#I was really thinking about how you can turn a movie storyline into a warrior cats story and it's actually quite easy | Explore Tumblr posts and blogs

papirouge · 1 year ago

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you are right, "woke" has truly lost all meaning as a term... one of my new favorite games has a very basic and positive message to it but because the localization inserted some nonsense about a nonbinary character it got labeled as "woke SJW trash" even tho the rest of the script is pretty accurate to the original Japanese

I also saw comments about how just including a gay relationship in this game is "agenda-pushing" like I really don't get that tbqh. it just reminded me of people complaining that the new Zelda game is "woke" because it has a few characters who aren't lily white and Zelda has short hair lmao

LMAO Dying at the "woke" Zelda bc some characters are Black. Isn't that a fantasy game? like, with magic, talking trees, trolls and shit but Black people existing is a reach?? (they did the same for Lord of the Rings TV show)

I think the reluctance of these folks to see non White people in fantasy content is bc White people want to gatekeep fantasy as a 'White only' genre. Which is funny because White people have no problem reappropriating foreign genre for their own gain 🙃

Funny how these woke hunter always forget those Hollywood movies adaptation of foreign stories where the studio ALWAYS need to shove a WHITE hero for some reason or purposely use a story where a White character can outshine others?

Remember the samurai movie with Tom Cruise? 7 years in Tibet? Also Mulan love interest was supposed to be a White man initially, but people complained and it's been scrubbed off. There are whole think piece exposing how the Whites LOVE inserting themselves into POC stories to elevate themselves as heroes. Even woke storyline don't go that far with their non White characters ; they are always confined as side kick and minimum screetime (is it true that all the dark skin characters of the house of dragon ended up dying after the first season?? lmaoooo)

And I always said that the issue wasn't non White people being shoved in "White people story" because when Black Panther happened their were still mad and were seething about that movie catering to Blacks (but don't you dare saying movies featuring mostly White people are catering to White, it will make you an awful wokester lmao). Whites will always feel entitled for other races to relate to their stories, but never the other way around. There's a post floating around cathblr with Catholics raving about Arabs discovering the Lord of The Ring and enjoying it a lot. And I couldn't help but think: would those catholics turn the favor and rave about an Arab movie with islamist undertones...? 🙃 lmao.... Those people are soooooo transparent 💀

Everything is woke if you try hard enough, anyway. Scrotes are seething because they consider some video game female characters are purposely made ugly (like Aloy from Horizon Dawn. A scrote was coping bc the mocap actress was much more beautiful and he couldn't wrap his hand as of why they would change her face to make her look more 'rough' ...when he's just too stupid to grasp that this choice is actually pretty coherent with the storyline since homegirl is nomad WARRIOR.).

I also remember when they made a revamp of Mortal Kombat chara design and changed characters body proportion to become more realistic, scrotes got mad lmao It's hilarious how they think they're really doing something 'counter-culture' but they only show how porn fried they are. There's no way to think this

...is better than that

Btw, all those ANTI praising Japan for being anti woke are up to a very hard wake up call. Many japanese celebrities are vocal LGBT+ supporters, a significant amount of online stars are gay/queer (Ryuchell, Peey, Kemio...). Even recently a member of AAA (a famous pop band) came out as gay 😬 there's a huuuuge push for LGBT visibility into the Japan entertainment right now, so it's obvious they have no idea of what they're talking about... The other day on Twitter I've seen a post summing up why Western conservartard scrotes love Japan

This post was in a thread about nuclear bomb and American burgers saying it was oKay tO kIlLs thOusaNd of CivIlIanS bEcAuse jApan wEre tHe bAd GuYs 🤡

The USA humiliated Japan in the non threatening " tech/anime obsessed pacifists". Unlike other countries that still have a minimum of pride and honour, Japan doesn't remind the USA how bad they are and the unchecked harm they done to them. They are also completely economically submitted to the USA (there are still American base out there.....). So the USA give them a cookie and constantly elevate them as the perfect non White country 🙃

#answered

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frosted-night · 4 years ago

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Jack Frost Designs Review

Yes it’s finally his time. This is going to include his book designs including previous incarnations in said books. There are more movie concept designs than book so, let’s dig in shall we?

This was in fact the first ever Jack Joyce designed while he came up with The Guardians Of Childhood. He even comes with his own backstory! (Which was cut. Sorry Joyce posts walls of text so it’s a girthy read.)

So instead of a young mischievous trickster, we got a much more depressing story of Jack. (Jack by default is sad obviously) but this one... It kind of hits differently and almost reminds me of the story he crafted for Pitch. A dad who tried to defend his family but through tragic events was ripped from them and changed completely. Design wise, he’s a lot more tree than snow. There doesn’t exist a colored version of this so we’ll never know if he sported winter and dull dead leaf colors rather than grassy greens.This Jack has a weird presence to him, I can’t put my finger on it. Rating: 6/10 He’s really neat! Just a little too Autumn feeling rather than a blend of both Autumn and Winter.

Nightlight feels like the baby evolution if Jack was a pokemon and that's what I’m gonna stick with. Below is a more recent version of him colored.

In all honesty that one is easier on the eyes proportion wise because sometimes Joyce has ‘interesting’ anatomy choices but we aint going into that today. It’s interesting how his hair somehow looks shorter and longer than Jack’s at the same time. Could be because the longer strands float seamlessly but star boy hair physics what can ya do. It’s a little hard to tell what is his skin and what is his armor, so that is a casuality in making a character only have one or two colors in their color scheme. I love other artist’s depictions of Nightlight but the canon one feels a little weak color wise. Rating: 5/10 Sorry, get some better LEDs and then come back.

Here we have a book Jack but I can’t entirely recall if this was used in the books or not. I digress. This design looks like him still wearing very Nightlight-esque armor/clothing and slowly growing into his new persona as Jack Frost. The intricacies are hard to make out but we’ll work with it. This one is very interesting to me because he very much looks like an older teen close to young adult. His hair looks very fluffy too. Not many complaints about this one but not much praise either.

Rating: 6/10 Not great but doesn’t stand out that much.

Remember when I said Joyce had ‘interesting’ anatomy decisions? Jack looks like he has half a head here and it bothers me GREATLY. This is the adult Jack design he went with. Supposedly he likes the opera and he sure looks it. This! Exists!! Kind of wish it didn’t. The outfit is nice but it just doesn’t fit Jack as a whole. This just screams to me that it’s someone else with a similar-ish hairstyle.

Rating: 3/10 Guess he’d be the...Phantom Of The Opera. (I’ll go home and so should he.)

And finally the final Jack. This is the one that almost exactly resembles the Jack we got in the movies(Probably because it was made after the movie but w/e) but just add a cape on him. I can’t really tell if hes got a hoodie and a cape, or just a cloak+hood on top of a sweatshirt. It isn’t too important because my thoughts on this one are obvious. Rating: 10/10 Edna Mode would have a field day with you boy.

MOVIE DESIGN TIME

Joyce claims this is a design he drafted when Leonardo DiCaprio was considered to voice Jack and I can kind of see that with how his face is drawn here. This Jack looks a lot more like a warrior and less of that trickster look. I can’t say I’m a fan of the weird antenna his hood has but his sword is really cool looking.

Rating: 4/10 Nice bow and sword but it can’t save your fashion choices.

This looks like a lanky 11-13 year old who would put rocks or slugs in my shoes and relish in my disgust. He has the exact look of a snot nose kid and I’m unsure how to feel about it.

His various hairstyles drafted here sort of make him softer looking or just more of a snot nose, no in between. Maybe even an Anime Protagonist.

The top right one almost looks like Hiccup from How To Train Your Dragon if you squint. It’ll be a little hard to rate them all as one individual but why not.

Rating: 5/10 I don’t hate them but they aren’t my cup of tea.

AH- IS THAT A FUCKIN GREMLIN?

Oh wait no it isn’t he looks like a 10 year old. Whatever don’t feed him after midnight. The staff’s design of not being shaped like a G is an interesting tidbit but the whole design looks like he’s really young or like a troll etc. This Jack looks like he thinks girls have cooties uses outdated slang.

Rating: 4/10 This is me being generous.

It honestly looks like he hiked his pants up all the way to his chest. A late teen with horrid fashion choices once again. Not many other thoughts here.

Rating: 2/10 Get a sweater on or something.

This is one is very interesting looking to me. His clothes looked a lot more leather based and very human-like. The tatters, tears and frays all make him look like he was a victim of an accident that never changed his clothes. It makes me wonder if this Jack had the same death as the final movie Jack or something else entirely. Either way, this one looks like hes a mid to late teen which really adds to my intrigue.

This was another image that greatly resembled the design so I included it here. It almost looks like his skin is blue here which is pretty neat to me at least. He’s also got leaf motifs here, which from the first Jack design Joyce made, we can see a pattern here.

Rating: 8 /10 I was originally weirded out by his head but now its not so bad.

This Jack is definitely dressed more like a nature boy rather than him having human influenced fashion and it’s an appealing touch. The tiny leaf sprouting from his staff is also kind of cute since the designers seemed to want to put leafs somewhere on his designs. His hairstyle is also very cute but it reminds me of Sasuke Uchiha in a sense. (Not a setback for me at least)

Rating: 7/10 13 year old Jack is going thru a phase.

I thought this Jack didn’t show up again in story boards but I was wrong!

They look a little different from each other but just similar enough to pair together, so bare with me. The first one obviously has looser pants, slightly longer sleeves and got his leaf motif going. This second Jack is a VERY green. It gives the impression that this Jack made his clothes out of plants and natural materials. Again I’m not wholly sure if greens fit his color scheme but they sure went for it for a while. I can’t say I’m a fan of it because it heavily reminds me of Peter Pan.

However a very similar looking Jack could be found in this storyboard. It doesn’t look as green as the other storyboards made it out to be and looks more like dead grass. Which is a pretty nice touch.

Rating: 5/10 I don’t hate it but it just doesn’t vibe yknow.

Speaking of a vibe...hoo this certainly has one. This Jack isn’t old but certainly doesn’t look very young, maybe in the 20-30 range, thats just me. He has facial features that remind me of Pitch but resembles the Jack Frost of Santa Clause 3

That being said, I wondered if him looking similar to Pitch was in the storyline of them being brothers.(Which was a scrapped thing, who knew.) He’s a bit more menacing in this design but certainly seems like he relishes in his work.

Rating: 4/10 I’d make it a lower score but I gotta give it props

NOW THIS JACK IS KINDA INTERESTING. This one looks like he’s 16 and going through a grunge phase. He’s gonna play Nirvana loudly and not turn it down even if you tell him too. His staff itself has mini icicles hanging off of it and leafs look stuck to his shirt. Did you glue or staple those on Jack? His hair also looks much longer than his other designs and I kind of dig it( Shut up I’m bias.) I’m not wholly sure why else this design has stuck with me but it just has something about it that I just love. I wish there was a full body drawing of it.

(He also kinda has the same hair as the Jack Frost in Runescape but I wont go on about that hoo hoo)

Rating: 9/10 *Bad Boy by Cascada plays in the distance*

This one definitely feels like middleschooler trying to be in a band. His sticks just resemble drumsticks to me what can I say. I’m a big fan of his shoes and his color scheme screams a hibernating tree in winter. His hair also looks like it’s covered in frost rather than it being wholly white, which is very neat!! He looks like he wants to fight but has slight hesitance. Overall a very balanced Jack.

Rating: 8/10 He’s ready for band practice

Not many thoughts here, I just found these tiny Jack designs cute. His hoodie being a jacket instead just adds to the charm of this one.

No talk to him he angy.

Rating: 6/10 fun sized boi

Now this Jack resembles the one earlier that dressed entirely in leather brown colors, however he clearly is different than that one. I’m gonna say it, he looks like a zombie or undead in this design and its pretty fucking gnarly. I don’t know whats going on with his hair but I’m gonna assume it’s just the wind making it look like that. He just has the vibe that he was once human but was turned into something else entirely. It isnt in uncanny territory but borders that. This version of Jack meeting Pitch and the others would have been *very* interesting. Rating: 7/10 Eat a twinkie Jack you’ll feel better.

The final design! I can’t complain much about this one. The way his staff subtly has a G shape and a hexagon(his signature shape) is a wonderful touch. Additionally, the way the frost is gathered mostly where his hand is such an intricate detail. His signature hoodie is iconic at this point so I can’t bad mouth that either.(I can’t anyway because there's no complaints from me here.) Although, I never understood the leather straps that his pants had or their functions. I couldn’t find any colonial outfits that resembled Jack’s pants so its a total mystery to me at least.

And I can’t go on about this design until I mention the snowflake pattern in his eyes

Pure beauty. It’s at a hue of blue that almost looks impossible to have, combined with the electric blue color of the snowflake in his eyes. The amount of detail in this movie amazes me to this day. Rating: One Great Blizzard <3/10

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talesofafangirlwithadvr · 4 years ago

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April 2021 Picks

And we’re back with the end to another month. April! Wow! Lots more great picks to talk about this time. Lots of new ones to the list too. So, let’s dive in!

Spoiler territory ahead!

THE FALCON AND THE WINTER SOLDIER

or should I say Captain America and the Winter Soldier

I just finished the finale last night, so it felt right to start off with The Falcon and the Winter Soldier. I really enjoyed it and I feel the episodes got stronger as the series went on. Each one felt like a mini-movie and I was upset it was over and had to wait another week for another one. I think the finale was my favorite. Especially the reveal of Sam as Captain America. I love his suit, his speech and the montage of everyone watching him. The last part of the episode was definitely my favorite and one I can watch on repeat. I loved seeing happy Bucky and him goofing off with the kids in Louisiana. He deserves so much happiness as he has now accepted he’s no longer who he once was. Bucky and Sam’s relationship is fantastic and I can’t wait to see it more. I know there’s a possibility of a second season and they have to be in a future MCU movie. Regarding the villain, I feel I was confused for most of the show as to what their objective was. I’m curious if this is because they had to reshoot parts during the pandemic. I also am mad with Sharon. Like what happened with her? She is definitely the true villain of the show. I also don’t love that we haven’t seen the end of Walker (but Wyatt Russell did a fantastic job). I also loved Torres and I hope he becomes the next Falcon. Definitely so different vibes from Wandavision, but just as good!

THE IRREGULARS

This is a show that more people need to be talking about! It was SO GOOD! I feel like I heard some buzz about it when it first came out, but not much after. It follows the teens featured about who live on the streets during Victorian London. The leader of their group, Bea gets approached by Dr. John Watson (that’s right...as in Sherlock and Watson) to take on a case that has more supernatural qualities. The story takes off from there. I think the group dynamic was fantastic. There wasn’t a character I didn’t like and each one brought something else important to the group (which they even bring up towards the end of the show). [I’ve watched a few cast interviews since finishing the finale and they seem like they get along really well in real life too.] There is a kind of love triangle, but it didn’t bother me and was over fast. I did like both combinations though. Lots of twists and turns along the journey. I have no idea if there will be another season, but there should be. It didn’t end on a major cliffhanger, but definitely ended in a way where it could continue nicely. Come on Netflix.

HBO’S THE NEVERS

From one show set in Victorian times to the next. The Nevers just premiered on HBO and HBO Max earlier this month. It follows an ensemble of characters, similar to other HBO shows, ranging from characters who are called “the touched” to men in government who are against them. Being “touched” means they have a special talent or power, which can range from healing to speaking other languages, being extremely tall, or being an expectational inventor (I seriously love Penance. I just don’t know how to explain her ability). Amalia True and Penance Adair are two of the main characters and they help bring in others who are touched to a remodeled orphanage that is a safe haven for people like them. Of course there are those who are against them existing. This seems to be at least two groups as someone is abducting and experimenting on some of the touched, but we don’t know who they are...yet. I love the fusion of a historical setting with a fantasy element. I am very excited to see where the show is headed. I also love seeing so many of my favorite British actors on the screen together.

ONCE UPON A TIME IN WONDERLAND

Time for a throw back. Fans of ABC’s Once Upon a Time might remember the short lived spin off following Alice in Wonderland (and some of Aladdin). It only lasted for one season of 13 episodes, but I remember loving it and I am so happy I can rewatch it on Disney Plus. It reminds me of why I enjoyed OUAT so much and I think this show deserved another season or more crossover with the original show. (Luckily the Knave got that opportunity.) I think it should have aired as a summer show or when OUAT was on hiatus, this way more fans would have tuned in. It is something I’ll believe forever.

Anyway, I’ll stop ranting now... I love Alice. I think she’s a badass and a fierce warrior. If you follow some of my posts on my other blog, Lydia-yougowith-Stiles, you’ll know that I love a warrior romance and Cyrus and Alice fit that perfectly (even if they are apart for much of the series). I also love Alice’s hair and outfits. Everything about her is cool. Her relationship with the Knave is one of my favorite friendships ever. I think they balance each other out so well and how they spend most of the journey together. Back in the day, I totally shipped them, but now I definitely don’t. (Even though I don’t love Anastasia.) This is definitely worth the watch if you’ve ever heard of Once Upon a Time or not. There is very cheesy CGI especially for 2013, but once you get pass that you’ll love it.

ZOEY’S EXTRAORDINARY PLAYLIST

It was on a longer break than I expected, and I didn’t miss it as much as I thought I would (which I know doesn’t sound good for a show), but I am still loving all the episodes this season. It feels like there are more musical numbers, which I love. Mandy Moore is killing it with the choreography. There are so many amazing moments. I also was a big fan of the newest glitch episode. Everyone is so talented and I also like that we’ve started to hear from more like Jenna and Tobin. Leif has become one of my favorites. I don’t love the new neighbor next door, but I think we’re done with his storyline. I’m not loving the Zoey love triangle, but I do like her with either Simon or Max. She seems really happy with Simon now. (FYI: I haven’t watched the most recent episode yet. The glitch one was my latest.) Can’t wait for more!

KUNG FU

CW’s newest show this month was Kung Fu, which I just learned was a reboot. It follows Nicky who returns after 3 years to her home in San Francisco. Her family has mixed feelings as she has had no contact with them for the last 3 years. She is now a Kung Fu master and warrior, out to avenge her mentor’s death and stop a villain from acquiring mythical weapons. The show gives me Arrow vibes every time I watch it. It has similar flashbacks each episode to an earlier time in Nicky’s life. While Nicky’s mission is different, the style just gives me early seasons of Arrow vibes, which I am not complaining about. It stars Legacies’ Alyssa Chen, who I didn’t love on Legacies, but instantly fell in love with Nicky. I think she’s a bad ass character and love how she’s fighting for the underdogs on the streets of San Fran, while also taking down a bigger evil. The love triangle is heating up and I’m definitely team Henry (even though there’s some mystery there). I think he’s great and once again we have an awesome warrior romance. They balance each other so well and it’s only been like 3 episodes. Now they’ve also been sleuthing together and it’s just amazing.

NANCY DREW

Are you sick of hearing me talk about CW’s Nancy Drew? I hope not because I’m going to fangirl again. I LOVE THIS SHOW SO MUCH! I can’t wait till Wednesday comes and I tune in a little after it starts, so then I can fast forward on my DVR. Then when the episode is over I basically start it all over again and watch select scenes that were awesome. (More specifically, they tend to be Nancy and Ace scenes because I love them and we’re entering so much angst I don’t know if my heart will be able to handle it!!!)

I’ll say it a thousand times: THIS CAST IS EVERYTHING! Their dynamic is amazing. You can have any match ups and it’ll be a great time. There is not one person I don’t like. I was so upset that there wasn’t a new episode last week (especially because it was my birthday). I loved the last one with the Hardy Boys and that Nace reveal! OMG! I’m so sad that Grant has left again because we barely had him, but I feel he’ll eventually come back. He has to. I loved the ending when he spoke to Thom by signing to him. (My heart!) I seriously can’t say enough great things about this show. It is not your typical CW show and deserves more love and views. So happy a third season has already been confirmed!!

LAST NOTES

Just started Shadow and Bone on Netflix and am loving it! I’m sure I’ll have an entire post dedicated to it when I’m done. (Currently going to start episode 6.) I have no background on the universe or the books (just what my sister is filling me in with as we watch). I definitely plan on reading Six of Crows after this!

So what are you enjoying? Let me know. I’m always looking for more shows to add to the list! Can never have enough.

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graphicabyss · 4 years ago

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XVII-XVIII Century Royal Queer History

Unexpectedly to myself, I got really engaged in history of Europe of XVI-XVII centuries. I never really had much interest in kings and queens and didn't know much about them but once I began to read and learn about their personal lives, I got kinda hooked. Also, I was struck by how many of them were queer and I began to write down my findings, which inevitably turned into a freaking study. I thought I might as well post it.

I'm gonna start with King James I of England who ruled in XVII century. Now there are several tumblr posts about this queer legend. Some historians think he was weak and unremarkable but he survived several assassination attempts, kept his power over 3 countries and lived to old age, which is pretty remarkable on its own. He also kept all the religious leaders at bay and commissioned the world's most famous Bible, which is still owned by most Christians 400 years later. He was also the one who created the modern wedding ritual. You know, church, vows, rings, that stuff. He avoided wars and was a patron of the arts, even wrote some books, including one about demons, werewolves and vampires. What a nerd. He was very different from Elizabeth who preceded him, so one contemporary epigram stated "Elizabeth was King, now James is Queen". Oh, also he was very gay. Or, at least, as gay as a king can get. His relationships with his male courtiers were notorious. He had several favourites who had way too much influence over him and his court really hated it.

He needs to have a movie made about him, seriously. I found only one semi-documentary film and it was The King James Bible: The Book That Changed The World (2011). While I liked the film and King James was hot, sassy and very cool, it was disappointing he was shown as perfectly straight. They could just avoid his personal life altogether, but instead they chose to show him being a perfect husband. While it is true that he was nice to his bride, by the time he met her he had a 10-year old relationship with a man 24 years his senior (since he was 14). I'm just gonna use this screenshot from the movie instead of a painting because it's too good.

Perhaps the most notorious of his alleged lovers was George Villiers, 1st Duke of Buckingham. Starting out as a son of a minor gentleman, the 21-year old lad caught the eye of King James I and quickly became his favourite teasing him by dancing in intricate performances called masques. He made a brilliant career becoming a knight, an earl, a Marquess, and finally a duke - a title normally being reserved for members of the royal family - within just 9 years. Can you blame him though? I mean, look at that stud.

Btw, James’ pet name for Buckingham was ‘Steenie’, derived from St. Stephen who reportedly had the face of an angel.

The name Buckingham seemed oddly familiar to me but it took some time before I realized he was one of the characters in Dumas's "The Three Musketeers". Now I am someone who grew up on old pure Three Musketeers movies so when I started learning about the real historical figures involved in it it gave me a slight shock as the truth is way more weird and sinister that fiction.

The storyline I remember the most was the one where Anne of Austria, the queen of France, got in trouble with her husband Louis XIII because of her affair with Duke of Buckingham. Of course, Duke of Buckingham was never the Queen's lover, he was the King's. What's more, some historians assume Louis XIII was also queer. There is no evidence that Louis kept mistresses, but he had very intimate relationships with his favourites. He has even been described as “repelled by female contact”. There's also the issue of him struggling to have an heir. His wife had 4 pregnancies that were unsuccessful but that seemed like too few for a king who needed to secure his dynasty. After 23 years of trying, the king and queen were finally able to produce a son and another soon followed, the older son to become Louis XIV, and the younger, Philippe, to be known as Duke of Orleans.

Anne was quite the character for a dramatic story too. After Louis's death she became the Regent and made sure to clear the way for her son Louis. To ensure that Louis's younger brother will not try to usurp the power from him as it was with Louis XIII 's brother, Anne of Austria conducted an early and very wicked gender development experiment. She and her adviser, Cardinal Mazarin, set up a plan to raise the two boys very differently. Queen Anne called Philippe by such nicknames as "my little girl" and encouraged him to dress in feminine clothing, which he sometimes did even as an adult.

I'm just gonna use this quote because this shit is real: The queen and Mazarin discouraged the duc d'Anjou [Philippe] from traditional manly pursuits such as arms and politics, and encouraged him to wear dresses, makeup, and to enjoy feminine behaviour. His inclination toward homosexuality was not discouraged, with the hope of reducing any threat he may have posed to his older brother. Reportedly, Cardinal Mazarin even commanded his nephew, Philippe, to de-flower the king's younger brother.

Well, fuck. The joke's on them though, as Philippe grew up to be a fashion icon AND a fierce warrior. He participated in many battles and was immensely praised for his bravery and valour. In 1677, he led the French forces at the Battle of Cassel against William III of Orange of the Netherlands. Yes, that guy who later gently invaded England and took the throne. By the way, there are some allegations that he was also gay. Anyway, Philippe was so badass in battle that people glorified him as a hero and it made his stallion of a brother so jealous he sent him back and never allowed him on the battlefield again. Louis XIV continued his mother's effort in encouraging his brother's effeminate behaviour and putting up with his homosexual relationships, all the while waging a war of homosexuality in France. I mean, gotta preserve the traditional values, such as fucking 12 mistresses who were often married. There were even rumours Louis fucked Philippe's wife. I guess he was trying to make up for his father, brother, son, and uncle, César de Vendôme. Meanwhile, Philippe gave no fucks. He had a number of favourites and didn't even try to hide his sexuality. In fact, it is said that every time Louis pissed him off, Philippe did something extra gay and in his face. Fierce.

One guy I have to mention is Armand, the Comte de Guiche, who was said to be handsome, vain, and manipulative. Armand was Philippe’s lover, but he is widely thought to have been his wife Henrietta’s lover as well. That apparently wasn’t enough for the guy, because in 1665 he also tried to romance Louise de La Valliere, who was Louis’ chief mistress at the time. Louis exiled him in 1662 for plotting with Henrietta to break up Louis and Louise. What a glorious fucker.

But the love of Philippe's life was Chevalier de Lorraine who was basically a prince of a realm outside France. He's usually called 'Chevallier' but his name was also Philippe. He also had an older brother named Louis. Seriously, couldn't they try a little harder with the names? Anyway, when they met Philippe was 18 and Chevalier 15 and sparks flew. He was described as being “as beautiful as an angel” and was more than ready to use what his mama gave him. He was smart and very manipulative and Philippe showered him with gifts all his life, much to the chagrin of his two wives whose money and estates he often gave away.

He moved to Palais-Royal, the same palace as Philippe and his wife Henriette. Very convenient. Philippe's marriage got kinda crowded. Chevalier got so arrogant, he actually told Philippe's wife she needs his permission to sleep with him and that he could get him to divorce her. She complained to the king and he got Chevalier imprisoned and exiled. However, not for long as Philippe pleaded the king to pardon him and eventually succeeded. Henriette did not get much relief apparently as she wrote: “I see from the ashes of Monsieur’s love for the Chevalier, as from the dragon’s teeth, a whole brood of fresh favourites are likely to spring up to vex me.” Of course, Chevalier also managed to enrich himself immensely by getting Philippe and the king to give him and his family tons of perks, such as make him the titular Abbot of four abbeys, which payed handsomely.

Henriette died very suddenly claiming she was poisoned. The doctors found no evidence of that, but there were still rumours that Chevalier was to blame. Philippe had to find another wife, even if he wasn't happy about it. Chevalier stuck around. He was exiled a second time after he apparently seduced the king's son (more on that later) but was able to return again. Their relationship lasted for 40 years, until Philippe's death.

There was a recent TV show called Versailles that depicts Louis XIV’s reign and it has a fairly accurate though romanticized portrayal of Philippe and Chevalier's relationship. Too bad the show is way too violent for me to watch. They look stunning in it~

Anyway, such relationships were far from rare. In fact, apparently there were the so-called confréries (“fraternities”), which were basically gay brotherhoods whose members hung out together and set up orgies. One elite brotherhood was founded between 1680 and 1682. Apart from Chevalier, it included the king Louis XIV's cousin Prince of Conti who was once proclaimed the King of Poland, and Louis's illegitimate son, the comte de Vermandois. The latter was 15 in 1682 when at the court of his uncle Philippe, he met the Chevalier de Lorraine and his sect and apparently got very personally acquainted with Chevalier's younger brother and nephew. When the king learned about it, the group was forcibly dissolved and Vermandois was beaten before the king, exiled from court, and forced into marriage. Another such group was within the highest ranks of nobility at the court of Philippe II, Duke of Orléans, the son of Philippe and the regent at the time when Louis XV was young. They really didn't bother with names, huh? Anyway, they got involved in a number of scandals, in one of which that happened in 1722 a group of 17 noble men gathered in the palace gardens to fuck. The Regent didn't seem very bothered and even seemed to find it amusing.

The Regent, who did not stop smiling, was satisfied that it was necessary to give the nobles a harsh reprimand and tell them that they do not have the best taste [goût] in the world.

Dad would be proud.

There were also some (presumably) queer queens, like Queen Anne of England. Now you might have seen the movie The Favourite but it's heavily satirized and Anne wasn't really childlike and helpless. Actually, this image was created by Sarah Churchill, Duchess of Marlborough, after she was expelled by Anne, and stuck. However, the rivalry between the old and new favourites was very real.

Anne met Sarah when she was just 8. Sarah was beautiful, charming and very persuasive. When Anne became the queen, she made Sarah Churchill her Mistress of the Robes (the highest office in the royal court that could be held by a woman) and gave her a bunch of other really cool titles. She also made her husband, John Churchill, a duke. Thus Sarah became the most powerful person in England after the queen and the queen always listened to her advice. However, as years went by, Sarah became increasingly pushy and insensitive, using the queen to get what she wanted.

Sarah looking fab~

Then comes Abigail Masham, Sarah's impoverished cousin. Abigail was soft, caring and considerate, exactly what the queen needed. Sarah tried to get rid of her but it only angered the queen further and she eventually dismissed Sarah and her husband and banished them with disgrace while Abigale took her place. Sarah then wrote scandalous memoirs, painting the queen as weak and instable, as well as implying that her relationship with Abigail was lesbian. In mid-1708, she helped to circulate a ballad with such lyrics as: “Her secretary she was not / Because she could not write / But had the conduct and the care / Of some dark deeds at night.”

While there is no direct evidence that she and Anne had sexual relationship, there are many letters between the women that are very romantic and intimate. Sarah even used them to blackmail the queen. And you can kinda see why. “Tis impossible for you ever to believe how much I love you except you saw my heart,” the princess wrote in one letter, as quoted in Anne Somerset’s biography of Anne. “If I writ whole volumes I could never express how well I love you,” read another.

Also, like, evidence was hardly even a thing with queer relationships, since the only solid evidence of regular affairs were illegitimate children.

Finally, I really want to talk about Frederick II, the king of Prussia. Buckle up because this is gonna be long.

Until the age of 7 Frederick was growing up with his lit mother and sister. Here they are, looking gorge. I think he's in blue but tbh I'm not 100% sure.

Anyway, as he got older he was taken to his father and that's when things got shitty. His father, Frederick William I, was the model image of toxic masculinity. He was all about power and military and expected his son to be the same. And since the boy was a lot more into music, poetry, and French stuff, his father often beat and humiliated him. He didn't allow him to learn French and Latin because, like, that's so gay. Now he was a real man. With a weird kink for tall guys. He is known for creating the Potsdam Giants, a regiment of very tall men that he didn't use for battle, just dressing them up and making them march. Ultimate straightness. It is probably redundant to say but his father also hated 'sodomy' and it was punishable by death, a law Frederick would repeal.

And the thing is, Frederick wasn't even supposed to become a king. He was the third son. It wasn't even disease. The first son died because a volley was fired close to his crib (because that’s the only way to wake up a real man - canon) and the second died at baptism because the royal crown crushed his skull. And you thought your parents were bad. Poor Frederick didn't even want to be a king, he just wanted to play the flute and do his thing. In a different age he'd be writing musicals on Broadway or something.

Anyway, there are few doubts among historians the man was gay. There's this BBC documentary that downplays it but it keeps saying he grew up in an environment where he was "leading a double life" and that he once wrote to a close friend that he felt he was a mirror that dared not be what nature made it, forced to oblige what was around it. Please.

Frederick's first presumed relationship was at 16, with Keith, the king's 17-year-old page. Unsurprisingly, Keith was soon sent to a far-off frontier. Right after that, however, Frederick got real close with an officer Hans Hermann von Katte. The dude was very woke and they both loved music and poetry but shit got very real very soon. In 1730, Katte and Frederick decided to flee to Britain to escape their despotic fathers. Sadly, they got caught and tried for treason. Although the prince was pardoned, Katte was sentenced to life imprisonment, which his sick dad changed to execution and then forced Frederick to watch it. At execution Katte and Fred shouted to each other endearments in French and before it happened, Frederick fainted. That shit really fucked him up and he got depressed but he toughened up and accepted his fate.

Aged about 20, Frederick was expected to marry. After a few failed attempts, an Austrian bride was selected, Elisabeth Christine of Brunswick-Bevern. Frederick was clearly unexcited and apparently even threatened suicide. As soon as he had secured throne, he sent her away and only met with her out of necessity. They had no children. And some historians are like, "well, they just didn't get along". Well, his folks hated each other but it didn't stop them from having 14 children.

Anyway, his father finally got off his back and as a crown prince, he mostly spent his time reading, composing, watching plays and writing woke political essays. Then his dad died so playtime was over.

Now that sounds like a story of a "weak" king. A man who loved to read books and play his flute. But it's not how it was. As Fred became king, he inherited a very militarized state with a huge-ass army and he worked with what he had. He started expanding Prussia, starting with Austria, which he had old beef with. He wasn't out for world conquest, he struck swiftly and strategically to consolidate and strengthen his state.

Frederick, widely known as Frederick the Great, waged war against much bigger armies with great success and doubled Prussia's size in his reign. Which is why Hitler was obsessed with the guy smh. Would make more sense if he was into the Frederick Senior, with his militarism and his little hobby of inbreeding giants and all. He must have missed the part where he was tolerant, modest and also gay.

Frederick also had a younger brother, Prince Henry, who was also gay. He was an important general in the king's army, though their relationship was quite complicated. Henry married but like his brother, bore no children, ignored his wife and spent time with fine lads.

Look at this unapologetic legend!

When Frederick wasn't battling, he was doing lit stuff. He built a gorgeous palace in French fashion, full of Grecian sculptures and homoerotic paintings. He attracted the best intellectual minds of his time. Voltaire lived there for 3 years btw and he did not hold back to make many "wink wink" references to the king and his Grecian taste.

Speaking of which... One of his closest friends was Michael Gabriel Fredersdorf, an army private and a son of a peasant. Frederick met him as a prince and kept him by his side for the rest of his life, quite literally as he had an adjoined bedroom in his palace. He also made him a chancellor and gave him an estate, which really pissed off the elites.

Frederick is a complex character. Sure, he waged war and very successfully asserted himself as one of the top military leaders in history. But at the time Prussia was a scattered landlocked state, it couldn't just opt out of war so it's not like he could just go "peace out, bitches". But he did so much more. The guy actually believed that the king's duty was to be just and improve the lives of his people. He did some major reforms, improved education, supported art, and practiced religious tolerance, which was pretty woke at the time. He abolished torture and corporal punishment. He made governing more democratic by hiring people based on ability, not just status. Sadly, his cool legacy was utterly destroyed because the Nazi decided to appropriate him as their idol but lately it’s being reassessed. It’s hard to judge him considering how much he went through. But despite it all he became one of the best military commanders in history, one of the most woke and talented monarchs, and of course a legendary queer!

Disclaimer: I know all of these people did some terrible shit, at least by modern standards, but I'm here to have fun so I'm not going to go there now. Sources: medium.com/@LukeBoneham/the-politics-of-desire-... thehistoryofparliament.wordpress.com/2019/02/21... www.ranker.com/list/life-of-philippe-dorleans/m... cour-de-france.fr/vie-quotidienne/sociabilite-e... aelarsen.wordpress.com/2018/07/20/versailles-th... thedrummersrevenge.wordpress.com/2007/06/22/ref... dirtysexyhistory.com/2017/09/03/a-secret-gay-br... unspeakablevice.tumblr.com/post/82525976110/lou... journals.openedition.org/crcv/14427#ftn161 Marie Antoinette's World: Intrigue, Infidelity, and Adultery in Versailles The Real Versailles - BBC Two

BBC Four - Frederick the Great and the Enigma of Prussia https://medium.com/war-is-boring/historys-greatest-gay-general-fd7d1d311464 https://www.queerportraits.com/bio/frederick https://www.spectator.com.au/2015/10/frederick-the-great-king-of-prussia-is-a-great-read/ http://gayinfluence.blogspot.com/2011/10/frederick-great-1712-1786.html https://www.history.com/news/true-story-queen-anne-sarah-abigail-the-favourite-fact-check

#King James I #Duke of Buckingham #George Villiers #Philippe Duke of Orleans #Queer History #Chevalier de Lorraine #Queen Anne of England #Frederick the Great

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9worldstales · 4 years ago

Link

INTERESTING POINTS TO PONDER FROM INTERVIEWS 15

Interviews might not remain forever available or not be easy to find so I’ve decided to link them and transcribe the points I find of some interest so as to preserve them should the interview had to end up removed.

It’s not complete transcriptions, just the bits I think can be relevant but I wholeheartedly recommend reading the whole thing.

And of course I also comment all this because God forbid I’ll keep silent… :P

Title: Jaimie Alexander On Set Interview THOR

Author: Steve Weintraub

Published: Dec 10, 2010

BEST BITS FROM THE INTERVIEW

ABOUT SIF AND THOR

Can you talk about, you know, Sif’s relationship in this movie with Thor (Chris Hemsworth), because they have a history in the comics—

Jaimie Alexander: Sure.

--but that aspect of it.

Jaimie Alexander: Um, the relationship between Thor and Sif in this movie is quite platonic. I mean, they’re good buddies, they’ve grown up with each other, they’re warriors, they fight side by side. We haven’t take it to the next level yet. I’m going to throw that in there. But yeah, she kind of thinks he’s a little bit pig-headed, but she loves him nevertheless, you know, she’s like that’s my buddy, I’ll do what I can for him. But she’ll definitely call him on his shit, which I like. Because it’s kind of how I am, with Chris.

You said yet. Did they give you any indication that in the future you would?

Jaimie Alexander: Um, I think that’s a strong possibility due to the comic books, but nothing has really been set in stone.

You and Natalie Portman (who plays Jane Foster), would you say Thor has a type?

Jaimie Alexander: I would say so, yeah. I uh, you know, it’s funny, I—yeah, the dark hair, the mole, the eyebrows, she’s like a miniature version of me. A more fit version of me. I haven’t yet. I actually met with her trainer yesterday to start doing a little bit of flexibility training with her and stuff, but it’ll be interesting. I’ve heard great things about her and she’s a talented girl, and I’ve heard that she’s a pleasure to be around, so.

ABOUT THE DIALOGUES

Can you talk about the dialogue? Does it have that sort of Shakespearian vibe that some of the old comics have, or is it more straightforward speak?

Jaimie Alexander: It’s kind of a cross between, I think. It’s not, you know, over the top Old English, like Lord of the Rings would be or something like that, but there is a very sophisticated air about the Asgardians[?], you know, in their dialogue, and—hold on. Okay. Um, and I’m doing an English accent in the movie. Yeah.

So everybody at Asgard has a British accent?

Jaimie Alexander: Uh, well, Anthony’s (Hopkins) kind of Welsh. But yeah, you know what I mean. On that side of the pond, yeah, pretty much.

ABOUT THE WARRIORS THREE AND LOKI

Can you explain the other characters that you’re here with today, kind of in your own words, just break them down?

Jaimie Alexander: Sure. We have Volstagg, who Ray Stevenson is playing, and he’s kind of a jolly good time-Um, Tadanobu Asano’s not with us today, but his double is here, and he plays Hogun, he’s Hogun the grim. Actually, Tadanobu’s really funny, but he doesn’t get to be in this part. Maybe a little bit. Um, and, I forget who else is in this thing. Josh. Who plays Fandral. He’s Fandral the dashing, and he’s been loads of fun to work with. And uh, you know, he’s definitely always schmoozing the ladies and that sort of thing. His character. He’s married, he doesn’t do that in real life. Uh, I should shut up. And then of course Loki, who is our hellion And he’s, and that’s actually Tom (Hiddleston) has actually helped me a lot with my accent, because he is the standard RP British accent on his own, so I’ve worked a lot with him to sort of match him and we kind of all match him in the movie.

Can you say what your character thinks of Loki before he becomes kind of an out and out villain? Like what’s kind of their relationship? Are they fond of him, do they not trust him?

Jaimie Alexander: I can say, just from—I will be good—from reading the comics, I kind of took it upon myself to sort of follow those storylines more. You know, he’s my buddy, I’ll fight alongside of him, but you know, he’s not as good of a fighter as me. Um, and that’s kind of the attitude I had with him sometimes. Um, but still, the six, the core six of them are very much friends, and it, I think, certain things that happen throughout the film are a little shocking to Sif.

MY TWO CENTS

I like how this interview describes Sif and Thor’s relation letting us know things we didn’t see in the movie, like how they grew up together or how Sif’s feelings for Thor aren’t quite yet of love but working on that direction. It’s kind of interesting also how she believes Thor has a type.

I found interesting how she believes there’s a very sophisticated air about the Asgardians in their language. As English is not my mother tongue this isn’t exactly easy to catch for me.

Honestly she didn’t really say anything new about the Warriors Three but I like how she took time to describe Sif’s relationship and view of Loki. It matches with what is said in “Thor: Heroes and villains” where Loki is listed as one of her companions, but it also hints at how Sif is not overly fond of him (Loki is weaker than her, she has an attitude with him...). It doesn’t quite cover why Sif and the others could turn so quickly against Loki but well, if we add to it that she’s clearly very close to Thor maybe it can explain why she decided to view him in an unfavourable light in favour of getting Thor back.

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onegayastronaut · 4 years ago

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Okay, so since this was asked, I will do a run down of Wonder Woman 1984 and how, in my opinion, it compares to the first movie that came out in 2017. In my opinion, both Patty Jenkins and Gal Gadot knocked it out of the park in the original movie, so I had high expectations as to what we’d see in this movie. This is going to be an extremely long post, so if you don’t want to read spoilers or anything, please stop here.

The opening scene is of young Diana in Themyscira where she wants to participate in an Olympics-like event with more experienced warriors. During her event, she finds a dirt chute that she slides through, thus creating a shortcut for herself. Once back in the main arena, she is prevented from completing the event by Antiope because she cheated and betrayed the spirit of the activity. This opening scene was very enjoyable to watch and set up a great tone for the rest of the movie.

Okay, next we are transported all the way to 1984 where there is a jewelry heist underway. Who jumps in to save the day? Wonder Woman of course. There is a fun little part where she saves a little girl, and this girl is in complete awe of what she’s seeing, right? The bad guys are tied up and thrown on the roof of a police car, Wonder Woman goes about her day. Also, a very fun scene to watch.

We are now introduced to Kristen Wiig’s character, Barbara. She is a clumsy, bumbling, intelligent person who is overlooked and underappreciated by everyone around her. After she drops her things, Diana strides in and helps her. Barbara, of course, tries to ask Diana out on a date, but does not succeed.

Now, here is where the script pretty much screeches to a halt and things start to get out of hand in a pretty confusing manner. Barbara tries to identify this rock, and it turns out that it grants wishes. And she wishes she could be like Diana! If this doesn’t give lesbian vibes, I don’t know what does.

Now, we never hear Diana explicitly say that she wishes Steve was still alive. It’s only at this party where some random guy approaches her and says the last thing Steve said to her in the first movie where we suddenly see “Steve” come back. He is in another person’s body, and I was extremely confused as to what the hell was going on (and it seems like I was not the only one).

From here on out, Barbara learns that wishing to be more like Diana comes with certain abilities, Max Lord is filling out his master plan, everyone comes to learn that having your wish fulfilled comes with consequences. The only highlights that I can see from the latter half of the movie was the White House fight scene and the final fight scene with Wonder Woman and Cheetah. There is a lot of clunky, and in my opinion, unnecessary dialogue that could have been cut out.

If you’re expecting a “moving” scene like the No Man’s Land scene from the first movie, don’t. The equivalent for this movie is Diana learning how to fly from her talk with Steve, but it’s nowhere near as emotionally powerful. There are some really fun action sequences, but there are also a lot of unnecessary things in this movie also.

All in all – was this a bad movie? No. Was this as good as the first movie? No. It’s somewhere in between. There were several plot points that were confusing (namely Steve’s storyline) until later on in the movie where I found myself going “Oh! So that’s what that was about earlier.” Is it worth watching? After all of this, I would still say yes. I’m even planning on watching it a second time now that I know what happens because I think I’ll enjoy it a lot more. With all of its faults, we get to see Diana be a possessive girlfriend when Max Lord is hitting on Barbara (see below), and there are some really nice action sequences in the mix. It is essentially 2 hours of Gal Gadot and her god-like beauty, and it’s worth watching for that alone.

#Wonder Woman #wonder woman 1984 #ww1984 #review #my thoughts #ww1984 spoilers

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has-gilgamesh-doneanythingwrong · 4 years ago

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SLEEPOVER☆CHAOS

In which my mastersona, Seihai-kun; joins Gudako and Mash for one heck of a fun sleepover!!!

Secrets and hidden emotions are finally exposed! ;)

(naw i just like sleepovers)

Cold, billowing gusts of snow rattled against the glistening window panes; as the mundane, clinically white halls of Chaldea sparkled like brand-new.

Yes.

For the first time in ages, Seihai had volunteered to assist with the cleaning!!

'Well, it was either to help with clean-up or join the servants for a session of group counselling with Kiara...' The mere idea of pouring their heart out to their fellow allies made a cold shiver run down Seihai's spine.

No way in hell did they want to let others know about their inner demons; especially not when he was also attending today's session. To Seihai, that was akin to a recipe for disaster.

And in addition to that, Kiara was eerily perceptive as a counsellor. It'd be IMPOSSIBLE to hide anything from her. Seihai had seen how even Gudako's cheery outer self faltered before Kiara's intelligent wiles.

'It's much more relaxing to clean the place instead.' Resting their vibrant red cornrows onto one of the latest prototype model of the Chaldea Speedmop 2000 (nightingale had an entire stock of them in order to keep chaldea as clean as possible), they sighed.

Life had been a real struggle as of late for Seihai. Lacerating wounds. Ferocious beasts. Storylines bursting at the seams with treachery and Machiavellianism. In other words, the missions were hell. It was tough- unbearable even- to carry on, to keep on pushing forward like Gudako, Mash, the Staff and Servants were; but deep down, Seihai knew that they had no choice but to follow ahead.

However, it grew. A festering, deep pool of regret; self-abasement and shame. Was it really alright for Seihai to be here? Weren't they just a nuisance? Were they even worthy? Did anybody at Chaldea even care about them, anyway? Who could they open up around?

As a horrendous deluge of negative self-talk smashed into Seihai with all the force of a tidal wave; encasing them within a moment of anxiety so painful that they felt as if they were about to drown- a miracle occurred.

'TAP TAP!!!!' Tapping them ferociously on the shoulder, Seihai leapt out of their very skin to face such an intrusive force. "H-HOLY SHIT WHAT THE FUCK- oh, Gudako."

"What do you mean by 'oh Gudako'?!! It's none other than me, Gudako; your beloved homie and most trusted ally!! I was looking for you. Kiara was disappointed that you couldn't make it to counselling today. Told me that she's happy to meet you one-on-one, if you got some extra time." Gudako all but winked, as her golden eyes glimmered mischievously.

'You little shit,' Seihai couldn't help but laugh at that. "Alright, I'll visit her tomorrow. How was the group therapy?"

"Oh, it was awesome! We all had a good laugh, shared our stories and gave each other some support." Gudako was more or less beaming with joy. "It's so nice here, in Chaldea. Everyone's so supportive of one another. There's no shame here, Seihai. I hope you know that."

"Haha, of course I do!" An itchy, aching laugh that was even faker than the fakest of plastics erupted from Seihai's throat. Well fuck, looks like their skills at faking had subsided greatly as of late.

'Oh shit...she's onto me..' Seihai recognized that expression clearly. Gudako's eyes were wide, almost brimming with tears, as her eyebrows arched incredulously.

That only meant one thing- she was finally onto Seihai's bullshit.

"Hey, Seihai. If something's up, tell me! You always listen to me ramble on and on about all of my feelings too. Let it out!" Gudako gives Seihai a friendly shake of the shoulders. "AH!!!!"

"Oh lord, Gudako. What's happened now?" Seihai guffawed softly at Gudako's vibrant pose. "You got a new idea? C'mon let it out!"

"Oi, you're the one who needs to let things out more!!! I am doing perfectly fine, thank you. Well anyway. Seihai?"

"Come with us. Join us on our sleepover tonight. Let's chat, just like old times. You, Mash and I. How does that sound?" Gudako's expression was apprehensive, linking her palms together. "I want to help. If that's okay with you..."

'SHIT, I'M WEAK TO SLEEPOVERS!!! DAMNIT!!' There was something so precious, so special about being privy to the personal thoughts and opinions of others; that Seihai was infinitely weak towards. And a sleepover with Mash and Gudako? Lucky!

Seihai instantly looped their ebony hands with Gudako's scarred palms. "Look, I'm going. You better bring some popcorn and snacks, or I'll drain your room of food, Gudako!" Seihai's joke brought a smile to Gudako's face immediately.

"Hell yeah! I'll see you at 10. You better not flake on me!"

Gudako was most certainly one of the most beloved homies around.

SLEEPOVER TIME!!! (yeet)

Decked in the most casual pyjamas and a pale gray dressing gown, Seihai trooped into Gudako's room with all the force of a warrior. It was time to commence battle!

'ONWARDS I GO!!! YOU'VE GOT THIS ME!!!' Seihai slammed into the door as bravely as they possibly could. 'YEAH BOI! I AM NOT NERVOUS, I AM WORTHY AND AWESOME! I am valid, I've got this!' With an entire array of self-affirmations tucked under their sleeves, they boldly seized their targets.

"Yahoo, beautiful ladies. It's me." Seihai posed languidly, as an excited Mash and ridiculously energetic Gudako ran up to her. "Wow, this is my first time here...nice room you've got, Gudako."

Gudako's room was filled with an array of posters, dvds, cds and technological gear; however neon lights also paraded the walls, giving it a very 'cyber beach party' feel.

"Oh damn, the finest one of them all has arrived." Gudako smirked, swaying from side to side. "I'm glad you came."

"Me too...Senpai was yammering on and on about how she wants you to join in with us more often," Mashu beamed softly, tucking her hands politely behind her back. "Thank you for making it here. Truly. I am very grateful for this."

At this, Seihai's eyes widened with shock. They were so used to being alone; and dealing with everything on their lonesome. So to see these two seem so joyful by their mere arrival came as a deep surprise to Seihai. 'Y-yo...I can't handle this...Shit.' It was time to clam up.

Awkwardly ruffling ruby red locks of hair, Seihai turned to the side. "Don't worry about it, I think you two are great people. So...what have you both got planned for today?"

"Well, senpai and I usually tend to enjoy a good romance movie..." Mash began.

"...And imagine ourselves in their situation as well." Gudako's grin was enormous, as Mash's cheeks flushed ever so slightly. "It's so much fun when we do that. Mash and I have very interesting viewpoints on romance. Hehe." Gudako's expression was wistful and warm, her eyes filled with affection.

'Damn, they've got it bad for one another...' Seihai blankly mused. 'Are they just close friends? Are they in love? Hell if I know,' They wondered.

"B-but, as you're here, we wanted to make things much more simulating for you as well. So we decided to choose a legendary movie..."

"... that's named SHREK." Gudako's face was extremely serious. "The movie that fucking destroys all other movies, because it is just that darn good. What do you say? Want some SHREK TIME??"

"Of course, Shrek is love AND life, after all." Grabbing a huge bowl of popcorn, Seihai sits to the right of Mash and Gudako. "How may times have you watched it?"

"I've genuinely lost count..." Gudako sighed. "How about you, Mash?"

"Only twice...I don't really understand the jokes and references made..." Mash hung her head dejectedly. "Sometimes I wonder if these movies are wasted on me."

"That's not true at all, Mash. I have all the time in the world to explain them to you. You won't be left out, alright?" Ruffling Mash's hair softly, Gudako smiled blissfully.

"Senpai...Thank you. In return, I shall explain all sorts of magecraft theories to you so that you can rise above all of the clock tower mages. I'll be cheering you on!"

"Aah, Mash; what have I done to deserve someone as good as you? C'mere." They were now snuggling closely together.

"Yep, Mash! You heard Gudako. This movie isn't wasted on you at all! All knowledge has to start from somewhere. You may be lost now, but you'll eventually possess enough referential knowledge to enjoy this soon. Be nicer to yourself, okay?" Ah, there it was. Seihai couldn't help but throw out some positive vibes. Worried that they had gone too far, they cringed- only to be met with wide smiles.

"You're so right, Seihai!" Gudako was now caressing Mash's hair. "Hehe, you always give such wise advice."

"Seihai, you're so kind...Thanks." Mash grinned.

"Ah, no problemo! Just didn't want to see you hurt yourself."

As Seihai quietly watched over the two's warm cuddling session, a slight pain twanged at their heartstrings.

In Chaldea, they had no connections as close as that. There was nobody like that for them, whose arms they could be held in; who they could bond with so closely. Nobody who they could cry with in the worst of times; nobody who they could while away the darkest phases of night with...nobody at all.

It had always been them, and them alone.

No matter how many people they connected to on a surface level; how many people they met and spoke to; who they relied upon and trusted within their lifetime- Seihai had never experienced a close bond with anyone.

For the first time in a while, the arid, bitter taste of jealousy clawed across their throat.

'Ah man, they're so cute. Kinda wish I could love and be loved like that too.' Seihai silently watched the movie besides them, as blue rays of light danced upon their face. 'Damn, now I'm mixed between feeling both happy and jealous for them. GUHHHH!!!'

Sometimes... being emotionally distant from others sucked.

But they couldn't let desperation consume them. Whenever they were desperate for friendship and love, they'd let the wrong people in, and would end up even more battered and bruised than before...

'I just gotta keep on being my own pillar of emotional support, no matter how desperate I am for some hugs.' Seihai sighed.

'If this is the price I have to pay to live honorably to my true self, than so be it.'

"So...Mash, Seihai. Let's share some secrets. Have any of you got somebody who you like? Fess up to your dear Gudako!!!"

What was once an extremely loud and rancorous viewing of Shrek (Seihai laughed throughout the entire thing, as Gudako cracked an inane amount of jokes) had now become none other than a GOSSIP SESSION.

'FUCK...' Seihai's face paled at this. Of all the topics to discuss, why did it have to be this??? Whilst Seihai's face was creased up with pure pain and terror, Mash was blushing like a cute tomato.

"W-well senpai, I...You see, I..." Gudako was leaning in so closely towards Mash that she was bordering on pinning her to the wall.

"Hmm, what? What is it, Mash?" Her voice was a husky whisper. "C'mon, tell me who..."

'Bruh. GUDAKO!!! That's not helping at all.' Seihai wanted to facepalm at their antics. 'They really are this dense to each other's feelings, huh.' It was adorable, yet somewhat amusing to watch as well.

"A-AH! I GIVE, I GIVE!!" Pushing Gudako to the side, Mash panted in agony. "S-SEIHAI! WHO DO YOU LIKE??"

"OI, DON'T THROW ME UNDER THE BUS LIKE THAT! WHAT THE HELL!!!" Seihai couldn't help but yell, as a dastardly cold wind dashed through their spinal cord. "Fuck, well okay, there is somebody I like, but..."

"Spear."

'Shit...' Seihai's eyes were as large as saucers, as they spun in Gudako's direction; her smirk pernicious.

Did Gudako KNOW?!

"Looks like Seihai's in a spear of trouble." Gudako winked proudly at them. "Mash, save Seihai the embarrassment. We all know who they like already!"

"T-that's true..." Mash had finally calmed down, much to Seihai's own chagrin. "Yes, we do know."

"How? I mean, should I be worried by this??? How many of you know??" Seihai's arms pooled with cold sweat. "Damn you!"

"More or less the entirety of Chaldea?" Gudako admitted, chowing nonchalantly on a massive pocky stick. "You're not very good at hiding your emotions, you know. Seihai, we in Chaldea understand you much more than you may realize. You can open up a little more, you know?"

Overwhelmed by this, Seihai snaps for the very first time- their hazel eyes burning with repressed rage. "How can you say that, damnit?! How can you understand me, when I mainly hang out alone; when I can barely connect with anybody in Chaldea; when I don't even fucking belong in this damned place??? How can you say that, when I have a fucking useless one sided affection that I've been trying to hide, but everybody now knows of??? How can you say that Gudako??? You don't know shit about me, nor my feelings!!"

At this outburst, both Gudako and Mash's faces soured. Roughly gripping Seihai with her war-torn hands, Gudako shakes them by the shoulders, her golden eyes burning with passion.

"You don't think I see it, Seihai? How you fucking pour out all of your feelings by accident, only to withdraw back into yourself again? How you look longingly over at Mash and I, craving a bond of your own? How you reluctantly look over towards staff and servants, aching to talk to them but not knowing what to do? You don't think I see you crying, see your eyes fill with affection for a certain someone every now and then; that I don't pay attention to your feelings?!! I CARE FOR YOU, FOR FUCK'S SAKE!!! WE'RE FRIENDS, AREN'T WE?!!!"

"S-senpai, stop! Seihai, I'm so sorry, Gudako just gets a bit...well, passionate sometimes." Mash manages to successfully pull Gudako back. "Err, Seihai?"

Tears. A flowing river of tears dropped from Seihai's eyes as they sobbed quietly into their palms.

Gudako cared?

Somebody actually did acknowledge their emotions, and actually looked out for them?

'What, what...It can't be...But I thought that only I could care for myself and understand my emotions that well...How could she?' Before Seihai could even look up, Gudako had wrapped them within a fierce hug.

"Seihai. Look, I don't know what's happened in your past, or what's convinced you to be your sole caretaker and self-support system without letting anybody else in." Gudako ruffles their hair. "But I want you to know, that you're NOT alone. Yeah, maybe you've not found your close homies yet. But Mash and I are happy to hear you out, we all are!! Even the person you like sees you as a friend, hehe. You don't have to worry about hiding yourself behind a mask of peerless positivity and self confidence anymore."

"Gudako..."

"You know, you were there for me when I was crying about having to be strong. And you know, I struggled to open up as well. But yeah, Mash...well she came along, and now I feel so much better! Look, I just want you to not beat yourself up for this. It's okay."

"Gudako, you're gonna make me cry. Damn, you're really hitting me in the feels today. I got a real case of the 'crying in the club at 3am vibes' right now."

"Oi, no making shitty jokes to cope. Here, we show our vulnerability like real warriors!" Gudako declared triumphantly, as Mash laughs.

"Gudako, I swear...you really are a wonderful homie. I'm sorry that I tried to hide away from you...I am so grateful that you care enough to seek me out like this. Thank you."

"H-HOLY SHIT, WE CRACKED OPEN THE COLD ONE. MASH TAKE A PHOTO!"

"Senpai, please stop the joking."

"S-sorry..."

"I'm glad," Mash also sat by Seihai's side. "I just want all of us to be happy. And Seihai, I am sure there are many wonderful beings out there that you may eventually grow close to! You already believe in yourself, which is a great start! I know you won't have to be so lonely anymore!" Lacing her palms together, Mash spoke a prayer. "I wish that someday, you will meet people too. And that you'll stop fighting alone."

"Mash, you're gonna make me explode with tears. You're being so nice right now that I'm going to cry." Seihai blushed.

"You heard her, Mash! Why are you so damn cute, I'm falling in love!!" Gudako was clutching her heart dramatically. "Ahhh....Mash is such a beauty!!! Thank you, for blessing me with such a wonderful person!"

"S-SENPAI!!! STOP!!!" As the two began to pillow fight, laughing all the while; Seihai smiled softly at them both.

'So I'm not fighting alone after all...I'm not the only person who values myself in this world anymore...' Seihai could finally put down the weapons that they had grown so used to aggressively defending themselves with.

From now on, they'd do their best to trust in Chaldea more. And maybe attend group therapy from now on, as well.

'So this is how it feels to open up to people.'

It was an unforgettable sensation.

THE END

holy smokes this is so fucking LONG

#my writing #fgo #fate series #mastersona #gudako #mash kyrielight #its 2868 words LMAO #mashu potato #ok i love mash and gudako. and i thought 'let me throw my mastersona at them and see what shit happens' welp it was much more chaotic #gilgablog

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tronrpg · 4 years ago

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what are Sirens?

what are Sirens? we just don't know.

but i'm getting ahead of myself.

To my knowledge, there has never been an officially-released Tron pen-and-paper RPG. There certainly would have been a market for it around the original film's release, had it done better at the box office. And assuredly there have been dozens of homebrew splats and rulesets shared between fans and friends over the years. The Fract, in an ideal world, would eventually be a complete RPG system, enough to fill up a corebook and run a game. But in thinking about worldbuilding, I've run into a storytelling problem that, if not unique to the world of Tron, is certainly still a sore-thumb kind of issue.

Tron--that is to say the OG 1982 Grid, the New Grid, and whatever metatextual setting that the Fract takes place in--is neither science fiction nor science fantasy. For those who aren't clear on the delineation between the two, the plainest I can describe it is to say that "Star Trek" is (generally) science fiction, and "Star Wars" is (generally) science fantasy. Science fiction is nominally supposed to adhere to scientific rules or at least bend them to a reasonable degree in order to tell a story. Science Fantasy bends and breaks those rules, sometimes with impunity, because space wizards waving laser swords around speaks for itself.

The setting of Tron, taking place as it does outside the Grid, is a simulacra of a modern-day "real world" as we know it, with science and computers behaving the way we know they normally do. Except for in the Grid itself. We have to assume that both the Old and New Grids were special in some way, or at the very least that Grid-like systems with sentient programs are few and far between; because computer systems and programs as we know them do not behave like they do on either Grid. If they did, why would Flynn have bothered to create a new one if there are Grids within every computer in the world?

And that's where the science fiction of Tron falls down. Stephen Lisberger and Bonnie MacBird were not computer experts, and they wrote the original screenplay during a time when computers were widely known but not widely understood, particularly by the common person. They can be forgiven for leaning hard on the fantasy and spirituality elements that make Tron a work of more consequence than oh, say, Computer Warriors. But by the time Legacy was released, the world was a very different place, and the ubiquity of computers and technology meant that the average person had a basic knowledge of how a computer works and what it can do; and the OG Grid does not fall into those parameters. So it's hard to say that Tron is strictly science fiction, where rules have meanings, or science fantasy where rules are up for grabs, because each of us carry around a real-world analogue to the Grid in our pockets all day and by now we are all pretty sure that Google Chrome does not, in a metaphorical or spiritual sense, fight for us.

(This, incidentally, is where I feel Legacy did the right thing by having Flynn starting from almost-scratch with the New Grid instead of attempting to apply real-world IT logic to the Grid like Tron 2.0. Divorcing the fiction from things like emails and spreadsheets allowed Legacy to retain some of the spirituality and potential of 1982; and inasmuch as Tron 2.0 is a great game that I intend to revisit soon, I find the "real computer" stuff to be kinda cringey.)

And here's where we come around to Sirens, finally. What the hell are they? Aside from being conventionally-attractive female-coded Programs in white vinyl outfits who appear to have largely representational or ritualistic roles in the New Grid, it's not entirely clear what they do or what separates them from a garden-variety Program. We see Gem and the three other Sirens in Legacy, there are a handful of Sirens in Uprising, including Lux, who appears to have been a...battle Siren? Maybe?

When it comes to putting together an RPG, you have to lean on rules. You have to nail things down and say, outside of GM fiat, a dice roll does that and a stat means this and an attack is performed thusly. So in thinking about squishing the world of Tron into an RPG format, which unlike most video games does not contain a single linear storyline; you have to think about making the world digestible and processable by squaring the edges and making definitions. You want the players and the GM to be able to exercise the vastness of their imaginations, but you want to set the parameters of the playing field, or else why have a themed RPG at all?

That's where I started thinking about how Tron's mish-mash of science fiction/fantasy elements make it a unique challenge to format as an RPG setting. Would it be better to emphasize the fantasy theming, or would players prefer a more grounded approach with real-world computer elements? Is it possible to have a balanced approach? How do you color in the missing information about how the Grid and Programs work, the stuff that the original works never really explained? Just what the HELL are Sirens anyway? Is there some sort of unspoken caste system in the Grid? Are there male-presenting Sirens? Can they suit up and play in the Games? Can they all do that synchronized-walking-backwards thing? Do Sirens just show up when Programs are about to compete at something? Why so much eyeshadow? Why does it rain in the Grid? Why did Flynn serve Sam and Quorra a roast suckling pig? Why does Clu 2.0 look more like Lord Farquahd than Jeff Bridges? WHAT HAPPENED TO RAM? IS HE PART OF THE JUNKY RECOGNIZER NOW OR DID HE TURN INTO THE BIT OR WHAT? KEVIN FLYNN, WHERE ARE YOU NOW?

...okay, got that out of my system, thanks for bearing with me. The point is that there are a lot of fill-in-the-blanks when it comes to worldbuilding lore in the Tron universe, and that may be by design. I love Star Wars, but the industry that has been built up over the last 40+ years to make sure every puppet, alien and CGI blob with a nanosecond of screen time has a full backstory and Wookieepedia entry, I find, largely detracts from the magic of the original movies. Not having everything explained adds to Tron's lasting allure. On the other hand, it makes a project like the Fract a product of guesswork and blue-skying.

So let's say I was creating a Tron RPG, like you do. And I wanted to make Sirens a playable class (which I intend to). Based on the information given to us by the canon, which isn't much; I'd say that Sirens are, first and foremost, specialists. They have specific skills that they hone and adhere to and do not deviate from to take on other roles, which makes them in-demand as bodyguards or enforcers but their specialization limits a players' build choices. They are also largely recognized in the Grid as having ritualistic or shamanistic public roles, perhaps representing the link between Programs and Users. (Maybe Dumont was a Siren 1.0. He could have had on a white vinyl singlet under that getup, who knows?) Maybe they're like priestesses or shrine maidens, maybe they take vows like nuns. This might make them like Monks in D&D.

You see how narrowing the possibilities of what Sirens are in order to fit them into an RPG character class box also reduces their potential in canon--but of course canon's not being contradicted here; this is a fan work and is not intended to overwrite the creative work of others. I just hope that if it ever gets completed, it plays enough like the work that inspired it, so that other fans can get the same rush of imagining what it's like to be on the Grid.

#tron #tron 1982 #tronblr #tron lives #tron legacy #rpg #flynn lives #worldbuilding

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artemis-maia · 4 years ago

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Why I think Hamuko‘s Persona should have been Psyche

I have always thought that it was a waste to also give Hamuko Orpheus since Psyche would have arguably been a better match for her in every regard. In fact there are some story aspects that match Psyche‘s story a lot. I will mention these story parts over the course of the article.

I also think that giving Psyche to Metis was wrong since nothing in her storyline fits Psyche in the slightest.

First of Psyche is a human princess which is emphasized over and over.

In Aigis‘ case her being a robot makes sense since Athena was born fully armored from Zeus’ head and she is the goddess of strategic warfare (which means that it is her job to finds a way to cause the most damage/deaths unlike Ares who just represents normally clashing armies).

Even Labrys makes sense as non human since Ariadne is not 100% human since her father Minos is a son of Zeus and her mother Pasiphaë is a daughter of Helios. Also the name Labrys refers to the labrys axt from Minoan culture from Crete (labrys and labyrinth are also said to be related words).

Metis’ name is fine since it is the name of Athena‘s mother. But her storyline is actually like a retelling of Athena‘s friend Pallas not of Psyche.

Both Athena and Pallas are warriors raised as sisters, Athena accidentally kills Pallas in a sparring match and out of mourning names herself Pallas Athena. This fits Aigis‘ guilt feelings and her taking over the protagonist‘s place in the Answer.

Giving Metis Pallas as a Persona would fit Aigis‘ Athena theme totally (the name Aigis/Aegis named after Athena’s shield, Palladion the wooden statue of Athena, Athena as a Persona herself) and also explains why Metis looks like another warrior robot since Pallas fought like Athena.

Now why I think that Hamuko should have gotten Psyche:

Hamuko‘s entire premise is the butterfly effect thus Psyche‘s butterfly depiction and her connection to the soul would fit a lot.

Psyche is a human princess who secretly feels very lonely since people just worship her as a new Venus however there is no one who actually tries to approach her or marry her.

This reminds me of Hamuko‘s Stepford smile. A lot of Ryoji’s fortune link actually shows you that a lot of her previous behavior was a facade.

Anyway when Venus gets angry that Psyche is worshipped she sends Eros/Cupid to torture Psyche. However he accidentally falls in love with Psyche and defies his mother to make Psyche his. Psyche‘s father after an oracle says that Psyche gets married to a monster let Psyche become the wife of said monster (actually Eros/Cupid).

Psyche thus ends up in a relationship with Cupid similar to Beauty and the Beast. He interacts with her and her only at night.

Seeing Pharos/Ryoji as the stand-in for Cupid would actually be pretty fitting in my opinion since Ryoji not only is not human, in the Fortune s-link you sympathize with him despite him being an antagonist (Maki was a grey character, Jun had a redemption arc however Ryoji despite having no evilness in his heart is unfortunately on the wrong side the entire time).

Eros/Cupid and Thanatos actually do have a lot in common. Both are often depicted with wings sometimes their statues look so similar that they are called Eros-Thanatos since it can‘t be said who it depicts.

Also both Eros/Cupid and Thanatos also are sometimes depicted as children (Pharos can be the stand-in).

In early depictions Eros‘ mother wasn‘t Aphrodite/Venus or even Penia (goddess of poverty), it was Nyx who laid an egg. Sometimes Eros is also said to have emerged shortly after Chaos similar to how Ryoji virtually appears from nothingness.

Also Ryoji‘s brief stint in his s-link can be seen as similar to Eros‘ brief adventure in company of a human.

Eros-Thanatos would also emphasize the teaching of Freud about the Eros and Thanatos urges. I always got a really Freudian and Jungian atmosphere from Ryoji‘s s-link since it is full of tropes and very fairy tale like.

In Thanatos‘ profile his connection to butterflies (soul symbol) which he sometimes holds in his hand is also mentioned. Cupid is also often depicted holding butterflies.

Anyway when the relationship reaches the climax there is this interesting option:

To kill the ‚monster‘.

Psyche is urged by her sisters to get rid of the ‚monster‘ Eros/Cupid.

Hamuko has the option to kill Ryoji when the December 31 decision approaches.

Both decide against it and the antagonist already means too much for them.

Both Cupid/Eros and Ryoji leave right this confrontation.

Psyche then has to fulfill several tasks one of them is to go to Tartarus. Thus Hamuko if she would have had Psyche would have even had a Persona that has a Katabasis/goes to the Underworld story.

The most interesting part though is this:

Psyche after opening the jar she received from Proserpina/Persephone falls into a death like slumber. After this Zeus allows her and Cupid to be united after she drinks ambrosia and is no mere mortal anymore she is now a deity.

This description of death sounds even way more matching to the ending death scene than how Orpheus dies in myth. Orpheus is sometimes depicted as returning as a prophet like figure (Orphic mysteries) however his final death description is not softly falling asleep, it’s violent since Dionysus worshippers tear him apart.

They did ponder which gender the P3 protagonist should have early on or whether they should add an option like in if... which is why they later returned to a FEMC in P3P.

Maybe they did play with the thought of giving Psyche to a FEMC early on and later just gave Psyche to Metis since they didn’t really give any thoughts about what else they could give her.

I would have liked Orpheus for MC, Psyche for FEMC since both Orpheus and Psyche have a Katabasis and that Metis gets the actually fitting Pallas.

Cupid and Psyche is also sometimes dubbed ,forbidden love‘ which matches Ryoji‘s s-link being star-crossed (RomeoxJuliet, TristanxIsolde, PyramusxThisbe, HeroxLeander style). Also the divine date trope and Did you just romance Cthulhu trope Ryoji’s s-link has would match a lot as well.

Another interesting aspect is that I sometimes see discussions regarding the extent of how much Ryoji manipulates Hamuko into a relationship:

Cupid and Psyche is often examined regarding Stockholm Syndrom and also Greco-Roman rape myth stories.

While I see Ryoji unlike Eros/Cupid as innocent since he has amnesia there is a power difference between him and Hamuko due to being different specimen.

It was actually interesting to see how such a power difference story would actually play out in a s-link.

If you wanna see a CupidxPsyche or Beauty and the Beast like movie that does depict a similar power dynamic I can recommend the Russian movie Dragon Love is a scary tale. I watched it on amazon prime and didn‘t expect much at first but it ended up being a good depiction of the trope.

As I have mentioned I like how trope like and fairy tale like Ryoji‘s character turned out.

I even sometimes see Ryoji as a bit of an Aladdin-like character (his Ryoji disguise basically being kinda like Prince Ali from Ababwa).

Even some of the lines in his link remind me of the Aladdin movies XD.

#p3p #hamuko #ryoji mochizuki

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ab-ventures-in-odyssey · 4 years ago

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OK OK HERES A POST WITH MUSIC THAT REMINDS ME OF RICHARD (and also my selfshipping with him) THAT NO ONE ASKED FOR EVER IN THEIR LIVES TADAAA!

I find it funny how they’re almost all fire themed

An “oldie” but a goodie

Some of my favourite lyrics

“Rumors spread like wildfire, I held a strong ground...

But I've been burning down, cause it's like fire is all I hear about and we are fading out...

Don't wanna turn out the light”

AND

“Secrets in a small town, they always get around, but the flame has been put out...

And I am hearing all the small talk, they whisper as I walk, in a house that's bordered up...

So good luck”

This is the acoustic version but it’s still so nice!

Some of my favourite lyrics

“There was a little boy, too different to belong, too lonely to be strong (on fire, on fire, oh)...

Laying on the ground, he said that fallin' down, It wouldn't make a sound (on fire, on fire, oh)”

AND

“I'm burnin' I'm on fire, here I am, inside the flames...

I don't care anymore, don't need your oxygen, I'm burning in a new way...

Here I am taming the flames, not afraid anymore, strong like a warrior”

Really dramatic sounding, not as relatable tho

Some of my favourite lyrics

“My mother said I'm too romantic, She said ‘you're dancing in the movies...’

I almost started to believe her, then I saw you and I knew...

Maybe it's 'cause I got a little bit older, maybe it's all that I've been through...

I'd like to think it's how you lean on my shoulder, and how I see myself with you...”

AND

“Fire on fire would normally kill us, but with this much desire, together we're winners...

They say that we're out of control and some say we're sinners, but don't let them ruin our beautiful rhythms...”

AND FINALLY, THIS is the first song I heard which really reminded me of Richard and one of the possible “storylines” of our “relationship”

Some of my favourite lyrics

“I had a dream about a burning house, you were stuck inside, I couldn't get you out...

I lay beside you and pulled you close and the two of us went up in smoke...”

AND

“I've been sleepwalking too close to the fire,

but it's the only place that I can hold you tight,

in this burning house...��

AND ALSO

“I see you at a party and you look the same, I could take you back but people don't really change...

Wish that we could go back in time, and I'd be the one you thought you'd find...”

The end 😂

#abbyspeaks #adventure in odyssey #aio #Richard Maxwell #Richard #audio #music

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aion-rsa · 4 years ago

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Mortal Kombat: 15 Most Powerful Characters

https://ift.tt/2RLKtZ8

At the end of the day, Mortal Kombat is about a bunch of characters beating the crap out of each other for supremacy. Sure, they toss in stories about tournaments to protect Earth and wars against invading realms, but it all boils down to martial artists brutally punching the hell out of each other until one explodes into a pile of viscera and five ribcages.

Being a fighting game, you expect all the fighters to be on the same level. Even forgettable losers like Hsu Hao and Kai should stand a chance against gods and otherworldly overlords. A nigh-invincible megalomaniac villain can lose to one of their bumbling underlings just as easily as they can lose to the game’s main hero. At least, that’s ideally how fighting games should be balanced.

Storywise, it’s different. Certain characters are straight-up in their own leagues compared to others. Does Jarek really stand a chance against Shinnok? Would Li Mei last five seconds against Blaze? Does Kobra have what it takes to take down Raiden? Not on paper, no.

So here’s a list of the top 15 most powerful characters in the Mortal Kombat series. With this list, there are two main rules:

1) I’m going with the characters at their most powerful, not how powerful they are most of the time.

2) I’m going with the canon storyline. Otherwise, the list would just be made up of Mortal Kombat: Armageddon endings. No DC Universe crossover stuff and no guest characters in general. Sorry, Spawn.

Now let’s see who has the most juice in all the realms.

15. GERAS

This guy is so frightening that his power is more of a curse than a blessing. Geras has near endless experience, having lived through countless timelines over and over again, and is skilled enough to fight off Liu Kang and Kung Lao at the same time. He is also be completely unkillable, as his mastery over time reversal will undo whatever wounds befall him. Granted, Shao Kahn beat him into a blob of red pulp and Geras hasn’t been heard from since, but I’m sure he’ll be back to his old self soon enough.

The rough truth regarding Geras is that being unkillable doesn’t mean he’s unstoppable. In the initial Mortal Kombat 11 timeline, Raiden knocked Geras into an endless ocean of blood in which where Geras was doomed to sink for eternity. Yeah, I’ll be fine over here with my mortality.

14. SINDEL

In the early days, Sindel didn’t seem so tough. She was just a plot device in desperate need of pants. Then Mortal Kombat 9 happened and we got that scene where Shao Kahn empowered her with Shang Tsung’s soul and set her loose. Suddenly, Sindel turned into an Edenian John Cena and cut through most of the heroes like a hot knife through butter. Sub-Zero, Jax, Smoke, Kabal, Stryker, Jade, and Kitana all died by her hand in mere moments while Nightwolf had to sacrifice himself to take her off the board.

This is why Shang Tsung aimed to resurrect her in Mortal Kombat 11: Aftermath. Who else was going to help him get past Cetrion? And while Sindel did win one-on-one against Cetrion, the scene itself looked more like she stunned Cetrion enough for Fujin and Shang Tsung to capitalize and put her on the shelf. Had they not been there, I feel like Sindel would have eventually been overwhelmed. At least, that’s my interpretation.

13. CETRION

Cetrion is Mother Nature. That alone tells you what you need to know. Shinnok’s virtuous (yet still kind of evil) sister would be considered his equal if only she had a final form like him. Regardless, Cetrion is such a threat that Jax and Jacqui Briggs can only stand up to her for a limited time by wearing Kronika’s crown at a detriment to their own health. She also wiped out the rest of the Elder Gods, although that happened completely off-screen.

12. SHINNOK

Here we have Mortal Kombat’s version of Satan. Shao Kahn would later talk shit about Shinnok’s fighting skills, but he’s an Elder God and rules this reality’s version of Hell. He’s an absolute heavy hitter.

He also looks like a total dork when he’s in his base form, but thankfully his Corrupted Shinnok form makes up for that. Corrupted Shinnok is no joke, especially in Mortal Kombat Mythologies: Sub-Zero, where you’re better off cheesing it back to Earthrealm than fighting him head-on.

11. RAIDEN

Raiden was the guy so jacked up that they had to make up a reason for why he couldn’t take part in the first couple games’ tournaments. He was just there to give advice and moral support. What else would you expect from a god among men? He also thwarted Shinnok back in the day to save Earthrealm, meaning he was already a major piece of work by the start of the first game.

Raiden’s apex form is triggered whenever he wields Shinnok’s amulet. It doesn’t make him unbeatable, but it does put an extra pep in his step. The drawback is that it turns his eyes red and he becomes a total dick. Still a step up from him constantly tripping over his own feet on his way to consult the Elder Gods.

10. CASSIE CAGE

Cassie’s is one of the most powerful Mortal Kombat characters but there’s an asterisk. Seemingly more competent and driven than her father, Cassie is so skilled at using her green glow to the point that she was able to defeat Corrupted Shinnok. That’s because the Cage bloodline was bred and trained for the sole purpose of creating mortals who could slay gods. Her DNA is like kryptonite to the likes of Shinnok.

She does have some other impressive wins, like taking down revenant versions of Sindel and Liu Kang. Her Mortal Kombat X ending (which isn’t explicitly canon, but I have no reason to think it isn’t) has her kill Shujinko. Many fans consider that to be a bit on the bullshit side, but this Shujinko would have been 20 years older than the one from the previous continuity and wouldn’t have been powered up by the events of Mortal Kombat: Deception, so it’s not a big stretch (or a big enough deal) that Cassie could take out a martial artist Mr. Burns.

9. QUAN CHI

This sorcerer doesn’t have the raw power of the other main villains, and he gets completely clowned in Mortal Kombat X, but he is smart and sneaky enough to get what he wants most of the time. While overshadowed by Onaga, you also can’t forget that in the conclusion of Mortal Kombat: Deadly Alliance, Quan Chi and Shang Tsung took down a handful of Earthrealm’s strongest warriors, defeated Raiden, then turned on each other with Quan claiming ultimate victory.

Various endings show that while he is working under Shinnok, he has the means to overthrow him if need be. This is especially apparent in Mortal Kombat 9, where Quan Chi has the rights to use necromancy on all of those slain during Shao Kahn’s invasion. He has a whole army of revenants at his disposal, and there are some serious heavy hitters mixed in there.

8. ONAGA

The Dragon King’s introduction came with so much hype that you could almost hear the other characters soil themselves in unison when he stomped onto the scene. On his own, Onaga was a wrecking machine, but in Mortal Kombat: Deception, he had the Kamidogu pieces, which made him completely unstoppable. Unstoppable enough that he shrugged off attacks from the united forces of Raiden, Shang Tsung, and Quan Chi. Add to that his ability to resurrect the dead and mind-control them and you had the ultimate threat.

EXCEPT…those Kamidogu pieces weren’t exactly unbreakable. I don’t know how hard those things are supposed to be, but in-game they would shatter just by walking into them. Either way, Shujinko was able to shatter them all himself and that depleted Onaga’s power enough to to end him. Being a reptilian juggernaut means only so much when you have such an overt off switch.

7. SHUJINKO

The most gullible hero of the Mortal Kombat franchise spent his entire life questing and fighting for what ended up being Onaga’s resurrection. In return, Onaga blessed him with Taskmaster powers. Shujinko can copy fighting styles from other warriors and has been doing so for decades.

That ended up being Onaga’s undoing, as Shujinko absorbed the abilities and fighting skills of just about every playable character in Mortal Kombat: Deception. After shattering the Kamidogu artifacts and removing Onaga’s invulnerability, Shujinko had no problem thrashing him. While experience was his ultimate weapon, the only thing really weighing him down was his aging and human mortality.

6. BLAZE

Blaze, by design, is a top tier beast. He’s the final boss in Mortal Kombat: Armageddon, a game that brings back every Mortal Kombat character in one massive roster. When guys like Onaga and Goro are playable and they’re working their way up to take on Blaze, it really says something about what this guy’s about. Not to mention he’s the catalyst for ultimate power, turning whoever can slay him into an enhanced, godly version of his or herself.

Games

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While it seemed at first that new hero character Taven would be the one to end Blaze, Taven was instead slayed and the real winner was Shao Kahn. Unfortunately, this is where things get a little hairy because we don’t know if Kahn would have truly been able to defeat Blaze one-on-one or if, say, Taven wounded Blaze and Kahn took advantage. Either way, it looks like Blaze straight-up took the L and wasn’t the be-all/end-all after all.

5. SHAO KAHN

Shao Kahn has always been the go-to villain of Mortal Kombat, and as the recurring villain, he’s taken his lumps. He’s suffered defeats at the hands of Liu Kang, Raiden, and Kitana. When he took over Outworld, he killed Onaga by poisoning him because battle was too risky. So yes, Base Shao Kahn may be tougher than most, but he’s not invincible.

But then you have Mortal Kombat: Armageddon, which was Kahn’s real showcase. After dominating the free-for-all, Kahn was grabbed and taken away by Onaga. As foreboding as that would seem for Kahn, he not only bounded back from that, but he also ended up being the last man standing after slaying Blaze. That enhanced Shao Kahn’s strength even more and turned him into a multiversal threat, thwarted only because of Raiden’s desperate use of time travel.

4. KRONIKA

After years of telling us that Elder Gods were the ultimate beings, NetherRealm decided to reveal another tier of beings called Titans who rank even higher. So far we only know Kronika, the Keeper of Time, who is so overpowered that nearly everyone on the roster should have absolutely zero shot against her. She controls time like it’s nothing. Overcoming that isn’t like dodging a fireball.

Thankfully, Kronika has one major weakness: while she can rewrite history, she can’t omit the gods. She can’t create a world without Raiden. Raiden still can’t beat her one-on-one, but it’s through that loophole that Kronika ultimately meets her downfall.

2. LIU KANG (TIE)

The series’ initial protagonist was always fighting above his weight class. He spent the first four games taking down Goro, Shang Tsung, Shao Kahn, and Shinnok. His canon deaths came in the form of an ambush perpetrated by Shang Tsung and Quan Chi, and later an accidental frying from Raiden’s hand. In fact, he spent multiple continuities clashing with Raiden.

That was nothing compared to what he became at the end of Mortal Kombat 11. Two Liu Kangs from different parts of history merged together into one being, with Raiden handing over his godly power, giving us an incarnation of Liu Kang that was not only a god but had control over both electricity and fire. This was the upgrade needed to destroy Kronika and put Liu Kang in control of time itself.

2. SHANG TSUNG (TIE)

As it turned out, Fire God Liu Kang wasn’t equipped to wield Kronika’s magical hourglass for long without her crown, or else time would eventually collapse. Shang Tsung popped in to explain all this, making it clear that he was reality’s only choice. Liu Kang and Fujin realized that they had to give into Shang’s obvious trickery to save everyone.

By the end of his adventure, Shang Tsung had re-killed Kronika and wore her crown while empowered by the souls of Kronika, Raiden, Fujin, Shao Kahn, and Sindel.

Then Fire God Liu Kang popped in to take over. The two rivals faced off and the player was given the choice of which character they wanted to play as. As it is right now, we don’t know who won the epic battle in official canon, so consider Liu Kang and Shang Tsung to be tied until further notice.

1. THE ONE BEING

The most powerful being in Mortal Kombat is not playable in any of the games, nor has it appeared as a boss. In fact, the One Being is presumably too powerful to be portrayed in humanoid form at all. It’s the Galactus of the Mortal Kombat universe, though honestly even more threatening.

The One Being existed at the beginning of time, along with the Elder Gods, and initially fed off of them. The Elder Gods struck back and were able to break the One Being apart into the various realms. If the realms were to be merged back together, it would awaken the One Being once more and destroy all of existence. Despite their desire to be top dog, guys like Shao Kahn, Onaga, Shinnok, and Shang Tsung are unknowingly being influenced by this ominous force.

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The post Mortal Kombat: 15 Most Powerful Characters appeared first on Den of Geek.

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noxstellacaelum · 5 years ago

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No, it’s not just because the guy is hot ... and other BS about a female fan base (Looking at you Veronica Mars and Shadowhunters)

So, I suck at Tumblr. I changed my name and suddenly all of my links are broken. A friend asked me to repost this when she could not find it, so apologies for round 2.

I wrote recently about how filtering female characters through the male gaze can cause a project’s “center of gravity” to shift away from the agency and autonomy of female characters. This is how we end up w/ stories where women are there (narratively) to be pretty arm candy, or objects of sexual desire, or romantic partners (half a ship) vs characters who shape their own romantic and life choices. This is how we get female characters subjected to endless, pointless pain and trauma — usually sexual assault/ rape narratives (GoT, Veronica Mars). Or female characters who sacrifice endlessly and forgive every transgression, so that a man can be redeemed/ understood/ forgiven. (Why else would Buffy forgive Spike?) As I said, I don’t think every silly, guilty pleasure TV show or movie has to be a feminist icon story. Men can tell good stories about women. And give me flawed, complicated, nuanced characters and relationships any and every day of the week. I prefer truthful storytelling, not a kind of hagiography w/a side of feminism for my female characters.

Still, I had to just shake my head — after gagging on my coffee — when I saw the recent TV Line article quoting a senior executive at HULU as saying that the negative reaction to the ending of S4 Veronica Mars was A-O-K b/c it was a testament to how much people love the show. And, that the end was all part of RT’s super-well-thought-grand-plan to make VM into a noir detective show where Veronica solves random mysteries in random places and has no friends, no family, no relationships — having been an asshole to everyone in S4. Never mind S4 Veronica’s questionable detective skills, as evidenced by her failure to figure out who was behind the bombings until it was too late. Yeah. Whatever.

Of course, I didn’t stop at the article. I had to look at the comments. The official RT fanboy line appears to be that people who hated the ending are basically weak, stupid (heterosexual, I guess) girls who are upset that we won’t get to look at Jason D’s abs anymore. Apparently, we just don’t understand RT’s art and vision. Sad, really.

And so it goes. Once again, female fans are reduced to unthinking, stupid, crying hordes upset when we don’t get our happily-ever-after.

This is such complete and total bullshit. I hated all of S4 Veronica. VM in S4 is an unrecognizable asshole. She mocks Logan for seeking help for his PTSD. She misses or ignores her dad’s health crisis. She’s casually racist. She randomly uses drugs w/ strangers. She’s terrible to her friends (Weevil). And she’s the worst detective ever. Killing Logan off as some kind of suffer porn for VM was just one more piece of the shitty story telling that was S4. Especially since there was zero narrative explanation of how or why smart, gritty teenager Veronica fell into the abyss of self-loathing, self-absorption and cruelty that defines her in S4.

To my mind, though, the mansplaining from HULU, RT and crew is one of many examples of how Hollywood dismisses female fans along with female characters. In addition to Veronica Mars, I’ve written about how Shadowhunters TV betrayed both its female characters and many of its female fans. And, just as happened w/ Veronica Mars, when people objected, the show runners and their shills told us that we didn’t understand the showrunners’ art or storytelling; that we were upset bc not all of the couples got a wedding, that fan fiction could sort out the narrative mess left after the finale. As if completely sidelining the protagonist and her romantic partner, then tacking on a rom com meet cute at the end, made it all ok.

It wasn’t OK. It was BS. And, depressingly, not a surprise when one examines how the show treated its female characters and fan base all along.

- Cassie Clare, the author behind the six book series, has hinted on her Tumblr blog that from the very beginning, the male producers and show runners behind the TV adaption did not value her heavily female fan base. The show even added a lot of computers/ tech (explicitly NOT canon in the Shadowhunters universe), and made a character a police officer (not a bookstore owner) when it launched to attract an older male audience according to Clare. (Apart from the non-canon aspect of computers, stereotyping much on who likes tech?).

More importantly, the storytelling around female characters, and the treatment of their sexuality, showed the lack of regard the show had for female characters and their fans. Where to even start:

- The show aged-up the characters — which I am totally on board with — but then cast an actor who is only six years older than Matt D. (he played Alec) to play Mayrse, Alec’s (and Izzy and Jace’s adoptive) mother. 6 years!?! There are plenty of skilled, age appropriate performers one could have picked. Don’t tell me that casting decision was the product of anything other than the male gaze.

- Book Mayrse is a complicated and not always likeable character. Totally cool. Show Mayrse exists in S1 of SHTV for the sole purpose of being bigoted and homophobic re Alec (with a side of slut-shaming for her daughter Izzy). Then, in S3, she exists solely to punished (w/ a random de-rune-ing) and then redeemed for her homophobia by becoming “captain of the Malec ship.” S3 Mayrse seems to be entirely unaware that she has other children. Not Izzy. And not depressed, and suicidal Jace. A more richly observed character who is a mother would not act this way.

-Book Izzy is sexy and body positive. And a formidable warrior. Awesome. Show Izzy is often reduced to slutty eye candy in S1. She’s turned into a drug addict in S2. And, then, in S3 and the finale, she’s charged w caretaking duties for Jace (bc the show ignored the parabatai bond bw Alec and Jace and Mayrse was absent, as noted above). And, in the climactic fight scene, she’s disarmed by Clary (who had been training for a couple of months at that point) and needs to be saved by Simon, her non-Shadowhunter soon to be boyfriend. Simon is hugely heroic in the books, as is Clary, but their heroism is not at the expense of, or in place of, Izzy’s strength and heroism. (Or, maybe it’s that show Simon saves show Izzy from show Clary that’s the problem: book Izzy would not have been bested by Clary, book Clary never would have attacked her friends and chosen family, and the dark Clary made zero narrative/ emotional sense.

- Clary, the protagonist, is wholly sidelined in 3B and the finale. I won’t go down this rabbithole again, except to say that the show’s decision to strip Clary of her entire narrative arc — her mother, her father figure, her memories, her magic, her identity her chosen family, and her love — deeply, deeply betrayed the character and her fans.

- And, as I’ve written before, the dark Clary storyline seemed more about putting Kat M. In sexy clothes and having her act in a sexually aggressive way toward Jace (let’s call it what it was - the show hinted that she went down on Jace in a club while Jace was distraught over losing Clary and basically roofied) (bc sexually aggressive women are either slutty or evil on SHTV, I guess.). It made no sense.

-The whole Climon storyline was cringe worthy, and her weird shame-y commentary on Jace’s past sex life made no sense either.

- Maia hooking up w/ Jace behind a bar, and forgiving her attacker.

The list goes on and on.

I am sick and tired of Hollywood reducing female characters and female fans to unsophisticated, silly, shallow people looking only for the love of a (generally straight white) man. I am sick of shows sacrificing female characters and their fans to tell stories about other characters, even when those stories are worthy. (We shouldn’t have had to choose between, say, Magnus, Alec and Malec, and Clary, Jace and Clace.). I am sick of characters and fans serving as a mirror or vehicle for other characters’ stories.

Female fans watch TV. We buy movie tickets. We participate in fandoms. Stop telling us that we should be content w/ scraps from the storytelling table.

#SHTV #clary fairchild #veronica mars #veronica mars season 4 #mayrse #Jace Wayland #Clace #cassandra clare #tmi #shadowhunters

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miss-spooky-eyes · 4 years ago

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OC Inspirations: Devinahl & Indy

I was (delightfully) tagged by @vespertine-legacy a while ago and I’ve hesitated to do this because I knew I was going to talk WAY too much - but it was weighing on me, so I decided to open up about the sources from which I stole, that is, drew inspiration for Devinahl and Indirae.

What three fictional characters is your OC a combination of?

This doesn’t apply to every OC - not even mine - but its certainly true for a few : Many of our characters are, to an extent, inspired by characters we see in movies, books, games, TV shows, etc.

Does this apply to any of your OCs? Was it a conscious decision on your part or not? Is your OC a combination of three (or more) fictional characters?

If so - post some GIFs / pics and tell us about them! What does your OC draw from other characters?

Too much Devinahl & Indy chat after the cut.

DEVINAHL

The truth is that when I came to creating my Imperial Agent Devinahl, and in particular fleshing out her backstory in far, far too much detail, there were some sources that I went to extremely explicitly and deliberately. And chief among them was ...

1. Garak, Star Trek: Deep Space Nine

That’s right. Garak from Deep Space Nine. Plain, simple Garak. Outcast. Exile. Spy. Addict. Perennial liar. Patriot. Terrorist. Would-be genocider. Very good tailor.

(If you haven’t seen DS9, then you need to. It’s like Star Trek, but if it was actually good? And Garak is a big part of what elevates it.)

Is it weird to compare my ancient video game Barbie/gorgeous sex bomb badass assassin and seductress to a cold-blooded space lizard who spends his days hemming pants? Possibly. But there are aspects of Garak’s character that, consciously and unconsciously, I made parts of Devinahl’s DNA.

Firstly, Garak is a patriot. He loves Cardassia so much that despite seeing its flaws with absolute clarity, despite having been exiled and reviled by it, he would die without question to serve it (of course, he’d much rather make someone else die). And while seeing that as a weakness, despite knowing that the Cardassia he has committed to serving is disappearing before his eyes, there is still a part of him that believes that that commitment - that neverending sacrifice - is noble. The only noble part of him. That’s central to Devinahl’s character (which is, in turn, the way I made sense of the IA storyline). That while hating and despising the Sith, she would nevertheless believe in the Empire - not so much believe that it is good (at best, I think she sees it as order and stability where the Republic is corruption and chaos) as believe that her commitment to it is the only redeeming thing available to her.

Secondly, the way that Garak will take his needs, vulnerabilities, sincere emotions and package them in ways which gets him what he has to have to keep going, without ever giving up full control? Particularly in the extraordinary episode The Wire, in which a dying Garak tells Dr Bashir a series of lies about himself in order to elicit Bashir’s forgiveness, because he needs to be sincerely forgiven but without ever telling the truth?

Out of all the stories you told me, which ones were true and which ones weren’t? My dear doctor, they’re all true. Even the lies?

That is everything I tried to do with Dev, particularly in my fic about her and SCORPIO, particularly when it comes to her and Arcann. To know what she needs, as Garak needs absolution from Bashir, and tell just enough truth - put herself into just vulnerable enough a position - to get it, but never without reserving something, holding something back, whether it’s the knowledge that she can maneouvre herself out of SCORPIO’s clutches at any time or her real name? That’s a fucking survivor.

Thirdly, the relationship between Devinahl and Sifter (the spymaster who finds her as a traumatised child and grooms her for Intelligence) and specifically, the deathbed scene I wrote in Riddle was directly inspired by Garak’s relationship with Enabran Tain and that death scene.

Yes, Devinahl was not Sifter’s actual daughter, but in every real sense she was formed by Sifter - and had Sifter had just one day with Dev like Tain had with Garak, Dev would have been lost. She would have turned herself into a carbon copy of Sifter, and she would have died. But the bittersweetness? The acknowledgement that the parental figure you love will never, not even now that they’re dying, love you as you want them to?

‘I should have killed your mother before you were born. You have always been a weakness I can't afford.’ ‘So you've told me. Many times. ...’ ‘Elim, remember that day…in the country. You must've been almost five.’ ‘How can I forget it? It was the only day.’

(The love and infinite sadness with which Andrew Robinson says that line, ‘It was the only day’? I’m crying just thinking about it. Anyway, it was everything I was thinking about and wanted to achieve in that scene.)

Oh ... and Devinahl’s ambiguous relationship with her implants? Well, Garak also has an implant in his head. And that’s all I’m saying about that.

2. Oryx from Oryx & Crake by Margaret Atwood

A novel character rather than from TV or movies, I hope that’s OK. And I know that there are ... very problematic elements to the way Atwood writes about Oryx, her family, her culture, her background. But she was one of the strongest elements that went into creating Devinahl and her backstory.

There were specific aspects of the story Oryx tells to Jimmie - particularly the parts about being told to scream and make a fuss if a man tries to take you away to a hotel room, and then being told not to make a fuss when a man tries to take you away to a hotel room - that became part of Dev’s story. But there was also a general attitude and way of looking at life I wanted to capture and incorporate. Oryx’s philosophy of value?

Of course (said Oryx), having a money value was no substitute for love. Every child should have love, every person should have it. . . . but love was undependable, it came and then it went, so it was good to have a money value, because then at least those who wanted to make a profit from you would make sure you were fed enough and not damaged too much. Also there were many who had neither love nor a money value, and having one of these things was better than having nothing.

I wanted to create a character who could look at life and suffering and abuse, even her own, and view it in that dispassionate way which horrifies someone from my middle-class Western background - and then I wanted to test that idea, to bring it up against SCORPIO and have SCORPIO try to break it down with torture, to see if it was just a cool facade/necessary illusion. I wimped out of really testing that belief, instead having Dev always know that she could get out of her situation/having her find a way to be loved without truly having to sacrifice her protective patterns ... but if I was a little braver and better, I’d have tested it to breaking point. How far can a character go who thinks like that while still remaining, on some level, compassionate/human/likeable?

3. Saffron (Firefly)

I could have gone Black Widow (definitely the inspiration for Dev’s aesthetic in terms of outfit etc). But the plain truth is that I thought more about Saffron while dreaming up Devinahl/writing her backstory than I did about Black Widow (yes, Widow turned her weakness into strength in a manipulative fashion all the time, but Garak did it better, and other than that she mainly looked after boys in a way that I did not want Dev to be limited to).

Firefly, for a show that had - what - 13 episodes? - exercises far too much of a hold on my imagination and Saffron, especially in the first episode in which she appeared, was such a tremendous character. The way that she found exactly the triggers to turn each member of the crew inside out? (And if she’d had more time, it absolutely would have worked on Wash and Inara, too - it only didn’t because she had to hurry.) Dev has that. I can’t write it, because I suck, but she has it.

Oh, and nobody will ever know Devinahl’s real name (apart from you, if you read my fic about her backstory) and she’d die before letting you know it. That’s straight from Saffron. As is, I suppose, the man who would accept her just as she is without needing to push to know her secrets, except it worked out a little better for Dev and Arcann than it did for Yolanda and Durran Haymer because Dev and Arcann will always have pegging.

INDIRAE

(This will be a lot shorter than the section on Devinahl, I promise.)

1. Steve Rogers, Captain America (and whatever else)

I have never been super into the MCU, but the key reference I used to find a way into Indy’s character, back when she was nothing more than a cool-looking Cathar Bounty Hunter, was Steve Rogers. (November can attest to this)

Indy’s physical size - she’s six foot if she’s an inch, and big - is key to her personality, but equally key is the idea that she would always experience that size as uncomfortable and slightly alien to her. Like Steve Rogers, she started out as the scrawny kid always getting beat up by everybody ... And when she got her strength (with a hefty assist from the toxic waste run-off into what was her family’s only source of water) and suddenly got TALL and STRONG? She did not like bullies - which was what led her to help Coda out of a jam at the spacesport and started them on their road.

(If there’s a better way to play the BH storyline than as a stone-cold mercenary with an utterly unwilling heart of gold ... then I don’t know about it.)

2. Xena, Xena Warrior Princess

I’ll be completely fucking straight with anybody about this (so to speak): I love Xena, I had an obsession with it as a teenager I’m still unpacking, and the show tends to feed into my characters in an ... odd way.

Indy is physically imposing like Xena, is the main thing; and her dynamic with Coda owes a lot to Xena’s with Gabrielle (although Coda is as big and tough as Indy, she is the fast talker/smooth operator to Indy’s laconic strongman). I wanted Indy to dominate action scenes the way that Xena does, be that kind of a force of nature; and watch her struggle to find ways to channel that charisma, to need Coda’s help to understand how to do it.

3. Dottie Henson, A League of Their Own

OK, first of all, I do not want to hear any kind of mockery. This is, unironically, one of my favourite films of all time.

Again, we come back to the core theme of a character struggling with her own greatness/potential. That’s what is the most fascinating through-line of A League of Their Own: Dottie, this unbelievable baseball player/physical presence (yes, she’s very tall, just like Indy) who is so terrified to admit that she wants anything more than her smalltown life and dreadful husband, even while the evidence of her talent and passion for the game is burning up these ... fields? Diamonds? I don’t know baseball apart from this film.

Indy certainly hides behind not wanting to be a bounty hunter. She doesn’t believe in any Mandalorian nonsense about romanticising what is an unglamorous job. She’s just doing it for credits and afterwards, once she’s secured her family’s future, she’s totally going to go home and settle down in some acceptable, domestic way. Being on the Mantis with Coda, it’s absolutely just a means to an end. She doesn’t want to be there, she doesn’t care about it, it’s not who she is, she doesn’t need it. This life, the adventure, the freedom, the fighting for survival, it’s certainly not what gets inside her and what lights her up, no, not at all.

Oh, and Dottie is also a reluctant leader. She doesn’t see why her talent should put her in the position of telling other people what to do - but then, on the other hand, she sees so clearly what they need to be doing, and when she says to do it, they listen. She doesn’t want to carry this team, but they’re only a team so long as she carries them.

(Don’t worry, Coda’s not going to let her lie to herself for too long.)

#swtor #excessively long answers to memes #oc: devinahl #oc: indirae

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officialotakudome · 4 years ago

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New Post has been published on Otaku Dome | The Latest News In Anime, Manga, Gaming, Tech, and Geek Culture

New Post has been published on https://otakudome.com/mortal-kombat-2021-review/

Mortal Kombat (2021) Review

Mortal Kombat is back in live-action with the beginning of a planned franchise of films. Following a slightly altered storyline to the lore new character Cole Young is a descendant of legendary warrior Hanzo Hasashi. Upon coming into contact with an old clan enemy he is forced into the Mortal Kombat tournament with the Earth and his family at stake.

Mortal Kombat is a 2021 video game film, it is produced by New Line Cinema and distributed by Warner Bros. Pictures. It is in theaters now and HBO Max until May 23.

Editor’s Note: Near complete to complete spoilers for Mortal Kombat and potential spoilers for the source material may be present in this review.

Mortal Kombat pays respect to it’s deep lore.

Video game movies are making a wild comeback and the latest among them is Mortal Kombat. While the film follows most of the plot of the video game it also inserts additional lore and characters. On the surface this isn’t too much of a problem in of itself. However it more often than not feels like the film chickens out of said originality midway through.

Historic characters take a backseat to new ones.

THE GOOD: Mortal Kombat opens with the historic war between Scorpion & Sub-Zero’s families in 1400s Japan. Sub-Zero kills Hanzo Hasashi’s wife and son leading to a battle in which the former wins. As Hanzo dies Raiden retrieves his surviving child in an effort to preserve the Hasashi bloodline for the future of Earth realm. The film then cuts to Cole Young, a family man and former MMA World Champion. Now he’s fighting in smaller independent circuits where he routinely loses. After his latest fight Jax introduces himself to Cole questioning his decision to fight in underground MMA scenes. While out with his family Cole is attacked by a very much alive Sub-Zero. Who has become much stronger since we last saw him.

Jax saves Cole and his wife & daughter and informs him of the truth of the Dragon imagery on his chest. He allows Cole and his family to escape while telling them to find Sonya Blade who has more details. As Cole & his family leave Jax fights Sub-Zero, but is easily beaten to near death with his arms severed. Cole sends his family off to a cabin as he meets Sonya. Sonya who has captured Kano (a black market criminal for hire) reveals to Cole that the symbol is an invitation to Mortal Kombat a deadly tournament with worlds at stake. She also states that Kano earned his invitation by luck killing the previous invitee. The three are attacked by Syzoth, but Kano kills him with Cole and Sonya’s help.

The trio travel to Raiden’s temple where Liu Kang awaits. He explains that the Mortal Kombat is an ancient tournament where control over worlds were put on the line. With each world having a team of Champions defending them. He introduces them to Kung Lao who like Liu is also an Earth realm Champion. Liu Kang tells the others that they need to train to unlock their unique power which will aide Earth realm. Sonya and Cole are reunited with Jax who’s healing from his injuries. During dinner a hostile Kano unlocks his power after being egged on by Kung Lao.

Raiden expresses doubt for the Champions being successful and Cole who’s worried for his family gets sent home. Returning to the cabin his family was held up in he’s suddenly attacked by Goro one of Outrealm’s Champions. Meanwhile, Shang Tsung the leader of Outrealm arrives at Raiden’s temple with several of his Champions. Including Sub-Zero, Milenna, Nitara, Reiko, and Kabal. Kano betrays Earth realm joining Outrealm and fights Sonya. She & Jax unlock their powers during battle with the former defeating Kano. Kung Lao kills Nitara with his hidden blade hat and Cole after unlocking his power kills Goro returning to the temple. Raiden reveals that Cole is a descendant of the Hasashi family angering Tsung & Sub-Zero.

Kung Lao sacrifices himself to save Cole as Raiden teleports Earth’s Champions to a safe zone. Cole suggests a plan in which Outrealm and Earth have a pre-tournament. Outrealm’s Champions are killed and Cole & Sub-Zero face each other at the MMA gym which Sub-Zero has incased in frost including his kidnapped family. Cole’s blood resurrects Hasashi who now goes by the moniker of Scorpion & they work together to defeat and kill Sub-Zero. Scorpion leaves telling Cole to keep their bloodline safe. Shang Tsung vows revenge taking the corpses of his warriors back to Outrealm. Raiden states that he is gathering more Champions for Earth and tasks Cole with finding Hollywood actor Johnny Cage.

Josh Lawson’s Kano is a scene stealer & it’s one of the film’s biggest issues.

The action of Mortal Kombat is some of the coolest you’ll see this. I may be reaching a bit, but there were times when the normal hand-to-hand combat reminded me of some of the fights in films like The Raid. I didn’t mind Cole’s character it made sense for the movie’s direction. Cole being an MMA expert was a nice modern touch up for the martial arts aspect of the franchise. The special effects were excellently done too. You know how these lower budgeted type of films tend to have CGI that looks noticeably like CGI (aka bad)? Even at a budget of $50 Million, of which I can only imagine went to the CG I never really saw any of it that just looked awful or wonky. Except for maybe a single instance with Syzoth. It’d have been easier to just use a humanoid ninja version of Syzoth honestly.

The story is fine, I like the idea of the unique powers having a backstory instead of just existing. That’s a neat layer that adds some sense into the world. Granted, it’s not necessary to do so, but the fact that they did it is kind of appreciated. And yes Kano ruled in this movie. His quips and jokes were almost always on. I do feel bad for most of the cast who felt like they were playing catch up with Lawson’s energy. I also have to commend the writers for going out of their way to feature Scorpion & Sub-Zero’s backstories. They were spread across several games and it was done fairly well here for a two hour film.

All the Mortal Kombat gore you can handle and then some.

THE BAD: Mortal Kombat some some good ideas, but it seems the movie loses confidence in itself quit a bit. For example, I mentioned earlier that I like Cole in the sense that him existing doesn’t bother me. However, Cole’s character direction kind of falls flat. Like him being there is cool, but there’s literally no reason why his role couldn’t have been given to Scorpion or Johnny Cage like in the original film. The former probably would have made for a much better movie honestly. Lawson as mentioned is awesome here, but it gets to the point where he completely outclasses the rest of the cast. And it really makes them look bad and dry. I also feel I have to say this respectfully as a fan of the source. I don’t like the idea of turning Liu Kang and Kung Lao who are arguably the main characters of the first handful of the games background characters. They could have given Jax’s role of informing Cole about the legend of Mortal Kombat to Liu, and they oddly do in the second act. It was also weird for the film to be called Mortal Kombat, but not feature the actual tournament. They do some makeshift pseudo-tournament.

Mortal Kombat is a decent video game movie that still has time to be a great one.

OBERALL THOUGHTS: While on the surface Mortal Kombat is probably what you’d expect from most video game films there is a lot to like about it. It follows the story closely enough even with the original direction effecting it. The action, fighting, and special effects are strong and well done. Unfortunately, the film suffers from unbalanced character direction and the impact said original story has on the future of this reboot’s franchise intentions. If the issues can be looked on in earnest I think Mortal Kombat has a genuine shot of being a good video game movie franchise. And I say that, because we’re undoubtedly getting at least one sequel. Otaku Dome gives Mortal Kombat a 70 out of 100.

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