#I was originally going to just make a post with no context saying

[picturejasper20]

How Vlad’s arc is going to be post A Glitch in Time?

A few days ago @pedanticat released an interview with the author of A Glitch in Time graphic novel, Gabriela Epstein, in it they cover a lot of things about the novel and the original series but what i want to focus on is in the part they talk about why Vlad was given a redemption arc in this book and some hints on how his character arc is going to move forward from here. (From around 26:50 minutes time to 33:00 minutes)

Gabriela says that she doesn’t see Vlad as exactly ¨redemmed¨, which it is interesting because it can mean a lot of things on the direction his character can take. In the context she later adds that ¨characters involved would probably not forgive him¨, so i think this means that Vlad has a lot to make up for and he is only just starting to realize what he did wrong.

Another aspect that Gabriela talks about is that Vlad ¨created his own prison¨ in a way that ¨everyone now hates him¨ and that his life is in ¨complete shambles¨ and he has to start all over again. I wonder if this indicates that post AGIT he doesn’t longer have the same power and influence he had during the series and he is likely seen as someone who isn’t trustworthy in the eyes of the public. If that’s the case, i think it would be a good direction for his character to take, since he would still be facing certain consequences for his actions and it would make him less likely to fall back to his older bad habits.

One thing that is talked about in this segment is that Vlad could use this opportunity ¨to grow and learn… or get a lot worse¨ which it is intriguing on its own but it kinda makes sense given what we know about Vlad and how he deals with his own problems.

For starters, we know that Vlad has a lot of emotional baggage to deal with own his own. This is something that has been growing bigger and bigger over plenty of years. All these issues aren’t just going to away because he has realized he was in the wrong: Now he has to deal with them and find a way to move from there. The problem is that this man in general has… really bad ways of coping with his own problems. He has a bad history dealing with them, choosing the worst possible ways that end up hurting others and on his own self destruction.

And considering what i mentioned earlier about how he is ¨stuck¨ in a prison of his own making, he might have lost a lot of the power and influence he originally had… i think he is very likely to fall into other bad habits that don’t involve controlling people like he did in the past but they are still quite self destructive.

In his own extreme loneliness combined with his new sense of guilt (which it what drives his ghost purpose now) i think he is going to become very quickly ¨attached¨ to Dan in a way. He would try to have some form of connection with him by trying to giving him what he wants or find any way to make amends with him just to get some form of affection from Dan back. However, he would eventually realize that he can’t get what he wants from Dan back (or at least for the momento) and that would make him feel more depressed… or look for that affection in other places.

In the interview Gabriela says she has ¨very specific plans¨ for Vlad and Danielle’s relationship. Now that on itself could mean anything- still, following the rest of her wording, i believe this dynamic could involve Vlad desperately trying to get that form of affection he can’t get from Dan from Danielle. With this i mean that Vlad may try doing a similar thing he did with Dan: Trying to make Danielle happy or giving her whatever she wants. To find anyway he can to make it up to her.

Dani would likely take advantage of this first (being in part in her right to do so) but i think all these things that Vlad does would eventually lead to Danielle lashing out to him and telling him that she can’t bring herself to forgive him for what he did to her.

I don’t know where Vlad is would go from there. Nevertheless, if he is supposed going to have growth from all this- he is probably going to have to realize that he won’t be forgiven by certain people, and while he can try making amends, there are certain relationships he left so broken that it won’t be possible for him to ¨fix¨. This could be an interesting route for his character to take, involving him realizing better how badly her hurt certain people and that are some things that just too broken to change them.

….This is just one speculation of how his character could go though. I can also seeing having doubts over if all this redemption stuff is really worth it, maybe falling back in previous habits until he learns that he is going to have to work really hard to be better and repair all the damage he has done. Or maybe having a general crisis of what he is supposed to be and do post AGIT. It is still interesting to analyse and trying to guess based on new things revealed on this recent interview. I’m certainly intrigued to see what is going to happen to Vlad and how that is going to have an impact on his relationship with other characters.

[centrally-unplanned]

I blogged before about this company, Orange, that is an AI-powered manga translation company. Essentially, their pitch is that most manga is still (officially) untranslated, a ton of manga gets made after all but few become mainstream enough to get ported overseas. They posit the barrier to that is the cost of translation; if they could automate that process, then they can make viable for release what previously was not. That concept rests on two questions - does the tech pan out, and does the economics add up?

Recently they went live, under the name Emaqi, so we can better explore those questions. What I notice on first glance is the pitch seems to have shifted a little bit in post:

You are not the translators of Vinland Saga, Witch Hat Atelier, or Magic Knight Rayearth, very obviously so. They have Sailor Moon in here lol. These are just the official translations being cross-listed into their "manga platform", where you buy it there and it lives, DRM-locked, in their app. Which is fair enough as a model, that is just Kindle, it works. Though Kindle and a dozen others already exist, so their value-add has to be the AI translation stuff right? That is why I would choose this over another app.

Which they do have, though it is kind of buried:

"Only on emaqi" - there is no mention of the translation approach, poor guys! Can't fault the branding decision I guess given the state of the discourse. When it comes to the products themselves, I went through ~6 or so of the sample chapters of different manga, did a few spot checks with the original Japanese, and read the reviews of some others who looked into it. They seem fine! I am cautiously impressed, I think there proofers did a good job smoothing out some edges, it has a "manga tone", and while small issues like the hyphenation the reviewer above mentioned do exist and are legit noticeable, they aren't common and not a huge deal. It has flow issues? Some dialogue should link together in how it is written, but doesn't. But it isn't crazy off or anything. You will not be wowed by these, but certainly if you are someone who reads bootleg scanlations you are gonna have no problems. A lot of manga uses pretty simple vocab and isn't breaking new ground on plot, I can see how a purpose-built tool could handle it well enough.

The economics though...here is where I don't think this case was ever going to pencil out and isn't now. Because I am pretty sure no one here has heard of any of the manga listed above as exclusives. (I saw 90's manga Geobreeders in there, but that was already partially translated in the 2000's, not sure if they did a new one? Setting it aside) Which, of course you haven't, if you had it probably would have been translated! Books are a 90:10 market, most books never get read and some books get read a ton. Anything big enough can justify a professional translation, and the other can't really sell to begin with.

On top of that, their model is mass translation; which means these obscure manga are presented to you with no context, no hype, no build-up. Wtf is The Blood Blooms In the Barrens?? See, if you were like a boutique publisher, selecting "the best of the best" in untranslated manga, you would promote your specific product. Interviews, social media, the value of the brand-itself as a quality seal. Publishing less is more, actually, your value as a publisher is as a quality selector. Or you could be say the porn market, where you max quantity so people can search "foot fetish breeding kink oshi no ko" and get results; they know what they want. But they aren't doing either! And to be blunt a lot of these are not gonna sell on their art alone:

I'm not mocking The Delayed Highschool Life of a Laborer here, that is better than I could do; but if you want to me spend money on a whim the bar is high and these don't reach it. Which of course they don't, they would be professionally translated if they did.

And finally, the price - $5 dollars, for volume 1's, like a 100-200 pages. The cross-listed manga typically sells for ~$10? That isn't much cheaper! If "translation" was this big cost barrier, and all you got is cutting the price of ebooks in half, I don't know if the analysis was so solid. This is a new product, I doubt they are overcharging to make a quick buck right now - this is the "sell at cost to scale" era.

In all of their lead up press they would say things like this:

Orange's process uses AI to read the manga through image analysis and character recognition, then to translate the words into English, Chinese and other languages. The technology is specialized for manga, meaning it is able to handle wordplay and other difficult-to-translate phrases. A human translator then makes corrections and adjustments. The process can deliver a manga translation in as little as two days. Orange will work with multiple Japanese publishers. The company looks initially to complete 500 translations monthly.

But this is missing a lot of context. For one, these manga are simple high school or battle manga that are ~200 pages long, many of those pages have only a few lines of dialogue, etc. Imagine you are a professional translator, and you are given that manga to translate, all the set-up done for you, all you gotta do is write. How long do you think that would take? Not that long! It could probably take like a week if it's actually all you did (calc'd from a 10k word count manga volume, 2k is a typical "good translator" per day count - many manga are shorter than that). And note how they said "as little as two days" - not median two days! Just, you know, aspirationally.

Translation is just not a big bottleneck. You gotta do layouts, lettering, proofs, etc, these can all take just as much time - and are being done by people, they still need wage workers doing all this. But that is small fry in comparison to publishing contracts, author approvals, distribution, all of that. And most importantly, product acquisition - you have to get authors to sign with you! That can be months of work. I am sure they are trying to get bulk agreements with publishers and such, but authors will push back on that, this is not an easy endeavor.

Which is why, in above, they say they hope to have "500 translations monthly". And after a year+ of work, on launch, they have...

...18. As best I can tell at least, their site deliberately obfuscates what they actually translated versus are just hosting for resale after all.

So yeah, as mentioned I don't think the economics pencil out. These aren't worth $5 dollars, they can't actually generate volume that makes "massive economies of scale" actually valuable, and their approach is currently antithetical to the idea of generating traction for any of their individual works. Niche publishing just doesn't work this way.

But it is early days, and hey I respect the experiment! I do think the tech is pretty good, and it is nice to see a company showcase it. It isn't quite good enough yet for prime time, but it could get there. I do want more manga to get exposure and audience; I will give a fair shake to any who try.

[deadsquidstudios]

Everyone I have an important announcement

My spider plant is pregnant

[bixels]

tarpit site.

[milkbreadtoast]

looking back at the yjh webtoon screencaps i have saved and giggling... hes so cute... moe... my pookie ^___^ 🥰🥰 poor little meow meow woof woo- *eliminated where i stand*

also these poses are sooooo... 꺄아악🖤🫣🫣🫣🫣

[goldentigerfestival]

So. I love this. The way Yuri snickers at Flynn showing his real self. The way he, without hesitation, says "yeah" to the idea that he would die in Flynn's place.

But the most important part of this entire thing, which was changed in the dub, is how Yuri specifically jokes that Flynn is trying to abandon him, and Flynn returns and tells Don he had no intention of abandoning Yuri.

Yuri does not hear this. Flynn knows that. But Flynn uses the exact same term Yuri used earlier, as if it's his answer to Yuri and saying no, I would never abandon you.

For reference:

Personally I just... love the weight of it. How Flynn will say something about Yuri that Yuri won't hear, but he still speaks it out into existence because it's how he really feels.

Just because Yuri won't hear it doesn't mean he won't say it, and in a way that's even more powerful. He's not looking for the credit of saying it. He's not looking to be recognized for saying it. He's not only expressing how he feels about Yuri somewhere that Yuri himself will hear him.

They're just his real, honest feelings, and he'll admit them even if Yuri's not within earshot.

[metabolizemotions]

Maybe Station 19 was like an experimental cubist painting.

There were too many stories to be told and too many people trying to tell them, from too many perspectives, with too many styles…

Each viewer saw a different picture.

It was the show that tried to capture the zeitgeist and represent the under-represented. Also the show that often struggled. With the tones and textures. With representing w/o tokenizing. B/w laughing with and laughing at. B/w realism and romanticizing. B/w deliberate and arbitrary. B/w educating and entertaining. B/w what they consider profane and sacrosanct.

At times, it touched our hearts deeply. At times, it frustrated us to no end.

Not every story was given the respect, sensitivity and intricacy it was due.

One moment could lead to a profound understanding of an aspect of a lived life some of us had never known; while the next could be a moment that was beyond confounding - about an aspect of ourselves that made us feel slighted, diminished and even erased.

It had often been an exercise in empathy to find our common humanity at the intersectionality of stories. Yet, the scale of empathy often skewed too far in favor of some characters with the differing standards, narrative frames and plot armors. Ironically yet reasonably turning people off these very characters they wanted people to root for. A persistent dissonance and disconnect.

But it was also the show that didn’t shy away from the ugly, the raw, the uncomfortable and messy parts of our shared human experience. The tribulations of oppression. The perils of ambition. The tests of morality. The trials of friendship and love. That we would make mistakes, but we could also make amends. That we're not defined by our worst. That our best lives could still be in front of us despite the current struggles. That sometimes life sucks but having your people with you makes it more bearable.

I would think it an interesting journey for the diversity of people behind, on, and in front of the screen. The evolving stories, evolving characters, evolving storytellers, an evolving fandom - all amidst an evolving media landscape.

It was probably not an easy show to make. The show had a bewilderingly lack of support from abc or shondaland. Diversity seemed to be both good for promotion (when there was any) and the reason for the prejudice against it.

Just as it had not been an easy show to watch - so biased, inconsistent and self-contradictory. Like when they kept telling us about the family spirit and deep friendships yet somehow spent more time showing otherwise. Or when the writing of systemic sexism was somehow inherently sexist.

Personally, I don’t think characters belong to the writers alone. Besides the usual constraints, the characters were often adjusted back and forth to fit the plots. We’ve also learnt how network execs' dislikes, writers’ personal experiences were factored into the stories. I fully respect the writers’ artistic rights. But actors who embodied the characters for years have a unique understanding too. Viewers also have their personal takes about what were true to characters. It's ok to agree to disagree.

There had been sparks of brilliance, but often extinguished too soon. It has been confounding how the greys-verse did not capitalise on its vast potential, esp. S19. Even while both shows share a show-runner. Grey's anatomy could have lent its scale while Station 19 could have injected renewed energy back into its mothership. Both shows could have been better for it.

Although the characters have the foundation of distinct and interesting backstories, their development often did not fully utilise the narrative potential and the talents of the cast. I’m sure the crew was also competent and hardworking. But somehow some elements b/w n within the shows seemed to just cancel each other out instead of amplifying their impact. IMO 704 and 709 were a few exceptions.

But I'll always be glad S19 existed and we got a S7. I believe they had tried their best to wrap up and give closure to everyone invested in the show. I truly appreciated the hard work given the circumstances even when I personally didn't agree with some takes.

In the end, I really do want to remember it as the show with heart, the show that made us laugh and cry and the show that tried. The show that's unique - in both its merits and flaws. I’ll definitely miss the characters. One last time - 19!

[magstorrn]

every few years im reminded that the war of the worlds stage show exists which is never good because i always find something new to hate about it

[unproduciblesmackdown]

truly something that, amidst facing / going through a dramatic Life Change ft. unavoidable emotional effects of that, there are instances where i can't conceal any & all degrees of being distressed / upset, & repeatedly getting "it's hard for me too" as a Direct Response to that: really something & a half how the asserted theoretical Sympathy of [i feel similarly!] is invoked so as to, oh you know, preclude sympathetic Treatment. such as that what would be More sympathetic in these instances would be to say Nothing, "if there's nothing but dismissal / making it first & foremost about someone else's feelings to say, don't say it at all" style

[cerealmonster15]

i dont think i ever felt more annoyed at commercials than when those mean girls walmart ads were playing a few months ago or whenever that was

[sweetandglovelyart]

Are there any other Kirby fans on here who are also fans of Star Trek? I know of a couple people already, but I’m trying to see if there’s anyone else. I personally see a lot of parallels between Kirby and Star Trek, and some of my Kirby fanart is Star Trek-inspired, so that’s why I’m asking.

[oswaldddavis]

(They think the other is a idiot)

[handdrawnfantasma]

thinking this morning abt a post i saw a while ago which i should have saved bc it had things in it that i disagreed with that i now cannot quote with any accuracy (life tip: save the posts u disagree with bc it means that when u finally figure out WHY u disagree with them you will actually be responding to what was actually there instead of your plato’s allegory of the cave version of it)

anyway

the post in question, iirc, was talking about like........ i think the crux of one of its arguments in support of its point was this idea of fanfiction being somehow unable to draw or explore characters with the same depth as an original work - so you can already see why i disagreed with it in spite of the fact that the main point it was trying to support was one that i DO agree with - which is that the trend of turning your fanfic into Original Fiction Do Not Steal by just “filing the serial numbers off” needs to stop bc it’s a bad way of trying to create original fiction. anyway one of the points the author made in support of their main statement was that true fanfic should be rooted in the love and exploration of the original world and therefore the original work, and so that’s why so many AU fics fall flat

and i just had to stop and pause to reassess how apparently the way this person approaches the very concept of AU fanfics is apparently so diametrically opposed to my own bc i AM The AU Warlock who is only capable of writing really weird niche AUs, and i don’t think i have ever approached any AU without this being my driving mission statement:

[ image ID: the Parks and Rec “It’s about the cones” meme with the subtitle text changed to read “It’s about the shared narrative themes” ]

ANYWAY i don’t know if i had a point with this post at all, but it really is interesting sometimes to get a glimpse of how some people truly live in an entirely different world to the one you inhabit huh

[hellolulu]

When I see a post I really like reblogged by someone I follow, I will usually go and check the original post to see if there are bonus features there (aka tags that are basically "and another thing!") lol

[ms-demeanor]

Wait, so you said that you can learn to trust others by building friendships, but how does one go about doing that? Wouldn't someone I don't know be creeped out or annoyed if I suddenly walked up and started talking to them?

Friendships are built of repeated low-stakes interactions and returned bids for attention with slowly increasing intimacy over time.

It takes a long time to make friends as an adult. People will probably think you're weird if you just walk up and start talking to them as though you are already their friend (people think it's weird when I do this, I try not to do this) but people won't think it's weird if you're someone they've seen a few times who says "hey" and then gradually has more conversations (consisting of more words) with them.

I cheat at forming adult friendships by joining groups where people meet regularly. If you're part of a radio club that meets once a week and you just join up to talk about radios, eventually those will be your radio friends.

If there's a hiking meetup near you and you go regularly, you will eventually have hiking friends.

Deeper friendships are formed with people from those kinds of groups when you do things with them outside of the context of the original interaction; if you go camping with your radio friend, that person is probably more friend than acquaintance. If you go to the movies with a hiking friend who likes the same horror movies as you do, that is deepening the friendship.

In, like 2011 Large Bastard decided he wanted more friends to do stuff with so he started a local radio meetup. These people started as strangers who shared an interest. Now they are people who give each other rides after surgery and help each other move and have started businesses together and have gone on many radio-based camping trips and have worked on each other's cars.

Finding a meetup or starting a meetup is genuinely the cheat-code for making friends.

This is also how making friendships at schools works - you're around a group of people very regularly and eventually you get to know them better and you start figuring out who you get along with and you start spending more time with those people.

If you want to do this in the most fast and dramatic way possible, join a band.

In 2020 I wrote something of a primer on how to turn low-stakes interactions with neighbors and acquaintances into more meaningful relationships; check the notes of this post over the next couple days, I'll dig up the link and share it in a reblog.

[goldentigerfestival]

Using this as an audio reference for the posts I'm making, but to summarize:

Yuri starts out mad.

Yuri tries to calm himself down with a deep breath to ask for details instead of going through it angry.

Flynn doesn't say "like a good knight" in the sense of putting himself down. He simply says "as a knight" (the tl here doesn't use that, but with that included it's basically along the lines of "even though I had doubts, as a knight, I was determined to follow my orders").

Once Yuri has answers he calms down significantly.

Yuri uses " 'ttaku", which is a shortened down version of "mattaku" (Yuri often shortens words and speaks very casually), which in this particular situation basically would mean "geez", or "good grief". In this manner, it's expressive of exasperation/frustration/etc.

Yuri never mentions that "Flynn told him what to do" like the dub does (because in fact Flynn did not ever tell Yuri what to do. He only gave Sodia and his other knights orders. He expressed his own desire to take responsibility, but never told Yuri and his friends what to do).

At this point you can tell the anger has gone out of him and that he's calmed down, now that Flynn is approaching this with admission and responsibility.

Sodia is asking that Flynn returns as soon as possible (I believe this was a general translation error).

Flynn's thank you to Yuri is tonally much more heartfelt.

Yuri's response and gratefulness at Flynn coming back to himself is tonally much more heartfelt, relieved and sincere.