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biblioklept-writes · 2 years ago

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The Foreign Queen, Part 7 (Aemond Targaryen x Desi!Reader)

Summary: Aemond is entranced by your castle and intrigued by your court, hearing things about you that he finds hard to believe.

Word Count: 2.2K

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Aemond was at a loss of words at the sights of your majestic castle - it was bright and full of windows that held natural illumination. He supposed you could do it - for Kalinga was far warmer than King’s Landing and had the breeze of the ocean. The outside walls were painted in a blinding white with golden rounded tops at the towers. It was only three stories high, but the walls were so tall he could barely make out the ceiling. His only eye pained the harder he focused.

Inside, the walls were so colourful it was a feast to his vision after the dark, dull stone walls of the Red Keep. You had personally shown him to his residence for the duration, and he had already been here for a night. He could look at the beach over the forest covering the castle from his window and he spotted a dark blot in the clear sky at a distance, assuming it was Vhagar. How could it not be?

Some servants who could speak some English were sent to serve him - they helped him with the bath and had him dressed in some traditional clothes - a soft cotton and silk hybrid suitable for the weather - they had told him. The servants spoke Hindi well, and he could understand parts of it - but they switched to a different language at times they didn’t want him to hear what they were saying. It was annoying him to no end - not having any clue what they were talking about. What if you had plotted to kill him? Not that she’d gain anything from me dying.

You visited him for breakfast, dressed in a golden garment - saree, you had said - and he thought you looked the most magnificent you ever had. An intricate golden crown glittered on your head, signifying your power.

“I will have you meet my court today,” you told him, as he tried the spicy flat-rice you had called Poha, along with tempered buttermilk - it was so good he wanted to take barrels of it back to King’s Landing with him. “I will tell them that you do not speak Hindi, and I wish you don’t speak to the servants in Hindi.”

Aemond raised his brow, but said, “As you wish, my Queen.”

“Thank you,” You said. “One of my personal guards will come to fetch you for the court.” Then, eyeing him once again you added with a smile, “This sherwani-pyjama becomes you, if your hair was dark, you’d blend right in.”

“Your kind words flatter me, my Queen Y/N.” He said with a smile, bringing up the buttermilk glass to his mouth. “You look divine, per usual.”

The throne room is immaculate, the floor a white marble with colourful mosaics on them. Unlike the Iron Throne, your throne is meant to be seated on, a large seat made of solid gold and decorated with jewels. Your face is set in a stern expression, and you look so different in your crown and throne, radiating hot power, very different from the quiet power he sensed from you in King’s Landing.

Your presence demands attention - not just the crown that does.

Aemond is seated on your left, just below the throne, a translator sits with him, translating every word being spoken. You hear pressing matters of the ruined rice crops this season, discussing with your ministers about tackling the food problem that may arise. Your council finally decides on reducing the castle supplies by a little, now that a large part of your soldiers and craftsmen were in Westeros.

A man dressed in a dark red fully covered outfit entered. His face was covered entirely, save for his dark eyes being exposed. Aemond watched as you tensed a little at the man’s side, forcing yourself to stillness.

“My Queen,” the man fell to the ground on one knee, sword on his upright knee and head bowed. “Long live the Queen,”

“You may rise,” You said, tension masked in easy charm. “What brings you here, spymaster?”

“My Queen,” He started, rising from the floor and standing upright with his hands behind his back. “The Emperor wishes to see your guest. He will bring guests with him - his wives and his sons.”

“Thank you spymaster,” You smiled, bringing your fingers together. “Is there anything else you would like to add?”

“No, my Queen.” The man said.

“You may leave then,” you dismissed him. Then more sternly, you said, “Minister Pattnaik, you must arrange for my father’s arrival and stay. Plan to keep them entertained until they leave. Minister Sarangi, you must have the pantry make more vegetables and meat than rice. Have them make the things so delectable, that they won’t notice the lack of rice.”

“My Queen,” One of the women in your court rose to speak. “We have enough rice in our stock, and the rice from last year waiting to be unearthed. The people will have enough.”

“You must understand that we cannot replenish our stocks this year, Minister Patel.” You said, seemingly holding everyone’s gaze at once. “We cannot expend freely now that we do not have crops. Also, Treasurer Gupta, I must ask you to lower the tax for the rice farmers. Will our coffers be able to take it?”

“Some expenses will have to be cut down,” Another woman spoke, but her voice was deep and heavy like that of a man. “But I think we can do it with less taxes.”

“Good.” You said, nodding. You glance at him once, gaze telling more than words. “Now, I must introduce you to my guest - Prince Aemond Targaryen, our friend from Westeros. He is King Aegon’s brother and a skilled dragon rider and swordsman.”

Aemond rose, looking everyone in the eyes, his lips pressed together. His lips curve slightly upwards when someone smiles at him and he notes the men and women sitting in your court - rajsabha - seeing a near equal number of men and women. It was strange for him to see so many finely dressed women taking part in decision making matters for the province, but he welcomed the change. His mother helped in running Westeros when Viserys was too ill, and now with Aegon on the throne - but Aemond knew history well enough that it wouldn’t be Alicent Hightower’s name that would go down as a king, only as the king’s wife and then the king’s mother.

“I am honoured by your introduction of me, my Queen.” He said, bowing in front of you. “Westeros and Kalinga will always be great friends.”

Aemond didn’t meddle in your court affairs much, but he did keep his ears open for any gossip that he heard, to get to know you and your motivations better. Thus far, he’d learned that you had the biggest network of spies in the empire and that you were infamous for your curious torture techniques. It was hard for him to believe that, considering your gentle manners and quiet acts back in Westeros - but as the Queen of Kalinga you were a totally different person.

He spent a lot of time reading Hindi and learning your tongue now that he was in the castle, and would go out to the beach to see Vhagar every morning. Mansha, your sea serpent would occasionally meet him, but the three-headed beat did not seem interested in attacking him just yet. On the days the sun was mild, he would train during the afternoons, and on the hot days he would stick to sharpening his blades and tending to Vhagar’s hot scales. His old mate would frequently cool off in the sea, for her fires would be too much in the heat.

A couple of days had already passed when your father and his troupe arrived at your castle. You stood at the front, dressed in a heavy green lehenga, your ministers standing behind you. Aemond was a few feet off your left, looking straight ahead.

He is majestically dressed in the finest cotton blends - for it is too hot to adorn silks. Aemond is not particularly fond of the heat, but he does enjoy being able to shed some layers of clothing - he had never felt lighter in his life.

"Samrat Ravikirti is here!" The guard announced, and the crowd broke into loud cheers. Aemond looks over at you, standing still, reaching for the garland held out to you by the servant. The young servant boys and girls start showing the incoming crowd with fragrant flower petals of roses and marigolds. He had read about the cultural significance of the flowers - and the excessive grandeur your people cherished - he could see why now.

Everything there felt too colourful - the dark and sometimes suffocating walls of the Red Keep were devoid of such vibrant colours, only the Godswood came to a close comparison. With everyone dressed in their finest to impress the Emperor, it was a sight to behold. Your court painter stood above the entire crowd, immortalising this moment on his huge canvas.

Your father, the Emperor, was an imposing man - a tall man with a big moustache and a heavy gold crown on his head - there was no doubt left of him being the emperor or your father. It was obvious by the sight of him that he was your father, the similarities between the two of you being too much to be otherwise.

You gracefully bent over and touched your father’s feet, and the old man responded with something Aemond couldn’t comprehend and you rose back up, beaming with pride. “It is an honour to host you, Samrat,” you said. “Do come in, I hope you find the arrangements up to your taste.”

You and your father lead the walk back in, and the other courtiers follow behind in a neat line. He recognises some of your brothers and sisters - features similar enough to be closely related. There had been a lot of talk about the Emperor and his wives - the four daughters of the King of Kalinga that he married upon conquering the throne - all of them famed for their beauty with their magnificent dark hair and entrancing brown eyes. He was curious to see the Emperor’s Queens and wondered which one of his wives was your mother.

None of the Queens had stepped out of their palkis nor any of your brothers’ wives. The crowd dispersed and Aemond took a long route to his chambers poking around for any gossip that he could pick up. Gossip holds a pinch of truth, he’s learned from growing up in a court. Gossip could make and break people, he learned that too - albeit in a rather harsh manner.

“I suppose these few days are going to be very taxing on the Queen,” He overhears a servant - she is dressed in other colours, probably coming along with your father’s troupe. “I bet 3 days before she snaps.

“Three is too long,” The other said. “It’s too long for her infamous wrath - the asurs would tremble in front of our spy queen. With her network of spies and informants, I wouldn’t be surprised if she had asurs on her team too.” [asur = demon]

In the couple of months that Aemond had known you, he had always seen you a calm and collected person who could be deadly if she wanted to. But here he heard things about he couldn't believe to be true.

Aemond had barely reached the relative comfort of his chambers when a servant rushed to him with a note signed by you.

Be ready for meeting my father before dinner. He might try to insult you in front of the court, try not to let yourself become a laughing stock.

Aemond did not let himself become a laughing stock. Your father, Samrat Ravikirti adamantly tried to pick at him for something with the one that started this all - Cerwyn Lannister acting as the translator for him. You sternly interrupted the blond bastard whenever he misspoke, and he shrunk back from your glare. Aemond was glad for your intervention, unable to mask his own fury.

“What will your marriage bring to Bharat that’s not already there?” Samrat asked. You are leaning back in your seat, looking almost bored.

“Dragons,” Aemond said. “Our children, your grandchildren will get dragons. All Targaryen children get dragons.”

“You can marry one of my other daughters for that then,” He argued. You stiffen in your seat on the Emperor’s right. “My grandchildren will get dragons either way.”

“Will that make me the King Consort?” Aemond asked with a polite smile. Seeing you lean back in your bored position, he knew he asked the right question.

Ravikirti narrowed his eyes, displeased but impressed. “You can marry my daughter then,” He reluctantly permitted. “But you’ll be handing fire breathing beasts to a woman known for her rage.”

And it was then Aemond wondered if it was worth getting tied to you - he couldn't help but be intrigued, he desperately wanted to see this rage that everyone was talking about.

Edit: I forgot to tag everyone I am so sorry it was like 2 am when I posted this </3

@km-ffluv @stargaryenx @faatxma @thenovelcarnival @afro-hispwriter @mynameisbaby9 @depressedperson88 @mrswhitethornbelikov

#aemond targaryen x desi!reader #aemond targaryen x reader #the foreign queen #aemond x reader #team green #aemond targaryen

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blessed1neha · 1 year ago

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Horoscope of Lord Rama & Lord Krishna

PREFACE & ACKNOWLEDGEMENTS:- Before starting with the topic of Lord Rama & Lord Krishna, I would like to tell that Date & Time of Birth of both the avatars are not accurately known, due to passage of thousands of years from their birth time and no english calenders were available at thar time. The information were passed on from generation to generation with comments from famous astrologers, astronomers & philosophers. The validity & correctness have to be verified by practical events, established facts & archaeological evidences. It is in this context, I would like to thank Sri K.N.Rao, a reputed & famous astrologer & living legend, who boldly put forward the horoscopes of both Lord Rama & Lord Krishna as taken from his Guru Sri Yogi Bhaskar Anandji & logically analysed the practical events with standard astrological norms. The splendid analysis by Sri K.N.Rao in his 5 “You Tube” videos in an interview to “Saptharishi Astrology” is breath taking & monumental gift to the viewers. I acknowledge having taken reference from his videos, but he is in no way responsible for the views expressed on my own. In the absence of exact degrees of planets & missing information about Mercury’s position,even in Valmiki Ramayan, I would go by the statement of Sri K.N.Rao & accept Mercury was in Aries & contradictory statement of position of Sun in Pisces as against Aries indicated in Valmiki Ramayan.

HOROSCOPE OF LORD KRISHNA

Lagna & Moon—Taurus, Jupiter-Cancer, Sun & Venus -Leo, Mercury-Virgo, Saturn- & Rahu-Libra, Mars-Capricorn, Ketu-Aries

HOROSCOPE OF LORD RAMA

Lagna, Jupiter & Moon-Cancer, Saturn-Libra,Venus & Sun-Pisces, Mercury-Aries, Mars-Capricorn, Ketu-Gemini, Rahu-Sagittarious

Lord Vishnu takes his incarnation on earth at his will based on demands of the world in different forms at different times. The incarnations reinforce the idea that rules & regulations that maintain law & order are in tune with the changes taking place. The concept of incarnation is based on Yuga Dharma.

Lord Rama’s incarnation justified the needs of Treta Yuga. The challenges of Dwapara yuga required much more & Lord Krishna’s incarnation justified it. Krishna’s departure from this world paved way for Kaliyuga.

There are many differences in these 2 incarnations. Krishna appeared as a Universal God to preach humanity. He was the embodiment of all that Universe was symbolized. All his childhood experiences that exposed his mystical actions & performances were beyond anybody’s guess.

Even before he attained 11 years of age, many mystical happenings took place. His very birth was in a jail at “Abhijit Muhurta”, most auspicious(rarely referred to night birth). His life started with very 1st miracle, that all the lights went off & all inmates of jail were rendered unconscious & jail gate opened suddenly of its own, automatically & allowed Vasudeva to go out with the child in the basket on his head & jail gate closed on its own. Vasudeva carrying the child proceeded towards river Jamuna, which was in spate of floods due to heavy downpour of rain. The river did not allow him to move forward until he lowered the basket & made Jamuna to touch Krishna. He then proceeded to Brindavan & exchanged with female child & returned to jail, where again jail gates open up on their own & allows him inside. Gates get closed & all inmates regain consciousness as if they were waken up from sleep.

All miracles like, killing Putana (rakshasi), by sucking her breast full of poison, Kalinga Mardhana, killing of Shakatasura, lifting of Govardhana Giri(hill), Rasa kreeda with Gopis, Vishwarupa darshan to faster mother Yashoda when he opened his mouth & many more incredible things unimaginable in normal circumstances.

“ Rasa kreeda”, of Krishna dancing with 1608 Gopis simultaneously at the same time symbolizes Kundalini Shakti going up & reaching “Sahasrara”, thousands of lotuses called Gopis blooming. This is a form of transforming sexual energy into creative energy. When these incidents took place, Krishna’s age was within 11 years & do not have any bearing to sexual implication.

Lord Krishna proclaims in chapter 4, text 8, of Bhagavad Gita,

“Paritranaya Sadhunam,Vinasaya cha duskritam,Dharma-Saamsthapanarthaya,Sambhavami Yuge Yuge”(Protection of good & virtuous,destruction of evil, re-establishment of natural law, I will come in every age)

Krishna’s support to Pandavas & making Mahabharata war as a meeting point to destroy evil forces & establish Dharma was a “Miraculus high voltage drama”. But for Krishna, Pandavas could not have dreamed of winning the war. Every stage of the war was preplanned by “Divine Force” & guided by Krishna, through his wisdom & timely unprecedented action. The preaching of Bhagavad Geeta to Arjuna was not a mere incident by any means, but a very calculated logical conclusion of worldly teaching to humanity. His timely guidance to Pandavas for appropriate method to kill great warriors was not a mere concoction but revealing of past births of important opponents & their expected nature of death & timing. Complete past life history & curses of all important warriors were exposed at appropriate times, when the death time of each was approaching.

Jayadratha’s death was one such case, when Krishna guided Arjuna to kill him. Seeing the fast approaching sun set, he delayed the sun set by magic (maya or eclipse) & created an illusion as if sun was set & then after eclipse is removed, he asked Arjuna to kill him & transport his head to his father’s lap, killing him also.

Instances of deaths of Karna, Drona, Duryodhana etc..had their own stories. Dharmaraja’s Rajasuya yaga witnessed the death of Sishupala, when he opposed Krishna being respected. Krishna killed him with Sudarshan Chakra, in the midst of dignitaries due to his last chance of 100 mistakes.

Protection of Draupadi in Kaurava Sabha was another historic event. When Dushyasana dragged Draupadi’s sari, neither Pandavas nor assembled dignitaries could come to her rescue. When Draupadi prayed Krishna with single hand & holding the sari in another, Krishna did not come to her rescue. When she prayed with both hands together, Krishna protected her by magic of increasing the length of sari continuously until Dashyasana gave up fully tired. This showed that “ABSOLUTE SURRENDER TO GOD” does protect one in distress.

LORD KRISHNA’S HOROSCOPE ANALYSIS:-

1.Born in Rohini Nakshatra in astami tithi in Taurus Lagna

2.Moon, Jupiter, Mercury, Mars, Saturn(All exalted)

3.Sun in his own house with Venus

4.Venus is lord of 1st & 6th(Behaves more as lagna lord, because of moola trikona)

5.Venus as 1st lord & Sun as 4th lord in own house (kendra & kona)in 4th from lagna

& sandwitched between 2 exalted benefic planets,Jupiter & Mercury & forms several

good yogas.

6.7th house(Scorpio) aspected by exalted Moon & exalted Jupiter.7th & 12th lord Mars, exalted in 9th in mutual aspect with Jupiter(8& 11th lord) & Moon, creates vipareeta Raja yoga in addition to many other Yogas. Krishna had 16108 wives but with sublimated sex energy, due to Venus free from any blemish, due to non interference of Rahu, which is under the control of Saturn. Krishna was with all the wives simultaneously, something that nobody can imagine or evaluate.

7.Moon in Rohini(Moon’s constellation), exalted in lagna, made him mentally strong & powerful. Moon being 3rd lord exalted in lagna & Jupiter, exalted in 3rd in mutual aspect with exalted Mars,

8.Mercury as 2nd & 5th lord exalted in his moola trikona & own house, unaspected by either benefic or malefic made Krishna, the master of 64 Kalas & 14 Vidyas of Ancient India, which was a remarkable outstanding performance by any means.This made him a great intellect of all times surpassing all others.

9.Jupiter 8th & 11th lord exalted in Moon’s house(3rd), made him the youngest of all. Since Jupiter is heavily afflicted by exalted Mars & exalted Saturn, all those born before Krishna were brutally killed by Kamsa(Saturn in 6th-house of uncle)

10.4th lord Sun in own house & aspected by 12th lord Mars, made his mother to be jailed by Kamsa

11.9th lord Saturn exalted in 6th aspecting 12th, made his father to be jailed

12.10th lord Saturn in 6th, along with Rahu(in the house of maternal uncle) & Mars as 7th lord exalted in 9th & aspecting afflicted 6th lord Venus in 4th with 4th lord Sun, makes Krishna to kill Kamsa. It appears imperative that his mother was one of the conditions for this act, since she was imprisoned by Kamsa &Kamsa killed all her 7 children mercilessly.

13.Jupiter, deva guru exalted in 3rd(house of preaching) & Moon, 3rd lord lord exalted in Moon’s constellation, made him preach philosophy of life, a guarded secret of the past, present & the future.

14.Mercury as lord of 2nd(speech) & 5th intelligence, with the support of exalted Moon(strength of mind)& exalted Jupiter(knowledge of the Universe & all 64 kinds of Kalas &14 Vidyas), made him a super intelligent avatar purusha, the highly intellectual personality, 2nd to none. This was the only avatar of God out of 9 avatars, which gave humanity, the complete picture of Universe.

15.Exalted 7th lord(Mars) & exalted 11th lord Jupiter in mutual aspect with each gave Krishna, thousands of wives, who were blessed souls & devotees.

15.Putra karaka Jupiter exalted & Mercury in 5th own house exalted, resulted in birth of several good children.With all these, it remains an unbelievable historic account that Krishna had sublimed sex energy.Whenever one talks about Krishna as incarnation of Lord Vishnu, his human form & actions & emotions are found to be an eye wash, calling it as “Maya” or magic, which cannot be assessed by humans.

16.Since divisional charts cannot be casted due to absence planets degree positions, one cannot judge number of wives & children. In astrology, there are no ways to find thousands of wives or children.The prediction of this type leaves one guessing the essence of astrology. Krishna marrying 16108 women has a story that a rakshasa imprisoned 16108 women princesses(It is difficult to even imagine that number of princesses). Krishna killed that rakshasa & freed all. Society did not accept these women & hence as per their request, Krishna gave them the status of wives.

17.A very striking feature in his horoscope is that except 6th & 1st lord Venus & 4th lord(in own house), all other house lords are exalted. Moon dasa was running at the time of birth, made him strong in will power & courage which enabled him to show his prowess throughout Moon dasa & in subsequent Mars dasa of 7 Years & Rahu dasa for 18 years. All his childhood miracles & killing of rakshasas were before he attained 11 years of age due to Mars dasa & part of Rahu dasa. Rahu(represents Rakshasa) in 6th house,created innumerable enemies from Rakshasas, Saturn in exaltation in 6th in the company of Rahu fuelled the situation for inviting more enemies & crushing . In all probabilities, Mars dasa Rahu bukty would have brought destruction of Rakshasas, before the age of 11.

19.5 planets exalted & 1 planet own house justifies all miracles & unusual things happening. Rahu in 6th with exalted Saturn indicates black magic & miracles.

20.Krishna was always tricky, which was due to 10th lord in 6th

21.His smiling disposition & attractive personality, playing on flute, were all the result of exalted Jupiter, strong position of Sun,Venus in 4th house & strong 3rd house, in addition to exalted Moon in lagna.

LORD RAMA’S HOROSCOPE ANALYSIS

Rama was an embodiment of GOD in human form. He was bent upon meeting the commitments of his father to his 2nd wife Kaikeyi by obeying his order. He did not deter from facing the hands of fate even in the most adverse circumstances. When Krishna had smiling disposition, Rama was always “Gambhir”(Dignified) & was called “Maryada Purusha”. He had no smile in his face. He was always bent upon doing his duties & never deviated from truth.

He was symbolic representation of a true & obedient son of a father, faithful husband of a wife, affectionate & helpful to his brothers, real tie of friendship to those who offered to help him at all times, respect to elders, reverence to Rishis & holy people & a terror to wicked & sinful people.

When Krishna was a terror, miraculous & naughty right from his birth, Rama was a quiet, duty bound & obedient to his parents. Rama was symbolized with bow & arrow, whereas Krishna was symbolized with counch & Sudarshan Chakra. Both were bent upon protecting good & destroying evil, but their approach were modified in tune with the Yuga Dharma.

Krishna claimed himself as”Krishna astu Bhagavan Swayam” & a full or total incarnation of God. While Krishna reveals about himself, Rama never speaks a word about himself & unassuming. Rama avatar was not a full avatar. He was an avatar of GOD Vishnu in simple human form & was a teacher & demonstrator of way of life in theory & practice. His conduct, character & practical way of life was eye opening to one & all. His avatar was tailor made to suit the people of Treta Yuga, but the lessons he left behind applies even to Kali Yuga.

1.Rama was born in Chaitra masa, Navami Tithi in Punarvasu Nakshatra in Cancer.

2.Four Planets Jupiter,Venus,Mars & Saturn were exalted & Moon in his own house.

3.While Mercury was highly elated in 5th own, moola trikona, exalted house in Krishna’s horoscope, it was in Aries(house of Mars) in 10th house in the case of Rama.This is a glaring difference in their horoscopes. Krishna was highly intellectual, philosophic & master of all 64 Kalas,14 Vidyas. Rama did not preach philosophy, did not show extra ordinary talent, magic or miracle which Krishna demonstrated right from his birth. In Krishna’s horoscope,7th & 11th lords exalted & in mutual aspects gave Krishna innumerable wives, whereas in Rama’s horoscope Venus was exalted & aspected by exalted Jupiter(Dispositor of Venus)from lagna, where Moon, lagna lord is in lagna itself, Saturn, 7th lord exalted in 4th, gave Rama a beautiful, loving, affectionate, God fearing, dutiful single wife in contrast.

3.Even though Mars & Jupiter were exalted in both the horoscopes, there were differences with regard to lagna & position of Moon. Moon in Krishna was in Rohini in exalted state in Moon’s constellation, Whereas in Rama’s horoscope, Moon was in Punarvasu, Jupiter’s constellation & is placed along with exalted Jupiter. This made Rama, pious & God fearing, obedient person, whereas Krishna was outgoing, strong willed & courageous.

4.A great feature in Rama’s horoscope is that Jupiter, exalted lord of 6th & 9th is in mutual aspect with exalted Mars, lord of 5th & 10th from both lagna & Moon thus establishing contacts with 1st, 5th, 9th & 10th lord(Best kendras & Trikonas). This has made Rama “Maryada Purusha” of highest moral conduct & duty bound in performing his Dharma & Karma. Jupiter aspecting Sun in 9th house is “RAJA LAKSHANA YOGA”. Royal mansions are shown by Venus & Sun aspected by Jupiter.

5.Mercury as 12th lord & Saturn exalted in 4th made Rama to leave home & live in foreign place in forest life. Saturn is 7th lord, representing Sita. His wife also lived in forest due to aspect of Mercury 12th lord on Saturn.This aspect also separated Rama from Sita.

6.Aspect of exalted Mars & exalted Saturn on Jupiter & Moon separated Rama from his father & wife.This also indicates “SANYASA YOGA”

7.Sun, pitru karaka in pitru sthana & 9th lord Jupiter aspected by exalted Mars & exalted Saturn made Rama’s father to die early.

8.Ketu in 12th house denied bed comforts.

9.Rahu in 6th,made him “Kodanda Sani”. Rahu in 6th invites enemies & destroys them. Ravana & other rakshasas were killed by Rama.

10At the age of 16 Years, Vishwamitra Rishi took Rama to destroy rakshasas, Who were causing havoc to Rishis in their yagas & Penance. This must have happened in Saturn dasa, Rahu Bukty. Saturn is 7th lord exalted in 4th & Rahu in 6th house of enemies. Rahu symbolically represents Rakshasas & their destruction due to placement of Rahu in 6th house of enemies, killed them. Dasarata first refused to send Rama to forest at tender age, but after getting convinced of Rama’s strength as perceived by Rishi, he sent him along with Lakshmana.

11.Having born in Punarvasu Nakshatra, he was running Jupiter dasa at the time of birth. Subsequent dasa was that of Saturn for 19 Years. He got married to Sita, when he was 16 Years old in Saturn dasa/Jupiter Bukty, after Rama destroyed Rakshasas, who were causing troubles to Rishis. Saturn is 7th lord in exaltation in 4th & aspecting lagna, lagna lord Moon & Jupiter aspecting 7th house.Mars as 5th & 10th lord exalted in 7th & in mutual aspect with Moon & Jupiter in lagna. Since 1st, 4th, 5th, 7th, 9th & 10th lords have established contacts, marriage to Sita was destined & change of place of residence to Sita to enter royal palace was destined.

12.Mercury dasa, Sun Bukty would have caused the death of Dasaratha. See, Sun pitru karaka in pitru sthana, Mercury in 2nd maraka house from Sun & 9th house(father).

13.Mercury dasa, Mars Bukty would have caused kidnapping of Sita by Ravana. Mars in the 7th house exalted brings troubles to spouse. 12th lord,wherever he sits & aspects the house & the planet therein will bring trouble like kidnapping. Mercury as 12th lord is aspecting exalted 7th lord Saturn in 4th house, causing separation from Rama & denying comforts of house, represented by Mercury’s aspect on 4th house. Here, it may also be construed that Lakshmana(Lord of 3rd Mercury)might have been instrumental to go away from Sita & caused Ravana to come in disguise & cross Lakshman Rekha drawn by Lakshmana.This was due to Sita’s mistaken identity of Ravana in disguise of a Sanyasi, whom Sita wanted to respect. This enabled Ravana to kidnap Sita. All these incidents are pre planned by Ravana, ie sending Maricha in the form of abeautiful golden deer & attracting Sita. Being carried away by the beauty of deer, she asked Rama to fetch the deer. Rama who wanted to fulfil her wish, went behind the deer after asking Lakshmana to take care of Sita. When lord Rama hit the deer, Maricha in the form of deer cried in the voice of Rama & died. After hearing this shout, Sita mistook that Rama was in trouble & asked Lakshmana to go & save him. In spite of assurance from Lakshmana that nothing would have happened to him, she after abusing Lakshmana for crooked intentions insisted & forced Lakshmana to leave the place & protect Rama in trouble. Lakshmana after knowing her plight, reluctantly left the place after he put a “REKHA” in front of her & strictly instructed her not to cross the line or allow anybody inside under any circumstances. But due to Ravana’s trick, Sita mistook Ravana as a real Sanyasi & allowed him inside. This triggered her misfortune when Ravana kidnapped her.

14.Mercury dasa, Rahu Bukty would have caused the destruction of Ravana & other Rakshasas. Rahu in 6th destroys enemies.

15.Ravana had 10 heads gifted by Lord Shiva for his rigorous penance.They symbalised kama, krodha, moha, mada, matsarya, manas,buddhi, chitta, ahankara. Except Buddhi or intellect all others are harmful.10 heads of Ravana controlled his actions & made him perverted & ultimately caused his own destruction in addition to all his followers. Rama silently demonstrated the importance of controlling one’s senses & by killing Ravana, he proved the consequences of blindly obeying & succumbing to senses. Ravana’s 10 heads also depicted his mastery over 6 shastras & 4 Vedas, 64 types of knowledge & all arts of weaponry. But none of these came to his rescue when he was slaved by the senses.

16.Mercury dasa, Jupiter Bukty would have enabled Rama to rescue Sita from the clutches of Ravana & return to Ayodhya. Jupiter is 9th lord exalted in lagna & aspected by exalted 5th & 10th lord Mars from 7th. Since lagna, 4th, 5th, 9th & 10th houses & lords are involved, most of the matters connected with these houses were amicably solved.

17.Under same Mercury dasa, Jupiter Bukty, Sita became pregnant. See Jupiter aspecting 5th lord Mars(exalted).

18.Rama acquired the faithful & reliable friendship of Vibeeshana, brother of Ravana, Sugreeva(Vanara king) & faithful, obedient & ever devoted Hanuman, whose role in whole Ramayana was exemplary. See11th lord from lagna & Moon exalted in 9th & aspected by Deva Guru Jupiter from his exaltation position.

19.5th lord Mars exalted & aspected by exalted Jupiter & own house Moon gave him dutiful, virtuous & prosperous children.

20.Ketu dasa would have brought in separation from Sita & denying of bed comforts. Ketu is in 12th house of both lagna & Moon.There is a proverb in tamil that “Rahu poley koduppan illai, Ketu poley keduppan illai”,which means that Rahu gives plenty(material gains) & Ketu spoils material gains & gives spiritual enlightenment & liberation from shackles of birth & death.

21.Rama asked Lakshmana to leave Sita in Valmiki Ashram under the pretext of a dhobi’s comment that Sita was not pure under the influence of Ravana, when she was kept in Ashoka Vana of Ravana. Even though he knew the purity of Sita, as a common man, he took this decision to prove the world that he was bound by circumstances & planetary influences. Story continues…

Finally, we have to imagine the planetary positions in thousands of years to come to expect the next avatar of Lord Vishnu in the form of”KALKI”. The permutations & combinations will be such that when the planets take up their positions, they would synchronize with the avatar of God & purpose of that avatar. These happen in thousands of years of transits of planets. It is not humanly possible to predict such an event.Whatever may be the form of avatar, one common goal of avatar would be for “Protection of good & virtuous, destruction of evil & re-establishment of law & order.

CONCLUSIONS:-

It is believed for thousands of years, that Lord Rama & Lord Krishna were God incarnations, in “Treta” & “Dwapara Yugas” respectively to establish “Dharma” by annihilating evil. Whereas Lord Rama showed the virtuous way of living through practical demonstration & Lord Krishna opened up the subject of creation of “Cosmos “ & imparting “True” knowledge through his legendary “Bhagavatgeeta” narrated to Arjuna, only as a channel in the context of “Mahabharata War between Pandavas & Kauravas”. What made the differences in these two Incarnations is the subject for study through an attempt to analyze the horoscopes in the context of human forms, though humanly impossible to give explanations through senses & limited intelligence.

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news365timesindia · 7 days ago

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[ad_1] player in action during the match no.3 between Soorma Hockey Club and Tamil Nadu Dragons of Hockey India League 2024-2025, held at the Birsa Munda Hockey Stadium Rourkela, Odisha, India on the 29th December, 2024.Photo: Arjun Singh / aceimages for HIL Soorma Hockey Club took on Tamil Nadu Dragons and beat them 1-1 (4-1 SO), clinching the bonus point in penalty shootouts to conclude the second day of action at the Hero Hockey India League 2024-25 at the Birsa Munda Hockey Stadium in Rourkela today. Nathan Ephraums (49’) scored the first goal of the game for Tamil Nadu Dragons in the fourth quarter but Gurjant Singh (54’) quickly equalised for Soorma Hockey Club, ending regulation time as a 1-1 draw. The game began cautiously, with both teams feeling each other out. Tamil Nadu Dragons gradually found their rhythm, making occasional forays into Soorma territory but failed to produce a shot on target. Soorma’s Gurjant Singh injected some energy into the game, picking up the ball on the right wing, skipping past his marker, and firing a reverse shot but Tamil Nadu Dragons’ goalkeeper David Harte was up to the task, making a crucial save with just four minutes remaining in the quarter. In the dying moments of the first quarter, Victor Wegnez surged into the shooting circle, earning a penalty corner. However, Nicolas Della Torre’s flick went wide, leaving the deadlock unbroken. Tamil Nadu Dragons’ Thomas Sorsby created the first opportunity of the second quarter by drawing a penalty corner on the counter but Soorma’s defensive unit held firm to avert the danger. Soorma then took control of possession, looking to carve out a clear scoring chance and it was Wengez who threatened to score on the reverse with the half coming to a close but his shot sailed wide. Tom Craig rushed into the shooting circle from a Tamil Nadu Dragons counter attack and stretched to swat the ball on goal but Soorma’s Goalkeeper Vincent Vanasch charged down the shot and the second quarter ended goalless. Three minutes into the third quarter, Blake Govers manufactured a penalty corner for Tamil Nadu Dragons but Jip Janssen’s flick was off the mark. Nicolas Poncelet responded by earning a penalty corner for Soorma and David Harte pulled off a superb save to deny Harmanpreet Singh. Both teams remained cautious in possession but failed to create more chances and the third quarter ended 0-0. Soorma created a penalty corner as the last quarter began but Harmanpreet’s drag flick was swatted away by Thomas Sorsby on the line. Soon after, Tamil Nadu Dragons went on to earn a penalty corner of their own and Nathan Ephraums pounced on a save by Vincent Vanasch to find the back of the net and finally break the deadlock. Soorma surged ahead in search for an equaliser and earned a penalty corner with six minutes left in the game. This time it was Gurjant who pounced on a save from David Harte to lift the ball into the net and restore parity for Soorma Hockey Club; forcing the game into penalty shootouts. Harmanpreet Singh, Victor Wegnez, Vivek Sagar Prasad and Nicolas Keenan scored for Soorma Hockey Club while Vincent Vanasch made two saves to win the match in penalty shootouts. “I am in a great team, we had a close match but I did my part in the penalty shootouts and we walked away with the win,” Player of the Match Vincent Vanasch said after the match. UP Rudras will take on Vedanta Kalinga Lancers in the only match on December 30 at 8:15 PM IST. The post Soorma Hockey Club beat Tamil Nadu Dragons 1-1 (4-1 SO) in penalty shootouts appeared first on Sports News Portal | Latest Sports Articles | Revsports. [ad_2] Source link

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news365times · 7 days ago

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ranakaushal · 20 days ago

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5th Kalinga Global Film Festival Inaugurated at KIIT University

The 5th Kalinga Global Film Festival (KGFF) commenced on 13th December, 2024 at KIIT-DU, bringing together an impressive array of filmmakers, producers, and cine lovers from across the country. The three-day extravaganza will showcase 45 films, including feature films, short fiction, documentaries, and student projects, across multiple venues on the sprawling KIIT campus.

“ Inaugurating the festival, Minister of State (Ind. Charge) for Higher Education, Sports & Youth Services, Odia Language Literature & Culture, Govt. of Odisha Suryabanshi Suraj said the annual event has inspired Odisha’s cinema and artistic community. “Cinema has a significant impact on our society. This festival brings hope and belief that it will usher in new opportunities for Odisha’s film industry.”

KGFF, under the Founder of KIIT and KISS Dr. Achyuta Samanta‘s visionary leadership, has grown into a premier platform for celebrating cinema, fostering cultural exchange, and empowering young filmmakers.

Dr. Samanta, spoke at the inaugural event with a message of inspiration. “KIIT and KISS are two universities with a human touch. Despite being only 21 years old, KIIT has become a center of excellence, and we will continue to take this festival to greater heights,” he said.

Film producer Vipul Amrutlal Shah, known for his work on the hit film Aankhen, expressed his admiration for KIIT’s journey. “Staying in Mumbai, we did not realize the massiveness of KIIT. It is magical and inspirational that such a world-class university was built in just 25 years. This forum is important to expand our knowledge base. Odisha has immense talent that deserves to be brought into the mainstream, and this platform is a step towards that goal,” he said.

Producer Abhishek Agarwal echoed the sentiment, urging filmmakers to shine a spotlight on Odisha’s talent. “We have many unsung heroes in Odisha. I hope to see more films from here showcasing their stories and talents at the national level,” he said.

Film director Jadumoni Dutta lauded the unique contributions of KIIT and KISS. “KIIT and KISS are temples of learning, and KISS stands out as something extraordinary. To promote quality cinema, we need quality film festivals like this one,” he added.

The festival will feature masterclasses, discussions, and screenings across venues, including the Campus- 6 and Campus- 17 Auditoriums, the Open Air Theater, and the Seminar Hall. Notable attendees include producers Abhishek Tarachand Jain, Mayank Singhaniya, Navjyot Bandiwadekar; directors Tushar Hiranandani and Sagar Suneel Puranik; actress Rupali Sood; wildlife filmmaker Subbiah Nallamuthu; and Bollywood writer Raaj Shaandilyaa.

Movies that were screened today were Google Matrimony; History of Artists group in Bengal; Mo Bou, Mo Gaan; Bahi Tracing my Ancestors; Under The Bed; Rachamma; Srikanth; Ballad of the mountain; Main Nida; Roti Koon Banasi; Amar Aaj Marega; Astoraag; Monihara; attator; Kite & I; and Sam Bahadur.

This film festival is being organized under the leadership of Himanshu Sekhar Khatua, DG, KIIT School of Film, Fashion and Media Studies. Among others, Prof Saranjit Singh, VC, KIIT DU; Prof Jnayan Ranjan Mohanty, Registrar and other eminent Odia film personalities were present on the occasion.

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masttrip · 3 months ago

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Mystical Temples and Their Legends: A Spiritual Journey in Orissa

Orissa, now Odisha, is a land steeped in history, culture, and spirituality. Its temples are a testament to a rich heritage that intertwines religion, architecture, and the mysticism of ancient India. The temples of Orissa Tour Packages are not just places of worship but vessels of ancient legends and divine mysteries that have survived for centuries. From the renowned Sun Temple in Konark to the famous Jagannath Temple in Puri, the state's sacred landmarks offer pilgrims and travelers alike a spiritual journey through time. This article explores some of the most mystical temples in Odisha and the legends that surround them, taking us on a spiritual journey to uncover their hidden stories and significance.

1. Jagannath Temple, Puri: The Enigmatic Lord of the Universe

No discussion of Odisha’s temples can begin without mentioning the Jagannath Temple in Puri, one of the Char Dham pilgrimage sites in Hinduism. Dedicated to Lord Jagannath, an incarnation of Lord Vishnu, the temple’s origins date back to the 12th century, built by King Anantavarman Chodaganga Deva of the Eastern Ganga dynasty.

The Legend: According to local lore, the temple’s wooden deities are linked to a miraculous event. It is said that Lord Vishnu himself instructed King Indradyumna to build a temple for his worship. Vishwakarma, the celestial architect, took on the task of carving the idols under the condition that no one would disturb his work. However, the king’s impatience led him to open the door prematurely, revealing unfinished deities—Jagannath, his brother Balabhadra, and sister Subhadra—who are worshipped in this form to this day.

Mystical Wonders: The Jagannath Temple is famous for its architectural anomalies. One of the most fascinating aspects is that the flag atop the temple, which is changed daily, defies the wind and always flutters in the opposite direction. The temple’s towering structure casts no shadow at any time of the day, another phenomenon that has left even modern engineers baffled.

2. Konark Sun Temple: The Chariot of the Sun God

The Sun Temple at Konark, a UNESCO World Heritage Site, is perhaps the most iconic symbol of Odisha's temple architecture. Built in the 13th century by King Narasimhadeva I, this stunning piece of Kalinga architecture was designed to represent the celestial chariot of Surya, the Sun God. The temple, once standing on the banks of the Chandrabhaga River, is known for its intricate stone carvings and colossal wheels symbolizing time.

The Legend: According to legend, the temple was built to honor Surya for healing Samba, the son of Lord Krishna, of leprosy. Samba worshipped the Sun God in intense penance for 12 years after contracting the disease as a result of Lord Krishna’s curse. In gratitude, he constructed the magnificent temple.

The Mystical Curse: Local lore has it that the temple was cursed never to be completed. During its construction, it is said that the crown stone could not be raised to the top. When all efforts failed, the young chief architect’s son, Dharmapada, is believed to have sacrificed his life by jumping into the sea after successfully placing the stone, thus appeasing the gods. The temple, despite its incomplete status, remains a grand structure, with many of its parts either destroyed by invaders or weathered over time.

3. Lingaraj Temple, Bhubaneswar: The Lingam of Tribhubaneswar

Bhubaneswar, known as the City of Temples, is home to one of the most revered and ancient temples in Odisha, the Lingaraj Temple. Built in the 11th century, it is dedicated to Lord Shiva, worshipped here as Harihara, a unique amalgamation of Vishnu and Shiva.

The Legend: According to local mythology, the lingam at Lingaraj Temple appeared naturally, making it a swayambhu (self-originated) lingam. The temple’s name, Lingaraj, comes from Lord Shiva being the "king of lingams." The area surrounding the temple was once part of a dense forest where Lord Shiva is believed to have appeared as a fiery column of light to pacify the gods and sages.

Mystical Wonders: The Lingaraj Temple is renowned for its architectural splendor, but the true mystery lies in the Bindu Sagar tank near the temple. It is believed that the sacred waters of this tank have the power to cure diseases and purify souls. Devotees believe that the water of the tank contains a mixture of waters from all the holy rivers of India.

4. Mukteswara Temple: The Gateway to Liberation

An architectural gem of the early Kalinga style, the Mukteswara Temple in Bhubaneswar is often referred to as the “Gem of Odisha.” Built in the 10th century, the temple is dedicated to Lord Shiva, with its intricate carvings depicting stories from Hindu mythology.

The Legend: The temple’s name, Mukteswara, translates to the "Lord of Freedom." It is believed that praying at this temple grants salvation, or moksha, to the devotee. The temple's torana (arched gateway), which resembles a Buddhist influence, is thought to symbolize the entrance to spiritual liberation. According to legend, this temple was built at the request of a devotee who wished to attain liberation from the cycle of life and death.

Mystical Significance: The temple’s carvings and architecture reflect the amalgamation of Hinduism, Jainism, and Buddhism. The sculptures depict a harmonious relationship between humans and the divine, emphasizing the interconnectedness of all life forms in the journey toward moksha.

5. Tarakashi Temple, Balasore: The Shrine of the Hidden Treasure

The Tarakashi Temple in Balasore, lesser-known but equally mystical, stands apart from the grander temples of Odisha. It is a unique blend of spiritual significance and local folklore.

The Legend: It is believed that hidden treasure lies beneath the temple, guarded by powerful forces. According to folklore, anyone who attempts to uncover the treasure meets a tragic fate. The treasure is said to be cursed, protected by a guardian deity who punishes those who try to seize it with misfortune or even death.

The Spiritual Journey: Pilgrims who visit the Tarakashi Temple come to seek blessings for prosperity, but they also approach the temple with reverence for its mysterious power. Many believe that the temple’s energy is connected to the underworld, adding an eerie yet divine aura to its surroundings.

6. Brahmeswara Temple, Bhubaneswar: The Temple of Brahma

The Brahmeswara Temple, built in the 9th century, is a masterpiece of early Kalinga architecture. Dedicated to Lord Shiva, this temple is unique for the presence of Brahma in its sanctum, a rare occurrence in Hindu temples where Brahma worship is not as prominent.

The Legend: The temple is believed to have been constructed by King Udyotakesari’s mother, Kolavati Devi, as an offering to Lord Shiva. The temple’s intricate carvings depict stories from ancient Indian texts, and the presence of Brahma signifies the balance of creation, preservation, and destruction, themes central to Hindu cosmology.

Mystical Stories: It is said that the temple was once the site of intense tantric rituals, where devotees sought the blessings of Shiva through secret rites. The energy of these rituals is believed to still resonate within the temple, making it a powerful place for spiritual practices and meditations.

Conclusion: A Journey Beyond Time and Space

The temples of Orissa Tour Packages are not just architectural marvels but repositories of ancient knowledge, spiritual practices, and divine mysteries. Each temple holds its own unique story, passed down through generations, offering pilgrims and travelers a glimpse into the transcendental realm. The legends associated with these temples add a mystical layer to the spiritual journey, making Odisha a land where history, religion, and the supernatural converge. Whether you seek blessings, historical knowledge, or spiritual awakening, a visit to these mystical temples is an unforgettable experience that transcends time and space.

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puritourtrip · 3 months ago

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Puri-Konark Temple Tour: A Spiritual & Cultural Journey

Odisha, an eastern state of India, is a land of vibrant culture, rich history, and deep spirituality. Among its most celebrated attractions are the Puri Jagannath Temple and the Konark Sun Temple. Both of these temples not only hold immense religious significance but also boast architectural brilliance that continues to inspire awe in visitors. If you're looking for a journey that immerses you in spiritual devotion while offering a glimpse of India's glorious architectural past, a Puri-Konark Temple Tour Package is the perfect choice.

The Sacred Journey Begins: Puri

Puri is one of the holiest destinations in India, known primarily for the Jagannath Temple, a major pilgrimage site for Hindus. Every year, thousands of devotees flock to this sacred place, especially during the famous Rath Yatra festival, to seek blessings from Lord Jagannath, an incarnation of Lord Vishnu. The Puri-Konark Temple Tour Package typically starts in Puri, which is not only a spiritual haven but also a beach town, offering visitors a blend of relaxation and devotion.

Puri Jagannath Temple: A Pilgrimage of Faith

At the heart of Puri lies the majestic Jagannath Temple, one of the Char Dhams, or four abodes, sacred to Hindus. The temple is dedicated to Lord Jagannath, his brother Balabhadra, and sister Subhadra. Constructed in the 12th century by King Anantavarman Chodaganga, this temple is a stunning example of Kalinga architecture. Its towering 214-foot-high spire can be seen from miles away, inspiring reverence in pilgrims long before they set foot inside.

The temple's main attraction is the annual Rath Yatra, a grand procession in which massive chariots carry the deities through the streets. This event draws millions of people, making it one of the largest religious gatherings in the world.

When you're on the Puri-Konark Temple Tour Package, you will have the opportunity to witness the intricate rituals and ceremonies that take place daily inside the temple. From the early morning aarti to the maha prasad (sacred food offering), every moment spent here offers a deep sense of spiritual fulfillment.

The Puri Beach: A Tranquil Escape

Just a short distance from the Jagannath Temple is the serene Puri Beach, where the Bay of Bengal stretches out as far as the eye can see. After a spiritually enriching visit to the temple, the beach provides a perfect spot to relax, meditate, or simply soak in the natural beauty. The cool breeze and the golden sands create a peaceful atmosphere, making it an ideal place for both pilgrims and tourists to unwind.

Many Puri-Konark Temple Tour Packages include a visit to the beach, especially during the evening, when the vibrant local market comes alive, offering handcrafted souvenirs, seashell jewelry, and local delicacies.

A Journey Through Time: The Konark Sun Temple

While Puri enchants with its spiritual atmosphere, Konark impresses with its architectural grandeur. The Sun Temple, located about 35 kilometers from Puri, is a UNESCO World Heritage Site and one of the most iconic monuments in India. This temple, dedicated to the Sun God, Surya, is an exquisite masterpiece of ancient Indian architecture.

The Sun Temple: An Architectural Marvel

Built in the 13th century by King Narasimhadeva I of the Eastern Ganga dynasty, the Sun Temple at Konark is shaped like a colossal chariot, complete with intricately carved wheels, horses, and pillars. This grand edifice symbolizes the chariot of the Sun God, being pulled across the sky by seven horses, as described in ancient Hindu scriptures.

The temple is renowned for its intricate stone carvings, which depict scenes from everyday life, as well as various deities, animals, and celestial beings. The precision and craftsmanship of these carvings are a testament to the skill of the artisans who built this monumental structure.

One of the most striking features of the temple is the set of twelve massive wheels, which not only serve as decorative elements but also act as sundials. Each wheel is about 9 feet in diameter and has 8 spokes, symbolizing the hours of the day. Visitors on the Puri-Konark Temple Tour Package are often fascinated by the ability of these wheels to accurately tell time based on the position of the sun.

A Spiritual Experience Beyond Words

The Konark Sun Temple is not just a marvel of architecture; it is also a deeply spiritual place. Many visitors report feeling a profound sense of peace and connection while exploring the temple grounds. Although the main sanctum, once housing a massive idol of Surya, is now in ruins, the aura of the temple remains intact. The temple is aligned with the east, allowing the first rays of the morning sun to fall directly on the deity's image, signifying the power of the Sun God.

A visit to Konark is an essential part of any Puri-Konark Temple Tour Package, offering a unique combination of historical exploration and spiritual awakening.

Additional Attractions: Chilika Lake & Raghurajpur

Many Puri-Konark Temple Tour Packages offer additional excursions to enhance your experience. Two of the most popular are Chilika Lake and the artisan village of Raghurajpur.

Chilika Lake: A Natural Paradise

Located about 50 kilometers from Puri, Chilika Lake is Asia's largest brackish water lagoon and a haven for birdwatchers and nature lovers. The lake is home to a wide variety of migratory birds, especially during the winter months. A boat ride on the tranquil waters of Chilika provides a perfect opportunity to witness the beauty of nature, making it a must-visit during your trip.

Raghurajpur: The Artisan Village

If you're interested in Odisha's rich artistic heritage, a visit to Raghurajpur is highly recommended. This village is renowned for its traditional Pattachitra paintings, a unique form of art that depicts mythological scenes on cloth. Every household in Raghurajpur is involved in some form of art, whether it’s painting, wood carving, or making intricate palm leaf engravings.

A visit to Raghurajpur is often included in a Puri-Konark Temple Tour Package, providing visitors with a chance to interact with local artisans and even purchase some exquisite souvenirs.

Conclusion

A Puri-Konark Temple Tour Package offers an unparalleled journey into the heart of India's spiritual and cultural heritage. From the sacred halls of the Jagannath Temple in Puri to the awe-inspiring architecture of the Konark Sun Temple, this tour is a perfect blend of devotion, history, and art. Whether you're a devout pilgrim or a history enthusiast, the experience of exploring these iconic landmarks will leave a lasting impression on your soul.

So, if you're ready to embark on a journey that will enrich both your spirit and your understanding of India's glorious past, consider booking a Puri-Konark Temple Tour Package. It’s a journey you won’t forget!

#Puri-KonarkTemple #Jagannath Temple

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cordilleraintern · 7 months ago

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Tam-awan village

Magangdang araw po!

　卒論研究で伝統舞踊を扱おうと思っているので、その材料探しと観光を兼ねて、Tam-awan villageに行ってきました！

　住んでいるところから意外と近く、ジープに乗って20分くらいで着きました^^

　入場料は１人６０ペソ（約162円）。安い^^

　名前の通り施設全体が一つの村のようになっていて、コルディリエラ地区のそれぞれの民族の伝統家屋が並んでいます。

　上の写真はAlangといって、Bontocという民族の米の貯蔵庫だそうです。中にいるのはBul-ulという、米の守り神とのこと。

　施設内にあるカフェで、カラマンシージュースを飲みながら休憩していると、伝統舞踊のパフォーマンスを見ることができました！

　これはBugnayというKalinga民族の伝統家屋で、中に入ることができます。中には現代アート作品が飾ってありました。この家屋は建設した後、住む人の健康と繁栄を祈るために、家のいたるところに豚の血をかけるそう、、！

　観光地なので、もちろん観光に特化した施設ではありますが、新しい学びもあって楽しい訪問でした！！^^

Tam-awan village

Hello!

I’m going to study about the traditional dance in Ifugao, so I went to Tam-awan village to collect information and sightseeing:)

It’s close to my house and takes only 20 minutes by jeep!

Admission fee there is 60 pesos. How cheap it is! 🙂

There are many traditional houses of each area in Cordillera and it looks like one village in total.

The second picture shows the house of Bontoc named Alang, their rice granary. The objects inside is Bul-uls, the guardian of the harvest.

While I was drinking calamansi juice and taking a rest at a cafe, the performance of traditional dance started! I could watch them and it’s worth seeing.

There are also traditional house of Kalinga named Bugnay. You can enter inside. Many contemporary arts are shown there. After it’s constructed, the priestess chants and sprinkles the blood of a pig on various parts of the house!

My visit was so enjoyable and there was a lot of new information that I wanted!:)

#フィリピン #バギオ #students #travel #山岳民族

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benefits1986 · 2 years ago

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Adios, Taurus Szn

Connecting the dots backwards takes a wicked mindset. Today, my OG marketing dad and I had a catch up in the South. I thought ugod-ugod mode na siya and mahina na panunaw pero hiyang-hiya ako. At 70+ years old, tuwid na tuwid maglakad. Since it rained cats and dogs, nausog ng slight meet up namin. Nahiya na naman ako kasi sobrang aga niya and he messaged that he is outside Amici. LOL. He does not know where Southbank is and olats daw Westgate kasi umuulan. Apaka arte. I missed Amici kaya G lang. I forgot to bring a book so I tried a quick trip sa bookstore kaso, nakita ko nakatayo siya sa second floor. My OG marketing dad is soooooo underrated and has an almost non-existent digital footprint. As a blue eagle x dragon (hahahaha), may ego talaga pero since anak-anakan niya akong tunay, wala na. Finished na. We bonded over black coffee, wine and pizza for almost 5 hours. He remembered our supposed meet up before pandemic. Sabi ko, nag-spiral ako and getting back on track. I thought the lost years meant we have to warm up pa, pero no. Parang kahapon lang. Bungad niya sa akin is: So, ano ng last name mo? Me: Shet. Sir, bakit naman ganyan ang tanong mo? He laughed and said na nagtatanong lang siya because I am of age na, matagal na. I said na road to house plant era na ako. He shrugged and told me bahala ako sa buhay ko. After the pangaasar, he told me that I’d match well with _____. Let’s leave that blank because TMI. We talked about soooooo many stuff and he said na our meet up seems like destiny as anak-ama. HAHAHAHAHAHAHAHA. Huy. Tawang-tawa ako sa pagiging cheesy neto. He never fails. Iba talaga siya. As in. Even when he told me that he needs more time to brush up on the marketing game, terror daw siya sa mga panels ng thesis na inuupuan niya. Bwiset. ‘Wag daw siyang dadaanin sa unsound research design saka sa mga ... Sabi ko naman baka tawanan lang niya ako just in case mag-panel siya sa akin. Tumawa na naman. We aligned about how Kotler and Godin and Patel are coming together. And how he enjoys his 2 TB music files sa set up ng audio na pangmalakasan like 13th month x 3 ++++. Takte. Siya na. Sabi ko may Spotify naman pero syempre, ‘di tumigil. Sabi niya is from the flappers to the golden era, meron sa playlist niya. HAHAHAHHAAHAHAHHA. Sendan ko nga links para matigalgalan ‘to. Sabi niya pa tigil ko raw dream ko mag-pick up kasi hassle and that I may want to consider getting a ___. :D Daming alam. Pero gets kasi ‘pag nakapag-drive na ako ulit, humanda ang mga roadtrip na gustong-gusto ko. He recently got a Prado and will test drive sa major roadtrip niya soon. What I love about huddles with my OG marketing tatay is that he never fails to amaze me. And that, dati wala akong ambag sa mga Pinas tours kasi gala siya for his work and his gala self. Ngayon, nagco-compare notes na kami. Syempre, 2 na lang daw ‘di niya natawid na lugar sa Pinas. Batanes and Jolo. E ‘di siya na. Pati Siargao, may secret spot siya. Shemayyyyy. And agree siya sa Negros na pakakkkkk sa ganaps and opportunities. Agree din siya na Siquijor is underrated. And that if may lockdown, gusto daw niya malockdown sa Kalinga dulo. LOL. May nalalaman pang pagbubunot ng damo as souvenir sa Kalinga. HAHAHAHAHAHAH. Hipster talaga ‘tong OG marketing dad ko. He’s not judging but he is upfront. Siguro, this time around, I saw him in his more relaxed state. Dati kasi gigil. Daming bashing. Sabi niya, pandemic taught him to be the kinder version of himself. OPAK. Tabi. He shared na dapat ang goal na these days is makatulog ng mahimbing sa gabi and continue to help people along the way even when it discomforts you. LOLLOLLL. Luh. Gospel mode na ba siyaaaa? Challenged him to try free dive. Ayaw daw niya; pero he is on his way to scubadiving as a shala being. LOL. He also shared a deep dive of his career ganaps which is soooo timely. :D Hahahaha. Para akong pinapakalma at pinapausukan at the same time. ‘Wag daw ako masyadong masungit. HAHAHAHHAHAHAHA. Sabi ko I am trying. He told me that my aura is radiating. And sabi ko, seems like siya rin. I guess nga, this afternoon’s huddle is meant to be. I feel like I’m with cup half-empty and half-full. As a mentor, he is honest but he makes sure that I am in a safe space. ‘Yung pake niya ‘di nauubos. Sana all. :D We also talked about my PTSD x mother dragon and topline shizummzz about my lola who passed away recently. He shared his life’s bits and pieces din and siguro, no TMI pero he shared na we just have to let things happen and connect the dots backwards. Pati sa law school ganaps ko, aba, may kuda. Apparently, he took law for a year lang pala. LOL. Sabi ko pagusapan na lang namin next time kasi daming hanash neto. HAHAHAHAHAHA. Perhaps what I like most about my OG marketing dad is his willingness and ability to share his mistakes straight up. Walang chaser. ‘Di on the rocks. Minsan hassle i-down sa system ko pero he makes me think better. He never fails to back up his stories with life lessons. HUHUHUHUHU. And that he is never settling for fancy titles kasi sabi niya nga, titles are but social constructs. EME. Of course, ‘di ko na naman napigilan to ask anong honest opinion niya sa brand I am working under for the past years. Kinabahan ako kasi he paused. Sabi niya is from an outside perspective, maganda. Happy daw siya nasa fintech x digital ako. LUH. Buti wala siyang angal though ready naman ako. Need ko ng assessment sa kanya bilang ‘di rin biro na ang tagal ko na dito. By tagal meaning, I easily get bored kaya sobrang character arc development ‘yung chapter ko na ‘to. Andami pang need ayusin, matutunan at i-unlearn. He used to bike daw but he is now into walking. But wait, there’s more. Before pandemic, nakikipagsabayan pa raw siya sa full court ng basketball. :D Pota siya. Gulat daw faculty sa kanya. Sabi ko naman ano ba toka niya since saks lang height niya. Point guard daw. LELS. Ego all over po, opo. Tanong ko, talaga ba? Sabi niya, noon daw, considered na siyang matangkad and ngayon lang naman daw sa generation namin mga tall na tall players. LUH. Daming yabang pero okay, at his age, this is monumental. Wala rin daw siyang maint na gamot. YABANG. Buti na lang ako, wala rin. :D Sabi niya, we should catch up sooner because.... :D I am just soooo happy na we met kahit anlakas ng ulan na medyo baha levels na bilang ‘di naman kami sanay na may baha sa South. :( Happy rin siya sa tiny house ko near Tags kasi spot nila ‘yun nung ‘di pa uso. :D Baka raw maging magkapitbahay pa kami kasi naghahanap sila na property near Tags. :D Sana all, ganun noh? Saka sana maging magka-community kami para derecho Tap Station szn na because nakakakilig talaga ang more and more days and nights near Tags come 2024 and beyond. HUHUHUHUHU. Syempre, sabi ko is ‘yung bahay ko, basic lang. Sabi niya, tigil daw ako. Tiny house fits me best kasi ‘di naman din daw ako mapirme sa bahay. Who knows baka ‘pag natuloy e makapag-Vespa rides na kami. Though, apaka mahal naman talaga po, opo. More, more side hustles ‘pag nacadence ko na ang H2. ‘Di puwedeng sabay-sabay. LOLLOLLOLL. Syempre, ‘yung mga apo niya binida. Gwapo kiddos e. Mana raw sa kanya. Sabi ko naman, no way kamukha niya pero sige, genes naman niya ‘yun up a certain level. Hahahahahahaha. I just want to put this here to remind me that my OG marketing Polaris is always with me. The end of the tunnel is near and that I just have to keep slugging it. Kapit lungsss. What’s really nice about our catch up is may checklist na ako ng next mentor ko sa mundo ng marketing. :) Excited na rin akong makahanap ng mentor na magiging kateam up ko sa sobrang daming updates and nasa future-proofing era na ulit ako. Parang ‘yung lipat ko from sales to fashion to digital to fintech. Here and now na talaga kasi at my age, saktong-sakto lang talaga ang bagong pivot. Dasal lang talaga. Focus and iwasan ang trust issues. Pinayagan niya rin ako magbayad ng aming food and drinks. :D HAHAHAHAHAHAHAHA. Buti naman. Maiba naman. Siya raw taya next time and dapat sooner. Thank u, universe for the gift of mentorship in spite my shit. Thank u, Taurus szn. Pluto retrograde mode na tayo because iba ang hatak ng planet na ‘to. Hades levels but sabi nga sa comics universe, death is rebirth. CHZ. Naparami ako ng inom pero ganun talaga. 2 weeks tayong walang alak sa sistema because ... LOL. Ergo, balik sa tiny sips MWF or whenever.

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preciousinvader · 2 years ago

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Kalinga Finds Worth Taking: The Legend Apo Whang-Od

Apo Whang-Od’s Batok Tradition of the Buscalan, Kalinga Province – Truly Permeating and Enchanting Getting a traditional tattoo at Buscalan’s Tattoo Village ranks among the best things I’ve done or crossed off my bucket list last 2022. Click Link for Video: I have been inked by the Legend https://fb.watch/kaqRvyZepO/ Those souls who were bold to yield to some therapeutic agency of…

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#82 Provinces #Choose Philippines #Project82Ph

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liaamenathalie · 2 years ago

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HI!. I was born on October 6, 2004, I lived in Gawad Kalinga Cagayan de Oro City, and am currently a student at Kauswagan National High School. I'm the older of siblings witch I have 1 brother and 1 sister. my Parents named are Jennifer and Eulogio Gamalo. my mother was far from us because she worked at Mhars Medical Center in Ozamis City and my father works in here at Brgy. Kauswagan.since I was young at the age of 5 , I was the one who take care of my siblings when my father was far from us back then he was an OFW, so at a young age I was been more focus on practical life where I stood myself and independent one because there is no one can be with you that time, only yourself and that whats ur siblings" need right now ". I was been a Lolo's girl before when at the age of younger age.

#blog

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toursandjourneyworld · 2 years ago

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the secret of best places to visit in Baleswar Odisha

The secret of best places to visit in Baleswar Odisha

Welcome to the best places to visit in Odisha at Panchalingeswar and Chandipur and remuna in Baleswar district, where i will describe about the finest places to visit in baleswar odisha. Odisha, the state situated on the eastern side of India, is truly a hidden gem for travel. Places that are lesser-known but contain a lot of history and story are well preserved in the lap of The land earlier known as “Kalinga.” Odisha witnessed history take turns, Odisha witnessed Faith’s power every year in Jagannath rath yatra. Odisha enjoys the biodiversity in flora and fauna more than any other state of India

Although every part of this state contains places that I can fit in the category of” Must visit places,” I will be writing about the places in the northernmost part of the state, “Baleswar” or “Balasore,” which is near about 200 km from the capital city of Bhubneshwar so, please tighten your seatbelts as we are in the ride.

Also read offbeat places in odisha

Kshirichora Gopinath temple-Introduction to the best places to visit in Baleswar odisha

We arrived in the city of Balasore, and now we are on the way to the famous Khirichora Gopinath temple.

This mesmerizing temple is situated in the place known as Remuna. Remuna is derived from the word “Ramaniya,” which means good-looking. This good-looking town is situated 9 km east of Balasore. In this town, the temple of “Khirachora Gopinath” is situated. Khirichora Gopinath in Odia means Stealer of Kheer/ Rice and milk pudding, and Gopinatha literally means the Consort of Gopis.

The Main Idols/ Vigrah are situated in the inner sanctum of the temple. Here Lord Krishna is worshipped in three forms. These three forms do mention various attributes of Lord Krishna.

1. Sri Gopinath

2. Sri Govinda

3. Madana Mohana

The Gopinath statue is believed by the locals is very old. Folklore is popular among the locals in that Lord Rama carved out this idol of Gopinath with His arrow, and then Sita worshiped this Deity in Chitrakuta, and later this Idol was bought here .

But in regard to other two dieties, which are black in color, were brought from Vrindavana in about 1938 “Chaitanya Dasa Babaji,” who is the devotee of this temple. After these Vigrah arrived, the worship of all of the three Vigrah happens to be in the same “Garbh gruha” or Inner sanctum of the temple.

Sri Gopinatha stands in a bas-relief form of art, while the other two deities are in a regular form of idols.

An interesting story behind the Deity’s name is as “Khirichora” is very popular among devotees. Khirichora means the thief of Kheera, or in this case, the special offering made to the Deity as “Amrita keli.”

Devotees believe that nearly 500 years ago, an adherent devotee of Lord Krishna, whose name was “Madhavendra,” was going to Puri to get some sandalwood and other worship items for his Sri Gopal deity waiting for him in Vrindavana.

He was making this journey on foot and, after reaching the state of Odisha, arrived at Remuna. Remuna is the place where the ancient Gopinatha temple is situated.

Madhavendra was enchanted by the beauty of the Vigrah situated in the temple and started chanting the name and dancing.

Finally, out of love and devotion, He asked the Pandit who took care of the temple what kinds of food they offered to the Diety.

The priest of the temple replied that “although a wide variety of food items are offered to deities in the evening, The Lord is offered sweet rice in twelve earthen pots. This prasad is so tasty as it resembles Nectar, and hence it is known as “Amrit keli.”

This prasad is so unique that it is not prepared anywhere else in the world, and Gopinatha loves it; hence it is known as “Gopinatha Kheer.”

During this conversation with Priest and Madhvendar, the sweet “Amrita keli” was placed before the Lord as an offering. Madhavendra Puri thought, “If I can get this food before god tests it, I could then taste it and will prepare a similar preparation to offer to my Lord Gopala at Vrindavana.”

But Madhvendara immediately realized his ill thoughts of stealing and repented. that “I am such a bad person who has committed an offense. I am so bad that I desired to taste the preparation which is made for Lord before it was offered to the Lord.” He left the temple and sat beneath a tree

After worshipping the Lord, the priest went to rest in his hut. In the priest’s dream, Lord came and told him to wake up fast and take the Matka”Pot” of khira that he had hidden under his garments and hand over it to Madhavendra Puri. The Pujari went to the temple where a pot of Prasad is near the idol of Deity, and he immediately found the sweet and brought that pot to Madhavendra Puri.

Till today the same Prasad “Amrita keli” is prepared in the temple complex and distributed to devotees.

The temple complex is very colorful and has a big courtyard where people gather and sing melodious Bhajans of Krishna. Major events associated with Lord Krishna are celebrated here with great zeal.

From this Beautiful temple, we are going to a temple which is built recently, but people visit this and enjoy the marvelous structure in Panchalingeswar and Chandipur.

Emami Jagannath Temple– A beautiful best place to visit in baleswar odisha

The tall and beautiful Emami Jagannath Temple is situated at a distance of 4 km from Khirichora Gopinath temple. This temple is a mesmerizing architecture constructed with red stones by the Emami group in the year 2015. This temple attracts a good number of visitors every day. This temple has all the specifications of The Puri Jagannath temple.

The temple is the replica of the world-famous Jagannath temple but with a twist as it appears that it is situated on a chariot. Dring night with the lighting, this temple looks heavenly with beautifully carved statues and designs over it.

After this amazing temple, we are on our way to a temple where you will be amazed by the ancient Shiva Lingas enshrined.

We are on our way to Panchalingeswar Temple.

Panchalingeshwar Temple

Situated on a hillock in the Nilagari Hill in the Balasore district, Odisha, Panchalingeswar Temple is the temple dedicated to Lord Shiva.

We have to climb 260 steps to reach the top of this hill to arrive at the main temple. It makes a surreal surrounding for the visitors to relish. As we are climbing, we witness small water streams and stunning sites of the small villages in Panchalingeswar and Chandipur.

After reaching the temple, We have to bend down in front of a perennial stream of water, which continuously flows. After bending down, we have to look for the Shivlingas inside a pool created by the waterfall.

Devotee notices that there are five Shivlings; hence the place is known as Panchalingeswar and Chandipur. To touch all five Shivlings, one has to lie on his chest over the rock which is near the stream of flowing water.

In this part of Odisha, locals, as well as devotees, have great significance for this temple. Devotee believes that if one touches all the five Shivlings, his wish will get fulfilled. Hence the belief of people makes it one of the most prominent pilgrimage sites in the district.

The place is a great sightseeing choice for nature lovers, not just for devotees.

From this Panchlingeshwar temple, we are on our way to one of the most amazing and of its kind place, a beach.

How can a beach be unique and one of its kind? I will tell you.

Chandipur Sea beach-the finest sea beach in places to visit in baleswar odisha

After a drive of some 25 KM, we are on the seashores at Chandipur sea beach. Chandipur sea beach is a beach where magic happens; magic happens twice a day here in Panchalingeswar and Chandipur.

What if I ask you, Have you ever seen the sea disappear in front of your eyes?

You will surely declare me mad. But let me tell you, this magic happens twice a day due to a unique phenomenon rarely seen anywhere else on the seashores of Panchalingeswar and Chandipur. At this beach, the sea recedes by as long as five kilometers every day. Here you can literally walk on the sea.

It is one of the world’s wonders as the sea recedes massively from the beach during the ebb and returns to the empty space to fill the emptiness during high tide. Seeing the sea disappear and then return is an unforgettable experience.

Besides that, It is one of the less crowded and less visited beaches by tourists. Hence it gives you complete freedom to enjoy the beach and the sunrise over the mesmerizing horizon of the sea and sky.

The Chandipur beach is also popular because of its proximity to the Defence Research and Development Organisation’s (DRDO) Integrated Test Range. A large number of missiles have been launched from this site, including the famous Akash, Agni, Shaurya, and Prithvi ballistic missiles.

Odisha is a state which is no less than a wonder, very less explored but with huge potential in tourism. Witness the natural phenomena to the history to archeological wonders, Odisha has all in it itself . Which is your favourite destination, where you wanna go in your next visit do let us know in comment section. Hope you find this travel blog on Panchalingeswar and Chandipur interesting and helpful.

#Best places to visit in odisha #places to visit in odisha #places to visit in odisha for couples

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vintageindianclothing · 6 years ago

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Princess learning archery, Gopal Charan Kanungo.

Click for larger image to see ladies with bow and arrows/spears:)

Let a Thousand Flowers Bloom: Contemporary Art of Orissa

#princess #indian princess #archery #women archers #odia art #I will take it that this is Kalinga #Gopal Charan Kanungo #indian art #ancient world in art #ancient india

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kulay-ng-banaag · 2 years ago

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“Not all stories etched with ink and blood were on paper. I just think he gets to keep something.”

Physical Appearance (Tattoos) Headcanons for HWS Philippines

CW: war, violence, mentions of sex

(I'm sorry that sounds like clickbait... it's on the topic of feats that merit a tattoo).

UPDATE (03/09/23): Minor revisions to PH script tattoos

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Age of Eligibility for First Tattooing

Manobo: 10-12 years (pre-puberty) Kalinga: 15-20 years (“coming of age”) Visayan: ~20s (adulthood)

Order of Significance

Manobo: N/A; forearms, back, & chest for men (Only women could tattoo their abdomen and calves as well; interestingly among the 3 styles, tattooing on men's abdomens was sparse, if not left completely blank) Kalinga: Wrist —> Back of hand —> Arms —> Chest (+option: sides of torso/legs) —> Back —> Face Visayan: Ankles -> Legs -> Waist -> Chest -> Back -> Face

My idea of tattooing order for Piri would be as such:

Arms, from the wrist (Manobo)

Legs, from the ankles (Visayan)

Chest (Kalinga)

Back (Kalinga)

By tradition, the tattooist decided on the motif, but recipients could also pitch ideas. Piri's script tattoos were his suggestions.

A fully-tattooed arm would take 1 day to complete, while a Kalinga chest whatok was worth 3 days. The tattoo session could even be halted midway, and either the client expressed to resume on another day or simply ended the process altogether. Men would sometimes deliberately hold back on getting tattooed, but this was not without a buildup of peer pressure over time.

Piri got his forearm pangotoeb while young (for a personification) because he wanted to be like the cool, older folks. Poor baby boy would fail to immediately realize how much the process hurt, and he would frequently make up excuses to delay his sessions.

By the time Piri got his leg tattoos, he would gradually fill them up alongside his upper arms, depending on whether he was wandering around the Visayas region or at the Pantaron mountain range down in Mindanao. For sure, Piri received his Kalinga whiing (chest) and dakag* (back) after those parts had been inked.

Notice how I gave him tattoos from Luzon (Kalinga), Visayas, and Mindanao (Manobo)? Hehe.

What constituted getting a tattoo was not exclusive to warfare achievements or headhunting boons. Anything could be a reason for getting a tattoo, as long as the community itself acknowledged it as valid merit.

What exactly did Piri achieve to earn his tattoos? He changes the story every time you ask him.

Was his butt also inked? Yes. I won't show it for fear of unwittingly getting the boot from this platform.

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Buhid, Tagbanwa, and Kulitan never had a virama (the sign for canceling the inherent vowel). There had been attempts to introduce it in the latter two scripts, but it was never successfully mainstreamed. In writing syllables with canceled vowels, one must retain the original syllable in Tagbanwa and Kulit while you no longer had to write the syllable itself in Buhid. Viramas for Baybayin and Hanunó’o were introduced after the precolonial era, neither of the attempts accomplished by native Filipinos.

In taking these scriptwriting nuances into account, one should enunciate the script as it was being read to discern the word being referred to. Even though it was written as “wa-nga-ya”, a Buhid native would naturally understand it to be read as “way ngayan.” Although anyone could attempt to write in any language with these scripts, I wanted to stick to the intended native tongues to showcase how to properly interpret them.

After doing a guided tour in the National Museum of Anthropology, I opted out of using the "modernized" writing systems in exchange for the "historically utilized" method of not including viramas or writing out a character altogether to eliminate the vowel.

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TRANSLATIONS

Baybayin: Sumpa Kita (Tagalog) - “I Swear”

Depending on the tone, you could be proclaiming a promise or a curse. I love it. It was also the phrase that the name of the Philippine national flower, (sampaguita) originated from, which was also one of Indonesia's national flowers (melati putih). IndoPhil fans, start taking notes.

Kulitan: Tadtad (Kapampangan) - “To cut to small pieces (minced, diced, pinked, etc.)”

There was a saying: "Tadtaran decoman, ing catadtad a mitalandang, iyang maquiasaua queya." It could be roughly translated as: "They me cut me into a million pieces, but even one of those pieces is still good enough to marry 'the one.'" Morbid but romantic, and reflective of Piri’s love for Indo (he’d be that cheesy, okay?)

Tagbanwa: “Tablay” - “To cross hills and mountains”

It was a 4-verse song that narrated a variety of topics, ranging from household chores to community gatherings to expeditions to sentiments (positive or negative) for others. Penultimately the tablay served to express “what comes out from the heart.” That was so quintessential Piri.

Hanunó’o: “Harampanan” - “Discussion”

What was interesting was that the same term referred to both the conversations held in settling disputes and the moment of convening between the parents of a couple to consent to their marriage (or not). He might be a social butterfly, but he was constantly under pressure to fulfill the role of an intermediary.

Buhid: “Way Ngayan” - “No name”

I initially drew a different word and decided to change it as it didn’t fit for Piri to carry something he could never wield. Among the highland Tau-Buhid, it was common practice to answer “way ngayan” when outsiders of the community asked for their names. Instead, the outsiders would give a name to the Tau-Buhid being addressed to, and only then can the Tau-Buhid be allowed to speak to them. It’s funny how the Philippines was a name* christened by an outsider.

*The same goes for my headcanon name for precolonial Piri.

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The first name in the tattoo styles referred to the specific location of residence of the studied ethnolinguistic group. It was not a strict requirement to note it down at all times, but more often than not these groups identified themselves by their location.

Supposedly the Panay-Bukidnon/Suludnon preserved precolonial Visayan tattooing, but the one source I found online described it to be more of a freestyle practice. I was also unable to find images of the tattoos on the people themselves. Nonetheless, there was the Pintados Festival that paid homage to the titular tattooed warriors.

I wanted to point out the visual similarities because tattooists were also traveling practitioners to find clients for their work. It was a possible explanation for why tattooed people (if not the particular tattoo style) were observed across the Visayan islands as well as parts of southern Luzon. In the late 19th century, some Bagobo people shared that they were tattooed by an outsider practitioner. Whang-od herself used to be a traveling tattooist.

This was speculation on my part but I believed it was also possible that tattooists also took inspiration from other styles. Chest tattoos for men in both the Visayan tattoos and Manobo pangotoeb both had radial designs on the areola (which I did not draw for Piri’s chest tattoos simply because they clashed). Who knows, maybe a Manobo tattooist encountered the Visayans and wanted to create their version? I liked to think that the variations in motifs and pattern combinations could double as a tattooist's signature.

I allowed for a few liberties here and there in drawing some tattoo motifs for Piri because, at the end of the day, inspiration could come from anywhere. One could also say the variation lies in how artists created their visual interpretations of the sources of inspiration. Even the Kalinga tattoos made available for tourists are borrowed imagery from other groups! In the past, one Kalinga warrior had an eagle tattoo on his arm that was based on the image on an American coin.

Tattoos were meant to be unique to the individual. Their value on having to be earned was on the basis that they reflected not just the personal histories (if not necessarily achievements) of the wearer, but such histories must also be acknowledged by the community granting them.

That last bit was important because while anyone could pay to be tattooed (and it would still represent something about you), you would be considered a fake. Hiya (shame) was a thorn that penetrated deeper around these parts. Although only the Manobo did not have a stigma for not being tattooed, the social pressures still left a mark on Piri (literally!)

If one relied only on tattoos as a visual cue, one would be unable to distinguish which groups individuals belonged to from a distance. If every one of the most significant leaders were tattooed in the exact same patterns, it would be impossible to recognize who’s who until they formally introduced themselves (which no one would have the time for in the middle of combat!) The Visayans had a set of tattoos that could be used by all, which implied some designs were restricted only among the best of the best.

This was HWS Philippines. If he’s going to be the star, he needed to stand out from the crowd.

It would, however, be awkward for Piri when he spent time with certain other groups that carried a strong contempt for the ones he received his tattoos under. He would not be exempt from the consequences.

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Now here was one more reason why artists/designers should not be afraid to modify on the tattoo motifs (as long as one familiarized themselves with the foundations they worked with): The Butbut Kalinga believe it was taboo to copy older designs, all the more if the original recipient was deceased. So in letting a character don some Kalinga whatok, think twice about perfectly copying every last detail from reference image/s!

In the present day, tattoos for visiting tourists from Whang-Od had to make a selection from a prepared guide, all of them modified for a general audience v.s. designs exclusive to esteemed warriors of the past. I used the former for Piri’s Kalinga whatok.

This was where I addressed the elephant in the room.

My understanding of cultural appropriation was that the offense is in cherry-picking culturally significant symbols & practices and then using them out of their intended context by transforming them into pieces that fit the aesthetic criteria of the dominant - and often oppressive - group.

Save for that one taboo, I did not find any other explicitly recorded statement from either the Butbut Kalinga or the Pantoron Manobo forbidding outsiders from using their tattoos. (Mind you, this was all via resources I could access online - screw this pandemic!)

There was also the lingering question regarding the cultural preservation of PH tattooing practices. In the case of the Kalinga whatok, considering that we could not simply reintroduce headhunting in the present day for morality reasons, did that not mean the tattoos had essentially lost their cultural context? If that rendered them invaluable objects, would it not be self-defeating to the purpose of cultural preservation to just let the practice die out?

I sincerely believed it was just as patronizing to assume that even indigenous peoples could adapt and re-contextualize their traditions because it did not fit the (outsider) ideal of preserving their [I am knocking on wood here] "pristine, primitive forms."

Sometimes even good intentions/aspirations could still take away the platform from the ones it was built for.

(I know I just sounded like a hypocrite in saying that so I'm beating you all to it and calling myself out on it.)

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My biggest motivation for manifesting this headcanon at all was because I did not swim with the fanon of amnesiac Piri. 😭💦

I was at odds with what constituted as a collective (national) memory, all the more when not only was the Philippines as the nation we knew today was a far cry from the "nation" (bayan) that existed 1500+ years ago (and that was if you happened to go there, which I do because I also did not swim with chibi Piri by the time Magellan showed his ass up on our shores).

It sucked that we lost much of the perishable writings from that time, but written works were not the only means of cultural/historical preservation. I also disagreed with the implication that only written works counted as a valid archive.

The pen might be mightier than the sword, but efforts to improve literacy skills were a double-edged sword in itself. While it was important to teach people to be better communicators*, measuring intellectual capacity by literacy skills could get problematic. I condemned this assumption because I sincerely did not believe that precolonial Filipinos being unbothered to keep written records was a sign of their “backwardness.” What if they never felt the need to?

Because why bother writing it all down when you could say it out loud instead! We might not have books and written histories, but we got oral histories! Epics, ballads, hymns, riddles, folklores, you name it! People passed down traditions through storytelling, all the more for all the indigenous natives* residing in the nation that resisted imperialistic rule (not just colonial) for centuries! We were a nation of songbirds! And that was why "Piri chronically online on Twitter" was absolutely valid.

Although it was easy to justify the amnesia take because the colonizers massacred so many people, and without the people, you also lost the very guardians of those memories...in my most honest opinion that...registered poorly in my head.

What of the ones who survived? What of the people who lived to tell their tales?

When did we stop listening?

*More often than not, people grew up to be swayed to unwittingly support imperialistic/capitalist/fascist agendas because very subtle propaganda was discreetly inserted into the lesson plans in their formative education. Criticisms on colonial education deserved their own talk for another day.

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What constituted a memory was the affection, the emotion that came with certain experiences. It was why some memories persisted while others were easily forgotten. It was why even memory recollection (which indicated an active search) might not necessarily be true or not. Memory, both in itself and the processes surrounding it, did not follow a linear & and straightforward path (and that was already without taking the complexity of neurobiology into account).

While the merits for a tattoo were generally prescribed through specific or notable acts, I noticed that majority of them seem to share one common affection: Passion. The feeling of an intense, compelling desire for something (or someone).

Among the Manobo (today), most of them were compelled by aesthetic reasons in getting a tattoo. The desire to maintain an appearance that would equally leave an impression on others.

Headhunting/warfare was just the easily cited method, but the Kalinga appraised any act that denoted an individual’s bravery & valor. Bravery in fighting the frontlines, fueled by the compelling desire to defend one’s homeland.

Violence** born out of vengeance is also a thing, and vengeance was just passion manifesting negatively.

Precolonial Visayans had names for tattoos that marked an individual’s first-time experience in war…or love (sex, I guess). Two polar forces treated as equals. I think of how Aphrodite/Venus was also a goddess of war. A goddess of passion.

Headhunting could also have gendered notions that display the "mutual dependence" in the dichotomy of "male/female bloodshed." In a study of the Huaulu people (Seram, Indonesia*), they had a taboo where the men could not participate in headhunting if their wives were menstruating or giving birth. This reinforced the idea that women as "bleeding humans" were as powerfully influential as men who were "bleeders of humans."

On a similar note, there was a pervasive belief in certain other groups that headhunting blessed communities with fertile lands (alongside fertile women). Blood as life essence. Blood as a source of vitality.

Sometimes passion is comparable to being a force of vitality. The driving force of life and death.

Hades game Achilles was onto something when he wrote that Aphrodite "may be the mightiest of all [the Olympians]."

It got complicated, however, because headhunting and warfare were also a means of state violence**. The precolonial Visayans were engaged in and subjected to slave raids, born out of the need to harvest labor for trade motivations (fuck capitalism, am I right?). If all the battle experience from such activities counts as a merit for tattoos, what did that make of Piri?

I thought of how even blood was shed during the process of tattooing. In a way, Piri’s tattoos also functioned as a reminder of all the blood that was shed for him. A reminder of all the people who died for their passions.

Whether it was a price worth paying or not is a conflict he may never find a resolution for.

*They were comparable to the Buaya (Kalinga) in the shared gendered aspect in headhunting. While this implies a cultural backing to Beyer's Wave Migration Theory, the latter was contested by W.H. Scott. In the cited studies below that concentrated on Kalinga tattooing, there were no further details given regarding any connected symbolisms to headhunting.

**Just so we’re all clear, me conducting frank discussions on the topic of violence DID NOT equate to me condoning violence. Remember that Kalinga tattooing diminished because headhunting was outlawed for its nature as an act of violence.

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Fortunately, there was always the option to negotiate out of a fight (nail that persuasion check, Piri!!).

This was where tattoos as an indicator of one’s place in a community came into play: the more tattooed an individual, the more highly regarded they were. It was they who act as the primary mediator for any conflicts that arose.

It was a huge burden to bear for an entity that encompassed so many communities when he was not (exactly) a part of any of them. While his tattoos provided an opportunistic signal for Piri to be treated as someone due equal respect, it also made him vulnerable to open contempt. Righteously so when the community in question had been victims of the same state violence that advocated for a united nation.

Even prejudice could exist within the same group of people: between those who were content interacting with “lowlanders”/”outsiders” and those who adamantly remained isolated, with the latter even denying the “Filipino” identity. However, a people’s resistance in identifying as subjects of an oppressive government should not be cause to disregard their (co-)inhabitation of spaces. Mediation became a necessity to maintain harmonious relations.

It was a struggle that remains a constant throughout Piri’s history. Juggling the roles of the mediator between communities and the warrior who defended these communities.

The tattoos served as an eternal reminder of Piri’s passions to uphold all these narratives. A reminder of his purpose to maintain the fine threads between peace and war.

HA! I REALLY CAME BACK FULL CIRCLE TO THE FLAG SYMBOLISM!

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Speaking of flag symbolism, allow me to end this brainrot essay on a funny note.

Imagine telling HWS Philippines that the sun on his flag was inspired by his ASS TATTS.

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Sources

Abbacan-Tuguic, Lalin, and Lunes Marnag. “Whatok (Tattooe): The Aesthetic Expression of Traditional Kalinga Beauty.” International Journal of Advanced Research in Management and Social Sciences 5, no. 6 (2016): 725-939. https://garph.co.uk/IJARMSS-vol5-no6.html. Bergaño, Diego. Vocabulary of the Kapampangan language in Spanish and dictionary of the Spanish language in Kapampangan: The English Translation of the Kapampangan-Spanish Dictionary. Translated by Fr. Venancio Q. Samson. Angeles City, Philippines: Holy Angel University Press, 2007. Boxer Codex: A Modern Spanish Transcription and English Translation of 16th-Century Exploration Accounts of East and Southeast Asia and the Pacific. Edited by Isaac Donoso. Translated by Ma. Luisa Garcia, Carlos Quirino, and Mauro García. Quezon City, Philippines: Vibal Foundation, Inc., 2016. Bramhall, Donna. “Exploring Kalinga culture, tattoo artistry, tribal traditions,” Rappler, July 9, 2016. https://www.rappler.com/life-and-style/138427-kalinga-culture-tribal-traditions-tatoos/. Calano, Mark Joseph. “Archiving bodies: Kalinga batek and the im/possibility of an archive.” Thesis Eleven 112, no. 1 (2012): 98-112. https://doi.org/10.1177%2F0725513612450502. Clariza, Ma. Elena. “Sacred Texts and Symbols: An Indigenous Filipino Perspective on Reading.” The International Journal of Information, Diversity, & Inclusion 3, no. 2 (2019): 80-92. https://doi.org/10.33137/ijidi.v3i2.32593. Cultural Center of the Philippines. “Tagbanwa.” Encyclopedia of Philippine Art. Accessed December 6, 2021. https://epa.culturalcenter.gov.ph/1/2/2374/. De Las Peñas, Ma. Louise Antonette N., and Analayn Salvador-Amores. “Enigmatic Geometric Tattoos of the Butbut of Kalinga, Philippines.” The Mathematical Intelligencer 41, no. 1 (2019): 31-38. https://doi.org/10.1007/s00283-018-09864-6. Garlitos, Rhandee. “Great Elder.” Panyaan: Three Tales of the Tagbanua. Accessed Dec 7, 2021. https://www.canvas.ph/catalog/panyaan-three-tales-of-the-tagbanua. Hoskins, Janet. “Introduction: Headhunting as Practice and as Trope.” In Headhunting and the Social Imagination in Southeast Asia, edited by Janet Hoskins, 1-49. Stanford, California: Stanford University Press, 1996. Krutak, Lars. “The Last Kalinga Tattoo Artist of the Philippines.” Lars Krutak: Tattoo Anthropologist (blog). WordPress. May 30, 2013. https://www.larskrutak.com/the-last-kalinga-tattoo-artist-of-the-philippines/. Miyamoto, Masaru. 1988. “The Hanunoo-Mangyan: Society, Religion and Law among a Mountain People of Mindoro Island, Philippines.” Senri Ethnological Studies, vol. 22. Osaka: National Museum of Ethnology. Ocampo, Ambeth R. “Who owns Whang-Od and her tattoos?,” Philippine Daily Inquirer, August 11, 2021. https://opinion.inquirer.net/142977/who-owns-whang-od-and-her-tattoos. —. “Heritage: More heat than light,” Philippine Daily Inquirer, August 13, 2021. https://opinion.inquirer.net/143039/heritage-more-heat-than-light. Pagador, Renan. “The Philippine Scripts.” Baybayin Archives (blog). Blogspot. August 26, 2020. http://rapcom-archives.blogspot.com/2020/08/. Ragragio, Andrea Malaya D., and Myfel D. Paluga. “An Ethnography of Pantaron Manobo Tattooing (Pangotoeb): Towards a Heuristic Schema in Understanding Manobo Indigenous Tattoos.” Southeast Asian Studies 8, no. 2 (2019): 259-294. https://doi.org/10.20495/seas.8.2_259. Rosales, Christian A. “Sorcery, Rights, and Cosmopolitics Among the Tau-Buhid Mangyan in Mts. Iglit-Baco National Park.” Aghamtao 27, no. 1 (2019): 110-159. Salvador-Amores, Analyn “Batek: Tradition Tattoos and Identities in Contemporary Kalinga, North Luzon Philippines.” Humanities Diliman 3, no. 1 (2002): 105-142. https://journals.upd.edu.ph/index.php/humanitiesdiliman/article/view/32. —. “Batok (Traditional Tattoos) in Diaspora: The Reinvention of a Globally Mediated Kalinga Identity.” South East Asia Research 19, no. 2 (2011): 293–318. http://www.jstor.org/stable/23750924.

—. “Burik: Tattoos of the Ibaloy Mummies of Benguet, North Luzon, Philippines.” In Ancient Ink: The Archaeology of Tattooing, edited by Lars Krutak and Aaron Deter-Wolf, 37-55. Seattle: University of Washington Press, 2017. —. “Re-examining Igorot representation: issues of commodification and cultural appropriation.” South East Asia Research 28, no. 4 (2020): 380-396. https://doi.org/10.1080/0967828X.2020.1843369. Scott, William Henry. Barangay: Sixteenth-Century Philippine Culture and Society. Quezon City, Philippines: Ateneo de Manila University Press, 1994. “Visayan Tattoo Design.” Akopito (blog). Weebly. February 18, 2014. http://akopito.weebly.com/blog-naacutekocirc/visayan-tattoo-design.

Final Note

While they were interconnected, the emphasis of my headcanon was on tattoos as (national) memory over tattoos as (national) identity. I know it's paradoxical of me to separate them but it did make you think twice about what built identity. What built character! It's a question I cannot answer through one headcanon or one comic even. ☼ BANAAG ☼ would be my attempt at a personal answer to that question.

#hws philippines #war cw #mentions of sex cw #hcs: physical appearance #cultural features #long post #cultural hetalia #hcs: hws philippines

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