#I will write a scenario that is so out of character
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kudouusagi · 1 day ago
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Pash Utsumi Hiroko Interview
It's sure to be a heartwarming, Fan & Fun experience!
It's about the moments you weren't able to see in the main series.
--Looking back at the scenario meetings, is there anything that stands out in your memory?
Like the fact that there was a longer version where (series writer) Ookouchi Ichirou, the producers, and I all came up with ideas for what to do in the OVA and decided on it, only to realize it didn't fit into the time limit plan I came up with myself and so it was rejected (laughs). Of course Reki and Langa are the main characters so they're going to appear in the OVA but we really wanted to include them all... and that would be difficult to do in one story so we made it into an omnibus format.
--What do you want people to pay attention to in this OVA?
I'd like it if you could check which scenes were shown in the PV. For example, Reki and the others play karuta, but what kind of karuta is it? Who's playing against who? Will Langa, who is bad at reading and writing, be okay?! In the part with Sakurayashiki and Nanjo set in the past, what was their high school life like? What were their fights like back then? How developed are Nanjo's muscles?! Also, the unknown life of Kikuchi, which was kept top-secret in the main story, is revealed...!?! And more!
--Please tell us about what you remember when looking back on recording the voices for this OVA.
I was happy to see that Hatanaka Tasuku-san, who plays Reki, and Kobayashi Chiaki-san, who plays Langa, were still the same Reki and Langa even though several years had passed. I didn't feel any time had past... ∞(eternal) Friendship! It was also memorable how Koyasu Takehito-san, who plays Ainosuke, struggled with a certain scene. Look forward to finding out which scene it was! It had been a while since I last did the voice recording for SK8, and it brought back memories for me, making me feel like SK8 was back!
--What exactly is the theme for this OVA...?
Since it is an omnibus format, there is no overall theme, but they're each filling a gap that wasn't able to be seen in the main story.
--In order to get to know the characters more deeply before the OVA is released, are there any behind-the-scenes details that you haven't revealed yet (that you couldn't show in the first season of the TV series)?
The different headband Reki is wearing in the OVA PV is a souvenir present from his sister Koyomi. It's shaped like an akabeko with a tiger pattern... it's quite unique. Reki only wears it at home. Langa doesn't care about clothes, so he'll wear anything that's comfortable to move in, so he's wearing something strange this time. Please check out the OVA to find out the details☆
--For those who are rewatching the first season of the TV series, what are some of the points you would like people to pay special attention to?
Don't miss anything! The relationship between MIYA and Reki, the outcome of Hiromi's fleeting love, the current fight scenes between Sakurayashiki and Nanjo, the vibe of the master and dog relationship between Ainosuke and Kikuchi, etc. The bond between Reki and Langa through the whole series and how it develops into friendship, keeps your eyes peeled on it till the very end!! And since the theme song for this OVA was created with the TV series in mind, so I'm certain it will improve your understanding if you watch the whole series and think of it while listening to it☆
--Finally, please give a message to the fans of "SK8". 
We're sorry to have kept you waiting for so long, but thanks to everyone who has been waiting that the day we can finally deliver it to you is fast approaching...! There's only a few more sleeps till the OVA is here ♬ How about going to the cinema to watch "SK8 EXTRAPART" as the finale to your New Year's celebrations? It's sure to be a heartwarming, Fan & Fun experience! Please look forward to its release☆
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fixyourwritinghabits · 2 days ago
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Editing Your Novel Part 2: The Plot Pass
Okay, it's finally time to edit. You've got all your materials sorted, it's time to dive right in. You want to start with the big edits first, aka the plot pass.
Now listen. You're going to want to linger and fix those little bits of grammar or dialogue, and I know it's so hard not to, but letting yourself get off-track might mean wasting hours on a scene you realize later you have to delete. Fix a few spelling errors, leave a note, and stay plot-focused.
Making Sense (Of the Plot)
In the plot pass, you're asking yourself some basic questions:
Do events follow a clear order? - When you're getting everything down on the page for the first time, scenes might get jumbled up or events might not have clear causes. Maybe you have a car crashing into the cafe pages before, but in a writing haze, you wrote your main characters having a casual conversation moments later. If the bad guy beats your heroes to treasure, is it clear how they got there? (Not everyone can be Yzma.)
Do circumstances feel contrived? If there are any problems that can be solved by your characters sitting down and talking to each other, it may be better to lean into their motivation for not speaking to each other, rather than coming up with bad romcom scenarios. If the plot can be resolved by the mcguffin the grandma had the whole time, it might be better to make finding that mcguffin part of the plot instead.
It doesn't have to be perfect, and you don't have to reinvent the wheel. If someone gets bitten by a werewolf, it's perfectly fine to have them turn into one at the worst possible moment. When it comes to contrived, you're looking for problems that seem easy to solve and look for more interesting ways to complicate them.
Are your character motivations consistent to the characters throughout the story? - They can change throughout the story, but character motivations do need to be linked to the actions they take. An out-of-nowhere betrayal is way more satisfying if you lay the groundwork for it ahead of time.
Take a moment to list out the motivations of the characters in a scene you're not quite sure of can help you figure how to fix it. Having an outline helps with this a lot!
Are you following an "if... then" format? - My brain doesn't work like this when I'm writing, because as a writer you know how A got to Z, and it seems (in your head) obvious how it happened. This is where my scene card outline come in handy, because I can look at my overview of what should happen and why, and then compare it to what actually happens in the scene. I've discovered so many threads I forgot to connect that way, like why a character had a certain device (I forgot to have him pick it up two scenes earlier), or adding a few simmering dialogue bits that make the big fight pay off much better.
Can you fix the "Because the Plot Demands It" scenes? - Look, sometimes your character needs to be in that haunted house to see that damn ghost, but your character isn't the type to set foot in such a place. It's really easy, especially in the first draft, to contrive a way in there (she took a wrong turn on her way to grandma's!), but retooling these scenes to connect them to the characters motivations and needs is the way to go. The main character doesn't want to go into that obviously cursed place, but her best friend hasn't shown up for school in three days and now she's crying for help from the second floor window. Your character's strong desire to be there for her friend is a much better way to get her into that house.
This is not always easy - it took me six fricken drafts to realize a critical part of a character's motivation was because his father blamed him for his mother's death - but it is going to be worth putting in the work to hammer down.
Do you have a solid timeline? - This might not seem as important, but it's super easy to accidentally fit two weeks worth of activities in three days. Make sure you have that on reference, even if you don't mention it in the book. Also make sure to gauge your distances if your characters are on a trip, because if you do accidentally say it takes two hours to drive from Seattle to Spokane instead of five, someone will dive down your throat for it. Not me. Just someone.
Okay, maybe me. Slow down, you maniacs.
Next post we'll dive into the structure pass. See you then!
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raven-at-the-writing-desk · 10 hours ago
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I know that Yuu is gender neutral in the game for many reasons so it makes me wonder if Yuu was a girl in Conan would that change the dialogues and the way the characters interact with her?
Like not a major change to the main story or turning the game into otome but some small ones like in some characters interaction with Leona when stepping on his tail he won't want to beat us (because of the respect woman thing lol) in book one or Deuce being shy in the beginning of their friendship.
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Hmm... For the most part, I honestly don't really think so? Cater still calls Yuu cute, Azul is still pretty polite, etc. Rook still waxes poetic and creepily recites your sizes, etc. regardless of gender. At best, maybe some of those traits would be exaggerated a little more or expanded on to suit the scenario?? Like maybe Ace would initially tease fem!Yuu about being at an all-boys school or something, isn't she bothered by it? But I really doubt that anyone would be tripping over themselves to protect or befriend fem!Yuu or anything, especially when most at NRC are primarily concerned with their own interests. Most of the characters aren't noted to treat women particularly differently than other genders. We also don't get to see the NRC students interacting with girls around their age either, so it's hard to discern how they'd be with them. I think even the "Deuce being shy in the beginning of the friendship" headcanon comes from a perspective colored by writings in fandom; Deuce in canon doesn't really seem to demonstrate major issues interacting with girls, at least not that I can recall. At best, he expresses surprise when Grim mistakes Epel for a girl and fails to romance the Ghost Bride (he just freezes up). I think if we eliminated romantic interest altogether--because, to be clear, one girl in a cast of mainly guys is NOT always meant to be romantic or a harem--most of the cast would be their usual selves, if not maybe a little more polite due to how they’ve been socialized to see women as the “fairer” sex. For example, Riddle, Epel, and Jade underestimate Sally, though this isn’t clear if it’s gender-based or because they sympathize with her poor home life. They may also be instances of the guys not really knowing how to deal with girls? For example, Trey fails to help Sally up after she has fallen (which Sebek chastises him for); Trey later admits that he doesn't know many women beyond his mother and sister who is 4 years younger than him. Because of this, he says it may be that he was subconsciously nervous to interact with her.
The exception to this, many would point out, is Leona, who comes from a country in which women are respected. The strange thing is, whenever this point is mentioned, I always see people speaking about it in relation to Leona and Leona only, even though Ruggie and Rook also come from the Sunset Savanna (so technically those latter two would also theoretically be respectful to women). Now, there's a lot of discussion in the fandom about just how far Leona's "feminism" (a term used by fandom, never said in official materials) stretches. The most extreme of takes paint Leona as a misandrist who actively hates on or mistreats men while upholding women as superiors. And that... Well, I don't agree with this interpretation whatsoever. Yes, Leona no doubt respects women and is more likely to listen to them if they ask him to do something (for example, attending a party for a female painting in Cater's School Uniform vignette or taking a picture of himself in his robes for his sister-in-law in his own Ceremonial Robes vignettes). However, he won't just keel over and do whatever is asked of him simply because it is coming from a woman (think back to Ghost Marriage; he was still pretty pissed off when Eliza slapped him), and nor is he shown to disparage his own gender.
Rather than putting women on a pedestal, I think it would be more accurate to say that Leona doesn't underestimate women or think lesser of them because of their gender. (If you're interested my detailed breakdown of "feminist" Leona, check out this analysis.) For example, while his classmates worry for Sally's wellbeing in Lost in the Book with Nightmare Before Christmas, Leona lauds Sally's cunning and ability to save herself. We also get a pretty good look of this in the Episode of Savanaclaw manga, which features a female Yuu. (And before anyone says, "Yuuka could be hiding the fact she's a girl!", take a look at these panels. She is clearly not making an effort to hide her chest and given her nonchalant personality + ability to physically defend herself, Yuuka has no in-universe reason to be hiding her gender. The other students probably don’t bring up that she’s a girl because she’s already been around at NRC for roughly a month at this point and have likely acclimated to her presence. Besides, people don’t normally bring up “well, that’s a girl” out of the blue in everyday conversations.)
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Riddle seems to treat Yuuka the same as the gender-neutral Yuu in the game; he still adjusts her tie for her without any flourishes, flinching, etc.
If you read the Episode of Savanaclaw altogether, pretty much all of the characters treat Yuuka like another fellow student and not "oh, this is a woman and a woman has to be treated differently".
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Leona stops Savanaclaw mobs from beating up Yuuka and co., but this isn't significant because he does the same for gender-neutral Yuu in the game. It's not "I stopped the guys from hurting a woman" behavior. And get this: Leona still challenges Yuuka and co. to a magift/spelldrive game and he STILL kicks their asses and expects them to get up for more. He doesn't give even Yuuka special treatment or leniency because she is a woman. He wants her to play him again, the same as the other students (who are all guys). It is Jack who has to intervene and stop his dorm leader from bullying Yuuka and co.—but again, this isn’t a change from the game, as Jack always steps in anyway.
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Yuuka recognizes Leona as "the garden caretaker" from back when she accidentally stepped on his tail. Unfortunately, we don't get to see if Leona attempted to attack her from this instance. It could be that the manga excluded it because he didn't try or it could be that he did (if the magift/spelldrive demands were of any indication) and the manga just didn't have time to show it in full. Buuut we should also note that Leona makes exceptions to his own... "moral code" when it is convenient for him. For example, he tells his students to not pick on outsiders but then still wails on us through sport. When Yuu steps on his tail in the garden, he says, "Well, can't say it'd be much fun to hurt someone so helpless," but then adds, "Still gonna do it, though."
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My point is, this is the closest we'll get to "how would the boys treat a fem!Yuu", and that's what I'll leave you with.
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mirrorcatcreditcard · 16 hours ago
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Things I think the fandom just willfully ignores or has no idea about that would be super easy to slip into your fanfiction if you want to be inclusive and try out new things.
Lucifer just likes shibari, nawajutsu, or some form of rope tying art, and there's nothing inherently sexual about the excitement it brings him. He's a sadist too, but attraction to the other party would only add to the experience, not be necessary or a byproduct.
Belphegor could age regress and nobody would really be the wiser because of his position as coddled/spoiled youngest child. Even if they were, it doesn't change anything, really.
Beelzebub can fuck. He's also a cannibal. Do I need to say the vore word for you to understand how underutilized food/gore as a love language would be with him? No, it doesn't need to be sexual either, but goddamn so many keep treating him like UwU baby when he kills demons in cold blood because he hungy
Asmodeus is any gender or sexuality you want him to be. Lust ≠ attraction, and you can make him asexual. He's pretty free with how he presents. Also, his fans are so desperate for nice content on him that they'll take anything too. Nobody is going to kill you over this.
Mammon's greed can also be depicted as someone who wants to monopolize your time and/or affections. He attempts plenty of times in canon.
Barbatos' strongest attachment is Diavolo, but he does care about other beings. As long as they're not getting in the way of Diavolo, he's allowed to show care in his own way goddamnit. He's not an ice statue.
Mammon is allowed to be a non-sexual masochist. I don't know why people think all kinks are sexual, BUT HE'S ALLOWED.
I just want to take a moment to acknowledge bloodlust counting as a lust.
Luke is a genuinely deep character with a compelling story and important appearances, and you will be doing better than 99% of the fandom if you just acknowledge that he's more than just a kid who tags along and whines when he's scared (like all kids do when they're his age btw). Kicking him to the side is just another child discrimination case, and you can just say you don't understand him...
Almost everyone if not everyone has had a 1-on-1 in this series, and you're allowed to write about that scenario that "seems ooc" because there's someone out there who wishes that they could write who wants to see them interact, and they haven't found you because you haven't made yourself known.
I think over 75% of the cast has what humans would call a trauma disorder, and you guys have got to stop ignoring the fact that Solmare usually just brushes over stuff that genuinely affects them to keep the plot going. They've done it since the beginning, even before the cursed lesson 16.
Non-character-specific stuff under the cut:
You can headcanon and write any character that you want to as aromantic or on the spectrum. Also, news flash: familial, platonic, romantic, and sexual are not the only relationship labels to exist. Go look up "alterous attraction" if you wanna do something that would line up with, you know, emotions that aren't all centered around how our society depicts stuff.
If they're all built like that and inherently different from humans, neurodivergence may not exist to demons but have fun with the headcanons anyways. The world is your oyster.
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kittenintheden · 2 days ago
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headcanon, subjectivity, and convincing the reader
hi! I got a wild hair to write a little essay today. here's that little essay. it's about fic writing and how our subjectivity about the source material becomes a conversation with the reader. LEZGO.
quick primer on common terms:
canon: objective, indisputable truth about the property based on what is portrayed on the page/screen. it is canon in BG3 that Astarion is a vampire spawn, it is canon that Wyll is the only son of Grand Duke Ravengard, it is canon that Lae'zel is a githyanki originating from Creché Ki'liir, etc.
headcanon: an individual's subjective interpretation of events and characters in the property based on context clues, hints, personal experience, vibes, etc.
fanon: a more widely accepted community headcanon that is not objectively supported by the property but is generally accepted as a popular interpretation of the source material.
word of god: interpretations considered truth by the creators of the property that may or may not be included in the source material itself. this includes devnotes, responses to fan questions, behind the scenes material, etc. there's much argument to be had about whether or not this is considered canon if it's not also represented in the source material itself.
okay? okay! now let's talk about transformative works (fanfiction and fanwork).
the first rule of transformative work is that there are no rules. okay? okay! to get that out of the way. which is why this is a post about subjective interpretation.
(obligatory blah blah blah obviously having basic writing skill and knowledge is helpful for communicating your ideas to the reader, we all know this)
but what makes a transformative work GOOD? what makes a reader pick up a fic, devour it, and then go "holy shit I can absolutely see how these characters in this scenario make sense. I BELIEVE in this story and this author's interpretation."?
that's where things get complicated. let's do a cut bc this is about to get lengthy!
when we become fans of a property, it's because we are the readers/viewers having a conversation with the source material. something about it caught us and spoke to us, then drove us to create more art based on it and using it as a framework. that's important.
as readers/viewers, we will always have our own subjective interpretation of the work. that interpretation is informed by the work's canon, but it's also informed by our personal experiences, feelings, and knowledge. that's where headcanons and subjectivity come in. it's why some people feel a character is "annoying" while others find them sympathetic.
(there is a MUCH BROADER conversation to be had about how social pressures and oppression also factor into this subject, but that's not my intended goal with THIS essay, so I will acknowledge the fact that a person's internalized biases also inform their perception of the material and move on).
so, we all develop our own personal headcanons about a work. it's inevitable. sometimes those headcanons are based in canon, sometimes they're based on our own experience. where they come from doesn't matter -- they are yours and they belong to you, and they will inform whatever work you create.
now comes the part where we begin a conversation with the reader.
when you're writing fic, one of your many jobs is helping the reader to understand your perspective. this is very challenging! you're essentially creating a written argument for why the characters and elements in your story are unfolding the way that they do, but you're doing so via the vehicle of creative writing. you're depending on narrative structure, dialogue, characterization, setting, plot, tropes, themes, metaphors, etc. to make your "argument."
if you've ever heard people say a character "felt flat" or that an action didn't make sense or that a fic subject is OOC (out of character), that comes from the writer failing to provide a convincing enough argument for the story they're trying to tell. (note: I use the word "fail," but I don't mean it in the sense that the project was a failure. art is never time wasted. but as with most things, it may take time to get to a place where we have the skills to tell the story we want to tell.)
so: how the hell do we work on an issue like that?
a few ways.
first and foremost, at its core, a transformative work should be in conversation with the canon of its source material. that DOES NOT MEAN that canon should be treated as a Bible and ultimate authority (people rewrite canon well all the time), but it does mean a writer needs to consider what worked about the canon to be able to apply it to their own interpretation.
if you found a character compelling in the original property, you need to understand what exactly it was about that character that made them so compelling. it isn't just how they physically look or their signature catchphrase. what about the source material drew you to them, made you empathize, turned you on, etc.?
if a particular relationship made you absolutely feral, WHAT IS IT about that dynamic that caught and kept your attention? what makes them WORK?
THAT is what the conversation with the source material is about. it's about understanding why you were moved in the first place. it's distilling the subjects down to their essence so you can put them in a different scenario without losing the core of who they are.
now you need to understand where your HEADCANON comes from.
(you will notice a running theme here that in order to properly tell a story, you have to understand the story yourself!)
our own subjective interpretation of a work is informed by the knowledge we have (I have a degree in reading and analyzing and writing creatively, it's something I literally went to school for), our personal experiences (Astarion speaks to people with a history of sexual abuse and trauma, imagine that), and emotions that rise organically when we interact with the source material, either unexpectedly (whoa I did NOT expect that to turn me on) or with understanding (animal death always makes me cry because it's upsetting to see something that doesn't understand what's happening go through that and/or I remember when I lost my own animal companion).
so! you have a headcanon that Shadowheart and Nocturne were lovers. this isn't something verified by canon, but it is a scenario that makes sense given the information we have -- they were very close, they have a secret place together surrounded by the flowers Shadowheart calls her favorite, they know intimate details about one another's lives, and their history of standing up for one another and caring about each other is clear.
how do you convince a reader that this is a viable scenario?
first, converse with the canon. all the framework is there for a potential romantic relationship. their respective personalities work together. now, determine why you enjoy this headcanon. is it the intimacy, the loyalty, the kindness? is it the hints from canon that they were important to one another? is it that they have chemistry you find interesting and appealing?
this is the argument you must make to the reader. this scenario is plausible because of canon, character, and context. now you need to build on it and add your own perspective in order to convince the reader to see it as you do.
this particular example is a pretty easy thoroughline, but the same principle can be applied to more varied scenarios. modern AU? okay, how would that change the way these characters interact with the world without losing what makes them, them? pirate AU? okay, which characters would make the most sense to fit certain roles in that scenario given their existing personalities?
there's a common refrain in my writing circles that goes: "do what you want forever." we tend to use it in a flip way to mean that this is play and creativity and you can literally do whatever you want, but the deeper message is, "you can make anything believable with the right approach."
and the "right" approach is about maintaining a conversation between yourself, the source material, your headcanons, and the story you're trying to tell. it's about bringing all those things together in a way that will convince a reader to believe it.
it's a balance, and it's one that isn't universal. no matter what we do, subjectivity means that some people will not agree with our interpretation. that's okay. not every story is for every person. what matters is that you're writing YOUR story for the readers who want to engage with it.
so, at the end of the day: do what you want forever, and do it well :)
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gossippool · 10 hours ago
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firstly, let's address your tags and the things you've said in your reply.
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i've already talked about this--and the issue of drawing style--in my other reblogs. also, "there's the twink behaviour (because twink is a behavioural stereotype, too)" i'm sorry but did you miss my point completely? yes it is a behavioural stereotype. that is what i'm saying. it's the fact that the original and only definition for twink is purely about physical characteristics, but by association of feminine mannerisms to some heteronormative stereotype of women having slender figures, effeminate behaviour has become synonymous with the word "twink". and also the heteronormative stereotype of a more feminine person having to be with a more masculine man. THAT IS EXACTLY WHAT I'M CALLING OUT. because it is a harmful assumption to make. because it's reductive and homophobic and misogynistic. half of what you're even saying--he's drawn more muscular next to slimmer characters in team ups, and smaller when he's "submissive"--that is all part of this point i'm making.
the point is that there shouldn't be this type of division. and like i said in another reblog, official art is not immune to this, so they should not be the foundation on which we work off of. why do artists draw characters smaller when they're in a, as you say, submissive role? or when they're paired up with more traditionally masculine characters???? i feel like i'm repeating myself here
and you bringing up power is exactly what i mean by implicit bias. the fact that you associate being a "twink" with being weaker and being attracted to people who are more powerful, especially in these scenarios where actual superpowers come into play and so can't be equated to each other?? shiklah is an Actual Monster btw, she could kill a million muscular men in a second. so i don't know what argument you're trying to make here.
secondly, i said in my original tags that if you can find me a comic that draws wade consistently twinkish throughout even ONE issue i would rescind my statement. and since you kindly gave me examples, let's do this one at a time.
1. the decoy (2010), which is a single issue comic. this is how he looks in the rest of the comic:
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2. deadpool (2012), the good, the bad and the ugly run. the artist is declan shalvey. here are panels from the same issue:
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3. cable & deadpool (2004) #34. the penciller is reilly brown. here are panels from this issue, from the same page even.
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4. the rollerblading panel is from deadpool (2008) by daniel way, famously the worst deadpool run in existence with terrible writing. this is from issue 15, penciller paco medina. here are panels from this exact issue:
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so yeah i don't want to argue about this anymore because i feel like my point has been misconstrued. kay and i did elaborate on all this in the reblogs where i covered pretty much all the points i mentioned here
no one's gonna stop you from making wade a twink but just know that it has never been canon ever, and also maybe think about why you want him to be a twink so bad. is it just because he acts more effeminate and so you think he should have the stereotypical body to match? are there implicit biases and assumptions forced on your labelling of people as twinks? is it just because you want him to be more personally appealing to you? <3
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hellsamethyst · 2 days ago
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im listening to my jjk themed playlist(literally just a playlist of songs that reminds me of jjk characters and/or gives me certain jjk character vibes- most of it being nsfw ngl) and die with a smile by bruno mars ft lady gaga is playing, right?
who does my mind immediately think of at this current moment? not any of the jjk characters, that's for sure!
instead, my mind goes to lnds sylus
i can picture two scenarios
the first being sylus and mc asleep in bed together, he has a nightmare of losing mc and he wakes up in a cold sweat, chest heaving like he's struggling to breathe, sitting up, attempting to stay silent but he's panicking, terrified out of his mind. he doesn't scare easily but this dream, this nightmare felt all too real. his gaze trails over to mc, his crimson eyes studying her closely, making sure she's still there next to him, still breathing. mc wakes up and finds him sitting upright, staring at her with an intense gaze. she's concerned, of course, and sits up, her hands immediately reaching out to cup his cheeks, her thumbs gently brushing against his skin, her soft voice, laced with sleep, asking if he was alright, did he have a bad dream. sylus attempts to deflect, tries to brush it off as nothing but mc knows something's up, something's wrong. she urges him to speak about it until he finally relents, telling her about his nightmare. her gaze softens and she pulls him into her arms, reassuring him that she's very much alive, promising she'll always be next to him. from that moment on, they are completely inseparable, spending every day, every night together, loving each other sweetly, wholly, both sylus and mc reminding the other they'll never leave, never stray too far, never go somewhere where the other can't follow
the other scenario is similar, but instead of sylus having the nightmare, it's mc. she jolts awake, her eyes welling up with tears, her heart positively aching. the nightmare felt so real, so concrete that she wakes sylus up by grabbing his hand, gripping it tightly. he immediately knows something's wrong, knows his beloved is feeling overwhelmed. he sits up with her and pulls her onto his lap, his arms instinctively wrapping around her, crushing her against his chest, his hands tangling gently in her hair. he doesn't make her speak, he can already guess what she's dreamed about, he knows her too well. instead, he sits in silence, holding her, soothing her, and if he does speak, it's only to whisper his love for her, to hum a song just for her ears and her ears alone. he presses her head against where his heart rests, letting its beating reassure her that he's here, and he's not going anywhere. from this point on, mc loves him wholly, fiercely, more than she had before. she'd constantly, consistently shower him with her affection, whether its holding his hand or arm out in public, writing love notes and planting them around the base for him to find, sending him messages reserved only for his eyes and his heart, or laying together in the stillness of the night, basking in each other's company. she would make sure he'd never doubt her devotion, her love, her adoration for him, just as he'd do the same for her
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zoloteh-volossya · 2 days ago
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I think I know exactly what post you’re referring too and blocked that user (as well as all the people who liked the post) immediately after their string of posts that are horrifically inaccurate readings of both Orin and Minthara, but also joking about Minthara being forced to interact with her rapist for the rest of her life. I’m personally not a fan of the Orinthara ship because it is innately noncon and there is no way to argue that it isn’t, and I despise it being called toxic yuri. The only people I trust with the ship are Minthara fans because they are the only ones who understand the full dynamic between the two. There are some people, like the poster you’re referring too, who have total hate boners for her and only ship Orinthara as a means of punishing her in their heads. And it becomes so obvious that their desire to ship Orinthara is out of complete malice when they only have negative and violent opinions about Minthara and are using “toxic yuri” as a cover.
I can’t even imagine hating a character that much, but still thinking about them all the time. If there is a character I hate, I don’t spend any time thinking about them. At all. They choose to let Minthara live in their heads rent free and it bothers them for some reason, lol.
Yeah. I think that the differentiating factor is care.
To illustrate using a nonsexual, non-BG3 example, in one of my previous fandoms two writers both wrote fics in which the antagonist had a conversation with the protagonist about her crimes. In one fic, the protagonist talked down to the antagonist, listing out all the things she had done wrong while she ranted and raved and screamed. Then she died. Victory!
In the other, even as the antagonist grappled with the magnitude of her failures and the consequences thereof, the author kept her perspective in mind. They used flashbacks to her past to put the audience in her shoes and let her argue her case. And they did it so effectively that I have never felt more sympathetic to this antagonist than I did when reading that scene. She was still wrong. She still died. But the scene landed so much better. The character felt respected by the narrative, her death lacked the almost voyeuristic authorial glee that made the similar scene in the other fic honestly a bit uncomfortable to read.
In a similar vein, lots of Minthara fans write about Orin doing absolutely horrible things to Minthara. But because they care about Minthara (and often also about Orin, who is doing all this for understandable reasons given the absolute shitfuck of a situation that she's coming from) there's a level of respect for the character by the narrative even as she suffers. It's the energy of "I'm going to put my blorbo in situations," it's the phenomenon of taking your favorite and making them bleed because you care about their emotions. Because the point of tragedy is that even if it all ended poorly, it still mattered.
I've seen fic about Orin impregnating Minthara during her time as a slave to the Absolute done, and some of it was done very well. (Orin cut the fetus out of Minthara and killed it, because she's Orin and was actually written in character.) But it worked because the author cared about Minthara, about the horror of the situation, in a way those flippant comments that sparked this conversation did not.
In contrast, if a person who hates a character is talking about them suffering there's this general vibe of, "look at this bitch getting what she deserves", that hangs over the entire conversation like a haze. And because "toxic yuri" encompasses both scenarios but has progressive implications (ooh, look at me paying attention to female characters!) it can easily be used as a shield against criticism for that vibe.
The question, ultimately, both with this Orinthara situation and with the author I discussed above, is whether a person extends the same grace, the same sense of interiority and assumption of an inner life, to the female characters as they do their male faves. And the answer, very often, is "no."
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petirrojo57 · 3 days ago
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I think that if I were to read a de-aging fic (and it would be only in a WangXian MDZS fic because that’s 99.99% of the fics I read) in which either Lan Zhan or Wei Ying started to caretake the other in such a way I would have to NOPE myself right out of that fic because it would show such an abysmal lack of character understanding in the framework of AUs in which the spirit of the character is there but in different scenarios/settings. Sure, you can write stuff that’s out of character, but in most instances that cannot suit a de-aging dynamic.
Imagine a de-aged fic with child Lan Zhan being treated with discipline by Wei Ying - heck no. He knows that Lan Zhan did not get to grow up with enough of a childhood so he would do the opposite of that. Imagine a de-aged Wei Ying - Lan Zhan would know the terrors young Wei Ying faced so would treat him with the gentlest care, not nanny-ing him.
Real world children may need/benefit from gentle scheduling and caretaking, but a de-aging scenario would need to blend the care of a physical child with the emotional state of the adult/child in a highly confusing/frightening situation.
I'm disturbed by the number of de-aging fics I've read where the adult caretaker of the one who is de-aged feels the need to discipline the de-aged one, or "teach them manners," or "make them" do things like clean up their toys or eat their vegetables or go to bed on time, or help them understand that they should apologize if they are "naughty."
This never seems to be a commentary on the fact that the adult caretaker is in fact a bad caretaker who is unable to assess what a child needs in a given situation. The texts always seems to imply, heavily, that this is in fact a good caretaker because they are setting boundaries and providing the child with necessary lessons. It always comes across as though we the readers are meant to feel "look at this responsible adult!"
Instead it reads like the adult doesn't understand children and doesn't know what to do with them. It reads as though the writer thinks disciplining children and making them clean up and making them apologize is just something you do with children; it's just what children need; it's just what children are for.
No.
We do those things with children because it can help them be healthy, develop good habits, and get along with others in life. In a de-aging fic, the de-aged person is already an adult. They've either learned these lessons or they haven't, so there is no reason to teach them now. If the adult caretaker has a problem with the adult version of the de-aged character, they should be taking that up with the adult version and not the child. Taking it up with the child is pointless, since it's the adult version that's the problem; it also feels manipulative, since people consider children malleable while they think adults aren't. It sounds like you're trying to change the child because you couldn't change the adult, which I find kind of disgusting.
An adult de-aged to a child is a fantasy/sci fi concept that cannot happen in real life as far as we know it. They don't have the same needs as children. They wouldn't need life lessons or to learn how to function in an adult world.
When you think about what he only thing a de-aged child would need is the same comfort and safety anyone would need in an unfamiliar situation in which they might not be able to care for themselves. So in those situation there are physical needs--safety, food, shelter, etc--and emotional needs. As far as emotional needs, most kids would be feeling alone and scared at suddenly being thrust into a world with which their not familiar; they need someone who makes them feel safe, whom they feel they can trust. Building trust with a kid is hard, but you don't do it by making them go to bed on time; you do it by listening to what they say and taking them seriously; you do it by not acting like you know best because you actually don't, unless a kid wants to do something that will literally risk their physical safety.
So no. The adult caretaker in such a fic does not need to make a kid take a bath, even if they are filthy. If the kid wants to go to bed filthy they can, and the adult caretaker can wash the sheets. If the kid doesn't sleep well because the dirt irritates them, they'll get up and want to wash or they will be grumpy the next day. If they are grumpy ask them what would make them feel better and try to give it to them. If that doesn't make them less grumpy that is also fine; at least they don't have some random adult trying to put them in their place because that's where children belong.
tl;dr children do not exist to be controlled they should be loved. put it in your de-aging fics pass it on
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mulders-too-large-shirt · 2 days ago
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fight the future part 1
AHHHHH, i’m so EXCITEDDDD!!!
it usually takes me an hour and a half to write up my initial thoughts on a 45 minute episode, PLUS more time to edit them before posting, so this 2 hour movie is probably going to take all night LMAOOOO
but after having some brief troubles with my laptop’s DVD player, here we are!!!! i cannot wait!!! i’m so excited!! everyone has really hyped this up. but i read the back of the DVD and it didn’t mention gibson at all? so are we just pushing that to the side for now?
okay. yeah. i’ll have to not worry about that little boy. 
oh, and yeah, i'm watching it on a DVD! the quality is... not great. which i suppose adds to the immersion.
post-movie thoughts: i can see shrimp colors and feel their secret emotions.
let’s GOOOOO!
theme music playing……………….. over some oily looking stuff…. YEAH BABY!!!!!
we are in a blizzard. two figures run. wait, it’s texas? oh, it’s ancient texas. a very different time from now.
let us enter a cave together, where we can start a fire and rest. and look around with torches. deeper and deeper into this labyrinth journey the cavemen. it looks like skyrim. i half expect a skeever to jump out
wah! who is this in the ice?
ALIEN ATTACK??? what is going on? alien vs cavemen! place your bets!!! one caveman down!!! the alien escaped?? other caveman wants to know where tf it went!
i get the sense a jumpscare is coming. WHAT IS THAT THING??? it looks like a flounder??????? surviving caveman stabs it and it bleeds. OHHH.... IS THAT THE BLACK OIL STUFF???? YEAH, it is!!! and it crawls all over the caveman!!!! 
wahhhh!!! abrupt jump cut to a boy named stevie falling into a cave. stevie, there may be monsters afoot, please be careful. stevie wants this skull for himself. please alert any local archaeologists of this find instead of stealing it or its historical context will forever be lost to time. NO STEVIE! the goop!!!!! it is upon him!!!
maybe this is what he gets for trying to steal archaeological remains. take notes, children. a lesson was learned today.
it crawls up his legs like evil slugs!!!! and into his eyeballs!! the other kids run!!!
they abandoned stevie in his hour of need… personally, i would not forgive them for this
some yellow firetrucks are here to save the day (and who has ever seen a yellow firetruck?). go, fetch stevie. the fireman up top can’t hear the ones down in the cave through the radio!!!
now, what is this helicopter doing at the scene? they bring out a pod-thing to store stevie in. and this other guy (later revealed to be named bronschweig- simply too many german names on this show) is watching the boy with grave concern.
THIS DUDE LEAVES THE FIREMEN DOWN THERE TO DIE?????
absolutely DIABOLICAL.
a ton more trucks pull in and block off the area while the doctor bronschweig guy calls someone to say that…. the impossible scenario that they never planned for??? well, they better come up with a plan!!
a week later, a helicopter arrives in dallas. the FBI says there is no evidence of an explosive in this building, but this other guy (michaud) says they had better check again. he sees something in the distance….. upon the roof....
SCULLY IS HERE!!!!!!!!!!!!!!!!! i cheered and screamed!
“mulder, it’s me!” “where are you scully?” “i’m on the roof” <- it was her on the roof!! oh, my heart is so happy to see her!!! she says she hasn't found anything. and you know she is good at observing
LMAOOOOO she wants to know what the fuck she is doing there!!! after going up 12 floors of stairs!!! they are not acting in accordance with the data on how to respond to terrorist threats!!! the bomb threat was called in ACROSS THE STREET!! lives could be lost!!! yes diva, monologue statistics!
BOO! mulder scares her LMAOOO LMAOOOOOOO aww. babies.
(her lecturing him on the statistics and terrorist behavioral analysis is so funny because he is the behavioral analysis guy... but i recognize that they are doing a sort of character introduction for the girlies who are just tuning in for the movie, and she is the one who likes to do things by the book)
(he pops a sunflower seed) “what are we doing up here, scully? it’s hotter than hell” <- many are asking this question...
NOOOOO, he’s bored because they’ve CLOSED THE X FILES 💔💔💔 and now they have to follow the rules!!! and do boring things like look for bombs! but at least they get to do it together? that has to be a plus!
“maybe we should call in a bomb threat to houston; i think it’s free beer night at the astrodome” (she glares at him) LMAOOOOO she’s mad as hell!!!! and so is he!!! but in a different direction!
OHHHHHH she pretends the door is locked…. and he goes into open it…. AHAHAHA, OH I JUST GIGGLED!!!
“it’s locked?” “so much for anticipating the unforeseen” (he opens it and turns to her, who is smiling, crossing her arms) “i had you” (he’s laughing) “no you didn’t” “had you big time"
AHHHHHHHHHHHHH i love when they write scully as a smartass!!! THAT IS MY BABY!! <3
SHE’S STILL TEASING HIM AS THEY GO INSIDE, BAHAHAHA! he says he saw her jiggle the handle; “i saw your face, mulder, there was a definite moment of panic” “you’ve never seen me panic. when i panic, i make this face” (he has no discernible expression)
BANTER!!! THE BANTER OF IT ALL!!!
OHHHH, SHE MAKES HIM BUY HER A SODA and she wants something SWEET... AGAIN, i say, that is my baby!!!!!!
15 minutes in and i’m already kicking my feet and giggling at their banter, oh my god… this is going to ruin me
LMAOOO what the hell did he just pull out of his pocket as he is putting the change in for a soda?!!
bro is slamming all of the buttons…. bro is kicking the machine… i have been there too, brother, i promise. 
aha! the machine was unplugged!
this DVD is skipping a little but i think he got locked in the drink room 💔 for what purpose??
he panics and calls scully on his nokia, and her number is 555-0113 btw, for those of you who keep track of these things
he says he found the bomb!!!! and she thinks he is joking, but he is absolutely not!!! 
OH SHIT!!!!! the bomb really is in there!!!! where the vending machine should be!! he starts counting down…….
so scully runs out, saying that she will get him out of there, but first: get everyone else out!!!!
YES, TELL THEM GIRL!!! “i need this building evacuated and cleared out in ten minutes. i want you to call the fire department and have them block off the city center and a one-mile radius around the building” “ten minutes?” “DON’T THINK! pick up that phone and make it happen!” <- YAAAAAAS EXACTLY RIGHT!!!
love when she raises her voice at men who doubt her. it brings me inner peace.
she needs to speak to michaud NOW…. tell him to deploy the FBI AT ONCE!!!!
oh, poor mulder, stuck in a locked room with the vending machine bomb….. he jumps when his cellphone rings. “scully, you know that face i just showed you? i’m making it again” <- NOOOOO his normally cool exterior is cracking 💔
she informs him to get away from the door because they are coming in. is michaud a welder????? or do they just keep one on hand for events like this?
michaud says to get out NOW!!! and mulder doesn’t want to listen, but scully forces him out. now why tf would this michaud guy know how to diffuse a bomb?? but he says he does.
okay, but he lies, because he’s just sitting there looking at it?????
mulder wants to run back in but she SCREAMS IN HIS FACE THAT THEY DON’T HAVE TIME!!!
(this was most pleasing to me as well. something about her screaming in his face to save him made me nod in approval)
they just barely get in the car, when the whole building blows!!!! poor limping agents emerge from the bombing as the place is in ruins. “next time, you’re buying”, mulder says. oh, this man, and his dumbass quips…
back to the FBI headquarters in DC. is scully in trouble??!?! but skinner is here!!!! surely he will defend her! oh no… mulder is here, too. there were 5 deaths in the explosion!!!
mulder rushes in, asking if the bodies really were found in the building, because they were told it was clear. but this lady tells him he was late and he better go wait outside… what is afoot at this moment…? skinner shakes his head ever so slightly
cut to him pounding sunflower seeds outside the door while the meeting takes place.
skinner emerges!!!!! NOOOO he gently informs mulder that they’re being blamed for this!!! he was so careful about the way he worded this news, too 💔💔
“if they want somebody to blame, they can blame me. agent scully doesn’t deserve this” “she’s in there right now saying the same thing about you” <- OHHHHHH……….. i fell to my knees in a walmart parking lot.
(metaphorically, of course. for in reality, i sit here, cozy in bed)
mulder says that he broke protocol by leaving the SAC, so he should take the blame, but she says she was the one who ordered him out. and he denies wanting to go back in.
poor scully :( she emerges
and now the people from the panel in the meeting room want skinner back :( she always calls him “sir” :(
NOOOOO, THEY’RE SPLITTING OUR AGENTS UP??? 💔 
“this is not about you scully, they’re doing this to me” “they’re not doing this. mulder, i left behind a career in medicine… because i thought that i could make a difference at the FBI, but it hasn’t turned out that way, and now if they were to transfer me to omaha, or cleveland, or some field office it just doesn’t hold the interest for me that it once did. not after what i’ve seen and done” <- OHHHHHH… his face while she says this…
and her guilt…. it’s like she wants to atone.
again, scully and her need to Do The Morally Correct Thing at all costs. and at this point, can she say that being in the FBI is the Morally Correct Thing to do? i don't blame her for wanting to go be a doctor instead, even though i am surprised she doesn't want to figure out who got her sick and killed her sister. maybe she thought if she cut her losses now, she could still make a life for herself somewhere else.
she looks so SAD, and she says she’s sorry, and when mulder walks away, she grabs his jacket that he left behind... ohhhhh my GOD, her standing alone in the hallway… someone please kill me
(post viewing note: i think he was trying to blame himself for the whole situation and assuage her guilt with the "this is not about you, scully" line, but it seemed like he was saying that he was the only one being persecuted for the pursuit of the great and noble Truth, which rubbed me the wrong way. i think i know what he MEANT, but when he said they were doing this to HIM, it was like, damn, pretty sure y'all have been a team... again with the hearing 'i' when he ought to hear 'we')
NOOOOO! mulder’s absolutely smashed at the bar. bro barely drinks and tonight he is going for the gold. 
AND THE BARTENDER ASKS WHAT HE DOES SO HE JUST. TELLS HER EVERYTHING??? so she cuts him off for the night. because his alien story seems to indicate his inebriation.
oh my god, it's like it doesn't bother him that he is a joke to his peers when he is getting results, but when he is separated from those results, being belittled hurts
“one is the loneliest number” <- SAID BY THE MAN who never wanted a partner….. oh my god…..
OH, the poor guy can’t even go to the bathroom in peace… which leaves him pissing against the wall… truly an all time low for my best friend mulder
this guy is talking to him while he goes to the bathroom. he says he has been watching his career for a while…….. since he was a promising young agent….. okay, who is this kurtzweil fellow? OH! HE CLAIMS TO BE “AN OLD FRIEND OF YOUR FATHER’S” EEK! i don’t think that will endear him to you 
HE CALLS THEM “FELLOW TRAVELERS”.... RED MR. MULDER CONFIRMED???
he’s trying to get away from this guy. kurtzweil heard he comes in there sometimes. huh, that’s interesting. i feel like we never see him drink. and he said he usually doesn’t, which he stated as much before. maybe he goes there on the tough nights. maybe he gets bored. maybe his general sobriety is being retconned in this film. very interesting.
bro is trying to get tf out of there… but kurtzweil says that michaud never tried to diffuse that bomb!! "they" wanted the medical quarantine office in that dallas building destroyed!! which is where the bodies came from!!! the dead they found were already dead before the bomb went off!!!!
ohhhh, mulder's eyes are alight again… he tells the doctor he thinks he’s full of shit, but i can see that spark in his drunk and pondering eyes.
he is now off to georgetown. where poor scully cannot sleep. in her white robe. sadly looking at the ceiling.
(i know nothing about DC. so scully lives in georgetown? then where does he live? how far away is that? you have to call a cab, so it's probably pretty far... how long are their journeys to work? and most importantly, how far are they from the museums?)
OH she immediately clocks that he is drunk and she is SUSPICIOUS. oh, i want to STUDY this interaction:
“oh, i woke you. did i wake you?” (he stumbles in)
“no”
“why not? it’s 3 in the morning” 
“are you drunk, mulder?” (i find it very fascinating she asks this without judgement- just very matter of fact)
“i… i… uh, was, until about 20 minutes ago, yeah”
“was that before or after you decided to come here?”
“what exactly are you implying?”
(she stares at him) “go home, mulder”
“no, get dressed”
“it’s late”
“get dressed”
“what are you doing?” 
“just get dressed, and i’ll explain on the way” <- ohhhhhh…. will she go with him?
she will, but only after a deep sigh
(post-viewing thoughts: i thought this was so fascinating because it felt like she thought he was going to break whatever tenuous barrier was between them. like, he was either going to try and sleep with her, or beg her to stay, and either one was something she couldn't handle. it felt like she assumed it was sexual, to me at least. and that firm rejection was very interesting. i shall unpack this for decades, i am sure)
back to texas, where the quarantine effort where stevie and the firemen fell in the hole is being resumed. AND CSM IS LIGHTING UP AS HE DESCENDS FROM HIS HELICOPTER!!! sadly and pensively smoking. 
the guy from before who we saw leave the firemen behind- bronschweig- has something to show CSM. AUGH, the fireman that they left in the hole is still alive, but he is very goopy??? why is this???
the black oil alien is eating him away!!! but they managed to slow it down by bringing him back to freezing!!!
he asks if CSM wants him to destroy “this one too, before it gestates” and he says no, no. we need to try the vaccine. and if it doesn’t work… burn it like the others. nasty.
AUGH....... the oil alien moved in the fireman's body a little bit. didn't care for it.
the agents are rolling up to the naval hospital at 4 am. i sure do hope mulder wasn’t the one driving. scully does not seem like the type to allow this.
LMAOOOO he is trying to get into the morgue by pushing around the young and inexperienced guard, and he does that thing where he calls him “son”, which makes me feel so weird, but the trickery of a guy named fox never fails to amuse me. he points out to scully once they're successfully inside that it’s pretty weird a hospital morgue is suddenly off limits on the orders of a general. yeah, seems sus.
mulder is unboxing this corpse, and it is horribly sticky!!! she’s gloving up to investigate. “god, it’s completely edematous”, she notes, and i giggled when she said that. scully using medical words makes my heart skip beats. i even giggled while gagging as she dragged her fingers through the human body that had become gel. and there was evidently absolutely no autopsy, she declares!!! the death report is obviously not true!!!
(shoutout to the props team)
STEALING A BODY with agents mulder and scully! but she is concerned! it takes a long time to conduct an autopsy! she’s worried they'll get caught!! “we’re being blamed for this man’s death. i’d like to know what he died of”, mulder points out, and you know what? i can’t really argue with that logic 
how is she gonna cut the body open if he’s goop?!?!
off to dr. kurtzweil’s apartment, where an outside investigation is taking place, and you bet mulder is going to crash it.
OH SHIT??? the cops who are in kurtweil's place accuse him of a very serious crime??? mulder also found a book he wrote about “global domination conspiracy” um… can we trust this guy? 
earlier when he said he was an OBGYN, my first thought was that he was one of those guys who works in the fertility clinics and makes the clone people… maybe he really is?
(after seeing the film, i think it was just a coincidence LMAO)
mulder make a joke about needing a pelvic examination and cracks the other cop up lmao. he has a way of charming people
GASP! as he tries to leave, he’s being summoned around the corner by kurtzweil!!! he says "they" know that he is talking to mulder. mulder is like how tf did you know all that about the goop guy in the hospital morgue?
well, let me tell you a story about a mouse disease, says kurtzweil.
and FEMA mentioned…. what are they doing in a mouse disease outbreak?? with their newfound powers? hmm.
MR. MULDER LORE!!!! they worked on a bio weapon together. “a plague to end all plagues… a planned armageddon” arranged with the aliens!! that's... not good.
so he says the president will declare a state of emergency when this plague arrives, and all power will come under FEMA/the secret government. and then i think he implies it will be transferred over to the aliens?
he says to go back to texas and dig… or else.
poor FEMA. always being blamed for something.
meanwhile, scully is working on getting an autopsy on the goopy body. but there are people approaching!!!
she hides!!! in the freezer!!!! but no!!!! her phone goes off!!!!
LMAOOOO!!! DESPITE the horrible timing, she picks up and says she can’t really talk right now- but mulder wants to know more about this infection she found. 
he wants her to come to dallas with him, but she says she can’t, she has a hearing tomorrow!!! OH SHIT!!! the army men are approaching, but just in time she hides under the bodies…… very gross
now mulder is in a lab far away. looks like she did not accompany him to texas.
JUST KIDDING!!! SHE DID!!! she walks in right as he is told about some archaeological bone fragments!!
she didn’t want to come, but whatever those men were infected with has a protein code she has never seen before!! and i KNOW scully knows her protein codes!!! it is a serious health threat!!!
time to look at the fossils with a microscope. oh, whatever she sees is crazy, judging by the face she is making
(i thought it was so funny how he tells the dude in the lab he wanted her to explore the bones because it was so conveniently timed AND because they were archaeological remains that were thousands of years old, and i'm thinking, is she trained in archaeology? or is that implied with a training in forensic pathology? at what age is a bone no longer in her area of expertise?!)
back to the texas site…. the scary government people are going to try the vaccine. BLEH, whatever was in that guy has come free through his chest!!!!!!!!!!! bronschweig is looking around all over the place, freaking tf out!!!! where did it go?!!!!!
bronschweig says he can see it?? in a cave.
it looks slimy. and kinda little? he’s loading up a syringe with some sort of liquid that must be the vaccine, but then it vanishes!!!
OH. IT IS NOT LITTLE. NOT LITTLE AT ALL!!!!
GIRL. IT EATED HIM!?!!!! bronschweig stabs the alien fellow with the vaccine, but the other scientists lock him down in the hole because he has been mauled!!!!!!! and they bury him!!!! damn!!! there are truly no alliances in this alien business!!!!
why are we in england now? OHHHHH! IT’S WELL-GROOMED MAN!!! his butler says he has a call….
(okay, yeah, his name is “well-manicured man”, as the subtitles show, but come on!! it’s been 5 seasons of me calling him the wrong name!! i can’t switch it up now!!)
CSM says there is an emergency meeting TONIGHT. and strughold called it- whoever tf that is.
i have a feeling i am supposed to be most sympathetic towards well-groomed man. especially as he runs for what i presume to be his crying grandchild who hurt their knee. he was also the only one to advocate for working alongside the resistance, which morally elevated him above the others. but still. he is IN the alien groupchat, which you do not enter by being a morally clean fellow
syndicate meeting time!! who is this strughold fellow? aww, well-manicured man’s grandson broke his legs :(
so, breaking news: the alien virus has mutated into a new entity! they need to reevaluate their role in the colonization! well-groomed man points out that they have been used this whole time!! and they dismiss all of his wisdom!
so, they are once again going to ignore his advice of trying to have any hope. but there have been complications… allow us to look at a TV to illustrate
it is mulder and scully on the security footage!!! someone must have tipped him off to what is going on!! and they suspect kurtzweil. so he must go. and so must mulder.
but if they kill mulder, they risk turning one man's quest into a wider crusade… so they must take away what he cannot live without… 
cut to scully!!!! NOOOOOO!
ahhhhh!! i left off at 54:52, i feel that this is an okay place to leave for the night, because my writeups take so long. i started this almost 2 hours ago, and i think a break is appropriate here. so! until tomorrow!!!
ahhhh… so many things to analyze. while trying to fall asleep, i couldn’t stop thinking about the following: scully teasing mulder at the very beginning of the film; how she doesn’t want to work for the FBI anymore without him, and how she no longer feels she can make a change there (and how she Needs to make change rather than simply earn a paycheck); how she is trying to find her place in life still; his sadness at this fact; how he went to the bar and got smashed to cope, spilling his guts out to the waitress, clearly crushed that the world thinks he’s a joke when he doesn't have the answers to dull the pain; how he showed up to scully’s place drunk and she was confused, and the careful line of their relationship was being walked upon when he did so, but she still followed him into the hospital; and then how she immediately started nerding out about the goopy guy, and then hid in the morgue to autopsy him!!!!! and then there’s the whole thing with the well-groomed man and the aliens and colonization and blah blah blah, but come on!! i want my babies back together!! kicking ass and taking names!!! so.
part 2 shall commence shortly!
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countdowntotwinpeaks · 1 day ago
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First edition in a lighter, smoother fest format! Same wild prompts, less bureaucracy involved!
How does this fest work? It’s a prompt fest. Participants write up to eight prompts that they would like to see realized, and then in turn pick, at their discretion, something that someone else prompted to draw or write. All works are ultimately posted by their authors on February 24th, to celebrate Twin Peaks day. When does it run? Prompting opens: January 9th, 2025 Big fanfare about prompts being published: January 23rd, 2025 Works are posted: February 24th, 2025
How do I take part in this? There is no formal signing up - anyone can join in at any step of the process.
By filling this form, you can add prompts for other people to fill. Honor system: if you submit some prompts, please try, in good faith, to then pick someone else’s prompt and give it a spin. If RL then gets in the way, it happens and that’s okay.
What if anything goes wrong? Please contact me immediately through tumblr and explain the situation! We’ll sort it out.
Can I fill more than one prompt?
Always!
How do I format my requests?
Through the form, you can submit up to eight separate prompts, anonymously (“Laura and the opening credits wren”) or listing your name at the start of each one if you would like to be tagged in any potential fills (“laughingpinecone - Laura and the opening credits wren”). You can also specify fic or art if you want (“laughingpinecone - Laura and the opening credits wren (art)”). If nothing is specified, the prompt is meant for either medium. In each prompt, please write in a loose description of the character(s) you would like to receive and of the situation(s) you would like to see them in. The prompts don’t have to feature completely different characters and situations - you can prompt eight takes on the same relationship if that’s what tickles your fancy. Or you can Crossover prompts are allowed. AU prompts are allowed. As always, you can look at last year’s prompts for inspiration. If you want to avoid something that might come up in filling your prompt (maybe you are prompting a scenario that might lend itself to a shippy reading but you don’t like that ship, or you are prompting something shippy but don’t want explicit porn of it), state it simply and politely in the prompt itself as this time there is no separate field for likes and dislikes (“laughingpinecone - Diane and Albert’s night out. Please no ship (fic)”). If you use / and & to indicate character relationships, use them like you would on AO3: “/” indicates a romantic and/or sexual relationship, while “&” indicates a platonic relationship of any kind (“laughingpinecone - Diane&Albert’s night out. (fic)” conveys the same thing as the ‘please no ship’ wording) .
So, in short…
Fill the form to prompt up to eight scenarios for other people to write or draw.
Whether you’ve prompted or not, look at everyone else’s prompts to see if something tickles your fancy. Make that fanwork by February 24th, when we’ll all celebrate Twin Peaks day by posting a bunch of cool stuff!
These new, lighter rules mean that you are free to pick what you like and work with the prompt(s) of your dreams. However, there is no guarantee that one of your own prompts will get picked. All the same, I sincerely hope that among the works posted on Feb 24th we will all find something that’ll make us happy, regardless of whether we prompted it ourselves or whether it came from someone else with similar (or surprising!) tastes.
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jaxihammer · 3 months ago
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Media literacy and smooshing my little guys together like non-canon compliant barbies should not be mutually exclusive
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tigreblvnc · 38 minutes ago
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I absolutely love meeting new matchup writers on this platform, it's like watching a seed emerge from the ground and bloom into a flower.
First things first: thank you for reaching out to me for this exchange! I’m always happy to cross paths with new people.
I've been matched with Karasu countless times; I think he's easily my most frequent match alongside Kaiser. I completely understand why, since we share many traits, including analysis and sassiness, among others. I imagine Karasu and I would have a relationship filled with teasing and funny moments, balanced by serious challenges.
Did I mention that I'm in love with his voice in the anime?
Anyway, I really enjoyed this matchup. Let me know what name I should call you by if you ever want to do another matchup with me in the future.
As for the feedback you asked about regarding the quality of your matchup:
I don't know about which specific aspects you're aiming to improve: the length of your matchup? The depth of your dynamic analysis? The credibility of your headcanons?
When I think about which character to match someone with, I focus on their shared and contrasting traits. "What would make the relationship interesting and relevant?" From this foundation, I dive deeper into analyzing the pros and cons and finding ways to balance the overall dynamic. I'm naturally analytical, so putting my thoughts into words comes easily to me, and this approach often makes my matchups feel very structured and logic-driven.
Your writing style, on the other hand, leans more into concrete situations—what Karasu and I would actually do together. You explore our dynamics through slice-of-life scenarios, which is really interesting because it creates a tangible and contextual environment for the relationship. Headcanons like these are what immerse the reader most in a piece of writing, so this is definitely a strength of yours. Keep leaning into this to maintain consistency and realism in your matchups.
If you have a more specific question about how to improve, feel free to ask. I'll be happy to help. Thanks again!
@tigreblvnc — matchup exchange
I ship you with…
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Karasu Tabito
🐦‍⬛ As soon as I read your info, I instantly thought of him then again when do I not
🐦‍⬛When Karasu first met you in Blue Lock, he was instantly both drawn and scared off by you
🐦‍⬛Both of you appreciate intellectual people and can’t stand mediocrity, so you understand each others’ directness and bluntness towards such people
🐦‍⬛however, you two are more than simply similar to each other. you bond over your pursuit of knowledge, and push each other towards it
🐦‍⬛in different ways, though — karasu’s pursuit is more physical and in relation to his sport such as tactics whereas yours is mental and cognitive
🐦‍⬛that said, you guys have balance with each other with you providing an understanding of mental health and his physical, and share that with each other to further both of your pursuits
🐦‍⬛in turn, you understand each other :)
🐦‍⬛Karasu’s type is literally someone smart, so whenever you go on a tangent about how irritating you find people who lack intelligence, your love for psychology, or anything of the sort, he just leans his head on his palm, hanging on your every word
🐦‍⬛on the other hand, you two have had more than one debate that shifts from teasing to genuine thought in two seconds
🐦‍⬛everyone else in blue lock CANNOT keep up with you when you guys get into that flow
🐦‍⬛he admires how defensive you are about your interests, your friends, etc because he considers it as yet another way that you go beyond the average
🐦‍⬛he picks up on the fact that you hate anything that slows you down — so he does tease you by putting his weight on you and laughing as you tell him off
🐦‍⬛when you get really annoyed, though, he turns it into a hug so that you’ll accept his apologies and you always do because physical touch makes you weak and the mf knows that
🐦‍⬛outside of blue lock, the favorite couple activity shared by the two of you is him practicing outside while you study psychology — or so he thinks. sometimes, though, you try to study the tactics that go into soccer more so that you can be more supportive. that way, you can spend time with him and occasionally comment on something he could improve on or watch out for.
little note: this is literally my first time doing this!! i hope i did well, i was pouring over all the info you gave me haha. also, ik you like kaiser but i haven’t read the manga yet so i literally couldn’t think of a better character than him, yall match so perfectly omg. anyways enough yapping hope you enjoyed 🐦‍⬛
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lilacs-stars · 5 months ago
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wait okay I haven't seen anyone talk about this yet (and I'm really sorry if this has been brought up before, to my knowledge it hasn't, but obviously I haven't seen every single post ever), during "perfect revenge" when they first go into the dead fish layer thing whatever, and around the time where uliana says "find that perfect, perfect revenge"
HADES LITERALLY GRABS ONTO MORGIE'S SHOULDERS AND DOES A LIL JUMP?? AND HE'S SMILING AND HE SEEMS SO HAPPY HE JUST DOES A JUMP LIKE
it's soo cute 😭 honestly in my opinion it feels super out of character for him, idk why it was even included but like maybe it shows a part of hades that's super bubbly, which he tries to mask with his apathetic, uninterested demeanor?
but the way he jumped on morgie's shoulders in particular, makes me wonder more about their dynamic? like is it because morgie's so bubbly that hades is like that around him too? and the way that morgie was quick to agree to hades's "yeah let's burn her to a crisp" makes me wish we got to see more of them. like imagine hades always acting so tough and unconcerned around maleficent, but finally letting loose and being super excited and happy when he hangs out with morgie.
anyways just a thought, I figured it would be nice to point it out and see what you guys think about it. that's all for now! :))
(also now I can't get the idea out of my head where hades is being all chill to maleficent like "yo imma go hang out with morgie" and she's like "okay whatever" and then cut to hades hanging out with morgie where they're both squealing and jumping up and down like a pair of teenage girls while one of them spills the tea 😭 I'm sorry I can't this is too funny 💀 I actually need a fic about this like this is some top-notch villain behavior fr)
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lord-squiggletits · 10 months ago
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I think the key component to my personal reading of post-Delphi Pharma is that he's trying to be a horrible person on purpose. Not "on purpose" in the way that people have free will to exercise their own choices, but in that Pharma's "mad doctor" persona is a performance he puts on to deliberately embrace how much everyone else hates him. Basically, if people already think you're a "bad Autobot" and a horrible doctor who just kills his patients for fun, why try to prove otherwise to people who have already made up their minds about you? Just fully embrace the fact that people see you as an asshole. Don't try to change their minds. Don't plead for their forgiveness or understanding. Just stop caring. If you're going to be remembered as a monster, you might as well be a memorable monster, and eke as much pleasure and hedonism as you can out of it before karma catches up to you and you inevitably crash and burn.
I mean, I guess you could just go the route of "Oh, Pharma was always a fucked up creepy guy and Delphi was just him taking the mask off," but I really don't like that interpretation because, for one, it feels really wrong to take a character like Pharma becoming evil under duress and going, "Oh well clearly he did the things he did because he was evil all along," as if somehow Pharma breaking under blackmail/torture/threat of horrible death was a sign of him having poor moral character. As opposed to, you know, suffering under the very real threat of horrible death for himself and everyone he cares about while being manipulated by a guy who specializes in psychological torture.
The second reason is that it just doesn't make sense to write Pharma as having been evil all along. I mean...
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Occam's Razor says that the best argument is the one with the simplest explanation. Doesn't it make way more sense to take Pharma's appearances in flashbacks, his friendship with Ratchet, his stunning medical accomplishments, and the few we see of him speaking kindly/sympathetically (or in the least charitable interpretation, at least professionally) towards his patients and conclude "This guy was just a normal person, if exceptionally talented." Taking all of these flashback appearances at face value and assuming Pharma was being genuine/honest is a way simpler and more logical explanation than trying to argue that Pharma for the past 4 million years was just faking being a good doctor/person. I mean, it's possible within the realm of headcanon, but the fact is Pharma's appearances in the story are so brief that there simply wasn't room in the story for there to be some sort of secret conspiracy/hidden manipulation behind why Pharma acted the way he did in the past.
I just can't help but look at things like Pharma's friendship with Ratchet (himself a good person and usually a fine judge of character) and the fact that even post-Delphi, pretty much every single mention of Pharma comes with some mention of "He was a good doctor for most of his life" or "He was making major headways in research [before he started killing patients]" which implies that even the Autobots themselves see Pharma's villainy as a recent turn in his life compared to how for "most of his life" he "used to be" a good doctor.
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And although Pharma doesn't know this, we as the readers (and even other characters like Rung) know about Aequitas technology and the fact that it actually works, so... if Pharma really was an unrepentant murderer, why couldn't he get through the forcefield too? The Aequitas forcefield doesn't require that a person be completely morally pure and free of wrongdoing or else how could Tyrest get through, just that they feel a sense of inner peace and lack feelings of guilt. Pharma has murdered and tortured people by this point, and put on quite a campy and theatrical show of how much he sees it as a fun game, so why then can he not get through?
It circles back to my headcanon at the start of this post that the "mad doctor" persona is just that-- a persona. Delphi/post-Delphi Pharma's laughing madman personality is just so far removed from every flashback we saw of him and everything we can infer based on how other people see/saw him before that, to me, the mad doctor act is (at least in large part, if not fully) a persona that Pharma puts on to put his villainy in the forefront.
To avoid an overly simplistic/ableist take, I don't think Tarn tortured Pharma into turning crazy. To me, it's more like the constant pressure of death by horrific torture, the feeling of martyrdom as Pharma kept secret that he was the only one standing between Delphi and annihilation, the physical isolation of Messatine as well as the emotional separation from Ratchet, being forced to violate his medical oaths (pretty much the only thing Pharma's entire life has been about), etc. All of that combined traumatized Pharma to the point that the only way he could avoid cracking was to just stop caring about all of it. Because at least then, even if he's still murdering patients to save Delphi from a group of sadistic freaks, Pharma doesn't have to feel guilty and sick about doing it. As opposed to the alternatives, which were probably either going off the deep end and killing himself to escape, or confessing to what he did and getting jailed for it.
In that light, Pharma becoming a mad doctor makes sense. It avoids the bad writing tropes of "oh this character who was good his entire life was actually just evil and really good at hiding it" as well as "oh he got tortured and went crazy that's why he's so random and silly and killing people, he's crazy" and instead frames Pharma's evil as something he was forced into, to the point where in order to avoid a full psychological breakdown and keep defending Delphi, he just had to stop caring about the sanctity of life or about what other people might think of him.
Then, of course, the actual Delphi episode happens, and Pharma's own lifelong best friend Ratchet basically spits in his face and sees him as nothing more than a crazy murderer who went rogue from being a good Autobot. Then Pharma gets his hands cut off and left to die on Messatine. At that point, Pharma has not only been mentally/emotionally broken into losing his feelings of compassion, he's received the message loud and clear: He is alone. Everyone hates him. Not even his own best friend likes him any more. No one even cared enough about him to check if he actually died or not. He will only ever be remembered as a doctor who went insane and killed his patients.
So in the light of 1. Having all of your redeeming qualities be squeezed out of you one by one for the sake of survival and 2. Having your reputation and all of your positive relationships be destroyed and 3. People only know/care about you as "that doctor who became evil and killed his patients" rather than the millions of years of good service that came before.
What else is there to do but internalize the fact that you'll forever be seen as a monster and a freak, and embrace it? People already see you as a murderer for that blackmail deal you did, so why not become an actual murderer and just start killing people on a whim? People already see you as an irredeemable monster who puts a stain on the Autobot name, so why beg for their forgiveness when you could just shun them back? You've already become a murderer, a traitor, and a horrible doctor, so what's a few more evil acts added to the pile? It's not like anyone will ever forgive you or love you ever again.
Why care? Why try to hold on to your principles of compassion, kindness, medical ethics, when an entire lifetime of being a good person did nothing to save you from blackmail and then abandonment? Why put yourself through the emotional agony of feeling lonely, guilty, miserable, when you could just... stop caring, and not hurt any more?
#squiggposting#pharma apologism#i'm sure the doylist reason for the writing is just that pharma was a designated villain#so since he's a villain and 'crazy' it's fine for everyone even the good guys to treat him like complete trash#i just think from a watsonian perspective taking a sympathetic approach is way more interesting and logically consistent#what i mean is like. from a meta perspective one of the best ways to show that a character is super evil and not worth saving#is when even the good guy heroes. the ones who are supposed to be kind and compassionate and wise. see him as dirt#and this is also kind of a necessity in most plots bc TF is the kind of series that just needs action villains and long-term antagonists#so not every villain is written or has a plot to be made redeemable. and pharma is one of these bc he's not important or a legacy character#so from a doylist (meta) perspective you could read the autobots' disregard of pharma as a sign of#'this guy is not meant to have your sympathy as a reader. pay no attention to him'#but from a watsonian (in universe) perspective it paints a miserable picture of pharma being utterly forsaken by the ppl he served alongsid#and like yeah i'm super autistic about pharma so of course i view him with sympathy but like#the idea of being a loyal and good person for years only to be subjected to a Torment Nexus of#being blackmailed into breaking all of the oaths you held sacred. under threat of you and all your comrades dying horrible torturous deaths#then when your comrades find out about it they focus solely on the 'harvesting organs' and not on the 'blackmail' part#and then you get literally left for dead by your comrades and best friend hating your guts#and then you get rescued by a guy who uses you as a test subject for his evil machine#this is a fucking nightmare scenario like pharma could hardly be suffering more if the author TRIED to make him suffer#and for me it's like. the evil pharma did can't be decontextualized to what drove him to that. as well as the question of like#how easily ppl can write someone off as evil and turn a blind eye to (or even find satisfaction in) their suffering bc theyre evil#and either brought it on themselves or it's just karma paying a visit#like. i feel like if pharma WERE a shitty doctor and a terrible person his whole life then the delphi situation would feel like karma#but the way it's written and the lore retroactively put in makes it feel more pharma getting thrown in a torture carousel#and THEN becoming evil. but then being treated as if he was always evil or was some sort of bad apple#bc like i'm not opposed to LOLing when a villain gets a karmic torture/death related to the wrongs they committed#but in pharma's case it feels less like karma and more like endless torture + being abandoned by ppl who should have been more loyal
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jujuscrolled · 1 month ago
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love, actually
☆ in which if you look closely, you’ll find that love actually is all around (ft. toji, choso, yuta)
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Toji
Toji had become increasingly worried about his son. Megumi had never been quite the talker - always resorting to a shrug, a nod or a side eye. Toji had become accustomed to their conversation (or lack there of) - so much so that he could read Megumi like a book. Their routine went like such: Megumi would come home, they’d have minimal conversation over how his school day had gone, he’d leave to do his homework and come out by dinner time (he’d complain about the taste or smell or anything else that didn’t meet his expectations), then they’d watch reruns of Crayon Shin-Chan and demolish exactly half of a large bucket of red vines. That was what Toji liked, it was a nice routine, he thought.
Until about a week ago - Megumi had eaten his dinner (without complaints!) and while they still had their nightly father-son bonding over Shin-chan Megumi had only eaten about a third of what he usually ate of red vines, and God forbid he tried asking about school.
Toji was at a bit of a loss considering he wasn’t much of a talk about your feelings kinda guy but that didn’t mean he wasn’t worried about his son. So, the obvious solution? Talk to the most emotionally available person he knew: you.
You were their neighbor and Toji’s close friend - though, really more of his only friend. You were the only one that would genuinely tolerate and even enjoy both his and his son’s emotional constipation.
“So, you’re worried about him… Because he’s not complaining about your food?” You asked as you sat at one of the barstools that faced his kitchen.
“There’s more to it. ‘Sides, i’m not worried i’m just…” Toji paused, thinking of a word to properly describe what he was feeling but his mind was far too jam packed with thoughts to formulate a proper word.
“It’s called being worried, Toj. And honestly? Considering you’re trying to make dinner with a chicken breast and a single carrot - i’m worried now too.” You mused, standing up and making your way over to him. (He had asked you to help him make dinner earlier but you had refused knowing that you’d end up doing most of the work.)
Toji watched you as you leaned onto the counter, back against the drawers as you looked at him curiously. He felt his hands get sweaty.
“Well, have you asked his teachers if he’s been off in class too?” You asked causing Toji to roll his eyes, “‘m not asking his teacher about my son.”
It was your turn to roll your eyes at him, “don’t be silly. They spend a lot of time with him - it’s not a bad thing to ask about your son as a concerned parent! Besides, you’re asking me about him and I’m just your neighbor.”
Toji scoffed at you, lifting his hand to flick your forehead.
“Don’t be stupid, you’re more than just our neighbor. ‘Sides, the brat likes you.” He looked away from you feeling uncharacteristically bashful as you grinned up at him.
“Awww, you guys like me?” You cooed, poking at his side making him swat your hand away. Toji was surprisingly ticklish for being such a burly man so you always found it funny to poke at the not so metaphorical bear.
“Well alright then, I’ll do what I can. Now please move, I doubt boiled chicken and half a carrot can hardly provide anyone with the necessary nutrients to survive.” You muttered pushing on his beefy shoulder so he could move.
“I put seasonings and shit in here too, don’t piss me off.” He muttered, but moved away from the stove regardless.
Four bowls of chicken noodle soup (Toji had seconds), a few episodes of Shin-Chan and three-fourths of a jar of red vines later Toji found himself in his room, mouth ajar as he stared at his phone.
From: Toji (don’t answer)
no fuckin’ way. he’s 6. u pullin my leg?
To: Y/n
you’ll never find me anywhere near ur nasty ass leg, old man. ur welcome btw !! xoxo
Toji deadpanned at your message before rubbing a hand over his face. He wasn’t even that much older than you. Shaking his head and focusing on the main topic; he supposed a crush wouldn’t be the worst thing in the world.
The next day the three of you found yourselves walking down the street, per your suggestion of course. You’d thought the Christmas decorations would help get Megumi to talk about his crush. Some kid in his class that he refused to tell even you more about. Toji couldn’t lie, his interest was piqued. It wasn’t often that the Fushiguros were interested in people so clearly this kid has got to be something special.
“So, school got any fun things going on?” Toji asked awkwardly. Out of his peripheral he saw the way you had face palmed.
“Not really, no.” Megumi said, eyes not rising from where they’d been the entire walk; the floor.
“Right.” He muttered feeling dejected. As if sensing his father’s dissatisfaction, Megumi cleared his throat before shoving his hands in his pockets, “actually, there’s a play coming up. For Christmas and stuff.”
You and Toji looked at each other, eyes wide. “Oh! Are we invited?” You asked, only getting a shrug from Megumi.
“Well I’m in it so I have a few tickets if you want them.” He said nonchalantly, as if he hadn’t just dropped the most unexpected bomb on his father. “You’re in the play?” Toji asked, trying to keep his voice as neutral as possible so not to scare off Megumi’s invitation.
“Yeah. A friend of mine convinced me.” Toji glanced over at you, watching as your eyes sparkled.
“Cool, well we can help you practice, if you’d like.” You said, looking over at Toji who cleared his throat, “yeah, and I can help build stuff or whatever.” Toji kept his gaze in front of him, not wanting to scare the young boy off.
He pulled out his phone having felt it buzz and arched a brow at the message.
From: Y/n
wasn’t I the one that helped you build everything in ur house ? :p
Toji reached over, behind Megumi, to shove your shoulder surprisingly gently before texting you back.
From: Toji (don’t answer)
help me get the kid w his crush i’ll take u to dinner. on me
Toji stuffed his phone in his pocket, refusing to turn to look at you since that same damned warmth in his cheeks that you always seemed to cause was back and warmer than ever.
choso
Your fingers clicked against the keys on your keyboard, filing out yet another dreaded email. With the holidays coming up it seemed like less and less people were using their brains.
One of those people being your boss: Satoru Gojo. Who was currently standing beside you, the rolled up sheets of paper that he’d probably had some poor intern print out just to give them something to do, tapping against your head in attempts to get your attention - though really, he just found a wicked sense of pleasure in annoying you.
“Yes, Gojo?” You sighed, clicking send before turning to look at him.
“Come to my office please, I’d like to discuss a very important topic.” He said. Now, if Gojo was normal you’d be very concerned at his words. Thankfully (or not, depends who you ask, really) Gojo was far from normal and if the cheshire grin and the pure evil lurking behind his cerulean eyes were anything to go by; he was just playing on something else that would surely cause you a headache.
Sure enough, the second you were in his office he was grinning even wider at you.
“So. How’s my beloved friend doing today?” He asked, leaning forward onto his elbows, his head supported by his folded hands.
“What do you want from me, Satoru.” You sighed, patience unusually thin due to the long string of his emails that he’d tasked you with replying to claiming that you did all the “proper talk” better than he did.
“Okay fine, i’ll cut to the chase but only because I have last minute party planning to do; when are you gonna do something about your little problem?”
You only stared at him, unable to find it within you to somehow guess what the hell he was talking about this time.
“Pardon?”
“Sheesh, and you say i’m the childish one. Look, because you’re my friend and I love you; we have a bet going on and while I can afford lose a grand; I’m not about to let my best friend be alone on Christmas so if confess by tonight i’ll personally give you the thousand that I have riding on this.”
Satoru was insane, you knew this, but this was just far beyond insanity.
“Don’t look at me like that! I’ll even be your wingman!” You could only gape at his words, the rest of his speech finally processing in your mind and only humiliating you further.
“You said the entire office has a bet on this?!” You whispered shouted, feeling your cheeks heat up as you thought about all the times you’d caught people staring at you whenever you and Choso spoke. It all made sense now, though really, you had hoped you’d just been paranoid. The reality of it all was much more horrifying than your mind.
“Well… Yes… We weren’t aware that you were trying to keep it lowkey, sweets…” You groaned at his words, moving to slam your head onto his desk but his hand reached over blocking you from doing so.
“Does… Does he know?” You asked, unable to look at him in the eyes.
“I think you know the answer to that…”
“I’m putting my two weeks in.”
“Nonsense! Sweets, you have this in the bag alright? And especially if you have me as your wingman! So here’s the plan-“
And so you found yourself standing awkwardly in the corner of the stupid Christmas party Satoru had thrown to “boost morale”. You had to give him credit though, despite your sour mood - the rest of the office seemed to actually be having fun. The dance floor was filled with your coworkers dancing and talking together - Satoru in the middle of it all of course, eyes bright and santa hat tilted atop his head. The man didn’t even have to drink to have that much fun, you couldn’t help but smile at the realization.
“He seems to be enjoying his own party.” Your eyes widened at the all too familiar voice next to you, swallowing your drink harshly as you turned to look at him.
Kamo Choso. Looking devastatingly handsome in a white button up, sleeves rolled up and exposing his forearms. The black slacks he wore always were a joy to witness. And as if you needed any other reason to gawk at the gorgeous man in front of you, he had decided to wear his hair down. Oh, what a treat.
“Huh? Oh! Er.. Uhm, yeah, he’s quite the party enjoyer.” You inwardly cringed at yourself, party enjoyer?! Really?
Choso only laughed, looking back over at your friend who was now doing the sprinkler - Suguru and Shoko throwing confetti at him as if it was money.
“I take it you’re not?” He asked, looking back at you before taking a sip of his own drink. You could only shrug, “I guess I prefer a quiet night in…”
“Me too.” He said, nodding to himself.
“Y/n!” You felt your entire body tense at Satoru’s call, eyes closing in fear of what was to come.
Sure enough, an arm was thrown around your shoulder. “Oh, hello, Cho!”
“It’s Choso.”
“We’re all pals here are we not? Anyway! This is perfect, i’ve been trying to get Y/n on the dance floor all night but since we’re all paired up already, do you mind a few rounds with my good friend here?”
You felt like pinching yourself, wanting so desperately to wake up from this very obvious nightmare you were having.
Unfortunately, the pinch only added to your pain and suffering.
“Uhm…”
“You really don’t have to do that, Choso. Our boss here was unfortunately dropped far too often as a child and it clearly must have caused irreversible damage.” You said, glaring at Satoru who only let out a loud laugh before patting your back far too harshly causing you to stumble forward.
“Have fun! Not too much fun though.” He winked, walking away leaving you to clean up the mess he’d caused.
“I’m… So sorry…” You cringed out. Not having the heart to face the man next to you.
Much to your surprise, he only let out a chuckle.
“Don’t be - I’ve actually been meaning to ask you to dance but couldn’t figure out how to so I guess now I’ll just have to thank him later.. If you’ll have me of course…”
Yuta
“Yuji what the hell are these?” You asked as you stared down at the ridiculously bad pictures Yuji had taken on your phone. You had put your entire trust in him seeing as he had been bending down and allegedly breaking his back to take “the perfect photos” but as you stared at the blurry atrocities on your phone - it was clear that while he meant well, Yuji was far to hyperactive to take steady photos.
“Huh? whats wrong with them?” He asked, leaning over your shoulder to look at them with you.
“What do you mean what’s wrong with them?! Are these even of me? This is a blurry picture of a dog!” You whined, hearting the picture so it’d be put into your favorites folder - it was actually a pretty cute dog, blurry or not.
“Aw man! I must’ve accidentally had the one second delay on them, i’m sorry.” He said, grabbing your phone so he could get a closer look at the photos.
“It’s okay. I don’t even really need them anyway.” You sighed, patting his head. He only pouted, handing you your phone.
“Maybe you show up in Maki’s pictures? Or inumaki’s! He took some too!” Yuji said.
“What about my pictures?” Maki asked before you could say anything. You and Yuji looked over as she walked closer to you and Yuji, Inumaki and Megumi following behind her.
“I took crappy photos of Y/n so I was just talking about your photos and how you might have better pictures of everyone!” Yuji explained, sitting next to you.
“Why’d you take crappy photos?” Maki asked, frowning at Yuji who only let out an offended scoff.
“I didn’t do it on purpose!” He replied only causing them both to argue if it had been intentional or not.
“Guys! It’s fine, really, but if I happen to show up in the background of any of your guys’ pictures then send them my way please.” You begged, clicking off your phone before leaning back on the bench you were all squeezed onto.
The campus was abnormally empty, though with the temperature dropping you couldn’t say you were surprised. Sitting outside during the winter was not something any of the other students wanted to do so you guys chose to sit there to avoid the indoor crowds. Nobara, Yuta and Panda refused to go out in the cold if it could be helped so you all usually met in the library once Nobara sent you a text telling you that the crowds had dispersed.
“Oh! Wait, I’m pretty sure I remember Yuta taking photos of everyone.” Maki said causing you to look away from Megumi and Yuji who were debating if your professors Geto and Gojo were dating or not. They just seemed to have too much unspoken energy in the air around them.
“Yeah maybe of you guys.” You sighed. Maki rolled her eyes at you, “i’m serious. He’s the likely candidate for having pictures of you. Good ones too - you’ve seen his portfolio.”
You could only shrug at her words, unlocking your phone again to see if maybe you’d missed any hidden gems.
There was nothing.
“Just ask him, Y/n! Why are you so scared?” Maki sighed, grabbing your phone and forcing you to look at her.
Your only hope was Yuta Okkotsu - the guy who honestly would’ve been your first choice (aside from Megumi who was too busy with finals to join your group) but unfortunately for you, he hated your guts.
“Oh my Gods he does not hate you.” She groaned, as she scrolled through the pictures. You watched as she grimaced at them only furthering your feeling of despair.
“No, it’s fine. I don’t even need the pictures or anything.”
“Need them or not - Yuta will have some. So speak now or forever hold your peace.” Maki said handing you your phone back.
“Well, lucky for me I enjoy my peace quite a bit.”
The week had passed with you refusing to ask Yuta for pictures. Maybe he didn’t actually hate you but you highly doubted he liked you.
Every time you’d try to speak to him, he’d find an excuse to leave the conversation as soon as possible. If it was ever just the two of you waiting for the rest of the group, he’d miraculously always receive a silent phone call that he just had to answer. If you ever asked to hang out (though this had been closer to the beginning of your friendship with the group) he’d find an excuse for that too.
Overall, the guy avoided you like the plague and had never tried to get close to you despite the rest of the group being welcoming. You couldn’t help but let it bother you a little bit since you really didn’t think you’d done anything to start off on the wrong foot with him but at the end of the day - you also didn’t want to force a friendship with him if he wasn’t open to it.
You groaned into your pillow before pulling your phone out, your finger hovering over Yuta’s contact number.
You supposed it couldn’t hurt to just ask… Though as your luck would have it, your finger must’ve been hovering a little too close to the call button and now before you could even process it, the phone had started to dial his number making your eyes widen.
“Hello?” His voice sounded leaving you with your mouth wide open and your heart about to beat out of your chest.
“Uhm… Hello?” He asked again, making you sit up as you put the phone to your ear. “Oh! Uhm, hi, yes sorry! It’s Y/n…” You said, face palming.
“Yeah… I know…”
“R-right… Sorry, uhm, I was just calling because Maki had mentioned something about you taking photos the other day? Or, last week would be more accurate…” You let out an awkward chuckle as you were met with silence.
“Uhm, hello?” You asked after a moment. Had he hung up on you? You checked the screen only to see the call was still ongoing.
“Oh. Uhm. Yeah, I did but i’m not sure if they’re any good.” He muttered into the phone. Despite his tone, you couldn’t help the excitement that bubbled in your chest.
“Wait, really?! Wow! Is it okay if I stop by to see if-“
“Uhm, I don’t think… I mean, they’re not great. Probably too blurry - they won’t be any good.” He explained but you were far too excited.
“Trust me, anything will be better than Yuji’s blurry pictures.” You said, jumping off your bed and slipping on your shoes.
“I can be over in about ten minutes! Thank you so much!” You said, pulling your phone away from you so you could hang up.
You could’ve been at his dorm sooner but you figured you’d get him a coffee or something as both a peace offering and a thank you.
So with a coffee and a slice of pistachio cake you stood outside Yuta and Inumaki’s shared dorm room.
You heard shuffling on the other side of the door before it opened slowly. Yuta stood awkwardly, hands at his sides as he stared at you. You pushed through your discomfort and offered a smile before raising the treats towards him, “a small thank you - for your time and maybe for your photography skills as well.”
He only rubbed the back of his neck, glancing behind him before he cleared his throat, “uhm, look, I really don’t think you show up in any of the pictures or videos… So… Sorry to have wasted your time and stuff.” He muttered, not meeting your eyes.
You felt your eyes sting, hands lowering since he still hadn’t taken the cake or coffee from you. You were feeling rejected and embarrassed.
“Oh… Well, since i’m already here… Do you mind if I still look through? I’m sure they’re lovely regardless…” You asked, trying to keep face as you smiled up at him through teary eyes.
“I-… Uhm…” He sighed before moving sideways allowing you into his room.
You’d been in the dorm before, though it was the first time he had also been in there with you considering every time Inumaki invited you over Yuta was always suspiciously gone.
He was slow to pull out his laptop, clicking through files before he placed it down in front of you.
“These are the only ones that were salvageable.” He muttered, allowing you to click through.
Sure enough, they were gorgeous. Yuta was the only one in your group with a professional grade camera and a certain eye for photography as well so it really was a no-brainer that they’d be perfect. You couldn’t help but smile at the photos of your friends. Small ache in your chest as you realized that he had taken special care in not including you in any of them. He’d even gotten some of Yuji, who had been glued to your side the entire day, and managed to not even have a finger of yours in frame. Truly talented he was.
As you clicked through, you couldn’t help but let your eyes wander to the recently opened file, your eyes landing on a file with your name on it, excitement filling your chest.
Figuring they’d probably just be the non-cropped versions of what you had already seen, you clicked on the file without really giving it a second thought.
Instead of that though, you were met with an entire portfolio of just you. Pictures of you smiling, closeups of your hands and eyes, videos of you just existing loading onto the screen.
“Oh…” Was the only thing you were able to whisper. “They’re… They’re beautiful, Yuta... But I- I thought you hated me?”
He stayed quiet, not meeting your eyes that had once again filled with tears. Happy ones this time.
“Yeah, well… Hopefully those work for you… I’ll uhm… I have to go but send yourself whichever ones you want.” He said, grabbing his backpack before darting out the door, leaving you with far too much to process.
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a/n; tysm for reading <3 comments n reblogs always welcome ! oh and yes ! this is very much based on the movie love actually ! :3
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