#I wish to expand on it

[emeedro]

i love community so much but why did pierce have like 7 episodes dedicated to “he’s not that bad!!! give him a chance” but shirley had barely any episodes focused on her?? justice for my queen!

[aaxooli]

in da clerb we all fam

[pumpkinpuffgirls]

Classic Rowdyruff Boys Supremacy

[kindaasrikal]

Cole and Nya’s relationship is very special to me, even despite the love triangle thing, which you could technically say helped develop their relationship. Especially with how it links to their mothers.

Cole and Nya are both familiar with loss, specifically in regard to their parents. They both lost a parent(s) at a young age, and quickly became independent because of it. They learnt how to survive on their own without depending too much on their only family left. They both care deeply for the ones they love and are sensitive to their emotions, and when they were left with only Lou/Kai as their only family, they didn’t want to rely on two people deep in grief and were deeply effected by that loss.

They both are stubborn and sure, protective and confident, but they are both also soft and kind underneath all their layers, Cole showing that more than Nya.

I like to think that while the whole love triangle thing and love machine fiasco was annoying, you could actually twist it to show how it developed their relationship. Jay is the one Nya loves, that is not something you can change or even disagree on, seeing as she was willing to lose everything that makes her her for him, but the perfect match machine doesn’t have time be explicitly based on romantic interest. The machine is essentially like a ‘soulmate finder’, so it’s easy to say that one of Nya’s soulmates are Cole.

Soulmates have been shown in many different ways, and in this case its not showing a soulmate in the sense of a ‘one true pair’ or someone who you are inexplicably tied too, but someone who understands and can click with you a whole lot easier than most.

That buddied up with the whole love triangle thing definitely helped Cole and Nya realise how similar they are to each other, and how they deeply care for each other as siblings. Almost like twin siblings if I’m being honest. They don’t give a younger and older sibling vibe thats for sure. More like two twins where one is an aggressive wild animal and the other is also a wild animal but they don’t have as much of a temper as the other weirdo.

My favourite scene of their relationship is in Dragons Rising where Nya hold her hands against Cole’s cheek after not seeing him for months upon months.

Now about their mothers….

Knowing all of this, connecting it to how they both see their mother in each other seems so much more special.

Cole and Maya have both said ‘Its how the cookie crumbles’, both in relation to Nya. After Nya was possessed by the overlord, Cole tries to comfort everyone by saying that line, implying how its just how things must be, the same way Maya has towards Nya specifically, telling her that life is difficult, no matter what we try. Nya doesn’t know they both have said this, but its still so important how its come in full circle towards her, from her beginning all the way to her supposed end.

And then you remember how both Nya and Lily have worn the same kimono. The same kimono Lily wore, and the one that Cole gave to Nya.

ITS THE EXACT SAME.

Cole willingly gave him dead mother’s kimono to Nya, his sister.

Nya and Cole were never supposed to be in a romantic relationship, they were both have such a strong platonic love for each other it hurts. They both have similar experiences and similar personalities yet still have their differences, but those differences aren’t as big as most people would’ve expected.

I love these two so much they so deeply care for each other im going to cry i hope they don’t die for Jay.

[jeanmoreaue]

love the little fire and water thing going on between Neil and Jean as protagonists. Neil having an aversion to fire bc of mom burned in car gate and dashboard lighter gate and then Jean’s aversion to water. it’s like Jean and Neil coping w similar issues in two different ways

[yandere-yearnings]

Absume. (Yandere!Best Friend x GN!Reader)

feat. sui's ai

♡ oneshot, approx. 1k words

♡ post-specific warnings: melancholy (?), angst (??), angst w/o happy ending (???)

♡ a/n: HAPPY BIRTHDAY TO THE LOML SUIIIIIII❤️ i did not have as much time on this as i would've liked but no matter, i wasn't gonna exist on suiday w/o a suiday celebration dar style. i present to you ai angst❗❗(it was meant to be fluff but i'm a fucking dumbass who can't write lmao) ai belongs to @suiana and is from her stellar, absolutely fantastic game, Anything Will Do. sui i want you to know you make everything worth it and i wouldn't still be here on tumblr if it weren't for you. all my love to you mwah mwah <333 unedited, not proofread.

♡♡♡

This life was strange to you.

Sometimes it went by so fast, you’d wake up with no recollection of the days passed; staring at the ceiling with open eyes. It’s the same crack in the paint that had always been there, long and thin and unnoticeable if it weren’t for the fact you sought it out unconsciously. You remembered it, even if you didn’t remember crawling into bed that night, or having dinner at the table, and what exactly it was that your mother fussed over. 

There was a growing emptiness since you first noticed. No matter what you did, or how many people you were surrounded by, inside of you something was caving in. You didn’t know who you were. You didn’t know your place in this world without landmarking it by your achievements — and yet, when you looked back, there were none. How had you gone on so long? What had you been doing all this time?

Perhaps you lived in your head a little too much. Everything could be a little lighter if only you’d let it be. Sweeping every thought aside, you rolled, trapped your arm under your own weight and looked at your reflection in your mirrored bedside table. You were as you had always been. This was you, and this — whatever it was — was yours.

Lukewarm air, no temperature gradient, it should’ve made it easier for you to leave your bed, but you stayed there some long minutes before moving. Your clock was broken. Not conventionally. It only moved by the hour. Time was yours and you could waste it. There was security in the feeling that you had a choice to not start your day.

Morning, mundane as always, slathered you in its hues. Washed browns jittery under your feet, like there was no ground beneath you from wood to tile. The bathroom mirror had your fingerprints. You’d touched it many a time. Left a mark. This too, belonged to you. You could no longer believe this wasn’t real. Maybe it was that you were sensationless at your soles, treading carefully over loosely carpeted steps, trying to feel the tickle of those familiar fibres. When had you lost it all?

Your mother was in the kitchen, you don’t remember a time when she wasn't. It’s as if she can’t leave this lower floor, like she cannot rest, like her duties do not end. The door to her room never opens or closes, and you don’t think you’ve ever seen her without that plaid apron. She never notices you unless you speak to her. She never says anything different.

At the table it’s fruit, and it tastes like nothing. No texture, nothing to chew. It feels like you’re eating air. Play-pretend at a plastic table with a plastic knife and fork. You’re young again and your sister ropes you into her fake kitchen. You don’t have a sister. Not here, at least.

There’s a knock at your front door. It’s light, like the person on the other side is afraid to be heard, but wants your attention still. When you open it, there he stands — the only thing in this world that you can reach out and touch, that thrummed beneath your fingertips, as alive as you were desperate to feel.

Ai takes your hand, and the breeze picks up just like that. Ever so easy. You watch your feet and every step they take to the pavement, nothing skips; you can commit it to memory. He’s speaking to you but you can’t hear the words just yet, there is only wind and the rustle of leaves. His hair billows, bleeds out heavy cyprus that blends into the backdrop of trees. He has always given you these beautiful bits of him, and you had let yourself go blind.

Letting go was something you should’ve done long, long ago, but you guessed he was your comfort. Solace. A shelter you could run to. Leaving never felt right, not when you knew he’d stay waiting. Ai told you once, he loved you beyond all of this. Outside the street lights would flicker, and in the flashes it was his face illuminated, tucking you in after a dreary day. You could never hold onto those scenes, in your mind they were fragmented, and you forgot about them as quick as they came. If you asked him why, you knew he’d tell you that this was the price, whether either of you could pay it, whether either of you could even endure it anymore.

On a deep inhale, you finally resolved that it was no fairer to him as you found it was to you, that now was the only right time. Now would be the only time you’d have him by your side like this again. This moment alone, he was real and he would not slip through your fingers.

You had set out for school, but with your textbooks weighing what your heart could not, you had no intention of going there with him. Instead these empty streets faded, and quickly noon set over the park you ended up at. The swings did not creak, but they were old. You wondered how they could carry the two of you — you and Ai, and everything you’d both been piling up inside. 

Back and forth you went, here and in your head, trying to find the words to say you don’t think you could do this anymore. If you said sorry, would it make him mad? His due returns weren’t meant to be apologies. You were meant to fill him up just as he had done for you, you were meant to make everything worth it, every sacrifice, every stilted interaction from the day you understood that you were losing him. It was meant to get better. All this was meant to pass. Your mind was blank, and you were waiting for something but your clock was still broken, so nothing would ever come. You wanted to say I love you. You wanted those to at least be your final words — you just didn’t know how.

Ai was kind to you. He had always been. So he took your head in his hands, didn’t cry a single tear though it should’ve gone with that smile, and made the cut clean.

He said: “anything will do.”

[luuxxart]

wanted to do one of those deviantart sonic form memes for old times sakes 🦔

(form explanations in the tags)

[graegrape]

it is very unfortunate that the people who are loudest about mouthwashing online seem to be the people who only care about the fanon version of the game

[mohntilyet]

Personal headcanon about the "you picked the wrong dellamorte" line, I don't think illario actually likes rook outside the context of them being someone close to lucanis. Like rook on their own isn't much to him, but when they meet it's yet another person talking about his cousin (why isn't he good enough for whatever job they're hiring for?) and on top of that they somehow bring him back from the dead (another whole can of worms for illario). Now he starts turning on the charm, but whether he's actually interested or this is just one more thing his cousin has that he doesn't and it gets under his skin, who knows. Either way, rook ignores illario, the guy who lives off his charm, and is instead interested in the guy who's never even dated before and thinks giving someone a knife is how to flirt. Infuriating

NO THANK YOU !! i am genuinely sorry if i have ever implied illario is into rook like i see some takes about it and unless it like ties into your rook's personal backstory i don't seriously think he's romantically jealous. at all. my enjoyment of that line stems from illario's pathological need to make it about himself and not see his strengths but what lucanis has, and therefore what he doesn't. he's annoyed enough to try and goad you in the middle of a fight about the 'wrong' dellamorte and completely blind to the fact that the venatori are at best, a stupid fucking alliance, and at worst, a cult that will devour the crows from the inside out and illario would have been the one to give them the keys. he sees lucanis make allies, needs his own, and instead of charming the other talons/houses as he should, he (probably spitefully) picks the venatori. or maybe he just thought it would be easier. ugh he makes me want to telekenetically throw him around

[stop-breaking-my-heart-telltale]

Y'know, it's unfortunate more people don't compare Louis and Violet in good faith.

Like, when I do see people compare them, it's usually through the lens of one is good, and the other bad. One is more canon than the other, and here's why. One is objectively better for Clementine, and the other is less impactful, worse written, didn't have chemistry with her, insert several insults here, etc.

I don't think it's inherently bad to express why you might not like one of them, or why you prefer one over the other. That's fine, that's a matter of opinion. It only gets to me when it becomes hostile, or passive aggressive... but even then, I've learned to just roll my eyes and move on. Some people make it very clear that they're not worth having a discussion with.

However, I wish I could read more nuanced comparisons of the two that didn't default to the "and that's why this one is better." At least some are kind enough to tack on a "for my Clementine" at the end.

You know how it goes: Louis is cute and he makes Clementine laugh, whereas Violet's boring, her love is shallow, she's still not over Minerva and she's using Clementine as a rebound. Violentine's a bad ship because Violet's actually a traitor, and they're practically the same person and that's bad.

Violet's loyal and reliable, whereas Louis is annoying, he never takes anything serious, he's a traitor for his vote, and he's nothing but a distraction. Clouis is a bad ship because how could any Clementine possibly like him after he voted her and AJ out? That's bad!

That's always the conclusion, right? One good, one bad.

This is incredibly limiting and it drives me nuts.

They're foils. They contrast one another, highlight each other's strengths and flaws, in such an interesting way that it makes Clementine's choice between them all the more meaningful.

One is not good and the other bad, they're different, and I think that's worth exploring.

Let's start with a common argument: Violet is the more impactful option due to her connection to Minerva.

Now, to be fair, I can understand why someone on Team Violet would believe this. Yes, it's true that the confrontation with Minerva is more impactful for a violentine shipper who has more investment in Violet as a character. Louis doesn't have as strong of a connection to her.

However, what they're failing to recognize is that Minerva isn't the only ghost to haunt this narrative. Violet may have Minerva, yes, but Louis has Marlon... and that doesn't just go away once Marlon's dead.

Violet's route has Minerva as her ex-girlfriend, and her bond with Tenn that all comes to a head on the bridge. Louis' route has Marlon's death and how that specifically impacts his relationship with AJ and Clementine, and the slow burn of forgiveness on all sides.

Marlon and Minerva are also reflective of Clementine's worst outcomes.

Clementine and Marlon were tied together through Brody's blood splattered on their hands and faces. They both killed a part of Brody, but only one of them lies about who killed her first.

After Marlon dies, Clementine gradually replaces him throughout the game; Rosie is her dog now, she uses his bow [which Louis gave her], she becomes the leader. Clementine gets them to fight back, and when three of her people are captured, she doesn't cut her losses. She does what Marlon couldn't; "we're getting them back."

When she chooses Louis, he does for her what he never did for Marlon: he steps up.

Clementine proves she won't become Marlon just as she proves she won't become Minerva.

After getting James to agree to help them, Clementine and AJ talk about what to do if she ever gets bit. AJ says he'd want her to bite him, too. He repeats this sentiment after she's actually bitten, telling her he wants to stay and they could turn together, peacefully.

When Minerva confronts them on the bridge, she's dying... and she wants Tenn to die with her. She doesn't care who she has to kill in the process. She's more monster than human at this point, and most times, she succeeds.

They're both bitten. Clementine could've become a monster like Minerva in the end. She could've killed AJ, and they could've become walkers together. But she didn't. Minerva wanted Tenn to die for her, and Clementine wanted AJ to live for her.

Also, I should mention she has Minerva's axe. She carries the key weapons associated with Marlon and Minerva throughout different points in the game, further solidifying these connections. She uses Marlon's bow to save her friends, and she uses Minerva's axe to save AJ, who in turn uses it to save her.

What's also so interesting about this is how Marlon's alive in episode one, and Minerva is thought to be dead. Louis has his best friend, and Violet's lost hers. But, at the end of the episode, Marlon's dead and Minerva's revealed to be alive.

Marlon becomes the ghost, and Minerva becomes the monster. Clementine becomes to Louis and Violet what Marlon and Minerva never could... how does that not drive anyone else insane?

So, no. One is not objectively better, or more impactful, because of a connection to Marlon or Minerva. They're different. It just depends on which storyline you personally find more compelling.

Actually, let's talk about that a little more.

In my opinion, the most intriguing point of comparison between Louis and Violet stems from their perceptions of survival, and how that impacts Clementine.

An argument I see made against violentine is that Violet's boring because she and Clementine are too similar. This usually comes from clouis shippers who prefer the "opposites attract" dynamic Clementine and Louis have.

On the flip side, there's the counter argument that Louis is reckless, that he doesn't take survival as seriously as he should and Clementine wouldn't want him because of that.

These are interesting to me because I get where they're coming from... but they ultimately miss the point.

The other day, I replayed TFS. Except this time, I did something a little bit differently. I played my usual clouis route, but then I had the violentine route pulled up on my laptop so that I could watch these scenes, comparing them side by side… and something occurred to me. 

Louis is about challenging Clementine's perception of survival, and Violet is about validating it.

Louis challenges Clementine from the very moment we meet him—he’s playing music. His initial philosophy on survival butts heads with Clementine’s. The fact that hunting with him and Aasim challenges your perception of “your choices have consequences.” These games have conditioned the player to think along the lines of, “Yeah, Louis is more fun… but if I don’t hunt with Aasim, we won’t have any food.”

Except that’s just it. I hate to say it, Aasim, but in the grand scheme of things… hunting with you doesn’t matter. It's actually less rewarding. You know why? Because in the next section, we get food from the train station. It would’ve been more beneficial to spend time with Louis over hunting, hence how he challenges you.  

This then primes you for the choice between choosing to follow Louis or follow Violet. I know people complain about how this is presented with Violet doing something productive [checking the walls] and Louis playing piano… but that’s the point. If you’re going through with Louis’ full route, you need to meet him at his level, and in turn, he will meet you at yours. You need to accept the challenge, the idea that Clementine isn’t entirely right about the way she’s gone about survival.

Oh, and do I even need to mention the vote? The debate over Louis’ vote is exhausting. Often times, people tell on themselves in how they talk about it. It’s not actually about the fact that he voted against them. If it was, these people would have a bigger bone with pick with Mitch, Willy, Ruby, and Omar… and yet Louis is the one who takes all the blame as if he’s the only one personally kicking them out. 

Louis is reacting to the death of his best friend, and the complicated feelings that come with it being caused by AJ. He wants accountability, even if he knows something's wrong. You can either agree with him that it was murder, and set AJ on the path of atonement… or, you can double down and tell him to fuck off, AJ was justified. 

But here’s the thing… the vote adds to the appeal of Louis’ route. To someone who hates him, or at the very least is critical of his vote, that sounds mad or delusional.

Except it’s really not.

Ever heard of a thing called tension? Because there’s a lot of it in ep2 between clouis + AJ and it’s fantastic.

Yes, Louis voting them out is problematic because we need a problem to solve. We need something to feed the tension between him and Clementine. He stepped in front of a gun held by his best friend in order to protect her, forever changing their relationship… only for that to seemingly be taken away from us the moment AJ shoots Marlon. 

Yes, Louis’ route is about being challenged, but it’s also about challenging him. That he’s able to forgive them, that he’s able to question his own survival philosophy and understand theirs, that he’s able to apologize and actually change for the better… that right there is what makes clouis so damn good. 

He becomes hardened whereas Clementine softens. By the end of the game, they’re on a similar level now without neglecting their differences, and they can move forward together. 

That’s what makes Louis’ route appealing… and it’s also what makes it unappealing to people who prefer Violet. 

By contrast, Violet’s already on Clementine’s level when it comes to this perception of survival. She validates that Clementine’s on the right path.

They have other similarities in the way that they’re both female, queer, they both have a kid they look after, they’re not always great with other people, etc. 

People who prefer Louis might consider this boring, but I think to Team Violet, it’s comforting. It’s comforting to have a partner who takes this as seriously as you do, who wants to get shit done. They’re playing Clementine with a similar attitude, and don’t believe it needs to be challenged. It’s comforting to feel validated on something you already firmly believe in. 

We also see this if we compare the hunting and fishing scenes. You have to make an effort to choose Louis by choosing to neglect hunting, but the game makes you fish with Violet no matter what.

Violet’s prioritizing fishing because they need food. That’s what they’ve set out to do, so let’s do it. The game is letting you know that’s the case, and if you value that, continue pursuing her. 

While fishing, they discuss why things are weird with her and Brody. Violet doesn’t take well to Clementine’s blunt, “Because you make it weird. Brody tries and you just make fun of her."

That’s understandable because I think she already kind of knows why and is looking to have her feelings validated. She prefers it when Clementine suggests that it’s because Brody never said sorry for what happened to the twins. 

There’s also comfort and validation in the way Violet sides with Clementine and AJ after Marlon’s death. She votes for them to stay, vocalizing how much she disapproves of the results. There’s this feeling that I recognize from a lot of the sapphic romance I read; “it’s you and me against the world, I’ll always have your back, even if you’re in the wrong, I’ll fight for you.”

In our case, it’s violentine + AJ against the rest of Ericson, save Tenn and Aasim. Violet validates that AJ was justified because Marlon was a liar and murderer, claiming that AJ and Clementine did nothing wrong. Violet fights to keep them. 

The tension between violentine in ep2 is different because instead of one pushing the other away, they’re being forced apart by the vote and there’s nothing they can do about it. That tension is somewhat released when Clementine comes back and they’re reunited, working out a plan to best defend the school. 

It’s also why Violet’s presented as doing something productive when you follow her instead of Louis, and why she asks if you want to hang out after checking the defenses. 

All that being said, allow me to reiterate that one is not good and the other bad, they're different. These concepts of challenge and change/validation and comfort exist on a neutral road as diverging paths. It’s up to the player to pick what path they prefer, but that doesn’t mean the other path isn’t worth acknowledging or analyzing. 

I should also mention that they’re not exclusive; there is overlap with validation being present in Louis’ route and challenges in Violet’s. They’re just more present in episodes 3 and 4 after we’ve made our decision. 

There are several more examples of how this all fits together, buuuuut–

Ya’ll wanna compare some allegories?

Those familiar with my content might already know where I’m going with this as I’ve made a post about Louis and the piano in the past. 

You see, I believe that there are allegories for Louis and Violet’s hearts present in their routes: Louis’ piano, and Violet’s pin. 

I already have a thorough, in-depth analysis of Louis and the piano that you can read, so all I’ll say about it is that on the night of the raid, he asked Clementine to carve a piece of herself into his heart so that no matter what, their initials will be immortalized together in its wood…

And that makes me fucking feral. 

But I'm also so normal about it.

As for Violet, her heart is the star gazing pin she gives to Clementine. She gives it to her so she’ll always remember that night… but she doesn’t give it to her until after Clementine’s saved her, and that fascinates me in the context of it being allegory. 

Louis asks Clementine to carve herself into his heart right before the raid, cementing that from that moment on, he is utterly devoted to her. I believe this is part of the reason why Louis is still happy to see her if he’s the one who’s captured. Yes, yes, he’s also incredibly traumatized from having his tongue cut out and he’d be happy to see anyone, yada yada… but listen, if you romance Louis and he’s captured, his heart remains with her—that piano with their intitals is on full display. When he sees her, he’s still so devoted to her that he refuses to accept that it’s at all her fault. Even when she says it is, he shakes his head... and he so easily accepts her when they’re together in the end. From the moment Clementine puts knife to wood, he’s hers. 

Now, look… you might think I’m going somewhere not great with this but hear me out. 

I think after Clementine’s gone star gazing with her, Violet is fully ready to give her heart to her. Y’know, give her the pin. But, think about what Violet said about how people have left, but Clementine came back. Plus, with the impending raid to think about, maybe Violet should keep the pin until the right moment. 

I believe a key difference between her and Louis is that Violet needs one last thing to solidify that Clementine’s the one. 

Louis gives her his heart prior to the raid because of everything that’s already gone down between them following Marlon’s death. Violet needs to know that Clementine’s willing to fight for her the way she fought before. When Clementine saves her from the raiders, it’s solidified. Even after she sees Minerva again, it changes nothing.

It’s also worth noting that the pin is something Clementine wears. Like the piano carving, it’s a piece on display for everyone to see, to let them know whose heart Clementine has.

Violet literally handed Clementine her heart as a means of saying, “I’m yours. I’m devoted to you.” 

This is why romanced/captured Violet is devastating, and is why she behaves the way she does in the cells. She was so ready to give her heart away and then nope, sorry, Vi! You get knocked unconscious by raiders instead! 

If anything, you kind of deserve to be told to fuck off if you romanced her and then let her get captured. Just sayin’. 

Look, I have a lot of complicated feelings about the captured violentine route, mostly with Violet being as forgiving as she is after her eyes are burned—yes, yes, I know, her eyes are burned and Minerva messed with her head so of course now she’s not hostile, yada, yada. 

But I think it’s rather telling that you don’t get the pin in this route. Sure, Violet’s willing to forgive and possibly pursue this romance in the future… but she’s not ready to hand over her heart, not truly. Not after everything that’s happened. 

And if you want to get extra angsty about it, imagine that Violet made the pin right after they parted ways, but before the raiders came. Meaning that if she’s captured, it’s possibly still sitting somewhere, abandoned. 

Mmhmmm, very normal about this. I feel normal. My normalness about this continues... normally. I'm not losing my shit thinking about that. Nope. Why would I? I wouldn't! So normal.

Okay just let me talk about their reactions to Tenn's death and then I'll shut up.

This makes me want to gnaw my own foot off, I can barely handle it.

AJ shoots Tenn on the bridge because Clementine trusted him to make the hard calls. This saves Louis or Violet's life.

When Louis jumps across, he's completely silent as he watches Tenn die... and then he's pissed; "What the fuck?! How could you just shoot him like that?!"

AJ explains himself, that he did it for him, and Louis is so upset that he forces AJ to look at what he's done, to watch the walkers eat Tenn; "Tenn's dead. He's dead! Do you realize that?! Look! [...] He's... he's gone, because of you. Just fucking gone."

If Clementine says AJ saved his life, Louis says, "So what, we just cut him loose? Gun him down like he was nothing?"

If Clementine says nothing, Louis says, "Tenn was just a little boy!"

The reason Louis responds this way is because in this moment, he just relived Marlon's death all over again, but worse. So, SO much worse!

When Violet jumps across, she breaks down, begging, "Oh, my God! Oh, my God! No, no! No, no, no..." as she watches Tenn die... and then says to AJ, "No! What the fuck?! How could you do that?!"

AJ explains himself, that he did it for her, and Violet is faaaar from okay; "For me? I can't... Tenn is gone! That soft little boy who liked to draw, he's gone, because of you!"

If Clementine says AJ saved her life, Violet says, "You think that's okay?! Just gunning down one of our own?!"

And there it is.

Louis is hardened in this situation because he already went through this... Violet hasn't, not with AJ. She softened up throughout her route due to her relationships to him and Clementine... but this is the moment where she realizes that maybe AJ wasn't as justified as she believed, and this is the consequence.

This leads us to the ending where AJ asks if they're still mad about him killing Tenn, and I just... I'm biting my foot right now because the script has flipped.

Louis is forgiving and understanding. He's soft, he's sympathetic, he shakes AJ's hand to let him know that all is forgiven and they're okay; "I... AJ, I guess it's like... You saw something I didn't. About the situation, I mean. Minnie and the walkers and Tenn, it's just all this chaos in my head when I think back on it. [...] Clem says you saved my life? Well, then, that's exactly what you did. And how can I stay mad at anyone for doing that?"

Or, alternatively, "He was your friend, AJ. I know you are hurting just as much as I am."

As for Violet? She's understanding, too... but she's not quite ready to forgive yet; "The thing you said on the bridge...that he was messing up all the time. It wasn't something new, you know. Tenn got himself or other people into trouble all the time, long before you guys got here. He was always so lost. He lived in a world that just...isn't there, you know? And that's why I tried to look after him. But when I was pulling him away from the walkers, and Minnie, I could also see...he just wasn't there anymore."

"So you're mad, but sad."

"Can I be that for a while?"

And it's completely understandable that she's hurting and struggling with how she feels about AJ moving forward! She wants to be okay, she wants to forgive him, she just needs time.

Now, because I'm forever bitter, but I'm gonna mention this as well: whenever I see someone point at Violet's scene and say, "See!? This is how LOUIS should've acted in ep2!" like... they're telling on themselves again. Not just that they don't understand Louis as a character or his route, but that they don't fully grasp Violet's part in this either. Or time frames, for that matter.

Let me put it to you in simple terms... they react the same.

After Marlon and Tenn die, they're upset. They're pissed. They blame AJ and yell at him. After they've had time to process what happened [Louis after the two week time skip, Violet after time passes between the bridge and the ending] they share the same, "I'm still upset about Marlon/Tenn. Can I be that for a while and still be your friend?" sentiment.

The difference is that Louis is treated poorly for it because of the vote, and because we feel it first hand for longer... Violet got to grieve off screen and come back after she's sorted herself out.

It's a disservice to both of their characters because it's rooted in that same mentality that I criticized at the beginning: "This is why one is better than the other."

Do I need to say it again? I'm gonna say it again.

One is not good and the other bad. They're different.

There are so many fun discussions that could come from putting Louis and Violet side by side, and examining them. I haven't even covered the different ways they're introduced, or compared their ep3 dates to see what it says about them and the overall narratives! What about the cell scenes!? How they react when Dorian's about the cut off their fingers! The way they approach James upon meeting him!

That last one in particular is especially funny! They're all under stress about blending in with a herd of walkers to infiltrate a boat to save their friends, and yet Louis easily saunters up to the guy wearing walker skins with a smile, and makes him laugh by saying, "Functional and fashionable. I'll take two."

Violet approaches James like he's an injured wild animal that's going to bite her, and bless her heart, she tries with, "I, uh… hey. Hey there, James. Sorry about Willy." Then James gives her this judgmental side-eye, like buddy? She's not the weirdo here.

There is so much potential to dissect here, and I want to see people do it... but I want them to do it fairly, in good faith.

I want to get away from the idea of comparing them to "prove" which is better because there is no objective better. There isn't! That's a waste of time!

I'm so done with The Debate™; it's unhelpful, it's annoying, and it's boring as shit. I've heard it all before, and you probably have, too.

I want to put Louis and Violet under a microscope and study them with the thought process of, "one does this and the other does that... what does it mean!? what does it say about the narrative!? Oh my god, they have the same opinion on this thing, WRITE THAT DOWN!"

So yeah, that's my ramble for the night.

I'm gonna go replay TFS for further research.

[mollysunder]

The pacing in s2 really distracted us all from really inspecting how funny and genuinely fascinating Jinx and Viktor's one and only direct interaction was. I don't mean the snark, I mean Viktor had to have known Jinx fired the rocket, either from gossip in Zaun or being literally in a bunch of Zaunites (and Salo's head).

There's no way that Viktor didn't know practically killed him and irrevocably altered the trajectory of his life. In fact, he's likely gotten all kinds of angles on who Jinx is from everyone in the commune. Viktor really could seen from the periphery if his followers' minds the Jinx's growth from Vander's black sheep to Silco's darling terror. And after seeing all the things she's done, he invites her live at his commune!!!!!!

Insanity.

[bungiri]

lance repost bc i like this one a lot and i have no new art

[accirax]

last night i had a dream that it was Friday, and i was watching Chapter 2 Episode 15. it was nearing the end of the episode, and Teruko had accused Ace in the Closing Argument. however, Ace was nonstop arguing with MonoTV that he didn't do it and that everyone had it all wrong. MonoTV laughed cryptically, and the episode ended on the cliffhanger...

...that MonoTV was about to introduce Ada Tobisa, Eden's secret twin sister, as the seventeenth student in the killing game.

no, i don't know what role Ada would have had in the murder.

earlier in the dream episode, we had seen the left photo as its own CG, and were led to believe that it was a photo of Eden as a baby (i have no idea how this came up in the Trial). however, the end stinger was showing the CG with the two of them, and that the left picture was actually Ada all along.

anyways, call me the Ultimate Fortune Teller, because i'm pretty sure i've foreseen exactly what's going to happen in Friday's episode drop 😎

[rookinthecrownest]

Endgame spoilers for Lucanis’ romance below the cut

“Would you talk to me? Your voice is a comfort”

Hey yeah this line actually stopped my heart for like a good 10 minutes because in my head thats exactly how I picture Madeleina and Lucanis’ dynamic. They get to know each other better because she tells him stories every night so he doesn’t have to spend the entire night alone 🥹 and her voice eventually does become a place of comfort for him 🥹 and to see that in the game?? Ugh my heart

[svtskneecaps]

lukewarm take of the evening: y'all care too much about being ""outdated"". fellas this smp moves inhumanly fast. it is ok to CHILL holy shit CHILL. y'all are like "(posts BANGER ART) super late guys sorry" friend i am hitting you with a blanket i am snapping you with my metaphorical towel WHAT DO YOU MEAN SORRY. "(posts BANGER FIC) rip this is outdated now" WHO CARES???? I LOVE YOU, OK. ohhhh woe is us as the fandom at large for having MORE HAPPY PILLS ARC CONTENT oh no how outdated!! how could you be writing speculative fiction about how forever felt during happy pills :( slash SARCASM!! WHAT DO YOU MEAN!!!! THERE ARE SO MANY BANGER ARCS, WHAT, YOU THINK WE'RE COMPLAINING????? FOR GETTING MORE OF THE CONTENT WE LOVED????? oh no we're past the period where everyone thought green gay ninjas were like Dead Dead, my work is now outdated and noncanon :( WDYM. GIMME. A BANGER IS A BANGER IDC IF IT TAKES THREE MONTHS. you think rome was built in a day?? fuck you, baltimore, GIMME. my ass has been cooking a goddamn backflipo family fic since july when it was ALREADY outdated do you think i fear god??? "oh no, you're making an edit of slime's (attempted) egg murdering spree?? how could you, that was months ago it's irrelevant" SAID NO ONE EVER.

save your wrists kidlings ok carpal tunnel is no joke. CHILL!!!!! CHILL!!!!!!!! TAKE YOUR TIME SHEEEEEESH OK LOVE YOU <3

[arealtrashact]

my apolocheese if you’ve already answered an ask/made a post like this before but what do you think of Soldier Boy?? because I know you LOVE Homelander and you like him and Ryan interacting, so I was just curious

He doesn't appeal to me.