#I want you to be real I'm learning so much about life and nature and people and the world becuz of you

[kiawren]

Not only does shipping with Kiawe bring me so much comfort, it has me interested in different places, cultures and biodiversity. It makes me want to learn more to love more.

[bwat5-blog]

Pivotal moments for Caitlyn Kirraman

**Spoilers for all of Arcane**

Much Like Vi I wanted to do a run-down of the moments for Caitlyn's character I see as showing us who she is/having the biggest impact for her character. As always I appreciate anyone who takes the time to read these as well all celebrate these amazing characters and story. I feel Caitlyn's arc was massively under-appreciated in season 2 by the fandom and hope this lends itself to backing that up.

*Side Note- I'm doing these in order in her life not necessarily how we see them in the show*

Helping Jayce:

We are not granted a lot of time with young Caitlyn when compared to say, Vi or Jinx, which makes sense of course given the focus of the story. However, what we are given perfectly demonstrate the bedrock of who we come to know. She is shown as bright and curious and eager, helping him carry supplies to the lab. She is also shown even at a young age standing up for Jayce to her parents, sitting out in the rain to speak with him, and as shown above, identifying herself as a misfit. Now on the surface its easy to say she falls into the "rich kid who doesn't belong" trope. But as we come to know her she is truly so much more than that.

Who Do You Shoot For?:

Building on Caitlyn's compassion and defiance in the face of the system she is born into, we have her shooting competition with Grayson. First of all we just get a glimpse into the tough, skilled marksman she will become. But going deeper, we have her interaction with Grayson at the party. Once again she demonstrates that ever-so-polite defiance, humorously confronting the sheriff of Piltover for letting her win. But its their conversation after that's important. The sheriff tells her being skilled with her rife means protecting people, and Caitlyn must decide who she is shooting for. I would liken this to Vi's lessons with Vander. Because while we see Caitlyn go through so much pain and darkness, ultimately when she finds her way back who is she? A leader will go toe-to-toe with anyone for those she wants to protect. For those she shoots for.

The Airship incident:

This our first real moment with Caitlyn as a character and it tells us several important things about her. Leading up to it, we learn her parents disapprove of her being an enforcer, and manipulated her posting to keep her close by for which she is resentful. This is not surprising, as we come to learn her genuine drive to help and make a difference. She goes to investigate the airship alone. We see her detective's mind at work for the first time, playing out the incident. We then see her interaction with a massive, tattooed undercity criminal who is wounded. She is kind, gentle and respectful despite her role as an enforcer. Furthermore, when Marcus confronts her, he says she's interfering AGAIN. Caitlyn may be naïve and sheltered when we meet her, but she is not PLAYING at being an enforcer. She wants to help, and is actively trying to figure out what's going on in the undercity, apparently long before she even meets Vi.

The Hexgem theft:

This marks Caitlyn's first interaction with Jinx, which could not be more important to her Arc. Her very first impression of the woman she could never have known would impact her life so greatly, is a manic terrorist who lights a building on fire and fakes that a child is trapped inside before setting off bombs that kill multiple of Caitlyn's peers. Also of note, although not unexpected with what we have seen from her so far is that she rushes in to help and is the first one to notice the danger despite being a rookie enforcer.

Meeting Vi:

Meeting and freeing Vi is Caitlyn first step into the wider world around her and has immeasurable impact on her character. Her love story with Vi aside (I love it to, its just I could write pages on them alone and I am trying to cover all of her arc in this post haha) we also see her head strong, determined nature in this moment. Remember, she has already been reprimanded for unauthorized investigations into Silco and the undercity. We have been told she has a history of this. When Jayce goes to see her after the explosion she is still investigating, and now she fakes Jayce's authorization to free a woman she doesn't know in order to chase her lead. SHE. WILL. NOT. QUIT. Sound like she may be a good fit for a certain head strong boxer who lacks patience but is always honest? Anyway, the other thing we see here that is a small moment and not unexpected given what we have seen from her, is her disgust and discomfort over how the prison has treated Vi.

Saving Vi Part 1:

Vi is almost certainly about to be killed when Caitlyn intervenes. She accurately strikes Sevika multiple times with her rifle and is controlled and calm. At a first glance her accuracy and skill are plenty commendable. She hits the same spot with accuracy, lands with clear athleticism to join Vi, is calm, collected, confidant and restrained enough not to Kill Sevika. As soon as the threat is passed she tends to her wounded ally. Now here's the thing. I didn't do a bullet point for it, but consider Caitlyn's behavior following Vi down into the lanes. Part of it is of course that it was unfamiliar and shocking when vi took off, and Caitlyn just wasn't used to that sort of thing. But she was kind of adorably clumsy and unsure. She never really moves with confidence and strength, until of course she pulls our a rifle and starts blasting a woman who just stabbed her new friend with pint point accuracy three times. The moment someone's life is at risk Caitlyn shows us this entirely new side of herself. Perhaps the side of her that will someday lead the front lines in the battle of Piltover?

Saving Vi part two:

n Caitlyn's continuing efforts to save Vi we delve deeper into what we have already seen from her. At the very basic level, she barely knows Vi. Yes of course we are seeing the beginnings of their feelings for each-other. But that aside she is a young woman in her early twenties. She has followed this woman she barely knows into this very dangerous place, saved her from being killed, followed her even deeper while caring for her, and now she follows a shimmer mutated Huck to the "Doctor" to save Vi. I went to Netflix and counted while writing this. It takes no more than ten seconds for her to surrender her prized rifle that is likely custom made for her and she clearly loves, all to save Vi's life. She then hugs the grotesquely mutated Huck out of gratitude after being kind to him, and showing him respect for his help. She does not shy away, is not disgusted. And in fact she lunges for the hug. This ties to her conversation with Vi during this ordeal before she gives up her rifle. In which she is speaking on her belief that Zaunites and Topsiders are all just people. She does not see them as different.

The Firelights:

To me this is a massively important point for Caitlyn for a few reasons.

Caitlyn & Vi: They start off bickering. Blaming each other for what they have played close to the vest. But as soon as Vi is taken away what does Caitlyn do? She is concerned and afraid for her. And when she sees Ekko she demands Vi be released and offers herself instead.

in General: She speaks to her desire to see an end to the killing. Its clear she hasn't known how bad things actually are with the enforcers and the undercity, and is understandably resistant at first. But after only a few moments, she acknowledges Ekko would be within his rights to keep the gemstone but "The Cycle of Violence Will Never Stop" (sound familiar?). She quickly agrees to let Ekko be the one to give the stone to the council, still believing in peace and trying to play a part in making it happen.

**Side note: I didn't do a whole point on it because it's really about Vi and Jinx. But we need to make note that before this Caitlyn has her second interaction with Jinx in which Jinx shows herself to be paranoid, unstable and violent**

The Bridge:

The attack on the bridge is immensely impactful on Caitlyn's character and what I like to think of as the true beginning of Caitlyn's destabilization, leading to her descent into the dark. Thus far, we have watched this extraordinary young woman weather some truly insane events when you consider the life she has lead until now. Even still, she has remained poised, brave, respectful and open. Of course she has heard talk about brutality of her people toward the undercity. She has admitted it was wrong and wants to see things made right. But that is very different than the highest member of her organization shooting her new friend in the chest and getting ready to kill her. Its a sudden and violent in-the-moment thrusting of reality upon her that she has no choice but to believe. Furthermore, we mark her next interaction with Jinx, who has now almost killed her a third time, as well as almost killing Vi and they believe having killed Ekko and who knows how many enforcers.

Testifying To The Council:

So I know I am repeating myself some here. But that is intentional. The show is driving home for us that Caitlyn is truly a good person. Everything she has been through up until now with Vi is intense, scary, and destabilizing. She and Vi have very real feelings for each other and we end this section with very sad moment in which it seems hopeless for them. But its leading up to that I want to discuss. Caitlyn stands before the council of Piltover. The richest and most powerful people in her immediate world. With her mother on the council it feels reasonable to assume she knows these people. They probably have watched her grow up. And yet in her early twenties after earning the knowledge the hard way what does she do? She stands before them and calls them out for their failures. Including herself in that. She takes a stand against the neglect by Piltover that made the people of the undercity vulnerable to dangerous criminals. She commends Vi for putting herself at risk in helping Caitlyn, and never throws Vi under the bus as Jinx's older sister. And when Vi gets upset and leaves Caitlyn tries to get her to stay still insisting their must be a way.

Abduction From Home/Dinner Party:

In her next interaction with Jinx, Caitlyn is taken from the safety of her own home, and held hostage until Jinx initiates her dinner party with Vi. The events of the dinner party set the stage for the next chapter of the story dramatically affecting every character we meet, and Caitlyn is no exception. As this is the end of season 1, a brief refresher of who we have come to know up until this point is in order:

Clever, bright and loyal young girl who will defy convention to stand up for those she loves

Tenacious and dedicated teenage girl who doesn't want to earn her victories and is pondering things like who she is shooting for

Dedicated rookie enforcer who will not be deterred from investigating wrong doing and corruption no matter the cost

Open minded and trusting young woman in her early twenties who saves someone she barely knows life, even at the cost of her prized weapon and her own safety multiple times

Displays her desire to see peace with the undercity multiple times and verbally equates the undercity and topsiders in terms of humanity going against the classist behavior of characters like Marcus for example.

Treats Vi with tenderness, loyalty and trust even before they really get to know each-other.

Now. The reason I ran that down again is because THAT young woman in her early twenties is the person you see in the GIF above you. Jinx has now tried to kill her repeatedly. Killed her fellow enforcers. Tried to kill the woman she is having feelings for, even though that woman is her sister. Has abducted her from her bathroom naked, and now has her here. She looks utterly and completely terrified and I don't blame her. And to top it all off, after hesitating to take a shot at Jinx due to her feelings for Vi, Caitlyn is knocked out violently and THEN HAS TO WATCH JINX KILL HER MOTHER.

RETURN TO PILTOVER:

Caitlyn and Vi return to the upper city in the wake of immense tragedy and we see Caitlyn trying to hold it all together. Her whole world has gone black & White except for Violet(s). She is trying so hard to keep it together but already we can see the cracks forming. Even with all that has happened she maintains her testimony of Jinx being the only issue which is instrumental in preventing more violent Piltover retaliation. But we must also recognize her (totally understandable just jarring) desire to end Jinx's laugh forever, Mel's comments to Jayce regarding Caitlyn hiding it well but being in "So Much Pain", and Caitlyn asking Vi to put on the uniform of an Enforcer, when she knows Vi's history. Caitlyn is suffering and trying to hard to hold things together.

The Memorial Attack:

Caitlyn is drowning in grief. Her relationship with Vi is tenuous. She is expected to rise to meet her mothers role in city. She is holding on for dear life to her ideals and perceptions of reality that have shaped her as a person. Now the attack on the memorial is incredible as a fan for many reasons. But for Caitlyn we need to keep two things in mind as we move forward that at extremely impactful in understanding her:

There is no reason to think she and the others would not assume that Jinx had ordered this attack, or at the very least assisted in some way. The last they saw of Vi's sister she had just struck at the very heart of Piltover's government and its entirely reasonable to assume this attack is an extension of that. So I think its fair to say we can consider this Caitlyn's next interaction with Jinx even if its all mental.

Up until now, Caitlyn has never used any broad-stroke negativity toward the people of the undercity. She has addressed individuals, or perhaps a specific group of people in the undercity such as Silco's goons. But never called them Trenchers, Sump rats or any of that other stuff. Here in her rage, we see her refer to the people who attacked as Animals. Now in the moment, its entirely reasonable when pertaining to the attackers. But it is a noticable shift in her that tells us she is already (quite understandably) being swallowed by what happened.

The Strike Team:

Caitlyn leading the strike team into Zaun and utilizing the grey has been the source of much controversy. Its a clear escalation in her willingness to do violence against the undercity but when you consider everything we have talked about its hardly a shock. However, this show does a good job of letting us know Caitlyn is not totally lost to her pain. All we have to do is think critically:

While the use of the grey is extremely dark and absolutely morally questionable, the fandom's decision to portray it as mustard gas/sarin/pick your lethal poison is nonsense. We have seen multiple characters exposed to it multiple times and live. Its debilitating in the moment and uncomfortable and I'm sure is unhealthy over long exposure. Its tear gas.

Caitlyn's small targeted force is the alternative to full-scale invasion with hex tech armed enforcers. As I have said in various posts, by this point in the story Piltover retaliating is not an if. its a when and how bad. Caitlyns plan is the only reason an army of Enforcers does not march into the undercity at this point.

All that to say this. While she is clearly heading down a dark path, excising the hyperbole of the fan-base determined to demonize her and taking into account the whole of the circumstances surrounding this part of the story we are shown Caitlyn is still in there. But she is losing the fight with her inner-demons.

The Kiss:

We all cheered here. I did. You know you did. But I think we all knew the heartbreaking truth here as well. It was far too late for her to keep her promise to Vi. And in truth, it wasn't a fair thing for Vi to ask (BEFORE YOU COME FOR ME- Vi is my favorite character, and I have written extensively in her defense against the absolutely inane criticisms people have been levelling at her character). It's not Vi's fault, she has lost everyone she loves and is terrified watching the last person she has left be warped by the darkness in their lives. But when you consider the totality of paradigm-shifting suffering Caitlyn has endured since meeting Vi, I don't know how anyone couldn't change.

I have seen people say that Caitlyn was wrong to promise Vi. Wrong to kiss her in this moment. Those people are holding these characters to unreasonable standards in the extreme. We are seeing Caitlyn trying for the woman she loves. She sees the vulnerability and fear in Vi, the woman she loves so much, who she has been through so much with (and who has donned the Enforcer uniform for her) and of course she has a surge of love and a desire to comfort Vi. The love and tenderness is undeniable. But when you take in the context of the situation, It feels like we are waiting for the floor to fall out from under us. AND BOY DOES IT.

The Battle/The Break up/The Rise of the Commander:

I group these together because really its the transition of Caitlyn as we know her into "The Commander". This whole section is in a word, heartbreaking. We see Caitlyn fighting tooth and nail against Sevika, she likely saves Vi's life as it seems like Isha's gun was going to go off (whether the child meant it to or not), and Vi stops Caitlyn from taking the shot. Leading to Caitlyn lashing out in the worst way, telling Vi she is no different than the woman who killed Caitlyn's mother (AKA the version of Vi's sister Caitlyn knows Vi carries immense guilt over) and ending her status as the only enforcer never to abuse Vi, leaving her holding her stomach and crying on the floor while Caitlyn abandons her. We then see Caitlyn chosen as the commander, taking her place by Ambessa's side, becoming someone who would betray everything she used to stand for .

Its easy to look at this, and feel anger at Caitlyn. Especially as someone who has always connected with Vi's character and as someone who really loves their love story it leaves you feeling violated. But that's the thing, it should. We are not watching Caitlyn choose power out of a desire to destroy her enemies or because she thinks she deserves it. We are watching the tragic culmination of this brave, compassionate, brilliant and tenacious young woman being swallowed by the darkness. What's the line from Hamilton? "There are moments when your in so deep, it feels easier to just swim down". She has lost her mother, her sense of safety, her belief in the system of law and order she has lived her whole life by, and now the woman she loves. And in swoops Ambessa, a warlord. A woman renowned for her cleverness and manipulation. She takes this vulnerable, grieving, isolated and angry young woman and tells her she will get her justice. Caitlyn never had a chance.

**A small pause to discuss grief and peoples absolutely insane take on Caitlyn's handling of hers**

I am going to take a second here before we move on because due to the rushed pacing of season 2 Caitlyn doesn't get the detail she should have after this point, and because the discussion of her loss and grief is essential in understanding how this all happened. This is one of those things I have written about before but peoples dogmatic opposition to media literacy continues so here we go! "Ku Klux Kirraman!", "Oh the people of the undercity live in constant pain and death but Caitlyn loses a single family member and starts gassing kids?!"

To put it simply my friends. Grief is not a contest. Yes, of course the people growing up in the undercity have a much better understanding of death and grief than Caitlyn. up until the events of this story, she has lived a life of peace, and privilege, and comfort . And that's not a bad thing. ideally all children would know such a life if we could work our will upon the world right? But what it means for her is that when she does experience that loss, to say nothing of it being at the hands of a woman who has tried to kill her repeatedly, tried to kill the woman she loves, killed her peers, and abducted her naked from her own bathroom, Caitlyn's entire world is shifted. I have mentioned multiple times during this whole thing. She is only in her early twenties. That is so young.. so fucking young to have your world shift SO VIOLENTLY in such a short time. And in the standard incredible fashion of this show, they have addressed this concept already. Remember this?

Vi is angry at Jayce for bowing out due to the under city child's death. And for her, for the way she grew up she is totally justified in feeling that way. She grew up surrounded by death. But its just too much for Jayce.

I sincerely hope all of you reading this never have to cope with the loss of a loved one but we all know that's not reality. So if you are one of the people demonizing Caitlyn for what happens here because Zaunites have it worse I'll ask you this. The last time you lost someone, did you chastise yourself because someone somewhere has it worse? No. Because that's unreasonable, illogical, and would be a cruel standard to hold yourself to. Grief is achingly, agonizingly personal to each of us. And while it does not justify Caitlyn's actions, you are simply blind folding yourself to the humanity of this character by ignoring it

Months as the Commander:

As I said unfortunately we don't get to see a lot of Caitlyn "as the commander" but we do learn some things. There are check-points in Zaun, they are imprisoning people, and under the oppressions she has allowed to flourish the Noxians are able to do things like violently arrest people for having a non-violent rally in the Undercity itself. THINGS ARE NOT GREAT. But there some things of note I want to discuss in understanding Caitlyn's state of mind during this time:

The top GIF is not long enough but watching the scene you can see how distant Caitlyn is, how cold. She is not a "happy-go-lucky" facist gleefully imposing her will. We are actively watching someone in so much pain and so buried by her mistakes she doesn't know how to find her way out.

2. All is not lost however. She discusses her issues with the Noxians behavior, she openly questions Ambessa, she has forbidden the use of the cells where she found the love of her life, and despite her mentor's glee over the opportunity to utilize Singed and his knowledge. Caitlyn knows him for what he is, a monster.

Reunited With Vi:

The pacing just takes off at a dead sprint once Vi and Caitlyn find each other so I will touch briefly on the various points I want to for this section. I will say this, I know we all have feelings on how they handled Vi and Caitlyn's reconciliation. I am of the opinion that it was justified by what they showed us completely, but it was still rushed. Like they got the right answer on the math question but only shared the basics of every step to solving it if that makes sense.

Saving Vander

Vi and Caitlyn have this first interaction after so long and its so clear they have both changed so much. But what matters is this. Even after everything Caitlyn has done, Vi trusts her with the truth (Because Vi refuses to give up on those she loves), and Caitlyn immediately is on board. This happens so quickly and we only see them discuss it a little, but we need to think about what this means. Caitlyn finds out the "Weapon" is Vi's dad, and she is ready to turn on Ambessa, the enforcers with her, and the whole system. All for the woman she loves

2. The Battle of the Commune:

So I couldn't find a good GIF for it but even before this moment while Caitlyn is angry when she sees Jinx she doesn't make a move toward her. Then we hit this moment here. If you flash back to the battle that ended in Caitlyn breaking Vi's heart, Caitlyn wanted to take a shot that very likely could have killed a child if it meant hurting jinx. Now Jinx is running with her back to Caitlyn and ALL she cares about is getting to Vi

3. Taking Accountability:

We find out in this confrontation that although Jinx is in jail, it is because she surrendered. Not because Caitlyn ordered it. We also have a few key examples of Caitlyn owning what she has done:

"I KNOW!"- when confronted by Vi over letting Ambessa poison her heart

"We can't erase our mistakes"- She doesn't say "Jinx" can't take back her mistakes. She says "We" and "Our". She is clearly remorseful.

This rolls directly into her conversation with Jinx in which we see even more that Caitlyn knows what she has done:

"No good deed can erase OUR crimes"- Once again holding herself to the same standard as the woman who killed her mother. Holding herself accountable

"I've hated myself"- This could literally not be more clear

*On Cait and Jinx*: I've touched on this before but the parallels between these two are phenomenal. Broken, vulnerable, isolated grieving young women taken in by older, cleverer mentors with their own agendas but who care about them directing their pain for their own purposes. They then both have to learn to end the cycle, or the killing will never stop. Damn this show is so good.

Freeing Jinx:

Caitlyn made a lot of mistakes. That's not a secret. There were reasons as I and many and others have explained. But in this moment, she has intentionally paved the way for the woman she loves, to free her little sister from Jail. This comes after Cait admitting she doesn't want to hate Jinx any more. The cycle has to end. And Caitlyn admitting she has made mistakes, she has hated herself, she has lost herself to the darkness she now knows she has inside as well. And on top of that, she is here showing Vi that Vi is not alone, that Vi is loved, and that she knows Vi so well she knew what she would do and tried to help. its beautiful, its heartwarming, and after watching who Caitlyn was be shattered into pieces, we are now seeing her re-forged, stronger and more beautiful.

Commander Indeed:

Here we have Caitlyn becoming the commander she should have been. I believe I saw a post that one of the voice actors of the show suggested Caitlyn did nothing during the final battle and got her happy ending. Lets recap shall we:

Leads her troops from the front

Tries to take out Ambessa early and spare bloodshed

We have the bad-ass scene of her fighting with the mask taking out multiple soldiers

Even with a rifle at the back of her head she disables Maddie and tries to take out Ambessa

With a knife in her side and exhausted and scared she challenges A WARLORD OF NOXUS to a fight. "Shut Up and Fight!"

Sacrifices her own eye to take Ambessa out of the fight.

This is all pretty clear cut but I mean god damn. Her character evolution is absolutely staggering.

The End:

Caitlyn ends her story (for now anyway.. looking at your Riot) with the woman she loves. She has surrendered her spot on the Council to Sevika officially granting the undercity a place at the table. And we see her pondering the hex-gate ventilation system, perhaps giving us some hope that Jinx will return as well. I totally understand there are things people wanted to see with Caitlyn that we didn't get to see. But all we can control is what we were given. And when you look at the story of Caitlyn Kiramman, Born in wealth and privilege but with dreams of helping people, to being swallowed by grief, to finding common ground with the woman who took her mother from her, to rising as a leader who doesn't ask her people to fight when she won't and who willingly sacrifices herself for those who look follow her, I'd say she has one hell of an arc. I hope I did her some justice. This actually ended up being longer than i planned but man the more I think about her the more in-depth her story gets. I appreciate all of you.

[kiefbowl]

wait ok genuinely kind of interested in your opinion on porn now......... if only because those big 3 you mentioned are always the reasons i see people throwing out so id love to hear a deeper take than that

I'm genuinely surprised anyone could follow me and not know my stance on porn, but that's okay. simplified and in no particular order and in no means exhaustive:

porn creates perverse incentives

porn normalizes the purchase of women as sexual objects for men to use

porn is often called "rape on tape" by feminists, which I mostly agree with in the sense that if a woman would otherwise not have had sex except that she is being paid, then she is not consenting. you cannot purchase consent, the consent is not meaningful then.

additionally, you can not verify if you are watching people be raped in any other way. porn sites are filled with stolen videos, coerced videos, actual minors, aggressive rape that was filmed with or without the victim's knowledge, and other videos of this nature. there is no way to verify this at all from videos that are somehow not these things. things like "amateur" are often just marketing by the porn company or pimp, or they're stolen videos.

porn creates a social script for sex. this social script is least of all - boring and predictable. it also reinforces the long standing conservative gender understanding (see 2). porn also reinforces ideas of homophobia and racism under the guise of "taboo." porn is literally so conservative, but because it's considered "shocking" to "puritans" (religious men watch porn all the time), people talk like it's this liberal fantasy. porn is constantly reestablishing the status quo in the most perverse ways.

it's been demonstrated that people who are porn addicts very quickly escalate to more violent porn, and that this plays out in their sex lives with their (often vulnerable) sex partners.

the violence that happens in porn is real. the idea that it's a "fantasy" is marketing by porn website and pimps. if a man slaps a woman across the face, that really happened. why does it matter if she says "yes" to it - that's her "job" so how can she say no? (see 3 and also 4).

there is so much evidence and testimony by porn stars of the absolutely awful and terrifying conditions in which they work, even in the quote unquote "real" industry. drugs, alcohol, violence, coercion, exposure to STIs, homelessness, pimping, prostitution, mental illness, suicide, lack of benefits. It's bananas that anyone would be surprised by this when it's pointed out, we're talking about an industry that films sex on video. The majority of people in the sex industry want out. It ruins their lives, and once in it's very hard to leave and lead a normal life. The idea that the industry needs regulation to be "fixed" is bizarre and just seems like pimp and porn industry marketing to get people to look the other way.

Poverty creates porn. Social welfare for the poorest of our women would prevent them from entering the industry in the first place. Women go into porn out of need, not desire. social media pushes that porn stars loooove their jobs is 1. porn site and pimp propaganda 2. literally marketing because men want to believe this.

I am not religious, I don't believe in god. I love sex and masturbation. it's the most natural thing in the world and people don't actually need to "learn" how to do it - it's innate within us. Porn is just one more way to humiliate women in a misogynist society that requires women to be fearful of sex and rape constantly, and uneducated in their own sexual desires and boundaries.

[noistanaccount]

Ryoko Kui Does Not Believe in Epiphanies (or: why Marcille and Mithrun's endings are great actually)

I have seen a couple of people who are upset about the way that Mithrun and Marcille's stories were resolved so I'm writing this to clear some things up. Ryoko Kui does not believe in epiphanies. An epiphany is a sudden and usually brief realization, an "aha" moment. Epiphanies are emotionally powerful moments. Both Marcille and Mithrun have powerful moments of realization, epiphanies.

Whether or not you like these resolutions, there's something you need to understand, Ryoko Kui does not put that much stock into these moments. Immediately after Marcille has her realization, Tansu responds like this:

While this is mostly his own opinion, what he is pointing out is that epiphanies are brief, they are singular moments that do not define a life. Life is long, and epiphanies do not sustain you. Marcille might feel like this now, but what about tomorrow? what about nex year? ten years, a hundred years, five hundred years from now? How often have you felt a sudden understanding? a burst of inspiration, or perhaps a realization that everything is pointless? It generally passes quickly, and you make dinner, and go to bed.

Think about the best meal you have ever had, it was probably a special occasion, maybe it felt like something magical, in the moment you might have felt like your life was changed. Then, in the morning you were hungry, so you ate breakfast. You cooked, you did the dishes, you went on with your life. What "meaning" did that meal have if you were hungry again the next day? Mithrun has to rebuild everything, every day he has to come up with new desires to do the very basics. None of it comes naturally, he has to find a reason to eat beyond being hungry, a reason to want to do anything when he doesn't want anything. Ryoko Kui tells us outright, that there is no magical solution:

The same thing applies to Ryoko Kui's representation of racism in dungeon meshi. Around when the orcs appeared in the anime I saw people gripeing about the way racism is treated. They seemed to think that Laios's party having dinner with the orcs was presented as them "solving" racism. Once again people misunderstand, they did not solve racism in a single moment. A few people, understood each other a little better, came to an arrangement and then parted. This was merely a moment in their lives. The characters continue to do micro-agressions, hold stereotypes, and have implicit biases. In dungeon meshi, characters don't suddenly stop being racist in the course of an evening. Life is a process, learning about others is a process, it's about the accumulation of experiences through the meat and potatoes of life, the daily activities that we actually fill our lives with, not the sudden realizations. Once you make learning about and living with other people into part of your routine, once it is embodied, then it is part of your life.

This is the real conclusion: life is not lived in a state of epiphany. Life is about chores, cooking, eating, shitting, working, and sleeping, it's everyday. Life is about doing simple things and doing them well. An epiphany is a useful tool for telling the reader that everything is going to be alright, we love to read epiphanies and be swept up in them. They can also be a breaking of a pattern, an escape from a spiral.

This is the other take away, it's about the people you do those things with, the way they rub off on you, the way they help you be human. For Mithrun and Marcille their paths would be impossible without other people pushing them back on the path as they stray. Mithrun literally would starve to death except for the thought that kabru and others don't want him to. Eating is a communal activity, so is living, you can have an epiphany on your own; you can't live on your own.

[acciocriativity]

->You're hyper independent || Ateez Reactions || Hyung Line

Genre: fluff, angst (because of the theme on itself), slice of life AU

Warnings: NONE

N/A: This is a very real trauma response that real people have. However, I tried to keep it light, humorous, and focus on the support and love the reader received from the boys in different contexts instead of the actual trauma triggering situation that cause the trauma response. If I, in any way, offend people who have this trauma response, I'm open to learning and editing this, if necessary.

N/A ²: This is a gender neutral! reader.

Ateez Masterlist

Maknae Line version

Kim Hongjoong (김홍중): You don’t let him pay for you, and he’s helpless

On your very first date with Hongjoong, just as casually as he wiped out his card to pay for the meal, you wiped out yours. That day, he learned you were as hardheaded as he was, which was an interesting surprise. There was no dance of “Oh, I pay. No, it’s okay, I can pay. No, I insist. Oh, if you insist, then…” as he imagined at first. If you said you were going to pay, then you would do so. In the end, you both agreed to slip the bill even.

That was a common occurrence at the beginning of your relationship, a spit-even bill no matter the cost of the meal or whatever you were doing together.

It wasn’t like he was flaunting his money, nor did he want to offend you in any way, which you didn’t think was the case, thank God. It just became second nature for him to be attentive to those around him, and if he had an opportunity to do something nice for people he cared about, why would he not? Why wouldn’t you let him? You thought he was adorable when he vented that to you on a 1 A.M. something call, like those thoughts plagued his dreams or something. You liked your man a little dramatic like that.

There were times when it was a given that he bought something for the two of you, and then you made sure to put your money on something else for you both that same day. He thought you would rather keep things “separated” at that stage, where things were uncertain, to not create any kind of “debts” with each other, it seemed, although he didn’t agree with that trail of thoughts at all, and it was a bit offensive to him. First, because he’d never be the type of man to expect anybody to owe him anything after dinner, and second, because he hadn’t any doubts about the relationship.

His suspicions weren’t that far off, honestly. You said plainly you rather avoid any discomfort or expectations at this stage of your relationship with him, and he could sleep well because you knew how caring he was even if he wasn’t the one paying for you.

It was lovely for him to know what you thought of him. A simple phrase made his day, and if that was your answer, then he wouldn’t push it. Even if he was desperate to know what those discomforts were for you and if they happened frequently in the past.

For now, he’d gladly wait for you while you met in the middle, even if he feels a little helpless.

Park Seonghwa (박성화): he isn’t allowed to baby you like you baby him, but mama raised no bitch

It wasn’t a rule per se, but the only 3 times he ever tried to baby you during your one-year relationship like you usually do with him, two of them made you almost become physically ill, and the last of them, you were, in fact, ill.

He never thought karma would hit him as hard as it did when he met you for the first time. His tsundere exterior was nothing compared to yours. It felt like he encountered another version of himself, one that he lost to instantly. It was safe to say your charm wasn’t cuteness. It was how attentive you were, how you cared for anyone around you in a quiet and practical way, and how you were honest above all. You were reliable, steady, and so so warm with those you cared for. He was down bad before he could say the word “tsundere”.

The first time was a mistake, almost an instinct. It wasn’t rare for you to be cute unintentionally, but just as much as one shouldn’t make any sudden noise to not scare a grumpy cat away after it laid near, he should not have cooed and pinched your cheeks while you tried some of his stew at a dinner night at his house, the first of many.

He didn’t move, his arms hurt from the position he was in. The sheer astonishment on your face made him freeze, but there was no way of reversing time. There was no running from this. It was done. He feared for his life as you slowly processed what was happening to you.

It was clear how deeply you disliked it, even if you didn’t say so, and Seonghwa always prided himself on being a great boyfriend, so he kept that in mind to never do it again.

But he is just a man at the end of the day, a very, very weak man, and your cheeks are really, really perfect to pinch. Still, he chose his battles carefully, and the last two attempts were successful because you always let him off the hook without much of anything. In all honesty, he was the cutest and childlike one in the relationship even if he didn’t show it after first, and you fell hard for that side of him. The way his pretty brown eyes shined with mischief whenever he got away with calling you cute or cooing at you melted your heart on the spot, so you let him.

If it was anyone else, you’d run as far as you could from whoever it was, even your own parents. You were just not a touchy person at all, because maybe you grew up without people giving that kind of love to you then, but you got used to it from Seonghwa. Of course, it was best if he never knew how much power he actually had, so you let him fear for his life for a moment or two.

Unfortunately, Seonghwa was a cute, silly man, but he was your cute, silly man.

Jeong Yunho (정윤호): You don’t ask him for help, but what else can he do with his acts of service love language?

You two have been friends for a good while now, that kind of friend who everyone thought would amount to something else yet never did. The time to risk for something more was the night you two met, but neither of you took any action then. Now, you two had a good friendship, and that was more than enough for both of you.

Yunho couldn’t lie and say he hadn’t thought of what ifs with you in the past, but in his mind, you were never interested in him like this, so the whole thing was pointless. You didn’t seem interested in a romantic relationship then just as much as you don’t now, and he was fine with it.

You had a nice future ahead of you. A lot of your time was spent on building a good curriculum for college and then a solid career for yourself in a predominantly male industry. It was a rough path, sometimes you wondered if that was the right choice or not, doubted your own capabilities because your colleagues did so all the time, but at the end of the day you had amazing people to remind you who you were, you had Yunho. Sometimes, you wondered if he was a mind reader of sorts.

You dreaded the simple thought of looking weak, even if it was something as little as asking for some space to vent. You grew up with the mindset that any kind of vulnerability was bad, which wasn’t healthy for you at all, but it feels like it’s too late to change, even if you want to. However, the thing about Yunho is that he’d never allow you to ask for anything because he hands you anything you might need.

Did you need someone to distract you after a rough day of work? That’s a given. His silly memes and TikTok’s were waiting for your reply. Oh, you actually needed space for yourself? It’s ok. He’s got the hint quickly, and he’d leave you be with a simple encouraging message to remind you to rest and contact him the next day.

The good stuff came when you had your weekend free because he remembered you wanted to shop for a new couch, and given the amount of work, it’d be great to have a helping hand, right? Oh, it’s rot-in-bed day instead? Well, it's a good thing he’s versatile.

You never really asked for an all-in-one man, but you got him anyway, so better enjoy it!

Kang Yeosang (강여상): You’re the only person he choose to chase and God forbid if that ever reaches San’s ears

He’s an idol, he’s been in this industry for almost a decade, so he understood being busy, and this overwhelming need to isolate yourself and forget about everything else outside your room. The key difference is that he couldn’t do that much. However, that seemed to be your favorite way to cope lately. It was a lose-lose for him because if you were not locked away in your own world, then you were busy with a million other things.

You’re the only friend from his childhood he still has a relatively stable relationship because of how close in stages of life you two always have been, even now, both working in very different industries.

It has been like this since the very beginning. You two always aimed to be something in the future when you were kids. What you two would be was a different question, and neither was ready to answer. In the teen years, Yeosang got his answer while you worked hard to get into a good college, hoping to find yours when you got there. That could’ve been the end of the friendship, but you were both so aligned still that it could only be fate. He took a chance at a smaller company, and you decided to study something different than you had imagined for yourself. You both had similar struggles, doubts, and accomplishments around the same time. It was a running joke at this point.

He had to remind himself of that sweet part so he wouldn’t lose it the moment you actually picked up his calls. He knew lately it’s been tough for you. Only you chose not to speak about it and went right into your suffer-alone mode.

The upsetting part of all this was the fact that these were your vacation days, you earned them and he wouldn’t be Kang Yeosang if he’d let you waste it in bed all day after he heard for months all about the places you wanted to go. It was a coincidence the fact that he also recently got some free days for himself.

He was nice enough. He gave you a last heads-up that he was coming. In another life, he could say he wasn’t taking no for an answer, but you wouldn’t say no to him in this lifetime.

It’s only been a while since he was slightly concerned with this “on my own” approach to coping with the pain because you decided not to include him in it. The why he didn’t know, neither was he interested in it. But looking back, you’ve always acted like this, like a little fortress of sorts, like you had to be strong for all to see and this was the first time he was taking an action against it.

[hazelfoureyes]

why smut with an ace character?

This person was a minor so I won’t reply directly. I would love to discuss sexual orientation and the wibbly wobbly nature of attraction and pleasure to someone who I think needs a space to discuss it but as an adult stranger? That’s not my place and I would be wildly uncomfortable doing so directly. But! For anyone who does see my blog and wonders why, I’ll have this set on my master list to save me time

Heheheheh MY TIME HAS COME

closing in on 5 months of being on tumblr and this is my first “BUT ACE!” Comment/inbox

so, why?

✦Alastor is canonically Ace! The aro aspect was mentioned by an important staffer but has been left off as a descriptor by Viv herself and no accepted as canon. She gave her explicit permission to write them as we are comfortable with.

✦Asexuals can and do fuck! 💦 (my source? My ace spec partner!)

✦Alastor’s ace spectrum is often times an important aspect of my stories!

I always have Alastor motivated into sexual situations for non-sexual reasons.

Closeness, intimacy, fulfilling a partner’s needs, a biological imperative, for power, for control, putting someone into a submissive to embarrassing position. It’s to see someone break and bend to his will (with consent).

But lets shift into asexuality now --- how I write him isn't a representation of all ace people! It’s just how I view his place on the spectrum. Being Ace doesn't mean you can't ever want sexual pleasure in any form, it doesn't mean you never think about sex or enjoy seeing it.

Letting people explore the range of being asexual is as important as with any other sexual orientation. If you feel people being non-sex repulsed and being Ace is making your own identification harder to make clear to strangers —- well then I wonder if the label itself is more important to you than the community we all desperately seek and need when we publicly acknowledge our sexuality. We publicly say we’re LGBTQIA+ because these labels are for self identification and signal to like minded people and allies we're here. This is how I love and how I want to be loved. Maybe one day a different word will exist to separate the spectrum but we’re living and working with what we have today and how we find each other now. “Why not call him grey ace?” It’s each individuals decision how they wanna identify!

Full circle. Why do I write SO much smut about an ace character? Of course I think that animated deer man’s personality is hot lmao but also because I love this character and identify with him a lot! Being ace doesn't mean he doesn't ever have sex or ever enjoy physical pleasures! Writing about someone seeking out pleasure for non-sexual reasons is very fun for me as someone who doesn't identify with the romantic aspect of sex many people put on it. Do ace people fuck for romantic reasons? Yes! Absolutely! Being Asexual doesn’t mean you’re Aromantic!

Why not write fluff or QPR? Because I'm aromantic and it's harder for me but I am trying and am getting better at it because I want to write more things that meet the needs and wants of many kinds of people. As for QPR, I'm still learning what those relationships look like and learning how to idenfity them in my own life!

And finally— it’s valid to write him as any form of Ace or even not Ace at all! I prefer to keep him Ace spec but that doesn’t mean it’s wrong to make him not. He’s not real and the creator has given us permission to do so. 👌🏼

[undiscovered-horizon]

Hi! I really enjoy your one piece writings, they have given me so much comfort when I don't feel okay 😭

Can I please get a Mihawk (I'm completely in love w this man aah) imagine where his wife is a sensitive person who gets sad when someone is rude to them but they feel insecure couse they think it's stupid

Thank youuuuuu ❤️🥺

First of all, I'm honoured that I can provide a source of comfort to you. I'm glad my work has made you feel better in your time of need.

Second of all: oh yessss bestie this hits the spot. It also reminds me of a wonderful scene in The Gentlemen (10/10, highly recommend) [it also hits close to home because I am a sensitive person]

The thing about strong people is that they make others want to be just as strong, which isn't always easy if even possible. You've always known you're a little 'softer' than most people but only after marrying Mihawk did you find the difference in temperament bothersome. Instead of considering your sensitivity a fact of nature, you've begun to find it a flaw, something that you should change about yourself.

You've never admitted it to yourself but the truth is plain and simple - you think it's embarrassing. That Mihawk will find your sensitivity embarrassing. Maybe if you had been up-front about it with your husband, you'd learn that he adores your soft heart. If he felt forthcoming enough, perhaps you'd even hear that you're the source of warmth and light in his life. Hence he calls you his 'sun'.

To say that Mihawk grew concerned when he heard your muffled sobs would be like not saying anything. A delicious euphemism at best. Anger and fear bubble inside his chest. There's a strange itch in his hands that eggs him to wreak havoc.

"Apple of my eye," his voice carries well through the rather empty room you're both staying at currently. "What is the meaning of this?"

Frantically wiping away your tears, you look over your shoulder to meet his gaze. Mihawk is leaning against the doorframe, blocking the entrance if you so wish to run away from this situation.

"Oh, it's nothing. Really, I'm alright. No need to worry," you half-heartedly attempt to reassure him.

The swordsman loudly exhales through his nose. He's your husband, worrying about you is his duty. In slow steps, Mihawk walks over to the edge of the bed where you're sitting. Pride and titles as if forgotten, he drops on one knee in front of you. One of his hands gently squeezes your knee.

Unsure what's the best way to go about these circumstances, you timidly meet his intense gaze. The passion in his yellow eyes makes you think of a maelstrom captured in a jar - something devastating held back by a miracle. He's already seething, just doesn't yet know who exactly to direct his violence at.

"Indulge me," he prompts you to confide in him. There's a rare sense of pleading in his tone.

So indulge him you do - you tell Mihawk all about the unpleasant encounter with a local tearaway. Your husband tries his best to control his expression as you recount the unambiguously offensive words, unwanted touches and threats of real violence coming from someone who was probably looking for a cowardly scapegoat to vent his anger. As you continue your story, tears just keep rolling down your cheeks, fear and humiliation finally finding their way out of your heart.

"I know I'm being stupid," you mumble as you clumsily wipe your face, "he was just rude and it's not like he actually hurt me but-"

Mihawk's touch makes you cut your sentence short. His hand, its skin rough and calloused, gently cups the side of your face. Your hot, salty tears disperse as his thumb slowly rubs them away. Something about the tenderness of his touch, of hands that have killed and maimed, is enough to make you feel like you're about to break in his arms. Even if you do, you know that when dawn breaks you will be whole again, put back together with the unending love Mihawk holds for you.

"You've always been too good, my sun," he tells you in a low voice. He could have said 'too soft' or 'too sensitive' but then his remark would come off as deceitful as it would suggest his dislike towards your nature. Nothing of that sort - Mihawk genuinely thinks you're a better person than most people walking this plane. And he'd rather succumb to torture than let anyone make you feel bad about that.

The man leans in and places his warm lips against your forehead. Without much effort, he lays you down on the bed and you let him. Even if you wanted to fight back, you're way too tired to do so.

He's sitting on the edge of the bed, caressing your face, neck, arms and back as he's waiting for you to fall asleep. The anticipation doesn't require much patience - Mihawk's tender touches lull you to peaceful slumber rather swiftly. When he's sure that you're asleep, he kisses your forehead again before cautiously leaving the bedroom and closing the door behind him.

Perhaps he can't turn back the time and make the offending man choke on his words but he can ensure that the tearway won't hurt you ever again. Someone resting in peace so you can rest peacefully is a good bargain.

Mihawk knows exactly who he's looking for. He made a note of a certain characteristic trait you had mentioned - an earring with a single, red-coloured feather. It doesn't seem like a piece of jewellery that would be common anywhere.

It doesn't take much to find the tearaway. He makes his presence well-known as he stumbles out of a tavern, his legs almost giving away with each step.

So he assaults random women minding their business and then gets blackout drunk. It's pathetic enough to consider his death merciful.

Staying true to his name, the swordsman stalks his prey before lunging. Appearing as another patron of the inn, Mihawk follows the stranger around the corner towards barns, stables and pigstys. Fitting place for the likes of him, Dracule thinks to himself.

The man with the curious earring staggers his way towards a drinking trough. He's fumbling with his pants, desperately trying to pull them down to relieve himself but his fingers are not dextrious enough.

Mihawk picks up the pitchfork leaning against the barn wall. In one, swift motion he gores the tool through the back of the man's knee. A guttural scream tears through the night as he falls to the ground.

The swordsman grabs a fistful of the tearaway's hair. He forces the kneeling man to look up into his seething, yellow eyes.

"Do I owe you money?" The man is slurring his words. He squints his eyes, trying to focus his hazy vision on Mihawk and, possibly, recognize his creditor. "It's money, isn't it? Shit, just give me two days, man. I'll give it back with interest."

"I don't care about money."

Instantaneously, panic appears in the tearaway's eyes. Did he just find himself in the same position he's put hundreds of people in to cure his own boredom and need for grandiosity?

"Then what it is?!" he shouts, fear settling in his viscera. Dracule's calmness put together with the sheer hatred emanating from him makes for a deeply unsettling impression.

"You hurt my wife," comes the answer. The fist clenching the man's hair tightens its hold further, threatening to tear off his scalp. "My wife," Mihawk growls.

But before the tearaway can ask for clarification, his head is forced into the drinking trough. Surprised and scared, oxygen is escaping him fast. Soon, his throat and chest begin to clench and throb painfully. Dark spots dance across his vision, foreboding blindness.

Then, Mihawk pulls his head just above the surface. The man desperately gasps for air.

"If you believe in a god," the swordsman begins in a low voice shaking with anger and adrenaline, "I suggest you start praying. Fast."

The tearaway's head is forced underwater again but this time, Mihawk keeps it there until the ruffian's body stops trembling and shaking. After that, Dracule waits for a while longer - just for good measure.

You're woken up by the creaking of doors as they slowly open. Blinking sleep away from your eyes, you look over your shoulder only to experience a sort of deja vu: Mihawk is standing in the doorway. Before you can ask about his strange behaviour, your husband makes his way to you in long, quick strides. He kneels on the floor beside the bed.

Mihawk takes your hand in his. He takes something out of his pocket and places it in your palm. You recognize the red feather earring immediately. And is that... a piece of skin still attached to it? Gently, your husband closes your fist and lifts your hand to place a chaste kiss on your knuckles.

"The rat has paid for its sins," he whispers to you. Judging by the intense look in his eyes, you don't want to know the details of this story.

[neil-gaiman]

Hi Mr. Gaiman (sorry for the ramble in advance),

Hope you're doing well. I don't usually use tumblr, but every time I open it up you're here so I figure I'd drop a note. I'm a writer, but I've always had a really hard time actually WRITING instead of just thinking about it. I've had this world and its characters plaguing my head for years now, and it's only gotten worse with age, so recently I doubled down and decided it was gonna get done—one way or the other.

I recently read a passage in a book about writing that said, in essence, your first book doesn't really matter all that much if you plan to be an author. As an autistic lad, I (naturally) took this very literally and was upset at the thought. Sure, your first work is probably going to be your weakest—duh, because by the time book two rolls around you'll have had time to have faced any criticisms from your first, you'll have learned more as you write, and about the world too. But for your first book to not matter at all, no matter how passionate you are about it—I found myself wondering, "Well, what's the point at all, then?" You put in all that work, you learn plot devices, you breathe life into your characters and watch 'em toddle around, and for what? For it to just be a stepping stone? It felt intensely personal of it just being cast aside like that, and I haven't even written the damn thing yet!

MasterClass had a Father's Day sale, so I figured "why not" and went ahead and got a subscription. First thing I did was run to your class, and although I've only watched the first two parts—I want to thank you for restoring my motivation. Truth is, I think the reason that message in the writing book upset me so much is because I'm terrified of writing this damn book. I've woven so many pieces of myself into it, despite it very much being, in your words, a lie (and about a boy that lies all the time, no less), but the grief that I feel and all the complicated feelings about forgiveness are all there and very real, despite its fantastical elements. So much of it really IS more than I'm comfortable sharing with people, and the idea of baring all that out and being told it didn't matter at all? Absolutely devastating. At the end of the line? The book might actually suck. I might rewrite it, I might trash it, I might completely forget about it ten years from now, or I might sell ten copies on Amazon to family and friends and then move on with my life. It's not stepping on a yellow jacket nest in the woods, but it's still terrifying. I still can't even fathom the idea of letting anyone actually read it until I've obsessed over it for another four years, and even then! But I'll write it anyways.

Thank you.

You are so welcome!

[voidpacifist]

viktor headcanons

[modern-ish edition + meljayvik because I cannot resist, also I'm desperate to see more unhinged little ideas about him outside of being everyone's favorite blorbo. we should fear that man and this is my thesis]

learned a weird amalgamation of martial arts and self defense as a kid due to growing up in zaun. despite being in what was considered the "safer" part of the underground, his mother worried he wouldn't be safe on his own. his core strength and arm strength are absolutely ridiculous

in fact, one time he was hooking up with a fellow academy student, and by the time the whole affair was over with, he was hardly breaking a sweat while the other person was trying to catch their breath. he became somewhat of a local legend at frat parties because not only can he wear someone out for hours but, allegedly, he's real freaky with it too

knows the exact monetary value of different human body organs on the black market. whether or not this is from experience is something jayce and mel are unable to determine. vi is also knowledgeable of this and has traded tragic backstories with him in detail

has had to kill a man before, and tells this to jayce frequently to win petty arguments (jayce never actually believes him, even though it is fully and one hundred percent true). it doesn't work on mel

jayce and mel have a secret chart written of how many substances viktor has tried and with how much frequency. weed is at the top of the list, with alcohol being shockingly low. in spite of coming from a slavic background, viktor didn't learn how to hold very much liquor without feeling ill, but for some reason is fine with the illicit psychedelics that grow naturally in the undercity near the runoff tunnels. so far the list is nearly half a page long

will not hit anyone with his mobility aids but will ABSOLUTELY find ways to blackmail and hustle his way out of embarrassment. he learned the blackmailing skill from mel, and frequently looks to her for information since she somehow knows the most about the student body

extremely morbid sense of humor. jokes about being fatherless/motherless behavior and then hits you with, "I would know :]." mel is an honorary member of the motherless behavior banter, considering her own mother disowned her shortly before she came to piltover

taking care of one another is equal parts give and take with him, jayce, and mel, but it's never in a way that demeans each other or exploits each other's weaknesses. for example, viktor hates being carried or manhandled without consent and finds it incredibly patronizing if someone assumes he needs help without just asking him (common sense, but the student body is full of ableist sharks). if he's having a bad pain day or is finding it hard to move, he and jayce (or he and mel, depending on time and place) have a system for getting him to or from somewhere without drawing much attention and even have specific "I need help but don't want to be stared at about it" phrases

father's half of the family is slavic and mother's half of the family is romani. cannot follow a recipe unless it has specific measurements, but can improvise ANY stew or potato based dish with little more than his nose and a few kitchen tools. jayce can improvise any dish, but will always somehow overdo the spice if it calls for spice. mel is happy to try any and everything they make (on her birthday, she's spoiled with their attempts at making the ethnic food from her family, and she'll never tell them but she's very touched by their efforts)

owned ONE pet in his life and it was a hamster. instead of freaking out over it's death, he studied it's body post mortem until his father declared it a biohazard and forced him to dispose of it

learned most of his chemists knowledge from a disgraced former academy professor, but taught himself everything else he knows (if he couldn't get access to it in school). including, for fun, how to preserve and analyze body parts. he initially wanted to be a surgeon or biomedical engineer, but then stuck with chemistry (specifically regarding infectious diseases) to try and find a cure for the grey

shows up randomly at jayces or mels dorms at strange hours in the evening/morning. the first time he showed up at mel's, she thought a burglary was being attempted. he made it out with a bad knock to the head, but she did make him tea in the aftermath as an apology (he hated it but drank the whole thing anyway)

gets stoned with jinx on the weekends, since she's the only one who can find him good, ethically sourced weed. he pays her back by teaching her things he's learning and researching at the academy

meljayvik + caitvi + timebomb dates but they have to find a way to rent out the whole place because each and every one of them has Some Kind of History with the other academy students even though jinx and ekko are still a couple years shy of college age

viktor threw up at the distinguished innovators competition because jayce did first. it was a whole disaster. they spent hours after the ordeal hyping each other up on gatorade and pure adrenaline. it was the physically worst jayce has ever felt around viktor but far from the worst viktor has ever felt around jayce. this was just days after the two of them met mel, and she spent the rest of the evening forcing them to sleep or eat something that wasn't "pure chemicals." somehow, this ended in a heated debate between herself and viktor about the validity of gatorade as a substantial meal. he still refuses to admit he lost

I've said this before and I'll say it again: he has a closet full of ramen. mel takes from his stash often

can run on caffeine and very little sleep to the point where he is physically incapable of resting like a normal human being without feeling drained. flu season is absolute hell

showed up to one of his lectures shirtless once because he was in a hurry. fed everyone who looked at him funny the most outrageous sob story about how "weak" he was, then laughed about it with mel and jayce like an absolute sociopath for days about it. jayce did not find it altogether very funny. mel and him still joke about it

beat vi in an arm wrestling contest before he got sick. still almost beat her after his diagnosis too, but still took the betting money anyway. she'll never admit she's slightly terrified of him, but it shows

can wield many different kinds of knives but is terribly clumsy when it comes to other weapons like clubs and swords and staffs. tapped out of adaptive sports within his first week because it was "boring him." spent the next month teaching martial arts to his fellow disabled peers until the board made it an official extracurricular

turned sky down in the nicest but most insane way possible. nobody knows what happened or how, just that they ended up spending MORE time together after the fact and that it involved illicit activities. the rumors were insufferable for weeks. and wildly funny

(please feel free to add more, I'm gonna start a collection)

[meanbossart]

Any tips for new or returning artists?

I’m hoping to discover my own art style this year (from scratch, no references) by just throwing myself into learning anatomy, drawing random characters, and praying I can figure out how to add depth to pieces.

I have very minimal artistic experience and my work has improved significantly from where I started years ago, but not even close to where I’m hoping to be.

I can freehand faces and tweak the anatomy accordingly but I feel limited. Maybe it’s (in part) because I’m using an iPad, apple pen and Procreate? I recently added the paper-feel screen cover and that’s helped significantly with control.

Do you draw on paper to help your muscle memory? Honestly, ANYTHING helps. I watch videos on anatomy and art all of the time — I just don’t know if my brain is absorbing it correctly 😭

Hello! I don't know if I can say anything in particular to the returning aspect of your situation since I've drawn pretty consistently all of my life, but if someone else has had that experience of picking the skill back up after a long break, feel free to share your thoughts in the replies!

I'm not fully sure what you mean by "hoping to discover my own art (...) from scratch, no references", but if it means trying to whip up a style from thin-air and blocking out all outside influence or take any inspiration from existing art that you like... Uh... Don't do that! I don't see the benefit. All art is a derivation of a derivation, I can assure you that by compiling a folder or collage of your favorite works, borrowing and reworking aspects that you like, you WILL land on an original style and have learned so much more about it in the process than if you hadn't done that at all.

Also I can assure you that drawing on procreate/ipad is not a hindrance whatsoever, plenty of professional artists prefer it over display tablets. @wolfskulljack-art comes to mind as someone who has created several incredible tour posters for Metallica, all in her ipad.

I must have drawn on paper a total of 10 times in the last 5 years, I have no idea if that's bad or not... It Probably is, but I'm at peace with it, LOL. Generally when it comes to improving ( and I know that this is a frustrating answer) the secret is to just draw a lot. There is no class that is going to take you from amateur to Caravaggio, it takes time and takes making "bad" art. A lot of bad art. When it comes to learning anatomy, I think the best thing you can do is draw a lot of real-life human bodies from reference while consulting an anatomical diagram or model of some kind. Otherwise you will just making a bunch of lines without ever understanding their purpose.

I don't think you need to be an expert at the human body AT ALL before jumping into stylization and making confident, art, but if you do something like this whenever you draw I think you will end up learning a whole lot. Muscle memory (no pun intended) will come to you naturally!

I also have a lot more tips in my #tutorial and #advice tags that you can look through if you want to, otherwise, I would tell you to just do more drawing and less looking for the perfect tutorial or golden advice. A lot of artists get very boggled down in learning in the most correct and effective way, and while there are pointers that can be given, they tend to be very straightforward🤷 and the rest falls on you to follow through with!

[rockpaperimpala]

So about Netflix's the Last Airbender....

I am literally so confused you guys. You made me think I would HATE this show. And I LOVED it. Me. Known perfectionist and hater.

Katara was lovely. Yes, she started as a more soft spoken character than her cartoon version, but she was still passionate and hopeful throughout, just visibly unsure of herself. I think people were thrown off by this actress' natural way of expressing herself, which is Different from animated katara for sure, but not bad. Then she spends the whole season growing in Confidence and Fire. I Adored her fight with Paku, it really did feel like a payout of the whole season's development, and the bending kicked ass!

The Bending Kicked ass!!! The martial arts was fun and fast and creative and exciting! It looked SO good. That alone would be enough reason for me to watch and enjoy any show.

Zuko's actor was fantastic. He really captured the rage and confusion of this 16 year old banished prince. And there were so many Added moments between him and Iroh wich to me enriched their relationship. Like YES! This is why I'm watching, to see more of them, to see things done a little differently.

Iroh facing the consequences of his actions at Ba Sing Se!! That's what I'm here for!

Zuko's relationship with the men on his ship! That's what I'm here for!

The Extra layers we get to Ozai manipulating his children!

Also no one is talking about Admiral Zhao, who I had SO much fun with. I feel like they slightly fleshed out his character in a really dramatic way, really developing the hubris and frankly insane grasping ambition of someone who would kill the moon. I completely enjoyed this wilder, less controlled version of him, who comes up through the season from basically nothing and no one!

I am OBSESSED with King BUMI and his anger and disillusionment with the world! Like this was SO real. Living a hundred years of futile war would do that!!!! It is one of my favorite changes to the whole series. This new layer of emotion and character depth is what I'm here for!

Sokka was SO funny. He literally had me laughing out loud so often. That actor GETs Sokka, and GETS the way his humor is delivered. And is also able to tap into the more vulnerable side of him. People said he was "obsessed" with leadership. WHAT? That is a young person trying desperately to do his best and to try and find his place in the world, to figure what he has to offer. I loved his pride at hearing the Mechanist say that he would make a good engineer, and the sweetness of the moment that Yue's father says that he can be a hero without being a warrior. Sokka does so much growth in this series, in understanding himself and life.

And his chemistry with Suki was adorable!! I even like him and Yue (who was a totally unexpected sweetheart, despite her terrible wig)!! Like he has that same ability that Sokka has in the original to Connect with people.

Aang was great! He WAS fun loving and sweet and funny. I don't know what you guys wanted. Cartoons are always bigger and more exaggerated than live action. People's eyes swell up an, birds fly around their heads, and there are funny sound effects. That larger than life quality is the strength of animation! You have to look for different strength in live action. Like the SUBTLETIES of the acting choices. This little actor brought so much kindness, innocence, and strength to Aang.

And I FELT his frustration at being asked to do this at 12, his fresh hope anytime it looked like someone more experienced would be able to help him and no one did, and that's why he didn't learn waterbending this season, because he kept waiting for an freaking ADULT to show him the way, to help him carry this immense burden, but every adult he meets asks him for help instead, asks him to carry it himself, and then the finale hits and he realizes that there won't be any adults helping, he does have figure this out himself, and he makes the hard choice, takes on responsibility more than his years and offers himself to the ocean spirit, and he might have been lost entirely if not for Katara!

And that counter running theme to the show pays off: that he doesn't have to do it alone. He may not have more experienced guidance, because the adults have let him down again and again, but his friends will be with him, and they will figure it out together!

This is there throughout the series! Katara tells him this about learning waterbending, when he says he still wants to wait. Bumi tells him this in the palace at Omashu, and Aang sees the faith he has in his friends repaid!

I like these changes! And the show still found time for silly fun adventures and character building moments.

The show was never going to be the animated original. That is already a Masterpiece, and it frankly did NOT need to be adapted at all. I did not WANT a live action adaptation. I was adamantly convinced I would hate it. But the changes that they netflix show gave are what I Iike most about it. If I want to see Zuko say "you rise with the moon, I rise with the sun," I will go watch the animated original, because that version is perfect. And now, if i want to see Zuko say "Lu ten would have been proud to have you as a father," and see iroh pull him into a tight hug, I can watch this live action version, which is very good too. I'm going to disagree with most of the people on here and say that the Netflix's Avatar: The Last Airbender, DOES capture the heart of what we liked about the original show. It's spirit, fun, excitement, and characters. And the changes made are the reason we should be watching.

[mirrorcatcreditcard]

Take I haven't seen in the fandom yet:

Luka doesn't want to be freed.

"Now, MirrorCatCreditcard," you may say, "that's nonsense. Any human would want freedom from that system."

If you're thinking I'm gonna convince you that Luka doesn't know he wants freedom yet, you're wrong. I'm here to talk about indoctrination/conditioning, grooming/emotional manipulation, my own experience with those topics, and how all of the above connects with Luka as a character. If a deep dive like this is too much for you, please tap out for your own sake.

Luka's life was planned before he even existed. There has never ever been an alternative option. There is no life for Luka as anything but what Herperu chose. Everything in his life has been planned to have him be the perfect pet human idol. That is what he must be.

Fandom, I don't think most of you actually understand this and have dissected what this means (shout-out to the Luka stans who are getting there/have guessed similar things). These words we know have alternatives and are not set in stone are Luka's "gravity makes rain fall to the earth" and "water makes things wet." They are facts so deeply ingrained within him that even if shown the contrary he remarks that the person showing them is just disillusioned.

Take his commentary on Mizi and Hyun-A in the art book. He looks down on Mizi for not being able to control any of her emotions. How does he talk about Hyun-A? He has her at 70% affection yet shows a patronizing attitude—she's the one in denial at reality.

Now, how did we get here? How is a human so "delusional" and set in the control?

He's been conditioned.

Some of you don't know what I mean by this from experience and/or research, and count yourself fortunate that you don't. I pray you never experience such things firsthand. Don't worry about ignorance. Familiar or not, I will explain.

When you are surrounded by only one truth and reality, that is the way you interpret life. If a parent tells a child "the moon goes to sleep during the day," until the child learns otherwise, that's what they believe. Now take that child-like belief and add some toxic environments to the mix. With time, any other kid would learn that the earth rotates from their peers or adults around them. But if the creatures around them all say and believe the same thing "the moon goes to sleep during the day," then that is what the child continues to believe. Years of that same thing being the only truth make that false knowledge into a fact in the person's head, and everything that supports that fact is taken as truth or on the right path to truth.

"This is kinda silly though," you guys are no doubt murmuring, "All of this is a hypothetical. Give us something that makes sense or that someone could actually see happen in our society."

I'll give you my own experience then. My parents taught me that God is real. My parents taught me that I will be damned I do not follow the commandments of the scriptures. I didn't need to worry though. As long as I was obedient to the God who loved me and wanted what was best, I would be saved despite being born an awful sinful human. I was homeschooled, only interacted with people of similar beliefs, and taught that people too different from me in ideology or with radical beliefs against my own were trying to harm me and my family. I believed the people who raised me because why would people who love me lie to me? My task was simple. I needed to obey God and love everyone, especially them. Love meant giving up my entire being and living only as servant and sacrifice. After all, being selfless to the utmost was the greatest form of love.

Let's go back to Luka. His guardian, Herperu, when questioned about any surprises while training Luka, stated not only that he was the one who endured the "tough moments" but also that "(Luka) owes his success to me, and naturally, he should be grateful." This sentiment is echoed by Luka in his interview (shown on Patreon). My god, it's giving parents with disabled kids who brag on social media about how much trouble their kid is and how much they do for them. Sickening. This shows exactly what environment Luka has lived in though.

When you are manipulated into having something as your reality, everything else is fiction and delusion.

Let's review what exactly is Luka's reality.

Heperu is the one suffering if Luka has any difficulties being obedient.

Gratitude is what Herperu is owed because he goes through so much trouble to make Luka a star.

Love/care is shown by owning another's autonomy.

Emotions and bodily reactions exist, sure, but someone should be able to control them; and if they can't, someone should control those reactions for them.

Segyein are superior and the good ones for dealing with humans. Humans must be disciplined and shaped to how an segyein wants it to act to be considered deserving of this goodness.

(Luka)'s perfection is defined by his guardian.

Luka's life is directly connected to being the perfect performer. His guardian praises his abilities with the statement that no other pet human will ever be as perfect as him yet leaves an underlying threat saying that it will be no good if a pet is not trained properly. This has probably been mentally (if not physically) beaten into Luka's mind: his greatness doesn't stop him from being able to be disposed of. The human instinct to want to live has been explained to him as Heperu's wish for him to live and that has been further distorted as a duty to live for the stage he has been placed on.

Luka believes fully that there is a debt in play here. In his interview, he mentions repaying love. He thinks the relationship between fan and idol is completely normal, encouraged, and healthy. Performance is the most important thing. Being where he is is a privilege.

There's a chain here:

Heperu indoctrinated Luka into believing what he says is all true.

The guardian manipulated him easily to do what he wanted with his body and mind.

The years have been spent constantly conditioning Luka to be the god who encapsulated fantasies for the audience.

He is continually being groomed to exist for the entertainment and enjoyment of segyein.

Circle back to my first point of this post. Luka does not want to be freed. He doesn't know what freedom actually is. He sees freedom as either foolish denials of reality (and doesn't consider that actual freedom) or as controlling the song and stage when he performs (something he learned from Hyuna). He cannot want something he cannot understand. He cannot want freedom in the sense the fandom keeps speaking about.

It's funny. From the moment Luka was revealed to be hated by the fandom, I wanted to know why. Instead of digging and finding horrific deeds, I instead found a character who portrayed my own traumas and experiences. I instantly attached and delved deeply into learning about this thirty year old singer. Why does he express himself in a certain way? Where do we first see mention of him? Who does he have emotions towards? How was he trained? What makes Luka himself? I have past essays/replies to other's theories if you're interested, but in this one I got personal and didn't sugarcoat the facts. If the fandom can't handle deep thought, we shouldn't be discussing this incredibly profound and depth-filled web series.

As always, thank you for your time, and I hope my thoughts allowed you to open your mind to new things. Mostly, I hope you enjoyed them 🫶

[bohoteacher]

Navigating Betrayal: Reconciling Admiration with Disillusionment

Like many Neil Gaiman fans this month, I've been shocked and distressed by the news regarding the SA allegations. I won't go over the details, as they're readily available online. I'll start by saying that I believe the accusers, and even the most lenient interpretation of events is still troubling enough to discredit Gaiman. For a long time, I didn't know what to say. I was just shocked and, somewhat naively, felt betrayed. I don't typically idolize actors, authors, or other public figures—I'm here for the characters, they're who I love and believe in. So, how did I end up believing in this man and his rhetoric?

I only had a parasocial relationship with him, which is to say no real relationship at all. But I took his Masterclass on writing, spent hours taking notes, and learned from him. I feel betrayed by someone I saw as a beloved teacher. I know this is insignificant compared to what the women who came forward experienced, but it's a valid feeling, and I needed time to process it. My initial reaction was to throw out and discount everything he’s ever written or done—of course it was.

This isn't just about my love for Good Omens, although how can it not be? I learned so much from this man—about writing, about not being too hard on myself, about the creative process. I read his books to my middle school classes, and we all learned how to be better people from them. Today, I saw and bought Instructions, a children’s book by Neil Gaiman illustrated by Charles Vess, from the used bookstore where I volunteer. It was a used copy, so no royalties will go to him. It’s a beautifully illustrated book where the main character walks through a land that clearly symbolizes life, learning lessons like saying please and "if any creature cries to you that it hurts, if you can, ease its pain." How could someone write this and then do what he did? I asked myself. "What an evil hypocrite," was my first thought. But then I recalled a line from another author, Stephen King. In The Stand, a character is described as "awake at the lectern, but asleep at the switch," meaning they know the right thing to do and can talk about it, but in the moment of choice, they act without integrity.

I don’t know if I’m making sense, but I think it’s too easy to label Gaiman as simply evil, as if he intentionally manipulated us by saying the right things just to make us read or watch his creations. The reality is likely far more complicated. Within this man is the amazing, thought-provoking, life-affirming wisdom that many of us have tried to live by, but also the hard, thoughtless, selfish cruelty that led him to abuse young, vulnerable women. The wisdom does not justify the abuse, and the abuse does not nullify the wisdom.

I think it's too simplistic to say Gaiman is despicable and always has been, hiding it from us all along. This doesn't acknowledge the complexity of human nature—that there is potential for both good and bad within us all. As it’s said, possibly by Terry Pratchett or possibly by Neil Gaiman, “It may help to understand human affairs to be clear that most of the great triumphs and tragedies of history are caused, not by people being fundamentally good or fundamentally bad, but by people being fundamentally people.”

Gaiman is a man who has done some fundamentally good things and some fundamentally bad things. I can’t forget either one.

This is just my opinion. I know some people want to cancel him, while others want to exonerate him. You do you. As for me, I will continue to love Aziraphale and Crowley. I will continue to read and create fan-fiction. I will continue to find comfort and wisdom in books that have meant so much to me over the years. But I will also remember that they were created by a very flawed man whom I can no longer trust.

I understand that opinions on this matter vary widely. I know some people might feel that not discarding everything associated with him is wrong, but this is where I stand. I’m not looking to debate this or be told how I should react. I just needed to process my thoughts in writing and move forward in the way that feels right for me.

[libraincarnate]

💄 astrology notes: 15 (mature edition) 💄

quick note: i'm absolutely not an astrologer. these are just a collection of some of my observations, thoughts, theories, and personal experiences. with that being said, i'm still learning along the way & i may come back to edit this post to make corrections. above all this is just for fun. keep in mind that i’m not reading your birth chart and i know nothing about you. these are just some possibilities that may or may not apply to you. lastly, minors do not interact - mature readers only - explicit content! enjoy 💋

x mercury in retrograde: these people may struggle with verbal expression so it’s not that they don’t feel pleasure or that they aren’t turned on, but it's that they might struggle with voicing it and they may feel uncomfortable letting out a genuine moan. so they either don’t say too much or they fake moan often if they’re uncomfortable with the silence.

x neptune in the 8th house: neptune brings imagination so having it in the 8th house can indicate someone who day dreams about sex often. they’re able to create these mental visuals of intense & passionate sex scenarios which they can translate from their minds and to the bedroom in real life. they can portray that neptune creativity via sex, bringing an element of surprise & constant sex appeal. to me this placement reminds of that alluring energy that sirens have. they spark feelings of attraction in other people while fully dressed, but they also have people imagining what they look like nude or what sex with them would be like.

x lilith in cancer: may not want to have kids (or at least not biological ones) but they love it when someone c*ms in them or vice versa, or on their boobs. aside from boob jobs they may have breastfeeding/suckling kinks. overall, they like the chest area whether it be on a man or woman. could also have a c*m fetish or be into c*m play. 

it sounds kind of contradicting cause if you c*m in a woman she can become pregnant, and the primary function of the female breast is to provide nutrition to a baby. but with this placement there’s an emphasis on the desire to enjoy these things sexually, all without actually having to become pregnant/have a kid or become a parent.

while they may not like being very emotional themselves, having their partner open up to them emotionally during sex or hearing them say “i love you” could be such an ego boost for them. there’s a desire to be both wanted & needed. they could be big on aftercare as well, but especially if they’re the ones receiving it. this could include cuddling while c*ck warming.

again, being emotional may feel uncomfortable for these natives but they may attract clingy partners because they’re still sensitive & empathetic, it’s just suppressed. they have a natural energy that can make others feel comfortable & safe. they feel like home. might not be into casual sex but if so, casual sex or friends w/ benefits may be complicated because it’s almost inevitable that feelings will get involved whether it be them, the other person, or both. but some people with this placement may use these traits to be emotionally manipulative in order to get what they want, and this includes sex. it’s like their form of enchantment.

x libra mars: libras in general can play the submissive role well, but with mars here it’s like a strength, something they can twist and use to their advantage. they can easily get into the role of being cute, ditzy, and flirty, but in a way that turns you on. teasing you yet giving you exactly what you want. they can manipulate you to make you feel like you’re in control, but it’s only happening cause they’re letting you and they know you like it but they like it too so their submissiveness is like a form of power here. they also like getting spanked too, so they probably like being naughty/bratty so that they can get “punished”. could like being called a good girl/boy. oh, and compliment them on their body or the way they do something that turns you on, they’ll love that.

they like dominance but they still want respect. yes they can be people pleasers & they want to please you in bed as well, but i don’t think they’re the types to enjoy/tolerate getting slapped in the face or anything they classify as too much, disrespectful, or rough/extreme.

but guys with this placement may like women that can dominate them in bed. the types to be dressed in super tight black latex, being gagged, having to beg, etc. 

x pisces: could be into somnophilia/sexsomnia kinks, basically wanting to or having sex with someone who’s asleep. but of course this is done with consent and i’m not referring to any actual sexual/sleep disorders. maybe it feels like a fantasy/dream in a way; slowly waking up and going from a state of unconsciousness and sleepiness to a state of sexual pleasure, then falling asleep again filled with bliss … and maybe something else. 

& like taurus, pisces love to sleep. but there’s also the sense of being so relaxed and vulnerable in such a state yet your partner still desires you like that and you trust them enough to give them consent. pisces might also feel drunk or high during sex or after they climax, or they giggle a lot.

x mars in the 3rd house: probably had some sexual encounters with their neighbors or even had sex at school. could be considered the neighborhood hottie & may also receive a lot of male attention at school, like classmates commenting on their body.

x mercury-asteroid kiss (8267) / mercury-mars aspects: could be the type to kiss and tell or talk about their sexual experiences without much hesitation. this may be done intentionally because the topic of sex interests them and it’s something they like to discuss, or they do so accidentally by word vomiting. could also be the type of person who easily moves from one person to the next.

x taurus: they have a thing for hickeys on the neck. taurus lives through all their senses and really connects to the physical body and all things tangible/material. taurus rules the neck area so there’s already a natural attraction to that body part & it’s often a highly erogenous area for them as well. 

scorpios are usually considered the sexual and possessive type, but taurus shares these traits with their sister sign. & so hickeys can be a way of taurus displaying their dominance, claiming you as theirs, or marking their territory. but it might not be viewed as “intense” which is usually the case with scorpio’s actions, but it makes sense when you think about the contrast between their rulers venus & pluto.

x 2nd house: i’d say prominent 2nd house placements in general are really good at using their mouths. this applies to simply kissing but oral sex as well. if you have the sun here, this could be where you shine when it comes to sex and your partner may consider you the best at kissing/oral out of everyone they’ve been with. it’s like a natural talent. but with lilith, mars, or pluto here i think they’d also leave someone speechless or in awe lol. with venus it may be something they love to do, like one of if not their favorite part about sex. having venus, lilith, pluto, or a stellium here could indicate an oral fixation so they might be into c*ck warming with their mouth. but i think lilith might be more into giving oral rather than receiving it.

x aries & gemini: these two together remind me of cat and mouse. aries likes that challenge, they like to chase & therefore play the role of a cat well. gemini likes to tempt & tease and could really play the role of a mouse. for this reason, i think an aries having sex with a gemini would be bomb. the type where things heat up in an instant. at some point, aries won’t be able to handle all the games and teasing from gemini and aries will want to capture and dominate/conquer.

gemini displays their power mentally while aries does so physically. gem knows which buttons to push to send aries over the edge but aries is strategic too so once aries has gemini where they want them, it’s over. the playful teasing quickly builds & leads into something hot and passionate, perhaps a bit rough or fast. aries loses their mind & the ever-racing mind of gemini goes blank, but in a good way of course.

x capricorn: for caps, i think edging would be their thing. either as something they enjoy or because they’re just good at it. with edging you have to consider timing & delays and capricorns are no strangers to that. they’re also controlling so getting to decide when someone c*ms and being the one to make that happen is like a power trip for them. 

and because they like to be the ones in control, i think they’d want to be the ones doing the edging instead of it being done to them because they may not like the idea of repeatedly letting someone have that power over them.

virgos are known to be of service of others & libras are known to be people pleasers, but i can see capricorns combining these two traits in the bedroom. not in a submissive way but in way that displays their skills and competence, showing that they can and know how to make you c*m, and doing so feels like a reward or some sort of an achievement for them. and even if they’re the ones edging someone else, they still get turned on from the theme of delayed gratification.

- omg i feel like i'm corrupting the masses, please forgive me. <3

if you read this until the end, i hope you enjoyed it & thank you so much for reading. ♥︎♥︎♥︎, those hearts are for you.

[elbiotipo]

Also, the point I always make: Jurassic Park is all about "PLAYING GOD!!!1!!1!!" because of cloning dinosaurs, and then sequels are all about "we must save the poor dinosaurs!" while canonically taking place in large islands off the coast of Costa Rica. Those islands, or at least the inspiration for them, actually exist, though much smaller.

And you know what they are? They are strictly protected reserves, because of their unique ecology and endemic species. In fact, one of the main worries is precisely the introduction of invasive species.

Could you imagine if instead of Isla Nublar, Jurassic Park was set in say, the Galápagos Islands? Could you imagine someone in real life trying to build Disneyland in the Galápagos or the Great Barrier Reef?

I know that joke that Jurassic Park is about "capitalism gone wrong" but it's even more fucked up if you think about the imperialist part too. A first world billionarie tycoon comes to a third world country, somehow achieves control of islands (it's implied that the Costa Rican military is at Jurassic Park's call; fun fact, Costa Rica has no military) which by all means should be protected as fragile ecosystems, to build a gigantic theme park with all the ecological disruption it implies, for first world tourists too. The theme park just so happens to be cloned dinosaurs, but Hammond might as well have razed the whole island and planted soybean fields and it would be the same horror story we in South America are very well acquainted with.

And then the sequels are about "saving the dinosaurs!" like they're a natural part of the ecosystem! No man, fuck the dinosaurs, they're giant walking GMOs in the most literal way possible. Hammond SHOULD have built it in Orlando, at least Florida (which has its own deep ecological troubles) is large enough so you can actually set preserved areas, wildlife corridors, better ecological practices... building a park in Isla Nublar is the same as destroying the Galápagos.

And no, the movies don't adress this fact, that Isla Nublar and etc. HAD A PREVIOUS ECOSYSTEM BEFORE JURASSIC PARK that is most likely wiped out. The book does worry a bit about dinosaurs introduced to the mainland before returning to its main message: "GENETICS IS PLAYING GOD!11!!1!!!!", yeah man, I'm a bit more concerned about the islands you're destroying for your stupid theme park. I don't mind you cloning the dinosaurs so much as much as the fact that you're destroying whole natural ecosystems to host them and then there are a bunch of freaking kids who want to preserve them even if they're THE case of an invasive species, you might as well try to preserve Pedro Escobar's hippos in Colombia.

(I did learn about island ecology and I'm reminded that during the Cold War, the paradigm of island ecology was used to use actual islands as test laboratories, including for nuclear weapons. Islands are never truly 'isolated' or 'blank slates', and at the same time they're incredibly fragile ecosystems, but if I keep writing I'm going to search actual papers and I have to do my actual work)

[centrally-unplanned]

To talk about monopoly & antitrust, I want to start off with your first day in Econ 101, when you learn "how prices work". The toy model that nearly everyone learns as one of the first things ever is that classic supply-and-demand graph of price and quantity; you know it, I don't need to show it. And in relation to how firms set price in a market, the explanation you get is something like:

"In a world with perfect information, zero transaction costs, rational agents, and no barriers to entry, new firms and/or increased output will enter the market until marginal price equals marginal cost"

This (seemingly) portrays a model where new companies "entering the market" is how prices go down. Like say there are Firms A, B, and C, engaging in oligopolistic pricing for a normal good; what happens is some new Firm X (with the same production costs) emerges with the sole business strategy of "offer prices lower than them because they are skimming" and it drives everyone's prices down in a race to the bottom. That, in a sense, competition between identical firms drives the price equilibrium.

That isn't very true, not in practice and not even theoretically; the 101 stuff just sort of biases you to see it that way. Firm X above is being rational in one way but silly in others; why would it enter a market where its competitors are making healthy profits just to fuck that up, knowing it has no advantage they can't immediately replicate in response? And pay all the fixed costs other firms have already paid to make that 0.1% profit? In real life firms almost never do this, they compete over (actual or perceived) advantage or market segmentation. And it also means that - if all firms are truly the same in a market - cooperating on price, far from being aberrant behavior, is the natural thing to do. Why would I look at my rival firm and lower my price to "undercut" them, knowing that they 100% can just lower it too? We both lose, immediately. In practice, companies often set their prices by looking at the prices of competing firms and matching them!

Many things actually drive the price equilibrium of course, but one of the biggest - and most useful for our purposes - is the substitution effect. If companies defacto cooperate on prices all the time, why is the price not infinity? Well because if you are selling steaks and set the price to infinity, I'm not gonna buy it! I can just buy chicken, for me it's pretty much the same. And chicken is cheaper to make than steak. As a chicken firm, I totally can set my price under your steak and you can never, ever match it; that is a real advantage, one from asymmetries of production. The price of steak is driven by the need to compete with chicken much more than it is driven by the need to compete with "other steaks". And so on down a chain of a million desires and costs and needs.

So to wrap this around to antitrust, there is a common idea out there that monopolistic pricing is increasing from the past because if I look at different industries, so many of them today are consolidated into 2-3 big firms. Your grocery stores are all Giant or Safeway or w/e it is in your city, if you are buying a TV Samsung & LG are half the entire US market. How could these companies not collude on price? Of course they do, and they don't need explicit agreements that would violate extant FTC regulations to do it; they can just softly communicate and feel out cooperation. So you gotta break them up and change the rules so they can't do that.

The trap is thinking this is any different if it was 10 firms - it really isn't! Maybe marginally, sure, and if it was 2000 firms yeah okay the sheer chaos would probably create some price churn; but in the past prices were not driven down by the diversity of firms making price cooperation impossible. The long history of guilds, business associations, chambers of commerce, and so on shows that they had plenty of avenues for cooperation - and often did straight-up set prices. Meanwhile, when Wal-Mart, Target, Aldi, and others all cut prices at around the same time, they are not mainly competing with each other. If they were they would just mutually agree to not do that, without even saying anything! How stupid do you think they are? That isn't hard to do. Instead they are competing with Amazon; with boutique local stores; with restaurants; with the changing price of labor; with shifting consumer sentiment and expectations. The industry concentration doesn't matter.

Until it does of course! Because what is the substitution good for oil? They exist of course, but they ain't cheap; people will still buy gas at gigantic ranges of prices. Here, the fundamental structure of the market is monopolistic - and also a geopolitical clusterfuck, but let's not get into that. Producers openly rig prices sometimes, and antitrust actively regulates against it, and it is a hot mess of governments and companies and all that. Are people who hold patents engaging in monopoly pricing? Obviously, that is the point of patents! It is by design; but there are tons of arguments to be made around creeping exploitation of the IP system. Sometimes hundreds of firms in a dominant market niche will offer complex, bundled products where the price of each piece of obfuscated and the value is subjective, but consensus is you can't not buy the product or you will be screwed and since you can't tell what the product even is, let alone how valuable it is, you can't object when they set the price - I hear these are called "universities", but they go by other names in other sectors.

All of the above are something like "monopolies", which maybe are getting worse over time, but they are monopolies for different, product-specific reasons. I think there is a good deal of FTC work and other reforms that could be done in the US to identify areas where this kind of rent extraction is happening. But what it doesn't look like is opposing blanket industry consolidation. And in fact the correlation is honestly pretty weak. Because identical firm competition does not drive the price equilibrium.