#I was waiting for replies

[rika-mortis]

Made a silly alternate version for the previous comic

[chloesimaginationthings]

You should totally have Jeremy meet the gang if you haven't already!

I definitely should, so far this is the only time I’ve drawn him in the comic!

[woaaahh-itz-caam]

You should draw errormare on Christmas.... Giving each other gifts...

GUHH IM SORYY TU FOR TAKING SOOOO LOG BUT HERE IT IS HEHEHEHEHEH

i swear this was only supposed to be ONE doodle but the voices got me

[mohntilyet]

about illario working with the venatori, we can't forget that elgar'nan gifted him blood magic, so I do think that he somewhat influenced him and that's why he's so much more vindictive and jealous in comparison to tevinter nights. I don't mean that he's being mind controlled, but it's a bit like cyrian, a god just amplifying those negative emotions in you and promising power and glory can push a person to that edge and to make stupid af decisions.

im also not forgetting that zara line in inner demons where she talks about an envy demon. like. why an envy demon in specific...there's THINGS between zara and illario that were not shown

no literally if you get me talking about illario + envy + the possibility of getting him possessed, you will have me here for fucking ever. a non mage doing blood magic (any magic at all) is really weird and interesting to me and i don’t remember an example of this happening before (feel free to correct me tho lol. i’m discounting possessions and dwarves)

i had started wildly theorising after bloodbath that he had been possessed and he was tapping into the fade using an envy demon. especially like you said, zara mentions it, AND because i swear there’s a codex in the ossuary where it mentions an envy demon whereas spite is obviously determination, right? so i thought it was a breadcrumb trail to a big “illario is being influenced and doesn’t even know” reveal— same as you anon like great minds am i right— but i’m not sure there is actually any evidence of that lol. like maybe if you squint but i do believe it was explained away by “oh yeah, and elgarnan let him do special blood magic”

it does also make sense to me that illario can only control lucanis, due to being part of the same family. a bloodline thing, and it is very poetic to me that their shared family connection in caterina is what allows him to control lucanis, even for a moment lol. spite being the extra magical boost that lucanis needs to block that out ALSO makes sense to me so i’m not too fussed abt these details lol🤔

the envyllario in my heart also gets spectral weapons for himself. lucanis gets wings, illario gets talons, PLUS green-purple are complementary colors so it would have been really fun to see them clash with their spirit/demon-powers. the talon thing is also a kind of reflection of his end-goal desire, how envy demons already have those freaky hands, and it manifests as claws and is a much more aggressive, strength-augmenting manifestation (as opposed to manoeuvrability and speed-augmenting that spite’s wings give lucanis.) anyways that's what the diagram above is supposed to be (this is extremely hot to me)

[revvethasmythh]

"I always wanted [Dorian] to be Chaotic Good, and then I found that the more things I got encountered with, the less good that he was. It was less about an in-line morality, and more about his dedication to his friends. Which, once that started to happen, especially with the bond with Orym, the through line that, for me, that Dorian started to take was: Friends above all else. All else." --Robbie Daymond, on Dorian, Exandria Unlimited Wrap-Up

[choccy-milky]

congrats on baby #2!🥰👍 part 2 to this post bc seb is a smug ass bitch when it comes to getting clora pregnant. and ty @rednite-dork for sending me the original pic ages ago LMFAO... i knew as soon as i saw it that i had to redraw it eventually 👼

[acmelab]

questionable priorities 😑

[charcubed]

There's one specific aspect of Deadpool & Wolverine that's important in relation to the queerness of Wade/Logan:

The fact that Vanessa isn't single.

I'm not kidding lol

Doesn't seem like people are talking about this so I'm going to be the one to say it I guess!

So… beyond trying to save his world / family, Wade's (flimsy) motivation is indeed partially motivated by Vanessa – or more specifically by things she said to him during their break up. He wants to figure out how he matters or how he can be a hero without being an Avenger, etc.

Shitty as it is that Vanessa is relegated to being a two-dimensional motivation mouthpiece… She and Wade didn't just break up; they tell us immediately that she's seeing another guy. By my memory, Wade never disrespects that, not even jokingly. And the plot isn't framed as a quest to ~win back the girl~ either.

The end scene underlines this too, where [SPOILER] he says he did it for her even if she doesn't want him or whatever the line is. Their little hand touch isn't really a romantic rekindling.

So, what am I getting at?

This all gives weight to Wade's mischievous flirting and (later) built connection with Logan.

If Wade and Vanessa were framed as "taking a break," or if she was still single and he was trying to win her back, the queerness with Logan wouldn't work quite as well. There'd be more room to claim it's an unserious joke.

But Vanessa's moved on.

Wade, taking LOGAN home, did too.

[petr1kov]

here's the scene i've mentioned before where nemesis and melinoë talk about hypnos, for those who wanted to see it!

[fala-alfredo-pasta]

We need more of Mukuro in your style, she’s adorable.

I know you probs mean my more cartoonish style but im using this as an excuse to finally draw her in her prom fit because yea

Merry Birthday to her and her specifically also

[ofmymuses]

friendly reminder that i don't care what your muse does to mine!! kiss them, fight them, throw a drink in their face, hold a knife to their throat.. you don't have to dm me for permission beforehand but please remember that my muse will react accordingly ♡♡ i think pushing limits and pushing buttons is a lot of fun but always keep in mind that they won't just sit there and take it, yanno?

[royalarchivist]

Mine: Refer to me however you want!

Mike: Yeah, for me too. I think I use all pronouns too.

[They high-five and fist-bump each other]

Mine:

[via @barbmine]

[chloesimaginationthings]

YOUR HENRY DESIGN IS EVERYTHING TO ME!!! HE'S SO!!!!!!

IM SO GLAD YALL LIKE HENRY’S DESIGN! 🧡

[daylighteclipsed]

Your KH Enchanted posts are driving me INSANE! I've never thought about the connection before but like, Enchanted is literally about a cartoon character going to the real world and finding out that her designated "perfect" love interest wasn't actually the one for her despite the fact that he should be. And then cut to SORA WAKING UP IN QUADRATUM AND RIKU THERE LOOKING FOR HIM like... it's all coming together.

YES!!!! There are so many parallels. In Sora’s dreams, the way he and Riku wake up in this huge city at night with so many lights and signs and skyscrapers… it’s so much like Giselle pulling herself up into the center of Times Square. The area Sora’s in especially, Scramble Crossing, brings to mind Times Square.

Enchanted is about a fictional character becoming real. Giselle’s from a simple, “perfect,” fairytale world. She’s designed to be a stereotypical Disney princess, and she’s a trope more than a person until she ends up in the real world, where she’s quickly challenged by the real world’s imperfections and complexities, embodied especially in Robert and through her relationship with him.

I’ve talked before about how Kingdom Hearts features fictional characters waking up and coming to life, deviating from the script when they’re not really “supposed” to and becoming real. Like Giselle, Sora starts out as a pretty stereotypical trope — the hero — but over the course of his journey grows further away from that. He’s challenged and he changes, and a lot of that is embodied through his relationship with Riku, as Riku represents change and complexity, especially in the context of growing up.

There’s a lot of parallels in the dynamics between Giselle/Robert and Sora/Riku. They’re complementary opposites, and they learn from each other. Giselle inspires Robert to believe in the messages fairytales champion about kindness, the power of love, dreams coming true, and happy endings. Sora inspires Riku to follow his heart and open his heart to others. Robert helps Giselle understand that real life is not as simple as a fairytale. Riku helps Sora see and understand the nuances in their world and in each other.

Real people are complicated, but that’s not necessarily a bad thing. Giselle’s thrilled, for example, the first time she feels really, truly angry. Robert makes her feel things she’s never felt before, messy things that make her feel alive, that make it easier for her to understand him and grow closer to him. KH emphasizes that experiencing grief, sadness, anger, etc. allows us to connect with others deeper, whether we’re leaning on loved ones for support or trying to understand a stranger. Pain is a necessary part of having a heart, of being alive.

Also, these scenes are literally the same. Giselle and Sora even both smile in their sleep.

Giselle/Robert and Sora/Riku’s relationships develop significantly over the course of their stories. In comparison to Giselle/Edward and Sora/Kairi, which rely on trope expectations instead of character development/actual relationship building. Giselle hardly interacts with Edward. But he’s a prince, he resembles the man of her dreams, he saves her from falling, and she can finish his duet. Surely it’s true love! I’ve already compared sharing the paopu fruit with singing the duet. Kairi is also a princess. She saves Sora from falling to darkness in KH1. And it’s pretty and perfect and Disney, with him reappearing in her arms, gently pulling away, quietly thanking her with sparkles all around them. Just like how Edward catches Giselle right in his lap, perfectly in his arms, with the tree branches forming a heart behind them.

Compare that to later in DDD after Riku saves Sora from falling to darkness and Sora thanks him… and when Robert catches Giselle from falling off a billboard. It’s the same thing, but the moments are not pretty and perfect.

Giselle takes Robert to the hard ground, with a chorus of yelps and ouches as she nearly breaks his wrists. Riku is almost bowled over by Sora’s hug, and Sora holds him tightly, loudly exclaiming his relief, reluctant to let Riku go. But the lack of “Disney fairytale perfection,” I guess, in these scenes kind of makes them better, right? Robert is willing to get really hurt trying to catch Giselle. Sora is so happy to see Riku he can’t contain his emotions. Near the end of Enchanted, we see this again, except Giselle is the one catching Robert. And it’s still very clumsy and rough — he takes her down with him. It’s not perfect, but it’s real.

That’s the biggest difference between Giselle’s relationships with Edward and Robert, and Sora’s relationships with Kairi and Riku. In both surface dynamics and appearance, one is a pretty idea. A perfect, soft, simple fantasy that doesn’t exist, that can’t exist in reality beyond little boys and girls playing Prince and Princess. And the other is grounded in reality, with all the good and bad, the joy and heartbreak, laughter and tears, that entails. Being human is hard. But there is something magical about finding someone you can be human with.

Giselle mistakes Edward for the true love she’s been dreaming of. He’s got the blue eyes and the dark hair, and he catches her from falling. And it reminds me a lot of Sora mistaking Kairi for his light in the darkness in KH3.

It’s reasonable why Giselle and Sora would assume this… But Robert also catches Giselle from falling. He also has blue eyes and dark hair. Later, he dresses exactly like Giselle’s dream prince at the ball, and he even dances with her like in her dreams. In KH3, Riku sacrifices himself in an act of true love for Sora, and we see the light in the tunnel respond when Sora calls out Riku’s name. There’s a number of visual parallels from Sora’s dream and Dive to the Heart that indicate Riku is Sora’s light. While Giselle realizes the truth, it only seems to click for Sora a moment before he forgets. Giselle also gets a follow up parallel. Sora hasn’t yet.

Another little thing I want to point out — Giselle and Edward have a duet (that she stops singing), but Giselle and Robert have a waltz. They have the love song, and they dance to it. Sora and Riku don’t dance, but we see their hearts dancing to the song they create — a waltz version of Dearly Beloved.

Also Robert/Giselle still get the Disney singing element. It’s just not big and flashy like Giselle and Edward’s duet. Robert quietly sings a few words to her as they dance together… Sora and Riku still get the paopu fruit — it’s the keychain of Dearly Beloved (the Combined Keyblade) — but it’s not obvious like the cave drawing between Sora and Kairi is.

TLDR: I completely agree with you and I think, like Enchanted, KH intentionally plays with Disney tropes and audience expectations in order to subvert them. Like Giselle, Sora discovering his designated “perfect” love interest is not the one for him is part of his journey of awakening. It’s part of him becoming real, and growing up.

[deoidesign]

panels from my webcomic. the characters are also from my webcomic. believe it or not it's about gay time traveling vampires

[mieczyhale]