#I was gonna add the pose ref I used

[shinythingsarecool]

Jmart doodle :3

[wombywoo]

Ok! I've finally decided to put together a (somewhat) comprehensive tutorial on my latest art~

Please enjoy this little step-by-step 💁‍♀️

First things first--references!

Now I'm not saying you have to go overboard, but I always find that this is a crucial starting point in any art piece I intend on making. Especially if you're a detail freak like me and want to make it as realistic as possible 🙃

As such, your web browser should look like this at any given point:

Since this is a historical piece, it means hours upon hours of meaningless research just to see what color the socks are, but...again. that isn't, strictly, necessary 😅

Once I've compiled all my lovely ref pics, I usually dump them into a big-ass collage ⬇️

(I will end up not using half of these, alas :'D)

Another reference search for background material, and getting to showcase our models of choice for this occasion~

When picking a reference for an actor or model, the main thing I keep in mind (besides prettiness 🤭) is lighting and orientation. Because I already kinda know what pose I'm gonna go with for this piece, I can look for specific angles that might fit the criteria. I should mention that I am a reference hound, and my current COD actor ref folder looks like this:

Also keep in mind, if you're using a ref that you need to flip, make sure you adjust accordingly. This especially applies to clothing, as certain things like pants zippers and belt buckles can be quite specific ☝️

Now that we've spent countless hours googling, it's time to start with a rough sketch:

It doesn't have to be pretty, folks, just a basic guideline of where you want the figures to be.

The next step is to define it more, and I know this looks like that 'how to draw an owl' meme, but I promise--getting from the loose sketch above to below is not that difficult.

Things to keep in mind are--don't go too in-depth with the details, because things are still subject to change at this point. In terms of making a suitable anatomically-correct sketch, I would suggest lots of studying. This doesn't even have to be things like figure drawing, I genuinely look at people around me for inspiration all the time. Familiarize yourself with the human form, and things like weight, proportions, posing will seem a little more feasible.

It's also important at this stage to consider your composition. Remember to flip the canvas frequently to make sure you're not leaning to one side too often. I'm sure something can be said for the spiral fibonacci stuff, which I don't really try to do on purpose, but I think keeping things like symmetry and balance in mind is a good start ✌️

Next step is just blocking in the figures. Standard. No fuss 👍

Now onto the background!

It's frankly hilarious how many people thought I was *hand-drawing* these maps and stuff 😂😂 I cannot even begin to comprehend how insanely difficult that would be. So yeah, we're just taking the lazy copy and paste way out 🤙

I almost always prepare my backgrounds first, and this is mostly to get a general color scheme off the bat. For collage work, it's really just a matter of trial and error, sticking this here, slapping this there, etc. I like to futz around with different overlay options until I've found a nice arrangement. Advice for this is just--go nuts 🤷‍♀️

Next, I add a few color adjustments. I tend to make at least 2 colors pop in an art piece, and low and behold, they usually tend to be red and blue ❤️💙There's something about warm/cool vibes, idk man..

Now we move on to coloring the figures. This is just a basic block and fill, not really defining any of the details yet.

Next, we add some cursory values. Sloppy airbrush works fine, it'll look better soon I promise 🙏

And now--rendering!

I know a lot of beginner artists are intimidated by rendering, and I can totally understand why. It's just one of those things you have to commit to 💪

I've decided to show a brief process of rendering our dear Johnny's face here:

Starting off, I usually rely on the trusty airbrush just to get some color values going. Note--I've kept my sketch layer on top, but feel free to turn it on and off as you work, so as to not be too bound to the sketch. For now, it's just a guideline.

This next stage may look like a huge jump, but it's really just adding more to the foundation. I try to think of it like putting on make-up in a way~ Adding contours, accentuating highlights. This is also where I start adding in more saturation, especially around areas such as ears, nose and lips. Still a bit fuzzy at this point, but that's why we keep adding to it 💪

A boy has appeared! See--now I've removed most of the line layer, and it holds up on its own. I'll admit that in order to achieve this realistic style, you'll need lots and lots of practice and skill, which shouldn't be discouraging! Just motivate yourself with the prospect of getting to look at pretty men for countless hours 🙆‍♀️

I'll probably do a more in-depth explanation about rendering at some point, but let's keep this rolling~

Moving forward is just a process of adding to the figures bit by bit. I do lean towards filling in each section from top to bottom, but you can feel free to pop around to certain parts that appeal to you more. I almost always do the faces first though, because if they end up sucking, I feel less guilty about scrapping it 😂 But no--I think he's pretty enough to proceed 😚

They're coming together now 🙆‍♀️ Another helpful tip--make sure you reuse color. By that, I mean--try to incorporate various colors throughout your piece, using the eyedropper tool to keep a consistent palette. I try to put in bits of red and blue where I can

Here they are fully rendered! Notice I've made a few subtle changes from the sketch, like adjusting the belt buckles because I made a mistake 😬 Hence why you shouldn't put too much stock in your initial sketch~

The next step is more of a stylistic choice, but I usually go over everything with an outline, typically in a bright color like green. Occasionally, I can just use my initial line layer, but for this, I've made a brand new, cleaner line 👍

And the final step is adjusting the color and adding some text:

Tada!! It's done!

All in all, this took me the better part of a week, but I have a lot of free time, so yeah ✌️

I hope you appreciated that little walkthrough~ I know people have been asking me how I do my art, but the truth is--I usually have no clue how to explain myself 😅 So have this half-assed tutorial~

As a bonus, here is a cute (cursed) image of Johnny without his mustache:

A baby, a literal infant child !!! who put this wee bairn on the front lines ??! 😭

Anyway! peace out ✌️

[cookietastic]

You’re in art school right? Do you have any tips for making digital paintings like yours? They’re both hyper realistic and have a dream like quality to them that’s so amazing (also super excited for your prints, just ordered some!)

I graduated last year/that was my second degree :D!

A have a few things I can run down-

Photo reference. There are things I legit cannot get down right that I need photos for so my family ends up being my reference for things/I get photos from them doing poses I sometimes need.

If you can't get photo refs you can always use 3d models too to help with shadowing and where light should hit!

There's posemyart justsketchme -

Also anatomy4sculptors has some free photo scans and 3d models of the body

2. Pureref

Feel like no one talks about pureref enough but I like to make little refs and inspo boards before I draw! Plus it's like free

3. Thumbnailing

Omg please thumbnail. Like it's honestly a lot of fun cause you're not showing them really to anyone unless you need help picking but they're scribbles and doodles for you to know what you want your composition to look like or what the mood is gonna be

Again they don't have to be anything special could be stick-figures or whatever but it's to help you plan

4. Post-Work

I play around with curves and blurring so much like there's a lot that happens even after I finish comes sometimes I'm like "no I don't like these colors" and end up playing around with them more with curves and color balance

I made a tutorial about curves here! I also talk about the darken and light layer here too cause they're legit my favorite layer modes to play with and not a lot of people talk about them. I can't find my one talking about blurring+ noise(if anyone finds it please link it over :D)I might have to make a new tutorial on those- I think one of the things that gives it that dreamy feeling is the blur I use-

I like to keep things I don't want so much attention on blurred out/ and keep things I want you to grab your attention more in focus

also like using textures are fun too to add over art sometimes. It also makes like the art feel less sharp+ adding noise gives it that fuzzy look to it

I like make my own to add over or use some I got over the years! They're fun to slap on and have as overlay

5. Bug your friends lmao

I have bugged @chrispypapas in the middle of the before to ask him for help/to give me a second eye on things cause 1. Sometimes there's something you don't catch your friends do and tell you what to fix or 2. You're being overcritical and it's fine

I hope this helps :D!

[agarthanguide]

Very much love your take on the new looks for Orym and Ashton! I saw a bit of your post about how Liam and Tal give feedback... would you be willing to share any information about how the back-and-forth process works between you and the actors as you work on their stuff? (I just love hearing HOW the awesome happens, not just the end results.)

Yeah okay. Lemme think, here. Alright let's so this as a numbered list-

1- Actor sends description of character. This is pretty broadly interpreted, in my experience. It's something between a brief paragraph, an annotated pdf, and multiple pinterest boards.

2- I send back a Pitch. This has taken multiple forms in the past, but it's generally settled into a few pages, that kinda go- a- Poses and Vibe Sketches- This includes little portraits, attitude poses, a couple sketches showing extreme dynamism or movement. I try to suggest outfits and weapons or accessories, here, but I don't spend a lot of time fleshing it out. b- Outfit Poses- usually on a turnaround or one fairly lowkey pose. I try to include 3 or 4 serious attempts at outfits and maybe a couple of backs, if it's important. c- Color- I usually just pick an outfit at random and try to give it a few different palettes. If the actor is absolutely sure what the palette is, or if it's a character I've worked with before, I might just make one palette and briefly color each of the outfit sketches from b in that palette d- Accessories, Weapons, Other Important Stuff- if the character is carrying around like a book or a bird or a really specific weapon, I try to address that in its own space, though sketches for all of those things may exist on other pages. This has been known to be very pretty or a bit boring.

3- There is some form of back and forth between me and the actors (and a producer, who are all lovely and don't step in on creative things but are always working against a schedule and need to know how things are going. I just want to be clear that every producer at CR is a secret angel who eats deadlines and shits magic and every one of them totally Gets It. They are all One Of Us). The back and forth is always individual and based on the actor but it can be- a- Actor picks from menu, usually via complex "circling" system (also all sketches are numbered, so they can just ref numbers). b- Actor sort of picks from menu, while moderating and adding further references. c- Actor just sends a bunch more shit and I narrow stuff down based upon what they seem to be getting at.

4- There's this bit of finding what the pose is gonna be, marking in all the necessary accessories, getting that last email about adding a scar, can we add a necklace? etc. What you are left with is something that the Producers call "pre-final." If it hasn't already been with the modelers and painters this whole time, this is when the modelers and painters get the design and start their magic.

5- I go away into a cave for a time period of quiet reflection with my Gods. I refer to this period as "rendering." I cannot be reached by the reason of man and spend a lot of time bitching to my friends while I try to figure out why shading a cape is suddenly the most difficult thing I've ever dealt with in my life.

6- Done!

[yourlocalkiwienjoyer]

WILLRY DTYIS‼️‼️‼️‼️

Made this for 300 followers on insta but I am posting it here too :))) Please join if you want!!!

Its William and Henry having a lovely time together (William holding Henry hostage and experimenting with remnant on him) (Information secret to instagram is that Henry is totally into it)

〔R U L E S〕

•You may alter the pose or the clothes a little bit!

•Adding gore is allowed!

•Do not add anything inappropriate/+18/changing skin colour of characters

•Tag me in your post if you're gonna take part in it or use "#yourlocalkiwi dtyis" hashtag :)

‼️‼️DUE DATE IS 19TH OF OCTOBER‼️‼️

〔PRIZES〕

•1st place gets a rendered halfbody

•2nd and 3rd get a rendered "bust"shot

•Everyone who participates gets a traditional headshot! :)

HAVE FUN!!!

Under the cut ver. Without the text and color refs

[magewolf-the-artist]

Yeah so I decided to update Susan's ref sheet because oh my god it's so fucking ugly-

But yeah, I'm much more satisfied with this one because I've developed my style for drawing these fuckers a lot better and the pose radiates more personality.

Old ref: https://www.tumblr.com/magewolf-the-artist/743345425139040256/on-this-episode-of-walten-files-brainrot-heyyyyyy?source=share

Here's her bio with a couple add-ons:

Apparently she's British (Her accent is still a mystery to me but I've seen a couple people say this so ehhhh). So my headcanon is that her family immigrated to the US when she was four, so while she does have an accent, she doesn't really say any slang. Occasionally she might call someone a twit (affectionate) or a twat (derogatory), but that's about it.

At some point during her fun little maze adventure, the neck cables that held up the animatronic head snapped due to the constant pressure of Susan's broken ass neck forcing her head to loll to the side. While at the facility she found that she can use metal ties to hold the cables upright. She has to tighten them constantly though or else her vision will be forced into portrait mode

Ashley fixed the cable while she, Kevin, and Hilary were there and Susan is forever grateful to her

She probably accidently breaks it again through something stupid like bumping her head against the door frame or something and boy oh boy was she PISSED

On that topic, she tries her best to upkeep her and everyone else's bodies but there's only so much she can do with limited tools and slightly worse motor skills (imagine doing a task that requires very precise movements through winter gloves and you'll pretty much get the idea)

She refuses to repair Bon though and tells him to figure it out himself.

She's become way more snappy, short tempered, and easily frustrated after her death. Trauma, baby!

Susan kinda acts as a shoulder to vent to whenever anyone needs to talk. She can’t really offer much in response or comfort since A, she’s the type to push things away and compartmentalize, and B… well, she can’t exactly promise everything’s gonna be okay, now can she? Still, sometimes it’s nice to just talk

Some days though she just kinda… shuts down emotionally. Just kinda lays on the floor and can’t find any motivation to get up or do anything. Thinking about everything and nothing at the same time, staring blankly into space

Charles usually stays with her during these episodes and depending on the day, he either just sits with her quietly or rambles about random shit like he did when they were alive

Her sleep schedule was super fucked up when they all came to the facility because she was used to being up and around at night. It's gotten better but she still sometimes wakes up buttfuck early and has come to appreciate the serenity of the nights (RETCONNED)

Probably the most casual about her death, as opposed to Rosemary's crying and Charles desperately trying to change the subject

She walks with a very distinctive shuffle, something she picked up from her fun little maze adventure because the weird shuffle walk helped lessen the pain she put herself through and conserved energy. It used to be a lot more pronounced but it's faded slightly overtime

Usually hangs out with Charles

Is constantly exasperated by Charles' antics

To pass the time she either plays card games with Charles or organizes the tools in the maintenance closet

She tried to talk to Rosemary when they were first brought to the K-9 facility but only got silence in return. She's kinda just given up now and mostly leaves her alone

Is the most familiar with Bon's abilities and didn't even bother trying to escape the facility because she knew it was futile

Helps coach everyone but Rocket on how to move

When helping Ashley figure out to move she probably made an off-handed comment like, "if you think that's hard, imagine having to learn how to do this while being alive" and only realized Ashley had no context for that when she gave her a very confused and worried look

Hates Bon's guts and is usually annoyed/angry with him

She also hates Felix's guts, but everyone does so it's not anything special.

[lemon-wedges]

Just wanted to ask (and feel free to not answer), but how do you draw so much so quickly? I'm always impressed by how fast you doodle or paint. Also, wanted to say that I appreciate your Barok and DGS art as a whole.

and with this ask i have finally reached an artist milestone 😭

Well theres a short answer and a REALLY long answer (which ill put under cut when i get there).

short answer: practice + refs

which.....can be an annoying thing to hear. And as someone who studies art and has bought a LOT of online courses trying to figure out how industry people can just churn out work like nothing. it feels like a let down every time i find out their big secret. just practice and photo refs. Every. Single. Time.

LONG ANSWER:

its how you studying your refs. heres how i do mine

sorry if this is rambly. but ill try my best to at least be clear. BUT THIS is the EXACT way i taught myself how to be quicker.

I do not know if youve taken any art classes but essentially one of the ways to study gesture drawing is by first tracing ur photo ref to get a sense of the flow/proportions of the body. youve probably seen a billion of these tutorials floating around:

So last year around hmmmm june/july? i was NOT looking to get better at my anatomy or gesture. i was actually trying to get better at clothes. but my problem was it took me so long to draw out a figure (which i was fine with cause i liked how my people looked at the time) that i could never really just focus clothing part.

So i told myself look. ur not looking to draw in this style like this forever. so for now SIMPLIFY SIMPLIFY SIMPLIFY!!!! I WANT THE BAREBONES OF A HUMAN HERE TO MAKE A MANIQUIEN FOR CLOTHES OK

but how do i do that....

Im gonna use this piece as an example from my rise and yosuke fashion palooza month. FIRST u see i got all my photo refs together. i like those poses on the right and i want to switch out the clothes for the other ones i picked out. i trace out my poses. kind of like the tutorial up top but since this is about draping i was focused the exact places their waist/arms/legs/etc would bend.

and like the tutorial u turn off the photo ref and do a drawing based off that traced piece.

then i would turn on my refs and add on my clothes

And after a month of just doing that over and over and over. i was surprised to find that figures and poses were so much easier to understand when i would break them down like this. and once u get familiar with them the faster and more confidently you'll draw them.

I and still do this btw. heres my otasune from the last week

i used photo refs for all my sketches. if i cant find anything online to match what i want i just take photos of myself. and some might say well arent u just relying on reference TOO much?

AND AGAIN take it from someone who has spend a lot of money buying classes from their fav artists in the industry. The Secret of how they churn out so much cool work so fast always turns out to be this. practice and photo refs.

Every. Single. Time.(tho this is omitting a lot. im not getting into like they way they stylize their art work. that actually the fastest and funnest thing to do once u have ur base down)

Now PAINTING

The thing is, i dont actually post up all my work on this blog. So theres a ton of stuff you havent seen me do. These are some paintings i did 2 years ago for a class.

I already know how to pick my values and set up lighting. When you see me painting my figures now. i am not focused on learning these basics im actually just honing a technique.

you might see me post readmores with these kinds of wips. I lay in all my colors and lighting with the lasso tool. ALL THE MAJOR DECSIONS ARE DONE HERE

(the little miniature i add on the side basically tells me what the overall feeling is going to be when i blend in the lineart to be cohesive with my colors) ( also if you had any questions on my prepainting process tho. feel free to ask!!!)

and if you compare this wip to my finished piece youll actually find that i dont stray that far from what i've laid in.

everything happening at THIS stage is about feeling out how i want the textures to blend with one another and getting funky with some brush strokes.

and thats it? im not sure if any of this is helpful but if anything. i hope you come away from this feeling like what ive been doing here is nothing special. "THATS IT???? THATS ALL THERE IS??? well i could have done that :T"

exactly man. you can do ALL OF THIS aND MORE!!! I BELIEVE IN U :D

but ill let this be the last thing i leave u with my friend: my barok sketch and the refs i used for his boobies

[bbeelzemon]

🌈 PWYW Comms!!

Hello!! @llatimeria and I are both opening our commissions to help keep us afloat while we get our situation all sorted out! This time around I'm gonna go with a basic minimum price for each tier, and the more you pay beyond that, the more details/rendering/etc i can add!!

SKETCH - $15+

Sketches start at $15, which will get you a fully monochrome bust like the first one! (Can be any color, not just b/w!) The second one (fullbody with separate lines + 1 color) would be around $25. The third one (detailed bust with shading) would be around $50! This sketch tier is definitely the most variable of all of them, so we'd have a discussion to figure out a quote that works best for both of us!

I can also do sketches with multiple characters, interacting or otherwise! Each additional character in the image gets a discount of 25% from the original base price for the level of detail you wanted

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ICON - $40+

These are more or less a flat rate! I don't have any current icon examples without shading, but $40 will get you flat colors, while $50 gets you shading like in these examples!

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FULLBODY - $70+

Fullbodies come with flat colors by default, but can be discussed! The example on the left would be $70, while the example on the right (the same detail/rendering, but with multiple characters) would be $175! Each additional character in the image gets a discount of 25% (so an additional $52.50 per character for this example)

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REF SHEET - $70+

Ref sheets start at $70, which will get you one like the first example! Ref sheets also come with flat colors by default. Each additional form/outfit/pose/angle/etc in the image gets a discount of 25%, so the second example here would be $122.50 total!

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[BONUS] DOODLES - 100% PWYW

The doodles tier is the most wildcard tier, the effort put into them will reflect how much you pay :) This is the only tier that doesn't include any in-progress updates - you can request whatever details upfront, but the final drawing will be a surprise! You really just get what you pay for with this tier - if you pay a dollar, you're getting a $1 doodle!

If you, for whatever reason, want to put more than a couple dollars in for this tier, I'll most likely draw multiple characters in this style, like in my imp oc examples here, or i might throw some basic colors on it. Let me know if you have any preference!

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What I will draw:

Humans, Furries/anthro, Mecha, Character interactions, Backgrounds (discuss for pricing)... Basically anything!

I will also draw Nsfw/18+ content at an additional cost, message to discuss and for examples!

What i won't draw: Hateful or offensive content, Heavy gore (can be discussed though!), Ship art involving minors or real people, things like that

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Feel free to send me a message here (or at virtualbeetle on discord, just be sure to let me know who you are!). Payment is accepted via paypal by default, but we can discuss other options if necessary :]

Be sure to check out latimer's comm post here as well, if you're interested!

[regretfulcorrine]

Hi, I love your artwork! How do you draw people so well?

Thank you so much! 💖💖

I’m gonna be annoying in saying what you’ve probably heard a million times but: practice and references 😭 I actually have aphantasia— where it’s impossible for me to create mental images. I’ve never been able to do it, so I need references more often than not so I’m not just going off muscles memory.

Don’t let anyone convince you that using references is cheating. They’re either being purposely dishonest with you in an attempt to be mean, or unknowingly stunting their own art growth. References have been used for MILLENNIA! It helps trust me!

and sometimes ya just gotta draw random things on a page with no direction. I have plenty of pages where I just try to figure out basic shapes and what I like and don’t like in my style! I draw everyday even if I don’t like it or won’t post it, it’s just become part of routine now and just 30 minutes of practice helps so much!

Here’s some people specifically I’ve paid for references or they have free references and love them so 😩 Reference artists have saved my behind more times than I can count 🥲:

The Pose Archives

SenshiStock/AdorkaStock (a deviantart classic 😮‍💨)

MrFishuuu Comics

Kibbitzer

Mellon_Soup

(Feel free to add more in the comments!)

There is also of course the infinite pit of Pinterest but I ALWAYS suggest if you find a reference or pose u really like, try and find the artist on their actual socials. That way they get clicks and you get even more refs from a creator you know you like :^)

If you want something more specific like a tutorial on something, always feel free to send me another ask💖 Hope I helped somewhat 🥲

[leidensygdom]

Ur strength is definitely color and line work. Something I would say needs some work is definitely your full body drawings and poses. Your poses are always static and rigid and (especially when in motion) it takes me a moment to figure out what the character is supposed to be doing. Your anatomy is fine, its the stiffness of the over all pose thats the issue. It makes your pieces lack energy and any real umph. Your beautiful use of color and line usually covers for this but for me (someone who also struggles with this) it pops out like a sore thumb.

To practice, id suggest doing gesture drawings (1 minute sketches of action poses) to really understand how the body moves fluidly and to practice capturing that energy. Id also suggest doing 5-10 minute studies of full body figures in which you specifically observe how the pose affects the distribution of weight. How the torso curves in relation to the pose (your torsos are often very vertical and stiff) and how their muscles, fat, and clothing stretch, bulge, or fold depending on the pose.

Try to keep things loose during these studies and focus on capturing the energy of the pose over perfect anatomy. Focusing on anatomy can often be a distraction and can actually detract from capturing the fluid movement of a pose when you are first learning. You dont want to be thinking about anatomy during a 1 or 5 or 10 minute study if that is not what you are trying to learn.

While doing gesture drawings, its important that you move fast and dont get hung up on details. Get the line of action in there and the general shapes of the figure. Focus more on the movement of the figure over anatomy or details. Feel the rhythm in the pose and do your best to capture it. Id suggest doing 10 or 20 of these at a time. Sites like Line of Action are great for studies like this.

For 5-10 minute studies you want to build on the rhythm you developed during the 1 minute studies. Again, you want to focus on the movement of the pose over the details. Keep shapes simplified and force yourself to think in the abstract. A vibe i get from looking at ur art is that you get focused on the small details while losing sight of the big picture (might be wrong bout this but its something i also struggle with lolol) so during studies its important to keep ur mind on the bigger picture. Focusing in on small details adds to the stiffness of a piece as instead of one singular piece, it’s made of many smaller pieces. Idk if that makes sense lololol. Id do 1 hour of these 5-10 minute studies.

But yea id say this is really the main thing holding you back right now. Once you figure out how to capture the rhythm and energy in a pose id say ur golden lololol good luck! I hope this helps XD

oh gods yeah I need to whip some referencing for poses and specially dynamism, I tend to make things a bit too stiff. I think I cornered myself into making very static poses since I do a lot of character ref oriented work, and showing the design and outfits is a priority over the dynamism, and like, I need to get working on that.

It sucks to realize how I've let social media performance guide a bit on what I draw and I practice. People like their fullbody character designs with a grey background, and I've let a lot of What Isn't That fall apart, and it's bad! I gotta get better!

I need to find a way to maybe get a way to do these practices and still post it, bc even when I've done them, they stay in a folder and never get to see the light of the day. (Also, I saw the other ask and I'm gonna check that one soon! I struggle so much finding good refs for that!)

[dabisbratz]

listen dude, I've been trying to practice rendering muscles n stuff: if you have a photo ref for this

does that thing where he crosses his arms, biceps bulging over his closed fists, and chest expanded while he looks down at his opponent or you from the bridge of his nose. photos of this exact pose has been used for several article covers n will continue to be used until the end of time.

from your boxer!toji thing, I will literally draw it. please. I want to draw it. I cannot for the life of me figure out how to find this pose. that piece hit different and I want to draw it 😩 I will send it to you. please. I am also looking for refs but if you have any............ 👀

you could try combining these? i never noticed how specific that pose was until now… but i think the chris pic captures his head posture! it’s kinda hard to find shirtless pictures so i’m also gonna add art links that are somewhat similar/show bigger pecs in similar positions jus.. without fabric in the way. sorry i couldn’t be more helpful): but if you draw it i’d love to see it!!

links: 1 2

[skunkes]

hihi!! i don't know how frequently you use references, but do you have any tips on how to affectively/properly use references to learn anatomy? i've been drawing for a decade and have never used references, so i don't know how to actually learn from them

so references are kind of used to build upon and add to a mental library of sorts...i use refs (usually of my own body) day in and day out both to learn and as needed but that's only One piece of the puzzle of the visual....board? of things that make up my understanding of anatomy

honestly I don't have a step by step on how to use them, because even seeing tutorials on "how to learn from reference pictures"...is not how I learn from them. I just study from a variety of sources (different art depicting different bodies, actual images of different bodies and how proportions differ, and pictures of my own body) and sort of make note of where things can go and how, and then just look up stuff for additional help

like if I have trouble drawing legs in a pose im not going to go draw legs for 3 hours im just gonna go take a pic of my own legs in the pose for help, and take note of how the body works around em for the future. but I also just sometimes take pics of my body (or find pics of other bodies) in poses where I know I need some refining and draw them in their entirety so I get a better understanding in general, while also letting me experiment with like. stylization and weight and exaggeration as im learning

[dream--writing]

At long last, they’re here! For my Persona/Bayo au, this is the disgraced witch Kuragari and his persona, Odysseus.

Before I talk about Kuragari, I’m gonna start with Odysseus, since that decision influenced a lot of what came after. Now before you hardcore Persona fans yell at me, yes I do know Odysseus already exists as a persona in the second game. However, there are several reasons why I chose him for Kuragari. For starters, Odysseus’ family plays a large role in his story, particularly his wife and son. The same could be said for Kuragari, as his romance with Akiko is what begins this whole story and he is very close with his son Akira. That was honestly the main reason I chose Odysseus. Another reason is that Odysseus is actually in hell, at least according to Dante Alighieri. In his Inferno, Odysseus is in the Eighth Circle for his “crimes”. Therefore, I don’t think it’s too much of a stretch to say that in this universe he was reborn as a demon in hell and would form a contract with an Umbra witch. The last reason, when you think about what Odysseus does during his adventures, wouldn’t you call him a trickster?

When it comes to Odysseus’ design, I’ll admit I wasn’t too satisfied with Atlus’. It’s just, if you told me that was supposed to be Odysseus, I probably wouldn’t believe you. So I thought it would be fitting to draw him as the warrior he was. I gave him bronze coloring, as a lot of Greek statues were made of bronze. I also wanted to incorporate the iconic black and orange you see on Greek pottery somewhere in the design, and I thought bronze would go better with that than say, marble. I ended up using those colors on his shield, his main weapon. I can just see him bashing in angel skulls with that thing.

Once I settled on Odysseus as his persona, I began on Kuragari’s design. The name Kuragari, as far as I can tell, means “darkness” which felt like a nice contrast to Akiko’s name. I wanted to put Greek elements into his outfit to reflect his persona. The bottom of his shirt and sash were inspired by men’s chitons and sashes. I also put in the Greek knot pattern for a little something extra. The hat he’s wearing is called a petasos, which was worn by travelers. I thought that would be a good accessory. His umbra watch is shaped like a compass, which is also a nice tie to Odysseus. And of course I had to give him the famous comedy/tragedy mask. The one problem with that though, was that with all the Greek masks I saw, they covered the whole face. And when you look at the masks in Persona, they all leave at least part of the face uncovered so we can see the character’s expressions. So as a compromise I only covered the bottom half of Kuragari’s face. This allowed me to show off the mask’s mouth while leaving his eyes exposed. This also connects back to Rosa, who also keeps the bottom of her face covered. Kuragari’s mask can actually change depending on his mood. For example, when he’s battling angels it’s shaped in the comedy smile, but when something serious happens (ex. the Umbra clock tower is destroyed) it changes to tragedy.

I wasn’t too happy with the first pose I put Kuragari in, but I kept it because it showed off his outfit. I did draw him in another pose though (ref used) that also included his chains. I tried to add his guns, but the angle wasn’t working so I kinda gave up. If you’re curious though, his guns are the same design as Rosa’s (because I can’t design weapons myself) but are instead named Anemoi. Their individual names are Boreas, Zephyrus, Notus, and Eurus.

I think that covers everything! If you’ve read until the end, I appreciate it! Let me know what you think, and I’ll be back soon with another update!

[goldemas1244]

U tryna make woman Zhask?

Big tiddie milf alien?

Oh my God YES and NO.

YES big tiddy milf alien. But NO woman Zhask.

I'M GONNA USE ZHASK HIMSELF IN ALL HIS MALE GLORY. TAKE OFF HIS ARMOUR. STRIP HIM FULL. GIVE HIM TITS. AND GET HIM A NICE D CUP ME AND A BESTIE AGREED ON. HE DESERVES IT.

The image is ingrained in my head but his boobs are too big and I need to start a reference before I forget. But I can't FIND a proper reference because either they're uncredited, they're unsatisfactory, or they're front-facing. I need some sort of 3/4, hands above head, kind of thing. Maybe give him thighs while we're at it.

I've gotten a basic concept of the pose down but the tiddy... I can't find the tiddy ref. Much so with the choice of lingerie I'm giving him. Sort of a thin-cloth bikini kind of thing?

But so far I've gotten through every resource I know but I just can't find the right tiddy. The only place I HAVEN'T gone to is Reddit and I'm dreading to step into that area again.

... I admit I wanna add nipples too but I can't really search that up. It'll just confuse Google more.

Not that I'm asking you for a ref either anon, but maybe you could help point out a path or two. Non-virus preferably.

[trashyandtiredsol]

Just gonna add it here-

ALRIGHTY!!

Here's everything y'all will need to know for this 70+ follower DTIY

For your contributions for this, make sure it's similar enough, no need for the same pose or background!! It just has to have Blue in it!! And you don't need to do any background if you don't want to!

And here's the color palette of her:

Plus the white of the eye was just the background I had, but just use a white color if your background isn't white

You can put what you made under this tag and @ me! Wanna make sure I don't miss anyone's

There will be no winner or prizes or anything of the sort, just have fun with it!! But there is a deadline for this: December 1st!!

And I'll add the sketch ref I've done so far so you have a basic understanding of all the markings

The thigh stripe does go up more now, so it looks better, up to where the elbow is!!

I GOT THE COLORS DOWN!!! :D

Plus a minor tweak to one of the markings :P so it doesn't look weird

Hmmmm I'll add a basic background then when that's done I'll post the DTIY!! With the taaag... #dtiysol💚

[clockworkreapers]

Some trollcall card poses for those who want to trace over them! no credit required they are completely free.  for free Aleph Null card templates and backgrounds that can also be used look here: https://clockworkreapers.wixsite.com/alephnullau/downloadable-content