#I worked really hard on them they are both very long and are the reason I even started writing this story

[youryurigoddess]

So one thing led to another, and I’ve just paid a visit to the first (that we know of) confirmed Good Omens S3 filming locations. Due to the obvious sensitivity of this material, please tag it accordingly and share only with the fans consenting to know potential spoilers.

A fellow Good Omens fan has mentioned that residents of a certain Edinburgh area had unexpected guests recently, knocking on their door and telling them they are filming in their street soon. Imagine their surprise when a polite question about the details led to the offhand answer: “IT'S ONLY GOOD OMENS”.

For those unaware, the City of Edinburgh Council has been working really hard on promoting the city for film and TV industry for a few years now (the effects of which we saw in S2), and has a set of very clear and very publicly available guidelines regarding the modus operandi here.

The Good Omens production has both large scale and a high impact on a specific location due to the crew size, amount of technology used, and requirement for crowd control in most of the exterior and interior scenes (e.g., bookshop, pub, or coffee shop windows), which is why not only the local authorities, but also residents were informed about the filming with an at least 8 days notice:

Ironically, I just had happened to have a trip here planned and a hotel booked within walking distance to the locations on the attached TM and parking plan map, so it would be a waste not to use this opportunity for the greater good of the fandom. Can’t stay long enough to see the actual crew, so unfortunately the hair photos will have to be made by someone else. Disappointing, I know. But there’s still a lot to be excited about!

According to the provided notice, the filming will happen within one working day with the required set-up planned for the day before, mostly in the afternoon hours. The attached map shows planned parking suspension and SYL dispensation on two streets close to the chosen locations, which is where the trailers and equipment vehicles will park:

Location One turns out to be, rather surprisingly, a cosy corner bookshop. The shop — one of the Edinburgh’s oldest surviving secondhand bookstores — is very small, but crammed with a wide ranging library of beautiful books to serve readers and collectors, including antiquarian true first editions and signed copies.

It’s giving Muriel’s sweet and whimsical charm, but the bits and pieces of the unpublished Good Omens sequel point out not towards Whickber Street, where the angel currently resides, but more towards a new in-universe location. Maybe one that will be opened in the future post-Second Coming, maybe one that will remind one of the characters about a home base of operations back in the heart of London’s Soho (and theirs— wait, who said that?).

Notice that the road closure includes north and south sides of the pavement visible in the last photo, so both indoor and outdoor shots could be expected:

Location Two seems a bit more complex, since it’s basically a skewed triangle consisting of one longer street and a short side street diverging from it. Conveniently for the filmmakers, the architecture here is uncharacteristic enough that it could be easily presented as British, Scottish, or even American. I’m personally a bit partial to the last option since it would make sense story- and budget-wise, especially now with the two people previously adamant on shooting the US scenes only on location there not on the production team anymore.

The contrasting structures and materials visible here easily offer background for multiple potential contexts and scenarios, so much in fact that it’s easy to imagine more than one scene being shot here for cost- and time-effective reasons. Some of the buildings along the cobbled road have the right look and feel for historical flashbacks, as you can see below. I find the two separate entrances next to each other particularly lovely:

A considerable part of the buildings in the area, however, belongs to a more modern complex that communicates a very different personality and function. With a bit of camera and post-production magic, it could transform to a wide range of settings — please let me know your thoughts and ideas if you have any!

Specific filming times and more detailed information are consciously not shared out of concern for the crew and cast members who clearly don’t want them to become public knowledge. Those of you who live in the area and might visit the set anyway, please don’t forget to make sure that your presence won’t bother them as well as other locals. And remember to keep any new photos and information contained with tags so that you won’t spoil it to the people who would rather wait for the movie itself!

[puckbunnyera]

Silver Spoons | Q. Hughes

• ──────────────♡────────────── •

pairing: quinn hughes x reader genre: angst, fluff word count: 2.1k warnings: none summary: insecurities rise to the surface when meeting quinn's family for the first time author's note: writing is a little (very) rusty after being away for so long but i came up with this idea while listening to a song i found through tiktok. the song is silver spoons (demo) by erin lecount. definitely suggest listening to the song before or while reading to really set the tone. it can be found on soundcloud and youtube. tried to link it but it wasn't working :(.

• ──────────────♡────────────── •

I stare at the house you were brought up in All the photographs and door frames are wooden I wish I'd known you when you were younger Before lovers

To say you were nervous would be the understatement of the century. Anxiety holds you tightly in her grasp and floods your mind with the dreadful thoughts that you had been trying so hard to keep away. What if they didn't like you? What if they didn't think you were good enough? What if they noticed how different you were from them? What if they thought you didn't fit into the perfect life they had created for themselves? Your thoughts were running wild and dragging your bruised heart around with them.

"You okay?" Quinn's voice soft and gentle as he slips his hand into yours.

"Yeah, of course." You give him a tight-lipped smile, hoping he won't be able to sense the internal chaos you are experiencing. He does, though. Even if he doesn't say it, you know he does because Quinn notices everything with you.

"Let's head in." He speaks, pressing a light kiss to your temple. "Can put our stuff away in the room then head out into the backyard. Everyone is already here."

"Okay." You nod, voice barely above a whisper.

As he leads you through the beautiful home he was raised in, you look around in awe at the memories held in pretty wooden picture frames hanging on the walls and sitting on tables. You can tell it was a house full of love and happiness. While it's always warmed your heart to know that the amazing man you had the luck of calling yours was the result of such a wonderful upbringing, you can't ignore the painful twinge you feel deep down.

Stepping into Quinn's childhood room, your eyes are immediately drawn to a picture, sitting on his dresser next to the door, of younger Quinn with his family sitting happily on the couch together next to a Christmas tree. The trio stand in the driveway, wearing rollerblades and holding hockey sticks, big smiles plastered on their faces. It brings a smile to your own face.

"How old were you here?" You ask Quinn as you feel him move to stand behind you after putting your bags down.

"Fourteen, maybe." He replies, wrapping his arms around your waist and resting his chin on your shoulder as you both examine the photo.

"You were so cute." You speak softly, a longing feeling pulling at your heartstrings. You wished you could've known younger Quinn. When things were simple and life wasn't so complicated.

"I was? Am I not cute now?" He asks in mock offense.

"You know what I mean." You roll your eyes playfully and nudge him softly with your elbow, drawing a laugh from him.

"Come on. Let's go meet everyone." He pulls away. You instantly mourn the loss of his warmth but settle with the feeling of his fingers intertwining with yours as he pulls you out of the room.

And I bet you grew up eating at the table Fed love from silver spoons, reasons to be grateful

You feel overwhelmed the moment you step out into the backyard. Quinn's parents and brothers are already seated at the dinner table that was set up, talking and laughing. You do your best to swallow down the panic that's trying to force its way up your throat as Quinn pulls you in their direction. You're only given about thirty seconds to calm yourself before you're standing in front of them.

"Quinn!" Ellen exclaims, standing up pulling her oldest son into a warm embrace. "I'm so glad you both made it safely."

"Hey," He returns her hug before stepping back and placing a comforting hand on the small of your back. "This is Y/N. Y/N, this is my mom, Ellen, my dad, Jim, and my brothers, Luke and Jack."

"Hi, it's nice to meet you." You wave shyly, giving them the best smile you could muster amidst your inner turmoil.

"It's so nice to finally met you, too." Ellen steps closer before pulling you into a hug. You hesitate briefly before returning the unexpected affection. When she steps back and returns to her seat, Quinn leads you to the two chairs left empty for you both to sit.

"Quinn has told us so much about you. All good things, of course. It's nice to finally put a name to the face." Jim speaks once you're settled at the table.

"You as well." You blush. "I won't lie and say that haven't been nervous about this trip, but I've been wanting to meet the people who raised him to be the amazing person that he is."

"Oh, please." Ellen laughs, shaking her head. "You're making me blush. And there is absolutely nothing to be nervous about. We are so happy that you are here."

"How did Quinn manage to bag you?" Jack scoffs, a playful spark in his eyes. "I mean, just look at him. You could've done so much better."

"Like who?" Quinn glares at his brother. "You?"

"You said it, not me." Jack raises his hands in mock defense.

"Excuse my meathead of a brother. We're not all like that." Luke jokes. "It's nice to meet you, Y/N."

"You, too."

Shortly after initial greeting, food starts being passed around as everyone starts asking you questions about yourself. What do you do for a living? How did you meet Quinn? How is life in Vancouver? Where did you grow up? The questions seem endless, but you answer them with kindness and grace, mentally patting yourself on the back for managing to keep composure under the pressure you were feeling. As the dinner goes on, the tension in you eases, and you're able to genuinely laugh and smile. It's clear in how comfortable everyone is that this is just another evening dinner for them. Something that they've obviously spent years doing.

I spilt the good wine, I panicked A disaster, a knee-jerk reaction Then everyone around us starts laughing Is that how it's supposed to happen?

"Hey, Y/N?" Luke calls from across the table. "Could you pass me the bread basket?"

"Of course." You smile, picking it up to simply hand it to him. If only life was that easy for you. You watch in horror as the wine bottle in the middle of the table topples over, spilling the dark red liquid onto the white tablecloth. "Oh my gosh! I'm so sorry!" You jump up from your seat, grabbing napkins and throwing them over the mess. Tears threaten to spill as embarrassment floods through you.

"Baby, it's okay." Quinn stands to help you.

"Let me go grab some more napkins." Ellen rises from her hand and heads into the house. Once the mess is cleaned everyone settles back in at the table.

"I'm really sorry." You apologize again.

"It's no big deal." Jim shrugs it off with a chuckle.

"Are you sure? I can pay you back. That looked really expensive."

"It's okay, Y/N. Really." Ellen shakes her head.

A warm hand slide across your thigh, squeezing gently and settling your bouncing leg that you hadn't even realized was moving in the throes of your anxiety. He leans over and presses a comforting peck against to the side of your head.

"Definitely not the worst thing to happen at the dinner table." Luke laughs. "One time, Jack and Quinn got into and spilt a whole pot of soup. It got everywhere."

"I completely forgot about that." Jack gasps, laughing at the memory that has resurfaced. And like that, the wine incident is forgotten and everyone moves on.

We're the product of love that we do not receive I'll corrupt every branch of this family tree --- Silver spoons and butter knives Living hand to mouth, I'm getting by Just feed me love and give it time Oh, maybe in another life

After dinner, you and Quinn make your way up to his room to turn in for the night. As you move through the motions of getting dressed into your sleepwear, a pair of sleep shorts and one of Quinn's shirts, your mind has taken you elsewhere. Everything has been going well, but you can't help but feel a sense of sadness. And a little bit of guilt. Sadness at the fact that you are clearly an outsider in the perfect family that Quinn belongs to. Happiness and love seem to come so easy for them, but your life has been so different, and it shows.

You grew up in a home where love was conditional. It wasn't given unless you gave something in return that benefited the other person. Your parents weren't the type to ask you how your day was. They didn't show up to support you at school events or hold you when you were feeling down. When you made little mistakes here and there, you were treated as if you committed the crime of the century. Yelling and cursing were a common occurrence. Show of emotions and shed tears were met with eye rolls and ridicule. You spent your life walking on eggshells around the people who were supposed to love you. You learned to only depend on yourself, trust no one, and expect absolutely nothing from everyone. Until Quinn, and that's where the guilt comes in. Guilt for wishing you'd had better parents than the ones you had. Guilt for wishing your life had been different. Guilt for being ungrateful when your life could have been worse. Guilt for being imperfect in the presence of those who seemed to have it all. It was eating away at you and you didn't know how to make it stop.

"Babe?" Quinn calls, voice quiet and cautious as he approaches you.

"Hmmm?"

"Where did you go?" He strokes your cheek softly and carefully with the back of his fingers.

"Sorry. It's nothing." You shake your head, crawling into your side of the bed and laying down.

"Talk to me." He lays down beside you, turning to face you. "Somethings wrong. You forget how good I've gotten at reading you."

"Nothing's wrong, but that's the problem." You sigh, caving in. Knowing that you can't hide anything from him.

"I'm confused."

"Tonight's been absolutely amazing. Your family is amazing and perfect. You are amazing and perfect."

"But?"

"But I feel like I don't belong here. I feel like we come from too different worlds. This life you live, and the relationship you have with your family is completely for to me." You release a shaky breath as the tears you held in all night slowly start to cascade down your cheeks. "And I'm scared that I'll just end up corrupting it somehow. You are the most amazing thing to ever happen to me, and I don't want to fuck this up, but it feels like it's inevitable. Bound to happen eventually."

"You could never fuck this up." He lifts a hand to softly brush away your tears. "You've told me that your home life was never the greatest, but don't do this. Don't compare yours to mine and make yourself feel like you've done something wrong. You haven't done anything wrong. What happened has clearly hurt you in ways that I could never understand, but don't let it define you. You might not see it, but to me, you are perfect just the way you are."

"I just want to be good enough for you."

"You are good enough for me. More than enough. I wish you could see that." He sighs, leaning forward and kissing you softly. "I making a promise to you that I will spend every day showing you that and proving it to you until you start to see it for yourself. I know it will take time, but that's fine with me. Because this. Us. Is end game. You are end game for me."

"You are too patient with me."

"And you aren't patient enough with yourself. It's okay though because I have enough patience for the both of us."

"I don't deserve you."

"It's the other way around, sweet girl." He pecks your nose. "I love you."

"I love you, too." You curl into him, pressing as close to him as you can.

"Now sleep." He wraps his arms tightly around you. "I'm pretty sure my mom has put together a whole itinerary of things for us to do tomorrow so you'll need the rest." He chuckles.

"Goodnight, Quinny." You murmur, sleep ready to whisk you away.

"Goodnight, my love."

[corseque]

I honestly just wanted one single plot step that I could not predict given the 10 year wait. More behind the cut, I talk about Emet too, and I'm comparing his writing favorably to Solas' writing and why it worked better for me personally, but I am just talking about the writing skill that went into the games and not the dudes themselves, I love them both dearly of course. idk this is a mess and I am not going to edit it for clarity

For me, the game was a series of me saying

"ok I knew that. cool."

"oh yeah, I knew that. I guess it's good that the larger fandom knows about that now."

"nice, but yeah I already knew that too"

"that was something we've been talking about a lot for years"

"this thing they are acting like is a huge enormous reveal that the characters could not possibly have deduced through simply thinking about it in depth over the 10 years... the fans easily figured out by thinking about it in depth 10 years ago. So you would think his girlfriend would be able to figure it out more easily than we did. Like, why couldn't the game have been like 'oh lavellan already figured that out a while ago' it would have cost them nothing"

"this is something I've been thinking about for years, and now that it's being revealed, the companions' reactions to it are very irritating and jarring and unnecessary and I really dislike the experience I'm having right now, in this, the hour of my greatest triumph"

"this thing that is happening on my screen right now is something that I wrote an essay about 2 years ago describing how it would be a letdown if it happened without the correct setup"

"this way that they're characterizing Solas makes him less likable and less interesting than I have been finding him for all these years, and I have had people tell me 'no, he's simpler than you think' for years but I guess I was wrong, he really is simpler than I thought, so that fucking sucks. I wish I could take that information out of my brain."

"this thing is a retcon of information I have been thinking about for 10 years, and so I don't know how to follow along with this new direction, and I'm not sure if I even want to because it's not particularly interesting anyway"

"aw that was sweet"

"why is it like, so very impossible to have an honest back-and-forth with my favorite character about the dilemma that was most interesting to me about the previous game"

and then, as soon as, like, the other fans had caught up to the Solas lore that was really obvious from the other games, the game was.... over without anything surprising happening, or introducing a new element or plot point or perspective, or a real true twist (or two, or three) for those of us who have thought about it too hard for too long. It was very simple and easy, much, much, much, much easier than I was imagining. It all felt sort of like that Nicholson quote:

The thing was, the whole story was so interesting to think about because in 10 years, I couldn't figure out a good solution to it!!!!! It's why I was never able to write post-game fanfic about it. So I was stoked to find out some reveal we never knew about, some new information, in maybe a SERIES of steps of new information, that made the situation more complicated but also something that could be navigated by everyone involved. I know it was asking for a lot, but they had TEN YEARS, and they seemingly had set up the things they did in DAI on purpose, so surely they had some idea of a complex and satisfying narrative that would reconcile everyone.

The reason why I was expecting this is because FFXIV did a very similar story arc, which was started AND concluded WITHIN those 10 years (so it took the FFXIV team far less time to deliver as well). And the conclusion to the story in FFXIV did what I was expecting Dragon Age to do. So I thought, "holy shit, if this is the FFXIV version of this plot, how much more complicated is DA4 going to be!?!?" The DA devs also PLAYED FFXIV so they were completely aware, several years ago, of a satisfying story ending that was pretty darn similar.

People are probably going to think "oh, well Chelsea was disappointed because she spent too much time building it up in her head" but that's exactly it - I actually speculated and thought about FFXIV's story IN DEPTH NONSTOP for a year+ before its ending came out, and the ending absolutely blew me away. FFXIV Endwalker managed to introduce information and new story elements that I was not able to figure out in the YEAR I spent speculating on the ending of FFXIV's story. It took a complicated situation and revealed several several more facets to it that I was not able to predict, but were very interesting and thematically compelling, and took us all to surprising and climactic places that we could not have predicted.

Endwalker ("end" is in the title on purpose) too, was written to be THE ULTIMATE SATISFYING ENDING for a very long-running story in the exactly way that Veilguard SHOULD HAVE for Dragon Age, so while this complexity is being explored, FFXIV also gave catharsis to many different plot threads that have been built up through the previous expansions, until finally it ends with a bang. The story is desperately good to me, I loved it, it gave me closure for Dragon Age long before Veilguard was even revealed, and going back and looking at its story has made this whole thing far less painful for me.

So, I actually did not have a picture in my mind for how things SHOULD go. I just had the thought "I hope it's complicated and there are points of view or facts that we haven't before been exposed to, and the situation is resolved respectfully for Solas, not making him look like a fucking idiot (lol, the only thing I asked for). I don't even care what happens to Solas and Lavellan, I just need the story to be complicated and interesting to think about. Please, god, don't let it be "solas is wrong and he just needs to be convinced" because that's like the simplest story you could tell with this setup"

(btw they managed to tell Emet-Selch's story without making him seem like he's being an idiot on purpose or can never get anything right, and in fact the more the story goes on, the more you think of him as smart and capable and cool, so it is possible to write.... I wasn't asking for the entire moon)

And I played it and... yeah. Most of the story beats were more simple than I wanted them to be, a lot of them didn't make sense in my heart given the writing from Inquisition. (This is another essay, but if Solas' thematic story arc was always about him needing to let go of regrets, why was his personal quest the way it was? After that quest, doesn't he end up regretting not doing more....? Why did he never really talk about regret during Inquisition? If he was so trapped by regret, why was he able to do so many actions? It doesn't mesh well to me. The whole regret thing was very quarter-baked to me, I don't even like thinking about it.) His story never seemed like one that was as simple as being about one man's regrets, but then, I guess, it was always just about one man's regrets.

Emet-Selch's personal storyline (and the way it interacts with and affects the larger story) is very similar but much more cohesive and satisfying to me. It would be difficult to explain why without the aforementioned 5-hour essay. Emet-Selch's story IS about grief and anguish on a world-shaping scale in a similar way that Solas' was apparently always about letting go of regret, but Emet's story was also very pointedly and beautifully about that one theme for the entirety of his story from every tiny detail, from beginning to end - meanwhile, it seemed to me that they tried to introduce 'regret' as the main thrust of Solas' story only in the short story with the Regret demon onward.

From Inquisition just by itself, the closest I personally could get to a story theme for Solas was his inability to trust others hurting him and the world, but his trusting others in DA4 wasn't really addressed to my satisfaction. He is never required to trust anyone before the ending, he never opens up or makes himself vulnerable at all. People find out information about him, he never really dynamically opens himself. So the personal story I thought he had was never addressed at all, while a new one about regret was introduced that never made a ton of sense to me. And I don't think this is just because of my expectations - my reaction to FFXIV proves that I am able to meet good writing where it goes in surprising directions, as long as it's interesting and thoughtful and clear.

And I think this might be part of what people felt was off about the ending - Solas is sort of uninvolved in the revelations that are about him, and doesn't do much to be part of his own ending. Part of what I loved about Solas in Inquisition is that he is not controlled by you in any way, and so he feels like his own person with a very strong sense of character.

Anyway, Emet-Selch, in a very comparable and arguably more extreme plot position, is very involved in the revelations about himself, he always feels like a very strong character who cannot be affected by the player, and the whole situation is handled with deft emotion and care and delicacy. The story is comparatively very uninterested in litigating Emet-Selch or putting him on trial - the story allows you to simply feel the way that you feel in an organic way, and Emet's story spends that energy instead actually exploring his thematic material about grief and legacy, and the larger story theme of existentialism instead, in a way that is very refreshing and interesting. I've seen a lot of western stories tie themselves in knots over "redemption" and frankly it's almost never been interesting at all. Who cares about any of that. lol

(Now, I guess this is a matter of preference, because some people really like being able to shape a character's story, but idk I rewatched the ending of FFXIV and even though there wasn't a choice with Emet, because it isn't a branching story, his story felt more satisfying to me, maybe because there isn't a patronizing choice to be made for him. He is who he is, and he fulfills a very beautiful narrative role and purpose that no other character could in the story.)

I don't know how this could have been improved to me and still allowed players to choose Solas' ending for him, but I can actually think of a few different methods, none of which involve Rook condescendingly and patronizingly lecturing Solas as if Solas had never thought about a single aspect of this horrible situation he's in before that very moment that Rook lectures him lmfao.

All this to say... idk I'm writing this and I am not going back to edit it so it's stream-of-consciousness. But yeah

I just wanted the story to be complicated on a few more levels than I could have predicted. I genuinely don't care what happened, but I thought of a few twists like the Veil coming down and yeah, I was expecting A Single Twist or reveal to happen. In a Dragon Age game.

I wanted Solas to seem cool and capable and noble and smart, and actually feel like he was as old and experienced as he is.

I wanted a clear theme I could sink my teeth into

Like notice I didn't even say anything about Solavellan. Like I never in 100 years thought they were getting a happy ending where they were both alive in bodies, and I like that we got that, but I would honestly trade it for a more complicated story. To me, if a story is sad you can always write fanfic, but if a story isn't COMPLICATED, that's a much more urgent issue.

These 3 things DA4 didn't give me in a way that satisfied me but FFXIV did. anyway idk the way my hyperfixations work, I completely switch to a new subject so talking about Dragon Age is actually hard for me right now.

[thebreakfastgenie]

In retrospect, should the Dems have held onto more Joe Manchin-types instead of letting AOC types basically take the party hostage?

I don't think it's a zero-sum game! I look at the Democratic Party as a big tent coalition party. You run your AOC types in districts/states where they match the electorate and your Joe Manchin types in districts/states where they match the electorate. Most of your districts/states will be somewhere in between; choose your candidates accordingly. Joe Manchin was a pain in the ass and sometimes he was an asshole about it, but I never had the hatred for him that a lot of Dems did because relative to Dem senators yeah he was the worst but relative to West Virginia? He was the best we were going to get. I think there's room in the party for both, as long as both ends are willing to work together and behave as good faith coalition partners. That's the part that's hard to do, because a lot of people really don't understand how different constituencies are, and even the ones who do have their own stakes involved. Republicans are so extreme right now that in theory you can build a pretty broad coalition just on the basis of "we're all closer to each other than we are to those lunatics." In the long run if we actually manage to replace the current GOP with a functional, sane conservative party that may change, but we'll cross that bridge then, parties always adapt to the political circumstances.

I don't think it's fair to say "AOC types took the party hostage," although I understand why some people feel that way about the progressive wing. Obviously the progressive wing's demands were part of it, but I don't think the Biden-Harris administration's progressive policies or the progressive parts of the party platform were created to placate hostage takers. A lot of Democrats believe in that stuff, I think the progressive wing worked very hard to convince Biden and other establishment leaders that those policies were politically viable. There's plenty of fair criticism of the progressive wing as coalition partners, and part of that is that they did not deliver a reliable base. I've been skeptical of the base they promised since Bernie Sanders first started talking about in 2016, so I would be willing to say I think it was a mistake for Democrats to believe that base would materialize.

However, I can kind of understand why the Dems did it, because Joe Manchin types are going extinct. It's happening for a lot of structural reasons that are beyond the Dems' control. Knowing type of Dem and the base that came with them are rapidly disappearing, they had to find another source of support, and the progressive wing made their case. It would have been nice if it worked out, I'm not really shocked that it didn't, and the consequences of that gamble not paying off are, you know, severe.

I am glad we hardly have any anti-choice Dems anymore. I'm glad LGBT rights are here to stay as part of the platform. I'm fairly progressive myself, so I'm happy with where the party has moved over the last twenty years. Strategy is a tougher question and I have my thoughts but I also know that's somebody's job and I hope they know more about this than I do.

[seventh-district]

Sam: "Look at me. Hey- look at me a second. I know. I know you're tough. I know how strong you are. You have every right to be proud of that. But being able to handle somethin' doesn't mean you should have to. Least of all when I'm right here trying to help. Please let me help. If not for you then for me, because I don't like knowin' you're hurtin', especially when there's somethin' I can do about it."

Me, shaking my head, fighting back literal tears: "B-but it's gonna give you another headache!"

[a-writing-otter]

Chapters: 8/11 Fandom: Gravity Falls Rating: Mature Warnings: No Archive Warnings Apply Relationships: Bill Cipher/Ford Pines Characters: Bill Cipher, Ford Pines, Wendy Corduroy, Dipper Pines, Mabel Pines, Original Characters, Stan Pines, Jesus "Soos" Alzamirano Ramirez, Melody (Gravity Falls), Gideon Gleeful, Pacifica Northwest, Mrs. Gleeful (Gravity Falls) Additional Tags: Handyman Bill Cipher, Post-Book: The Book of Bill (Gravity Falls), Temporarily Human Bill Cipher, Blood and Injury, Unsuccessful Murder Attempts, Demon possession, Making Out, Smoking, Bill is Trying to Tap That So Hard, Alcohol, Underage Drinking, (Like only a little), Demon Exorcism, Bill Cipher is a Magical Girl Summary:

Things are complicated in Bill’s life as it is now that he’s in a human body on glorified house arrest while doing community service as the new handyman for the Mystery Shack, what he doesn’t need it a situationship-turned-maybe-just-ship with Ford Pines.

…maybe he shouldn’t seek it out either, but that’s besides the point. He’s got one goal and that’s to get back in his body, get his powers back, and far away from this rock.

So, when salvation comes in the form of a former fling spinning plans about how to get his revenge and eat it, too, Bill’s all too eager to listen. It’s not like he cares about these people, this place, or anything else here. He’s got plans, big plans, and there’s nothing that can stop him, not even these squishy, human emotions he’s starting to feel.

[opens-up-4-nobody]

...

[caelum-in-the-avatarverse]

Fandom can do a little gatekeeping. As a treat.

So I finally decided to archive-lock my fics on AO3 last night. I’ve been considering it since the AI scrape last year, but the tipping point was this whole lore.fm debacle, coupled with some thoughts I’ve been thinking regarding Fandom These Days in general and Fandom As A Community in particular. So I wanna explain why I waited so long, why I locked my stuff up now, and why I’ve come to the conclusion that I’m a-okay with making it harder for people to see my stories.

Lurkers really are great, tho

I’m a chronic lurker, and have been since I started hanging out on the internet as a teen in the 00s. These days it’s just cuz I don’t feel a need to socialize very often, but back then it was because I was shy and knew I was socially awkward. Even if I made an account, I’d spend months lurking on message boards or forums or Livejournals, watching other people interact and getting a feel for that particular community’s culture and etiquette before I finally started interacting myself. And y’know, that approach saved me a lot of embarrassment. Over the course of my lurking on any site, there was always some other person who’d clearly joined up five minutes after learning the place existed, barged in without a care for their behavior, and committed so many social faux pas that all the other users were immediately annoyed with them at best. I learned a lot observing those incidents. Lurk More is Rule 33 of the internet for very good reason.

Lurking isn’t bad or weird or creepy. It’s perfectly normal. I love lurking. It’s hard for me to not lurk - socializing takes a lot of energy out of me, even via text. (Heck it took 12 hours for me to write this post, I wish I was kidding--) Occasionally I’ll manage longer bouts of interaction - a few weeks posting here, almost a year chatting in a discord there - but I’m always gonna end up going radio silent for months at some point. I used to feel bad about it, but I’ve long since made peace with the fact that it’s just the way my brain works. I’m a chronic lurker, and in the long term nothing is going to change that.

The thing with being a chronic lurker is that you have to accept that you are not actually seen as part of the community you are lurking in. That’s not to say that lurkers are unimportant - lurkers actually are important, and they make up a large proportion of any online community - but it’s simple cause and effect. You may think of it as “your community”, but if you’ve never said a word, how is the community supposed to know you exist? If I lurked on someone’s LJ, and then that person suddenly friendslocked their blog, I knew that I had two choices: Either accept that I would never be able to read their posts again, or reach out to them and ask if I could be added to their friends list with the full understanding that I was a rando they might not decide to trust. I usually went with the first option, because my invisibility as a lurker was more important to me than talking to strangers on the internet.

Lurking is like sitting on a park bench, quietly people-watching and eavesdropping on the conversations other people are having around you. You’re in the park, but you’re not actively participating in anything happening there. You can see and hear things that you become very interested in! But if you don’t introduce yourself and become part of the conversation, you won’t be able to keep listening to it when those people walk away. When fandom migrated away from Livejournal, people moved to new platforms alongside their friends, but lurkers were often left behind. No one knew they existed, so they weren’t told where everyone else was going. To be seen as part of a fandom community, you need to submit to the mortifying ordeal of being known, etc. etc.

There’s nothing wrong with lurking. There can actually be benefits to lurking, both for the lurkers and the communities they lurk in. It’s just another way to be in a fandom. But if that is how you exist in fandom--and remember, I say this as someone who often does exist that way in fandom--you need to remember that you’re on the outside looking in, and the curtains can always close.

I’ve always been super sympathetic to lurkers, because I am one. I know there’s a lot of people like me who just don’t socialize often. I know there’s plenty of reasons why someone might not make an account on the internet - maybe they’re nervous, maybe they’re young and their parents don’t allow them to, maybe they’re in a bad situation where someone is monitoring their activity, maybe they can only access the internet from public computer terminals. Heck, I’ve never even logged into AO3 on my phone--if I’m away from my computer I just read what’s publicly available. 

I know I have people lurking on my fics. I know my fics probably mean a lot to someone I don’t even know exists. I know this because there are plenty of fics I love whose writers don’t know I exist.

I love my commenters personally; I love my lurkers as an abstract concept. I know they’re there and I wish them well, and if they ever de-lurk I love them all the more.

So up until last year I never considered archive-locking my fic, because I get it. The AI scraping was upsetting, but I still hesitated because I was thinking of lurkers and guests and remembering what it felt like to be 15 and wondering if it’d be worth letting a stranger on the internet know I existed and asking to be added to their friends list just so I could reread a funny post they made once.

But the internet has changed a lot since the 00s, and fandom has changed with it. I’ve read some things and been doing some thinking about fandom-as-community over the last few years, and reading through the lore.fm drama made me decide that it’s time for me to set some boundaries.

I still love my lurkers, and I feel bad about leaving any guest commenters behind, especially if they’re in a situation where they can’t make an account for some reason. But from here on out, even my lurkers are going to have to do the bare minimum to read my fics--make an AO3 account.

Should we gatekeep fandom?

I’ve seen a few people ask this question, usually rhetorically, sometimes as a joke, always with a bit of seriousness. And I think…yeah, maybe we should. Except wait, no, not like that--

A decade ago, when people talked about fandom gatekeeping and why it was bad to do, it intersected with a lot of other things, mainly feminism and classism. The prevalent image of fandom gatekeeping was, like, a man learning that a woman likes Star Wars and haughtily demanding, “Oh, yeah? Well if you’re REALLY a fan, name ten EU novels” to belittle and dismiss her, expecting that a “real fan” would have the money and time to be familiar with the EU, and ignoring the fact that male movie-only fans were still considered fans. The thing being gatekept was the very definition of “being a fan” and people’s right to describe themselves as one.

That’s not what I mean when I say maybe fandom should gatekeep more. Anyone can call themselves a fan if they like something, that’s fine. But when it comes to the ability to enjoy the fanworks produced by the fandom community…that might be something worth gatekeeping.

See, back in the 00s, it was perfectly common for people to just…not go on the internet. Surfing the web was a thing, but it was just, like, a fun pastime. Not everyone did it. It wasn’t until the rise of social media that going online became a thing everyone and their grandmother did every day. Back then, going on the internet was just…a hobby.

So one of the first gates online fandom ever had was the simple fact that the entire world wasn’t here yet.

The entire world is here now. That gate has been demolished.

And it’s a lot easier to find us now. Even scattered across platforms, fandom is so centralized these days. It isn’t a network of dedicated webshrines and forums that you can only find via webrings anymore, it’s right there on all the big social media sites. AO3 didn’t set out to be the main fanfic website, but that’s definitely what it’s become. It’s easy for people to find us--and that includes people who don’t care about the community, and just want “content.”

Transformative fandom doesn’t like it when people see our fanworks as “content”. “Content” is a pretty broad term, but when fandom uses it we’re usually referring to creative works that are churned out by content creators to be consumed by an audience as quickly as possible as often as possible so that the content creator can generate revenue. This not-so-new normal has caused a massive shift in how people who are new to fandom view fanworks--instead of seeing fic or art as something a fellow fan made and shared with you, they see fanworks as products to be consumed.

Transformative fandom has, in general, always been a gift economy. We put time and effort into creating fanworks that we share with our fellow fans for free. We do this so we don’t get sued, but fandom as a whole actually gets a lot out of the gift economy. Offer your community a story, and in return you can get comments, build friendships, or inspire other people to write things that you might want to read. Readers are given the gift of free stories to read and enjoy, and while lurking is fine, they have the choice to engage with the writer and other readers by leaving comments or making reclists to help build the community.

And look, don’t get me wrong. People have never engaged with fanfic as much as fan writers wish they would. There has always been “no one comments anymore” wank. There have always been people who only comment to say “MORE!” or otherwise demand or guilt trip writers into posting the next chapter. But fandom has always agreed that those commenters are rude and annoying, and as those commenters navigate fandom they have the chance to learn proper community etiquette.

However, now it seems that a lot of the people who are consuming fanworks aren’t actually in the community. 

I won’t say “they aren’t real fans” because that’s silly; there’s lots of ways to be a fan. But there seem to be a lot of fans now who have no interest in fandom as a community, or in adhering to community etiquette, or in respecting the gift economy. They consume our fics, but they don’t appreciate fan labor. They want our “content”, but they don’t respect our control over our creations.

And even worse--they see us as a resource. We share our work for free, as a gift, but all they see is an open-source content farm waiting to be tapped into. We shared it for free, so clearly they can do whatever they want with it. Why should we care if they feed our work into AI training datasets, or copy/paste our unfinished stories into ChatGPT to get an ending, or charge people for an unnecessary third-party AO3 app, or sell fanbindings on etsy for a profit without the author’s permission, or turn our stories into poor imitations of podfics to be posted on other platforms without giving us credit or asking our consent, while also using it to lure in people they can datascrape for their Forbes 30 Under 30 company? 

And sure, people have been doing shady things with other people’s fanworks since forever. Art theft and reposting has always been a big problem. Fanfic is harder to flat-out repost, but I’ve heard of unauthorized fic translations getting posted without crediting the original author. Once in…I think the 2010s? I read a post by a woman who had gone to some sort of local bookselling event, only to find that the man selling “his” novel had actually self-published her fanfic. (Wish I could find that one again, I don’t even remember where I read it.)

But aside from that third example, the thing is…as awful as fanart/writing theft is, back in the day, the main thing a thief would gain from it was clout. Clout that should rightfully go to the creators who gifted their work in the first place, yeah, but still. Just clout. People will do a lot of hurtful things for clout, but fandom clout means nothing outside of fandom. Fandom clout is not enough to incentivize the sort of wide-scale pillaging we’re seeing from community outsiders today.

Money, on the other hand… Well, fandom’s just a giant, untapped content farm, isn’t it? Think of how much revenue all that content could generate.

Lurkers are a normal and even beneficial part of any online community. Maybe one day they’ll de-lurk and easily slide into place beside their fellow fans because they already know the etiquette. Maybe they’re active in another community, and they can spread information from the community they lurk in to the community they’re active in. At the very least, they silently observe, and even if they’re not active community members, they understand the community.

Fans who see fanworks as “content” don’t belong in the same category as lurkers. They’re tourists. 

While reading through the initial Reddit thread on the lore.fm situation, I found this comment:

[ID: Reddit User Cabbitowo says: ... So in anime fandoms we have a word called tourist and essentially it means a fan of a few anime and doesn't care about anime tropes and actively criticizes them. This is kind of how fandoms on tiktok feel. They're touring fanfics and fanart and actively criticizes tropes that have been in the fandom since the 60s. They want to be in a fandom but they don't want to engage in fandom 

OP totallymandy responds: Just entered back into Reddit after a long day to see this most recent reply. And as a fellow anime fan this making me laugh so much since it’s true! But it sorta hurts too when the reality sets in. Modern fandom is so entitled and bratty and you’d think it’s the minors only but that’s not even true, my age-mates and older seem to be like that. They want to eat their cake and complain all whilst bringing nothing to the potluck… :/ END ID]

-

“Tourist” is an apt name for this sort of fan. They don’t want to be part of our community, and they don’t have to be in order to come into our spaces and consume our work. Even if they don’t steal our work themselves, they feel so entitled to it that they’re fine with ignoring our wishes and letting other people take it to make AI “podfics” for them to listen to (there are a lot of comments on lore.fm’s shutdown announcement video from people telling them to just ignore the writers and do it anyway). They’ll use AI to generate an ending to an unfinished fic because they don’t care about seeing “the ending this writer would have given to the story they were telling”, they just want “an ending”. For these tourist fans, the ends justify the means, and their end goal is content for them to consume, with no care for the community that created it for them in the first place.

I don’t think this is confined to a specific age group. This isn’t “13-year-olds on Wattpad” or “Zoomers on TikTok” or whatever pointless generation war we’re in now. This is coming from people who are new to fandom, whose main experience with creative works on the internet is this new content culture and who don’t understand fandom as a community. That description can be true of someone from any age group.

It’s so easy to find fandom these days. It is, in fact, too easy. Newcomers face no hurdles or challenges that would encourage them to lurk and observe a bit before engaging, and it’s easy for people who would otherwise move on and leave us alone to start making trouble. From tourist fans to content entrepreneurs to random people who just want to gawk, it’s so easy for people who don’t care about the fandom community to reap all of its fruits. 

So when I say maybe fandom should start gatekeeping a bit, I’m referring to the fact that we barely even have a gate anymore. Everyone is on the internet now; the entire world can find us, and they don’t need to bother learning community etiquette when they do. Before, we were protected by the fact that fandom was considered weird and most people didn’t look at it twice. Now, fandom is pretty mainstream. People who never would’ve bothered with it before are now comfortable strolling in like they own the place. They have no regard for the fandom community, they don’t understand it, and they don’t want to. They want to treat it just like the rest of the content they consume online.

And then they’re surprised when those of us who understand fandom culture get upset. Fanworks have existed far longer than the algorithmic internet’s content. Fanworks existed long before the internet. We’ve lived like this for ages and we like it.

So if someone can’t be bothered to respect fandom as a community, I don’t see why I should give them easy access to my fics.

Think of it like a garden gate

When I interact with commenters on my fic, I have this sense of hospitality.

The comment section is my front porch. The fic is my garden. I created my garden because I really wanted to, and I’m proud of it, and I’m happy to share it with other people. 

Lots of people enjoy looking at my garden. Many walk through without saying anything. Some stop to leave kudos. Some recommend my garden to their friends. And some people take the time to stop by my front porch and let me know what a beautiful garden it is and how much they’ve enjoyed it. 

Any fic writer can tell you that getting comments is an incredible feeling. I always try to answer all my comments. I don’t always manage it, but my fics’ comment sections are the one place that I manage to consistently socialize in fandom. When I respond to a comment, it feels like I’m pouring out a glass of lemonade to share with this lovely commenter on my front porch, a thank you for their thank you. We take a moment to admire my garden together, and then I see them out. The next time they drop by, I recognize them and am happy to pour another glass of lemonade.

My garden has always been open and easy to access. No fences, no walls. You just have to know where to find it. Fandom in general was once protected by its own obscurity, an out-of-the-way town that showed up on maps but was usually ignored.

But now there’s a highway that makes it easy to get to, and we have all these out-of-towner tourists coming in to gawk and steal our lawn ornaments and wonder if they can use the place to make themselves some money.

I don’t care to have those types trampling over my garden and eating all my vegetables and digging up my flowers to repot and sell, so I’ve put up a wall. It has a gate that visitors can get through if they just take the time to open it.

Admittedly, it’s a small obstacle. But when I share my fics, I share them as a gift with my fellow fans, the ones who understand that fandom is a community, even if they’re lurkers. As for tourist fans and entrepreneurs who see fic as content, who have no qualms ignoring the writer’s wishes, who refuse to respect or understand the fandom community…well, they’re not the people I mean to share my fic with, so I have no issues locking them out. If they want access to my stories, they’ll have to do the bare minimum to become a community member and join the AO3 invite queue.

And y’know, I’ve said a lot about fandom and community here, and I just want to say, I hope it’s not intimidating. When I was younger, talk about The Fandom Community made me feel insecure, and I didn’t think I’d ever manage to be active enough in fandom spaces to be counted as A Member Of The Community. But you don’t have to be a social butterfly to participate in fandom. I’ll always and forever be a chronic lurker, I reblog more than I post, I rarely manage to comment on fic, and I go radio silent for months at a time--but I write and post fanfiction. That’s my contribution.

Do you write, draw, vid, gif, or otherwise create? Congrats, you're a community member.

Do you leave comments? Congrats, you're a community member.

Do you curate reclists? Congrats, you're a community member.

Do you maintain a fandom blog or fuckyeah blog? Congrats, you're a community member.

Do you provide a space for other fans to convene in? Congrats, you're a community member.

Do you regularly send asks (off anon so people know who you are)? Congrats, you're a community member.

Do you have fandom friends who you interact with? Congrats, you're a community member.

There’s lots of ways to be a fan. Just make sure to respect and appreciate your fellow fans and the work they put in for you to enjoy and the gift economy fandom culture that keeps this community going.

[bamsara]

COTL / TROD AU Reference Sheets and OC refs that I made a few months ago and have been using but forgot to post. The cloaks on Narinder and Lamb, and heights and clothing of the bishops are semi-outdated, but the OC height sheet is accurate.

+ Joon, Grekimar, and Jayen refs. There's character lore and relationship info for them under the cut, I'll get to the rest of them eventually:

Character lore, mainly for artfight purposes but putting it here too. Some of this character lore is already established in fic or on here, but may contain spoilers for Trod later on.

😺Joon (They/Them):

Born and raised in the Lamb's flock with little outside wordly experience, the Yellow Cat aka 'Joon' is the best farmer in the flock with an upbeat attitude and a easy-going, casual outlook on life. They're a hard worker and a harder napper, which lands them in a particular situation when a accidental nap inside a barn leads to them witnessing the Leader drag in a bloody, confused, volatile worm The Lamb shakily says was rescued from Darkwood, before reluctantly leaving them to the yellow cat's care. Which is fine, because if the leader says it's fine, then it's fine. Totally.

With their accidental involvement, Joon is assigned to be Leshy's 'caretaker', or really just a supervisor to make sure the worm doesn't do anything terrible and to report to the Lamb if he does anything weird, all without ever being truly told of the worm's true nature.

🐷Grekimar (He/Him):

Originally a heretic in Anura, Grekimar is a 'relatively' new cultist to the Lamb's Flock ('New' being a few years, but still not as long as other flock members.) Although the pig used to conduct violence and sacrifices in the God of Famine's name, he was welcomed to the Flock as a new member after he began to question the strength of the rule of dead god and was exiled. His arrival was met with scrutiny but was eventually welcomed as he's a hard worker, and surprisingly (due to his gruff demeanor), cares for his new home and it's peaceful rules over his prior home, including it's inhabitants.

When a three eyed cat arrives and threatens the saftey of his fellow flock, Grekimar becomes a dissenter and questions the Leader's decision, joining alliance with The Lamb's highest disciple, Tyren, to scheme and kill the cat in order to protect the flock.

🐻Jayen (He/Him):

A kindhearted and rather soft-spoken soul, Jayen is 'gentle giant' archtype character. Brought to the cult as a cub, Jayen is an anxious 'left-over' type, with no particular skills or qualities that are seemingly 'useful' to the flock or it's Leader, and he is very self-consious about this. Switching inbetween jobs and struggling to find his place among the cult's growing number, Jayen is decayed and killed by a furious Narinder in an attempt to pull him off of The Lamb when the cat's dramatic initial arrival happened. He is later revived, now traumatized and with a heightened fear of death.

Although his murderer walks free, the same cat had revived him as well, so Jayen holds no ill will and would rather simply leave it all behind and not think about it all. However, he is roped into a scheme to kill Narinder by Tyren and Grekimar, with the former using the bear's fears of death to pressure him into helping.

Tyren's, Grekimar's, and Jayen's relationships:

-While Tyren is a loyal disciple and Grekimar a regular dissenter, both found common ground in wanting to Kill Narinder, though their reasonings differ. Tyren wants to kill Narinder being an obstacle to the Lamb, while Grekimar wants to rid of him for concerns to protect the cult. While they can put aside their differences to achieve their goal, Tyren's methods will make Grekimar reconsider his alliance with the dog.

-Tyren pressures Jayen into working with him and Grekimar under the guise that if they do not kill Narinder, then the cat will eventually kill him again. If that tactic does not work, Tyren will subtly imply that he will use his status in the cult to undermine Jayen, and possibly exile him for being 'useless.'

-Grekimar thinks Jayen a coward, and while he'll pressure the bear to do as he is told, the pig is conflicted about getting the bear involved.

[baejax-the-great]

One of the things missing in Veilguard is any sort of meaningful power struggle. By keeping to the poorer parts of the city-settings, we don't really deal with corrupt or powerful nobles. By defanging the Crows, an organization who famously has lethal squabbles between factions, they turned them into some weird, benevolent family organization. Even the assassin trying to make "evil" power plays doesn't actually manage to kill any of his targets, and his ruthless relatives? Also don't kill him in revenge. In the end, the status quo is maintained. Nothing has changed.

In Tevinter, we have the Threads, an organized crime unit who we know runs "protection" rackets on the locals and is involved in some kind of smuggling (it's Tevinter--so presumably this would involve slavery and dangerous artifacts, but it's Veilguard, so I guess not). Instead of them beefing with the Shadow Dragons, who presumably ruin some of their deals with their pesky "freeing the slaves" thing, and instead of their main issue being with any sort of law enforcement, something which doesn't exist in Veilguard beyond one singular templar who does all of jack shit the entire game, their main power struggle is with the Venatori, who are evil just to be evil.

And instead of the Veilguard siding with law enforcement or the threads and enlisting their help to, idk, unseat the corrupt head of the templars or otherwise deal with the venatori shit, the threads are highly favored by the storyline, and in the end the only real choice is to make Neve a thread or to make her... idk, the same Neve? The game calls her an "inspiration", but it's not like she's part of any organization, so we can't call her a figurehead. It's just like, see that random citizen right there? She rules. And I don't really see how that increases the power of the rule of law, because even if one good person is working within rule of law to get things done, she's not part of the system, and everyone already know the system is corrupt in Minrathous. Random citizens in fucking Ferelden know the system is corrupt in Minrathous, or they would if they weren't all dead. Neve is now just playing on hard mode to appear righteous, which, good for her, but I'm sorry, won't inspire all that many people who are still paying "protection" money to the local mafia.

(Putting Neve in charge of the Threads is an absolutely whackadoodle decision by the devs that I don't even know how to respond to. She has a single Thread contact. Presumably the Threads have a hierarchy. She has never demonstrated interest in being a smuggler. Being a detective really has no overlap with being a crime boss. Telling a group of criminals that they are all detective's helpers now is sure to go over like a lead balloon. What the fuck was that. Why did that happen.)

Maevaris and Dorian arguing came out of nowhere and lasted a fairly long time, which was interesting, but after the most recent election in the states, Maevaris's position sounds unbearably naive and trite, and this hardly counts as a power struggle as they both say they will support the other depending on what some random outsider thinks should happen. (That is soooo not a basis for a system of government. Why would Maevaris OR Dorian cede their power to Rook, someone they don't know and who doesn't matter)

The power struggle within the Wardens is also very stupid and easily solved. The First Warden is a moron. He dies (kind of). For some reason the extremely hot and competent couple who we first encounter in the middle of nowhere are next in command, so, phew. Problem solved there. A question of what the Wardens will do now that the Blights are over would have been interesting. Do they keep recruiting lest the Blight somehow reoccur and nobody remembers the Warden secrets? Or do they disband? Do they set themselves to seeking a cure and nothing else?

The closest you get to that is deciding what the griffons will do, which, again, why the fuck is Rook deciding that, but also there are 13 of them, in two or three more generations they will be dead unless a lot of mages bone up on genetics real fast.

Who is left? We have Rivain, which is just pointless in this game. I played as a Lord of Fortune, but you could drop that faction and not a single thing changes in the game. Pirates who don't loot valuable artifacts because they are elvhen? Give me a fucking break.

Same for the Mourn Watch. There is pretty much nothing going on in that region. You could excise it from the game and nothing changes in the slightest. There is not a single excuse for them not using the Eluvians to help the Veilguard earlier in the game, given just how little they have going on.

The Veiljumpers are just missed opportunities all over the place. They could have had factions debating whether to join the god of vengeance in fucking up the human civilizations as payback for, you know, everything. They could have had people joining Cyrion in thinking that a Forgotten One might be the best way to face down the gods, given they'd done it before. There could have been a HUGE cultural impact on "what do we do now that we know our gods are evil fuckfaces--what do we keep and what do we throw away," but Veilguard ain't that deep. They could have had knowledge of a super-weapon or some elvhen bullshit that would help the Veilguard fight the gods... but nah.

In DAO, your decisions not only affected the political futures of the various regions, but they decided who would help you and how. Did the dwarves have golems? Did you have templars or mages? That whole wolf thing with the Dalish that I no longer remember that well? And the Dalish deciding to help changed how they were viewed in Ferelden. The mages helping you meant the monarch would treat them favorably. It fucking mattered.

In Veilguard, the only situation remotely close to that is the dragon decision at the beginning, which was one of the fucking dumbest plot points in a video game I have ever played. It was the first thing that made me set my controller down and go... what? What the fuck? The idea that Rook, a nobody, is the only person singularly capable of driving back a dragon in the entire north is laughable. What the fuck was Dorian up to that day? How is Rook more capable than every single Crow? How is it the two companions you sent to the other city were absolutely useless? If Lucanis/Neve + two companions were unable to drive a dragon away, what makes them think Rook would be the deciding factor? What makes them blame Rook when they themselves couldn't fucking do it? Neve in particular was a big part of fucking up that ritual and releasing the gods, so why is Rook taking all the fire for this?

AND WHY IS THEIR RESPONSE TO A BLIGHT TO FIND A SINGLE DRAGON HUNTER? HEY DIPSHITS, THE DRAGON IS HUNTING YOU. YOU DON'T NEED TO WORRY ABOUT THAT PART. YOU NEED AN ARMY.

But Treviso or Minrathous being spared doesn't change the global political situation at all. It would have been really interesting if it did. Tevinter hobbled? How many kingdoms would be salivating to take a bite out of their territory? With the trade princes of Antiva being absolutely fucked over by the Blight, who is taking over that trade? Who is getting rich?

Nobody, I guess, because why would Rook know or care about that, because, as previously mentioned, they are a nobody who doesn't matter and honestly shouldn't be listened to.

The stakes in this game are nothing because the bad guys are all so obviously bad that you know, as a video game player, that you are going to defeat them. Oh, the Antaam are just mindless, faceless brutes fucking up Treviso? Okay, let's kill them. Venatori again? I'm pretty sure they aren't the heroes of this game. There's no power struggle, and in the end all we've done is revert to the status quo, (except i guess Treviso is no longer occupied).

Except for the south. The south is dead. but we didn't have anything to do with that for some reason. Couldn't even be bothered to house some refugees in our safehouse that was built specifically to house refugees. The Inquisitor, who has access to the eluvians, couldn't figure out how to get other people through them or something so... sorry, every single Orlesian, Fereldan, and Marcher.

[simpjaes]

Have you already answered how you think hyung line sounds in bed? If not, who moans, whines, grunts, etc? You can also add jungwon to this if you want!

☆ jay:

directed moans for the most part but there may be an occasional whimper. It's not really a needy whimper but more of a "it feels so good I can't control the sounds I make" type of whimper. I like to think he's very in control of his thoughts for the most part [not always], to the point he moans intentionally to praise you for how good you feel. But when he's focused on the feeling and not on you specifically, Jay grunts, holds his breath, lets out long and exhausted sounding sighs when he feels good. And honestly they'd sound so good that I think they'd leave a pit in your stomach that urges you to pull more out of him. He's sensual whether he's subbing, domming, bottoming, or topping. Always with the need to take care of someone else...to the point he probably doesn't give his own horny sounds much attention. But mannnnnnn, jay would absolutely be panting and whining if you praise him for how good he feels and sounds. idk, i like to think you'd both get off on the sounds, and make more of them just to gain praise. like you'd lose your fucking minds together.

★ jake:

whining, panting, drooling, choking, stuttering. i do see jake as a dom for the most part for very particular reasons but i don't think he is able to control himself when it comes to getting his dick wet. he can be pathetic, of course, but he will always sound pathetic whether he's acting the part or not. you will always be covered in his saliva and cum because of how he is, and how badly he wants to get off on/in/to you. jake loses his goddamn mind every time, no matter how quick or small an intimate situation may be. fr, he looks just as fucked out being edged for 6 hours as he would just getting a quick hand job under a dinner table at a restaurant. rest assured though, you know he wants you not only with the way he fucking begs even if he's choking you, but with the way he moves his body just as desperately. In other words, jake is desperate for power but has no idea what to do with it, so he cries.

☆ sunghoon:

mostly holding his breath, letting out deep, guttural groans and choked out sounds that can only be heard when he's right against your ear. always whispers and gentle touches despite the way his hips fuck painfully. Sunghoon is definitely the type to keep himself under control and intentionally try to have you babbling and mumbling incoherently in his ear. he does not want to drown out your pleasure with his own. still, he'd know how much you love his sounds, so when he notices you relaxing too much, or enjoying yourself too much, he will be sure to tense your body right back up so he can feel that pussy squeeze him so tight just because he breathed a little too deeply in your ear. he's very sensual, makes every fuck feel like he's making love where sounds and words are barely comprehended because you're so in the moment with him. half of the time you don't even notice his moans because his eyes are so dark yet shining while he looks at you mid-fuck. additionally, he buries himself deep, it's hard to imagine you think at all when he's fucking you.

★ heeseung:

all the sounds, all the dirty talk, everything. I'd like to say though, that if heeseung whimpers, it's solely to get your attention and not at all because he's pleading for you to clench that pussy around him. every sound is a tease, and he'd definitely hold it against you. why? can't let pretty girl know how good he's feeling, right? after all, if you feel like you need to work harder to make him release sounds, you'll only end up fucking harder, harder, harder, until your legs are shaking and he can take full control and replace all those fake ass sounds with the real ones. deep guttural words of how lost you are on him, little praises disguised as dirty words and mockings of your behavior. his sounds are to make you chase and nothing more, up until he fills you up and you're nearly crying and begging for praise. he'd give in only to genuine moans when you're so far gone you barely can hear him.

[literalgrill]

Do NOT Support Hard Drive On Patreon

You might see friends today suggesting you support Hard Drive on Patreon today. You know, the funny video games version of The Onion? As a journalist, I will firmly tell you DO NOT GIVE THEM A DIME.

The CEO has pushed out all former staff that have built the site up to its current greatness and has been pushing the use of AI. The staff begged to have a Patreon before basically all being pushed out, but the idea was refused until now, when it will only line the pockets of a single person instead of hard working writers.

I know they might have provided laughs before, but Hard Drive is a shell of what it was once. Let it die and support the people who actually made those moments of joy possible. Don't believe me? Check out what former employees are saying below:

Kevin Podas: Okay you know what, I would feel bad saying nothing about this, so here goes:🚨SAVE YOUR MONEY🚨

We passionately advocated for a Patreon at Hard Drive & were aggressively shot down. The talent & people who built the site were pushed out. To see this now is beyond upsetting. For the past few years or so I put a lot of myself into this website. I pitched a ton of jokes, got over 120 articles published, & met a lot of great people. I'm sure if you've been following me for some time you could easily see this.

However, there is a lot of misinformation. I was eventually promoted to Managing Editor of the site & was ecstatic. Grateful for the opportunity. Felt like all of my hard work in the comedy mines was finally paying off. But things took a turn for the worst, & each day there were new surprises that affected our livelihoods. These were all very avoidable surprises, mind you.

A patreon was going to be our hail mary, but alas, for some reason, the power that be did not want it. Causing us to leave a dream job behind. "At least we did all we could," we consoled ourselves afterwards. I put a lot of myself into this project. I pitched all sorts of ideas that could have helped-- we all did. Merch collaborations, Patreon-integrated YouTube content, so much more. And most of them were shot down out of sheer stubbornness and nothing more. To see lie after lie spread, and multiple big publications and YouTubers that I am a fan of promote this Patreon under these pretenses is incredibly upsetting. There are so many receipts.

Please share this and consider pulling out if you've already put money into this. On Hard Drive using AI, also from Kevin Podas: I can't personally confirm that part aside from some of the recent header images for articles on both Hard Drive and Hard Times are being made with AI. As far as writing, it's been mentioned in the past, but I personally do not know. Maybe others do, maybe not. MORE From Kevin Podas suggesting the owner denying a Patreon being set up earlier cost an artist a job that was replaced by AI: We had a social media person who was awesome! He made the images until this AI implementation. He had to leave because ad revenue was low and a Patreon was aggressively refused.

Luca Fisher: at the risk of burning some bridges, i have to back up kevin here. i've only been part-time, in-and-out of hard drive since i got in last year, but i can corroborate that management doubled and tripled down about not hosting a patreon/crowdfunding and that many other suggestions and ideas, including mine (and ones much smarter than mine!), were shot down in really long, apocalyptic threads of everyone left on deck desperately trying to come up with ways to keep the lights on. managerially it has been messy and sad

i've written for multiple publications that have long since died, ones that were in the process of dying, and ones that, in this case, are soon to be put in the ground. it is sad and sucks every time. i don't know what could have been done differently, but i do know that a lot of great writers and content creators were left shorthanded and unhappy by the way things have gone. and it is sort of puzzling to see the sudden championing of patreon after we were all told plenty of times that it couldn't work and we should move on also, just to add my own personal two cents here, i was really disappointed by the shuttering of many different article sections on the site over the past 6-8 months. i understand cutting corners in a deficit, and i know it had to be done. that said…

all in all, i'm really sad to see this all happen. i don't fault anyone, if only because i don't really know enough about how this all can happen to make sense of it. games journalism is in a sad, sorry state, and will likely no longer be a thing in the next decade

VideoSealMan: I'm gonna say this because I think I deserve to. For months, MONTHS on end I was bugging Hard Drive management about a Patreon. Often I got ignored for a week+, but when I actually got a response I was encouraged to - of all things, write up a Google Doc pitching the concept I did it regardless. I wasn't the only one trying to sway management on a Patreon, but so fiercely was I fighting for it that last night, I was accused of making this comment directly by the CEO! With no evidence whatsoever! After I'd been gone for over a month.

I vouched so hard for Patreon because I wanted all the writers and creatives working with Hard Drive including myself to get paid better. When I actually got a response, the idea was often shut down. Eventually due to the state of my company, my pay was cut for a second time I confronted management alongside a couple other important figureheads at the org and told them that if we couldn't do a Patreon - I could no longer financially justify staying there. The answer was still no, so I left. Baffled at the decision, but whatever.

It is unendingly frustrating to know that myself and many other people who put their soul into Hard Drive LEFT because of management's absolute refusal to compromise on a Patreon, to then see them launch one anyway a month later and get over 1000 people pledging money. I'm seeing a lot of things float around about greed and people being fired. No one was fired. Everyone who left, left because they were sick of management's decision-making. And honestly, management is a lot of things but I would not call them greedy. (From my experience.) They did genuinely make an effort to pay people as much as possible. I found the pay very fair for a while. I am not disputing that I was paid what I was owed - yet management frequently feels the need to remind critics of that. Lmao, yes. I was paid what I was owed. No one is disputing payment. You did the bare minimum a business owner should do and paid everyone their due, very well done. I make no allegations of greed, cheating or foul play. I make allegations of poor management and incompetence that has fucked over other people.

Basically the only people left at Hard Drive have been there for about 2 months. They will reap the rewards of this successful Patreon I and so many others passionately fought for for so long. We will not see a dime.

I do not know the new people at Hard Drive, But I feel bad for them. They were haphazardly thrust into Hard Drive's workplace with little to no explanation on how anything works, or given any context on the state of the place. Even now managements feeds them half-truths and misinformation about other people's grievances. I am broke and have been for a while. I had to move out of my flat in Reading and back with my family because of how little money I was making. This has basically doomed my flatmate to moving back in with abusive parents, which is something I feel guilty about every day. If we had gone with the Patreon I worked myself hoarse over back then, this could have been avoided. Some of my other good pals could also not have been fucked over.

It was a bad judgment call, but it's not a crime. It's just management getting it wrong.

So should you give to the Hard Drive Patreon? I don't know! I don't think any of the new people working there to patch up the holes left by the recent mass exodus have any bad intentions. Maybe they deserve it! But it is not the same site you knew a year ago, or even a month ago. Myself and many people who were there far longer than me and did far more for it than I did are all gone now because we could not deal with management's terrible decision-making and dogass communication any longer. That's what you should know, imo

I had an agreement in place with management that I would receive the next 8 months of revenue from the Hard Drive YT channel from my leaving in November. This was a deal I appreciated, and thought was very fair on management's behalf. So far, the deal has been honoured for 2 months. However as of last night I was removed from the Hard Drive Slack without warning, and as an editor for the YouTube channel. This means I no longer have any way of verifying how much I am owed, I just have to take their word for it. I'm sure management will make their own statements full of half-truths and weird language on the many cases being brought against them - I'd take everything they say with a pinch of salt if some of the screenshots I've seen of them talking about me are any indication lol

To management; I do not want to talk to you. I want you to DM me a screenshot of how much I'm owed every month and then send me the money per our agreement until June, then we can go our separate ways. Do that and admit to your mistakes, and maybe you can recover your reputation! That's it from me, lol. If they pull out of the deal and fuck me over I'll have more to say, but most of what I know is other people's stories of incompetence and poor decision-making, lol. I genuinely get no pleasure out of doing this; I do not think management is evil - I just think they're really bad at what they do and it's cost other, more talented people, lol. You should believe the writers imo

One last thing I wanna say btw, management did often stress that no one should try to make Hard Drive a full time thing. They were transparent about that, and that is fair. I was working on it because at a few points, I was lead to believe we actually were doing a Patreon. Many other ppl have similar stories of being strung along by management changing their minds and stop-starting shit every 2 weeks. We all made the fatal mistake of overestimating our manager - who would tell you one thing one day and something totally opposite the next week lol

Hunter R. Thompson:

I'm not your dad, but speaking as a Hard Drive writer, I don't know that funding Hard Drive on Patreon is worth it

The driving talent on the back end—behind the kickass site I joined in 2019—have peaced out over the years as the site's been (in our view) increasingly mismanaged. Mismanagement like, not setting up crowdfunding before the ship sank and all its best crew failed; or publishing a screenshot of Andy Ngo pedojacketing a trans writer, complete with her deadname; or a disgruntled ex-writer getting falsely accused of shit-talk, by actual staff. I'm grateful for the writing I've gotten to produce for HD (and will forever be kicking myself for not writing even more, in the four years I've had to do it!! i'm a dumbass!!!) but it is very much no longer the site I signed up for.

I don't want to resign as a contributor altogether, because I'm open to the idea of the site recovering and bad practices being retired as finances level out-- it would just be dishonest for potential backers to not be Aware Of The Circumstances, I think.

Jeremy Kaplowitz: i truly don't want to start shit, but feel compelled to say: i want to see Hard Drive succeed w/o resorting to throwing former writers & editors, myself included, under the bus. surely there's a way to save the site without building it over the corpses of those who left. my $0.02 i don't blame anyone who wants to sign up for the HD patreon and i support the website, but that includes those who worked on it for years, have complaints, and don't deserve to be treated like bitter assholes like this kind of stuff is just objectively true, meanwhile there's these new writers who joined the site after i left (meaning, in the last ~3 months) claiming people are liars. decide for yourself if you care, but this is what happened! [Quotes this Tweet]

Seth Finkelstein: Writing for Hard Drive has been a privilege the past few years, and it makes me so angry to see people I looked up to get jerked around behind the scenes. The amount of grenades the editors jumped on our behalf is immense, and I don't think the way they're being treated is right.

Other Bits On AI: We do know for sure however that AI art has been used by the site. Its fucking owner confirms it here:https://twitter.com/MattSaincome/status/1743040541603123622. Seems the owner pushed AI written articles as well! TayFabe: My vaguetweet is making the rounds & these made me apoplectic. - owner regularly lobbied using ai. Once he tested it & said ai was writing better satire than 25% of the HT/HD writers. - ai images were used on the site & socials w/o consulting the team or disclosing it publicly I found the ai bit relevant to include bc 1) it illuminates a stark change in HD's current direction & leadership, 2) ai images have previously been used on the site and (since deleted) ig posts, 3) ai content fucking sucks, and repeatedly pushing to use it is a telling quality The "handful of writers who chose to leave" includes 2 editors-in-chief (both cofounders who wrote a combined total of >1,000 articles & defined the voice of HD), & at least 3 other editors. These guys put in WORK since 2017, so cool to be corrected by ppl who joined in Nov 2023 [Link to mentioned vague tweet from post.] More from TayFabe: owner continuously lobbied for using ai in every possible way. No one else wanted to do it, but he kept on, saying ai was writing better satire than 25% of the HT/HD writers. Also, ai images were used on the site & socials without public disclosure or consulting the team.

The owner has responded now multiple times in a private discord... Thank you for people sharing screenshots! First Screenshot:

Kevin's Response: He banned me from the server for speaking out, so no, I didn't see it. And he gave no indication of a timeline, it was just "we'll do one when *I* say so" and gave every inclination he was totally against it. It bred an environment that pushed our hands to have to leave. Screenshot Round Two:

Kevin's Response: "Starting one in 3 months" is an absolute lie. He denied it, I have screenshots and others who can confirm. No timeline was given. Just "this is what it is now" and like, I couldn't live off of that. I wanted to do more but he was allergic to good ideas from others around him.

Matt, owner of Hard Drive, responds publicly on Twitter.

Matt: Kevin, the patreon launch was delayed because I didn't think it would work. Everyone is happy that it did work. Everyone who left the site because we didn't have money to pay for creative content which didn't revenue is welcome to return home. But unclear why the hostility.

Hard Drive paid out literally every dollar it had, then a bunch more, to creative people who worked on the site. When we ran out of money, we couldn't pay anymore. We did our best.

Kevin: Right, and my point of this thread was that it was completely and totally avoidable. This is reasonable to be upset about. How could I have been any more clear?

Matt: If we knew with 100% certainly that the community would have supported us via patreon, we would have done that. We didn't know. We had tried 4 years ago and got no support. We were wrong this time. We did our best to figure it out. We paid all the money we could.

Kevin: So you knew with 100% certainty this time? Or you took a leap of faith?

Matt: It was a last gasp panic effort after ad rates got cut in half on january 1st due to seasonal spending changes. We didn't know it would work. We were embarrassed to ask for support. We wanted to figure it out.

Kevin: Every site has a Patreon. Every YouTuber, comedy group, etc. But you insisted that nobody cared about Hard Drive. Which is wildly untrue. I know you see that now, but again, I think you can see why I and many others are pretty upset. A last ditch panic effort was long overdue. A couple more things from Matt:

It was about the size of the hole we needed plugged budget wise, the time I had left of personal resources, and the past data I had about us trying a patreon (which turned out to be a bad indicator). I didn't think the Patreon would help us fast enough. I made a bad estimation

aka "if we make $1000 more dollars a month via patreon, which would be 10x what we got last time, we will not solve any of our problems. If instead we try to plow down path B, we might make it out in time." That was the thinking. I chose the wrong path, but didn't mean to Kevin also retweeted this comment from the user Matt was responding to: So you're saying that you're bad at running the business, didn't listen to any of your employees until after they were forced to leave their jobs, and now you're going to get more of the money from the Patreon that was their idea in the first place? Matt's Response: Respectfully, I made a mistake delaying the patreon decision. But keeping a comedy site alive for 9 years is not easy, there are lots of potential ideas, and think overall we've done a good and honorable job. Will leave this thread in peace now to allow people their space.

Sorry for linking to Elon's hellsite (derogatory), but sources need links so...

[lilacstro]

🌸Uranus through the houses: what generational curse you are here to break

hey y'all, back with another post. I hope you are doing well :) been very very long since I made a post haha. This post may be rather short? Idk how long it'd be tbh, let's get into it now!

Paid readings open

Support me on ko-fi

🌸Uranus in 1st: to break the stigma around being yourself, your "real" self, doing you, what you really want and going against the wind because that is your purpose and calling. Finding yourself, and not hiding it away. Doing everything you desire to, not confronting to societal or traditional norms, being the one of heart

🌸Uranus in 2nd: Speaking up, showing what respect is supposed to mean for one self, initiating the concept of self respect and personal boundaries, re-inventing the relationship with money, material things and desires.

🌸Uranus in 3rd: Big thoughts, innovative thinking. Thinking in a broad manner, against the current circumstances or conditioning. Big dreamers for a reason. Usually either extremely strong or extremely weak relationship with siblings for whatever the reason. New, big ideologies. Breaking the generational thinking patterns.

🌸Uranus in 4th: Someone who would follow their heart. Choosing their chosen family, prioritizing the family they created. Following the spirit of their soul and mind. Bringing reforms in the whole family, changing the family dynamics from their generation and lineage, reforming traditional dogmas and orthodoxes running in the family through generations.

🌸Uranus in 5th: Taking pleasures of life seriously. Being more attuned to your inner voice if it signals you to follow your dreams, hobbies and passions. Leaving this "work until you die" kind of mentality and actually indulging in things you like, following your heart, the rhythm of your soul. Full of creative energy.

🌸Uranus in 6th: Breaking monotony in life, breaking this idea and pattern of stability, security, and predictability in life. Leaving behind the idea of, "tunnel vision", basically. May despise following routines, structures, traditions in life. Usually have spontaneous bursts of energy instead of being consistent per se, usually the "turbulent" types.

🌸Uranus in 7th: for this placement, I feel their spouse or partner would heal patterns more than them. I mean both of you together would change things together, but they would more likely lead or initiate this revolution. Your family may have hard time settling with them, but eventually all would be good.

🌸Uranus in 8th: The way the shadow side of life is treated or talked about. Maybe you grew up in a family where darker things like, death, or other taboo topics were not discussed. This is true for a majority of people who do not have this placement as well, but you would be the one who may introduce them to such ideas and may be in charge of making them comfortable embracing their own shadows, and so you may often experience projection from your family often, because you're triggering their shadows.

🌸Uranus in 9th: Someone who would not accept things taught to them for no reason, without explanation. Other placement that speaks in terms of genetic unwinding. You would change the way upcoming generation thinks. You may question religion, traditions, beliefs a lot, not to ridicule them, but to find their relevance in the current world. Expanding the tunnel vision, the view of the world. You may adapt a different culture or a philosophy than the one you're born with and challenge the idea of unknown and foreign in your family.

🌸Uranus in 10th: This stigma attached to people and society and the world. "what would they say" "what would they think" and you may most probably set out to do things no one in your lineage could think of doing, especially in terms of jobs and career, creating something new altogether. You may be seen as eccentric by others for that, but more you grow in this energy, more you would heal this idea of following the crowd for people who are lost themselves.

🌸Uranus in 11th: This again for people who have the wildest dreams and do not care about being a part of the social community or to conform to it in any way. You are very very likely to have high spirits, and follow your higher purpose, your dreams. More of a rebel kind of placement, you do not care if your dreams or ambitions are different than the one imposed or planned for you. You would break this programming of needing to be a certain way, a certain success recipe, a certain dream, in your lineage.

🌸Uranus in 12th: More of a visionary kind of placement. Someone who does not conform to immediate ideas and tunnel visions. Someone who's thoughts and ideas would not make sense currently but would be the future. You are here to heal subconscious programming, limiting beliefs, thoughts, and opinions of your lineage. The deepest of all the above placement and very transformative. You yourself may have experienced unexpected changes and events in life, that shake you right from the bottom until a steady foundation is built, and you are meant to transmute this same lessons and light to your lineage.

until the next time

ps: i love you

xoxo

[avocado-writing]

Avo please I need Pregnant reader x DP&W headcanons 😩 I love both these men so much. I just wanna a little life with them. These men have been through so damn much. Let them have some softness in their life.

I don’t really want kids but good lord- if they asked me too, I would push out an entire hockey team for them

Wade is so fucking happy when you tell him you're pregnant. They've been trying to knock you up for ages now, about damn time it worked!

Logan is pleased too but he's a little more... reserved about it. Doesn't want to run around telling everyone like Wade does. It's hard for him to embrace happiness, because he's so used to it slipping through his fingers. Get past your first trimester and he's able to start smiling about it though.

Expect to always be sitting down. If you get up to do something, one of them will be gently guiding you back to your seat. "Sweetie you sit your fine pregnant ass right back down, I'll get whatever you need. Soda? Chips? A whole tub of Ben & Jerry's?" or a softer, "Stay there baby, I'll grab it."

One of them is always with you, like a fucking guard dog. They're dangerous men after all, who knows who might be looking for them? Usually you can handle yourself but they have an extra reason to worry now.

Al makes it very clear she does not want a baby in the apartment (can you blame her?) so you have to find a new home. It's an added stress for you so the boys usually go out scouting. Eventually you're able to find a cute little place to afford with the three of you (being in a polycule is the only way to make rent these days)

You love to spend those days doing up baby's room and singing silly little songs as you do it. "Am I gonna paint your nursery green or yellow, who knows... ♫" If one of them catches you, they'll lean against the doorframe and watch you with absoloute heart-eyes.

Logan's been around for long enough that he's had experience with young kids before, so when you or Wade panic about something, he's usually the one to temper it. Reminds you that you'll both be fine.

Wade never shuts the fuck up talking to your bump. Truly, a stream of consciousness about the world to baby. Gets little Deadpool onesies for them too, because he thinks they're cute. Logan is quieter, hand on your belly, a quiet few sentences just so they know that he has a voice and it's not just Wade.

They're pretty good when you go into labour. Wade panics a bit but Logan hits him with a look which implies that now is not the time, and he buckles down. Delivery goes smoothly. It's great to have two guys who can heal their bones when you need to grip down on something as you push.

And when you get home? Crib is barely used. Baby is pretty much always in someone's arms: Wade's who's always babbling to baby's delight; Logan's solid embrace as he hums quietly; against your chest as you whispered how loved they are.

taglist: @falsewordz @malfoys-demigod @belilwen @mildly-salted @tvwebs @childeslegstrap @getmeoutofhell @s1eep-o @just-a-beatlemaniac69 @yrthr @momopad @sugarplumz100 @captainjinkx @madspads @acrosstheunivcrse @yeethaw13 @na-is-salty @florduarte @hunterispunk @starfleetteddybear

[akutasoda]

in the morning light [part 2]

[part 1 here!]

synopsis - what it's like sharing a bed with them

includes - dr. ratio, ruan mei, argenti, kafka, blade, luocha, jing yuan, jiaoqiu

warnings - gn!reader, fluff, slight angst, i still have no clue what im doing, might be ooc, wc - 1.2k

a/n: absolutely blown away at how many people enjoyed the first part, so uhh here you go? maybe a genshin ver in the future if i get round to it and if people want it?

dr ratio ★↷

↪an absolute stickler for a proper routine, and an advanced one at that - he has high standards to uphold and never misses a step before bed and in the morning. he wouldn't mind of you did yours alongside him but he probably won't notice you for long. a major part is obviously his baths, he would not go a day without one.

↪sometimes he can join you in bed quite late, he either has students work to mark or simply cannot put his own work down. even when he joins you he probably falls asleep after you as he likes to indulge in late night reading.

↪a sort of mix between comfy and basic when it comes to his actual bed, it's simplistic yet extremely comfortable - in the morning it's pretty difficult to leave with how cozy it can be.

↪doesn't really move alot in his sleep, the occasional shuffle but not much. he isn't exactly a cuddler but if you want to he doesn't mind at all. however because he doesn't move much, if you two fall asleep cuddling then he needs to wake up first - which is normal - otherwise you're trapped in his embrace.

↪most mornings he does wake up super early and leaves quite early as well - he always gives you a kiss on your forehead before he leaves. on the rare days he has off, he stays in bed with you until you wake up and whenever your ready, he gets ready alongside you.

ruan mei ★↷

↪she is an extreme night owl. her lab work often keeps her very busy and if she starts a train of thought then she can't rest until she's seen it out to the fullest. most nights she does encourage you to not wait up for her for this very reason - ruan mei greatly appreciates if you do however.

↪her routine is either short or rather extensive, it just depends on how much time she has. morning routines are much longer more consistently as she tends to wake up rather early.

↪usually her bed is rather basic but you seemed to have contaminated it with what you prefer but she doesn't mind in the slightest. if you like her cat cake creations then she may have gifted you a few custom ones to keep you company.

↪surprisingly can be quite the fidgeter in her sleep, not drastic movements but she's just used to being busy. again, not exactly a cuddler but isn't against it if you wish as she knows she isn't around much so would indulge you.

↪most days when you wake up she isn't there but there's always a small note from her to you that is extremely heartfelt.

argenti ★↷

↪the most extravagant routine you've ever seen, the knight of beauty very clearly has a great routine for both mornings and nights. enjoys when you do yours alongside him and will always find time to do so.

↪he still looks pristine in the morning when he first wakes up, it's hard to believe he just woke up. although it may be helped by the fact that he has the most elegant bed that is very hard to leave in the morning.

↪not much of a mover but he can adjust quite a bit sometimes in his sleep. and if you're okay with it, he wants nothing more than to hold you in his embrace for the entire night. argenti is somewhat of a light sleeper however, so if you move alot then he easily wakes up but doesn't mind.

↪sometimes he has to leave early, sometimes he doesn't. it depends on whether or not he has a duty to fulfill but does get up early nonetheless. most days he'd let you sleep but if you need to get up he always wakes you with a kiss and a compliment.

kafka ★↷

↪being a stellaron hunter doesn't always allow for a proper nights rest but most times it does. however kafka cares quite a bit about such things and so when she can, she'll take the opportunity for a good night's sleep.

↪she's used to sleeping in bare minimum conditions but if she could choose, kafka would prefer more comfortable arrangements. so she's very accommodating to what you'd prefer to have your shared bed like.

↪enjoys taking time with a night time routine but sometimes she can't but isn't that fussed so long as she gets the bare minimum done. she would love if you joined her but again wouldn't mind if you're not that keen on such extensive routines.

↪she can be rather clingy - on purpose. kafka loves nothing more than relaxing with you in her arms and won't let up until she's content. the only time she needs to wake up is when she's executing one of elio's scripts so good luck escaping her grasp otherwise.

blade ★↷

↪again, being a stellaron hunter doesn't always allow for a proper nights rest but most times it does. although blade doesn't exactly have the greatest sense of having a good night's sleep.

↪absolute bare minimum for a routine, he doesn't exactly see why it should be anything more but fortunately kafka's influence has caused him to have some care. you're almost jealous that he can do bare minimum and still look like he does.

↪also goes for bare minimum when it comes to sleeping arrangements, he doesn't care what his bed's like. so he doesn't exactly care what you'd prefer as he would just go along with it.

↪when he does sleep, he sleeps like the dead. he barely moves to the point that sometimes you're convinced he's not even there, the only indicator that he's actually alive is the occasional twitch in his hands.

↪unfortunately, he can be prone to his mara-struck condition flaring up in his sleep which may take some getting used to seeing but he takes it upon himself to sleep elsewhere id he knows it is likely to happen to avoid scaring you.

↪prefers to have his own side of the bed and isn't a cuddler. after a very long while, he might indulge you if you are a cuddler but not always. he's also an extremely light sleeper that wakes up super early.

luocha ★↷

↪as a travelling merchant, he doesn't tend to stay in one place for long, so you would most likely travel with him. due to this, he isn't exactly fussed with where he sleeps and is used to bare minimum. he wouldn't mind in the slightest of you decide to change a few things however.

↪nightly and morning routines are important to him. he needs to maintain appearances and so can have rather extensive routines that he wouldn't mind you joining him with.

↪another light sleeper and sometimes you forget he's there because he barely moves. he's perfectly fine with cuddling and fine with not, although sometimes he does prefer his space.

↪never really has anywhere to go in a rush unless he knows he has people to meet or things to do, but he still wakes up early. however he normally would wait for you to wake up as he likes to start his day with you.

jing yuan ★↷

↪the dozing general has that title for a reason. despite the fact that he practically is on the verge of falling asleep most of the time during the day, he sleeps alot. it can be under any condition at any time but he does have a tendency to indulge in comfort.

↪has an extremely comfortable bed that is normally also occupied by mimi and so it can get very warm, very quickly which is a pain in the summer. this isn't really helped by the fact that he is extremely clingy, like to the max.

↪he always states that he sleeps better when his body is entangled with yours and knowing you're safe there with him, but he will respect if you aren't that much of a cuddler.

↪unfortunately he moves around a lot and because he's clung to you, you move with him. sometimes you two end up upside down at the foot of the bed and it baffles you that he can move that much. he is also an extremely heavy sleeper in your shared bed so good luck escaping him - when he's dozing at work he is a light sleeper however.

↪most days he does have to drag himself out of bed to work but aeons save you if he has a rare dayoff. you're never leaving if he doesn't let you as he forces you to let him indulge in your presence while he gets a lie-in. if you have somewhere to be he reluctantly lets you go but very stubbornly.

↪the worst bed hair you've ever seen, he always looks like he's been through it and spends ages sorting his hair. this paired with his actual morning routine means he takes ages getting ready. his night time routine is shorter as he knows it's rendered useless overnight.

jiaoqiu ★↷

↪he cares about his appearance as he does have quite the reputation to uphold and so his routines are always important and extensive - especially when managing his tail and ears to ensure that they aren't messy.

↪also goes all out for his bed, he knows what helps get a better night's sleep and he prefers to get the best sleep he can. so he might be a bit hesitant to let you change most of it but he's willing to compromise.

↪the absolute worst when it comes to sleeping, he's annoying, he knows it, and takes it in pride. has to be cuddled up to you and he wraps his tail over you to ensure that you don't go anywhere unless you have to. he barely moves but his tail is the menace mainly - it flicks and moves around alot and often ends up in your face.

↪normally wakes up relatively early and will wake you up if you need to. mentioned this before but, he will wake you up earlier if you braid his usual braid as he enjoys having you do so - he has absolutely no remorse for doing so. although if he has time, he will make breakfast for the two of you.

taglist - @little-miss-chaoss, @frankiesteinn

[angelltheninth]

Caitlyn's Strike Team Hiding Your Relationship at Work

Pairing: Vi, Caitlyn Kiramman, Maddie Nolen, Loris, Steb x Fem!Reader

Tags: fluff, established relationship, secret relationship, kissing, getting caught, sneaking around, marks, flirting, co-workers

Ko-Fi | Rules | Fandoms and Characters

A/N: Yes, I am including the fact that canonically two of these people (looking at you Caitlyn and Maddie) are absolutely abysmal at this.

VI

Been known to be pretty sneaky when she needs to be, now if only she was better at holding back. Unfortunately, or not if you ask her, she can't help but tug you along when she's going pretty much anywhere and returning with both of you looking a little more disheveled than when you left. To say nothing of the way she proudly wears the marks and lip stick stains you leave on her neck and the collar of her shirt. She might as well shout it for everyone to hear that you're dating, that you're her woman.

CAITLYN

Good at so many things, has so many talents, but keeping your relationship a secret is not one of them. Not from the lack of trying, she tries really hard, she wants to be professional. Yet sometimes she forgets that she's not supposed to call you by that affectionate nickname or invite you into her office. She also forgot to lock her office door and you've been caught in the middle of a make out session, her legs around your hips, lipstick smudged, shirts untucked, too many times by now.

MADDIE

Keeping secrets is her job and yet she is terrible at keeping this a secret from her co-workers. Actually she blames you for this because you're too charming, too cute for her to keep her affections to herself. She can't help but smile and sigh dreamily when you invite her out for a lunch break, or when you compliment her, tell her she's doing good and tap her cheek affectionately. Indeed it's all your fault that she admits she loves you in front of everyone. Not that it was some big secret, everyone knew, she was like a lovesick puppy around you.

LORIS

Would have been great at it if he wasn't completely awestruck by you and wanted nothing more than to shower you with affection. Since he'd been there a long time romance wasn't exactly on the list of his priorities so when it happened the feelings hit him hard all at once. And he wasn't afraid to start showing it more and more the longer you dated. It started subtly enough, buying you lunch, advice from someone more experianced, flowers at your desk, protectiveness, then came the reveal, the handholding and the kisses.

STEB

Actually not that bad at keeping things on the downlow for quite some time. He is the mysterious, silent type anyways, everyone knew he had his secrets, you were just another one of them and one that he cherished the most. Very subtly he would nod his head towards the door when he wanted to leave or pass you notes, letters telling you that he wants to go home early and he would love it if you accompanied him. The only reason you were caught is because you fell asleep while holding hands on a night patrol.