#I try not to beef with opinion posts but a lot of this is just straight up wrong lmao

[orbitsaturn]

"go outside!"

━ in which the guy you're beefing with online turns out to be cute

modern au! kinich x reader

part 2 here!

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"your builds are lackluster, I suggest using these artifacts for better damage" you read, gritting your teeth, about to smash the computer screen right in front of you.

It's been about 5 minutes since you started beefing with this random dude off the internet for apparently no reason. (you started it) about the builds of characters that you showcase.

"my builds aren't your business!" typing harshly on your keyboard, it's noises loud. almost instantly you get a respond back. "well, you posted saying you wanted an opinion on how good your character is. I just gave you the input you asked for." the reply reads.

"but you badiaccly worded it in a way that Impliees my builf is trash!" you type hastily, not bothering to fix the spelling mistakes. to be fair, you were overreacting a bit (a lot.) but you had a bad day today! and some random dude off the internet is making it worse.

"my apologies." he replies.

"..." you stare at the computer screen in front of you for a moment, wondering what to do. either you continue the petty fight you have or accept his apology right now. either way, it's your decision.

and somehow you choose to continue fighting the random stranger online!

almost instantly you type back a response, the clicks of your keyboard filling the room. "my apologies? MY APOLOGIES?! my apologies my ass. that wasn't genuine at all!" you type before hitting send. after a few seconds you see a reply pop up, "friend me, i'll help you build your character correctly."

THE AUDAC-

wait. if you did accept his offer, you can flex your newfound damage to your friends...

...

..

.

never mind!

"no!"

right after the reply you sent, a notification quickly popped up.

"have fun with your trash characters then, loser."

HUH?!

almost instantly you start typing a response the moment you saw those words on the computer screen.

"TRASH CHARACTERS?! TRASH?? CHARACTERS?? why are you even beefing with some stranger online. GET A LIFE!!"

"sorry that was my pet lizard."

.

PET LIZARD?? DOES HE THINK IM STUPID??

"you're kidding me. pet lizard?? you think I'd believe that?? you're just trying to find an excuse."

"no, I'm serious, that really was my lizard. his name is ajaw."

your eye twitched, is he really going to keep up with the 'my pet dog ate my homework' type of shit?? you sigh, maybe it was time to just let him go, i mean... he really used his lizard as an excuse... so you quickly type out a response, expecting the argument to be over. (no) "geez. just stop... go outside! this is actually really sad."

"I do go outside, I go out a lot actually"

man. now he's (you) dragging it out.

"i doubt that. proof?" you respond, closing your computer for the day, not expecting a reply. after a bad day, you really needed a good afternoon nap.

----

RING RIIINGGG RINGGG RINGGG

RINGGG RIIIIIINGGGG

loud ringing could be heard from your phone, instantly waking you up, delirious on whether it was the next day or in the middle of the night. you grab your phone lazily, the sound of ringing feeding you feelings of annoyance. as you look at your screen your alarm clock asking you to snooze more or stop the alarm.

obviously you would've chosen to snooze more. but you were feeling a bit more productive today! (spending all your time on games)

so you got up, turning your computer on getting ready to have another late night gaming session, when you something at the corner of your eye.

1 new message from almightydragonlord!

oh it was that rude fellow from earlier...

but of course you clicked on the notification, not expecting to see anything grand.

but your jaw instantly drops.

because in the video you see.

is a cute ass boy with dark hair and green eyes.

"hi sparklingtoots, I do go outside, as for this video, ajaw insisted on giving you hard concrete proof, I didn't really want to. but here you go."

as the video pans out you can see inside a helicopter..?

oh he's jumping out

wait.

HE'S JUMPING OUT?!

and when the camera pans outside the helicopter, the figure of the almightydragonlord was getting smaller and smaller as he falls down. with the video ending right when he pulls his parachute.

"what the fuck." was all you could say.

you stare off into space, what the hell did you just see? some cute dude skydiving off a helicopter? a really. really. cute dude skydiving off a helicopter? the cute dude you were beefing with a few hours ago?

and suddenly a notification popped up, your eyes almost bulging out of your sockets on what you see.

"see, i told you i do go outside."

and it follows up with something that makes you scream internally.

"accept my friend request too."

and of course you accepted this time.

[to-the-stars8]

Can someone genuinely answer this ever lingering question as to why DC has such beef with Jason Todd?

They butcher his character and relationships, and for what? There’s so much fucking POTENTIAL not only with his character but with his story! There’s a way to actually write discourse in a relationship without making it so damn abusive. Maybe I’m missing something in the story or just in general, but it’s just so fucking irritating when it could be good.

You have a nice, good boy who only wants to help despite given the short hand in life who is then given a loving father who just so happens to be Batman. That boy is then murdered by Batman’s biggest enemy (don’t even get me started on the fucking Joker who essentially has become idolized in the worst ways by DC writers and directors) still trying to do the right thing despite being fucked over by the very person he so desperately wanted love from. Then, you have that same boy who’s just a little bit older, hurting and angry— acting out in every way he can against the man who loves him but couldn’t see past his own weaknesses. And what do DC writers do instead of making this complicated, intriguing and character growing relationship into something that’s not as fucking dumb and slightly out of character for Batman? They fuck him up.

It’s an extreme to say this, I know. And this isn’t against all DC writers, but you can’t deny a lie when it’s a pattern. It’s a cut and dry story that practically writes itself. You have a little boy who is so full of hope is growing along with the main character of the story (which, in my own personal opinion, Batman has Robin not as a soldiers—and omfg does that damn phrase make me violent—but as a potential, mutual factor of character growth) , who then gets a bit too cocky and distracted by his own hubris and need for love, to a hurt antagonist that goes against the man who he once called father. Like it’s too easy to not fuck this up, and yet DC seems to manages to do this every single time.

It’s almost like they want to portray Batman and Bruce Wayne as a man who is made “tougher” by his trauma (which has some patriarchal undertones if you catch my drift) instead of growing. Batman can grow. He can love. There’s one post that I’ve seen on Tumblr how Batman/Bruce does this whole vigilante thing out of love.

Which is why I don’t get why DC uses Bruce as a tool to hurt Jason when it isn’t really consistent. He loved Jason, and this is backed up by a lot of older and a few current issues. Don’t get me wrong, I get that their relationship post-UTRH is gonna be FUCKED. Yet, even the writing in that I can’t really agree with. KILLING (attempting to kill really) your son who had been dead for years, that you loved so much, and is acting out because YOU? Doesn’t make much sense, but, again, maybe I’m looking at this through a foggy lens.

This wasn’t meant to be a long post, but it’s just been on my mind and perhaps I could use another perspective. So, again, what’s DC’s deal with Jason and Bruce’s relationship, and Jason’s character as a whole?

[ot3]

hey, i only just recently finished bridge to turnabout (the final case of the aa trilogy) and wanted to go back and see your thoughts on godot since personally i have very mixed feelings on him altogether. you can just reply with a link to a post where youve already explained how you feel in more detail (i remember seeing a post where you have but tumblr search function is ass so i cant find the one i was thinking about) or use this as an opportunity to bitch about him if youd like. but i generally think that you have a knack for putting opinions i already have into words perfectly and wanted to revisit ones on him specifically with a new set of eyes now that i finally understand the context behind everything. peace and love ✌🏽

ohhhhh man godot. a lot to unpack there. I feel like for the most part whatever thoughts i've posted about godot have been kind of piecemeal so ill try and put it into something more coherent and comprehensive here. well first of all congrats on finishing the trilogy i hope you enjoyed it!!! bridge to the turnabout is SUCH an excellent case on almost every level but. the writing centered around godot really spoils it and stops it from living up to it's full potential....

i was warned i wasnt going to like godot going in so i was really surprised that up until bttt, i actually did end up liking him! i thought he was hysterical! and i still do. but i really can't Like him because of what the writing centered around him does to the integrity of aa3's arc. I don't like what it does to mia's place in the narrative and I think it undercuts the emotional realism that makes ace attorney's slapstick ass nonsense murders manage to land right. i guess ill address each one of those points on their own?

I don't like what godot's writing does to mia's place in the narrative!

Mia's death is something that's completely within her own agency; it is her own phone call with her own sister, talking about evidence for the case she herself has spent years building, that gets her killed. None of this has anything to do with phoenix. She is no strings attached presented as his mentor figure and I think this dynamic is what prevents Mia's death from feeling like fridging despite it technically being something that has to happen to allow phoenix to take center stage in the upcoming events of the game.

then godot comes in and the narrative he imposes on her death feels like it retroactively turns it into Fridging! I mean 'is this character death the Fridging Trope or the Death of the Mentor Trope' is kind of milquetoast tvropes brained level media critique here but im really using these concepts as a shorthand for the level of agency a female character is allowed to have in her own death, and the degree to which that death is used as a tool for men's emotional development. but anyway the point being that the fact that godot views mia death as phoenix's responsibility is an inherently misogynistic bit of character writing. their power dynamic is such that mia was the one responsible for phoenix's wellbeing if anything, as his boss, his senior, and his mentor; the only reason godot presumes phoenix to be responsible for mia's death is because he a man who was in proximity to her! which fucking suuuucks.

Something I don't see talked about a lot is that godot also has beef with phoenix for being dahlia's stooge, which i think is a MUCH more interesting angle for his character. but that's presented as a separate thing from his feelings about mia's death

Godot: …… I never liked you. Six years ago… …you helped the woman who put me to sleep by hiding her bottle of poison. And then… While I was sleeping… …you let Mia die. But you didn't care. You just kept living your pathetic, happy-go-lucky life. You even had the nerve to follow in her footsteps as a lawyer. I could never forgive you. That's what I thought.

now to be clear i don't think the narrative frames his blaming phoenix as something we're supposed to agree with. Godot has his whole confession at the end where he admits he views himself as responsible for failing to protect her. but it does basically mean that her death stops being something that was About herself and the choices she made and her relationship to her family, and instead becomes About the effect it had on the men in her life. which i really don't like!

NUMBER TWO. I think godot's writing lessens my ability to get emotionally involved in this case

Even within ace attorney's fucking moon logic bridge to the turnabout pushes my suspension of disbelief past its breaking point. I don't care about the pendulum horseshit. I don't care about the ghost possession. I'll accept all of that. What I can't accept is: why does no one EXCEPT godot himself seem to care that this entire murder could have been avoided if maya at any point been warned about it? Misty and Iris just as guilty of this as godot is, but the biggest difference between them and godot is that 1. misty has been a deadbeat for ages and is now just Dead. Her primary established character trait is not talking to her fucking kids. 2. Iris has been working as dahlias accomplice for her entire life and so the idea that she would willingly conceal this has much more legitimacy to me.

We are supposed to accept and sympathize with the idea that protecting maya Actually Was Something He Did. I say were are expected to accept and sympathize with that because phoenix and maya sure do! I guess you could interpret this as them trying to give some comfort to a man that is clearly at the end of his rope and about to be sent to prison.

Phoenix: Y-You're wrong! You put your life on the line to save Maya! Godot: Was it really for Maya's sake...? Even I'm not really sure. [cut some lines for brevity] Godot: You were the one who made me realize my folly. You never ran away from Mia's death. Instead, you picked up where she left off, as a true defender of the people. In that one moment... I understood everything! Phoenix: Mr. Godot... Godot: I think you already know this, but if you don't... My name is... Diego Armando. Maya: M-Mr. Armando! I believe in you! I know you were trying to save me!

then, later on:

Phoenix: (So I guess it's all over... The way everything ended... Was justice really served...? The man who risked his life to save Maya is being sent to prison by my own hand...) Mia: Of course justice was served. Phoenix: M-Mia! Mia: ...I'm proud of you, Phoenix. Your defense was... truly brilliant. Phoenix: B-But I couldn't save Mr. Armando! The man who cared so deeply for you... Mia: You're wrong, Phoenix. You did save Diego. You saved him in the only way possible.

I guess technically godot did risk his life to save maya. and I do like the conclusion that basically being laid bare and brought to accountability like that is what godot needed to 'save' him. but i'm just not sure why the fact that maya was only in danger in the first place due to godot's choices doesn't factor into how phoenix feels about him 'saving' her. I just don't buy it!!!

It lacks the emotional weight that other instances of Avoidable Tragedy in the series have had. Ace attorney is at its best when the relatively grounded emotions are contrasted by the zany impossible crime antics. But i think BTTT is an instance where the emotional realism isnt taken far enough to distract me from the convoluted nature of the actual events that have just taken place. Rather than being so in touch with the characters during this case that i can tap into the Tragedy aspect of 'this didnt need to happen like it did' i just find myself frustrated by the fact that it didn't need to happen like it did. It kind of chafes the whole case for me and at the end I didn't feel any sort of cathartic victory regarding the events that had just transpired. but that was clearly the feeling they were going for

i did enjoy godots for the most part, but i think you'd need to make some serious overhauls to the storyline to have this specific case reach its full potential. it's a good case! but as the end to the entire trilogy i just can't help but resent the fact that it has the clumsiest writing out of any of the individual games' finales. and that everything i disliked about it is attributed to the actions godot took and the reactions other characters had to that.

[cheezeybread]

the most funny thing to me about post chapter 3 is that you already know Azul and the Tweels both pretty much tried to shift as much of the blame as they can to the other party to make themselves look better. Floyd pulling the woe is me card sounds dramatic and hilarious. Azul meanwhile tries to sell the idea that the twins are the master mind.

This is literally the basis of their entire friendship, in my opinion. Or at least it is in their time at NRC. I mean, they trust each other enough to push the blame on each other without having any hard feelings about it later.

It started out with the Tweels pushing the blame on one another as children- Jade would steal some money from their dad, and then Floyd would get blamed because the parents saw him as the main troublemaker (Jade was just more sneaky about it), and he would claim it was Jade's fault, but then Jade would start questioning where Floyd was at the time of the incident, and Floyd would defend his own alibi and would interrogate Jade. It turns into a court case every time with the parents playing the judge. They'd be so entertained by it and the cuteness of it all that they'd forget about any stolen money and would just ship the twins off to bed.

But then when Azul comes into the picture, they have an even better time with it! Because three people means you can blame two different people at once! And the trio learned that if they just kept pushing the blame onto one another (obviously when they grew up, the "court cases" ceased to be endearing and adorable), whoever the accusing party was (whether it was a teacher claiming Floyd copied off of Jade/Azul, or a student bringing up beef with one of them) would find it so annoying that they'd just say "forget it" and walk off.

Now....after book 3. There's a lot of blame to go around.

"JADE AND FLOYD TRIED TO DROWN US AND STOP US FROM GETTING THE PICTURE!" Jade and Floyd, obviously, push the blame onto Azul (who they make a point of calling "boss-man" to emphasize how he's deeeeefinitely the head honcho here). Azul claims he had no idea about it all and that the Eels acted of their own volition, that they were violent sociopaths with a long history of violence (hahaha Talking Llamas with Hats reference....haha-)

"AZUL YOU OVERBLOTTED WHEN LEONA DUSTED YOUR PAPERS, AND YOU HURT ME" Azul tried to innocently suggest that maybe one of the tweels had hurt you instead? Certainly he was too much of a gentleman to hurt a poor defenseless soul such as yourself, even if he was overblotting at the time. Jade points to Floyd, making a gesture that seems like he knew Floyd hurt you instead. Floyd just points right back at Azul, making some outlandish claim like "Azul legit tried to bite your leg what are you talking about??" Azul did not legit try to bite your leg, in fact. It all lies! ALL OF IT!

[demonicchicken1121]

Alastor, Rosie, and Cannibal Town: an Analysis (I’m fucking at it (Alastor Posting) again)

Ok I know that a lot of people have already been talking about this, but I really want to analyze Alastors behavior in cannibal town and how it’s so much different than how he behaves literally anywhere else.

Alastors true motives, personality, opinions, etc are widely debated in the fandom. Does he actually care about Charlie or the hotel? What’s his beef with Lucifer? Why did he make a deal and who was it with? Al is such a mysterious and closed off character, and his demeanor changes so frequently that no one in or out of universe really knows much about him. I personally think that the closest we get to seeing Alastor in his truest and most authentic self is when he’s in cannibal town.

From the moment they arrive, Alastors demeanor changes dramatically, even from a few moments before, when Charlie was venting about her relationship issues. He seems genuinely excited to be there and see Rosie, to the point where he seems to forget he brought Charlie here for a reason (hell I think he forgets Charlie is even there at a few points.)

Al and Rosie HAVE seen each other since he returned to hell, at the overlord meeting, but they didn’t really have the time to interact. Even so, they are so in tune with each other. This man was gone for seven years and here they are gaslight gatekeep girlbossing like nothing happened.

But once they actually have the opportunity to interact outside of the overlord meeting they’re super excited to catch up. The only other time he shows this much enthusiasm to see someone is with Mimzy, but things quickly goes south when she puts the hotel is danger. Alastors friendship with mimzy feels very onesided, and it seems that she only shows up when she needs something. While Alastor and Rosie clearly ask each other for favors, it feels a lot more equal in a way where they each get an equal amount of benefit.

And while we haven’t seen much of them yet, I get the vibe that they hang out in their free time and respect each others boundaries and schedules. I think Al went through cannibal town hoping to see her in the prequel comic, but figured she was busy after the extermination and instead asked some of the residents to say hello on his behalf. But that’s just a theory, a gam-

Also just a little thing I noticed, when rosie is joking about Charlie being too young for Alastor, Charlie looks visibly annoyed, but Alastors body language and expression don’t change. He tends to react relatively strongly when anyone (Angel) makes a move on him or assumes he’s dating anyone, but I think he knows Rosie well enough to know she’s joking.

Alastor lets his guard down so much in this part of the episode. He’s really in his element and his behavior seems so natural and genuine.

I love how he’s so willing to just roast Susan. Every iconic duo has that one person they fucking hate and will not be subtle about how much they fucking hate them. It’s especially funny with alastor, who’s usually really pretentious and passive aggressive when he insults someone, but with Susan it’s just

“✨Ornery old bitch?✨” also this is the only time in the entire series that alastor swears in a genuinely humorous way. In almost every other example, he is trying to intimidate someone or piss them off, and also when his staff was broken.

And speaking of his staff, I think it was actually a big deal that Alastor let Charlie use it, even tho it was for a very short time. This does show that whether or not he actually cares about her, Alastor does have a certain amount of trust and respect for Charlie. Despite that, I don’t think he would have done this if he wasn’t in cannibal town and with Rosie. The staff is clearly very important to him and likely holds some amount of his power, given how he reacted when it was broken.

As weird as this sentence is out of context, I think Alastor feels very safe in cannibal down. Rosie and probably the other cannibals genuinely like and respect him. it speaks volumes that not only he let Charlie use his staff, but he put himself in the position that would leave him vulnerable to Rosie if Charlie were to turn on him. While he knows it’s highly unlikely that would happen, I think it’s still worth noting that he intentionally left himself in such a vulnerable position in cannibal town and nowhere else.

Something else interesting I noticed, is that “ready for this” is one of the only songs that Alastor is interacting with another character, and isn’t competing for the spotlight. He is walking all over Vox in “stayed gone”, and getting walked all over by Lucifer in “Hells greatest dad”, but here, he’s very in tune with everyone else. He and Rosie are on equal footing and he feels secure enough to fade into the background a bit, harmonizing with the cannibals and letting Charlie take the lead.

So yeah, I feel like Cannibal town is alastors home in hell. His relationship with Rosie is probably the most positive relationship he has in the whole show. I think viv has mentioned that Alastor wasn’t a cannibal before he died, and I’m not sure if that’s still canon, but if it is, I can definitely see him becoming a cannibal when he became friends with Rosie. I can also see Rosie being one of his first friends in hell, maybe they even rose to power together. I’m clearly getting into some more speculative headcanons because I do what I want, but I’m putting them in their own section.

Now for headcanons with little to no substantial evidence ✨✨✨

I do actually really like the idea that they became friends very quickly and rose to power together. I like the idea that they were friends before Alastor became this super powerful force in hell. It also makes sense that he would trust someone who wanted to be his friend back when people weren’t constantly asking for favors or testing his power. Bc I do think that there was a short period of time between him arriving in hell and rising to power. (I have a lot of ideas about how he got his powers which probably will get its own post, but to brief, he wasn’t super powerful when he arrived in hell.) it makes sense that him and Rosie would have become friends in that period.

When he did start rising to power, I think Rosie would have guided him, given that he was a relatively new sinner. She would help him find overlords to target, possibly even letting him recruit cannibals to help him take them down. After he was finished broadcasting their screams, he would return their bodies to Rosie for her to sell. Maybe any cannibals who helped him would get discounts or first pickings.

This makes sense to me bc not only would it help explain why Alastor has never seen Rosie as a rival or a target, but also it would help explain why they’re so close. Nothing builds a friendship better than overthrowing incredible forces of power. Also they totally square dance on the weekends.

Viv please I need an episode that’s nothing but these two dicking around in cannibal town for twenty minutes.

[energon-depo]

WOOO HOO CHARACTER ANALYSIS TIME this is about how optimus sees smokescreen n jack :)

(btw this my first analysis) ANYWAYS LET'S GO

just a heads up this is a LONG LONG POST to get ready! also i HAVENT SEEN THE ENDING OF PRIME YET

okay remember when ratchet said "optimus wasn't always before he was a prime -he was more like jack" AND REMEMBER HOW HE GAVE HIM THE MARTIX KEY? yeah optimus's sees a lot of former self in jack. he CLEARLY DOES same with smokescreen! the first time we saw smokescreen we knew he was a strategist, and prime knew that aswell. when smokey told him he was under the guidance of prime's MENTOR? yeah optimus knew both of them were destined for great things. all they did needed was guidance and maturity. because BOTH did something stupid that was motivated by brashness, remember when Jack was beefing with a bully? he was being immature, BUT he apologized! he took fault for his actions! same with smokey, remember when he took jack(best bros) with him to a mission? yeah well he did and he was sorry! he even apologized to acree directly knowing he scared her the most with that stunt! he didn't even blame jack for going with(he could've, and jack would have gladly took the blame)BUT HE DIDNT! these two know when their wrong and will IMMEDIATELY backpedal if they hurt anyone of their family physically or emotionally! AND THIS IS WERE WE COME TO OPTIMUS! prime knows those two have their heart and spark in the right place, heck! smokey is literally destiny's child. prime REALLY REALLY REALLY sees his former self in these two. and he treated them as EQUALS to team prime not a human child, not a rookie soldier.(could also go for how he treats miko and raf aswell, he sees their potential. miko's high comparison for other's and raf's talent in tech) so when prime gave jack the "ground bridge key"(the matrix key thing), he was confident that jack will not only keep it safe but also figure out what to do with it when the time comes. if he'd given it to let's say acree she would've probably denied it, said ratchet is a better fit due to the fact she has knowledge about it's real purpose. the OTHER reason why he gave it to jack is because; he's a kid, a Human kid, he doesn't know it's real properties. his thoughts were "optimus gave me an important job to keep the ground bridge key safe, with me. I can't let him down" It's his first real solo task! heck he even said "shouldn't ratchet have this?" but prime assured him its his task to bare. as for smokescreen? prime was THIS CLOSE to giving him the matrix. when he was in the worst shape possible and losing hope, he's (nearly) dying words was bestowing smokey with the matrix. smokescreen kept refusing he CAN'T be a prime, if he was a prime that mean optimus is dead and he doesn't want optimus to die, he's his leader, his idol, his hero. he already went out of order with coming back, and he brought optimus the forge of solang(i think? i forgot it's name it the yellow hammer) he's train of thought was "get the hammer from the cons, give to prime, prime fixes himself and its all good!"when optimus told him "the hammer must be used to fix the omega locks -the life of one is not important as the lives of many"[paraphrasing]. smokescreen stuck with his gut, his original train of thought and his compassion for his (found)family. he went out of order again putting the hammer in prime's hand REFUSING that this is the end for Optimus prime. he was rewarded with ya know prime coming back and not dying and practically saving earth basically average day for the goat smokey. i would like to also mention when smokescreen was getting chewed out by acree, prime was trying to get her to stop(no hate towards the based queen acree btw she's awesome) and when smokey stormed off he let him leave, knowing he had some reflecting he needed to do. ALSO when jack backed down from team prime, he understood that, he was upset of course he gotten attached to those humans, but he respected his opinion and didn't force him at all.

Moral of the story prime is best dad, jack and smokey are bros4life and prime team is best family(cheers)

[obeymematches]

♡How to keep Satan obsessed♡

Yall been liking my posts from 2021 and it reminded me that i started doing this series-

● Okay the worst thing you can do is try to control him. Tell him what to do and how to do it and that's the last straw before he loses interest. Yes he is very independent and he loves his freedom. Telling him to "text/call when you get there" is also more negative than positive.

● Regarding independence, he also prefers you being your own person, not really depending on him. See you don't have to be a houseowner, you don't have to ask him for permission to spend time together, that's not what I mean, but if you center your life around him he is going to feel overwhelmed.

● He also has a hard time tolerating jealousy. Aren't you grown? Don't you trust him? Why do you have to make a fuss? You are supposed to know him better than this. He would never cheat on you even if his hands are forced to. He doesn't like anyone so if he likes you; you are supposed to feel special & not attack him with things that didn't even happen. Peak stupidity in his eyes.

● Pretending to listen to him but not actually paying attention; instead of that just tell him you don't care, something else is occupying your mind right now and he is being too much. That sounds rude but it is still better than him wasting his breath. He gladly comforts you if you are actually upset; or if you just genuinely don't care it's better that he knows.

● Keep your interactions with people he dislikes to the bare minimum. It might be better for his soul to heal and make peace in the long run - but you are not supposed to force him! You have nothing to do with his beef in any of the cases. Let him be his own man in his own pace. He might never forgive someone and that's also ok! Don't try to change him; but if he needs it be there to support him!

● With him you'll need good communication skills. Being passive aggressive turns him off quickly. Don't even think of the silent treatment. He'll just break up then and there. If you are upset with him/anything and need to be left alone to think for a while, just tell him exactly that! Good communication also includes telling him with your own words that you love and appreciate him! Makes him feel confident! Reassurance is always a good point!

● He definitely enjoys well-thought-of surprises. It could be a handmade gift, doesn't have to be anything extravagant. Just spoil him from time to time, it really does make him feel appreciated!

● idk how to put this but i think he doesn't like horoscopes and crystals as he is trying to be the most rational person to ever exist, so he doesn't like topics like these at all. Personality types are on thin ice also. It's not a total turn-off for him but if you base your entire life around these things he is not going to be interested for long.

● I think it is obvious but he likes his partner to have opinion on lots of things. Hold a proper conversation about intellectual stuff. You don't have to have ambitions or things to achieve in life but if you usually reply "i dunno about that", "never-ever heard of it", that's not gonna end well.

●Yes he is introverted but that doesn't mean he sits at home 24/7 - sometimes he loves going to places, doing and experiencing life, and if he constantly has to nag you to go on a date he is going to get bored fast. It's OK if sometimes you'd rather stay in, don't get me wrong, but literally never going anywhere/only going if he argues about it, is a red flag.

[ladyazurith]

You mentioned in one post that you think one problem with the game is that it twists itself into pretzels to fit the various different narratives, even when it doesn't make sense for the characters. Can you talk more about that? (Because I totally agree.)

Very much so! It's really bothersome. The first thing is in the individual chapters they tend to act like the students don't know each other well outside their own dorms, almost like they're practical strangers who have never interacted before. When everything else points to the opposite. Take Chapter 5 for example. They try to act like Ace and Deuce have no idea who Epel is, yet in Ace's CR story, he clearly meets Epel during their sorting. Never mind how they behave during events. And in chapter 2 when Cater is with Yuu and the others scoping out possible targets, it's presented like he doesn't know most of them well, when he clearly knows *everyone*.

Then from there, it's how the characters act in their individual chapters. Chapter 1 is mostly okay in this regard. Events with Riddle happen quickly enough that him having a major change of heart and acting "normal" in material from then on isn't too jarring.

But moving on from there it's a trainwreck. The chapter's overblot victims/ antagonists can get a little bit of a pass, but even then it stretches things.

Like Ruggie for instance, he is very shrewd and isn't above taking advantage of a situation. But he's not evil, he very clearly cares a lot about his home, his grandmother, and the other kids who live in the area with him. The idea that the character we see in every other situation would cause serious harm to someone else over a game is kind of ludicrous. He could have very easily risked expulsion if things had gone too far, and then he wouldn't be in a position to help *anyone*. Leona is even kind of iffy to me. While Leona tends to go out of his way to appear uncaring/unmotivated/lazy, he's actually an incredibly good dorm leader who cares about his students. Most of his real issues are internal, and harming innocent people who aren't even part of his beef with Malleus just seems out of character to me. Never mind what he does to Ruggie. Some of it can be explained by the build up of blot but not all of it.

And then Chapter 3, Azul, Jade, and Floyd. For the most part, I can see the tweels going along with everything because they both thrive on chaos. But Azul's plan is just...stupid coming from someone who's a professional businessman. First off he has no shortage of workers for the lounge. Ruggie frequently takes shifts there, and Cater while not a waiter also does a lot of work with them. But the whole sea anemone thing was just gross. And apparently, there was nothing in the contract about not disparaging their employer. It might have caused a spike in business at first just because people want to see what's going on for themselves, but overall, he'd ultimately hurt his business and drive customers *away*. Never mind the whole bullying backstory comes out of NOWHERE. Like I do have sympathy for Azul and what he went through and he is one of my favorite characters, but Ch 3 suffered from poor writing in my opinion. Narratively the whole thing was a mess.

Chapter 4 is handled better in my opinion. For the most part, I have the least amount of complaints about what goes on here. My biggest one though is what I mentioned before, Characters tend to exist in a bubble during their chapter events. You can not tell me that Cater nor Lilia wouldn't have tried to figure out what the hell was going on with Kalim. Or Silver for that matter. Never mind how Kalim had the authority to keep his entire dorm at school over a holiday when it's shut down?!!? I get his family is rich and powerful but, that still seems like a stretch idk.

Jamil I think was a least handled well otherwise, his actions and motivations seemed consistent with his character. In the end, he didn't really want to harm anyone, he just wanted his freedom and was desperate. The only real question is what did he think was going to happen next? Even if Kalim got kicked out of NRC then he would have only had about a year and a half of 'freedom' it wouldn't have solved any of his problems. And if Kalim had turned up dead, there would have still been severe repercussions for him and his family. IDK for someone who is supposed to be good at planning and scheming there definitely were parts that weren't well thought-out.

Chapter 5 and Rook is where this conversation started I think but I'll touch on it again. His actions at the end of chapter 5 are COMPLETELY out of character for what we know about him otherwise. Hiding his obsession with Neige from Vil, and then revealing it IN FRONT OF him while he's still licking his wounds from his overblot is just...if this was the only context we had for Rook, no one would be calling them friends. He had no real reason to reveal he was the one that cost them the competition.

The reception to this was so bad that's why we have the start of chapter 6 where Vil gives his speech about professionalism and why he's okay with Rook and what he did. I don't believe the narrative that Vil wasn't hurt at all, not with how he's shown to be so insecure especially where Neige is concerned. Sure I might buy the part about Rook voting for NRC not hurting him, but not the rest of it.

Never mind otherwise Rook isn't cruel. Especially not to Vil, and his actions were just that.

This is also biased, but the fact that Cater was cut from the team, and the reasons why rub me the wrong way. I know that they just wanted Jamil and Kalim because they were the previous chapter's focal point and Ace and Deuce because they're tied to pretty much everything because of Yuu and the story. But Vil keeps talking about being a professional, admitted straight up that Cater's audition was *perfect* but brushed him off and passed him over anyway. (Also Ironic because Cater's VA actually is a musician/singer/ensemble group member and not a traditional VA) but that's off course of the question lol

Also, I will never not be salty that RSA won with their song/performance. All for the narrative. And THEN they gave us a shot at seeing some kind of revenge or at least a win over them after the VDC with Epel's hometown event and yet again WE STILL LOST. I don't understand that one either. It's just frustrating for the players to be put in that situation again needlessly. There was no real narrative/story reason we had to lose.

Chapter 6 we finally get away from the narrative that the characters can't know who each other are in the main story at least -_-;. overall I don't have too many issues with Chapter 6. (other than the mini games -_-) Idia's character is kept consistent. We get some fun moments from the cast, and for the most part its in line with what we know of them and their characters. Azul and Riddle are gold, Jamil needed to hear what Leona told them. (tho it was a little pot kettle but then again that meant that Leona knew what he was talking about). And over all things don't seem AS forced. Had hoped things were gonna get better.

Then Chapter 7 rolled around and they murdered Lilia's character. The character we knew would NEVER treat his family like that. He even gives Malleus a speech in Cater's Halloween SSR about how he'll always be there when he needs him. He's consistently been shown to value his family and connections. It was just such a drastic change I am still baffled. I understand why he would be leaving, but to not really talk to those around him or explain what's going on and make an effort to keep in touch and stay in their lives? It's absurd. Of course Silver and Malleus broke down, if in high school my dad basically told me he was dying and that he was going far away and I'd never see him again, I'd have lost it too, and I'm not nearly as close to my dad as they were to Lilia.

I know they needed something to trigger Malleus's overblot but again this just seems like poor writing to me. The idea of Lilia loosing his powers and possibly dying I think would have been enough if they'd framed it right to push Malleus over the edge. That's difficult /emotional enough and they wouldn't have had to completely destroy Lilia's characterization to make it work. They could have even had the scene with Silver and Malleus when SIlver breaks down crying in front of him after trying to stay strong in front of Lilia so as not to worry him.

I'm trying to reserve too much judgment until we see the entirety of chapter 7 but unless there is some unknown reason for Lilia to have chosen this method of leaving, I don't know how to really justify it.

I get sometimes characters have to make difficult choices it is what helps make a story interesting, but if those choices arise from conflict that's not framed well or meaningful, it loses its potency. It comes across like us as the players and the characters themselves being cheated.

[mysterycitrus]

You’ve talked about how fandom treats jtodd & dick, so what are your thoughts on how fandom treats dick & tim?

There’s this post that’s asking about people’s batfamily hot takes, and I was scrolling through the reblogs bc I love drama. One of the “hot takes” was calling dick a bad brother bc of the bruce lost in time comic era. Specifically saying that fandom excuses dick’s shitty behavior towards Tim bc his dad (Bruce) died and because of the stress of taking care of the city by himself. While Tim was hurting because of the deaths of Kon, Bart, Jack, Steph, and Donna (idk why they included Donna as Tim’s grief and not Dick’s??) and therefore Tim’s & Dick’s hurt and stress aren’t the same. According to this person, Tim was going through it and Dick was making it worse.

Now, I’m not going to claim I know how everything went down since I haven’t read those comics yet, but this feels like a gross misunderstanding of the arc.

From what I’ve seen, fandom tends to invalidate and villainize Dick during this time in favor of Tim. Dick is not being excused, in fact he’s being blamed for things that are either not his fault or just made up in order to whump Tim. Idk that “hot take” just rubbed me the wrong way because of how one-sided it was, and I guess it made me wonder about your thoughts about Dick & Tim since I tend to agree with your opinions lmao

fundamentally the issue is this — dick grayson existing and being a good person is an obstacle for fanon angst. dick grayson being a good brother means that jtodd can’t just slot into his pre-existing relationships with tim and cass and damian. dick grayson being a good friends means that he’s close with the titans and the league because he’s competent and trusted. dick grayson being kind means that he didn’t abandon tim, he was literally trying to keep everything together after bruce’s death.

not to try and make it a grief olympics but as much as people talk about everyone tim has lost (and i think they must have been talking about dana winters in that post?) people seem to forget that dick’s city just got nuked + the fallout of nightwing 93 + donna dying + jade dying + the titans falling apart + he was just locked in arkham himself. like… his dad has just died, he’s had to fight off his brother who’d just tried to kill both tim and damian and been given custody over a kid who doesn’t trust him

red robin 2009 has done irreversible harm to tim drakes character. people using that as the starting point for reading about him is bad. it’s a comic about a grief spiral, and it isn’t an amazing depiction of him either. but even then, people just seem to love straight up fabricating what’s in it.

dick tells tim that therapy might be a good idea. tim tells dick that he’s leaving because he trusts dick to let him do what he needs to do. even at his lowest point, dick is who he trusts most. those takes that’re like “tim drake was at his lowest point and then jtodd sees him and realises that he’s cool actually and they bond #jasontoddisagoodbrother #dickgraysonisabadbrother etc” because they like to posit that dick threatened to throw tim in arkham are so silly

that’s even ignoring how people just straight up lie about damian’s actions and how weird everyone is about ra’s al ghul. no, tim isn’t the only one he refers to as detective aside from bruce. no, tim isn’t one step away from being a mass murderer. no, damian didn’t try to kill tim— he was reacting to tim being suspicious of him. tim was beefing with a ten year old. why are u being so mean to the ten year old? (We Know Why)

ur right — it is extremely one-sided. im not one to pretend that canon is flawless by any means, but acting as though fanon is better just because someone online came up with it is also stupid. there are many many racist undertones with how jtodd and tim are interpreted, both separately and with each other. a lot of it is yaoi baiting dynamics, that a lot of fans don’t seem to want to admit. i won’t comment on how white people writing jtodd as latino and tim as asian can be Bad but like…. it’s all tied up together. people want these two characters to have suffered the most, because that justifies everything fans want them to do. they want them to be wronged. they want their idea of justice in their name

[magpod-confessions]

Hi, no worries about my og ask being deleted, because I’m a weird little freak that writes drafts for my asks in my notes app. So here’s it again:

This is a completely personal opinion, and I’m not faulting anyone for having this headcanon, but I absolutely hate Asian Melanie headcanons, specifically Chinese Melanie.

The reason why is because I am Chinese, and I hate the idea of sharing anything in common with her.

But also, I don’t really like any PoC headcanon for Melanie. I’m not black so I can’t really say how bad it would be, but to me, headcanoning one of the most physically aggressive characters in the show as black is… not great.

And I understand that there are a lot of PoC that relate to Melanie, or see her anger as righteous fury that so many minorities feel.

But to me, she is 1,000% white, mostly because her anger sounds so entitled to me, she’s like “I fought tooth and nail for everything in my life” and it’s… a YouTube channel. Not “I worked so many jobs trying to climb the ladder but everyone looked down at me.” (Which Sasha did have) or “anywhere I go, people look at me with scorn.”

All her anger and the only thing we see that she’s angry about is that she became a meme.(an oversimplification, I know) And maybe she did have to work a lot of jobs until she got to where she is, but we never really hear about it, so it’s a moot point.

I am of the opinion, that all the characters that don’t have a canon race, are written as white, because Jonny Sims is white and he wasn’t trying to write a story about race. But for a lot of them, making the a PoC doesn’t really change their story, but I’ve seen people think otherwise.

The one I’ve seen most is saying that if Jon is brown, it changes his story because of the way Jonah was manipulating him and that he is a victim of police brutality, but I don’t really think that would really affect his story, because Jon isn’t a character that, to me, takes his race in to account for how others treat him. However, Melanie definitely is, if she were anything other than white, she would be loudly declaring the racism that she is met with all the time, as is, she only talks about her experience with sexism.

And I know I’m digressing, but it annoys me to no end when people are like “Jon has to be white, because if he were a PoC he would have been suspicious of Elias, and wouldn’t have been so shocked that he was the murder suspect. And if you think that he could be brown, you’re stupid and racist” And then they’ll turn around and say that one of the other ambiguously raced characters is a PoC.

Like, you’re going to say Jon has to be white because he he didn’t think he was a murder suspect, but turn around and say Martin “you’re the police” Blackwood isn’t one of the whitest characters in the show.

Race doesn’t really make a difference for any of the characters, but some do have more hints of being stereotypically white than others, and Melanie is definitely one of them to me.

Sorry, this got long. And once again, to be clear, I don’t really mind people headcanoning any character as any race, if I see something I don’t like , I just try to scroll past, and I never say anything on the post. I just needed to vent about the general situation of race in TMA, and put my two cents in. (Melanie was just a good starting point for it, and the one I personally have beef with) (also, sorry if it’s confusing, it’s pretty much just all stream of consciousness)

Anyways you can all tell me how wrong and racist I am if you want. 🗣️

Ask that ties to this

Yeaa I definitely see what youre saying. Personally I dont think much abt characters races, bc yea. The majority of it is rly ambiguous but I definitely see what youre saying - rosette

[joyce-stick]

The Beef Stroganoff Song! (arbitrary subtitle discourse edition)

So, you may have noticed here that the subtitles in this clip (from Symphogear GX episode 3) are fairly different from what you're used to seeing when people post this video, and the phrasing in the subtitles is fairly different from what the associated memes often say

For those who don't know, Symphogear got itself released on blu-ray by Discotek, and with that came with a new translation authored by Noelle (@ulsairi on twitter ) who is notable for being the only trans lesbian anime translator I know of off the top of my head.

Her translation appears, in my opinion, really rather polished and very good, and I strongly appreciate the way it's written and how much character it adds to the dialogue by giving everyone distinct voices and adapting things into more natural English. It's also a fair bit gayer. I haven't encountered many people who've seen these subs, but I think most fans of the series would consider these a net positive change. There are some people who are mad about these subtitles, and they can die mad.

Anyway, let's talk about the different phrasing of the beef stroganoff song. I'm mostly going to compare to Crunchyroll's subtitles for reference since that seems to be what most others go off of. Here's a link to that version.

So right off the bat we can see here that while CR's translation appears to be a lot more, for lack of a better word, functional, Noelle's translation tries to apply more dialectal force "it's beef stroganoff/Yes! It's THAT beef stroganoff!" And generally communicate through the tone how excited the girls are to get started. Additionally you'll see throughout that the latter is a fair bit more lyrical, there's a lot more punctuation and verbal tics and filler phrases written into the dialogue to express that they are singing, which makes sense since Japanese tends to omit a lot of the sorts of prepositions that Noelle threw in here,

Like, Yumi (yes I went and looked up her name on the wiki) just says "beef stroganoffu" because it's obvious from context that it is beef stroganoff, she doesn't need to spell it out, at least, not in Japanese

(We know like maybe ten hiragana and 1 kanji do not trust us on Japanese this is all just basic shit we learned from online guides)

So this probably leads to a rushed translator from Crunchyroll (they are notoriously crunched for time) who's just trying to Get It Done probably not really bothering to throw in extra additional connecting letters to express the tone of the character, only doing so when it's required to make basic grammatical sense in the target language. So they likely didn't think to make the subtitles have flourishes like this that aren't explicitly in the original Japanese. Noelle meanwhile had the time to consider things like this and take such liberties in order to attempt to convey the same tone that was arguably implied by the Japanese, even if not explicitly put forth

And that's about all the things I should not repeat I guess, TL;DR, these subtitles are more fun to read because the translator had more time to think about the best way to make them more fun while still being accurate to the spirit of the original dialogue, who'd have thought!

(In case you're wondering, the Commie subtitles say kind of the same thing here, and y'know, it doesn't seem like a wrong translation, but also I really dislike this subtitle styling, orange on pink with that font and that drop shadow is just kinda bad. I appreciate the effort but like. Come on. Please fansubbers, please think about if the font and colors you chose actually work with the image you're putting them on)

Moving on!

horizontal and middle rhyme with each other so you can almost actually sing this, actually let me take a moment to try it right now- never mind, I can't sing. Hahaha. I don't actually think it lines up that well with the melody But I thought it did! Didn't I? That's significant, that this actually reads like plausible lyrics to a silly song someone made up instead of a literal translation of a Japanese song

Anyway, here comes the first major difference!

So in the Crunchyroll subtitles, Yumi says "it doesn't have to be beef" which in English (in my estimation) sounds a tad scatterbrained, like, "oh yeah sure beef but whatever really it doesn't actually matter," while Noelle's subtitles rather say "Got no beef? Don't you worry!" Which implies something different.

"It is recommended to use beef, but you may substitute something else if you are sorely lacking in beef" as opposed to "Oh the beef doesn't actually matter, zoinks lol!" CR's translation is kind of a bit funnier in how it sorta comes from nowhere without this qualification, which probably lead to this phrase's memeticness, but Noelle's translation seems more reasonable to me so yeah again, tada, yay for sensicalness.

Now here's another interesting change:

Again, the flat manner in which the CR subtitles say "finish with salt" with rendezvous only being included because that's literally what they said, is sort of absent any stronger emotional implication,

Noelle's translation meanwhile going with "don't forget them, they need it" imparts personhood upon the salt and pepper. The implication being that the girls are saying, "the salt and pepper are in love, please reunite them, they must be in gay love together." Or maybe you think the salt and pepper cannot be forgotten and must be reunited because they are Only Friends.

Whether you choose to believe that this is the salt and pepper getting married, or merely subtext, or an interpretation, or salt and pepper shipping bait, this is a deeply important tonal indicator because it reminds you that these girls are ultimately playing with their food!

"And there, now you're in for a treat!" I don't think I need to explain this one.

Now, here's an interesting one!

In the Crunchyroll subtitles, it just says the memetic "boys don't know this." With no context, no elaboration, no clarity, no qualifiers. Boys don't know. Did the boys magically get their brains wiped? Are the boys biologically incapable? Who knows. Nothing is said but that.

Noelle's subtitles, on the other hand, qualify this statement by saying "Boys aren't taught to cook, so they may not know" (And note again how, it says "kno-ow" to emphasize, once more, that they're singing, and also this lines up with the long "ooooo" sound they make at the end of this lyric, so cool)

There is now context! Boys aren't taught to cook! Anime and Japan's culture in general still pigeonholes people into gender roles! And an anime translator just wrote you a hidden translation note about it! You might be a boy, you might know how to cook, but certain boys in another part of the world aren't traditionally taught cooking, so they may not know

They may not, but they could!

Trust a trans person to express gender facts with subtle nuances like this in anime translations.

And with that lovely bit of good translation and good writing and good localization of a thing to make it make sense to people

Mew!

[olderthannetfic]

I don't even think this is the type of thing you would normally get Asks about, but at this point I genuinely can't think of anyone better to come to and ask for their opinion.

I don't know if any of your followers have seen this situation as it's been occurring, but this massively popular mobile game that's been blowing up recently (called Love and Deep Space) has incurred a lot of drama and discourse as of a few days ago.

So LADS is an otome game, with a visibly femme/female protagonist who romances the male love interests. And a few days ago, the dev team behind LADS introduced this rule to all of their official groups and servers like Facebook and Discord: "Absolutely no BL materials are allowed to be posted or discussed in official spaces"

So, naturally, quite a few people are upset about what is basically a "no gays allowed" rule being forced onto the fandom. Because the "no BL" rules includes the posting of ANY queer content with "official" #LADS tags. Which for platforms like Twitter is absolutely unreasonable. They're stating that fanart of M/M ships can't be posted with any tags for the source material? It's ridiculous.

There's been people trying to defend it, saying things like "oh it's because of CN censorship laws" despite the fact that LADS isn't a CN game and the company isn't a CN company. Or "they only banned queer stuff in their official Discord and official Facebook group and for the official LADS tags on socmed!" even though that is still censorship and erasure of queer content (and somehow the fact that it's officially sanctioned makes it okay?)

But the worst part is the fact that there’s been an EXPLOSION of aggressive homophobia within the fanbase. It's as if all the cishet women who play the game were just waiting for their chance to go mask off, because the second those "no BL" rules were put in place the rampant harrassment and bullying started. People are getting attacked for M/M ship fanart, people are getting attacked for having male self-inserts or male MC or OC designs, and several artists have already been harrassed into deleting all of their artwork and leaving the fandom.

There's now a LOUD number of fans screeching that otome games "are only for girls" and that anyone even slightly queer or masc-leaning "doesn't belong in otome fandoms" and "needs to go play something else"

I've seen baseless accusations that "men want to force us to play as a gay male MC!" and "gay men are demanding that LADS turn the female MC male!" when absolutely no one anywhere has ever said anything close to that.

I have tried telling these fans that queer people, including queer men, have ALWAYS played otome games, that gay men and queer people have ALWAYS been a part of the otome community from the very beginning, but anyone who deviates even slightly from the new majority of "no gay shit allowed, otome is for straight women only and everyone else kys" gets immediately shouted down and harrassed/attacked. I know a lot of people have deleted the game and have stopped playing because of both the official "no gays" rule and also the extremely toxic and homophobic fanbase.

I was wondering if you knew about any resources (blogs, articles, anything) talking about the history of queer people playing otome/dating sim games, or even if you happen to know anything anecdotal about it yourself. Because we've ALWAYS been here, otome games have never been JUST for cishet women. I'm also just wondering what your/your followers' thoughts are about this whole mess in general.

--

Oof. I don't play many games of that sort, so I don't know a ton about their history, but there has often been pointless beef between the more self inserty types and the more m/m shipping types.

I don't think you need evidence that people besides cishet women consume media X. It should be self-evident from being a human who lives in the world. These people are denying it because they don't want it to be true, not because they do or don't have evidence.

"LOL, you're a homophobe in 2024? Criiiinge!" is the only appropriate type of response to these idiots. Facts won't help.

[atopfourthwall]

Tbh you lament what people say about you and bemoan "harrassment and bullying". Yet you told RLM to "eat a bag of dicks" unprompted. You said Oneyplays "Are assholes, fuck them!". You'll constantly lecture your own fans, angrily yelling at them for asking when new Power Rangers are out, or for giving you simple, solid advice like below. You say youve calmed down in reviews yet still yell at the comic creators over minor stuff. The comments you complain about getting seem tame in comparison.

Okay, first of all I did not tell RLM to "eat a big of dicks" unprompted. What I said was "Eat a dick, jackass" while talking about the Plinkett Reviews in regards to how parts of them have not aged well, in particular the line that I felt was a bit racist - "Black people don't like Star Wars" (to be clear - I don't think anyone at RLM is racist [AFAIK]. The remark itself feels like it is, though, but that's also emblematic of edgier, wince-inducing internet humor from the time - we're all guilty of awful jokes like this to some degree, myself included). Now I ended up removing this line from the Star Wars Prequel reviews compilation because I realized it was needlessly inflammatory towards them and some perceived it as me attempting to star a beef with them… when of course I don't want to start a beef with ANYONE, much less someone much, MUCH more popular than me.

And no, I did not say Oneyplays "Are assholes, fuck them" (unless I said this on Twitter a long while ago). I'm assuming this is in reference to a part of the Fallout: New Vegas streams. Someone in the superchats asked a question relating to them and my other guests didn't know who they are. I proceeded to spend all of 40 seconds calmly explaining (though admittedly with a bit of light irritation) "They're other streamers, one of whom apparently does a GREAT impression of me. They're also responsible for popularizing calling me Lightbringer, soooo… screw 'em." That was it. But apparently "screw 'em" was TOO MUCH for a lot of people, because I got flooded with hate from that - videos made about how I was "TRIGGERED!" and "HAD A MELTDOWN!" Because that was one of the first public times I ever talked about how I wasn't okay with the nickname. We'll circle back around to this in a minute.

"You'll constantly lecture your own fans, angrily yelling at them for asking when new Power Rangers are out-" Aaand right there you prove that you don't actually watch my stuff. You're just repeating the same garbage from people who ALSO don't watch my stuff, but assume I have not changed at all, that I am the same person forever whose opinions don't change, whose attitude doesn't change, never gets better, etc.

Because I haven't been angry at people asking when the next History of Power Rangers is out in ALMOST TEN YEARS.

And the reason I know that number in particular is because I started my Patreon in 2014. The question annoyed me so much because I didn't have an answer for them and it seemed like they didn't care about anything else I did. But then I started my Patreon and one of the Milestone goals was actual release dates for HOPR. And thus since then I've been able to answer when new ones are coming out.

You want to know how NOT angry I am about the question I am now? I put it on t-shirts.

You can buy them at https://atop-the-fourth-wall.creator-spring.com/listing/when-is-hopr?product=2 and https://atop-the-fourth-wall.creator-spring.com/listing/when-is-hopr-03?product=2 (I was going to post pictures of them but Tumblr keeps breaking when I try). There's a third one, but I don't think I put that one back up because it was intended for Shark Robot where colors are limited and it didn't do very well.

But this is a thing that's brought up by people who hate me - my irritation at the question as if it was still something that bothered me because, again, they cannot conceive that maybe I've changed. No, I am cringe forever and there is nothing I can say or do that will satisfy them.

But no, I "lecture people constantly" evidently. People say I'm obsessed about this topic, about the bullying, that I just talk about it soooo much and I can't move on from it and it haunts my every waking moment and that such "simple, solid advice" like "Be okay with being bullied" is met with unreasonable hostility and my mind fixated on it constantly.

Unless of course you actually look at what I post, what I reblog, what I tweet about and then you discover "Oh, he actually only talks about it when people bring it up to him. He only made that thread because he said the harassment is starting to rise up again and that was days and days ago and hasn't said anything about it since. In fact, on this very Tumblr he's only bringing it up again because somebody ELSE is bringing it up, allowing him a chance to further break down why asshole behavior is still asshole behavior.

So let's bring this back to the "screw 'em" thing. You'll notice that in none of these longer rambling statements I've made have I brought them up. Sure, in that 40 seconds during the stream I did… but that was in the middle of the first wave of it where it really WAS affecting me psychologically hard… and I have not talked about them on stream since then. I don't talk about them in these threads. I don't tell my fans to harass them. I don't make up some nickname for them or mock them or do anything other than maybe some frustration at them during the thread a few years ago (and I am explicitly telling my fans not do so - if you want to be an asshole to them, you can fuck off from my fans). Because I don't WANT to talk about them. They can do whatever the hell they want on their streams. They can call me Lightbringer there, make weird memes about me. It's THEIR space to do with as they please.

The problem is entirely that their fans come to MY space to be assholes. To repeat those memes, to bully me and call me the name. Some do it innocently, thinking I'm okay with it (which, again - is who that thread was directed towards)… but there are others who are being assholes about it. And I'm going to call them assholes about it and block them. And I'm still not going to talk about Oney because I don't want to - they're not the ones who are spamming Lightbringer in my chat or comments or trying to find some way of sneaking it into the comments past my comment filters to try to get a gotcha on me. Hell, I've gotten some people who have said they discovered me and love my stuff now BECAUSE Oney talked about me.

And I'd really like to know which recent review you saw where I was specifically attacking creators in the manner you seem to think I did. Because being angry at a plot point or a narrative decision is not the same thing as attacking a creator. I'll freely tell you about the ones I HAVE specifically called out for shittiness - the racist, the homophobic, the sexual harassers, the transphobic, the one that spread misinformation, or just the greedy assholes. But just looking at the list of the last 50+ episodes I've done that maybe… once or twice? And even despite ALL those horrible things, I STILL tell my fans to leave them alone - to not start fights with them, to not send my videos to them, etc. Because I don't want my fans to be bullies, either.

I will end this with one final thing: "The comments you complain about getting seem tame in comparison." Yeah, well, that's because you're you and I'm me. Something that seems innocuous to one person may be deeply triggering for someone else. Something that seems like an innocent joke might actually be really fucking with someone mentally, as it was for me. And that's why I've tried to tell people "Hey, please don't do that." Maybe I do it aggressively. But sometimes that's the only way people will listen. If people are still doing it even after I've expressed how much it harms me - telling me that I should just "get over it" or "let them do it and respond with a laugh" even though I keep saying it DOES affect me, then those people are assholes and I don't see why I should give them the time of day.

Hopefully this lengthy response (I really am a windbag) helps people understand or it clears up some bullshit. And if it's still not good enough for you, then nothing less than complete capitulation to being called Lightbringer is the only thing that will satisfy you… well, fuck off.

[takerfoxx]

Okay.

I don't often gush about movies on this blog. Hell, I don't often go to the movies anymore. I just don't have the attention span for it. And I honestly was going to give this one a miss until someone who's opinion I trust was adamant that I needed to see this film right now on the biggest screen possible while I still had the chance. So, FOMO out won over, and I went to go see Godzilla Minus One in Imax.

...

Look, I've been a Godzilla fan practically all my life. My family used to rent those old english dubs of the films on VHS from Blockbuster in the early nineties. I grew up with these monsters. But I have to admit, I've never seen the original, nor have I seen Shin Godzilla. To me, Godzilla is about one thing and one thing only.

Fuck.

Yeah.

Gimme the big monsters just going HAM on each other. Rubber suits, CGI, I don't care! I want the big boys with beef to beef with a large side of cheese!

I guess that's why Godzilla 2014 ultimately left me feeling kind of cold while I absolutely loved KOTM despite how stupid a lot of it was. I just want my big monsters absolutely wrecking shit.

This was different. I knew it was going to be different. A remake of the original Godzilla, this time from the viewpoint of the common citizens still trying to get their lives together after WW2? I knew I was in for some heavy drama.

What I didn't expect was one of the most amazing theater experience I have ever had.

And I'm not just saying that because the movie is good, even though it is.

I'm not just saying that because the movie is great, even though it is.

I'm not just saying that because it's a goddamn masterpiece, even though it is.

I'm saying that because it's about as close to perfect of a film as you can get, and not just of a Godzilla movie, but just as a movie!

Like, it's a running joke that you can cut the human characters out of any Godzilla movie. Here, you could cut Godzilla out and still have a great movie. That's how good the human side of things was.

Like, you really grow attached to these people who have literally lost everything. You grow invested in their struggles, in their relationships, in their baggage, in their love for one another. You come to care about them and are genuinely happy as they eke out a new life after having their homes literally blown to bits. You just want to see them succeed and be happy together.

And that's when Godzilla shows up.

This movie is called Godzilla Minus One in reference to how post-war Japan was basically a Zero Society, left devastated by the conflict. And these people who literally were left with nothing suddenly find even that ripped away as an enormous monster just starts rampaging through the recovering cities.

And this time, Godzilla isn't an avenging hero. He's not a destructive anti-hero. He's not a fun mascot. He's not even a poor, suffering monster unaware of the destruction that he's wreaking. This Godzilla is goddamn menace, an outright monster that is absolutely terrifying. He wants to crush, kill, and destroy. This is Godzilla at his most actively malicious, and all you can do is gape up in horror with these people that you've come to care so much about, wondering how in the hell are they supposed to deal with this!

I won't give away how the day is eventually saved, only to say that it is a masterclass of character-driven suspense and emotion. You honestly come to root for the humans for once. You want to see them succeed, and are genuinely in fear for their lives. No exaggeration, I had my heart in my throat and tears in my eyes all throughout the climax. I don't cry during movies, and this movie made me sob like a baby. It was that good.

And it also had so much to say! Not only about Japan's collective trauma following the nuclear bombs or the other bombing raids like the original, but also about how the Japanese government dehumanized its own people during the war, treating them as expendable resources to fuel the war machine. The main character is a freaking kamikaze pilot who lost his nerve and abandoned his mission, and that plus another act of what he saw as cowardice haunts him throughout the movie, and while it realistically shows how such a person would be treated like a pariah by his former friends and neighbors, it is nothing but sympathetic toward him. He blames himself constantly, but the narrative never seems to.

And there's just this wonderful moment near the end, when it's clear that the government isn't coming to the rescue, so it's up to the common man to band together and find a solution, when a few men leave the mission for fear of their lives and that of their families, and are not condemned for it. And the scientist spearheading the whole thing gives this lovely little speech about how carelessly life has been treated during the war, from the kamikazes to the poorly maintained supply chains to how the common folk were left to fend for themselves, and he hopes to just once be able to secure a win that doesn't sacrifice any more lives. Wow.

I know it's probably too late for anyone else to see it, because I'm pretty sure it's theatrical run ends today. I just wanted to get this review off my chest, because wow, this was the best movie I've seen all year. What a goddamn masterpiece.

[subzeroparade]

*chant* New fic! New fic! New fic!

So excited you’ve posted a new ER fic, and with a teaser for more to come! 🎉🎉🎉

Since it’s been awhile, maybe I poke your brain on what your thoughts on the DLC are (game play, lord, sceneries, anything you’d like to share with us really)? Has it changed your headcanon on any of the characters, or did you find ways to incorporate the new lores into your interpretations? Most importantly, did you have fun?

*tagged for spoilers but just in case - spoilers •‿•*

Did I enjoy it? YES. Did I have qualms with some gameplay bits? YES but I’m a filthy casual on NG+2 or something and generally Not Good at Game. But I beat it. 

As for lore, it’s really a mixed bag. There’s a ton of stuff I’m delighted to have new or expanded lore for - Marika’s origins, Belurat and the entirety of Hornsent culture, Godwyn’s Death Knights, BAYLE???? VILE BAYLE!!!! etc etc (sometimes I listen to Igon’s voice lines just to psych myself up for real life). There are things I need to adjust my headcanon for a little, as well - St Trina, for example, has always been a facet of Miquella himself to me, a sort of alter ego he willingly takes on, which is how I enjoyed writing her in fic. To have her elaborated here as a separate person means taking that a little further if I write him/her/them again, but I think the parallel it draws between Marika/Radagon is hugely interesting as well.  

iirc there are a couple of instances in the base game where lore almost contradicts itself, but I think in some cases the DLC got a little sloppy. The timeline is also way foggier to me now than it was previously. I was a big fan of the idea that Messmer was entirely unknown to his siblings, written out of history after the Crusade (predating Marika ushering in the Golden Age of the Erdtree), but that contradicts the lore we get on Gaius and Radahn as they’re both personally acquainted with Messmer, and makes me wonder which of the other demigods might’ve been aware of him, and under what pretences might they have met. It makes for a lot of fic ideation, but I’m of the opinion that if you’re writing fic, sticking too closely to (the sometimes unhelpful) lore will stultify the work; so I’m trying to pluck little instances of new lore that interest me to bolster the story I want to tell.  

Like most of the fandom I have a huge beef with Promised Consort Radahn, and I’m still struggling with how to work that into my headcanon. To me, there is simply no reason for it. There are no indications of it in the base game, and you have to tie yourself into continuity knots for it to make any sense - and that’s just bad writing. I’m not against retconning things if they serve a purpose, but this was neither useful nor necessary (nor well done), and that’s fundamentally disappointing for a Fromsoft game. The more people aggressively try and justify it, the more I feel like the potential explanations unravel. If we’re going along with the assumption that Miquella *needs* a lord to ascend, we’ve had Candidate #1 since the base game: Godwyn. Half of what we know about base-game Miquella is that he spent time and resources trying to grant Godwyn some form of peace, while his hideous fate hangs over the narrative in perpetuity. And we give Radahn closure literally in the first act of the game. I’m a firm believer in Miquella knowing 100% what he’s about, but in this singular instance blinded by love for Godwyn and an all-consuming desire to *fix this* by resurrecting some nightmarish, malformed version of him. There’s so much juicy story to be told in Miquella refusing to acknowledge the thing he brought back is not his brother, and for all that godhood and remaking the world into utter passivity can do, it can’t retrieve Godwyn’s irretrievable soul. All that to say, I’d even take Malenia as his promised consort - it would made more sense than Radahn, too.

Anyway tldr I don’t have to think about how disappointing that is now, because the fic I’m working on is around Marika’s ascension, and more specifically Messmer and Melina’s upbringing. There’s another on the backburner but I’m on the fence about it since it hasn’t reached an outline stage yet, and I don’t start anything unless I am 100% sure I know how to finish it, and finish it well ¯\_(ツ)_/¯ Ty for the ask! As is the case with me, the rest of my musings on the lore come through in fic writing, because those are the texts dumps I’m good at. Here’s a little (young) Melina and Messmer wip as thanks. 

[orviposition]

How jdj is the side story. I know that LHH is the protag there and most focus is probably on him and his companions. But I just wanted ask for your opinion?

consulted my wife friend about this list so that i wouldn't miss the important moments. a little heads up this post will have side story spoilers

when hsy opens the door at the end of chapter 551, kimcom are sent to a snowfield with two doors in it. in one of them theres a happy ending. kdj woke up and is waving at them. in the 2nd door, kdj didn't wake up. yjh was the first one to enter the 2nd door, Unnoticed by anyone might i add. he's the one who opens the door and says "if it was him, i knew he'd pull something like this"

when we get 49 kdj's pov at the end of season 1 of the side story there's a small scene of yjh bringing 49 food. the scene is not described with full details however we learn that 49 has forgotten most things about yjh, to the point he doesn't even rmbr if yjh has cooked rice for him before. yjh then says this line to him "You don't need to be anything. All that matters is what you want to be" next morning 49 decides to go to the 1865th regression turn in order to help kimcom get back 51.

yjh comes back from a second journey of searching for kdj fragments together with biyoo. he notices that hsy has failed to stop the 41st round, and ignoring lsh's warnings that he's too strong to descend into the 41st worldline bcs the probability will kill him and destroy the worldline immediately once he descends. he says that hsy and ysa need to create conditions for him to descend because "Kim Dokja is mine to bring back" kr fans have noticed that this sentence has two major tones to it. 1, possessive and 2, arrogant. "kdj is mine to bring back since you (hsy) couldn't"

season 3 of the side story has a lot of focus on dkos kdj. he's now lhh's sponsor and talks to him thru midday tryst. and he brings up yjh So Often that even lhh is bored/baffled. not to mention he refers to yjh with a lot of affectionate terms "joonghyuk-ah this, joonghyukie that" recently even selena kim and christina page were all "????" when kdj called yjh "joonghyukie" in front of them

in the beginning of season 3, yjh noticed a source of light enter the "curtain of the 41st worldline" (listen mtl is hard please bear with me) and he immediately slams himself into it, trying to follow after the light. seeing as the curtain is burning him and "grilling him like fish" jaehwan (aka the mc of the world after the fall) has to forcefully pull him back as he shouts "are you crazy" at yjh. spoiler alert, yes he is crazy

not exactly an explicit moment per se, but every time lhh incites himself as kdj or yjh his first thought will always be of the other

in order to subdue an overpowered 41yjh hsy decides to give him happy memories. those memories included a scene where yjh was cooking for kimcom and hsy described it as "yoo joonghyuk was dying from happiness." then the scene quickly puts kdj in the center where he comments about how good yjh's food tastes and that next time they come here (a picnic) they should bring more beef. she succeeds in subduing 41 even though he has never actually met kdj before. later on we learn that 41 also got the memory of the rooftop conversation between kdj and yjh. and like. dare i say. he really sounded a little jealous/sulky abt it. not to call him sp or anything..............

there's a small flashback of a (not written in orv) scene set during 1865th turn. it's about lost memories. yjh tells hsy that he forgets lots of memories whenever he regresses but it's okay because even if he forgets that guy (kdj) will remember them for him.

recent addition: ORV: yjh: you bought a useless skill (preserve humidity) / lsh: but dokja-ssi also has this skill / yjh: kdj has this skill?? *contemplates buying it* |||| SIDE STORY: lhh: this guy (kdj) actually purchased a useless item? (neck pillow) / kdj: but yjh also has this neck pillow / lhh: yjh has this pillow? *after learning its advantages thinks it's a good item* (also kr fans speculate that it was kdj himself the one who bought a neck pillow for yjh)