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cyndavilachase · 5 years ago

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I’m Looking Forward Now 💖Thank you and good bye

So, it’s been a little over a week since Steven Universe Future ended…

I’ve been hesitant to write this, honestly, but I’m tired of holding myself back from properly expressing myself in fear of appearing overly invested in the media I consume, even in private. Writing helps me organize my thoughts and feelings, and I feel like these thoughts in particular may resonate with many, so I want to share them. I want to talk about what Steven Universe has done for me personally, both as an artist, and as a person.

I’ve been around since the day the first episode of the original series aired. I actually remember when Steven Universe was just a logo on Wikipedia’s “List of Upcoming Cartoon Network Shows” list, back when I was a freshman in high school. It piqued my interest, but when commercials finally dropped for it, I thought it was going to be bad because of the way marketing handled introducing Steven as a likeable character. There was still something about it that made me want to give it a chance though, so I went online and watched the pilot before the first episode's release. I was hooked immediately. I knew I was going to love it, and I did. I fell so absolutely in love with Steven as a character, and the world that he and the gems lived in. I became obsessed. I was always so excited for new episodes to come out. Little did I know what else it would do for me as I went through my adolescence alongside it.

As the show progressed, it was evident that what I wanted out of a western animated childrens’ cartoon was finally coming into fruition: this show was becoming serialized. There was continuity, there was plot, there was character development-- it was getting deep. It was pushing the groundwork that Adventure Time laid out even further (thank you, Adventure Time).

I will give credit where credit is due: earlier western childrens’ cartoons I grew up with like Hey Arnold, and Rugrats, among others, also touched on heavy topics, but Steven Universe was able to take similar ideas (and even more complex ones, concerning mental health and relationships) and expand on them outside of contained episodes and/or short arcs. These themes, which were a part of the show’s overarching story, spanned across its entirety. Continuity was rampant.

What did this mean? It meant kids cartoons didn’t have to be silly and fun all the time and characters weren’t just actors playing a part in 11-minute skits. Steven and the gems would remember things that happened to them, and it affected them and how they would function and play a part in their story. This was a huge deal to me as a teenager. I always wanted the cartoons I grew up with featuring kid characters to feel more. In my own work, I often felt discouraged when combining a fun, cutesy western art style with themes as dark or layered as anime would cover. I always thought it had to be one or the other because an audience wouldn’t take a combination of the two seriously enough, based on discussions I had with classmates, friends, and online analysis I read at the time. Steven Universe proved to me otherwise. This show was opening the door for future cartoons exploring in-depth, adult concepts. I felt so seen as a kid, and was inspired to stick with what I love doing.

I was actually very worried about the show’s survival. It was in fact immensely underrated and the fandom was miniscule. Then in 2014, JailBreak dropped, and it’s popularity exploded. Part of it was because of the complex plot and the themes it was covering like I mentioned, but also because of its representation.

I remember when fandom theorized that Garnet was a fusion due to grand, tragic reasons. Turns out, she’s simply a metaphor for a very loving w|w relationship. This was huge. I cannot stress how important it is that we continue to normalize healthy canon queer relationships in childens’ media, and Steven Universe finally was the first to do that proper. Introducing these themes offers the chance for a kid to sit there and ask themselves, “Why is this demonized by so many people?” I asked myself exactly that. Ruby and Sapphire were my cartoon LGBT rep. They were the first LGBT couple I ever ecstatically drew fanart of. I was dealing with a lot of internalized homophobia at the time, and they showed me that I was allowed to love women and feel normal about it. The process of overcoming this was a long one, but they played a part in my very first steps into becoming comfortable with my sexuality. I could go on and on about it’s representation in general-- how it breaks the mold when it comes to showcasing a diverse set of characters in design, in casting, and in breaking gender roles. It’s focus on love and empathy. Steven himself is a big boy, but he's the protagonist, and the show never once makes fun of his weight, or any other bigger characters for that matter. It wasn’t hard to see why the fandom had grown so large.

Fandom was always a joy for me. It was a hobby I picked up when I was in middle school, like many of us here did. I would always cater my experience to fun, and fun only. I only started getting more deeply involved in SU’s fandom when I had just turned into an adult. During the summer of 2016, between my first and second year of college, I drew for the show almost every day non-stop when the Summer of Steven event was going on and posted them online. This was a form of practice for me in order to become not just more comfortable with experimenting with my art, but also to meet new artists, make new friends, and learn to interact with strangers without fear. I dealt with a ton of anxiety when I was in high school. When I was a senior applying to art school for animation, I decided I was going to overcome that anxiety. I made plans to take baby steps to improve myself over the course of my 4 years of college. Joining the fandom, while unforeseen, was definitely a part of that process. I started feeling more confident in sharing my ideas, even if they were fan-made. I fell in love with storyboarding after that summer, when I took my first storyboarding class, and genuinely felt like I was actually getting somewhere with all of this. I remember finally coming to a point in my classes where I could pitch and not feel hopelessly insecure about it. I was opening up more to my friends and peers.

But this process, unfortunately, came to a screeching halt.

My life completely, utterly crumbled under me in the Fall of 2017 due to a series of blows in my personal life that happened in the span of just a couple weeks. My mental health and sense of identity were completely destroyed. All of that confidence I had worked for-- completely ruined. I was alone. I nearly died. My stay at college was extended to 4 and half years, instead of the 4 I had intended. I lost my love for animation-- making it, and watching it. I could no longer watch Steven Universe with the same love I had for it beforehand. It’s a terrible thing, trying to give your attention to something you don’t love anymore, and wanting so desperately to love again. I dropped so many things I loved in my life, including the fandom.

Healing was a long and complicated road. I continued to watch the show all the way up until Change Your Mind aired in the beginning of 2019, and while I still felt empty, that was definitely a turning point for me with it’s encapsulation of self-love. I was hoping James Baxter would get to work on Steven Universe since he guest-animated on Adventure Time, and it was incredible seeing that wish actually come true. The movie came out and while I enjoyed it and thought highly of it, I was still having issues letting myself genuinely love things again, old and new. It was especially difficult because cartoons were my solace as a kid, when things got rough at home. I remember feeling sad because the show ended, and not getting the chance to love it again like I used to while it was still going.

By the time Steven Universe Future was announced, I was finally coming around. I was genuinely starting to feel excitement for art and animation again. I wasn’t expecting there to be a whole new epilogue series, but happily ever after, there we were! Prickly Pear aired, and the implications it left in terms of where the story was going did it. I was finally ready to let myself take the dive back into fandom in January of this year. My art blew up, something I wasn’t expecting considering my 2-year hiatus. Following this, I was invited into a discord server containing some of the biggest writers, artists, editors, and analysts in the fandom. I had no idea there were so many talented people in the fandom, some already with degrees, some getting their degrees-- creating stuff for it on the side just for fun. The amount of passion and productivity level here is insane, and so is the amount of discussion that has come out of it.

I didn’t realize it at first, but it was actually helping me gain back the courage to share ideas. I lost my confidence in pitching while I was taking the time to heal, and graduating meant there would no longer be a classroom setting I could practice in. This group helped immensely.

I have made so many friends through this wonderful series, and I have so many fond memories talking to like-minded creatives, getting feedback and a myriad of sources for inspiration, as well as all of the memes and jokes and weekly theorizations that came about as we all waited on the edges of our seats for episodes to air. I needed this so badly, I needed to get back in touch with my roots, when I would go absolutely hog-wild over a cartoon I loved with people who loved it as much I did. Future has been a blessing for me in this way. I graduated feeling like I was back at square-one, but now I feel like I’m on my way again.

It’s 2020 and while I’m doing great right now, I am honestly still recovering from the total exhaustion that followed after graduating a few months ago, and finally leaving the campus where my life fell apart behind. Needless to say, watching Future was like looking into a mirror. Watching one of my favorite characters of all time-- one that grew up with me-- go through so many of the same things I went through not too long ago was absolutely insane to watch unfold. It’s such an important thing too, to show a character go through the process of breaking down over trauma and all the nasty things that come with it, and to have them go on the road to healing. Steven got that therapy. He wasn’t blamed. The gems were called out. The finale was everything I could have ever hoped for. The catharsis I experienced watching it was out of this world.

As I continue my own healing journey, I will always look up to the storyboard artists, revisionists, and designers that I have been following over these past 7 years, as well as the new ones introduced in Future. It's been such a joy watching these artists release their promo art for episodes, talk about their experiences working on the show, and post the work they've done for it alongside episodes airing.

Thank you Rebecca Sugar, the Crewniverse, and the fans, for making this such a truly wonderful and unique experience. Thank you for reminding me that I am, and always will be, an artist, a cartoonist, and a fan. Thank you, my followers, for the overwhelmingly positive response to my artwork. I have had so much fun interacting and discussing the show with you all again over these past few months. Steven Universe and it’s fandom will always have a special place in my heart, and it will always be a classic that I will return to for comfort and inspiration for decades to come. I am sad that the cartoon renaissance is over, but so many doors have been opened thanks to this show. I am so, so excited to see what this show will inspire in the future, and I hope one day I get the opportunity to be a part of that.

Goodbye Steven, thank you for everything. I wish you healing, and I wish Rebecca and the team a well-deserved rest. ♥️

-Cynthia D.

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phantombandit-films · 4 years ago

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Why ‘War of the Worlds’ (2005) is a underrated masterpiece.

‘War of the Worlds’ was released in 2005, it is directed by the film god that is Steven Spielberg (Jaws, E.T.) and written by Josh Friedman (Terminator: Dark Fate, Avatar 2) and David Koepp (Jurassic Park, Mission: Impossible)

Cast: - Tom Cruise as Ray Farrier. - Justin Chatwin as Robbie Farrier. - Dakota Fanning as Rachel Farrier. - Miranda Otto as Mary Ann. -Tim Robbins as Harlan Ogilvy. - Ann Robinson as Grandmother. - Gene Barry as Grandfather.

First lets start with some history of ‘The War of the Worlds’ - The 2005 film is based off the novel of the same name which was written by H.G. Wells between 1895 and 1897, it then was then made into a series by Pearson’s Magazine in 1897 in the UK, Cosmopolitan in the US. Then becoming a hardback novel in 1898, it is one of the earliest written pieces to tell a story of conflict between Martians and man and so its one of the most commented on pieces of science fiction.

It has been adapted and developed several times over many decades in many medias, the ones that come to mind are the famous 1938 dramatic radio reading that was directed and starred Orson Welles that actually caused public panic to those who listened in and didn’t know that the Martian invasion was fiction, its said that up to a million people ran out of their homes in terror. (Source: https://en.wikipedia.org/wiki/The_War_of_the_Worlds_(1938_radio_drama) )

The 1953 ‘The War of the Worlds’ film adaptation, which was produced by George Pal and directed by Byron Haskin. It also starred Gene Barry (who played Dr. Clayton Forrester) and Ann Robinson (who played Sylvia Van Buren) who can also been seen at the end of the 2005 film, they play the grandparents of Robbie and Rachel which I think is a sweet little cameo to see for those who loved the 1953 film. Ann Robinson also revived her role as Sylvia Van Buren in two other films and three episodes of ‘The War of the Worlds’ tv series in 1988.

In 1978 the most well known musical album by Jeff Wayne was produced and based off the story of ‘War of the Worlds’ this album included the voices of Richard Burton and David Essex.

This was then turned into a concert musical which tours annually through out the UK and Europe, the concert includes live performers such as Carrie Hope Fletcher but also a 3D hologram of Liam Neeson. It also includes a mix of computer animation, pyrotechnics and a big mechanical tripod that comes out on stage and lights up and can fire its heat-ray.

(Source: Birmingham Mail.)

There have also been several Tv series, the two newest being the 2019 BBC version staring Poldark’s Eleanor Tomlinson and Full Monty’s Robert Carlyle, that has a Edwardian setting and follows closely to the novel.

The other being the FOX 2019 adaptation that is set in present day Europe but I found this version didn’t really go off the novel, and was frustrated with the lack of the famous Tripods. (Source: https://en.wikipedia.org/wiki/The_War_of_the_Worlds)

As a kid I would watch the 1953 film with my mum all the time as its one of her favourites and I do really like it, but then 2005 rolled around and in comes Steven Spielberg’s version. To be fair it was probably 2006 when I finally saw it, I was nine years old at the time and I remember my dad bringing home the DVD that someone at work had lent him. I don’t remember watching it but I do remember having nightmares for a month after, only for a month though. Many years later when I was half way through high school and getting more and more into film my dad then bought the DVD from Woolworth's before it shut down, the DVD didn’t have a case only a see through CD case so I think it only cost him something like 50p. So I re-watched and again I don’t really remember this but all of a sudden I was hooked, and it climbed to the second spot on my favourite movies list where it still sits today. Honestly if you asked anyone I was friends with at that time they will tell you just how obsessed I was with it.

I have many scenes that I love in this film the first being the rise of the first tripod, but there are two that I geek out over every time.

The first scene being the one in the basement at Robbie and Rachel’s house, the scene starts off with Ray asleep in a chair. He starts to stir when when a blue flash of light on his face, but then jolts up right at a load whooshing noise followed by closely by Robbie shooting up from just below the camera. I love the way that Robbie appears sort of fits with the sound that’s heard, also the whole mood of the scene which is pitch black with this blue flashing light every now and then. The fact that you’re just as clueless as the characters as well, you find out what’s happening when they find out. Also the way that Rachel appears behind the basement stairs, which will appear again near the end of the movie in a much more damaged basement which shows just how much their world has changed in just a short few days. The sound design in this movie as well is something that I love, I love when the sound in a film alone can creep you out. The tripod sound is one of my favourite sounds to exist, like if I heard that from outside I would be so creeped out and scared. At this moment in time Robbie and Rachel have no idea what is hunting them or what Ray has seen, Imagine running from something and seeing something completely destroy the whole of your neighbourhood yet not knowing what it looks like. This is what runs through my mind when I heart Rachel cry “Is it them, Is it them?!” Then the next morning when Ray goes upstairs and see’s that the house is just completely destroyed by an aeroplane that has crashed down in the middle of the the housing estate. This Boeing 747 was a out of use plane and the production crew bought it for $60,000 which then cost them $200,000 to transport, it was then broken into pieces and houses were built around it. Which just shows how far some movie productions will go to make a film look more legit. (We love practical effects in this house.) This scene is still set up at Universal Studios Hollywood and can be seen on the Studio tour.

(Basement and Plane crash scene.)

My second favourite scene, which is one of my all time top favourite scene ever with no surprise is the dock scene. The speeding train that’s on fire is absolute stunning in every sense but for me the scene starts when the music starts. ‘If I ruled the world, everyday would be the first day of spring.’ But i’m really glued to the screen when Rachel starts to follow the birds coming in from the river to in land, she follows them up to the hill where she notices the tree’s on the top are moving weirdly. “The tree’s are funny.” She then reaches out and grabs onto Rays hand who was talking to a friend. Robbie turns to the hill as the camera slowly comes back and shows Robbie also turning to look at where Ray is looking. (Just remembering that this is the first time Robbie and Rachel ever see the tripods.)

The camera then shows us what the family is looking at to reveal a tripod stood on the top of the hill, it then moves one of its legs which crushes a tree and makes everyone else look back. Obviously chaos ensues from this point on, everyone running trying to get onto the ferry to get away from the impending doom, unfortunately we learn that no where, not even on the water is safe. As a tripod comes up from out of the water and attacks the ferry, the family manage to escape and get to land on the other side of the ferry. They stop for a moment to catch their breath as people are being picked out of the water below them, they turn as a old air raid alarm is heard on the other side of the hill and we see tripods coming over another hill that was filled with people and using their head rays to wipe them all out, we also see in the distance a lighting storm indicating more Martions are still coming to earth. The scene is like a depiction of all the stages of the attack. (Dock attack scene.)

I mean all the action scenes in this movie are just so beautiful and amazing, but did we expect any less from Spielberg? And the CGI and practical are all done extremely well and fitted together to make a scene look as real as possible. One of the art directors that worked on this film, Doug J. Meerdink who has also worked on Jurassic Park: III, Cloverfield and Jurassic World.

I was looking up some trivia on IMDB for this movie and found that there was a deleted scene that is called the ‘Camelot’ scene. This scene is supposed to take place between the attack on the ferry and the battle on the hill, it involves Ray, Rachel and Robbie walking through an abandoned housing estate that’s named Camelot, when a pack of tripods start walking near by. One of the tripods breaks off and the family has to take cover behind a SUV, they watch helplessly from behind as the tripod reaches into the house and grabs people from the houses. This scene has never been released but apparently it was fully finished, VFX and all but then taken out a few weeks before post production was wrapped up. There is only one official video from this scene that was in the actual trailer for the film, and it’s only a shot of the family hiding behind the SUV.

The only other shot from the scene is this landscape shot of a CGI tripod.

There are also photos of the set designers setting up the miniature of the housing estate to shoot this scene, the rest are fan arts of how the scene maybe looked/ played out. (Source)

I really hope that one day Steven releases this scene, or for some anniversary adds it into an extended version of the film like we’ve seen for other films. Because I would love that so much! It seems like such an incredible scene, and to see the tripods up this close again would be so cool!

One of the trailers that was released for this film doesn’t have any of the film shots it in, It takes place in a normal neighbourhood where people are just going about their normal nightly routine when suddenly over the hill there are all these brilliant flashing lights, everyone's just coming out of their houses in their pj’s and standing in the street marvelling at this sight in front of them. Then we see explosions and suddenly heat rays are blowing up the tress on the street which then goes into the title. I just love this, a trailer that doesn’t give anything away from the movie but creeps you out enough to be invested. (Trailer.)

All in all it’s just an very visually pleasing film, it feels real enough to give you a sense of fear for the characters and for yourself. I also love that Steven stayed true to the source material,more truer than some of the other adaptations and also added in his own little Easter eggs. The sounds, the aesthetic, the colours just everything comes together so beautifully. I think its a very underrated movie that deserves so much more love.

#war of the worlds #war of the worlds 2005 #robbie farrier #ray farrier #rachel farrier #steven spielberg #movie #film #film talk #tom cruise #dakota fanning #justin chatwin #the war of the worlds #not really a film review #i just wanted to talk about my love for this film

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dogcopter · 5 years ago

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Jane is Lore 2020

Ok, here’s the round up of the ghost part of the situation with @keepbeachcitysafe and @keepbeachcityweird.

Theory: Ronaldo’s girlfriend Jane is the key to figuring out Rose Quartz is not gone, largely via a constellation of background clues. If that sounds ridiculous, I understand. I’m Ronaldo. Actually I’m not Ronaldo, but hopefully I’ll have a post about him too soon. I hope we can all have fun together tho

This post is very, very long and involves a lot of images. It will be confusing at first, but please entertain the thought and keep reading, and I hope it clicks into place. I may need to update it later.

Three sections for supporting evidence:

1. Restaurant Wars, Jane, KBCW/KBCS blogs’ interaction & contents

2. Astral projection/ghosts/fusions

3. Dogcopter secrets

Restaurant Wars Saga & Jane’s appearances

So Ronaldo has a blog at @keepbeachcityweird - he also published a book based on his blog called Keep Beach City Weird: You Can’t Hide the Truth!!!, which is available for purchase.

On April 23, 2014, Lion 2: The Movie airs. Jane appears for the first time working the ticket booth at the movie theater and sees Lion and the kids fight a killer robot. Dogcopter 3 is playing at the theater.

April 23, 2014, Ronaldo at Keep Beach City Weird also posts about seeing Dogcopter 3 at the movie theater, where the parking lot is a mess, presumably from Steven, Connie and Lion’s robot training fight.

He mentions “First of all, it’s a huge mistake to turn the last Dogcopter book into THREE movies.”, but that’s less relevant to this particular post. The important thing is that he, like Connie, follows Dogcopter, who’s also associated with Jane. (We’ll get to Dogcopter’s appearances in SU in the last part of this once the context is established)

Ronaldo’s posts in general document specific events and details in his home Beach City, but that’s another post entirely.

Exactly a year later, Ronaldo on April 23, 2015 posted about receiving a mysterious letter, which might be from Jane because (beneath a great deal of smudging) it appears to call Ronaldo the CUTEST GUY EVER! (This isn’t crucial or anything, just noting it as one of our first Jane points).

I GOT A LETTER TODAY!!! But for some reason it was all wet and I can’t even tell what it says. Is it a love letter? Is it a death threat? Please tell me! I need to know if I should lock my doors or open my heart!

Jane also appears in Beach City Drift. After Beach City Drift, keepbeachcitysafe posts an episode reaction blog, on July 22 2016, and takes special notice of Jane.

Hey did you guys notice that girl that keeps appear. We saw her when Steven took Connie to the movies and now she’s here. I wonder if she’s involved in something. Hmmmm. So Stevonnie raced Kevin down the hill in his Himitsu X12, that’s secret in Japanese.

(Kevin’s Himitsu X12 is his car, in the middle there. We’ll come back to this and what KBCS means in a second.)

July 25 2016, Restaurant Wars airs, the third of Jane’s four appearances in SU. In this ep, Jane comes a long way to return Ronaldo’s Koala Princess DVDs, and catches Ronaldo with Kiki and is upset.

KBCS posts another episode reaction blog, pays attention to Jane again, and says they plan to message Ronaldo.

Ronaldo says he can’t do it because of his girlfriend. Ooo, he has a girlfriend, that’s pretty cool, you just know whats gonna happen next.

Ok so, Ronaldo’s, GIRLFRIEND, (imagine me saying that in slow motion) showed up at the worst possible moment.

Everything was back to normal. Except poor Ronaldo, I should sent him a letter to cheer him up. Seen ya next week.

Almost immediately the KBCS and KBCW blogs play out a little interaction online:

Ronaldo goes through some stuff.

No post today. If anyone needs me I’ll be at Brooding Hill… where I’ll be CRYING. I usually cry at Crying Canyon, but it’s closed right because of some flash flood warnings.

Then Ronaldo posts KBCS’s letter.

Note how KBCW caps this message so the name is clearly visible? It’s referring to Ronaldo’s bio:

It’s not very cheering...but things work out shortly thereafter. Jane likes one of Ronaldo’s posts and all seems well.

I think it’s going to work out you guys. Thanks for all your support.

After this, Ronaldo doesn’t post again until Rocknaldo several months later, and one last time after publishing his book.

That’s April 18 2017. The KBCW tumblr is never updated again. KBCS’s final post is not long after, Jul 4, 2017.

Finally, Jane makes a cameo alongside Ronaldo in the very last scene of Steven Universe Future, “The Future.”

Koala Princess, Astral Projection and Psychic Ghosts

So some interesting patterns come up when you connect the two blogs, the clues associated with Jane, and some understanding of Steven’s powers. Let’s revisit Keep Beach City Weird, a Ronaldo’s primary blog, and Keep Beach City Safe, which contains mysteries too big for this simple Dogcopter/Jane-hime lore post.

Keep Beach City Weird - Ran from September 2013 to April 2017, with a lot of posts made in October 2015 and July 2016.

Keep Beach City Safe - Ran from June 2015 to July 2017, with most posts in 2016 of course.

Let’s look at a timeline of posts. I’m going to call out things that we’ll connect to the Jane lore at the end.

Keep Beach City Weird: Ronaldo’s blog

Nov 1, 2013, days before Steven Universe first airs: KBCW’s first post is all about Astral Projection.

Astral Projection! The ability to travel outside your physical body and into other planes of existence!

I began to feel lightheaded and before I knew it, I was floating above my body. Amazing! I walked out onto the boardwalk in my new ASTRAL FORM, and you know what the weird thing was? Nobody even said hello to me. I was COMPLETELY INVISIBLE! I mean, usually nobody really notices me, but this was a different kind of not being noticed. This was not being noticed on another plane of existence - so I didn’t feel bad about it.Anyway, after being ignored in the arcade and Fish Stew Pizza, I got bored and I went back to the fry shop to re-merge with my body.

Astral projection is a power Steven demonstrates a number of times, and you’ll see among these posts that certain powers of Steven involving this stuff are called out by the blog.

Connie: What? Where are you? How are you...? Steven: I’m not sure, but I think it’s a classic psychic ghost type situation. Connie: Ah, of course! So, what’s the plan?

from Reunited

Steven: Oh man. I fell asleep and had this weird dream. I opened the door and Lapis was there, and- Pearl: Well, that doesn’t make any sense. Lapis is fused with Jasper at the bottom of the ocean. Steven: You’ve never had a dream before, huh? Pearl: Uh, I don’t think so.

from Chille Tid

August 28, 2014, Joking Victim, Ronaldo posts about ghosts. And an arsonist from about 150 years ago.

September 04 2014, Steven and the Stevens, Ronaldo posts about "cross dimensional travelers”

And all the cross dimensional time travelers I know don’t want to go on the record about their experiences.

Not mentioning posts that don’t mention ghosts/astral projection/dimensions in some capacity, but in realtime Ronaldo liveblogs in response to episode events.

Ronaldo also answers some fan asks. On October 31 2014 after Keep Beach City Weird he answers this question about floaters with “BACTERIAL GHOSTS” in all caps, this one about his first encounter with the supernatural (the events shown in Horror Club, which aired February 12, 2015)

Nov 2014, Ronaldo posts twice about Watermelon Stevens and a review of the anime Soul Blaster, “Like every anime, Soul Blaster is about a high school student. Our hero is a cool dude, with even cooler hair named Kyosuke. He battles rogue spirits with the help of his Soul Blaster - which happens to be powered by the spirit of his deceased younger brother, Kettaro. “

On December 4, 2014 Ronaldo posts about Koala Princess, who will become important in this post when we get back to Dogcopter and Jane. Koala Princess is repeatedly used as a stand-in for talking about Steven’s journey. In this post Ronaldo says:

AAAHHHHHHHHHHHHH!

Ok, so I just finished the final episode of Koala Princess and I don’t want to get too emotional on you guys but I CAN’T STOP CRYING! Koala Princess goes on a walkabout and enters dreamtime and finally MEETS HER KOALA MOTHER FOR THE FIRST TIME!!! SLKDJFSDJ:FS

I’ve got so many feels! These feels are the real deals! On wheels! WHAT AM I SAYING?! I’M GOING CRAZY!!!

Lion 3: Straight to Video aired on the same day as Ronaldo’s post. In this episode Steven meets Dogcopter in a dream, and then sees his mother Rose Quartz for the first time - she speaks to him via a VHS tape.

After Alone Together, Ronaldo posts about Stevonnie, who is a fusion. He also gets stuck under a fridge for a bit after Future Vision in January 2015.

And I want TO GET OUT FROM UNDER THIS FRIDGE!

He posts like five times about it in the same day because he’s freaking out.

And also I want my body to be shot into space with a print version of my blog so an alien civilization can find me reconstruct my body and worship me.

On February 19 2015 after Winter Forecast, he posts about using time travel to fix bad decisions:

Sometimes I think about all the bad decisions I’ve made and how they’ve affected my life, and I wish I could go back in time and change them. But unless I can find a way to break into the Pentagon and steal a time bike, I’m just stuck with having regrets.

After Political Power Ronaldo claims glowsticks are filled with ghost blood.

Anyway, then stuff happens.

January 4 2016, after The Answer, Ronaldo posts about seeing Dogcopter 4 and shares the poster for it.

One interesting thing about the poster is that if you invert it and mess with the contrast a bit, a strange diagram appears on the left. A true mystery.

And after months of avoiding and spoilers or teasers or trailers, I was in line for Dogcopter 4, and then some dummy walking out of the theater TOTALLY SPOILED EVERYTHING and was like, “I can’t believe that Dogcopter’s parents are actually cats.”

Coming back to Dogcopter in a minute, but these are relevant details.

Dogcopter dies defending the planet but then he comes back to life because he’s actually part cat and cats have 9 lives.

On Jan 5, Steven’s Birthday, Ronaldo posts about celebrating his birthday on a different date every year.

Every year, I celebrate my birthday on a completely different day. Why? To keep my birthdate a SECRET so that no clandestine government agencies can steal my identity!

July 2016, the saga with Jane and KBCS above happens. When he’s sad about Jane breaking up with him, the same day Kiki’s Pizza Delivery Service comes out (in which Steven astral projects into Kiki’s dream), he listens to sad music.

Ugh, I wish I had some sad music to listen to at work. All I have is a playlist of video game soundtracks and some EVP recordings of ghost hauntings. I guess ghosts are sad. I’ll just listen to those.

But if you’re feeling happy, I do suggest listening to the “Go-Go Gorilla Go-Go Kart Racing” soundtrack. Some solid 16-bit J-reggae.

This post may partly be a reference to the Sadie Killer song G-G-G-Ghost, which is performed in The Big Show and wouldn’t air for a bit, but is also astral projection related.

Why can't you see me? Why can't you see me? I think I might be A g-g-g-ghost. Can't you see that I exist? And I don't need an exorcist To let me out Look at me and I'll appear Why can't you see that I'm right here? That I'm right here? Why can't you see me? Why can't you see me? I think I might be A g-g-g-ghost. I'm calling you from the other side

Once Ronaldo has gone through grief and anger, he resorts to begging her to come back. This post is from July 28, the day Alone at Sea aired in which Jasper begs Lapis to return.

Much like Koala Princess’ vision in the Eucalyptus Jungle in Season 5, Episode 13 what you saw on the Boardwalk the other day was not what it seemed. I was only pretending to date Kiki to defend my family’s honor, just as the Kanga-ronin did in Season 1, Episode 3!

Here is another Koala Princess reference. There are a couple SU references in the episode numbers in this post.

The events of Season 5, Episode 13 of KP was not what it seemed: for Steven Universe, this is Your Mother and Mine, in which Garnet tells a story told to her by Rose Quartz. It later turns out to be a false origin story to cover the truth that Rose Quartz was Pink Diamond.

Kanga-ronin pretended at something to defend family honor in Season 1, Episode 3, which in SU is Cheeseburger Backpack - where Steven buys a novelty backpack so he can carry things on missions to be useful for the gems, fails his first mission and pretends he’s fine. The events of this ep are later referenced in The Test.

Finally, Koala Princess’ vision in the Eucalyptus Jungle is a reference to Stevonnie’s vision in Jungle Moon, which is Stevonnie’s first interaction with Pink Diamond via a memory dream. In this dream, all was not as it seemed either.

Then the KBCW blog doesn’t post until Feb 2017, after Rocknaldo. A couple ghost and dream-y quotes from here:

In my searches for THE TRUTH, I’ve done a lot of listening. I’ve listened to haunted houses to hear ghosts from other dimensions. I’ve listened to radio signals from the cosmos for signs of alien life.

I’ve also learned that HUMANS NEED TO SLEEP. I didn’t sleep for 48 hours and I PASSED OUT FOR DAYS.

Ronaldo’s final post is an ad for his book, which comes out during a hiatus, and he references Koala Princess again:

I did have a little help from some fellow truth-stigators I met on a Koala Princess forum, Ben Levin and Matt Burnett, but most of the work was definitely done by ME!

Now let’s look at Keep Beach City Safe.

Keep Beach City Safe: [???]’s blog

For KBCS, I’m only going to skim to address ghost/astral projection related content that comes back to the business with Jane, Dogcopter, Koala Princess and Rose. The rest of this blog is a little too big for right now.

It’s interesting that KBCS seems to have mostly flown under the radar, but between the Jane arc and a couple other things I believe it to be legit. Suffice to say I’m treating it as real and you will see why in a minute.

For KBCS I’ll mostly mention which episode a post is associated with, but not the date like with Ronaldo’s.

KBCS’s reaction blog to Nightmare Hospital includes a couple relevant lines:

Where was the Gem M.? I heard footsteps behind me. I turned around! It was mom!

Don’t tell me It’s on the other side of the hall corner. That would mean it saw mo- Connie’s mom!

KBCS posts a blog between Too Far and The Answer, in which they review a number of events. (They post another blog about fusions in which they describe Garnet and Stevonnie’s components as well)

During the movie the TV just shut down and they were being chased around by a “ghost”. It was actually a gem stuck inside the house, making the house seem like it was possessed.

They also get pretty excited about Steven’s birthday.

Only a few more minutes until Steven’s Birthday!

Eeeeh! Only a few mins left until midnight. We finally get to learn about Garnet’s past! Are guys happy, I know I am. I can’t even express how happy I feel, but I’ll try. And I will not act crazy while doing it, Imma keep it cool. So it’s like Peace and Love had a son, and his name was Steven! Then Steven fused with Connie, who was the daughter of Happiness. And they formed Stevonnie, who was made of everything right within the universe!

On Steven’s Birthday they also post about the Dogcopter 4 movie.

I’m gonna be a Smart Spoiler and drop hints in my post for you guess. Only those who have watched it will notice the clues. Yep, watching it 9 times.

This clearly references Ronaldo’s post about Dogcopter having nine lives, but KBCS is a little more considerate about spoilers.

In KBCS’s “It Could’ve Been Great” post, they’re still talking about Steven’s birthday. There’s a promo image attached as well.

To start things off I just wanted to say: I did see Steven turn into a baby? And I would also like to say: DID YOU SEE STEVEN TURN INTO A BABY!?!?

So, by now your probably wondering what the second image is aren’t you? We clearly it’s a pic of Rose holding a cupcake candle.

We, here at Keep Beach City Safe, thought that Steven would’ve liked to have his mom at his birthday party. Happy Birthday from all of us at KBCS. Hope you like it.

Future Vision reference. (Some of this is less relevant to the Jane thing but I’m pulling quotes that are related to fusion and stuff in the hopes it gets clearer)

This reminds me of the time that Garnet gave Stevens her future vision. I don’t know what happens exactly, but I think you see what’s going to happen in the future hence the name future vision. Being able to see into the future would be awesome, yet terrified at same time.

There’s a great post about Pie Day - in fact, KBCS posts about Pie Day a few times. They call out Pearl, too, which reminds me of a certain prolific fandom video editor’s handle.

You know who else knows about Pi. Pearl, but also Peridot.

Pearl Doesn’t Like Pie. Happy Pie Day!

This is not a good photo of Pear let’s see if we can find a better one. Now that’s better.

Sorry for the tangent. Let’s talk koalas now.

KBCS posts about The New Lars. They have thoughts about Steven’s ability to hop into other bodies, namely the question of whether Rose could do this as well.

Steven is worried that Lars isn’t being truthful about his feelings. So through his dreams, Steven jumps into Lar’s body, and trys to make his life better. But he only makes things worse.

Steven somehow possessed Lars’s body through his dreams. He’s done it before and he’ll do it again, we have a word for it now: Dream Possession. But he can also enter dreams.

He did it with Lapis, the Watermelon Stevens, and now Lars. That’s one gem, one sentient plant, and one human. Well with lapis he was merely communicating with her. This, new power, is seems to activates itself whenever Steven wants to help someone, but can’t because something getting in the way. Could this be a power passed down from Rose, or is this a power he himself posses?

#koala vs sloth

in The New Lars, koalas come up twice. Koalas in SU are associated with Steven’s astral projection powers. Remember how Koala Princess met her mother in the dreamscape?

Steven: For your consideration...The koala, a marsupial from the forests of Australia, and the sloth, hailing from the forests of South America. Who should be crowned the king of the "Hanging Around Doing Nothing" mammals!?

Steven in Lars’ body: Whatcha doing? Hanging out? Buck: Yeah. Steven: That's cool. Would you say you hang out more like koalas or sloths? Uh, I'm asking for Steven.

Steven: Um... I'm really, really sorry about yesterday. I got you a card, it's got a koala and a sloth.

From The New Lars. Steven references koalas three times.

KBCS gets to Beach City Drift. They take notice of Jane and of Kevin’s car.

Hey did you guys notice that girl that keeps appear. We saw her when Steven took Connie to the movies and now she’s here. I wonder if she’s involved in something. Hmmmm.

So Stevonnie raced Kevin down the hill in his Himitsu X12, that’s secret in Japanese.

So while we’re back on the subject of Jane, here’s something interesting about Dogcopter and the Himitsu X12. They both show up in advertisements together in the background of Empire City.

Mr Greg

Same Old World

This is what KBCS is talking about - Dogcopter has a secret.

For Kiki’s Pizza Delivery Service, KBCS has more to say about dreams.

She has a nightmare and Steven, coincidentally, falls asleep after eating and enters Kiki’s dream. Now Steven The Dream Warrior, must help Kiki battle her dream, and finally end this nightmare once and for all.

Steven, who for some reason keeps going into people’s dreams, goes into Kiki’s dream.

Steven fought for about week, and he’s was tired by day four. And we know from experience that a sleepless Steven, is a cranky Steven.

This is the same power Steven used in Chille Tid. and look who showed up again?

After Monster Reunion airs, KBCS posts a liveblog and includes a far-fetched accusation that Rose Quartz is Pink Diamond.

Think about it! A Diamond should have access to all gem controlled tech, right. And if Rose Quartz was Pink Diamond, which she is, then she should be able to too, right. And Steven has Rose’s gem. So now Steven can access gem tech. And one more thing to prove this theory once and for all.

But there’s one thing that doesn’t add up. Rose Quartz… is a Quartz. How could she be a Diamond?????? Maybe I’m wrong, she could have been just working along side Pink Diamond. Maybe this just a crackpot theory about the impossible. I don’t think gems can turn into different gems? who knows, I guess we’ll find out sooner or later.

When KBCS gets to Crack the Whip, they take note of Lion and tag him thrice:

Crack the Whip! Is it just me or is that foreshadowing?

Oh, did I mention that Lion was there. He was just there, when Connie opened the door, he walked up and just started hanging. It was so cool! It was like, Just Lion Things 2! So the snack break, that takes the whole day, ends at the beach, where the idea originally began.

Amethyst faces off Jasper, gem to gem, while Steven and Connie, and don’t forget Lion, fight the corrupted gem.

Lion was keeping the Gem Monster busy while all of this was happening. I was so stunned when Steven and Connie fused, without doing a fusion dance! How well they worked, together, they rode on Lion, and defeated Jasper, and poofed the Gem Monster all at the same time!!!

#just lion things 2 #lion fights #lion still fights

There’s also a weird Google Slides slideshow connected to the KBCS account, which includes this image featuring Lion, Tiny Floating Whale, (and Connie and Greg) and the word TRUE with Steven’s affirmative!

More Koala Princess

Two more Koala Princess references - although only one is immediately relevant -

In Gemcation, Ronaldo keeps texting Steven about Koala Princess. Steven’s lockscreen is a selfie with him and Lion.

Also, as a sidenote, Koala Princess is implicated in sneople trolls on anime message boards.

Dogcopter

These are just the Dogcopter appearances (Thanks to SU wiki as well as my brain) Dogcopter fights robots in at least one timeline, and the book is allegedly really long. Bold Dogcopters are the pink dogcopter, everything else is an ad or grey.

Lars and the Cool Kids - Poster

Lion 2 - The movie they all go see.

Lion 3 - Gives Steven advice.

Chille Tid - Shows Steven how to find Lapis. Meows. (Dogcopter’s parents are cats.)

Same Old World & Mr. Greg - Advertisement

Kiki’s Pizza Delivery Service - flies Steven away.

In Dreams and Growing Pains (Note this is grey Dogcopter) - Flies away in Stefan’s nightmare, proposes to Drew the driver (or at least offers them something) in the Dogcopter 6 Till Death Do Us Bark I Now Pronounce You Man and Woof trailer.

Snow Day - Pupcopter, a spinoff for babies.

And for Steven’s Birthday - Connie points out a Dogcopter constellation.

Astral Projection

Another quick summary. I’ve written a lot on this psychic ghost stuff so check my blog if you want the tags, idrc. Summary of astral projection powers Steven has shown:

Leaving his body (Reunited, Escapism)

Possessing other bodies (New Lars, Escapism, SWI)

Traveling to others’ dreams (Kiki’s Pizza, Chille Tid)

Interacting with fusion components within the fusion’s mind (Chille Tid, Mindful)

Regarding KBCS’s question of whether Rose could have done this, it doesn’t seem impossible - and as of Fragments and Homeworld Bound, we know that Gems don’t die when they are killed. (Lol.) That is, the personality/soul can appear in the same gem if it’s shattered and repaired. And Steven’s mom’s gem is perfectly intact, inside him.

Literally what is the point of all this

So after KBCS and KBCW spent so long talking about astral projection, ghosts, dreams, fusions, etc etc. they never actually got to the point - just pointed us in the direction of a bunch of clues that

Rose Quartz isn’t gone.

Obviously. She’s in his gem in him, like Lapis and the mirror, or the lighthouse gem. She uses astral projection to help Steven in his dreams as well as see him in Rose’s room, like other fusions speak in the mindscape. (There’s a lot more to this but this is enough to ask anyone to wrap their head around atm)

She also interacts with him through other bodies, the same way Steven takes over Lars’ body, or the Watermelon Stevens.

Remember this?

We, here at Keep Beach City Safe, thought that Steven would’ve liked to have his mom at his birthday party.

Who came to Steven’s birthday in which Connie points out that Dogcopter constellation?

Who gave Steven advice when he wished he could talk to his mom?

Who showed Steven where to find the tape?

Who else could have asked Steven, “What do you want” in Susan Egan’s voice?

(Why did they choose to hire Susan Egan to voice a cameo in Under the Knife in the first few seconds of Fusion Cuisine, where she says “It’s my son!” while Lion is onscreen)

Or reassured him that Rose’s tape was telling him the truth?

Who first brought him to Pink Diamond’s moon base?

Who knew where Rose’s armory was and how to train with it? (Note the giant penny)

Who showed Steven the location of Pink’s fallen palanquin?

Who found Rose’s lost scabbard?

and knew where Pearl would run to when she’s upset?

Who (reluctantly) brought Steven to the landfill and Pink Diamond’s ship?

Who showed him how to find Malachite?

Twice?

Who showed him how Pink Diamond tried to stop the Earth’s colonization, and who to ask for the truth?

Who tried to entertain him on Mask Island when he was trapped on Homeworld?

And then rescued him from the open sea?

Who showed Stevonnie the password to Yellow Diamond’s moon base?

Much like Koala Princess’ vision in the Eucalyptus Jungle in Season 5, Episode 13 what you saw on the Boardwalk the other day was not what it seemed.

So yeah Rose is Lion 2020. Thanks for reading this extremely long nonsense.

Also thanks to @babybeetlebongos for both mindscape lore and fixing Ronaldo’s cheek in the banner image, lol. I made a Twitter thread about this as well (and the more in depth Lion and astral projection theory threads are quoted at the top, if you need them. the #mindscape deeplore 2020 tag/tags on this post have stuff too.)

#steven universe theory #steven universe future #su theory #steven universe #rose is lion 2020 #mindscape deeplore 2020 #jane lore 2020 #kbcs lore #dogcopter #lion the mood #rosedemption 2020 #would you believe this isn't even the deep part of the rabbit hole??? im tired tho #i hope i left enough info for others to get into KBCS if anyone cares #i love this fool rose quartz

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popculturebuffet · 4 years ago

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Loud House Reviews: The Purrfect Gig

The Sam/Luna trilogy comes to an end here, as we get to the most recent of their now annual episodes, each so far produced and aired toward the end of the season. That being said like last season Sam had at least one apperance before this as I saw her in the thumbnail to “Deep Cuts”, the OTHER Lunacentric episode this season. And while it sounded bad to me at first looking into it.. no. The writers, for the most part, gave almost every kid two episodes a piece, and last season gave each 3, so to the writers credit they TRY to ballance out who gets episodes.

The exceptions are Lincoln, who has around 5 that don’t also feature the girls as a whole, and 2 of those are with Lana, Lori who has 4, 2 of them shared and justifed as she’s possibly leaving for College next season and thus her episodes outside of one focus ont hat, and Lana and Lola: Lana has 3, and Lola has 2, and both have one together. And really even with those imballances it’s really impressive the show juggles 14 leads, with the parents themselves getting 2 this year too, along with Clyde, not counting his ones with Lincoln. | And that’s WITH the baffling decision this season to have the first 5 episodes be “With THe Cassagrandes”, i.e. 5 episodes of the Casagrandes that are counted as loud house episode that weren’t produced over at the sister show for some reason. And I have nothing against the Cassagrandes, what i’ve seen it’s not a bad show: I already have gone on about how much I love bobby, and I also love CJ and new comer Sam. I love the fact it has plenty of representation and a diffrent kind of big family, I love the theme song and I love the fact Melissa Joan Heart is on it because she’s terrific and spent the last decade really not picking her roles well. She was the lead in Holiday in Handcuffs, aka the movie where she kidnaps Mario Lopez and holds him at gunpoint to pretend to be her fiance until he gets Stockholm syndrome for really flimsy reasons. But I dont’ feel i’ts fair to the show to wedge it into another show’s spot: The Cassagrande-Santiago clan has shown up in 2 half hour loud houses and 2 15 minute eps. The kids watching KNOW these characters, and reception of the loudest mission was positive enough to get a spinoff made. You don’t need to spend a huge amount of another show’s episode order to promote a show kids will likely watch because it has characters from a show that airs all the time and is uber popular and has a similar humor style, and fans of the Loud House will at least try becuase they like the mothership and have known was coming for years now. This show HAD an audience going in. I watched both American Dad and the Clevland Show because it was from the same crew as family guy which I liked at the time. Granted American Dad had a decent stretch and Clevland Show .. had David LYnch as a recurring cast member I guess? Seriously david, this and not gravity falls? The point is it feels insulting that they felt the need to try and promote the show more, and all they did was take up episodes of the loud house and confuse children, and possibly turn viewers off a show they would’ve watched anyways. And if your wondering why I took such a massive detour it’s simple: Other than noticing the fact they’ve been specifically making sure each sibling gets more than one spotlight episode, shared or not, and this dumb decision.. Season 4 isn’t THAT much diffrent than Season 3. It carries on plots started there (Lori heading towards college, Luann and Luna’s relationship), but otherwise it’s basically just more shipping and shenanigans. But really. .that’s far from a bad thing, as I consider season 3 a highwater mark for the show, and it introduced a lot of neat new elements (Lynn’s Table, Stella, Leni having a job) that are still prevelant in season 4. It’s not bad and it’s even more understandable given that next season, every character is growing a year (thank you press releases), meaning they have tons of new plots to explore, and large status quo shifts with Lincoln going to middle school, which out of the four schools shown is so far the most underdeveloped and will need development, and Lori possibly moving out of the house and going to college, among many other things that have me chomping at the bit for next season. But that’s probably a few months away so for now, it’s time to get back on focus and with everything else out of the way, the actual review of this episode starts under the cut.

We open with Luna sitting in bed sighing when her poster of Mick Swagger starts talking to her. Whatever she’s smoking I could really use some. Depression is a bitch. Anyways, her drug induced hallucination of her hero starts talking to her. I haven’t really talked about Mick yet since the show uses him sporadically but he’s exactly what you’d expect; The show’s version of Rolling Stones front man Mick Jagger, only slightly younger.. maybe. I dunno. Maybe he’s been around since the 60′s and is just a timelord. Or a groovy robot. Or has a dorian grey thing going on. We haven’t really gotten into Dino Spimoni situation yet where Luna helps her idol and has to help him reunite with a partner or convince him to stop faking his death. Just a reminder that Hey Arnold is great and that if you think it’s odd his crooner dean martin based idol got talked out of faking his death by a 12 year old, keep in mind he also tracked down the daughter his vitamise neighbor gave up so she could go to america and have a better life, helped convince his neighbors not divorce, and had to save his pig from being eaten in a revolutionary war reinactment. Hey Arnold was far weirder than I remembered and i’m here for it. Anyways, Hallucination Mick asks if Luna is coming to his concert this weekend, and she HOPES so she just dosen’t have the money for VIP pass to meet the actual version and do drugs with the actual mick swagger for a change. He says you never know when opportunity will come a knockin and it does in the form of the McBrides! Clyde’s dad’s Howard, the skinny one voiced by national treasure Micheal McDonald and Wayne Brady whose also great.. and i’m not just saying that because i’ve seen this. Don’t be absurddddd....

youtube

Howard and Harold are Clyde’s dads... and while Clarence and Steven Universe beat them to having Gay parents in a children’s cartoon, their still the first interacial gay couple in a children’s cartoon, and on a nicktoon period, and even if they weren’t either of those it’d still be fucking great. Anyways the two are nice characters, while i haven’t seen EVERY ep with them their a loving couple, nice parents, and treat the loud kids as their own.. granted that goes too far in one episode, but still, thems good people. Anyway Howards having a panic attack, respect, and as his husband calms him down, we find out why: the mcbrides are going to pick up nana for the annual family reunion, and their catsitter cancled. Hence Howard’s freakout and Harold worrying about the 20 pounds of amish potato salad in the trunk. So naturally their hoping someone can watch their cats, Cleopawtra and Nefurtiti for the day, and them going to the louds makes sense, both for the obvious of the Louds being their closest friends in the neighborhood, and the not so obvious of a previous episode I haven’t seen having established the older kids as the best babysitters in royal woods, meaning that in addition to knowing them they have skill and this likely isn’t the first time. Luna, not thinking about herself, admits Lori went to hit the golf course early and Leni is at work, a nice way to explaning why it’s Luna that gets the job: She was there and it was implied by the fact she was getting high and talking to her hallucination that Luann isn’t, so most of the other options they’d have without some reservations are gone with no contrivance necessary. Anyways Luna’s Drug Fueld hallucination, points out money can be exchanged for goods and services, such as VIP passes, and also mentions sam already has hers. Either Luna’s forgot or her hallucination can use her phone. Either is probable, and is backed up by Hallucination Sam, before both start playing their guitars and Luna air guitars with them. I”m unsuprsied by all of this. She offers and the McBrides take her up on it immeditley. I do like that it avoids the “I don’t know if your up to this” cliche that always happens in these types of scenarios, the McBrides have no reason not to trust her, so they just.. do. Hell Harold only sets out one rule: don’t invite anyone over.. and it’s not even because he dosen’t trust Luna to have anyone over or anything like that, he just knows the cats get anxious with a crowd, though their therapist is working with them on that. And of course the two rich men with a single child have a cat therapist. I would too if I were rich. Harold and Clyde throw and unconcious Howard into the car and their off, they’ll be back at 6. And TOTALLY won’t be home hours early for hyjinks. Totally. Luna arrives to find a massive binder on feline care. Someone went to the Amy Santiago school of binders. It says to feed the cats at 10 sharp.. and it’s 10:02. Luna tries feeding them but the cats instead attack her in a full on psycotic rage and dump food all over her, so dinners on her.

Anyways, Luna then tries walking the cats which goes as well as you’d expect.. not because she had to put harneses on cats and expect them to do anything at a certain time, but because they pull hard. I can relate to that with my dog.. not my cat. He just goes wherever he wants because he’s old and kind of an asshole. Anyways, with the cats now messy from running over a guy with a cake, because of course, Luna looks up what to do next which is.. give.. them a bath.

Who.. who does that. I know their messy, but use a rag or something. No animal likes being bathed but cats, esepcially one who this episodes shows aren’t declawed (And rightfully so but still), do not LIKE being bathed. Granted they wouldn’t like being cleaned off with a rag or something either, but it still feels less cruel to both them and any prospective babysitter to just hold one down and wipe it off then find the other and repeat. Look witht he walking thing I can see why someone would, in their case because their probably too skittish to let their cats wonder around, and in some cases because said cat is young. But this.. this even for a comedy contrivance is stupid. It’s not the worst uninetional cat abuse i’ve seen in media, Elmyra exists and the mother of the lead of get fuzzy tried putting her cat on a vegetarian diet, which Rob, said lead and a staunch vegetarian himself, not only found concerning but gave said cat the money for takeout.. keep in mind in this strip cats can talk and walk upright. Also I miss when Get Fuzzy was both daily and good. So Luna naturally ends up in the bathtub, soaked and depressed and not sure what to do when her friendly neighborhood sign that the drugs haven’t worn off yet comes by and tells her to shape up if she wants to go to the show with Sam. This gives Luna a great idea. LIke a Zack MOrris great idea it involves breaking the rules.. unlike a Zack Morris idea, it dosen’t involve sexual harassment or a zany scheme. She decides to call Sam, since she’s apparently great with cats and given we saw how she was with chickens last time, not a real stretch. She also pops Mick’s bubble which.. hurts him.. somehow. I dunno. Anyway cut to Sam arriving. She arrived fast because she was picking a new character up from his gamer’s club meeting: Her brother Simon, who’d been mentioned in side materials but makes his first apperance here. I like him, he has a neat design and i’ts nice to give sam a family life of her own, and he’s a nice if glued to his not-nintendo switch kid. Frankly I hope he and LIncoln meet at some point. I mean he has an opening in his friend group starting next season there’s no way Rusty passes 5th grade. And even if he somehow does, it’s not like adding another member is too much of a stretch given, once they got past courting her, the rest of his group warmly welcomed stella in and it’d be an intresting dynamic having his sister’s girlfriend’s brother in the group. Also if your wondering if i’ll ever stop finding ways to bash rusty in these reviews even when he’s entirely absent..

Anyways, Luna slams the door in the kids face, which he takes in stride , and explains the situation, and after fred fliintstonning him is taken off the table, go with “Sneak him past the cats”. It works because cats never look up at the backs of a gay teenage couple sneaking a small child inside. Luna decides to leave Simon in the entertainment room while she and Sam watch the cats and he finds Clyde’s VR gear and asks to try it on, with Luna reluctantly agreeing as long as he’s careful.. which as far as we see.. yeah he entirely is. The Sharpe’s are good people.

Cue a montage! Sam helps luna scrub the cats, with brushes as they should’ve done minute one, put them through spa type pampering which is also a call back to the first time we saw the McBride’s house in the series, take selfies, and then sing the cats to sleep, in a really sweet and really well sung lullaby, notable for being the first time Sam’s sung on the show and Allyson Stoner, who I haven’t mentioned but should’ve before this shame on me, does a terrific job and has done a terrific job as Sam in general. Luna thianks her for the help, Sam says no sweat they get to see the show together, and Sam ducks out... before realizing she forgot something. Her wallet... no wait she has that.. OH SHIT HER BROTHER. And before she can get him DOUBLE OH SHIT THE MCBRIDES ARE BACK. Harold is grumbling about the potato salad... apparenlty Aunt Brenda brought some and wasn’t supposed to. I do like how both McBride dads have their own quirks:While Harold IS the more rational one, he can slip up just like anyone can. Luna prepares to leave.. only to realize oh shit her girlfriend’s brothers in the house still. Her not all complex scheme! She fakes having left something behind to get him out, and once sam calls comes up with a plan: Sneak Simon around back. Sam sneaks around with the bush she ducked into, and we get one of my faviorite tropes: A scooby doo doors sequence! Also the dads speak in unison. Dawww. We also get an adorable bit of Sam gesturing for Luna to hand her the boy. I couldn’t find a gif of it sadly, and I would’ve credited it, but I did find 50 tons of creepy Sam X LIncoln fanart. Just.. why. Why exactly. Why do you do this to me tumblr. And to be clear I have ZERO issue with shipping a character whose sexuality isn’t fully confirmed as just gay in canon with a male character, Bi and Pan representation is important. It’s why I get annoyed at the people who throw a hissy fit any time Della Duck is shipped with Launchpad. Here though I do because it feels like this ship is ENTIRELY a troll, especially since LIncoln has 80 other options, not at all including the icky incest ones, and that I cut and dry have every problem with, and is being done soley to annoy people who ship sam and Luna and are finally enjoying some gay/bi representation on children’s television. If this is a troll then kindly

Thank you John. So anyways Sam does grab the boy and nearly gets him out the door.. only for the mcbrides to run into their bisexual catsitter shoving a small chubby child out their kitchen window only to have a lesbian fall out into their kitchen. Naturally Howard faints again and Harold is displeased... probably because his husband fainted again.. and you know the shenangians in his kitchen. The only time shenanigans are allowed in that kitchen are when Clyde is sleeping at a friends house for the night and only on the table dammit. They got reinforced oak for a reason. We cut to the boys playing, which is a nice touch: Clyde being a nice kid dosen’t mind sharing, Simon has similar intrests, and the only time we’ve seen him be eh on sharing is letting Lincoln borrow his new console.. and he not only felt BAD for not wanting him to borrow it and having to try and get it back, but he only did so because the Loud house is insanley chaotic and understandbly he wasn’t sure it’d get back to him safetly. His dad’s rasied him well, he’s a good boy once he got past his ‘Stalking his friends older sister” phase and got into his ��anything besides that “ phase. Luna comes clean to the McBrides and.. Harold appricates the honesty. And both are impressed with how well they took them, with Sam and Luna giving each other credit. So instead of getting upset, especially since Luna was both honest and only called in Sam for help and Simon was an unexpected guest and they both did a fantastic job, they offer to split the money instead. Sam, in a really sweet gesture, then gives Luna her half with no hesitation or prompting from her girlfriend, Luna gives her a cheek smooch and they hug. Then Luna acciently wakes the cats, and we end on the girls singing the cats, Simon and the McBrides all to sleep. Also Luna’s hallucination is alsleep.. those drugs wore off hours ago after all. Final Thoughts: A really fantastic setup. Once again the show shows it’s slowly gained talent for taking stock plots (in this case a babysitting episode) and making them actually intresting, mostly by having the characters behave reasonably. While it didn’t really expand Sam’s character, it didn’t really need to , the previous ep with her having fleshed her out as a sweet, kind girl with a talent for animals, and Simon is a wonderful addition to the series massive cast of side characters that , unlike some additions , will hopefully show up again. Seriously half the reason I bitch about Rusty is that the show is great at making charcters, and improving them after a few bumpy episodes as seen with Clyde, Lori and Luann, but yet still uses him and dosen’t make him any funnier, while I can name handfuls of characters who either need more apperances (Girl Jordan) Or haven’t shown up again at all (Carol Pingery, Rocky, Maggie). And that’s not even all of them obviously, but my point stands. But given he’s the brother of one of the main characters girlfriend and would fit in with the main character well, I have a feeling we’ll see simon again at some point. I also really liked seeing the McBrides, mostly because I haven’t seen many of their episodes, and found them to be delightful, helped by having wonderful va’s behind them as standard for the show and great chemsitry and it was a nice bonus to have the shows two main gay couples interact, without it feeling at all forced, and neither did Sam’s inclusion. And while we haven’t gotten a full on kiss with Sam and Luna, which really they should, CN beat them again on that, the cheek kiss and hug was still very sweet, as is the episode really. It’s funny, heartwarming, and really enjoyable. While itd osen’t have as much emotional weight as the last two eps, I like that it didn’t: For once the conflict was low key but understandable and now Sam and Luna are a full couple, they can just do cute couple shit and get into wacky shenanigans like any other couple on this show without any angst attached. It’s really nice. It also shows that no, a couple being together isn’t boring fuck off will they or won’t they, but i’ve ranted enough about stuff unrelated to this episode. I really liked it and hope to come back to these two someday. For now as I sign off Pride Month is far from over... as next up I have multiple things planned, but one of the biggest is a FIVE PART series on Red Action and Enid from OK KO. Yes FIVE. All 3 of their romantic eps, and Red’s first two for proper context both for the finale, which uses both episodes as part of the plot, and for a proper view of her character arc and to ease readers into the series better. So be there for that, and a donald duck birthday celebration, and until then, later days!

#Sam Sharp #Luna Loud #Saluna #the loud house #howard mcbride #harold mcbride #clide mcbride #simon sharp #the purrfect gig #pride month #lbgtq

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novantinuum · 5 years ago

Text

Bi the Way...

Fandom: Steven Universe

Rating: Teen

Words: 2.8K~

Pairings: Steven/Connie

Summary: Connie has a question, and also something to say.

Or: the one where Connie comes out as bisexual :D Set post Steven Universe: The Movie.

You can find the AO3 link in the reblogs! (I have to omit it from the original post these days to ensure this will show up in the tags.) If you enjoyed this, I’d greatly appreciate your support through reblogs here, or kudos on AO3 as well.

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Bi the Way...

Outside the familiar coziness of Steven’s bedroom, the late autumn rain pours steadily, the choppy waters of the Atlantic crashing onto shore with a ferociousness Connie hasn’t seen for a number of months. Historically, Beach City has been blessed to be host to consistently good weather. But even the most consistently stable meteorological systems aren’t immune to the odd unexpected shake-up. It’s a necessity to clear the air with a great thunderous clap, sometimes. It relieves pressure that’s built up long term amongst the clouds. It leaves the atmosphere noticeably cleaner, the dirt below sparkling with that fresh scent that comes about after torrents of cool rain.

On this particular afternoon, she’s found that this is a lesson that holds just as true for people as it does the weather.

It begins with a stray comment, as things often do.

They’re watching TV, the two of them, tangled together on his bed. About once a week they’ll try to have one of these cuddle sessions, just some time alone together to relax and enjoy each other’s company in private. Working alongside a myriad of Gems to aid in the restructuring of an entire society can be excruciatingly stressful at points, and so can rigorous AP classes and the eye-rolling drudgery of high school drama. There’s no placing a hierarchy on these things for them, no matter their outward difficulty or importance, they’re all just... the challenges in life they have to win. And on occasion, they’re the challenges they need a quiet break from. Both of them are no stranger to throwing themselves at a problem and working endlessly towards a solution until they hit rock bottom and crash, but over the years they’ve started to recognize this tendency for the bad habit it is. It’s okay to take 'me' time, Connie’s constantly reminding Steven (and herself) whenever she catches him about to stubbornly sneak away to the galaxy warp with clear stress lines rimming his eyes. And without fail he’ll groan halfheartedly, knowing he’s been caught red-handed, and retire to his room to relax with a book or a board game or a few rounds of Lonely Blade: Resurgence instead.

Today’s workaholic distraction is a marathon of old Under the Knife episodes. It’s been a while since they’ve binged through this show, and when Steven brought it up and she started to feel super nostalgic about it, in a flash their entertainment for the afternoon was selected.

“Gosh, I honestly forgot how good this is,” he says in the middle of an episode, nudging her arm with his elbow. “The satirical nonsense, the passion, the drama? Eh?”

“Yeah, it’s pretty pulpy,” she giggles, nudging him right back. Then, directed at the unhearing characters on screen: “Ughh, Marigold, come on, just go out with him already! We all know you like him!”

“I can’t believe they kept this a slow burn for five entire seasons,” he comments, pursing his lips. “They’re literally perfect for each other!”

Connie throws her arms down against the mattress, palms stretched wide open. “I know, right?? Adrien’s like, a total dreamboat of a man.”

“Yeah, he is pretty cute,” Steven says, an unmistakable blush coloring his face and ears.

Connie pauses upon hearing this, gazing at her boyfriend thoughtfully with a soft smile as he continues to watch this old episode with the same level of investment he exhibited upon its first airing. He props his chin in the cradle of his hands, which of course only further exaggerates the curve of his chubby cheeks. His eyes are blown wide with youthful endeavor, the TV’s glow glinting against his irises in a myriad of continuously shifting colors. He is pretty cute, she thinks, his own adorably smitten words echoing through her mind. And then that blush...

There’s a question she’s had for quite a while but has never asked. Something she’s suspected of him, but had no concrete proof of. The reason? Even if they’re best friends, and now— boyfriend and girlfriend on top of that— the idea of asking him something like this just felt too... what’s the word... invasive. Not that there’s anything wrong with discussing this sort of stuff, no, no, of course not! That’s definitely not what she means. But talking about something as important as this, she just knows it would turn into an in-depth conversation, as most worldly topics tend to do with Steven Universe, and it’s only inevitable this conversation would eventually turn back on her. On why she cared to ask in the first place. And that answer was... well, straightforward, but something she’s not sure she’s ready to broadcast. As if she’s taken command of but a single fragment of Garnet’s future vision, in her restless mind she’s already mapped out what feels like every possible response he could have to her. Most of them are no more than anxiety laced fabrications, things he would never ever dare think of with his upbringing, but believe her when she says she’s been burdened with considering every possible outcome in great, excruciating length.

Now that she knows for sure there’s a strong chance he’s the same way, however... that narrows down these possibilities significantly.

Connie threads her fingers together, gathering the courage.

Come on, you. It’s just Steven. No script, no planning, just... say it!

She opens her mouth to speak before her anxiety laden mind can beg to differ.

“By the way, I’ve been meaning to ask- do you like girls and guys?”

Steven glances away from the television set to meet her curiosity head on. “Oh, you mean like, romantically?”

Running in automatic, she nods in confirmation. Here she goes. The answer to both her spoken question, and the question of which river of possibility this conversation will careen down.

He grins, scratching at the side of his neck. “Uh, yeah. Yeah, I guess I do! But I think I could like anyone, really. Guys, gals, none of the above. Doesn’t matter to me. That’s... okay, yes?”

“Silly, of course it’s okay! You don’t need my permission to like who you like. I just asked because I-“ Her heart pounds as she pauses briefly, focusing on the nervous jitters, but not in fear. Not anymore. Instead, that soft fluttering in her heart is nothing less than sheer exhilaration. She parts her lips once more, bravely speaking her inner truth into reality for the first time in her life. “I’m like that too. I... I’m bisexual.”

Her boyfriend’s whole expression lights up so bright she may as well be looking at a newborn star.

“Oh, really? That’s awesome!” he says, throwing an arm around her shoulder to side hug her. (Knowing him, his keen empathetic ability likely led him to sense the internal battle she waltzed through just to state this out loud.)

The forgotten soap opera continues to play in the background as Connie gives a bashful laugh.

“Hehe, glad you think so. You’re actually, um... the first person I’ve ever said that out loud to,” she says, blushing.

Steven looks as if he’s about to say something in response, but then he pauses— fades into a silence that’s deliberate and measured— as he gazes back at her. Drinks in the moment. Wonders how he could be so lucky to hold her trust like this, or how— heck, he could be thinking anything, she has no idea! Unlike him she can only catch small glimpses into how he feels, the truth woven like gossamer threads through his words and actions, but in this one hallowed moment she doesn’t need to guess. The spark of affection dancing within his dark eyes is soft, perhaps softer than he’s ever looked at her before.

More than anything, Connie feels seen. Years back, long before sword training and Gem missions, long before that fateful day she discovered the beautiful temple (it looked like it could very well be a Hindu goddess, and that cultural connection alone made this slice of beach instantly familiar) hidden on the other side of the hill and decided to park herself there with a book, she’d grown used to feeling invisible. Before she bravely chose to step into this world of magic, it’s as if she forgot that she even had a choice to stand out, to openly shine as the unique, extraordinary individual she is. Admittedly, she still struggles with that to this day. But whenever she’s with him, with her Steven? It’s as if her universe explodes into a kaleidoscope of dizzying color where everything is so, so beloved and worthwhile. She’s worthwhile.

She can only hope being with her makes him feel the same way.

“I know it’s silly after everything we’ve been though,” she continues in time, still having a few things on her mind she suddenly has an exhilarating need to set free, “but I always kinda worried that people... would belittle me for it, I guess. Especially my parents. That like, there’s some upper limit to the number of unusual things about my life they’ll accept.”

“It’s not that unusual, though,” Steven says with a shrug. “I mean, Ruby and Sapphire are legally married. Sure, the Gems aren’t exactly women, but they do present that way. And then Pearl was in love with Mom, of course. Oh, and Amethyst once told me, and I quote, that ‘like a whip, I swing in every direction.’”

Connie snorts at this, and even he can’t help but laugh.

“Let’s see, what else...” he muses, peering at the ceiling thoughtfully as he continues to list the queer individuals he knows of. “Jenny, Buck, and Sour Cream are all dating each other. Mr. Smiley finally reconnected for real with his old comedy partner, and they’re dating. And my dad may not be seeing anyone but he’s always been openly pansexual.”

“Well, it’s not usual in my family,” she says glumly, nestling her chin into his bed’s comforter as the terrifying possibility of rejection hits her harder than expected. Her glance roams. On the television screen, the episode they were watching had paused automatically, a message asking if they’re still there popping up. Clearly it’s been a while since anyone’s handled the remote. She blinks past tears, shame settling at the pit of her stomach for even daring to cry them when others have gone through so much worse, and you’re lucky, what do you even have to feel lost about, and suddenly she begins to feels shameful just for feeling shame, and what cyclical, bittersweet irony is that, and what’s wrong with her, why can’t she stop obsessing over distant possibilities that likely have zero chances of coming to pass, why can’t she—

Steven breaks through her downward spiral with a gentle hand on her shoulder, rubbing away the physical evidence of her stress. She melts into his touch, forever smitten by this kind of casual intimacy they get to experience together here, alone. It’s innocent, still merely the wandering hands of two teenagers barely beginning to break the boundaries between close friendship and romance, but when words fail she’s discovered that touch can be a language of its own. And right here, right now, she knows he’s talking her down from the mountain of anxiety she’s marooned herself on. He’s leapt effortlessly into the stormy sky and cradled her in his arms, ready to float back to Earth’s surface together.

Outside, the rain continues to slap in rhythmic sheets against the deck. She shivers. Maybe it’s in reaction to the gloomy weather beyond the sliding glass door, maybe it’s despite it. She has no idea.

Steven scoots forward on his belly a bit, and rolls to his side so they can talk face to face without turning their heads. During this, his shirt rides up— ever so slightly— ambient light catching on the lower facets of his gem. The reassurance found in that beautiful, familiar smile of his is dizzying. “Well, at least no matter what happens with your family, you have more than one, huh?“ he says.

“Yeah,” she breathes shakily, eyes glistening with emotion at the metaphorical hand he’s extending with that statement.

Hopefully it’ll never have to come to that, though.

“I do think my parents will be fine with it, if I ever do tell them,” she continues, dabbing the dampness from her eyes. “Especially my mom. She works with queer patients all the time at the hospital, so she’s pretty used to stuff like that. I just... get anxious sometimes.”

“Yeah, I get that. It’s tough dealing with identity stuff.”

She hums, mind immediately harking to the years he spent doubting his own personhood. Seeking any kind of physical connection she can get, she nuzzles her cheek against his forearm, which he’s currently leaning on. They lay there like that in comfortable silence for a good while. Steven, laying on his side, one hand lazily trailing through her wavy hair, and her, curled up close to his heartbeat, hugging his free arm.

“Hey, while we’re on the topic, can I ask you something?” he asks eventually.

She nods. “Anything.”

“How’d you distinguish bi from pan, when you were figuring all this out? I know they’re pretty similar, and my dad tried to explain it a while ago when I asked, but I still don’t exactly get the nuances.”

Connie shifts to sit up, pursing her lips as she considers her words here. She’s done a lot of research into queer identity in her time, checking out books from the school library and looking up stuff online on incognito mode, but there’s probably still a ton of holes in her knowledge. “Hmm, okay... so I’m no sole authority on any of this of course, but to the best of my knowledge bi means you’re attracted to two or more genders, and pan means you’re attracted to people, but like... their gender isn’t really a factor in the way you experience that at all? I‘m pretty sure? There seems to be a lot of overlap. From what I’ve read people just sorta pick whatever feels the best to them.”

“Huh, that makes sense,” Steven says. “So picking labels is kinda like fusion, then! Whenever I fuse, we decide our own name, and it’s sorta... based on a feeling, y’know?”

“Yeah! And like, with Stevonnie... Even though Amethyst kinda inspired the name, they still had to figure out who they were as a person on their own.”

“Exactly! And then, even if two fusions are made of the same gem types, they could still have different names because they’re different people, and that’s what they choose. Anyways, that’s just what this reminded me of,” he says, glancing up at her with a bashful smile. “Honestly... I don’t actually know how I identify.”

The corner of her lips edge upwards. “That’s fine,” she reassures him with a pat, “it took me a while to sort through all this stuff.”

“I really wanna figure it out, have a word for it, but nothing’s clicked yet. For a while I thought I was pansexual like my dad, but that didn’t quite... feel right. Like—“ he too shifts to sit up, folding his feet under his legs as he continues to speak— “I love getting to kiss you, but no offense, I don’t... know if I'll ever want to have- to do anything more than that, y’know?”

She snickers at his inability to simply say the word sex. He’s seventeen now, he knows full well what that is, yet still his faux innocence on the matter remains. It’s one of his charms.

“None taken. Love and attraction is a bizarre, complicated world.”

“You can say that again.”

“Bogus.”

“Whack,” he agrees with a playful grin. Reaching for the remote, he presses play a few times to wake up their streaming site. The episode starts up right where it left off, and they continue to watch together, the air somehow feeling sweeter after her much needed release of emotion.

The satirical medical drama quickly fades into the background, though, as Steven’s hand curls around hers.

“Hey,” he says quietly, blushing. “Even if I don’t know everything about labels yet, I do know one thing for sure.”

She raises a curious brow. “What?”

“I know I love you.”

And before she can open her mouth to respond in kind, he’s kissing her cheek, swooping in like a bandit just like she did for the first time all those months ago, and her heart swells with affection for this boy. He leaves her with one kiss, then two. At the exact moment she turns her head to reciprocate— to sneak a gentle kiss to his cheek right back— he turns as well and she ends up meeting him at the lips. It’s but a quick peck, but she's almost floating. The two of them stifle a laugh as they gaze at each other, their noses almost brushing together.

“Hey, it stopped raining,” he comments then, grinning against her cheek.

She drapes her arms around his shoulders, and hugs him close. Her eyes trail to the glass sliding door. The clouds outside are still thick, but after releasing their load they’re visibly lighter now.

“Yeah,” she breathes, feeling her muscles finally relax as she sinks into her best friend’s embrace. “Yeah, I guess it finally has.”

#su #steven universe #connie maheswaran #connverse #su fanfiction #su fanfic #my writing stuff

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mrjoelgarcia9 · 4 years ago

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Let’s Talk #TheLoudHouse: Season 5 Early Thoughts

The upcoming fifth season of The Loud House introduces a major change that will either make or break the show: the characters will grow up.

For my early thoughts on Season 5, feel free to keep reading. There will be spoilers.

Season 4 was the show’s last with the original status quo. The upcoming fifth season has been confirmed to take place a year later. Not much is known about it, aside from Lincoln and his friends entering middle school, Lily going to preschool, and Lori leaving for college. It is also unknown how the time skip will affect The Casagrandes, which is coming back for a second season.

The time skip is a good idea for the show. Continuity has not played a major role due to the show’s standalone format, but the fourth season slowly built it up by Lori constantly bringing up college, Luan and Luna’s romantic relationships, and Lincoln’s worries about middle school. It helps the show avoid becoming stagnant like other long-running Nicktoons such as SpongeBob SquarePants or The Fairly OddParents.

It is rare to see any animated series allow characters to age or grow up, being mostly exclusive to action shows such as She-Ra, Steven Universe, and Young Justice.

The best (and possibly only) example of a Nicktoon with a slice of life premise undergoing a change in the status quo is Disney’s Doug.

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When it moved to ABC, the titular character and his friends started going to middle school, he got a new baby sister, and began wearing an updated version of his traditional attire. It ran for 65 more episodes and a film. Despite outlasting the original Nicktoon, the revival is considered by fans to be inferior.

It is rare for a show like The Loud House to change things up after several seasons. When Rugrats added characters, not much changed since the babies were still the same age. The only major differences were Tommy now being a big brother and Chuckie having both a stepmother and stepsister.

There is a risk in changing the status quo. Rugrats did something similar with their spin-off All Grown Up!, which had the babies as teenagers in high school. While the former is considered a memorable piece of 90s pop culture (and coming back with a revival), the latter is mostly forgotten about despite allowing the characters to grow up and endure depressing teenage angst.

Another factor that might play a major role is the upcoming Netflix film. Originally scheduled to come out last year, then pulled by Paramount, and eventually acquired by Netflix, less is known about the film aside from its castle-like logo. It leaves it open for interpretation whether the characters will be placed in a medieval fantasy setting, go on vacation, or both.

As for what could happen next, anything is possible. It can either become very predictable, proceed to immediately jump the shark, or try something new and unexpected. The show might do one of the many following ideas:

Lori staying home and maintaining the status quo.

Leni now being in charge of the siblings.

Lily talking and fully interacting with the others.

Lincoln getting a girlfriend.

Lucy finally showing her eyes.

The McBrides adopting a child, giving Clyde a sibling.

One of the siblings permanently gives up on their dreams.

Proper crossovers with The Casagrandes.

The characters either updating or outright changing their attire.

Or most predictably, Rita gets pregnant and another sibling is added to the family as if it were a corny 90s sitcom (or The Brady Bunch).

(Yes, I am aware the GIF is of Cousin Oliver. My last point still stands.)

Earlier this year, Nickelodeon announced a live action Christmas TV movie adaptation of the show. Work on the film was originally scheduled to take place during the Summer, with a premiere later in the year. As the COVID-19 pandemic has suspended most live action productions, it is highly unlikely to be produced by the end of this year (or ever, based solely on the concept).

Production on the fifth season is in progress, albeit working from home due to the pandemic. In the meantime, The Casagrandes will finish airing the remainder of its first season. When that show’s first season comes to an end, I plan on writing a similar Final Thoughts post.

Over on my other website, I wrote a review of the show’s latest graphic novel. Expect to see a review of the next one sometime in August.

The Loud House airs weekdays on Nickelodeon. Check your local listings.

Until next time, thank you for reading!

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unforgettablelegends · 4 years ago

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Why Is Science Fiction So Obsessed with the Assassination of John F. Kennedy?

Fifty-six years later, we’re still trying to save Kennedy.

When President Kennedy was assassinated in Dallas on November 22, 1963, time seemed to stand still. Shots rang out at 12:30 p.m., and in an instant, Camelot was over. In some ways, we’ve been trying to bring it back ever since.

Over the decades that followed JFK’s death, artists have grappled again and again with that generation-defining moment, through documentary film, biography, and biopic. The assassination has been depicted in works of art, in musicals, and in song—Bob Dylan’s latest ballad is a nearly 17-minute recollection of the assassination that starts “'Twas a dark day in Dallas.”

But one medium in particular captures America’s continued fixation with the potential of Kennedy, and all that was lost when he died in Dealey Plaza 56 years ago: the time travel story.

For storytellers, the appeal is in part that the events of that day—and their status as a pivotal moment in history—are instantly familiar to an audience. “The Kennedy assassination is viewed as this watershed moment, and so it has that symbolic significance attached to it, which lends itself very well as the backdrop to a comic book, to a science fiction television show, to a feature film, because it does provide that gateway into a distinct moment in time that instantly defines the culture of the era,” explains Stephen Fagin, curator of the Sixth Floor Museum at Dealey Plaza, which is located inside the former Texas School Book Depository Building, where Lee Harvey Oswald took aim at Kennedy.

“You can point to this fixed geographical spot and you can say world history changed at 12:30 p.m. Central Standard Time. That kind of precision, I think, is so important when you plot out these complicated science fiction stories.”

For science fiction creators, though, the appeal goes beyond its universal shorthand. That genre hinges on the question: what if Kennedy had survived?

“Stories that deal with time travel inevitably look at events in the past as dominos: one thing causes another,” says Bridget Carpenter, the writer and executive producer of 11.22.63, a television adaptation of Stephen King’s novel about the assassination. “So the event of the Kennedy assassination, narratively, is the first domino.”

What if someone had stepped in? Taken out Lee Harvey Oswald? Saved the day? Maybe we wouldn’t have gone to war in Vietnam. Maybe Martin Luther King would be alive, and maybe Bobby Kennedy would, too. Would the world be better? Or just different?

This very question inspires the latest entrant into the school of JFK time travel: season two of The Umbrella Academy, Netflix’s popular series about a family of superheroes.

A brief synopsis for the unfamiliar: The Hargreeves siblings are an X-men-esque crew, each with their own unique ability. The second season of the show, which dropped in full last weekend, begins with the family hurtling back through time. In this particular instance, time travel isn’t an exact science, and so most members of the crew are scattered individually in Dallas in the years preceding JFK’s assassination.

When one of the brothers, Diego, who can bend the trajectory of weapons mid-air at will, realizes where and when he landed in history, he becomes almost consumed with the idea of trying to save Kennedy.

“He has this hero complex to prove to himself and to others that he's a crime fighter; he's a superhero, and he's worthy,” show runner Steven Blackman says of the character's obsession.

But Diego’s brother, Number Five (he has an unusual name and is a middle-aged man trapped in a pre-teen’s body for reasons that aren’t particularly relevant—did we mention it's a science fiction series?), arrives a few days after the assassination, and finds himself in a Dallas heading toward nuclear destruction. In this parallel universe, the President is alive, but Kennedy’s survival so altered the timeline that it brought on a Soviet invasion, and eventually the apocalypse, in a matter of days. And so, Number Five must jump back in time once again to ensure the Kennedy assassination does indeed take place.

This alternate-disaster theme also runs through 11.22.63, in which the efforts of protagonist Jake Epping (an English teacher from Maine played by James Franco on the small screen) to change history go awry. He has the best of intentions when he travels through a portal back to the '60s, but learns that keeping Kennedy alive leads to disaster on an epic scale.

Strangely enough, an episode of the British sci-fi series Red Dwarf, which first aired in 1997, features perhaps the most disturbing assassination-related premise. In it, JFK was saved from death, only to get impeached later on in his presidency. Kennedy eventually travels back in time himself and becomes his own assassin—the second gunman—in order to preserve his legacy.

But not every reimagining of Kennedy’s assassination in science fiction is quite so dark. In “Profile in Silver,” an episode of The Twilight Zone from the 1980s revival of the iconic sci-fi series, one of Kennedy’s descendants living in the year 2172 travels back in time, eventually taking JFK’s place at Dealey Plaza, and sending the President to the future.

Another film, Timequest, envisions a world in which following a visit from a time traveler, JFK not only survives and serves out two terms, but his younger brother Bobby is also elected president, and selects Martin Luther King Jr. as his VP. All three men cheat death in that particular reimagining.

#jfkennedy #jfk #john fitzgerald #jfk assassination

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kammieceleek · 6 years ago

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Why My Little Pony holds a place in my heart

This is a post most people will probably ignore.

But I feel like with the show entering its final season, it’s time for me to air my thoughts and I wanted to put them somewhere. I don’t have video editing software or a microphone or anything to put it on YouTube, so here goes nothing.

I started watching the show when I was about ten or eleven years old. It all started because my little sister (seven or eight at the time) stayed home sick from school and watched some of the episodes. I came home while she was watching “Dragonshy” and I ended up watching a couple of episodes with her. While this sounds like the experience of a lot of people who started watching the show, I want you all to keep in mind that I am currently nineteen years old. The first brand-new episode I ever watched was “Winter Wrap-Up”. What I’m saying is that this show... grew up with me. As I grew and matured, so did the show and it’s an important part of my early teen years.

When I started watching the show, I was at the age where watching cartoons was beginning to be socially unacceptable. Or at the very least, odd. I was mocked at school for liking it but I didn’t care. I had the show and I loved it. It became more difficult when I reached middle school and I didn’t have any friends because most of the ones I had in elementary school had either moved away, moved on from me, or went to a different school entirely. But when I was in seventh grade, the show helped me connect with a girl in my band class who to this day is my best friend. We bonded over a mutual love of the show and appreciation for animation in general. I even got another person to start watching the show as a result of a bet we made on a sports game where we were on opposing sides (if my team won, he had to start watching the show; if his team won, I had to wear a shirt for his team to school).

Over the years, I began to grow and reach out as a person. My horizons expanded, I found new fandoms, and I began to become more in line with the person I am today. I think that My Little Pony has influenced that in a way that I can’t ignore. It was my very first fandom and actually pulled me back and reminded me why I loved animation as much as I did. When I first started watching, I was on the verge of giving up on cartoons in general. The fact that the MLP from my childhood was G3 didn’t help. But my childhood was in the late 2000s, a decade noted for being loaded with notoriously bad cartoons that made a lot of people angry or upset or treat cartoons as just kids stuff. Watching the show made me feel happy in a way I hadn’t felt with TV for a while at that point. And just a couple years later, I’d get Gravity Falls and Steven Universe and so many other shows that I’m proud to have watched. Now I’m somebody who proudly attends conventions and sets up camp at the Animation Track at DragonCon so I can enjoy it.

But above all else, through the Brony community, I’ve been taught a valuable lesson in fandoms. It was my first and the one that I still can’t bring myself to pull away from entirely. All the different kinds of people show different sides of fans. The good, the bad, the ugly, the beautiful, and the vile. Every fandom has parts of it that are... toxic, to say the least. But that’s a result of the people within the fandom and that particular branch being brought together. It’s sad that some fandoms have toxic parts that are vocal enough for me to fear even mentioning liking the show/book/movie/franchise. And My Little Pony’s fandom is very very vocal. I enjoy the show and I want to see where it goes in G5. And this big part of who I am as a fan? I want to see it reach new heights.

The show holds a special place in my heart as my first fandom and the first one I truly felt I belonged in. It helped my sister and I come together when we were starting to grow apart and helped me meet people that I’m still good friends with to this day. The fandom itself has grown and changed so much. In fact, I was there in the earliest days of the analysis community when it mostly consisted of two guys raving about how amazing “Suited for Success” was as an episode. But I have to say thank you to the show and to the fandom for helping to shape who I am today. I wouldn’t be here without you.

#my litte pony friendship is magic #random post #thank you #personal story #don't read if you don't want to #season 9 #mlp:fim season 9

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awinger24 · 6 years ago

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My Issue With Disney Channel’s “Animation Cram Session”, Even the Promo

@mysteriesofmewni @cid331 @jess-the-vampire @tangledbea @disneyschedules @dreamschedules @disneychannelforever99

Disney Channel’s schedule is very inconsistent with little to no variety except for their live action sitcoms spamming the schedule. This post will be explaining how the channel treats their animated content, even summarized by just one promo.

Just look at one of the schedules courtesy of @disneyschedules

I think this schedule is boring as what Cartoon Network and Nickelodeon are doing with their TV schedules.

Cartoon Network = Spamming Teen Titans Go! and Gumball while shows like Steven Universe, We Bare Bears, and OK KO! don’t get a lot of air time.

Nickelodeon = Spamming SpongeBob and Loud House, even Paw Patrol on it’s preschool block while it’s other shows get aired less and bumped to bad time slots (even some are on NickToons).

Disney Channel = Spamming Raven’s Home and Coop and Cami, also Sydney to the Max (even Bunk’d and Stuck in the Middle before they were removed). The issue is that they are focusing heavily on their sitcoms in terms of scheduling and advertising.

DuckTales and Big City Greens are being promoted regularly but they air at time slots where much of the channel’s demographic is at school. Right now, Big City Greens is seen at 2:30, 3, and 4:30, so it seems to be the only cartoon they care about (a lot like how they treat Phineas and Ferb).

All this but shows like Milo Murphy’s Law, Star vs. the Forces of Evil, Tangled: The Series, and Big Hero 6: The Series, are promoted less, even using a same generic promo without any special new ones to hype up audiences, and placed at an inconvenient time slots between 7-9 AM. Even worse is that viewers have to wake up very early even in the Central and Mountain Time Zones.

For example, trying to get up at 5 AM in Colorado to watch Milo Murphy’s Law and Tangled might be difficult unless you set an alarm or go to sleep early. For Arizona, the issue is worse since there is no daylight savings time so, waking up at 4 AM just to watch it is a challenge.

With the four shows I mention, they only air a new episode once and they never rerun while they spam their schedule with the same sitcom repeats.

I have heard the senior vice president in charge of programming at Disney Channel, Paul DeBenedittis, was recently hired by Nickelodeon. Paul seems to be in charge of what we see on the channel. If he is gone, it’s unclear how things will change because Disney ABC Television has a team of executives still in control of the schedule, and we wonder who the new one is. But if Paul left before the spamming of Raven and Coop and Cami reruns, we have no idea if the new Senior VP is behind this.

TLDR: Disney Channel doesn’t schedule their animated content well and overshadows it while they only put so much focus on their Disney Channel sitcoms and stars (I mean Ruby Rose Turner, immediately had a song just after Coop and Cami aired).

Now, on to my next topic. I have some problems with this “Cram Session” promo.

Disney Channel has released a promo in September 2018 promoting audiences about it’s “Animation Cram Session” line up (which even includes Phineas and Ferb, before it was removed in January 2019 because they air it at 6 AM, not at 7.)

The promo still uses the same graphics that Disney Channel uses for it’s bumpers and commercials from 2017 up until February 2019.

https://miguelmonteagudo.com/disney-channel-2017-graphic-package

This was before the channel got a massive overhaul probably to reflect their new sitcom, Sydney to the Max. Appealing to the channel’s demographic of teenagers (mostly girls). Which if you were Walt Disney, this seems out of place from a company that had major successes in its movie divisions, theme parks, and merchandising.

The “Cram Session” promo was voiced over by none other than a man named Jim Pratt.

He has been doing Disney Channel promos/advertising since the 2010s alongside doing voice over for dozens a promos for other networks like TLC and Fox. In 2016, he has replaced the main Disney Channel voice over, Cam “Buzz” Brainard, and he ended up doing nearly every promo for the channel.

The way I describe his voice is “high energy” and “in your face” as a way to hype up people about a certain show or lineup.

http://www.jimprattvo.com/highenergy

Sure when I was very young, I have grown up with the voice overs of Mark Elliot, Brain Cummings, and even Beau Weaver but if I imagined them voicing over for the Disney Channel, they would’ve brought a new meaning of excitement while still keeping that trademark Disney magic.

It’s been updated a few times removing and adding clips from various shows.

- Version 1 (September 2018-October 2018), DuckTales, Big City Greens, Milo Murphy’s Law, Big Hero 6: The Series, Gravity Falls, Phineas and Ferb.

- Version 2 (October 2018-December 2018), DuckTales, Big City Greens, Milo Murphy’s Law, Gravity Falls, Phineas and Ferb.

- Version 3 (January 2019-February 24, 2019), DuckTales, Big City Greens, Milo Murphy’s Law, Star vs. the Forces of Evil

- Version 4 (February 25, 2019 - present), DuckTales, Big City Greens, Milo Murphy’s Law, Star vs. the Forces of Evil, Rapunzel’s Tangled Adventure

Because I have seen this a bunch of times, I can even almost identify some of the clips they use from some respective episodes.

DuckTales: The Other Bin of Scrooge McDuck!, The Last Crash of the Sunchaser!

Big City Greens: Parade Day, Welcome Home!, Gridlocked (even audio from it), Blue Tater, Family Legacy

Star vs. the Forces of Evil: The Season 3 intro, Marco and the King, Puddle Defender, King Ludo, and Toffee

Gravity Falls: Roadside Attraction

Now onto the promo along with the voice overs used.

(We show a sad face of Cricket from Parade Day, then we cut to Huey, Dewey, Louie, and Webby from Last Crash of Sunchaser as they all groan (clip is out of context).

VO #1: Sad not having school on weekends.

Cricket: Aw, man. (Clip is from Blue Tater).

First off, this wouldn’t make sense if you were the channel’s main demographic of 6-14 (or even teenagers if you like some of these shows), because usually cartoons were a bit of a after-school (3-5 PM)/early morning before school (5-7 AM) thing because it was a way of entertaining children, sometimes even teens where their high schools start as early as 7 AM. Usually, children are happy there’s no school on weekends.

VO #2: You can still learn a thing or two with the Animation... Cram Session!

I sorta think think this is tedious and gives a mixed message. Usually real life cramming is a negative effect.

https://www.gavilan.edu/tutor/documents/DONTCRAM.pdf

This PDF page from Galivan College says,

“Cramming deposits information in your short term memory. Material reviewed in cramming sessions is not learned. Some students think they have learned the material and will be able to recall it for the midterm or final. Wrong! It’s gone! The information is generally unavailable to recall after one or two days. So, when students rely on cramming they cheat themselves out of a true education.

Cramming is also more work. It takes longer to learn material when it is done under pressure. Cramming does not save time. Cramming also has its limits. If you haven’t cracked a book in any of your courses, have daydreamed through the classes, or haven’t attended, cramming will not help. Cramming for several courses also doesn’t work.”

To apply this with how Disney Channel schedules their cartoons, they of course only air their animated shows once within the early morning hours of 6-9 AM on Saturday and Sunday. With the fact they only air one new episode of a show once (Milo Murphy’s Law, Tangled, Big Hero 6, Star vs, the Forces of Evil), this makes it even worse for people who don’t have access to DVR, Direct TV/Dish/Premium Cable (Spectrum) with Disney XD, On Demand, and even DisneyNOW, but only get Disney Channel through basic cable.

Once they see the episode once, they might try and remember it, but with different mindsets, it’s highly possible they will forget it and move on with their repetitive sitcom reruns or the next cartoon to cram in. They wouldn’t be able to recall anything from the show, unless it’s amazingly entertaining and appealing thanks to either bright and fast-paced animation, emotional moments, or even the funniest moments.

Also, it seems odd they attached two random clips from two shows and edited them together.

Webby (in The Other Bin of Scrooge McDuck): Diamond dagger cuts through anything.

Cricket (in Blue Tater): Wait. Come again?

Well, it does segue into the next voice over but it gets kinda boring once you’ve seen it again and again.

VO #3: Every Saturday and Sunday morning, Cram in... all the adventure!

VO #4: Cram in... all the action!

These two does seems like a generic way to promote a lineup but it is all “in your face”

Now it features clips from the DuckTales episode, Last Crash of Sunchaser.

Dewey: Nothing can’t stop us.

(The plane jerks as Huey, Dewey, Louie, and Webby jerk in a halt too.)

Cut to a later scene

Louie: WE GOTTA GO NOW!!

Launchpad: Now?

Dewey/Scrooge: No!

(Launchpad starts the Jeep)

The scene then cuts to a clip from Big City Greens’ “Blue Tater as the show’s main characters fly out of a shopping cart.

Note: These clips being edited together like that and seeing it over and over again when it comes on during commercials is just flat in some way.

(Shows clips of characters laughing/having fun. One of them is from Gridlocked.)

VO #5: And cram in all the laughs in the Animation Cram Session!

VO #6: Weekend mornings starting at 7 on Disney Channel

Again, the issue with airing these shows once at 7-9 AM seems to be inaccessible for people who want to sleep in. Or don’t know it’s on because they live in the Central and Mountain Zone and it airs 1 and 2 hours early respectively.

Gramma Alice talks to Tilly

Gramma Alice: You kids are smarter than you look.

All set to generic high-energy music (pop/rock/electronic), this “Cram Session” promo just doesn’t make sense and with some of the shows just getting generic promos alongside it, and seeing it a bunch of times with the same clips reused, especially focusing more on DuckTales and Big City Greens, not giving as much spotlight on the other cartoons, makes this a questionable promo.

It all comes together the main issue with how Disney Channel is treating their cartoons.

Bad time slots, little to no promotion, not even individual promotion with the exception of DuckTales and Big City Greens (which the channel favors more than their other cartoons).

Plus this promo is basically saying to the channel’s demographic of 6-14 year olds that you should “Cram In All”.

Sure this seems to be a Saturday Morning cartoon lineup thing but the fact that this is Disney Channel, they choose to put all their animated shows at an inconvenient air time while they spam their sitcoms. It’s more of a lose-lose situation. Milo Murphy’s Law, for example, suffers in low ratings.

Sadly but true, cable is decreasing (even prices are increasing) as Disney is launching its new streaming service, Disney+ very soon. Even DisneyNOW seems to be the current way of watching/streaming shows (with TV provider or Apple TV).

Still, I just don’t see why Disney Channel would spam their sitcoms (alongside Big City Greens which is a good exception), while their animated shows don’t meet up to the potential if the channel airs them at prime time.

To conclude, Disney Channel’s schedule isn’t full of variety, the “Cram Session” promo has some issues, and the future of our favorite shows and how we watch Disney’s TV animated cartoons is uncertain. Also, Disney Channel after Paul DeBenedittis’ departure leaves us in a mystery who is his replacement and how the schedule will change in the future. Plus, I provided you some brief Disney Channel history.

P.S. I hope Amphibia, 101 Dalmatian Street and The Owl House have potential for great ratings if Disney Channel cares for their cartoons more.

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erictmason · 7 years ago

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Top 10 Disney Cartoon Shows

Turns out that last list didn't quite get all the Disney out of my system, so I'm at it again. Only this time, it's about Disney's efforts on the small screen. It's actually kind of hard to overstate the significance of Disney's choice to get into the television animation game back in the 80's. Before then, whatever else one could say about its merits, animation on TV meant one thing: cheap (well, OK, that and "short films imported from a radically different era", but let's not split hairs here). That isn't to say quality animation could not be found on television pre-Disney, but rather that said quality (both in the visual and writing departments) was rarely if ever the priority. But when Disney came along, with a mission statement of bringing with it the level of craft that had defined their theatrical films (though naturally they were never really aiming that high), that changed, and animation studios of all stripes suddenly had a reason to pour a lot more effort into their animated TV shows. I don't think it's unfair to say we're still living in the world Disney helped create, in fact, whether it's the overt influence many of Disney's shows have had on the newest generation of animators or else by virtue of the space they helped to make where such shows can exist and thrive. So, with the reboot of "Ducktales", the Disney TV animation studio's first breakout success, having recently launched, I thought it would be an appropriate time to look back at that vast, storied history of Disney TV cartoons and pick out my personal picks for the best of the bunch. As usual, there are a few provisos, a couple of quid pro quos if you will. 1.) It has to be a show made by a division of Disney Television Animation, not just airing on a Disney-owned channel. That means no Lucasfilms, no Marvel, and no imports from, say, Canada or Japan. 2.) TV shows only, no shorts or compilation shows. So much as I adore them, the current run of "Mickey Mouse" shorts will not be on here, sorry. 3.) It has to have aired in its entirety. I feel like it's unfair to judge a TV show on a list like this without being able to see it as a whole, so as intriguing as, say, "Star VS. The Forces of Evil" is, it isn't eligible since it's still producing new episodes. With the rules established? Let's make some magic!

10.) Aladdin: The Series (1994-1995): Here's a bit of irony for you: half the reason Disney ventured into television animation in the first place is that, at the time, the future of their theatrical animation division seemed in doubt. Not long after, however, along came "The Little Mermaid" and the Disney Renaissance, and suddenly it was the television side looking to the theatrical side for source material. Quite a few Renaissance pics got the TV show treatment as a result, but for my money the best of the bunch remains "Aladdin: The Series", mainly because it's the one that feels most of a piece with the original movie. Part of that, of course, is that "Aladdin" was already a bit more suited to the adventure-a-week formula, since that's kind of where the roots of the original story already run. But part of it is also that the ways in which the show expanded on the original's world were genuinely clever. Pulling not only from Arabian mythology, but Greco-Roman, Aztec, Egyptian, and beyond, the show managed to deliver remarkably-solid adventure stories, few of which ever continued from the other but all of which worked surprisingly well together to create a world that felt remarkably alive and vibrant. Sure, Aladdin himself remains a fairly uninteresting protagonist, Dan Castellanata can't hope to replace Robin Williams as The Genie, and Iago is a lot less fun when he's asked to be a constant lead presence rather than a humorous diversion. But even so, "Aladdin: The Series" succeeded at taking the original's lead, running with it, and in the process delivering a show that felt exciting and interesting to watch week from week just to see what new corner of its world it would uncover.

9.) Phineas and Ferb (2007-2015): OK, confession time? I actually don't like this show very much. I hardly dislike it or anything, but I was never able to really get into it the same way I could other entries in the remarkably-specific sub-genre of "TV Cartoons Aimed At Kids Which Manage To Also Garner A Sizable Teen/Adult Audience" like, say, "Steven Universe" or another show that's probably on this list. Nonetheless, I can't deny this thing is maybe the success story of modern-day Disney television animation, lasting longer by far than any other show on the list. Nor am I unaware of what made it so popular: the strong, heavily-geometric character designs, the charming musical numbers, and the mad-cap, self-aware comedy. It's that last piece I find most interesting, because I think it speaks most strongly to what helped "Phineas and Ferb" stand out from the pack: it's kind of like the kid-friendly version of "Family Guy", at least in the sense that it derives its humor less from the story or characters, who are deliberately archetypal, and more from its ability to use those archetypal characters as delivery machines for rapid-fire punchlines predicated on equal parts dry wit and pop-cultural reference. In other words, it never becomes itself an "adult" series, indeed its whole perspective is an exaggerated version of childhood, but it does use an "adult"-oriented style of comedy most other kid's shows didn't really utilize back when it started. That kind of unique creative choice can often do a lot of help a show stand out from the crowd, and, with four seasons, seven years, and over 200 episodes (to say nothing of TV specials and movies), I think it's safe to say that's exactly what this show did.

8.) Fillmore! (2002-2004): Man, why don't more people remember this show? Following up on the renewed popularity of crime procedurals thanks to both the "Law and Order" and "CSI" franchises being at their peak, it takes the structure and tone of a 70's/80's-style crime drama and refits it into the world of Middle School. Cops become Hallway Monitors, overzealous politicians become overbearing teachers, and Grand Theft Auto becomes bicycle theft. It's that last part that proves the most amusing; since murder is pretty obviously not going to fly on a kid's show, the crimes they do come up with display a remarkable breadth of creativity. Trying to chase down a graffiti vandal turns into a "Silence of the Lambs"-style criminal vs. criminal scenario, fandom obsession leads to dangerous sabotage, smuggling food into school is treated like something akin to drug-running, that sort of thing. And best of all, while the show is entirely aware of its own absurdity, its sense of humor is 100% deadpan, and the result is that it really does play like a "straight" Cop Drama despite its setting. It's a unique tone that is equal parts engaging and funny, and it creates this really interesting one-of-a-kind style that no other show has ever really tapped into, either before or since. Top it off with a great pair of lead characters-the titular Fillmore himself, a Good Guy With A Past played with a crisp cool to match the show's tone by Orlando Brown, and his reformed-ex-con partner Ingrid Third, another notch in veteran VA Tara Strong's belt, and you've got a great kid's show that's every bit as gripping as the shows it parodies, even as it also gets some solid laughs along the way too.

7.) TaleSpin (1990-1991): For the most part, it's easy to draw the lines that connect the Disney Afternoon's initial shows to the pre-existing Disney properties they're based on. "Goof Troop" is really just those old-school Goofy shorts about domestic life updated to match with 90's-style family sitcoms, "Chip 'n' Dale: Rescue Rangers" plugs the titular duo into kid-friendly adventure romps, and so on and so forth. But "TaleSpin" is just so weird in that respect: it may borrow three of its key characters from there, but it can't really be said to be based on Disney's 1967 version of "The Jungle Book". Instead, those characters-or rather heavily modified versions of those characters re-conceived to fit in to the show's new setting-are placed into an entirely new world, which itself is something like a steampunk fantasy version of 1920's America, guided by the spirit of old-school Adventure Serials. But the very oddity of its construction allows "TaleSpin" to feel at once familiar and new, able to ground itself by way of those "Jungle Book" characters you know and love (with the twists it puts on them being endearingly clever, like making Shere Khan a Lex Luthor-style corporate mogul) while also spring-boarding out into a wide variety of classic adventure stories. Daring duels with pirates, high-stakes air races, and even the occasional flight of overtly-magical fancy...there's a lot of Tales to Spin here, and the show consistently does so with an admirably clear-eyed sense of its own genre and how to best play with it. And again, it's all connected to a charming cast of characters. "TaleSpin" is a tricky little thing to pin down, then, but for that very reason it's way too memorable to overlook or ever forget.

6.) The New Adventures of Winnie the Pooh (1988-1991): "Winnie the Pooh" stories are a tricky thing to do right. They'd been around for close to half-a-century even back when Disney first adapted the property into a trilogy of animated short films during the mid-to-late 60's, and that history, combined with the stories' enduring popularity, means we all have a fairly solid idea of what they "feel" like. Moreover, by their very nature, the best "Pooh" stories are short, simple things with only the barest hint of narrative intent or moral center. Which means trying to expand on them in any significant way runs the risk of stuffing them with more familiar story-telling tropes and styles that simply do not belong there. So "The New Adventures of Winnie the Pooh" deserves a lot of credit, if not for dodging that fact entirely (as was increasingly common in kid's TV shows of the time, it made sure to center a lot of its stories around "lessons" in a fashion much louder and more overt than the source material), then at least for managing to make a show that consistently felt like it captured and exemplified the right spirit even so. A lot of that, it should be said, comes down to the voice actors; not only did Paul Winchell (Tigger) and John Fiedler (Piglet) return to reprise their iconic roles after having sat out the previous "Pooh" TV show, "Welcome to Pooh Corner", but this also marks the first "Pooh" project where the title character is voiced by Jim Cummings, who has played the role in every other "Pooh" production to come out of Disney in the nearly-three decades since. Their performances aren't just consistently entertaining, they also lend a sense of spiritual continuity that benefits the show greatly. More to the point, though, the animation has an intriguing physicality to it that recognizes the stuffed-animal nature of its core cast, as well as a delightfully-poppy color scheme. The writing, meanwhile, uses a particular blend of sweetness and humor that feels at once akin to the original Disney short films, but also distinct and enjoyable unto itself. Wordplay, slapstick, and gentle philosophizing, hallmarks of a good "Pooh" story since the very beginning, all show up in "The New Adventures of Winnie the Pooh", but the show always puts a just-so slightly-modern touch on each one. To be sure, "New Adventures" plays in the same ballpark as more typical Saturday Morning cartoon fare, but it does so with the invaluable lessons of Pooh himself pretty clearly having been taken to heart in the process, and the resulting show is simply delightful.

5.) Adventures of the Gummi Bears (1985-1991): Technically speaking, the first Disney Television series is the short-lived plush-toy spin-off "The Wuzzles". Meanwhile, the first real breakout hit for the studio was unquestionably 1987's "Ducktales". But the one that first really established the studio, granting it the foothold from which it would build its future successes, is "The Adventures of the Gummi Bears". On paper, it sounds very much like a "Smurfs" wanna-be, centered as it is on a tribe of small, magically-inclined creatures with matching names set in a vaguely-Medieval England fantasy world. But in execution, it winds up weaving a remarkably-compelling tale with a surprisingly-dense internal mythology which it treats with an impressive degree of respect and earnestness. That isn't to say it's some Super Serious Epic (we'll need to go a bit up the list for that show), but even as it keeps things primarily centered on kid-friendly slapstick and gentle goofing off (and does a fine version of it in both cases too), there is nonetheless an underlying spine of genuinely weighty world-building to it that adds just the right amount of extra heft to even the lighter aspects of the series. The way our main characters, the Gummi Bears of the title, slowly but surely discover more and more aspects of their history and culture (much of it tangled up in an ugly war stemming from prejudice and distrust), all the while hoping for the day they'll be able to reunite with their own people, underlines almost every episode, pulling you in and often taking you by surprise. As well, while all clearly archetypal (in the old Seven Dwarves tradition of being named for their defining traits, even), those characters are all delightful to spend time with, again thanks to a strong cast of voice-acting veterans like Paul Winchell, June Foray, and Bill Scott, and a dynamic that feels warm and lived-in. Moreover, this is the show that Disney's TV animation really used to show off its skills, with some of the most fluid, engaging use of motion in any cartoon of the era; some episode are naturally stronger than others, but the best of them are genuinely gorgeous stuff. It is, in other words, a show with an intriguing story that feels very much like the best sort of Bed-Time Story, inviting and friendly on one level but with a deeper center just beneath the surface to pull you in and keep you coming back, and realized with a strong, compelling craft. So it's really no wonder that these "Gummi Bears" were, in their way, the ones to start the long-lived legacy of Disney's TV cartoons.

4.) Recess (1997-2003): There came an interesting point of transition for Disney's TV animation studios toward the end of the 90's. The Disney Afternoon block, long the most visible home for their shows, was finally shutting down after a solid seven-year run, and a new once-a-week block, fittingly named "1 Saturday Morning", was rising up to take its place. The block managed to last a decent five years, but very few of its shows managed to make much of an impact. But among the ones that did, the clear front-runner, to my mind at least, is "Recess", a love letter aimed not only at the nostalgia of the playground but also to the iconic TV comedy "Hogan's Heroes" (compare the theme songs to both shows, and then look at the mix of archetypes that comprises the core cast for each one). That mixture allows the show to present a vision of childhood that is simultaneously deliberately hyperbolic-the age-old notion of schoolyard hierarchies is here portrayed as a rich, thriving society unto itself, complete with its own king and economy-while still grounded in relatable ideas and characters, especially as regards the oftentimes contentious relationship between the students and teachers. That latter aspect especially speaks to why "Recess" is probably my pick for the best overall show of the "1 Saturday Morning" era, too; yes, as is typical of a show aimed at kids, it plays to their own feelings by painting the teachers as alternatively cruel and inept for the most part (while quite a few episodes focus on the difficulties the kids have with their parents, too), but it never forgets their own humanity in the process, and some of the show's best moments stem from that fact. Still, at the end of the day, it does really come down to that "Hogan's Heroes" influence I mentioned. No real kid has ever assembled the complex schemes and adventures that are "Recess"' primary source of stories, but I promise you every last kid has dreamed of it, and by placing those scenarios in the world it does, where the audience can at once recognize how much this is an exaggeration but still grasp what reality it draws from, it makes this really intriguing atmosphere that sparkles at once with a kid's sense of wonder and an adult's sense of humor (a lot of the best jokes stem from sharp wit that connects a young adult's perspective to adult concepts like a full-time job or balancing responsibilities). It's a style quite a few shows, cartoon or otherwise, have tried out over the years, but "Recess" is one of the very best examples of the form.

3a.) Gravity Falls (2012-2016): If you were paying close enough attention, you may have noticed something about the opening credits of animated television shows around the beginning of the '00's: series creators were being prominently credited. It was indicative of a larger amount of trust and control being placed in distinct creative voices as the industry slowly eased out (or tried to, anyway) of the merchandise-driven business model that had defined it for most of the 80's and 90's, and across the board it led to some very distinct visions making their way onto screens. For Disney, the example du jour is Alex Hirsch's "Gravity Falls", a show whose existence is all the more surprising when you consider just how very Not Disney its premise-kid-oriented "Twin Peaks" riff by way of "The X-Files"-really sounds. And yet here we are, with a show that is at once a razor-sharp comedy, a poignant examination of what it means to grow up and what we do and do not have to leave behind in the process, and a veritable parade of some of the most off-the-wall horror-sci-if-fantasy mash-ups of all time. And the thing of it is, the glue holding all of that together and keeping it coherent, allowing the show to build effortlessly both towards fantastic punchlines and deeply emotional culminations, stems from Hirsch: in interviews, he talked about how much of the show's premise stemmed from reflecting on the tourist-trap vacations he himself took as a child, and indeed, a lot of the series' best moments (an early episode centered on a haunted convenience store springs to mind in particular for me) succeed by tapping into that particular vein of childhood, where the simple change in environment that comes with vacation lends even the most mundane things an air of mystery. By the same token, so too do the characters feel keenly drawn from reality (even as they do still possess a cartoon's foibles and exaggerations); Dipper and Mabel are two of the most believable pre-teens I've ever seen on TV, both in their own way smart enough to no longer be children but struggling with the greater maturity necessary to really become grown-up, Grunkle Stan feels like every huckster you've ever seen on TV right down to the niggling sense that there is a tremendous amount more to him than what we see, and the change in perspective the show gives us on Wendy, initially kept at arm's length because of Dipper's crush on her only to emerge more fully as a person once he recognizes her own feelings on the matter. And then on top of all that, it's connected to a genuinely-compelling mystery that the show gradually teases out more and more, and those who are paying attention really do have an honest shot of piecing the puzzle together before the characters do, adding a new layer of visceral excitement to the experience. But the real strength of the show is that those twists and turns, as much as they might pull us deeper into the puzzle box, are really more about exploring and growing the characters first and foremost. That's the key to "Gravity Falls" above all, to my mind: yes, its internal mythology is uniquely well built, and yes, pushing the envelope on how genuinely scary/dangerous it's allowed to get is fascinating, but it never loses sight of how much its characters are the real heart of the story, and how much that fact helps this weird, wild mixture really come together.

3b.) Darkwing Duck (1991-1992): Yes, the #3 slot is a draw, because when it came right down to it I simply could not pick between the two shows I was considering for it. Leaving "Gravity Falls" off felt simply unacceptable to be, but neither could I find it in my heart to axe this, maybe my personal favorite of the entire Disney Afternoon era, from the list. Because the thing of it is, when you really think about it, "Darkwing Duck" shouldn't work at all. Superhero parodies were old hat even by the early 90's (indeed, at that point they probably outnumbered actual superhero shows), while spin-offs had long ago developed a reputation for being cheap-and-easy cash-ins (though the extent to which "Darkwing Duck" is, in fact, a spin-off of "Ducktales" is a touch debatable, I suppose, even as they share a handful of characters). But despite the odds against it, "Darkwing Duck" does indeed prove to be a consistently entertaining piece of work, and a lot of why boils down to the remarkably-multilayered construction of its title character. That isn't to say Darkwing is the only good thing about his own show; his rogue's gallery is an amusing assortment of pastiches of classic Villain archetypes-the plant-master, the crazy clown, the evil double, and so on-while the supporting cast, including "Ducktales" veteran Launchpad McQuack and excitable youngster Gosalyn Mallard (a character who, by rights, should be insufferable, but is instead genuinely endearing thanks in no small part to her voice actor, the late, great Christine Cavanaugh), is equally enjoyable. As well, the show's sense of humor has an ahead-of-its-time sardonic edge to it that was nowhere near as commonplace in kid's cartoons by that point, but which here provides just the right level of sharpness to the comedy. And the animation is fascinating, too, with a far more "Looney Tunes"-style sensibility to a lot of its best moments (which in turn informs the characters a lot; there's more than a touch of Daffy to Darkwing, but we'll get to that in a minute), while also showing just how far the iconic Disney "duck" design could be stretched while still being recognizable. But it really is Darkwing himself who makes the show, because despite the core conceit being fairly simple-poking fun at the inherent egomania of the superhero by portraying one as a glory hound interested more in publicity than actual heroism-there actually prove to be quite a few layers to him when you really get into it. For one thing, he's actually quite good at his job; for as many times as his inadequacy is the butt of the joke, "let's get dangerous" is more than just a catchphrase; it's a sign he's about to show you what he's really capable of. For another, his sincere affection for and protectiveness of Gosalyn shows there really is a heart underneath all that bluster, and that if he could just get out of his own way, Darkwing might well be capable of true greatness. But all too often he is, in fact, his own worst enemy (there's that Daffy Duck influence again). It's all played mostly for laughs, sure, but, especially thanks to Darkwing's VA Jim Cummings, who navigates each of those layers coherently and effectively, it comes through clearly even so. And it elevates the entire show to this unique, interesting place that has helped it stand the test of time.

2.) Gargoyles (1994-1997): As established during our introduction, the entry of Disney into the world of television animation in the mid-80's was a real paradigm shift in the industry. But a few years later, in 1992, came another, arguably even more profound game-changer: "Batman: The Animated Series". Every last element of that show-its writing, its visual style, and especially its revolutionary craft-proved profoundly popular, not only with viewers but people inside the industry. Soon enough, almost every TV animation studio around mounted a response: for Marvel Television, it was the "X-Men" cartoon, for Hanna Barbera it was "SWAT Kats". But far and away the best answer came from Disney, in the form of Greg Weisman's fantasy epic, "Gargoyles". From stem to stern, this is maybe one of the richest, most satisfying stories Disney TV ever crafted, and in stark contrast to just about every other show on this list, that doesn't come with a "but it's not as serious as all that" caveat. There's comic relief, to be sure, but still, this is nonetheless an entirely-earnest Modern Fantasy Epic, comprised of equal parts deep-cut cultural/mythological references-everything from Shakespeare to Arthurian Lore to the tales of Anansi the Spider, all realized with a remarkable degree of understanding and specificity-and exceptionally well-structured characters. Stoic Goliath, striving at once to protect what little remains of his kind while also seeking to do good in a world he struggles to understand; Elisa Maza, a sharp-minded detective who is always determined to stay on top of the situation no matter how crazy it becomes; Demona, a tragic figure consumed with anger and grief who seeks greater and greater means of destruction; Xanatos, one of the greatest masterminds of all time, always one step ahead, always a new scheme at the ready. "Gargoyles", in other words, weaves an impressively intricate tale that inhabits a sprawling, detailed world with rich, compelling players, by way of some of the most impressively-intricate long-term story arcs I've ever seen in a cartoon show. Whether it's the gradual transformation of Xanatos from inscrutable antagonist to complex Family Man (even as the extent to which he can ever really be trusted remains in question) or the slow-burn, exceptionally rewarding progression of Goliath and Elisa's relationship, or even things like the young, impetuous Brooklyn slowly growing up into a possible leader, "Gargoyles" hones in with perfect precision on how best to expand these characters over time. Likewise, watching as the scope of the world, and our own understanding of it, expands to include concepts like aliens and mutants amongst its gods and monsters is impressive and fascinating. And the series paces itself equally perfectly. There is a genuinely organic quality to "Gargoyles"' arcs, both character and plot; it never feels static or overly obsessed with the Status Quo, but it also does not rush through anything. Each plot twist, each character epiphany, feels earned, and all the more powerful as a result. And, cherry on top, the animation is top-tier stuff; it is perhaps not as overtly stylized as "Batman: The Animated Series" (though its focus on night-time settings and a darker color palette feels evocative of that show), but the combination of a Disney-esque sense of character design with the show's strong narrative backbone leads to exceptional results even so. "Gargoyles" may have been made in "Batman"'s image, but it wound up being a one-of-a-kind classic in its own right.

1.) Ducktales (1987-1990): There are a number of reasons "Ducktales" more or less has to top this list. Its pedigree, for one thing; drawing a lot of its premise (and directly adapting several of its best episodes and story lines) from the famed Carl Barks "Uncle Scrooge" comics (though notoriously, Barks' most famous successor, Don Rosa, has a less-than-sunny attitude toward the show) provides the show an exceptionally well-built and endearing structure. Whether it's outer-space epics or intercontinental treasure hunts, espionage action or magical mayhem, there's no breed of adventure "Ducktales" cannot comfortably tap into. Another thing to consider is its place in history; almost every other show on this list owes its existence to one degree or another to this show, which proved to be exactly the sort of powerhouse success story the Disney TV studio needed in order to prove its chops, and that means "Ducktales" holds a special place in animation history too, given how much Disney TV has played a part in it as a whole. And naturally, there's the animation to consider too; it may seem a touch standard-issue today, but compare "Ducktales" to just about any other contemporary cartoon of its era, and you'll realize just how much care goes into keeping characters on model and letting them movie not just fluidly, but also in a way that's enjoyable to watch. And last but hardly least, there's the stellar cast of characters (and voice actors); Huey, Dewey, and Louie may all be interchangeable, but their dynamic is lively and enjoyable anyway. Webby, meanwhile, is a fantastic foil, not only for them, but for Uncle Scrooge. And naturally, Scrooge himself (given an iconic performance by the late, great Alan Young) is just fantastic, a multi-layered, larger-than-life character who is nonetheless so much fun to simply spend time with you never want to stop. But the thing of it is, "Ducktales"' real claim to #1 is a bit harder to quantify than all that, because even as it excels on just about every level, it doesn't have, say, the same depth of theme and character as "Gravity Falls", or "Gargoyles"' tapestry of plot lines and character arcs. Its animation is certainly high quality, especially for the time, but it's not that much better than "Adventures of the Gummi Bears". And yet, even so, "Ducktales" is the one everyone remembers, and I feel like that comes down to it adding up to something more than just the sum of its parts. There really is this unique, ineffable energy to "Ducktales" that is equal parts charming, endearing, exciting, and thrilling, and it enhances each and every one of the things the show already does so well to a special level all its own. Some of that can be chalked up to nostalgia, sure, but a lot of it, I think, can also be ascribed to the sheer sense of discovery innate to the show. Not simply in the various people and places our heroes encounter (though there's that too, naturally), but in the fact that this new effort on Disney's part was hitting its stride, and in so doing opening up a whole new world of possibilities, for the show itself and for the future. Which is maybe being a touch too grandiose about it, but even so, "Ducktales" has endured enough to make me think there may be something to it. And hey, if literally nothing else, it really does have one humdinger of a theme song.

#Disney #disney afternoon #television #ducktales #Countdown #ericthemason #My writing

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neioo · 7 years ago

Photo

SUMMARY: They thought it was over once the ‘Plan’ was completed. Time had passed. Most of their wounds had healed, but unknown to them, there were still other Nations, forgotten Nations, who continued to be tortured and experimented on.

All until one man, also forgotten, decided to rescue them and craft his revenge.

His actions cause the secrecy of the ‘Plan’ to crumble. Those who were involved are exposed. And as their punishment, they’re forced to work as pawns. Their ideals are again challenged—their humanity put to the test. Are they doing the right thing? Who can they trust? But most importantly:

Are they to blame?

This book is a Sequel to Are we humans? THE BOOK is available for purchase (HERE) or (HERE) as well as can be found (here) on AO3. As it’s a sequel, AWH can also be found (here) on AO3

Thank you so much for sticking with me! A bunch of rambling about this novel and updates on WDWW under the cut ^^

It’s done. It’s finally fucking done.

I mentioned this when I posted the proof, but my spring semester was rough, and then I catapulted myself into a study abroad in China for two months, which was very labor-intensive (10+ hours of work every day, not to mention going to 5 hours of classes)

I’m alive, though, so that’s cool.

I think DFU after being editing is way better than when I started. Are there still mistakes? Probably. Typos? I hope not, but…I was trying to go really fast at the end.

But Maddie, shouldn’t you stay with DFU and release it when it’s perfect?

I’m one person who’s doing this in their free time and at this point, I’ll be pissed if I find something wrong, but I’ve just come to accept it. If you purchase this or read on AO3 and see something, I apologize.

My editor really helped a bunch, so thank you so much. DFU is better because of you ^^

Updates:

Sorry for not touching WDWW in a month (I needed to focus on DFU and I needed a break as people do every now and then). I have an outline for the next two chapters, and I’ve already started writing the next

Ha ha.

I think I planned too many chapters. 6 (yes 6) seem unimportant so I’ll probably be scrapping them, making the total to 15 chapters. idk I’m not sure if this’ll be longer than 45k. That’s either cool or not cool. I’ll be done it soon! But I’ll also be done the AWH AU soon so.

Still gotta edit the fucking thing, though. You’re not free of me quite yet

In all honesty, I want to go back and edit AWH more too (I know jesus), but that’s still up in the air

Once WDWW is edited and done, I’m not writing any more hetalia fanfiction. I’ve done my support for the fandom. 再fucking见

(nah I’ll probably be sad and have an identity crisis but considering I’m only on chapter six as of now, and then I have to edit, we have at least 5 months before that happens)

What’s afterwards then? Probably OC work. I do want to get a novel published one day. And this blog? ¯\_(ツ)_/¯ maybe I’ll go into the void like George deValier . you son of a gun George

Goodies! Or whatever.

Here’s what I posted at the back of DFU that you can read here if ya want:

I was a freshman sitting in my high school’s library, named the ‘Knowledge Commons’ because the school was a newly opened IB only high school within my school district, and I guess the ‘Head Master’ felt the need to be pretentious. I was the only kid in there. It was the first year and there were only two grades, and most kids had class while I opted to take a free period. My friend Simran got out of orchestra early and ran in there to find me.

“What are you doing?” she asked.

I was probably fucking around on YouTube, looking up anime OSTs, but it’s hard to remember. “Nothing.”

“You should watch this new anime I found!”

I frowned. “Yeah, but I’m watching Soul Eater right now.”

“No, trust me. Have you ever heard of Hetalia?”

“Vaguely. I was thinking I might watch it next.”

“Watch it now! The episodes are only 5 minutes, and it’s on YouTube.”

I shrugged. “Okay.”

And that’s the story of how I sold my soul.

Simran left me in the middle of me watching the first episode. I don’t know where she went—the bathroom? But I was left alone and confused as all hell.

But I kept watching.

I never did finish Soul Eater, by the way.

I immediately got sucked into the Hetalia universe, and with the 2012 Olympics approaching; I started daydreaming weird scenarios with the characters. That summer, I was also working at a horse camp, and the times when I was doing mind-numbing manual labor work, I would also daydream.

It was somewhere in late 2013 that Are We Humans? was fully laid out in my head. The universe started with the single scene of Spain and Prussia rescuing France from Nazis (which I’ve never even written yet), and then expanded into…this.

It was in late 2013 when I was taking a shower that I finished daydreaming about how Prussia was rescued and happy, realized that: “I could make this a complete novel,” and then immediately got irrationally angry. I had told myself I would never write fanfiction because then I could never get it published.

So I refused to write it.

I focused on OC work, but then in my junior year of high school, we started learning about the Second World War and the Cold War.

Before this, I never cared for history class, but I started paying attention for the sole fact that I could ‘make my Hetalia daydreams more historically accurate.’

In May 2015, I graduated high school.

And I was bored.

A few weeks passed, and I tried to entertain myself. It was on June 9, 2015 that I dug through my computer to look at my old writings.

On that fateful day, I found something I wrote in 2014.

I was at an internship for school—if you could call it that. It was a three-day thing where I went to a company, interviewed people, then sat around and tried to bide my time. It was in one of those down periods that I desperately tried to entertain myself by writing.

AKA, I wrote the first two chapters to Are We Humans?

It was in first person. The last OC novel I wrote in was that, so it only seemed fitting at the time. But on June 9th, 2015, I knew that people hated reading fanficion in 1st person, so I change it to 3rd, posted it online, and then shut my computer for the rest of the night.

The first comment I ever got, was “Nice drawing :)” back when I posted my own artwork with the fic. I was immediately flabbergasted, thinking no one would ever comment on it, let alone read.

Since then, the entire series grew. I finished Are We Humans? in a little over six months, and after doing so didn’t think I would write a sequel. But then, somewhere in March 2016 I was walking laps outside my dorm, and came up with this entire idea. Honestly, I wasn’t going to write this either until I got bored, yet again, in summer 2016.

Shout out to my job, which was mind numbing but had enough downtime that I could furiously write the chapters to DFU in a notebook.

I’ve singled people out on AO3, so to those who I expressed my gratitude there, thank you so much again. This universe has been enjoyable for me to write. I may never be able to officially publish it, but at this point this project is just a labor of love, and to have these paper copies are enough for me.

Prussia was always going to die. Even if I never wrote the sequel, I was trying to hint at that he would die in Are We Humans? If we’re being real, this universe was invented around him. He may not be the central focus 100% of the time, but nevertheless, I’m happy I got to explore his character.

Er ist mein Sohn, und ich liebe ihn. Vielleicht ist er tot, aber er lebt immer in meinen Herz.

Again, to all those who have read, thank you. It’s your support of the fic that pushed me to finish and expand this universe.

And to my brother, who used to make jokes about how Prussia is dead, look at what you did. If you, dear reader, wanna blame anyone, blame Steven, who’s begrudgingly listened to me ramble about hetalia for 5 years now.

#hetalia fanficion #historical hetalia #aph #hetalia #yeah #miscellaneous #i was gonna post a pic of myself but then didn't feel like doing my makeup. so woo *jazz hands*

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stevenuniversallyreviews · 6 years ago

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Episode 109: Last One Out of Beach City

“What if I told you that the world was gonna end, and you had fifteen minutes to spend with me or your friends?”

Steven and the Stevens and Hit the Diamond are my two favorite episodes of Steven Universe for reasons I’ve written about at length, but beyond encapsulating the essence of the series and characters and all that, it should be noted that they’re just plain fun. Last One Out of Beach City is smaller in scale, zeroing in on one of the show’s earliest defined relationships and basking in its evolution from a feud to a deep friendship, so it’s harder to use as a stand-in for the show as a whole. But even if it isn’t my third-favorite episode of the series, it stands hand in hand with my top two when it comes to the charm factor.

Last One Out of Beach City is a delight from start to finish. Jesse Zuke’s legendary “Bad Pearl” sketch comes to life in the best way imaginable, and Deedee Magno Hall solidifies her place as my MVP of a killer lineup of voice actors. Actual human being Mike Krol gets tossed into this alternate universe like it was nothing. Crimes are committed. Swears are censored by screeching tires. Juice is spat. Cups, spilt.

This is the promise of Zuke’n’Florido’s brilliant opening sequence of Beta fulfilled: Steven and some Gems hanging out not for half an episode, but an entire one. It’s got sight gags aplenty, supplementing some of the best comedy writing in the series, mixed with the soul-warming joy of watching characters we love getting along. So lest I just turn this review into gushing about individual jokes and lines and moments, let’s dive into why each character we see is terrific, starting with the scofflaw herself.

Last One Out of Beach City does for Pearl what Back to the Moon does for Amethyst and Mindful Education does for Garnet: we see the result of her character growth in Act II, and even if the Mystery Girl looks a lot like Rose, it’s still a huge step forward for our lady of perpetual mourning to develop a crush on someone new (and to be so low-key polite to Greg). The romantic subplot alone could drive an episode, but Pearl gets so many more hats than “girl with a crush” here: she’s a nerd, a badass, a criminal, and a middle-aged mom all at once. She vacillates between genuinely cool and desperately uncool until she fuses these extremes together to become a confident square; it’s perhaps Deedee Magno Hall’s best Pearlformance that doesn’t include singing, and that’s saying a lot. Between her voice acting, the lines themselves (“This is why we buckle up”), and the sheer sense of catharsis from seeing her choosing to move forward with her life, this is my favorite Pearl episode. And that’s saying a lot.

Pearl has always had a weird relationship with humanity. She's distant from modern culture compared to Amethyst, and her misunderstandings about human stuff is often played for laughs, but she’s also a crack car mechanic and is enamored with human concepts like knighthood. She’s not completely removed from society, but chooses not to engage unless something in particular catches her fancy. So it’s fascinating to see her associating moving forward with performing more human activities; she’s embracing Earth as it is, not as it was when the Gem War was raging, and she’s not letting lingering envy from Rose’s love of humans like Greg get in her way.

The reason this works so well is that it’s clearly performative, rather than an actual sudden personality shift. She’s still a homebody who likes puzzles and hanging out with her kid. She’s still snooty, both with her friends (dismissing the idea that anyone could be nostalgic for something as “new” as suburbs) and with her crush (“By the way, I saved your planet and your species and you're welcome”). And she’s still nervous as all get-out, but brave enough to push forward anyway.

Pearl’s maternal nature isn’t ignored, but used as fuel for her attempt at rebirth. There’s a huge difference between an awkward person putting themselves out there for the first time and a semi-retired hellraiser who, after settling into a comfortable groove, seeks to relive her glory days. She’s been dwelling on the negative for so long that she feels out of touch with her adventurous side, to the point where wearing pants and drinking juice is adventurous, but because we know Pearl so well by now we can actually appreciate how big of a deal these minor accomplishments are for her.

While it’s refreshing to see Pearl moving on from Rose, it’s perhaps even greater to see how far her relationship with Amethyst has come. While their longstanding rivalry softened during the Week of Sardonyx, we haven’t gotten them alone together since, and it just feels so nice to see Amethyst ribbing Pearl with that extra burst of sisterly affection, and Pearl loosening up enough to not take every slight personally.

As with Pearl, Amethyst works here because her personality hasn’t been erased; again, she’s still ragging on Pearl. The plot gets rolling because of Amethyst’s well-established fascination with humanity, and Pearl’s decision to see the show is prompted in part by wanting to impress Amethyst, something she never would’ve cared about in Season 1. And for all her teasing, Amethyst encourages Pearl every step of the way, not just out of solidarity but because she’s legitimately impressed.

And in a world where Pearl and Amethyst are egging each other on, Steven has to step up and be practical. I appreciate that his sense of responsibility and realism doesn’t make him a jerk or a brat, but more of a peer than ever among his fellow Crystal Gems. When pointing out the pink-haired elephant in the room, he’s not condemning or teasing Pearl: he’s just clearing the tension, and showing that he’s more aware of the situation than a younger Steven might have been. In this episode, Steven is the friend who looks for a gas station when his buds are freaking out about running out of fuel.

By now Steven feels comfortable with his place in the team, and with his relationships with Amethyst and Pearl as individuals. A version of this episode placed earlier in the series might’ve been about Pearl and Amethyst fighting for his attention, or Steven vying for attention from either of them, but by now he’s happy to do a puzzle with Pearl and to go to a concert with Amethyst, and there’s zero conflict. Immaturity shouldn’t be a go-to character beat anymore, and I love that Steven is acting his age.

Mystery Girl turns out to be more of a device than a character, as we never see her again. But I honestly think that’s fine; what matters is that Pearl is willing to put herself out there, and the result isn’t a new relationship with a new love interest but a new relationship with humanity. The Pearl of Bismuth Casual, hanging out with a posse of human friends and showing off her Gem powers with glee, owes everything to the Pearl of Last One Out of Beach City, and thus everything to Mystery Girl. Perhaps they had a thing at some point. Perhaps they still do have a thing. We don’t know, because Pearl has new hobbies outside of being a Crystal Gem, and that’s the victory.

An in terms of the show’s greater plot, if our new friend never gave Pearl her number, Pearl never would’ve gotten a phone, so A Single Pale Rose never would’ve happened. Perhaps one day he would’ve learned the truth, but certainly not before Yellow and Blue Diamond arrived to wage war on the planet. So thanks for saving the world, Mystery Girl!

The use of music from our universe lends Last One Out of Beach City a uniquely realistic tone compared to the rest of the series; perhaps any such music would do the trick, but a garage rocker is an apt choice for setting a grounded mood. We get a glimpse of Greg’s life outside of being a dad, as he socializes not only with Amethyst but Barb and Vidalia. The car chase lurches to reality when we learn that Pearl doesn’t have a driver’s license, and explicit references are made to the DMV and Pearl’s citizenship. It’s like knowing Steven’s exact age, or having Greg break his leg in Ocean Gem instead of getting a nondescript injury, or hearing Dr. Maheswaran describe PTSD using terms like “cortisol”: these concrete details make these characters feel more like real people. And considering this is a character-centric episode in a show where characters are pretty much always at the center anyway, that realism gives us a deeper connection to what our heroes are going through.

Pearl is by no means a teenager, and the critical element of reclaiming her mojo muddles direct comparisons to a teen protagonist, but the emotional honesty of Last One Out of Beach City makes me feel nostalgic, and not just for the suburbs. Driving around, not quite following the rules, and bouts of chasing meaning when you’re not as interested in traditional adolescent social activities? Those were my teenage years. I don’t always miss them, but this episode brings out the best of my memories.

There’s really not much else to say. I could spend another few paragraphs incoherently gushing about the writing and the animation and the voice work, but I promise the time you’d spend reading that would be better spent rewatching the episode. While I maintain my comparison to Beta, Last One Out of Beach City does stand in opposition to Peridot’s first Meep Morp: it has no functional purpose, it just makes me feel good.

Future Vision!

I already brought up how Mystery Girl’s number prompts A Single Pale Rose, but that episode itself shows that Pearl’s a lot slicker than she thought she was. That’s a lot of codes!

I’ve never been to this…how do you say…school?

Not sure why we get a Halloween-themed promo for an episode that has nothing to do with Halloween and aired in early September, but this is me not complaining about that. (Apparently it’s actually a reference to a Japanese tradition but I don’t watch enough anime to know more about that.)

We’re the one, we’re the ONE! TWO! THREE! FOUR!

It’s not my third favorite, but this episode is really high up there. The cream of the crop are episodes that give me the purest emotional reactions: Mirror Gem nails dread, Lion 3 and Alone Together embody two different kinds of wonder, and Steven and the Stevens, Hit the Diamond, and Last One Out of Beach City just make me unspeakably happy.

Top Twenty

Steven and the Stevens

Hit the Diamond

Mirror Gem

Lion 3: Straight to Video

Alone Together

Last One Out of Beach City

The Return

Jailbreak

The Answer

Mindful Education

Sworn to the Sword

Rose’s Scabbard

Earthlings

Mr. Greg

Coach Steven

Giant Woman

Beach City Drift

Winter Forecast

Bismuth

When It Rains

Love ‘em

Laser Light Cannon

Bubble Buddies

Tiger Millionaire

Lion 2: The Movie

Rose’s Room

An Indirect Kiss

Ocean Gem

Space Race

Garnet’s Universe

Warp Tour

The Test

Future Vision

On the Run

Maximum Capacity

Marble Madness

Political Power

Full Disclosure

Joy Ride

Keeping It Together

We Need to Talk

Chille Tid

Cry for Help

Keystone Motel

Catch and Release

Back to the Barn

Steven’s Birthday

It Could’ve Been Great

Message Received

Log Date 7 15 2

Same Old World

The New Lars

Monster Reunion

Alone at Sea

Crack the Whip

Beta

Back to the Moon

Kindergarten Kid

Buddy’s Book

Like ‘em

Gem Glow

Frybo

Arcade Mania

So Many Birthdays

Lars and the Cool Kids

Onion Trade

Steven the Sword Fighter

Beach Party

Monster Buddies

Keep Beach City Weird

Watermelon Steven

The Message

Open Book

Story for Steven

Shirt Club

Love Letters

Reformed

Rising Tides, Crashing Tides

Onion Friend

Historical Friction

Friend Ship

Nightmare Hospital

Too Far

Barn Mates

Steven Floats

Drop Beat Dad

Too Short to Ride

Restaurant Wars

Kiki’s Pizza Delivery Service

Greg the Babysitter

Gem Hunt

Steven vs. Amethyst

Bubbled

Enh

Cheeseburger Backpack

Together Breakfast

Cat Fingers

Serious Steven

Steven’s Lion

Joking Victim

Secret Team

Say Uncle

Super Watermelon Island

Gem Drill

Know Your Fusion

Future Boy Zoltron

No Thanks!

5. Horror Club 4. Fusion Cuisine 3. House Guest 2. Sadie’s Song 1. Island Adventure

#last one out of beach city #steven universe #su #steven universally #review

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joyofcrime-elinorhigh · 6 years ago

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2017 Year in REVIEW: Part 2

Hello everybody, my name is JoyofCrimeArt and welcome to the final week of Deviant-cember! It's been fun ride, but it's time to wrap up 2017. And I'm doing by going over all the major animated series/animation related news that came out this year, ranking the shows from best to worse, and deciding which animation network "won" the year. If you haven't seen part one yet I suggest you check it out before continuing this part, 2017 Year in REVIEW: Part 1 But for those of you who have seen the first part, let's just jump back into things. Teen Titans Go! had another miniseries this year as a follow up to Island Adventures. This time, based off the episode "40% 40% 20%." one of the most popular episodes of the series. And to celebrate this event Cartoon Network decided to have a marathon airing nothing but Teen Titans Go! and the newly premiered O.K. For an entire week! I'm starting to feel numb to this. This is the "Night Begins To Shine" Miniseries, how was it?

https://www.youtube.com/watch?v=NGIe8d9w8O4

Now before I get into this, I do feel like I need to briefly go over my opinion on the episode "40% 40% 20%" since that's the episode that this miniseries is directly based on. And my opinion on it is pretty much the same as everybody else's. The episode is great, and shows that Teen Titans Go! can be genuinely good when it wants to be. The episode featured a stylish art style, a story that focused on abstract visual storytelling, and a really catchy song. The episode isn't without it's faults, but it is one of the best Teen Titans Go! episodes, in my opinion. So how did this sequel do? Well let's start with the positives. The visuals in the music word are still really good, capturing the 80's aesthetic perfectly. It honestly reminds me a lot of Moonbeam City. Anybody remember Moonbeam City? No, oh. Okay... The covers of the song "Night Begins to Shine" by Fall Out Boys, CeeLo Green, and Puffy Ami Yumi were also neat to hear. Especially Puffy Ami Yumi, it was a nice throw back to the old show having them preform. However, I do wish that more time where devoted to these covers. However, the special does have it's fault. One problem, surprisingly, is that the special focuses too much on story. Complex stories are not Teen Titans Go's! strong suit. Part of the reason why "40% 40% 20%" worked so well was because of it's simplicity. It focused less on story and more on visuals and atmosphere. But by trying to stretch the story out to an hour, and giving the music world this whole backstory it takes away that simplicity. Also we spend a lot of time in the real world, away from the psychedelic visuals that we all came for. And while "Night Begin's To Shine," plus the new song they make are both extremely catchy, they aren't enough to fill up an entire hour. And since all the covers are all shoved in at the end, the song kinda get's old after a while. And visually they don't really do much new with the music world that wasn't done in the first episode. However, I don't want to be to hard on the episode, because unlike a lot of other episodes, you can really feel the passion that went into it. It feels like the people behind TTG were really trying to make something epic. And while I don't think it entirely works one hundred percent of the time, I do give them an A for effort. The special is better than Island Adventure from a technical standpoint, but it doesn't have the "so bad it's good" element that Island Adventure had. So it's kinda up to you're own personal preference to figure out which mini-series is more enjoyable. But that's not all CN did, as like I said before, It wasn't just a Teen Titans Go! marathon, but also a marathon for there new show "OK KO: Let's Be Heroes."

https://www.youtube.com/watch?v=xWyHZQARrnM

OK KO: Let's Be Heroes, created by Ian Jones-Quartey, follows the adventures of KO, a young optimistic kid who work's at a mall plaza. The twist however being that it's set in a world with the rules and logic of a shonen anime or a beat-em-up video game, and by working at the plaza he'll be able to fulfill his dream of becoming a hero. Already the show has a lot of promise with it's premise alone, but how does it succeed in terms of execution? Let's start with the characters. They're all pretty good for the most part. KO is a very likable character very reminiscent of the young hot blooded shonen protagonist that he is inspired by. Enid works well as the straight woman- But not to straight, ammiright!? Up top!

Oh man, we got ourselves a sad lonely lesbian up in in this hiz-ous! Quick, Somebody give this show an Emmy! Also I'd like to give special mention to Lord Boxman and his robot children, who are my personal favorite characters. Imagine Megaman's Dr. Willy and his robot masters crossed with Team Rocket from the Pokemon anime. The only character who I'm not super crazy about is Rad. He's not awful or anything, but his obnoxious personality can definitely become overbearing at points. Also his entire character arc is pretty much just Lars' character arc from Steven Universe, only not as well done. But he doesn't ruin the show for me or anything. The animation for the show is kinda hit or miss. The show has a very sketchy art style that people seem to either love or hate. Personally, it's not really something I gravitate to. Though I do admire that it has an art style that looks different from the traditional "CN" art style that we've seen so much of the last couple of years and also do like how it has a kinda "middle school doodle" aesthetic to it. It's not a bad art style, just not really my thing. However, what is a bigger problem is the consistency of the characters designs. And thus we enter the online debate that's been haunting the animation community have been having since Ren and Stimpy came out in the nineties. Is off model animation ugly or expressive? I feel like it can work in some cases, but I don't think it works here. Characters look off model so much that it just comes off as sloppy. Which is a shame because if we're talking just about the actual movement this has some of the most fluid animation that I've seen in any Cartoon Network series. I also have a bit of the problem with the writing. I don't know what tone this show is trying to go for. Half the time it seems like it's trying to be this super silly cartoon while the other half of the time it tries to be a serious lore show and it doesn't gel well. The comedic elements mix well with the lore, like having the big season one mystery revolve around a falling sandwich. I just couldn't find myself caring about it all. Also the shows main evil shadowy figure pulling the strings name is Shadowy Figure. I'm sorry I can't take this villain seriously. Coupled with some episodes with some really hammered in morals and a odd amount of gimmicky episodes, the show ends up feeling like a jumble of interesting yet disconnected ideas without any clear cohesion. But is the show bad? No. What I think saves the show is the characters. They are genuinely likable and I like just seeing how they interact with each other. It's defiantly an improvement over there last couple of shows (Ben 10, Mighty Magiswords, Powerpuff Girls,) but I don't think it lives up to some of there other modern classics (Like Steven Universe, Adventure Time, or We Bare Bears.) OK KO is Okay...KO. The unwatch button is down there. I completely understand. Meanwhile Disney decided to get into the reboot game with Ducktales 2017. And can i just say that I genuinely think that if they didn't use the old theme song everybody would hate this show. Like they could keep everything else the exact same, but if they cut the theme song down to say thirty seconds like most cartoons now of days people would hate this as much as they hate the Powerpuff Girls reboot.

https://www.youtube.com/watch?v=YKSU82afy1w

Well the show doesn't have any of the original voice actor and the creator's different, so the show must be awful right guys? Okay cool, done. Next show- No, obviously I'm kidding. Let's talk about Ducktales 2017. No need to spend to much time on the plot, cause it's Ducktales. You all know the story. Three trouble making young ducks move in with there rich adventure loving Uncle Scrooge, and shenanigans ensue. They solve mysteries, rewrite histories ect. Disney hyped this show to hell, and even aired the hour long series premiere TWENTY FOUR TIMES IN A ROW! I really wanna know, was there anybody who watched ALL twenty four showings back to back to back? I mean someone must of, right? Now I don't know much about Ducktales. It was WAY before my time, though from what I can gather this is a pretty good series in terms of it being a reboot. It isn't just adapting the old show. It's combining elements of the old show, the comics, and new ideas and that's honestly the best way to go about a reboot in my personal opinion. I'm glad they just make it a rehash with all the still living cast members returning, and a ton of wink and nod references to the old show that new fans won't understand. I give the show a lot of props for that. I also want to praise the shows beautiful art style. I love how it looks like a comic book, not only calling back the series roots, but also giving it a unique visual identity. The show is also really funny, having a very clever wit mixed with a very comically exaggerated world. The world feels very comic book-y and has a real sense of fun to it. It's cool seeing all the creative shrines and temples that exist in this world, just waiting to be explored. The characters range in quality, though that may not be the shows fault as episodes are being aired out of order, and as such the amount of attention given to each cast member is not equal. But I won't hold that against the show. However, the show is far from perfect. It suffers a bit from what I call Milo's Murphy's Law syndrome. As in, the show is great on it's own but is so similar to what came before that it takes away some of the enjoyment. "But JoyofCrimeArt" I hear you saying "I thought you said that this show wasn't rehashing the original Ducktales cartoon." And it's not. It's rehashing Gravity Falls. Okay, maybe "rehash" is a strong word, but It's hard to not notice the similarities. I don't know if this show is borrowing from Gravity Falls or if Gravity Falls was actually just a ripping off the original Ducktales and it just took me five years to realize it, but just take a look at the similarities.

We got a group of tween age twins/triplets-

-who move in with there miserly jerk with a heart of gold great uncle.

And a socially awkward spunky girl with a grappling hook-

-Who are trying to solve a mystery involving a missing personal. All without letting the miserly uncle know what's going on.

With the miserly uncles dim witted older assistant-

-and a cool "older sister" like role model along for the ride.

With an antagonist who is a rival businessmen to the miserly uncle. Seriously, it's pretty blatant. And to be fair it's not an exact rip-off or anything. Some things are executed differently. The world and comedy of Ducktales is definitely a lot more cartoon-y and over the top than Gravity Falls. And there are elements in one but not the other for sure. But there are definite parallels, and judging by the marketing Disney is doing for this show it seems pretty clear that they want this to be their "new Gravity Falls." It's not that the show is bad per say, but it's hard for me to not compare it to Gravity Falls, and I'm sorry but Gravity Falls is definitely the better of the two series. In fact you could say that this show is basically...

Also can I just say that I don't give a crap about this shows lore. Like, at all. They try to do the big overarching mystery thing and I am just not invested at all. I like shows with lore, I really do, but this is far from a new concept at this point and if you're going to do it now you got to add something new to it But this is just the same beats. And I could be wrong, but I feel like I know exactly where it's going. Without going into to many specifics there's a character who mysteriously disappeared, and it looks like they did something really bad before disappearing. But I know their's going to be some explanation given to make their actions justifiable because I know they wouldn't make this character a bad guy. Their's another character who their playing up as working for the villain, but I know their going to give this character a redemption arc because that's what all lore shows like this do. Their doing that thing where they're solving this mystery but they don't want anybody to know about it, without any real reason why other than just the "we can't trust anybody" crap. Character's keep secrets from each other just so there can be more mystery. These tropes were new and innovated when shows like Gravity Falls and Steven Universe came out.. but that was a while ago and we've had a lot of mystery shows since then we've seen all these story beats in those shows, and nothing new is brought to the table. So yeah, I can't say that I love this show as much as most people. But that doesn't mean I hate it. Their are things I do really like about it. Like the humor, the cartoon-y atmosphere and the art style. But it is a shame when the mystery, the thing that's suppose to be the most enticing, ends up being the shows weakest element. I think if this show came out a couple years ago. before so may cartoons followed this kind of formula, I would of liked it a lot better. But hey, at least it's better than Marvel's Spider-Man. Ha-ha! Segway!

Yeah...this show doesn't really have a theme song... Now it's hard to talk about Marvel's Spider-Man without talking about the previous Disney XD Spider-Man series, Ultimate Spider-Man. I only watched a little over one season of USM before I dropped the series because honestly, it wasn't very good in my opinion. The whole show felt like it was made by a committee featuring dumbed down writing, obvious cross promotion to other Marvel properties, and a Spider-Man who came across less like a nerdy genius and more like an arrogant buffoon. So when this series was announced, with official press statements referring to it to a "back to basics" approach to the franchise, I was hopeful. How did the show turn out? Well...it's better than Ultimate. I think.... Honestly it seems odd that they cancelled Ultimate Spider-Man for this because the series feels like it has most of the problems that Ultimate Spider-Man had. Just slightly less so. The writing still feels dumbed down, but slightly less dumbed down. The series is less focused on cross promotion and mostly features Spider-Man characters, which is a plus as I though that Ultimate Spider-Man was a bit too "Marvel Universe Centrict." But that still hasn't stopped the show from already having an episode where Spider-Man meets Iron Man, and another episode where he meets the Hulk. IN THE FIRST FOURTEEN EPISODES. This version of Spider-Man is more of a nerd which is good, but they messed it up by going in the opposite direction by making him TOO MUCH of a nerd, with him constantly talking about how awesome science is at every possible opportunity. Also the animation of this show is really bad. Nothing is shaded properly, and it's very distracting. The only thing that I really like about this show is Norman Osborn. He's voiced by Josh Keaton, who played Spider-Man in the Spectacular Spider-Man and I was shocked to see how well is was able to pull off such an opposite character. He's just as petty and cartoonishly conniving as Norman Osborn should be. But other than that, the show doesn't have much to offer. It's clearly made for really little kids, and their isn't really much for adults. It's that bland kind of bad, where it feels like there just wasn't much passion put into this. I'm sure that's not true but that's how it feels. Speaking of reboots of 80's properties, Teenage Mutant Ninja Turtles 2012 aired it's final episode after five seasons and over one hundred episodes. Now like I said in part one, I've only seen the first two seasons of this show, so I don't know how good the last three seasons where, but I'm glad that the show got a good run. From what I saw, it was a pretty great show. However what does annoy me is that Nickelodeon moved it to Nicktoons with only TEN EPISODES LEFT! Like really Nick? You couldn't just air the last ten? Meanwhile at Netflix, not satisfied with just one anime-esq cartoon project they decided to make another. This is...(sigh) This is Neo Yokio. Or, another installment in my side series series, (Oh, the Cringe!)

https://www.youtube.com/watch?v=dLNRZ_1WyzM

Neo Yokio, created by Ezra Koenig and starring Jaden Smith was a show that was originally pitched to the Fox ADHD block, but ended up in a state of development limbo after said block got canned. But someone at Netflix decided that this show was something that the world desperately needed and decided to pick it up themselves. The series stars Kaz Kaan, the most popular bachelor in the entire city of Neo Yokio. He's you're average millionaire celebrity dealing with all the first world problems that a millionaire celebrity have to deal with. But he's also a demon hunter...and..and...and... Jaden Smith is younger than I am. How come he has his own anime?! I want my own anime! Come on Netflix, pick up "Average Spirit Warrior" please! This show is odd. Not just odd, it's an odd kind of odd that's hard to explain. I don't know what this show wants to be, and so I don't know how to judge it. Sometimes it seems like it's trying to be an action show. Other times it seems like it's trying to be a straight forward comedy. OTHER other times it seems like it's trying to be parody of anime. And other other OTHER times it feels like it's trying to be a serious show about social issues like the wealth gap and the gender spectrum?! Is there just some rule in the Netflix contracts that says that every Netflix show has to tackle gender identity, regardless of it it fits the series or not? Is that why Bill Nye's show had a rap about a vagina? Is that why? It has a real adult swim vibe, like they bought the rights to some obscure early 2000's anime and decided to make there own dub. The animation even has the quality to it to, with lots of really bad lip syncing. The show's art is also not that great, looking like it's ten years older than it actually is. The show varies in quality from so bad it's good, to actually pretty dull. Unlike other over the top weird anime Neo Yokio has a very slow pace, which makes everything feel at lot more mundane. Also Kaz is a very hard character to relate to because he is so rich and so oblivious to the world around him. Though the show does definitely have it's stand out moments. The show is so bizarre that there are plenty of funny "WTF" style moments, like the running gag with the Big Toblerone bar and some of Jaden Smiths bizarre spiritual-isms. Jaden Smith, while pretty monotone as a voice actor, did surprise me a couple of times with some okay comedic timing believe it or not. The show also has some interesting world building that I wished they elaborated more on. There's sort of this alternate history element to this world's history that result in a lot of creative idea. It's a world with no 9/11, the Soviets are still around, Japan and Italy are somehow one nation... You know I bet if your reading this without watching the show first I sound like a raving lunatic. WHY IS EZRA KOENIG MAKING AN ANIME? He's primarily a INDIE GUITARIST! Do I recommend watching it? Ehh, I can say that I have never seen a show quite like it...I'd say watch the trailer. It's a good representation of the show, and if you find that trailer "funny bad" then you'll probably get a kick out of this show. If not, then you can skip it. Overall, to me at least, the show just didn't have much synergy... But hey, don't say you love the anime if you haven't read the manga...

And Teen Titans Go! is getting a movie and wait...what? NEXT JULY!? Shouldn't there be like a...trailer or something out then?! I mean Spider-Verse has a trailer and that's not coming out till December! But hey..."In general, if a traditionally animated film comes out in theaters I'll see it just to support the medium." Right? I mean that's what I said in the last part...rIgHt?1 Now all the stuff that I've previously mentioned we're all fine, but none of it was grabbing the cartoon community attention to much. Ducktales came the closest, but with Rick and Morty Season three about to end there needed to be another show to be the new big thing. Then...Big Mouth Happened. Or...another installment in my newly booming side series (Oh, the Cringe!) REAL WARNING: NOT SAFE FOR WORK! For Real.

https://www.youtube.com/watch?v=v8DlpO5UOnI

Now when I decided to watch this show in preparation for this review, I thought that I was going to be the only person in the cartoon community to really talk about it. I thought that this show would like "Legend of Chamberlain Heights" or "TripTank." An awful show, but a show that would fly under the radar just because of how "generically awful" it would be. That's why I was suprised when this show became the biggest hot topic in our community,and a widely debated topic at that. For real, I haven't seen a show this polarizing in a long time. People like Mr. Enter and I Hate Everything say that the show is awful, and one of the first cartoons ever, bordering child porn in terms of the content that the series shows. Other's like PhantomStrider on the other hand found the series to be a smart and deep dive into the lives of prepubescent adolescents and tackling the topic well. Which side do I land on? Ehh, somewhere in the middle I guess. I'll start with the pros of the show first. The show's biggest strength it's relatability. Being a show that tackles puberty it is almost impossible for you to not relate to this show on some level. This does help ground the world and get you into the characters easier because you see yourself in their shoes. The characters are fairly good for the most part, with Andrew being the most stand out character out of the main four kids. This I think was what surprised me the most, as most of these shows tend to make the characters assholes for the sake of being assholes but they stay mostly likable. Though the best character overall to me personally is The Ghost of Duke Ellington played by Jordan Peele. His performance is just so over the top and it's just such a random idea for a character that I can't help but kinda like it. Also there's this one gym coach character who I feel like I should be more annoyed by, but I kinda end up really liking. Though that might be just because he reminds me of Coach Z from Homestar Runner.

I show also covers a lot of topics that aren't covered in a lot of other shows, and covers them well. There is actual thought put into it. Honestly I think this show would be a good one to show somebody who is in puberty, as it gives a lot of informative info out in a much more personal way then most sex ed videos do. The internal continuity of the world is very hey wire. Sometimes people can see the hormone monsters, sometimes they can't. Sometimes they have the ability to effect the world around them, while other times it's kept ambiguous to weather or not they even are real, or just figments of the characters imagination. But I also don't think that it's really the point of the show. I think it's just whatever is funnier in the moment. There's a fluidness to the reality. However, there are definitely some problems with the show. Whenever the humor is trying to be crass or offensive the jokes tend to land a lot less. The show can end up becomes genuinely uncomfortable, and there were a lot of moments where I did end up changing tabs while watching. Being on Netflix they are able to get away with a lot, including showing full uncensored penis, vagina's, semen, and more. Often times involving the kids, and there is a real creep factor to it. I know the shows about puberty and that's the subject matter, but I feel like this is a rare case where "show don't tell" doesn't apply to storytelling. This is the shows biggest issue, and it's hard to ignore cause it's in almost every episode. The shows art style also isn't the best. It has this "Family Guy meets Klasky Csupo" look to it. And those are to properties that aren't most well regarded for there animation. Overall I can say that I did enjoy the show more than I was expecting to. Though keep in mind my expectations were "Brickleberry." I think the show is more good than bad though, with the comedy and the likable characters being the saving grace. But if you don't like ugly animation or gross out, then just pull out now. Meanwhile in the real world McDonalds released the "Mulan Schezwan Sauce" to the public for one day only. All in honor of a Rick and Mortyjoke from the first episode of season three. Fan's rioted as there was not enough supply to meet demand, leading to the story getting national coverage from major news outlets. Honestly, I have nothing to add to this, I just think it's funny. But forget about joy, it's time to become suddenly all serious and depressing! As the #MeToo movement happened several animators where accused of sexual misconduct. Some of the names of those accused include Loud House creator Chris Savino and Head of Pixar and Disney animation John Lassenter. I do want you to keep in mind though that these are just accusations. It seems like lately when a celebrity is accused of something like this people always decide that their guilty until proven innocent. Because they don't want to come off as victim shaming. However that doesn't mean they didn't do it either...yeah I have nothing else to really say here. Chris Savino was fired and John Lassenter was put on a six month leave, with rumors saying he'll be fired afterwards. Um...there's no non awkward way to segway out of this topic is there? Crap. Um, anyway Teen Titans Go! had there 200th episode. And guess how they celebrated. Go ahead, just make an educated guess. Well if you said an almost four day Teen Titans Go! marathon over Thanksgiving weekend, then you'd be right!

https://www.youtube.com/watch?v=_7MWNWJReqU

Okay well, at least this one was actually celebrating something! So there's that at least!

Meanwhile the same night Nickelodeon premiered "Hey Arnold! The Jungle Movie." The finale thirteen years in the making.

https://www.youtube.com/watch?v=pfSPjRoQjCk

He's got a journal and a long lost relative. Y'know what that means, it's time for some LORE! Now, I've never really watched Hey Arnold before, outside of a few episodes- JESUS CHRIST! WHAT HAVE YOU SEEN?! -But despite that, I did find myself enjoying this movie more than I thought I would. The movie is fairly stand alone, and for the most part can be enjoyed without prior knowledge of the show. The biggest strength of the film is the cast, who are genuinely likable, and the comedy which is genuinely funny. I also like how the movie does have a bit of a darker approach to it. It's not Samurai Jack dark or anything, but the villain is genuinely threatening and there are some actual onscreen deaths. It's not bloody or anything, but it's pretty intense for Nickelodeon. This really gives the movie a since of stakes and danger that I really enjoyed. It earns the PG rating. There are some problems though in terms of the story telling. There are some forced conflicts that seem like they're just there to be there. Also the movie is actually pretty confusing in terms of what is magic and what isn't to the point where I'm still not one hundred percent sure if the ancient prophecy was true or not. Maybe I missed something, but it seems kinda muddled. Also the villain, while threatening, isn't very interesting. He's just the cliche "want's money" villain, with nothing making him really stand out. But most of these problems aren't TOO glaring and I was able to enjoy the film regardless. And if I enjoyed it then I'm sure people who actually watched Hey! Arnold probably loved it. And I'm glad that the fans finally got a proper ending after all this time. Unfortunately, despite trending on twitter the movies actual ratings were not very good, getting a 1.7 million across three networks. That might sound okay, but it only barely beat out The Loud House episode that aired right before and that only aired on one network. Even Teen Titans Go! 200th episode, which airs on a much less popular network, was only a couple thousand views less than it. I'm torn, because on one hand I liked the movie and wished it did better, knowing how long the creator and fans were waiting for it. On the other hand, I'm hoping that this might help Nickelodeon get out of their "90's kids phase" that they seem to be in. i mean there's Hey! Arnold, Invader Zim, Rocko. All these announced revivals really makes it feels like there kinda having a mid life crisis. And while there nineties shows where great, I think they need to acknowledge that it wasn't there only good period. If there's something to take away from this, it's that as much as you hear people talk about how much better things were better in the nineties, these people are the minority. Most of the people who watch these channels are kids, and kids don't care about old nineties and two thousands shows they've never heard of. They care about what's on now. Also, while this news effects much more than just animation, Disney bought most of Fox's entertainments rights for fifty two billion dollars. Which is an amount of money that I cannot even begin the fathom. That's enough money to buy everybody in the world five large McDonald's Soda. And that includes like new born babies and stuff. (Alternatively, that might be enough for about three Schezwan Sauce packets.) In terms of animation, that means Disney now owns The Simpsons, Family Guy, Bob's Burgers, Archer, All the Ice Age and Rio movies, Allen Frickin' Gregory. I'm honestly a bit worried about this. Disney is become more and more powerful, and I feel it's only a matter of time till they monopolize entertainment. I'm also worried how this will effect other TV channels. For example, if Disney wanted could they pull all the Fox shows off of adult swim, or TBS? Only time will tell, as this deal will take about a year to really go into effect, but hopefully our new mouse overlord will be merciful. And to cap of f the year, Cartoon Network decided to celebrate Christmas by having an EIGHT DAY LONG TEEN TITANS GO! MARATHON! (with two episodes of Steven Universe sprinkled in.)

https://www.youtube.com/watch?v=Qc7hwNB4Cv4

Now I know what you're probably thinking. "Wait, if they just passed two hundred episodes, then doesn't that mean they only have enough episodes for about two days?' Well normally yes, but even though there's only enough episodes that last two days, through a miracle it was able to last for eight nights. And that's why we celebrate Hanukkah. For real though, I try to defend Cartoon Network, but this is just too far! We had JUST gotten a multi-day Teen Titans Go! marathon literally a month ago! While annoying, at least I understand that one. It was for there two hundredth episode. It's a big milestone that should be celebrated. But this is just Christmas! Cause who wants to watch Christmas specials on Christmas right?! And it's not just Teen Titans Go!, I'd be upset regardless of the show. As of the time of this being posted it's still going on. And it's not just CN. Nickelodeon had a last minute schedule change replacing several of there Christmas specials with Spongebob and Loud House reruns. Not all there specials though, and it was only for one day, so it's far less egregious. But it shows that when one channel falls they can all be effected. Ugh! Yeah, I hate to end on that note, but honestly I'm just happy that I didn't end on sexual harassment, which was a real concern at one point. 2017 was a wild ride for the animation community, and I'm glad you came along with me on this look back through it all. Now, it's time to rank the shows. Keep in mind though that this is just my personal opinion. Also I'm not very good at these list things, and my opinion tends to change all the time. This is more of just a "for fun" thing. Let's do this. 9. Bunsen is a Beast 8. Castlevania 7. Marvel's Spider-Man 6. Ben 10 5. Neo Yokio 4. Big Mouth 3. (TIE) OK KO: Let's Be Heroes and Ducktales 2017 2. Hanizuki: Full of Treasures 1. Samurai Jack Season Five Though that's just my opinions now. Who knows how they might change in the future. And keep in mind that there were a lot of shows that I didn't see or talk about that came out this year. Like these... (Apollo Gauntlet, Big Hero 6: the Series, Billy Dilly's Super Duper Subterranean Summer, Cloudy with a Chance of Meatballs, Danger and Egg, Dorthy and the Wizard of Oz, Hotel Transylvania: The Series, Legend Quest, Mysticons, Niko and the Sword of Light, Sex Swings, Strech Armstrong and the Flex Fighters, Tangled the Series, Tarantula, Tarzan and Jane, Tender Touches, The Jellies, The Magic School Bus Rides Again, Unikitty, Vampirina, Wacky Races 2017, Welcome to the Wayne, Wishfart) As for the grade, last year got a B-. Good, but could use improvement. This year...honestly I have to give a C. Just...average. Even not counting the shows I talked about this year there were several shows that I watched, intending to put into this review, that I ended up cutting cause I had nothing to really say on them. And honestly, even shows like Ducktales and OK KO, which are pretty high on my list have their problems. But I acknowledge that every year's quality won't be exactly even, so I'm not going to panic just yet. I still have high hopes for 2018. Now for the network that "won" this year. BTW since this is a new segment, I'll announce the winner for 2016 too. Last year I would say that Nickelodeon "won" the year for their success with The Loud House and for getting Spongebob out of it's seasonal rot. I've never seen the public opinion of a network to change so quickly. As for this year, I will say that the winner was Netflix, for really proving that their committing to animation. In addition to having the most shows I talked about this year (3/10) they also had other series that I didn't mention like Strech Armstrong Magic School Bus. Not to mention new seasons of Bojack, F is for Family, Voltron, Trollhunters and more. Sure not every show they had was great, but it shows initiative, and shows that they are a worthy contender in landscape of animation. So that was 2017 year in review. While not the best year, it did have it's some very memorable series and moments. And I can't wait to see what 2018 has in store for the world of animation. What did you think of any of the shows or stories that I talked about today? Are there any that I missed? Feel free to leave your thoughts in the comment down bellow. I'd love to hear them. Please fav, follow, and comment and have a great year. See ya in 2018! (I do not own any of the images or videos in this review all credit goes to there original owners.)

https://www.deviantart.com/joyofcrimeart/journal/2017-Year-in-REVIEW-Part-2-722602821 DA Link

#Ducktales #Neo Yokio #OK KO #review #ok ko let's be heroes

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aremenyegybudoskurva-blog · 7 years ago

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Best 80s Tv Shows List

Star Trek: The Next Generation

Original Run: 1987 94 Creator: Gene Roddenberry Stars: Patrick Stewart, Brent Spiner, Jonathan Frakes, LeVar Burton, Gates McFadden, Michael Dorn, Marina Sirtis Network: Syndicated The original collection was groundbreaking. Deep Space Nine and Voyager had their occasions. But TNG was head-and-shoulders the Star Trek franchise. Jean Luc Picard. Data. Worf. The holodeck. The Borg. Gene Roddenbury mustn't have had a cynical bone in his human anatomy, and as I watched his characters explore unusual new worlds, look for new life and new civilizations, and boldly go where no one h-AS gone before, I didn’t either.

The Cosby Show

Original Run: 1984-1992 Creators: Bill Cosby. Weinberger and Michael Leeson Stars: Bill Cosby, Phylicia Rash? d Malcolm-Jamal Warner, Tempestt Bledsoe, Keshia Knight Pulliam, Sabrina Le Beauf, Geoffrey Owens, Joseph C. Phillips Network: NBC George Jefferson may happen to be moving on up, but The Cosby Present gave the nation a mo-Re relatable glimpse of the expanding middleclass among African-Americans but much mo-Re usually, dealing with all the trials that we all faced. Inspired by Cosby’s own family encounters which had been a staple of his stand-up routine, the show dominated the 2nd half of the ’80s, topping the Neilsen scores from 1985-90 and averaging more than 3-0 million viewers in the ’86-87 period. Cosby’s legacy might currently be in shambles, but the display was bigger compared to the man.

Magnum, P.I.

Original Run: 1980 88 Creator: Donald P. Bellisario, Glen A. Larson Stars: Tom Selleck, John Hillerman. Mosley, Larry Manetti Network: CBS When every other adolescent male of the ’80s and I grew up, we needed the li Fe of Tom Magnum, performed by Tom Selleck and his mustache: dwelling in an opulent Hawaii beachhouse as a guest of a never-current millionaire novelist and driving his Ferrari 308 GTS; wracking up a never-to-be-paid tab a T the country club run by one war-vet buddy and bumming helicopter rides from still another; and periodically solving mysteries using a mixture of smarts, toughness and mostly chutzpah. I never did figure out the way to walk that particular career path, but it was fun to dream.

TV Boxed Sets DVDs

At the Movies

Original Run: 1982-2010 Creator: Gene Siskel Stars: Roget Ebert, Gene Siskel Network: Syndicated Two different exhibits, both titled In The The Films from various production companies, the combination of Gene Siskel and Roger Ebert completely revolutionized the notion of movie criticism. Greatly admired for his or her ability to succinctly sum up the newest films together with their honesty and integrity in sparring with each other when opinions differed, the pair were also criticized by many for degrading the integrity of film criticism by decreasing it to arbitrary “thumbs up“or “thumbs down“gestures. Such was the legacy of Gene Siskel and Roger Ebert and the duality of the show. They were among the only film critics whose thoughts an “average American“could often be expected to respect and did much for legitimizing the idea of film criticism outside of a class-room environment. Some might nonetheless criticize the idea of a two-outcome rating program, but it was the approachable eloquence of the hosts that created the format work.

Taxi

Original Run: 1978 83 Creators: James L. Ed, Brooks, Stan Daniels, David Davis. Weinberger Stars: Carol Kane, Judd Hirsch, Danny DeVito, Marilu Henner, Tony Danza, Andy Kaufman, Christopher Lloyd, Jeff Conway Network: ABC/NBC Let’s just pause for a moment and remember that somebody once confident a community to set Andy Kaufman to the air. I just wish it'd been live TV. Like M*A*S*H, Taxi frequently tackled serious social problems like drug and gambling addiction, but did it with an incredibly unusual cast of characters from the alien-like Latka Graves (Kaufman) to drugged-out hippie Reverend Jim (Christopher Lloyd) to misanthrope Louie De Palma (Danny DeVito).

St. Elsewhere

Original Run: 1982 88 Creator: Joshua Brand, John Falsey Stars: William Daniels, Ed Flanders, Norman Lloyd Network: NBC The seminal hospital drama of the 1980s, St. Elsewhere was never resoundingly productive in the ratings, but it racked in Emmys over the years for its practical, frequently-dark tone and occasions of humor. Its big, ensemble forged carried on several long and had a number of cross overs together with the Hill Street Blues that are related - serialized story-lines, type, leading to fantastic character development within the course of the series. Needless to say, it’s today often remembered for a different cause: For having perhaps the single-most WTF finale moment in TV history. At the conclusion of the final St. Else Where episode, the characters are revealed as having all been the creation of the autistic Tommy Westphall, who owns a snow globe wherein the imaginary St. Eligius hospital exists. Moreoever, because so many other exhibits and characters overlapped with St. Elsewhere, some followers posit this signifies that everything from Hill Avenue Blues and Murder: Life on the Road to The X-Files all take invest the “Tommy Westphall Universe“by extension.

Pee-Wee’s Playhouse

Original Run: 198690 Creator: Paul Reubens Stars: Paul Reubens, Laurence Fishburne, Lynne Marie Stewart Network: CBS There are two types of folks within my life: Those who like Pee Wee Herman and enemies. Years ago, I was gifted the total collection of Pee-Wee’s Playhouse DVDs. Over the years, I’d created a point to watch Pee-Wee’s Big Adventure and Big Top Pee-Wee whenever the feeling was correct. As much as I loved this show as a child, I only expected to get a great kick from an episode here and there, but I found myself inhaling these DVDs. Pee-Wee’s Play-House is joyous morning viewing (over a bowl of Mr. T cereal, of course) or a great way to unwind at evening (I’d recommend taking a drink from a good beer whenever somebody says the “secret word“ only if your day was exceptionally hard). To get a display that had a cast of breakfast plates and genies, cowboys, puppet couches, pterodactyls, clocks, I think Playhouse still makes sense in 2014. It’s a fully realized vision of Pee-Wee’s whimsical, wacky world—puppet strings and all—and the collection is just pithy enough to pull in adults that are ready to go on the ride, too. Paul Reubens is a comedy icon and master of timing, and it’s unusual that a well-placed Peewee gurgle or squeal doesn’t get a chuckle out of me. If you can’t find any joy in all of that, we’ve got to re Consider our friendship.

Wonder Years

#s#The Original Run: 1988-93 Creators: Neal Marlens, Carol Black Stars: Fred Savage, Dan Lauria, Alley Mills, Olivia d’Abo, Jason Hervey, Danica McKellar, Josh Saviano Network: ABC The Wonder Years is a family present, and yes, a few of its episodes inch dangerously shut to after school-unique territory, but make no error: revisiting this late-’80s/early-’90s staple as a grown-up is just as—if perhaps not more—enjoyable than observing it the first time around. It’s unabashedly nostalgic, but it chronicles the ups and downs of Kevin Arnold’s, Winnie Cooper’s and Paul Pfeiffer’s adolescence from the backdrop of the Vietnam era and our nation’s changing social landscape with a maturity most exhibits geared towards kiddies absence. The small childhood moments that stay with us are treated with the respect they deserve. We laugh when Kevin’s brother Wayne gets him in a headlock and calls him “scrote“for the umpteenth time (attempt sneaking that by the Nick a T Nite censors today!) or when Kev squares off along with his mortal enemy Becky Slater, and we cry when Kevin’s periodically distant father struggles to relate solely to his teen-age children. And sorry, but if you don’t hold your breath when Kevin puts that letterman jacket over Winnie’s shoulders, you’re lifeless within. Music geeks will enjoy the amazing sound track as well.

Family Ties

Original Run: 1982-89 Creator: Gary David Goldberg Stars: Meredith Baxter-Birney, Michael Gross. Fox, Justine Bateman and Tina Yothers Network: NBC We were given the Keatons by one of the finest family sit-coms of our time; these were were our family. Liberal working parents Steven (Michael Gross) and Elyse (Meredith Baxter) raised their three children—smart and conservative older brother Alex (Michael J. Fox), flighty and trendy middle kid Mallory (Justine Bateman) and sarcastic younger sister Jennifer (Tina Yothers)—with love, compassion and limits. Fox, whose job was introduced with all the collection, made Alex’s Republicanism humorous yet not cliched. The collection is still remembered for the very special episode, “A my name is Alex,“ where Alex struggled to accept the sudden death of his friend. Today family comedies continue to try to capture the magic that was Family Ties

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