#I understand we could move onto things with more nuance from here

[scarefox]

Haven't watched anything KristSingto recently but he's right

You can think of fanservice what you want. But the moment you want to police or censor it, it turns into something really problematic. And this stance comes from 2 or even 3 different oppinioned sides but they ironically melt into the same outcome.

But at the end of the day most people forget / ignore, regardless of anything, fanservice still helps normalising public queer affection. And let's be real, most of the stuff in those stage and event shows are that... a show or even a performance! Do you protest at your local theater when they have queer characters kissing? Do you notice how this sounds in a sentence? Yes actors are real people and not characters but especially BL actors & idols still perform stage shows and kind of have a public enertainer persona. You notice how different they are on stage vs. in their personal live streams + nowadays most actors are even very honest about just doing fs for show & fun and often genuine (platonic) affection towards their acting partner but don't pretend to be actual dating (and the ones who do will most likely not lightheartedly come out with it like that... apparently there are exceptions but I have not enough insight on them to judge). You should watch some serious interviews or live stream (translations) of your favs now and then maybe to learn more about them and the industry, they are more than just pretty faces... Actors in just my bubble who talked open about the fanservice topic as far as legally possible at least: JamesSu, Perth Nakhun and I guess we can count Pavel and Nut as well.

What fans make out of it is a whole different story.... and one of the reasons people want to shut down fanservice as a whole. But imagine how lighthearted, fun and easy going this whole thing could be if we didn't had all these toxic naive fans who think every interaction is proof of actors dating (or worse: cheating) in RL. That mindset of "we are BL fans of course we are delulu" is not a joke anymore among some of them. They srsly take pride in that... babes you are part of the problem, stop encouraging it!

Then on the other side, being critical of some of the practices of the industry is one thing but it should not lead into backwards queer censoring... but that's what some are swaying to with their "real people queerbait" agenda or getting the cringes when (samesex) people interact romantically or erotically during live events (that's a bit of a you thing my dears. not necessarily in a queerphobic way but in a purity / shy way and that is a you problem to deal with not anyone elses problem)....

And a lot of people don't even understand or get what most people criticise about fanservice and just jump onto the ban-fanservice train. Without understanding the nuances nor the actual industry circumstances. Like one main argument here isn't even true. Lot of people assume actors get forced into fs. Which is not true (source: one of Perth Nakhuns Q&A vids, the 2. vid i think). BL actors usually know what they get into by entering the industry, decide with eo how much they want to do. Now that can still cause internal personal conflicts like one going over board or not playing enough but that's human miscommunication. Or companies can still be bastards but it's unfair to generalise it over the whole industry when we nowadays have companies who give their actors that freedom.

There are still some points to criticise, definitely. Like I personally dislike how MCs and sponsors sometimes treat actors during events or how fans scream at every little move or glance like crazy.... But the topic is a bit more nuanced (as always in this world) than how most people look at it. I just mean it really always sticks out when you talk with people about their reasons why they are anti fanservice that they just repeat after another with no sources or without actual up to date information or only look at it from one side.

I personally am in the middle. I only like fs when the actors have fun with it and are transparent about it. In the end it comes down to actors consent what they want to give to the audience (reason why it annoys me when people write "i feel like i am interrupting something here / am intuding their privacy" the actors consented! they want you to watch if you want to see it! consent babes! it is fine)

(when i see someone coming in with "but Krist is a homophobe" I will bite you. I am not even his fan and already researched what happened back then when I first saw those accusations when I got into BL 2021ish. It is really not that hard to look up the source and reports of people who were live pressent at the time to understand what went down back then. Ya know instead of believing rumors that twist and lie for rage bait)

[distortionbobble]

Royal Flowers Chapter 7

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series masterlist

pairing: anakin skywalker x fem!reader (poc friendly/coded)

series summary: A long, long, time ago, in a galaxy far, far away, a certain Jedi by the name of Anakin Skywalker meets you, the current Queen of Naboo and cousin of Padme Amidala, and is tasked with protecting you by pretending to marry you. As a spy, you’ve infiltrated the Separatist ranks and are close to finding out the mastermind behind all of it. The fate of the galaxy is in your hands.

warnings: minors dni! ageless blogs dni! canon-level violence/character death this chapter. series will have eventual smut, and just general warnings.

a/n: i am . baaaaack baby! hope y'all enjoy the chapterio. beta read by the very sweet @sythethecarrot . appreciate her so so much and alll of you for reading and giving this story your time :')

“Are you sure that we need Obi-Wan here, milady?” Anakin asks you, blowing on his clasped fists nervously as you wait for Obi-Wan to reach your chambers. He had sent a message an hour ago, letting you and Anakin know that he had landed in the forests of Naboo and would be reaching the palace soon. “What if it puts him in danger?” 

“I understand your concern, Anakin, but we’re in over our heads now,” You hum, looking over the room once more to make sure things are in place. You realize it’s out of nervousness, and wanting to earn the Jedi Master’s respect, and quickly look back at Anakin. “But yes, we need him here, even if it’s just temporary. You’re not as skilled as he is, according to you, with the skill of mind-control, and we can’t risk the Separatists slipping out of your influence and realizing that the Queen’s husband was trying to figure out their plans. Obi-Wan, on the other hand, is unlinked to the palace, and his involvement would not directly jeopardize us. As for him being in danger… I have faith in Master Kenobi’s abilities, and I’m sure that his involvement will be brief, despite the necessity of it.” Anakin nods, grabbing his lightsaber from the depths of his pockets and flipping it in the air anxiously. He nearly drops it when Obi-Wan jumps cleanly onto the balcony, moving quickly to get through the open doors without being seen. 

Hello there,” General Kenobi says. His voice immediately lifts a weight off of your shoulders. You knew as soon as you decided to take active action against the separatist while also uncovering their leader, you’d need more help. General Kenobi was the most adept in mind influencing. That, you could use. You couldn’t have done these last few months without Anakin, but it was time to move. And fast. 

“Master,” Anakin says, striding to Obi-Wan and enveloping him in a tight hug. He hadn’t realized the importance of Obi-Wan in his life— the younger Jedi Knight’s torturous visions, nightmares of the people he loved dying as he watched helplessly, had stopped when he left, but the certainty of Obi-Wan’s guidance had disappeared with it. And when he was dealing with you and the nuance that your task called for, it certainly wasn’t easy to carry on without Obi-Wan and his gentle guidance.

Not that he listened to Obi-Wan all that much, but it wasn’t about that. He lets go of Obi-Wan reluctantly, knowing that their bond is deeper than words could convey. 

“Master Kenobi,” you bow respectfully while Anakin quickly checks the noise dampener. “It’s an honor to have your assistance.” 

“It’s an honor to be called. Will you walk me through the plan, milady?” He asks, settling criss-cross on the marble flooring of the room. You sit across from him, and Anakin joins your side instinctually before the puzzled look from Obi-Wan has him shuffling further from you until the three of you form a triangle. 

“I was so caught up with the overarching goal that I lost track of the present. While it’s true that I absolutely cannot jeopardize my own mission, I cannot sit back and lose more of my people.” Obi-Wan nods in understanding, tracing circles on his knee as you confess your guilt. 

“So you need to know more than what they tell you, and be able to have one of your Ministers know how to countermove without it coming from you,” Obi-Wan confirms. 

“Exactly. It shouldn’t be too hard to get that information but I’ll need to know who it is I can trust. I don’t know exactly the scope of your abilities, would you be able to help me figure out which ones I can trust?” At your request, Anakin clicks his tongue, nodding at your request. 

“Well, we can’t read minds. What we could do is something along the lines of figuring out what emotions they’re feeling when they talk to you?” Anakin suggests, garnering Obi-Wan’s approving nod. 

“And as for getting the information…” you trail off, unsure of what to do now that you knew the Jedi couldn’t read minds. 

“Well, there’s a few things we could do,” Obi-Wan processes aloud, something formulating in his head as he considers the options. “What do you know about the leaders of the Naboo Separatist chapter?” He asks. You snort. 

“I’ve met their leader, but he’s a total dunce. I truly believe that they chose him because he’s easy to manipulate,” You say. At your words, Anakin lights up, nonverbal communication flowing between him and Obi-Wan. It’s kind of cute, seeing him more in his element. You like the side of Anakin that Obi-Wan brings out. It’s like the older Jedi pushes Anakin to be better— to think things out, to be rational. Something along those lines. But the shift is obvious. 

“Easy to manipulate, you say?” Anakin says, an excited look on his face.

“If that’s the case, then there certainly is something we can do,” Obi-Wan says cautiously. “Is there any way I can see the leader in person?”

“I know where he lives,” you say, looking up at the ceiling to avoid making eye contact as you cringe at the thought of him. 

“Why do you know where he lives?” Anakin asks suspiciously. 

“Because he was once my boyfriend,” You sigh. 

~~~

“Baby,” a sleazy voice calls out from the table you just crossed. Arus Dryskan sits in the booth of the low-lit pub, sketchy characters flitting behind you in the shadows. When your eyes meet his, you’re reminded of all those nights you spent with him, tangled up in the sheets. You’re reminded of the good and the bad: the way he’d toy with your emotions and blame you when other men would flirt with you, all the shouting matches, the control that he tried to impose on you. Part of you is affronted by the fact that he’d even dare to call you baby after putting you through all that. But you set it aside, reminding yourself that you’re in control here. He has no power over you. 

You relax your shoulders and tell yourself that Anakin’s here, that you will be fine, forcing yourself to inhale and relax as you slide into the vinyl seating. Arus’ arm is thrown carelessly on the back of the seating, a cigarette hanging from his mouth as he eyes you up and down. 

“It’s been a while, Arus,” You say, reigning in your repulsion and leaning in to gaze into his eyes seductively, batting your lashes and eyeing him up and down. That should work, right? Even when you were together, it was never about the two of you— it was about Arus, about making him feel desired. You never were the most affectionate with him (largely in part because he’s fucking irritating) but you need him to think that you want him. It’s funny, there was a time when you found him quite attractive, but now, the only thing you can focus on is how revolting he is. He rakes one hand through his greasy hair, flashing you that grin that used to work so well on you. 

“You’ve done pretty well for yourself, huh, milady? Queen of fuckin’ Naboo,” he says, leaning in to whisper in your ear. The heat of his body feels suffocating next to you, and the mere thought of his touch makes you dig your nails into your palms, trying desperately to regulate yourself before your fear gives you away. “It’s funny that none of these suckers know you’re one of us.” His eyes are conspiratorial, which you can work to your favor. You smile slyly, allowing your fingers to dance on the tabletops as you slide in closer to him. 

“Nobody knows I’m here,” you laugh, “Not even my dunce of a husband.” At your words, Arus raises his brows, a big smile spreading across his face. Sorry, Anakin. “I’ve missed you,” you whisper in his ear. Your tone wavers between the truth of your desperation and the practiced smoothness that you used so often when you were with him. Your hand finds its way to his shoulders, resting there as you wait for him to give you some sort of sign. 

“What about your dunce of a husband?” He asks you playfully, leaning back. 

“You think that nerf-herder could satisfy me the way you do? I played around with him for a while, yes, but he was so boring. Not to mention how much…bigger you are. ” You allow your hand to drift downwards, teasing him through the material of his shirt. He may be a sleemo, but you’d be lying if you said he wasn’t built. 

You almost want to roll your eyes when his hand shoots out to grab your waist, pressing you even closer to him as your hand travels from his pecs to his abs. Was he always such a simpleton? A pretty girl bats her eyelashes at him and he goes absolutely dumb. Or stays dumb. He’s not very smart. 

“Do you wanna… get out of here?” you ask, your voice a low, seductive hum in his ear. You can practically hear the blood roaring in your ear, the feel of your heart thumping traitorously in your chest and you can only pray that he can’t feel it. Take the bait. Let’s go. 

You have to hold back an audible sigh of relief when you hear the clink of his speeder keys as he grabs them, and you, and pulls you out of the bar. You know Anakin’s following closely behind you — Obi-Wan’s already at his house, you just need to make sure that he gets there. If anyone asked at the pub, anyways, they would’ve just seen one of Arus’ usual nightly conquests. 

You keep touching his arm as you sit in the speeder and on the way to his house; you need him to be distracted so that he can’t see Anakin following behind you both. The ride there is short but he’s so revolting it feels like a lifetime— he’s telling you about how he blew up a village the other day and found it so funny. You have to force your laughter, but you really just want him away from you. You’re disgusted— the fact that you had ever touched him, had ever been so oblivious to all of him. Back then, he wasn’t so evil— or maybe he was, and he just hadn’t had the chance to show it yet. 

In the rearview mirror, you see Anakin cut into the side streets, a shortcut to his place that would work just fine. Arus is too busy talking about himself to notice, as per usual. 

“Let me open the door for you, princess,” he says when you pull up to his house. The second he’s unbuckled and standing outside of your door, there’s a soft thunk before he slides on to the speeder, practically falling in your lap as Anakin looks down at him with a glower. 

“Thanks, Anakin,” You say, opening the door and throwing Arus out. 

“Was it really necessary to be all handsy with him?” Anakin grumbles. 

“How else do you think I’d be able to get him here?” You ask, puzzled. 

“Still,” Anakin frowns. Is he jealous? 

“Oh, don’t worry, my darling husband, you’re still the only man for me,” you confess dramatically, throwing yourself into his arms and snickering when he pushes you off with a scowl. “Moody,” you tease, helping him hoist up Arus and carrying his body through his door. 

“Took you both long enough,” Obi-Wan says from inside the house. Once inside, Anakin doesn’t bother carrying him, instead just lifting him with the Force into the little chair and flicking his finger so that ropes bind him tightly. 

“Normally, I wouldn’t approve of you using the Force for such a trivial thing, but the Queen looks rather tired from holding him up,” Obi-Wan quips. 

“He’s quite heavy, you know,” you chime, sitting down on the ground. 

“I think it’s best that you and Anakin wait in the speeder outside,” Obi-Wan says. “It would be bad if he wasn’t influenceable and saw you here with me.” You and Anakin shuffle outside at his order, sitting in Anakin’s speeder as you wait for Obi-Wan to do his thing.

“So… is that your type?” Anakin asks, looking out the speeder, past the dim streetlights to the clear Naboo night sky. 

“What?” 

“Guys like him.” You look over at Anakin— at his lean structure, deceptively strong and muscular under his robes— and shake your head. 

“No. Not anymore, at least. I really only chose him because I wanted to do something for once in my life that wasn’t the order of someone else. I learned pretty quickly that that wasn’t the right idea. He was controlling, obsessive, and just downright mean sometimes.” 

“So what is your type?” 

“Why do you wanna know so bad?” You ask curiously, propping your feet up on the dash as you study Anakin’s face. 

“Well, we’ve got time to kill,” Anakin says, fiddling with the keys to the speeder as he avoids eye contact. He does that when he’s nervous. Why is he nervous? This whole interaction is completely puzzling to you, but you think there’s a way that you can mess with Anakin’s head the way he’s messing with yours. 

“Hmm… My type is tall, melodramatic Jedi who go by the name of Anakin Skywalker and are secretly, hopelessly, in love with me,” you tease, leaning over to his seat to pretend to kiss his cheek. He pushes you away with a scowl, glaring at you when you start laughing at his anger. 

“Not funny, milady,” Anakin huffs, crossing his arms.

“I thought it was funny,” You grin, pretending to cross your arms and puffing out a breath in mock irritation. 

“Stop that.”

“No. Not unless you stop being a child.” 

“Why can’t you just answer me honestly?” Anakin asks, a note of seriousness in his voice.

“Anakin…” You sigh, thinking that you have an idea as to what’s going on. Your eyes dart quickly to make sure Obi-Wan’s still inside, then you reach over and put your hand atop his. “If this is about Padme—” 

“It’s not,” Anakin grumbles, but you pay him no heed.

“Since this is about Padme leaving you, because I really don’t believe you, will you let me just say one thing? I’m sure she had her reasons. Padme never does anything that she knows would hurt other people unless she thinks it’s totally necessary.”

“I know that,” Anakin says quietly to himself, the metal paneling of his arm rippling as he flexes and looks at you. In his eyes there’s a softness you don’t find very often, one that’s inviting, that makes you want to pretend for maybe a second that this marriage was real. 

“You’re perfect, Anakin,” you reassure him, lost in the depths of his eyes. Why is it that you can feel every breath of his as if it’s your own? As though his heartbeat itself matches your own, in total synchrony with every part of you. 

“And so are you,” he whispers. You can hear his breath hitch in his throat as he looks at you and you wonder, just for a second, if there’s actually something between the two of you. You can’t be imagining all of this. But it’s over as soon as it started, Obi Wan’s voice snapping the both of you to attention. 

“Milady, you’re going to want to hear this,” Obi-Wan says grimly, the slightest of tremors in his hand as he rakes through his long strands. You don’t know him well enough to say, but the way that Anakin perks up at Obi-Wan’s tone tells you that there’s something big. “The Separatists, they’re not just planning on launching military attacks, they’re planning on attacking the food sources; slaughtering and burning the Shaaks, poisoning the water sources. They’ll have a series of attacks and bomb blasts set up to distract the Naboo Military. They’ll stop at nothing.” 

“Okay. Okay,” You whisper, brought back to reality. Your fantasies of Anakin in some role that he would never play are blinked away as terror seeps in, tinges your view of the future. “We’ll need to ramp up imports of food, and be prepared to maintain a completely safe distribution of food. I’ll leave it under the charge of someone not at the Capital, as I don’t want the spies interfering with our stores of food. As for the water,” You sigh, your mind turning furiously as you think. It’s all coming to a dead end. 

“We can’t let it become like Tatooine, where they have to moisture-farm just to get water,” Anakin interjects coldly. You look over at him to see that distant look in his eyes and you know he’s somewhere else, somewhere horrible. You reach out tentatively to bring him back to you. 

“The water will come later, after the food,” Obi-Wan adds quietly. “Dryskan told me when they’d do it all.” 

“Is there a possibility that he could have fooled us, at all?” You ask fearfully, hands shaking as you think of more blood under your rule, more blood on your hands. You can’t take it anymore. You can’t let what happened, happen again. Anakin seems to read your mind when he places a heavy hand on your shoulder, nodding silently when you turn your head to look at him. He knows what you’re thinking. 

“It can’t hurt to prepare, milady,” Obi-Wan responds. “But not a soul can know of your knowledge of it. They could strike sooner, leaving you no time to prepare.” 

“Get enough food to account for a famine without anyone realizing, get the people in danger out before they can be slaughtered, too, and fend against the increasing Separatist attacks. Sounds like it’ll go without a hitch,” You remark dryly, leaning your head back to close your eyes. “There must be something big. It has to be big, if they’re going this drastic. They’re trying to make Naboo an example, once and for all, and that means that there has to be something big coming our way.” The three of you sit in somber silence, hearts in your gut as worry tenses your muscles. 

“There’s a list of military attacks as well,” Obi-Wan says, breaking the silence. You reach for a slip of paper hidden within the sleeves of your robe

“We can’t write them down. A paper trail could be fatal,” Anakin interjects, placing a hand on your forearm. “I’ll remember them.” 

“You’ll have to act fast,” Obi-Wan responds. “Their next attack is in two days’ time.”

“That’s not enough time to plan a full-scale defense, let alone having to do it all without the Separatists knowing,” you sigh, frustrated. 

“We’ll have to evacuate the civilians, then. And quickly. Let the Separatists attack a deserted town,” Anakin suggests. He’s tired of the bloodshed, and you can’t blame him. You imagine that the blood spilled by the Jedi didn’t often involve the blood of the innocents. 

“If we go now, we could encourage them to evacuate with enough time,” you respond. It doesn’t take much convincing after that, the three of you shrouded by the night as you drive on in tense silence.

~~~

It’s nearly dawn by the time you arrive at the small town. There’s a feeling lingering in the back of your mind, some anxiety that you can’t give shape to with words. But you’ll be fine, you’re certain; if they find out that you and Anakin are missing, you’ll just lie. An early-morning stroll would fit you and Anakin’s dynamic rather well. 

Some of the town’s workforce is up, walking in the dusty roads, illuminated gray by the early morning light. They look at you without suspicion, just a curious indifference. You stop the speeder, donning your palace robes and get out. 

“Good people,” you say, your voice unwavering. You need them to believe you, like how they would if it was Padme telling them instead of you. “I come under the order of the palace. The Queen has knowledge of a Separatist plan that puts you all in grave danger. I’ve been sent here to aid you in evacuating; you are instructed to bring what is most important to you, and the palace will compensate and aid in rebuilding efforts should the town face damages.” You hide your nervousness— you can’t help it if they don’t believe you, but you also can’t tolerate another slaughter. Their faces show no signs of doubt, however; the mere mention of the Separatist forces are enough for most of the galaxy to tremble in fear. The chatter of conversation in response to your warning is slow but steady in its growth; the murmurs of people wondering what to bring, fear of the Separatists borne out of the knowledge of their crimes, and finally the concern for their wages. 

“S’cuse me, ma’am,” one man says, stepping forward. You feel Anakin step forward in response reflexively, moving to guard you from any threat and for some reason, it brings a flutter to your stomach. “How can we trust that what you’re saying is true?”

“You can’t,” you say, a bitter smile pulling at your lips. “But the risk of not trusting me will lead only to death.” 

~~~

“Six months is not enough to hide your thoughts from me, Anakin,” Obi-Wan says to Anakin as they usher the last of the town residents to the speeders, leaving them with the instructions on how to get to the determined shelter. 

“I don’t know what you mean, Master,” Anakin mumbles, helping a child up into a speeder as he avoids Obi-Wan’s eyes. 

“Anakin…” Obi-Wan sighs. “I am glad you have recovered from your heartbreak with Padme. Don’t deny it, young Skywalker, I have eyes and you’re about as subtle as a bantha with a trombone. And of course, with the current Queen, closeness is only natural. You spend every waking moment with her. But can you trust her?” 

“….I don’t need to trust her,” Anakin grumbles, pulling on a loose thread on his shirt. 

“But you do. I see it in the way you look at her, Anakin; it’s more than a mission. And when this is over, will you truly be able to let her go entirely?” Obi-Wan refutes. Anakin can’t answer his pointed question— he doesn’t know how to, because the thought of letting you go feels entirely foreign to him now. At his silence, Obi-Wan sighs, moving to stand next to him as they look at the open, deserted town. 

“I know what the Jedi Code says about attachments, Master. But this… it feels different. I do not covet her, I do not wish to own her; no, it’s that she shows me those parts of me which I hide. She is similar to me, and forces me to be better. I cannot call it love, nor can I say that I can trust her thoughtlessly, but perhaps it is the Force that brought me to her.” Obi-Wan hums, lost in his own thoughts as he internalizes what Anakin said. Anakin wonders briefly how well it is that Obi-Wan understands his words— after all, only a fool would have missed the dynamic between him and Duchess Satine. But part of him knows that it wasn’t entirely truthful— was it not jealousy that drove him to ask you about Arus? Was it not jealousy that he felt when you mentioned having been with another man? Hadn’t he wanted to rip Arus to shreds the second he saw him touching you? Anakin pushes his feelings down, ignoring the churning in his stomach in the hopes that it’ll go unnoticed by Obi-Wan. 

Obi-Wan, after a sizable pause, sighs heavily and nods. “Where is the Queen? You should go find her,” he says to Anakin tiredly. For a second, Anakin feels a twinge of guilt— he doesn’t mean to make Obi-Wan feel as though this is a lesson that he must parrot again and again, but it’s not like that with you. He’s not like that with you. But he swallows it, and goes off in search of you. 

The sun is bright and beating down on him overhead. It’s been hours since you first began evacuating every soul in the town, instructing them and helping them pack. You’re good and it couldn’t be clearer to him. And if you’re good, he’s good. Maybe that’s why he feels more self assured around you— you and him have so many similarities but you seem to live your life without that internal turmoil that Anakin knew for the past few years a little too well. 

As he walks the dusty streets he can hear the telltale sounds of a struggle, the sharp cry of pain which quickens his feet and takes him to the sight of you. He watches, almost frozen in his feet, as you deliver a sharp punch to Reyna’s throat, winding her before you sweep her to the ground in a move that he knows he taught you. A sense of pride fills him before it is overcome with horror— your hands, tangled in Reyna’s hair, slam her skull on the dry, dusty ground over and over again, until her body goes limp. You grab a nearby rock and drive the jagged edge into Reyna’s forehead, a splash of crimson spraying across your face as you look up to meet Anakin’s eyes. 

The look lighting up your eyes brings a sense of familiarity within Anakin, that bloodlust that had clouded his judgment all those months ago when he killed the Sand People. Nausea chokes his throat as he remembers that day, sees you mirror what he must have looked like. And through the fog of his revulsion and fear and regret, he realizes that no one can know what happened. 

“She saw us evacuating the people from the town, she knew we knew, she was gonna expose us,” You babble, still frozen on top of Reyna’s body. “She never trusted me, she never trusted us, she was going to— we would be dead if I hadn’t done it, she wanted us dead,” You plead, trying to rationalize and explain it all to Anakin. You don’t realize that he understands you perfectly.  

“Come on, come on,” he ushers you, getting you away from the body as you begin to shake. 

“What did I do, Anakin?” You whisper, trembling hands reaching to the ground as you try to sink away from his grasp. 

“No. Look at me. My queen, look at me,” he urges, wishing so desperately that he could take away the horrified look in your eyes. “You didn’t do anything. You haven’t seen her since you were in the palace, after which you and I went on a romantic stroll. How did she find you?” He asks, hands resting on your temples as he tries desperately to bring down your panic.  A little feeling of guilt burrows itself within him as he realizes he had never felt this guilty about the people he had killed. Maybe he should have, and that makes him feel worse. 

“She— I forgot to take off all my jewelry, and there was a tracker in one of my bracelets,” you whisper, going to rip off the bracelets. “She woke up this morning and we weren’t at the palace, so she checked the tracker and found us here. She didn’t tell anyone, or she would have brought someone else with her.” Anakin nods, stroking your temples with his thumbs. You close your eyes, murmuring his name in a desperate sob, with a sacredness to his name that he’s never truly heard before. 

Anakin hoists you away from Reyna’s still-warm body, the heat flowing out of her like rivers that seek you out, staining your hands with more blood. He doesn’t want you to deal with this, but fate has left the two of you with no choice. He can’t use the Force— Obi-Wan’s natural distrust of politicians, spies, whatever category you fit into would only make his opinion of you suffer. He’d be able to sense it instantly. And for some reason, Anakin wants him to approve of you. Desperately so, in fact. So he grabs some tools from the front of a nearby home, using some sort of shovel to dig into the dry dirt of the road. Each thud of the shovel radiates pain up his arm and the metal of his hand creaks and complains, but he hardly notices for the fact that the only thing you’ve been able to say is his name, over and over again. You’ve turned him into your anchor, and he can feel it, the vulnerability, the pain, the fear that you’ve become something that can’t be reversed. It’s the same fear that he feels so often, the same fear that he felt after killing the Sand People. And it’s then that Anakin realizes, startlingly, that he’d do anything for you. 

Anything.  

[nothorses]

Oh god, thank you, like if we did assume anon comes from a good place we understand where anon comes from but also like...yea nothings going to help if we don't like, Have A Replacement and you definitely know more than us about this one.

If it's alright to ask: we're wondering if you have any sort of knowledge that could be passed onto us (and others in a situation like ours) to mitigate that?

For more specific context, people definitely sing their praises to IEPs a lot and we saw someone mention them somewhere, but we have very unfortunately been on the end of it where it has been used as a vehicle for oppression and ableism anyways (WE PROMISE those twitter threads will be moved here to Tumblr we just haven't done it yet sory sksksk), because we had abusive parents who were "only" emotionally abusive if that makes sense.

We understand IEPs are helpful to lots of folks but it can be isolating as all fuck when praise is all people do rather than look at some of the tiny nuances or the ways people use it to keep the status quo instead of helping folks. Like how it was used as an extension of Autistic conversion "therapy" / applied behavioral analysis "therapy" when we had to put up with it.

Nutshell/TLDR: how do people use what they have learned to improve education when they didn't really. Learn anything. And how to bring attention to some of the things that nobody wants to talk about without sounding like we're being dismissive. We're so burnt out here when it comes to discussing any education system before university. Please share your wisdom (but only if you want to)!

I am not like, The Expert here, but I will offer some thoughts! Just take them with a grain of salt; I don't know everything, and I could always be missing things.

I will say that IEPs/504 plans are of particular interest to me right now, and imo, the problem is pretty broad and pretty deep.

My own personal context is that my brother was diagnosed with ADHD before even starting school, was put in SpEd early on, and had some pretty traumatic experiences because of that (we picked him up from school once to find him in an isolation room- a closet with one bulletproof window in the door carpeted floor-to-ceiling- because he had acted out in class. In first grade). He believed wholeheartedly that he was incapable of controlling himself, and he developed extremely low self-esteem. I don't know if no diagnosis would have been any better for him, but his diagnosis and "accommodations" (iirc he had an IEP) actively did him harm.

I, on the other hand, was not diagnosed with ADHD until I was 22, and I had to go out and do it myself. I had struggled with school my whole life, I had been in shouting matches with my mom about it, I have trauma about it, and I developed a different kind of low self-esteem around being told I was "choosing" to fail. Once I was medicated, my grades suddenly shot up, my GPA shot up, and I got into a pretty damn good grad school about it. I'm left wondering how things might have been different for me if I'd been understood as someone who was trying but struggling, and who needed support, rather than someone who was not trying at all.

I also don't think it's reasonable to expect that every disabled kid is going to be identified by the system, which is what most teachers seem to think is the issue: that they aren't good enough at armchair diagnosing 6-year-olds yet. It's just not gonna happen. Someone will be missed, and they shouldn't have to struggle alone because nobody else realized what they were struggling with.

Imo, what we need to be pushing for most urgently is universal accommodations, available without any need for diagnosis, disclosure, or anything else: Buckets of fidgets kids can grab whenever, alternative seating options, built-in breaks and frequent snacks, no penalties for late work/tardiness/absences, no graded tests, etc. (I would also like to see more project-based learning & growth-oriented grading, personally!)

As far as learning more: I can recommend some readings to start, and I'll link them here. They're also pretty dense; the grad school recommendation is to read the intro and conclusion in full, and just read the first and last sentence of every paragraph aside from that.

Here's the big folder (which I need to update) of all of the education-related readings I have ever been assigned. I recommend specifically searching "disability" and "democratic"/"democracy"; those will probably be the most relevant to what you're interested in.

Some good starting points:

Leonardo, Broderick (2011) - Smartness as Property: A Critical Exploration of Intersections Between Whiteness and Disability Studies

Carolen, Guinn (2007) - Differentiation: Lessons from Master Teachers

Alverman (2001) - Reading Adolescents' Reading Identities: Looking Back to See Ahead

Veletsianos, Houlden (2020) - Radical Flexibility and Relationality as Responses to Education in Times of Crisis

[milkywaydrinker]

Having watched Amphibia and thought it over, I guess I can understand why some viewers interpret Marcy's arc as having unfortunate implications regarding her parents, even if I personally don't see her parents as abusive.

Judging by Braly's statements regarding Marcy's father, the job he took that required his family to move out of state was a big 'opportunity' for him. From the way Braly worded it, Mr. Wu took the job not out of necessity, but because he wanted to, which can easily come across as selfish and uncaring, especially since Marcy's house in L.A. already looked pretty well-off.

With that in mind, I can understand why some would object to Amphibia answering this situation with 'Well, things change and it's healthier to accept it, for good or ill, rather than fight it.' In response, some people are like 'Hold up, why are you just ignoring the way Marcy's dad is acting? Surely the right thing to do is have Marcy's dad realize he never needed this job, appreciate what he already has, and start putting what his daughter wants ahead of his own wants.'

Now, a route like that would obviously clash with a story that desires to end with Marcy accepting the move. But looking back on things, I think one of the biggest reasons it's a shame we don't see Sasha or Marcy's parents is that we never get to see how Marcy's dad viewed his own choices. We see Marcy's reaction to it, but we never get to see his side of things.

I mean, what if Mr. Wu thought he was doing a good thing for his family by taking a job he didn't necessarily need? What if he understood he already lived a pretty good life, but believed that, if there was a chance for him to provide an even better life for his wife and daughter, he should take it?

I think there were ways to explore this that didn't make a villain out of the man and still end with Marcy moving. For example; Mr. Wu could learn it's not inherently wrong to desire more for yourself; what's wrong is ignoring/forgetting the feelings of those you love. Meanwhile, Marcy could learn the same lesson as in canon, with the added understanding that her dad, while making mistakes, genuinely thought he was doing good by her by taking the job. Knowing that, as well as her father apologizing, combined with her accepting that distance and time won't mean she loses Anne or Sasha's friendship, makes her more comfortable going ahead with the move. Mr. Wu could still take the job with Marcy's blessing, while promising to do better by her and make a greater effort to understand her better.

Think there was a missed opportunity for a more nuanced story here, or am I looking too deeply into things?

Sorry for the late reply! I think you're very much onto something here.

As someone whose parents decided to move just like so, this specific aspect of Marcy's story bothered me.

With enough time and perspective, as an adult living on my own, I grew to understand why they decided to do so. Despite that, moving as a neurodivergent child was a really traumatic experience for me. I had great friends in my first school, I had a group of peers who had the same hobbies as me and understood me. After the move, it took me many years (until high school) to get something similar again.

My parents also realized how much this hurt me, and while they couldn't undo the move, they did everything to help me through this time and after a few years apologized to me for their decision.

Showing what Marcy's relationship with their parents looked like, would've helped with actually fleshing out the emotional impact of the story.

(Same with Sasha but that is a whole another can of worms)

In the show, the narrative fails at making its points. It's both pro and anti authoritarian. It's trying to play the "respect your culture, respect your parents, be a good child" card and then calls it all off with adding Andrias and his backstory into the mix. It's not thematically coherent. I love children's media but it requires a delicate balance. It's an art of its own, to make a story that's both thematically cohesive and engaging without being overly scholastic.

Marcy does what she does for a good and valid reason. Sasha and Anne are her support network, people who tolerate her quirks and often indulge her even if they aren't even half as invested in her hobbies as she is. Tearing her out of her safe environment is cruel and hinted to be unnecessary. It's a "Parents know what's best for you so don't fight their decisions" moment. Showing something that would balance it out would have made it less harsh and seemingly cruel.

[scoobydoodean]

...so I've realized that I interpret the "Nobody cares that you're broken" line much differently than a lot of other people? I always kind of took it as Dean saying "yeah you think you're broken, but that doesn't matter we still want you around and you still have a place here and you're still capable of helping".

I guess I took it similar to the "I'd rather have you, cursed or not", like, Dean would rather Cas be there even if he is "broken"...bc I'm sure Dean thinks of HIMSELF as broken, too, and yet he's still there and trying to move forward

Idk I was shocked when I saw how often that line was used by deancrits and realized uhh maybe my interpretation was really different hahaha

From 7.23:

DEAN: You got anything to say on the topic of Dicks? Crowley was pretty sure that you could help. CASTIEL: I can't help. You understand? I can't. I destroyed... everything, and I will destroy everything again. Can we please just leave it at that?

DEAN: No. [He gets up.] No, we can't. SAM: Dean... DEAN: We can't leave it. You let these friggin' things in. So you don't get to make a sandwich. You don't get a damned cat. Nobody cares that you're broken, Cas. Clean up your mess!

CASTIEL: You know... we should play Twister.

I... might have a more nuanced and lengthy take on this with tons and tons of context later when I make my way back through season 7, but I'll tell you what I think right now from my memory: people who hang onto this line and resent Dean for it should grow the fuck up. Which is exactly what Dean is telling Cas to do. Not because Cas isn't allowed to have feelings, but because Cas is hiding. He made a mess, and he does not want to help clean it up because if he has to help clean it up he has to face that he broke something... that his plans backfired, that he created more issues in the process of trying to solve others. Which he did. Like we can justify a lot of what Cas did in season 6, and he has an understandable perspective. But he did kill thousands of people. He did kill one of his best friends in the world for standing in his way. He did try to manipulate Dean. He did break Dean's trust. He did break Sam's wall. All while thinking he was also doing what was necessary, but it happened, and Balthazar begged him not to do what he was going to do because he knew there would be consequences Cas refused to think about, and Cas did it anyway and he killed Balthazar for opposing him, and broke Sam's wall to keep Sam and Dean and Bobby from opposing him... all while insisting it was "not broken".

Those are simply facts of what happened, and fans can not like those facts, but they exist nonetheless. Cas is not a child. He is a very very very old cosmic being, who is hiding from a situation that he is largely responsible for. Now is "nobody cares that you're broken" all Dean has to say? No. This is the same episode where Dean also says,

"Yeah, but you know what? Bottom of the ninth, and you're the only guy left on the bench... Sorry, but I'd rather have you, cursed or not. And anyway, nut up, all right? We're all cursed. I seem like good luck to you?"

And then Cas and Dean defeat Dick Roman together—as a team. Because it isn't actually about what a bad horrible person Cas is and how he needs to wallow in that and feel that or not feel that and if anyone dares to suggest he face what he did they're being mean . It's about how they're all fuck ups but they are doing their best. That's all they can ask of each other. They all have been used and abused and they have tried to clean up other people's messes and caused some of their own mess along the way which they are perpetually mopping up. They're Team Free Will (One ex-blood junkie, one dropout with six bucks to his name, and Mr. Comatose.) and they will figure it out... but only if they are all trying, and Cas, in that moment, is NOT. He is hiding. Because he feels guilty. I think Dean IS angry at Cas here for leaving them with the bag, but that... isn't unfair, but it also doesn't fully incapsulate Dean's opinions on the matter.

[freelancewitchvt]

im gonna respond to criticisms about adventure time that i saw in a twitter thread bc im bored and have feelings and thoughts

the most frequent reply to the thread was that people believe finn’s breakup with flame princess was stupid and, at worst, was an attempt by the female writers to make the male protagonist Finn as dislikeable as possible.

i don’t think i’ve ever met a single fan of adventure time who thinks “yeah that finn the human guy? he sucks. totally dislikeable protagonist.” i have to believe these people simply watched up to this episode and then quit the show. they didn’t see any of the followup. they didn’t watch finn grow up. they didn’t see the episode where finn acknowledges specifically what he did wrong and makes amends with flame princess. i just simply do not understand this criticism.

WHAT SHOW ARE U WATCHING? GO WATCH THE SHOW CALLED “ADVENTURE TIME” AVAILABLE ON MAX AND HULU

ppl won’t shut the fuck up about rebecca sugar even when she’s NOT a show runner

moving onto princess bubblegum. now call me crazy but i’ve always liked princess bubblegum as a character. i also understand where a lot of this criticism comes from and im able to qualify that my affinity towards her character comes with a fair bit of nuance as well as coming from a place of bias via naivete

the idea that the show turns a blind eye to her abuses is absurd to me. the show explicitly shows her hurting characters that we care about, and it in no way is framed as good. it acknowledges her flaws, which is why we the audience are aware of them. and in-universe I think she is quite literally called out by almost every major character lmao does the show punish her enough? well that’s like, an interesting question to ask and a fun way to think about the show and her character. what does princess bubblegum deserve? well we know she got usurped and exiled for some time. that gave her some time to reflect a bit.

now you don’t necessarily have to think of that as a redemption arc. at the very least the show took the opportunity to show us other facets of her character. she can be vulnerable, she can be kind, she can feel remorseful. and she does, like, improve in my opinion. in “The Thin Yellow Line” princess bubblegum has a whole speech condemning her idolization, saying she’s “just a person, like all of you” it’s quite wholesome. It’s further reinforced in “High Strangeness” when she apologizes to tree trunks for trying to colonize space and inadvertently infecting her alien children with candy goo (lmao i know it sounds ridiculous but watch the episode lol) obviously i’m not gonna sit here and be like “princess bubblegum is great and was  completely redeemed and a morally exemplary paragon to be revered by all” but like, come on twitter. you’re not at all convincing me here

now im gonna talk about his one!! the animation!! i have a lot of ways i like to think about how the style/animation/tone/format of this show changes over time. the central pillar of these is exactly in line with the shows most prominent theme: growing up. finn ages from 12 to 17 and a lot of what the show explores is the transition from “boyhood” to “manhood” and how it’s messy, nonlinear, painful, joyful, and rich with new experiences. i think the stylistic changes, even if they can also be explained by ward stepping down as showrunner, also reinforce this theme fantastically. if we’re seeing the world through finn’s eyes, of course in his early years things are much more colorful, fantastical, and whimsical. and as he ages, we see the world more clearly, things seem more grounded, more mature.  that’s why i can’t really take any criticism in line with this seriously because it’s just too well done it works too dang well.  and don’t get me started on how this theme extends to all the other characters. i could literally go on but i’ve already made my point hehe.

i dont have anything to say about this one it’s just funny hehe okay im gonna go now

[ladymorghul]

i agree with most of things that previous anan said but the one thing i find amusing is how this person said it's bullshit they adapted daeron into aemond. like read the book and then speak of it. maybe you'll find secret pages of aemond being more than one dimensional villain on the pages. and send me photos if you find it. i often find it amusing that people who are happy that aemond isn't like in the books tend to turn around and say hey, they never gave ANY daeron's personality traits to him even after there were leaks of scripts where Sapochnik clearly cut him out of the show and how George stepped in just after Sapochnik was fired and reassured fans daeron will be included. it's clear they wanted to cut him out and any person who is fine with daeron being out of the show is no green stan at all. daeron is too important to toss him aside but how could people who haven't read the books know it, they needed to see George behaviour and then they finally understood that maybe daeron is someone essential to greens and not Sapochnik weird fantasies

i do agree that aemond was humanized, i don't know if they did it with daeron on their minds and, frankly anon, im tired of not any concrete proof that miguel is THE ONLY evil behind all decisions greens don't like. want something that's hard to swallow? unlike the majority of team black stans, at least half of green stans are rhaenicents. personally i am not interested in this ship at all beyond episode 7, but ryan likes it. he said about rhaenicent:

“I think there’s actually still hope, even with Luke’s death,” Condal said on the House of the Dragon podcast. “The problem moving forward is it’s only so much in Alicent and Rhaenyra’s control anymore. Now we’re dealing with their sons and what we know from history is that war is often fought by the young 16-22 year old angry, testosterone loaded sons of the people that are trying to hold onto their power.”

it is my solid belief that while there have definitely been things that have set ryan and miguel apart, that ryan is not you friend as a green stan and neither is grrm. grrm said he liked the show, he said he liked show viserys better, he is a daemon fan first and foremost. he's not here to save the greens lol and i don't think he's here to save anyone

also... about daeron: ryan announced before miguel left or grrm was gonna be involved that daeron exists and that there just wasn't space for him in s1. could this be a lie madeup on the spot bc people were calling it out? maybe. but how much of the fandom do you think are greens compared to team black and how much of those greens have read the books that they'd make such noise that somehow it was actually them that reminded the showmakers of daeron?

anyway yeah aemond WAS humanized and that's good. that's what you want from a weird, one dimensional history told by 3 sources. whether that means that they consciously took from daeron or not, it's not something we can know for sure. but imo the point of the show is to make all of the characters more nuanced and give them depth so imo there shouldn't be just one character that gets to play a role that's the "good one" as daeron is in the books, and i hope they do it with aegon too. however, to your credit, and i understand the frustration, aemond has been given some of aegon's stuff so it's possible.

this is what i'm saying though. i also don't agree with everything the prev anon said in terms of characters, but this type of talk is also what has started some division in the fandom of aegon vs aemond vs daeron vs whatever. like that one anon i had who called me gross names and were calling aemond "wallmart daeron" bc they were somehow both mad that i shipped helaemond and mad at aemond and helaena separately iirc.

[love-and-bubbles]

I finally watched My Policeman for the first time. How did any of you recover? Am I just to be haunted forever? I had devoured the book. I knew the premise. I had thought about it so many times. When I read it, I had cried heartfelt and had to take breaks reading it as it stirred thoughts in me deeply, unsettling me pleasantly, letting me despair with feeling closely, to what it could have meant to live such an innocent but unjustly damned life. And yet… here I was: Engrossed in a film made to destruct my delicately protected heart. And I nearly made it. I nearly got away with looking at it with my rational eye. What a wonderful blunt judge I can be when necessary! How I can deconstruct the most artistic piece of work with my mind, to reduce it so far as to remove all emotion from it. And I was so close this time around. So close.

So here are my thoughts (and they are neither special nor professional, just human) on this artwork.

Logistics, really, weren't allowing me to watch it any sooner. As always, I had pledged myself to watch it when I was in the right mood and had the right setting. In this case that meant: By myself. This was the case tonight. Everything was quite super. Hot chocolate, my Harry hoodie, and my newly acquired Amazon Prime account ready. But was I? Who knew?

Oh, how I loved the opening sequence. The music, the melody, the scenery. The grey, and rough waves foreboding the heaviness of the movie, then suddenly, surprisingly a shift onto the happy simple melody which so beautifully mirrored the (for me) essence of the story told. Yes, as Harry says, it is a story about lost time. It is a tragic story, quite bleak, full of unspoken sorrow, misery, and helplessness. But also beauty, love, friendship, excitement, and wonder. The waves, the melody. It was all there.

The movie strayed from the book quite a bit, especially at the beginning taking less time to delve into the story of how Marion and Tom met and how Marion fell in love. Overall I might say, that the movie, despite its sexual explicitness, felt a bit less gay compared to the book (as in the focus seemed more on all their relationships). It was also less subtle. In the book, it felt like all their feelings and their relationships with each other were slowly untangled and explored simultaneously, while in the movie they seemed to be shown one duo after another until they lead to one big jumble altogether. I couldn't tell you which way I preferred. I personally think it was brilliantly done in the movie. A beautiful way of depicting their triangular relationship.

So the first part, showing the happenings from Marion's perspective, wildly ignores the relationship between Tom and Patrick, just as it was through her eyes and understanding. It is kind of beautiful to see it that way, as it is what is true to her. And Emma Corrin did an excellent job of portraying the very complicated feelings Marion was experiencing. Absolutely love them!

Also can we please talk about how insanely beautiful Gina McKee is? I already adored her in the panels, she would always speak so eloquently, but her nuanced performance really blew me away. What a character!

The next thing I noticed (and I am writing this down in the order of how I noticed these things) were the aesthetics, the sets, the costumes, and the styling. That first house Tom and Marion moved in together blew me away! It was so beautiful, it was so quaint and the perfect contrast to everything their marriage was. At this point, I wanted their marriage to work, because I wanted to just see this perfect beautiful life they could have in this perfect beautiful house, with the cute little kitchen, surrounded by nature. I wanted her to work and be an independent woman and him to be an amazing father to their children who would run around the surrounding meadows. And together with Marion, I experienced all these dreams and visions getting destroyed by Patrick. And I hated him. I felt for her. I, who has read the book and knew what would happen, who would always prefer to consume queer media and do so in masses, who are queer themself, was rooting for the straight couple. It might have just been the fraction of a very fleeting moment, but I felt her. I saw myself standing there in that kitchen, being so impossibly close to fulfilling all my dreams, and still, they would slip through my fingers just when I thought I would finally grasp them. I don't condone what she did. I don't think she was the victim. Were any of them? Weren't they all? I think it is so much more nuanced than that. (Also I remember that in the book she didn't like the 'cottage', as she puts it. And never felt comfortable there. I think that is why this scene feels so different to me in the movie than in the books. The lie is much more clear as one is in their heads as opposed to just watching them.)

Let's talk about the other characters then. Tom… Mr Harry Styles. Obviously, I did not go into this movie unbiased in his regard. I would have watched this movie without him playing in it, as I (as I have mentioned above) love queer media, especially movies. At first, Harry's performance irritated me. I, ready to give him the benefit of a doubt, ready to look at him as just another actor, wasn't particularly fond of his very stilted way of talking. However, as the movie progressed I understood more and more the intention and nuance behind it. Harry is quite brilliant with his gestures. Especially his facial expressions and small nods and movements. He also portrayed quite subtly how differently Tom behaved and talked when he was around Marion vs. Patrick. And when it was told through Marion's eyes vs. Patrick's. My disdain for his performance disappeared completely and was replaced by genuine surprise and curiosity. I felt his authenticity and rawness in his acting. I started to see the layers and wondered how deep they would reach. I got intrigued. And finally, it got me. That bloody movie got me good.

Patrick… Patrick in the movie feels so different to me than in the book. He seems a lot more tragic, less glamorous, also rawer, than in the book. Is it just me or does Gina McKee look so much like David Dawson? Or David looks like Gina. Anyway… Beautiful humans. I found his story was changed the most (apart from Marion not writing her story and the whole feminism character arc missing). I was kinda disappointed how the story with Julia (the teacher friend) was cut short and changed as well. I liked the entire 'she was going to seek her out at the end and apologize' and her 'coming to terms with the nature of the issue' story at the end of the book. That storyline was such a mirror.

The ending… I found the movie version showed a much more positive future picture than the book version. In the book, Patrick had a few more strokes, if I remember correctly, and was doing a lot worse in the end than it was shown in the movie. I found, in general, a lot of the issues seemed a little softer in the movie, less bleak.

So I was watching it with a more analytical mind… And I did not expect it to hit me. I don't cry easily. At times, I found the cutting forth and back between the characters a bit overused and it seemed cheap to me. I thought that everyone should be able to make the connection without the younger actors layn on top of the older ones like that. I can be quite harsh watching something even the first time. However, and who would have thought, that was exactly what broke me in the end. Joke's on me ig. When in the very final shot Tom leans into Patrick, I mentally went 'okay the movie is over and it wasn't as emotionally taxing as I expected' but then they cut to Tom being Harry aka the young Tom, leaning into Patrick and it hit me! I was suddenly ugly crying, all by myself, in this empty room, and I couldn't have told you why or what it was but it broke me. The entire bloody movie hit me like a truck. No warning. No slow build-up. It just hit me. The tenderness between them, the true and raw love they had, still and always, and how it was still there and nothing had changed, just the pain, so much pain and yes, Harry, wasted time. And it was like the entire movie I had watched through Marion's eyes (even though we had those beautiful flashbacks from Patrick's diary that showed their intimacy and love) that final moment it was like all the tension all the unspoken words and truths were obliterated and incinerated by this simple honest gesture. It was like the entire time with my eyes I had seen one thing but with my heart I had felt another and in that moment it came to fruition. They fused into one truth.

In general, I can say, all the scenes that showed Tom and Patrick by themselves absolutely were incredible masterpieces of cinematography, directing, and acting. They felt so real and true. Of course, the scenes with Marion were amazing as well and the discomfort they often elicited in one is the perfect example that they were done just in the way they were supposed to. But especially Harry in the Tom-Patrick scenes was just an entirely different level.

After the movie came out, I blocked My Policeman on all social media, so I haven't read anyone's review yet. However, one thing that I did hear from time to time was that people while they loved it weren't going to rewatch it over and over again because it was just too much and I didn't get it because I was like: 'Even some of the most tragic gay love stories are on my comfort movie list because it is still just so beautiful to watch them together.' But this movie is an entirely different level of heavy. It is not just sad and devastating it is depressing and not in an explosive sad way but in a truly depressing way. And while I still believe what I said in the beginning holds true, about the happy upbeat melody because it also is so beautiful, when all three of them are happy together, two of them are happy together, when the skirt is green and the window frames are yellow, it has been haunting me since I watched it and it certainly is not easy on the mind.

It is a beautiful piece of art and I have the highest respect for everyone working on it and making it into this raw true depiction of the stories it tells. All individually and collectively. It has truly and utterly shaken me and touched me and taken me to places I might not have gone without. I have the highest respect for everyone who has to go through any form of anything like the stories told and I will wave that pride flag every chance I get because this unfortunately is still the reality for too many people. So relevant, so hauntingly beautiful, so important, such a powerful and courageous take on such an important topic.

[mandy4ever69420]

on sandy i don’t get why people insist she’s like evil for being a dead beat when the show literally goes out of the way to show that her kid is extremely well adjusted and doesn’t want sandy to be his mother, and that debbie was projecting onto her. like. there wasn’t really any complexities about that, they made it so straight up. her situation was awful and i don’t blame her for not wanting to be around her kid or her husband.

don’t get it with mickey either, maybe a little more but i still think it’s morally okay to not want to be a parent to a kid born from rape or teenage pregnancy?? i feel bad for svet for having to essentially be a single mother but i still don’t think it was necessarily mickey’s responsibility

yeah! i'm glad you saw it so clearcut, i did, too, but sooo many people acted like it was ambiguous i was slightly like wtf am i nuts. 😅 tbh even before we even saw her kid in person so to speak, it seemed pretty obvious to me. I mean, oh, a gay milkovich had a kid they didn't want? where have i seen this before?? i'm intrigued that you get people's discomfort more with mickey, i've mostly seen people be extremely understanding with mickey's initial (not even permanent) desire to Not be around his kid, and then so oddly negative towards sandy. i attributed this to a couple factors

misogyny. like duh. even people who think they're woman defenders or whatever fall into the trap of expecting women to be mothers. it's infuriating.

- this even tangles into my problem with some of the svetlana fans who i WANT to see as allies, as a svetlana enjoyer, but CANNOT, as a moral nuance enjoyer. whos not super sw negative. lol

-debbie fans i think have this problem too. debbie's interest in motherhood is interesting & a character trait. it's not like, redemption for the things she does that are bad

2. projection. i think a lot of these people just relate really hard to debbie about the monica thing and did exactly what she did.

-i dont LIKE this but it's understandable. i generally just scoff and move on with this one bc whatever you have your own issues you're relating to in debbie. this is also why i've held off on some thoughts i had on fionaposts til i can phrase them right. like ok you're clearly overrelating here i should be nice

-i take sandy's side in the breakup but i still think debbie has the right not to want to hang out with her. i LOVE a tv breakup where i see both perspectives as more or less understandable <333 what a satisfying & sad little ending

3. sandy's backstory w/ her kid is not as explicit as mickey's.

-that is, the viewer sees up close and horribly personal exactly what happened with mickey, with sandy we're left to infer. i thought it was plenty clear that whatever the details it was traumatic.

-since seeing how people reacted to some things about this show i've become a LOT more forgiving of how fucking, long and intolerable certain scenes are. not limited to svetlana's first appearance but definitely including that. some people still didn't get it so idk about them but perhaps the point did need to be hammered home

-though also this could lead to it taking longer to be at peace with mickey's initial desire not to acknowledge yevgeny. you see all the ugly parts of his rejection -- "fuck you, that's his name" -- which really made me worry at first as well. i already knew i agreed that he shouldn't have to be this kid's dad & i didn't want to see him reject him

Anyway,

you were able to narrow it down accurately to svetlana being a single mother. i hadn't thought much on that perspective, i've mostly gone back and forth in my head on how i view her perspective in having a child: did she want a kid and just figure it may as well be this one? did she want an abortion but couldn't afford/was pressured not to? did she NOT want a kid, but not believe in abortions for personal reasons? side note: it's exactly as much an autonomy violation to force someone to get an abortion as to force them not to. no matter the reason. unfortunately, there's no easy way out once any part of this plot took off - it'd have been less horrifying for mickey if she'd quietly aborted the pregnancy, but that's a different can of worms if she wanted to keep a pregnancy and felt pressured not to

i've mentioned a bit mickey's attachment / separation from yevgeny both being forced in a really really sad way. so i also hadn't considered much of her role as a single mother because she didn't necessarily have to be. + she tends to jump headfirst into relationships so you never see her on her own for long.

[crellanstein]

Prodigious

I find it odd how the fandom focuses so much on Aang’s childhood being ruined when he learned he was the Avatar at 12, but there’s very little talk about how discovering she was the Avatar as a toddler affected Korra’s life and how she was raised.

But we’ll circle back to that...

Because this is a good starting point to talk about one of the most prevalent themes in the story, which the mainstream discussion of tends to only focus on a few characters -- That is the Child Prodigy. 

We’ll start with the two most obvious. The ones we always talk about.

Azula.

The clearest example of your typical child prodigy (if there is anything typical about a prodigy). Azula showed early mastery of very advanced Fire-Bending techniques, and is the only Fire-Bender to use blue flames, which was intended to make her stand out amongst the other villains but is also indicative that her Fire-Bending is more pure and powerful (blue flame is produced when burning pure O2 or fuel without contaminant at a very high temperature). 

All this lead to her being praised and favored by Ozai as a child, but as double-edged swords go, this also meant she had a lot of pressure on her shoulders to never fail, and she rarely did. Her ego matched her talent, and let’s be honest she was the baddest bitch the show had ever seen. Conquering Ba Sing Se, defeating the Avatar in combat, and dropping some of the most devastating lines of dialogue in villain history; she was a force nobody wanted to reckon with. 

And that become a problem for one asshole in particular...

Being jealous of his own child is just one item on a laundry list of reasons why this guy is the worst father in the history of fathers. Azula had begun to outshine him with her victories, and Ozai’s maniacal ego couldn’t handle that, so he left her behind to babysit the Fire Nation while he went out to burn/conquer the world, which also was her idea.

And while this wasn’t the only thing that aided in her demise, it certainly was the final straw which sent her spiraling down into this...

In the end Azula is a sad example of how certain unfair expectations are placed upon talented children, and the more they succeed, the more these expectations grow and weigh on the them until they either disappoint those looking down on them or surpass and embarrass their elders.

It is a lose-lose situation which inevitably destroys them.

There is a similar example of the child prodigy, but his story goes a little different.

Aang.

Even as a twelve/thirteen year-old boy Aang by far has the most impressive stats among any character in the Avatar universe.

Basically mastering 3 of the 4 Elements in less than a year, after mastering Air by the time he is twelve (not to mention inventing his own Air-bending move, the Air scooter). 

Aang is an example of a child prodigy who had too much thrust onto him at too young an age because of the talent he showed; because of this he panicked and ran away, and the world was worse off for it. 

Aang/Sokka/Katara’s story is all about how in times of War, responsibilities normally handled by adults are pushed onto kids who then have to grow up very fast in order to deal with it all.

The message is clear. War robs the young of their childhoods. 

Now, let’s talk about a different kind of child prodigy.

The Unacknowledged. 

Yes, of course I’m talking about Toph, the greatest Earth-Bender to ever live.

Because of her blindness, Toph’s family tried to keep her sheltered and safe by hiding her from the world. Refusing to believe she could ever be more than helpless. Anyone who has seen the show knows that is far from the truth.

But because her potential went unseen, there were some negative effects to her personality. Initially, she resented her parents, and rebelled; which established a certain level of independence, a bad attitude, and a hot-headed streak. Over time spent with the Gaang these behaviors subsided because she finally had friends and they accepted her for who she was. By the end of the series she was fully willing to accept aid from them when she needed it, like holding on to Sokka’s arm in environment where her bending couldn’t help her “see”. 

Toph’s story is a foil to Azula’s, both showed immense talent and badassery, but while recognition of Azula lead to ever-mounting pressure for her to succeed; the lack of recognition for Toph created a need for her to be acknowledged and set an undercurrent of frustration which leads to her acting out in the ways she does.

The lesson to take from Toph’s story is not to shelter your kid from the world out of fear for their safety, and to be open to recognizing their talents, not shun them.

Next are two more Unacknowledged.

Katara and Sokka.       

Their story, and the reason behind their circumstances, is one of the more complicated and nuanced ones in the series, so here we’ll focus on how it fits into the subject of discussion.

Because of the War, Katara was robbed not only of her mother but also of any Southern Masters to train her, and any role models Sokka could have looked up to left with his father to fight. Because of this Katara’s potential and Sokka’s genius went unacknowledged not due to neglect but rather due to circumstance. (Yes, I think Sokka is a genius, how many 15 yr olds do you know that can plan an invasion, design submarines, and spit poetry off the cuff?).

This is a further example of how War robs kids of necessary childhood experiences, and these two robberies had particular effects on both Katara and Sokka’s character developments.

Sokka had the responsibility of protecting his home put upon him at a young age. The men of his tribe leaving prevented him from completing his rite of manhood until the Gaang ran into Bato of the Water Tribe, and early on Sokka was constantly trying to prove himself as a man and a leader. Sokka is one of the smarter characters of the series, but he rarely got credit for it until the third season. Not to mention that because he wasn’t a bender he often seemed less useful than the others. The circumstances of war made his talent go unnoticed and because of that he often was unsure of himself and overcompensated to prove something.

Speaking of talent going unnoticed.

Katara is definitely one of the more talented benders of the series. After training herself for years with little progress, she essentially mastered Water-Bending in a few weeks under Master Pakku. While her anger towards the Fire-Nation mostly centers around the loss of her mother, it can’t be ignored that the delay in her training was a direct result of the Fire-Nations’ actions.  Toph’s anger and frustration vented itself as rebellion. However, the same frustration and anger is within Katara, but because she wasn’t as natural a bender as Toph she sought to learn and be respected, and when that was denied to her is when that anger bubbled to the surface in some terrifying ways. 

While Toph’s talent went unnoticed because of her families neglect, Katara and Sokka’s wasn’t acknowledged because there was nobody to acknowledge it. Because of that both brother and sister wanted to prove themselves to the world.

And then there is Zuko.

I know what you’re thinking. Zuko wasn’t a prodigy, his Fire-Bending skill didn’t catch up with Azula’s until the finale and he never mastered Lightning-Bending, but this section is about the Unacknowledged.

Zuko had many other talents besides Fire-Bending, he was a master swordsmen, and was able to successfully break into every secure facility he attempted in the show (which was almost every secure facility the show featured).  Unfortunately, these talents were never recognized, because the only thing the royal family cared about was bending ability (It’s possible the reason he learned the sword was because he lacked skill in Fire-Bending). 

As per usual with Zuko, this part of his tale is quite sad. Many can relate to being outshined by a sibling, and when it becomes all too clear that one cannot match another’s talent it’s quite understandable to focus on what they do excel at, but even then there is no promise of recognition for their own talent. Zuko was even mocked by his father during the solar eclipse when Ozai tried baiting him into attacking with his swords. 

This lack of recognition is one of many sad aspects of Zuko’s early life, but it is a definitive example of one of the hardest unacknowledged prodigy’s cross to bear. The Outshone prodigy, one whose talents are never noticed because a bigger and brighter star stands in the way of such recognition, and arguably the most frustrating type mentioned here. Toph/Sokka/Katara all came from situations were there was no recognition being given to them or anyone, but Zuko had to bear watching massive amounts of praise be piled on to his sister while he and his accomplishments went by the way side.

Ozai summed up the situation best.

“Azula was born lucky, Zuko was lucky to be born”

Alright now where have I been going with all this?

So, far we’ve covered a lot of wrong ways to treat a child, whether they show talent or not, and how the circumstances of war can also take many things from children.

But what happened to Korra?

(Before we get into to this I should state that I like Korra, and the purpose of this is not to bash her as a character or her arc, but rather to give a little of my insight into it.)

It’s well established that Aang was told of his heritage too young, and that was a detriment on his development into an adult, but what would have happened if he realized his powers himself not long after he could walk? We’ll never know, but we do get to see the effects it had on Korra. 

When she revealed herself as the Avatar, Korra set her entire life in a new direction, and because Aang tasked the White Lotus with finding and training her that direction was out of her control. There are two key differences between Korras’ and other Avatars’ lives.

1. She grew up in isolation on a White Lotus compound.

Every Avatar before Korra we know of spent a portion of their early lives traveling the world in order to master the elements; along this journey they not only learned how to bend the other 3 elements, buy also many things about the 3 other nations and the world they are tasked to protect as a whole. By confining Korra in safety and bringing the masters to her the White Lotus deprived Korra of this opportunity to learn and grow and understand the world and the people within in. It also deprived her of learning modern bending styles until she reached Republic City.

While this might have kept Korra safe from the Red Lotus, it grew within her a naiveté about how the world worked, and because of this when she actually did venture out into the world she was terribly unprepared for it.

2.  She was trained and mastered 3 of the elements by the time she was 16.

Most Avatars don’t know they have this power until they reach 16 and then they spend several years learning to control it. Korra’s natural talent in the bending lead to her training being expedited not by necessity like Aang’s, but due to her talent and eagerness. Korra excelled at the physical part of being the Avatar and because of this by the time she reached maturity she had become over-confident in her abilities and true to what her Fire-Bending master said in Ep.1 she lacked restraint.

I’m not saying her bending isn’t great, but rather because it is so great it’s her go-to solution to anything, and she enjoys that so she uses it with enthusiastic gusto and not a lot of thinking before striking.

This overconfidence coupled with her naiveté of the world is what lead to many of her rash decisions and actions, most of which had negative consequences, and I believe are the reason behind some fan are dissatisfied with her. Aang had been almost the complete opposite, even by the age of twelve he was an experienced world traveler and an incredibly humble guy. 

Some may have been dissatisfied by these character decisions, but they served a purpose, they are only the beginning of her arc. The internal challenge Korra must overcome through 4 seasons is to humble herself before the world, and learn from it. This was finally achieved in the 4th season when the metal poisoning in her body forces her to face others in the world as equals, only then had she completed her journey.

And why did it all go this way?

Because she is a very unique child prodigy, what she demonstrates in the first episode of LOK would be akin to a toddler playing the violin or hitting a three-pointer; she could bend 3 elements close to just after learning to walk. That is the kind of prodigious talent rarely seen because it is mostly impossible. How does a rational person handle a child like that? 

It’s a tough question, and something this essay has been circling around the whole time. Each example here is the wrong way to handle talented and different children, but what is the right way?

As always look to Iroh.

Who treated his surrogate son Zuko with both respect and compassion. 

Unlike Toph’s parents, Iroh worried over Zuko’s well being, but also allowed him to be independent, make his own decisions, and take his own risks.

Unlike the Nomad Leaders, he didn’t want Zuko weighed down by his position in the world and the responsibility that came with, and always encouraged him relax and take advantage of the moment.

Unlike Ozai, Iroh would always be there to support Zuko in his victories and his failures. Iroh shows him the right path but does not force him down it.

And even after Zuko betrayed and abandoned him.

Iroh was never angry with him, and embraced him upon his return.

He wanted Zuko to grow and be a better man. Even if Zuko wasn’t a prodigy like his sister. 

And that is the answer here. The way to raise a prodigy is the same way anyone should raise any child. Love, Support, a Guiding Hand rather than a Forceful Shove, Recognition of What Makes Them Unique, and Forgiveness When They Falter. The problem comes along when you start treating children differently because you see them as different or special. All children are different, all children are special.

Kids are kids, and they all deserve a proper childhood.  

[syms-things-5]

TO THE WIRE

A Chris Evans / Call of Duty AU Fic

My Masterlist can be found HERE, where this will be added.

Part One: It’s All In The Detail

Part Two: Where There’s smoke...

Note: Not sure where I’m going with this but I’ve been a fan of his C.O.D. look since I first saw it. Hopefully, this looks promising but rather than an ongoing series, I see it more as a series of one- or two-shots. Part One is below and Part Two will follow next Sunday following my final spot of editing.

Theme: Enemies to friends to (eventual) lovers. Chris has an ego and believes his own hype, and Martha needs to get a life for herself.

Warnings: Strong language

Word Count: 5.1k

Part One: It’s All In The Detail

“You’ve gotta be kidding me…” came Martha’s exasperated response, hands gripped tightly onto her hips as she did her very best to attempt a more aggressive stance than she was altogether comfortable with. “Months of hard work and now it’s done, just like that?” 

She wasn’t sure why she was even questioning it. She could believe it – and expect it – as it had been the case for her on more than one occasion over the last 12 months and she was getting tired of it. She was getting tired of being side-lined.

“I’m sorry. The decision has been made and it’s for your own safety.”

“But what could have possibly changed in the last twenty-four hours?”

It was a valid question and for a brief moment she felt a surge of confidence in her frustration.

Tanner, the shortish, greying intellectual currently sat behind the broad desk that separated them like a protective barrier, appeared resolute in his decision. Even if he had doubts, he wouldn’t let them show. His posture remained relaxed as he leaned back in his leather recliner having barely flinched or moved in the time since she had barged into his office, disappointment etched across her fine features, staring him down like he had just insulted her grandmother. Instead, he regarded her respectfully and with some semblance of understanding of her disappointment at being frozen out yet again from a mission she had worked very hard on. It made her feel a little guilty at her verbal outburst although he had probably heard much, much worse in his forty-plus years with the CIA. He himself had told her as much.

She wasn’t sure if this apparent show of empathy was a good or a bad thing. It certainly didn’t serve to make her feel any better. Deep down, she knew Tanner knew what he was doing. He always gave considered thought to the decisions he made; he wouldn’t be where he was now if he hadn’t. Even deeper down, she knew she wasn’t going to succeed in changing his mind.

“You know as well as I do that intel can change with no notice.” He explained calmly in his soft, Texan drawl. “It’s never ideal to change the format of a mission at any stage of the play but we do what we have to do with what we are given. The team has reason to believe that Haltzar is shifting gear and making a move to exit this Friday night. If we don’t get him then, our chances at ever bringing in Haltzar disappear in the dark, and his little black book goes with him.”

She could appreciate the nuances that went into a plan like this. In just eighteen months, Martha had gone from being a well-liked but rather inconsequential (her words) doctor at Newman & Grey Hospital, working all the shifts she could manage to avoid being home alone with only her thoughts for company, to a valued member of a CIA ‘Special Ops’ Unit that specialised in dealing with situations far beyond the capabilities of ordinary law enforcement. Or so she thought she was.

She listened to Tanner letting her down gently like she was being told she couldn’t have the bike she wanted for Christmas. She also couldn’t shake the feeling this was yet another attempt by Chris Evans to phase her out. She realised she appeared like she was throwing a tantrum because she couldn’t get her own way. It was embarrassing and it made her feel like shit. It wasn’t what she was aiming for when she woke up earlier that morning.

“Listen, Martha, this is in no way a reflection of your work but some people have expressed concern that your being there would draw unwanted attention-”

“-Some people? You mean Chris-”

“-Especially if a member of Haltzar’s crew recognises you from their own intel.” Tanner finished his argument, choosing to ignore hers. “We can’t forget they have been here a long time. They will have scoped the place out for themselves, several times, and if they see you at the hospital, the whole game is up and we’ll have lost nearly eighteen months of work for nothing. I’d like to see you try to explain that to Homeland Security.”

Martha paused in her tracks and tried to avoid Tanner’s careful, sympathetic gaze. Shaking her head in defeat, she loosened her hands from her hips and let them fall limply to her side as she took on board Tanner’s reasoning. Just as she was about to express an apology for her blatant lapse of professionalism in the face of a man who could probably buy and sell what was left of her own family, a lowly whistle came from somewhere close behind her.

Stood still in the corner of Tanner’s office, one boot resting on the panelled wall as though he gave not one care for the probable cost of having his dusty Size 12s scratch the paint off, Chris murmured his disapproval of Martha. She couldn’t quite bring herself to acknowledge his presence, though, preferring to leave him brooding quietly as she attempted to make her way out of the office unscathed.

Even now, after he had sullenly made himself known, she preferred not having to deal with the sight of his smug face at this time of the morning. She could sense him, though. You could always sense when Evans was nearby so it was a complete and utter joke that Tanner was now claiming that she might be the one who would draw attention.

“Well, I would probably call into question the reasons why some people might see me being there as a problem.” She stated matter-of-factly, the words coming out of her mouth before she had the time to edit them. Or stop them altogether as she was quickly wishing she could.

“I’m right here, McLachlan.” Came his bristly tone in response, clearly having had enough of her obstinance.

“Yes, I know, Chris. It’s very hard to miss you.” She snapped, finally conceding to him. All she got in return was a dismissive glare. It only served to wind her up even more.

“Then ask me directly.”

She looked at him again but chose to bite her tongue, not wanting to rise to his bait.

“Why are you pushing for this?” Chris pressed. “You know we make the calls and the call is that your efforts are no longer required. We have everything in place, you’ll just take up space, space that we don’t have. Congratulations, McLachlan, you have the night off. Go out and celebrate.”

Martha could feel herself stiffen from his petulance. It was an all-too-familiar feeling that she was growing tired of.

“Yes, you’ve made that more than clear.” She retorted.

She let out the last of her breath that she’d been holding and gathered herself before she turned back to face Tanner. She struggled to meet his eye for a brief second but no amount of re-focussing herself could take away from the disappointment she was feeling inside.

“I guess there’s nothing left I can say.” She finally acquiesced and nodded once to Tanner, who reciprocated with what she thought was a small hint of regret. She didn’t exactly mean it but nevertheless it seemed like the professional thing to do.

She caught Chris’ eye once again before she fully departed the room but neither was willing to give the other the satisfaction of acknowledgment.

“You could go easier on her. We need someone like her in the team. She’s very good at her job.” Tanner said when he was confident that she was no longer within earshot.

“So are a lot of people but it doesn’t mean they all get to be invited along for the ride.”

“She’s helped this team a lot over the past couple of years.” Said Tanner, pointedly ignoring Chris’ last words.

“Then we’ll have a whip-round and sign a card.” Chris shrugged. He dropped his foot from the wall and casually made the few steps to where he stood in front of Tanner’s desk.

“That’s very grateful of you, Christopher. Remind me, who removed the bullet from your shoulder in Detroit?”

Chris paused at Tanner’s annoying ability for recall. How was he expected to respond to that?

“That’s what she’s paid to do.” Chris conceded. “But we can’t pretend that she has even half the training my guys have. By anyone’s standards, this is a quiet, safe mission. You said so yourself. No one is going to get injured, so…she’s surplus to requirements. End of discussion.”

“And what about next time? What about when you or one of your boys needs medical assistance and you’re hiding out in some cave in Iran? You think Dave or Benji will be able to cope?”

“Benji served two tours in Afghanistan. I think he can deal with a bandage.” Chris attempted to shrug Tanner off once more.

“Or what about when one of your guys trips a wire and threatens to set off a landmine?”

Chris couldn’t believe what he was hearing. “You think she’s a bomb disposal expert all of a sudden?”

“No, she isn’t, but she could be.” Tanner posed, choosing to ignore the scoff that just emanated from Chris’ direction. “This is my point, Chris. There are very few people left in this country that can do what you and this team does, I get that, but it would be a wise and valuable idea to at least consider the future. Consider protecting this team’s legacy, your legacy, and pay attention to the possibilities of who is available and who can be trained that could handle these same pressures.”

Chris’ hands found their way to his hips and Tanner knew he’d likely pushed his luck. Still, he said what needed to be said. It was common knowledge around these parts that Chris had an ego that needed to be kept in check, and Tanner seemed to be the only person to do it.

“I don’t doubt that an ER is a tough environment but let’s not pretend a medical degree is in any way a viable substitute for the nerve and intuition this team has.”

“She’s a doctor, Chris. I think nerve and intuition are parts of her job specification.”

“That’s not what I’m saying and you know it-”

“-We can’t afford to lose her, Chris,” Tanner interrupts “Or Carl for that matter, so I’d strongly advise you to play nicely with them both from here on out.”

Tanner leaned forward in his recliner and pulled his glasses down from the top of his head. Chris watched as he took the fountain pen from its holder and opened the leather-bound file that had been sat on his desk all morning, awaiting his attention.

It was as clear an indication as possible that their conversation was now over but Chris struggled to accept not having the last word. Regardless, he unclenched his jaw and turned to vacate his office, leaving Tanner to glance at the back of his protégé’s head before getting back to work. 

 *

Chris waited for the heavy-set door to shut behind him completely before he placed his hands back on his hips and breathed in deeply to steady his nerve. He glanced to either side of him to make sure Claire wasn’t in earshot before he muttered a ‘fuck’ under his breath.

Chris was sure the only reason Tanner kept Claire around was because she had the ears of a bat and could pick up on people’s frustrations from a mile away. It certainly wasn’t for her administrative skills, that was for sure. At the age of 52, she’d all but given up on learning how to use email instead favouring the Victorian-era fax machine they were for forbidden from upgrading.

He didn’t like having his work called into question, and he certainly didn’t like it coming from a junior. Martha wasn’t even a fully-fledged member of the team; she was unofficial and part-time at best and he found himself growing increasingly aggravated by her presence. He wasn’t sure why Tanner expected him to just put up with her. It wasn’t like she offered anything he couldn’t get from someone else. She was a hassle he didn’t need at this time of his life.

As he felt his pulse beat in his ears, he took a few more calming breaths and tried as hard as he could to unclench his jaw again. Somewhere down the corridor to his left, he heard doors shut and he felt his irritation kick in.

“You really need to knock this off, McLachlan.” He announced as he burst into the changing room.

“Excuse me?” Martha turned from where she was perched on the edge of the bench, surprised to see him stood in front of her once again. She was just 5 minutes from leaving the building and getting back to the relative sanctity of the hospital so it was totally unfair that she had to speak to him again.

“This interruption you’ve got going on all the damn time. It’s not helpful. You’re just making things more difficult than they need to be.” He took another step towards her, almost concealing her in his shadow. “I don’t appreciate it.”

Martha wasn’t sure if she had missed a conversation in the few minutes since she had left Tanner’s office. She had walked away in full understanding that it was to be business-as-usual and she wouldn’t be needed until the next time. She didn’t much like it but she accepted it. She thought she’d made that part obvious at least.

“Look, I was merely asking why I was no longer being considered for the mission and I think it was a valid question. I wasn’t trying to be difficult, or-”

“That’s the thing, McLachlan. You don’t try to be anything. You just are. I swear you exist just to piss me off.”

“That’s a bit harsh, don’t you think?” She physically recoiled at his tone. “It wasn’t like I was doing this on purpose.”

She looked away from him and back down to her laced-up plimsolls.

“Sometimes, I think you just want to be annoyed about something. If anyone needs a night off, it’s you.”

“Be careful who you’re talking to, McLachlan.”

“Or what?” She flinched, surprised by her own candour. Yet again, she spoke faster than her brain could catch up with.

Martha watched as he was stopped in his tracks. She felt her shoulders shift, trying to drain herself of this interaction with him. At times, it was an effort to merely exist in the same room as him.

He wasn’t expecting the retort and he certainly wasn’t expecting her to question his authority in this manner.

“It’s not my choice having you here, McLachlan, but it certainly will be having you removed if I have anything to do with it.” He was speaking far quieter this time, a gentle intimidation that she assumed was normally reserved for those he was questioning. Or worse. “Quit crying when you don’t get your own way.”

“I wasn’t crying. Sir.” She spoke again in equally hushed tones.

She swore to whoever was up there that she wasn’t deliberately trying to provoke him, but it seemed to be the only language he understood.

After another silent moment passed, he huffed out something that resembled amusement. “Close enough.”

She kept her feet rooted to the spot and refused to look away. Whether it was some vain attempt at essaying confidence, or she just genuinely couldn’t move, she didn’t know.

“This isn’t personal.” He rationalised. “This is serious stuff. I can’t afford to babysit you.”

“I can’t tell if you’re being patronising on purpose or if it just comes naturally to you.”

“Fuck around and find out.”

“Oh, real mature.” She rolled her eyes at him. She got up from her seat and turned to grab her hoodie hanging on the hook inside her locker.

Carl chose that moment to make his appearance from behind the row of lockers. He coughed a fake cough that was almost comical in its execution, briefly unnerving Chris. Carl wasn’t exactly aiming towards Chris either, rather just making his presence known in case Martha had forgotten about him.

Chris looked quickly between Martha and Carl, unaware he had been there. He hid the surprise from his face quite well, keeping his features as straight as possible. Had she known he was there this entire time? What was her game?

“Get your stuff and go home.” He instructed, standing taller than before, returning his gaze back to her. “I’ll deal with you another time.”

He turned on his heels and strode out of the locker room in such few steps, it was almost impressive. To Carl, anyway. Carl was easily impressed at the best of times but working for someone who had received a medal from the President of the United States nearly tipped him over the edge.

Martha slammed the door of her locker with some force, startling Carl in the process.

“Everything OK?” he asked cautiously when the room fell silent again. He knew the answer.

“Not exactly.” Was all she could give back to him.

He thought better of pushing her again, He watched as she moved to stand in front of the mirror that took up almost one whole side of their small changing room. It was a crowded room on account of various equipment cupboards that had been moved in months earlier because, apparently, there was no room left anywhere in the on-site training facility. Martha was convinced it was yet another attempt by Evans of pushing them aside, though, and you couldn’t tell her otherwise.

She stared at herself in contemplation. “I need to go back to the office before I leave, OK?”

“Um, yeh, sure.” Came Carl’s hesitant reply. “Shall I just meet you by the car, then?” But she had already left.

He wasn’t sure what the purpose of her returning to the office was and he dearly hoped she wasn’t going to rile Evans up any more than he already was.

Layer upon layer of coloured and black-and-white photographs stared back at her. She followed the direction of the white ink that lined them all up, connecting the dots both physically and metaphorically. Prints of the town grid and an image featuring the schematics of the local Newman and Grey Hospital were kept separate on one side. In the centre of it all, was Haltzar.

By anyone’s basic understanding, Alek Haltzar was a dangerous man. He was exceptionally tall, standing at over 6ft 5in, and was just shy of 50 years old. When Haltzar wasn’t indulging in Arms trafficking and attempting to corrupt local politicians in neighbouring countries, he enjoyed playing chess competitively and was a single father to three children. It was this latter role that he took more seriously than that which brought him his billion-dollar fortune.

The children’s mother had died in a freak boating accident when their youngest son had turned just four years’ old. She had been the love of Haltzar’s life and her death had devastated both him and the boys. Ever since, he had vowed to dedicate his life and his many, many millions to charity to honour her memory. It was a fast about-turn that stood ill at ease with his previous profession.

He was also gravely ill.

Some four years before today, he had discovered he had been living with a rare form of cancer following what should have been a routine prostate exam. The best scientists and doctors he could find could provide no clue as to its course of treatment, and could not stop it from spreading further.

He went underground for a short while afterwards, trying his hand with any experimental drug and therapy he could find, but when nothing appeared to work, he did what any other person with the means to do so would do and relocated his family to the US. Washington DC to be exact.

DC had been home to the estimable Newman and Grey, a hospital devoted to advancing medical research and theory around some of the body’s most destructive diseases for nearly sixty years. Originally named after Sir Peter Newman, the hospital could now also claim itself as home to the Nobel Prize-winning mind of Professor Alan Grey, a man responsible for, among other things, his incredible work developing the technique that would later create the MRI machine, an epic scientific breakthrough in the late-Seventies that allowed the diagnosis of patients via non-invasive means.

So, leaving behind his work, his varied and dubious connections to some of the world’s most powerful people, and his entire life it seemed, Haltzar uprooted his family to Washington a little over two years ago. Whatever the likelihood, he moved in an attempt to access the experimental treatments Prof. Taylor had been studying and testing with some degree of success.

His sudden arrival in the US caused as close a thing to a “stir” as Martha reasoned was possible given his identity was genuinely unknown to almost everyone except those who worked inside the CIA. According to them, this move was very much a last-ditch attempt at saving his own life so his beloved children wouldn’t have to grow up without a parent. If he hadn’t been responsible for aiding and abetting several war criminals over the last twenty years, one could be forgiven for feeling just a little bit sorry for him.

Martha supposed she could understand to some degree his reasons for moving to the area. After all, she had done much the same thing as him, just minus the murders and the bribery.

After completing her MD in Boston, she wanted desperately to exist somewhere in Prof. Grey’s orbit if only on the periphery of him and his team. She had lived and breathed his theses and work during her studies, and had arrived at the hospital five years back after she took on a role as an Emergency Doctor in the hospital’s ER. It was a tough baptism of fire for want of a better phrase but Carl had befriended her and the pair of them soon formed an alliance which kept the ER moving at a pace that could hopefully cope with the volume of admissions.

“I’m sure they had their reasons.”

She could hear Carl’s voice in the back of her mind. He was a nice guy, Martha thought, but dear God he could be a push-over at times. Why did he suck up to Evans so much all the time? Tanner, she could understand, but Evans? The guy had an ego the size of the state. He was a jerk. Martha lost count of the people flinging themselves at his feet everywhere he went, Carl notwithstanding, and she could never work it out.

“I’m gonna level with you, Martha,” Carl had said after hearing Martha’s protests earlier that afternoon. “I’ve got zero interest in carrying a gun with me for the next week just in case a goddamn psychopath may or may not turn up to the hospital. That is way above my pay grade. This is why we pay our taxes, so that men like Evans can do the risky work for us.” He turned back to the computer screen in front of him. “And that suits me just fine.”

“But we’re the ones who’ve put this all together.” She argued back at him. “They would never have known about the drug trials if it wasn’t for us and Taylor.”

“Yeh, and the locations and the money and the hospital plans? That’s all them.” He reasoned. “Think of it like anything else we do. We take X-Rays, we take bloods, we make the diagnosis, then we pass the patient over to the right consultant who uses all of that information to make the person better. We still get the credit, we just don’t have to do all of the graft.”

Martha despaired as she stared up at the board. It was all pointless now anyway. 

 *

Haltzar had been living in the quiet but glossy suburb of Chesapeake Beach. It was one of the wealthiest areas in Maryland and was home to several retired businessmen who liked to keep one eye on the New York Stock Exchange whilst making their way around a golf course.

According to Tanner, Haltzar had been photographed several times visiting his oldest son who had enrolled at Notre Dame almost as soon as they had arrived in the area. He had been seen attending their sports matches, visiting a local library, even mowing the lawn outside his home. One photograph Martha had originally lingered on showed him in a car parked outside a Walmart.

He was quite literally hiding in plain sight.

But, as Tanner had supposed, that was easy to do when your Head of Security was also an ex-Black Ops member. Evans thought he had recognised him from his early days on combat duty but ultimately uncovered nothing they could use to get close to Haltzar from the inside.

Walmart was the one image she found herself fixating on over and over again at random times of the day. It was the thing she was thinking about now as she found herself sat behind the reception desk in the ER that Thursday evening.

The clock was ticking by slowly and the expected onslaught of patients never materialised. The team was grateful for the break but Martha hated sitting around doing nothing. Her admin was up to date as always, she’d triple-checked the stock cupboards, and had grown tired of watching the kettle boil for the fourth time having offered to make yet another round of tea for everyone.

It was a weird evening. She couldn’t quite put her finger on it. Maybe it was just because it was a Thursday and Thursday seemed too early in the week for people to find a thrill in the weekend. Thursday proved a weird limbo for a lot of people in this town it would seem.

“You should bring a book, M.” Simone called out from the chair a few feet behind her. “I’m reading Catch-22 at the moment. It’s pretty damn good.”

“Didn’t you read that in high school?” Martha asked, snapped from her momentary daydream.

“Yeh but it was pretty dull back then. This time, I’m really appreciating the critique of authority more than before. I tell ya, it is 100% relatable.”

Martha could share in the joke knowing precisely what she was getting at. Simone was adept at the art of the passive-aggressive remark and was a welcome, contrasting energy to the usual politics that went on underneath this roof.

“Seriously, though,” Simone continued. “You wanna go take a nap or something? It’s gonna be hours before we finish here and I can handle things for a bit.”

Martha contemplated her kind offer. She figured she could be bored here or bored in a quiet room where she could mess about on her phone, maybe plan a holiday she knew she wouldn’t take. It didn’t really matter either way but she would at least feel a bit less guilty about it if she wasn’t fussing on her phone in plain sight of the few patients who had taken up space in a couple of bays.

Looking towards the few patients they had admitted that evening, she clocked them each lying quietly on their respective beds, calm and peaceful. Just what they liked to see. A couple of them had been hooked up to blood pressure machines that took intermittent readings and beeped out accordingly, and the other guy was sat up in his bay and reading a magazine upside down, the drugs perhaps causing him to feel a little drowsy. She wouldn’t hold it against him.

“Thanks. I won’t be too long.”

“Take as long as you need, chick.”

Simone turned back to the paperwork in front of her as Martha vacated the squared-in desk formation that created their excuse for a reception.

Taking the long, quiet walk down the corridors to reach the staff quarters took longer than usual. Her phone was clasped in her hand and she’d picked up a glass of water on the way. She held the doors open for Paul, the porter, as he transported some equipment to another ward a few floors up. He had been too polite to let her help him the rest of the way, despite her offer.

Finding herself at a loose end, she locked the door behind her and chose the single bed closest to the radiator. The heat would help lull her to sleep, she thought, and she could while away a couple of hours before she returns to the main ward to see what might await her. Was it wrong that she hoped something a little more dramatic might break up the monotony of the shift?

He was reading it upside down.

Wait.

On more than one occasion she had spotted him scanning the ER. She had thought he was just waiting for a relative to arrive or perhaps waiting for his SHO to return with some test results, but…he wasn’t confused. The drugs weren’t causing him to feel lethargic or muddled; they weren’t strong enough to do that.

Why had she negated to think that before now?

She held her fingers to the side of her forehead, hastily rolling back through her memories of the last couple of hours.

The three men had each arrived separately but only within about twenty minutes of each other. They all claimed various minor upsets that although were a little uncommon to be accidental, were nevertheless ailments the team had handled thousands of times before. After all, they weren’t there to question anyone; they were there to do their job and fix what was wrong with them.

Martha didn’t pretend to know the intricacies of the Agency’s work but she was still able to note their boots were in fact of the same make and all were clean and shiny, as though they had each just left the shop before they found themselves at Newman’s.

“Jerry?” She called out hurriedly as soon as she heard the other line click on.

“Oh hey Martha! What’s up?” Came the friendly, chirpy response from perhaps the only man in the Unit that maybe didn’t hate her guts.

“You guys need to get down here. Now.”

*

[qqueenofhades]

Hi, hope you don't mind me asking questions but I'll admit my government and legalize on this side is weaker and I'm watching multiple sources to try to get a clear idea on some of this but you also seem knowledgeable and passionate so also asking questions. Before the order to release the redacted affidavit many said it wouldn't happen cause they don't do that and from my understanding Trump never actually filed anything to have it happen. Do you think they did it to cut that argument before Trump could get followers to turn up the heat/donate money or why do you think/know they did that?

Well, it depends on who you mean by "many said," because the idiots on Twitter who are suddenly an expert on whatever socio- or geopolitical issue happens to be going on (COVID, electoral law, the war in Ukraine, gas prices, and now evidently the niceties and nuances of federal criminal investigations against former presidents) usually don't have a clue, and are just making up shit as they please. Plus, this is all in unprecedented territory, legally speaking, so actually nobody knows what's going to happen. We can make educated guesses (some, uh, more educated than others), but yeah, the peanut gallery of public opinion is especially bad as a barometer of such.

It's true, as far as I know, that they don't do this for most cases, but then, most cases aren't against, again, the former president of the USA who is under actual, literal investigation for treason, collaboration, sedition, plans to overthrow the government, etc. I mean, it sounds like a bad James Patterson novel; it's that far-fetched. The DOJ cited "public interest" in filing to release the warrant in the first place, because obviously it became a huge issue, Trump's crazy followers were busy threatening MORE treason (they just can't help themselves) and Trump himself is still the de facto head of a major American political party that has lurched wildly to the fascist right in the unfortunate few years since he came onto the scene. So there are a lot of levels here that simply aren't the case for ordinary DOJ proceedings (which lbr, nobody cares about anyway unless it's literally their job to do so). Hence, relying on "precedent" doesn't work here, because again... there is no precedent. This is totally new.

As I understand it, the DOJ moved to release the redacted affidavit because Trump was threatening to request it released UNredacted (since he's too much of a fucking idiot to stop making things worse for himself). He almost undoubtedly wanted this so his crazy followers could have access to the names of the FBI agent(s) who filed the affidavit and carried out the search, since the MAGAts have now declared war on the whole agency anyway. But seeing as almost the whole damn thing was blacked out, that means there's stuff in there that the DOJ can't release for fear of compromising their investigation and/or which is too sensitive for public dissemination (not surprising, given the materials involved). All of this is information which Trump may or may not know, and if he learns exactly what they have against him, he's obviously going to try to blow it up. So the DOJ made the move first to get permission to seal the original and only release the redacted version, because yet again, as with their whole "RELEASE THE WARRANT!" screaming that quickly went quiet when Merrick Garland called their bluff and did exactly that, they somehow think that actually releasing MORE proof will not be EVEN WORSE for them. Which, uh. Is not working the way they expected.

So yes: the DOJ needs to keep a lot of this stuff out of the public eye, they can't have it widely known for fear of compromising what they're doing against Trump, they need to protect the FBI people involved with this, and they obviously know that Trump's calls to RELEASE STUFF are only going to backfire on him, because everything that comes out only makes him look worse and worse (which was difficult, but here we are). So that's why they did it.

[pretty-toru]

bittersweet┆naoya zenin

୧ genre: break-up angst and smut

୧ wc: 1,918

୧ content warning: unprotected sex. vaginal sex. love marks. dubcon kinda. creampie. naoya being possessive and a lil rough.

୧ synopsis: he's desperately trying to cling onto you, and you know it's not fair to give him hope.

→ read part two here

When did you start turning to dust. Naoya always believed that he knows you better than yourself, but that couldn't have been further from the truth when you're gently soaring through the air and hiding in the glaring sunlight. Slowly slipping through his fingertips until his vacant grasp of nothingness blindsides him. Your souls that were once completely woven unravels itself and he feels his heart getting sore with every beat.

"I don't understand you right now." He rasps, hands balling into fists and his expression hardens like steel behind furrowed brows. All of the rational fibers in his being are screaming at him that this has to be some terrible joke you thought of to get back at him. Yet he knows you are incapable of being cruel so that circles him back to his first question.. what the fuck went wrong? He always thought you could be somebody that is forever, and nothing is making sense anymore.

"Explain to me so I can understand." His voice raises an octave, and he takes a step toward you and you falter in your steps as you move backward. His unwavering gaze still hold yours with a kind of intensity that makes it hard to focus on anything else but him. His hauntingly beautiful dark ambers fixate on your delicate features and you swallow the lump of ice that nearly shatters your resolve.

"Naoya-sama," you utter, though it came more like a whisper and you hate how small your voice sounded. He continues moving forward and before you know it, your back is against the wall with his hands planted on the surface on either side of your head. The flutter of your lashes steer away from him, "I'm sorry, but I need to end our relationship. I just don't love you anymore."

He cups your jaw and moves your face so you're met with his gaze again. You wanted to save yourself and Naoya from this heartache, but Naobito Zenin did not approve of a household maidservant distracting the next head of the Zenin clan, much less when he's already been arranged to marry another. And you learned to associate his name with crippling fear and the realization that he can make you disappear without a trace. 'Do you get it now? Don't interfere and stay where you belong.'

Your eyes burn with unshed tears, and you feel something inside break like the crackle before the ice shatters — it’s soft and subtle and terrible. "Is that true? Then look me in the eyes and say it again." Naoya's touch on your skin feels hot and searing, but you endure it for the sake of you both.

"I don't love you anymore." You say with more nuance, but the untold pain behind your eyes tells Naoya something else entirely. He always knew you were an incredibly awful liar, but the heaviness of his heart doesn't get any lighter and he needs to know that you weren't serious, that you still love him and someone was orchestrating this entire thing.

"Then why don't I believe you? Did my father put you up to this?" He grips your hand in his to serve as a reminder that it's just you and him here. You don't need to hide or push him away, you know what he's made of and he'll protect you like he promised many nights ago. But he needs to hear your truth, and not his father's words instilled in that pretty head of yours.

"Listen to yourself." You find the strength in your arms to push him away, but he barely moves an inch. "Don't you think we're getting in over our heads with this arrangement? You know we can't be anything more than this, and I can't keep expecting something to change because I know that it won't. So I'm begging you.. let's just end this here and now."

He catches your wrist when you try to shuffle away, and draws you back towards him with a soft thud and you're pressed against his chest. His arm wraps around you in a possessive hold, and his hand moves to grab your face firmly yet tenderly as he searches your eyes for something, anything that resembles the you he came to know and love with his entire heart.

"What exactly do I need to do? Tell me so I can fix it. I'll do everything I can. Please, I love you so fucking much. I don't want to lose you."

He's never been stubborn about anyone in his life until you came along. He doesn't know why he's so enamored by someone like you, but what he knows for certain is that nothing scares him more than losing you. He's desperately holding onto his feelings for you because he's afraid of what comes next. And he doesn't want to think anymore. He just wants to feel you against him, to make him feel better even if it's just for a fleeting moment.

His mouth is soft against yours and you lose your willpower to drive him away, melting in his arms as you wrap yourself around him. All you could hear is both your breathing and rushing hands to undo your yukata to relieve the sexual frustration that built up between you two. You moan inside his mouth when he slips his tongue through parted lips, and you want more of him to drown away your thoughts and sorrows of the eventual heartbreak.

"I care for you and I love you. Isn't that enough for you to stay?" His voice hoarse against your ear as he hoists your leg up and grinds his hardening cock against your soaked-panties. Littering sloppy kisses along your jawline and neck as your breath hitches and you try to suppress the lewd noises escaping you. His hand reaches down to elicit more of your soft moans as he roughly stimulates your clit and he simpers when you give into your pleasure. "Don't you love it when I touch you here? Won't you miss this when you're gone?"

He weaves through your loosened clothes and gropes your breast harshly when you don't answer him. Sucking particularly hard on the sweet spot near your jugular and your body tenses up against him. "Mmh. Y-yes, Naoya-sama." You're throbbing and wet thinking about the sheer bliss and lingering soreness when it's all over, and you know that you're too weak to resist him. But you promised yourself that this will be the last time Naoya Zenin touches you like this.

You're pushed down against the tatami mat as his beautiful body hovers over you, capturing your lips into another heated bruising kiss. His fingers wedge between you and your panties to remove the flimsy fabric and tosses it somewhere in the bedroom. Already having undone his hakama bottoms, he teases your folds with the flushed tip of his cock making you squirm delightfully and he presses himself against your entrance.

"Tell me how much you want me." He thrusts slightly forward, slow and deliberate in stretching your tight cunt. He loves watching your expression change when he's too big for you to take easily. The surrender in your eyes when there's nothing for you to do but take everything he gives you. "Tell me you love me and I'll give you a good reason to be a shaking whimpering little mess."

You gasp softly as your hands clench anything within reach. "God, I want you so much. Please, I want to feel your cock deep inside of me because I'm yours to take. I want you to show me that I belong to you and fill me with your cum because I love you. I love you. I love you so much it hurts." You make sure he can hear how much you mean it, leaving no doubt in his mind as you let out all those moans and screams while his shaft plunders your cunt over and over again. Your nails dig crescent moons into his back and he groans through his teeth, seizing your wrists and pinning them above your head.

You look so much prettier this way, completely helpless and vulnerable for him that he slowed down for a moment to appreciate the sight of you. "What a greedy little cunt you have. I bet no one can fuck you like I can. No one can make you scream like I can. I'm the only one who can make you feel this way. You're mine, and don't you forget that." He emphasizes the last part by moving his hand down to your neck and applying a bit of pressure around your throat.

He feels his dick twitch when you stare up at him with those gorgeous doe-eyes and nod slowly while he's pounding away. Your face reflects that delicious combination of lust, arousal and submissiveness he finds cute and sexy in women. And that's one of the many reasons why he was drawn to you. You're so beautiful and so perfect for him, he can't imagine anybody else to take your place. He'll make you feel so desperate and needy that your cunt yearns only for him.

"Do you love my cock so much that it's making you cry?" His thumb wipes away an errant tear that rolled down your flushed cheeks. You know that it's hard to seperate the act of sex from the expression of love, which makes it more painful for you to move on in the long run. But you wanted him one last time as closure even if it's selfish.. and yet it feels so phenomenal, and your body doesn't lie when his cock is buried deep inside you and brushes against the most sensitive places.

"N-no, I mean yes. I'm just sorry about what I said earlier. I didn't really mean it. I love you so much Naoya-sama, I won't disappoint you again." You feel the shame in telling half-truths as they fell easily from your swollen lips, and he leans down to kiss you more slowly and tenderly. More sweet and caring than you thought he was capable of as he murmurs promises you know he cannot keep for his father stands in the way between you two.

It doesn't take much longer until you're clinging onto him and clenching around him tightly as you came. The hazy room fills with your erratic pants and hopeless moans and his grunts as he continues to take his pleasure from your body. And you let him have his way with you until the night runs into morning. Offering yourself to him over and over again even in your post-orgasm daze until he stills in his movements and drains his warm seed inside you.

He removes himself from you leaving you feeling incredibly empty as his thick loads seep down from between your legs. His fingers still intertwined with yours even after riding out both your orgasms, and you catch him admiring you from the rush of afterglow feelings. You're the last thing he sees before he gives into the exhaustion and falls asleep knowing you won't melt away into the warm horizon of the sunrise.

'Marry me and we can finally be together.'

His last promise to you before he closes his eyes shut and holds onto a dream of all the things you and him could be. And you hope there's someone that could teach him how to forget that his only idea of love is you.

[kachuusha]

implied mutual feelings of love between levi and hanji—an analysis based on chapters 126 and 132.

note: this is a more in-depth version of what I have posted earlier.

This post is an attempt to make sense out of Levi’s nuanced dialogue in chapter 132. But before proceeding please read this tweet first to understand the context of this post: link to original tweet 

Please also read this analysis done by shunkani, explaining the nuance present in the original Japanese text. 

it is important that you read the posts I’ve linked above because what I am about to say here is not gonna make sense if you don’t.

Like always, note that what I am about to say is only my own interpretation of the events and should not be taken as absolute canon confirmation.

In chapter 132, Levi has a line that lost its nuance in the English translation. As explained in the linked posts above, Levi comments on Hanji’s unrequited love for titans but there is an implication that a mutual love shared with someone else.

What if that someone is Levi? When you think about it, it is not farfetched to assume that it was him considering how close he is to Hanji.

Other than that, there is an incident in the chapters prior to 132 that presents a strong case on why Levi could be referring to himself. Yes that's right—Hanji asking Levi to live with him.

Now I've seen people try to dismiss what Hanji said to Levi in the forest and insist that there is nothing possibly romantic with it and that Hanji was simply expressing their want to run away because they are tired so here is my take on it:

After tending to Levi's wounds, Hanji says,

"Maybe we should just live here together. Right Levi?"

If Isayama only intends to have Hanji express their exhaustion and desire to run away from everything, why didn't he just make Hanji say something like 《"I want to run away Levi. I am tired."》 ?

Why did it have to be Hanji expressing their want to live together with Levi? It was like Isayama tried to hit two birds with one stone. He had Hanji say their desire to run away and also to be with Levi.

Another factor in this is Hanji blushing after realizing that Levi heard what they said. Again, some fans have tried to refute this by saying that Hanji blushes all the time.

Yes Hanji blushes a lot but also consider the context of the scene. For second let us pretend tha these two characters are not Levi and Hanji—let's pretend that they are Character A and B.

Character A is with Character B, and the former thinks the the latter is asleep. Character A then takes this as a chance to voice out their feelings for Character B.

A few moments later, Character B brings up what Character A said. Character A realizes Character B heard their confession and so they blush.

I mean look at it, you could easily pretend that what happened in the forest was something that came out straight from a romance novel or a shoujo manga.

And come on are we going to pretend that the run away and live with someone to start anew isn't a common trope in romance?

Another argument I've seen is that maybe Hanji was just embarrassed that Levi heard them expressing their want to abandon their duties. This one is very easy to debunk.

Remember the beginning of Uprising Arc? Hanji shows their hesitation to Levi in continuing the titan experiments with Eren because they are afraid that the MPs might go after the SC just like what they did to Pastor Nick.

In both situations, Hanji was trying to run away and evade something and Levi was present in both situations. But did Hanji blush after showing their want to run here? No they did not.

Then what else could possibly the reason for Hanji's blush other than a hint for romantic feelings?

Next let's talk about Levi's response to Hanji.

Levi subtly implies to Hanji that he heard what they said by asking,

"If we keep...running and hiding...what will that get us...?"

Some say that this was Levi rejecting Hanji but I disgaree. To me what Levi said sounds more like a We can't run away yet if we still have things to do.

Levi also said that because he is aware of Hanji's strong sense of responsibility.

"I know you...you're not able to stay out of the action..."

He knows Hanji would't be satisfied in being a bystander.

Another thing to note here is that Hanji is the one who arrives at the conclusion that they can't.

Levi himself did not really gave a direct answer—and that is expected from someone like Levi who seems to be awkward and inexperienced in romance. It is understandable if he was caught off guard with what Hanji said and thus couldn't give a proper response.

Now getting back to chapter 132.

After seeing Hanji's exchange with Pieck, Levi says:

"...So, four eyes. yet another love for a titan gone unrequited, I see."

So like what had been explained in the posts above, Levi comments on Hanji's unrequited love for titans but implies that there is mutual love shared with someone.

With what happened in 126 in mind, who would be the most reasonable choice for that someone if not Levi? What if this was Levi's response or way of acknowledging Hanji's words back in the forest?

Just think about it. Hanji gives Levi something like a confession and then a few chapters later Levi suddenly implies that Hanji shares a mutual love with someone. The connection between the two events is not really difficult to make.

Like I said earlier, Levi not being able to form a direct answer is expected considering he seems to be the type who would be extremely awkward at love. Maybe he just needed time to sort his feelings first. Another thing to consider is they are both soldiers in duty.

Also can we talk about how Levi suddenly decided to call Hanji "four-eyes" again? It was like Levi is making an effort to go back to those days of normalcy.

An ambiguous and vague confession is also something that is so in character of Levi because of his awkwardness with words. Another is because he doesn't have to be direct with his words because Hanji and him share a deep understanding of one another.

Before anyone tries to brush this line off as nothing, I would like to point out that Isayama changed the kanji used in the dialogue in the volume release. This was pointed out in the tweet by @/kasumi_kasa as shown above.

The point I am trying to make here is that if this line is something we should just simply brush off, then why would Isayama bother making changes to it in the volume release?

The kanji in the original chapter release was 片思い but was changed into 片想い in the volume release. Both are read the same way (kataomoi) but just like what @/kasumi_kasa had explained, the kanji used in the volume release which is 想い, is indicative of a deeper form of love.

Also take note that the latter is an unusual way of writing unrequited love in Japanese.

Taking that into consideration and the implication of a mutual feeling with someone, does that mean Levi and Hanji share a deep form of love?

See the lengths Isayama is going through just for this one line? It really feels like the is trying to push something here.

Now onto Hanji's side. If by any chance we are correct that Levi was indeed confessing his feelings to Hanji, then did the latter caught what Levi was trying to say?

In my observation, it is very likely that Hanji had caught on to it because of their seemingly flustered and hesitant reply towards Levi. The hesistance is present in the pause (the three dots) before Hanji's dialogue.

"...We"ll be friendly in no time."

Another thing I would like to point out is how Hanji suddenly diverted the subject.

This is actually kind of ironic if you think about it. In 126 Hanji was the one who is seemingly confessing and Levi was the one who brought up their duties. Here in 132, it was Levi's turn to confess but Hanji was the one who brought up their duties.

My honest take on here is that it feels like Hanji was on the process of moving on and abadoning whatever feelings they had laid down in the forest so they could focus solely on their cause but then Levi suddenly drops something like this on them.

Hanji would be understandably flustered just like how Levi was in 126. Honestly in the end, both of them are just so awkward at romance.

So this is where I am gonna end this attempt at analyzing what was said in 126 and 132. I hope I was able to convey my thoughts properly. If you have made it this far then thank you.

If ever I am mistaken with my assumptions in here, it still doesn't diminish the beautiful bond that Levi and Hanji share.

[cosmicjoke]

No Regrets: Chapter by Chapter Analysis:

1. Preface to my analysis

Okay, so, since I’ve reached the end of every published volume of SnK so far, and have to wait until October to read the last volume, I thought I’d re-read “No Regrets” and delve into some analyzation of this story, chapter by chapter.

One thing I want to start out by saying, before I get into the details, is that I think “No Regrets” is a vital demonstration of how Levi has always cared about people, and always fought for them.

One misrepresentation I sometimes see regarding Levi’s and Erwin’s relationship is when people claim that Erwin was the one to teach Levi to fight for something bigger than himself, or to fight for others.  The thing is, “No Regrets” clearly demonstrates that Levi already had a strong foundation of caring for others, and fighting for others, before Erwin himself ever had any major influence over him, and I plan on getting into all the examples of that within the story and breaking them down.

First, though, there’s an important quote from Isayama from the joint interview he did with the artist for “No Regrets”, Hikaru Sugura, in which he says about Levi, in response to the question of how he pictured Levi’s internal feelings of going from a “thug” to a “soldier”, “It’s that he found a place to make the most of what he could do, or rather, his own special abilities.  Underground, where it was all he could do to stay alive, he had to live for that, but then he started to form relationships and began to feel that he could do things for others.  And that’s why he first went above ground...”

This is a hugely important quote from Isayama, because he flat out says that, even before Levi came to the surface, he’d already formed bonds with people, and already began to feel like there was something bigger than himself that he could fight for, that he could “do for others”.  Isayama also says here that Underground, “It was all he could do to stay alive”, which signifies with great clarity the struggle someone would have, even someone with Levi’s great strength, of surviving and making it from one day to the next in a place like the Underground.  So, for Levi, it must have already been a terrible burden, simply trying to take care of himself, and live for himself.  But then he meets Furlan and Isabel, and he becomes friends with them, and despite the doubtless added burden to his own existence of having two other people relying so heavily on him for their own survival, he takes that burden onto himself, and does so with willingness and responsibility.  Isayama says that “It’s that he found a place to make the most of what he could do, or rather, his own special abilities.”.  Erwin didn’t instill in Levi a sense of responsibility for others, or the idea of fighting for someone other than himself.  Levi already had that, had already DONE that.  What Erwin did for Levi was show him the path towards maximizing the impact he could have, showing him how he could use his abilities to help the MOST number of people, not just a few people.  Erwin showed Levi that he could have a significant impact on the world, that he could fight for actual, positive change for all people.  Another important part of that quote from Isayama is when he says “And that’s why he first went above ground...”, because it tells us what Levi’s initial drive and intention for going to the surface was, and that was to help give Isabel and Furlan a better life.  He trusted in Furlan’s plans, and went along with them, because it was what Furlan and Isabel had both expressed to Levi that they wanted to do and to have.  Even here, Levi is fighting for the dreams of others.  

I’ve recently read the visual novel of “No Regrets”, and while it had some good parts, it also very much underdeveloped and even at times outright misinterpreted Levi’s character in some really key ways, casting him as someone so hell bent on getting revenge on Erwin, that he is blinded to the safety of Isabel and Furlan, pressing on with his plans to kill Erwin at their expense.  The worst part about this, I thought, was how it reduced the pivotal moment in which Levi chooses to go after Erwin and leave Furlan and Isabel behind to an impulsive, snap decision, in which Levi puts no thought or real consideration into it.  He doesn’t struggle at all in choosing how he does, doesn’t agonize over what he thinks is the right choice, because in that moment, there isn’t even the consideration of another option, he isn’t even making a choice, really, just reacting, which entirely defeats the purpose of Levi’s character motif throughout the main series, which is that he can never know for sure what decision is the right one until after he chooses, but that he has to try and make one he feels is right, and that no matter what, he can’t allow himself to dwell on it with regret afterwards.  This gets corrected in the manga big time, as do several other instances of Levi’s characterization, and I’m going to go over it in more detail when I get to that final chapter.  But the choice Levi makes in the manga is much, much more nuanced, considered, and multifaceted.  Here, he had laid out in his head two, distinct options, and he weighs and balances them against one another in a high pressure situation, before deciding on the one he thinks is best.  He doesn’t just leave his friends, thinking only of Erwin and revenge.  He’s thinking of ALL of them, and of every factor leading up to that point, and that struggle for Levi is what ends up having the affect of ultimately forming his later philosophy of never allowing himself certainty in anything, but also allowing himself leniency in whatever he chooses, knowing that he can’t be so hard on himself for the outcome, whatever it may be, that he isn’t able to move on from it, or use it to keep pushing forward and learn, so that he can do better next time.  It’s important that Levi’s choice in “No Regrets” is actually presented as one made with his full consciousness, one that was a fully thought out one on his part, which is why I really disliked the way it was portrayed in the visual novel, and why I’m glad they corrected it in the manga, which is the canonically accepted version of the story either way.  Because it’s a vital moment in Levi’s character development, with him learning that even when he tries his best to choose right, even when he considers every factor and every, conceivable outcome, even when he does what he thinks, in the moment, is best, it won’t always turn out that way, it won’t always turn out good, or favorably.  He won’t always win.  He won’t always be able to save everyone.  It’s a huge moment of character growth for Levi, who makes a well thought out and considered decision, and it still results in his two, best friends getting killed.  It teaches Levi that he can never have full control of any situation, no matter how hard he tries, and that, in turn, gives Levi a kind of freedom in simple acceptance.  It lifts a burden from his shoulders, even as he experiences enormous grief and loss.  

Anyway, I’m going to be reading the first chapter of “No Regrets” later tonight, and will give my more detailed observations in a separate post.  Thanks for reading, as always guys!

2. Chapter 1: The Wings of Freedom

Okay, so here we go!  Chapter 1 of “No Regrets”!  

There’s a few things I want to point out about this chapter, because both visually and textually, we get a lot of information about the Underground and Levi, and his relationship with Isabel and Furlan.  So I’ll just go through it.

The first thing that really caught my attention for this chapter was the opening page, which is a retrospective shot of Levi after he’s joined the SC, thinking about how he can’t ever know what the results of his choices are going to be.  He says here “I trusted in my own strength... I trusted in the decisions of comrades who had earned my faith...”  And this quote from Levi is really important in later understanding why he makes the choice he does, at the end.  He says he trusted in the decisions of comrades who had earned his faith, and that tells us that Levi believes in Furlan and Isabel, that he believes in their strength and their capability, that he believes in them enough to let them choose for themselves and trust in their judgement.  We’ll obviously delve more into this as it becomes more relevant to the story.  But moving on...

The next thing to catch my attention is the panels of the Underground we see.  These are probably the best shots of this place we get in the whole series, as it really depicts a place that is totally run down and dilapidated, with buildings falling apart and crumbling in disrepair, filth ridden streets with literal sewage water coming out of drain pipes, and a actual cave cover overhead, complete with stalactites, blocking out all sunlight except for few and far between pockets which break through holes in the rock ceiling.  The most telling panels though are the ones which depict the violence and poverty of the place.  We see a panel of a homeless man passed out on the street, painfully thin looking, and under him, two men in a fight, one beating the other violently.  And the next panel shows us a little girl, sitting barefoot on the ground between two men who have just blown each other’s brains out with guns.  Truly, this is a violent, dark, poverty-stricken place that breeds crime and depravation.  The pages before this say that BECAUSE of the splendor of the Capital city above the Underground, this place exists, and that’s accurate.  Because of the excesses and decadence of the rich and well off above these people rejected by society, that means fewer resources for the less fortunate.  It’s truly tragic.  

Alright, now I just want to move on to some small, but telling moments here while Levi and the others are being chased by Erwin and his crew.  

When Isabel is bragging about how the MP’s never learn, referring to how they’ll never be able to catch their gang, she asks Levi if what she said was cool.  Levi tells her “Don’t be stupid.”  This might seem like Levi just blowing her off, but the way I read it, it seems more to me like Levi is warning her not to be cocky, not to be over confident, because that’s the kind of thing that can get you killed, or caught.  Big Bro indeed!   We also see how mindful Levi is here as a leader, when he tells them they can’t afford to lead the soldiers following them straight to their hideout, and clearly they have a plan in place for just this sort of thing.

More importantly, Levi is fast to realize these aren’t ordinary soldiers after them, which shows his great instincts, but what’s really interesting is his internal thoughts here.  His logic is telling him regular MP’s wouldn’t work this hard to catch them, and that their skill with the ODM means they must be SC.  But Levi doesn’t really believe it which, given what we later find out about the deal with Lobov, and Lobov warning them of Erwin’s plans, tells us that Levi never really believed the SC would come after them.  He’s clearly surprised here.

Further, after informing Isabel and Furlan and confirming his suspicions, he tells Furlan that he’s got no intention of getting mixed up with “these guys”.  This tells us Levi never wanted to go through with Furlan’s plans, never wanted to join the SC, never wanted anything to do with any of it.  There’s further evidenced in this very chapter, which I’ll get to in a moment.  But it tells us a lot about the dubious feelings Levi had from the start, and how he probably would have simply been happiest to stay in the Underground with his friends, even though it was a hard life.  

Alright, so, this next part is a big deal, and it’s an overlooked detail which speaks volumes about the kind of person Levi is.  I didn’t even notice this the first time I read it, so I want to talk about it.  Levi separates from Isabel and Furlan, and takes Erwin and Mike on a wild chase through the back alley’s and narrow passages of the slums.  He really tries to give them the run around here, until he flips over a door, into another area.  What’s really important here is Levi’s dialog.  He says first “... Lost ‘em, huh?”  And then he says, “That got a little crazy...  I hope... none of them crashed.”  This is kind of amazing.  Levi is showing actual concern for the two soldiers who’d just attempted to catch him and his friends, who were doggedly pursuing them with obviously bad intentions of some kind.  And Levi, after having to resort to some serious ODM skills to shake them, says he hopes that none of them crashed.  He doesn’t want Erwin or Mike to get hurt, he just wants to get away from them.  Considering he doesn’t know either of them at this point, they’re just nameless, faceless military dogs trying to mess things up for him, that shows remarkable character.  

Of course, things go downhill from there, when Mike crashes through the door and tackles him.  All bets are off then, because Levi’s life is now in danger, and when that happens, he’ll resort to physical force.  Still, he only throws Mike off of him and once again attempts to get away, only for it to be Erwin who swoops down and cuts Levi’s cables.  This was actually really dangerous.  Given Levi’s momentum and position, he crashes hard into a nearby wall before falling to the ground.  So we already see some of that ruthlessness from Erwin here.  Of course, that spurs Levi into violence himself.  I have no doubt that when Levi lunges for Erwin and knocks his blade away, bringing his knife to his neck, he truly intended to kill him in that moment.  Levi’s compassion for these soldiers can only go so far, considering the desperation of his own circumstances.  If Mike hadn’t been there to stop it, I think Levi probably would have ripped Erwin’s jugular right out, and that would have been that, lol.  And then, it’s important to note too WHY Levi stops.  Not because Mike was able to physically restrain him, but because he tells Levi to look around himself, directing his attention to the fact that Furlan and Isabel have been caught.  That immediately stays Levi’s hand, and once again, we’re shown how Levi puts the wellbeing of his friends above himself.  He could have ditched Furlan and Isabel right then and there and escaped on his own.  Instead, he allows himself to be restrained and cuffed.  He refuses to abandon them.

Now the next scene is hugely important to a lot of stuff.

Erwin’s got Levi and his friends down on their knees, in the sewage, questioning them about their ODM skills, and the three of them stay silent, obviously defiant.  We really get a good look at Erwin’s abilities as a manipulator here.

He’s pulling the whole good cop/bad cop routine on Levi, when he tells him “I’d like to avoid any rough treatment if I can” before looking to Mike in a clear signal for Mike to pretty damn violently tear Levi’s head back by his hair before smashing his face into the sewage on the ground.  And this really IS sewage.  It’s not mud.  If you look at the panels, we see this brown muck coming out of drain pips attached to the surrounding buildings.  This water is probably, literally, dirty with feces, and Erwin has Mike put Levi’s face in this and hold it there.  Now let’s remember something important about Levi.  He’s a clean freak.  He obviously cares deeply about keeping both himself and his environment clean.  Erwin couldn’t know this about him at the time, but nobody of course would be happy about having their face shoved into literal shit.  But for Levi, I can only imagine this had to be tantamount to a kind of torture.  Erwin keeps questioning him, looking down at him without any kind of emotion, and Levi remains stubbornly silent, despite how awful this must truly be for him.  We get a close up of Levi’s eye in one of the panels, paralleled with Erwin’s own, and Levi’s expression really strikes me as one of awful humiliation.  He goes from looking up at Erwin in rage, to looking away, staring straight ahead, while Erwin keeps looking down at him.

Still, Levi says nothing, and it’s Isabel who finally cracks, telling Erwin that they didn’t learn to use ODM from anyone, with Furlan further explaining that they taught themselves as a means of survival.  He remarks that “anyone who doesn’t know what sewage tastes like couldn’t understand!”.  Clearly, both of them are really upset to see this being done to Levi, and I have to imagine it’s at least in part because they know how awful an experience this has to be for him, given that they know how much he desires to stay clean.  Their shocked expressions when Mike first pushes Levi’s face into the sewage says as much too.

But still, Levi remains silent as Erwin then demands to know Levi’s name.  What Mike does to Levi in the next panel is even worse.  He pushes his face into the sewage and holds him there until Levi literally starts to choke in it, for long enough that, when he finally does pull him up, Levi is gasping for breath.  I really don’t see people talk enough about this scene, but, well...

It’s a torture scene.  Erwin is ordering Mike to torture Levi here.  It may not be the most extreme form of torture, it isn’t the type of physical violence we typically think of when we think of torture, but that’s what it is.  It’s causing Levi both physical and mental degradation, as well as physical distress.  

Even with this though, Levi’s still silent and refuses to answer Erwin at all.  

It’s only when Erwin literally threatens the lives of Furlan and Isabel that he finally talks.  This is such an important detail.  Levi was willing to take what to him must have been truly horrific treatment, but as soon as Erwin gives the signal to the other two Scouts who have hold of his friends, we see Levi’s expression shift from defiant rage to wide eyed fear as they put their blades to Furlan’s and Isabel’s throats.  

Finally Levi talks, calling Erwin a “bastard”, to which Erwin simply asks him again what his name is, and after a slight hesitation, Levi finally gives it.  

I think this entire scene is vital in understanding WHY Levi was so violently pissed at Erwin, to the point of wanting to kill him.

I think it’s a combination of both the humiliation and torture he puts Levi through here, and, worse still, the fact that he threatens Isabel and Furlan’s lives.  Levi already feels looked down upon by Erwin here, he already feels humiliated and embarrassed and as though he’s being treated like he’s worthless, because Erwin IS treating him like that here.  All while Erwin stands there, expressionless, making statements like he doesn’t want to have to use any rough treatment, etc... while at the same time ordering Mike to do just that.  Already, Erwin is sending Levi the message that he’s a liar and a manipulator who thinks nothing of putting another human being’s face in shit.  And then, to top that off, he shows Levi that he’s willing to hurt, maybe even kill, his two friends to get what he wants.

Is it any wonder Levi hated Erwin as much as he did at the beginning?  After a lifetime in the Underground where, from the time of his birth, he had to deal with him and those he cares about being treated like worthless trash.  It would be a miracle if Levi DIDN’T want to kill Erwin at this point.  To have to then submit to him willingly, after all of that, must have been beyond humiliating for him.

Erwin continues to be manipulative here too, when after Levi gives his name, Erwin’s attitude suddenly shifts, and he smiles at Levi and gets down on one knee with him, in the filth, his entire demeanor seeming to shift into an abruptly friendly one as he offers his deal to Levi.  Again, that whole good cop/bad cop thing.  At the same time, he continues to threaten Levi by telling him if he refuses his offer, he’ll hand them all over to the MP’s and that, given their crimes, they shouldn’t expect to be treated with any kind of decency.  What’s kind of funny about this statement from Erwin is that up until now, Erwin and Mike have done anything but treat Levi decently.

Okay, one more important point to make about this chapter, and it goes back to what I said earlier about Levi not wanting anything to do with the SC, and how that tells us Levi really didn’t want to go through with Furlan’s plans.

After Erwin makes his offer, we see Levi look over at Furlan, who’s giving him an intent look, and in the next panel, we see an almost surprised, or astonished look on Levi’s face, like he can’t believe Furlan is asking him to do this, before he grits his teeth in obvious frustration, and then accepts Erwin’s offer to join the SC.  What this tells us is that Levi only takes Erwin’s offer because Furlan wanted him to.  Because this was all part of Furlan’s plan, to go through with Lobov’s commission, to get caught by the SC, etc...  It’s clear Levi never wanted this, and he’s upset at having to do it.  But the fact he agrees after looking over at Furlan and seeing him implore Levi with his eyes tells us, once again, that Levi is willing to sacrifice his own desires for the desires of others.  That being his two friends.

For them, he’ll join the Survey Corps, even as every one of his instincts is probably screaming at him that this is a bad idea.

Anyway, those are my thoughts for the first chapter of “No Regrets”.  There’s a lot more to unpack in this manga than I think people realize.  I hope whoever took the time to read my long ass post found it at least a little worth while.  I’ll be moving on to chapter two next!

3. Chapter 2: One Arrow

Alright, so onto chapter 2 of “No Regrets”.  

I want to talk a little about these opening panels, when Levi, Furlan and Isabel are being driven to HQ by carriage.  They seem unimportant, but I think they’re actually really important in understanding Levi’s psychology going into this new situation they’re all in.

We see the interior of the carriage, with Levi and the other two, along with an escort from the SC.  Furlan and Isabel are both looking out the window of the carriage, and in particular, Isabel seems incredibly excited and in awe of the passing view.  She’s stood up, with her face pressed to the window.  And in the next panel, we see her looking at a little girl with her mother, dressed nicely and holding a doll.  This really encapsulates everything Isabel herself has probably never had.  A reliable mother to take care of her, fancy clothes and toys to play with.  Essentially, an actual childhood.  We see Isabel’s face in the window, and her mouth is open in wonder, her eyes wide.  Like she can’t believe what she’s seeing.  It emphasizes the depravation and lack of privilege she’s endured all her life.  Meanwhile, by contrast, Levi sits there with his head bowed down, ignoring the passing scenery, looking deeply unhappy, even depressed.  When he does look up though, he sees Isabel looking out the window, and on the close up shot of him, he’s got an almost thoughtful expression, if still extremely dour.  No doubt, Levi is feeling uneasy and uncertain about the situation they’ve all gotten themselves into here, but I’m also sure that he’s unable to ignore the bubbling over excitement of Isabel, her obvious joy in being, at last, on the surface.  I’ll get more into this later in the post, when we see Levi really considering his friends and their dreams, and how it influences and dictates his own decisions.

But first lets talk a little about Erwin and his role in all of this.

Now at the time this series came out, Erwin’s actual, motivating reasons for doing what he does weren’t yet known, so it’s interesting to read into his actions in this story with that context.  I have no doubt that Erwin really DOES care about humanity, and wants to fight for it, and its salvation.  But as we come to learn from the main series, he places his own dream of proving his father right about the existence of human’s beyond the walls above what’s best for humanity, and it puts his actions in this story into an interesting, if harsher light.

No doubt, Erwin is a master manipulator.  He plays both sides expertly against the middle in this story, and I’ll get more into it by the end, when his actual plan is revealed to Levi.  But what I don’t see often discussed is how, exactly, Erwin got all the parts moving in the direction he wanted, to obtain a specific outcome, and how he pretty ruthlessly uses so many people as pawns to do so.  It’s obvious from the context of what we later learn in the story that Erwin first spread a rumor about having evidence against Lovof stealing funds in order to force him into tipping his hand by trying to make a preemptive move.  What I see people miss all the time, or at least, fail to discuss, is how Erwin also, at the same time, made it public knowledge within the Capital, that he would be going after a group of thugs in the Underground who had shown exceptional skill using ODM gear, and that he would be making contact with them as soon as possible to try and enlist them into military service, and how Erwin made these plans public specifically to encourage Lobov into seeking out Levi and his friends for the exact purpose of both implicating Lobov in a crime, and gaining Levi’s and his friends strength for the SC.  One, by hiring a group of criminals to steal from Erwin and attempt to assassinate him, so he could use that as leverage in case he wasn’t able to obtain proof of Lobov’s further criminal activities, thus having two means of getting rid of one of the SC’s biggest threats, and at the same time, also manage to score for the SC the exceptional skill of Levi and his friends through forced enlistment.  He even says to Zackely at one point “I intend to make use of anyone who has even the smallest potential during this expedition.”.  Erwin manipulated and had control of this entire scenario from the start, and from behind these scenes moved all of these people exactly how he wanted to, to achieve his goals.  That’s pretty impressive, but also pretty scary.  Well, I’ll talk more about all of that when we get to it later on.

Back to Levi and his friends though.

We see them arrive at the SC HQ, and a really important conversation happens between Levi and Furlan.  

Furlan seems like he’s almost bitten off more than he can chew here, beginning to express his concern to Levi about what joining the SC actually means, before Levi cuts him off, telling him he’s got no intention of enlisting, and that he only agreed to come along so that he could get closer to Erwin and then kill him.  I think Levi genuinely felt murderous towards Erwin at this point, and really means what he says here, at least about killing him.  Though given the end of chapter 1, with the significant look shared between Levi and Furlan, and Levi’s begrudging acceptance of Erwin’s offer, it’s obvious that Levi also agreed to come because that’s what Furlan wanted him to do, to give them the opportunity they needed.  Levi’s just feeling incredibly emotional here, I think, with the way Erwin treated all of them hot on his mind.  Furlan tries to implore Levi to forget about killing Erwin, that it isn’t necessary anymore because of his own plan, and the almost certainty that Lobov and his people won’t ever try to make contact with them again.  He tells Levi, if he just listens to him and follows his plan, “I know it’ll work.  Trust me, Levi.”  Furlan asking him to trust him pulls a meaningful look from Levi, seeming to break through Levi’s angry insistence on killing Erwin.  This is where the manga improved on Levi’s characterization and motivation by leaps and bounds over the visual novel, because in the next few panels, we see Levi walking away, with Furlan calling after him, concerned, but we get to see Levi’s inner thoughts, and he’s remembering specifically Furlan insisting to him that “one day, we’ll get outta this trash heap and live up above.”  We see Levi thinking about Furlan’s hopes and dreams in these panels, and he has a saddened, and guilt-ridden look on his face, like he feels bad about having dismissed Furlan’s plans back there in favor of his own plans for revenge.  We didn’t get any of this in the visual novel, instead the text there making Levi look like he refused to consider anyones position but his own in this whole situation.  But here, Levi is clearly concerned with and considering Furlan’s desires.  

We go into a flashback then, with Furlan explaining to Levi his plans, telling him that “nothing’s gone according to plan... But with you here we’ll really be able to raise hell.”  Furlan’s trying to explain to Levi that since he now has Levi’s strength to rely on, they can actually get something done once they get into the Survey Corps.  It almost seems like Furlan’s been planning on trying something like this, or at least, had some sort of loose plan about getting to the surface, even before he met Levi.  It’s obviously something he’s been dreaming about for a long time.

Then Isabel comes back, and she’s been roughed up and assaulted, and we learn from Furlan asking her if she went to see those “low-life scumbags again?” that this has obviously happened to her before, that she’s been associating with some bad people and it’s gotten her hurt.  She denies it and lies about having just tripped, but clearly neither Levi or Furlan are buying that.  Levi asks Isabel what happened to her hair, and Isabel reacts badly, running away and hiding in her room.  We get a close up of Levi holding a knife in his hands, foreshadowing his own intentions.  Later that night, Furlan hears Isabel crying in her room, and her chanting to herself over and over that she’s going to “kill you”, presumably meaning the men that hurt her earlier.  Furlan stands there lamenting that he thinks both Levi and Isabel are going “mad”, and that all they can think about is dragging everyone else down to where they are.  He’s obviously terrified that he’s going to lose both his friends to the savagery and ruthlessness of the Underground, that both of them are going to end up becoming lost to their own anger and pain.  He starts to say “That’s why I...” before Levi suddenly comes back in, holding a bloody knife, clearly having returned from exacting revenge on the men who hurt Isabel.  Furlan asks Levi “Did you kill them...?”, and Levi doesn’t answer, but we see a completely resigned, even sad look on his face.  This of course is the world Levi comes from.  It’s the world he was raised in.  A world of kill or be killed.  Levi must have figured, if he didn’t go out and kill those men that had hurt Isabel now, then someday, they would end up going too far with her, and kill her instead.  But Furlan clearly doesn’t understand, and doesn’t relate to that kind of mindset, despite coming from the Underground too.  Of course, Furlan wasn’t raised by Kenny the Ripper either.  This is how Levi was taught to deal with his problems, and Furlan can only see him spiraling into an abyss from which he fears Levi won’t return.

We cut back to the present then, and Levi is sitting up on the roof of the SC HQ, again remembering Furlan’s words about “This is our chance.  Trust me.”.  Getting to the surface and finding better lives for themselves is Furlan’s dream.  The fact that Levi keeps remembering it, keeps remembering Furlan insisting and pushing the idea of the possibility of living on the surface, shows that this is probably something he would talk about all the time with Levi, trying to get him to agree to it, to believe in it.  Once again, Levi is contemplating the hopes and dreams of his friends.  We get another close up of him holding a knife, and it represents, I think, his struggle between his desire for revenge against Erwin, and his desire to help Furlan realize what, to Levi, is probably an unrealistic goal.

We then get Furlan and Isabel joining Levi, commenting on how beautiful the night sky is, and asking Levi how he could keep it to himself.  Levi snips testily at Furlan that him and Isabel are so loud, that he’d be too irritated to get any killing done, and then Furlan looking clearly unsettled by the remark.  But it’s obvious, given the context of the previous panels of Levi’s thinking about Furlan’s dream, that Levi is just being peevish and saying things out of frustration and confusion.  He doesn’t really mean what he says here.  He’s taking his frustration out on Furlan by saying what he knows will upset him the most.  What this also tells us is that Levi is very much aware of how bothered Furlan is by Levi’s willingness to kill.  He isn’t at all oblivious to it, and given his resigned, saddened expression after coming back from killing the men who assaulted Isabel, I would say Levi even understands Furlan’s dismay.  That’s a glimpse at Levi’s famous compassion.

The next panels show the three of them bonding, sitting together and admiring the night sky.  Isabel asks Levi if the stars are as pretty as where he used to live.  I’m just going to chalk the mistake in continuity here up to this manga coming out before, I believe, Levi’s backstory of being born in a brothel in the Underground was established by Isayama.  Regardless of this mistake, this is an important moment between the three of them.  You can see the awe and wonder they all feel, looking up and seeing the sky fully for what has to be the first time in all their lives.  Remember, all three of them have lived literally underground their entire lives, with little to no sunlight, stagnant, stale air, hideously unclean living conditions, etc...  It must be overwhelming to them , just to see nature in all its splendor like that.  It’s after sharing this moment together that Levi tells Furlan that he’s decided he won’t kill Erwin for now.  He looks at him and says “I’m going to trust you.”.  And Furlan smiles at him, clearly happy and relieved.  This scene is really important, because we’re seeing Levi choose Furlan’s dream over his own desire for revenge.  We see Levi place Furlan’s desires over his own, which is totally in line with how Levi is in the main AoT storyline.  He decides his revenge can wait, that it’s not as important as helping Furlan achieve his goals.  What’s particularly remarkable about this, I think, is that it doesn’t appear that Levi ever dreamed of going to the surface himself, and likely that he never even considered it a possibility.  So just like Levi fights, later on, for a world without fear and violence, for humanity’s salvation, even as all his life experiences tell him it likely isn’t possible, we see the Levi doing the same here, deciding to fight for his friend’s dream, even as to him, it seems unrealistic.  It’s obviously a pivotal moment too, when Levi tells him he’s going to trust him, because this ties in hugely with the theme which applies so much to Levi throughout the whole series, of never knowing if it’s better to rely on himself solely, to trust himself, or to trust and rely on his friends and their capabilities.  Levi chooses, here, to trust in his friends, and that will obviously have it’s own ramifications down the line.  Again, this is an area in which the manga improves radically over the visual novel, which had no instances whatsoever of Levi struggling with the question of the choices we make, which is absurd, since it’s one of the driving factors behind who Levi is, and how he ultimately came to see the world as he does.  It was precisely this struggle between choices, between trying to choose correctly, giving so much thought and effort to our choices, and still sometimes coming out wrong, that shaped Levi into being able to accept his lack of control and instead of regretting it, using it to keep fighting.  

4. Chapter 3: ... Of Revolution

Okay, so on to chapter 3 of “No Regrets”!

I’ve got a few observations, so I’ll just delve in.

First thing, and once again, I found this a huge improvement over the visual novel, but we get more insight here into the reason Erwin was so intent on recruiting Levi.  During the scene in which he’s arguing with the other squad leaders about letting a group of “criminals” into their organization, Erwin pushes back against the other scouts deriding Levi and his friends.  I really loved Erwin’s line here, where he says “You’re right.  These people had no training.  They did not earn wings from us.  They grew their own, out of necessity.”  This shows us that Erwin has a grasp and an appreciation for the hardship Levi and his friends faced while growing up, while most of the other SC leaders and even regular recruits can only look down on them and see them as gutter trash.  This shows Erwin’s own scope of vision, his ability to look past a person’s upbringing and background and not make judgments about them based on that.  More telling still is his comment about how “those wings will play a part in revolutionizing this organization.”.  He wanted Levi’s skills in particular because he knew having someone like Levi around, with exceptional ability, would shift the way they all fight Titans.  He was, as always, looking for ways to increase the effectiveness of the SC, and was willing to do whatever he could, and through any means necessary, to ensure it.  

The next thing that caught my attention is the glare Levi and Erwin share during the trio’s introduction to the rest of the soldiers.  Erwin’s right in front of Levi, standing there, reminding him of his anger and humiliation no doubt, and I think that leads directly into and impacts the next scene, when Flagon shows them their sleeping arrangements.  Levi’s already no doubt irritated by having to see Erwin again, and then Flagon makes his frankly deeply disparaging remark about Levi and his friends having spent their whole lives living in a trash heap, implying that they’re filthy gutter trash, and so surely are incapable of keeping themselves and their environment clean.  Levi, understandably, reacts badly to this, and gets in Flagon’s face, asking him what he just said, before Furlan intervenes.  When you consider the way Erwin already made Levi feel so humiliated and Levi’s subsequent anger at it, then having to see Erwin again not long before this scene, and hearing Flagon just callously make an accusation like that must have only infuriated Levi more.  I think, once again, the manga is doing an infinitely better job of portraying the tension, then, that’s starting to form between Levi and Furlan.  Furlan scolds Levi after Flagon leaves, almost talking down to him when he says “Didn’t I tell you not to cause trouble?!”.  Almost like he’s talking to some misbehaving little kid.  Levi’s expression in the following panel says a lot, I think.  Levi looks almost chastised, like he knows he’s upset Furlan, before he tries to explain himself, asking Furlan “Didn’t you hear how he talked about us?  Like shit calling shit dirty.”.  It’s really interesting what this says about the power dynamic in their relationship.  Levi is ostensibly the leader of their group, but Furlan’s acting, in a lot of ways, like he’s the one in charge and he expects Levi to fall in line.  Clearly, he’s not afraid of scolding Levi, or challenging him.  All of Furlan’s insistence that they lay low and not do anything to draw attention to themselves must only be chaffing though at Levi’s already heated feelings about the kind of treatment they’re receiving, how they’re being talked down to, etc...  It must be galling to him, to see Furlan not seeming to care that they’re all being so deeply disrespected.  But he still continues to defer to Furlan, and agree to go along with his plan for now, though he makes his displeasure known by calling it a pain in the ass.

But seeing Erwin, and then being treated the way they were by Flagon, seems to have rekindled Levi’s desire to take his revenge, and he reminds Furlan that he’ll continue to go along with his plan, but that he’s still going to kill Erwin.  Once again, we see Levi being pulled in two different directions.  He’s giving priority to Furlan’s plans and wishes, but he’s still thinking about getting Erwin back.  He’s annoyed that they weren’t assigned to Erwin’s squad, probably because it means it’s going to limit their contact, giving him less opportunities to kill him.  Another line that I think signifies Lev’s annoyance at Furlan and how, well, dismissive he is of Levi’s own feelings, is after he tells them they have to clean the area around their beds before leaving for training, and in response to Isabel’s protests, he says “You wouldn’t want me to cause trouble, would you?”.  He’s throwing Furlan’s words back in his face here, and it seems clear to me that Levi is frustrated and doesn’t appreciate the way Furlan’s been talking to him, or how little consideration for his own wishes he’s shown.  There’s a lot of tension there.

Another really important scene is the one in the training yard, so I’ll got through it here.

Particularly when Isabel is talking to the Scout helping her with horse riding, and they get to talking about life in the Underground, and then Levi.  What Isabel says, and the visual of the panel here, is particularly powerful.  She says “It got so I thought I was gonna die.  But life’s a little better since Levi saved me from that.”.  And we see in the panel Levi lifting Isabels’ head up, obviously checking if she’s alive.  There’s all these people, collapsed around her, and the fact that Levi is checking to see if she’s alive is interesting, because it makes me think this is something Levi would regularly do.  That he would check to see if anyone was alive when he came across people collapsed in the streets.  It’s probably not unusual to come across dead bodies in the Underground, and for someone like Levi, who’s lived there all his life, he’s no doubt seen plenty.  The fact he checks Isabel shows a lack of callousness towards the sight, which is incredible, to not become uncaring or apathetic towards suffering, even when you’re surrounded by it your whole life.  It’s a highly unusual quality to have, but of course, it makes perfect sense for Levi, who’s so full of compassion.  

Nevertheless, it would have been simpler for him to just keep moving and ignore her, but instead he stopped, and when he discovered she was still alive, he took her in and gave her food and shelter and a home.  She would have died otherwise.  Levi had no obligation towards her, he had no, really good reason to do something so selfless, and yet, he did.  And this truly is remarkable, especially when you consider the kind of cut throat world Levi grew up in, the kind of ruthless people he’d encountered, and even lived with, like Kenny, all his life.

Then there’s Furlan’s discussion with another soldier, and his story about Levi.  The most interesting thing Furlan says here is how, after his own friends turned on him, he’s followed Levi ever since.  And then he says “Though it might be problematic making him any kind of leader!”.  It’s interesting what this reveals to us about Levi.  People want to follow him because he’s so strong, but Levi himself has no desire for power, or control over others.  People willingly attach themselves to him, because they think Levi can protect them, but Levi isn’t any kind of natural leader.  So we know Levi was more or less forced into the role of leader by way of others seeking him out and assigning him that role.  What’s interesting about this is how it, once again, reveals the kind of person Levi is.  He could easily have rejected all of these people and abandoned them.  One thing we know is that Levi didn’t need any help surviving on his own in the Underground.  But instead Levi allows them to stay with him and willingly offers his help and protection, and though it’s probably more of a pain and a nuisance to him than anything else.  It shows that Levi’s never been able to turn away from those seeking his help.

Which leads nicely into the next scene.  

I’ve talked about this scene before, and how disappointed I was that they didn’t include it in the OVA.  This also wasn’t included in the visual novel, which is, once more, just another way in which the manga is superior.  

Flagon is once again criticizing Levi for holding his blades “wrong”, telling him he’s going to end up getting killed outside the walls.  And then the training exercise begins, and we see one of the other soldiers trying to compete with Levi, and growing increasingly incensed and annoyed at Levi’s prowess.  He thinks “These vagrants with no knowledge as soldiers...” and then “I trained half to death, and these criminals think they’re better?!”.  What’s interesting is to see that while this soldier is fuming internally over Levi’s perceived slight of him, glaring at him angrily, Levi clearly hasn’t even taken notice of him.  This isn’t a competition to Levi at all.  He’s just there to do the exercises.  He’s staring straight ahead, blank faced as always.  

Now what happens next is once more hugely revealing as to Levi’s character.  The infuriated soldier decides he’s not going to accept that Levi’s better than him, and so he intentionally pushes off of a tree and cuts Levi off mid-flight. What struck me about this is how incredibly dangerous it was.  Levi’s going, presumably, full speed, through this obstacle course, and this dude, out of petty jealousy, cuts him off by flying right in front of and past him, forcing Levi to pull back and change direction.  A stunt like this could have easily resulted in serious injury for Levi, or even death, if he weren’t as gifted as he is.  To top it off, this soldier then brags about it, calling out to Levi “Don’t get left behind!”.  Of course, his arrogance leads to immediate disaster, as the soldier that went through the course before lost one of their blades in the dummy Titan, and this dude’s flying towards it at top speed, with no way to stop himself or change direction in time.  He’s about to be impaled by a blade.  Considering the danger he’s just placed Levi in, then, it truly is a testament to Levi’s goodness, that he launches off the tree he’s stopped on, racing ahead and slicing the stray blade free before the other soldier can make contact, resulting in him harmlessly crashing into the pad, instead of dying.  This really shows how Levi’s first instinct is always to help others.  Even when others have just not only treated him badly, but even endangered his life.  He doesn’t owe this soldier anything, and by all rights should be extremely pissed at him for his petty display before.  But instead Levi just automatically reacts to his life being threatened by saving the man.  He doesn’t even scold him afterward or express anger, just flies off and continues the course.  

What makes this whole thing kind of sad is both the soldier’s and Flagon’s reaction to this.  The soldier is still angry and upset over Levi’s superior ability, wondering how he can be so fast, not even sparring a thought of appreciation for him just saving his life.  And then Flagon grudgingly admits to Levi’s fighting prowess, but continues to doubt him and his ability to stay disciplined.  Even after saving one of his own men’s lives, he still continues to look down on Levi.  That’s pretty messed up. Levi glares back at him after, as if to say “Who’s the one who’s going to get people killed out there?”.  Levi saved a soldiers life, while Flagon could only sit and watch.  It’s interesting too how this, tragically, foreshadows what’s to come though, with Levi not being able to save the people he cares the most about.  But we’ll get into that when we get there.

Also, just gotta mention also the way Levi reacts to Isabel’s getting upset after he bonks her in the head and calls her stupid.  He looks surprised when she starts crying, and it’s clear he didn’t mean to actually hurt her feelings, and it’s just really sweet, the way he rubs her head after.  He obviously felt bad.

5. Chapter 4: Proof

Alright, just a few things to say about chapter 4 of “No Regrets”.  

One thing that I love that was in the manga that, once again, wasn’t in the visual novel, was Levi’s reaction as they ride out from Shinganshina, as well as Furlan’s and Isabel’s.  This kind of internal exploration of these characters who had never been to the surface, who had spent their whole lives in darkness, getting to see the sky for the first time, was something that was entirely absent from the visual novel, and it’s one of its biggest weaknesses.  But here, we see Levi looking up at the stone structure of the wall gate, and for a moment, he imagines the ceiling of the Underground, before they emerge out into the open and the full view of the sky appears for the first time.  Levi squints up at the glaring sun, and we see an expression of genuine awe and amazement on his face, as well as Furlan and Isabel.  This is the first time any of them have experienced anything like this, and the overwhelming beauty of it for them is wonderfully visualized here.  The way Levi goes from seeing the claustrophobia and imprisonment of the Underground, and how that opens up into a clear, blue, ending sky, really symbolizes him experiencing for the first time in his life a kind of freedom he’s never before had.  And there’s something incredibly moving, but also incredibly tragic about that.

Now another point I want to address, where the manga and anime both differ from the visual novel, in a really vital way, is how here, we see Furlan lamenting that they’ve left the walls, saying “This is terrible.  I never meant to leave the walls.  If we’d followed the plan, we would have grabbed them and snuck away by now!”.  This shows that they’ve been looking for the documents in vain for several months now, and still have yet to find them.  Furlan’s plan had obviously originally been to find them and then get out of dodge, but because they weren’t able, they ended up having to wait around longer, until the time came for the expedition.  Now how this is presented in the visual novel really struck me as horrifically out of character for Levi.  In the novel, it’s explained that the reason they haven’t left is because Levi kept insisting that he had to kill Erwin, refusing to leave until he could do so, and if not for that, Furlan would have forgotten about the documents and simply had them all desert the SC, back to the Underground.   Levi intentionally ignoring the safety of his friends for revenge on Erwin really goes against everything we know about him from canon, and was a pretty glaring detail, so I’m glad they nixed that here.  There’s no mention of Levi forcing them to stay because of his need for revenge, but rather an implication that none of them were willing to leave until they got the documents.  They took this a step further in the OVA even, with that one scene in which Levi argues with Furlan and Isabel, insisting that if it comes to them having to leave the walls, he’s going to go alone, and he wants them to stay behind.  This really is an important distinction to make in Levi’s characterization.  We know he always places the safety of his comrades above all else, if he can, and tries his best to keep them alive.  And the whole reason he agreed to Furlan’s plan in the first place was because he wanted to help Furlan’s and Isabel’s dream of living up above come true.  He would never purposefully endanger their lives, or so thoughtlessly dismiss their safety.  This is something which gets further corrected later in the story, too, when Levi makes his fateful choice, and I’ll get more into it there as well.  One detail though is how Levi tells Furlan not to worry, that he’ll “do something about the Titans.”.  Levi clearly believes in his own strength, and believes it will be enough to protect his friends at this point, which goes back to the theme of him struggling to know which is better to rely on, oneself, or ones comrades.  Here, he’s relying on himself to protect them.  He asks Furlan “Don’t you trust me?”.  He’s reminding Furlan that he’s never let him down before, and he promises he won’t now either.  

We see Furlan later finding that full trust again, when Levi engages with the abnormal titan, and sees his fearlessness, giving him his own strength to fight.  It speaks volumes about the kind of camaraderie shared between all three of them, that they’re able to work so smoothly and effectively together the first time any of them have ever fought a Titan, and how deeply Furlan and Isabel trust Levi to get them through any dangerous situation, as they willingly follow him into battle.

6. Chapter 5: Hearts

Alright, onto chapter 5 of “No Regrets” and then I’ll do the last three chapters tomorrow.

The first thing I took note of was how after everyone gets to the castle ruins, Levi reminds Furlan and Isabel that they’re still outside the walls, and that anything could happen, so they should “stay sharp.”.  Once again we see Levi being concerned with the safety of his friends, remind them not to put their guards down.  This leads into the next scene, where Furlan remarks that he never thought they’d be able to stop a titan so easily, and reaffirms his faith in Levi’s strength by saying as long as Levi’s with them, they’ll survive somehow.  Levi responds to this with some self-doubt, which is really interesting and will tie into some other observations I’ve made about this chapter, later on.  He says if there’s more than one of those abnormal titans, he’s not so sure they’ll be alright.  Clearly, he’s concerned for the wellbeing of his friends while they’re on the outside like this.  He doesn’t feel totally confident.

He then asks Furlan if he’s sure Erwin’s brought the documents with him outside the Walls, which tells us that they’ve obviously had previous discussions about this, that it was a group decision between them, of the necessity of leaving the walls in order to get close enough to Erwin to get the papers.  Furlan says he made sure, talking about how he searched Erwin’s office top to bottom, observing that he found a bunch of unrelated documents, and in particular, a locked drawer which he found suspicious.  Now what I find interesting here is Furlan’s internal thoughts, because I think he realized Erwin’s intentions already, but he dismissed his suspicions based on them seeming unlikely to him.  But in his memory, he thinks, when he sees the locked drawer, that it’s almost like it was made to be searched, and upon opening it, he finds plenty of secret looking documents, but not the ones they need. He then wonders if Erwin is trying to tell him that they’re not there.  What’s so interesting about this is just how deep is shows Erwin’s manipulation of this situation actually goes, and how many steps ahead he actually is. We saw in chapter 3 how Erwin was standing at his office window, observing Furlan, which tells us that he was always aware that Furlan was going to try and find the documents, which in turn lead to Erwin arranging his office to nudge Furlan in the right direction, of thinking the documents aren’t anywhere at HQ.  Furlan picks up on this possibility, that Erwin is in fact manipulating them, wondering to himself if Erwin WANTS him to think he has the papers on him, giving him the “run around”, but he dismisses the thought out of hand a moment later.  What this tells me is just how in control Erwin is here, and it made me think that it’s possible Erwin influenced Furlan’s thinking in this direction, to assuming Erwin had the papers with him, as a means of keeping him, Levi and Isabel there in the military longer, delaying their escape, so that he could intentionally force them outside the walls on an expedition, so he could see what they were actually capable of.  At the end of chapter 4, after seeing Levi take down that abnormal titan, he observes to himself, “So your wings are the real thing, after all, Levi.”.  This is just speculation on my part, but given what a masterful manipulator Erwin really is, I wouldn’t be surprised if this was his plan the whole time, knowing Levi and his friends wouldn’t and couldn’t leave until they had the documents.

Alright, next observation. It’s kind of funny how, after laying out his plan to search Erwin’s bags with Isabel, and asking Levi to guard the passageway Erwin went down with Shadis, and to stop him if he started to come back before they were finished, Levi’s first assumption is that he should start a fight with Erwin, lol.

More interesting is when Furlan says to Levi “Don’t kill him, even by accident.  After all, if we lose an officer outside the walls, we’ll be in trouble, too.”.  Because it tells us that they weren’t ever planning on killing Erwin outside of the walls when they went out on expedition.  The goal was to try and find the documents, and hoping going beyond the walls would yield an opportunity to do so.  This is another, vital change from the visual novel.  In that, Levi is still obsessing over killing Erwin, over any consideration for the original plan, ranting even that he’s going to make Erwin get down on his knees and beg for his life before killing him, and that just struck me as wildly out of character for him.  They wisely took out that entire piece of dialog here, and instead we lead into a scene of Levi guarding the passageway, and remembering the whole reason for why he agreed to come to the surface in the first place. We go into a flashback of Lovof’s messenger making contact with Levi and the others, propositioning them with Lovof’s commission.  What’s really important in this scene is Levi’s initial reaction to the proposal. He’s immediately skeptical and disbelieving, and doesn’t want anything to do with it.  He tells the messenger so, and tells him “Go back up there and I’ll pretend I didn’t hear anything.”.  Levi shows great instincts here, sensing the danger present for him and his friends, and outright rejects any association.  It’s Furlan, then, who steps in and shows interest in the deal, calling the messenger back.  Levi’s clearly confused, but yields to Furlan’s look, and Furlan proceeds to tell the messenger that they’ll have to think about it, but that they’re interested. Levi’s clearly not happy about this, and once the messenger leaves, he begins to protest, but Furlan cuts him off and starts to lay out his plan to tail the messenger to find out who his employer is.  Isabel expresses disbelief that Furlan actually means to go through with this plan, and Furlan again brings up the dream of making it out of the Underground, talking about how rare a chance it is, to actually live in the Capital, obviously trying to entice both Levi and Isabel with the notion.  Levi points out that even if they get the documents, it’ll just lead to them being Lovof’s next targets, and Furlan responds with his plan to blackmail Lovof instead.  Levi’s still dubious on this idea, asking Furlan if he really thinks “those pigs will care about a threat from the Underground?”, and Furlan responds that it’s worth a shot.  He then implores Levi and Isabel again, saying “Come on, you two, don’t you want to make it up there?”, and we cut back to Levi in the present, contemplating Furlan’s words.  Again, we see Levi thinking long and hard on Furlan’s dreams here, over any thoughts he has of Erwin or revenge.  He’s prioritizing Furlan’s wishes over his own still, thoughts occupied by what his friend wants.

Now, this leads into a really interesting and meaningful encounter with Erwin.

Well, the first thing I notice in the exchange is when Erwin calls Levi’s friends his “subordinates”, and Levi responds with “They’re not my subordinates…”.  This tells us so much about how he views himself in relation to Furlan and Isabel.  He doesn’t see himself as their leader.  He doesn’t want to control them.  He just sees himself as their friend, and protector.

Now the conversation between Levi and Erwin gets really interesting when Erwin starts talking about having seen Levi take down the abnormal titan from earlier, and he observes that with a natural like Levi around, the others must feel safer.  Levi looks at Erwin with wide eyes, before responding to him that the reason he was able to figure out how to fight that titan before was because he watched how it moved as it ate another soldier.  I think Levi’s feelings of guilt here are pretty obvious.  He feels bad for having watched another soldier die, and using his observations while watching to figure out how to kill the titan.  It’s like he’s arguing with Erwin here, telling him the others shouldn’t feel safer with him around, that they shouldn’t rely on him.  Levi is showing doubt in himself here, again, just like earlier when he pushed back again Furlan’s claims that as long as he’s with them, they’ll be safe.  Interestingly, it’s Erwin who essentially tells Levi here that he shouldn’t feel guilty, that the SC is built on those types of sacrifices, and that as long as they’re fighting to take back the world for humanity, none of the soldiers there would feel regret for dedicating themselves to such a cause.   I think this is actually the start of the turning point in how Levi views Erwin.  He looks at him here with an almost astonished expression, like he’s seeing Erwin in a sudden, new light.  Like he’s starting to doubt his own, initial impressions of him, and wonder if maybe he wasn’t totally right.  But before he can think on it further, Isabel shows up and calls him away.

Levi then learns that Furlan and Isabel weren’t able to find the documents, essentially confirming that if they’re anywhere, they have to be on Erwin’s person, which leads to the inevitability of having to kill him if they want to get their hands on the papers. Levi’s find with this, because it’s what he wants to do anyway, even as Furlan shows continued apprehension.

And then we get the scene with Hange.

It’s pretty funny that Levi was about to gut Hange, for real, when he thought she had overheard their conversation.  It tells us how far he’s willing to go though to protect his friends.

Still, this whole scene is actually pretty moving, in its way.  Because Hange is really the first person to express genuine gratitude towards Levi and his friends, and treat them as genuine equals, to which we see Isabel in particular respond after seemingly being unimpressed.   Even Levi seems stunned, muttering out “thanks”, like he doesn’t know what else to say as Hange heaps praise on them.  It’s also funny how Furlan has to remind Levi to “be nice.”.  Poor Levi just doesn’t know how to socialize.

But the important part of this scene is when Hange points out how everyone there is wanting to know how Levi was able to take down a titan so easily, drawing their attention, and Levi’s in particular, to the other soldiers watching them.  Hange affirms what Erwin had said to Levi earlier, about how his presence there made the others feel safer, when she says “You’ve given them hope that humans don’t have to lose to the titans if we fight correctly.”. And we see here, I think, the first seeds being planted in Levi’s mind that he might be able to do more, that he might be able to actually help these people.  He’s been told as much twice in quick succession.  I think this is where Levi starts to get the idea for the first time that he might have found somewhere where he belongs.  We’ll get more into this next chapter, when I talk about his conversation with Isabel.  But for now, after Hange asks him again if he has any advice, he tells them he just has his own way of doing things, and he can’t teach it to anybody.  When she tries to insist, he blows her off and looks away.  

Furlan asks Levi, after Hange leaves, what the big deal is in just showing them some simple trick, and Levi says he doesn’t want to be responsible for the loves of anyone other than you two.  This is really important, because it again tells us a lot about Levi’s psychology here. He doesn’t want to teach these people how to fight because he doesn’t want to be responsible for them getting hurt or killed.  Just as he expressed discomfort earlier with what Erwin said, and his own sense of guilt over how he figured out how to fight the titan, Levi really seems to me like he’s afraid here of failing to protect others, and actually harbors deep doubts about his own ability to do so.  So even as we know people tend to flock around Levi and follow him in the belief he can protect them, Levi himself is afraid that he isn’t strong enough to help them the way they want him to.  It’s indicative of someone who’s experienced deep loss in their life, which we know Levi has at this point.  Someone who’s afraid of making attachments because he doesn’t want to have to experience the pain of that loss ever again.  And it shows a painful insecurity in Levi.  He wants to help people, but he doesn’t want to end up failing them, or doing something which could lead to them getting hurt or killed.  He doesn’t want to be responsible for their lives, because he’s afraid he can’t be.  

Furlan tells him not to be so dramatic, and Levi doesn’t say anything in return, but we see a resigned, saddened look on his face, like he knows Furlan wouldn’t understand if he tried to explain how he feels.

Then we get Isabel’s comment about not understanding trying to take back the world for humanity, but her starting to realize the Scouts genuinely believe in what they’re doing. We see Levi’s silence again in response, but this one is more contemplative.  He himself is starting to realize the same as Isabel.  That these people really believe in what they’re saying.  And again we go back to the first seeds of a sense of belonging starting to develop in Levi, even before his big moment with Erwin at the end.  He’s starting to sense that maybe he’s found a place where he belongs, where he can actually use his abilities in a way that could make an actual difference in the world. It’s subconscious at this point, but Levi is starting to get that sense I think.

7. Chapter 6: Living Creatures

Okay, onto chapter 6 of “No Regrets”!

So the first thing I want to jump into here is, once again, something which the manga vastly improved on over the visual novel, and that was the scene following the flashback to Levi and his friends learning about the long-distance scouting formation before the expedition, and then Flagon’s instructions to them in the present.  I don’t think this scene was even included in the visual novel, but it’s indispensable in understanding Levi’s mindset going into the fateful final act.

Isabel gets carried away by Flagon’s speech, and ends up saluting, expressing genuine enthusiasm for the SC’s cause, before realizing what she’s done and turning around, seeing Levi and Furlan looking back at her in silence.  Furlan looks unimpressed, while Levi wears his usual stoic expression. You can’t tell one way or the other what he’s thinking, which is why the next scene is so hugely important, because we get a look into his inner thoughts.

I saw another person say not long ago that in this scene, Isabel expresses a desire to join the SC, and Levi blows her off and ignores her, only thinking about his revenge on Erwin, and to that person, I would like to ask ‘What scene were you reading?’, because that’s pretty much the opposite of what happens here.  This scene reveals so much about Levi’s own, inner conflict, and how he’s beginning HIMSELF to understand and even sympathize with the cause of the SC, and the soldiers who have dedicated themselves to it.  Let’s dissect it here a bit.

The scene takes place at night, before they ride out again, and Levi is sitting up with Furlan and Isabel, and he’s thinking quietly to himself.  The first thing he’s recalling in his contemplation here is Sairam’s words, asking Levi if he knows how many elite soldiers have been eaten by Titans. This plainly shows Levi’s growing concern for Furlan and Isabel.  The longer they spend outside the walls, the higher the risk of something going wrong, and that’s a worry that’s heavy on Levi’s mind here.

He then remembers, in quick succession, all these various interactions and the words of different people throughout his short time up here on the surface.  He recalls Sairam hurling insults at him and his friends, calling them punks, and then Hange’s opposite words of encouragement and appreciation, telling them they’ve given everyone hope.  He recalls Furlan’s words, telling Levi that with him there, they’ll really be able to raise hell, and then Isabel’s words, pointing out that the SC soldiers really believe their cause is worth dying for.  Finally, Levi recalls Flagon’s degrading words, about how Levi and his friends have spent their whole lives in a trash heap, implying they’ll never amount to anything more than garbage, and last, he recalls Erwin’s words, how he’d seen the desire to kill in Levi during their first encounter.  

All of this is hugely important to understanding Levi’s psychology, I think, and understanding his feelings of conflict and confusion, and how it ultimately plays into him making the choice he does.  For Sairam’s and Flagon’s words, it’s the assumption people have made about Levi all his life, that he’s nothing but a worthless criminal who can’t do anything good for anyone, and Levi’s struggle to overcome that perception that people have of him.  In contrast to that, Hange’s words are sending Levi the opposite message, that he isn’t just a worthless criminal, but someone who can actually contribute something positive and important to other people’s lives.  He’s someone who can inspire hope.  Something Levi’s always secretly wished he could do.  And then there’s Furlan’s words, serving as a confirmation to Hange’s, in which he expresses his reliance on Levi to help make his own dreams come true, and Levi seeing himself in that role, of taking care of these two people whom he loves.  And there’s Isabel’s words, a clear admiration and astonishment at the realization that these soldiers really believe in a cause bigger than themselves.

We see all of Levi’s greater hopes, his desire and wish to help other people, coming into conflict here with the way he’s been treated all his life by others, as a worthless, good for nothing criminal, and how that treatment has forced him to become the very thing they accuse him of being, someone ready and willing to kill, someone ready to commit crimes, etc…  It’s Levi’s pride and anger battling with his deeper desire to protect and help others. The thing his life and his environment has FORCED him to become, against his truer nature.  This is such a vital, important scene, and once again, the manga succeeds in explaining and revealing Levi’s complexity as a character, whereas the visual novel just flat out butchered it.

Now getting back to Levi’s interaction with Isabel in this scene, and the woeful misinterpretation I saw another person make one time.  

Furlan is talking about how, given the complexity of the formation, they won’t be able to break ranks without being spotted, and he suggests they should just wait until they’re back behind the walls before trying to steal the documents again. Levi points out that if all three of them leave, then yeah, they’ll likely be spotted, and gives no further opinion.  Already, Levi is thinking that maybe he could go after Erwin and the documents alone, thinking of taking the entire burden of the operation on himself, carrying the hopes and dreams of all of them on his shoulders alone, (which is why he later calls himself conceited and proud, having relied on his own strength entirely, instead of his friends too, ending in failure, which in turn goes back to the very beginning, with Levi’s statement about never knowing what the better option is, to rely on oneself, or on their comrades).  But anyway, he doesn’t protest or try to counter Furlan when he says they should just focus on getting back alive.  Isabel expresses agreement, and then says she knows the documents are important, but she also doesn’t want to get in the way of the SC and what they’re trying to do.  Now here’s where the conversation gets really important in, once more, understanding Levi’s psychology.

He and Furlan look over at her, and while Levi stays silent, Furlan gets annoyed, chastising Isabel for seeming to suddenly care about the other soldiers, accusing her of only caring because Hange’s cookies were good.  Furlan clearly doesn’t understand Isabel’s sentiments here, he doesn’t get why she suddenly seems concerned.  He’s still focused on their own goals, and that’s all that matters to him.  But Isabel begins to explain that it’s just that she’s starting to understand why the SC goes out beyond the walls, and likens it to how they felt living in the Underground, wanting to escape to the world above.  She’s saying she understands that sense of being trapped, of being imprisoned, and the longing for freedom.  And then she talks about seeing lots of her friends dying underground, while dreaming of making it “up there.”, and how seeing that made her feel like she HAD to get up there.  It’s like Isabel is saying here that her dream to make it to the surface was strengthened by the dreams of others who never got to realize it for themselves, and that she wanted to make it to the surface, more than anything, as a way of giving the dreams of those who had died without realizing them, meaning.  By making it to the surface FOR THEM.  She starts to try and explain what she means, saying ‘It’s…” before Levi suddenly speaks for the first time since her monologue, saying “It’s like leaving the walls behind to kill the Titans…”

This is such a huge moment. Because contrary to what I saw this one person claim once, Levi is acknowledging Isabel’s feelings, and expressing empathy with them.  He’s telling Isabel here that he understands what she means, because he feels it too. This desire to fight for freedom as a way to give meaning to the suffering of those who couldn’t escape their imprisonment.  Levi, rather than ignoring or blowing Isabel off here, is relating to her.  Her feelings are his own.  Isabel smiles dreamily and says “Yeah.” Because Levi put her thoughts into words.  She then keeps talking to Levi, starting to ramble about what she wants to do when they get to live in the Capital, how fun she thinks it would be to steal from all the “rich pigs” and use their money to buy useless junk, before she falls asleep.

Furlan then kind of bursts this bubble of reverie that Isabel and Levi have fallen into, and what he says here is, again, so important.  He says “I’ve got to revise our plan.  We’ll need to steal the documents before you and she start seriously talking about dedicating your hearts, or whatever.”  Furlan’s perceived how Levi’s own feelings are beginning to match up with Isabel’s, how he’s starting to feel drawn to and sympathetic towards the SC’s cause, and he’s worried, because that’s not what they’re supposed to be there for.  They’re supposed to be there to steal the documents so they can get a chance to live in the Capital.  This is Furlan’s dream, ultimately, and he doesn’t want to lose sight of it to some unrealistic ideal.  What’s so interesting here is the contrast between Levi and Furlan.  While Levi is so quiet and reserved and hard to read, he’s actually showing himself to be more of the dreamer of the two, while Furlan is much more practical and less prone to fanciful, ideal notions like helping people beyond their own means.  

We get one last shot of Levi gazing at Isable, thoughtfully.  He’s still thinking about her words.

Alright, then comes the next big scene, with all of them outside again, to try Erwin’s new formation.  We see, again, Levi’s gradually shifting opinion of Erwin already, when he remarks that Erwin’s idea is “brilliant”, once he sees how it works, expressing genuine admiration for it and Erwin’s mind.  Levi still hates Erwin, and want to kill him, but we already see this desire in him starting to crack and come apart, replaced by an almost astonished curiosity instead.  Like he isn’t sure what Erwin is, but he’s impressed, in spite of himself.  

Then the storm comes and everything starts to fall apart.

Another, massive and vital change here in the manga from the visual novel is Levi’s reaction to the sudden storm.  In the visual novel, Levi’s first and only response to it is that he can use it as cover to go after and kill Erwin, sparing no thought to the safety of his friends, or the other people in his squad.  It was another instance in which I thought Levi’s characterization in the novel was just horribly butchered, and so once again, I was so glad to see them correct it here.  Levi’s first response, after he, Furlan and Isabel start to lose contact with Flagon and the others, is to scream at his friends to not get separated.  He's only worried about them in this moment, and wants to make sure they don’t lose contact with each other.  He isn’t thinking at all about leaving them here yet.  Just this small addition completely changes Levi’s motivations and priorities, leading into the fateful choice, and it’s immeasurably better characterization for him then what was presented in the visual novel.  I’ll get more into it with the next chapter. So until then, thanks again for reading.

8. Chapter 7: Those Three

Okay, onto chapter 7 of “No Regrets”, and there’s really no need for me to say that this is by far the most heartbreaking chapter.  I think, perhaps, the most tragic part of it all is that Levi made the choice that he did because he was actually trying to protect everyone.  Now I’m going to break his choice down and get into the details of that, so let’s just dive right in.

First off, I want to talk a little about, once more, the pivotal contrasts between the way Levi’s choice is presented here in the manga, and how it was presented in the visual novel, and why, like everything the manga’s done so far, it’s an immeasurable improvement in the manga.

Basically, the way Levi’s choice in the visual novel plays out doesn’t in any way relate to his later philosophy which serves as the driving force behind Levi’s character in the main SnK series, while the way his choice plays out in the manga relates to it completely.  

In the visual novel, it isn’t even really a choice at all.  There isn’t any consideration or struggle for Levi to choose one way or the other.  Levi acts purely on impulse, and as I stated in my analysis for chapter 6, he reacts to the sudden storm by wanting to use it as cover so he can go and kill Erwin. That’s it.  That’s his sole motivation for leaving his friends behind. He puts no thought into it, he doesn’t consider the ramifications, he doesn’t seemingly care about anything at all except killing Erwin, and to hell with the consequences.  Again, this is so wildly out of character for Levi, that I could hardly believe it while I was reading it.  To make matters worse, when Furlan tries arguing with him and tries to convince him to stay, the writing directly contradicts its earlier statement that Levi didn’t consider Furlan and Isabel to be his subordinates by having him snap back at Furlan that he’s (meaning Levi) the one who decides, almost rubbing his higher rank in their social interactions in Furlan’s face, before just riding off without another thought.  It’s just awful characterization.  And, as I said, completely severs any relation of Levi’s actions here to the philosophy he later develops and adheres to so strongly in the main series, indeed, the philosophy that he lives by and which governs his actions, the philosophy that serves as his character motif.  It turns it into a decision made purely through emotion, a purely selfish and thoughtless act taken, and indeed, the only lesson Levi would be able to take from that sort of impulsive decision making would be that he should put more thought into his actions in the future, because if he does that, then this sort of thing won’t happen again.

But that’s not the lesson Levi learns, and that’s not the foundation of his philosophy.

Levi’s entire philosophy revolves around him understanding and accepting that he can never know the outcome of any given choice he makes until after the fact, no matter how much effort and thought he puts into trying to make the right one, and finding a kind of freedom in relinquishing that control.  It is absolutely vital, then, in order for Levi’s choice in “No Regrets” to mean anything, and for it to in any way relate to the philosophy which governs him later, for it to have been a well thought out and deeply considered choice, and that’s exactly what it’s presented as in the manga.

Now I want to break his choice down here panel by panel to get into why.

First of all, the first key difference between the manga and visual novel, is here in the manga, Furlan is the one who first points out that the situation for them is bad, because in this weather, it’s likely Erwin will get eaten by a Titan, and if that happens, they won’t be able to get the papers they’ve been after this whole time.  Levi isn’t shown even THINKING about any of that up to this point.  He’s only shown concern for Furlan and Isabel, wanting to make sure they stay together, and sticking himself by their sides.  Furlan goes on to say here that in order to take the papers, they’re going to have to head to the center of the formation.  Furlan’s the one who brings the entire subject of Erwin and the documents up here, not Levi, and this is a huge and important difference.  

They hear Flagon fire the sound grenade, and realize he and Sairam aren’t far off.  Furlan says they might be able to join them somehow, but then he hesitates, and says “but… Levi.”

Furlan is looking to Levi here and asking him to make a decision for their group.  Do they go off together and try to get to Erwin before he gets eaten by a Titan and they lose their final opportunity to get the documents they need, or do they go and join Flagon.  Furlan puts the responsibility onto Levi’s shoulders here.

Now here’s where things get really complex, and we see how truly nuanced, considered, and thought out Levi’s choice really was, and ultimately, then, why it turning out to be the wrong choice is so deeply tragic.

Furlan and Isabel both are looking at Levi, waiting for him to choose, and we get to see Levi’s internal thoughts.

The first thing he thinks in this situation is to weigh the worth of the lives of his squad and his friends against his own, and this is so exactly like Levi, and once more shows infinitely better characterization of him than what was done in the visual novel. Levi thinks here “If the three of us go, the team we leave behind will be shorthanded.”  This is literally Levi showing private concern for the lives of Flagon and Sairam, knowing that if he takes Isabel and Furlan with him, those two’s chances of survival out in this weather diminish drastically.  He then thinks “If I go alone, there’s no guarantee I’ll be able to find them again.” He’s considering his own chances of survival here, if he strikes out on his own.  He knows that if he does, his own chances of getting killed increase. So here we see Levi struggling with whether to prioritize the lives of his squad, or himself.  Ultimately, he decides to prioritize the lives of his squad. And I’ll get more into that in a moment.

But Levi continues to struggle.  He tells himself “Which is it?  Pick one.”, as the storm worsens around him.  He’s agonizing over it.  And then he closes his eyes, and he thinks of Isabel, remembers her saluting Flagon from the night before, and the understanding for the SC’s cause that she expressed, and how he himself understood it, and her sympathy, even her empathy with how they felt, saying she didn’t want to get in their way, meaning she didn’t want to compromise their mission.  Levi himself has been developing an attachment to these soldiers, and an admiration and understanding of their dedication, seeing how like his own desire to fight for and protect the lives of others it is.  To leave Flagon and Sairam to their fate and unprotected, then, would be both a betrayal to Isabel’s feelings and wishes, and his own. Levi doesn’t want to be the cause of Flagon’s and Saiyam’s deaths by taking Isabel and Furlan with him and leaving them by themselves.  Also, in remembering the way Isabel saluted Flagon and her enthusiasm for the SC’s dedication, Levi must also have realized, if he took Isabel with him to steal from and kill Erwin, it would destroy any future chance she might have of ever joining the SC again, if that was something she wanted.  To take her with him would implicate her in his crimes and rob her of that possible future.

Levi then thinks of Furlan and Isabel in the Underground, looking at him, and Furlan explaining to him his plans, his hopes and dreams of using this new found opportunity to make it to the world above and make for themselves better lives.  He’s remembering Furlan, and Furlan’s reliance on him to make that dream come true.  Remember how Furlan told Levi “With you here, we’ll really be able to raise hell.”. His plan always hinged on having Levi’s strength and ability in order to succeed.  Levi knows, then, if he chooses to not go after Erwin then and there, and get the documents from him, Furlan’s dreams will be dashed, and Levi will have failed to help make them come true.  And Levi has gone along with Furlan’s plans up to this point, against his own, better judgment, specifically because he wanted to help realize Furlan’s dream, to make it a reality.  To abandon it now, after all of that, must have seemed unacceptable to Levi.

And then Levi remembers Erwin, standing over him in the Underground, superior and smug, callous and uncaring for how he’s disrupted and threatened the lives of Levi and his friends. He remembers his anger at Erwin, his feeling of humiliation and rage.

And it’s this memory, finally, after all the others, after considering the lives of Flagon and Sairam, after considering Isabel’s wishes, and Furlan’s dream, that tips the scale for Levi in deciding that he has to go alone after Erwin.  It’s the weight of all those factors, the fear of letting Flagon and Sairam die, the fear of letting Furlan and Isabel down, on top of Levi’s own pain and anger, that decides it for him.  If he doesn’t go after Erwin alone, if he takes Furlan and Isabel with him, Flagon and Sairam will probably die, and both Furlan and Isabel will be implicated in the crime of theft and murder.  If he stays with Isabel and Furlan to join up with Flagon and Sairam, then Furlan’s and Isabel’s dreams likely go out the window.

This is no snap decision on Levi’s part.  It’s a deeply considered, thought out and in many ways selfless choice he makes.  And, again, that’s really what makes it so horribly tragic.  Levi was really TRYING to do the right thing here, was genuinely acting in a way he thought was for the best, for all parties involved.  He gave just as much, really MORE consideration to Furlan and Isabel and Flagon and Sairam than he did to himself.  It was the combined weight of the interests of all the other people involved that pushes Levi towards the choice he makes, and his desire for vengeance on Erwin is just the final straw which tips the scale in that direction, not the one and only deciding factor.  It is, from all angles of consideration, the best choice to make.  

So Levi tells them he’s going alone, and tells Furlan and Isabel to join up with Flagon.  He says he’ll get the documents, that’s the FIRST thing he’s going to do.  Not kill Erwin.  It’s the documents Levi is prioritizing here.  And since he’s going after Erwin to get the documents anyway, he’ll also, he says, be the one to kill him.  In Levi’s view, he’s being presented with a chance here to succeed in all their goals. In Levi’s view, this must be a win/win situation if he can find Erwin and do what needs to be done.

Furlan starts to protest, before Isabel cuts him off and says she’s going with Levi too, and Levi asks her, if she comes with him, who does she think is more likely to die, just him, or Flagon and Sairam.  He’s reminding her here of her desire to not get in the way of the SC soldiers, of her sympathy and empathy towards them, and is imploring her to realize that going with him will leave Flagon and Sairam vulnerable.  He’s telling Isabel that he can take care of himself, more than those two can.  He says, specifically, If the four of you stay together, it’ll raise their chances of survival.”.  He knows it’s dangerous to strike out on his own in this kind of weather, but he knows it increases his squad’s chances of survival if he does.  Levi makes the decision here to place the lives of Flagon and Sairam over his own, and to support Isabel’s own feelings in the process.

And then Furlan begins to protest again, telling Levi to keep his cool and think, trying to explain that if he just waits a little while, the fog might clear up.  He’s clearly afraid that if Levi goes out there on his own, he’ll get killed.

Levi asks Furlan then if he’s saying the Titans will wait until then, reminding Furlan that each moment they fail to act and go after Erwin, is another moment in which Erwin could get eaten, and risks Furlan’s dream being destroyed.

Furlan continues to protest, trying to impress on Levi how dangerous it is, to act alone, and Levi shouts back that he heard Furlan already, before insisting that he can do this by himself.  And then he screams at Furlan “Trust me!!”.  He’s putting the same request on Furlan that Furlan before put on Levi, asking for his trust, asking for his belief.  Furlan may be ready to give up on his dream for the sake of Levi’s safety, but Levi isn’t ready to give up on Furlan’s dream for the same.

They glare at each other, and then Furlan asks “Is that an order, Levi?”, and Levi’s reaction to that question speaks volumes.

He looks shocked at it, his expression one of clear surprise and confusion.

He then asks “An order…?” like he doesn’t understand why Furlan would even ask something like that, before saying “Why does it have to come to that?  I’m just… The two of you…”

This is in such sharp contrast to the way they had Levi acting in the visual novel and is, once more, infinitely superior.  

It shows so plainly that Levi doesn’t want to be considered Furlan’s and Isabel’s leader, he doesn’t want to be treated as their leader.  He only wants to be their friend, and for them to see him as their friend, and as someone they can depend and rely upon to always care about them and their dreams, as someone who will always fight for them and their dreams. He says “The two of you…” before trailing off, like he doesn’t know how to express any of that.  But that’s what Levi is trying to say, he just doesn’t know how, as usual.  He’s bad at expressing himself.  He’s trying to tell Furlan that he’s going after Erwin because he’s trying to still make their dreams come true, he’s trying to support them and protect them and ensure that this entire situation they’ve gotten themselves into isn’t in vain. Levi’s expression as he looks back at Furlan here is heartbreakingly earnest.  He looks open and vulnerable, as if imploring Furlan to understand.

And Furlan looks back, and finally realizes what Levi is trying to tell him.  And when he realizes it, he smiles, and laughs.  Because he realizes Levi is doing this for him, and for Isabel, and for Flagon and Sairam, even.  He realizes Levi truly means well here, and has made the choice he has after deep thought and consideration.  That this isn’t an impulsive or hotheaded choice, that he IS thinking clearly.  Levi is confused by his reaction, and Furlan keeps laughing along with Isabel, before telling Levi “Fine.  I’ll trust you.”, giving Levi the same regard Levi before showed him before, in agreeing to follow Furlan’s plan.  Furlan chooses to trust in Levi’s decision making, chooses to trust in Levi’s own plan now.  And then he tells Levi not to die, and Isabel tells him to make sure he comes back. They’re scared for him, but they’re choosing to trust him.

We get a significant panel then, as Furlan and Isabel fall back from him, and Levi looks back at them, as if still uncertain in his choice, despite all the thought he put into it. He’s still filled with self-doubt, even as Furlan had just moments before expressed belief in him.  Like he thinks there’s something he must be missing, even though he’s sure he thought out every possible scenario and reason for choosing as he did.

What’s important too, in understanding Levi’s choice, is that it never once occurs to him that Furlan and Isabel could die.  He thinks Flagon and Sairam potentially will, if they all leave them behind, and he thinks he himself might, if he strikes out on his own.  But he never thinks it a possibility that Furlan and Isabel could. He chooses then, in that moment, to also trust in the strength of his friends.  He shows absolute belief in Furlan’s and Isabel’s strength, to the point that he believes Flagon and Sairam need them, more than he does.  It isn’t even a thought Levi can entertain, that him choosing to leave will put Isabel and Furlan’s lives in danger.  With all the consideration he does, all the thought he puts into making the right choice, it simply isn’t conceivable to him, that his friends could die.  If he had thought that a possibility, if such a scenario had occurred to him, he never would have left.  He genuinely believed, if all four of them stuck together, they would be alright, even if he himself wasn’t.

A few others points of note in this chapter.

When Isabel and Furlan meet up with Flagon and Sairam again, and Sairam asks if Levi is dead, Isabel reacts violently, screaming “Of course he isn’t!!  Levi will come back.  Bet on it!”. This emphasizes, in a truly heartbreaking way, Isabel’s own faith in Levi, and her need to believe he’ll be alright. She insists that Levi will come back, and this builds off of Isabel’s continued refrain throughout the story of how Levi is “the strongest”, both below and above.  Levi is Isabel’s hero, and she clings to his perceived strength in this moment, needing to believe in it to comfort herself over his safety.

This runs parallel then to Levi coming upon the butchered squad from the first rank, and his horrified realization that there are at least four Titans that did this, and that they’re heading back the way Levi came from, meaning right for Isabel and Furlan and Flagon and Sairam.  He immediately turns around and tries in a frantic dash to make it back in time, thinking desperately to himself that there’s too many Titans, and they’ll be overwhelmed. And then he comes upon the sight of Sairam being eaten, and he cries out for Furlan and Isabel.  

Truly the most heartbreaking part about this entire scene is how Levi tries so desperately to make it to his friends in time, but how he just simply isn’t near enough too, and can only watch, then, as they die.  For Levi, who’s entire identity revolves around wanting to help others, to protect others, his own helplessness in this situation must be truly horrific for him. And especially, his own helplessness in watching the two people that mean the most in the world to him get eaten alive.

Another truly heartbreaking moment here is how Isabel decides, in Levi’s absence, that she’s going to take on his role as protector, and save everyone.  How Isabel’s admiration and hero worship of Levi is, indirectly, what gets her killed here.  She wants to be just like him, and in trying to be like him, she ends up dying.  All of this happens in front of Levi.  He has to watch Isabel die while trying to do the thing he’s made himself responsible for, which is protecting the lives of others. And the way she starts to call out for him, right before the Titan’s jaws close around her, is truly gut wrenching. Levi’s expression here is one of such utter horror and shock too, before it turns to sudden, murderous rage, and he tries once more to close the distance and make it in time, only to have to watch both Flagon, and then Furlan both get eaten too.

Levi thinks to himself, as Furlan’s being lifted to the Titan’s mouth “I’m going to end up letting everyone die.”  Before screaming out Furlan’s name.  Levi is already blaming himself, already feeling the abject weight of his failure. This is the moment when he realizes his choice was the wrong one.

Furlan, in one of the saddest moments of all, finally sees Levi and, as if to say ‘it’s okay.  This isn’t your fault’, waves to him in acknowledgment.

Maybe most cruel of all is how Levi, even in the face of his overwhelming fear and horror and self-hatred, clings desperately to hope, still trying with everything he has to make it in time to save at least one of his friends.  He thinks to himself “Come on, make it in time!!”, and only to make it more tragic still, he almost DOES make it in time, just barely a moment too late as he slices off the hand of the Titan that had been holding Furlan.  Levi misses saving Furlan’s life by mere moments. It’s truly the definition of tragic, and beyond traumatizing.  

9. Chapter 8: Choices

Alright, and now I’ve reached the final chapter of “No Regrets”, so let’s just dive right in!

There really is so much more to unpack from this story than I think people realize.

Firstly, just a few, truly devastating observations I want to talk about.

The first one being how, even after Furlan gets swallowed by the Titan, Levi still believes he can save him. The fact that he cuts the Titan open from the chest down to his sternum, and free’s Furlan’s arm, and the panels which show Levi reaching out for his hand and ripping him from the Titan’s stomach is just… so heartbreaking.  The way too that he gently carry’s him back to the ground and lays him out, only to discover that his entire lower half is gone, and he’s dead, just the level of trauma you know this must be causing Levi is immense, and beyond tragic.  This is one of only two, true friends in his life, and he’s so desperate to have been able to save him, that he clings on to the possibility to the bitter end, until he’s forced to face the bleak reality. Levi’s devastation is really brilliantly depicted in how he wobbles, as if his knees are weak, when he stands back up.

And then of course comes Levi’s rage, and how he takes it out on the Titans, expressing his grief and pain in the only way he knows how, through violence.  

But maybe the most heartbreaking moment here comes once he’s through killing every Titan there, and he starts to stumble away, and his foot comes into contact with Isabel’s severed head. This is, once more, another area in which the manga improved hugely over the visual novel.  

Levi’s reaction here is just… the most heartbreaking thing ever.  The way he stares when he realizes he’s looking at Isabel’s head, and then falls to his knees, his overwhelming grief here is just so beautifully depicted in these panels, as he reaches out a hand to cover her eyes, and then slides them closed, in an attempt to give her some sort of dignity in death.  The way he can’t even look at her, just doubled over in his grief, just killed me to see.  It’s so unspeakably sad, and conveys to us readers the true depth of Levi’s despair, I think.

And then we move on from this horrific grief, to the climactic moment of the story, when Levi and Erwin again come together, and we see Levi’s overwhelming rage.  Again, this entire scene was a massive improvement over the visual novel.  Well, for starters, in the visual novel, they had Levi cut Erwin’s horse down to bring him to the ground, and again, that’s just so out of character.  Luckily, they fixed that here too, with Levi simply leaping up and dragging Erwin off his horse.

These panels really are amazing too is showing Levi’s intense rage, as he warns Mike to back the hell off, and brings his blade to Erwin’s neck.

What’s really interesting here is what Levi says.  

After the struggle of the choice he made, before Furlan and Isabel were killed, after giving so much consideration and choosing based largely on their own dreams and wishes, Levi tells Erwin here “I’m going to kill you, you bastard.  That’s why I’m here.”.  And Erwin responds, after studying Levi a moment, “So they… all died? I see.”.  Erwin gleans here, both from Levi’s words and expression, that his friends have died, and what he says indicates that he knows the only reason Levi hasn’t tried to kill him before now is because Furlan’s and Isabel’s own well being and their own dreams were the only thing holding Levi back.  Levi made no attempt on Erwin’s life before because he was placing Furlan’s and Isabel’s wishes above his own, but now that they’re gone, there’s nothing to keep Levi from acting out his revenge.  

This is also where we get Erwin’s full reveal of just how in control of this entire situation he’s been this whole time, and how he manipulated every player and outcome to his desires.

This really isn’t something I see get discussed a whole lot when talking about Levi’s relationship with Erwin, and how it started out.  But, unquestionably, Erwin used Levi and his friends against their consent, to achieve his own ends.  He set the whole thing up, from first spreading rumors about having some sort of evidence against Lovof’s embezzlement, to then spreading the information that he was looking to recruit Levi and his friends from the Underground, thereby giving Lovof the very idea of going to them to obtain his own proof of the evidence’s existence, while simultaneously leading Erwin to the definitive proof he sought by following the messenger Lovof sent and intercepting him.  At the same time, giving Erwin a means of throwing Lovof off by using Levi, Furlan and Isabel for cover.  It really is incredibly impressive, but also heartbreaking, the way Erwin used Levi and his friends to his own ends, but of course, perfectly in character for Erwin too, willing to do whatever it takes to achieve his goals. It begs certain questions though about the equality between Erwin and Levi, at least at the start of their relationship.  Erwin clearly had the control and power in this situation, and though clearly he never meant for Furlan and Isabel to die, still, his decision to rope Levi and them into his plans to catch Lovof and also to gain their strength and skill for the SC, did lead indirectly to their deaths.  Surely, if Erwin had never meddled in their lives, and used them as tools, they would have all still been alive in the Underground.  

But of course, this leads into a really interesting clash, then, between Levi and Erwin, and where we see Erwin win Levi over to his cause.  This is, as is becoming a redundant theme of my analysis here, a giant improvement over the visual novel.  There, it makes it seems as if Levi decides to follow Erwin only because Erwin has something Levi lacks, and until he can figure out what that something is, he won’t be able to “defeat him”, implying that Levi is still somehow obsessed with beating Erwin in some way.  Like he isn’t joining Erwin to fight for his dream of a better world, but because he wants to figure out what Erwin has that he doesn’t, so he can become superior, or whatever.  But here, in the manga, Levi’s reasons for deciding to follow Erwin are much more complex, and tied in with his own personal drive of wanting to help and save others, and into his relationship with Furlan and Isabel.  

Levi tells him “It wasn’t worth throwing away their lives!  They were nothing but pawns in your worthless game.  Well, you lose.”, right before he means to take Erwin’s head off.

What’s interesting here is Erwin’s response.  He doesn’t try to deny to Levi that he used Furlan and Isabel and Levi himself as pawns. He doesn’t argue, or try to defend himself on that front.  What he takes issue with is Levi calling the reasons for it a “worthless game”.

Erwin’s entire speech to Levi here really builds off of the feelings Levi had already started to develop, about feeling like he had maybe found a place to belong, where he could maximize the good he could do.  This wasn’t yet a fully formed idea in Levi’s head, up to this point, but the seeds of it had started to form.

Erwin asks Levi who’s responsible for killing his friends.  He asks if it was him, if it was Levi, and then he asks if he really thought that if they had come together to attack Erwin, that they would have made it out alive.  

This is what Levi is beating himself up over, of course.  The belief that he made the wrong decision, in leaving Furlan and Isabel behind, thinking to himself if they hadn’t split up, they would still be alive.  He blames himself for how he came to that decision, and starts to say as much to Erwin here, saying it was his conceit and his pride that was to blame, no doubt thinking of how it was his memory of Erwin and the humiliation he caused Levi that was the final tipping point which decided him in favor of going after Erwin himself, and also how he simply convinced himself that he would be able to shoulder all of the responsibility himself in such a dire situation, remembering how he told Furlan “I can do it by myself!” so insistently, asking him to trust him, to trust essentially in Levi’s strength.  To Levi, in this moment, his own strength must have seemed worthless suddenly, his belief in it leading to nothing but abject failure.   But then Erwin cuts him off and says, emphatically that, no, it was the Titans who killed them, before beginning to talk about how little they know about the Titans, and how if they continue to remain ignorant like that, they’ll never win against them.  He tells Levi to look around himself, and points out how, for as far as the eye can see, there are no walls, and then suggests that, in all that open space, there might be something they can find to free humanity from its despair and imprisonment.  And then he reminds Levi that there are people who want to stop this from this from happening, only concerned with their own profits and losses, content to stay where danger can’t reach them.  He shows sympathy, saying it’s understandable why they feel that way, because they’ve been blinded by the walls for a hundred years, and can’t see past their own survival.

And then he asks Levi if his eyes have remained clouded too.  He’s asking Levi here if he only knows how to live for himself, and if he’ll kill him and return to the Underground to continue to do so, after losing the two people he cared most about in this world.

But of course, Levi’s already learned how to live for people other than himself.  That was his whole reason for coming to the Surface in the first place.  In support and dedication to the hopes and dreams of his friends.  Levi’s eyes HAVEN’T been clouded, he’s already discovered and embraced what it means to give your life for others, already able to see past his own benefit.  

Erwin reminds Levi of that here, and tells him they won’t give up on going outside the walls, before asking Levi to fight with the Survey Corps, telling him “Humanity needs your skill!!”.  He reminds Levi, even after the loss of the two people whom he had been living for up to that point, that he can continue to live for others still, that he can still fight for the hopes and dreams of others, and that he doesn’t have to return to the life of isolation and loneliness and futility that he once lived, that he doesn’t have to return to simply surviving, or fighting only to survive. He’s reminding Levi that his life can mean more than that, just like he realized when he became friends with Isabel and Furlan.  That his life can have purpose, and that, if he lends his strength to the SC, he can do more even than help a few people.  He can, in fact, help all of humanity.  

The following panels show Levi coming to this realization.  He remembers Furlan and Isabel at his sides as they rode out into the open for the first time, into the first, true sense of freedom they had ever known, and their shared awe and wonder at the sight.  And Levi is realizing here, just as he had fought for his friends dreams of freedom, and of a better, more hopeful life, he can continue to fight for the same, only for everybody, for all people.  He can make the most of his abilities, and help the most people, by staying in the SC and fighting at Erwin’s side, fighting for Erwin’s vision of something beyond the walls, of a kind of salvation for humanity.

What Erwin gives Levi here, really, the thing Erwin gives Levi that he before lacked, is a sense of hope. A belief in his own ability to make a meaningful, positive impact on the lives of others.  It’s like Erwin’s own belief in that hope for humanity’s salvation is so strong, that Levi finds himself able to believe in it too, and he decides then and there that, for the sake of that hope, for the sake of the vision of something better, Levi will stay by Erwin’s side.  Because it’s what Levi’s always wanted to do, to fight for the hopes and dreams of others, to fight to make the lives of other people better, and Erwin has shown him the way to do so.  He shows Levi that Furlan and Isabel didn’t die for a “worthless game”, but for the sake of all human kind, and that’s why Levi is able to let go of his anger towards Erwin and follow him.  And that really feeds into Levi’s need, later on, for every soldier’s death to carry meaning.  If he can believe Furlan and Isabel died for a truly important reason, he can accept it and cope with his grief.  Like Isabel expressed herself before, these people genuinely believe their cause is worth dying for, and Erwin reminds Levi of this again.  

So he forgets his anger and pain, and chooses instead to follow Erwin, and dedicate himself to the cause of humanity’s salvation.  

The final panels of the manga are incredibly moving, with Levi slowing down behind Erwin and Mike, and glancing back one last time to where he lost his two, best friends, before looking away and riding on, as the sun shines through the clouds.  Like one, final acknowledgment of their lives together, and the sacrifice they made, before committing himself fully to his new life ahead.

10. Prologue

Just a small note on the prologue.  It opens up with Furlan and Isabel and Levi sitting beneath the only, real source of sunlight in the Underground, watching the birds in the sky.  Isabel wonders where they’re going, and Furlan answers “Far away... They can fly even beyond the walls.  To Places we couldn’t go eve with those machines.”  Isabel smiles, and says “Got that right!  Just you wait!  I’ll go with you someday.”, while Levi looks up into the sky, silent.  This is only further proof of how Furlan and Isabel both expressed their dream of someday making it on the surface, of achieving freedom from the prison of the Underground, and how Levi would sit and listen to them say things like this.  We see shots of just how grim and harsh the Underground really is here, with people lying passed out and sick in the streets, the pervasive, overwhelming darkness, and just overall depressing atmosphere.  It’s the kind of place that, clearly, robs people of their will to live.  Of any kind of hope.   It’s important to note that Levi himself never expresses any such dream, or desire.  He never voices that he wants to make it to the surface.  This is Furlan’s and Isabel’s dream, their hope, and Levi hears it from them seemingly often.  Probably, because of how hard his life has been, Levi’s never even considered it a real possibility, and so never even entertained the idea of it becoming real.  But for Furlan and Isabel, he was willing to try.  He went to the surface for them, to try and make their dream a reality.  

[cardentist]

I haven’t been in the star trek fandom for very long (I’ve only just started binging the series in the last couple months), so it’s been pretty surprising to find out just how negative the perception of the reboot movies are.

this isn’t coming from the perspective of someone who grew up with the series, so it hit different for me than it might for people with a different relationship to TOS, but I thought it was genuinely clever and Respectful with how it was handled.

To quote leonard nimoy: “Well the alternative timeline gives them license to escape from canon concerns. I can’t see people saying ‘they shouldn’t do that because…’ or ‘that doesn’t tie in to such and such’ because it is a different time and place. Am I right about that?” [Link]

the entire Premise is that the original series happened as it was presented in TOS, but an event late in Spock’s life caused the creation of a parallel universe in which everyone’s lives were significantly altered through two key changes to the timeline. this gives them the freedom to Both revel in fanservice And explore different facets of the characters and their relationships. 

the destruction of vulcan Vastly impacts the characters and the plot moving forward, and its a detail that a lot of people take issue with. but the emotional impact of sarek admitting Directly to spock that there is value in his humanity, that his feelings Aren’t wrong, that sarek married amanda because he Loved her cannot be understated. you can read all of these things into sarek as he was in the original series, but he Never had an open conversation about these things with spock. this creates a Believable and Rewarding change in their relationship, where we get to see a different facet of them Because of the changes made. and that’s exactly the appeal. showing us pieces of these characters that we never got in TOS that are nevertheless undeniably Them.

everyone is Different yes, but they’re also fundamentally the same people at their core and that matters.

kirk’s personality obviously takes the biggest change, with him experiencing trauma at a young age, losing his father, and having an implied abusive father figure after that point. he has a harsher personality in reaction to harsher conditions, he’s spikier and harder to love. but he’s also still fundamentally a Good person whose willing to risk everything to help people. he still has what made kirk prime a good captain and a good friend.

I’m not gonna say that it’s the most nuanced story in the world, but it explores a version of kirk that was born from even Less fortunate circumstances than kirk prime, exploring a kirk brimming with potential who learned to bite back after he was kicked down. exploring those themes of trauma and loss, of insecurity and growth, and coming to the conclusion that Fundamentally He Is Capable Of Good isn’t a Bad thing. you don’t have to like it, but his growth into a better person is The Point. they deepened his flaws (all of which were present in a less exaggerated form in TOS) To Show That Growth.

and then of course there’s his relationship with spock.

people are totally justified in not liking that they had a rough start to their relationship, I usually don’t like to see that kind of thing in reboots or hollywood adaptations either, but the way people talk about it is just unfair.

Yes kirk and spock and bones have a very strong relationship in TOS, they also already know each other by the time the show starts. to look at them having to learn to get to know and trust each other when they first meet and say that it’s Bad because they were already full on ride or die for each other in the og series is silly. TOS kirk and spock had to meet and fall in love with each other too, it didn’t just happen over night kings.

secondly, the entire point of the first movie is that Even With reality itself being altered to pull them apart they are fundamentally compatible people that are Bound to each other. they meet each other on bad terms because of circumstances outside of their control, and yet they’re still pulled into each other’s orbit and find the other slotting into place next to them as if they always belonged. one of the first things that spock prime says in the movie is “I am and always will be your friend,” spock and jim are Meant for each other and the movie goes out of its way to explain that. which is what makes it so Weird to see people complaining about how they don’t like each other.

it’s a Different relationship, but it’s absolutely no less steeped in yearning or queer subtext. 

speaking of queer subtext ! some people are Very unhappy with spock’s relationship with uhura.

first thing I wanna say is that making the argument that they’re doing anything that the original series hasn’t done is just, completely untrue. kirk has fallen in love with more girls in the og series than he knew what to do with, leonard nimoy was a heartthrob in his time (and he deserves it, awooga) and spock reflects that ! Spock usually turns the women who come onto him down (or when he doesn’t it’s because a plant has literally altered his mind), but there are exceptions to even that. all of three of the main boys have plenty of romance subplots, it happens. if that takes the possibility of them being queer off the table for you (which it shouldn’t, m-spec people exist) then I’m sorry to say that TOS is not exempt.

now, I can understand why Specifically This Relationship could rub people the wrong way or being disappointed that they didn’t outright depict kirk and spock as having a relationship (if not in the first movie then in the following ones after they’ve gotten to know each other), but even in that context the way I’ve seen people talk about it comes off as insensitive.

no, the relationship did not come out of nowhere. they considered having spock and uhura date each other in the original show (and you can see signs of this in the earlier episodes, where uhura very obviously flirts with him and they spend time together in their down time) before they decided against it, and spock was originally going to kiss uhura until shatner insisted that he wanted to do it (because it was the first interracial kiss on tv). [Link 1, Link 2, Link 3]

nichelle nichols was asked about this exact thing (spock and uhura’s relationship in the movie), you can read the interview in full here [Link] but I’d like to highlight this paragraph in particular:

“Now, go back to my participation in Star Trek as Uhura and Leonard (Nimoy) as Spock. There was always a connection between Uhura and Spock. It was the early 60’s, so you couldn’t do what you can do now, but if you will remember, Uhura related to Spock. When she saw the captain lost in space out there in her mirror, it was Spock who consoled her when she went screaming out of her room. When Spock needed an expert to help save the ship, you remember that Uhura put something together and related back to him the famous words, “I don’t know if I can do this. I’m afraid.” And Uhura was the only one who could do a spoof on Spock. Remember the song (in “Charlie X”)? Those were the hints, as far as I’m concerned.”

the film makers looked at the fact there were Hints for uhura and spock, that they were Interested in exploring an interracial couple for the first time (both before and immediately after interracial couples won the right to legally get married) but Couldn’t because of the circumstances of the times and decided to Make that depiction. you don’t have to Like their relationship just because of that fact, but it’s Incredibly reductive to play down it’s significance as just a No Homo cop out. explicitly queer relationships are not the only progressive or culturally important relationships in fiction.

moreover, if you can’t imagine polyamory in the communist utopian future that’s on you.

moreover, this perception that this was a soulless cash grab is just, unfounded.

leonard nimoy returned to the role as spock for the first time in 16 years (since 1991) and this was Entirely because of the respect they had for nimoy, spock as a character, and the franchise as a whole. 

Lets look at some quotes from nimoy in interviews regarding the film:

Leonard Nimoy: When I first read the script (...) I immediately contacted J.J. and said “I think it is terrific…I think you guys have done a wonderful job. There is still work to be done, but it is very clear that you and your writers know what you are doing and you know how to do this movie and know what it should be about….and I am very interested.” Then as time went by we worked things out with Paramount, but the most important things were J.J. and the script. (...) I am very pleased about that and I am very comfortable with where this is going. I think the writers have done a terrific job. They have a real sense of the characters and the heart of Star Trek and what it is really all about.

(...)

TrekMovie.com: Now in the case of the new movie you have been retired from acting for years. What was it about this one that made you want to act again and go through the make up again? What was it that made you say ‘I really want to do this?’

Leonard Nimoy: You are right, this is a special situation. First it is Star Trek and so I have to pay attention. I owe that to Star Trek. Second place is that it is J.J. Abrams who I think very highly of, he is a very talented guy. Then came the script and it was very clear that I could make a contribution here. The Spock character that I am playing, the original Spock character, is essential and important to the script. So on the basis of those three elements it was easy to make the decision. So those three things: Star Trek, J.J. Abrams, and an interesting Spock role.

[Link]

Praising the cast playing younger versions of characters from the original 1960s TV series, he [Leonard Nimoy] said: “Let me take the opportunity to say this. Everybody at this table [the cast] are very, very talented and intelligent people.”

“They found their own way to bring that talent and intelligence to this movie, and I think it shows. (...)  When Karl Urban introduced himself as Leonard McCoy and shook hands with Chris Pine, I burst into tears. That performance of his is so moving, so touching and so powerful as Doctor McCoy, that I think D. Kelley would be smiling, and maybe in tears as well.”

“The makers of this film reawakened the passion in me that I had when we made the original film and series. I was put back in touch with what I cared about and liked about Star Trek, and why I enjoyed being involved with Star Trek. So, it was an easy way to come on home.”

“[In this Star Trek] they said things and showed me things, and demonstrated the sensibility that I felt very comfortable with, and I think that shows in the movie. I like it.”

[Link 1, Link 2]

again, you don’t have to like it just because leonard nimoy did, you don’t have to Agree. but the idea that nobody working on the film Cared is provably false. near everyone working on the project was already a fan of the series or were excited to be involved and did their homework. it’s genuinely a Miracle just how much of a labor of love this was, and in my opinion you can feel that through the movie itself. I’d highly recommend looking into interviews and behind the scenes details about the movies. they had a respect not just for the source material, but for leonard nimoy as a person.

there’s definitely more I Could say about this, but it’s 4 am now so I’m gonna shelve it jklfdsa

that said! it’s Fine to not like the movie, not everything is going to be suited to everyone’s taste, but the specific criticisms I’ve seen feel very off base