#I want to know the in-universe rationale if there is one

[theoxenfree]

vampire x crime scene cleaner!reader | 16.1k

you're a crime scene cleaner who happens across an advertisement for a mansion housekeeper in exchange for room and board. it's close to work, close to your university, and an easy job. the ultimate package. right away, you notice the owner's beauty as well as his eccentricities, but decide to commit to it. the spiral into depravity and debauchery begins when you're tasked with cleaning the site of a savage murder, solidifying you as a irreplaceable treasure.

warnings; dead dove do not eat; explicit non-con, extreme dubon, sadomasochism, blood play, overstimulation, choking, cigarette burns, smoking, hypnotism, theological themes, exploration of morality, gunshot wounds, extreme & graphic depictions of body horror + gore + grotesque details, graphic depictions of crime scene cleanup, possibly inaccurate depictions of crime scene cleanup (not looking for feedback on it), obsessive & possessive behaviors, heavy prose & details, the entire work is allegorical, murder, vampire is written as a monster bc that's what they are lmao, dividers are used between scenes

reposted from 2kmps; previously proofread by @ceruleansol

I shouldn't have to say it, but I will: nothing in this oneshot is indicative of my personal viewpoints. it is entirely fictitious.

this was a project that took me quite a bit of time to do, so I would be immensely appreciated if you'd please reblog + interact with it!! I'd love to hear your feedback!!

Another internet search bore fruit.

The image bouncing back at you from your phone had been hastily taken with a tremble in your hand, all the while launching a few too many cautious looks across your shoulder to either end of the dim, long hallway making up part of the second floor. There wasn't any particular rationale for your apprehension and busy eyes but the belief the mansion owner wouldn't be too pleased to see you taking pictures of his valuables rather than cleaning them.

That fear hadn't stopped you from reverse image searching a good couple of curiosities over the widening gap of time you had been living there.

Tonight was a Chalmette table vase displayed on a pedestal in the hall; brassy gold gilding cradled a somewhat drab white bloom that reached high and sprouted open to a hollow inside. Similar surviving articles went for thousands.

You totaled the prices of everything so far as enough to outright buy a house on the more modest side of town.

There was a daring thought that loomed in the back of your mind, an ugly little thing that told you one or two missing antiques wasn't any big deal. He wouldn't miss them, let alone even notice they were gone, because he was the strangest man you had ever met.

Four months ago, he had only ever introduced himself by the name Montague, letting an anticipatory stillness hang in the air while you waited for him to finish. He never did, handsome features lifting as his dark eyes thinned and smile inched higher. He had you in a tight handshake.

"I enjoyed reading the resume you sent in with your response to my advertisement." He had traces of an accent intact but had cleverly adapted to one more common to the area. "You're the first person I've come across wanting the room who's done that. It really stood out to me. A crime scene cleaner? Must be a difficult job."

"I know it was probably overkill, but I think this will be perfect for me." You were led to a suede armchair, his hand anchoring onto your shoulder to lower you into the seat. He sat across from you in something similar, one leg crossing. "I recently had to move out of my other place, and the university will be about an hour closer. My work won't be as far of a drive, either. I—I, uh, clean some gross stuff, so taking care of your house won't be anything."

Even after that spiel, Montague never let his smile slip. Rather, it seemed to widen as though delighted by your oversharing. He looked like a man basking in glee over a rare find, an offer he couldn't possibly turn away.

"All amenities in the house are yours." This was after he showed you to one of the rooms on the second floor: a capacious, well-dressed space behind a red door at the end of the hall. "As long as you listen to a few rules and keep things clean, we should have a very amicable... cohabitation."

You thought it was an odd choice of wording. "Okay. Well, what do I need to know?"

"No guests." It was immediate, his tone suddenly a touch edgy, razored, unyielding. "Not unless I give you explicit permission beforehand. I keep many important valuables; they're very dear to me. Also, do not invite anyone in unless I am there."

Again, odd, but it was his house.

"Sure," you said agreeably, having half the thought to write down these peculiarities of his. "What next?"

He was set on your shoulder, reaching out to pull a thin, frayed thread off of your jumper. "The downstairs—as in, the basement—is my personal space. If I need you down there, I will ask you for you to go down. You can go anywhere else in the house, on the property. None of it concerns me."

"Why the basement, though?" It felt damaging to press a question like that so early on, but you figured it was innocent enough. "This house is so big that we could be on the same floor and hardly see each other."

The muscles around his mouth twitched slightly, only once. You still noticed it. Noted: he didn't like to be questioned. "Sorry, I'm not trying to-"

"It's cold downstairs." he injected, shifting to look around the room as though taking in the newness of it as well. "I make sure it stays comfortable all year, all throughout the house, but the cold suits me best."

With how downright frosty his skin felt in that handshake earlier—on a mild day in mid-spring—you thought that explanation checked out. He must have only just come up to greet you at the front entrance.

You tried to forget the feeling. "Alright. Next?"

"Oh," he restrained an unseemly laugh, using one hand to crowd into a pocket on his dark blazer, "there is nothing else, at least nothing pertinent. It's my understanding that we're both quite busy, so this would be the current arrangement unless something changes."

What changes? You wanted to ask, thwarted to silence when he revealed some sort of silver thing pinched between his fingers with a thick handkerchief. It was a dainty-seeming contraption with chains linking several old skeleton keys at the end. The fabric he used to hold the clip concealed all of the elegant tracery that made up its shape.

"Traditionally, this is called a chatelaine. It’s something I’ve modified for you to get around the house. It’ll be easier to clean." Montague said, fast to force the mess of cold silver and chains into your palm, rubbing down his fingers with the handkerchief afterward. "The smallest key is to your room. The largest one opens the doors to go outside, so don't lose that. One of them is meant for doors in the basement—can't recall which."

He could see the wariness behind your eyes, a worrying crease forming in your brow. "This house has been around for a long time. I've just never gotten around to modernizing the locks."

Other questions came to you, but he hardly acted interested in entertaining them. You let him swivel on black soles, stopping him just as he reached the doorway.

"Why haven't other housekeepers worked out?"

Montague let his fingers rest on glazed woodwork framing the threshold, drumming out a soothing rhythm while considering an answer for all of two seconds. "In short? They couldn't follow the rules. Now, let me show you to the yard."

Afterward, the so-called cohabitation had become a seamless blend for you both. You had learned right away that Montague wasn't one for idle chatter and niceties without purpose. He had deviated from it once, on move-in day, to reassure you that the mysterious nature of your life schedule and odd hours you were called to a clean scene wouldn’t be a source of concern.

Shortly after settling your things around the house, the reason for his amenable attitude was a little more apparent. Several times a month, you would be pulled from your forensics projects to the landing at the end of the hall, piqued by fresh voices always indistinguishable at first, and folded your waist over the railing to see down.

The top of his head, hair short, impeccably styled, and ash-brown, was the first thing you noticed, followed by someone on his arm. Sometimes a woman, sometimes a man—always conventionally attractive, always utterly enraptured by him. It struck a nerve with you once or twice, finding your thoughts swimming bitterly: Of course a man who looked like him would go for types like that!

Why did he act so much differently with them than you?

He wasn't nearly as friendly and affable as he was making himself out to be.

You stopped peeking down on him after an instance where his eyes shot straight up, pinning you where you stood. He simpered at you before leading his companion away to the basement, and that was it. You never saw them leave and never bothered to ask.

Tonight was different, however, both in the way you nearly toppled the two-figure Chalmette vase off its pedestal with flighty fingers and a duster, and the echo of a scream piercing the hollow halls to you. It stayed in one spot on the first floor, luring you down the center staircase with your duster clutched to you like a sword. At that point, your heart bursting in your ears was louder than the agonized cries resonating around the corner.

You looked around, spine wrapped in dread as another scream, weak, garbled, and wet, came from the basement, and then nothing at all. It was soundless in the house. Distantly, one of the clocks mounted in the kitchen archway toned onward. You followed its beat with the shuffle of your feet.

Hello, hello? Those words clung tightly in your throat, yet you were too afraid to announce yourself like that. Still, nothing came as you slowly pulled at the basement doorknob, brass and freezing and unlocked. The stairway plunging down inside was filled with inky black, so dark you couldn't get your eyes to adjust to it.

Is everything okay down there? Hello? Hello? You ran the imaginary chatter through your mind, lips sealed but trembling during your slow descent, the path now illuminated by white glow from your phone. At the bottom, the stone stairs turned into seamless gray marble and red wetness crawling toward the soles of your slippers.

"What–" You gasped, taking a step back while flicking the flashlight higher, deeper into the basement. The vivid red puddle glistened in your light, widening around a motionless figure with pale skin—a blonde woman you didn't know. Her face pointed up at the ceiling, twisted in terror, black tracks of mascara curving along her cheeks.

She was naked on the floor, surrounded by her own blood, something you didn't have to look at twice. Your breaths grew harsh, taking in the sight of her neck, or lack thereof; there wasn't much left of it. Only a few stringy bits of sinew and muscle kept it from a full decapitation, and blood still pulsed out in spurts from mangled arteries and veins.

A motion nearby made your nape prickle. It was like feet padding across wet pavement after a fresh rain, except this smell carried the malodor of rust and something sour under your nose.

You settled a pillar of light on the source, capturing the view of Montague standing amid the bloodbath, sickly skin bare and saturated in rich crimson.

Something was wrong with him, came an instantaneous, instinctual reaction the moment his head spun toward you, catching pale eyeshine in the white light.

The bones in his jaw cracked as the length of it began to recede into the semblance of something more man to you, rows of jagged teeth retracting into the depths of his throat until only a pair of long incisors remained.

Montague skimmed the tip of his tongue along his lower lip, smiling at you affectedly, saying as though it were some trife thing, "She started screaming."

You were gone and out of the basement after that, clearing the woman's body and kicking away the slippers on your feet when they squelched with blood. Montague said something after you when shrieks ripped out of your lungs and reverberated through the house. You winced as the basement door let out a hollow rattle when he collided with it, heart matching the rhythm of the skin on your feet slapping against old marble, thoughts disarrayed, frantic the closer you got to the front door.

Almost there. Almost there. Almost there. Oh God! Oh God! Oh God! You were panting in unison with the vicious chants.

The doorknob was in your hand. The door was open—and it was thrown shut with the force of your body thrust against it, fingers wrenched off of the handle and enveloped in Montague's cold fingers as he pushed himself flush into you.

You felt his palm clamp around your mouth, whittling your screams into panicked whimpers, nostrils flaring with your ragged breaths.

"Ah, no, no." He had to stoop his neck to talk into your ears. "Shh, shh, shhh. Far too loud. I don't like screaming. Shh, shh, shhhh."

Tears seared red behind your eyes, making you think you could follow the warmth down your face as they filled the crevices in his hand. "It's really, truly a pity. She was a pretty one but far too smart. I'm usually decent at picking out the ones who wouldn't suspect anything or, at least, catching them before they try to scream.

"You'll have to forgive me. I swear to you I'm not ordinarily that messy. I prefer to keep everything tidy, especially so you don't have to go down there. After all, you're already so busy. You're already doing so much. I can't recall when I last saw you relax."

The weight of his palm softened, a wordless agreement that you honored with continued silence as he used that arm to lean against the door. His voice shifted around your head to your other ear. "That's it. Just wonderful. There's no need for screaming, is there? It's only the two of us."

"Are—are..." You couldn't get it out, lips and throat suddenly sucked dry. "Don't kill me, please. Please. Please."

His chest quaked while a subdued, eerily delighted laugh hissed through his lips. "Kill you? Oh, no, no, no. Never. How could I ever kill you when you're so remarkable? My home has never looked so beautiful and lived in. I'm enjoying how it looks with you in it."

You wilted away from his lips sinking to a spot below your ear, now taking far too much notice of his erection curving up along your lower back. It felt disgustingly wrong to wonder whether the violence and blood turned him on, or it was you and your fear. The man wasn't even human; that much was clear.

"What are you?" There was no shortage of daring questions in your arsenal. Montague was beginning to find the charm in them.

"That's quite difficult for me to answer." He let his chin lay on your shoulder. "I've been called many things over the centuries. I suppose the closest anyone has ever gotten is vampire, but even that's not quite right. You're free to guess as much as you'd like, though."

He was satisfied when you didn't, freeing the weight off of his arm to slide his hand under the hem of your shirt, fingertips still slick with that woman's blood as he explored your navel. You were too aware of the roundness of his fingernails stepping across your flesh, sometimes pressing deep, and other times a light touch you needed to scratch. His throat vibrated against your shoulder.

"What are you thinking? I'd love to hear it." He wanted to devour your fear in more ways than just feeling you wince. "Well? Tell me."

"I want to go." Go? Where could you possibly go that he couldn’t find you? If he ripped out the side of a woman's neck, he could track you down.

He leaned his cheek into your ear again, relishing the warmth that spread into him. "Where would you go? Who would you tell? Humor me, where is the first place you'd go?"

"The police," you said.

Montague let out a pleased hum. "Of course. It only makes sense to report a terrible scene such as that to them. Forensics and the police play together often, don't they?"

Your nod was weak.

"I know how hard you've been studying, how much stress you're under to commit to your degree, your work—to me." His hand crept along to your stomach, fingers splaying wide across the protective layer of skin and fat. "Let's say they were to find something I left behind. Who becomes a suspect in their eyes when they learn that I have someone who tidies up after me? Who knows the dirty insides of cleaning up anything and everything?"

You were starting to panic, fitfully struggling against his body. It's like he was made of stone. "They wouldn't accuse me of murdering anyone."

"Haven't you seen the news lately? Are you so sure?" he said derisively. "No, perhaps you're right. Maybe you'd be fortunate, and they wouldn't have your head for murder, but they would certainly try to peg you with something else. As an accomplice, maybe? And that's assuming that I don't disappear and let rip you apart.

"Can you imagine it? Can you feel your heart break at the very thought of losing it all? Your degree? Your job? Safety? The world is cruel, darling. You'd never have another moment of peace or anonymity. Anywhere you'd go, you'd be found, every alias sullied with your sins. All because you decided to speak up about it."

You knew he meant to send you downstairs to do something about the mess, spend hours scrubbing and mopping until what had once been there was a secret that thickened your tongue and made it hard to swallow. No one would ever find out, but you would carry it in every waking thought until, one morning, the cute barista on Market Street had an eerie semblance to that dead woman, and the light roast in your hand suddenly looked so red.

"Thump. Thump. Thump." Montague mocked the heavy thrum of your heart behind your ribs, his cold fingers skimming your nipples before resting over your sternum. "You can go if you'd like, but I'll find you. I'll hear your little heart until it bursts and drag you right back here. You're mine."

The push of his body gradually faded away, giving your chest the room to expand, leaving you to gulp quivering, greedy breaths that didn't stop even as the pads of his feet grew distant.

He called back to you, "Give me ten minutes or so, and then come down."

You were already partway through the front door with your car keys to pop the trunk when, floating like a spectre's moans in still night air, his voice reached out once more, "You may want to clean up yourself first. You have blood all over your face."

༺ ♰ ༻

A damp towel came before your descent back into the basement. In tow on your shoulders were three bags of absorbent, the fancy stuff hospitals liked to use to throw on puke and piss and anything else they just lazily wanted to sweep around. It worked for blood in smaller quantities, blood that was still wet, anyway.

The woman hadn't been dead long enough for her body fluids to dry, so you didn't anticipate needing anything except the basics stowed in your car trunk.

You weren't sure what you expected to see down there, noticing the lights were turned on high, fully illuminating the gray marble, the furthest reaches of the blood puddle with your slippers saturated dark red and ruined. What came as a shock was the woman's dead eyes and shredded neck being nowhere in sight. Montague had moved her body but to where?

For some reason, you were drawn to ridiculous spots like the walls, ceiling, and tiny cramped corners that he could have feasibly stuffed her in. There was no sickly trail of blood leading any which way, droplets only reaching as far as the stairs and first landing where you had been pursued—nothing else.

Where did he take her? Part of you was ready to turn a blind eye to all of this because you knew you would have to in order to keep everything. If you kept your head low and groveled a little bit, maybe he'd get bored and leave you alone, biding you the time you needed to finish your degree. But, that'd be two years of this.

You weren't sure you could stomach it.

As you moved granules of absorbent through blood with coarse bristles from the kitchen broomstick—shifting the puddle more than the actual absorbent—you wondered if he could hear your heart now from wherever he was.

You thought about a lot of things while letting your eyes roam the space. It was enormous, taking up the entire underside of the house, outfitted impressively with mahogany accents, sprawling bookshelves, armchairs, and loveseats pulled tight in leather and velvet. Across the room was a disheveled bed, creamy sateen sheets in a luscious heap but otherwise undisturbed.

To the adjacent end of this expanse were two doors you didn't notice at first, one a little taller than yourself in height, about as wide as any normal arm span, and looked old, so old that everything else was too new. Even from where you stood, you knew it'd take a skeleton key. The other door was more coherent with the rest of the basement, cleaner but certainly still part of the house's original construction.

By the time Montague had returned, you already had much of the ordeal pitched into a biohazard bag with some trace remnants putting you on your knees to scrub away. You hadn't realized he was even there until the tips of his shoes—brown leather loafers with a scalloped tassel near the toes—appeared in your peripheral, sending you launching back onto your hocks.

"This work is spectacular. I knew I had a good feeling giving that room to you." he said with a beguiling smile. All of the blood was gone; he was clean in a dark dressing robe with black trousers, a look you hated that you saw as alluring. "Don't forget to clean the floors upstairs. We made quite a mess there as well."

"What happened to that woman?" You were asking your pesky questions again. Montague wasn't so sure he found them as charming now, but you were still a prize.

You leaned away as he crouched in front of you, nearly risking the soles of his shoes in the blood and hydrogen peroxide. For the first time since meeting, you kept eye contact and saw that his reached a depth you didn't think could be possible for a human. He wasn't touching you, yet it felt like he had you caged, trapped in a vise that held you tight.

He did touch you then, grazing the side of your face with a thumb. Suddenly, he brought it to his lips and licked it as he rose to full height.

"You still had some blood just there on your cheek." There was an armchair a few feet away that he dropped into, withdrawing a gold compact from a chest pocket on his way down. "Don't worry. I wouldn't ask you to carry away the bodies. I'm not that Roman."

"That's not what I asked." you rejoined.

Montague tucked a cigarette between his lips, igniting it with a match he kept inside the compact. His first few puffs looked like they calmed him as he crossed a leg and settled deeper into the leather. "You shouldn’t expect answers to things you don’t need to know—or want to.”

But he humored you with a slight lean of his head towards the old door far away. "The original owner of this house was ingenious and built tunnels that were used to shuffle people in and out. Mistresses. Servants. More unsavory things—you must remember the era. At any rate, it stretches beyond the house and some ways off. I do not recommend ever going inside."

You understood now why you never saw any of the dates he brought home leave. And you believed every bit of his warning.

It inspired you to move away from the grim reality dwelling beyond that old door. You hovered over the same spot, drenching the floor with more of the disinfectant, grasping for a distraction. "I didn't know vampires could smoke. Isn't blood enough for you?”

Montague flicked his cigarette over an ashtray beside his chair. "Well, we all have our vices. Mine just happens to be five or six of these a day. Keeps enough of the edge off so you get to sleep at night."

Something about that comment made the entire stretch of the basement feel so confining—claustrophobic, even. Your back was wide open to it, to his ravening gaze and leather toe turning fluid circles as though to pace himself before lunging.

"I have class in six hours." You finished the job by tying off the bag. "I'd like to get the upstairs done and take a shower."

"Of course. Try to get some sleep, you've had quite a night." He didn't move to see you out. "Oh, and leave the bag. I'll dispose of it."

༺ ♰ ༻

Meredith Nimu died approximately twenty-three days ago after a stroke left her immobilized in her favorite armchair. Her body wasn't peeled away from the murky-green polyester until day twenty-four, following enough neighbor complaints about a bunch of rats dying in the vents.

Getting rid of the chair was half the battle in this case, something that Meredith's overzealous, recently divorced daughter spouted off as sacrilegious. She insisted that the carpet cleaner she used for her obese dogs with raw patches on their legs could do it all. Your supervisor had been inflectionless when telling her it didn't work like that.

One of your teammates, a middle-aged black man affectionately nicknamed “Hoss” had unceremoniously slammed the apartment door shut and flipped the lock so the daughter's rancorous eruptions were somewhat contained outside. The other half of the duo responsible for pitching the chair, T.J., a white man who could never tan, wheezed out a laugh as he labored a hard bristle brush through the gunk left behind from Meredith's decay.

"Boss ain't gonna be happy about that." T.J. couldn't commit to the act of a brownnoser even if he wanted to. A couple more chortles rattled through his respirator. They were infectious, ridiculous sounds that coaxed similar from Hoss when he rejoined the effort to get the job done and over with.

You could still hear the daughter on the other side of the door, never once allowing your supervisor a word in edgewise. A part of you wanted to pity her, perhaps conjure up a shred of empathy for someone so completely enmeshed in the throes of grief and anger. She was clearly spiraling, her entire life yanked out from under her—and she was free-falling with nothing to catch her, no thin wire she could snag in the bend of her fingers and watch as the velocity of that cruelly, cleanly severed white tendon and bone.

Where would she fall after that? You didn't know. You didn't care. She could regain control over her life even without fingers, but what about you? No one understood how disconcerting it was to know that your survival depended on a vampire's good mood. An old woman was meant to expire, but you were young and had aspirations—yet that could be stolen from you just as quickly as a clot could kill the brain.

It wasn't fucking fair.

Hoss had called out to you repeatedly until the hard brushes stopped scratching the floor, and he and T.J. were settled back on their heels, staring at you. You were used to leveraging your commitments in life as a means to get them off your case, but even they could tell this was different.

"You've been real spacey lately." It was enough to gently reel you back to the moment, eyes unstuck from remnants of putrid matter hidden under a deluge of chemicals and soap. Now you were thinking that the landlord would probably have to replace this entire spot in the flooring. It would be an expensive fix.

"Everything okay at home?" Hoss tried again, emulating fatherly concern in his tone and sidelong stare. It was something he couldn't help since you were so similar in age to his adult kids. "I don't think I've seen you eat today. We oughta finish up here up and grab somethin' quick on the way back.”

"Sorry, yeah, it's just the usual things." They didn't know what that meant to you, but readily accepted with dour expressions masked by their respirators. "I think I saw a gyro truck down the street."

As many times as you had regurgitated the same thing when they pried into your well-being, you were surprised they still asked at all. That made it hard to wave after them as you pulled the lever to the trunk, waiting to be left alone once the job was done to stack half your weight in absorbent until the back bowed to it.

It was just past two in the morning when you were locking the front door of Montague's sprawling estate behind you. Every time you did, a part of you hesitated to seal it the whole way, as though if you did, your final traces of freedom would be stripped away entirely.

"Welcome home!" Montague came out from prowling somewhere in the shadows, seeming to materialize from the darkest parts your eyes couldn't adapt to. He was in a dressing robe again, this one forest green with gold embroidery and a burgundy handkerchief tucked away nicely in his breast pocket.

He already had a cigarette lit between his knuckles, fussing with the little stick as he went to an open window, sucked in, and expelled pungent gray smoke. "I apologize. There's a bit of a mess for you tonight. It's unlike me to be so untidy, but it shouldn't take you too long—oh, darling, don't make that face."

"Why can't you get blood from other sources, like a blood bank?" It's been on your mind for a while, but Montague had a habit of turning petulant if you asked him too much.

He was in good shape tonight, though, despite still puffing away antsily. "Where's the satisfaction in simply being given what I want? Blood banks are a finite supply, but out there"—he gestured through the open window—"there is an infinite supply from any walk of life that I so choose. Did you know that not all blood is equal?"

You sensed him at your back, awash with that same vulnerability as the night on your knees in the basement. He strolled along with you while you collected your things, examined his leftovers, which fortunately wasn't as sensational as before. It looked like a Rorschach inkblot almost, purple-red and pristine, obviously untouched for some time.

Just like that dead blonde woman, there was nothing left behind of the victim except what Montague was too careless to handle himself.

"The worst blood is what you find in hospitals or on the streets. It doesn't matter their type; it all tastes like shit." he continued, even while you worked. Just like before, he sat himself nearby and observed your process with gross fascination. "In a pinch, though, I do what I must. It doesn't matter if a man is homeless or a woman is looking for a night out. When I hear their hearts dance, that thump, thump, thump—oh, I have to have it. I can taste them through their skin, even before I sink my teeth in.

"The fear in their eyes. The ragged breaths I see in their chests, watching their bellies pulse. I like to think in those moments they know exactly what's going to happen, like little flies in a spider's web."

Montague let more smoke slither out from his lips in skinny, swirling wisps that dissipated once it touched the air. The haze of it remained, just traceable to your eye. "I always find it interesting that they all struggle, even as they're writhing in their own blood. Sometimes I'll count how long it takes for them to die."

These weren't confessions of a madman because that would imply he was human. He was treating you akin to the way an old man recounted the fondness of his flawed, flickering memories. There were sensations of joy and affection in the work he did, a true love and visceral desire for carnage and suffering that made it hard for you to stomach. A few times throughout his soliloquy, you needed to bear your weight on the kitchen broom to keep yourself from toppling from nausea.

You shouldn't have been curious. "Has anyone ever survived?"

The surrounding space grew darker, not from loss of light but from the way his lower face sunk behind the hand wielding the cigarette. You saw his smile widen through sickly appendages and faint smoke.

His response pierced straight through you. "I'm looking right at it."

Suddenly, the urge to run rushed forefront in your mind, an instinctual reaction that you had trouble wrestling over with logic. The broomstick was easily pulled from your fingers and discarded onto the floor with a reverberating clatter that made your spine race with cold needles as Montague stepped into your proximity.

You shivered against the hands slowly climbing your neck to the underside of your jaw, cradling your face as he lifted it to meet his eyes. Something was so wrong with how black they were; you didn't see a pupil, nor did your reflection stare back at you in them. It's almost as though there was nothing there at all, the dark of them growing into an abysmal chasm that made your vision cross and blur, eyelids weighing like lead when you felt him kiss you.

His lips were the same kind of cold as the rest of him but full and unrelenting, never granting you the chance to mold the kiss in any other way. Surprisingly, the taste of stale smoke on his breath was just slight, a mediocre vexation you overlooked the moment his hands started groping you under your clothes.

And you didn't think much of it when your back settled into the clean linens on your bed, skin flushed with the crisp evening air and lips mapping their way south across your stomach and navel, delving lower to your core. It was too dark in your room to see down your body at the top of Montague's head, but you felt him with your fingers, coiling pieces of his ash-brown hair to your knuckles while he pushed your thighs wide open for him.

An anxious patter swelled in your chest, a vague understanding that something was horrible about this, but you were too wrapped up in a dreamy fog to think about it. More than the resounding boom of your heart, you heard your own breaths dissolve into lewd moans and slurred pleas for him to do more, more, more.

It didn't sound like you. It didn't feel like you despite knowing that build-up in your abdomen better than most things in your body. The hands in his hair, the back bending off of the mattress like an archway, the shaking limbs, and the cries begging for more were someone else entirely up until the very moment rapture fluttered behind your eyes in searing white, body deluged in hot release that left your scalp tingling and toes curling and spend on your sheets.

"Give me more." You tasted him again, his tongue pushing hard into your mouth where those salty notes of yourself lingered on your cheeks. His silhouette melded with the rest of the room, tangible only in the way he roamed every surface of you.

Montague had shucked the clothes from both your bodies earlier, preferring to lean into the flush of heat you radiated. Everything was only skin-deep away from him; he could feel your pulse throb on his lips when he teased himself against your carotid, your radial, trailing all the way to the powerful beat of your femoral nestled there in your groin.

His teeth came close many times to piercing you, allowing him a sliver of a taste like a parched king waiting for a drop of golden wine. But half the thrill of having you around was denying himself of you, knowing well that if he were to start, then he'd never be able to stop, and he'd fully hamper your dreams of escaping.

The air smelled like you now, heavy and like damp skin and your fluids soaking into the linens. He watched your face bunch and fall apart when he split you open with his cock, hips colliding, your skin sure to bruise as his thrusts turned savage. There wasn't much left in his heart anymore. Most of it had atrophied over the centuries, and yet the sound of yours spurred him on.

He could follow the path of your blood through your body, an extensive subject he had studied and dissected at length in his lifetime. The most vulnerable spots were gorged and worked the hardest, almost glowing red through your skin for him. When he thrust a little bit harder, a little bit faster, and felt your fingertips pushing against his chest, he heard your heart be the loudest it ever had been.

"That's it. That's it. That's it." His own breaths were ragged now. The sheer exhilaration of pushing his lips deeper, hot sweat leaving a slick layer on them, and that one big artery in your neck pounding out was doing everything for him.

Your frantic pants were a close second. He could feel you unraveling, tightening around his cock until you were soundlessly writhing on the mattress, clutching anything you could bunch together. The final few thrusts he made were purposeful; they were forceful and jolted your body, a show to make sure you wouldn't forget the feeling of him inside of you.

The clean linens were sodden with cum, some still dripping out of you while you lay there, legs splayed enough so you wouldn't feel it stick to your thighs. Whatever haze had been hanging over your eyes before lifted away, leaving you ruined and exhausted on the sheets but not alone.

"You've got class in a few hours, don't you?" Montague said from above, shoulders nestled in your headboard while one leg hung off the side of the bed. He was smoking again, acting the calmest you had witnessed him. "I don't really think you're in any shape for that. Why don't you stay home today?"

You were too spent to respond to him, somehow using the occasional breaths he blew out into the vast room to lull you into a dreamless sleep.

༺ ♰ ༻

Shin Nakamura had been a selfish man in life. Mid-fifties, thinning hair, and twice divorced from women who knew better—his tenants did not. He had built a reputation on the north side of town for hidden costs and faulty appliances that were never fixed. Once or twice in the past four years you had cleaned up scenes, they came out of Nakamura's buildings in the summertime, stuck to the floor and infested with maggots and flies in different orifices.

Everyone had asked at one point, yourself included, how he was able to get away with that level of blatant cruelty and disregard—and the answer was as simultaneously simple, complex, and terrible as poverty. The north end was an area notorious for local crime and violence, but more than that, it was forgotten in favor of gentrifying other areas of the city—pretty little boutiques that'd make a splash on social media and a couple of upscale dining spots, all of those meant to change the online scales deeming an area's walkability, and therefore, profitability.

The blind eye most city commissioners turned to the north end made it an easy life for Shin to do as he pleased without many consequences despite living in the area himself. Most of everyone found it an odd sort of justice when he was discovered in his office, unrecognizable from how badly the dozens of stab wounds had disfigured his face and body. One look was enough to know that it was personal, a tenant who had received their condemnation via a neon-pink eviction letter hastily taped to an off-white door.

Only, this time, Shin chose a person backed into a corner at their breaking point. There wasn't much left to lose, yet Shin had ultimately lost it all. Rumor had it that no one sold out the tenant who committed the crime, something even the more moralistic part of yourself could fathom. These were the cases that painted a grim picture of your future in forensics and often speared to the front of your mind at the worst of times—could you really be part of the reason why a person shattered by the powers of society goes to jail?

Shin Nakamura was a terrible man, but were his crimes punishable by that sort of torture? What about the tenants who probably heard Shin screaming for help, crying in agony—were they any better than murderers themselves?

What did that mean for you? An accomplice who quietly scrubbed clean murders at a monster's behest, you allowed those people to be swallowed up by Montague under a guise of fear, or was it selfishness?

That discomfort lasted you your entire shift, like an incredibly nauseating pill with a bad smell that sat in your nose for hours. You couldn't wipe away the thoughts like you could dried blood on smoke-stained walls or lumps of serrated flesh and fat wedged between slabs of wood on the floor.

"Man, he coulda been cleaner about this." T.J. had his feet planted solidly on the middle step of a ladder, well at work with a long-handled brush pushed flat to the ceiling. The splatter had gone that far, earning a few awestruck coos from him and Hoss earlier. "It would've made our lives easier."

It was a normal joke. You'd laughed at the exact same one many times before, even finessed your own commentary in there on occasion because the dead can't sue, and a murderer had no rights—but now, you thought it'd taste bad on your tongue.

The two hulking men noticed, far sharper than you gave them credit for. Or maybe you were just worse at hiding things than you thought. They didn't allude to anything until everyone was packed up in the van, dried from the sweaty protective suits and summer heat by the AC.

"Listen, it ain't my business, and I swear I've been trying my best not to ask." There was a furtive look linked between Hoss and T.J.; it was something they had talked about when you weren't around. "That guy you're living with. He isn't doing anything to you, right? You used to talk about him all the time in the beginning. Haven’t heard a peep about him in ages. God, you're not living in your car, are you?"

From the outside in, you weren't doing much to try to embellish fancy stories and reasons onto your drastic change over the months. You simply let it be and navigated every day with the hope you'd remember where you were going with your head down. It probably didn't look too good to a paternal man like Hoss, and to T.J., who had several younger siblings.

"No, it's not him—" But, of course, it really was and everything surrounding his cruelty, everything he made you do, and what you never refuted. "I'm just perpetually exhausted. I'm sure you've heard that from Sylvie and Deshaun while they've been in uni."

"All the damn time." Hoss beamed, chest perked a little higher with the mention of his children. It wasn't enough to diffuse the tension lingering in the van, however. "Just know, I'd do for you what I'd do for my babies—put the fear of God in that man. If he puts a finger on you, you let me know."

T.J. gave an agreeable hum, fingers sticking to the steering wheel as he moved them around, making a turn down some street. "We'll catch him by surprise and everything. I'll call in a couple favors, grab a few shovels and bags of cement from my dad's place. It's all good."

For some reason, their entire spiel only spiked your uneasiness, and suddenly you were far too aware of your bladder. It was enough initiative for T.J. to floor the gas and get back to headquarters, giving you the chance to break away and race the remnants of daylight all the way home.

༺ ♰ ༻

It had never happened before, but you managed to catch Montague by surprise when he walked through the front door to find you standing there in the foyer. The kitchen broom wrapped in your hands was a nasty ploy, along with the look you cast between him and a young man not any older than yourself. Again, just like all the others, you didn't recognize him. Montague's victims were fast, fleeting fixations for him, none worthy of names or an identity in his eyes. You suspected this guy was much the same.

Montague's bewilderment was swept away by a smile and laxing posture. He had settled back into his element. "You're home early today. I didn't expect to see you until much later. Not much to the scene, I assume?"

"It was pretty bad." A certain stiffness trailed on the end of your words, letting them echo through the hall and hang in the cool evening air. The young man was fast to perceive that tension: the tightness in your shoulders, fingers subtly wringing against the cracked wooden broom. Montague's anticipative smile climbed higher the longer he looked at you.

Would it be such a bad thing to turn around and pretend you had never seen him come home with that other man? You considered doing it, hiding upstairs and using your headphones until everything seeping through turned into an amalgamation of ambient noise that meant nothing to you, and you willed away the guilt like you'd always done.

In that moment, you thought about Meredith Nimu's apoplectic daughter, a woman so embittered by her own suffering that she was foul and relentless to anyone she crossed paths with. You thought about Shin Nakamura, a greedy, pitiless man who'd rather let coroners scrape up his tenant's remains rather than grant them mercy while they were alive and had been left in pieces because of it.

You thought of them and all their wickedness and edged your gaze towards the young man still standing in the doorway with his hand holding it ajar, clean fingernails picking at chipping paint, just steps from outside. "I think you should leave."

Run! Run! You'd better run away as fast as you can! Nothing would stop Montague from keeping his prey there, if that's what he chose to do. He did the opposite of that, and that was, simply, nothing at all. No pretty blandishments, nor a mouthful of teeth. Rather, now, he was particularly piqued by what you were trying to do.

To the young man, he had meddled into something rather egregious, probably convinced it was extramarital. You battled a surge of pride blooming inside you, shifting your chest a little higher, anchoring your spine back into your body.

"Don't come back here." You didn't need to say anything else. He was gone after pinching out a look of disgust towards Montague, tutting at him with his upper teeth showing through a curled lip.

Nothing happened for a while, not until the front door was secured after his departure. You were left to that responsibility, triple-checking the lock, while Montague ambled deeper into the house, but not too far away as you could follow the leisurely path by his heel strike. There was a rhythm in how he moved. It was deliberate, as though mimicking something.

It took you five paces to figure out he was miming your heartbeat, and he only stopped once it quickened in your chest. He appeared from around the corner, still taking his time reaching you, toying with some trinkets displayed on shelves built into alcoves throughout the lower floor.

You couldn't explain what you were feeling at that moment. Of the thousands—maybe millions—of victims Montague had taken in the previous times, you had just deprived him of one. That man would continue living, and he would tell his friends tomorrow about the weird night he had, and he would never have to be grateful that you saved him from a hellish death.

Yes, oh yes. Even as Montague approached you, carried by his deft gait with both halves of his gold compact open in his palm, you couldn't help but be in complete awe of yourself. A life continued outside of this mausoleum, and it was all because of you. You were entirely different from Meredith Nimu's daughter and Shin Nakamura, and, for once, your hands weren't sullied by bleach, blood, and body matter.

All that heaviness you had been carrying was suddenly so much lighter, and you felt like your chest could open up as wide as the room where you stood. The breaths you took were dry and cold in your throat, yet fresh as though you were walking outside in wintertime.

Montague must've seen something he didn't like on your face because he sucked down on his cigarette for a while, winding his wrist with it at his side once he was adequately calm.

"Did it feel good? I've only seen you this happy while I was fucking your brains out." It was jarring to hear him talk like that. He took another quick drag and let it out slowly as he rounded you. "Truthfully, darling, I didn't think you were the type to break the rules—on purpose, anyway. But I suppose we all get a little wound up every now and then, right? I've already forgiven you."

And then, you watched him drop the cigarette to the marble and snuff it underfoot until the weak ember was turned to soot. A black smear was left behind when he took his foot away. His stare into you was unwavering. "Clean it up."

You figured this was how a frightened animal felt when it wanted something within reach of an observant predator because you were trying to think of all the ways to get close without getting too close. It was a pitiful, humorous sight to him, seeing your steps forward so light and on the verge of bolting. But he showed no intention of doing anything more.

Still with the broom in hand, your knuckles turned stark around the handle while sweeping the remains towards you. It would take more elbow grease to get up that smudge, and he knew that just as well.

He reached for the broom and snapped it to a halt, making you jump, jaw clenching. A noiseless gasp lurched in your throat, his fingers wound tight into the hair at your crown as he yanked your head back to show all the fleshiness of your neck.

"What will you do about it, darling?" His lips were already cold and flush to the artery dancing in the curvature built of skin, muscle, and tendon. Your teeth chattered as the wetness of his tongue followed that intricate, breathtaking network inside of you as far as the neckline of your shirt would let him. "A man has to eat. Have you ever seen it? A man near starvation and the sorts of things he'll do to survive? Why, I've heard stories of desperate, little men eating their own lovers—their children—themselves just to claw around for a little longer. It's inspiring, I think."

He dragged you away then, up the stairs and through the hallway on the second floor to your bedroom, fingers still nested your hair until the moment you were shoved down onto fresh linens. There wasn't anywhere for you to go once he joined you on the mattress, feeling it bend towards his weight.

"Don't be afraid." he said this with all the fond familiarity of a lover, blunt fingernails digging crescents into your thigh through your clothes. In the waning moonlight that filtered through the dusty window over your bed, his pale eyeshine snared you like roots bursting from somewhere within your busy sheets to keep you there—keep you tame. "That's right. Come to me. Come to me."

There was a new drowsiness behind your eyes, one you couldn't stave by blinking. Montague's face was closer now, and you were struck with just how beautiful he actually was. The longer your gaze lasted, tips of your fingers exploring every shape and edge of his exquisite features, the less you were convinced he was a threat to you—that he couldn't have possibly been all that you'd feared up until now.

"I want you." His lips inched up like he expected you to say it. He felt your hands rest on the sides of his face, guiding him down into a soft kiss that he returned, that he kept clean and let you command until he was bored with it. You chased after him, lower lip pulled between both of yours and eventually out of reach. "Don't you want me too?"

"I wish you could understand just how much I do." He rummaged his pocket for the gold compact, losing it somewhere in the sheets, and then busied himself with stripping himself and you of clothes. Each piece discarded showed a greater expanse of your skin, a delight in his eyes because he could see that gorgeous webbing of arteries and veins throughout you, even in the darkness, through every defense your body created to protect you from every bacteria, virus, infection—from him.

He didn't need the breath, but he took one and held it anyway. You withered against his touch, those freezing, lithe fingertips traveling down all the areas where he wished his teeth could be, clear down to your groin. His smile stretched, feeling you search eagerly for a fistful of his hair with his lips smoothing across your inner thigh and then going higher.

There was warmth between your legs, a colorless glisten that leaked out onto the thin sheets, darkening a spot on them that tempted his tongue out for a taste. He came close to entertaining the notion of giving you that glimpse of heaven, allured by your hips leaping off the mattress and against his face.

"You really do think this is all about you." Montague kept you still by pressing down into your abdomen as he rose onto his knees, erection fitting tight between your bodies in the moments before he guided himself lower and hitched up into you. The sharp motion knocked a startled gasp out of your throat, where it quickly dissolved into a slew of filth and breathy panting. Your nails clawed into your palms, a sight he thought to make worse by digging himself deeper into you.

Montague had no issues biding his time this way, looming over the sprawl of your body beneath him, manipulating parts of you until he saw your face flinch and the first moans of discomfort shake all the way from your chest, up, and through your teeth. They matched the pace of his hard thrusts, smothered by sharp slaps of skin that carried in the inky air.

Indeed, I can wait. That thought of his unsatiated hunger melted in the back of his mind with the precedence of arranging the course of blood in your body. The drum of your heartbeat was deafening to him, but it wasn't enough. It wasn't loud enough. He wanted to be able to envision the arteries and veins bursting in his teeth, saturating the sheets and walls and both your bodies in hot red. He wanted it to paint his skin while he fucked you to absolution.

"It really, truly, is all about you in the end, isn't it?" He could still speak clearly, despite you being unable to utter noise beyond the air being forced out of your lungs. "You really are magnificent. How could I ever think to let you go? Not after everything you've done for me, how beautiful you look next to all of my things."

His hand shifted away from your abdomen at last, tracking across the soft span of your stomach and the muscles spasming there under his fingertips. All he would have to do is dig through you a little bit, and he could bury himself in those twitching fibers and insides. But he continued on his path to your pert nipples that he rolled against his palm a few times, higher still to fold his fingers together against your sternum where he felt your heart thundering there against your ribs.

"Thump. Thump. Thump. Thump," came his mocking chant that cracked into raspy moans as he lingered there. It had been a long time since something had made him feel this good. He had forgotten what bliss was truly like.

He reached your neck before long, trapping the underside of your jaw against his knuckles, forcing you to see him as his weight bore down on your throat. You both heard the cartilage and muscle in your neck shift, a subtle crack that sent your limbs flailing. You were thrown out of the rhythm of his thrusts in an attempt to grab at him.

"You really are despicable, aren't you?" He let out a gleeful laugh, letting your fingers turn ashen while you wrung his wrist. You weren't able to do much with your legs except use them to plant your heels into the mattress, vaulting your hips in the air to try to wrench yourself free. His cock slipped out of you, but he was hardly bothered by that. "Does it feel good that you chased off my guest? I could get him back, you know. You're aware of this. I know you are. But righteousness just feels so… rewarding, doesn't it? You couldn't resist. Desperation must've been eating you alive."

Strings of saliva glistened in your mouth, breaking apart the further your jaws spread. You were convinced, in that moment, that you would die like that in a silent scream. None of the words that Montague spoke truly reached you, not as your chest quivered and lungs burned as though swallowed in an inferno.

"Every misdeed in life vastly outweighs the good, you know? The scales have never been leaned in our favor—not I, and especially not for you. If that's the sort of thing you believe in. Isn't that what you're taught? Goodness for the sake of salvation at the end of a short life of inhibitions? How miserable." Montague took his hand off of you and let you breathe. You sucked in crisp air, gasping from your side through wet coughs and the sourness of vomit spat out on the floor.

Your respite was brief, weight on the mattress shifting as the hair on your scalp was used to lever you to your knees, body suspended upright only by his fingers tangled at your roots.

"This is all I can see." Montague loosened his hand from your head, moving south along your spine to your ass. He kneaded the bruised parts of your hips for a while after, lips ghosting their way along your neck up to the ear. "All I can see is what's right in front of me. And how it tastes. All that matters is that I have my fill—and that I feel good."

He smeared slick into the heel of his palm, rolling the head of his cock in that mess as he instructed you with every bit of lewdness how he wanted you to bend against the headboard, how far apart for you to spread your legs for him.

Every bit of it was humiliating for you, while he wished he could memorialize that moment of sinking back inside of you as your breaths broke into stifled sobs, face warped by anguish.

"Does it hurt? Tell me, I have to know, what does it feel like?" He enjoyed the suspense of not receiving an answer, listening as your fingernails dug tracks into the wood headboard and the dark room filled with obscene wetness that grew louder as his thrusts turned wild.

"Mmm—" He hinged forward, bracing his weight on top of your hands with his own. You shied from the surge of coolness that came with his cheek pressing yours. "You and I aren't so different. It makes me wonder if you actually like this. Isn't there something so freeing about it?"

"Mer—mercy, please." It was a coarse whisper from your dry throat, so much of your time having been spent with your mouth agape. The idea of having you that way was as tantalizing as all the others he thought up. "Montague, please—mercy."

Oh, now you were begging.

This was more than what he deserved. He managed a few more thrusts, spilling over into you by the third with a moan that he felt no shame to leave ringing in your ear. "Every part of you, every single part—I'll burn myself into your skin and your bones. You'll feel me in your veins, your blood. I'll make for certain that I'm all you remember—forever."

The vastness of your bedroom had grown warmer, permeated with the thickness of sweat and salt that left your palms slick against the headboard. You let your body slump against it, skin sticking to the wood. It didn't offer you the relief you wanted at that moment: a glass of ice water, all the tenderness of a soft bed to lull you into a blank dream—you just wanted to rest.

Montague knew this just as well, fishing his compact out from a muddled heap of linens and clothes. He checked inside to grab one of the two cigarettes left, making a mental note he'd need to replenish again tomorrow before lighting it and savoring it. At this rate, he anticipated he'd be empty before the end of the night.

For a while, he sat there cushioned on his haunches, admiring the way the smoke coiled towards the ceiling in dainty wisps and mingled with the stench of sex.

"It's not enough." he said, barely eliciting more than a glance from you. His current cigarette was already burnt to the filter, forcing him to pull the last and light that one too. "This is my last one. Such a shame."

You smelled the smoke strongly now, just seconds passing before you were yanked across the bed onto your back, the soreness in your scalp near excruciating as you yelped. Montague made a place for himself between your thighs again, leering down the length of his nose at you.

If he wanted to, he could trace the dread etched in your features with a finger, feeling all along your hot skin, into all the cavernous lines he wished he could preserve—right there, just like that. There had never been a more gorgeous visage than the one you wore right now. Only your gleaming, glowing, pink insides were more beautiful.

He watched your lips twitch while he teased a fistful of his hard cock against your sorest spot. You were swollen and bruised, and he could only imagine what it felt like when he bottomed out in you again.

The curve of your spine arched off the mattress, fingers frantically raking the air at him, reaching for any part you could sink into to get him out. Even your body seemed determined for the same, wonderfully stimulating walls squeezing around him.

It made a shiver roll all along his spine to his tailbone, eyes rolling up towards the ceiling, with his first thrusts feeling positively divine. Especially when you jolted, an almost exaggerated response amplified by jagged cries and wet gasps you couldn't seem to swallow back down into your chest.

"I'm sorry, I'm sorry—" You sputtered around the mucus piled in your throat. "Montague, I'm sorry. Please, stop."

He had burned away half of his last cigarette when he leaned over you, his body eclipsing what poor light had managed to illuminate the room for you. You could only follow the dainty mesmerizing glow that worked away from his mouth—his exhale barely masking a moan that he blew away with the smoke—and towards you.

"Keep doing it." His other hand was crawling up your neck, forcing you to suck in a hard breath. "Beg me again. Keep doing it."

All sound but the steady pulse of the headboard striking the wall had deadened, lasting well until the moment the cigarette touched your skin—and you screamed. Your throat vibrated, suddenly stopping when his palm closed around you again, silencing all your noise, his thrusts sloppy and rough while you thrashed under him.

This time, he kept you pinned by his chest, letting your feet dig for traction and slip and slide on the sheets. The bright smolder turned dark as he twisted it into your neck, taking all the remnants of restraint he had not to drill into you as far as it could go. He curled his tongue behind his jaws, keeping them tight.

Montague let go of your throat to allow you the grace of a stifled wail before that same hand sealed your lips. "Ah, ah. You know better than to scream. Shh, shhh, shhh. It's such an ugly sound."

He rubbed the cigarette into your skin until it crumpled, leaving him to lament for a moment once flicking it away to the floor. For him, it left behind a beautiful burn: raw, mad, red, and enticing. As his hand fell off of your mouth, daring you to do more than whimper and cry, his tongue was already flat against your wound.

"Oh, God," you wheezed, voice hoarse and jarring with the force of his hips knocking into you. "I'm sorry. I'm so sorry! Stop, stop, stop! I swear I'll never do it again! I swear. I swear!"

Montague caught the wrist you swung at his head, giving the taste of your seared flesh time to settle on his palate before turning towards the pulse in your thumb. He tried to match how he was fucking you out to how it throbbed on his lips.

"Oh, I'm well aware that you won't do it again. That much is a given." His strokes into you were suddenly languid and intentional, so achingly deep that your eyes rolled back. "I've already said that you're forgiven, haven't I?"

You could barely speak over the depth he reached. It didn't feel right. "Th-then, why?"

A smile flourished across his face, but your eyes couldn't pierce that dark veil to see it. You could feel the damp path he left on your wrist, how the muscle writhed all around the sprawl of your veins, going as far as to wind your fingertips before it receded back behind his lips.

"Because I'm enjoying myself." There was a weight of finality to those words before his mouth engulfed the side of your wrist, away from your fragile network of bluish-purplish channels. And when he bit into you, it was the incisors that sank through.

You didn't know what it was. A clamp seized you by the neck like his fist, steeling itself there and robbing you of a scream. The pain was unlike anything else—paralyzing and deep, like a pair of sharpened, narrow skewers made of molten fire piercing you with such an agonizing ache that you could do nothing but lay there.

But you still felt everything he was doing. His thrusts had grown truly vicious, chasing a high that came as the warmth of your blood seeped from a pair of punctures he had created. The steady flow he fed from was something he lapped on at his leisure. Enough of it streaked the length of your arm and dripped onto your bedding, onto your naked, warm skin when he guided the fall over your neck and chest, south to your stomach and abdomen. He let it fill and pool the seams of his fingers while smearing it with the fluids between your bodies.

At last, breaking the trance to speak, feebly, in between intermittent pockets of pain and numbness rolling through you, you asked with some hopefulness, "Are you going to kill me?"

"You? Kill you?" Montague dropped your wrist. It felt like a limp, dead thing that didn't belong to you. He dove at your neck for those drops he teased himself with, nudging your chin high with his nose to reach it all. "Death would mean letting you go. You're all mine, darling. Whatever other existence waits beyond death will never have you."

His tongue wet a trail to your chin, collecting a watery essence of blood and spit that he pushed into your mouth. Your lips were sealed by his ravenous kiss, relenting to the thickness of his tongue swirling the taste into your cheeks and down your throat, a nauseating intermix of iron and stale smoke that lingered and made you pucker.

And then, you heard him back in your ear, craning his neck only as far as to aggravate the cigarette burn with his breath. It gave several angry throbs. The weight of his body was almost flush on you, spreading the blood around as though your skin together was a single canvas.

To his eyes, it bloomed breathtakingly, seeping into every crevice, pore, and scratch that made up your design, an impermanent stain that he could saturate you in again and again and again. The things he whispered in your ear were vile and wicked, all on unlabored breaths while his strokes turned sluggish and stayed seated deep inside you until the final hitch of his hips left you full of him.

"I don't think you should go to work today."

You were only scarcely coherent of him—or anything for that matter—eyes unmoving from the black void above and unfeeling of how he chose to manipulate your body, still, hours later. All you could think about was the flutter of your lashes weighing down heavily over your eyes and how this world only survived on suffering such as yours.

༺ ♰ ༻

A small pile of things was arranged fussily in a duffle bag Hoss had given the day you returned to work after an impromptu leave of absence. It had only lasted three days, just enough time to acclimate to the pain that seemed to synchronize to every part of your body, throbbing everywhere, all at once, and at times with sharpness so great it toppled you to the ground. You could only lay there—wherever you dropped, on whatever cold slab of marble or concrete until it dissipated, unfurling from your limbs and organs to a rapturous wave of relief that melted the tension out of you.

It had only happened once while at work on a scene amidst a balmy summer night and came out of nowhere like an electric shock surging to your fingertips and toes, a hammer landing on your bones and leveling you on the sidewalk leading back to the company van. And that was all it took to incur a ruinous sort of anger in the two hulking men.

"You're going to take this bag, pack some shit, and you're leaving. Tonight." Hoss had to shake out the dust on the old duffle bag he pulled from somewhere in his car. "You ain't gonna tell me the reason, but I know he did something to you. T.J.'s calling in a favor."

"No. Don't—don't do anything. Don't try to come to the house—" There was a bandage around your wrist that you couldn't stop fiddling with. "I don't know what'll happen if you do. Just fucking don't."

"Nah, not us." T.J. slapped his phone back into the clip on his belt loop, eyeing the motions of your fingers on your wrist uneasily. "One of my old buddies—name's Roscoe—said he wants to handle it. Apparently, he and your guy have a history of some kind. He says to be ready to go by three."

The meaning behind what he said was left nebulous and concerning to you, even after you returned home with the duffle bag and started pulling things from your closet. Some ways across your room, high up on the wall and out of your reach was a clock. Its monotonous ticking brought your eyes over to it.

It was just after one-thirty, still enough time to change your mind if you wanted to. There was something so effortlessly easy about following along to the whims of other people. It felt safe, reassuring—their confidence was infallible. Not once in four years had T.J. or Hoss given you a reason to doubt their intentions, but right now, it boiled over in your mind.

But where will I go? What am I going to do? He'll find me. He'll find me. Montague would find you, but he wouldn't stop you from leaving. You could see it with clarity—him perched on the armrest of a chair, watching you walk through the door. He'd give you a headstart, a few days, maybe a few weeks.

You weren't sure you knew what to do without him. There was nowhere else in the world you could go, no one you could confide in that wouldn't be destroyed. He would keep your heart beating all the while breaking you apart until he had his fill, reminding you that this was how it was meant to be. This was how he showed you how you belonged.

And you—silly little you with your consciousness floating on the fringes of inscrutable ecstasy and some personal purgatory built on agony in your bones and blood—would believe him.

"Going on a trip?" His voice drifted to you from the doorway, far sweeter than it usually was. "I wish you would've told me. I can't imagine what it'll be like without you here in this house. You breathe life into it."

He was lured over by your silence, fitting his fingers between your shoulder blades to push along your spine, easing away the discomfort that had settled there. It was hard not to lean into that relief, a misstep that shattered any lasting hold of willpower when he stooped his neck to sweep you into a kiss.

"Why don't you stay instead?" He knew you wouldn't be coming back, not without dragging you back himself. "Stay with me instead. Right here. In this bed."

"Montague, stop—" He pressed down harder on your lips so those words withered into guttural frustration in your throat.

The duffle bag was flung far away, opening space on your bed for him to lay you out and begin to unravel the bandages around your wrist. Once he had access, his mouth was already full against the two puncture sites.

"Stay." He wasn't playing coy now. "I'll take care of you. It wasn't enough before. I can see that now. What can I do? It'd be too easy to break your legs. What if I chained you to this bed? What if I locked you up in this room? I wouldn't mind keeping you downstairs with me, but it would be too cold for you, I think."

"I want to leave." you said, mustering your composure through tight lips while he teased the infected purple holes with his flatter teeth. "Let me go."

He smiled derisively. "I don't think you know what you want."

"I—" You balked at him, reiterating with a stumble, "I—I just want to leave. Get off."

"How will you ever survive without me?" You didn't know if you'd be able to. "You'll be all alone, all alone in a world that's just ready to tear you open and spit you back out. I've told you before: Society doesn't reward virtue over vice—only those who play along. You won't last, not after you've known and tasted me."

You couldn't bring yourself to say anything, whereas he swelled like a man who had salvaged a victory, lying himself down to kiss you again—

And then, the doorbell rang with an immense melancholic echo that you could feel vibrate up your arms and legs. Nearly a year later, you were hearing it for the first time and grasping onto the lapels of his suit vest, keeping him still when you remembered T.J.'s promise.

"Ignore it." you said.

"We have a guest—" Something in his tone made your stomach clench. "It's not polite to leave them waiting, especially at this hour."

Montague had untangled himself from you and was gone before you could stop him. Another wave of pain put you on the floor when you moved. Drool piled from your mouth. An ache so unreal pounded in the wrist he had played with. The crawl to your duffle bag was far, arduous in that every inch felt like carrying stones on your back.

I'm going to die. I might as well already be dead. You didn't have any more time to wait, so you slung the strap over your shoulder and used the wall to guide you along the quiet hallway, bumping into every pedestal and display where Montague's most treasured things had stayed undisturbed.

You were one of them, something he could keep on the second floor with the rest of his stuff, but unlike brittle porcelain and fraying embroidery—he could break you as much as he wanted, again and again and again, and fit you back whole. He could do it forever while you wasted, longing for an end he would never give you.

But as you crept along the bleak wallpaper and all of his curios, you were so gentle with them, steadying any wobbling base or piece as you went. The central staircase was close, voices at the bottom of it faint and unintelligible, drifting alongside you as though part of the house—

The air exploded. Just once. A single gunshot brought back all the alertness to your body, neck and shoulders at full length, pain dulled to where you could shuffle faster and look off the bannister at the landing below.

Montague was staring back up at you from the floor, entirely still and soundless. His jaw was unhinged, askew, frozen in a position that should've been impossible. A black hole gaped between his eyes, but didn't bleed.

"If you're not ready, that's going to be bad news." Another man stood nearby sheathing a gun, unfamiliar and yet with sameness in the way his gaze felt hollow and reached through you. "I'm repaying my debts. I'd like to make good on this one."

You were slow descending the stairs, even slower while you rounded Montague's body and denied yourself the chance to stop. Something invisible wanted to pull you to him, plow your knees into hard marble and weep over his chest. However, your insides bending in disgust and twinges in your bones kept you onward.

This man, Roscoe, was just as sickly-seeming and gray as the other, every slot of space on his arms and neck filled with images of religious iconography and portraits of saints—Mary being the only one you recognized with just a glance. It was tempting to touch him, something he noticed and stepped out of your reach.

"Is there another way out of here?" He made a weak motion towards the front door just ajar, but his eyes were stuck on the wrist wounded and unusable to you now. "We need to go. Now."

You were racking your brain for an answer, turning half-circles in place before pointing to the archway with a clock. "There's a backdoor, but the yard is fenced in and there's nothing but forest for three miles. There's also—"

Roscoe waited expectantly, ushering you to continue when he went for the gun in its holster. "Start moving, we'll figure it out." He unloaded another round into Montague's head, a near indecipherable twitch in the fingers made the hair on your neck shoot straight out. "Silver only keeps him down. It won't kill him. Go!"

"Th—there's, there's the basement." You smacked your lips, trying to swallow around a bulge in your throat. "There's an old door. He said there are tunnels, but I don't know where they go. I don't know if he was telling the truth. I don't—"

He threw a hand into your back, thrusting you forward at least three feet. You almost didn't catch your footing. "Then that's where we're going."

"Not a friend of yours then, I assume, darling?" Montague's voice from the floor was as much of a relief as it was terrible. The silent gaps of air all around were disturbed by sharp snaps and cracking bones as his jaw moved back into place and he sat upright over his thighs. You were transfixed by the silver bullets being sucked into his skull, holes shrinking until they closed completely. "I'm not surprised you're still fraternizing with the wrong crowds, Roscoe. You and that entire Society have always been a fucking eyesore."

Roscoe readied his aim. "Parasite."

Montague laughed all the way to his feet, tugging at the edge of his vest to make it neat again. He opened his mouth just enough to let his tongue roll out, shards of silver bullets tinkling as they hit marble underfoot. "You can't take what's mine."

He looked to you, stepping closer every time Roscoe moved you back with his arm. "Come here. Come back to me, darling. This is where you belong. This is your home. You belong here with me, here with everything that you know."

"He doesn't mean that." Another gunshot snapped you to attention, blinking out of a stupor you hadn't realized you were in. The bullet landed in Montague's forehead, teetering his balance in such a way that his back curved towards the floor, arms hanging like useless instruments, yet he still somehow kept his soles planted. "Time to go. Get to the basement."

Roscoe didn't fail to reach you this time, running tight on your heels through the house to the basement floor. He stopped partway to the old door to help you scour the duffle bag for a key—one attached to the chatelaine Montague had given you the day you accepted to move in.

Your breaths were ragged, heart ablaze and beating against your ribs. In that moment, as you flipped through the assortment of keys with an unsteady, slippery grip, you wondered if Montague heard your blood racing in your veins, if he could follow the suffocating drumbeat your heart made in your ears.

Just above, fast approaching the locked basement door, came a thunderous roar so inhuman and reverberating that it scared the clip of keys out of your hands into a clattering heap on the floor. Time was up.

"Move!" Roscoe shoved you aside, illuminated by the hectic flare of your phone as he fit his fingers through a gap in the door and ripped the entire thing off its hinges. He pulled you by the scruff of your shirt and heaved you inside the tunnel. "Go! Go! Go!"

The first thing to hit you was a putrid smell intimately known but always through protective equipment and a respirator. And as you went deeper into the tunnel, led by a single route and the light off your phone, the dirt packed under your feet turned soft, sinking to the tops of your shoes.

And then, you saw bodies.

Numerous—countless corpses in varying stages of decay with twisted faces reflected your terror and pain right back at you. Most were intact with missing limbs or dark red chasms in their abdomens that had been scraped hollow and dry under the white light. A few had been fully decapitated, briefly reminding you of the dead blonde woman from that night, but most of what lay stacked against the tunnel walls were emaciated figures with skin pulled so taut to their bones you could still make out their faces.

You were doubled over your knees, sucking in fetid mouthfuls of air and retching them back out on the ground. It burned in your throat, in your nostrils, and behind your eyes, but stifled your sobs as Roscoe dragged you alongside him.

"What did he do? What did he do?" You were crying, wheezing out those words on every shallow breath you took all the way to an end just ahead. The more you thought about it, the more you smelled the rot, tasted the bitterness of your own vomit, the more came out. "I don't want to die! I don't want to die!"

Roscoe had to let you rest in the grass once you both surfaced. One of the exits turned out to be near the house, less than half a mile. But the tunnels kept going and so did the bodies. You suspected that there wouldn't be any reach of that underground labyrinth that didn't have some form of decay along it.

The thought brought the tears back, but now you could relish the sticky summer night humidity and touch dewy tendrils of grass under your hands.

"Can you drive?" Roscoe had a pair of keys hanging from his index finger, giving you a long moment to take them. He saw confusion in your watery stare. "I'll tell you where to go, just drive."

That's how it had been for hours at this point. You kept your hands locked around the steering wheel, one stronger than the other, gnawing the inside of your cheek while ruminating everything—tonight, the night Montague had bitten you, every other night before that, and your decision to have ever trusted him.

"How long ago did he bite you?" Roscoe had the seat reclined, arms over his eyes to shield them from oncoming headlights. "It doesn't look good."

You tested your grip on the steering wheel, but you couldn't do much without a sharp sting in your wrist. "I don't know—a couple weeks ago? I've tried everything short of going to the emergency room."

"That won't help," he said. "Modern medicine can fix a dog bite, antibiotics can kill an infection, a vaccine can protect you from a virus. Those aren't going to do any good."

Solemnly, you asked, "Am I going to die?"

Roscoe didn't sit up but had your wrist in his hands, turning it in little ways that didn't aggravate you. Besides the occasional glare from passing vehicles, there was no light in the car, and the holes in your skin were hardly distinguishable, though they had gotten darker. You weren't able to move it with any ease now.

"What you need to know right now is that he's never going to stop following you." He put your hand back on the steering wheel, careful as he enclosed your fingers around it. "It doesn't matter how long it takes, what you do, where you go—a parasite finds a host, and it latches on. And it doesn't let go."

You glanced between him and the road several times, tongue wetting the dry parts of your lips. "He's a vampire—you're a vampire. There's got to be something—"

Roscoe finally sat up in his seat, now cramped sideways with his shoulders flat to the window. The car veered a bit into the other lane. "You need to understand something. What you're saying would imply he ever had any humanity. Vampires are created." He paused for a beat, waiting for the realization to strike you. "Montague was never created."

"What—what the hell is he, then?" A horn abruptly blared by, prompting you to yank the car back onto the correct side. "He drinks blood. He has teeth. He—he hunts. He doesn't like silver. His eyes are the same as yours."

Roscoe lowered his gaze, but remained in that uncomfortable position. "There's a story I heard about him once. I don't remember the details except for one: ‘If the devil exists, they're one in the same.’"

You kept your eyes on the road, counting every car that flitted on past. They were probably going to work at this hour—green numbers on the dashboard showed it just after four—and they'd be able to have a place to return to at the end of the day. Now, you didn't belong anywhere, and twenty-four hours from now you still wouldn't.

The town where you had lived with Montague for a year was long behind you, backtracking would take hours, and you wouldn't know how to get back from the direction that Roscoe had told you to go. Dim streetlamps and cozy houses with spruced yards had morphed into an endless network of concrete, signs, and off-ramps to places you'd never heard of.

It was scary how everything could change in one night, and how it did. The only semblance of normalcy to you right now were the aches throughout your body, which had returned the moment you fully comprehended that you had escaped that house.

"Why…" Roscoe looked up at you, seeing your lips shake and eyes turn red. "Why do I want to go back to him?"

He fixed himself right in the seat, tousling a hand through his hair while looking out through the windshield. "You shouldn't do that. But you'll never be able to stop running."

You never saw Roscoe again once the car ride ended several thousands of miles later, mentioning something about how he repaid his debt to T.J. and had disappeared from a restaurant you both walked into. When that happened, you sat paralyzed at your little table for most of the day with a soul-crushing realization that you were truly alone with nobody in the world—just like Montague said you would be. And, for the sake of others, you'd never be able to have anyone else in your world.

It stayed that way for close to two years. The hardest part hadn't been the homelessness or constant vigilance, not the door revolving each person to come into your life since, but the fact that you still yearned for what you once had. Everything so awful about what you experienced sometimes looked like heaven when you thought about it, like soft, cloudy nostalgia from a time where the throes of agony were all you had ever known.

You were capable of thinking soberly as well, and with that came the understanding that a part of you would always want that time back—want him back. He had left you with a permanent scar and neurological damage that could never be corrected. It was anticipated you'd lose that wrist at some point in the future, but for now, you could still hold a cup and brush your teeth with enough conscious effort.

The pain never went away either, but you refused to let it impede your work in the field. And your two roommates were a couple of engineering geniuses who'd managed to make the flat more accommodating to your needs. They'd been patient with you during every step of your transition into a new life, calling you an enigma because you had nothing to your name except a dusty duffle bag and a "strange-looking dog bite" on your wrist when you first met them.

Sometimes, especially on the weekends after clinking together enough shot glasses, they tried to probe your brain for some clue as to who you were, who you had been historically. You had decided it was better that they—that no one—knew about it or what actually existed out there in the world.

And when you returned home from the lab late that Saturday night, you were surprised to find the lights off and the flat immersed in the kind of soundlessness that made your ears feel clogged with cotton.

You were slow in lowering your backpack to the floor, keeping the front door slightly ajar so a slither of light from the residential corridor slipped inside. "Jordan? Felix?"

No answer. You didn't hear anything from their bedrooms upstairs either.

"Jordan?" The nearest light switch didn't work, neither did the one after that, or any others you hunted down with the diffused beam from your phone screen. "Jordan? Felix? Are you guys home?"

It was possible they had gone out somewhere for the night and just hadn't mentioned anything to you, as unsound as that logic actually was, considering it simply wasn't their personality. But as you wandered through different rooms checking the switches, you knew you were rationalizing to keep yourself in check.

The light from the hallway still piled inside like a narrow pillar, raising all the hairs on your neck and arms, knowing that it wasn't a building-wide outage. They had never left you in a situation like this before. Something was wrong.

"Jordan! Felix! Whe—" Your foot nearly shot out from under you when you slid through something slick on the laminate. After a moment to fix yourself, bracing the edge of the countertop with a clammy palm, you steadied the white glow of your phone at the floor.

There, glistening back at you, was the vast richness of blood in a tall puddle that spread like long winding tendrils through grout in the flooring. It looked almost black under your light at a certain angle, estimating it had been there for several hours—untouched.

You held in a breath and grit your jaws together as the more you moved, the more you saw. And when the top of a head came into view, silky hair shining like fine thread before clumping together at the base where the blood had pooled the most, it was everything you could to keep yourself from hitting the floor.

Both of them were there, perfectly out of sight of the front door and completely unrecognizable. Their bodies had been left in one piece, though where their faces had once been were cavernous holes with pale, pink ribbons of flesh and fat left behind. The roundness of their skulls let blood fill inside it like a vessel. What little pieces of brain matter remained had floated to the surface.

You staggered back from them, phone loosening from your weak hand and returning them to the maw of darkness, while groping the wall behind you as far as your arm could reach. This wasn't a result of crude knife work or even bludgeoning; no, it was a slow kill, one meant to steep someone in torment so immense that you prayed to whatever was out there that they succumbed immediately.

"Help…" Your voice was trapped in your throat, barely registering as a whisper even to yourself as you sidled along the wall. "Someone—anyone, please help."

The patter of your heartbeat was torturous. Your every step back to the entrance was leaden with fear. You couldn't get your legs to move fast enough, and the light reaching in through the gap seemed to stretch on forever—further, further, and further still.

You thought back to that day you met Montague and shook his hand, noting how unnaturally cold it had been despite it being a nice day in spring. You remembered the dead blonde woman with mascara tears, and the bodies he used to decorate the tunnels, and the young man who was able to walk away that night believing it was all some shallow quarrel—never knowing he had sealed your fate.

You regretted all of it.

The door was in your reach now, and you could get out, call for help, and go back to running. This time, you wouldn't be tricked into false satiety or let anyone too close. You would see mountains and forests and oceans a thousand times over before you stopped again.

Two years hadn't been enough time for you to accumulate many things, you thought. It wouldn't be hard to leave most of it behind, just like you had before. You would unpack that old duffle bag from the back of your closet, fill it to the brink, and that would be enough.

You had your hand over smooth metal, but that cold reached greater depths in you as the door was pushed shut from behind, light shrinking away through the slot until you were swallowed whole in the dark.

"Hello, darling. I've missed you." He sounded the same against your ear. For a split second, you felt relieved. "Don't worry about cleaning up. We're not staying long."

He clamped damp fingers over your mouth before you could scream.

[fuckyeahisawthat]

I think Crowley falls into two of the classic pitfalls of people who see that the problems are systemic long before anyone else around them does: impatience and despair.

(Yes yes I know, “Crowley was an optimist.” Book Crowley is an optimist. I don’t think that line is particularly useful for analyzing TV Crowley. Stay with me here.)

Let it be said that 95% of the time, Crowley has the patience of a fucking saint (ssh don’t tell him) around Aziraphale. He knows that Aziraphale needs to build his little plausible deniability rationales in order to do something that they both know he wants to do (because it’s right or simply because he would enjoy it) but Heaven wouldn’t approve of. And most of the time, Crowley is happy to help Aziraphale get there, asking the questions Aziraphale is afraid to ask, offering excuses and justifications until Aziraphale finds one he can accept. He does a lot of work of parsing out when “no” means “you haven’t convinced me yet, keep trying” and pushing through all the “I’m an angel, you’re a demon, we’re on opposite sides and mine is the good one” talk that Aziraphale gets up to all the way through s1. Because he knows that Aziraphale doesn’t really believe that stuff, right? He just needs some time to talk himself around his own cognitive dissonance, and most of the time Crowley is not only happy to facilitate that but sees it as part of his role in their relationship.

But then when the chips are down and Aziraphale is still dithering, that’s when he gets frustrated, because HOW CAN YOU NOT SEE what’s been blindingly obvious to Crowley for millennia, that Heaven is just as cruel as Hell and no one is going to step in and fix it because the system is working as intended. And that’s when he says things like “how can someone as clever as you be so stupid?” Which is a surefire way not to convince the person you’re arguing with of anything.

And then there’s the despair. I really think the running away thing is not about cowardice or selfishness or some kind of unhealthy level of avoidance of hard or scary things, but about hopelessness. They’ve spent their lives avoiding very very real danger, and of the two of them Crowley is much more constantly aware of the danger that they are in from both sides. Yes he’s hypervigilant but he is also almost always right about the amount of danger they are in. Trying to get as far away from danger as possible is not an irrational response, even if it’s not always the correct one for a given situation.

When you feel like you’re the only person who sees how rotten the system is, how it needs to be dismantled entirely, but you are also VERY aware of how strong the people in power are and how ruthless they are about crushing dissent because you experienced it personally…well that gets fucking depressing after a while. Because even if you think the whole system needs to go, that feels like a completely unattainable goal when it seems like no one else even sees the problem, or if they see it, they are too afraid to do anything about it. And can you blame them? You know exactly what happens to people who speak up.

So it’s very easy for your goals to shrink from systemic change to just taking yourself and the people you love and finding somewhere for them to be as safe as possible, for as long as the system will let you exist. Because reforming the system is a fool’s errand, and dismantling it entirely seems impossible. I think this is where Crowley is at. Even if on some level he knows it’s an imperfect solution, because both of them have enough compassion that they would feel guilty abandoning Earth and humans to save themselves, and because Heaven and Hell really can find them anywhere in the universe. He just doesn’t see another option.

And look, I think Aziraphale is 100% wrong that Heaven can be reformed. But he is not wrong to want to stay and fight to make things better, even if it means sacrificing the Earthly comforts he loves so much, and even if it means doing it without Crowley by his side.

Ultimately they both need each other. Aziraphale needs Crowley for his willingness to ask questions and to see the scale of the problem, even if it’s terrifying. But Crowley needs Aziraphale for his hope, his stubborn determination to believe things can and should be better, and to fight for that. In the right hands, hope is an enormously powerful weapon.

[cerastes]

This is absolutely the Lack Of Reading Comprehension Website, but there's another issue I've noticed that I never see brought up, and it doesn't exist completely excised from lacking reading comprehension, but it's definitely it's own topic.

Tumblr's a Bad Faith Website as well. Like the above, it's not something exclusive to Tumblr, but it definitely defines it in my opinion. A lot of people want to be Right, and disagreements are seen by a bunch of people as something to "win" rather than something to "have". You'll have randos that frame their entire argument against you based on latching onto technicalities to try to prove why you are wrong rather than actually engage with your argument to try and propose something else or turn it around. As someone who was in a debate club during university, I call it "debate-poisoned people" who see arguments and conversations as a sport more than an interaction or, well, an actual conversation to be had, or in other words, that consider every argument as a debate to be had, when a lot of the time, it's not that deep fam, and also the other person never really agreed to play under your rules, because, here's the thing, a debate is a very specific kind of interaction. In a debate, bad faith interaction and trying to erase the very floor the other party is standing on is a valid tactic, it's part of the game. In a conversation or an argument, bad faith interaction and trying to erase the floor the other party is standing on gets you rightfully called a moron who cannot use inference or extrapolation to actually engage with the topic at hand. I had one such weirdo like a week or so ago, even, who used so many words to say absolutely nothing, that I thought I accidentally performed a digital necromantic ritual and had actually found myself face to face with the spirit of Jacques Lacan.

Even in more innocuous, non-hostile scenarios, this still applies: A lot of people are so, so eager to Be Correct On The Internet, that they'll reblog something with a correction or an opinion seemingly so hastily that they did not in fact read the entire post or comprehend it. This feeds into the lack of reading comprehension, but in my opinion, it does also have to do with seeing something that they believe they can correct, and immediately chomping at the bit to correct it without stopping for a second to ask themselves, "Did I read this right? Does this need correction?", and a lot of the time, it turns out, yes, you did not in fact need to correct it, you just had to read it a bit slower without letting your quickdraw hand get the best of you, cowboy. The way I consider this to be Bad Faith, even if it's not really hostile or confrontational, is the long-held belief that The Internet Is Inhabited By People Stupid Enough To Actually Think Or Say Something This Stupid.

I'll be real with you: Yeah, you've seen wild stories on the internet, plenty of them true, about how stupid people can be. No, they do not define the majority of people that aren't you. A wild, flabbergasting story about idiocy gets traction because it's funny and wild. We don't hear stories about how User A made a compelling argument that seemed stupid at first but then turned out that their rationale was incredibly sound as much, because that's not funny and wild and doesn't make us feel good about ourselves, because we'd never make such a stupid mistake. You aren't a sage wearing the floatie of wisdom in an ocean of idiots, no matter what your echo chamber and/or carefully curated internet space makes you think. You are not exempt from having to think about things, and you are not exempt from having to acknowledge people that know things you don't, people wiser than you are out there. This isn't "you are dumb as shit, actually", because I personally believe most people are smart, this is "you are being superficial and too eager to be Correct, which only works to your detriment in the long run and makes you a rather unlikable person".

It's as simple as engaging in good faith, even when you disagree or dislike the other party. Rip apart their arguments properly, instead of trying to disqualify them with cheap gotchas from the get go just because you want to own someone. Yes, sometimes people don't make sense, period, but that's absolutely not as common as people like to claim it happens. Inevitably, you'll run into someone that will actually call out your bullshit and there goes your entire argument. And in less intense settings, really, no one likes a pedant who really wants to be Correct on fucking Tumblr of all places.

[writers-potion]

Suggestions for a body swap story? They seem harder to write

Body-Swapping Stories: I Understand You In A Particular Way

The high-concept of a body swap story is versatile, with endless possibilities. The main factors of a body-swapping plot would typically be comprised of:

Two people whose souls are being interchanged (the catalyst)

Awkward/funny/dangerous things they encounter by living the life of the other person (main premise of the story) 

A resolution brought about through insight gained by the protagonist about the other person’s perspective/secrets, with a promise to act differently once they’re returned to their original body. (the moral of the story)

Why are body-swapping stories appealing? Among many reasons, the central premise of such a story is to address the theme of: how much do we really know about others? 

As souls living in one body only, we encounter problems due to our lack of understanding about others around us, including external conflict, jealousy, misunderstanding, etc. It is a universal human experience to be curious about what’s in another person’s head and want to be somebody else sometimes.

By forcing the protagonist to experience “thinking inside another person’s shoes” in the literal sense, body-swapping stories tend to be versions of the characters growing up by breaking out of their old worldview to widen their intellectual horizons. 

Here is a list of common story components and patterns for a body-swapping story.

A Body Swapping Mechanism 

The body swap happens out of the blue as a one-time occurrence: a lightning strike, electric shock, supermoon, weird potion, etc. In this case, not much justification is required as there is no magical system or follow-up about why this happens.

A higher power conducts the body swap: a fairy, a disgruntled God trying to teach a lesson, a reputable couple therapist, etc. The rationale here is that this higher power is trying to redeem/punish the protagonists. 

One character actively wishes to have their body swapped: the school nerd who envies the prom queen, a daughter who wants to be a grown-up, a poor man wanting to be the rich man next door, etc. 

A character has the ability to “infiltrate” other people’s bodies. They use this ability in an attempt to solve a mystery, espionage, disguise a murder, etc. 

Only “destined pairs” can swap bodies. In this case, a bit of justification/worldbuilding would be good to convince the readers how these people are paired (bloodline, soulmates?).

Body swaps are conducted through a specific ritual or potion. This can be a candles-and-pentagon type, a magical notebook, a specific dance, etc. 

Body swaps are common in the story world, and everybody (with certification/practice/of age) can use this ability. 

The character(s) do something wrong which sets the swap in motion.

The Relationship Between Two (or more) People Getting Swapped

Relationships with long-standing misunderstanding: busy parent & unhappen child; couples on the brink of breakup; siblings with beef; strict teacher & irresponsible student, etc. 

In a romantic arc, a potential couple who are now going to fall in love as a result of this body swap

A human and an animal/supernatural creature 

Enemy relationships: the head of rival companies; a murderer and his victim, etc. 

If you have a magic system, your choice of people would depend on what the magic system dictates. Ask the question: is this someone my protagonist must learn about? 

Things to Explore

Protagonist(s) exploring each other’s bodies

Them arguing over how the other person should/shouldn’t use their bodies

Them trying to keep secrets from each other.

Them teaching the other person about how they should/shouldn’t act so that the body swap goes unnoticed by others around them. 

Them snooping around each other’s lives and secrets without the other knowing.

Them trying crazy stuff they’ve always wanted to do but couldn’t due to physical constraints.

The Purpose of the Body Swap

Providing the entrance into a new (fantasy) world. Ex) Human swapping bodies with a witch, forcing them to learn about the secret society of magicians.

Teaching the protagonist a hard-earned lesson. Ex) An ungrateful child gets to live a day in the life of her mother which humbles her. 

To resolve a long-standing (romantic) conflict. 

To provide a tool for crime, with unexpected consequences. 

Interesting Ideas

Writing these here just because I can. 

The Living Realm and the Dead Realm are like parallel universes. When someone meets an untimely death, their body gets swapped with their doppelganger in the parallel universe.

The protagonists are living in two separate story worlds. The author who’s in charge of writing stories for them is highly indecisive and keeps switching protagonists mid-story. 

The protagonist and her friend swapped bodies to cheat in an exam. But the protagonist’s friend dies – in the protagonist’s body. 

A magical agency offering to swap bodies for trans people who wish to have the body of the opposite sex. But their services come with a huge price tag…

Hope this helps <3 Let me know if you guys have more questions/ other ideas/ helpful resources below in the comments!

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💎Before you ask, check out my masterpost part 1 and part 2 

[atinystraynstay]

I'd Wait For You - Joshua Hong

Synopsis: Joshua was your best friend, the person who has witnessed you grow and blossom. That includes being front row to watching you fall in and out of love with people. Joshua was convinced he could treat you better. Could you find yourself to let him in?

Pairing: non-idol! Joshua Hong x fem reader

Genre: Angst, childhood friends to lovers, fluff here and there!

Word Count: 2.3k

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When Joshua thought of the person he was, it was because of you. You were the one who helped him pick out clothes so he found his style, you were the one who boosted his confidence he he doubted himself and pushed him to try new things, and you were the one who helped him made bad decisions sometimes in the hopes of making long-lasting memories. You were his person.

It was written by the universe that the two of you would be best friends. With your mothers being so close, there is no denying that you two will always have an important place in each other's lives.

Ever since you were younger, you two didn't go somewhere without the other. You attended the same schools, even the same college. Sure, college led you two to different friend groups, different activities, and different majors. But you always made time for each other even when life got busy. You two would study constantly and promised to have one meal together once a week. And you two never broke that promise.

Anyone who witnessed your friendship always commented there was something more. Joshua saw it too. He easily fell for you. How couldn't he? You accepted every version of himself and were the person who brought him an immense source of comfort. He couldn't imagine life without you.

Unfortunately, he had to imagine what it would be like to be with you.

"Do you think he's worth it?" You sighed.

The two of you were on FaceTime. It was a Tuesday night. While Joshua was at home, waiting for his food delivery, you were busy getting ready for a date.

Part of the reason why Joshua had to imagine what life would be like if you two were together is because you were seeing someone. For the past few months, you've been dating this guy named Ben. Now, Joshua didn't think much of Ben at first. He didn't seem like your type, so he thought he would come and go.

And he has to some extent. Ben and you had this awful habit of breaking up and getting back together. While it pained Joshua to see you with someone else, he loved the moments you confided him about your dating woes. He took mental notes of dos and donts for when you two (hopefully) get together. Ben was striking out left and right, mainly due to his poor communication. What Joshua didn't understand was why you always found yourself going back to him.

"Y/n, I don't know. You guys break up so much, I've lost count," he laughed. "It's only been 3 times," you groaned. "3 times what? This week?" "But he said he's changed this time. I mean, he even sent flowers to my apartment after our argument two nights again. That's got to mean something, right?" Joshua wanted to roll his eyes so much at your rationale. He adored you with every fiber in his being, and he didn't want to come across as dismissive, but he felt frustrated both because of you and for you. Ben was not worth it in his eyes. Nobody is worth it for you except for him. But he was your best friend. That was his role. "Maybe, angel. But there's only so much flowers can do to make up for how he treats you sometimes." Your smile had flattened by Joshua's words. And it pained him. He never wanted to be a source of sadness in your life. I guess that's why Joshua often pushed his feelings for you aside. He didn't want to be selfish and confess because that might cause a bigger mess. He loved you. He has since he was 8 years old. If you only saw him as a best friend, he would proudly take that role.

In a perfect world, you would confess to Joshua your feelings. He was ready to embrace those feelings head-on because he knew how he felt about you. What kept him back was not knowing how you felt towards him. You've always been so prominent in each other's lives. He didn't want to imagine a world without you. He was terrified that if he did ever confess, it would only push you away.

Joshua had found himself as the leading man in a tragic love story. "Just promise me something?" He requested. "Whatever you decide, follow your heart."

------------------------------------------------------------------------------

You had to hang up the phone call in order to get ready for your date. Joshua sighed once you face vanished from his phone. He set the phone on the coffee table before driving his fingers through his hair.

How could this happen? You were supposed to be with him, not with some random guy you met who knows where? Not with someone who doesn't see your value.

The whole situation frustrated him beyond belief. On paper, you guys were a perfect match. You two knew each other like the back of your hand. Even when you did have a disagreement, you guys would not allow it to blow up. You spoke to each other with respect, even if you were both angry because you cared about each other. In some ways, you could say you loved each other. Joshua definitely was in love with you.

He has received relentless teasing from his friends about his lack of making a move on you. His friends thought even pushing might cause him to crack. And it almost did. Yet, he was still afraid of losing you and now he might actually be.

You always saw him as a friend, or at least that's what Joshua believed. You two were best friends, nothing more and nothing less. This wasn't some love story where the childhood best friends fall for each other, no matter how many times he prayed it would happen. This was his reality. If he had to let you go to keep you in his life, he would. And he would be there to pick up the pieces each time.

Suddenly, a buzz brought Joshua out of his mind and back to the present moment. He sat up a little straighter, looking towards the door of his apartment. Did he hear that correctly? He glanced towards the clock on the wall. 8:16pm.

Ding dong. Who could that be?

Joshua pushed himself off of the couch before shuffling towards the door. It was just a short walk towards the front of the apartment. He slowly unlocked the top lock and twisted the doorknob to unlock his front door.

There you were.

"Y/n?! What happened?" "Why didn't you fight for me?"

Your voice was calm, yet your body language screamed rage. You had your hair pulled back in a clip, exposing your bare face to the world. You looked divine, but Joshua didn't have time to compliment you. He noticed how your eyebrows were slightly scrunched up while you stared into him. He thought your gaze was going to burn a hole right through them. You were wearing a zip-up hoodie and sweatpants.

"Answer me, Joshua."

Oh no, I'm in deep shit. He was at a loss for words as he stared at you. His mind racking through all the interactions you had. Did he say something over FaceTime? Did he forget to say something? Did you ask him to do something but he forgot? He was drawing a blank.

"Do you like me yes or no, Joshua? Because everyone is saying you do besides you."

His eyes grew wide at that statement. Who spilled? "Y/n, listen-" "No, Joshua, you listen. How dare you let me go on dates with people who treat me poorly. You're my best friend! We're supposed to tell each other everything." That part you whispered. "How could you not tell me?"

"What a damn minute," Joshua finally said. He had a raised eyebrow before opening the door all the way. He stepped aside to let you in, motioning for you to follow him. "I am not going to argue with you outside of my apartment. Get in." You sighed and nodded, slowly stepping in. Obviously something happened in between from the moment you guys to now. Who did you speak to? Who told you his secret? Why were you angry?

Once you were fully into his apartment, Joshua closed the door. You immediately found a spot on his couch, right beside where he was previously sitting. Your hands were locked in front of you, your one leg bouncing. Your breathing was starting to slow down a bit but you gaze was still locked on him. While not as intense, you still had your eyes trained on him.

"Can I get you a water or something before we continue this conversation?" He asked gently.

"There you go again!" You groaned. Your head leaned until it hit the pillow behind you. Your gaze is now trained on the ceiling above you two. He was surprised, completely speechless as he thought he was doing the right thing. "I'm so sick of you being nice to me."

Joshua raised an eyebrow before shuffling over to you. He took a seat on the couch beside you but kept enough distance. He wasn't sure how to process all that was transpiring, but he needed to understand where you were coming from. And apparently have some explaining to you.

"Y/n, sweet girl, you need to tell me what's going on." "You is what is going on," you confessed.

Slowly, you sat up until you were at eye level with him once again. The room was tense. He was nervous, afraid that what you had been told was going to bring his worst fear to reality - that he might lose you. "Joshua, you've set too high of a standard for me. You're kind without asking for anything in return. You treat me like a fucking princess when I'm only your best friend. I'm angry that we aren't together but you treat me better than any guy I've been with."

Was this actually happening? Were you confessing to him? "Y/n, do you like me?" 'I have liked you since I knew what it meant to have a crush on someone," you admitted. "But."

Not the cursed 'but.' "We're best friends. I didn't eat to be presumptuous and think you like me when we've been friends for so long. But then Seungkwan told me that you had feelings for me yesterday. I didn't think it was true especially not when you pushed me to go out with someone else tonight."

Fuck. "Y/n, look, we are best friends," Joshua began. You looked at him as if you just stabbed him in the heart. "But, I fell in love with my best friend."

Very gently, he took both of your hands in his. You stared up at him with a facial expression he couldn't recognize. This was new for both of you. You were venturing into uncharted territory for the two of you. His thumbs caressed over your knuckles which both soothed your nerves but caused your heart to pound faster. "This was not the way I planned on telling you," he confessed. "I actually wanted to tell you once you were single again because I didn't want to stand in the way of being happy." This time, you reached out to him. Keeping one hand in his, your other hand reached over to run your fingers through his hair, pushing the strands back to expose his face more. You seemed to relax under your touch which made you smile for the first time that evening. "Josh, I'm my happiest when I'm with you. Have I not made that clear in all the years we've known each other?" "Y/n, you know I have too much respect for you and too much invested in this friendship to just assume someone like you could ever be into me." You squeezed his hand gently, unable to stifle the giggle leaving your lips. You moved closer to him, our lips almost right under his. "This is so silly. What are we doing? Why are we keeping ourselves from being our happiest versions of ourselves?" He smirked at your question. With his free hand, he cupped your cheek gently. His thumb caressed over your cheek affectionately as he gazed into your eyes. He always has been mesmerized by the fact that your eyes captured any light in the room. They sparkled like two disco balls. "Let's change that," he murmured.

Time stopped. He leaned in so his lips grazed against yours as if he was testing the waters. He wanted to make sure you were comfortable with what was about to happen, as there was no turning back. When you didn't pull away, he got the green light he's been chasing after. His lips fully pressed against yours.

Your head gently tilted up, leaning to the side so your lips fit against him like two missing puzzle pieces. It felt like tiny sparks were going off against your lips. It was a feeling the two of you would soon be addicted to. And it felt so comfortable, so natural. His lips slowly chased after yours for a moment.

Even though he felt the urge to continue kissing you, to never let this moment pass, he did pull back. His forehead found yours, revealing the wide grin the two of you wore. He couldn't help but chuckle before pecking your lips once more. Joshua was just over the moon. He was eager for whatever may be next for the two of you, especially now that there were no limitations. You were his best friend, but now the girl who knew how he felt.

"I kept my promise you know," you spoke softly.

Joshua raised an eyebrow but kept a warm smile. Now what were you talking about? "You had me promise to follow my heart. And I did. You've been my heart, my love all this time."

[poorlittleyaoyao]

I do think Wen Qing being dead forever makes somewhat more sense when you read how intent mxtx was on killing off Wen Ning for good before grudgingly realizing she hadn't set it up well enough to seem like anything other than shock value and sparing him. But Wen Qing is still alive To Me

Oh, I definitely believe that she is meant to be Very Dead. The entire Wen clan being dead (or dead-adjacent) besides Sizhui is important to the story, and uhhhhh MXTX appears to have a "no survivors" policy when it comes to MDZS's female characters.

What I don't get is the in-universe rationale behind it. Wen Qing is at least as valuable an asset as her brother! She was Wen Ruohan's personal physician, the Yiling Patriarch's close friend and collaborator, and at the very least, she's a means to keep Wen Ning compliant if they want to restore his lucidity to interrogate him. Either both Wen siblings should be dead, or both should be alive, because I cannot fathom why you'd keep the zombie and not the doctor. The doctor didn't kill your son!

All that said! The deaths of the Wen remnants as a whole makes WAY more sense in the novel where they are besieged and massacred, as opposed to in the drama where every single one of them follows Wen Ning and Wen Qing to Jinlintai and surrenders themselves. "Yeah, we made a go of the whole farming thing for over a year and at this point our necromancer protector has burned all his personal bridges for our sake, but you know what? The nonexistent chance that the leader who threw us all into death camps will stop bothering Wei Wuxian is worth our collective deaths and the obliteration of our entire clan. We'll stash the toddler in a tree. He'll be fine and Wei Wuxian definitely won't try and avenge us!" LIKE. WHAT THE HELL IS THAT.

And for all that, CQL Wen Qing is still alive. Every time a character goes missing or dies offscreen, they later turn up alive (Wen Ning, Wei Wuxian, Song Lan) or we eventually see their deaths and corpses (Xiao Xingchen, Nie Mingjue). Wen Qing died offscreen and we never see a body! By the show's precedent, she is alive! And she is doing great.

[saintsenara]

Do you think there’s any situation in which Sirius/Snape could work as a ship if James Potter was alive/around?

I love both Sirius/Snape and Sirius/James (platonic, romantic and everything in between) as ships so I’d love to see a universe in which the 3 of them have a lovely time together but I dunno if I can picture it. I can mainly see Sirius/Snape working with James and Lily dead and Sirius post Azkaban because it really brings him off his pedestal and leaves that shared grief and longing for that intensity of companionship.

I guess part of the problem is trying to imagine Sirius being able to even remotely care about or prioritise someone else with James in the picture, even if James is only giving platonic on his end. But then doubly so if that person was someone James had a massive rivalry with and doesn’t want near his wife. (Although if he knew Snape wasn’t interested in Lily like that maybe he’d chill out about it? Or would only child syndrome kick in and he’d hate him even more for trying to “steal” Sirius from him because it would be really shocking and maybe low key traumatic for James to have any less than 110% of Sirius’ attention…again even if they were only platonic… 🤔)

If it was going to work I could see it maybe more after Hogwarts when they’ve all grown up a bit and James and Lily are wrapped up in their family and Sirius is a bit adrift at adjusting to not being able to have all of James all of the time.

The closest I’ve seen to making something like it work was a fic where Snape was horribly tortured for killing Peter in front of Voldemort to stop him telling the secret and it left him vegetative for years and the Potters cared for him and eventually Sirius took over so they could go live their married lives. I was really interested in where they were going with it and pretty sold on that being a situation in which it could end up all happy families but unfortunately the fic was kinda preslash and stopped before it explored how things would go romantically for Sirius/Snape after Snape regained his consciousness.

Would love to hear your thoughts on any scenarios in which you think the 3 of them could get along swimmingly!

My other thought was maybe if Sirius had been put in Slytherin and James decided to talk his way into Slytherin to be together, they might eventually adopt Snape into their wider friendship group for his dry wit the way they did Remus. I feel like James was waiting his whole life to have both a best friend and his own gang and would make one wherever he was with the best of what he had available (lbr Peter is hardly a stellar pick), and without the “he’s evil because he’s Slytherin” divide they could potentially find the Dark curses Sev knows fun/useful against whoever else they decide to bully instead, might notice in the shared dorm how poor he is and get a pity thing going like they did for Remus’ werewolf issue (which Snape’s pride would hate but he’d probably milk knowing how he was with Lucius?), and if Snape was gay and as devoted to a crush on Sirius as he was to the canon one on Lily and therefore willing to do some wing maning for James with Lily to keep in James and Sirius good graces, it could really cement his value as a pal….and if Snape had other options for well connected friends who could get him out of Cokeworth (picturing Fleamont setting up summer internships for James’ unfortunate looking poor but impeccably mannered pal at Sleekeasys R and D department 🥹) I’m sure Snape would be happy to not bother with the blood supremacist half of his year who want his childhood best friend dead (unless we think he joined to be in with them as a way to keep Lily safe, but I think that would be more a rationale he’d give himself or her later to justify his behaviour) ……..but anyway even if all of this elaborate scenario could happen so that the 3 of them would be pally, I still can’t picture Sirius being able to love/fancy someone more than James if James is right there, even if it’s only platonic on James’ end.

Unless I guess we take a reading of canon that Sirius was so mean to Snape because he fancied him madly and was furious about it, or because he could sense the queerness in him he hated/was being told by family to squash out in himself. Then maybe they’d have a special type of connection that could be powerful in a way Sirius wouldn’t be able to share with a straight James? Would that be enough though for Sirius never see one without the other Black? 🤔

I do think if that was the friendship group and they made Snape the secret secret keeper instead of Peter James and Lily might have lived! (And Snape might have let himself get killed keeping the secret 🥲) …although that said if Peter had an inkling James Potter might go to Slytherin he probably wouldn’t have fought the hat so hard and would have still been in the gang too!

I’ve really gone on a tangent here but yeah so interested in any scenarios you could see it working, I think about this a lot and I love the way you think about HP things! 👏

thank you very much for the ask, anon!

this is a question which i've wondered about for a while, which i'm going to answer with a tentative... yes.

because i do agree with you that one of the things which makes snack-in-the-90s really work is their shared grief over the loss of james and lily [and their shared guilt and desire to punish themselves for the role they each played in their deaths] and how it contributes to them being one of the series' most interesting narrative mirror pairings.

but it's equally true that they're narrative mirrors even without the grief aspect simply because of their mirrored love - whether you wish to interpret this as platonic or not - for one half of james and lily, and the quiet devastation [even though sirius expresses this very differently to snape] they feel when the two pair off.

and so i do think - in a world in which both james and lily survive [i don't think it can be either/or] - there is the potential for snape and sirius to find themselves drawn together by a grief which is less profound than that caused by james and lily's deaths, but is still transformational in a way that i think is often overlooked in fandom: the grief of realising that the person you love doesn't feel the same way.

because i love platonic prongsfoot and platonic snily as much as the next girl, and i think that the grief i'm describing can apply just as much to platonic love as to romantic love.

but i prefer - and, indeed, i'm on the record as being convinced this is the text's actual intention - to read both snape's love for lily and sirius' love for james as romantic.

and - obviously - the intensity of this feeling prevents either snape or sirius getting a grip while they're in their teens [especially if they're both also grappling with the idea that they're not straight - i'm afraid i've never bought the fanon that the wizarding world is more enlightened when it comes to sexuality]. it makes perfect sense that - as you say - it's impossible for the nineteen-year-old sirius to imagine caring about someone the way he care about james, and to convince himself that the only way he can live his life is to spend decades pining nobly from afar, never letting on how much his heart aches.

but one of the great tragedies of the canonical snape and sirius is that they get stuck in a state of arrested development from their lives - essentially - stopping when they're both twenty-one. there's an inherent pettiness to their interactions in canon - the obsessing over schoolboy experiences, the fact that snape finds himself stuck at school and sirius finds himself stuck in his childhood home - which other characters clearly don't quite understand [dumbledore saying to harry at the end of order of the phoenix that sirius was too sensible to be goaded by snape seems dismissive in the context of what we - the readers - have seen, but it makes perfect sense that - from dumbledore's perspective - a thirty-six-year-old man wouldn't still care about playground beef from twenty years ago.]

in a world where james and lily live, snape and sirius get a chance to act their actual ages - and with that, sirius gets to learn how to accept that his role in james' life will change as his best friend settles into being a husband and father and snape either gets to learn how to stop pining for lily from afar or how to start trying to make amends for his treatment of her.

and james and lily also get to grow up too - to recognise how their priorities towards their friends will change as they form a family of their own and to see their school days [and their behaviour during them] more objectively the further removed from them they become. james at eighteen would rather die than have anything less than 110% of sirius' attention. james at thirty has other things to worry about.

i think that it would only work in a scenario where snape and sirius encountered each other again after having left hogwarts [i like the slytherin!james suggestion - and i'd be interested to see how you'd write it - but i personally think that there's no way on earth james is having snape anywhere near him until he's - for want of a better term - "won" their rivalry over lily]. but i also think it would only work if that scenario was decades after they graduated, rather than years, and that the two don't meet again until they're - at least - in their early forties.

i think you could do something really quite interesting with james in that setting - as he realises, as his children reach adulthood and start to fly the nest, that sirius is chronically single and decides the project he wants for his middle age is to find his friend true love.

never expecting that his friend will bail from a date he arranges with a lovely woman and end up hiding in the leaky cauldron talking to snape - but then being mature enough [after some running around screaming "snape? snape?" at lily] to think that if sirius is happy, then he is.

and on this point, both sirius and snape canonically struggle to be realistic about how they see themselves and their worth - for example, in how they both refuse to believe that they could successfully atone for their roles in causing james and lily's deaths. when this is combined with the fact that sirius grew up in a community which is obsessed with blood and lineage - and how that blood and lineage is continued - and snape grew up with his primary masculine role-model being a violent man who was presumably also a homophobe, i do think that both of them would find it difficult to be open about their sexuality, especially since - in a world where they get to live normally after 1981 - they would be starting to understand themselves as queer during the aids crisis [which i refuse to believe doesn't impact the wizarding world, because i loathe the implication of canon that wizards are resistant to muggle diseases].

i think you can plausibly write them as both still in the closet in the 90s/00s - and for sirius especially to be worried about james' reaction if he found out he was interested in men. [which is a dimension often left out of things which examine sirius as queer and james as straight. lots of queer men worry - sometimes unnecessarily, sometimes, sadly, justifiably - that being open about their sexuality with straight male friends will cause those friends to back off from their platonic relationships due to a homophobic fear that queer men will automatically interpret platonic physical and emotional intimacy as romantic.]

but - whatever else he is - james clearly isn't a bigot. and i think he could once again get over the fact that sirius has shacked up with snape [snape?] in order to be proud that sirius was finally comfortable with who he is.

[and yes, i do genuinely think that sirius and snape's canonical vibe can be read as having some level of sexual attraction in it - they are both just so obsessed with each other that it's giving "why do i have this hyper-intense need to get in this other boy's face oh wait that's why"...]

[irradiatedsnakes]

the Big TMA Furry List

this list with commentary/choice rationale below the cut :] i wrote a lot of thoughts down do please check it out.

jon: common raven

martin: tan jumping spider

sasha: southern flannel moth

not!sasha: red postman

tim: jackson's chameleon

melanie: eastern copperhead

georgie: triceratops horridus

basira: domestic cat (calico shorthair)

daisy: domestic dog (german shepherd)

elias: barn owl. jonah: eurasian eagle owl.

gerry: domestic dog (black doberman)

annabelle: white-booted racket-tail

jane: cabbage white

michael: spiny softshell turtle

helen: common hermit crab

oliver: black vulture

peter: risso's dolphin

mike: caelestiventus hanseni

jude: black kite

agnes: ???

nikola: stealing major's carousel horse

jared: american dog tick

breekon&hope: Hog and/or Bear. you get no more information

dekker: mouflon

gertrude: great tit

leitner: domestic cat (persian)

manuela: gray long-eared bat

rayner: olm

salesa: sea otter

simon: dodo

elaboration below !

jon: common raven

this was a choice i made before i even finished listening to the podcast back in 2020. jon's 1000% a bird to me, and the curious nature of corvids works well here. plus, i think a bird so universally ominous as a raven works perfectly as a horror protag :P i used to draw raven!jon with a couple troodon traits, mostly just cus it was fun, but i wanted to make my designs more grounded for this iteration. made them plantigrade, didn't get silly with body styles like i have with mp100 designs.

martin: tan jumping spider

if you've been here for a while you'll know that my furry martin has gone through about two million iterations. he started off as a european pine marten, to bold jumping spider, to chinese pangolin, to nine-banded armadillo, finally to nurse shark.

out of all of these the spider and the shark are my favorites. i wanted to go back to the jumping spider though- the design is really fun and i wasn't able to get the expressions right, but i'm more confident in my skills now and i'm having fun with the design. i may revisit nurse shark at some point. i switched from bold to tan jumper- i originally chose bold just cus they're my favorite jumper, but their stark black/white and iridescent aqua coloration just doens't work for martin. so, the tan jumper!

sasha: southern flannel moth

another old choice. species chosen because of a friend's fic, pharos by right (another i'm planning to reread now that i'm dipping my toes back into tma..)! southern flannel moths are poofy and orange, and their caterpillars are those super painful teddybear ones. i really like the design.

not!sasha: red postman

wanted to have her be another lepidopteran, and with all the many examples of mimicry among the group i thought red postman was a fun choice. doesn't look anything like a southern flannel moth, but that's sort of the point.

tim: jackson's chameleon

yet another choice from the oldtimes- most of the main characters are, i've mostly switched around the more secondary chars. first suggested, i believe, by @/ofdreamsanddoodles. i think there's something very fun about chameleons being basically a living mood ring & tim's Descent s1-3 showing physcially not just through the worm scars but through like, constant stress coloration during s3.

melanie: eastern copperhead

one of my favorite choices. i have a young copperhead specimen named after her. this one is quite vibes-based, but i do really like the copperhead as a viper that is not deadly. and i'm always a sucker for the "animal perceived as scary and violent that in actuality only strikes when under extreme stress" thing in furry assignments.

georgie: triceratops horridus

another favorite choice. visually, i really like how this works out, and trikes as a social and protective animal works well. she's literally got a shield on her face. horridus was chosen because i like the shape of the head and horns better than prorsus.

basira: domestic cat (calico shorthair)

got a little cat/dog thing going on for dasira. i like the inversion of the usual cat/dog dynamic with their unhealthy devotion instead, and visually it just works very well for them both.

daisy: domestic dog (german shepherd)

yeah i know this one's an exceedingly obvious choice.

elias: barn owl. jonah: eurasian eagle owl.

it's the institute logo! it's him! barn owl for elias specifically because of its very sleek look, designing him went fantastically. also, i can make the eagle owl's face disk work as a mimicry of ben meredith's muttonchops, which i think is a fun design bit to give to magnus.

gerry: domestic dog (black doberman)

certified gerryguy @/gerrydelano's choice. to quote a discord message from 3 years ago (sorry ron): "i feel like.........my INSTINCT is some kind of canine because like. the whole symbolism thing about being either an obedient or rabid dog. something something muzzled all your life. being a dangerous figure if people only see the silhouette but you just want scritches and nobody'll get close enough to you." black dog symbolism + breed which has ears cropped and tail docked, unecessarily molded for a Purpose which the dog has no say in

annabelle: white-booted racket-tail

sort of my original choice- she used to be part white-booted racket-tail, part anna's hummingbird. kept with the racket-tail cus it's fun and very cute. i've had a couple people express surprise that she wasn't a spider, but i think that's way too obvious. hummingbirds, though- they steal the webs of spiders to use as material to make their nests, but can sometimes become trapped in the webs and eaten by the spiders themselves. which is probably the metaphor-via-fursona-assignment i'm most proud of in this whole list

jane: cabbage white

the cabbage white is a butterfly whose caterpillars are routinely parasitized by the parasitoid wasp the white butterfly parasite. in case you're not familiar, parasitoid wasps lay their eggs on (usually) caterpillars, which hatch on the still-living caterpillar, devouring it from the inside before eventually emerging from the consumed husk of the host. also, i really liked the image of parasitoid wasp larvae emerging from an adult butterfly, rather than a caterpillar.

michael: spiny softshell turtle

for michael and helen, i wanted to choose animals which were, in some way, their own home. turtle is an obvious choice- and spiny softshells are a favorite of mine, and sufficiently strange-looking.

helen: common hermit crab

see previous entry. also please google "hermit crab without shell"

oliver: black vulture

bit of an obvious choice, but i adore vultures so i had to. black vulture chosen because i think the monochrome color scheme + straighter face work better than a turkey vulture for him

peter: risso's dolphin

i really like the idea of a cetacean for peter and the lukases as a whole, a famously social animal for the seemingly contradictory nature of this lonely-but-huge family, plus with so many cetaceans being endangered getting that lonely angle (risso's specifically are not, though, as peter is lonely through his own choice, not by circumstance).

mike: caelestiventus hanseni

it's a dimorphodont. he feels like a pterosaur to me, and i like the idea of a vast avatar as a usually short-flying arboreal species, for the unnaturality/contrast of it.

jude: black kite

black kites are one of the species of kites known to intentionally spread fires by picking up burning sticks to flush out prey.

agnes: ???

the only one i'm still undecided on. will update.

nikola: stealing major's carousel horse

i can't top that

jared: american dog tick

great choice from @/magnusarchivememes. Takes Your Blood And Gets So Big

breekon&hope: Hog and/or Bear. you get no more information

vaguely russian animals that are large and imposing but remain somewhat generic. which is the hog and which is the bear is not consistent.

dekker: mouflon

dekker has very much mammal vibes to me. the mouflon is a neat species of wild sheep. i think the noble, imposing but kind image of the ram works well for dekker as that sort of true-good hero figure, and mouflons in particular are very nice looking with good shapes. the statement giver in distant cousin describes dekker as "though he was slightly shorter than I was, it seemed like he towered over me." which i think this sheep works well with.

gertrude: great tit

i wanted all the main eye avatars as birds, just like how i give them all glasses. just a fun little treat for me. great tit was chosen for gertrude as a kind of classic british bird, and as tits in general are VERY fiesty despite their round and adorable appearance. i really like this image of a great tit posing with a dead mouse like it's a hunter with a trophy deer. the cheek markings also work really well to bring to mind the image of old person jowls.

leitner: domestic cat (persian)

vibes. also i like the idea of him as a spoiled domestic animal. if i remember correctly, this was also @/ofdreamsanddoodles' suggestion

manuela: gray long-eared bat

she's a bat. what's to say. WELL actually okay there's the perception of bats as blind but actually having quite good vision which i think meshes in a fun way with the dark, and the way manuela does her sciency stuff.

rayner: olm

i mean, yeah

salesa: sea otter

largely design-oriented, suitably scruffy. ocean animal with strong social bonds, it was a slam dunk soon as i thought of it.

simon: dodo

how couldn't i, come on.

[lilwnet]

Spencer Dating a True Crime Fan: Headcanons

Summary: a true crime junkie and an FBI agent, the Universe must be laughing its lungs out. Some vague-ish headcanons on what it’s like to be in such a relationship. In general, the sweetest, most supportive boyfriend Spencer Reid, and caring, brilliant you.

Pairing: Spencer Reid x gn!reader

Warnings: don’t think I went to extremes or described anything graphic, however, I’d recommend giving it a pass if you aren’t comfortable with anything true crime. Besides, it’s kinda long and isn’t proofread.

A/N: I’m not a native English speaker, and it’s frustratingly hard for me to speak — and write — good, authentic English, especially grammar- and punctuation-vise as my first language interferes heavily. Hence, beware because there are mistakes!

When you say it to Spencer or he sees you getting interested in a book dedicated to a prolific murderer, he’s perplexed. Being exposed to so much evil in his life, he couldn’t wrap his head around the reason for you to be so invested in true crime.

Yet, when you explain it to him, he wonders if he’s a true crime fan, too.

For you, it’s always been quite fascinating why people resort to such a brutal, inhumane and cruel way of dealing with daily struggles; then, you say about “stranger danger”, your parents’ precautions and warnings that made you curious from the very young age why they are so focused — or overly focused — on safety. Finally, you want to understand why some people get high off killing others, meaning, you’d like to get a hang of their brain’s system, of their choices, life, history, psychological evaluation. In general, that coincides with what he does for a living.

I believe you wouldn’t know about his occupation at that point of your relationship. It’s pretty early on, quite possibly the first date when Spencer rather nervously asks you to tell more about yourself that you just blurt it out. The thing is, you’ve grown quite used to the fact that some people find you weird for taking a liking in such a dark topic. You thought, the earlier you say, the lesser it’d hurt if you were to go your separate ways.

However, Spencer surprises you. After your explanation, he seems to get it and then laughs genuinely as he realises how comical the situation is. If you meet through one of your mutual friends, Reid will question their sense of humor. If you meet randomly, he doesn’t know what to question, yet will get pumped up by fate’s unpredictable, always on-point turns.

You, a true crime junkie, is now dating an FBI agent, an SSA with BAU.

When he finally stops laughing and sees your bemused reaction, he proceeds to reveal his job, and you join the new wave of laughter.

After that, you talk about some cases he deals with, although you try your best to read, profile the agent to avoid pressuring him into reliving said crimes. Later on, the mutual agreement would be to only talk about it when both want to.

Surprisingly, Spencer feels like talking about it a lot, still he doesn’t resolve to graphical descriptions. He finds it soothing to share the story and push it right to the back of his head.

You, in turn, are a remarkably good, careful listener who doesn’t hide their emotions. You shed tears if it hits you hard, you comment when you believe a killer to be an absolute idiot, you make a face when you’re disgusted or annoyed.

Reid finds it refreshing; his colleagues, he himself, have built up façades as nonchalant, unfazed, gathered, their walls too high and thick for anyone to question the authority and experience.

Maybe it isn’t just the sharing part that helps him go through the hardest aspects of his job, but you, your mannerism and your presence.

What he likes most is how compassionate you are. You both believe the rationale for it is the amount of information you know about true crime.

When you discuss something — his case or something one of you has read — and you ask Reid about a victim’s family or focus on a victim’s background rather than a killer’s, he can’t help but hug you tight.

As an FBI agent, Spencer has gone to a couple of crime-related events, orchestrated by FBI or scrutinisingly arranged by ex-BAU agents, and he knows how little attention people pay to those who suffer the most. So, seeing you doing the exact opposite of what he encounters daily melts his heart.

Now, if you’re just a listener and/or a reader, he will ask you about your favourite podcasts or Youtube channels to buy a ticket — or tickets — to their shows or find you books about some perpetrators he believes you might find fascinating to study.

BUT if you’re doing a podcast or a Youtube show, or both, it’s a whole different story.

The minute you say it, Spencer is hooked on and ties himself in knots to find out more. You don’t show him an episode as you find it rather embarrassing, hence, Dr. Reid resolves to the only option he can think of.

Spencer asks Penelope to show him how to use Youtube or a podcast app. Garcia is surprised and eager to help, albeit upset when she realises Reid won’t say a word to explain his sudden interest in technology.

When he picks up the interface and the general idea of a website, he buys a new phone to have a chance to listen to your voice and to see you in both a Youtube box and a FaceTime box when he’s away on never-ending cases.

If you have a concept of doing something simultaneously while talking true crime — think of Bailey Sarian or MissMangoButt — he’d be so impressed. True crime is hard enough as there are many subtle, intricate details to elaborate on, and you do it almost effortlessly while focusing on something else at the same time!

(If you’re knitting, Spencer’ll ask you to knit something for him to see you do it while elaborating on a story, and he feels so soft inside, he can’t really explain why).

If you’re just telling a story, he’s as equally impressed. Spencer has a stage fear, a fear of public speaking, he’s camera shy. And you’re there talking, providing photos, your reaction is as real as when the two of you talk. You seem so natural at it.

Dr. Reid’s well-aware of every case you discuss or at least he has heard of them. He still listens or watches amid a) your style of telling a story; b) your humour and your mannerism; c) it’s you… how he can not listen to you or watch you? Apart from that, you’re doing something to spread awareness on never-decreasing crime rates.

Besides, he’s awestruck at the way you tell a story like some novelists do. An intriguing beginning, either slowly painting the surroundings for listeners or almost shoving them right into the midst of a case, then a build-up that leads to a climax and an end, letting your listeners know that some weirdos are held accountable or concluding that criminals never stop.

At first, the genuis listens to it when he’s home alone or in hotel/motel rooms after his own cases. Then, Spencer plucks up the courage to say he’s so proud of you and your work and provides you with a number of episodes he has watched or listened so far.

“I feel like I might become a true crime junkie because of you,” he’d joke. “Seriously, I would love to listen to all of them, but I don’t want to look, uh,” Reid stumbles over his words not to sound rude. “I don’t really want strangers or my colleagues to listen to what I’m listening to.”

Next thing Spencer knows you gift him two different pairs of wired headphones; the first goes with his phone, the second quickly reminds him of the headphones he once described as the only technology he has seen that he’d like to have.

Yeah, he’s a true crime junkie now, too, but he is your true crime junkie. Spencer watches all the episodes until he runs out of them and then waits patiently for the uploading day.

He grows so comfortable with your soothing voice, it helps him sleep. When you joke about something, Reid chuckles and, strangely, has no shame for it, even when five pairs of eyes stare at him, puzzled, while he sits comfortably with his eyes shut and his headphones in.

When he sees you doing some research or writing a script for another story, he won’t intervene unless you ask him to. He won’t be offended if you’re working things on your own — because why would he be? — but he’s so happy to give you a hand. To him, it means you value his ideas and opinion.

Spencer helps you find the information you need by just stating a fact or a detail you’ve spent an hour looking for, or scanning through your script if it seems shabby to you. In most cases, he says that you’re an overthinker, and everything is great, yet he does provide the critique to enhance your work.

If you have a concept similar to Payton Moreland’s “Binged” when she examines two cases on a common theme, he might suggest you cases to look at.

Sorry, but he’ll never join an episode, and you shouldn’t push him to.

Now, topics are heavy, still Spencer knows his limits and takes breaks when needed to avoid overstimulating his mind or getting increasingly anxious on daily basis.

Furthermore, he lets you accept that you need to have a rest, too, for the exact same reasons.

True crime aside, you still have so much to talk about, from gossips to carpet history.

Bonus: with Spencer slowly opening up to technology, you two exchange breakthroughs in cold cases.

For example, when the Golden State Killer was caught, you two spent the majority of the day connecting the dots and discussing the case, and the court hearing made you two shook.

He didn’t actually work that day, and neither did you, but who cares?

Hotch does, so you better keep low-profile.

[marshmallowprotection]

What do you think Jumin thinks of Saeyoung?

You know, it's funny, Jumin and Saeyoung have an extreme sense of miscommunication and if it weren't for that, they would be closer. It's got a lot to do with the front Saeyoung puts up as 707. We can argue up and down all day long that Jumin can't stand Saeyoung because... well, points at Elizabeth. But, I've genuinely come up with a theory to explain why Saeyoung goes as far as he does, besides having serious cuteness aggression for cats.

Elizabeth's collar contains sensitive information, and you know what? If someone wanted that information, they could take Elizabeth away just to get that intel. It wouldn't be too hard to kidnap Elizabeth, and that's the point Saeyoung likes to make at the end of the day. "If I can get in here, someone else can get in here." It's a silly, roundabout way to get answers, but that's in character for Saeyoung who is trying so hard to disguise what he's doing in the agency and how he could get his hands on information like that.

"Jumin wouldn't be happy if I knew this information, so, I'm going to get some Elly cuddles and teach him a lesson this way. Sure, is that strange and nonsensical? Eh, that's the persona I've adopted and I'll just let them think I'm a clown."

That's Saeyoung's rationale for everything, you know? He works hard to help his friends from the shadows. He runs hundreds of accounts to boost Zen on social media. He plays LOLOL with Yoosung all the time to keep him distracted from his grief. He pushes him to work on something that keeps him driven. He offers to do work to help out his buddy Jaehee, too! I'm almost certain he rigs things in Jaehee's favor to win tickets for Zen.

And for Jumin? Y'all do know he made the deal with Chairman Han not only to benefit orphans in need, but to boost C&R? I hated the way Chairman Han spoke about Saeyoung and how Saeyoung acted in the RAE, but I think, honestly, Saeyoung was just saying whatever he could to please Chairman Han and get the deal with SevenStar to work out. C&R benefits from the charity and the profits, and that just looks better on Jumin. Jumin is running a massive corporation, and it is one of the only ones in that universe that is known to value many of its workers from top to bottom.

Yes, Jumin's not a perfect boss, but everything we see with him shows that he tries his best to make things better for his workers. Sure, his treatment of Jaehee is something we need to scold him about, but he gives Jaehee tasks because he genuinely trusts her to do those jobs right, and for someone with trust issues, that's a lot if we look at it from that perspective. I'm sure not cutting him slack for that, but I will say from that angle, it shows a lot.

In the RAE, Saeyoung only leaked the information about Elizabeth to protect Saeran and MC. I think he would've taken that to his grave if not for that because, well, Saeyoung will throw anyone under the bus for his brother, and by proxy, anyone that matters to his brother. Even if that means he has to give up the RFA members, and that's a painful thought because we all know that Saeyoung thinks of the RFA as his family now. But, push comes to shove, he will chose Saeran first.

He will always put Saeran first.

So, knowing this about Saeyoung, what do I think answers the question of how does Jumin feel about Saeyoung?

I think that, unfortunately, despite knowing that Saeyoung is a good person at heart, the line of miscommunication and the joker mask get in the way of Jumin being able to wholly appreciate Saeyoung as a person. Does that mean they're not friends? Of course not. They're friends all day, but Jumin isn't able to understand just how devoted Saeyoung is to not only Jumin, but the others, because of the way Saeyoung has to live his life.

This core disconnection is what causes trouble in the first place. If I had to describe what Jumin thinks of Saeyoung in most routes, it's as simple as "Luciel is unbelievably crafty, but he gets under my skin all the time given his inability to respect Elizabeth the 3rd's boundaries. I will give him credit for this and that, but he frustrates me to no end... and I ponder if he enjoys tormenting me as much as he does Yoosung. I don't suppose he'll ever confess the truth."

[hallwyeoo]

Ellie’s memory of the golfing scene and what it tells us about her.

🚨spoilers for tlou2🚨

I think Ellie’s flashback to Joel’s death is very telling of how she internalized the event and the meaning she applied to his death. It’s also a good demonstration of her relationship to autonomy. Let’s break down the elements that were inconsistent with the actual event:

The stairs/hallway are much longer than they were. This suggests a sense of helplessness, an inability to get there fast enough. Joel is constantly out of reach.

There is blood on the floor outside of the door. Not entirely certain on this one but my hunch is that she blames herself for not seeing more obvious signs of violence/not knowing something was wrong sooner.

The door is locked, another roadblock in her path to Joel. She can’t access him, she can’t help, he needs her and she isn’t there.

Most importantly. Joel yells “Ellie, help me” (which he didn’t in the actual scene, he just screams. He doesn’t say a word in the actual scene)

Ellie hearing Joel scream for her help, calling for her while being horribly beaten, and her being repeatedly impeded on her way to him suggests that what she took away from his death is that she wasn’t enough. They always helped each other, always had each others backs, always got up. Ellie views his death as a failure. She was too slow, too weak, not smart enough to save him. She failed him when he needed her most. She is absolutely helpless to save him, just like she was helpless to save Riley, Tess, Sam, and Jessie (and Marlene, and humanity, and and and-).

Once again, Ellie makes a decision (staying with Riley, going to the fireflies, staying with Joel, being the cure, trying to forgive Joel) and once again her autonomy and ability to find closure is ripped from her.

This is the inciting incident of tlou pt2, this is the moment where Ellie’s whole world shatters the same way Joel’s did at the start of pt1. Ellie enters into the same cycle (which I like to call the “Joel cycle” because… yeah.) that he did, and throughout pt2 she stays in the “20 years later” phase of the cycle. She is changed, she has lost her light, lost what she fought for. She lost her chance to genuinely forgive Joel and rebuild their relationship. She is stuck in a gruelling and violent world that she has no anchor in, at least not anymore. His death is so sudden and so incredibly violent that it practically gave her (and me as well, tbh) whiplash. She’s in a state of total shock.

On another devastating note, this is one of the three times in tlou that we see Ellie beg (that I remember). The first is begging Joel to get up at the university of Eastern Colorado, the second is begging him to get up and for Abby to stop, and the third is begging Abby to not kill Dina because she’s pregnant. (Two times she begs Joel to get up, one time he doesn’t. Two times she begs Abby to spare her family and one time she does. What a beautifully haunting contrast)

To wrap up, every person creates an internal narrative, a story of their life that is crafted from their context and lived experiences. The meaning we derive from those experiences doesn’t always reflect the truth, and that can sometimes bite us in the ass majorly when we experience a traumatic event. We tend to want to find someone or something to assign blame to, some reason or rationale to why it happened. We tell stories. We write them in our minds about ourselves and what happens to us and what that says about us.

But Ellie is wrong. Joel’s death happened in response to a conscious and willing choice he made. It is in no way her fault, and there was absolutely no way for her to know or to stop what was happening. I think Ellie knows that much on an intellectual level, It just doesn’t change how devastated she is over the whole event. It can’t change the fact that she FEELS as though this was all her fault, that Joel did what he did to save her, that she could have saved him. That she should have.

[wataksampingan]

This was supposed to be some form of Therdeo Dane Lapileon Defense Thesis but my brain cannot pull off all the necessary research to do it justice.

So I guess let’s just brain dump all my thoughts and feelings?? About this manhwa?? (Spoilers for the story up to episode 63 on Webtoons and 66 on Naver Webtoons)

...this also gets FAR too long so cut is here for sanity’s sake. Tl;dr Theo Lapileon is a wounded puppy and I want him to be happy gdi

I need to preface the Theo content by saying that I adore Pereshati. I think she’s one of the more realistic heroines that I’ve read, in the sense that she’s plucky and determined but she damn well knows how the game is played. Every move she makes is plagued with doubt and uncertainty coz she’s only a minor noble, and one with an unbelievable story at that. (Resurrecting after being fed poisonous blood and getting thrown back in time is a stretch for anyone). But whenever she does decide to do something, she handles herself with the kind of poise you’d expect from a grown woman who knows how polite society works. It’s the kind of elegance and maturity that the novel’s Perry doesn’t have.

I wonder very much how seungu would have thrown Perry into Theo’s way if they had had full control of the adaptation because the first... 10? episodes or so reads very much like a typical isekai manhwa: she’s murdered, she awakes, and then immediately besieges Theo with a proposal, simply because he needs to marry someone to get the emperor/princess off his back. The Perry we see currently in the latest chapters would likely have done something smarter/more socially acceptable/conventional simply because imperial pressure or no, why the fuck would the grand duke entertain a minor noble they’ve never met before?

Granted, this is quite in line with Theo’s character in the first few episodes as well (which is lampshaded in a later chapter AND I LOVED IT) whose excuse for entertaining her absurd request/proposal is just “I got curious about the woman who kept bombarding us with messages”. The Theo we see later, who just burns letters from the Fourth Princess Dodolea without even thinking about it, would have hardly buckled under that kind of insistence.

This is all pure speculation of course because the artist, seungu, has no social media I could trace. The original novel’s writer, Han Yoonseol, has Twitter and various socmed that show an active writing career and interest in the MILAOWM webtoon. But the artist? Nothing, apart from their work. They’ve completed a previous series (Google translated to “New Year’s Taste”) but that also seems like an adaptation. I have no access to their thought process, rationale or any inkling of why certain decisions were made. 

Whatever the case though, those decisions so far have me hooked. They’re making changes that reflect something more... realistic, with higher stakes and actual consequences for the actions of the characters. E.g. you can’t humiliate, much less threaten, members of the nobility at a public function in front of a crowd without some sort of retaliation. Theo in the novel actually threatens to kill a nobleman in cold blood in front of a gathered audience whereas Theo in the manhwa does this in private.

Well, I say threaten. In the manhwa, he has just a fraction of the dialogue Novel!Theo says. Just one or two lines before he snaps and is about to decapitate a mofo before being restrained by his guards. The bullying incident that precipitates this is also dealt with realistic actions and importantly, contains a reflection on Perry’s part about the power and privilege the Lapileons have in this universe. I don’t know if this foreshadows anything but my mind has gone as far as the dissolution of the empire/defection to an enemy kingdom (and the loss of their noble titles) by the end of the whole manhwa. Far-fetched? Maybe, but I have so much faith in seungu by now and so little idea of what they’re planning that I won’t be surprised.

Manhwa!Therdeo Lapileon is also extremely taciturn and poker-faced, to all the natural disadvantages this sort of personality entails. Everything we know about him is told in silent images, or expressions we explicitly don’t see. This is a man who believes in actions over words, who has no idea that open communication is a Thing and that doing stuff behind a person’s back without telling them can backfire at times (”I’m gonna have someone follow my wife’s ex-fiance around without telling her, and that got her kidnapped. SHIT.”) And all the backstory that’s been hinted at so far gives us very sad explanations how he turned out this way.

One could very justifiably argue that actually, the entire Lapileon family is a collection of sad iron woobies. Saoirse lost her husband and only son because of her own blood, Phineas is doing his level best to save his family but keeps seeing them die despite his medical expertise, Gloria probably had a HELL of a marriage to survive this long, and the poor children have had their own bouts of suffering and daddy issues. And of course there’s also Pereshati who’s been murdered about 3-4 times at this point, and lost a most beloved father to a stepmother she loved to the moon and back.

BUT. Theo.

If the housekeeper’s flashback in Episode 47 is anything to go by, and if I’m guessing right, Theo and Saoirse’s father (maybe grandfather? Unclear at this point but let’s go with father for now) was a nightmare of a man. Slaughtering servants for infractions was probably a regular threat in the Lapileon home, and judging from that flashback during the episodes when they first find Islette, so was torturing and testing his younger son’s limits. His survival in the family was due to his “usefulness”.

One can suspect that of the three siblings, Theo was the one with the softest heart. We have no idea what his older brother (Celphi’s dad) was like yet and Saoirse is a Lapileon to the core: toughened enough to do what is needed, hardened even further by tragedy. She’s also a mom, which is why harming Islette earned Gen a rightful and vicious stiletto-heels-to-the-face-ass kicking. It also gets Theo a reprimand: get his shit together or step down from the headship of the family.

(And I’m just. Saoirse, honey, I love and respect you immensely and to be stepped on by your footwear of choice would be my honour. But that’s your younger brother we’re talking about. And he’s been emotionally sucker punched in just about every aspect. He’s trying, okay?)

I’m just saying that when you’re a child, and abused to that degree, sympathy from the devil is still sympathy. Of course it echoes to the present day even as a full-grown, supposedly rational adult. Of course it’s going to fuck you up.

You were also probably raised to put family above all (witness Theo not trusting Perry with the full truth of Celphi’s condition until circumstances force his hand, Saoirse only fully warming up to her once it’s clear she loves Celphi without any ulterior motive, Gloria immediately expecting her to be wrong about the family blood being sold, only to be confounded by the awful truth that this stranger to the family was right). You’ve been operating on the full expectation that any Lapileon would follow that creed. How could they not? Their curse is too great a responsibility.

Then you’re forced to confront the devil who once gave you rare comfort as a child, and that devil bears your family name and blood. Not only does he spout the most heinous things you’ve never imagined, he also manages to hit you where it hurts: you have used your blood. You have used it for your own benefit. Are you truly no better than he is? Who are you to judge him?

(Never mind that the devil is a liar and is trying to save his own ass which is why Saoirse, who has a better understanding of her own identity and self-worth, doesn’t give him enough time to say anything - she just kicks the shit out of him)

Is it any wonder Theo hesitates to do anything harsher?

Everything he does implies a reluctance to inflict lethal force if it can be helped. Perry remarks on it when he first removes Schiff without killing him the day they got married. He doesn’t even draw his sword on the assassin at the parade, merely KICKING HIM INTO ORBIT subduing him long enough to be taken in by the guards. The only times he has killed someone in the story is Perry’s ex-fiance who had kidnapped and blackmailed her, and... well, Perry herself.

(Which again goes back to that weird early episode installment - how do you reconcile him feeding her his blood in such a cavalier manner with the gravity of his responsibility as head of the family to ensure their blood isn’t used exactly like that?

You give him a HUGEASS dose of remorse and guilt later on when Gen accuses him of also using the blood to his own advantage, and then have him offer a sincere apology to the woman he experimented on.)

He also very nearly murdered the father of the child who bullied his ward. But even that was prevented by Raymon, the guard. This is more speculation on my part but his personal guards - who are all loyal to him beyond a doubt - may have been instructed (by him?) to restrain Theo, maybe to make sure he doesn’t repeat the sins of his father who just murdered people as and when it suited him. I don’t know if seungu would even bring this up at some point but I’ll be thrilled if that is the case.

This abusive childhood is compounded by the trauma of war. Theo specifically is credited with just swooping in out of the blue and ending the conflict between the Castor Empire and the kingdom of Schwartz. His reaction to being hailed a hero is to show up covered in blood to report to the emperor, and then disappear back to the country without attending any ceremonies. It earns him the notorious reputation of being “the bloodthirsty war fiend”.

Judging from Episode 13, what he really earned was a lifelong diagnosis of PTSD and various other neuroses. “Fuck this noise, I’m going home” was a reasonable reaction from a man who has no care or time for polite society. I'd go a bit further to suggest he also didn’t want to hear his actions being lauded as heroic when all he experienced was violence and death (re: that line about him being glad his statue was destroyed, that it’d been a stain on his honour). Whatever he did was to satisfy the emperor who has some form of hold over him, and absolutely no respect for the Lapileons (every single reaction from any imperial family member, even creepy Dodolea, has been sneering condescension or reluctant compliments). So from that perspective, why the hell would he have stayed to schmooze at the castle?

There are no therapists in Castor clearly coz Theo does what most soft-hearted introverts do and represses the shit out of his trauma. Just... stuff it WAY down into the depths of his subconscious and never address it because what the fuck else would you expect him to do? Talk about his ~*~feelings~*~ in the Lapileon house where weakness is a death sentence? No, he bundles it all behind his iron mask and resigns himself to literal nightmares for the rest of his existence.

The timeline has yet to be properly established, but I'm guessing that he comes back from war only to find that his brother has died and sister-in-law has just upped and left. Which means baby Celphi is left in his care. I’m not sure why Saoirse wasn’t the one to adopt him, but I’m guessing since he’s the next in line to the grand dukedom, it ‘makes sense’ that Grand Duke Therdeo has to be in charge of him. (Saoirse not being able to become head of the family just because she’s a woman is another sticking point that I suspect will be key to resolving this entire mess) (how/when exactly he becomes Theo’s ward is subject to many theories since the timeline of the story hasn’t been actually clearly explained; a guess that a friend and I have settled on is perhaps at the time, securing Celphi’s place as a ‘spare heir’ after Saoirse, Saoirse’s son and Theo in the line of succession would have been a practical decision. Either that or, more plausibly, Theo saw Celphi in himself and just decided to adopt the boy. Which makes this next part even more tragic)

The image of Theo in a soldier’s uniform looking helplessly into the cradle, with baby Celphi reaching up to him, broke me when I first saw it. It explains every mistake Theo made in trying to raise him.

He was a soldier. What the hell would he know about raising children (even if the theory that he chose to adopt this boy is correct)? He loves this tiny child with every breath, and he’d do anything for Celphi - but most of what he knows is how to fight and die. How the fuck does that help?? Not only that, his only experience of fatherhood is the shadow of a man who abused him so severely. What is that supposed to teach a man about parenting?

Clearly not much, considering his very shocked reaction when Celphi ends up demanding what he was supposed to think when his guardian/uncle kept ignoring him all the time while he was growing up.

And the boy is correct. Theo has no answer. He fucked up (again), and he didn’t know he was fucking up so hard.

But my god, he keeps trying to make up for it. It’s awkward and uncomfortable, but Theo shows up every day to pick him up from school with Perry; he’s even glad Celphi yells at him about killing Perry because that means he’s not turning out to be Therdeo 2.0. Celphi is expressing feelings and opinions and even if they turn the boy against him, so be it - at least it’s coming out. It may be too late for Theo to learn how to express emotions but at least his ward won’t make the same mistakes.

Which is why IT HURTS SO MUCH IN EPISODE 63 TO SEE HIM SO CRESTFALLEN. After suggesting to Perry she stay away from the Lapileon house for a while, she says she will and the dialogue translates to:

“Thank you for your kind consideration.”

THERE ARE THREE - T H R E E - PANELS where his face/expression isn’t shown at all but you can ABSOLUTELY TELL HE’S 360 DEGREES OF ANGUISHED.

This woman - this beacon of hope that he’s come to have feelings for (all the subtle blushing and unseen pining looks have been sprinkled very well throughout the chapters so far) - has just had to go through the ordeal of a trial (along with months of preparation before that) where she had to send her stepmother to 35 years of hard labour, among other things, for the murder of her father. She's just had to reconcile the mother she knew with the killer sitting in the dock, and the cries of a stepsister she once loved. And all this with the knowledge that it's the Lapileons’ blood that ultimately killed her father. There’s a stray thought that poisonous blood or no, her stepmother would have found some way to kill her dad.

But it doesn’t change how it was their blood - his blood - that killed Count Zahardt. It is Lapileon blood that has tortured Perry, the woman responsible for bringing out the best in his adopted son, discovering little Islette and bringing warmth back to this frozen wasteland of a household (to paraphrase Daniel Molton who is a treat of a character, I love him so much).

Yes, he's essentially thrown his immense resources into legal recourse, released her from their obligatory contract, and offered her help in being independent and free from them. He's done many, many things to try and make her current situation comfortable.

Yet the fact remains that she basically rescued so many parts of his life, and he inadvertently destroyed hers. Nothing he does will bring her father back.

Yet she won’t curse him or his family, won’t demand any form of recompense, won’t even give him the cold shoulder, despite everything in her that says she should. Her line “leave me be so I can resent you” is so good and so sad and my HEART disintegrated.

The most ironic thing is that Theo would’ve probably understood that reaction better. The justified reaction would have been to storm and rage at him. He knows what to do with anger.

Instead, she said thank you for your kind consideration.

And he can’t say anything to that as she walks away.

HIS LIFE HAS BEEN AND IS FUCKING SAD. AND IT’S GOING TO GET WORSE.

Episode 64 is already up on Naver and Dodolea is about to do a NUMBER on his ALREADY VERY FRAGILE PSYCHE. What she calls love - and what some of us may have suspected as straightforward obsession for his attentions - is seeming more and more like a love of torturing him, and watching him squirm.

He has to sit for a portrait in the palace (emperor’s orders probably because he just wants to jerk Theo’s chain around), and cannot escape when she comes into the room to sit and watch. There’s no good reason for him to leave, so he just has to grit his teeth and bear it.

And she laughs at his discomfort. She laughs and calls it “cute”.

The rage and fear in his face when she does so is alarming from someone whose poker face is usually immaculate. It sucks so much strength/spirit from him that it alarms Daniel who greets him at the house. I have a feeling that he’s about to just shatter into pieces since Episode 66′s thumbnail has him turned away, lying on a pillow. And then I will shatter, coz this dude CANNOT catch a break.

At some point, I came to the conclusion that Theo was soft-hearted and I cannot tell you when exactly that was. It's testament to how seungu weaves in his quiet charm throughout the chapters so we can see why Perry might possibly fall for him apart from his handsome face (even if at this point, that is the FURTHEST thing from her mind). There are huge things of course like rescuing her from her kidnapping and financing her legal battles.

But the little warm things speak volumes: learning how to dance so he could accompany her to a ball, saying yes immediately when she suggests maybe he could just reply to people, telling the servants to make her special tea when he found out she also had trouble sleeping, bringing a hot water pack(?) to ease her cramps, rushing back for her auction, squeezing her hand as he helps her into the carriage because that’s all he can do after the trial. (seungu did you also watch Pride and Prejudice (2005)? Did you see the hand flex scene and immediately decide to use this? Inquiring minds must know. Also inquiring minds screamed when they first saw that scene becausE HAND TOUCHES ARE GOLD BULLION IN SLOW BURNS) And just his face (?? back of his head?? seungu never gives us any idea what he looks like when he’s in ‘oops fell in love AGAIN’ mode)

BUT SOMEHOW YOU CAN JUST TELL:

They all tell the story of a broken man who has made so many mistakes, but he can be kind and attentive, and tries hard to do what’s right (even if it takes him awhile to figure out what’s right, coz again: he’s Fucked Up). He’s also a socially awkward dork who ignores people at parties coz he doesn't know how to behave as expected. And resembles a really sad puppy when he disappoints Perry.

I could speculate a lot more on what/who the fuck Dodolea actually is and how she’s related to the Lapileon’s curse, but I also know this manhwa has steered some distance away from the webnovel. So I cannot really tell if the plot lines will be similar.  

I’ll probably be back after the plot progresses further so I can scream some more. I’ve been shrieking on Twitter but that site is subject to a hungry ghost’s whims and I can’t hide spoilers/rambling behind cuts there. So here it will have to be.

Hang in there, your grace.

[peaches2217]

if you're interested in talking more about it, I'd love to hear more headcannons/musings about mareach expecting/being parents!! everything you've posted has been extremely precious and adorable

I’m in the midst of formulating some second-time parent scenarios, so do look forward to that! But until I’m ready to bite the bullet, fight past my shame, and post those, have some more first-time parent floof: The Big Day edition~

✨ The closer and closer Peach gets to her due date, the less and less Mario sleeps, to the point where in the final week or two before their baby arrives he’s getting maybe thirty minutes to an hour of rest each night, and rarely all at once. Eventually Peach gives up on trying to talk him down herself and gets a bunch of their friends involved in an elaborate plot just so he can get some sleep (which I’ve discussed here 😌). The plot works, and he sleeps for like a solid twenty-six hours! And it ends up being very good timing, because she goes into labor the following day.

✨ Mario’s overseeing preparations for some upcoming festivity (Toads have at least one major holiday each month — party people, they are) when he catches sight of Toadette approaching him. And his stomach lurches into his throat before he can even see her face or she can even get close enough to say anything, because he knows. As her lady-in-waiting and one of her closest friends, Toadette hasn’t left Peach’s side in the past few weeks unless Mario’s been there, and why else would she do so now unless something major was happening? What ensues is exactly the sort of spectacle Toadette had been hoping to avoid: Mario barreling through the crowd, sending Toads flying like bowling pins, abandoning all decency and rationale in a bid to get to Peach as quickly as possible.

✨ As soon as he reaches her, he’s showering her in kisses and inquiring about her mental state and her pain levels and telling her that he loves her so much and he’s going to be right here with her no matter what. Considering she’s been in labor for an hour tops, Peach isn’t even too uncomfortable yet; honestly she’s a lot more collected than her husband at that moment. So she giggles and lets him get it out of his system because she’ll never turn down an opportunity to be lavished in love. Stars know she’ll need that support soon enough.

✨ “Your hero just about caused a national panic,” Toadette snarls twenty minutes later, returning to Peach’s room after joining forces with Toadsworth to calm the understandably alarmed crowds. Peach finds it significantly more amusing than she does.

✨ Daisy’s already there because she was part of Operation: Go the Fuck to Sleep, Mario (“We’re not calling it that,” Peach said. “I’m calling it that,” Daisy said back.), so she insists she may as well make herself useful — Peach could benefit from having a backup buddy in the room in the off-chance Mario completely flips out. And also she wants the bragging rights of being the first of this baby’s many aunts and uncles to meet them, because that’s something she can hold over everyone’s heads for like, ever.

✨ Little-known fact about Peach: she’s got a low pain threshold, and the longer it’s crossed, the more rapidly she loses any semblance of composure. She goes from chatting normally with everyone in the room to seeking out Mario's hand with every contraction to clinging to him like a koala and shaking and moaning in agony, all in the span of like thirty minutes. I can't over-emphasize how dramatic she gets. Which, yes, it's justified, because childbirth's near-universally considered the most painful mammalian experience, but dear God, it's almost comical how quickly she loses her cool.

✨ Mario, of course, doesn't find it comical in the slightest. Seeing her like this is heartbreaking and mentally exhausting. There's not really anything he can do to ease her suffering, and that kills him, but he can't let himself dwell on it because she needs him, and he's gotta be strong for her. So he holds her close and does his best to make her laugh or at least take her mind off of it.

✨ Once that stops working, he starts singing to her, quietly, stroking her hair and pressing little kisses to her cheeks. And that works wonders! Until he starts humming one song in particular. Peach recognizes it as a favorite of his; he sang it to her while she was curled up on the bathroom floor months ago, unknowingly suffering her first bout of morning sickness. It seems like so long ago, and they've come so far, and now here they are — the sentimentality paired with an intense contraction makes her burst into tears. Mario may as well have just been shot. Actually that would probably hurt less.

✨ Daisy tries getting him to take a break, maybe step outside and get some fresh air, because she's never seen him look so distressed and it's honestly starting to worry her. So she makes the suggestion, and she hasn’t seen him look so offended since she desecrated his mother’s sacred Pizza Margherita recipe with thick slices of pineapple. Being at Peach's side is about the only thing he can do for her right now. Leaving her, even for a fraction of a second, would be unforgivable. “Okay,” Daisy relents, “just keep torturing yourself, dude.” He's keeping Peach calm for now, but if that changes, she figures she can just drag him outside herself.

✨ Luckily it never comes to that. As Peach becomes less and less consolable, Mario gets more and more focused... to the point where he gets outright bossy for her sake. He pretty much takes over half of the nurses' jobs, ordering anyone and everyone to get her a glass of water, get him a cold rag so he can wipe away her sweat and cool her off, get her some more pillows so there's less pressure on her back and the base of her spine. Hey, makes their jobs easier.

✨ "You're a badass, Peach Pit!" Daisy says at one point very near the end of the ordeal. "She's right you know," Mario tells Peach. It gets a laugh out of her for the first time in several hours. They absolutely high-five in victory.

✨ Peach immediately goes from inconsolable to overjoyed once their baby's in her arms. "It's okay," she shushes, kissing her still-crying daughter's dark hair, "it's okay, mommy's here. I love you so much." In contrast, Mario completely freezes up. It still hasn't processed yet, the fact that this is their little girl, the same one he's talked and sang and read to for the past several months. In his mind, she's still just a faceless entity, an almost metaphorical representation of his and Peach's love and their hopes for the future, except she's real, and she's always been real, and now she's here, and — and that's a lot to process when you've had one solid night's sleep in the past month.

✨ It doesn't really sink in until a bit later, when Daisy's helping Peach shower and get into fresh clothes and Mario's holding the baby, all swaddled in blankets after passing her health check with flying colors. She looks a lot like him, from her dark hair to the shape of her jaw — she may as well be Mario with a smaller nose — but it's not until she blinks sleepily up at him that it finally hits him. Those are Peach's eyes looking back at him. "Oh," he says, calmly, and then he's crying so hard he can hardly breathe.

✨ That's how Peach finds him when Daisy helps her back into the room: kissing and snuggling their daughter with a big smile and fat tears rolling down his face, babbling "Ti voglio bene! Papà ti vuole tanto bene!" to her softly. She thought she already loved him as much as one person can love another, yet here she is, falling even harder.

✨ As soon as Peach is settled in bed, Daisy rushes to find all of their loved ones so she can gather them up and give them the big news: "I'm already her favorite aunt! So suck it!" (That is, in fact, how everyone finds out it's a girl.)

✨ Peach and Mario are given some privacy to bond with their baby girl and decide whether they want any visitors or whether it would be best to let Peach rest; she holds her new daughter close, and he in turn holds her, full of reverence and praises. Peach has never been so sore and exhausted, yet she's never felt so peaceful. Everything is perfect in her world.

✨ Well, almost everything. "I want to see Toadsworth," she requests, her voice so hoarse from all the bawling and screaming that even those few words make her throat burn. But Mario kisses her gently, lingering for a moment before calling a nurse over to pass on her request, and she relaxes further into his hold with a dreamy sigh. Her husband is with her, their daughter is asleep in her arms, and her father will be here any moment to meet his granddaughter. Now everything is perfect.

[sassyfrassboss]

I wonder if the pushback Meghan and Harry are receiving is also a trauma induced choc after covid. I mean it is so global, almost systematic and it's a good thing but they are also so many people who are awful but don't receive that much attention. Even I, like I didn't really care about them because I can't stand Harry but the Oprah interview changed it. The race baiting in particular but also their handling of the mental health problems (too much buzz words and word salad) and the lies....

What I'm saying is that I was wondering if it's also the fact that after so many people lost their family's members without being able to say goodbye we had to see priviledge people moan and attack their own family. And then the so public death of Philip and the so public widowhood of the Queen.

I say that because I was listenning music in shuffle mode and it went on "For those who can't be here" and I remembered when I heard it first. I just learnt the death of a friend. I can't listen to it now actually because I cry each time. I remember, I thought about Catherine, that she gets it. She understands, she thinks about these things. She associated herself with the right song at the right time.

I just wondered if it's the same thing with the Oprah interview. When people see H&M now they feel again the anger of that behaviour at that time.

I was just having this conversation with my mom the other day.

The total lack of awareness when they were being interview, even in the Netflix doc, was beyond the scope of rationale.

A, at the time, 37 year old man complaining his father cut him off financially and that it was lucky his mum gave him $20m otherwise they wouldn't have had anything.

I remember at this time inflation was starting to hit, people were losing their jobs, their homes, family members, etc...

But yet the WORLD was supposed to feel badly for the "Princess in the Tower" because no one was fawning over her during her pregnancy and treating her unborn child as if it was the next Emperor of the Universe. We were supposed to feel badly that the press justifiably vilified her for her lies and her attitude and her bullying. We were supposed to feel badly that while many people went to bed hungry she was crying in an opera box wearing thousands in jewels and clothing.

My favorite part was in Netflix when they acted like they were so destitute and had a hard time affording their $15M mansion.

Like what???

You know what I do when I really really really want something I can't afford? I either let of that dream or I set aside $$$ each month so I can eventually afford what I want.

But yet these two are here whining about how they just had to have that house and were going to do whatever they could to get it. Or whoever they could hahaha.

I truly think they are way past their sell by date. No one cares for them anymore and people have moved on with their lives. Americans could care less about H&M because many of us are worrying the F*** out over the 6-9% cost of living increase and the fact that some groceries have gone up 75% in the past two years.

[mamashenanigans]

His brother’s eyes finally flashed with rationale. He slowly lowered Yoichi to his feet, but his grip didn’t dissipate.

“I need to take, Yoichi. I need to consume. I don’t know the in’s and out’s about it, but it has to do with my metapower. I just can’t stop!”

“We’ll figure that out together. There has to be another way. I’m not asking you to completely give up on using your power. That’d be living up to what you always say, wouldn’t it? That I’m ‘foolish’? I hate to admit it, but we do need the money you can get from giving people powers. But you can’t keep going about it the way you have been. We finally know the joy of not having to move from place to place. This area, the people, they are rebuilding. I…I want to stay here.”

Big Brother’s large hands tightened. “You’re mine.”

“I know.” A tear fell down his cheek. His brother released his left arm to bring his hand up and scoop the tear onto his finger, his left hand moved down to Yoichi’s wrist.

Then his twin gingerly licked the tear from his finger, closing his eyes in ecstasy.

“You know not to tell me what to do,” he whispered.

“Yes, that’s why I’m not. I’m giving you the final say.” Yoichi whispered back.

“Mmm, then I say I’ll give this little whiny plan of yours a try. Just know, that if I don’t like it, if I can’t compensate for the loss of taking, then it’s over. We go back to doing it my way. Understand, dear little brother?”

“Yes.” Yoichi pointedly gazed down at his brother’s hand wrapped around his wrist. A favorable memory of that same hand pulling him out of cold water. “I understand.”

“Then let’s figure it out, shall we?”

+++++++++++++++++

A snippet from a one-shot I’m working on for a new collection about the brothers’ past, both canon compliant and alternate universe stories.

This one is a serious take on a crack idea where Yoichi never introduces the comics to his brother, so AFO never becomes AFO and never obsesses about becoming the Demon King. However, AFO’s intrinsic desire to take and consume still rules him and Yoichi tries to quell the desires by begging his brother to calm down before the anti-meta groups take notice.

How AFO ends up quenching his desire to consume and Yoichi’s role in it by giving in to his own innate desire to give, creates a world where AFO never became the dreaded super villain, but one in which the twins become depressingly codependent.

Check the tags for more clues.

[lilmissnatcat24]

Electric Sheep Chapter Two- IS THAT THE GRIM REAPER?

Shepard wakes up to a ragtag group coming to her rescue, but one mysterious lone turian threatens their new partnership.

pairing: Female Shepard/Garrus Vakarian

rating: Explicit

tags: Lovers to enemies to lovers, Slow Burn, Slow Build, Enemies to Lovers, Alternate Universe - Canon Divergence, Minor Character Death, ,Violence, Blood and Gore, Torture, Disturbing Themes, Dual POV, Earthborn (Mass Effect), Ruthless (Mass Effect), Mass Effect 2, Whump, Eventual Smut, Requited Unrequited Love, Mind Control, Pining, so much fucking pining that even i'm a little disturbed, Hurt/Comfort, Dead Dove: Do Not Eat, OC Central, a kid show called the electromenom that teaches shepard about basic physics, yet another cliffhanger ending (sorry), second in series

cover: done by the stunning @/milkywayes!!!!!

lil text blurb:

He took one very large and very sudden step towards Shepard, gripping her arm so tightly she could feel the tips of his talons in her skin. If she didn’t know any better, she would have thought that he was sick of all her sarcasm and aimed to slap her across the face with his free hand. But he just stood over her, his chest rising and falling dramatically. She wanted to take a step backwards and shake him off, but also seemed to be rooted in place.  “That human you were calling after…” he said. His voice was unlike it had been this entire time, even when he softened up. It was almost as if it were somehow hard and soft at the same time. “Right before you got stung. Are you his?”  “I beg your pardon?” Shepard asked, in nearly a whisper, as she felt with him so close to her that it was necessary.  “Are you…”  He said it, somehow getting even closer to her, his grip tightening. His voice shook ever so slightly, the most emotion she heard coming from him. She had no idea what the rationale behind it was. Shepard felt her breath catch in her throat. Somehow, between the husks and the Collectors and the paralysis, she felt the more fear with this turian looming over her. But was it fear? It was an emotion she couldn’t quite quantify. She felt her palms get sweaty, she felt her heart pounding in her chest. What would that be if it wasn’t fear? The same wave of deja vu washed over her, this time so strong that it threatened to knock her down on her knees. Why was this all so familiar? Why did she get the sudden urge to turn her head to the side in the hope that he would find a stray strand of her hair to tuck behind her ear?  “ His ?”