#I wouldn't want to work for a corporation

[shenanigarson]

It's even worse when you consider that anything can be an ad. Anything.

The clothes on your back? Branded. (Usually aggressively). Think about your jeans. Notice the patch on the waistband? Or your average t-shirt. Unless you go out of your way to consistently wear bland solid colored shirts- there's almost always a pattern or graphic on there. Usually said graphic is a popular brand name, logo, or a character of sorts.

Talking about media you love? Yeah babe, that's free advertising for said media. Games, movies, TV, even musical theater, They didn't pay you to talk about it, but you'll yap anyway because you love it. They love that shit. Word of mouth is just another way of saying "free advertising"

For those of us that partake- weapons. (Yeah. Weapons.) Usually have the maker's name plastered EVERYWHERE. I get it helps for maintenance reasons, but you don't need the name slapped on there 5 or 6 different places. I've seen archery sets where the brand name is labeled all up and down the curve of the bow, the wrist strap, the arrows, and on the carrying case. Not very discreet. Like at all.

Your devices also have the brand somewhere on them. And in some countries- a service provider will have an animation in your startup screen. Every time you turn the device on. Even if you have a case on it, the case is most likely branded too, unless it's mass market dropshipped, or custom made- but that's a whole other can of worms for another day.

Oh babey speaking of devices- STICKERS. Sometimes a new device will come with branded stickers. Half the time they end up in the trash anyway, but they still include the stickers in the packaging. They want you to plaster your shit with their name so you can advertise for them. You paid them, for you to advertise about them.

Ads for the same brand will appear in your own device. There's no way to turn it off. Just today I got an ad in my notifications from the brand my phone was made by. Guess what? It was for their newest model. Funny how that works.

On this silly goofy fandom discourse hellsite- it's especially prevalent. Fandom is inherently advertising. fics, cosplay, fanart, discussions, music, all of it. But do we notice or talk about it? Nope. Because we genuinely care about The Things We Like™

I personally bought the premium service for a certain play button shaped video platform back in 2019- and I still pay for it today despite the price tag for watching without interruptions. Why? imagine you're absolutely vibing to one of your all time favorite playlists, finally a chance to relax and be chill for a bit after a long day where all you wanted to do was just listen to your music and zone out, mayhaps even some delicious maladaptive daydreaming- or a new video from someone you like just released and you want to watch it when out of nowhere in the middle of their sentence;

"DIAPERS FOR THE BABY YOU'RE NEVER GONNA HAVE! PILLS WITH SIDE EFFECTS THAT'LL DEFINITELY KILL YOU! VOTE FOR [Politician]! KEEP [Politician] OUT OF OFFICE! A CAR YOU'LL NEVER AFFORD! A PRODUCT YOU'LL NEVER WANT TO SEE AGAIN AFTER WE SHOW IT TO YOU 50 TIMES!"

etc...etc...

you can't tell me that whatever good mood you might have been in wouldn't be absolutely destroyed and beaten over the head with a stick by the time whatever was interrupted came back.

(also the fact that commercials are always louder than the actual thing you wanted to watch, thus forcing you to listen to them unless you mute it, but again- a conversation for another day.)

OP is right. You can't turn two inches without an ad slapping you in the face and obnoxiously asking (or even demanding) your money. The Corporations™ have us all under their thumbs and won't let us up.

Something so profoundly fucked up between the inverse ratio of shrinking middle class and ever increasing aggression of advertisement

[apollabarnes]

inhale 'til your lungs get sore

cw: major character death, ghosts, magical realism 8x15 coda (on ao3)

"That does look worse from up here."

Tommy tensed, his hand tightening on his arm. He glanced sideways, wary of reacting too strongly around the Army. "What are you doing here?" he asked, his eyes drifting back to Evan.

"I mean. Dying," Bobby said dryly.

Tommy hiccuped a laugh, turned it into a cough. He swallowed around the tears in his throat.

"You should call Eddie before they come out," Bobby continued, pacing in front of Tommy.

Tommy spared a moment to be glad that Bobby had moved so it was easier to talk to him before he realized could see Evan on the screen through Bobby's face. Christ. What were the odds that he hadn't cleared that last building and they were in a crumpled heap of metal in the middle of downtown?

He shoved down the part of him that hoped it was true. Even if he would rather be dying than Bobby, that would mean that Evan — and selfishly, so selfishly, Tommy would trade Bobby for Evan in a heartbeat. Considering Bobby had just done the same thing, Tommy thought Bobby might forgive him if he knew what he was thinking.

"Not really my place."

"No one else has the bandwidth to deal with it right now. And if they tell him later, if they realize that they forgot, the guilt that they'll—"

Bastard. Tommy pulled his phone out of his pocket and tried to remember what his corporal had taught him about notifications. There were two flights out of El Paso left tonight. Be succinct, be clear, don't use metaphors, and —

"Tommy? Why are you calling?"

Tommy would have appreciated another few seconds to get his thoughts together. "Eddie," he said, taking a deep breath. "A call went bad today. Bobby died."

Eddie stayed silent on the other end of the phone.

"There are two flights left. I can get you a ticket, Chris too, but you need to —"

Evan scrambled to his feet behind Bobby's head and Tommy saw him turn towards the door right before Athena came out.

"Yeah, two tickets, do that," Eddie said finally, his voice cracking.

"They're not — everyone else is still on the scene, they're not being allowed to leave yet or they would have called themselves," Tommy offered, floundering, "I didn't want you to not know."

"Text me the gate details."

Any other day Tommy might be offended that Eddie hung up on him. Tommy purchased the tickets and forwarded the confirmation to Eddie, keeping one eye on the screens and Bobby. "What happens when they come out?" Tommy asked, quiet. He was pretty sure a ghost could hear him no matter how quietly he spoke. "Are they going to be able to see you?"

"That wouldn't be a good idea right now," Bobby smiled at him, the edges of his face blurry. "They wouldn't handle it well. You take care of them, Tommy."

"Shit goodbye," Tommy muttered, tapping his thumb against the pads of his fingers. Okay. Take care of them. Hen and Howie still needed to get to a hospital; he didn't trust that the Army doctor hadn't overlooked something when his main concern was the virus. Ravi, too. Karen and Maddie would want to be there, which meant… babysitters. He could handle that.

Evan and Athena had cleared the area covered by the cameras. He turned away before he could watch the Army take Bobby out, ducking out of the main tent and heading for medical.

"Howie, who watches Jee overnight?"

"Huh?"

"Howie," Tommy softened his voice. "Who watches Jee when you and Maddie both work overnights?"

"Anne," Howie blinked at him, shaking his head, "Tommy?"

"One and only," Tommy said carefully, pressing a hand against the plastic tent. "Can I have her number?"

"I should — I should call," Howie said, staring past Tommy.

"I got it, Howie. What's her number?"

Tommy tapped the number into his phone as Howie dictated it to him. Tommy had to fight the urge to walk away as he made the call, so he'd be closer to Hen, but the look on Howie's face was haunting. He put the phone on speaker.

"Hello?"

"Hi Anne," Tommy kept his voice gentle, as soothing as possible. "This is Tommy, one of Howie's friends. He's okay, but he and Maddie aren't going to be home tonight. Can you watch Jee until tomorrow?"

"Of course. Is Hen all right? Do Denny and Mara need someone to watch them?"

"I'm going to ask her right now. Can I text you when I know?"

"That would be good. Toni and I were going to have a movie night, it would be easy to keep them all at one house if the kids are okay with that."

"I'll ask them and let you know. Thanks, Anne."

Tommy stared at the phone when he hung up. God, where had the time gone if the kids weren't asleep yet? "Okay, Howie. I need to talk to Hen, but Jee might have a sleepover with Denny and Mara if that's okay with you."

"Yeah, yeah, that would be…" Howie trailed off.

Tommy wanted to stay. "Text Maddie, let her know Jee's taken care of."

Tommy repeated the whole thing at Hen's tent, digging his nails into his palm when she started crying. Toni was also in favour of the sleepover, so Tommy left it up to them to decide which house they were going to spend the night at.

"Tommy, what are you doing here?" Hen asked, scrubbing her hands over her eyes.

Tommy wanted to scream. "I have no idea. Trying to help, I guess. I have to go check on Ravi."

"Yeah, okay." Hen looked in the opposite direction of Howie's tent. "Sounds good."

He called the administrative line for dispatch as he walked over to Ravi. Tommy knew that all of dispatch already knew the call had gone bad, but he still spent a few minutes going over it with Sue and arranging for Maddie to get a ride to the hospital once they knew where everyone was going. Sue passed along that they'd already pulled the 118 off any calls until B shift got to the station. Tommy sighed. "I'll find a way to get the gear back."

"Don't bother. We have drivers on the way to get the trucks and the supplies."

"Thanks, Sue." He paused. "Can you do me one more favour?"

"I'm fine," Ravi said, before Tommy could say anything.

"Probably," Tommy agreed. "You still got knocked around pretty good. You should get checked out at a real hospital."

"They said I was fine."

"They were concerned about a virus. We're concerned about everything else." Tommy looked at Karen. "Athena's probably in the middle of giving everyone hell and Sue's working on getting ambulances here. Toni and Anne are watching the kids, so all you have to do is drive there once we know which one they're going to."

Karen eyed Tommy curiously. "You've been busy."

"Not much else for me to do around here."

"Tommy!" Evan scrambled towards him when he came back into the main tent. "I thought you—"

"No," Tommy said emphatically. "I was making some calls."

He turned towards Athena, lightheaded when he saw the expression on her face. "Sue's sending two ambulances to take everyone to the hospital."

"Good." Athena turned back to the Colonel, her voice hard. "We're leaving."

"Sergeant Grant—"

"—is leaving," Tommy said, stepping in front of her. "As is the rest of the 118." He squared his jaw, crossing his arms over his chest. "They've earned that much."

"I'm not done with you either, Firefighter."

"Then arrest me. I can't wait to call my lawyer," Tommy shot back. He watched the Colonel pause. "When you decide what you want to do with me, I'll be at the hospital with them."

Ambulance sirens cut through the air.

"Let's go," Athena said, taking Evan's arm in hers. "Tommy."

"Yep." Tommy saluted the Colonel with enough attitude to make it clear it was not out of respect. He spun on his heel, following Athena out of the tent.

"I gotta…" Evan stared at his phone, his eyes hollow. "I have to call Eddie."

Tommy checked his watch. "You'll only get his voicemail, Evan," he said quietly. "His plane's already in the air."

"Oh," Evan deflated and Tommy leaned forward, catching his phone before it could drop to the floor. Ravi flinched. "You called him?"

"You and Athena seemed like you were pretty busy."

"Even after…?" Evan took a shaky breath, his brow furrowed.

"He's going to meet you at the hospital," Tommy said, not willing to get into that whole conversation in front of Ravi. Or at all. It seemed trivial and stupid now. It had been stupid when he said it, but— "There's a car waiting to pick him and Chris up when they land."

"Oh, fuck," Evan flushed. "I should have done that."

"It's okay, Evan. You can take care of them at the hospital," Tommy promised.

"Ravi, man, how are you doing?" Evan asked, leaning past Tommy to look at Ravi.

Ravi shrugged, his shoulders drooping. "I'm fine," he muttered, crossing his arms. "You didn't have to put me on the stretcher."

"Ravi, you got blown up and stopped breathing for a minute. You're riding on the stretcher," Evan said firmly, clasping a hand on his shoulder.

"Yeah, but I'm—" Ravi stopped abruptly, the blood draining out of his face.

Tommy shoved the puke bucket onto his lap, just in case.

"This is a nightmare," Ravi stared out the back window. "I want to wake up."

Same, kid.

Evan's chin wobbled once. "You're going to be okay, Ravi."

Athena was waiting outside the hospital doors for them, Hen and Howie already swept away by the doctors for surgery and check-ups. "Sue Blevins said to call if we need anything. Maddie's going to be here soon," she added, looking over at Evan. "The two of you are in line for concussion protocols."

"Athena!" Evan protested.

"You are getting checked out, Evan Buckley, if I have to handcuff you to a bed. And I can find a second pair if you want to argue with me too," Athena looked over at Ravi.

"Concussion protocol sounds awesome," Ravi said after a beat. "Where's that?"

"Fine," Evan sighed.

Tommy's phone rang. "That's the station," he told them. "I've got to take this. Text me if there's anything I can bring back with me. Hopefully I won't be long," he added, jogging for the front doors.

"Hey, Melton."

"Is it true? Did Nash really—"

"Yeah," Tommy swallowed, sinking onto the nearest bench. He tipped his head back, staring up at the sky. "How long am I grounded for?"

"How long do you need?"

"I'm pretty sure that's not how suspensions work."

"Funny thing about that. The Army was out here trying to light someone's ass on fire to get you fired and now it's all 'please thank Firefighter Kinard for his assistance tonight' so…" Melton paused, a hint of amusement in his voice, "Hard to hand out punishment when the people pushing for it change their mind."

"Stellar." Tommy sighed.

"You're not actually about to get arrested, are you?"

"Probably not. Call back tomorrow."

"I'll juggle your schedule, get Donato in for the next few days. Just in case."

"You're an eternal optimist, Melton."

"Fuck off, you know they beat that out of you in basic."

Tommy dragged a hand over his face. "I'll you know when I know things."

"Appreciate it. Let someone at the 118 know to call if they need anything."

"B shift is on their way to the station — you might want to try and call them there and make the offer. I don't think A's going to be back on their feet for a while."

"Will do. Take care of yourself, Kinard."

"That could have gone worse."

"How long have you been… hovering there?" What was the correct term to use when a ghost was lurking? Tommy glanced down. Yep. Bobby's feet were firmly — if translucently — on the ground. No floating required.

"Long enough," Bobby said, which wasn't really an answer.

"Okay." Tommy nodded. "I should—" he gestured over his shoulder, back towards the hospital.

"Eddie and Chris are here," Bobby told him.

Tommy checked his watch. Shit. He hadn't noticed the time passing. "That's good. They all need to be together. What do you think, snacks?"

"Why are you asking me?"

"Because you're here?" Tommy shrugged. "Kind of expected you to not show up again after you disappeared from the tent."

"Yeah," Bobby frowned. "Don't tell me you're disappointed."

"Aren't you? Wasting your haunting on me?" Tommy scrubbed both hands through his hair. "Sorry, that was—"

"It's been a weird night," Bobby offered helpfully.

"Tell me about it."

Tommy spent ten minutes staring at the menu board in the hospital coffee shop before giving up. "Two of everything you have left," he said, glancing over at Bobby. "And drinks. Um. Ten of them." Tommy rattled off most of them without an issue, pausing when it came to the Grants. Bobby took over, and Tommy repeated their orders to the cashier.

He took the bag that the cashier offered him gratefully, glad that he could balance a tray of drinks in each hand without issue. Tommy started with Karen, handing over her drink and the first box of food. He did a slow counterclockwise loop of the waiting room, pausing in front of Athena and the kids. "I had to guess. Hopefully they're okay," he said quietly, handing May another box.

"Thanks, Tommy," Athena murmured.

"Yeah, no problem."

The only people he hadn't talked to yet were Evan, Eddie and Chris and Tommy made himself walk over there without pausing, handing out the last of it and sinking into the chair beside Evan.

"One of us would have helped you bring all this back," Evan said quietly, leaning in so Tommy could hear him.

"It's fine. I managed," Tommy whispered back. "You all needed to be here together." He was suddenly, viciously tired.

"Okay. We're still waiting for news."

Tommy nodded.

"—mmy? Tommy." Evan shook his shoulder.

"Yeah," Tommy blinked, his head fuzzy. "Sorry, repeat that?"

"They're sending us all home. Hen and Chim have to stay overnight but they're not allowed to have any guests. I'm — I'm gonna stay with Maddie tonight. Eddie and Chris are going to—"

"—the house," Tommy finished with him. "Makes sense." He resisted the urge to scrub his hands over his face, blinking one more time.

"What are you gonna…" Evan trailed off.

Tommy shrugged. "I'll make sure Karen and Ravi have a way to get home and then…" he glanced over at Athena, frowning when he saw Bobby behind her. "If you need anything, just give me a call."

"I don't think you should be driving," Evan said, his brow furrowed.

Tommy yawned. "Definitely not. Uber, though," the corner of his mouth twitched in an attempt at a smile, "I can order with the best of them."

Karen had convinced Ravi to spend the night at their place; Tommy wasn't sure how and he didn't ask. It certainly made getting them both home easier. He tried not to notice how often he found his attention drifting to Evan as they waited, Eddie and Chris leaving first and the Grants leaving after them.

"Aren't you going with them?" Evan asked, when Tommy didn't get in the car with Karen and Ravi.

"Other direction. I ordered one for myself. It'll be here in ten minutes," Tommy said easily, lying through his teeth. "That's you and Maddie, right?"

"Yeah. Let me know you got home all right, okay?"

"Of course."

Tommy waited until the car had pulled out onto the street and disappeared around the corner before he wandered back inside the hospital, making his way up to the ICU.

"Is Rick here tonight?" he asked the charge nurse.

"Who's aski… Tommy?" She pulled her glasses down, squinting over the rims at him. "Christ, kid, what's it been, three years?"

"Aw, Mona, you remember me."

"I remember those biceps," she hummed, looking him up and down. "What do you want Rick for?"

"Do you really want to know?"

"Nope. I do want one of whatever you've got in that box of yours. Rick's down the hall in 8. You can wait for him out here."

"Deal. Jelly filled?"

Mona leaned in, dropping her voice. "See, I told him dumping you was something he was going to regret. Here you are remembering a girl's favourite order and you weren't even trying to get into my pants."

"Mona, you're young enough to be my aunt."

She cackled with delight. "If Rick doesn't want to help you with whatever rule you're breaking, come back to me. That was smooth."

"What on earth are you up to, Tommy?" Bobby asked, following him to the chairs against the wall and sitting down beside him. Tommy really hoped that they weren't there long enough for someone else to need it. He didn't want to see what would happen if Bobby didn't move fast enough.

It was too quiet to talk back to Bobby without someone noticing, and Tommy didn't really want to pretend to be on a call in the middle of the night in the ICU, so he pulled out his phone and started typing a note. Figured you'd want to keep an eye on Hen and Howie tonight, and if you're stuck with me, then I'm going to stay close.

"I think I can travel around without you."

Let's not test that out tonight. I'm just going to ask Rick if there's somewhere I can crash. Lots of on call rooms that don't get used.

"Rick's an ex?"

Sort of. Well, I was the rebound guy. So it didn't go anywhere.

"Went somewhere far enough that his coworkers remember you."

Tommy rolled his eyes. Sorry I'm a catch, he thought about typing out, but then he'd just get caught up in all the times being a catch hadn't been enough. I picked him up after work sometimes.

"Tommy?"

"Hey, Rick," Tommy stood up, smiling. "Been awhile."

"Yeah," Rick nodded, pulling Tommy into a hug. "You look good. Well, you look like you haven't slept in two days, but other than that."

"You don't have to lie," Tommy joked. "I have a favour to ask."

"No promises yet, but hit me."

"Is there somewhere I can crash tonight? A couple of my friends are in Critical Care and — no visitors, you know — but I wanted to stay close just in case."

"Yeah, of course. That's easy. I thought you were going to ask me to sneak you into Crit."

Tommy shrugged. "That might be an ask for the rest of their friends tomorrow."

"Tommy," Rick laughed. "There aren't enough blowjobs in the world for that favour."

"You say that now," Tommy joked. Back when they were dating, Tommy would have made good on the dare. "How's Colin?"

"He's taking the bar next month so he's been horrible to live with, but other than that," Rick said, waving Tommy down the hall, "Here's our four star on call room. Close your eyes and ignore anyone else who comes in here. Sorry about not having ear plugs."

"Thanks, I appreciate it. Snacks, for whoever wants them," Tommy added, handing off the pastry box he was still holding.

"Like I said, easiest favour you could have asked for," Rick leaned against the door frame, watching Tommy. "Hey, about the other favour. You should come over for dinner after Colin's passed that fucking test. And if you're not… you know. You could stay over."

"Dinner sounds great," Tommy glanced towards the door, glad that Bobby had disappeared to see the others. "I'll let you know about the rest."

"My shift ends at seven, I'll make sure you're awake before I take off."

"Perfect. Hey, stay safe tonight."

"I don't leave the building. I should be telling you that." Rick knocked against the door frame, pushing himself off it. "I'll warn Mona that you're in here."

Tommy remembered to text Evan and lie about getting home. He set his phone on do not disturb, hesitating for a moment before making sure that Evan could call through. He tucked his flight suit and phone underneath the bed before closing his eyes and hoping that he was just having a very, very bad dream.

"They're refusing to let anyone in before visiting hours at nine!"

"Evan," Tommy said gently, bracing his forehead against his knees. "They've got rules they have to follow, too."

"But— don't they know that— Maddie's—"

"Baby," Tommy interrupted before Evan could get going again. "Everyone in here is having the worst day of their life. I promise they're taking good care of Hen and Howie."

Evan's breath hitched and Tommy played back what he'd just said, wincing when he realized he'd used a pet name.

"I have a friend who works in the hospital, okay? I'll give them a call and see if they can tell you more about what's going on." Tommy looked up, holding a hand up when Rick opened his mouth. He shook his head and Rick shrugged, sitting down across from him.

"Are you coming back today?"

"I have to go to Harbor and talk to my boss, but if I can get to the hospital today I will."

"Text me?" Evan asked, his voice shaking.

"Yes," Tommy promised. "I'm going to hang up now, okay? I'll talk to my friend and let you know what's going."

"Okay. Tommy…"

"I'll talk to you soon," Tommy promised. He hung up before either one of them dissolved into tears, letting his head hit the wall behind him. It was a satisfying thunk.

"Don't do that," Rick said, leaning forward and slipping a hand behind Tommy's head before he could do it again. "Baby, huh? Sounds like it's just going to be dinner."

"Shut the hell up," Tommy managed, shaking his head. "It's complicated. Fuck."

"This about your friends?"

"Yeah," Tommy nodded, looking over at Rick. "Any chance you'd be willing to harass a few colleagues for information?"

"I'll sic Mona on them." Rick looked Tommy over, his eyes critical. "You need a shower. I'll find you a pair of scrubs." He poked Tommy's arm. "Hopefully you don't rip them. Get up, let's hit the locker room."

By the time Tommy had spent twenty minutes under a scalding hot shower, Rick had tracked down a pair of scrubs that would fit him and Mona had a full court update that Tommy was able to pass on to Evan. "I should turn my phone off," he told Rick, flipping it in his hand as they walked out together. "Just…" he glanced out the doors, catching Bobby lingering near the ambulance bay.

"Come on," Rick slung his arm around Tommy's shoulders. "I'll give you a ride to your station, save you the Uber trouble."

"You don't have to do that, I'm sure Colin—"

"—Is very glad for every moment I'm not home so he doesn't have to feel bad about ignoring me to study," Rick finished.

"Okay." Tommy was too tired to argue, sliding into the passenger seat of Rick's sedan. Bobby popped up in the backseat.

"Doctor, huh? Guess you've always had good taste."

Tommy snorted, waving Rick off when he looked over. "Sorry, just thinking about what these friends would have said if they were around while we were dating."

"Probably the same thing that Mona tells me every few months," Rick joked.

"Hey, uh… if you see anyone when you go back for your next shift, maybe don't tell them I stayed at the hospital last night."

"I see you're still terrible at sharing," Rick said dryly. "Don't worry. I'll consider it doctor-patient confidentiality."

"I wasn't sure I'd be able to stay, so…" Tommy shrugged. "Definitely wasn't sure you'd be able to pull strings for ten people if they all wanted to stay. Which they would have."

"Ah. In that case. I appreciate that you're terrible at sharing."

Chief Simpson was apparently livid that Tommy had absconded with another helicopter and gotten out of it because the Army wasn't willing to publicize what had been going on. Melton was amused in the way that all vets tended to be when another vet gave the Army the finger, and everyone else at Harbor wanted him to teach them to do barrel rolls.

Tommy was exhausted. Grabbing a few hours at the hospital had done less than nothing, and he still had to get home on his own.

He texted Evan.

Need to grab a few hours, putting my phone on silent. Setting an alarm for three hours and will let you know where I'm at then.

Tommy turned his phone to silent before Evan could reply.

"You look like dogshit," Lucy said bluntly, coming to a stop in front of Tommy.

He blinked at her, his keys dangling from his hand. "I think I need to call a cab."

"I got you." Lucy bundled him into his truck with surprising speed. She put on the classic rock station that Tommy liked, lowering the volume. They didn't talk on the way home, or when she helped Tommy into the house, or when she bullied him into his bedroom.

"I'm going to get a ride back to the station," she told him, tapping her fingers against the back of his hand.

"Take the truck," Tommy offered. "I can get back to Harbor. Or you can pick me up. Whatever."

"I'll pick you up. Get some sleep, Tommy."

Tommy hated that she could see through the cracks now. She'd had an idea since the breakup, but now… god. "Thanks, Lucy."

"Yeah, I got you." Lucy smiled tiredly. "I'll lock the door behind me. Text when you wake up so I know you're not in a coma."

"That might be prefer—"

"Not a good joke to make today," she reminded him.

"Yeah," Tommy squeezed her hand. "Let me know you got home all right."

"Moira Blake is a fucking terrible mad scientist," Tommy said, staring at the ceiling. "Who doesn't make a stockpile for themselves when they can't be sure one dose will enough for an untested virus?"

"Rewriting history?"

Tommy groaned, leaning up on one elbow. Bobby sat at the end of his bed. "Just saying, that crazy woman could have inhaled it at the lab and then what would she have had to try and sell? How could she know that one dose was enough protection for a human? Actually, how could she know one dose would be enough for permanent inoculation? What if she got infected twice? I bet she hadn't been able to test the R-naught before they kicked her out of the lab — hey, I'm allowed to know weird things too," he protested, watching the expression on Bobby's face.

"I never said you weren't."

"And I know what you're thinking, it's not because of Rick."

"I never said that either. Have you considered that you're trying to assign logic to something inherently illogical?"

"Says the ghost sitting at the end of the bed. Come to think of it," Tommy said, gesturing angrily, "how could she be sure that the one dose of the virus she made would get out of the lab? Without it, her antivirus was useless and not worth anything, and she didn't exactly go back to her house and make some more to release somewhere else. What the hell was she — has she never watched a James Bond movie?"

"Sorry, just checking, but are you advocating in favour of the mad scientist right now?"

"No, just — it was so stupid. She knows the protocols, she should have known that the doors would come down in a fire and there was a chance the virus would get trapped in the lab and burn up. I don't want her to be good at her job but why did she have to be so bad at it?"

"She could have been worse," Bobby offered.

"Yeah, the virus could have made it out of the lab," Tommy agreed. "Doesn't mean that what happened isn't a worst case scenario."

Bobby smiled. "That's nice to hear, kid."

"Yeah, if I were you I'd be shocked that people miss you." Tommy rolled his eyes, sitting up properly. "If you're sticking around I might as well get up."

"You're not sleeping well," Bobby said, following him into the kitchen.

Tommy found himself getting two cups out of the cupboard automatically. He paused, looking up at Bobby. "Can you—?"

"I don't know." Bobby tilted his head, staring at the cup. "I haven't tried."

"I'm not a huge fan of this one, if you want to," Tommy offered. He filled Bobby's mug with water, shrugging when Bobby raised an eyebrow. "Not going to waste a coffee if you drop it. And of course I'm not sleeping well. You've seen the last few days," he said simply.

Bobby huffed, reaching out for the mug. Tommy looked out the back window, unsure what he wanted to happen but worried that if he stared too hard, nothing would happen.

"Huh," Bobby said curiously. Tommy looked back. The mug was intact, there was water missing, and there was nothing on the floor.

"Huh," Tommy echoed. "You want some coffee?"

"Cream, no sugar."

Tommy dumped the water out and filled the mug with coffee, carrying them both out to the living room. "You can have the armchair," he told Bobby, sinking down on the couch. "What are the odds that I actually get some sleep today?"

"Better if you stop talking to me," Bobby said blandly.

Tommy flipped Bobby off and closed his eyes. The television clicked on and over to the baseball game, volume barely audible, and Tommy drifted off to the dulcet tones of the Padres broadcast.

Tommy startled awake when a cabinet door crashed open in the kitchen. Was Bobby—

"Buck's cooking. And he's about to pop his head out and apologize for waking you up."

"Tommy, shit, sorry, go back to sleep."

"Evan, how did you…" Tommy frowned.

"You didn't move the spare," Evan said. "You really should do that when you break up with someone, you know."

Tommy checked the clock. "I missed the alarm?"

"I got here about five minutes before it was going to go off. You looked… I thought I should let you sleep. You made two cups of coffee?"

Tommy laughed, his voice rusty. "Trying to stay awake. What are you doing here?"

"We got kicked out of the hospital. Visiting hours, disruptions, tests, et cetera…" Evan shrugged, frowning . "I cooked all night at Maddie's. She told me if I came back and kept cooking she'd — with love — kick me to the curb. So I, uh," he scratched the back of his neck.

"Thought you'd terrorize me with your cooking instead?"

"Terrorize implies that it's not going to taste good," Evan said, sniffing haughtily.

"Right," Tommy inhaled deeply. Ah. The famous Bobby chili.

"He's going to ask about the—"

"Cocoa powder's on the top shelf over the stove," Tommy told Evan.

"How'd you know that was what he was looking for?"

"How'd you know that was what I was looking for?"

Bobby and Evan overlapped with each other when they spoke and Tommy blinked, rubbing a hand over his forehead. "Evan, you told me that story the first time you made me chili last year."

"You remembered that?"

"I told him you were good for him."

"…What?" Tommy asked, unsure of which one of them he was actually responding to.

"You remembered that?" Evan asked again, his voice shaking.

"Of course I remembered. It was important to you so it was important to me."

"Tommy, are you awake right now?" Evan asked.

"I mean, I don't normally talk in my sleep. Or imagine my… you breaking in to cook me dinner, so I'm going with yes?" Tommy asked, looking at Bobby's chair in confusion.

"So you're saying all of this on purpose?"

"Was I not supposed to remember the things you tell me?" Tommy asked, rubbing the back of his neck. "I'm confused. Is me remembering a good thing or a bad thing? I can tell you I remember from when he made it for us before my transfer if you'd rather."

Evan crossed the living room in three large steps and knelt down in front of Tommy.

"What's going on?" Tommy asked softly.

"You helped me run away from the Army and you remember the goofy little stories that I told you," Evan said, equally soft. "I'm going to finish making dinner, you get some more sleep. We'll talk about how I no longer accept you breaking up with me in the morning." He smiled faintly, cupping Tommy's cheek and pressing a soft kiss against the corner of his mouth. "I think I can out stubborn you."

"I've never been un-broken up with. I might be bad at it," Tommy said, swallowing hard.

"First time for both of us. I think we'll nail the learning curve," Evan said brightly, standing up. "I'm taking this coffee away from you," he added, reaching for the one in front of Bobby.

"Not that— take this one," Tommy said, handing his cup to Evan. "That one's far enough away I won't go for it."

"Okay, weirdo." Evan laughed at him. "Close your eyes and go to sleep."

"Remind me to tell you about the time I unfired Buck," Bobby said, waiting until Buck was back in the kitchen to have some more of his coffee.

"—Did Bobby really unfire you?" Tommy called into the kitchen.

The tin of cocoa powder hit the floor with a clatter. "Who told you that? Was it Chim?"

[spaghett-onaplate]

it's literally not a good idea in any way shape or form but I want to get a second job in fast food

[amerasdreams]

THIS is partly what I mean. I need more stillness and rest than most. Or I get burned out fast, I'm consumed by the horrible, rote, meaningless activity and it even drains me of energy for real things, creativity, things that matter. A state of constant tension (which I have anyway but even more). NEVER a life I want to live.

I need a workday of 4-5 hours-- unless it's work I love and am passionate about-- with the rest being rest, immersing in nature, creativity, hands on things, volunteer, interacting with kids and animals, etc.

I dont care about a lot of material things anyway. So I don't need a lot of money for superficial things like fashionable clothes, fancy cars, things thst font matter compared to things that aren't quantifiable. I am the sort of person who is really not made for this society at all, with its relentless consumerism and shallowness, hollowness-- I strive for meaning, the things that are suited to my skills and natural inclinations

[bunnyb34r]

What the fuck is wrong with our customers man?? I found TWO pairs of kids crocs, USED (like there was no tread at all, it was FLAT) and tucked away under the clothing tables. Clearly they stole some new shoes and left the nasty old ones with US

Bitch throw them in one of the MANY trash cans we have around here!

And what's worse is I found a grown ass adult pair TUESDAY. STOP COMING IN HERE AND LEAVING YOUR NASTY CROCS!!!

And like last month I found a baby pair of them ON TOP OF THE COOLER. WHAT THE FUCK IS WRONG WITH YOU PEOPLE?!?

Like to be absolutely clear, we do not have crocs for sale atm. They are not doing a one for one switch a roo (which they fucking do when we do have crocs) no no they're stealing other shoes.

I'm gonna be honest, I'm less mad ab the theft than I am ab them leaving their nasty ass shoes for me to deal with. Fucking disgusting trash leaving fucking disgusting trash

[screambirdscreaming]

One time on the bus I sat next to a visibly very stressed and exhausted middle-aged woman and, upon offering basic social niceties, recieved an absolute deluge of information about everything that had gone wrong with her day

During the course of which I was gradually able to put together that she worked in middle-management / marketing (?) for a candy corporation (?) and had spent the day at a fair in which candy was marketed *to be marketed* (???)

Like. The attendees of this fair were candy corporations, presenting new candy-brand ideas, and grocery corporations, deciding which of these new candy types they would stock at their stores. Which she did not tell me, exactly, so much as rattled off a bunch of incomprehensible things about trends in candy marketing which I was somewhat able to put together were not about *customer* marketing, but about marketing to other corporations about what you thought their customers wanted - or rather, would want, once you'd made other entirely different marketing campaigns to convince them they wanted it.

There was however a person-sized standee of an m&m. Not an insignificant portion of rant time was devoted to logistical problems involving the standee.

She had with her a grocery bag full of candy which she ate pieces of, semi-compulsively, between sections of the rant. She did not offer me any.

I guess it's not that hard of a job to describe, but, it tops my personal charts for "job I would not ever have been able to predict existed," and also "job for which I cannot begin to imagine the day to day work experience". And also for that matter, "job which I can't really see the point of having exist", although that last one is a pretty hotly contested category.

[katya-goncharov]

i just spent half an hour writing another job cover letter and now it's ruined my whole mood

[chilledagridolce27]

Quitting my job soon (I already put in my 2 wks) and asked my manager for feedback.

Apart from some heming and hawing, he said something that ironically made me laugh so loud I'm still giggling while thinking about it

Lmaoooooooo

[sepulchral-pulchritude]

forgive me my ignorance (<-not sarcastic, this really is an area i know very little about), but my perspective as a consumer (for car insurance specifically), is this: my big issue is that insurance is REQUIRED to register and drive a car (at least in all the states I've lived in) and driving a car is basically required to have and hold a job.

to be fair, the second thing is more of the problem, but notwithstanding major legislation to expand public transportation which has yet to materialize, the situation is that i have to be able to drive to make enough money to live in a home, and the car insurance company can basically name their price (notably this issue is part of what is so heinous about medical insurance also)

and to be fair to insurance companies, even if they were trying to be good and give the best possible prices to their customers, they are at the whims of the larger markets -- the prices on medical bills (ballooned by medical supply companies and pharma companies basically extorting them), the prices of car parts, the price of gasoline to transport those car parts, probably lots of other market stuff I don't know because like I said i do not know much about this. so there is a bunch of risk the insurance company has to take as well. it is in their interest to act like a company, a money-making entity.

notably, as a profit-seeking entity, they then also find themselves relying on statistics as per @cobrilee's tags, and relying on those kinds of statistics ends up reinforcing institutionalized prejudice. you want redlining? this is how you get redlining.

in the process of writing this post, i looked up the official reason why car insurance is mandatory in 48 out of 50 states. the given reason? public safety.

specifically the idea that if you are hit by a car at no fault of your own, that you should not be expected to pay your medical bills. and i basically agree! that is an assumption that seems fair to buy into as part of living together in a cooperative society. (i will note that who "you" is can really determine who gets to be "at fault" buuuuut we cannot disentangle all of society's prejudices in one go so moving on)

but you know what? if it's for public safety, why is it being handled by entities that are necessarily driven by profit?

the fact is that having and driving a car is basically a requirement to be a working (usamerican) adult, but that it is regulated like it is a luxury item and it is really frustrating. if insurance is mandatory for public safety, it should be a matter of public safety handled by the government. it should be unconcerned with profit!

and if the government had to start really shouldering those costs, i think they might just see that public transportation is much cheaper, more efficient, and all around better than the 1 Car Per USAmerican (Mandatory) system we currently have. and we could have a competent public transportation system. and i would cry tears of joy.

The most frustrating part of working in insurance is knowing why people's insurance premiums are increasing so dramatically but not being able to explain it without sounding like you're defending a bunch of giant megacorporations

[inbabylontheywept]

The Motherfucking Lizard King

No one at work trusts my boss. 

He's smart. He works hard. He's not trustworthy. He hasn't actually fucked anyone at work over, but he's ruined his last two marriages with affairs, and got dumped by his third fiance when he wouldn't sign a prenup. The fact that we all know this is just a hazard of working in a small town. 

Anyway: The thought process of the people in the lab is that if he screwed over his first wife, and his second wife, and was probably planning on screwing over his third wife, it would be insane for him not to screw us over. After all, what kind of idiot treats their employees better than their spouse? 

I dunno. His kind, I guess? He's had a few chances to fuck us over, and he hasn't taken them. Opposite really. When our parent company was doing furloughs, he stayed in the office almost a hundred hours, talking and talking and talking his way up the corporate ladder. And in the end, no one at our site got furloughed. 

He's pulled strings like that before. And it baffles me, right? Because it really does make zero sense. He'll move the heavens and the earth for us, but his wife and kids are afterthoughts. It feels like any moment, he's going to look into the mirror and realize how stupid that is. It feels like I'm betting on him making the same stupid mistake again, and again, and again - like it would be less cynical to believe he was, eventually, going to stab me in the back. But he hasn't yet, and as far as I can tell he's been making that mistake for close to fifteen years, and it's already cost him everything it can. If he was going to learn, he would have by now. 

So my position on him is that if he wanted to date someone I cared about, I'd warn them off. I don't trust him there. But I tentatively trust him to be my boss. Maybe one day he'll stick the knife in and twist, and everyone will say Ah, Babs, we warned you, but for now, I accept that he's doing a very predictable, very irrational thing, and I've made my peace with it. 

---

My job has glue traps. 

No one likes the glue traps, but we don't have a lot of options. Poison's banned by state law, spring traps are banned by company safety, and several non-lethal options tried in the past failed to work. The mouse problem can get pretty bad if it's ignored, and there's some real health hazards in that. Our site has never had a positive hantavirus test, thank God, but the big base about a half hour away has. That guy's gonna be on oxygen the rest of his life. 

If a mouse gets caught, we just euthanize it. But more than mice get stuck. Lizards can wander into those traps too, and the people working there have different feelings about the lizards. They don't pose nearly the same kind of risk mice do. They're chill little guys, and they keep the moths away, and they're just 

You know. They're friendly. There's something to be said about walking into a room, and hitting the light switch, and seeing two little guys on the wall start to do pushups as soon as they see you. 

People used to just euthanize the lizards too, but I had pet leopard geckos as a kid and I couldn't take that so I wound up googling how to free animals from glue traps. Now, when a lizard gets stuck in a trap - which happens once or twice a week - I get some vegetable oil from the breakroom, and a little plastic fork, and I'll spend fifteen to twenty minutes just kind of gently prying the little guys out. 

I have a team of technicians that help me operate one of the larger machines. They're real blue collar guys, ex-airforce, and they make me look like a little kid. Being an engineer means they'll look to me as a leader sometimes, which is a wild experience. And I started helping the lizards for my own conscience, but one of the crazier consequences of it has been that it seriously boosted my leadership cred. Because those guys see me, and they go: Hey. If he's willing to fight for a lizard, he's gotta be willing to fight for me. 

I cannot overstate how nice that is. Most engineers that want to make a change to a maintenance practice, or try an upgrade, they have to work their asses off to get the techs to buy in. But I can just ask. They already trust me to do good. They know I'm new, and they know I'm not the smartest engineer in the building, but they also know I'm the one who gets lizards out of the glue traps. 

And just because of that, they're willing to follow me. 

---

My boss has a meeting every month or two. It's typically basic house cleaning stuff - reminders about routines we've gotten lazy on, and updates on future projects. Maybe some warnings about problems coming from higher up in the company.

People are, in my opinion, a bit too cynical about the meetings. It stems from people not trusting our boss, which again, I understand, because it would make so much more sense if he wasn't trustworthy. It's a testament to the man's incredibly unhealthy priorities that he is. But as we made it to the end of the meeting, one of bullet points was: 

Do NOT mess with animals in the building. 

So I looked at my techs, and they looked at me, and when he got to the point, he was so scathing I actually just wanted to crawl under a rock and die. He said basically that he'd heard some reports about someone in the building handling animals that found their way in and got stuck, and that he just wanted to emphasize how insanely inappropriate that was, not to mention dangerous, and that if he needed to speak to anyone about it again, there would be severe consequences. 

I was willing to just take the shame and move on. I was. But one of my techs is old. Old enough he could've retired two years ago. And his actual literal goal is to one day get angry, yell at someone, and storm out. That's how he wants to retire. So instead of biting his tongue like everyone else, he stood up and said: I hate the glue traps. You hate the glue traps. We all hate glue traps. But we've all sat here for years, ignoring the little things that get stuck in them, watching them die, and then Bab's comes in, and he is the first person in decades to give enough of a shit to start pulling the lizards out. And I don't want him to stop. 

Get humane traps or shut up but we are not going back to the old way of just letting things starve. 

And my boss actually froze up. He got all wide eyed and stared at Marc, and then the other techs jumped in, and there was a very small but intense rebellion in the meeting and my boss kept trying to interrupt while getting absolutely bowled over by this gang of angry middle aged air force vets, and eventually he just went 

I will speak with Babylon about this afterwards! After! And then he will speak with everyone else, but I have more points to cover. 

So they went silent, and my boss rushed through the last five minutes, and we all adjounred. The techs really didn't like that I was going in alone - they thought our boss was going to try and shout me into compliance. Marc in particular was like, Look, if he tries bullying you, stand your ground, and if he threatens anything, just come get us, and we'll give him hell. 

So armed with that, I went to my boss's office. I sat in the chair across from him, and he kept his composure for maybe five seconds before just flopping back into his chair. 

I had no idea you were saving lizards, he said, but I'm glad you are. I always hated seeing them die in the glue.  

I wasn't expecting that. I was about to ask him what the comment from the meeting was about then, but he answered that before I even got the chance.

A snake got into the building last week, and - someone picked it up and chased a coworker around. Turns out that coworker was severely afraid of snakes, and now it's a shitshow. We're a small site, and now I can't ask those two to work together anymore, to say nothing about how the snake fared after all that. Being upset about that is a reasonable thing, right? 

And he gave me a look like he actually wanted an answer, so I said Yeah, totally, chasing a coworker around with a snake is a dick move. Especially if that coworker is already afraid of snakes. 

And he said Exactly! and then we sat there a few moments longer. He looked so incredibly tired that I did, actually, feel kind of bad for him. And then he somehow managed to sink even further into his chair, and said

Look, I know I'm not a good guy. But I'm not evil. I'm not some sort of crazy asshole that's going to demand that everyone watch lizards starve to death. When you go back downstairs, could you try to pass that on? That I'm not evil? 

I said Sure because it wasn't a hard request, and he looked relieved. I actually made it halfway out before I realized I had a question. 

Who grabbed the snake? I asked. 

Not supposed to talk about it, he said. But whoever comes to mind first is probably right. 

ThatGuy? I asked. And he looked me in the face, nodded his head yes, and said No. 

---

The techs seemed a little disappointed that they didn't get to storm the boss's office, but were otherwise in good spirits. They were actually a little bit embarrassed to hear about the snake story - apparently, it wasn't much of a secret. It'd just slipped their minds because it happened three weeks ago. 

We did maintenance after that, the same basic repairs we did every week. The meeting had been stressful and it was a relief to work with my hands. When the parts were reinstalled, everything cleaned and smooth and ready to go, Marc found me again. 

You know what the lesson of today is? he asked. And there were quite a few answers to that that I could have taken - from don't assume the worst of people to be careful with how you spend your trust - we all need it more than we think. 

But instead I said what? because I wanted to hear what his answer was going to be. 

That I got your back, he said. Then he clapped one very, very large hand on my shoulder, gave it a good squeeze, and walked back to dosimetry lab.

---

The next day, Marc gave me a package and told me to open it in my office. I was suspicious, but I followed the request.

Cardboard gave way to a small baggie, obviously full of fabric, which opened to reveal a t-shirt that read

"I Am the Motherfucking Lizard King."

I looked at it, I loved it, and then I got an idea. I went to my boss's office and knocked on the door. When he opened it, I asked him if he would be willing to allow something very unprofessional to happen for morale building purposes.

How unprofessional? he asked. I held the shirt up in answer. He gave the shirt a short look over and snorted.

You can wear it on weeks without customers, he said. Which just so happened to include that week.

I'll pass on that it came with your blessing, I replied, and he looked oddly relieved.

Thanks, he said. And then I went downstairs.

---

The techs were very, very happy to see the shirt. And while my boss's reputation remains in tatters, and probably will be until he moves (or dies), the next time there was a meeting, there was quite a bit less complaining about how mere presence. Which is, I guess, a start.

We'll see if he squanders it.

[earlgraytay]

So, you've probably all seen this post going around, about how The Chuds Want Gentleman's Clubs (but can't afford to go to the things called "gentlemen's clubs" today, so wouldn't have been able to in the past either). And I hate to say it, but that post isn't accurate.

The things we call "gentlemen's clubs" today and the things that were called "gentleman's clubs" in the past are not the same thing; the one is descended from the other, but they used to be a lot more common and served a purpose that they don't really serve anymore.

The modern equivalent of the historical gentleman's club isn't the thing currently called a gentleman's club; it's the premium airport lounge. And by losing the concept for all but the turbo-rich, I think we genuinely have lost something! Let me explain.

(NOTA BENE: This is mostly about England and from about 1880-1930, and most of my experience with this is from fiction written in that era. I know enough to know what I don't know, but I also know menswear guy is wrong about this.)

So- gentlemen's clubs started in *wiggles hands* the late 1700s, and mostly served a particular purpose: they were places you could stay in a city if you mostly lived in the country, instead of staying in lodgings or owning your own place. Finding a place to stay in London was kind of a misery at the best of times, and owning your own house in Town wasn't practical for a lot of people, even rich people. If you were, say, a young man, just starting out in life, and you hadn't inherited your father's wealth but also weren't set up to live on your own? Having a place you were guaranteed to be able to stay was a fucking godsend. And as time went on, even people who lived in London most of the time started joining clubs, because they served another important purpose- they were a place you could go if you didn't particularly want to be at home, for whatever reason.

The way that historical gentlemen's clubs worked is, you got recommended to the club by a friend who was a member, you paid dues to the club, and in exchange, you'd get to use the club's facilities. * Most gentlemen's clubs had, at minimum, a dining room (with waitstaff, natch), a library, a couple of nice places to sit and hang out, a game room, and a bar. Many of them also had rooms you could sleep in overnight, fitness equipment, or stuff related to the club members' interests. Most of them had a room or two where you could invite friends who weren't part of your club and spend time with them. In the era where phones were a thing, a lot of them had a phone. You could write letters there and get your mail sent there.

Here's the thing: in the period I know best, gentlemen's clubs weren't just for the turbo-rich. They were the province of rich guys, yes- you had to be a 'gentleman' and know the right people to get in. But men who were doctor/lawyer/software-developer rich were most likely members of a gentlemen's club. Anyone who was rich enough to travel regularly was part of at least one club, because having somewhere to crash when you were going between (say) London and Delhi and back again was worth the cost.

Most gentlemen's clubs were owned by their members- not an outside corporate body. The club leaders were elected, usually by a small committee.

And a lot of gentlemen's clubs founded around specific interests, as time went on. There were gentlemen's clubs specifically for Guys Who Were Really Into Radio. There were clubs specifically for men who spent a lot of time traveling. There were clubs specifically for dudes who wanted to talk your ear off and clubs for old dudes who mostly wanted to nod off in their chairs and talk about The War and clubs for dudes who did not want to be percieved at all.

There were clubs for men who were really into science, or the arts, or sports. And one perk of being in a club like this is that you had access to equipment that you might not have been able to buy on your own. You didn't have to shell out for an entire library of scientific and medical books; you could go to your club and read in the library there. If your club had, say, an art studio, you could go paint at your club and not have to keep a studio space of your own.

There were gentlemen's clubs specifically oriented around specific political or social views. There were socialist clubs. (And a lot of them admitted women, which was !!!SCANDALOUS!!!) Like, they were still the province of goddamn rich people, there were a lot of trust fund baby socialists and not many working people, but there were socialist social clubs.

...I don't want to pretend that gentlemen's clubs were some kind of idyllic haven. 99% of these clubs were For Men, and For The Right Sort Of Men at that; if you didn't have a friend who was a member, or you weren't "respectable" enough, you didn't get to join. There's a reason that most of these clubs are gone now. Part of the point was excluding the Wrong Sort of People, and that became gauche over time. After a certain point, being part of a club became a thing for stodgy, out-of-touch rich men- not just "men who happened to have enough money to be part of a club"- and so most of the men who could join one didn't, and people stopped forming new ones. Only Old Money assholes (who will continue to do what they've always done, current trends be damned) keep the concept alive.

But like... the thing that replaced gentlemen's clubs for 99% of the people who would have had one a hundred years ago... is the premium airport lounge, and the premium gym membership, and the ~coworking hub~.** Anyone can join, yeah, as long as they're able to pay. You pay a corporation a chunk of money for similar amenities, and the amenities are ... fine? But because the entity is driven by profit, most of the money you're paying them goes into running their other business concerns and paying their CEOs a fat paycheck.

I think... as exclusionary as gentlemen's clubs were back in the day, there's the seed of a good idea there. I think the guys who wish they were still an attainable thing for a middle-class person have a point, and I wish we could inject some fucking nuance into this conversation.

A community-owned space that gives you a place to crash when you need one, has community-owned resources for its members, and isn't beholden to a corporation is a good thing. Third spaces that don't have to turn a profit are a damn good thing.

At the end of the day, my politics are 'everyone should get to have the kind of luxuries that were historically reserved for the rich'. Everyone should get to have the best life has to offer- leisure, beauty, good craftsmanship, and community. And so, you know, if this kind of community space sounds like a thing you'd like to have, maybe it's something you could work towards creating, too.

*TBF, this is still how they work today! But the networks are much smaller.

**I do find it very funny that apparently one of the biggest problems facing the few remaining Actual Gentlemen's Clubs (TM) is that people are trying to use their space to telework-- a lot of them are trying to ban laptops and business talk to "keep the club's character" (read: "we're too rich to have to work here").

[kuiperblog]

Where Star Wars went wrong

Quoting Jason Pargin, who articulates it better than I could:

"In any kind of a sane world, The Mandalorian should have run for 150 episodes at least. They had a formula here that could have worked forever.

"It's a formula that has always worked: a heroic stranger wanders into a strange new land and meets a bunch of colorful characters, usually under the thumb of a powerful threat. The threat is usually in the form of a villain who's played by a famous actor just chewing the scenery. He uses hits wits and his courage to get out of it and then he moves on.

"Have Gun, Will Travel" ran for 225 episodes from 1957-1963. It's where Gene Roddenberry of Star Trek fame got his start.

"The sci-fi space adventures we had years and years ago used to run forever. Star Trek TNG had about 180 episodes, Deep Space 9 had about the same number, even Voyager -- the show that we think of as being a "lesser series" -- had 172 episodes. And here's the thing: most of those episodes were really good!

"But because of the way the business works now, and because of 'corporate synergy,' by season 2 of the Mandalorian, they were brainstorming "how do we get this back to Luke Skywalker and the Death Star?"

"By season 3, fans were lost, because some huge plot events had occurred in a completely different series, because they needed it to connect to their Boba Fett show. And now, the Mandalorian is dead. They're gonna wrap up the story in a movie, and that's it.

And the crazy part is, this was always the perfect format for Star Wars: it always should have been a short form serial! That's what George Lucas was ripping off when he made the film back in 1977: serials like Buck Rogers and Flash Gordon.

These were little 12-minute long episodes that played as one continuing story, but each one was its own little lighthearted adventure that usually ended on some kind of a cliffhanger.

"This is why so many of the most hardcore Star Wars fans who are old like me only like two of the movies, because by the third film they were already just repeating beats: they were attacking yet another Death Star.

They ran out of ideas so fast, because this is not the ideal format for this universe. The Mando and Baby Yoda Show is the ideal format! This should have run for the next 20 years! They even set it up so that the star wouldn't even need to be on set for most of it, because he wears a helmet!

"I think some fans object to this, because they think of it as making Star Wars smaller, that you're reducing it to 'just a TV show.' But it's the exact opposite: it lets you expand the universe, because you're forced to to keep coming up with new places for him to go, and new people for him to meet, new villains for him to face -- you're not forced to just keep coming back to the Death Star again and again, and the Sith, and the Jedi.

In Episode VII: The Force Awakens, the Starkiller Base destroys five planets. That's mathematically five times more tragic than the destruction of Alderaan.

"And if you want evidence, just look at Star Trek! It's the show that expanded the universe. The Star Trek films were just action movies that are very forgettable. But I guess the world has changed, because they don't even do Star Trek that way anymore.

Picard ended its run after 30 episodes. Discovery concluded after 65. Hopefully, Strange New Worlds marks a return to form for the franchise.

"I don't get it, because it seems like a version of this show that runs until the year 2040 would have just printed money. The merchandise sales alone would have covered the production costs. Instead, it's 24 episodes and a movie that I think everyone has already stopped caring about."

[uzucake]

AI is ruining me

I'm constantly surrounded by AI generated art images. I see it in public, social media, from my own family, worst of all I have non-artist friends who use and have Patreons making good profit off creating AI generated images.

As someone who is an artist, I have been feeling devastated for months as AI continues to become more normalized. I have worked very hard, dedicating my life to learning this craft. I feel my skills are essentially useless now. I have lost my chance at obtaining a career within the industry. Art is so easily accessible, anyone can generate anything now.

The vast majority of people don't care about artists, they care about the end product. I can't compete with something that generates faster, higher quality images by the dozen in a matter of seconds. People argue that AI makes mistakes, and can't generate anything of good quality. This issue tends to be the user who is unexperienced that generated something using poor settings, not the AI itself. AI can generate images without errors, and can be trained to work well and look good. I don't think artists realize how much it has improved, because they tend to look away, or are not exposed to it as much as I am within my circle. I know it lacks humanity, but people and corporations don't care. My family and friends don't care. People are becoming popular and getting tons of recognition, and money simply by generating AI images. No one cares.

I am losing my sanity, I don't know what to do. I miss the times of admiring art, knowing it was human made and someone worked hard. I struggle to find the motivation to finish my own works, knowing it could just be generated in seconds with AI, and a good majority of people wouldn't care, or be able to tell the difference. I don't understand why robots are creating art instead of doing our labor work. I thought art was one of the last parts of humanity we had left.

I don't know how my future will be, but I am so tired of trying. I have not used any AI in my work, and I want to remain honest and true to myself and the art community. I know I've set myself up for failure by refusing to accept this new tool into my process. So I will be left behind.

[prael]

A Bargain To Remember

Kinktember Day 13: Car sex

(G)I-DLE Miyeon x male reader smut

words: 4,950 Kinktember Masterlist

"Finally, a face to the name."

You know all about Miyeon, of course. She's the type of girl whose face is plastered on every screen and every street in every corner of the galaxy, a darling of the interplanetary conglomerates. From the spaceports to even the most downtrodden of back-alleys, you can probably find her face on some poster or flyer or some massive digital billboard high above you—those corporate powers that be sure want to squeeze as much out of her as possible.

The surprise is that she knows you.

Of course, it's on those screens, or the ones at home, or the ones in their pockets, that most people become acquainted with a girl like Miyeon. Those glossy eyes, her effervescent smile, her delicate but fierce features, of course, they leave an impression. They sell you dreams, products and promises. That's why you can find her all over the place—but the versions of her you can interact with— ones to purchase and enjoy—are another beast altogether.

"Can I help you, miss?" you feign ignorance of her identity as she takes the chair at the other end of your desk.

"I would like to make a purchase."

"A purchase? From me? What could I possibly offer to someone like you? I sell scrap electronics to junkies and fix the broken implants of low-life thugs. How could that possibly interest you?"

She crosses her legs, and says, "Don't play with me. I have seen your work, quite the artist you are, though I wouldn't say you exactly have my mannerisms down. The curve of my mouth, the cadence of my voice—not exactly up to par with the real deal. But as fakes go, you do well with what you have."

You scratch at the back of your head and then catch a bead of sweat forming at your temple, "Think you have the wrong guy, miss. You're talking AI and Virts here. Not my thing, definitely not my forte."

She's quiet as you look around at anything but her face. The grey concrete walls and steel beam of the roof are awfully fascinating suddenly, and then the holos playing on loop above the screens of your makeshift booth—really anything than to have to admit that your life's work consists of making and selling forgeries of people like her. She knows why she's here—the least you could do is be brave and admit to your craft.

"I tried your work myself. Quite the experience. Can't say I ever planned on fucking myself—but well, there's a first time for everything I guess."

There's enough power across your desk to not only shut you down and make it so the only tech you would ever touch again is a pair of electrified cuffs at best, and at worst she could have you put down and silently disposed.

Miyeon continues, "As I say, it wasn't entirely accurate, I'm not actually that loud or aggressive, for the record. But it was fun, so if you're thinking I'm about to expose you, not the case—I'm actually here to invest in your skill. Your art is fun, and I dare say your tastes in women, are spot on."

You let out a small nervous laugh and then say, "I don't usually take requests."

Her pink-painted lips, the gloss shimmering slightly from the bright fluorescent overhead light, form into a delicate, mischievous grin. "I'm willing to make you an offer, one you won't refuse. You get me what I want, and I'll license your work. Think about it. An official Miyeon VirtueX™, think of how lucrative an asset that could be. The whole galaxy's lining up to get a taste—and you would be the only real supply."

You lean forward in your chair to peer at her and ask, "Let's say I was who you think I am, what is it that you want from me?"

"What I want from you," she pauses and tilts her head, her eyes glance across your features briefly and her tongue traces the edges of her teeth. "Is to show me the past." She places a drive on the desk—old-tech, the kind that would never run on any kind of systems that are sold today. "You can get this working, right?"

"Is that a government stamp?" You point to the symbol on the drive. "I plug that in and I'll have execution squads here in under a minute."

"It's all above board. Officially disposed and untracked. I just need to live it, once." Her voice is quiet and pensive.

"Alright. Deal. But those two lumps of metal you call bodyguards have to stay out there, and you're coming through to my studio. If I'm gonna help, you have to play by my rules."

She flashes you a winning smile. You thought you had her pegged down but all this has proved you wrong—there was more to Miyeon than the flashy clothes and the blinding lights, a lot more. And your curiosity is getting the better of you now.

"You know, you're only the third person to ever step in here," you open up the secret passage into the back room, and gesture for Miyeon to step in.

You close the door behind you both and feel the heavy metal slide lock with a hiss.

"The first was me, naturally, and the second left it in a body bag a few years ago."

She doesn't flinch, just brushes past you and sits on the edge of your desk, running a finger along the steel as if surveying the conditions of your equipment. "Hard to imagine you make the stuff you do from a place like this," she says.

"The drive," you say as you hold out a hand.

She passes it over and you examine the shape and material. Most drives these days are designed to interface with neural implant ports or organic docks directly—this is true vintage work. It might have been what some would have called groundbreaking tech a hundred or so years ago. You hook the little device up to your primary work machine and start running tests.

She slides off the table, her hands resting on your shoulders. She bends down, her body pressed into yours as she murmurs near your ear. "How is it?"

"A mess. But a fixable mess. Should have something you can use soon enough."

Miyeon breathes gently in your ear before placing a hand on your arm, "Please, whatever you do, do not look at the contents. It's personal, just let me view it, and live it, one last time. Then you can lock it away again for all eternity and erase the copy from your server. And then you get exactly what you want from me."

You breathe in deeply, a mixture of her perfume and the thick oily scent of hot electronics flooding your brain. "Whatever, it's none of my business anyway. Now take a seat will you." You nod to the chair on the other side of the room.

The drive whirrs softly and a data scan runs to gather all the fragmented encryptions left behind on the device. Miyeon lies flat back on your chair and waits for you to connect her—she holds out her forearm expectantly.

"Come on then," she smiles sweetly and pulls a loose curl behind her ear.

You clamp your eyes tight and inhale. "Here goes nothing." You run the system at the push of a button and all the data you scraped compiles in a memory, one for Miyeon and Miyeon alone to relive. You walk over, drawing the connection from the chair and readying to insert it into her arm. "Connections like these, they can hurt, okay? Are you ready?"

"Do it." She's insistent.

A quick stab of your fingers later and the tiny prongs slide into the barely visible organic slot on her skin. Her head tosses violently and for the first time, there's fear on her face. But as soon as you have her connected, her eyelids begin to flutter. You sit a while, watching her as a million synapses all spark to life behind rolling eyes—whatever the moment is, she is in it. You leave her in peace and sit back at your workstation, waiting.

There's an artificial sensation of the atmosphere becoming slightly humid all around, the lights are a soft pastel blue, and the world is swathed in cotton wool. Silent. You find yourself completely frozen in time. It drags and yet somehow comes to a finish just as you're still adjusting to the quietude.

Miyeon's connection beeps and you turn around, removing the port from your system. She pulls the connection from her arm.

"So, tell me, was it worth the trip down memory lane? You get everything you wanted?" You unplug the old-school hardware and await the confirmation that all the corrupted data's safely expunged from your hard drives.

"Almost everything. But most things, in the end, never get a happy ending, do they?"

"Sounds heavy. The stuff that happened on there, pretty rough, huh."

Her pupils are dilated, the whites of her eyes flooded red. "Like you wouldn't believe." Miyeon climbs from the chair, finding her feet back in the real world after living in another for a precious few minutes. She blinks twice and there's a distinct film over her corneas.

"So that's it? My end of the bargain was fulfilled. And I get my licensed content?"

Miyeon turns and you wonder if that's a tear that's been cast down her cheek. "Sealed and guaranteed. Now let's give you some real data to work with. The right anatomical model, an authentic Miyeon behavioural pattern, every single unique vocal calibration, every erogenous spot, every subtle expression in real-time—have it all. One more condition. I have another memory, a real one in my head, if you make me relive that, you can record it and scrub every detail you need. Are we agreed?"

You nod. "Done. Sit there and we'll connect."

"You're going to manually record?"

"How do you think I get it all so accurate?" you tell her with a smug smile.

She sits and gives a nod. "If it's got to be done." You take a seat behind her, and you both reach over your shoulder to pull the neural connector into your napes and slot them in.

A brief flash of many realities as you slip into her consciousness and she welcomes you to her memory.

A calm setting, sitting in a car, you were driving and she's in the passenger seat. You're parked beside a winding hillside road and looking out over a city. A city you don't recognise. Miyeon's fingers dancing across your thigh with a suggestive gentleness, a sly smile.

"Where are we?" you ask.

"Seoul." Miyeon smiles.

"When are we?"

"2024."

"2024? That's over seventy years ago!"

She laughs. "Yeah? You wanted the real authentic Miyeon, didn't you?"

"Sure, but in 2024? That's just unbelievable. You look the same. How are you so—"

She leans close and traces a finger across the line of your jaw. She stares directly into your eyes and says, "We'll worry about the details later. Right now, you want what I've promised, and you've come this far, so you know what has to be done. We're already where we need to be."

Your senses are engulfed in an emotion and memories that are not your own. All a simulation and all a vivid and overwhelming experience. You're in love with her, that's the overriding feeling—the feeling of whoever she was really with at this time.

"This is the memory of the best sex of my life." She leans close to whisper to you. "So do try your best."

"This is just..." You don't get to finish, she's grabbed your shirt and pulled you close. She kisses you deeply. There is nothing of the daintiness or composure that you're used to, you've lost all your will and she is dragging you out of control. You find yourself consumed with an overwhelming and perplexing ecstasy and the idea of restraint or of reason seems unimportant now. You're driven purely by passion and by instinct—she has to have you and you have to have her, it's almost a compulsion. She's yanking off her seatbelt and reaching for your trousers, clawing at them desperately.

And just like that, you're scrambling at each other's clothes, almost frantic. You have the sensation of her breath across your face, the heat of her lips against your skin. Hands, everywhere. Exploring the curves of her body. A hungry desperation to peel back every layer of fabric to feel more, and more of her. She bites your bottom lip and looks at you with pleading eyes.

"I want you and I want you now." Her lips move like liquid lust and her hand like electricity, the energy tingles when she wraps her fingers around your cock and pulls it free from your pants.

She gasps and then giggles as if pleasantly surprised, a cute and kittenish squeal, she hums with her own approval of her actions.

"I'll be gentle," she whispers, her eyes shining with mischief. She rubs you from tip to base, taking the full length, slowly and teasingly over and again until the blood's pumping and you're at full salute. She's on her knees in the passenger seat and leaning over you. A smirk on her lips, she goes lower and lower still, her tongue warm and wet. Taking your crown into her mouth and enveloping you, her pace slow but sure.

Your hand in her hair, not to control or pressure, just to feel her in the moment. Encourage her, caress the back of her neck and appreciate every moment of pleasure. She takes you deep, deeper into her throat, the heat of her lungs, the power in her movements as she comes off and plunges again and again. It's effortless and instinct, and not for anything other than her own desire to please, and that itself is thrilling, you have to admit.

It's a strange new world for you to have sex without the enhancements of technology. It's so raw.

You sigh and whimper at every suckling pull, your nerve endings raw and singing. Her palms firmly pressing down onto the tops of your thighs, her movements grow slower, more sensual but she sucks harder, the vibrations from the moans of her enjoyment humming through the root of your shaft—fuck, it feels so fucking good, too good. She releases you with a slight gasp for air and a drooling line of spit.

She wipes her lips with a knowing glint in her eyes. "Outside, now." Miyeon doesn't hesitate. Her shirt pulled off and tossed into your face and she's leapt over to the rear passenger door, flinging it open wide, the warm night air rushes in to greet you, along with the sound of crickets. She slams the door shut and you open yours.

You climb out and head to meet her at the front of the car, she's already leaning against the metal hood. The car is one of those muscle cars from back at the time, a real classic ride that suits a woman like her. "Hey you," she rubs her hands against the metal as she leans forward and sprawls herself over it. "Get behind me already," her tongue dancing across her red-stained lips, her chest heaving in excitement, you're as hot and as hard as you'll ever be.

Miyeon tilts her head, watching you closely with half-opened eyes, her pretty pink tongue sticks out between her perfect teeth, and a teasing wink follows. She wiggles her hips, an inviting gesture, her skirt raised to reveal the gentle wobble of her cheeks—she doesn't have underwear, what a perfect minx she is—all bare for you.

She runs a hand down over the hem of her skirt and then raises it fully up over the top of her ass. As glorious as the very stars overhead. You have an overwhelming urge to run your hands across her bare flesh and as you take the first steps towards her, you find your arms reaching and touching and tracing every inch of skin that's exposed.

You run your hands over her cheeks, spreading them, kneading them, Miyeon's letting out soft little noises, encouraging you, inciting you—but fuck, this view... it's exquisite. It's so clear now, that all those fakes, the painstaking hours of recreation, simply did not live up to the real deal, and not just the view, everything is magnitudes superior.

You smooth your palm between her thighs and you part them, pulling her ass to the edge, sliding her legs open, watching as her wetness shines. "Just how badly do you want me?" you ask her.

"Look at me, how can you say something like that? Of course, I fucking want you. I hate having to wait. Come and fuck me."

You guide your cock to sit between her cheeks and rock into it gently, enjoying how those perky cheeks cradle your length and the way her whole body rocks with every movement. "Is it wrong that I love watching you squirm?" you ask, running the palm of your hand over the bare skin, digging your fingers in, grasping a handful and appreciating how it yields under your fingertips.

"Only wrong if I mind, and I don't," Miyeon groans, lifting her hips against you and smothering your dick in her deliciously juicy flesh. She is irresistible. "So what are you waiting for," her voice soft and suggestive. "Go on, you know you want to. You know how much I need it."

You grit your teeth and trace her lips with the tip of your cock, and it's like lightning flashing between you both. Fuck. Her lips are so wet and hot—they're so tantalisingly puffy. She wiggles and gyrates against you as you rest inside her opening. She groans and you're shuddering.

You slide the first few inches and gasp. You both moan softly together as you glide in, she's so much tighter than you had imagined she might feel—every inch that slides inside makes her clench you more.

"Yes," Miyeon is urgent and breathy, her muscles are contracting as though attempting to swallow your entire length. And she's hungry for it. "That's it baby, nice and deep," her words as electrifying as the sensation of her snug walls quivering as she clings on with greed.

"Like this?" you whisper in her ear as you lean over and pin her petite frame against the metal, letting her feel you, all of you. Every inch. And as she moans and shivers under the weight of your body. Your hands reach her shoulders and your fingertips find her neck, circling and caressing and massaging in all the right places—she turns her head as far round as she's able to gaze at you as she hums and gasps with each rolling movement of your hips.

Her teeth biting her bottom lip, her cheeks flushed pink, a complete dream in motion. Her body arches as she urges and wills herself back on you. You groan in return. Everything about her feels unreal in its perfection. She's squeezing against your cock, and her most hidden recesses begin to melt for you.

Miyeon cums like this, and it's without warning. She tenses, her eyes go wide and her mouth hangs open—her silky tunnel clamps tight as a vice grip. And the way she gushes all over you, covering you, she can barely breathe, she can barely let out a cry or a single noise, only ragged breathing as you hold her firmly in place and fuck her through it.

You fuck her without shame or inhibition. She whimpers, a feeble cry, every thrust powerful and deliberate. Miyeon moans what feels like your name and you give another forceful snap of your hips, both hands firmly on her slim and shaking waist. There are no words that can possibly encapsulate her.

"That's it," her breath erratic and shaky. She grinds her ass into you with every forward push, working into a perfect rhythm and going balls-deep with each pump. "Hard." You slam against her ass, the clapping sound of skin against skin—it fills the warm and humid air.

Miyeon cums again. So fucking easy to make her cum. Her beautiful brown eyes are desperate with desire. She shakes, she is panting, "Just like that, keep doing exactly that and I'll lose my damn mind. God, you feel so fucking big."

She's limp now, just taking rough, powerful and blissful strokes—her cries a series of hoarse grunts and weak moans.

You grab her by the waist, hard, she lets out a yelp, and then you're manhandling her, throwing her delicate figure over onto her back. There they are, those perfect little tits, grown red being forced against the metal of the car. Her soppy mess drips out from her thoroughly fucked hole.

"This, is all you wanted right?" You gather her legs and thrust them roughly up and over your shoulders, sliding easily back inside. Her pussy gushing and absolutely soaking. "A good rough fucking. You just love to be used don't you, baby. This is the side of you I've been missing, seeing how you have always been so prim and proper in front of everyone."

"That was your problem, all those homemade VirtueXs made me all commanding when I really just love to be taken." Her breaths are ragged.

"Maybe that's just how I'll be selling you in future then," you say.

She gives a throaty chuckle. "Do whatever the fuck you want, but for now," Miyeon takes a tight hold of her knees, and draws them against her chest. "Make me cum again, please."

You have her absolutely filled with every inch of cock and stretched tight with every savage drive of your hips, again, and again, and again. Sweat forms a light film over every curve and groove of her form. She's gorgeous, she's taking it, and she's loving it. "Let me feel you cum," she breathes between pumps and thrusts, her fingers kneading the flesh of her thighs as she spreads herself as open as is physically possible.

A combination of pressure and adrenaline, you're hammering deep. Miyeon is groaning and pleading. A loud moan, a series of short sharp exhales and whimpers. Those narrow hips are trembling, her slim thighs shake, toes are curled. Her orgasm and invitation for you to join her come as a surge.

You explode. Locked, sheathed so deep and full, you fill her. "Cum so much..." Miyeon sighs in awe. Your climax is euphoria.

Both a sweating, quaking mass of interlocked limbs, you pull away and your drenched cock slips out. "How are you real," you exhale. "Never felt anything like you."

"I am one of a kind." Miyeon laughs gently to herself. "Now let's get back in there and you can fuck me some more."

You're in the backseat now, Miyeon's slender body climbing all over you. She leans in and takes your lips, her sticky lip gloss and the sweet taste of her mouth as she invades with her tongue and leads yours into a frenzy. Her fingertips drag down across your chest. She's positioning herself over your cock.

The beauty of simulation is there's no recovery, only the chasing of the next orgasm, and she's keen to provide the means. She takes you with her eyes closed, a small, grateful moan and she slides herself slowly up and down. Your head arches back with a cry as she holds onto your shoulders and glides her lips down over your shaft.

"Gonna ride you," she whispers as she rocks herself in time with the rise and fall of your breaths. "Ride you until you explode again." Your fingertips squeeze into the supple curves and muscles of her torso.

It is a euphoric ecstasy. Miyeon looks perfect riding a dick. She sinks down low, grinding back and forth. She moves like waves, her hair stuck against her cheek. You take hold and move the strands out of the way, before trailing down the bare skin of her neck and to her tits, groping them firmly.

"Been so long since I last got to do this. Missed how big you are." She grasps the headrest as the speed and intensity of her motions increase. "Yeah, that's it, baby."

Her eyes flutter and her head starts to fall further and further back. Erratic, out of control, wild—she starts slamming her ass down hard. Fucked-slack and oozing, her juices dripping down. She's growing quiet and you watch her expression transform, her eyes turn glassy. You watch her face strain in her pleasure, it's a wonderful sight—pure bliss. Then she erupts into moans as her body convulses and spasms, and all you can do is hold her steady, her hole throbbing tight around you. She gasps, desperate for oxygen, every fibre and nerve singing in harmony.

From one, right into chasing the next, Miyeon lifts herself, turns, presents her ass to you and sits back on your cock. You watch it slip up between her cheeks and disappear inside her cunt once more, she hums a content sigh and leans forward. Miyeon braces herself against the window of the car, looking over her shoulder as she moves.

Her groin rocks and grinds on your shaft in a rolling motion and it's heaven itself. That cute, perky ass smacks on your groin in a sensual motion. Her hand snakes between her legs. Her moans grow in strength and volume. Wet, slippery, soft, Miyeon's fucking you and riding herself to her own orgasm. She starts to tremble. You start to tremble. She's squirming wildly, desperate for her climax, that gorgeous cunt squeezing every inch and driving you crazy.

And you lose it. Another intense explosion that makes you clasp onto her ass and hold it steady. A groan rips through your entire body, and you empty everything you have. She cums the instant she feels the heat spread through her. A unified orgasm. Pure heavenly relief. The energy seems to drift into the air and the car rattles beneath you both. It is incredible. The euphoria is otherworldly.

"Tell me that was good," she asks softly.

"Like you wouldn't believe."

"Again. Again. Please, one more time?"

"It's your head, sweetie. Have at it."

"Hmm, I suppose it is. Then I want to sit on you, and I want it in my ass." Miyeon giggles and slips herself off you, a mixture of your cum and hers falling down her thighs.

"Whatever the fuck you want," you groan, delirious as Miyeon pulls you up to the seat and then takes her place on your lap, she spread her legs out over yours and you take her hips, guiding her ass onto your cum-soaked cock. Everything is a fucking blur but the sensations are turned up to eleven, and there is nothing else that is comparable.

You plant kisses on her hot, sweaty back as you slide her down onto your length. She's twitching, and squirming. You hear her let out a soft gasp of delight at the invasion. The tightness, the constricting squeeze is just...

"Oh yes..." Miyeon breathes softly. "Let me... let me do the work now, let me fuck this big hard dick with my tight ass." She circles her hips, drawing on your cock with a slow, tight, merciless motion. Your world starts spinning all over again. She's slick with sweat, her cheeks grinding on your thighs, the scent and the sex drives you fucking wild. "What a perfect dick. I could do this all day."

You lean your head forward, and sink your teeth into the muscle of her shoulder—a flurry of loud moans from Miyeon as she bounces on your shaft. The sloppy sounds, the music of her pleasures, the clapping slap, it's insane and exhilarating. You lick her sweat from her flesh, tasting her.

She's slick and stretched, clamping around your cock as her pace quickens and turns ragged and urgent. It's a whole other level, it's unparalleled and all-consuming. You're just about ready to blow inside her ass.

"Hold onto me," She pants, grasping your left wrist and bringing it over to her mouth, placing your fingertips upon her tongue and sucking. It is lewd and erotic and exciting and your insides begin to churn and ache.

There's no stopping you now, you erupt again, gripping her waist as your hips buck up on instinct, jamming yourself deep and blowing. Miyeon moans around your fingertips—taking your load while still rubbing her swollen little clit.

"Yes, I love it when I make you cum like that," she murmurs, sliding herself slowly off your half-mast cock and crawling off your lap. She throws herself down on the seat in a heap, peering down at the thick mess of cum dripping out of her freshly fucked orifices, a dazed smile, satiated.

You blink and try to get her into focus but it's to no use—she blurs and vanishes before your eyes. And soon, you're back. Your workshop, in your chair, and still hooked into Miyeon. Still sitting back-to-back, your foreheads damp, breathing hard and ragged. The lights flickering a bright electric blue.

"Incredible," you breathe.

Miyeon sighs. "Yeah..." She detaches the link from behind her ear. Miyeon climbs to her feet, shakily making her way around your workspace. "I'm such a mess," She says, touching under her dress.

"Fuck, yeah me too," you sit there trying to process what just happened.

"I want a copy. The whole thing." Miyeon places a card down on the desk.

"I'll get started."

[cosmos-kitty]

I'm a little late to the party, but here's my version of the artist starter pack trend! ✨

For anyone not up to speed, recently there's been a trend of people using AI to create personalised action figures of themselves - and artists have started fighting back by making their own hand-drawn versions, so I'm joining in with my own (featuring my artist mascot!)

I think most people are aware by now of the many current ethical issues with AI image generation, and how much of a threat to the creative industry it is that corporations are increasingly eager to cut creatives out of the equation at every opportunity to improve their bottom line.

But without getting too much into all of that, I just wanted to say that if you're a beginner to drawing, or maybe you've never even picked up a pencil before, and you're considering using AI - I promise that if you put your time and energy into learning something creative, it will be 100x more fulfilling and rewarding than mindlessly consuming whatever tech companies are throwing your way every waking moment. I really do think that finding something you're passionate about is what life is all about, so I can't think of anything worse than having that one quintessentially human part of myself relegated to typing out prompts over and over purely for the sake of profit.

The fantastic thing about art is that it's like a fingerprint of the person making it, no two prints are exactly alike. The countless different aspects of what makes someone an individual all culminates into their work. You could pick up a random book off a shelf, get into a certain type of music, or see some graffiti on a wall in a street you happened to walk down, and it could completely change the trajectory of your art. Add all of those creative minds together and you get all of the wonderful work that we've all watched, read, played, and listened to throughout our lives - without that ability to explore ideas and innovate, there wouldn't have even been anything for AI to copy from to begin with.

[enhaflixer]

pjs - Signed, Sealed & Undone. - Part 1

A TIME TRAVEL CONTRACT MARRIAGE FIC -PART 2 OUT NOW

Synopsis: Fake marriage proposals are a tired billionaire trope.

But when Jay Park—former golden boy of Park Industries, now chaebol exile—comes back from disgrace (and back in time), he’s got one goal: rewrite the past before it destroys him.

When you, an unassuming journalist with nothing to lose, get an offer of a lifetime, you’re sure it’s a mistake.

A contract, a relocation to Seoul, and one fake wedding later, you’re still trying to convince yourself none of this is real. The only problem? Neither of you seem to remember where the performance ends and something devastatingly real begins.

Release Date: 8th March, Part 2 - Monday 10th March

WC: 13K CW (18+ MDNI) : fake marriage, slow-burn romance, power dynamics, corporate intrigue, arranged marriage trope, emotional angst, unresolved sexual tension, longing glances across boardrooms, contract loopholes, financial manipulation, morally gray billionaire!Jay, forced proximity, family expectations, betrayal, public displays of affection (for the cameras, obviously), enemies-to-allies-to-lovers, suppressed feelings, business politics, one bed trope (but make it corporate), dramatic confessions, late-night whiskey-fueled arguments, high society drama, backhanded compliments as flirting, dramatic departures followed by even more dramatic returns, lingering touches that mean too much, feelings clause not included in the contract, deep intimacy, power dynamics in a romantic context, possessive tendencies (but soft), light dominance/submission themes, clothing being undone at a painfully slow pace, tension so thick it could shatter glass, breathless dialogue, interrupted kisses that lead to frustration, and the inevitable realization that this was never fake at all.

-

The Original Timeline

Five Years Ago

The first and only time you met Jay Park was at the gallery opening of your college roommate's photography exhibit in New York. You wouldn't have been there at all if Priya hadn't practically begged you to help her make up the numbers.

"Just mingle for an hour," she'd pleaded over coffee that morning, eyes wide with artistic desperation. "Drink free champagne, eat expensive hors d'oeuvres, and pretend to understand modern art. I need this exhibit to succeed. My parents are still convinced I should have become a doctor."

So you'd ventured out into the crisp October evening to a renovated warehouse in Chelsea that now housed the Klein Gallery.

The moment you walked in, you regretted your decision.

The gallery was crowded with Manhattan's elite—people whose casual conversations name-dropped summer homes in the Hamptons and winter getaways in Aspen. You recognized a few faces from glossy magazines—a popular actress, a tech entrepreneur, a fashion designer.

You spotted Priya across the room, surrounded by attentive listeners, looking nothing like the frazzled artist who had practically lived in sweatpants throughout college. Tonight she was transformed—elegant in a silk jumpsuit, her long black hair swept into an artful updo.

Not wanting to interrupt her moment, you moved toward the bar, securing a glass of champagne that definitely wasn't the top-shelf variety promised. Glass in hand, you began the obligatory circuit of the room.

Priya's work had always struck you as technically skilled but emotionally distant. Tonight's collection—titled "Urban Dissolution"—featured black and white images of city landscapes in various states of decay. To your untrained eye, several looked like artistic shots of garbage.

You were examining one such photograph when someone spoke beside you.

"It's quite terrible, isn't it?"

The voice was pleasant—a warm baritone with just the slightest hint of an accent.

You turned to find a man in an impeccably tailored charcoal suit studying the same photograph with thinly veiled amusement. He was handsome in that polished, untouchable way of the extremely wealthy—perfect hair, perfect posture, everything about him screaming old money.

Under normal circumstances, you might have nodded politely and moved on. Men who looked like him rarely engaged in genuine conversation at events like these.

But something in his expression—a hint of genuine mischief beneath the polished exterior—made you respond honestly.

"I wouldn't say that," you replied diplomatically. "Art is subjective."

"So is food poisoning, but we can still recognize it when we experience it." He gestured toward the photograph with his champagne flute. "This is visual food poisoning."

A startled laugh escaped you, drawing disapproving glances from a nearby couple examining the same piece with exaggerated intensity.

"That's my friend's work you're insulting," you said, lowering your voice.

"Ah." He didn't look remotely embarrassed. If anything, his smile widened, creating a small dimple in his left cheek. "Then I assume you're here out of obligation rather than appreciation."

You studied him more carefully. There was no malice in his expression, only genuine amusement and refreshing honesty.

"Isn't everyone at these things?" You glanced around the gallery. "Half the people here couldn't distinguish between a masterpiece and a child's finger painting, but they'll all have very strong opinions."

"Touché." His smile reached his eyes, transforming his face from merely handsome to genuinely compelling. "I'm Jay."

"Just Jay?" You raised an eyebrow. "No family name? No title or position that should impress me?"

"Tonight, just Jay." He seemed to appreciate that you didn't immediately offer your name in return. "And you are?"

"Just someone who defends her friends' artistic endeavors, no matter how questionable."

"Loyalty," he nodded, as if noting something important. "An underrated quality in rooms like this, where allegiances change with the season's trends."

There was something wistful in his observation, a flash of genuineness beneath the practiced charm. Before you could respond, a commotion near the entrance drew your attention.

A group had arrived, their entrance causing a ripple effect through the crowd—backs straightening, conversations pausing, attention shifting.

"Duty calls," Jay murmured, his expression cooling. The playful stranger who had joked with you was vanishing, replaced by someone more controlled. "It was refreshing to meet you, Just Someone."

And then he was gone, moving toward the new arrivals. You watched as he transformed with each step—shoulders squaring, chin lifting, smile shifting from genuine to practiced.

He bowed respectfully to an older couple at the center of the group, clearly his family. The woman—elegant, with silver-streaked black hair—examined the gallery with the cool assessment of someone accustomed to making judgments that mattered.

It was only when Priya rushed over that you realized who you'd been talking to.

"Do you know who that was?" she hissed, gripping your arm. "The Jay Park. Park Industries! The Korean conglomerate that's expanding into American markets. Did you get his number?"

"We just talked about your photographs," you said, suddenly feeling out of place in your carefully selected but obviously off-the-rack dress. "He called them visual food poisoning."

Priya's expression didn't even flicker. "Jay Park insulted my work? That's practically a career highlight!" She snapped a discreet photo. "Wait until I tell my parents—they'll finally believe this wasn't a waste of my education."

You watched as Jay circulated through the room with practiced ease, his charisma deployed with strategic precision. The man who had stood beside you making irreverent comments might as well have been a different person entirely.

As you left the gallery hours later, you glanced back once to find Jay watching you from across the room. For just a moment, his public mask slipped, and he gave you a small, conspiratorial smile.

You never saw him again. Not in person, anyway.

Three Years Ago

"PARK HEIR ENGAGEMENT ANNOUNCED: JAY PARK TO WED ITALIAN HEIRESS"

The headline splashed across your phone screen during your morning subway commute. Normally, you'd have skipped past such celebrity gossip, but the name caught your attention—that brief memory of champagne and honesty in a New York gallery.

Curious, you tapped the article.

"Jay Park, 29, heir to the Park Industries empire, announced his engagement yesterday to Seraphina Visconti, 26, daughter of Italian shipping magnate Giorgio Visconti. The match unites two of the most influential business families across continents after a whirlwind romance of six months.

"'Seraphina represents everything the Parks value—business acumen, family loyalty, and global vision,' said Chairwoman Soo-min Park in a statement.

"The couple met during Park Industries' expansion into European markets. Sources suggest the marriage will cement a strategic partnership potentially worth billions."

Below the text was a photograph of Jay with his arm around a stunning woman with olive skin and a camera-ready smile. He looked exactly as you remembered—handsome, composed, untouchable. But something about his eyes seemed different. Harder, perhaps. The smile that had crinkled their corners in the gallery was nowhere to be seen.

You stared at the image longer than was reasonable for someone who had spoken to the man exactly once. There was something almost theatrical about the pose, the smiles, the carefully framed opulence.

"Good for him," you muttered, closing the article as the subway reached your stop. "Hope they're very happy together."

You found yourself wondering if he'd made that woman laugh genuinely, or if their relationship was built on the kind of performance you'd witnessed when his family arrived at the gallery.

You didn't think about Jay Park again for a long time.

Last Year

"PARK INDUSTRIES HEIR DISGRACED: JAY PARK REMOVED FROM FAMILY COMPANY AMID SCANDAL"

This headline caught your eye during lunch break. The photograph showed Jay leaving a building, face partially obscured, expression hidden behind dark sunglasses. Even in disgrace, he wore an impeccably tailored suit, though his tie was loosened and his normally perfect hair disheveled.

Something tightened in your chest at the image. You tapped on the article, pushing your salad aside.

"Jay Park has been removed from his position following allegations of corporate espionage and fraud. The Seoul Economic Prosecutor's Office confirmed yesterday that Park is under investigation for his role in the controversial merger between Park Industries and Hanjin Global.

"'Evidence suggests Mr. Park orchestrated the theft of proprietary information to facilitate the merger on terms exceptionally favorable to Park Industries,' stated Chief Prosecutor Kim. 'This represents a serious breach of corporate ethics and possibly criminal misconduct.'

"Sources revealed that Chairwoman Soo-min Park, Jay's mother, personally signed the termination papers. 'It was like watching an execution,' said one executive. 'The family cut him off completely. No defense, no second chances.'

"Adding personal tragedy to professional disgrace, Park's engagement to Italian heiress Seraphina Visconti was terminated shortly before the scandal broke."

You frowned at your screen. Something about the story felt wrong—the swiftness of his family's abandonment, the convenient timing of the broken engagement, the way everyone seemed to distance themselves simultaneously, as if following a coordinated script.

But what did you know? You'd met the man once, years ago. That brief interaction hardly qualified you to judge the situation or the complex dynamics of global corporate politics.

Still, you couldn't shake the memory of his genuine smile, so different from the corporate mask he'd worn for his family. The way he'd spoken about loyalty as an underrated quality.

"Rough fall from grace," your coworker commented, noticing the article on your screen. "Guess even the mighty Parks can't escape karma."

"I guess not," you agreed absently. But privately you wondered what karma had to do with it. From what little you knew of chaebol families, they created their own destinies—and occasionally, their own destruction.

Over the following months, you occasionally saw follow-up articles. The investigation seemed to drag on without clear resolution. Some outlets questioned aspects of the evidence. Others suggested political motivations behind the prosecution.

But as the story faded from headlines, you found yourself wondering sometimes what had happened to the man who had once made you laugh in an art gallery—the man who, for a brief moment, had seemed genuinely human beneath the wealth and privilege.

Four Months Ago - Jay's Perspective

Jay Park stood at the window of his empty apartment, watching Seoul's lights glitter below. The city looked exactly the same as it had before his life imploded—indifferent to his disgrace. Photographers still camped outside his building, hoping to catch a glimpse of the fallen heir.

The penthouse that had once been featured in architectural magazines now echoed with emptiness. Most of the art and furnishings were gone—some seized in the investigation, others reclaimed by his family when they'd cut him off.

His phone—a new one, with a number known to fewer than five people—vibrated on the counter. He ignored it. The nearly empty bottle of scotch beside it held more appeal. He poured another measure into a glass that didn't match the crystal tumblers he'd once collected.

Jay took a long sip, noting with detached interest that his hand no longer shook. Progress, of a sort. The first few months after his downfall, he could barely hold a glass steady.

The evidence against him had been impeccable. Each document, each testimony, each transaction record forming a perfect constellation of guilt. So perfect that, had he not known with absolute certainty he was innocent, he might have believed it himself.

That was the elegant brutality of it—the case was built not on crude forgeries, but on actual actions he had taken, actual meetings he had attended, all recontextualized to tell a story of corruption rather than innovation.

By the time he understood what was happening, the narrative had solidified. His former fiancée had disappeared back to Italy. His family had closed ranks against him. His so-called friends had vanished overnight.

"You always were too trusting, Jongseong."

His mother's words, delivered as she personally collected his company credentials. Not in private—she had ensured there were witnesses. The perfect chairwoman, putting corporate ethics above family loyalty.

He'd spent his entire life trying to prove himself worthy of the Park name, only to be discarded the moment it became expedient.

His phone vibrated again. A text from his attorney: "Prosecutor offering deal. Meet tomorrow."

Jay didn't bother responding. There would be no deal. Not because he was noble, but because accepting a deal meant accepting guilt. And while the world might believe him guilty, he refused to validate the lie.

He returned to the window, scotch in hand. Somewhere in that landscape were the people who had orchestrated his downfall. Were they celebrating still? Or had they already moved on to their next target, his destruction just another successful transaction?

One photograph lay face-down on the counter—Seraphina smiling beside him at their engagement party, her eyes fixed on the camera with practiced warmth. The perfect couple. The perfect alliance. The perfect lie.

"I never saw it coming," he murmured. "Not from you."

That was the truly unforgivable part—not the betrayal itself, but his blind failure to anticipate it. All the signs had been there: her sudden interest when the Hanjin merger was first discussed, her questions about his meetings, her friendship with his cousin.

But he'd been too enthralled with the idea of her—the perfect partner who fit the plan he'd constructed for his life.

Jay drained his glass. He should sleep. Tomorrow would bring more meetings, more denials, more evidence of his spectacular fall.

He was turning from the window when it happened—a sharp, stabbing pain behind his eyes, so intense he dropped his glass. It shattered as he clutched his head, the pain expanding outward like a supernova.

The room tilted sideways. His hand passed through the wall as though it were mist. The familiar contours of his apartment seemed to dissolve, replaced by swirling darkness.

His last conscious thought was strangely clear, cutting through the pain:

I would do it all differently.

Jay opened his eyes to sunlight streaming through unfamiliar curtains.

No—not unfamiliar. His old curtains, from his suite in the family compound. The heavy navy drapes his mother had replaced three years ago.

He sat up with a jolt, banging his head against the headboard with an undignified thud.

"What the—" he muttered, rubbing his forehead while blinking at his surroundings.

This room had been redecorated after he moved out. The traditional furniture, the blue walls, the precise arrangement of his diplomas—all of it had been erased when his mother decided the space needed to "reflect the modern sensibilities of Park Industries' future."

Jay scrambled out of bed, tangling himself in sheets he hadn't slept in for years—1,000 thread count Egyptian cotton in navy blue, not the minimalist white linens of his apartment.

He stumbled to the bathroom. The face that stared back from the mirror made him grip the countertop until his knuckles went white.

"Impossible," he whispered.

The face was his, but not the one he'd seen yesterday. No dark circles. No stress lines. No gray hairs at his temples. This was him from... before.

"I've lost my mind," he announced to the empty bathroom. "This is what a psychotic break feels like."

He splashed cold water on his face, half expecting the hallucination to dissolve.

Back in the bedroom, his phone chimed. Not the anonymous device he'd been using since his disgrace, but his old phone—the one with the Park Industries logo, the one seized by prosecutors.

He approached it like it might explode, picking it up between two fingers.

The calendar notification made him drop the phone directly onto his foot.

"Son of a—" he yelped, hopping awkwardly.

He snatched up the phone again and stared at the date.

Five years in the past.

Another notification: "Meeting with Chairman Kang's team at 11. Merger exploration talks. Confidential."

Kang. The first domino in what would become his downfall. The meeting that would eventually lead him to Seraphina Visconti.

"This can't be happening," he said, running his hands through his hair until it stood in a manner his perfectly-coiffed future self would find horrifying.

The bedroom door suddenly swung open. Jay yelped and grabbed a decorative pillow to cover his chest.

His mother's executive assistant, Mrs. Joseph, stood in the doorway, her expression somehow even more judgmental as she took in his disheveled state.

"Mr. Park," she said with glacial formality, "your mother wishes to remind you that the board meeting begins in forty-five minutes."

"Mrs. Joseph," Jay managed, clutching the tasseled pillow, "what day is it today?"

One perfectly plucked eyebrow rose a millimeter.

"It is Tuesday, Mr. Park. The 17th of October, 2018."

Five years in the past. Confirmed by the human calendar that was Mrs. Joseph, who had never been wrong about a date in twenty years.

"Thank you. Please tell my mother I'll be there."

Mrs. Joseph nodded and closed the door.

Jay stood frozen before bursting into motion, pacing and gesturing wildly.

"Time travel isn't real," he informed his empty room. "This is a complete psychological break."

He stopped in front of the mirror, pointing an accusatory finger at his reflection.

"You are having a nervous breakdown."

His phone chimed again. A text from his cousin Danny: "You look like hell on the security feed. Board meeting in 44 minutes. Pull yourself together."

Jay glanced at the discreet camera in the corner, then back at his phone.

Other people could see him. Other people were interacting with him. This wasn't just in his head.

"I've gone back in time," he whispered, testing the words. "I've gone back in time!"

A hysterical laugh bubbled up from his chest. He had a second chance. A chance to avoid Seraphina. A chance to prevent the merger catastrophe. A chance to protect himself from betrayal before it began.

Then he froze, composing himself. If this was real, he needed to be strategic.

"Park Jongseong," he told his reflection sternly, "pull yourself together. You have a board meeting in forty-three minutes. And then you have a life to completely rebuild."

As he headed for the bathroom, he caught himself whistling. Park Jongseong didn't whistle. Park Jongseong was dignified, serious, and focused at all times.

But then again, Park Jongseong also didn't time travel. So perhaps some new rules were in order.

Forty-two minutes later, Jay found himself seated in the most uncomfortable chair in Seoul—not because of its design, but because of who surrounded it.

The Park Industries boardroom was exactly as he remembered it from before its renovation. Twenty-four seats around a massive mahogany table, each position equipped with a recessed screen and an elegant portfolio. The room smelled of sandalwood and concentrated power.

And around him sat the very people who would one day abandon him without hesitation.

His mother, Chairwoman Soomin Park, presided at the head, her silver-streaked hair in a severe chignon. His father sat opposite, expression fixed in the distant contemplation that had always characterized their relationship. Next to him was Uncle Jiho, whose vote would be first to condemn Jay when the time came. Beside his mother sat Aunt Mina, who would publicly declare his actions "disappointing but not surprising."

They were all watching him. Or perhaps he was just paranoid. Hard to tell which was more reasonable when you'd time-traveled into your younger body.

"The Q3 projections for the semiconductor division," droned CFO Yun. "As you can see, we're exceeding targets by 4.3% despite supply chain challenges..."

Jay nodded mechanically, trying to appear engaged while his mind raced. He kept catching himself staring at people who shouldn't be noteworthy—like Director Kang, who would later introduce him to Seraphina Visconti.

"Jongseong."

He jerked upright, realizing his mother had addressed him directly.

"I—" he began, having no idea what had been asked. "Could you repeat the question?"

A flicker of annoyance crossed his mother's face. "I said, do you have the projections for the European market expansion? The ones you insisted were ready for board review?"

Right. The European expansion. The document that would eventually lead to the Visconti partnership. The first step in his downfall.

"I've been reconsidering those projections," he said, his voice sounding strange in his ears. "I believe we should focus on domestic consolidation before extending into Europe."

A heavy silence fell over the room. In the original timeline, he'd aggressively championed European expansion for months.

"You've been... reconsidering," his mother repeated, each syllable precisely weighted. "Since last night's strategy meeting, where you presented a seventy-page report detailing exactly why European expansion cannot wait?"

Jay cleared his throat, tugging at his suddenly tight collar. "I've had some... insights."

"Insights," she echoed flatly.

"Yes. About... market volatility." Jay caught sight of his reflection in the darkened screen—he looked like someone trying to defuse a bomb while wearing oven mitts. "And geopolitical considerations. Brexit currency fluctuations. You know. Business... things."

Director Kang frowned. "But your analysis specifically addressed Brexit concerns, concluding they presented opportunity rather than obstacle."

"Well, people can change their minds," Jay said, a bit too forcefully.

His mother set down her pen—never a good sign. "Are you feeling well, Jongseong?"

"Perfectly well. Never better."

"You look flushed. And you're sweating."

Jay reached up, mortified to find his forehead damp. Park Jongseong did not sweat in board meetings.

"It's rather warm in here."

"It's sixty-eight degrees, as always," his mother replied. "Your grandfather had similar symptoms before his stroke. The disorientation. The contradictory statements."

"I'm not having a stroke," Jay said, horrified that this conversation was happening in front of the entire board.

"He said the same thing," contributed his aunt helpfully. "Right before he tried to sign a merger agreement with a potted plant."

"I know what day it is," Jay offered as proof of his mental faculties. "It's Tuesday, October 17, 2018."

This did not have the intended effect. If anything, his mother's concern deepened.

"Yes," she said slowly. "Most people with calendars know the date. More relevant is your explanation for this sudden policy reversal."

Jay scrambled for a plausible explanation that wouldn't sound like 'I've seen the future and it ends with all of you betraying me.'

"I received some... intelligence," he said finally. "About certain European partners. It requires verification before we proceed."

This, at least, was the language of business his mother understood. Her expression shifted from concern to calculation.

"What intelligence, and from whom?"

"I'd prefer to discuss that privately," he said, finding his footing. "After I've confirmed some details."

His mother studied him, then gave a slight nod. "Very well. We'll revisit the European strategy next week."

As the presentation resumed, Jay exhaled slowly, only to catch his father watching him with an evaluative expression he couldn't quite interpret.

His phone vibrated. Grateful for the distraction, he discreetly checked the message.

From Jake: Dude, what was THAT? Your mom thinks you're having a stroke, and Danny says you were talking to yourself this morning. Also, Priya's exhibition is Friday, don't forget you promised to come. Her parents are visiting from Mumbai and she's freaking out.

Jay blinked, momentarily confused. Priya? Jake's girlfriend. The photographer. The exhibition.

A distant memory stirred—something about an art gallery in New York, some terrible photographs, and...

He frowned, trying to recall. There had been someone there, hadn't there? Someone he'd spoken to briefly. He couldn't remember a face or name, just a vague impression of a genuine laugh and an honest conversation.

He typed back: Not having a stroke. Just reconsidering some strategies. What time Friday?

Jake's reply came instantly: 8PM, Klein Gallery in Chelsea. Wear something that makes you look less corporate robot, more human person.

Jay tucked his phone away, the half-formed memory already fading as more pressing concerns demanded his attention.

"Jongseong, do you have anything to add to Director Park's assessment?"

Jay looked up to find the entire board staring at him again. He hadn't heard a word of what Director Park had said.

"I think Director Park's assessment is... comprehensive," he managed, having no idea what he was endorsing.

"He asked for your input on canceling the Daewon acquisition."

"Right." Jay straightened. The Daewon acquisition—a company they had purchased and later sold at a significant profit in his original timeline. "I believe we should proceed with the acquisition. Their patent portfolio alone justifies the investment."

Director Park nodded approvingly. "Exactly my point."

Jay relaxed marginally, only to tense again when his mother spoke.

"That's interesting, considering Director Park just recommended we cancel the acquisition due to their overvalued patents."

The room fell silent. Jay felt heat creeping up his neck.

"I was... testing to see if anyone was paying attention?"

His mother's sigh could have withered steel. "We'll take a ten minute recess. Jongseong, my office. Now."

As the board members filed out, his father paused briefly beside him.

"Whatever's going on with you, fix it before your mother decides you need medical intervention. Or worse, reassignment."

With that less-than-comforting advice, Jay followed his mother to what would undoubtedly be the most awkward conversation of his newly-regained past life.

"Close the door," his mother instructed as they entered her office, a minimalist sanctuary of glass and steel.

Jay obeyed, steeling himself for the dissection that was about to occur.

"Sit," she commanded, taking her place behind a desk large enough to land a small aircraft.

He complied, automatically adjusting his posture to the rigid formality expected. Twenty-nine years of conditioning didn't disappear even with temporal displacement.

"What is happening with you?"

"Nothing serious, I assure you. Just a temporary—"

"That was not a board performance worthy of a Park," she interrupted. "You contradicted yourself, failed to pay attention, and gave the impression of someone who is either incompetent or unwell. Neither is acceptable."

"I apologize, Mom. It won't happen again."

The moment the word left his mouth, Jay was surprised at his own casualness. Mom. Not "Mother" or "Chairwoman" as he'd taken to calling her in professional settings.

His mother's expression softened almost imperceptibly—visible only to someone who had spent a lifetime learning to read her minute facial cues.

"It's been a while since you've called me that in this office," she noted, neither disapproving nor sentimental. The Parks might be ruthless in business, but family was family. "Though it doesn't exempt you from explaining your behavior this morning."

"I'm simply... reconsidering certain aspects of my approach."

"Your approach," she echoed skeptically.

"Yes. I've been thinking that perhaps I've been too rigid. Too focused on following a preset path without questioning whether it's the optimal route."

Her expression shifted subtly. "And this revelation came to you when, exactly?"

"Recently," he hedged.

"I see." She tapped one nail against her desk. "And does this 'reconsideration' include your personal life as well?"

Jay tensed. "What do you mean?"

"I mean that you've spent five years claiming to be too focused on your career for serious relationships, despite my repeated reminders that a suitable marriage is an essential component of your position. If you're reconsidering 'preset paths,' perhaps this is an area you might prioritize."

And there it was. In the original timeline, this conversation had led to his first introduction to the Visconti family.

"I don't believe my focus should be on marriage at this time," he said carefully.

"And yet you're now suggesting we delay European expansion, which leaves you with considerably more bandwidth." She opened a drawer and removed a slim folder. "I've taken the liberty of updating your candidate dossiers."

Of course she had. In his mother's world, suitable marriage partners were assessed with the same due diligence as potential acquisitions.

"I appreciate your thoroughness, but I'll handle this aspect of my life myself."

The temperature in the room seemed to drop several degrees. "You've been 'handling it yourself' since graduation, with no results. The Kang family has been quite direct about their interest in an alliance through their daughter."

Jay suppressed a grimace. Se-yeon Kang. The woman who had introduced him to Seraphina at her father's request.

"The Kangs are not a suitable match," he said sharply.

"On what basis?"

On the basis that they were integral to his destruction, he thought bitterly.

"I have concerns about their long-term business ethics," he said instead.

"Interesting." She made a note on her tablet. "I wasn't aware you had investigated the Kang operations."

"I make it my business to be thorough."

"Perhaps you're not as distracted as you appeared in the boardroom, then."

Jay recognized the familiar pattern—his mother testing him, probing for weaknesses. In his first life, he'd been so desperate for her approval that he'd missed the manipulation.

"I should prepare for the Kang meeting," he said, rising. "I'll need to review the materials given my reconsideration of our European strategy."

She nodded, dismissing him with a wave. "Don't embarrass yourself again. The board already thinks you're following in your grandfather's neurological footsteps."

At the door, he paused. In his previous life, he'd walked out of this office and directly into the trap being laid for him.

"One more thing," he said. "Who originally suggested the Visconti Group as a potential European partner?"

If the question surprised her, she didn't show it. "I believe Chairman Kang mentioned them at the economic forum in Davos. Why?"

"Just mapping connections. It helps me visualize the relationship web."

Her eyes narrowed slightly—the look she gave when recalculating her assessment. "Your grandfather used to say something similar. Before the stroke, of course."

With that parting barb, she dismissed him.

As Jay left, his phone vibrated again. Another text from Jake:

Almost forgot—Priya says to bring that friend of yours from the investment firm if he's still in town. She needs all the connections she can get.

Jay frowned. What friend from what investment firm? He didn't recall...

And then it clicked. The half-remembered interaction from the gallery. There had been someone else there that night—not just the person he'd spoken to, but someone he'd been introduced to later.

If he attended this exhibition, he might run into that person again—the one whose laugh he vaguely remembered. Not that it mattered particularly. Just a curious coincidence in his reshuffled timeline.

He pocketed his phone, mind already turning to more immediate concerns. The Kang meeting. The European strategy. The trap he needed to dismantle piece by piece.

A random stranger he'd once met at a gallery was hardly worth dwelling on when he had an entire future to reconstruct.

Autumn in New York welcomed Jay with crisp air and streets still gleaming from an afternoon shower. He stood outside the Klein Gallery in Chelsea, straightening cuffs that needed no adjustment.

The city felt different now—full of possibility rather than the shame and failure it would represent in his original timeline. Here, five years before his downfall, no photographers lurked hoping to catch the disgraced Park heir. He was just another wealthy visitor, anonymous in a city that specialized in ignoring the important.

The past three days had been a calculated offensive against his future ruin. Altered procurement strategies. Reassigned personnel. Extensive documentation that couldn't be manipulated later. He'd even faced down Kang himself, politely declining the European expansion that would eventually lead to his destruction.

All while maintaining the perfect Park Jongseong façade.

This trip to New York offered both strategic cover and unexpected relief. For a few precious hours, he could breathe without the weight of his name.

He checked his watch. He was early, deliberately so. Jake and Priya would arrive in twenty minutes, giving him time to assess the gallery and determine if his half-remembered encounter would repeat itself.

But the vagueness didn't matter. What mattered was the opportunity to alter one small variable in the equation of his life.

Since his mother had mentioned marriage in her office, a strategy had been forming in his mind. In the original timeline, the months following this trip had seen increasing pressure about his relationship status. His mother had begun introducing him to eligible candidates—all with their own agendas, all connected to the world that would eventually close ranks against him.

And then came Seraphina. Perfect, beautiful, accomplished Seraphina. The woman who would eventually help orchestrate his destruction.

But what if he removed that variable entirely? What if he preempted the whole process? Elementary business strategy: block your opponent's best move before they make it.

Inside, the gallery was minimalist—white walls, polished concrete floors, strategic lighting. Jay moved through the space with practiced ease, accepting champagne from a passing server.

Priya's work was exactly as he remembered—technically proficient but emotionally distant. Black and white urban landscapes hinting at decay and renewal. He paused before one he remembered discussing in the original timeline—the one he'd compared to food poisoning.

"Considering an acquisition?" a voice asked. Not yours. The gallery owner—Klein himself.

"Just appreciating the composition," Jay replied smoothly.

He scanned the room peripherally. The space was filling with the expected crowd—moneyed New Yorkers performing interest in emerging artists, critics with studied expressions of judgment.

But no sign of you.

A flicker of concern crossed his mind. Had his earlier manipulations altered the timeline so significantly that you wouldn't attend?

"Mr. Park!" Priya approached with nervous energy

"The exhibition looks excellent," Jay said, offering Priya a polite air-kiss. "Your work has evolved considerably."

A kind lie. Her work was exactly as he remembered it.

"That means so much coming from you," Priya gushed. "Jake said you've been impossibly busy with the European expansion plans."

Jay shot Jake a warning look, but his friend merely shrugged.

"Sorry, forgot it was all very hush-hush and corporate espionage-y." Jake clapped Jay's shoulder. "You look terrible, by the way. In an expensive, tailored way, but still terrible. Are you sleeping these days?"

In his first life, Jay would have bristled at such criticism. Now, after everything, he felt unexpected gratitude for Jake's honesty. He'd forgotten this about their friendship—how Jake treated him as a person, not the Park heir.

"Sleep is for those without quarterly projections," Jay replied dryly.

"You're not fine, you're just good at faking fine. The Park family specialty." Jake surveyed the crowd. "Speaking of fake, look at all these people pretending to understand Priya's art when half couldn't tell profound commentary from pictures of garbage."

Priya elbowed him. "My parents will be here any minute. Please pretend to be cultured."

"Fine. I'll practice my 'this speaks to me spiritually' face." Jake grinned and headed for the bar.

"He's impossible," Priya sighed affectionately. "But he's been amazing with my parents. Even learned Hindi phrases for my father."

Jay nodded, remembering with a pang how Jake and Priya's engagement had been "postponed" after his disgrace. No one wanted ties to a pariah, not even his oldest friend.

"Jay?" Priya studied him. "Are you okay? You seem... different somehow."

Before he could answer, the gallery's atmosphere shifted—the crowd parting for Priya's parents. She excused herself, leaving Jay alone.

His mind returned to his strategy. He needed someone who could occupy the space Seraphina would fill, disrupting the timeline ending in his ruin. Someone far removed from his world.

You—if you showed up—would be perfect. Not for any particular quality, but for what you weren't. You weren't connected to his family's web of alliances. You had no ties to competing conglomerates. You carried no hidden agenda.

Your ignorance of his world wasn't a liability—it was your greatest asset. You couldn't be manipulated by the forces that orchestrated his destruction because you existed outside their sphere.

It wasn't personal. He didn't need a soulmate; he needed a shield. The fact that he remembered your laugh was merely incidental. A convenient connection point for his strategy.

The gallery door opened, admitting a gust of cool air and a latecomer—you.

Recognition hit immediately. How had he forgotten so many details? Your self-conscious movements. Your genuine curiosity instead of affected boredom.

Jay moved toward you before consciously deciding to, drawn by the chance to rewrite this small piece of his past. He intercepted you at the photograph he knew you'd examine—the one you'd defended despite its quality.

He reminded himself: this was strategy, not sentiment. Business, not emotion. This was about survival.

"It's quite terrible, isn't it?" Jay said, repeating his original words.

You turned, and he was struck by your direct gaze—no calculation, just human curiosity.

"I wouldn't say that," you replied, amusement tugging at your mouth. "Art is subjective."

"So is food poisoning, but we recognize it when we experience it." He gestured with his champagne. "This is visual food poisoning."

A startled laugh escaped you—genuine, unguarded. The sound hit Jay with unexpected force. For a moment, his calculated facade cracked, replaced by a genuine impulse to connect.

He pushed the feeling aside. Focus on the objective.

"That's my friend's work you're insulting," you said quietly.

"Ah. Then you're here from obligation rather than appreciation?"

"Isn't everyone?" You glanced around. "Half these people couldn't distinguish masterpieces from finger paintings, but they'll have strong opinions borrowed from the last opening."

The conversation unfolded exactly as before—eerie yet comforting.

"I'm Jay," he said, memorizing your face.

"Just Jay? No impressive title?"

"Park. Jay Park. But I'd prefer to be just Jay tonight."

You assessed him with refreshing directness. "And what does Just Jay do when not critiquing photography?"

Another deviation from the original timeline. A small ripple that could grow into a wave.

"Corporate strategy," he replied vaguely. "Nothing as interesting as defending questionable art. And you are...?"

The gallery door opened, and Jay felt a cold jolt as his family entered, causing the usual ripple through the crowd. His mother, father, relatives—all unaware they would eventually abandon him when convenient.

This was the moment. Originally, he'd left without your name, swept back into the path leading to Seraphina and his destruction.

Not this time.

"I should warn you," he said conspiratorially, "I'm about to transform into someone less honest and more boring. Corporate obligation." He nodded toward his family. "But before I do—your name? In case our paths cross again."

Behind this casual request lay his entire strategy. Your name would be the first stone in his new foundation.

As he waited, his gaze intensified slightly. To you, it might seem like normal interest. To him, it was the focus of someone placing extraordinary significance on an ordinary exchange.

This wasn't just about a name—it was about architecture. The careful redesign of his future. And you, unknowingly, were about to become a cornerstone.

"Y/N"

-

The syllables hung in the air between them for a moment. Jay's smile shifted—genuine now, not the practiced expression he deployed at corporate functions.

"It's been a pleasure meeting you, Y/N." He reached for your hand, a brief, professional clasp. "Unfortunately, duty calls."

He slipped you his card—not the formal Park Industries one, but a sleeker personal version with just his name and private number. A deliberate choice. The first move in his new game.

"Perhaps we'll cross paths again," he said. His tone casual, but his gaze wasn't. It held yours a moment longer than social convention dictated.

Then he was gone, transforming with each step toward his family. Shoulders squaring. Expression cooling. The brief glimpse of honest humanity tucked away beneath the polished exterior of Park Jongseong, corporate heir.

You watched him bow to his mother, exchange handshakes with other family members, fluidly inserting himself into their formal orbit. The man who had made irreverent comments about art seemed to evaporate entirely.

"The exhibition demonstrates impressive technical skill," Jay's mother observed an hour later, champagne flute held at a precise angle. "Though the subject matter is rather... conventional."

This assessment came after a methodical circuit of the gallery, during which the Park family had drawn considerable attention without seeming to notice it.

"Priya has potential," Jay replied diplomatically. "Her composition exhibits strong understanding of negative space."

Art criticism wasn't the point of this conversation, and they both knew it. His mother was watching him carefully, calculating something behind her perfect smile.

"I spotted you speaking with someone earlier," she mentioned with practiced casualness. "Before we arrived."

And there it was. Nothing escaped her notice.

"A friend of the artist," Jay said, matching her casual tone. "We were discussing the merits of contemporary photography."

"I see." His mother's gaze swept the room, locating you within seconds where you stood chatting with Priya near the bar. "Not the usual social circle you frequent."

"Perhaps that's refreshing." Jay sipped his champagne, strategic in his mild defiance. "One tires of the same conversations."

His mother's eyebrow arched slightly—the equivalent of open surprise from anyone else.

"Interesting," she said, recalculating variables in her mental dossier. "Does this relate to your sudden disinterest in the European expansion?"

"Not directly," Jay replied. "Though both reflect a broader reassessment of paths worth pursuing."

She studied him with the penetrating gaze that had intimidated business rivals for decades. "You've changed, Jongseong. Since when, I'm not certain. But something is different."

"Growth isn't change, Mother. It's evolution." He'd never spoken to her this way in his first timeline—confident but not confrontational. "The core remains the same."

His father approached, ending their private exchange. "The Visconti Group's representative just arrived," he informed his wife. "The one you wanted to meet."

Jay's pulse quickened. In the original timeline, this casual introduction had been the first seed planted. The beginning of his eventual destruction.

"Another time, perhaps," Jay interjected smoothly before his mother could respond. "I promised Jake I'd speak with some potential collectors. His girlfriend would be devastated if the night wasn't successful."

His father's expression registered mild surprise at this unusual prioritization of friendship over business.

"Of course," his mother said, analyzing this new data point. "Family supports family's associates. That's the Park way."

The subtle reminder of obligation came with her practiced smile. Not a reprimand, but a note being filed away for future reference.

Jay inclined his head respectfully and moved away, circulating through the crowd with practiced ease. He exchanged pleasantries with critics, complimented the gallery owner, and strategically positioned himself near a group of potential collectors, laying groundwork for a purchase that would help Priya's career.

All while remaining acutely aware of your location in the room.

-

Two hours later, Jay found himself in a strategic position near the coat check as you prepared to leave. The gallery had begun to empty, the initial excitement of the opening fading into the routine pattern of a Thursday night in Chelsea.

"Leaving so soon?" he asked, timing his approach to appear coincidental.

You looked up, surprise flickering across your face. "Just Jay. I thought you'd be trapped in corporate obligation all night."

"A temporary reprieve." He smiled. "The family business discussions have moved to dinner at Le Bernardin."

"Very fancy," you commented. "I'm headed for much humbler fare—the subway and takeout."

Jay glanced at his watch. "Actually, I find myself with an unexpected hour before I need to join them. Perhaps you'd allow me to buy you a proper dinner? There's an excellent place just around the corner." He kept his tone casual, the invitation seemingly spontaneous.

You hesitated, studying him with that direct gaze he found so refreshing. "Why would you want to have dinner with a complete stranger when you clearly have more important places to be?"

The directness of the question caught him slightly off-guard. In his world, people rarely questioned Park Jongseong's motivations to his face.

"Because you're the only interesting conversation I've had all evening," he replied, allowing a hint of genuine feeling to color his words. "Everyone else is either trying to sell me something, impress me, or secure an introduction to my mother."

You considered this, head tilted slightly. "And what makes you think I'm not doing the same?"

Jay laughed—a real laugh, not his polished social chuckle. "The fact that you just asked that question, for starters."

Something in your expression softened. "One hour. And it had better be good food."

"I never compromise on quality," Jay assured you, suppressing the satisfaction of a well-executed strategic move. "The restaurant is just three blocks from here."

As you walked together into the crisp autumn evening, Jay maintained the perfect balance of professional distance and personal interest. He asked about your work (freelance journalism), your history with Priya (college roommates), your thoughts on New York's cultural scene (overpriced but occasionally transcendent).

Each piece of information carefully filed away. Each response analyzed for potential complications or advantages to his developing strategy.

The restaurant—an upscale Italian place with discreet lighting and well-spaced tables—provided the ideal setting for his purposes. Impressive without being intimidating. Exclusive enough to require his name for a last-minute table, but not so ostentatious that it would make you uncomfortable.

"So," you said once you were seated and had ordered, "are you going to tell me what Park Industries actually does? Or am I supposed to pretend I don't know you're practically royalty in South Korea?"

Again, that directness. Jay found himself genuinely smiling.

"Technically, we do everything from semiconductors to shipping," he replied. "But that's hardly dinner conversation. I'd rather hear more about your work. Journalism must give you a unique perspective."

"Nice deflection," you noted, but allowed the conversation to shift.

For fifty-three minutes, Jay executed a perfect performance of genuine connection. He asked thoughtful questions. Shared carefully selected personal anecdotes. Displayed just enough vulnerability to seem authentic without revealing anything truly significant.

He studied your reactions, adjusting his approach subtly based on what resonated. When you responded to his dry humor, he offered more. When certain topics sparked genuine interest in your eyes, he explored them further.

A strategic seduction—but not a romantic one. He was securing an ally. Establishing a connection outside the corrupted network that had eventually destroyed him.

When his phone vibrated with a text from his mother, he allowed himself a calculated show of reluctance.

"Duty calls," he said, echoing his words from earlier in the gallery. "I've enjoyed this conversation more than you know."

"It was surprisingly pleasant," you agreed with a hint of amusement. "Despite the suspicious circumstances."

He signaled for the check. "Suspicious?"

"Wealthy heir suddenly interested in random gallery-goer? That's either the beginning of a romance novel or a cautionary tale." You smiled to soften the words. "I'm still deciding which."

Jay laughed again, caught between strategic calculation and genuine appreciation of your perception.

"Perhaps neither," he suggested. "Perhaps just two people enjoying conversation without agenda."

"Everyone has an agenda," you replied, gathering your things. "Even if they don't recognize it themselves."

How right you were. If only you knew the elaborate mental chess game he was playing, with you as a central piece.

Outside the restaurant, he made his final move of the evening—perfectly calibrated for maximum effect without seeming too eager.

"I'll be in New York for another two days," he said casually. "If you're free tomorrow evening, perhaps you could show me a part of the city tourists don't usually see. Something authentic."

The invitation was designed to appeal to your evident independence and local knowledge. To position you as the expert rather than the pursued. A subtle flattery that didn't register as manipulation.

"I might be available," you said, considering. "Depends on my deadline."

"Of course." He nodded respectfully. "You have my number. No pressure either way."

As he hailed a taxi for you, he allowed his hand to brush yours briefly—a manufactured moment of connection carefully designed to seem accidental.

"Goodnight, Y/N," he said as you stepped into the cab. "I hope to hear from you tomorrow."

You smiled through the window, giving a small wave as the taxi pulled away.

Jay watched until the taillights disappeared into Manhattan traffic, then straightened his tie and hailed his own car. His expression shifted seamlessly from warm interest to cool calculation.

Phase one: complete. You had been introduced into the equation. A new variable with the potential to disrupt the entire sequence leading to his downfall.

As his driver navigated toward Le Bernardin, Jay mentally mapped the next steps. He would need to provide his mother with enough information to satisfy her curiosity without triggering her strategic instincts. Plant seeds with his father about potential advantages of connections outside their usual network. Begin building documentation that would position you as a completely independent connection, not part of any competing corporate interest.

His phone buzzed with a message from his cousin Danny: Mom says you're acting strange. She wants intel on whoever you were talking to at the gallery.

Jay smiled tightly. The family machine was already turning its attention to this unexpected development. Exactly as he'd anticipated.

He typed back: Just making connections. Nothing significant.

Let them underestimate this move. Let them dismiss you as a casual interest, a temporary distraction.

By the time they recognized the strategic importance of what he was building, it would be too late. The timeline would be irreversibly altered.

And Jay Park would never again find himself standing alone in an empty apartment, betrayed by everyone he had trusted.

Another message appeared on his screen—this one from an unknown number.

Tomorrow, 7pm. Wear comfortable shoes and nothing that screams "I'm worth kidnapping for ransom." – Y/N

Jay allowed himself a moment of genuine satisfaction. The pieces were moving exactly as he'd calculated.

Tomorrow, the real work would begin.

-

The next evening proved Jay's instincts correct. You were indeed the perfect variable to introduce into his equation.

You arrived at the designated meeting spot in Washington Square Park wearing jeans, a well-worn leather jacket, and boots that suggested you actually walked places rather than being chauffeured. Jay had followed your instructions, trading his usual bespoke suit for dark jeans, a cashmere sweater, and shoes that would survive more than a board meeting.

"You clean up nicely," you said, appraising his attempt at casual attire. "Almost pass for a normal person."

"My greatest performance yet," he replied with a self-deprecating smile. "Where to first?"

"That depends. What's your tolerance for authenticity? Real New York isn't exactly five-star accommodations."

Jay's smile widened. "Test me."

And you did. For the next three hours, you led him through a New York he'd never seen despite countless business trips. Hidden speakeasies accessed through fake phone booths. A Ukrainian diner where the servers scowled and the food defied description but somehow tasted like memory. A rooftop garden secretly maintained by an elderly couple who'd been cultivating it since the 1970s.

Throughout the evening, Jay maintained his careful balance—genuinely enjoying himself while strategically gathering information. Your job prospects (promising but unstable). Your family situation (supportive but financially modest). Your relationship status (refreshingly unattached).

Each piece of data confirmed what he'd hoped: you were the perfect candidate. Independent enough to make your own decisions, stable enough to be reliable, ambitious enough to appreciate opportunity, and disconnected enough from his world to be safe from manipulation.

"Admit it," you said as you sat on rusty chairs atop the secret garden, city lights spread before you. "This is better than whatever fancy restaurant your family's at tonight."

"Infinitely," Jay agreed, and meant it. The evening had been unexpectedly liberating. Here, he wasn't Park Jongseong, heir and corporate prince. He was just Jay, a guy experiencing New York's hidden corners with an interesting woman. "Though my mother would need smelling salts if she saw these chairs."

You laughed, the sound still as honest as he remembered. "Why do I get the feeling you're not often allowed to just... exist? Without expectations or performance metrics?"

The observation was so accurate it momentarily disrupted his careful strategy. For a second, he considered telling you everything—the time travel, his disgrace, his desperate plan to rewrite his future.

But of course, that was impossible. Who would believe such madness?

"The privileges of my position come with corresponding obligations," he said instead, allowing a rare glimpse of genuine feeling. "My path was charted before I was born."

You studied him in the dim rooftop lighting. "And you've never considered drawing your own map?"

Jay looked out over the city, contemplating how to answer. The strategic response would be something vague but intriguing. But something about this night—about you—made him unexpectedly honest.

"I'm attempting to redraw certain sections now," he said quietly. "It's... complicated."

"Family complications or business complications? Or are they the same thing for you?"

"Inextricably intertwined," Jay confirmed. "The Parks don't separate business from family or family from business. It's all one ecosystem."

"Sounds suffocating."

"It can be," he admitted, surprising himself again with his candor. "But it's also... secure. Structured. There's comfort in knowing your role."

"Until the role becomes a cage," you observed.

The conversation was veering dangerously close to truth. Jay redirected gently.

"What about you? No family business directing your path?"

You shook your head. "Just student loans and rent directing my career choices. Not exactly the same scale of problems."

"Different cages," Jay said. "Different gilding."

A comfortable silence fell between you. Below, the city pulsed with energy—millions of lives intersecting, diverging, each on their own trajectory.

"I should probably get you back to civilization," you said eventually. "Before your security detail reports you missing."

Jay checked his watch, surprised to find it was nearly midnight. The evening had passed with unexpected swiftness.

"I've dismissed security for the night," he said, rising from the rusty chair. "But you're right, it's late. Let me walk you home."

You shook your head. "That defeats the purpose of me showing you hidden New York. I'll walk myself home like a proper New Yorker."

"At least let me get you a car."

"The subway is faster this time of night."

Jay smiled at your stubbornness. Another quality that made you ideal for his purposes. "Then I'll accompany you to the subway."

As you descended from the rooftop, Jay made his decision. The evening had confirmed everything he needed to know. You were perfect—self-sufficient, perceptive, and most importantly, unconnected to the web that would eventually try to destroy him.

It was time to set his actual plan in motion. Earlier than he'd originally calculated, but the opportunity was too perfect to ignore.

Outside the subway entrance, you turned to say goodbye. "This was surprisingly enjoyable, Just Jay. You're not at all what I expected."

"Is that a compliment?"

"An observation." Your smile took any sting from the words. "Maybe I'll see you next time you're in New York."

It was the opening he needed. Jay took a calculated breath.

"What if it were sooner than that?" he asked, carefully casual. "What if I had a proposition for you?"

Your eyebrows rose slightly. "A proposition sounds suspiciously like business."

"Perhaps a merger of interests," Jay said, watching your reaction closely.

"I'm not qualified to consult for Park Industries, if that's where this is going."

"Nothing to do with the company. This is personal." Jay paused, choosing his next words carefully. "Would you have dinner with me tomorrow? There's something I'd like to discuss that could be mutually beneficial."

Wariness crept into your expression. "That sounds ominous."

"It's not illegal or immoral," he assured you. "Just... unusual. But I think you might be the perfect person for it."

"Now I'm definitely concerned."

Jay smiled, allowing genuine warmth to show. "Trust me enough for one more dinner? If you hate the proposal, we part as friends with an interesting story about the time a Korean businessman made you a strange offer."

You studied him for a long moment. "Fine. But a public place, and I reserve the right to walk out if things get weird."

"Perfectly reasonable terms," Jay agreed. "I'll text you the details."

After you disappeared down the subway steps, Jay hailed a car back to his hotel. His mind was already composing the proposal, weighing phrases and possibilities. The timing was delicate. Too direct, and you'd be justifiably alarmed. Too vague, and you'd dismiss it as absurd.

But if presented correctly, with the right incentives and assurances...

It could work. It had to work.

-

The restaurant Jay selected for their final evening was elegant without being ostentatious. Private enough for serious conversation but public enough to meet your safety requirements. He arrived early, ensuring the perfect table—secluded but visible, with clear sightlines to exits.

You arrived precisely on time, wearing a dress that suggested you'd taken this meeting more seriously than yesterday's casual exploration. Good. It indicated you were intrigued enough to make an effort.

"I half-expected to be stood up," Jay said as you sat down.

"I considered it," you admitted. "But curiosity won out. I spent all day trying to imagine what this mysterious proposition could be."

"And your theories?"

"Either you're recruiting me for corporate espionage, or this is an elaborate setup for asking me on a real date."

Jay smiled. "Neither, though the second option is less absurd than the first."

The waiter brought menus and wine recommendations. Jay ordered for both of you—not to control, but to expedite. The sooner pleasantries were addressed, the sooner he could present his case.

Once the preliminary course was served and privacy assured, Jay leaned forward slightly.

"Before I explain, I want to establish context," he began. "My family situation is... complicated. As the heir to Park Industries, certain expectations exist regarding my personal life."

You nodded, waiting for him to continue.

"Among these is the expectation that I'll marry strategically. Someone who enhances the company's position, preferably from a compatible business family."

"Arranged marriage in the 21st century?" You raised an eyebrow. "That seems archaic."

"It's framed as 'guided choice,'" Jay explained. "But the outcome is essentially predetermined. The candidates all fit a specific profile, vetted extensively by my mother."

"And you don't want that," you guessed.

"I've seen where that path leads," Jay said carefully. "It's not favorable."

"So what does this have to do with me?"

Here was the critical moment. Jay took a measured breath.

"I'm proposing an alternative arrangement. A marriage of convenience, with clearly defined parameters and mutual benefits."

Your expression froze. "Excuse me?"

"I know how this sounds," Jay said quickly. "But please hear me out before deciding."

You sat back, arms crossed. "I'm listening, but this better be good."

"What I need is someone outside my world. Someone my mother can't manipulate or compromise. Someone with no hidden corporate agenda or family ambitions." Jay held your gaze steadily. "Someone like you."

"And what exactly would I get from this arrangement, besides the obvious headache?"

"Financial security," Jay said simply. "Complete financial independence. A generous settlement that would eliminate your student loans, housing concerns, and career pressures. You'd be free to pursue your writing without worrying about making rent."

He could see the calculation happening behind your eyes. The journalist weighing an unbelievable story.

"This would be a temporary arrangement," he continued. "Two years maximum. After which we would part amicably, with your financial future secured and my family obligations satisfied."

"You're serious," you said, realization dawning.

"Completely."

"But why me? You could find countless women willing to make this deal."

"Because you don't want anything from me except what we explicitly agree to," Jay explained. "You don't care about the Park name or legacy. You have no connection to our business rivals. You're honest, independent, and most importantly, you see me as a person, not a position."

You were silent for a long moment, processing.

"What would this arrangement involve... practically speaking?"

"A legal marriage. A public relationship that appears genuine. Attendance at certain family and business functions. Cohabitation in Seoul, though with separate living spaces." Jay outlined each point precisely. "No romantic or physical obligations whatsoever."

"And after two years?"

"A quiet divorce with a generous settlement. You return to your life with complete financial freedom. I gain time to secure my position without my mother's interference."

You studied him intently. "What aren't you telling me? This seems too... calculated."

Jay hesitated. How much could he safely reveal without sounding deranged?

"My mother is pushing me toward a specific alliance that would be disastrous," he said finally. "I need to block that move decisively. Your presence provides that blockade."

"Corporate chess using marriage pieces," you murmured.

"An apt metaphor."

The waiter arrived with the main course, forcing a pause in the conversation. Jay waited patiently as you considered his proposal.

"I'd have to move to Korea," you said finally. "Learn a new language, navigate a completely foreign business world, pretend to be in love with someone I barely know."

"All significant challenges," Jay acknowledged. "Hence the substantial compensation."

"How substantial?"

He named a figure that made your eyes widen slightly.

"Plus all living expenses, travel, and a housing allowance upon our separation," he added. "Financial security for the foreseeable future."

You took a sip of wine, buying time to think. Jay remained silent, giving you space to process.

"Why should I trust you?" you asked finally. "No offense, but this sounds like the beginning of a thriller where the protagonist never returns from Seoul."

"A valid concern." Jay reached into his jacket and removed a USB drive. "This contains a draft contract outlining everything we've discussed, plus insurance clauses to protect you. Have your own lawyer review it. Make any reasonable amendments."

He placed the drive on the table between you.

"I don't expect an answer tonight," he continued. "Take time to consider. Research me, the company, the arrangement. I'll be in New York three more days."

You didn't touch the drive. "Are you always this prepared?"

"I don't propose convenient marriages on a whim," Jay said with a hint of humor. "This is a strategic decision for both of us."

"And if I say no?"

"Then we enjoy this excellent meal, I thank you for considering it, and we part as friends with an unusual story."

You finally reached for the drive, turning it in your fingers thoughtfully.

"Two years of my life," you mused. "Pretending to be someone I'm not."

"Or two years experiencing a world few ever see from the inside," Jay countered. "With material for the book you mentioned wanting to write. And afterwards, complete freedom to pursue whatever you wish."

He could see the writer in you considering the possibilities. The practical side weighing the financial security. The cautious part still suspicious of his motives.

"I'll think about it," you said finally, slipping the drive into your purse. "That's all I can promise right now."

"That's all I ask." Jay raised his glass slightly. "To unusual propositions and careful consideration."

You hesitantly clinked your glass against his. "To whatever the hell this is."

The rest of dinner passed in lighter conversation, Jay deliberately steering away from the proposal to give you mental space. As they finished dessert, he sensed you had more questions brewing.

"Just ask," he said gently. "Whatever you're thinking."

"Why marriage?" you asked bluntly. "Why not just date someone your mother doesn't approve of until this mysterious alliance threat passes?"

A perceptive question. Jay had prepared for it.

"Because dating is easily dismissed as temporary infatuation. Marriage is definitive. It removes me completely from the candidate pool and blocks the specific alliance my mother is orchestrating."

You nodded slowly. "And there's really no romantic component to this? No hidden agenda where you're hoping for more?"

"None whatsoever," Jay assured you. "This is a business arrangement with clearly defined boundaries. Any personal friendship that develops would be separate from our agreement."

Outside the restaurant, you paused before parting ways.

"This is insane," you said, shaking your head slightly. "Completely insane."

"From a conventional perspective, yes," Jay agreed. "But sometimes unconventional solutions are necessary for unusual problems."

"I'll call you," you said. "After I've thought about it. And possibly had my head examined."

Jay smiled. "I look forward to hearing from you, whatever your decision."

As you walked away, Jay allowed himself a moment of cautious optimism. You hadn't immediately rejected the idea. You'd taken the contract. You were considering it.

Phase two: initiated.

The path to avoiding his destruction was unconventional, certainly. But with each step, each calculated move, he was redrawing the map of his future.

And for the first time since waking up five years in his past, Jay felt something akin to hope.

-

"He asked you to what?"

Priya's voice carried across the café, drawing glances from nearby tables. You winced, motioning for her to lower her volume. Two days had passed since Jay's proposal, and you'd finally broken down and called Priya. Some things were too bizarre to process alone.

"Keep it down," you hissed. "I haven't decided anything."

"Sorry," Priya whispered dramatically, leaning across the table. "But you can't drop 'Korean billionaire wants me as his contract wife' and expect normal volume control."

You stirred your coffee absently. The USB drive sat heavy in your bag, untouched since the dinner. Every time you considered plugging it in, reality reasserted itself. People didn't just get propositioned for fake marriages by corporate heirs. Not in real life.

"Maybe I imagined it," you said. "Stress-induced hallucination."

"Honey, you don't hallucinate trust fund provisions and prenuptial terms." Priya tapped the table emphatically. "And Park Industries is the real deal. My cousin works in finance and says they're basically royalty in Korea."

You sighed, glancing at your phone. Three missed calls from your editor about a deadline. Two emails from your landlord about the rent increase. A notification about your student loan payment.

Normal life, insistently demanding attention while some alternate universe beckoned from a USB drive.

"What would you do?" you asked.

Priya considered this, stirring her chai thoughtfully. "I'd wonder why me. Of all the women in New York—hell, in the world—why pick someone he met at my mediocre exhibition?"

"He said I don't want anything from him. That I see him as a person, not a position." You shrugged. "And apparently I'm not connected to any rival companies."

"That's... oddly specific." Priya frowned. "Like he's running from something."

A memory flashed—Jay on the rooftop garden, talking about redrawing sections of his path. The wistfulness in his voice when he mentioned roles becoming cages.

"Maybe he is," you murmured.

"Look, Y/N, this is either the strangest fantasy or the most interesting opportunity of your life." Priya grabbed your hand. "But either way, you should at least read the contract. Writer curiosity, if nothing else."

You nodded slowly. She was right. Whatever this was—elaborate joke, midlife crisis, legitimate offer—you couldn't make a decision without information.

"What about Seoul?" you asked, voicing one of the hundred practical concerns cycling through your mind. "My life is here."

"Your life is a studio apartment with questionable plumbing and editor who underpays you," Priya said bluntly. "Seoul has universal healthcare and a subway system that actually works."

"And a language I don't speak."

"And a completely fresh start, financial security, and material for that book you've been talking about writing since college." Priya squeezed your hand. "I'm not saying do it. I'm saying don't dismiss it without considering the insane possibility that this fever dream might actually be real."

Your phone pinged—a text from Jay:

No pressure on your decision. But if you'd like to discuss further, I'll be at the same restaurant tonight at 8. Whether you come or not, I enjoyed our time together.

Priya peered at the message. "Polite. Not pushy. Gives you space." She raised an eyebrow. "For a corporate shark offering a fake marriage, he's surprisingly... decent?"

"That's what makes this so confusing," you admitted. "He seems genuine, even when discussing something completely manufactured."

"Maybe that's why he thinks you'd be good at this. You're both honest about the dishonesty." Priya sat back. "So, are you going tonight?"

You stared at your phone, the mundane world of deadlines and bills momentarily suspended as you considered stepping further into whatever alternate reality Jay Park occupied.

"I guess I'll start by reading the contract," you said finally.

Priya grinned. "That's my practical journalist. Verify, then trust."

"I didn't say I trust him," you protested.

"Honey, you wouldn't have called me if you weren't already halfway to saying yes."

You opened your mouth to argue, then closed it again. She wasn't entirely wrong.

Whatever this was—fever dream or opportunity—you couldn't shake the feeling that Jay Park had seen something in you that even you hadn't recognized. Something valuable enough to upend both your worlds.

And despite every rational objection, part of you wanted to find out what it was.

-

After accepting Jay's proposal, everything moved quickly, but not without moments that made you question the purely contractual nature of your arrangement.

The first time you caught yourself actually looking at Jay—not as your contractual fiancé but as a man—was during a video call about logistics. He'd just finished a workout, answering your call in a fitted t-shirt damp with sweat, hair disheveled in a way you'd never seen before.

"Sorry for my appearance," he'd said, seemingly unaware of how the thin fabric clung to his chest and shoulders, revealing a physique usually hidden beneath perfect tailoring.

"It's fine," you'd replied, fighting to keep your eyes on his face rather than the defined muscles visible through his shirt. "We were just discussing flight details, right?"

You'd blamed your distraction on the strangeness of the situation. Just a natural reaction to an objectively attractive man. Nothing more.

-

Your Korean lessons began three weeks after you'd accepted his proposal. The language was challenging, but Jay insisted on joining occasionally, his pronunciation impeccable as he demonstrated sounds your English-trained mouth struggled to form.

"Fuck," you muttered one evening, dropping your head to the table after another failed attempt at a particularly difficult honorific. "I'm never going to get this right."

Jay looked up from his laptop, eyebrows raised. "I've never heard you swear before."

"I'm usually more professional," you admitted. "But this language is kicking my ass."

He closed his computer and moved to the chair beside you. "Try again. It's all in the tongue placement."

You made another attempt, mangling the syllables spectacularly.

"No, like this." Jay demonstrated slowly, exaggerating the mouth movement. You found yourself staring at his lips, noticing their perfect shape, the way the bottom one was slightly fuller than the top.

After your third failure, he sighed. "May I?" he asked, gesturing toward your face.

You nodded, not entirely sure what he was asking permission for.

He reached out, placing his thumb gently against your lower lip. "You need to press your tongue here, behind your teeth, not against your palate."

Heat surged through you at the unexpected contact. His thumb lingered, moving slightly against your lip as he demonstrated the position. Your eyes locked, and something shifted in his expression.

"Try again," he said softly, his voice lower than before.

You attempted the word, hyperaware of his fingers still resting lightly against your jaw.

"Better," he murmured, his eyes dropping to your mouth. "Almost there."

The air between you thickened. His hand should have moved away by now. It hadn't.

"Jay," you said, barely audible. Not a question, just an acknowledgment of whatever was happening.

For a moment, you thought he might lean in. Instead, he blinked and withdrew his hand, clearing his throat.

"That's enough for today," he said briskly, returning to his original seat. "You're making progress."

But that night, alone in your room, you caught yourself touching your own lip where his thumb had been, replaying the moment when his professional demeanor had briefly cracked.

-

Three weeks in, during dinner at a restaurant in Tribeca, Jay brought up the public aspects of your arrangement.

"We need to discuss how we'll appear as a couple," he said, his tone practical but not cold. "Physical boundaries. Forms of address."

"Like pet names?" you asked, taking a sip of wine.

"Exactly." He seemed relieved you understood. "In Korea, especially in my position, excessive public displays would seem inappropriate. But certain... intimacies are expected between engaged couples."

"So hand-holding, yes. Making out in boardrooms, no." Your joke earned a genuine smile from him.

"Precisely." He hesitated, then added with uncharacteristic uncertainty, "And regarding names..."

"What do people usually call you? Besides Jay or Mr. Park?"

His expression shifted subtly. "My mother calls me Jongseong. Business associates use Mr. Park. No one has ever used anything... affectionate."

The admission felt strangely vulnerable coming from him.

"What would you be comfortable with?" you asked.

His eyes met yours directly. "I've always thought 'babe' or 'baby' seemed... nice. Natural." The words seemed difficult for him to say, as if admitting to a secret preference. "But only if it feels comfortable for you."

The request surprised you – this controlled, strategic man wanting something so ordinary, so human.

"I can try that," you said, watching as relief softened his features. "Might take practice to say it without feeling weird, though."

"We have time to practice," he replied, the corner of his mouth lifting slightly.

-

Shopping for your new wardrobe didn't happen in a fairy tale montage. Instead, it involved practical discussions of events you'd attend, climate considerations, and cultural norms.

"These social signifiers matter to my family," Jay explained as you examined a designer dress that cost more than your rent. "But your comfort matters to me."

"To our arrangement," you corrected gently.

He paused, meeting your eyes. "Yes. And to me personally."

The statement hung between you, neither acknowledged nor dismissed as you continued through the high-end boutique. The personal shopper brought Jay a selection of suits to try as well, and despite your best intentions, you found yourself watching as he emerged from the fitting room in each new outfit.

The last one—a charcoal gray suit cut to perfection—made you momentarily forget the contract entirely. The tailor knelt, making adjustments to the trousers while Jay stood in front of a three-way mirror. The jacket emphasized the breadth of his shoulders, the tailored pants fitting perfectly across his ass.

You didn't realize you were staring until Jay's eyes met yours in the mirror, one eyebrow raising slightly. You quickly looked away, heat rising to your cheeks at being caught.

When you glanced back, the corner of his mouth had lifted in a small, satisfied smile.

-

Your parents were understandably shocked by the engagement announcement. The video call with them and Jay could have been disastrous, but he navigated it with surprising warmth.

"I understand this seems sudden," he told them, his formal demeanor softened. "I value your daughter's independence and perspective. Those qualities are rare in my world."

Later, alone, your mother had texted: "He's careful with his words around you. Watches how you react. Not sure if that's good or concerning."

"Still deciding," you'd replied honestly.

Six weeks after your agreement, you found yourself helping Jay pack for Seoul in his hotel suite, the reality of what you'd committed to finally sinking in.

"Second thoughts?" he asked, noticing your silence.

"Seventh or eighth, at least," you admitted.

You expected a strategic reassurance. Instead, he sat beside you on the edge of the bed, not touching but close.

"I have them too," he said quietly. "This arrangement... it's unusual for both of us."

"You seem so certain about everything."

"I'm certain about what I'm avoiding," he clarified. "Less certain about what we're building."

The honesty was refreshing. Not romance, but genuine transparency.

"Let's try something," you suggested. "Just to see how it feels."

He raised an eyebrow, waiting.

You cleared your throat, feeling slightly ridiculous. "Could you pass me that folder... babe?"

The pet name hung awkwardly between you. Jay blinked, then a small, genuine smile formed.

"Here you go," he replied, handing you the folder, then hesitating before adding a tentative, "...babe."

You both laughed at the strangeness of it, the tension breaking.

"That was terrible," you admitted.

"Catastrophic," he agreed, his eyes crinkling with genuine amusement. "But it will get easier."

It was the first time you'd seen him truly laugh. Something shifted subtly between you – not love or even attraction necessarily, but the foundation of something human and real beneath the contractual arrangement.

Eight weeks after the proposal, you boarded his family's private jet bound for Seoul.

As the plane leveled off, Jay handed you a thin folder. "Key family members and dynamics. Not a test, just preparation."

You nodded, grateful for his understanding that you wanted to succeed at this, whatever "this" was becoming.

"Thank you," you said. Then, after a moment's hesitation, added, "...baby."

It still felt strange, but less forced. Jay's expression softened in response.

"You're welcome," he replied, his voice warm in a way it hadn't been during those first calculated conversations weeks ago.

Neither of you were in love. That wasn't part of the contract. But as the plane carried you toward Seoul, there was a growing sense that whatever performance awaited might be built on something more substantial than just legal terms.

Not romance, not yet. But a partnership forming its own unique shape – part strategy, part genuine connection, and all uncharted territory.

-

Arriving in Seoul felt like stepping into another dimension. A fleet of black SUVs with tinted windows. Security personnel with earpieces. Photographers kept at a careful distance by a team of efficient PR staff.

"Ready?" Jay asked quietly, his hand finding yours as the plane door opened.

You nodded, though "ready" seemed an absurd concept for what awaited.

The moment you stepped onto Korean soil, Jay transformed—his posture impeccable, his smile exactly the right blend of pride and discretion. His arm slid around your waist, protective but not possessive.

"Perfect," he murmured, his lips close to your ear. "Just like that."

The performance had begun.

to be continued.

-

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