#I want you to be real I'm learning so much about life and nature and people and the world becuz of you

[mirrorcatcreditcard]

Take I haven't seen in the fandom yet:

Luka doesn't want to be freed.

"Now, MirrorCatCreditcard," you may say, "that's nonsense. Any human would want freedom from that system."

If you're thinking I'm gonna convince you that Luka doesn't know he wants freedom yet, you're wrong. I'm here to talk about indoctrination/conditioning, grooming/emotional manipulation, my own experience with those topics, and how all of the above connects with Luka as a character. If a deep dive like this is too much for you, please tap out for your own sake.

Luka's life was planned before he even existed. There has never ever been an alternative option. There is no life for Luka as anything but what Herperu chose. Everything in his life has been planned to have him be the perfect pet human idol. That is what he must be.

Fandom, I don't think most of you actually understand this and have dissected what this means (shout-out to the Luka stans who are getting there/have guessed similar things). These words we know have alternatives and are not set in stone are Luka's "gravity makes rain fall to the earth" and "water makes things wet." They are facts so deeply ingrained within him that even if shown the contrary he remarks that the person showing them is just disillusioned.

Take his commentary on Mizi and Hyun-A in the art book. He looks down on Mizi for not being able to control any of her emotions. How does he talk about Hyun-A? He has her at 70% affection yet shows a patronizing attitude—she's the one in denial at reality.

Now, how did we get here? How is a human so "delusional" and set in the control?

He's been conditioned.

Some of you don't know what I mean by this from experience and/or research, and count yourself fortunate that you don't. I pray you never experience such things firsthand. Don't worry about ignorance. Familiar or not, I will explain.

When you are surrounded by only one truth and reality, that is the way you interpret life. If a parent tells a child "the moon goes to sleep during the day," until the child learns otherwise, that's what they believe. Now take that child-like belief and add some toxic environments to the mix. With time, any other kid would learn that the earth rotates from their peers or adults around them. But if the creatures around them all say and believe the same thing "the moon goes to sleep during the day," then that is what the child continues to believe. Years of that same thing being the only truth make that false knowledge into a fact in the person's head, and everything that supports that fact is taken as truth or on the right path to truth.

"This is kinda silly though," you guys are no doubt murmuring, "All of this is a hypothetical. Give us something that makes sense or that someone could actually see happen in our society."

I'll give you my own experience then. My parents taught me that God is real. My parents taught me that I will be damned I do not follow the commandments of the scriptures. I didn't need to worry though. As long as I was obedient to the God who loved me and wanted what was best, I would be saved despite being born an awful sinful human. I was homeschooled, only interacted with people of similar beliefs, and taught that people too different from me in ideology or with radical beliefs against my own were trying to harm me and my family. I believed the people who raised me because why would people who love me lie to me? My task was simple. I needed to obey God and love everyone, especially them. Love meant giving up my entire being and living only as servant and sacrifice. After all, being selfless to the utmost was the greatest form of love.

Let's go back to Luka. His guardian, Herperu, when questioned about any surprises while training Luka, stated not only that he was the one who endured the "tough moments" but also that "(Luka) owes his success to me, and naturally, he should be grateful." This sentiment is echoed by Luka in his interview (shown on Patreon). My god, it's giving parents with disabled kids who brag on social media about how much trouble their kid is and how much they do for them. Sickening. This shows exactly what environment Luka has lived in though.

When you are manipulated into having something as your reality, everything else is fiction and delusion.

Let's review what exactly is Luka's reality.

Heperu is the one suffering if Luka has any difficulties being obedient.

Gratitude is what Herperu is owed because he goes through so much trouble to make Luka a star.

Love/care is shown by owning another's autonomy.

Emotions and bodily reactions exist, sure, but someone should be able to control them; and if they can't, someone should control those reactions for them.

Segyein are superior and the good ones for dealing with humans. Humans must be disciplined and shaped to how an segyein wants it to act to be considered deserving of this goodness.

(Luka)'s perfection is defined by his guardian.

Luka's life is directly connected to being the perfect performer. His guardian praises his abilities with the statement that no other pet human will ever be as perfect as him yet leaves an underlying threat saying that it will be no good if a pet is not trained properly. This has probably been mentally (if not physically) beaten into Luka's mind: his greatness doesn't stop him from being able to be disposed of. The human instinct to want to live has been explained to him as Heperu's wish for him to live and that has been further distorted as a duty to live for the stage he has been placed on.

Luka believes fully that there is a debt in play here. In his interview, he mentions repaying love. He thinks the relationship between fan and idol is completely normal, encouraged, and healthy. Performance is the most important thing. Being where he is is a privilege.

There's a chain here:

Heperu indoctrinated Luka into believing what he says is all true.

The guardian manipulated him easily to do what he wanted with his body and mind.

The years have been spent constantly conditioning Luka to be the god who encapsulated fantasies for the audience.

He is continually being groomed to exist for the entertainment and enjoyment of segyein.

Circle back to my first point of this post. Luka does not want to be freed. He doesn't know what freedom actually is. He sees freedom as either foolish denials of reality (and doesn't consider that actual freedom) or as controlling the song and stage when he performs (something he learned from Hyuna). He cannot want something he cannot understand. He cannot want freedom in the sense the fandom keeps speaking about.

It's funny. From the moment Luka was revealed to be hated by the fandom, I wanted to know why. Instead of digging and finding horrific deeds, I instead found a character who portrayed my own traumas and experiences. I instantly attached and delved deeply into learning about this thirty year old singer. Why does he express himself in a certain way? Where do we first see mention of him? Who does he have emotions towards? How was he trained? What makes Luka himself? I have past essays/replies to other's theories if you're interested, but in this one I got personal and didn't sugarcoat the facts. If the fandom can't handle deep thought, we shouldn't be discussing this incredibly profound and depth-filled web series.

As always, thank you for your time, and I hope my thoughts allowed you to open your mind to new things. Mostly, I hope you enjoyed them 🫶

[creatingblackcharacters]

Follow Up to the Follow Ups

Some feedback to the responses I received:

1) A lot of people said that fear and discomfort is what makes antiracism not worth standing alone for. Okay, so then I want you to say this phrase to yourself when it comes to that moment:

"I would rather be antiblack than be afraid in this situation"

Does it make you uncomfortable? More uncomfortable than speaking up? I want you to dwell on that! And no, I'm not saying this to hurt you; sometimes it is the better option to stay quiet. I recognize that you have to recognize your own weight class. (Not so much on Tumblr as it is in real life, granted 🙄) But this is often the outcome when we choose not to act. We just don't admit that to ourselves so directly.

Try to notice how often you make that choice, how often you even have to make it. If you find yourself saying this more often than not, do you still feel you identify as an ally when it comes to speaking up about antiblackness? I'm not saying you have to fight every single battle. I'm just asking you to take the time to notice how often you find yourself tolerating more than you don't. And if that's something that you genuinely feel isn't right, or that you want to change, do so! You have the option to strengthen your allyship!

2) I feel like my question about Black fans got walked around a bit. Tbh, that is already the reality Black people live in. The way you aren't comfortable speaking up, I don't feel safe assuming you're safe to be around. It's a far more perilous outcome for me, putting faith in the anti-racism of a person that I don't witness them express.

3) Fear, itself

How do you think I feel? 🤣 You're afraid to speak out on antiblackness because you're worried about the anger of, or- if we're being honest- the social consequences of speaking out? I have an entire page dedicated to addressing antiblackness in media while Black!

At any point, not for my own betterment but the potential- not even a guarantee, just the potential- of yours, I openly put myself at risk of racist ire to try make the space around me better. I've been called plenty of slurs and insults on my main discussing these things. It's not an easy choice to risk that vulnerability. Trust, I understand that!

It's honestly gone far better than expected, though part of that is because I have to police my own tone. I don't expect other Black people to do so, or to have to do so. I can only imagine an environment where people felt less inclined to treat me and my peers that way, that they felt the fear of social repercussions for their racism when they spoke instead of me.

My point here is, I'm not naturally built to be stronger than you when it comes to dealing with racism. The way you are afraid of your peers treating you, is the way they already treat me and my peers. I'm forced into resilience, I've spent a long time learning how to deal with this. If I can stomach living with this, you can occasionally take the risk and speak up. Again, I'm not asking you to fight every battle. But you're capable of more battles than you think.

That's it! That's the end of the introspection practice this week. Thank y'all for participating; I hope that you got some perspectives to take on with you.

[kiawren]

Not only does shipping with Kiawe bring me so much comfort, it has me interested in different places, cultures and biodiversity. It makes me want to learn more to love more.

[noistanaccount]

Ryoko Kui Does Not Believe in Epiphanies (or: why Marcille and Mithrun's endings are great actually)

I have seen a couple of people who are upset about the way that Mithrun and Marcille's stories were resolved so I'm writing this to clear some things up. Ryoko Kui does not believe in epiphanies. An epiphany is a sudden and usually brief realization, an "aha" moment. Epiphanies are emotionally powerful moments. Both Marcille and Mithrun have powerful moments of realization, epiphanies.

Whether or not you like these resolutions, there's something you need to understand, Ryoko Kui does not put that much stock into these moments. Immediately after Marcille has her realization, Tansu responds like this:

While this is mostly his own opinion, what he is pointing out is that epiphanies are brief, they are singular moments that do not define a life. Life is long, and epiphanies do not sustain you. Marcille might feel like this now, but what about tomorrow? what about nex year? ten years, a hundred years, five hundred years from now? How often have you felt a sudden understanding? a burst of inspiration, or perhaps a realization that everything is pointless? It generally passes quickly, and you make dinner, and go to bed.

Think about the best meal you have ever had, it was probably a special occasion, maybe it felt like something magical, in the moment you might have felt like your life was changed. Then, in the morning you were hungry, so you ate breakfast. You cooked, you did the dishes, you went on with your life. What "meaning" did that meal have if you were hungry again the next day? Mithrun has to rebuild everything, every day he has to come up with new desires to do the very basics. None of it comes naturally, he has to find a reason to eat beyond being hungry, a reason to want to do anything when he doesn't want anything. Ryoko Kui tells us outright, that there is no magical solution:

The same thing applies to Ryoko Kui's representation of racism in dungeon meshi. Around when the orcs appeared in the anime I saw people gripeing about the way racism is treated. They seemed to think that Laios's party having dinner with the orcs was presented as them "solving" racism. Once again people misunderstand, they did not solve racism in a single moment. A few people, understood each other a little better, came to an arrangement and then parted. This was merely a moment in their lives. The characters continue to do micro-agressions, hold stereotypes, and have implicit biases. In dungeon meshi, characters don't suddenly stop being racist in the course of an evening. Life is a process, learning about others is a process, it's about the accumulation of experiences through the meat and potatoes of life, the daily activities that we actually fill our lives with, not the sudden realizations. Once you make learning about and living with other people into part of your routine, once it is embodied, then it is part of your life.

This is the real conclusion: life is not lived in a state of epiphany. Life is about chores, cooking, eating, shitting, working, and sleeping, it's everyday. Life is about doing simple things and doing them well. An epiphany is a useful tool for telling the reader that everything is going to be alright, we love to read epiphanies and be swept up in them. They can also be a breaking of a pattern, an escape from a spiral.

This is the other take away, it's about the people you do those things with, the way they rub off on you, the way they help you be human. For Mithrun and Marcille their paths would be impossible without other people pushing them back on the path as they stray. Mithrun literally would starve to death except for the thought that kabru and others don't want him to. Eating is a communal activity, so is living, you can have an epiphany on your own; you can't live on your own.

[hazelfoureyes]

why smut with an ace character?

This person was a minor so I won’t reply directly. I would love to discuss sexual orientation and the wibbly wobbly nature of attraction and pleasure to someone who I think needs a space to discuss it but as an adult stranger? That’s not my place and I would be wildly uncomfortable doing so directly. But! For anyone who does see my blog and wonders why, I’ll have this set on my master list to save me time

Heheheheh MY TIME HAS COME

closing in on 5 months of being on tumblr and this is my first “BUT ACE!” Comment/inbox

so, why?

✦Alastor is canonically Ace! The aro aspect was mentioned by an important staffer but has been left off as a descriptor by Viv herself and no accepted as canon. She gave her explicit permission to write them as we are comfortable with.

✦Asexuals can and do fuck! 💦 (my source? My ace spec partner!)

✦Alastor’s ace spectrum is often times an important aspect of my stories!

I always have Alastor motivated into sexual situations for non-sexual reasons.

Closeness, intimacy, fulfilling a partner’s needs, a biological imperative, for power, for control, putting someone into a submissive to embarrassing position. It’s to see someone break and bend to his will (with consent).

But lets shift into asexuality now --- how I write him isn't a representation of all ace people! It’s just how I view his place on the spectrum. Being Ace doesn't mean you can't ever want sexual pleasure in any form, it doesn't mean you never think about sex or enjoy seeing it.

Letting people explore the range of being asexual is as important as with any other sexual orientation. If you feel people being non-sex repulsed and being Ace is making your own identification harder to make clear to strangers —- well then I wonder if the label itself is more important to you than the community we all desperately seek and need when we publicly acknowledge our sexuality. We publicly say we’re LGBTQIA+ because these labels are for self identification and signal to like minded people and allies we're here. This is how I love and how I want to be loved. Maybe one day a different word will exist to separate the spectrum but we’re living and working with what we have today and how we find each other now. “Why not call him grey ace?” It’s each individuals decision how they wanna identify!

Full circle. Why do I write SO much smut about an ace character? Of course I think that animated deer man’s personality is hot lmao but also because I love this character and identify with him a lot! Being ace doesn't mean he doesn't ever have sex or ever enjoy physical pleasures! Writing about someone seeking out pleasure for non-sexual reasons is very fun for me as someone who doesn't identify with the romantic aspect of sex many people put on it. Do ace people fuck for romantic reasons? Yes! Absolutely! Being Asexual doesn’t mean you’re Aromantic!

Why not write fluff or QPR? Because I'm aromantic and it's harder for me but I am trying and am getting better at it because I want to write more things that meet the needs and wants of many kinds of people. As for QPR, I'm still learning what those relationships look like and learning how to idenfity them in my own life!

And finally— it’s valid to write him as any form of Ace or even not Ace at all! I prefer to keep him Ace spec but that doesn’t mean it’s wrong to make him not. He’s not real and the creator has given us permission to do so. 👌🏼

[undiscovered-horizon]

Hi! I really enjoy your one piece writings, they have given me so much comfort when I don't feel okay 😭

Can I please get a Mihawk (I'm completely in love w this man aah) imagine where his wife is a sensitive person who gets sad when someone is rude to them but they feel insecure couse they think it's stupid

Thank youuuuuu ❤️🥺

First of all, I'm honoured that I can provide a source of comfort to you. I'm glad my work has made you feel better in your time of need.

Second of all: oh yessss bestie this hits the spot. It also reminds me of a wonderful scene in The Gentlemen (10/10, highly recommend) [it also hits close to home because I am a sensitive person]

The thing about strong people is that they make others want to be just as strong, which isn't always easy if even possible. You've always known you're a little 'softer' than most people but only after marrying Mihawk did you find the difference in temperament bothersome. Instead of considering your sensitivity a fact of nature, you've begun to find it a flaw, something that you should change about yourself.

You've never admitted it to yourself but the truth is plain and simple - you think it's embarrassing. That Mihawk will find your sensitivity embarrassing. Maybe if you had been up-front about it with your husband, you'd learn that he adores your soft heart. If he felt forthcoming enough, perhaps you'd even hear that you're the source of warmth and light in his life. Hence he calls you his 'sun'.

To say that Mihawk grew concerned when he heard your muffled sobs would be like not saying anything. A delicious euphemism at best. Anger and fear bubble inside his chest. There's a strange itch in his hands that eggs him to wreak havoc.

"Apple of my eye," his voice carries well through the rather empty room you're both staying at currently. "What is the meaning of this?"

Frantically wiping away your tears, you look over your shoulder to meet his gaze. Mihawk is leaning against the doorframe, blocking the entrance if you so wish to run away from this situation.

"Oh, it's nothing. Really, I'm alright. No need to worry," you half-heartedly attempt to reassure him.

The swordsman loudly exhales through his nose. He's your husband, worrying about you is his duty. In slow steps, Mihawk walks over to the edge of the bed where you're sitting. Pride and titles as if forgotten, he drops on one knee in front of you. One of his hands gently squeezes your knee.

Unsure what's the best way to go about these circumstances, you timidly meet his intense gaze. The passion in his yellow eyes makes you think of a maelstrom captured in a jar - something devastating held back by a miracle. He's already seething, just doesn't yet know who exactly to direct his violence at.

"Indulge me," he prompts you to confide in him. There's a rare sense of pleading in his tone.

So indulge him you do - you tell Mihawk all about the unpleasant encounter with a local tearaway. Your husband tries his best to control his expression as you recount the unambiguously offensive words, unwanted touches and threats of real violence coming from someone who was probably looking for a cowardly scapegoat to vent his anger. As you continue your story, tears just keep rolling down your cheeks, fear and humiliation finally finding their way out of your heart.

"I know I'm being stupid," you mumble as you clumsily wipe your face, "he was just rude and it's not like he actually hurt me but-"

Mihawk's touch makes you cut your sentence short. His hand, its skin rough and calloused, gently cups the side of your face. Your hot, salty tears disperse as his thumb slowly rubs them away. Something about the tenderness of his touch, of hands that have killed and maimed, is enough to make you feel like you're about to break in his arms. Even if you do, you know that when dawn breaks you will be whole again, put back together with the unending love Mihawk holds for you.

"You've always been too good, my sun," he tells you in a low voice. He could have said 'too soft' or 'too sensitive' but then his remark would come off as deceitful as it would suggest his dislike towards your nature. Nothing of that sort - Mihawk genuinely thinks you're a better person than most people walking this plane. And he'd rather succumb to torture than let anyone make you feel bad about that.

The man leans in and places his warm lips against your forehead. Without much effort, he lays you down on the bed and you let him. Even if you wanted to fight back, you're way too tired to do so.

He's sitting on the edge of the bed, caressing your face, neck, arms and back as he's waiting for you to fall asleep. The anticipation doesn't require much patience - Mihawk's tender touches lull you to peaceful slumber rather swiftly. When he's sure that you're asleep, he kisses your forehead again before cautiously leaving the bedroom and closing the door behind him.

Perhaps he can't turn back the time and make the offending man choke on his words but he can ensure that the tearway won't hurt you ever again. Someone resting in peace so you can rest peacefully is a good bargain.

Mihawk knows exactly who he's looking for. He made a note of a certain characteristic trait you had mentioned - an earring with a single, red-coloured feather. It doesn't seem like a piece of jewellery that would be common anywhere.

It doesn't take much to find the tearaway. He makes his presence well-known as he stumbles out of a tavern, his legs almost giving away with each step.

So he assaults random women minding their business and then gets blackout drunk. It's pathetic enough to consider his death merciful.

Staying true to his name, the swordsman stalks his prey before lunging. Appearing as another patron of the inn, Mihawk follows the stranger around the corner towards barns, stables and pigstys. Fitting place for the likes of him, Dracule thinks to himself.

The man with the curious earring staggers his way towards a drinking trough. He's fumbling with his pants, desperately trying to pull them down to relieve himself but his fingers are not dextrious enough.

Mihawk picks up the pitchfork leaning against the barn wall. In one, swift motion he gores the tool through the back of the man's knee. A guttural scream tears through the night as he falls to the ground.

The swordsman grabs a fistful of the tearaway's hair. He forces the kneeling man to look up into his seething, yellow eyes.

"Do I owe you money?" The man is slurring his words. He squints his eyes, trying to focus his hazy vision on Mihawk and, possibly, recognize his creditor. "It's money, isn't it? Shit, just give me two days, man. I'll give it back with interest."

"I don't care about money."

Instantaneously, panic appears in the tearaway's eyes. Did he just find himself in the same position he's put hundreds of people in to cure his own boredom and need for grandiosity?

"Then what it is?!" he shouts, fear settling in his viscera. Dracule's calmness put together with the sheer hatred emanating from him makes for a deeply unsettling impression.

"You hurt my wife," comes the answer. The fist clenching the man's hair tightens its hold further, threatening to tear off his scalp. "My wife," Mihawk growls.

But before the tearaway can ask for clarification, his head is forced into the drinking trough. Surprised and scared, oxygen is escaping him fast. Soon, his throat and chest begin to clench and throb painfully. Dark spots dance across his vision, foreboding blindness.

Then, Mihawk pulls his head just above the surface. The man desperately gasps for air.

"If you believe in a god," the swordsman begins in a low voice shaking with anger and adrenaline, "I suggest you start praying. Fast."

The tearaway's head is forced underwater again but this time, Mihawk keeps it there until the ruffian's body stops trembling and shaking. After that, Dracule waits for a while longer - just for good measure.

You're woken up by the creaking of doors as they slowly open. Blinking sleep away from your eyes, you look over your shoulder only to experience a sort of deja vu: Mihawk is standing in the doorway. Before you can ask about his strange behaviour, your husband makes his way to you in long, quick strides. He kneels on the floor beside the bed.

Mihawk takes your hand in his. He takes something out of his pocket and places it in your palm. You recognize the red feather earring immediately. And is that... a piece of skin still attached to it? Gently, your husband closes your fist and lifts your hand to place a chaste kiss on your knuckles.

"The rat has paid for its sins," he whispers to you. Judging by the intense look in his eyes, you don't want to know the details of this story.

[neil-gaiman]

Hi Mr. Gaiman (sorry for the ramble in advance),

Hope you're doing well. I don't usually use tumblr, but every time I open it up you're here so I figure I'd drop a note. I'm a writer, but I've always had a really hard time actually WRITING instead of just thinking about it. I've had this world and its characters plaguing my head for years now, and it's only gotten worse with age, so recently I doubled down and decided it was gonna get done—one way or the other.

I recently read a passage in a book about writing that said, in essence, your first book doesn't really matter all that much if you plan to be an author. As an autistic lad, I (naturally) took this very literally and was upset at the thought. Sure, your first work is probably going to be your weakest—duh, because by the time book two rolls around you'll have had time to have faced any criticisms from your first, you'll have learned more as you write, and about the world too. But for your first book to not matter at all, no matter how passionate you are about it—I found myself wondering, "Well, what's the point at all, then?" You put in all that work, you learn plot devices, you breathe life into your characters and watch 'em toddle around, and for what? For it to just be a stepping stone? It felt intensely personal of it just being cast aside like that, and I haven't even written the damn thing yet!

MasterClass had a Father's Day sale, so I figured "why not" and went ahead and got a subscription. First thing I did was run to your class, and although I've only watched the first two parts—I want to thank you for restoring my motivation. Truth is, I think the reason that message in the writing book upset me so much is because I'm terrified of writing this damn book. I've woven so many pieces of myself into it, despite it very much being, in your words, a lie (and about a boy that lies all the time, no less), but the grief that I feel and all the complicated feelings about forgiveness are all there and very real, despite its fantastical elements. So much of it really IS more than I'm comfortable sharing with people, and the idea of baring all that out and being told it didn't matter at all? Absolutely devastating. At the end of the line? The book might actually suck. I might rewrite it, I might trash it, I might completely forget about it ten years from now, or I might sell ten copies on Amazon to family and friends and then move on with my life. It's not stepping on a yellow jacket nest in the woods, but it's still terrifying. I still can't even fathom the idea of letting anyone actually read it until I've obsessed over it for another four years, and even then! But I'll write it anyways.

Thank you.

You are so welcome!

[rockpaperimpala]

So about Netflix's the Last Airbender....

I am literally so confused you guys. You made me think I would HATE this show. And I LOVED it. Me. Known perfectionist and hater.

Katara was lovely. Yes, she started as a more soft spoken character than her cartoon version, but she was still passionate and hopeful throughout, just visibly unsure of herself. I think people were thrown off by this actress' natural way of expressing herself, which is Different from animated katara for sure, but not bad. Then she spends the whole season growing in Confidence and Fire. I Adored her fight with Paku, it really did feel like a payout of the whole season's development, and the bending kicked ass!

The Bending Kicked ass!!! The martial arts was fun and fast and creative and exciting! It looked SO good. That alone would be enough reason for me to watch and enjoy any show.

Zuko's actor was fantastic. He really captured the rage and confusion of this 16 year old banished prince. And there were so many Added moments between him and Iroh wich to me enriched their relationship. Like YES! This is why I'm watching, to see more of them, to see things done a little differently.

Iroh facing the consequences of his actions at Ba Sing Se!! That's what I'm here for!

Zuko's relationship with the men on his ship! That's what I'm here for!

The Extra layers we get to Ozai manipulating his children!

Also no one is talking about Admiral Zhao, who I had SO much fun with. I feel like they slightly fleshed out his character in a really dramatic way, really developing the hubris and frankly insane grasping ambition of someone who would kill the moon. I completely enjoyed this wilder, less controlled version of him, who comes up through the season from basically nothing and no one!

I am OBSESSED with King BUMI and his anger and disillusionment with the world! Like this was SO real. Living a hundred years of futile war would do that!!!! It is one of my favorite changes to the whole series. This new layer of emotion and character depth is what I'm here for!

Sokka was SO funny. He literally had me laughing out loud so often. That actor GETs Sokka, and GETS the way his humor is delivered. And is also able to tap into the more vulnerable side of him. People said he was "obsessed" with leadership. WHAT? That is a young person trying desperately to do his best and to try and find his place in the world, to figure what he has to offer. I loved his pride at hearing the Mechanist say that he would make a good engineer, and the sweetness of the moment that Yue's father says that he can be a hero without being a warrior. Sokka does so much growth in this series, in understanding himself and life.

And his chemistry with Suki was adorable!! I even like him and Yue (who was a totally unexpected sweetheart, despite her terrible wig)!! Like he has that same ability that Sokka has in the original to Connect with people.

Aang was great! He WAS fun loving and sweet and funny. I don't know what you guys wanted. Cartoons are always bigger and more exaggerated than live action. People's eyes swell up an, birds fly around their heads, and there are funny sound effects. That larger than life quality is the strength of animation! You have to look for different strength in live action. Like the SUBTLETIES of the acting choices. This little actor brought so much kindness, innocence, and strength to Aang.

And I FELT his frustration at being asked to do this at 12, his fresh hope anytime it looked like someone more experienced would be able to help him and no one did, and that's why he didn't learn waterbending this season, because he kept waiting for an freaking ADULT to show him the way, to help him carry this immense burden, but every adult he meets asks him for help instead, asks him to carry it himself, and then the finale hits and he realizes that there won't be any adults helping, he does have figure this out himself, and he makes the hard choice, takes on responsibility more than his years and offers himself to the ocean spirit, and he might have been lost entirely if not for Katara!

And that counter running theme to the show pays off: that he doesn't have to do it alone. He may not have more experienced guidance, because the adults have let him down again and again, but his friends will be with him, and they will figure it out together!

This is there throughout the series! Katara tells him this about learning waterbending, when he says he still wants to wait. Bumi tells him this in the palace at Omashu, and Aang sees the faith he has in his friends repaid!

I like these changes! And the show still found time for silly fun adventures and character building moments.

The show was never going to be the animated original. That is already a Masterpiece, and it frankly did NOT need to be adapted at all. I did not WANT a live action adaptation. I was adamantly convinced I would hate it. But the changes that they netflix show gave are what I Iike most about it. If I want to see Zuko say "you rise with the moon, I rise with the sun," I will go watch the animated original, because that version is perfect. And now, if i want to see Zuko say "Lu ten would have been proud to have you as a father," and see iroh pull him into a tight hug, I can watch this live action version, which is very good too. I'm going to disagree with most of the people on here and say that the Netflix's Avatar: The Last Airbender, DOES capture the heart of what we liked about the original show. It's spirit, fun, excitement, and characters. And the changes made are the reason we should be watching.

[joyfulcowboycandy]

My muse

Malleus Draconia x Reader

❥ one shot

Content warning: ...it's fluffy. Maybe that there are no established relationships? Oh, Y/n has social anxiety here and is an artist. Y/n takes yuu's place and no grim! :( he was turned into cat stew

Note: This is 4.1k words. Brace yourself ......Gosh I love Malleus, I have so many ideas for him........ I love good girl x bad boy typa dynamics I'm sooo not used to posting my ideas it's nervewrecking to share something so personal to me. I'm glad people seem to like them still!

fem reader

The sprawling stone arches of Night Raven College towered overhead as Y/n looked around, her heart a chaotic blend of excitement and unease. She was surrounded by bustling students, each one glancing her way with varying degrees of curiosity and indifference, but all carrying an air of mystique and confidence. She swallowed, her fingers fiddling with the hem of her shirt as she tried to keep herself from looking too out of place, which was easier said than done. She felt like a fish out of water—a lost, magicless girl in a sea of powerful beings, standing out not because she wanted to, but because she had no choice.

The courtyard buzzed with conversation, but every once in a while, a murmur seemed directed her way, and she could catch bits and pieces of whispered phrases.

“Is she the magicless one?”

“She doesn’t look like she belongs here…”

“Oh, she looks nervous.”

Her cheeks warmed at the attention, and she felt an urge to shrink into herself, maybe find a corner where she could hide until everything settled down. But she took a steadying breath instead. She had to be brave—she’d promised herself that she’d make this strange place work, somehow. After all, this was a second chance, an escape from a life she’d rather leave behind. If she was going to find herself anywhere, it might as well be here, in this strange, enchanted school. Even if it meant being the “magicless” one.

Lost in thought, Y/n barely noticed the approaching figures until one leaned in close, a familiar pair of mismatched eyes gleaming with amusement.

“Hey, little guppy,” Floyd drawled, his grin wide and sharp. He poked her lightly, his finger pressing right into her shoulder, making her stumble back a step in surprise. “Aren’t you jumpy? You look like you’re about to pass out!”

She let out a shaky laugh, cheeks flushed. “N-No, I’m fine! Just… adjusting.”

“Awww, look at that.” Jade, Floyd’s twin, sidled up on her other side, his voice smooth but carrying that same teasing edge. “It’s always refreshing to have someone with such… natural reactions. Isn’t that right, Floyd?”

Floyd snickered, leaning closer until she had to tilt her head up just to look at him. “It’s hilarious,” he said, his grin widening as he seemed to take in every flustered detail of her expression. “What, did no one ever tease you back home?”

Y/n’s gaze darted down, a nervous laugh slipping out. “W-Well, no… not really,” she admitted softly, her voice barely louder than a whisper.

“Well, that’s a pity.” Jade’s eyes glimmered with intrigue. “We’ll just have to make up for all that lost time.”

They laughed, and though she couldn’t help the heat spreading across her cheeks, she managed to laugh along, even if a little nervously.

As the twins wandered off, leaving her to catch her breath, she exhaled, trying to release the nervous energy buzzing through her. She caught herself fidgeting again, trying to brush off the lingering embarrassment. Her shyness had always been a part of her, something she hadn’t been able to shake, even here. It was hard enough to make friends back home; she could only imagine how much harder it would be in a school full of people who seemed so confident, so... powerful.

But beneath her anxious thoughts, there was something else—an excitement, faint but real. A tiny spark of curiosity to explore, to learn everything she could about this world and the people in it. Here, she was no longer tied to the past, to the hurt and broken pieces she’d left behind. Here, she could be whoever she wanted. She could start again.

Even if it took her a thousand blushes, a hundred nervous laughs, and countless teasing encounters.

‧₊˚ ☁️⋅♡🪐༘⋆

Living at Night Raven College and dealing with anxiety was difficult on its own. Y/N was the only female in the entire school, a fact known to everyone. Although the boys were decent enough not to be creepy or weird, they often teased her. She was always falling asleep in class or arriving late, which frequently earned her lectures from the teachers. This made her an easy target for teasing, though the boys never meant any harm (she hoped). She just wanted to stay on their good side. She wasn’t able to make any actual friends; her social anxiety always got in the way, and while she wasn't exactly avoided, she didn’t have anyone to confide in or talk to. She never blamed the boys, understanding that her anxiety made social interactions challenging.

Art was her only way to express herself, a cherished hobby since childhood. When she drew, she didn't need to worry about stumbling over her words or fiddling with her shirt to distract from her racing heart. It was also the only thing she had from her life back on Earth. She arrived in Twisted Wonderland with nothing but her own body and knowledge—not even the clothes on her were from home. She felt completely empty, making her art even more comforting.

Unfortunately, her inspiration always struck at night. She never understood why, but she did her best work during those hours. This habit interfered with her schoolwork and potential friendships, contributing to her clumsiness and constant drowsiness in class. She didn’t get enough sleep, being too busy illustrating the random things that caught her eye around the empty campus or the garden outside the Ramshackle dorm.

One night, she was by the old fountain, peering into the dirty water and watching her squirming reflection. The garden was beautiful, with slightly overgrown grass and numerous bushes and flowers she loved to draw. It was also peaceful, offering a gorgeous view of the moon high in the dark sky. Twisted Wonderland wasn’t much different from Earth, aside from the glaring difference of magic and slightly outdated technology. She was happy they at least had art supplies and canvases, which she was allowed to borrow. No one else seemed interested in drawing, so the supplies had been rotting in the storage room. When she asked to use them, Crowley was overjoyed that someone would finally make use of them.

Sitting in peace, enjoying the silence and the slight rustle of leaves, she sketched an owl glaring down at her from a tree a few feet away. She stayed silent, limiting her movements to avoid scaring it.

However, the sound of approaching footsteps startled the owl, causing it to fly away. Y/N gasped in disappointment, standing up from her seat as she watched the owl disappear into the little forest. It was then she noticed the presence that had joined her in the quiet garden. Tightening her grip on her pen and notebook, she reluctantly turned to face the intruder, her eyes widening in surprise upon seeing Malleus Draconia.

Malleus stood silently, his eyes analyzing her with intrigue. Despite his fearsome reputation and the rumors that surrounded him, Y/N felt something akin to adoration. Under the moonlight, his horns, long hair, and calm, calculating eyes made him appear otherworldly. An urge to draw him struck her.

Without thinking, she blurted out, “Can I draw you?”

Malleus’s eyes widened slightly in surprise, a subtle reaction that she noticed. The corners of his lips curled into an amused smile, and he tilted his head slightly. The sight made Y/N's heart leap in her chest. She realized how strange her request was, especially as the first thing she had ever said to him. She felt embarrassed and stupid for being so weird, but she couldn’t deny how striking he looked under the moonlight. If he agreed to her request, she would be overjoyed.

Malleus studied her for a moment, his expression thoughtful. “Very well,” he finally said, his voice smooth and resonant. “You may draw me.”

Y/N’s eyes lit up with joy. “Thank you!” she exclaimed, her shyness momentarily forgotten in her excitement. She quickly found a comfortable spot to sit and began sketching, her eyes darting between Malleus and her sketchbook.

As she worked, Malleus watched her with a curious glint in his eyes. “Why do you wish to draw me?” he asked, breaking the silence.

Y/N paused, considering her words carefully. “Umm… you looked really pretty under the moonlight,” she said softly, her cheeks flushing. “I’ve never seen horns like yours before, or eyes such a vibrant neon green. They’re really pretty.”

Malleus’s smile widened slightly, an almost imperceptible shift. “Is that so?” he murmured, amusement lacing his tone. “You find my appearance... pretty?”

Y/N nodded, her focus returning to her sketch. “Yes! I do,” she admitted.

They continued in comfortable silence, the only sounds being the soft rustle of leaves and the scratch of her pencil on paper. Y/N’s initial nerves faded as she immersed herself in her art. When she finished, she held up the sketch for Malleus to see.

Malleus studied the drawing, his expression unreadable. “You have captured more than just my appearance,” he said quietly. “How curious.”

Y/N smiled shyly. “I’m happy you think so.”

Malleus continued to observe the sketch, his expression contemplative. “Do you come here every night?” he asked, his gaze shifting from the drawing to her eyes.

Y/N nodded, her previous excitement fading into shyness now that the high from drawing had worn off. “I do,” she replied softly. “I get inspiration here, and it’s comforting.” She fidgeted with the corner of her sketchbook, her voice growing quieter. “I like drawing here at night.”

Malleus tilted his head slightly, intrigued. “You prefer solitude?”

“Sometimes…” she admitted, her eyes dropping to the ground. “It’s peaceful. And… I guess it’s easier than trying to talk to people. Drawing doesn’t judge me or expect me to say the right things.” She gave a small, self-deprecating laugh. “I’m not very good at that.”

Malleus studied her for a moment, the moonlight casting a soft glow over his features. “I see. You find solace in your art,” he said, more as a statement than a question.

Y/N nodded again, a small smile tugging at her lips. “Yes. I-It’s the one thing I can always count on.”

A thoughtful silence settled between them. Malleus seemed to understand her in a way she hadn’t expected. Despite his imposing presence and the intimidating rumors that surrounded him, she felt a surprising sense of ease in his company.

“You may continue to draw here,” Malleus said finally, his tone gentle yet authoritative. “And should you desire company, you have but to call for me.”

Y/N’s heart fluttered at his words. “Thank you!”

As Malleus began to walk away, Y/N's curiosity got the better of her. "Wait," she called out, making him pause and turn back to face her. "Um- can I ask you something?"

He regarded her with a raised eyebrow, a hint of amusement still in his eyes. "You may."

Taking a deep breath, Y/N asked, "Are you really a prince? And a dragon!?"

Malleus nodded, a faint smile playing on his lips. "Yes, I am. Prince of the Briar Valley and a descendant of the dragon fae."

Her eyes widened in amazement. "That’s so cool! Everyone always says you're super strong, but we're not in the same year, so I’ve never seen it myself. Can you… show me?"

Malleus considered her request for a moment, then extended his hand. A green, magical aura surrounded him, and suddenly, ethereal, dragon-like wings appeared on his back, glowing in the moonlight. He didn't transform fully but gave her a glimpse of his power and heritage.

Y/N gasped in awe, her eyes sparkling with admiration. "Wow," she breathed. "That’s amazing! You’re so cool."

Malleus retracted his wings, the aura fading as he resumed his usual form. "I am pleased that you think so," he said, his tone carrying a hint of pride.

Her mind still reeling from what she had witnessed, Y/N asked, "Can I draw you again another time? I mean, like this?"

He seemed to ponder her request, his gaze thoughtful. "Very well," he said finally. "You may. It is an honor to be your muse," he said, a teasing smile finding its way to his lips. "Perhaps we shall meet again tomorrow night?"

Y/N’s felt her face flush at his words. “M-my muse? And, yes! Okay!”

With a final, lingering glance, Malleus turned and disappeared into the early morning mist, and she returned to her dorm, with only a few hours left till school would start.

‧₊˚ ☁️⋅♡🪐༘⋆

Since their initial meeting, Y/N’s encounters with Malleus grew in frequency, with each night solidifying their connection. Malleus had essentially become her muse, and she would show up with her art supplies, sketching and drawing him in numerous ways. He indulged her artistic passion, finding himself curious about her life while also sharing his own interests, particularly his fascination with gargoyles. She soon learned that his interest was so profound that he had created his own club dedicated to studying them, a fact she found incredibly cool.

Malleus, in turn, was intrigued by Y/N’s attraction to the very qualities that others found intimidating or unapproachable about him. Her genuine curiosity and admiration for aspects of his personality that were often deemed dark or formidable caught him off guard. He began to test her, asking questions designed to make her uncomfortable or to challenge her perception of him. Yet, to his surprise, she never faltered. Her view of him remained unchanged, always seeing the good in him.

It was a quality Malleus found both unusual and deeply attractive, especially in a place like Night Raven College, where cynicism and mistrust were more common than kindness and acceptance.

It seemed like just any other night when they met up in the overgrown garden, surrounded by flowers, bushes, overgrown grass, and the occasional firefly or grasshopper that graced them with its presence. Y/N, with her sketchbook in hand, was prepared to capture Malleus’s likeness once again. 

However, her curiosity had gotten the better of her tonight. She had grown so used to his company that she had momentarily forgotten his title as a literal prince.

Her eyes kept darting to his horns, the dark, curved structures that were as much a part of him as his regal demeanor. She couldn’t hold in her adoration any longer. Gathering her courage, she finally blurted out, “Malleus, can I… can I touch your horns?”

The words tumbled out before she could stop herself, and she instantly regretted it. Her face flushed, and she began stammering nervously, waving her hands in a frantic attempt to apologize. “I’m sorry! That was so rude of me. I shouldn’t have—”

Malleus, watching her with his characteristic calm, marveled at her audacity. It was rare a person who would even dare ask him such a thing, and yet here she was, this small, magicless human, filled with curiosity and adoration, doing just that.

He found her ignorance and boldness endearing. With a soft chuckle, he said, “It’s quite alright. You may.”

She stared at him in shock for a moment before he bent down on one knee and lowered his head slightly, giving her better access to his horns. Her hands trembled as she raised them, hesitating briefly before she gently touched one of his horns. It was smooth and cool to the touch, and she couldn’t help but let her fingers wander, tracing the intricate curves and shapes.

As she ran her fingers along his horns, her hands gradually moved into his hair, entangling in the soft, well-kept strands. This was clearly not what they had agreed upon, but she couldn’t help herself. His hair was unexpectedly soft and comforting, and she found herself running her fingers through it, almost forgetting where she was.

Malleus, to her immense surprise, allowed her this intimacy. He typically disliked when people were too casual with him, but with her, it felt different. Her touch was gentle and filled with genuine curiosity, and it felt surprisingly nice.

When she finally pulled her hands away, her face was a deep shade of red. “I’m so sorry, Malleus. I didn’t mean to…”

He leaned closer to her, his eyes glinting with amusement. “May I touch your hair, in return?”

She froze in surprise, not expecting his request. Before she could respond, he reached out and ruffled her hair gently, a slight mockery of her earlier actions. The touch was surprisingly tender, and it made her heart skip a beat.

“You have lovely hair,” he said, his voice soft but teasing.

She blinked up at him, still flustered but now smiling shyly. “Oh…. thank you…,” she managed to say, her voice barely above a whisper.

Malleus straightened up, his eyes still fixed on her. “You continue to surprise me, Y/N.”

Her heart fluttered at his words. “Is that a good thing?”

“Very much so,” he replied with a small smile.

“Um, I made a new drawing of you, but… I forgot to bring it with me.” Y/N’s voice trembled, her heart thumping with anxiety. “Can I… bring it to your dorm tomorrow? I want you to have it…”

It was a big step—after all, she and Malleus had only ever met in the garden at night. By day, they moved in different circles, and he was two grades above her, making their lives all the more separate. Their nighttime meetings had always been their own little world, a space where she’d sketch him and he’d indulge her, sharing stories of Briar Valley or answering her curious questions. But the idea of entering his territory, his life outside their usual routine, felt nerve-wracking.

She braced herself, half-expecting him to refuse. Their friendship, if she could even call it that, had never been formally established. He was her quiet, mysterious muse, and she was the strange, sleepy artist who drew him in shadows and starlight. Despite herself, though, she hoped he didn’t see her as just a source of amusement. She cherished their time together, and the thought of being nothing more than a curiosity to him made her stomach twist.

Malleus, however, seemed blissfully unaware of her concerns. He regarded her with his usual calm, interpreting her nervousness as another shy moment—something she was known for, after all.

“Very well, then. Seek me out after your classes in Diasomnia,” he agreed with a nod.

Y/N’s face lit up, her relief breaking into a bright smile as she nodded eagerly. “Okay! I will.”

‧₊˚ ☁️⋅♡🪐༘⋆

That night, after they parted ways, she returned to her dorm, her mind buzzing with thoughts of him. She often wondered how he managed to look so well-rested while she dragged herself through the day half-awake. Somehow, despite their nightly rendezvous, he attended all his classes, excelling in every subject. It was something she’d definitely ask about later, though for now, her focus was on perfecting the drawing she wanted to give him.

The next day, her morning went as expected—late to class, with her uniform haphazardly thrown on. Professor Trein made her stand outside for twenty minutes before finally letting her back in, and she gratefully slipped into her seat between Ace and Deuce. Though the two were notorious troublemakers, they left her in peace, allowing her to nap behind a book she propped up to look as if she were reading.

The following classes went in much the same way: some mild prodding from her classmates in her second class, a merciless session with Floyd in the third where he wouldn’t let her close her eyes for even a second, and finally a lunch break where she napped in the library. By her last class, she was somewhat awake, counting down the minutes until she could go to Diasomnia with her drawing.

As the bell rang, she set off, her heart pounding with excitement and a touch of nervousness. She’d spent so many nights working on this drawing that she wanted it to be perfect. Walking through the school, she felt the usual wary stares and heard the murmurs of students discussing Diasomnia and its prince with hushed voices. Most feared Malleus, but she couldn’t understand why. Perhaps it was because she’d met him alone in the quiet of the night, where they’d spoken freely without any pretense. She couldn’t help but feel that her bond with him was something rare, and maybe a bit fragile, too.

Upon arriving at Diasomnia, she noticed it was fairly quiet. When she asked after Malleus, most simply shrugged or said they didn’t know. A little disappointed, she learned that the third years might still be in lessons. Deciding to wait, she found a cozy spot in the lounge and settled in, passing the time by flipping through her sketchbook, which was filled with sketches of Malleus and scenes of Briar Valley as he’d described them.

Gradually, she began to grow drowsy from the soft, warm atmosphere of the lounge. The couch was incredibly comfortable, and before long, she’d drifted off, her sketchbook slipping onto her lap.

Some time later, the sensation of a weight lifting from her lap stirred her from sleep. She opened one eye groggily and noticed her sketchbook was missing. She shifted slightly, assuming it had fallen to the floor, and shut her eyes again, settling into the warmth of the armrest, deciding to look for it after another minute’s rest.

As Y/N rested peacefully, the sound of soft footsteps drifted through the lounge, though she remained undisturbed. Lilia, who had been wandering through Diasomnia’s halls, paused when he noticed her asleep on the couch. With a fond smile, he tilted his head, taking in the scene. Her presence here was unexpected, yet oddly familiar; she reminded him of Silver, the way she slept so soundly, though perhaps for entirely different reasons.

Lilia's gaze shifted to the sketchbook that had slipped onto her lap, its pages splayed open to reveal a delicate, meticulously drawn portrait of Malleus. He raised an eyebrow, his eyes sparkling with curiosity. Careful not to wake her, he gingerly picked up the sketchbook, his interest piqued.

“Ohhh, my, what do we have here…” he murmured, flipping through the pages with a mischievous grin. Nearly every other page was filled with sketches of Malleus—his contemplative gaze, his horns under moonlight, the sharp angles of his jaw. Each drawing captured a different side of Malleus, showing an unusual softness to the usually distant prince.

“So many drawings of our dear Malleus…” he whispered to himself, chuckling. The comment stirred Y/N from her slumber, her eyelids fluttering open as she took in her surroundings with bleary confusion.

“Huh…?” she mumbled, rubbing her eyes. The sight of Lilia holding her sketchbook made her jolt upright, her cheeks flushing.

“Ah, good evening!” Lilia greeted, closing the sketchbook with a smirk as he looked at her, amused by her flustered expression. “Didn’t mean to wake you… though it seems you have quite an eye for detail.” He gave the sketchbook a playful wave.

“Um… th-that’s…” She stumbled over her words, her face warm with embarrassment as she tried to reach for the sketchbook, but Lilia held it just out of reach.

“Is Malleus your muse, perhaps?” Lilia teased, inspecting one of the more recent drawings. “This is really quite impressive. But I wonder… did he know about this little ‘collection’ you’ve made of him?”

She stammered, her hands shaking as she reached out. “N-no, he just… I mean… um, it’s for practice! Just practice! He has, uh, interesting… features.”

“‘Interesting features,’ is it?” Lilia laughed. “Yes, I’m sure the horns and dragon scales make for good practice. I’ll have to tell him he’s become quite the artist’s inspiration.”

Y/N’s face reddened even more, and she quickly snatched the sketchbook as Lilia relinquished it with an amused smile. Just as she was about to stumble over another explanation, a familiar voice interrupted.

“Y/N,” Malleus’s calm voice echoed as he entered the lounge, looking between her and Lilia. “I apologize for keeping you waiting.”

“Oh, Malleus!” She nearly jumped, clutching the sketchbook to her chest. Malleus’s gaze softened when he looked at her, though his attention soon turned to Lilia, who was watching them with a look of dawning realization and unrestrained amusement.

Lilia clasped his hands together with a dramatic sigh. “My, my, Malleus. I didn’t know you had such devoted company in our dorm, coming here to deliver artwork no less.”

Malleus raised an eyebrow, glancing between them as understanding dawned on him. “I see you’ve made yourself acquainted with Y/N.”

“Oh, yes, indeed,” Lilia replied, giving Y/N a conspiratorial wink. “She’s quite the talented artist—though I must say, your likeness seems to be her specialty.”

Y/N ducked her head, overwhelmed and burning with embarrassment, but Malleus simply looked at her, intrigued. “Is that so?” he asked, a slight smile gracing his lips as he reached a hand out toward her. “If it’s ready, I’d like to see it.”

Flustered, she nodded, opening her sketchbook to the finished drawing she’d been working so hard on, holding it out with trembling hands. Malleus examined it, his expression softening as he traced the lines with his gaze.

“It’s… beautiful,” he murmured, glancing at her with a look that held an unusual warmth. “Thank you, Y/N.”

Beside them, Lilia’s eyes gleamed with silent amusement, watching the two of them with interest. “Well, I suppose I’ll leave you two alone,” he said with a wink, sauntering off with a chuckle.  “Just don’t keep her out too late, Malleus. I’m sure she needs her rest for all those upcoming drawings, hmm?”

Malleus watched Lilia disappear around the corner, shaking his head slightly as a small sigh escaped his lips. Turning back to Y/N, he noticed her still clutching her sketchbook tightly, her cheeks flushed. A gentle smile softened his normally serious expression, and he inclined his head to catch her gaze.

“You don’t need to be so nervous,” he said, his voice softer than usual. “It’s only me.”

She managed a small, tentative smile, but the blush on her cheeks remained. “I know,” she murmured, looking down. “I… just didn’t expect Lilia to… well, you know…”

Malleus chuckled quietly. “He does have a way of surprising people, doesn’t he? Though I find it intriguing how many drawings of me you’ve created. I hadn’t realized I was such an interesting subject.” He paused, an amused gleam in his eyes as he leaned forward slightly. “Or perhaps I’m only interesting when it’s nighttime?”

Y/N’s breath hitched as his words sank in. Her blush deepened, and she stammered, “I-I mean, you’re… interesting all the time, I just… it’s easier to focus on drawing when there’s less going on. At night, you’re… well, easier to approach.”

Malleus raised an eyebrow, intrigued. “Am I, now?”

She nodded quickly, gripping the edges of her sketchbook. “Yes. I… I feel like I can be myself more when it’s just us. I don’t have to think too hard about… everything else.”

A warm silence settled between them, broken only by the soft rustling of the leaves in the courtyard beyond the lounge window. Malleus took a seat beside her on the lounge sofa, close enough that their shoulders nearly brushed. His hand rested casually on the cushion near her, though she could sense his attention focused entirely on her, an intensity lingering behind his composed demeanor.

“And I quite enjoy these moments we share at night,” he said quietly. “They are rare moments of solace. There aren’t many with whom I’d wish to spend this time.” His gaze was steady, almost possessive as it held her own. “You’re… different, Y/N.”

The way he spoke made her heart skip a beat, a warmth spreading in her chest that was both comforting and strangely unsettling. She swallowed, glancing down as she fumbled for words. “I… well, I like being here with you, too.”

Malleus smiled, satisfied with her response, and gestured toward her sketchbook. “May I see more?”

Wordlessly, she handed the sketchbook over, feeling a flicker of shyness as he carefully flipped through the pages.

[bohoteacher]

Navigating Betrayal: Reconciling Admiration with Disillusionment

Like many Neil Gaiman fans this month, I've been shocked and distressed by the news regarding the SA allegations. I won't go over the details, as they're readily available online. I'll start by saying that I believe the accusers, and even the most lenient interpretation of events is still troubling enough to discredit Gaiman. For a long time, I didn't know what to say. I was just shocked and, somewhat naively, felt betrayed. I don't typically idolize actors, authors, or other public figures—I'm here for the characters, they're who I love and believe in. So, how did I end up believing in this man and his rhetoric?

I only had a parasocial relationship with him, which is to say no real relationship at all. But I took his Masterclass on writing, spent hours taking notes, and learned from him. I feel betrayed by someone I saw as a beloved teacher. I know this is insignificant compared to what the women who came forward experienced, but it's a valid feeling, and I needed time to process it. My initial reaction was to throw out and discount everything he’s ever written or done—of course it was.

This isn't just about my love for Good Omens, although how can it not be? I learned so much from this man—about writing, about not being too hard on myself, about the creative process. I read his books to my middle school classes, and we all learned how to be better people from them. Today, I saw and bought Instructions, a children’s book by Neil Gaiman illustrated by Charles Vess, from the used bookstore where I volunteer. It was a used copy, so no royalties will go to him. It’s a beautifully illustrated book where the main character walks through a land that clearly symbolizes life, learning lessons like saying please and "if any creature cries to you that it hurts, if you can, ease its pain." How could someone write this and then do what he did? I asked myself. "What an evil hypocrite," was my first thought. But then I recalled a line from another author, Stephen King. In The Stand, a character is described as "awake at the lectern, but asleep at the switch," meaning they know the right thing to do and can talk about it, but in the moment of choice, they act without integrity.

I don’t know if I’m making sense, but I think it’s too easy to label Gaiman as simply evil, as if he intentionally manipulated us by saying the right things just to make us read or watch his creations. The reality is likely far more complicated. Within this man is the amazing, thought-provoking, life-affirming wisdom that many of us have tried to live by, but also the hard, thoughtless, selfish cruelty that led him to abuse young, vulnerable women. The wisdom does not justify the abuse, and the abuse does not nullify the wisdom.

I think it's too simplistic to say Gaiman is despicable and always has been, hiding it from us all along. This doesn't acknowledge the complexity of human nature—that there is potential for both good and bad within us all. As it’s said, possibly by Terry Pratchett or possibly by Neil Gaiman, “It may help to understand human affairs to be clear that most of the great triumphs and tragedies of history are caused, not by people being fundamentally good or fundamentally bad, but by people being fundamentally people.”

Gaiman is a man who has done some fundamentally good things and some fundamentally bad things. I can’t forget either one.

This is just my opinion. I know some people want to cancel him, while others want to exonerate him. You do you. As for me, I will continue to love Aziraphale and Crowley. I will continue to read and create fan-fiction. I will continue to find comfort and wisdom in books that have meant so much to me over the years. But I will also remember that they were created by a very flawed man whom I can no longer trust.

I understand that opinions on this matter vary widely. I know some people might feel that not discarding everything associated with him is wrong, but this is where I stand. I’m not looking to debate this or be told how I should react. I just needed to process my thoughts in writing and move forward in the way that feels right for me.

[juyendraws]

[Limbus Company] Faust’s Development (or Lack Thereof) in Intervallo 6.5

So Murder on the WARP Express came out and uh… The suspicions I had regarding Faust’s future arc ended up being confirmed. Faust is definitely not reaching out to the truth. I didn't expect the seeds for her story to be planted so soon, but here we are. It’s real. And you're probably thinking, “Uh… WTF are you talking about?” Let me explain to you what I mean.

The message of Library of Ruina is a critical part to understanding what's going on in Limbus Company. I will tell you straight-up here and now, absolutely nobody in the fanbase knows what the hell LoR is actually about. Nobody. And it is such a shame, because it has such a great message that absolutely nobody talks about. I'd love to tell you much more about it, but that involves long explications on Jungian Psychology, the Jewish Kabbalistic Tree of Life, and the story itself, which I don't wanna subject you to yet (I am saving my esoteric lore dumping for the video scripts I’m currently working on). What I will tell you, however, is that the lessons learned by Angela and Roland in LoR are all about opening oneself to everything that is possible in life. The ways in which they do this are:

(1) To listen to one's inner world, or intuition. Don’t just blindly believe whatever someone else says. Follow your own inner voice. 

(2) To listen to one's outer world, or reason. Don't just believe whatever you want to believe. Look at the facts and be receptive to others' opinions. 

That's all you need to know for now about this particular subject. The theme of opening oneself to infinite possibilities is one that carries over from LoR to Limbus Company, and it is present in every Sinners' story. Literally all of them were/are limiting themselves in one way or another due to their flawed beliefs. And each of them is on their own journey of self-realization, or in Jungian terms, “individuation.”

The Mirror Worlds also expand on this theme. They provide infinite ways of looking at the same subject, which sounds wondrous and exciting at first, but it really just reflects what's already there. Remember Yi Sang's and Heathcliff's arcs? For Yi Sang, the Mirror reflected his already-existing potential, while for Heathcliff, the Mirror reflected his surrender to a perceived fate. Mirror World Identities may offer additional combat prowess as well as insight into the characters/worldbuilding, but they end up being quite limiting due to their usage (basically “cheating”) and very nature (as "reflections"). 

Moreover, Goethe's Faust was something that repeatedly showed up in my research on Jungian Psychology. I kept finding Faust's story referenced in articles, academic journals, as well as the book I'm currently reading called Man and His Symbols. This book was written by Carl G. Jung and some of his most trusted followers, and it legitimately explains what Project Moon's mindset was while forming the world and stories of their games (I am not even exaggerating. I have to constantly pause my audiobook and write down notes on what I'd just read because it keeps indirectly revealing PM’s intentions for the series). Anyway, in one of Joseph L. Henderson's chapters named “Heroes and Hero Makers,” he talks about how the archetype of the hero cycle is represented in many stories. An aspect of this archetype essentially revolves around the “hero vs. villain,” or in Jungian terms, the “ego vs. shadow.” The hero must face off against the dragon and triumph. It’s about the development of consciousness through the "ego" (awareness that one exists and has an identity) mastering and assimilating the "shadow" (the parts about ourselves we don’t like or don’t acknowledge deep down). This archetype exemplifies the stage that’s supposed to take place during childhood and adolescence—it’s about growing up. If the hero fails to slay the dragon, i.e. a person fails to assimilate their shadow into their psyche, they become stuck in this state of immaturity. Henderson uses Faust as an example:

“One can see this theme, incidentally, in a well-known literary hero figure—Goethe’s character of Faust. In accepting the wager of Mephistopheles, Faust put himself in the power of a “shadow” figure that Goethe describes as “part of that power which, willing evil, finds the good.” Like the man whose dream I have been discussing, Faust had failed to live out to the full an important part of his early life. He was, accordingly, an unreal or incomplete person who lost himself in a fruitless quest for metaphysical goals that failed to materialize. He was still unwilling to accept life’s challenge to live both the good and the bad” (Man and His Symbols, page 121). 

Henderson is saying that Faust is reluctant to face life’s hardships, so he lets his unconscious aspects—his shadow, or Mephistophiles—control what he does because it’s easier for him to live that way. And as a result, he remains this underdeveloped, immature person. 

In Limbus, Faust’s shadow is Mephistophiles, the reflection of her inner pride and desire to learn more. The knowledge she gains from the bus, her ability to communicate with her IDs, is incapacitating her ability to develop as a person. She’s using it as a crutch. And her overreliance on this knowledge, ironically, reveals how truly ignorant she is. The literal shadow cast in Faust’s E.G.O is her IDs for these very reasons—she is afraid of not knowing what to do.

Anyway, the reason I brought up LoR’s message and the Mirror Worlds earlier is because it is very, VERY relevant to Faust’s arc. Each of the Sinners need to reach out to all the possibilities of life. To not just blindly follow their own beliefs or the beliefs of others, but to see the truth through their own eyes, unclouded by bias. Through her use of the Mirror Worlds, Faust goes, “Well, I’m already reaching out to all possibilities! I’m following my intuition and using reason!” And she technically is, but it’s paradoxical. She is using intuition and reason… But it’s all through the use of her IDs, which are both “herself” and “not herself” at the same time. So she’s still just blindly following her own beliefs and the beliefs of others; she’s only listening to her own opinions and copying down what others say to her, all at the same time. 

I noticed this while rereading key parts of the game again. In Episode 6-25, the Sinners discover the researchers’ experiments below Wuthering Heights. Faust was utterly oblivious as to what their goals were, and Dante commented on how odd her behavior was when she finally started talking.

Later in Episode 6-44, she urges them to find out who informed Erlking Heathcliff about the Mirror Worlds, causing them to pick up on the fact that she doesn’t actually know everything.

In Episode 2 of the 3rd Walpurgis Night, Faust freezes up when asked by Dante to give a more detailed explanation on the Library. She then gives soft confirmation that she is, indeed, in cahoots with her IDs.

Murder on the WARP Express spilled everything. As a result of being separated from Mephistopheles, she is forced to be without her IDs and must figure things out on by herself. Her complete cluelessness regarding what to do demonstrates her lack of any true life experience. She acts like a newborn baby attempting to walk. However, while she is clueless, she is not helpless. She, in fact, does have the potential to grow if she puts her mind to it. Faust exhibits curiosity, ingenuity, and amiability when she must undergo the trials of the WARP train incident.

She takes interest in the perspectives of the other Sinners when asking for help. She is able to discover new things and problem-solve by herself.

Faust can learn on her own and make friends if she really wanted to.

...Unfortunately, she falls back to her dependency on Mephistopheles at the end of the story and closes herself off once again.

Faust refuses to experience any pain that could otherwise spark a realization about herself. She is harming her ability to form relationships with others, as she habitually ignores them or prevents them from giving her advice. She actively denies herself the chance to truly learn about the world and come to her own conclusions—she is impeding her own personal growth. 

Out of all the Sinners, Faust is probably the least developed as a person. Yi Sang, Ishmael, Heathcliff—even those who are about to undergo or are still undergoing their arcs such as Don Quixote, Rodion, or Meursault—are fully-formed people. Faust is not. She is still stuck at the stage of having evolved ego-consciousness while everyone else around her is already achieving the Self. She's worryingly far behind. It’s honestly really sad to watch. 

I was debating on whether or not I should make this post for a few reasons. For one, I’m unable to read Goethe’s Faust at the moment, as I am still preoccupied with my research on Jungian Psychology and Jewish Mysticism for the previous two PM games (Lobotomy Corporation and Library of Ruina). I didn’t want to say anything too specific about Faust’s story until I read her book. Secondly, this topic is really difficult to explain without delving into the Jungian elements in the PM universe. I felt I would end up confusing people if I just came out of nowhere with this post; I initially wanted to speak more about the foundational elements before anything else. 

Nevertheless, I feel that this knowledge I had on Faust, Jung, and PM’s lore was relevant enough to share. I was SHOCKED at how accurately I had predicted Faust’s future character development. The only other person I told this to was my younger sister, and I said, “Faust basically found a loophole through the lessons Angela and Roland learned in LoR. She’s only believing whatever she wants to believe, while also only believing what other people tell her. She’s using Mephi and her IDs as a crutch… I think that’s why she’s alone a lot of the time.” AND I ENDED UP BEING RIGHT. I had to stand up multiple times while playing through the Intervallo with my sister because of how excited I was at this. 

Murder on the WARP Express demonstrates that a good understanding of the games’ themes and of Jungian literary analysis is absolutely essential to figuring out each Sinners’ arc in Limbus. Deciphering, for example, the specifics of Faust’s connection with Gesellschaft is not-so-much valuable as having a strong grasp on what aspects of her character PM is trying to explore. “What is the text communicating? How does it relate to Jung’s ideas? What is the lesson this character is meant to learn?”

That is what matters at the end of the day. 

[silovsmenot]

Foreign Language | Artūrs Šilovs

SUMMARY: A first meeting with a certain Latvian goalie, a surprise that leaves him thinking of you ... And an unexpected reunion thanks to injury. WARNINGS: So much fluff, poor Latvian language - if you're a Latvian native, please excuse me, I'm still learning. PAIRING: Artūrs Šilov & reader (f!reader implied). NOTES: This was the very first idea that I had, and it's been a brainrot ever since. This could very easily be a multi-part, because the brainrot is real. Okay so little Latvian lesson: 'sveiki' is an informal form of hello and 'piedodiet' is sorry. WORD COUNT: 2147 FIND PART TWO HERE

New job, new city — you were beyond excited to get started with your new life in Vancouver. It was a dream come true, a sports photographer for the Vancouver Sun. You’d be covering everything from soccer to basketball, and your personal favourite, ice hockey. It couldn’t have been better.

It had only been a few weeks and you were still pretty starstruck by the whole situation. The smile had rarely left your lips for everything felt so right. As you drove to the Abbotsford Centre, your music turned to loud as you sang along to your favourite song — life was good. And today promised to be another good day. You were helping to cover a story of the Vancouver prospects in Abbotsford and how they were developing within the AHL affiliate, while your partner would be interviewing players at the rink side and in changing rooms, you’d be snapping the shots of the training session.

It promised to be a lot easier than your usual days, training sessions were a lot more relaxed than game photography. Even with their game against playoff rivals looming, you knew it would be a calmer atmosphere than the alternative.

With the heavy camera bag upon your shoulders, digits scraped back your hair as you walked, tied back as you always did while working. Nodding across to your partner who stood waiting at the large rink doors, he held out a coffee to you, which you gratefully accepted with a quiet ‘thank you’. You two were close, like siblings — natural partners and you always delivered high tier work together.

“The boss wants some focus on the goalies, see what you can do, y/n.” He muttered as you walked, both sipping quietly at the hot liquid. From where you were, you could already hear the shouts of training, the crash of the puck against glass and the slapping of sticks upon the ice. It was a sound you knew and loved.

And as your partner pushed open the door, the bright lights of the rink lit everything up. You both moved quickly with a light tapping of both coffee cups in luck, your partner immediately gravitating to the head coach who lingered beside the boards, while you would weave onto the bench and begin your setup. Lens mounted onto the camera body, fixing your settings to this particular arena until you were happy with your picture. It was simply second nature now.

You stood beside the boards, camera switching from player to player with smooth motions as the camera clicked. Turning to each goalie, your camera would linger with the rhythmic clicking — you didn’t need to know all of the story, but a focus on the goalies was always a popular one. Players being called up to the NHL happened so regularly, it was hardly a story, but goalies? Now that got people ticking.

As the session progressed, you watched your partner question each player who came to the bench for water before they’d even had a chance to breathe. You would simply smile at each person, almost sympathetically, and do your job with the clicking of the camera.

Even as the young goalie skated over, angling toward the bench where you stood with a hand outstretched for a bottle, your lips presented a small smile as you waited for your partner to pounce. But as he was too wrapped up with Tolopilo, this goalie was left in silence … for a moment at least. You knew a little about him, of course. A young guy from Latvia, drafted a few years ago now, with a bit of a rocky start to the season. His eyes met yours as the blue and green mask was raised from his face, lips curled into a smile at the first glance.

You spoke without a second thought. It had been some years now since you ended things with your ex, but you’d spent a few years learning Latvian for them — it had been years since you had any reason to use it. 

“Sveiki…” 

Artūrs blinked. The smile on his lips disappeared as confusion was etched in its place. He’d been in Canada for a while now, with only the occasional passing player conversation to give him that little piece of home. He’d never expected this woman to come out with that.

“Sveiki.” The goalie quietly replied, leaning his weight forward upon the boards beside you. “You’re Latvian?”

You shook your head, a quiet laugh slipping through your lips as the camera lowered, your body turning to almost mirror his as you leaned upon the boards.

“I’m not Latvian, but my ex was. I learned some from when we were together.” 

As you spoke, he watched you closely as the smile returned to his face. A smile that you couldn’t help but find contagious. He nodded slowly, thinking silently to himself before his blocker hand began to shake. The glove removed, his hand wiping upon his jersey before it was offered across to you with a grin.

“I’m Artūrs,” He spoke with a little more confidence, capturing your gaze beneath his dark eyes. They were easy to get lost in as you looked at him. “But this lot mostly call me Arty.” 

“Y/N, it’s nice to meet you, Arty.” You hummed as your hand came to meet his, a slight look of amusing disgust at the sweaty hand of the goaltender. Needless to say it was enough to make the young goalie laugh.

Releasing his hand with a playful swat, you too would wipe your hand upon your jumper as he laughed. You couldn’t blame him, and you too found it funny, but a sweaty hand was not  what you wanted.

“Piedodiet.” He spoke through the laughter, head cocking as he watched you. Your eyes narrowed playful in response to his apology.

“I’m not sure that I believe that you’re sorry.” You found yourself teasing in response, the camera growing heavy in your hands as it sat idle. If your partner looked over, it would look as though you were helping him with his job — but far from it. You were enjoying yourself, more than you realised at the time.

He gave no response, just the rising and falling of his brows. A cheeky grin at his lips as the hand returned the blocker, the bottle returned to it’s place on the boards.

“Will I see you around here more?” Arty called out as he took a few strides away from where you stood. He hoped, silently, that you’d say yes. That you’d be back to photograph and chat more. For whatever reason, he wasn’t quite sure yet, he wanted to see more of you.

It was your turn to stay silent, shrugging with shoulders and hands. You had no idea if your job would bring you back to the Abbotsford Centre, but you hoped that it would.

And as the training session came to end, your partner returned to you with a notepad full of notes and a voice recorder full to burst, you gave a lingering glance back to the goalie as he took his first steps from the ice, and met your eyes with a smile.

Months passed and you had often thought of the grinning Latvian goalie of the Abbotsford Canucks. Your job hadn’t taken you back to the little suburb of Vancouver, though you’d occasionally catch the games on TV. A little curiosity peaking as you’d remember the conversation with him — sometimes, you’d catch yourself smiling as you thought about it. You’d watch his games when you could and read the news in which he featured.

You couldn’t say that you missed him, you barely knew him, but you wanted to know him … You wanted to be able to miss him.

March rolled around, the end of the regular season was in sight and you’d taken the lead in photography coverage of the Vancouver Canucks for a while now — you’d become a regular at the Rogers Arena, and knew most of the faces of players, staff and partners. You’d even become friends with a number of the wives and girlfriends. You were a familiar face to all.

And you were one of the first on the scene, with your partner in tow, at the announcement of the press conference. Demko’s injury was the worst kept secret in the city, and you’d all been waiting for them to announce it. To know which lucky goalie was getting the call up from Abbotsford.

Journalists and photographers piled into the large room with whispers and nods of acknowledgement. Everyone waiting for Tocchet to make the announcement, and your heart skipped a little beat when he did … for the grinning goalie, Artūrs Šilovs would be taking up the role of back-up in Demko’s absence. 

You wasted no time in getting down to the rink following the announcement, you knew that all the reporters would be clamouring for a word with the captain and the rookie goalie. As the flood of journalists began through the arena, the players were already leaving the ice with only the two goalies remaining with Clarkie. Many left to find the captain and coaches, while a few photographers, yourself included, would snap what shots they could of the two goaltenders.

Your stomach did a spin to see him again, the grin seemingly stuck with glue upon your lips — it had been months, surely he wouldn’t not remember you, you thought. But as his eyes glanced across to the wall of photographers, his gaze did linger upon you. Beneath his mask, he did grin. He’d spent months hoping to see you in Abbotsford, at his training or his game. It was a bitter disappointment when another photographer had been sent down in your place.

And as the nod was given for both goalies to leave the ice, little else mattered to him than making a beeline to you.

“Sveiki.” Arty immediately said as the helmet was raised, drifting on his skates just in front of you. Your smile spread instantly, quietly returning the hello with a hum. “I need to change, but please don’t run off.”

With a curious look etched upon your features, you silently nodded. It was the end of your working day anyway, you needed to sort through the photos of the day, but you could do that while you waited.

So sat upon a chair in the stands, laptop open and photos running through, you edited and submitted your best to your partner who would return to the office to write his piece. Gaze would snap up at the first sound of movement up the steps, it was strange to see him out of his goalie gear and in normal, casual clothing. A pair of jeans, a jumper, and glasses? There was something unexpected about that, but they suited him well. You liked the glasses' look.

“You didn’t come down to Abbotsford again.” He quietly said, the disappointment clear in his voice and on his face. And you felt the sting — but you also felt the twist in your stomach of excitement … he’d wanted to see you again, he’d thought about you.

“They moved me solely to these guys. I’m barely away from this rink now, Arty.” You sighed, hand closing the laptop which rested in your lap. You’d hold it there, fiddling with the corner as you thought. “I watched some of your games from home. I should’ve come down for one or two … to watch.”

“Do you want to go for a coffee, y/n?” Artūrs interjected, impatiently and abruptly. It was almost like he had to get it out before he could stop himself, and he was noticeably nervous as he waited for an answer.

You took a moment, watching him fiddle with the hem of his jumper as he waited — yet his smile never wavered. It was stuck, just as yours was.

“I’d like that.” You finally spoke, returning the laptop to your bag without breaking eye contact. The weight in his chest lifted immediately, a heavy exhale parting his lips as he nodded. You rose with a struggle, the camera bag always seeming to be heavier in that first moment, and Arty was quick to assist. His hand offered out, collecting the strap from your hand as it was slung onto his back with ease.

You walked from the arena together, both grinning wide with occasional glances at the other. A comfortable silence between you, it was simply a nice feeling to walk at each other’s side.

“Es priecājos jūs atkal redzēt.” He finally spoke, breaking the silence with words you didn’t quite know. Your Latvian limited to basic phrases that you learned to speak to your ex’s family during the holidays. 

“What does that mean?” You whispered, leaning a little closer.

“I’m glad to see you again.”

And your heart skipped a little beat.

[libraincarnate]

💄 astrology notes: 15 (mature edition) 💄

quick note: i'm absolutely not an astrologer. these are just a collection of some of my observations, thoughts, theories, and personal experiences. with that being said, i'm still learning along the way & i may come back to edit this post to make corrections. above all this is just for fun. keep in mind that i’m not reading your birth chart and i know nothing about you. these are just some possibilities that may or may not apply to you. lastly, minors do not interact - mature readers only - explicit content! enjoy 💋

x mercury in retrograde: these people may struggle with verbal expression so it’s not that they don’t feel pleasure or that they aren’t turned on, but it's that they might struggle with voicing it and they may feel uncomfortable letting out a genuine moan. so they either don’t say too much or they fake moan often if they’re uncomfortable with the silence.

x neptune in the 8th house: neptune brings imagination so having it in the 8th house can indicate someone who day dreams about sex often. they’re able to create these mental visuals of intense & passionate sex scenarios which they can translate from their minds and to the bedroom in real life. they can portray that neptune creativity via sex, bringing an element of surprise & constant sex appeal. to me this placement reminds of that alluring energy that sirens have. they spark feelings of attraction in other people while fully dressed, but they also have people imagining what they look like nude or what sex with them would be like.

x lilith in cancer: may not want to have kids (or at least not biological ones) but they love it when someone c*ms in them or vice versa, or on their boobs. aside from boob jobs they may have breastfeeding/suckling kinks. overall, they like the chest area whether it be on a man or woman. could also have a c*m fetish or be into c*m play. 

it sounds kind of contradicting cause if you c*m in a woman she can become pregnant, and the primary function of the female breast is to provide nutrition to a baby. but with this placement there’s an emphasis on the desire to enjoy these things sexually, all without actually having to become pregnant/have a kid or become a parent.

while they may not like being very emotional themselves, having their partner open up to them emotionally during sex or hearing them say “i love you” could be such an ego boost for them. there’s a desire to be both wanted & needed. they could be big on aftercare as well, but especially if they’re the ones receiving it. this could include cuddling while c*ck warming.

again, being emotional may feel uncomfortable for these natives but they may attract clingy partners because they’re still sensitive & empathetic, it’s just suppressed. they have a natural energy that can make others feel comfortable & safe. they feel like home. might not be into casual sex but if so, casual sex or friends w/ benefits may be complicated because it’s almost inevitable that feelings will get involved whether it be them, the other person, or both. but some people with this placement may use these traits to be emotionally manipulative in order to get what they want, and this includes sex. it’s like their form of enchantment.

x libra mars: libras in general can play the submissive role well, but with mars here it’s like a strength, something they can twist and use to their advantage. they can easily get into the role of being cute, ditzy, and flirty, but in a way that turns you on. teasing you yet giving you exactly what you want. they can manipulate you to make you feel like you’re in control, but it’s only happening cause they’re letting you and they know you like it but they like it too so their submissiveness is like a form of power here. they also like getting spanked too, so they probably like being naughty/bratty so that they can get “punished”. could like being called a good girl/boy. oh, and compliment them on their body or the way they do something that turns you on, they’ll love that.

they like dominance but they still want respect. yes they can be people pleasers & they want to please you in bed as well, but i don’t think they’re the types to enjoy/tolerate getting slapped in the face or anything they classify as too much, disrespectful, or rough/extreme.

but guys with this placement may like women that can dominate them in bed. the types to be dressed in super tight black latex, being gagged, having to beg, etc. 

x pisces: could be into somnophilia/sexsomnia kinks, basically wanting to or having sex with someone who’s asleep. but of course this is done with consent and i’m not referring to any actual sexual/sleep disorders. maybe it feels like a fantasy/dream in a way; slowly waking up and going from a state of unconsciousness and sleepiness to a state of sexual pleasure, then falling asleep again filled with bliss … and maybe something else. 

& like taurus, pisces love to sleep. but there’s also the sense of being so relaxed and vulnerable in such a state yet your partner still desires you like that and you trust them enough to give them consent. pisces might also feel drunk or high during sex or after they climax, or they giggle a lot.

x mars in the 3rd house: probably had some sexual encounters with their neighbors or even had sex at school. could be considered the neighborhood hottie & may also receive a lot of male attention at school, like classmates commenting on their body.

x mercury-asteroid kiss (8267) / mercury-mars aspects: could be the type to kiss and tell or talk about their sexual experiences without much hesitation. this may be done intentionally because the topic of sex interests them and it’s something they like to discuss, or they do so accidentally by word vomiting. could also be the type of person who easily moves from one person to the next.

x taurus: they have a thing for hickeys on the neck. taurus lives through all their senses and really connects to the physical body and all things tangible/material. taurus rules the neck area so there’s already a natural attraction to that body part & it’s often a highly erogenous area for them as well. 

scorpios are usually considered the sexual and possessive type, but taurus shares these traits with their sister sign. & so hickeys can be a way of taurus displaying their dominance, claiming you as theirs, or marking their territory. but it might not be viewed as “intense” which is usually the case with scorpio’s actions, but it makes sense when you think about the contrast between their rulers venus & pluto.

x 2nd house: i’d say prominent 2nd house placements in general are really good at using their mouths. this applies to simply kissing but oral sex as well. if you have the sun here, this could be where you shine when it comes to sex and your partner may consider you the best at kissing/oral out of everyone they’ve been with. it’s like a natural talent. but with lilith, mars, or pluto here i think they’d also leave someone speechless or in awe lol. with venus it may be something they love to do, like one of if not their favorite part about sex. having venus, lilith, pluto, or a stellium here could indicate an oral fixation so they might be into c*ck warming with their mouth. but i think lilith might be more into giving oral rather than receiving it.

x aries & gemini: these two together remind me of cat and mouse. aries likes that challenge, they like to chase & therefore play the role of a cat well. gemini likes to tempt & tease and could really play the role of a mouse. for this reason, i think an aries having sex with a gemini would be bomb. the type where things heat up in an instant. at some point, aries won’t be able to handle all the games and teasing from gemini and aries will want to capture and dominate/conquer.

gemini displays their power mentally while aries does so physically. gem knows which buttons to push to send aries over the edge but aries is strategic too so once aries has gemini where they want them, it’s over. the playful teasing quickly builds & leads into something hot and passionate, perhaps a bit rough or fast. aries loses their mind & the ever-racing mind of gemini goes blank, but in a good way of course.

x capricorn: for caps, i think edging would be their thing. either as something they enjoy or because they’re just good at it. with edging you have to consider timing & delays and capricorns are no strangers to that. they’re also controlling so getting to decide when someone c*ms and being the one to make that happen is like a power trip for them. 

and because they like to be the ones in control, i think they’d want to be the ones doing the edging instead of it being done to them because they may not like the idea of repeatedly letting someone have that power over them.

virgos are known to be of service of others & libras are known to be people pleasers, but i can see capricorns combining these two traits in the bedroom. not in a submissive way but in way that displays their skills and competence, showing that they can and know how to make you c*m, and doing so feels like a reward or some sort of an achievement for them. and even if they’re the ones edging someone else, they still get turned on from the theme of delayed gratification.

- omg i feel like i'm corrupting the masses, please forgive me. <3

if you read this until the end, i hope you enjoyed it & thank you so much for reading. ♥︎♥︎♥︎, those hearts are for you.

[elbiotipo]

Also, the point I always make: Jurassic Park is all about "PLAYING GOD!!!1!!1!!" because of cloning dinosaurs, and then sequels are all about "we must save the poor dinosaurs!" while canonically taking place in large islands off the coast of Costa Rica. Those islands, or at least the inspiration for them, actually exist, though much smaller.

And you know what they are? They are strictly protected reserves, because of their unique ecology and endemic species. In fact, one of the main worries is precisely the introduction of invasive species.

Could you imagine if instead of Isla Nublar, Jurassic Park was set in say, the Galápagos Islands? Could you imagine someone in real life trying to build Disneyland in the Galápagos or the Great Barrier Reef?

I know that joke that Jurassic Park is about "capitalism gone wrong" but it's even more fucked up if you think about the imperialist part too. A first world billionarie tycoon comes to a third world country, somehow achieves control of islands (it's implied that the Costa Rican military is at Jurassic Park's call; fun fact, Costa Rica has no military) which by all means should be protected as fragile ecosystems, to build a gigantic theme park with all the ecological disruption it implies, for first world tourists too. The theme park just so happens to be cloned dinosaurs, but Hammond might as well have razed the whole island and planted soybean fields and it would be the same horror story we in South America are very well acquainted with.

And then the sequels are about "saving the dinosaurs!" like they're a natural part of the ecosystem! No man, fuck the dinosaurs, they're giant walking GMOs in the most literal way possible. Hammond SHOULD have built it in Orlando, at least Florida (which has its own deep ecological troubles) is large enough so you can actually set preserved areas, wildlife corridors, better ecological practices... building a park in Isla Nublar is the same as destroying the Galápagos.

And no, the movies don't adress this fact, that Isla Nublar and etc. HAD A PREVIOUS ECOSYSTEM BEFORE JURASSIC PARK that is most likely wiped out. The book does worry a bit about dinosaurs introduced to the mainland before returning to its main message: "GENETICS IS PLAYING GOD!11!!1!!!!", yeah man, I'm a bit more concerned about the islands you're destroying for your stupid theme park. I don't mind you cloning the dinosaurs so much as much as the fact that you're destroying whole natural ecosystems to host them and then there are a bunch of freaking kids who want to preserve them even if they're THE case of an invasive species, you might as well try to preserve Pedro Escobar's hippos in Colombia.

(I did learn about island ecology and I'm reminded that during the Cold War, the paradigm of island ecology was used to use actual islands as test laboratories, including for nuclear weapons. Islands are never truly 'isolated' or 'blank slates', and at the same time they're incredibly fragile ecosystems, but if I keep writing I'm going to search actual papers and I have to do my actual work)

[centrally-unplanned]

To talk about monopoly & antitrust, I want to start off with your first day in Econ 101, when you learn "how prices work". The toy model that nearly everyone learns as one of the first things ever is that classic supply-and-demand graph of price and quantity; you know it, I don't need to show it. And in relation to how firms set price in a market, the explanation you get is something like:

"In a world with perfect information, zero transaction costs, rational agents, and no barriers to entry, new firms and/or increased output will enter the market until marginal price equals marginal cost"

This (seemingly) portrays a model where new companies "entering the market" is how prices go down. Like say there are Firms A, B, and C, engaging in oligopolistic pricing for a normal good; what happens is some new Firm X (with the same production costs) emerges with the sole business strategy of "offer prices lower than them because they are skimming" and it drives everyone's prices down in a race to the bottom. That, in a sense, competition between identical firms drives the price equilibrium.

That isn't very true, not in practice and not even theoretically; the 101 stuff just sort of biases you to see it that way. Firm X above is being rational in one way but silly in others; why would it enter a market where its competitors are making healthy profits just to fuck that up, knowing it has no advantage they can't immediately replicate in response? And pay all the fixed costs other firms have already paid to make that 0.1% profit? In real life firms almost never do this, they compete over (actual or perceived) advantage or market segmentation. And it also means that - if all firms are truly the same in a market - cooperating on price, far from being aberrant behavior, is the natural thing to do. Why would I look at my rival firm and lower my price to "undercut" them, knowing that they 100% can just lower it too? We both lose, immediately. In practice, companies often set their prices by looking at the prices of competing firms and matching them!

Many things actually drive the price equilibrium of course, but one of the biggest - and most useful for our purposes - is the substitution effect. If companies defacto cooperate on prices all the time, why is the price not infinity? Well because if you are selling steaks and set the price to infinity, I'm not gonna buy it! I can just buy chicken, for me it's pretty much the same. And chicken is cheaper to make than steak. As a chicken firm, I totally can set my price under your steak and you can never, ever match it; that is a real advantage, one from asymmetries of production. The price of steak is driven by the need to compete with chicken much more than it is driven by the need to compete with "other steaks". And so on down a chain of a million desires and costs and needs.

So to wrap this around to antitrust, there is a common idea out there that monopolistic pricing is increasing from the past because if I look at different industries, so many of them today are consolidated into 2-3 big firms. Your grocery stores are all Giant or Safeway or w/e it is in your city, if you are buying a TV Samsung & LG are half the entire US market. How could these companies not collude on price? Of course they do, and they don't need explicit agreements that would violate extant FTC regulations to do it; they can just softly communicate and feel out cooperation. So you gotta break them up and change the rules so they can't do that.

The trap is thinking this is any different if it was 10 firms - it really isn't! Maybe marginally, sure, and if it was 2000 firms yeah okay the sheer chaos would probably create some price churn; but in the past prices were not driven down by the diversity of firms making price cooperation impossible. The long history of guilds, business associations, chambers of commerce, and so on shows that they had plenty of avenues for cooperation - and often did straight-up set prices. Meanwhile, when Wal-Mart, Target, Aldi, and others all cut prices at around the same time, they are not mainly competing with each other. If they were they would just mutually agree to not do that, without even saying anything! How stupid do you think they are? That isn't hard to do. Instead they are competing with Amazon; with boutique local stores; with restaurants; with the changing price of labor; with shifting consumer sentiment and expectations. The industry concentration doesn't matter.

Until it does of course! Because what is the substitution good for oil? They exist of course, but they ain't cheap; people will still buy gas at gigantic ranges of prices. Here, the fundamental structure of the market is monopolistic - and also a geopolitical clusterfuck, but let's not get into that. Producers openly rig prices sometimes, and antitrust actively regulates against it, and it is a hot mess of governments and companies and all that. Are people who hold patents engaging in monopoly pricing? Obviously, that is the point of patents! It is by design; but there are tons of arguments to be made around creeping exploitation of the IP system. Sometimes hundreds of firms in a dominant market niche will offer complex, bundled products where the price of each piece of obfuscated and the value is subjective, but consensus is you can't not buy the product or you will be screwed and since you can't tell what the product even is, let alone how valuable it is, you can't object when they set the price - I hear these are called "universities", but they go by other names in other sectors.

All of the above are something like "monopolies", which maybe are getting worse over time, but they are monopolies for different, product-specific reasons. I think there is a good deal of FTC work and other reforms that could be done in the US to identify areas where this kind of rent extraction is happening. But what it doesn't look like is opposing blanket industry consolidation. And in fact the correlation is honestly pretty weak. Because identical firm competition does not drive the price equilibrium.

[barrenclan]

I hope its okay to ask- what motivated you to keep the body count so low? With how often it was reinforced that this was a tragedy, that no one was safe, etc, I'm in an odd spot in which I think, logically, that it makes perfect sense that it happened this way (straight up think its brilliant, actually!! The thematic relevance of Pinepaw accepting the meaninglessness of his life being what stops Deepdark? Poetry, even) but not being able to reconcile that with being somewhat emotionally let down that only two minor characters died aside from Rainhaze (which was a given imo). This isnt a criticism, the more I digest it the more I enjoy it/I realize what a great choice it was - I actually wouldnt want any of it to change- I'm just very very curious about your thought process on this. You already spoke of Asphodel and Rainhaze, but how did you decide who and how many were going to die? Is it more about the *after*, the picking of the pieces after its over? I am so very excited for the picking of the pieces after its over, actually lol.

Real answer: I have far too much I want to explore thematically with nearly all of the characters, and the vast majority of it only happens if a lot of them remain alive.

When I wrote the ending of the comic, I actually struggled to find another character to kill in the attack besides Mallowstar and Rainhaze - like I said when talking about Cypressfoot's death. There were absolutely no more characters beyond her that I was willing to sacrifice, in terms of what they would give me narratively alive versus dead. This was never a story about everything ending in total destruction, anyways - it's a story about learning how to grow after grief and deal with random acts of misery that seem to leave nearly everything unchanged except for the enormous effects they have on you. You often don't get to choose what is going to happen to you and it's up to forces beyond your control if you and your loved ones live or die.

This is a worldview I hold, anyways - the future is entirely fluid and loose, and just as much as terrible things can happen, everything can turn out fine, too. Misery is not the natural state of the world (that's entropy, haha), and the other side of the coin is always possible. But once events happen, they are locked into an unchangeable permanence and you simply have no choice but to try and grapple with how they will affect your unknowable future. You have infinite branching paths, but you'll only follow one once you look behind you... not to get too much into personal philosophy.

Joke answer: SNIFFLE, SNIFFLE, SOB, I DON'T WANNA KILL MY LITTLE GUYS