#I usually draw a lot when I'm not feeling well

[evaskjew]

Attempt at Sebinis

I've found a perfect reference image/drawing to adapt for Sebastian and Ominis, I've been wanting to do some Sebinis for ages 🥹 -but I don't have the talent for it, all I can do is transfer outlines 🥲-

It's not finished yet. I spent too much time trying to make Ominis's nose 😭 And I still have to rework Sebastian's face to make it more accurate.

It's still better than my attempt to put my drawing of Evangeline in her Beauxbâtons outfit in colour (really, I'm not sharing it because it's horrible).

[mazken]

brush test slash rendering practice with ayem

[eri-pl]

Silm Advent calendar 4: Beard*

Warnings: sort of a small panic attack in PoV. Implications of… well, we are seeing Celebrimbor post-reembodiment. So you can estimate. But only implications.

"I wish I could see them again," said Celebrimbor. "The Dwarves, I mean." It was still somewhat strange to speak with words.

Mahtan smiled. "I wish I could see one of them too."

Right. Great-grandfather hadn't ever met any of the Khazad, obviously. Because he had enough common sense to not leave. Obviously. Celebrimbor looked at him. "I'm sorry."

Mahtan laughed and continued leading him down the stony corridors of Lord Aulë's mansion.

Assuming that he could continue the conversation, Celebrimbor said "I've always wondered, and Narvi too—how it is with beards? Are they something Lord Aulë invented, or...?" He trailed off. It seemed a stupid question.

And yet, his great-grandfather was not offended. He stroked his own—meticulously braided— beard, and spoke. "I've always assumed it was his thing, as I had not grown mine before I became his apprentice. But now of course they say the Men have those too— they do, right? It's not another thing Pengolodh made up?"

"Oh yes, they do have beards. Some quite impressive."

They went down another set of stairs, the corridor was windowless and illuminated with lamps. It felt like home, but safer.

"Mhm. See, Tyelpe, we're somewhat secluded here. Nor Tuor, nor of course Earendil had one, so... Anyway, I'm sure you'll grow it eventually."

"I don't— I mean, the fact that I could work with— Despite everything— It's just so much more than I could ever deserve."

Mahtan laughed again—a deep, rolling laughter that felt in place in those stone halls. "You will need to get accustomed to working with people who aren't— nasty."

The forge noises became louder, discouraging further dialogue. Not long after, they reached an arched gate, leading to a huge workshop, where Maiar and Elves worked, and of course, in the center, the Smith himself.

All the hammers stopped and the room went silent. Celebrimbor bowed deeply, barely daring to look at the Vala.

Lord Aulë smiled. "Come, you two. Mahtan, my friend, we've moved your things already. Tyelperinquar, I'm so glad to see you. I— I still don't understand your kind well, but Mahtan said you won't be offended— it is the best workplace after all." As the two Elves came closer, he spoke more quietly. "As an apology."

In the centre of the forge, next to Lord Aulë's huge, carved stone workbench with mithril top, stood two others, smaller, but even more ornate. One, to which Mahtan walked and began checking the tools, was made of bright white stone carved in intricate geometric patterns, parts of which seemed moveable. The other one — apparently meant for Celebrimbor — was a gold square design of perfect four-fold symmetry, with the tools sorted by size and type. While not dusted—nothing in Aman was—it was long unused, judging from types of the tools. There was a peculiar beauty to it, like—

His head went light and he grasped the edge of the golden table— than let it go immediately— if that was to be his apology, he'd have to bear it— he was better now, after years in Mandos—and yet, the very memory—

Mahtan held him like he used to do when Tyelpe was a small boy visiting his forge with the same fascination as his father and grandfather before.

"Shhh. It's all right. It is all right—" he repeated louder. "He will get over it, just give us a moment." He turned his face back to Celebrimbor, whispering: "It's all right. You don't have to, if you don't want to."

"But…. My apology—"

Great-grandfather held him tighter. "Not your apology, Tyelpe. Lord Aulë meant it as his apology to you. He felt like he owed it, especially as there's nobody else to apologize to you now, I think. But let's not get there. It is— we both thought that it would be a kind of justice to give it to you. I'm sorry. You don't have to."

The tightnes in Celebrimbor's chest slowly dissipated. "No, I— I appreciate it, and it would make him so angry and that's good, just— could I maybe reorder it a little. Not much, just…."

He spoke softly, unsure if it was worse to ask Lord Aulë if he could change the designs of his Maia (well, back then), or to talk in private when he was nearby. but apparently it was not soft enough, as the Vala replied him.

"Of course. You can change anything you like. It's yours."

A few days of work later, when Aulë again returned to his forge, he looked at Celebrimbor's workbench—now not as perfectly symmetrical, and carved in rows of Dwarven runes.

He smiled. "It looks alive. I missed it."

[keeps-ache]

love music so much, i'm gonna make some noises about it !!

[celepeace]

I'm in that weird middle ground where I'm good enough at drawing that it wows people who aren't artists and don't know any artists but not good enough that I could even really consider it a talent

[itsahotminuteinbetween]

.

[autistic-shaiapouf]

Thinking about huevember posts and thinking. I may delay these bc I'm feeling ambitious about some of them

[lambilegs]

best friend's older sister!sevika headcanons pt. 2

contains: modern!au, nsfw content (so minors/ageless blogs dni!!), cursing, reader is mentioned to have family issues, hcs + blurbs set pre-confession and post-confession, mention of spanking, strap-on sex (reader receiving), breeding kink, dirty talk, degrading (the word "slut" is used), humiliation kink, sevika physically teasing reader at family dinner, mention of smoking, reader's body is referred to w the terms "pussy" and "clit"

pt. 1

best friend's older sister!sevika who pauses outside her door when she hears the muffled noises of your crying, followed by her sister's voice. her eyebrows immediately draw in concern, stomach turning as possibilities run through her mind. you mentioned having an exam earlier this week -- did you fail it? was someone bothering you? did you need her to do anything?

when her sister's in the shower, she knocks quietly on the door, your call of, "yeah?" pushing her to enter.

once she does, her eyes immediately scan your face, looking for signs of distress. when she finds your eyes pink and glossy, a bolt of nervousness shoots through her, taking her off guard for a second.

once she swallows down the feeling, she tilts her head at you, leaning on the frame. "all okay?" she asks, trying to keep her voice levelled, not wanting to reveal just how much worry is stirring within.

"yeah." your mouth is twisted in something resembling pain, and she eyes you carefully as you sit up in the bed. "it's just, you know, family stuff."

she nods. she understands that, alright. most people would think that being the older of the two, she'd fight with her father less than her little sister, but the truth is that out of everyone in her house, they butt heads more than anyone else. she usually shrugs it off when anyone asks, with her most popular coping mechanism being fuming in her bedroom with a cigar while heavy music blankets over all her thoughts. probably not the healthiest way to react, but it's worked for this long. besides, she doesn't have the patience to sit at a desk and do that journalling bullshit her sister always prattles on about.

"sorry." she contemplates for a few moments on what else she could say to help, rocking on the balls of her sock-clad feet. all she comes up with is, "families suck," silently berating herself for being so incompetent.

but, at least you laugh, the noise a bit breathless, so sevika takes pride in that. "yeah, that's the understatement of the century."

"do you wanna, I don't know, talk about it?" just to ease the weight of the question, she mutters, "you know, I'm pretty good at belting insults at anyone who deserves it."

"oh, yes, I'm sure of it." you nod at the wall where the shower can be heard from. "she's told me how vicious you were in middle school."

she bristles, feeling her stomach tighten in embarrassment. she was a little asshole, alright, and she can't lie, her younger sister bore the brunt of it. something she secretly regrets now -- not that she'd ever admit to it. she probably never would've revealed it you in the first place if not for her sister ratting her out.

"well, I-- that was middle school. I'm not like that now."

your eyebrow raises, lips tilting up. "you know, some people would argue that who you are as a kid shows what kind of person you are at the core of it."

she scoffs. "who, freud? considering the other stuff I've heard about that guy, I think I'll pass on believing that bullshit."

"oh, c'mon, I can tell you all the merits about his theories."

"and while that sounds riveting, I guess, I'd prefer knowing if you... you know, need anything?" she shrugs, her eyes trained on you.

you smile softly, the corners of your lips crinkling. "thank you. I don't feel like talking about it much now, but I appreciate it a lot."

she nods, rasping on the doorframe, unsure as to how to proceed now.

"huh, someone's not really used to this."

she rolls her eyes, sending you a half-hearted glare. "oh, shut up."

best friend's older sister!sevika whose attention towards you is beginning to become obvious, even for you. she's started seeking you out instead of any of your other friends when she's looking for her sister, and when she enters the room, her eyes always flicker to you immediately. it makes you feel like a spotlight is casted upon you, your entire body, your entire being, reserved for sevika.

one day, one of the girls in your group leans over to you, her tone lowered with conspiracy. "you know, I think sevika has a thing for you."

your best friend groans, smacking her arm. "god, please! that's my sister, for god's sake."

"and? she's hot?"

her face morphs into complete disgust, eyes squeezing shut. "please, that's so fucking gross."

while you laugh along with the conversation, you can't help but warily glance to your best friend, mind whirring with thoughts of whether or not she's being earnest. you and sevika aren't, well, anything really -- at least not anything officially declared or acted upon. for months, it's just been tosses and back-and-forths of teasing and flirting. but, there has been no step over the threshold that divides you two between nameless, vague chemistry and the agreement to work towards a real relationship.

but, still, there is something there, and you cradle a hope in your chest that it'll turn into more one day, an actual thing that can be named. but, it's hard to feel positive about that outcome when you're not even certain if your best friend would approve or feel comfortable.

she meets your pondering stare, and you immediately backtrack, turning away so she can't read what's on your face.

a moment later, her palm rests on your knee and she laughs, tone as casual as ever when she says, "honestly, if anyone could tame her, it's you."

your lips part in shock, but she simply squeezes down gently before carrying on with the conversation.

best friend's older sister!sevika who pretty much wants to wring her cousin's neck out when she spots her conversing with you. well, it's not the conversing that's the problem -- she's not that crazy. or at least, she pretends not to be.

it's the fact that she knows her cousin hits on every one of her and her sister's friends, and she's clearly doing that with you right now, eyes half-lidded and voice lowered to what sevika hopes sounds more like darth vader than sexy to you. god, she nearly wants to kill her sister for being stupid enough to leave you alone with her. but, judging from her sister's shit-eating grin from where she stands at the food table, sevika suspects that it was intentional.

she tries not to crush her plastic red cup in her hand and send her vodka-spiked punch spilling everywhere. when her sister had casually mentioned last night that you'd be showing up to this family barbecue, sevika, much to her own embarrassment, had felt an immediate buzz of anticipation at knowing you'd be there. it's stupid, she knows. she's a grown ass woman, not some teenager -- yet, there she was, biting back a smile as she walked up the flight of stairs back to her bedroom. and when she reached her destination, she could barely focus, her thoughts straying to how she'll get a rise out of you rather than remaining on the toy she was meant to be building for the kid she babysits, isha.

she couldn't lie to herself about it. she was goddamn excited.

if only she had known how the day would wind up. it's nearing to late afternoon, and still, she hasn't spoken to you once. as soon as you and her sister had reached, the two of you had met with your usual gaggle of girls. and sevika hadn't been in the mood to entertain their giggles and leering stares upon coming to get you from them. and so, she waited. and then, you were dragged off to talk to her sister's favourite cousins, and then, to the idiot you're currently speaking to. a few minutes into what sevika hopes is a cringe-inducing conversation, her sister had left you to go to the food table.

she knows she has no reason to be jealous of her cousin. after all, look at the dimwit, she barely has game. she's so flashy with it, no subtlety. if you weren't the object of her cousin's attention, she might've actually taken some amusement in watching from afar.

but, no, it just had to be you. she can't even blame her cousin -- after all, you do look damn good, that's for certain. if this wasn't a family event, she'd be dragging you to the nearest corner, pushing you against the wall, and teasing you until you're a squirming little mess. god, she's just throbbing at the idea of it.

but, the feeling gets washed over with ice when her dumb cousin starts stroking her knuckles against your arm. stupid kid. and why are you smiling at her? do you not realize she's flirting? do you like that she's flirting? oh, now that thought leaves a sour taste in her mouth.

her composure snaps when she sees you laugh, and with a firm toss of her cup in the nearest garbage bag, she calmly makes her way to you. she knows she ought to be better than this. she should be the one with sense, with rationality -- the one who keeps her shit together while you become a fumbling mess whose feelings might as well be written on your forehead. that should be you. not her.

but, it's like her mind is working on overdrive, all her instincts honed in on making sure she takes you away and has you all to herself.

when she slides next to you two, your jump in surprise, looking up at her. her eyes rove over your features, drinking you in, wondering momentarily if you even realize how crazy you drive her.

"hey, sev, are you looking for your sister? because she's--"

"no," she cuts in, her palm bracing against the small of your back. "give us a sec."

"wha-- but, I--"

sevika doesn't give her cousin a moment to protest, firmly guiding you away to the front of her house, which has been left secluded now that people are eating in the backyard.

when you stumble into her back from her sudden halt, you blow out a frustrated puff of air. "what the hell was that?"

she feels her thick, dark eyebrows furrow, her gaze casted down on you, unwavering and focused. "I should be asking you that. why were you talking to her?"

"your sister left me with her!" you protest, your voice raising a pitch she'd find cuter if it weren't for the sour taste in her mouth.

"and? that makes you incapable of leaving a conversation afterwards?"

your eye twitches. "and why should I have left the conversation?"

sevika swallows, feeling her throat bob with the movement. if she acts like some jealous girlfriend, it'll be all too clear what it is she feels. and that's a bit too exposing for her. sure, you two flirt and push-and-pull, but it's something she could easily pass as a game if ever needed be. but, jealousy, disliking you talking to someone other than her? that's way too obvious, and there's no way of covering that up.

so, she takes a different route. "you know, if you're gonna be hitting on someone at this thing, it should be--"

"you?"

she nearly splutters, blinking hard at your growing smirk before continuing. "no. it should be someone other than the fuckboy-wanna-be relative who hits on anything with a pair of nice legs and pretty eyes."

your smile only widens and sevika has the sudden urge to bend you over her lap until you're a sobbing mess.

"so, you think I have nice legs and pretty eyes?"

"are you dense? how is that what you focus on?" despite the harsh undertone of her words, she can feel her body stiffening up under your watchful gaze, desperately hoping you don't realize just how badly she wants your attention. it feels pathetic, really, to be putting up a fit like this because just you spoke to someone flirtatious other than her. shit, she needs to save some face.

"yeah, because I think it's weird how you're dictating who I can speak to as though you're my girlfriend or something!"

"that's not how I'm acting--"

"yes, it is!" you scoff, stalking up to her and pointing a finger against her chest, the contact making her jerk back from the spark it leaves. "you wouldn't be this pissed if it was just about concern."

she's silent for a few seconds, her mind running through possible comebacks. the only one she can think of is a hard, "you don't know that."

you tilt your head at her, as though she's some kid in need of a scolding. it only exacerbates her frustration, causing it to flare up low in her gut. "well, if it's just about you being concerned, then let me continue talking to her. you warned me, I took it in stride, and if things go wrong, you can always rub it in my face late, okay?"

she sighs, beginning to regret having ever acted out now that this is the turn the situation is taking. you were supposed to take her words in, and do as she says. instead, you're arguing back, just like you always do. but, she knows that at this point, she'd be a hypocrite to complain about it. she knows it's why she likes you.

"you really want that?"

you cross your arms over your chest, and sevika tries not to let her eyes stray downwards. "is there a reason why I shouldn't?"

stupid mind games. sometimes, she hated being gay because of this.

she likes you, sure, but she doesn't have the patience to beat around the bush. which she's aware is hypocritical and stupid, considering that's what she's been doing this entire conversation. but, still.

so, she shrugs. "beats me."

your eyes flash with something, jaw clenching. sevika can't tell if it's a look of determination or anger.

but, what does it matter if you're spinning around to stomp back into the backyard?

she releases an exasperated breath, fishing for her cigarettes.

best friend's older sister!sevika whose voice makes you jump when you're stirring instant noodles in a frothy pot of water later that night.

"jesus, sevika!" you gasp, your other hand flying to clutch your chest. "what the fuck are you doing here?"

"it's my house, remember?" she dryly remarks, padding over to the fridge and grabbing a carton of milk. pinching the flap open, she drinks straight from it. you'd find it gross if it weren't for the way her lips wrap around the soggy cardboard material, the muscles of her neck protruding as she gulps it down.

when she bends down to put it back, you turn away, your stomach churning from how any bit of laughter is totally drained from her voice, leaving it flat and achingly unfamiliar.

you've felt guilty since the barbecue. sure, it's annoying that she makes demands of you without actually admitting her feelings. but, it's clear that she was upset in that moment. so, maybe you should've been a tad nicer.

"uh, sevika?" you meekly call out right as she's about to exit the kitchen.

she freezes in the entryway, casting you a sidelong glance over her shoulder, which is pinched from the strap of her tight tank top. god, you wanna kiss the indent it leaves.

"I..." you trail off, shifting side to side on your feet, the low bubbling of the water the only noise filling the room. you don't know what's too much or too little, so you mull over your words before tentatively saying, "you know, I'm not interested in your cousin. like, at all. I had no intention of flirting back with her, or, like, pursuing something with her."

she's silent for a few seconds, her eyes flicking away as her jaw tenses, which sends her cheeks hollowing out. you stare at her for a few seconds before focusing your attention back to stirring the noodles, needing something to occupy your thoughts other than the thick, stifling tension seizing the air.

finally, she speaks, her voice low but firm with surety. "well, I didn't want you to flirt with her... for reasons other than what I said."

your stomach tightens up in anxious, gut-wrenching excitement, forcing your mouth to remain in a clenched line. you know this isn't exactly a confession, but it's unspoken between you two -- what she means, that is. there could only be one reason other than concern that would explain how protective she was earlier. a reason that, sure, you're not certain about regarding the details or her intentions, but that nonetheless has you feeling like you could jump with the amount of energy surging through you at the mention of it. no matter how vague.

you can sense she won't say anymore, though, her body rigid with tension. so, to try to lighten the mood, your own body sagging in relief now that you two have somewhat made amends, you drawl out, "yeah, that much was clear."

she snickers, turning fully to you and propping her arm on the door frame. you expect her to give her own retort, but instead, she just... watches you. smirk slowly curling on her face, eyes crinkling in amusement, she simply stares at you.

after a few moments of feeling like the side of your head is burning from her razor-sharp gaze, you say, "what?"

the corner of her mouth quirks up further. "for someone who says it was obvious, that was a pretty big grin you had on your face just now."

you huff indignantly, ducking you head down to the noodles in order to avoid getting caught in your flustered state. "well, I'm just grinning because my noodles are almost done."

she peers at the time flashing over the stove before shaking her head and grimacing at the pot. "why are you even eating this crap at 2:00AM? we have actual food in the fridge."

"I was craving this," you defend with a squeak, shooting her what you pray is a convincing glare despite your heart racing from her earlier words. "besides, I didn't know if your family would be having the leftovers."

"don't be stupid," she chides gruffly. after a pause, she adds, "you know you're family."

this time, you can't resist the beam that overtakes your face, eyes squeezing in delight as your cheeks throb pleasantly from the joy embracing you. you've, of course, heard this sentiment from your best friend plenty of times before, but never from sevika.

"thanks," you murmur feebly, sending her a small, bash smile.

she simply nods in return, her lips pressing together as she continues observing you.

part of you basks under it. the attention of her focused grey eyes, the heavy weight of her gaze -- it all sends a thrill to you that's hot and burning, making you feel you're being revived from a lifelong slumber. how did you ever manage without the life-altering feeling which is sevika's gaze directed to you?

"so, I guess I should head up," she says, sticking a thumb behind her.

your body immediately tenses in protest. she can't leave -- not like this, not after this tender moment you two just shared. not when her presence here holds the contrast of warm assurance and ice-cold surprise that you're always craving.

a loud "no!" bursts from your lip as she's just about to turn.

when she sends you an inquisitive stare, forehead wrinkled in confusion, you feel your face heat up in embarrassment over your over-eagerness. but, it's too late to scale back, so you force yourself to proceed with, "I just-- why don't we hang out a bit? maybe watch gilmore girls. and, I don't know, share the noodles and, well, left overs."

her eyes widen, lips parting in surprise, and it almost makes you want to cackle. how could she even be surprised you want to spend time with her? are you just that good at hiding your want for her, or is she that romantically dense?

"um, yeah, okay," she says, a hand curving up along the back of her neck. "but, don't think I'll eat that crap you're making."

your shoulders ease at the joke, laughing as you wag your wooden spoon at her. "it's good, okay? I don't know why you'd deprive yourself of it."

"if I didn't deprive myself, I wouldn't have these." she flexes her bicep, and you try not to let your gaze roam over the toned muscle bulging out. no need to satisfy her that much. "and wouldn't that be a pity for you?"

you bristle, but still find yourself unable to quell the laughter that bubbles up your throat. "fuck off. my life isn't so sad that your muscles are my sanctuary."

"fair point -- maybe 'religion' is a better term."

ugh, her grin is infuriatingly coy as she heads back to the fridge, pulling out a tupperware, her veins bulging out as she grips it.

you want to fuck her so bad. and then, yell at her. and then, fuck her again.

"just, shut up and heat up the leftovers," you grumble, turning your back to her as her laugh, hearty and scratchy in all the right ways, flows from her lips.

honestly, the lack of eye contact is for both of your guys' benefit. god knows how you'll react if you see that cute gap again.

best friend's older sister!sevika who, after you two start dating, places her long fingers on your thigh when you join her family for dinner. she knows it's a bit evil of her, but she can't help it. your body is just so reactive -- a fact that she was delighted to learn upon your first time sleeping together. it just makes it so much fun to toy with you like this.

your leg immediately flinches when her fingernails skim along your skin, and she'd probably smile if she wasn't so well-trained in public play to know exactly how to keep a straight face.

but, you? she knows you're struggling. she can feel it in the way you shift in your seat, shoulders rolling as her warm palm flattens against your skin, her fingers sinking into the plush of your thigh. or how your body suddenly lurches forward when she suddenly pinches her nails into the skin, causing everyone at the table to dart concerned glances your way.

you sheepishly laugh it off, shaking your head and saying, "sorry, I, um-- I just got a weird shiver."

sevika honestly feels impressed that you're able to keep your cool this well, glancing at you with a raised eyebrow. she knows it probably goes against the whole supportive girlfriend thing, but seeing you manage to remain calm only makes her want to test you even more.

and so, she inches her fingers up so that they smooth along the tender skin of your inner thigh. you immediately stiffen up, your back straightening to an almost comedic right angle. sevika's mouth twists, trying to hold in a chuckle at how you writhe when her blunt nails begin to trace shapes into the hot patch of skin. god, she wants to dip her fingers in further, feel the tight heat of your pussy wrap around her digit as she pumps it in and out of you.

she clears her own throat to cut off her breaths from getting too shallow. god, she needs a cold shower or some shit. plus, the entire point was to get you hot and bothered, not her.

trying to gather her bearings, she presses her fingers into the sensitive area, slightly digging in the curves of her nails, trying to replicate she sharp sting you feel when she sinks her teeth into that spot before eating you out.

it seems se's successful, based on the way your legs shift again, pressing together and trapping her hand there. and your cute face is noticeably distracted, expression glazed over, lips hanging open.

when your fingers curl around her wrist, keeping her hand there, she smirks behind the rim of her glass, taking a careful sip before wrenching her hand free from your grip, continuing with her meal.

through the animated conversation her sister and old man are having, she can hear you grunt in frustration.

but, she doesn't even turn to you. after all, what would be the fun if she just gave you what you wanted?

best friend's older sister!sevika who shakes you from your deep sleep when you're curled up on the mattress in her living room, your best friend fast asleep on the couch. before you can mumble incoherently, your eyes barely making out her broad frame through the sleep-tinged blur, she presses a finger to your mouth, quietly shushing you.

you nod, your heavy eyes blinking rapidly to register what's going on. but, you can barely get a whisper in before sevika scoops you up, her strong arms easily carrying you up the stairs to her bedroom. you have to bite back a gasp at the sudden manhandling, though a spike of arousal zips through you from how easily she takes you to her bedroom, dropping you unceremoniously onto her navy blankets.

you frown at her, eyes sharpened into a glare. "sevika, wha--"

she plants her lips on you, crawling on top of you and pinning your body to the bed with hers. she's sloppy and ungraceful with it, shoving her tongue into your mouth and swirling it around yours as a hand slides up to loosely grip your throat.

"you didn't think I'd leave you hanging, did you?" she mumbles against your lips, her hand drifting down your body to start fiddling with the waistband of your pajama shorts.

"well, you already did once, so I wouldn't be surprised if it happened again," you murmur against her prodding mouth, trying to keep your voice dignified in light of all the pants and whines beginning to crawl up your throat.

"awe, c'mon, baby," she snickers, pressing an open-mouthed kiss to your cheek while the rest of you practically combusts from the low, scolding tone she takes when calling you that. "even I have my limits."

and, oh, how fucking good it feels for sevika's limits to be broken, you think as she pounds into you with her dark purple strap-on, her hand over your mouth as she pumps her hips steadily, hissing whenever her bed frame bumps too loudly against the wall.

you wrap your legs around her, nails raking up her back as the toy plunges into you over and over again, stretching your walls taut. it feels good, so good, the dull ache of her nearly-too-big dildo making your entire pussy throb in a way that makes you feel impossibly full.

"listen to that," she whispers against your ear, the hot moist of her breath making you break out into shivers. "your pussy is soaking my new sheets. such a mess you're making."

god, you just leak even more from those words, the mix of your juices and the lube creating deliciously loud squelching noises in her room, only growing more pointed and firm when she begins to drill particularly hard, intentional thrusts into you. the movements have the bulb her of dick pushing against your g-spot with every rock of her body, and it sends a warm tingle through you, wrapping your nerves in pleasure and sparking them to life.

you whine against her hand, eyes rolling back when her cold, mechanical finger begins to flick along your clit. the cool, steel-hard texture of it against your swollen little nub has your body arching up, each brush and flick feeling so heightened through all the other sensations running through you.

"yeah," she chuckles darkly, grazing her teeth along your earlobe. "you like that, don't you? getting this pussy slutted out, having me fucking up your guts and making room for my babies?"

your hips jolt up at those words, a loud whine erupting from your mouth before you can stop it. sevika hisses at it, pressing her mouth to yours, her thighs smacking against yours as she continues drilling you into her mattress.

"be quiet," she rasps, her breaths shattering into uneven little pants. "you want everyone in this house to know what a slut you are? you want everyone to know you couldn't last a night in here without getting dicked down by your best friend's sister?"

you can barely respond, your entire body set aflame with the pleasure of her on top of you, surrounding you with nothing but warm skin, hard muscle and filthy, nasty little noises.

"ah," you moan quietly against her mouth, fingers tracing the indents your nails have left in her back. "feels s'good, I just-- I can't--"

"I know, baby, I know," she grunts, fingers wrapping around your jaw and shaking your face like you're her personal doll. "no need to worry your pretty head with talking, yeah? just be good and let me cream this pussy."

and so, you do. over and over and over again.

best friend's older sister!sevika who tries not to smirk too hard when her sister asks over breakfast why you're wearing a turtleneck in the middle of july.

[havanillas]

Heya! Person who went/goes over gender swap?? Female version?? Of Ratiorine, or just the way you draw women in general here. I'm an artist (not really but I do draw and paint from time to time) I just wanted to ask, (sorry if this is really silly or inappropriate) How do you draw breasts semi realistically?? Or just draw them the way you do. I honestly don't know how to draw human anatomy at all, I just kinda wing it but breasts, male chest alongside legs and hands are a STRUGGLE for me. (Been slowly getting better) YET BREASTS ARE ALWAYS JUST NOT LOOKING RIGHT AND IT MAKES ME WANT TO SOB They're always very anime looking in a very very bad way (because I grew up watching mostly anime and using old anime drawing tutorial books) No need to respond/answer if you don't want to! Just wanted to ask!

breasts are affected a lot by the angle of the shoulders and the pull of gravity, which are both pretty daunting factors for learning artists

i'd recommend anatomy studying but that's not what you asked for(tell me if anyone's interested), so i'll take the opportunity to draw more fem!ratio

behold, a booba tutorial with veritas ratio. only open if youre interested in boobs

breasts don't really have a fixed form, so they're tricky to make them look natural. as i mentioned, i consider the gravity and angle of the shoulders, as well as clothing when drawing them

i'll go over an easy method to paint them. for demonstration, i unbuttoned ratio's shirt. for educational purposes.

i like to use shaded tones as base color and add light afterwards

with some lassoing and glow layer (overlay/add/anything that works) it already looks fairly alright, but i'm gonna do some blurring to make it look better

i blurred and erased around the edges to make the light blend in more naturally to the lineart and the shirt

i added a little bit of redness around the edges of the light to make it look more like flesh as well as reflected lights (the blue circles), they'll give clearer indications on where the breast starts and ends

i usually end the details here when i don't feel like going for high quality render

and there it is, a pair of shiny boobs

im not sure how to lay out the higher quality render process, i haven't really figured it out enough to explain it to someone else yet

anyways i like how this one turned out, so i'll try fancying it up tomorrow, i'll post it when im done

[illusioncanthurtme--art]

These are a couple doodles from yesterday, Gideon as a younger teen, before the growth spurt, maybe 14? He's discovered he's a vampire, and has a lot of recovery to do, since he's severely blood deficient.

I'm gonna let myself explode about my vampire gideon ideas, under construction, under the cut: (I don't write fanfiction, I just throw up my ideas on a tumblr post, apparently :'D)

This is what I love about tumblr - it's a place where I can throw the doodles (something that isn't finished *artwork*), and let myself be really delusional about fictional characters. So I'm gonna take a moment to ramble about the ideas I have for Gideon as a vampire.

If you're a fellow Gideon Head, HI THERE... anyway, here's my thought process on a potential vampire-gideon backstory???

I've always liked the idea of gideon being a vampire, and also becoming a much better person when he's older. And that got me thinking, maybe those two things are linked. Maybe the vampire thing is somehow tied into his reformation.

But I tend to lean towards building my ideas off canon (as opposed to making an AU). And if gideon was a vampire, and knew this during the events of the show, it would have come to light at some point. So, either he doesn't know he's a vampire, or he becomes one later. Becoming one later works narratively, but he's already so vampiric, with the white hair, pale skin, sunscreen, evil, etc. So I'm like, let's go with that.

So, gideon has gone his whole life without knowing he's a vampire, and without drinking blood. I'm thinking that being a vampire in this case (my gravity falls fan version of what a vampire would be) wouldn't adhere to typical vampire conventions. You don't NEED to drink blood to survive.

Here's the idea I got yesterday: after the events of weirdmageddon, gideons experience motivated him to become a better person. It was the awakening, basically. But in the subsequent years, he's still a little shit. Maybe he's in juvenile detention, or prison again. But now, he has the self awareness to know that what he's doing is wrong. This is where my ideas get a little fuzzy, so bear with me. Bud has his suspicions, and as a last resort, puts gideon on some sort of mission trip type of cross country trip, when he's in his teens. And along the way, maybe at the end, there's this secret group of vampires that open gideons eyes to what he really is.

Basically??? Without blood, gideon is very evil. He's an evil little shit. This may not be how it is for every vampire. Maybe some grow very sickly without blood, just get hungry, etc. The effects of blood deficiency vary from vampire to vampire. But Gideon becomes very unhinged. And he'd essentially been Blood Hangry for his whole life. That being said, some of it was just his personality that he needed to work through, but drinking some blood helped a LOT. Blood isn't food for him, it's more like his medication.

Once he has that discovery, he spends a long while, I'm thinking maybe even a year, just recovering from the deficiency. He's almost always drinking blood to keep up his levels, and he's very rarely seen in public to keep the vampire thing a secret. That's what these drawings were supposed to be, him in his pseudo bedridden state. This period in his life would be one big blur; mostly spent binge watching soap operas and being all cozy. In contrast to his usual suit + tie, he's dressing for max comfort: sweatpants, sweatshirt, a knit hat over his ridiculously big hair, and always wrapped in a blanket. Not sure if somehow he feels cold when drinking blood?? But for some reason, I feel like he'd always be wearing like 10 layers and laying under a heated blanket or something.

Eventually, he'd only need to drink blood about once a month for maintenance.

Character development wise - even as an adult, Gideon isn't sure if he's truly a good person. Is the blood deficient version of himself the true gideon? Or is this well adjusted man who he truly is? And there's an issue of the chicken and the egg, too. Gideon was born a vampire. Did these genes activate because he was predisposed to being evil? Or did the vampire thing happen by coincidence? Does being a vampire make him evil, or is it the other way around? He doesn't know, and he never will.

The one thing I'm not sure I like about this idea: i'm worried that I'd be writing off his villainous personality as an illness that can be cured with a thing. Obviously, it would be better if he faced that head on, and figured out how to be better. So I'm still grappling with that. But for now, this is an idea I'm entertaining. Of course, I think it would be interesting if there was a plot point where his usual source of ethically sourced human blood was compromised for a time, and he had to grapple with his personality going topsy turvy.

It's actually embarrassing how much I just wrote???? If you've made it this far, wow, I applaud you. I guess this was just my idea of having a good sunday night, writing down my silly thoughts on gideon gosh darn gleeful. Let me know your thoughts too!!!! I'd love to know if you have any ideas, or questions, or ways to strengthen this potential backstory.

[chaoticwriting]

YOU ARE MARRIED!!??3

Part 2

It's been a week since Ellie arrived at the manor. All the guests from the night of Ellie's arrival had already returned by that night. And so far, they haven't managed to pry open any more information about their brother-in-law from Ellie that they already didn't know of.

Currently, Ellie is sitting in the living room drawing on her green notebook while eating fruit snacks that Alfred prepares. Cass is watching over her, occasionally asking her what she is drawing.

Except for Cass and Alfred, everyone else is either at work or at school. Suddenly, a portal opens and comes out Cujo with a bag that has Ellie's name on it. So far, Cujo has been delivering Ellie's essential almost everyday for the past week. Whenever Ellie or Cass ask him about Danny, Cujo just shakes his head meaning either he doesn't know or he can't tell them.

Cujo also never stays for long and just jumps away whenever his delivery is done. But to their surprise, Cujo is not alone today. A woman in punk clothing and blue flaming hair follows after Cujo holding a guitar in her hand. Ellie perks up when she sees Ember coming out of the portal.

Ellie: Aunt Ember!

Ember: Hey Ellie. How are you doing? I assume you have been eating well.

Ellie: Yes! Everyone is so nice. Alfred always brings me snacks if I want to and grandpa Bruce buys me a lot of things.

Ember: Good good. I'm just here to say hi and check up on you. Your papa has been worrying a lot since he sent you here.

Ellie: Aunt Ember, when will papa finish his job? I miss him.

Ember: I don't know but for now you stay with your mama, okay? I will tell your papa to deal with his job quicker.

Ellie: Okay. :(

Ember then turns towards Cass and smiles at her.

Ember: Hey Cass. I'm Ember. Danny's friend. Sorry about the late greetings.

Cass: It's fine. About Danny, can I know what his job actually is?

Ember: Errmm, it's not that I don't want to tell. It's just I feel like you should ask him directly since even I don't know what his actual job is. Usually, Clockwork just calls him and off him go to wherever or whenever he sends him.

Cass: I see. But can I know if he is okay?

Ember: As far as I can tell, he is fine. Clockwork hasn't asked any of us for back up yet, so his mission is probably going well.

Suddenly, Bruce enters the living room seeing Ember and Cass talking.

Bruce: Why hello there miss. How can I help you?

Ember: *Stares*

Bruce: Errmm, miss?

Ember: You are that guy that got sent back and forth in time wasn't it? I remember your face from one of Danny's missions.

Bruce: What?

Ember: Yeah. You are Bruce Wayne, right? The Batman.

Bruce: How do you know about me?

Ember: It's not hard when your bestfriend is the one that helps one of his favorite heroes to escape forced time travel.

Bruce: Danny helps me back then?

Ember: Yeah. But at that time, he was mostly chasing after Plasmius. It is a coincidence he met you so he sent you back home first before he continued chasing Plasmius.

Cass: This Plasmius guy, how dangerous is he?

Ember: Ehh, depends on his sanity to be honest. One day, he might come to just fight you, another day he might try to release an interdimensional tyrant from his long slumber. So it's really random.

Cass: And this time?

Ember: Oh did Ellie tell you they are chasing Plasmius? I don't actually know what he is planning this time. Clockwork is being his cryptid ass again and not telling the whole story.

Bruce: Is this Clockwork safe?

Ember: Well, he is okay. I think he adopted Danny at one point so you could call him his adopted parents. But Danny also has real parents so there is that. Overall, he wouldn't allow any significant harm to fall onto Danny or anyone close to him unless he knows that is the best solution possible.

Ember: Oh well, I need to go now. Have a concert to attend to. Bye Ellie.

Ellie: Bye Aunt Ember! Bye Cujo!

Cujo gives out a bark and opens a portal. Both of them enter the portal and disappear from the living room. Bruce has that serious calculating look on his face while Cass just takes everything and processes them. She trusts his husband's judgement. And since she is with Cujo and Danny trusts Cujo, that means whoever Ember is, she is probably a friend.

Bruce goes to his study to enter the Batcave, while Cass and Ellie continue playing in the living room.

-Somewhere else-

A young man with white hair and black and white hazmat suit is flying across an urban city as he chases after a vampire-like older man that is holding a bracelet giving off a green light.

Danny: Give me the bracelet, Plasmius!

Plasmius: You gotta take it from my own hand, little badger!

Danny shoots an ecto beam towards Plasmius as he dodges the attack coming from Danny. Danny being agitated, tries to fly faster but he is already going as fast as he can.

'I wish I could just appear in front of him.'

Suddenly, Danny's vision goes black and when his vision comes again, he sees Plasmius rushing to him. Plasmius is shocked to see Danny suddenly in front of him and tries to maneuver away from him, but at such close distance, there is no way for him to outrun Danny.

Catching his wrist, Danny puts a collar that Clockwork specifically made for Plasmius. Plasmius turns back into a human and if not for Danny holding his wrist, would have fallen down from the sky.

Danny, seeing Plasmius unconscious, processes what just happened. Did he just teleport? How? He doesn't even know how to open a portal. He kind of just wishes it and it happened.

A green portal appears in front of him, cutting off his thoughts. Danny sighs as he doesn't even know what is going on. He should probably return first and ask Clockwork what is happening.

Part 4

[sincerlyus]

Reverse Falls!!

Soo this is my take on Reverse Falls!! I don't really know which are the original designs or which are the new personalities that each character adapts, so I made my own headcanons!! :3

It should be noted that there are characters who do not change personalities with anyone, but rather their personalities are more exaggerated or are opposite to the originals. Or (in the case of McGucket) their relationships are different so they change their way of being progressively.

EXPLANATION TIME:

This is quite long, I'm going to explain the personalities of each one and how they relate to various characters. Credits to: hours of daydreaming and Google Translate  (TW: child abuse, emotional and physical abuse, homophobia, classism. I don't know if there's anything else, just in case)

Pacifica Northwest: Outgoing and very expressive. She didn't know Gideon very well until her parents sent her to Reverse Falls. She likes to knit, draw, and has a lot of stuffed animals. She has a lot of hair, and likes to do different hairstyles every day ("to be innovative"), cries when she has to cut it. She is very affectionate with Gideon and tries to get him out of his shell. She is a little insecure, but likes to see the positive side of things. She gets along very well with Bud, although sometimes she feels he is a little weird. Symbol: Llama (on her sweater)

Gideon Gleefull: Insecure, has little self-confidence, very skittish and anxious. Has a habit of chewing when he is thinking, like OG!Dipper (chewing on pens, his shirt, etc.). He didn't really know how to talk to Paz at first since the first time they met they were very little, what was she going to say?, was a "Hello" enough?, a handshake?, a complicated handshake?, was she going to ignore him? Paz simply gave him a big hug when she got off the bus (+ gave him a sweater she made on the way). Symbol: Telepathy star (in his hat)

Bud Gleefull: Ultimate scammer. Very friendly and funny, although sometimes a little intimidating. Bye Hawaiian shirts. Very patient with Gideon. He is basically the “cool uncle/dad”. He put Paz to work the day she arrived, although he became attached very quickly and gave her family privileges (he does the same with Gideon).

Mason “Dipper” Pines: He is still very insecure but is able to feign confidence when standing on stage with his sister. He still has a lot of passion for science, he is not very affectionate, he holds back his emotions as he does not want to look vulnerable, especially in front of Stanford. He has a lot of respect for Ford (or rather, fear), being his apprentice he sees him more as a teacher, a superior figure than as an uncle; however he has very little respect for Stan, threatening him and making fun of him. He does not usually use his amulet much, only to practice tricks or in his shows. He has a very distant relationship with his sister, similar to that of the Stan twins. They have many disagreements, but they still have each other's back, especially when Ford is aggressive with one of them. The most sincere relationship he has is with F, although he still treats him like an employee, knowing that he was one of the brilliant minds behind the portal he respects him. Sometimes he discusses theories and shares discoveries with him (although he is embarrassed to think that his only "friend" is an employee of his uncle). Once he met Gideon and Paz, he was able to show his more fragile side and be himself, although he doesn't consider them completely friends (that changes post-weirdmageddon). Symbol: Pine tree (a small pin)

Mabel Pines: A spoiled brat, basically. She's very charming and friendly on stage and with guests at the Pines' many parties, but she's very whiny and selfish behind the scenes. She's not at all affectionate, to the point that she hates physical contact, especially if it's from townspeople. She resents her brother a lot for being Ford's "favorite" (he doesn't really have favorites, he's just less strict with Dipper because he's useful to him). She's Stan's spoiled child, giving her what she wants when she wants it (they have a nice relationship actually, Stan being one of the only ones who comforts her when she's sad). Instead of knitting, she likes to design her own dresses and accessories for shows and parties (her guilty pleasure is arts & crafts, since it's a very "childish" activity for a Pines). Obsessed with Paz, but learns to respect her limits throughout the story. Symbol: Shooting Star (a small pin)

Stanley Pines: He basically swaps personalities with Bud, runs the Telepathy Tent, is very friendly, and is scared of his brother and the twins. He never gets involved in Ford's experiments, having a very tense relationship with him. He loves the twins very much but knowing the power they have with those amulets he prefers to go along with them and not question too much what they ask (he knows when to be firm but the one who really has an impact on them and can make them see reason is Ford). Symbol: Oyster(?? (on a necklace)

Stanford F. Pines: Did you think OG! Ford was a jerk? Well now he's twice as much! He doesn't have an ounce of empathy in him, he's very narcissistic and only cares about his projects and his image. He doesn't care at all about the twins, only seeing them as a way to make money, demanding the most out of them, and he doesn't hesitate to use violence if any of them get out of line. He's very distant with Stanley, speaking to him very dryly (or rather, barely speaking to him at all). He's almost a hermit, living in his laboratory, not letting the townspeople get to know him; although unlike OG! Ford, he cares a lot about how he presents himself in front of the public, taking care of his image and clothing. He's very demanding with Mabel, as he feels she's nothing more than a spoiled child, the image of the Telepathy Tent along with her brother. He is a bit kinder to Dipper, as he realizes that he has a brilliant mind for his age (though not more so than his own), so he includes him in many of his experiments and research if he proves useful; but excluding that, he is just as insensitive as he is with his twin, mistreating him if he does not comply with what is due. His relationship with McGucket is kinda weird: although they were friends in college, the power that Bill/Will offered him completely consumed him, being abusive to F, forcing him to work long nights, keeping him awake by force. He only sees him for his use: his great skill with mechanics (which Ford does not have, although he hates to mention it). Although he was in love with F while he was at Backupsmore, he currently has no romantic feelings towards him, considering him an employee, his assistant, nothing more. He has internalized homophobia (a gift from Filbrick) and classism, so he hates to remember when his relationship with F was one of equals, friends. It disgusts him to think about when he would get so emotional around him. Symbol: Six Fingered Hand (the diaries)

Fiddleford H. McGucket: He is still the brilliant mind he was in his youth, but stress eats him alive. He started to age very quickly thanks to it. He invented the memory gun to try to forget all the horrible things he witnessed or that Ford made him suffer, but his boss doesn't allow him to use it too much since it can damage his mental health and erase knowledge, making him less efficient and useful. He doesn't have a very deep relationship with Stanley, since he practically lives in the lab where Ford forces him to work, but they are able to talk whenever F has a break (almost never). He can't stand the twins too much, not only because he feels that they are very annoying, but because the simple presence of children in his day to day life reminds him a lot of Tate, with whom he no longer has contact. Everyone knows about the abusive relationship he has with Stanford, they are not indifferent to it but they try not to mention it or get involved in his affairs (practically out of fear of Ford).  Throughout his stay with Stanford he started developing an emotional dependence on him: not only did he make him feel that he was useless without him, but he uses violence on him when he is not fulfilling his duty, causing F to blame himself when this happens (What did he do wrong? What can he do to improve?). This got to the point where he started to hurt himself when he did not do something right. Ex: hitting himself when he noticed that his leg was bouncing in front of his anxiety (something that bothers Ford a lot), pulling out clumps of hair in front of the stress of not being able to achieve something, biting his nails, scratching himself, hitting his head (imagine Dobby from HP). Such actions and the mixed feelings he had towards Ford, made him develop masochism, enjoying when he inflicts pain on himself and when he is the victim of Ford's physical and psychological abuse, he clearly hid this for a while since it would look very unprofessional on his part.  Eventually his boss found out and used this to his advantage, being quite sadist himself (he enjoys watching or inflicting pain and/or humiliation on others, in this case, he gets sexual pleasure). So every time Ford needs to let off some steam, vent his frustrations (or is just horny), he uses Fiddleford to fulfill his fantasies, making F's wishes come true as well. He basically uses him as a sex toy, and F doesn't complain, having suffered so much emotional manipulation, he even considers himself lucky that his boss wants to be with him like this, even if it's NOT healthy. Symbol: Spectacles

Bill Cipher: I don't like the idea of ​​changing his name, so Bill stays. He's still the same chaotic demon as in the original series, but this time he's been tricked by Ford into working for him and doing his bidding. He's also forced to do the twins' bidding. We already know that Bill can change his shape and color, so I think all of his shame and self-pity manifests itself in his appearance, turning blue over time (any strong emotion makes him change his appearance). He manipulates Gideon and Paz, making them feel sorry for him so they'll do his bidding (it doesn't work, clearly). The people he has the most contact with are Ford and Fiddleford, as they spend most of their time in the basement where he's locked up.

So that's it. I don't really know how this timeline would work, considering the portal and the journals, but I just wanted to have fun with the character designs and relationships (I feel like the weirdmageddon would happen sooner than in the original timeline). If you want me to go deeper into certain relationships or characters, let me know!!(≧▽≦) I'll see if I can go deeper into the relationship between Ford and Fiddleford that you guys liked so much (you guys really like toxic yaoi, huh??). I'm thinking of making a fanfic or smt to explain their day to day life in the lab and how Ford invited F to work with him (SPOILER: it didn't go well...).

That's it ig, LIKE AND SUSCRIBE!!!1!!1!Σ(°ロ°)

[mellosdrawings]

The Princes

Ten years later. When marrying a Prince turns a Queen and a Servant into actual Royalties.

Because Vil deserves a real crown and Jamil deserves to be treated better.

NOW I'M GONNA RANT ABOUT MY CHARA DESIGNS CHOICES AND ALL THE DISCOVERIES I MADE WHILE LOOKING FOR REFS! If you only care about art and funny doodles, you can scroll down for a handful of slices of life.

(Don't worry if you can't read my notes, I'm repeating myself better right under this)

Leona

-Lion: As you may know, one of my grievances with Leona is how his hair doesn't look like an actual mane despite being a lion. While I don't want to stray too far from the canon design with the usual drawings, that's the occasion for me to have some fun with a future version. Give that lion a beard and voluminous hair!

-Hair: First, get those bangs out of his face. Despite Leona being very confident, he still has bangs covering his scarred eye. I wanted him to finally own the aspects of him that may be scary to others (his UM, his scar, etc). I actually went with bangs framing his face similar to the ones he had during his Overblot. I wasn't sure whether to give him dreadlocks or curly hair, but I ended up choosing the free curls decorated with some atebas and braids so that Vil could have more fun styling them.

-Eye: Thanks @aria-faye for the idea, I decided to have his eye gradually lose its capacities with time. From a headcanon that, while the eye wasn't directly touched by whatever attack scarred him, the process of healing still had an impact on it and he gradually lost sight in his left eye years after years.

-Body: Not giving him a dad bod (yet, maybe in another ten years), but definitely giving him more voluminous yet casual muscles. Practical muscles with a healthy dose of fat and tissues. Also giving him two full sleeves of tattoos because I decided he should have much more than just his lion tattoo.

-Clothes: Went full Maasai dressing and Kenyan fabrics and beadworks. If you're not familiar with it, please go check it out, it's GORGEOUS!! Crown is beadwork too. He also has one Arabic styled foot jewellery.

Jamil

-Hair: My first order was to remove his double-faced hairstyle and also remove his bangs from his eye. Make him confident enough to show his whole face. Unlike Leona and Vil, he doesn't really want a crown though (he still feels weird about becoming royalty) so instead he uses a braid as crown. Also gave him a little goatee because I like facial hair and Jafar has a beard too.

-Body: He grew up! While he didn't quite catch up with Leona and Vil, he is now closer to their sizes than before, sitting at around 180cm. He kept his breakdancer/martial artist lean muscles but developed a bit of shoulders.

-Clothes: Went full Arabic dressing and fabrics (once more, go check the fabrics, they are pieces of arts). I gave him floral motifs instead of his usual fire/snake motifs (though he does have a snake earring and a fangs necklace) to symbolise his rebirth/blooming. Like Leona, he has one piece of jewellery that is beadwork.

Vil

-Hair: Here it was a bit tricky. Considering Vil's work, he likely changes hairstyles a lot, going from long to short for his roles instead of his wants. So I leaned into the little things he could add to his hair despite their constant changes, mostly jewelleries, beadworks and wool decorations he stole from his husbands. He also cares a bit less about them looking perfect and is allowing himself to be more natural. He doesn't have any facial hair (yet), keeping a youthful appearance for as long as he can. In another ten years though, he might start looking more and more like his father, beard included.

-Clothes: For Leona and Jamil's mental states, the three of them most likely started living in Sunset Savanna so they wouldn't freeze to death. Vil is well traveled so he can handle most temperatures without trouble, and he is used to dressing up in the local get ups. Here I decided to give him both African dress and Arabic fabric, and likewise both beadwork and golden jewellery. I gave him crown and heart motifs so he can keep being himself despite borrowing a lot from his husbands.

There, I'm done rambling. Here's some doodles, followed by some random headcanons.

-Vil does his husbands hair every morning and keeps giving them more and more intricate hairstyles. He developed a whole haircare and beard-care products set for them.

-When Vil is away for a movie, Jamil keeps his hair mostly down save for a few accessories.

-Jamil and Falena get along surprisingly well (to Leona's despair). Vil gets along very well with Falena's wife.

-Jamil acts as a Scalding Sands ambassador and still is the one to care for Kalim when he comes to visit, though this time he's doing it because he wants to and not because he has to.

-Vil got used to his new title immediately but Jamil struggles with it a lot. He still has a hard time wrapping his head around the fact that he is no longer a servant.

-The servants at the palace love Jamil because he always makes their job easier.

-Leona finally decided to put his wits to good use and became Falena's advisor. He still fights a lot with Kifaji about the direction to take with the country, but he managed to make some of his ideas heard to help with the staggering inequalities in the country.

That's all for now!

[teaboot]

Growing up, how was your relationship with the fundamentals of conscious existence?

My earliest memory of what I would call self-awareness occurred spontaneously in the middle of my fourth birthday party, where I suddenly became alert to my existence as a separate entity surrounded by other conscious beings.

This presented to me as not dissimilar to simply being brushed along the flow of a river- experiencing life as a serious of flashbang moments and instants and sensations, like meditating to music until the individual notes break into sounds that follow no rhythm and are only noise- no past or future, only now- and then suddenly finding yourself holding a paddle in the belly of a boat with no idea what to do next.

I remember running to the body that felt safest, who I did not recognize as anything else, and asking it who all the strangers around us were. The person that I learned was my mother told me they were my aunties and uncles, and I was being silly because I KNEW them, and why was I so shy all of a sudden?

Learning to articulate myself after that instant, I remember, was immensely frustrating. Learning your first language, as I remember it, is wuite a bit like how Ive been told recovering from brain damage feels like.

YOU know what you mean. YOU know what you're saying. But there are holes where you reach for something you know MUST be there and find nothing, and must find a way to communicate using only what you have at hand. Except there are always faces looking at you, talking down to you, asking you to do tricks for them to prove you really are a real human person.

I loved art, and I'm very good at it, but GETTING good at it was the worst. I'm told I started with scribbles at six months or so, before I could walk, and at three and four I remember being immensely frustrated that I could see in my head exactly what I wanted to produce, and I didn't know how to PRODUCE it.

And simple shit, like drawing shapes and circles, developing fine motor skills. You FULLY UNDERSTAND THE ASSIGNMENT, but your hands are soft and wobbly and don't cooperate. Getting your mouth and body to obey your directions is hellish, especially when all the appliances and furniture and installations around you are built for someone easily triple your size.

Chairs are hard to sit in when you're small and cant touch the ground. Your legs dangle and you cant scoot closer to the table, and the backrest is so far back you cant use it for support, and the table comes up past your chest so your chin is amost in your plate and your dumb clumsy hands cant hold a big spoon or fork in a way that feels natural or elegant so you end up smearing shit EVERYWHERE and getting yapped at for having your elbows on the counter.

Reading people was interesting. Most people are condescending and plastic when you're small, and you can tell when they're being saccharine and fake, but you're told the polite thing is to believe what they say and be polite back. I used to try using big sentences on purpose just to het them to leave me alone. "What a pretty girl! Can you say Hello?" was the most common ask I can recall. Id answer with the floweriest thing I could think of, usually, "I'm very well, thank you for asking, how are you?", because people only ask you interesting questions after you do well enough on their tests to prove you're people.

Being small was very tiring, and very frustrating, and becoming aware of myself in my own head probably made everything a lot worse overall.

No regrets, though. From what I can recall, life is far more enjoyable when you're aware of it occurring. Time can't slow down until you know it's there, I think

Being a baby full of instincts felt like living as a live grenade. Being a child was far harder, but more Full. More Human. A LOT more like adulthood than infancy, and I was very determined to remember that.

If any of that makes sense

[ccl-c]

i procrastinated on this for months and it didn't even take that long to finish lol things got very bad at work this year and i just didn't have the energy but i'm really happy with how it turned out!

(edit: thank you so much to everyone enjoying this piece! i'm so happy there are more people thinking about his prosthetic leg.)

some of my favourite details and long self-indulgent ramble below the cut.

as much as i love the unicorn leg in the show i really wish they gave izzy an actual post-amputation swordfight scene, which probably would imply a more practical prosthesis because honestly that candle scene looks very painful and pretty difficult to adapt in combat. so basically i wanted him to have a prosthesis that could work.

for the poses i mostly just took basic right-handed cavalry sabre movements that would need lots of force and/or mobility from the left leg (actually all of them do otherwise he'd lose stability which is a big no but well i did not consider the basic steps nor special ones such as the balestra because they're not very clear to draw. i included a flèche though because i just really, really want to see him do flèches (no more modern rules aha!!); i doubt he'd like it since it's very risky but it would be so fucking awesome. imagine him just darting full-speed at the opponent and passing through them sliding the sabre right between their ribs. the sabre isn't a pointy weapon especially since his is quite curved which makes piercing trickier than slashing (it would be a lot easier with a rapier or an épée; i like to imagine that stede prefers the rapier and makes every opponent who believes rapiers aren't fit for combat reconsider it) but hell that would just look amazing. although looking at it again i probably drew the footwork more like a pass forward …). now thinking about it i should have included a salute because he'd absolutely do that and make everyone do it in unison at the start of training sessions and it's just a cool series of gestures (i haven't gone through the historical documents yet but the salute our historical fencing club do consists of two appels (striking the ground with the forward foot which in izzy's case is the right foot), then raising the sword to the sky, then pulling the guard of the sword near the jaw with the tip pointing upwards, then pointing the sword down forward, usually a bit to the exterior for single-handed swords. this is the short version; we did the complete version of that salute precisely once and i seriously cannot remember either the year it was formalised or how it was done exactly. i think it was somewhere near the end of the 18th century and there was half a step forward and maybe a step on the spot at the beginning. if i ever find it or we ever do it again i'll update here we did it again! the complete version from the 1877 regulation under napoleon iii for the french army, as our master remembers, includes a process of going from standing to a tierce stance in the beginning and it's like this: start from a standing position with heels kept together and the sword to the front pointing downwards, then slowly raise the sword with the arm extended until that the point is about at eye level, bend the arm to finish on the tierce or sixte hand position depending on the sword (sabre and rapier typically use the tierce while épée typically uses the sixte although tierce works too; longsword would also use the sixte unless you're doing the more dramatic guards like porta di ferro or posta della donna and then i guess that's a high seconde if you squint hard? but it's not used in the army lol imagine that. and bayonet has a whole different salute), then start folding the legs while keeping the heels together and when you can't go any lower, move the front foot forward to the en garde feet position. and then tap twice on the ground etc.). also i feel like the dagger doesn't really look right ever since i saw the daggers and little swords at the exhibition about knights in nantes … anyway.

the prosthesis is loosely based on those 16th-century moveable leg prostheses by ambroise paré (on a side note, he made hand prostheses too and i think they're good references for spanish jackie's hand), douglas bly's above-knee prosthesis in the 19th century and modern running prosthetic legs (for the need of explosive force typical in lunges) as well as historical fencing and buhurt (full-armour medieval combat) gears. although i'm horrible at physics and have forgotten what little ergonomics i learned at university so it probably won't work in reality lol.

the text is in french simply because i learned fencing in french and didn't want to make mistakes in the vocabulary. the small words from left to right top to bottom are: motion (movement?), knee (front), knee (back), ankle & foot, locked, flèche (as in fencing; the word itself means “arrow”), unlocked (middle french spelling because i like it and it's not completely anachronistic i guess), lunge, en garde position in tierce (i somehow can't find any fixed way to say this in english; it's just the basic stance with the third hand position). the text on the left is probably quite awkward honestly but i can't not put it there because it's fun lol it reads “leg and foot prosthesis designed for first mate hands, by doctor roach with the assistance of frenchie, realised (built? made? constructed? manufactured?) by black pete and wee john feeney and the entirety of the crew of the revenge under co-captains stede bonnet and edward teach, illustrated by lucius spriggs”. so yes any mistake in there is theirs and not mine lmao (no). the font is very loosely based on my memory of jean jannon's regular and italic typefaces. i adore his italics; it's the prettiest, most delicate italics i've ever seen.

i still have other drawing ideas for ofmd but i'm also into a lot of other things now … i'll probably get to them a few months later.

[hattiestgal]

If you don't mind my asking, how do you go about drawing fat? :3

JUST THE EXCUSE I WAS LOOKING FOR

So, for me personally, a lot of the time when I draw fat characters, I'm not looking to specifically capture the specifics of fat as much as the feel of fat. Bulkier, rounder shapes in the right places that has a feeling of weight to em! A lot of that is intuition and simplification at this point, but it all works on the same frame as just any ol' person. Like take this-

For example. This is the basis for any body shape, not just the more average one that it may imply. Sure- it can be that average body shape:

But also a fat one too!

And a big part of that is knowing where fat usually tends to bunch up on the body, so lets take a look piece by piece! (Please keep in mind this is very simplified, and not completely precise in some parts)

THE FACE: Cheeks (in purple) and especially the chin (in light blue) are the places where a lot of the fat is gonna wanna gather and round out on your face! Additionally, theres a small pocket of fat beneath the cranium on the backside of your head. It's small, but it is there. I believe fat can build up elsewhere like the bridge of your nose and forehead, but generally speaking, you're gonna have a whole lot more buildup in other places first.

THE TORSO: A lot of the fat built up on the torso is gonna be sent to your tummy. More cushioning for vital organs, mostly out of the way, it just makes sense. Additionally, the lower backs fat builds up and joins with a patch of fat on your sides that forms what is typically referred to as the love handles to make that double belly look. Along with this, the immediate next target for the torso is the breasts, followed by the upper back!

THE ARMS: For this limb, a VERY notable amount of the fat present builds up on the tricep and bicep areas, lessening once you get towards the flexor and extensor areas. You can almost think of the arm as a sort of triangular shape, wide side starting from the shoulder and tapering towards the hand, which itself mostly builds up fat around the back of the hand and the fingers. The shoulders themselves don't build up too much fat unless you got a lot

THE LEGS: And finally, you can think of the legs having pretty similar curves to what you're probably already used to thinking. The front of the thighs getting a big buildup, along with the back of the calves, the other parts being flatter in turn. As far as the feet go- similarly to the hands, the top of the feet, along with the heels get most of the buildup, as fat on your soles would impede mobility. The glute, hip and crotch area will also especially build up fat, lending to the same triangular shape that you can see in the arm!

A big thing to note with fat is that it tends to taper off towards joints. Your knees, elbows, shoulders, hips, and all the other places are gonna have significantly less fat so that you remain mobile and flexible, as that's important!

Now that we have an idea of where fat builds up on the body, you might have something that looks kinda like this

Which yes, does demonstrate a solid understanding of the places fat builds up, lacks the weight you're probably trying to convey, which brings us to out next point! Fat is well... heavy! Gravity is what gives fat much of it's shape, especially as you tread towards larger and larger bodies.

This is demonstrated really well on the arms especially-

Those big ol' bits of fat'll really start to sag when left hanging, and they will squish like hell if they run into something. I like to think of these bits of fat as big ol' ovals that squash and stretch depending on if there's an obstacle in their way or not

These are the important shapes to remember when it comes to the weightiness of fat! If you take all of this into mind, you should be getting something a lot closer to that shape you've been after!

Oh, and always remember that fat bodies come in all variety of shapes and sizes! Play around with a whole lot, and seek out all the resources you can! it'll really lend to your knowledge when it comes to this kinda stuff!

And as I always recommend when it comes to learning art- look at what your favorite artists do with fat bodies. See what you really like about the fat bodies they draw and try to replicate it in your own work, I promise you it's one of the most helpful things ever.

This is like the most basic of basics when it comes to drawing fat bodies though. If there's any additional thing about fat bodies, or maybe you want clarification on something, don't be afraid to ask! If there's enough to cover, I'll make an addition to this post!