsibility or trying to get through it as efficiently as possible:
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Of course, I'm far from an expert on the subject and I could be interpreting it wrong. 😅
I would like to point out that QuackerJack canonically held the employees of Whiffle Boy Entertainment hostage and essentially expressed the notion that he'd be willing to run a lady through what amounts to a woodchipper for attempting to stage a bum rush to try to overpower him:
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Even if in this AU the impact trauma localized temporal lobe damage retrograde amnesia wiped the event out of his brain and he doesn't recall doing so specifically... There's still security tapes and audio recordings in the main lobby that likely have this exchange stored in the data tapes.
Then there's the whole fact that he intended to plug into the servers and direct the modified Molecular Digitizer's beam to transform 12mil+ subscribers to WhiffleCraft into ragdoll drones that he intended to take control of, under the belief that his idea would be a far better fate than to be slaves to the machine
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QuackerJack's canonically a lunatic, and I suppose what separates him from being identical to the Joker is that QuackerJack thinks his methods and plans are either "beneficial" or "helpful" in his eyes (ie: Destroying the video game market so he can gain customers and get people off the digital devices, or even initiating a grand scale attack against QuackWerks because it's "ruined all [the] fun" by sucking the life out of the city), while Joker is chaotic for the sake of being chaotic.
And overall, the series is very aware that QuackerJack isn't exactly a stable minded individual, and some canon incidents to support that statement:
Gosalyn referring to him as "demented" ("Toys Czar Us", shortly after QuackerJack shows up at the school to recruit kids for his toy kingdom)
Darkwing quipping that he really should seek professional help ("Toys Czar Us", after Darkwing spots the assembly line of Grim Reaper dolls, shortly before QuackerJack swings a scythe at him)
QuackerJack usually doesn't hesitate to refer to himself as either crazy or "wacky" (several episodes, but also in "Jail Bird", it's notable that after magically being stripped of his insanity, he shows signs of severe depression in the short screentime of this predicament. Played for laughs, yes, but he's absolutely miserable during this part, and is desperate to get his "wackiness" back)
Darkwing specifically states "even before QuackWerks, he was hardly a stable individual", and there's the later exchange with QuackerJack via use of Mr. Banana Brain that refers to the request of QuackerJack "[getting] better]" while trying to talk him down during the Whiffle Boy Entertainment incident. ("Toy With Me", which honestly had several statements and notes on QuackerJack's deteriorating mental health)
Also, in "Toy With Me", it's explained that a catalyst for his most recent sanity snappage was due to awful work conditions that chipped away at his patience and his rage hit a boiling point and finally exploded after too many factors, having his projects ripped from him and given to less qualified people in the middle of designing, and unappreciated overtime hours he put into the company, as it was explained that he worked himself ragged trying to turn over a new leaf, only to have it all blow up in his face, which did absolutely nothing to placate him.
QuackerJack's canonical social skills, quirks and emotional processesing is very reminiscent of multiple Neurodivergent disorders, as I've explained many times before, and even could overlap into a variety of trauma induced maladies.
At best, he could probably plead innocent by reason of insanity, but that becomes a gray area because it's kind of a Catch-22 to personally admit to such a state of mind, as it would show cognitive awareness that becomes a bit of a paradox, and doesn't bode well. 😟
Full disclosure, tho: My model of what I'm using to portray St. Canard's justice system is just the established universe, my comics, and a specific Archie Sonic the Hedgehog comic arc I quite like, since this is, at the end of the day, just an AU based on a series with an already loose sense of continuity, with the intent to treat the situation as respectful as possible while still keeping the general feel of the original material.
I have no real idea what happens next; I'm along for the ride as well. I like to just let the story happen. 👀
Because QuackerJack deserved better:
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crvores · 5 years ago
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SCORPIUS HYPERION MALFOY really is the spitting image of FROY GUTIERREZ, right? For someone only 22 years old, SCOR has been forced to endure so much. Yeah, that PUREBLOOD has been scraping by at the sanctuary since AUGUST, 2028, working as a HEALER-IN-TRAINING AND RESEARCHER in the DIVISION OF HEALING. HE is a CIS MAN and is known to be CAPTIOUS and DISMISSIVE but also FERVENT and RESOURCEFUL. Best of luck surviving through this.  
CHARACTER PARALLELS: Amy Santiago (B99), Claire Temple (Daredevil), Chidi Anagonye (The Good Place), Giles (Buffy TVS), Michelle Jones (Spiderman: Homecoming), Elizabeth Swan (PoTC), Spock (Star Trek), Clarke Griffin (The 100), Gregory House (House) suggested honorable mention Gizmo (Gremlins)
[tw for patricide/parental death, desc of blood, substance abuse/addiction, under the cut]
scorpius was living in a tiny flat along diagon alley, flooing in to saint mungos for his healing apprenticeship monday to friday. when the wards came down around wizarding london he was holed up as the chaos ensued below, frantically trying to floo call the manor.
when he arrived at malfoy manor after crawling out of a skylight and apparating to the road alongside the driveway he was greeted by the gates hanging off their hinges. though he can only speculate, due to his father’s continued reclusiveness and refusal to return to assist the death eater ranks a horde were nudged none-too-gently toward the isolated house.
draco opened his eyes after burning through a fever too high to be calmed by any spell from his mother’s wand. just as he had always been. upon returning to consciousness he didn’t immediately reach for his wand, a fact which both astoria and her son found to be terribly odd. no matter the ailment, the circumstance, the time, draco malfoy had always curled his fingers around the hawthorn like a talisman when waking since it had been returned to him after the war.
the ensuing twenty minutes are something which scorpius has begged to have scoured from his mind, yet he knows he can never let himself forget killing his father. it fundamentally changed him in a way that is irrevocable.
as he and astoria fled the manor, no hope of the two of them alone eliminating the inferi on the grounds and securing it, his mother clamped a hand around his wrist and attempted to apparate them to an old greengrass property, a magical panic room of sorts. scor was badly splinched and ended up dumped 80 miles away from where his mother had landed.
he gathered copious notes from observations of the inferi in his time on the outside. temperature recorded, time of day, wind direction, sentience, and activity were all meticulously written down in an attempt to conserve his sanity while on his own. scor feels as though he had no trouble discerning infected from the living when he was out there and when he was filled in upon joining the others he speculated that a part of his brain concerning the glamours had just been burnt out. unfortunately since arriving this has been completely disproven and he’s trying to work out if the fear response or any other factors had anything to do with it.
since arriving at hogwarts, half-starved and wild-eyed he has thrown himself into the effort with a single-mindedness of someone attempting to forget every aspect of their own life. he doggedly continues his healing work, any time not spent at the infirmary is glued to his workbench and harassing the living shit out of the research department. drawing up hypothesis after hypothesis from the bits of infected he’s managed to have the privilege to pick at. if anyone interrupts him or makes what he decides is an unnecessary contribution he has a horrid habit of biting their head off.
while before he would play up and sneer, act posher than posh and generally fucked with anyone who had a problem with his family, specifically his father, now he will go absolutely stone-faced and has several times nearly had to be restrained because he will go off like a tiny, weedy bomb with a dangerously extensive knowledge of human anatomy.
neglects a lot of his own needs; goes days without sunlight, only eats when prompted to, hardly sleeps. a mess but trying his best. has a dangerous habit of consuming dreamless sleep but guilt at using valuable resources is essentially the only thing stopping him from launching headlong into addiction. lily and various others have a tally going on how many times scor says the words ‘i’m fine.’ in a single week and he suspects theres a pretty wide pool on the betting now.
he’s not all bad tho!! he can be a right softy if he knows you well enough and always always always wants to help. just… he’s a lil prickly rn.
skinny and kind of sickly, he never had the best health as a kid. he scars very easily and bruises like a gd peach. pretty alright on a broom but he has no real interest in playing quidditch. he’s always cold, he’ll be sitting in direct sunlight and complaining about needing a scarf. yeah hes that dude.
kind of craves attention? while being an introvert sometimes he just wants someone to pay attention to him until he gets annoyed by it and tells them to piss off. fickle.
his url is the italian word ‘cruores’ which means flowing blood and the latin ‘cruor’ which roughly refers to coagulating blood; gore.
      Full Name: Scorpius Hyperion Malfoy Gender/Pronouns: Cis man | he/him Age: Twenty-two Birthdate: January 20th Parents: Draco Malfoy & Astoria Malfoy (née Greengrass) Siblings: N/A. Birth place: St. Mungo’s Hospital, England Height: 5’11” Weight: 56 kg Sexual/Romantic Orientation: Demiromantic Bisexual Nationality: English Body Alterations/Marks: Terrible splinching scars up his left hand, arm over to his chest and shoulder blade. 
                                  Blood Status: Pureblood Hogwarts House: Slytherin  Wand Arm: Right Wand: 11 2/3 inches, Willow, supple, Dragon Heartstring. Hogwarts House: Slytherin Pet: A crested toad named Jarvis. Special Abilities: None. Patronus: Arctic Fox
                                Personality Traits: brilliance, innovation, individuality, openness, social consciousness, inventiveness, practical skill and self assertion; lack of attachment to people and the “real world,” over-intellectualizing of the emotions, dismissiveness, a crotchety temper, rigidity, intellectual arrogance, and stubbornness. Zodiac Sign: Aquarius/Capricorn Cusp Moral Alignment: Neutral Good Core values: Loyalty, Knowledge, Hope Four temperaments: Melancholic  
HOGWARTS HOUSE BREAKDOWN 
Slytherin Primary and a Burned Ravenclaw Secondary.
Slytherin Primaries prioritize their own selves and loved ones first. Slytherins don’t feel guilty or selfish about this– they feel righteous and moral. The most important thing is to look after your own. Abandoning or hurting one of your own is the worst thing you can do.
A Burned Ravenclaw Secondary might want to be skilled, curious, and prepared, but they feel like they are (or like people think they are) limited, clumsy, or inconstant. Gathering knowledge, hobbies, skills, or tools is the right way to achieve their goals, but Burned Ravenclaws know that’s not going to work within their capabilities. So they take other paths and use other tools– maybe a Gryffindor’s bluntness, a Slytherin’s flexibility, or a Hufflepuff’s slow and steady dedication.
You may have a Hufflepuff Secondary Model.
Hufflepuff is the House of grit, reliability, and determination, and Hufflepuffs use those values to help live, act, and succeed. If you model Hufflepuff Secondary, you also value these things and like to live by them. You like to be hardworking, dedicated, and consistent– but you wouldn’t feel guilty for abandoning those values in the service of other, higher priorities. If there’s another, easier way to get what you want– you’d take it. You think hard work provides valuable rewards– and those rewards are why you work. The work doesn’t have persuasive value in itself.
the stillness of the world the moment you take the first step into fresh snow, cashmere and fine wool, the pearlescence of dreamless sleep draught, the scratch of a quill on parchment, faintly tremoring fingers, a shiver up your spine in a warm room, the exhilaration of a problem solved, a thunderous grey overcast sky, the bite of a stitching charm, sleeves rolled up to the elbows, petrichor, the burn in your eyes before a well of tears.
so excited to be back in this verse >:) 
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meggannn · 7 years ago
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for that hawke companions thing: fenris and bethany!
WHOOP WHOOP sorry this is late, but as you know, fenris and bethany love is My Thing, so i wanted to be properly prepared
Fenris
Did your Hawke also hate Tevinter, like Fenris? Were they influenced by him?she didn’t hate Tevinter mostly because she never thought of it. her only knowledge of Tevinter really comes from some old knowledge maybe Malcolm mentioned when she was little, and then whatever Fenris tells her, which is obviously pretty bleak.
If his personal quest was received, did your Hawke allow him to kill his sister? Why or why not?yknow I let him kill Varania the first time, then every subsequent time after, it just…. didn’t feel right, so I always convince him to spare her now. she, like, totally and unequivocally understands why he wants to – I mean, his own family betrayed him to the man who enslaved and brutalized him for years – and she gets why Fenris feels threatened/vulnerable with Varania still out there, like maybe he believes she’d find a way to manipulate or trick him again. in the moment, Fenris is so angry and hurt, and Varania is so at a loss for where to go next after losing Danarius and desperate to make her brother pay for what she went through, that I don’t think they’re in the right place to be swayed with “don’t kill her, she’s your family!” (‘cause we all know by now that family can be shit, and tbh that always seemed almost a bit unwittingly cruel to say, since yeah… she was his family, and his family just betrayed him.) so Hawke tries to convince Fenris to let her go, bc she sees Varania as a victim too, but… also it’s his life that she threatened, so it’s his choice, but she’s relieved when he tells her to just get out.
How did your Hawke’s final decision between the mages or the templars affect their relationship with Fenris? Were they forced to kill him?well you know I always side mages haha, and Fenris always has enough approval by endgame that he joins Hawke, but the first time I played he didn’t, so I was terrified I’d have to kill him until I met up with him again and managed to convince him to join me. but anyway in my canon, yeah, I don’t think it came as a surprise to Fenris when she decided to support the mages, so he wasn’t like, vocally disappointed, and he understood why, but in his head he was kind of gathering up all these I-told-you-so’s: I told you not to trust the abomination, I told you supporting mages so openly would be trouble, I told you one day you’d get in over your head – but after the battle he doesn’t say any of it ‘cause he realizes she knows it already and that saying any of it would just rub salt in the wound. so there’s like a sort of mutual understanding on both ends that this all happened to them because of her role in the city, and it affected him because they are who they are together. and there’s definitely some guilt on her part for dragging him into it and indirectly having him flee Kirkwall with her, but after some thinking, I don’t think Fenris is the type to blame her for that.
How did your Hawke respond to the mutual resentment between Fenris and Anders? Did they intervene?act 1: there was definitely some shared shared looks with Varric at first, let’s-just-ignore-it looks, then when they kept snapping at each other, she started to hang out with them separately. also, she didn’t hang out with Fenris a lot in her first few years in Kirkwall just because she didn’t like that he called her sister a snake, and she didn’t want to expose Beth to any prejudice that made her feel MORE guilty for her magic. so her rls with Fenris is cordial, but not super close; she spends more time with Anders just out of association with the expedition and because he’s nice and they happen to see each other a bit more.act 2: after spending some time with Fenris privately I think Hawke further appreciates that his mistrust comes out of completely justified fear of power in the wrong hands, and being traumatized at the hands of mages absolutely affects how he’d interact with them. after losing her sister to the Circle, Fenris does kind of ease up out of sympathy, ‘cause while he supported the Circle, he didn’t want her to lose her family (being sensitive abt family in general is definitely a thing in their rls), and he did genuinely like Beth. Hawke still does find herself siding more with mages as things get heated up in Kirkwall, and Fenris kind of… tolerates it, and is civil in the party, but he and Anders mostly try to keep their distance.act 3: ofc when things start heating up, Fenris kinda fears that Hawke’s gonna go full-on mage rights activist like Anders, and while she does support them now more than ever (having been convinced over the past few years), it seems like she’s mostly just worried Anders isn’t in a good place right now, so he doesn’t start any fights with her. he definitely speaks his mind when he has something to say, but Fenris at this point knows Anders won’t back down; though he does see him as like, a man about to hit his breaking point, whereas Fenris trying to recover and find out who he is, so tbh he mostly just tries to ignore him. when he can’t, though, I think he and Anders can be civil enough to talk about their politics in the group, but it usually doesn’t convince either of them and someone gets irritable and it never goes anywhere, so Fenris realizes it’s not worth it. Hawke in these moments never really plays mediator, like, they are both are adults and their discussions never really get nasty. also I think by this point she’s too tired of hearing fights about it and knows too much about both of them too much to think they might ever see things the other’s way.
What motivated your Hawke to be either a friend or a rival to Fenris? Were they indifferent to him?I may’ve talked about this before but anyway act 1, Hawke responded to Fenris politely enough as you do to a mercenary you meet in Lowtown one night, took him on occasional quests and invited him to the HM and blah blah ‘cause he was funny and had a good poker face and fought well with Varric and Isabela, but again she was worried about a clash between him and Beth, and then later Merrill and Anders. so she mostly brought him as necessary for the first few months of act 1 and tried to limit his interaction w Beth. funnily enough when he did meet up with Beth again he was much politer and got on a lot better, and Beth seemed to like him too (Fenris by this point having realized that he’d offended Hawke’s sister on the first night, who Hawke had worked her entire life to protect, and wanted to make up for it). after Beth is taken, he’s genuinely sympathetic, and they’ve spent some time together one-on-one so Hawke knows his abrasiveness isn’t all that he is, and all that eventually kind of snowballs into their romance near the end of act 2.
Bethany
Did Bethany become a Grey Warden or die of the Taint or was she taken to the Circle? How did your Hawke react to what became of her?Circle. I was all set to bring Beth to the Deep Roads with me before Leandra made her plea to let her stay behind, and I think Hawke was swayed by that. she wanted Beth at her side ‘cause they’d been partners in crime for years in the city by now, but Carver’s death was still fresh and she knew her mom was really protective of her youngest kid, so it made sense for only one to go. Beth was hurt by it, but she understood. when Hawke comes back to hear she’s been taken to the Gallows, she’s like……. numb. I think she was waiting for something else to go wrong; Bartrand’s betrayal, hiking through the Deep Roads for weeks on end for an exit, fighting ancient rock wraiths just to survive, hiking through the wilderness BACK to Kirkwall with all their loot, and then she loses Beth to the one place she can’t rescue her. (like, things were shit before living with Gamlen and losing Malcolm and Carver and fleeing the Blight and searching for coin everywhere, but then when she FINALLY gets money, she loses her sister? this is the beginning of Hawke’s realizing 🎶 My Liife is a Fuuuucking Niiightmaaaare 🎶)
How did Leandra and/or Carver’s death affect your Hawke’s relationship with Bethany?Carver and Hawke were close in the way that he looked up to her, as another non-mage in the family, and they sparred together and she followed him to the military, but he and Beth had that twin bond Hawke couldn’t replace, you know? I think Beth was more shaken up by it than she let on, but Hawke definitely noticed, and she kind of simultaneously shoved her mourning aside but also dealt with it, in a way, by helping Beth cope with hers.
Due to Bethany being a mage, was your Hawke influenced by her when making the choice between mages and templars?by this point she’d seen so much shit going on in Kirkwall that she was far convinced that standing up for the mages would be the right thing, even without Beth standing right there. Beth was absolutely a factor in helping her grow up with that kind of mage-glasses thinking tho. like she grew up with questions like ‘Is this a safe thing to do? will this expose us? how many chantries are in this area? what are the templars’ regular patrols?’ and then when she was in her teenager years Hawke realized, ‘well, I’m living with it by association, but Beth actually lives it. we could split up, and I could stop, but Beth would still have to live with it for the rest of her life.’ so going into Kirkwall she also sees Beth’s safety as her protection, and after she kind of ‘fails’ that, she starts to see all the other ways the system fails mages, and it snowballs.
How close were your Hawke and Bethany before they fled to Kirkwall? Did they grow closer or drift farther apart once they were settled in Kirkwall?Beth and Carver both looked up to her but in different ways and at different capacities, really just because she was the oldest. when she wasn’t taking care of the kids or helping Leandra with house/farmwork, Hawke spent a lot of time on her own or with Malcolm, so Beth knew of her sister as a protector for most of her life. when Hawke was a teenager I think they got a little closer, but then after Carver’s death, they relied on each other for emotional and moral support a lot after moving to Kirkwall. then they became kind of partners in crime working for Anita, and formed their own little squad with Varric; that was like the prime of their relationship, and it kind of stings Hawke that they were happiest together only when things were so miserable in every other aspect of their lives.
Did your Hawke stay in contact with Bethany after the mage-templar decision in Kirkwall?after fear for Beth’s safety, no, not for a while. I haven’t thought about post-Inquisition. for a long time I imagine Hawke needs to run from the Chantry, then run from the Seekers, then the Inquisition, then deal with what’s going on with the Wardens with the Inquisition, and then Weisshaupt, and who knows how long that takes. she’s still on the run from several people that want her dead, whereas Bethany was never the traveling sort if she could help it. I think Beth might settle back in Kirkwall with Aveline and Varric if the Templar situation improved post-Tresspasser, or go somewhere else in the Marches with Merrill helping other mages. they share letters through Aveline and Varric whenever they can risk it.
dragon age 2 companion meme
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tangled-headphone-cord · 7 years ago
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13, 14, 15
Ace spectrum asks (Accepting)
13:Are there words you feel a connection with due to some aspect of asexuality or how you experience it?
Not that I can think of right now.
14:What sort of attractions do you usually feel, if any?
 Aesthetic attraction definitely, maybe a sort of romantic-but-not-THAT-kind-of-romantic attraction to some of my friends (think Anne’s idea of soulmates in Anne Of Green Gables series)
Sometimes sensual attraction as in some ppl just seem very huggable and stuff. No sexual implication here.
& the kinda thing I usually (in my mind) label as attraction but doesn’t imply anything couple-y for me, just means I get very interested in some people and would like to hang out with them a lot etc., guess it’s like, a squish? But sometimes, it doesn’t even involve emotions. Definitely not the kind usually associated with attraction, you know? it kind of also applies to certain places/stories/poems etc
It’s also like when you see someone, hear/read their opinions, experiences and such, and you just like, feel connected with them on a spiritual level? Yeah. And it could evolve into a couple-y relationship (in fact by my standards, a potential husband would just have to be that kind of person and a best friend to me), but it really doesn’t need to. It’s not like a crush - it does not per se imply infatuation.
15: Are there concepts about your asexuality that you feel are missing words to describe them?
Not about my asexuality per se, but like, the idea of soulmates as noted above. I mean if I just say soulmates most people think like romantic/sexual kind, and even “platonic” doesn’t seem the right word anymore - I’ve seen people using it to mean asexual but still very much couple-y (for lack of a better word) relationships, but I mean it just like… Intimate friends?
More under the cut because it got LONG and I guess I’ve gone off a tangent
but a TL;DR version is basically, the above paragraph.
Imo there’s words like, love and romantic, that have so many different connotations, you know, I used to think “romantic” exclusivelly meant sappy love stories that I hated but it turn out while romantic genre does have a lot of sappy love stories it’s not only that, not to mention love.. which seems to have a different definition for every person who uses the word. And if I say I love a friend it’s not the same as saying I love a food or a book or a culture, or a child or a boyfriend/husband or whatever,and it doesn’t mean one kind of love is lesser than the other, they’re just different categories.
And like, you have definitions and my favourite is “to do what is best for the other” & the Bible definition (1 Corinthians 13), it is the highest, purest form of love (agápē), but people too often use the word “love” to mean earthly pleasures, and it’s just not right, but we don’t really have proper distincitve vocabulary (agápē can’t be used as a verb in english, can it? and even so, would be a neologism most people wouldn’t use) for it and sometimes I guess it’s also hard to tell what kind of love it is. Well, love in a couple-y context should include both agápēand sexual/sensual attraction and be monogamous.
Like for me, friendship and couple-y love are also entirely different categories. While “if he can’t be my best friend he can’t be my boyfriend” IS an important factor re: getting into that kind of relationship, it doesn’t mean that “just friends” is somehow lesser than being a couple, you know. And idk how to explain it properly, but like… “Best friend” is not a title I take lightly. We’d almost have to be soulmates but in a friend way. And sometimes I feel guilty about it when people ask if I have one because really the answer is no or not exactly, although I do have a friend or a few who are wayy further in the “friendship zone” than anyone else (when I say friendship zone I mean a kind of area - think of it as concentric circles - the further - closer to the center - you are, the closer friends we are, the more I trust you about stuff, etc) - but still not in its core. And I’m afraid they might get hurt seeing me say I don’t have a best friend but the reality is that for me “best friend” really is a title that requires serious consideration and doesn’t just mean we get along very well.
And it’s similar like that for a boyfriend, but that’s in the boyfriend/husband category.
What I mean by that is that I could have a boyfriend (eventually husband) AND a best friend, at the same time, and it would not be cheating. Because it’s not the same category. Like one could be “taken” in either category but not in the other, and I guess you also CAN have more than one best friend? Tho afaik with me, if I currently have a best friend that makes it even harder for the next person to make it to that level.
And I’ve been trying to define what, for me, is the meaning of (highest possible form of) friendship and the difference between that and romantic love, but I’m not sure I really got the core of it.
I guess it’s, kinda, that couple-y love, unlike friendship, would include stuff like marriage, sexual kissing (ie. the romantic movie cliche kind), sex, having kids. Including planning of any of those. All of those should be involved in couple-y relationship. NONE of those in friendship. In which couple-y relationship is “more” in the aspect of things you do together, but not more the aspect of depth.
So anyway I thought “platonic” meant that kind of friendship, but then I saw people using it for relationships that had all of the above except the sex, and now I’m lost again.
also tbh. I don’t see why people push for it so bad, like why can’t you just stay single? Have that person be your bestest friend instead? Do you feel there’s something wrong with you if you don’t get married? Why? Why to all of it..
And I feel sorta alienated in that field then, because I can’t even identify with ace advocates, who support all of that and say things like “your asexuality is valid even if you masturbate and watch porn” (etc) and like.. no. What’s then with the rest of us?
And I’m not even 100% ace, I’m grey, actually, you know?
But honestly best way for me to describe my views on sex etc. should be “Christian”. Too bad even that doesn’t have a single clear definition these days.
And yeah I would have sex if I ever do get married, and I do think it’s important, but from a spiritual/philosophical/whatever you call it/ viewpoint (an act of devotion-love and procreation), with “pleasure” being less important. And sex is not that much of a temptation for me.
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kendrixtermina · 8 years ago
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Oldham Personality Styles/Traits Test Results
(Clicky Clicky)
For comparision, here’s my results from other typology systems: INTP (LII-Ne), 5w4 sp/sx (548), RULAI, Chaotic Neutral, Lunar, Melancholic, Ravenclaw, Horned Serpent
Idiosyncratic types are tuned in to and sustained by their own feelings and belief systems, whether or not others accept or understand their particular worldview or approach to life. They are self-directed and independent, requiring few close relationships. Though they are inner-directed and follow their own hearts and minds, Idiosyncratic men and women are keen observers of others and particularly sensitive to how other people react to them. They tend to question common beliefs and expectations. They are highly spiritual and do not close their minds to any possibility, always asking what if?' They tend to have a deep inner life, act eccentrically, and live in their own world. They may be interested in the occult or the supernatural and are drawn to abstract and speculative thinking. Fitting into everyday, conventional life can be difficult for Idiosyncratic people. Others may view them as strange, which can be a problem in jobs and relationships. They must live life their own way and sometimes regret they cannot do things in the orthodox fashion. The pressure to conform presents intolerable stress for them. Two key factors affect the quality of Idiosyncratic lives: whether they can find an accepting environment and how well they adapt to others' expectations. Few work settings tolerate eccentricities of behavior, unless the individual has a great deal to offer by way of intelligence or talent. Some Idiosyncratics do well with one ear tuned in to their own personal worlds and one outward to what the boss expects of them. Others, however, have a hard time understanding or accepting authority. Idiosyncratic people do not need other people to give their lives direction or meaning. If they can't find partners who accept their unconventionality, they usually do well on their own. Some are content to experience several relationships in their lives without necessarily finding their one and only.
Everything except the superstitions bit (I’m actually an atheist), though I did have an esoteric phase in my teens and enjoy mythology and random speculation (as just that, stories)
Solitary types have little need of companionship and are most comfortable alone. They do not need interaction with others to enjoy life. Self-possessed and self-controlled, these individuals are alone because they want to be alone, not because they feel left out. Free of the passionate need for others, they can be quite content standing back and watching others. Indeed, they are often gifted observers of nature and of other people. Emotionally, highly Solitary people are even-tempered, calm, dispassionate, unsentimental, and unflappable. They display an apparent indifference to pain and pleasure and are not driven by sexual needs. They are not greatly influenced by either praise or criticism. They function well at work. They get down to work quickly and don't spend much time fraternizing at the water cooler. While they usually do not do well within the political framework of larger companies, when left alone to do their work, they can put their mind to it with unusual concentration. Solitary individuals can be content within relationships as long as their partner accepts their need for solitude. However, even moderately Solitary people may not intuitively comprehend others' feelings or respond to their emotional cues. 'You don't love me!' is a common lament of partners of Solitary people. The more the partner pushes for emotional reactions and a depth of intimate feeling, the greater the stress on the Solitary person. To cope, he or she will retreat. The partner would be better off recognizing signs of caring that are different from the usual I-want-you, I-need-you, l-love-you's.
Ugh that last paragraph, that exact same relationship problem. I don’t often hear the concept of “So introverted even your loved ones sometimes stress you out” in a way that doesn’t conflate it with misanthropy. Like I don’t want to make anyone feel bad or ignored (thats a horrible thing to do) but im not good at this. 
I wouldn’t describe myself as self-controlled or good-at-work (probably due to other traits in the mix) though I can concentrate when the time & subject are right. (otherwise im more on the distractable side tho. or it depends on what it is.) I distinctly remember taking some test/assesment and getting a high score specifically for concentration, i think it was the highest overall (the lowest was motor function. 11 year old me could not catch a ball to save her life.)
As a child or teen I would often start reading at noon and be so concentrated on the book I’d fail to notice the passage of time until my mom came in to get me for supper and asked why I hadn’t turned the light on. 
I don’t think I’m unflappable at all but again it depends on what and the situation and i dont really know what others see, like, I obviously know I have feels but its my own head. 
Serious types are solemn and not given to emotional expression. They are realistically aware of their own capabilities but they are also aware of their limitations. They are not tempted by vanity or self-importance. They hold themselves responsible for their actions. They=re thinkers, analyzers, evaluators, ruminators and will always play things over in their minds before they acting. Serious individuals anticipate problems and when the worst happens, they=re prepared to deal with it. Serious individuals are realists. They see the hard, harsh nature of life clearly. They have no illusions and are incapable of imagining a silver lining. They are no-nonsense people particularly suited to hard times, when their ability to push on can help everyone to survive. They always work hard and provide for others without any sense of heroism or pride in their efforts. Even though they can seem joyless, Serious types are not necessarily unhappy. They take great satisfaction in their view of the universe. They are interested in serious subjects, which they find reassuring, and they find no need to escape into pleasure. Serious people are intensely hard workers, dependable, and trustworthy. They persevere whether or not they are enthusiastic or well rewarded. This can make it all too easy for employers to take advantage of them. They do not expect encouragement or to be treated well by others. Although they are not socially outgoing, once they do connect with others they form very stable, long-term attachments. They tolerate the rough spots in relationships well. They are as critical of others as they are of themselves, but their fault-finding gives them no pleasure. They deeply regret causing any pain . Others who continually insist that they change into optimistic outgoing, happy-go-lucky people cause them great stress but their characteristic cynicism helps them to cope.
ARGH  that “I’d rather see the world as it is than sugercoat it for feelgoodsyness” thing can be so hard to explain to people. I try to be realistic about my abilities & place in the world and aspire toward realism. (and when I’m already stressed out optimism will only serve to make me feel pissed or misunderstood. Unfortunately my mom is the exact opposite, leading to a few regrettable outbursts and isunderstandings, though not major ones. )
The work ethics part doesn’t really apply tho.
Conclusion: Ugh I am such an INTP 5.
I also scored somewhat high for ‘Leisurely’ (Fuck authority sweetheart ~ ) and ‘Vigilant’ (Yay self-sufficiency, though it’s more a horizon to strive for than something I’ve fully realized yet)
That was the 14 trait model tho, the 16 trait one also has this:
Artistic
·                   Mood swings. Shifts from a moderately upbeat, outgoing, creative character to a withdrawn and sullen depressive one. When in a high state, they can be highly productive, original, humorous, and engaging. During a low state they become self-absorbed, pessimistic, apathetic, and may resort to substance abuse. The mood swings happen regularly in cycles, are similar to bipolar (manic-depression) disorder, but not as extreme in the polarity, and also the mood changes in the Artistic personality are usually more so the result of within the person and not triggered by external circumstances.
·                   Artistic inclinations. People of this style often involve themselves in some sort of creative output. They may go into a state of inspiration where artistic production is strong then fall into an apathetic daze, where it becomes difficult, almost unbearable to create art. Since they have a grasp on many corners of the human personality, they have an advantage at expressing the nuances of a particular viewpoint. Many of the world's great artists have had this character style.
·                   Unpredictability. They may take up new plans, jobs, residences, etc. out of impulse. They despise routine and love improvising, stimulation, and new experiences.
·                   Feeling-oriented. Their impulses and feelings control their lives and dictate their appearance and decisions. They rarely make decisions through a systematic, logical follow-through approach but instead base it on their current mood.
·                   Relationship difficulties. Relationships can be trying for these people. They may become promiscuous, unfaithful, or difficult to handle.
·                   Low self-control. They have a difficulty saying "no" to themselves with their appetite. They may go on shopping sprees, binge on food or drink, give into sexual compulsions, etc. Afterwards, they may feel guilty about it and restrict themselves from pleasure.
·                   Shaky self-confidence. Can swing from delusions of grandeur and superiority, and feeling very confident in oneself, to a loss of self-esteem and hopeless despair.
Aaah now here’s a place for my inner emo child and inner gushy nerd fangirl to find a home. I’d wedge it in lower than ‘Idiosyncratic’ but higher than serious. It actually coexists with the above stuff surprisingly well (It’s called “TiNe” or “5w4″)
On the positive, this personality test is the first (except maybe Divergent, but the tests do give me Erudite nearly as often as Candor depending on how absolute the questions are worded. ) to refrain from outright calling me a NEEERD.
So, thanks oldham? 
Also, now I know the precise kind mad I might end up as if I happened across severe trauma, brain chemistry goof-ups or lovecraftian abominations (Please let it be the latter). That is one interesting tidbit of information.  
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destressjournal · 4 years ago
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Ranking all (109?) DCOMS
Yes! It will be a challenge but I already ranked all 58 Disney animated movies, and once I complete more rankings, maybe I’ll start a blog/podcast about that. Who knows.
The easy part about ranking the Disney films was that each film was unique. The Disney channel films....many of them are pretty similar so I have to remember what each film was about. And this blog can be my way of writing those thoughts down!
So here are my rankings for the 10 first ever Disney channel films!
10. You Lucky Dog
I never heard of this film before i decided to watch all of these in order. And I think there’s a reason. It’s fucking weird. Someone must have been high or something when coming up for the premise of this movie. Like I thought it was supposed to be a movie like Beethoven or Air Bud, just a cute little dog movie about a wacky dog that turns a family up-side down. But no, it’s a dog...therapist??? That had the ability to channel a dog’s mind when he was 14, yet built an entire business based on that ability that he LOST and never got back....and people bought into it??? It’s just the weirdest movie and I really didn’t enjoy a grown man acting and talking like a dog throughout like half the movie. It was weird. I liked the dog. But the rest I didn’t like.
9. Genius
This movie was also weird....but it was better than You Lucky Dog. The logic and the plot points of the story just didn’t line up for me, and the main character was extremely cringey. I had to pause every 10-15 minutes because I literally couldn’t take it. His acting was great! But the lines he was given aren’t good. The story is also really weird, like he was lying about his identity, enrolled himself in middle school while being a college student, faking an entire personality and purposely failed most of his classes, tried everything he could to be in two places at once throughout the whole movie, almost killed everyone in the ice rink due to his negligence of his machine, all to impress some girl. None of the characters I thought were believable, not because of their acting but because of the dialogue and the story, it just doesnt make any sense. But at least it’s about a kid genius and NOT a dog therapist, lol.
8. Brink!
When I first saw this movie I thought it was fine, and then I sat with it for a bit and it got further down my list. There are parts of the story that don’t make sense to me, like don’t you have to compete in the invitational to compete in the championship? Cuz the main characters didn’t even show up and they’re still able to enroll their team in the finals?? And it’s supposed to be a national event of the best teams in the country, and these kids literally just stroll in out of nowhere with their dinky dog groomer shirts, can just sign up, and then beat all the professional sponsored teams?? So yeah, this movie loses points because the logic doesn’t line up. But I think the lesson is good, that who you are is different than what you do, and that your value shouldn’t be determined by how productive you are at something. The execution of that lesson is a little iffy though.
7. Under Wraps
The first ever DCOM and it shows. DCOMs will never be like this ever again! It was more mature and dark than anything we have today on Disney channel. That alone gives it some points. However, as a movie, it’s missing the connection you make with the characters. I just personally didn’t think any of them were interesting. The mummy was cute and funny at times, but sometimes the slapstick jokes and gags were a little over the top. Also, I just kept hearing Patrick from spongebob every time the mummy made any noise, and that ruined it a little for me. I know it’s the same voice actor lol. But I do like the touch that the main character’s mom’s bf are the same actor, making the connection between them a little easier. And at least the logic (pretty much) lined up for this movie. I might watch every Halloween, we’ll see.
6. Can of Worms
This movie was only SLIGHTLY better than Under Wraps. And that’s only because I felt a good connection with the main character, Mike. You can tell because I actually remembered his name. He’s a relatable character to me and his acting was very good. I have personally met people that talk and act exactly like Mike, and I honestly think his character represents someone on the autism spectrum very well (I’m autistic too so don’t get mad at me stereotyping). I’m not saying he represents everybody, or even me, just that I’ve met people like him before. His desire to fit in and be normal, and then later his desire to get off earth, was I think the most powerful part of the movie. He truly believed he was an alien from outer space because it made more sense in his mind than believing he was just different, because there was no possible way he could be the same species if everything he says and does is considered “weird”. I related SO hard to this, because it’s exactly what being autistic can be like. I was really into the first half of the movie, and then....the second half with the aliens was just dumb. It became a generic alien monster movie, with some tiny good parts sprinkled in. But the ending just didn’t make sense....mike still plays football at the end even though he’s not good and doesn’t like it....? Like he’s still trying to force it because he thinks “this is where he belongs”. Like you could have easily showed him building robots with new friends in robotics club (something that he’s good at and likes) and then hanging out with the rest of his friends after to send that message home. That you can usually find a place where you belong. So anyway, this movie is stuck in the middle for me.
5. Zenon: Girl of the 21st Century
Now we’re gonna get into the more popular ones. I think I would have enjoyed this so much more as a kid, but I didn’t grow up with it. This was my first ever viewing. The movie itself is pretty good, and it’s so interesting to see what people in the late 90’s thought about what the future would be like. Flying cars, computers you can hold in your hand, taking commercial flights to space, etc. but it was all still based on 90’s technology at the same time, it was really interesting. The biggest aspect of the movie that makes it lose points for me, is Zenon as a character. I like her, don’t get me wrong! But she hardly changes throughout the movie. Yes she learns to like earth but then at the end of the movie she’s happy to be back in space and that’s it. Now, I haven’t seen the sequels yet, but JUST based on this movie alone, I think it would have been more valuable to show her traveling back and forth, or say “Hey Greg, wanna see each other next week?” Just something to show that she likes earth now. But even then, that’s the only aspect of her that changed. All the antics she got in were justifiable, she was right the whole time. It was on everyone else to change to see her perspective. And I just don’t like when movies do this. I need characters to have reasonable flaws and learn to either accept them or change them depending on the situation. Also, this is just a little nit pick, but WOW that song at the end was so bad yet it’s STILL stuck in my head...they call this a rock and roll song yet I didn’t hear any guitar or bass. Even the drums were just kicks and pops made on the computer, that doesn’t sound like what an actual drum sounds like...It’s just a pop song. Call it for what it is people! The lyrics were good tho.
4. Halloweentown
I’ll probably get some hate for putting this at number 4, but when I was watching another review on a YouTube channel, they pointed out how annoying Marnie was, and now I see it. She’s not unbearably annoying, but enough to be like “wow, this kid is a bit of a brat. I would never talk to my mom like that.” On one hand, I see how she matured throughout the movie, so I think it makes sense for her to be a little obnoxious and naive, she’s just a kid. On the other hand, you’re supposed to like your main character and root for them, which doesn’t help if you think they’re a brat. I didn’t grow up with this movie either, so maybe that’s why I didnt immediately put it as number 1, cuz there’s no nostalgia factor. But that doesn’t mean I didn’t like it. It’s still a good movie that I will watch every halloween! I liked the characters and the story, and things seemed to flow together pretty well. The only reason it lost points for me, were the over-the-top gags. I get it, the movie is made for kids, and I always keep that in mind when I watch these, but sometimes it gets a little too silly for a movie about a dark overlord who wants to get rid of humans. Idk. Still like it though!
3. The Thirteenth Year
Okay, I admit it. This one is a guilty pleasure for me. I’m sorry. I feel like Halloweentown should be at 3 and this one at 4 if I want to be truly objective, but I have too many nostalgia feels for this movie. And I like that the tone is more serious and there aren’t any silly over-the-top gags. But that doesn’t mean this movie is perfect, it’s at number 3 for a reason. The last few times I watched this were when I was a kid in the early 2000’s, so as a kid I loved this movie. And I was also obsessed with mermaids and I wanted to be one so bad. This movie kind of fulfilled this dream for me, and other movies like Aquamarine and The Little mermaid. But anyway, after watching this as an adult, it doesn’t exactly hold up. Sam is kind of an annoying character who doesn’t add much to the movie. She’s just the popular girl, and another reason for Cody to stay with the popular crowd. She gives him a picture of herself as a birthday gift...? I think it would be an okay anniversary gift for adults who are dating, not kids. It just rubs me the wrong way. Also, the kid who plays Cody is not a very good actor...he’s just okay. Everything else about the movie, still love!!
2. Smart House
I grew up with this one too, and again, they try to imagine what a futuristic house would look like in the 90’s. And half that stuff actually came true with things like Siri and alexa, which is pretty neat to see almost 30 years after this movie came out. Still what kid wouldn’t want to have a giant screen on their wall showing something like a music video, the beach, or a basketball game. Every kid wanted to live in that smart house back then. The movie still holds up pretty well today, not because of the technology but because of the message and the characters. All of the actors and actresses were wonderful! The story is so sad but believable. I’ve never gone through a parent death, but I’ve had friends that have, and it’s such a weird dynamic when the other parent starts dating for the first time after. I can’t imagine what effect that can have on a young child. At least when my friends went through it they were at least in high school, if not, college. So they had a bit more understanding/maturity about it. But yeah, the kid who plays Ben rocked his part. Some tiny nitpicks include the house itself being somewhat outdated now, and the side characters presence in the film. They don’t have much significance, idk. The movie really tugs at your emotions, and is definitely the movie that got me closest to crying so far.
1. Johnny Tsunami
This was my first viewing, as I didn’t grow up with this one either. Compared to Smart House, which is honestly just an emotional roller coaster, this is just a good movie imo. It was more epic, it had more diversity, great acting, and a plot that made sense thematically. There wasn’t over-the-top slapstick gags, and I think it teaches good lessons about life. I honestly thought the grandpa was gonna die because that’s usually what happens to old wise mentors, but I’m glad it stayed away from that trope and actually brought him back for the end of the movie. I thought that was an interesting touch. Basically, while I was watching these I was thinking “okay this can be done better” “I don’t like this” “this feels too forced”, but with this one, I was just watching a movie most of the time. I honestly don’t know how it could be much better. It’s still not the best Disney channel movie ever (I’m guessing), and it still has some flaws. For example, the girl character was being such a flip flop throughout the whole movie and was being a little too mean to Johnny. Another tiny nitpick is when johnny’s parents are like “yeah we’re moving to Vermont” I was expecting a little more pushback from Johnny but he’s like “awww okay” and idk what to think about it because it could be considered out of character. Otherwise, this is a great unique movie that I will definitely rewatch in the future.
For every movie that I watch, I’m going to review it separately and that’s how I’ll keep track of my thoughts as I go through each film. But this is where I stand for the first 10 DCOMs. Unlike the Disney animated classics, I don’t know what my number one film is. Right now it’s Johnny Tsunami but that is definitely going to change. I can’t wait to see what my personal favorite will be! It may come down to several.
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